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The Breakfast Club Talks With 50 Cent, Tink & Hitmaka · The Breakfast Club

0:00
Speaker 1: Time to wake up Jack Instantially and Charlomagne the Doctor
0:04
Speaker 1: to Breakfast Club Bitch the voice of the culture. People
0:07
Speaker 1: watch The Breakfast Club for like news and really be
0:10
Speaker 1: tuned in. It's one of my favorite shows to do,
0:13
Speaker 1: just because y'all always keep you one hunting, y'all keep
0:15
Speaker 1: your real. They might not watch the news, but they're
0:17
Speaker 1: on Twitter, they're on Facebook, they're you know, they're listening
0:20
Speaker 1: to The Breakfast the Brother Club. Get your ass yo
0:32
Speaker 1: yo yo yo yo yo yo yo yo yo yo
0:34
Speaker 1: yo yo yo yo yo yo yo yo yo yo
0:36
Speaker 1: yo yo yo yo. Good morning angela ye damn Money
0:41
Speaker 1: d'zmby Charlomagne the Guy. Piece to the planet is Friday,
0:48
Speaker 1: and you are listening to the last days of the
0:50
Speaker 1: Breakfast Club. As you know it. We have that in
0:54
Speaker 1: the drop yet not yet, Oh we do oh today
0:58
Speaker 1: today were getting the drop. Okay, how y'all feel this morning?
1:01
Speaker 1: I feel good? How you feeling? I feel good? But
1:03
Speaker 1: I feel tender, man, I feel tender. I feel tender
1:05
Speaker 1: this morning, but in a good way. I probably need
1:07
Speaker 1: to call my therapist to get in because I didn't
1:09
Speaker 1: have an appointment set up for the day. But I
1:11
Speaker 1: Do I feel tender this morning? In a good way?
1:13
Speaker 1: It's tender? Like is it like? Like? What's tender about you?
1:16
Speaker 1: My heart feels tender, my soul feels tender. Okay, I
1:20
Speaker 1: think it's something to do at the moon. It's one
1:21
Speaker 1: of those days if I I'm sure when I drink
1:23
Speaker 1: to Kila at some point this weekend, I'll cry for
1:25
Speaker 1: no reason. Hug. No, I don't want to hug. I said,
1:29
Speaker 1: I feel tendered in a good way. Man, ain't sad, Okay,
1:32
Speaker 1: I'm happy. Actually, I feel good. Just feel tender this morning.
1:35
Speaker 1: How you feeling? Do you feel tendered? Tender? Could go
1:37
Speaker 1: either way? No, I don't. I'm in Martha's vinyards still.
1:42
Speaker 1: But I'm coming home today finally. So I've been out
1:45
Speaker 1: here doing some things with the Rockets African American Film Week,
1:49
Speaker 1: and I actually did a pan on yesterday with Regina Hall.
1:52
Speaker 1: She is hilarious, is she? But she has her own
1:54
Speaker 1: production company now, yeah, yep, yep, yep, yep, she sure does.
1:59
Speaker 1: That is that is fact? That is a fact. Who
2:02
Speaker 1: we got on the show today, man, because today we
2:05
Speaker 1: actually have a couple of our favorites that's on the
2:07
Speaker 1: show today, like a couple of my favorite individuals, favorite talent,
2:11
Speaker 1: Tink and hit Maker. You know, young Burg and Tink
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Speaker 1: will be joining us this morning. Hit Maker isn't one
2:15
Speaker 1: of those favorite people that I'm talking about. Tinking drops
2:18
Speaker 1: bombs with Tink, okay, and I appreciate I appreciate hit Maker.
2:22
Speaker 1: I'm just being honest, like you know you I said
2:23
Speaker 1: two of my favorites, my personal favorites I want. Tink
2:26
Speaker 1: is one of them, and I appreciate hit Maker. But
2:29
Speaker 1: this other person that we have on the show this morning,
2:31
Speaker 1: that's I'm talking about, fifty cent will be joining us
2:33
Speaker 1: this morning. Fifth but Curtis fifty cent Jack Curtis said,
2:38
Speaker 1: we're joining us this morning. Let me tell you something.
2:41
Speaker 1: You know, had plenty of conversations with Fifth, you know,
2:44
Speaker 1: worked with a Fifth on his TV show and stuff
2:46
Speaker 1: like that before. But you know, I don't know why.
2:49
Speaker 1: Yesterday I was just it hit me like fifty cent
2:53
Speaker 1: is like a different level of legend. It is like
2:56
Speaker 1: there there's levels to this legend thing. Like we throw
2:58
Speaker 1: the word legend around and there are legends, but there's
3:01
Speaker 1: different there's levels to legends. He's a flab with number
3:04
Speaker 1: one seed when it comes to being a leged Absolutely,
3:08
Speaker 1: he moves different. Yeah, he just moves different. Fifth moves different.
3:12
Speaker 1: Everything from you know, you know the music is unquestionable, right,
3:16
Speaker 1: but then you just think about what everybody's doing now
3:20
Speaker 1: as far as like the Internet and rappers being personalities.
3:24
Speaker 1: Fifth kind of started all of that. Yeah, think about it. Yeah,
3:28
Speaker 1: he kind of started all of that way way back.
3:30
Speaker 1: But this is fifty and all of that stuff like that,
3:32
Speaker 1: so and yeah, and everything he's doing in television and
3:35
Speaker 1: just who he is. Man, he's different. It's only one
3:38
Speaker 1: fifty guy. Yes, he's definitely different. So we're gonna be
3:41
Speaker 1: kicking it with fifty. But let's get the show cracking
3:44
Speaker 1: front page news. What we're talking about. Yes, let's talk
3:47
Speaker 1: about it. The NBA they're gonna be honoring Bill Russell.
3:49
Speaker 1: They're retiring the number six across the entire league. Okay,
3:54
Speaker 1: we'll get it to that. Next, it's the Breakfast Cloud
3:55
Speaker 1: Go Morning Morning. Everybody is DJ v Angela Yee, Charlemagne
4:01
Speaker 1: the guy we are to Breakfast Club. Let's getting some
4:03
Speaker 1: front page news now. In sports, Bill Russell's number six
4:09
Speaker 1: to be retired across the NDA following the legend's death. So, uh,
4:14
Speaker 1: they're gonna retire the number six jersey, not for everybody,
4:17
Speaker 1: though seventeen players still get to keep it. Lebron James
4:20
Speaker 1: is one of them. I don't know how they pick
4:21
Speaker 1: and choose who gets to still wear to jersey. I'm
4:24
Speaker 1: sure people who have, but they just can't issue it again. Yea,
4:26
Speaker 1: they just won't be You can continue to wear it,
4:30
Speaker 1: but they number can't be issued again. Oh got you?
4:32
Speaker 1: Got you? And I'm sure I'm sure that they retire
4:35
Speaker 1: Michael Jordan's jersey twenty three the same way. I wonder
4:37
Speaker 1: why the think they haven't done They haven't Michaelath for Michael.
4:41
Speaker 1: I don't know why Michael Jordan not the logo of
4:43
Speaker 1: the league absulutely. But you know, I mean people say
4:47
Speaker 1: Kobe too for sentimental reasons, but you know, we're being
4:49
Speaker 1: an objective. Michael Jordan should be the logo to the
4:51
Speaker 1: He might own it, might not want it. He got
4:53
Speaker 1: his own, that's true. But salute Bill Russell. Absolutely. The
4:58
Speaker 1: first time the NBA has done this, m you know there,
5:02
Speaker 1: because I think that in the Major League Baseball they
5:05
Speaker 1: only did it for Jackie Robinson, right, that's the only
5:07
Speaker 1: one that's totally retired. I think Jackie Robinson and in
5:10
Speaker 1: the NHL they've done that for Wayne Gretzky. Wayne Gretzky. Yeah, okay,
5:14
Speaker 1: what else we got? Easy? All right, Well, let's talk
5:17
Speaker 1: about Donald Trump. So the Attorney General, Mary Garland said
5:21
Speaker 1: he is the person that decided to do this search
5:23
Speaker 1: warrant that Donald Trump keeps on saying has been a
5:26
Speaker 1: witch hunt for him. And Donald Trump also said yesterday
5:31
Speaker 1: that he would not oppose actually making the warrant public
5:35
Speaker 1: so we can see exactly what was going on and
5:38
Speaker 1: what was sees. Here is Mary Garland speaking on that decision. First,
5:42
Speaker 1: I personally approved the decision to seek a search warrant
5:45
Speaker 1: in this matter. Second, the Department does not take such
5:49
Speaker 1: a decision lightly. The former president publicly confirmed the search
5:53
Speaker 1: that evening, as is his right. I will not stand
5:57
Speaker 1: by silently when their integrity is unfairly attacked. They protect
6:02
Speaker 1: the American people from violent crime, terrorism, and other threats
6:07
Speaker 1: to their safety while safeguarding our civil rights. They do
6:12
Speaker 1: so at great personal sacrifice and risk to themselves. You know,
6:18
Speaker 1: when he says things like that, yeah, we might be right,
6:20
Speaker 1: but we have to address the history of the FBI
6:22
Speaker 1: because the FBI has not been that for black people
6:25
Speaker 1: in black civil rights movements. It was actually weaponized against
6:28
Speaker 1: those civil rights figures in those civil rights movements. You
6:31
Speaker 1: know what I mean. When I hear him say that,
6:33
Speaker 1: I'm like, you're not talking to us. And I thought
6:35
Speaker 1: about this right because we talked about this on my
6:37
Speaker 1: talk show last night, a hell of a week on
6:39
Speaker 1: Comedy Central. The FBI is not moving on this case
6:42
Speaker 1: like they do everyone else. All I've seen in my
6:44
Speaker 1: whole life is that when the Feds come, it's hopeful, correct.
6:48
Speaker 1: When the fans raid your house, when the fans pull
6:51
Speaker 1: up on you, they got you. The fact that the
6:52
Speaker 1: FEDS raided Magalago and no arrest were made lets me
6:56
Speaker 1: know they're not moving with the same energy that they
6:57
Speaker 1: do everybody else. They don't know how to point it
7:00
Speaker 1: whiteness in this country because those institutions like the FBI
7:02
Speaker 1: were not created the punished whiteness. They were created the
7:05
Speaker 1: punishing police marching the lives communities people like us. Well,
7:10
Speaker 1: Donald Trump said, not only will I not oppose the
7:12
Speaker 1: release of documents related to the Unamerican unwarranted and unnecessary
7:17
Speaker 1: rate and breaking of my home in Palm beats Florida Marlago.
7:20
Speaker 1: I am going to step further by encouraging the immediate
7:23
Speaker 1: release of those documents. If he got them, put them
7:26
Speaker 1: on put them on true social that's the social media platform.
7:30
Speaker 1: But you know another reason that you said that is
7:31
Speaker 1: most of the time when the Feds come in, they
7:34
Speaker 1: have to make sure the issues right because now they're
7:36
Speaker 1: dealing with you know, somebody that's a billionaire that can
7:38
Speaker 1: fight them back. But that's my point. When they when
7:40
Speaker 1: they pull up on your house, like, they ain't got billions,
7:42
Speaker 1: so they can pretty much do what they want to do.
7:44
Speaker 1: But usually they already got the case. You're right when
7:47
Speaker 1: the when the feds come, they're not coming to ask questions.
7:49
Speaker 1: The fans already got you. They've been monitoring you, watching you.
7:53
Speaker 1: They got the evidence they need. You're going to jail,
7:55
Speaker 1: and they kind of which is crazy, they kind of
7:57
Speaker 1: gotta walk on the eggshelves with with with Donald Trump
7:59
Speaker 1: because they because because he's powerful, and he's white, correct
8:02
Speaker 1: and he's rich. Correct. And once again, these institutions were
8:05
Speaker 1: not created to punish old white men like him. They
8:09
Speaker 1: were created to punish people like us. Absolutely, they don't
8:11
Speaker 1: even know what to do with him. How do you
8:12
Speaker 1: punish white they don't even know, they don't even know.
8:15
Speaker 1: There was like, damn, we know he did something wrong,
8:16
Speaker 1: but we're not used to doing this. We don't even
8:18
Speaker 1: be locking his type up. He made us feel bad.
8:20
Speaker 1: He was like, they broke it tobody safe. I was like,
8:22
Speaker 1: oh my goodness, don't not the same. We don't want
8:25
Speaker 1: to set this precedent now right, we're gonna start locking
8:28
Speaker 1: up a rich, old white privilege men now in America.
8:33
Speaker 1: All right, well that is your front page news. That's
8:35
Speaker 1: all I'm saying. I'm gonna throw them a hand up
8:37
Speaker 1: in there and get it off your chest. I think
8:39
Speaker 1: got me feeling I'm like I'm crazy. I'm like, I
8:41
Speaker 1: know I'm not crazy. Eight hundred five eight five one
8:44
Speaker 1: on five one. If you need to vent, phone line
8:46
Speaker 1: to wide open again eight hundred five eight five one
8:48
Speaker 1: on five one, and don't forget fifty cent, I'll be
8:50
Speaker 1: joining us this morning. Also Tink and heat Maker's Breakfast
8:53
Speaker 1: Love com one the Breakfast Club, Holly, this is your
9:01
Speaker 1: time to get it off your chest, whether you're mad
9:04
Speaker 1: or blessed. Eight five one. We want to hear from
9:07
Speaker 1: you on the breakfast club. Hello, who's this deric? Are
9:12
Speaker 1: we're doing? How we're doing? What's up? Broking it off
9:14
Speaker 1: your chests? Okay, so listen, y'all gotta give me a
9:17
Speaker 1: minute because I'm about to get it all off. But
9:19
Speaker 1: I'm gonna be quick and swift food and make it
9:21
Speaker 1: real clear. So Booms was a term driver ten years
9:24
Speaker 1: decided to get that up. People don't pay attention on
9:27
Speaker 1: the roads, wind up getting in the four and they're
9:30
Speaker 1: doing ten hours shifts ten plus, so they do damn
9:35
Speaker 1: there eleft right now. At some point they didn't drop
9:39
Speaker 1: the all the restrictions for COVID. You know, COVID still
9:43
Speaker 1: a thing. We get that, we understand that, but come
9:45
Speaker 1: on now, you're working us to death like we're coming
9:48
Speaker 1: back tomorrow. Don't keep your strong hold on us like that.
9:51
Speaker 1: Somebody got to come in tell may push it back there.
9:54
Speaker 1: You know, everybody just can't be puppets. So my team
9:57
Speaker 1: with that is some people love some people don't. They
10:02
Speaker 1: need to take a poll or something. You understand. I'm
10:04
Speaker 1: saying absolutely. I saw that yesterday the CDC. So the
10:07
Speaker 1: CDC ended UH test to stay for schools and they
10:11
Speaker 1: relaxed COVID rules. What does that mean? Exactly like we
10:14
Speaker 1: gotta we don't have to test everywhere we go. Now,
10:16
Speaker 1: some places he require if it's if it's an individually
10:19
Speaker 1: owned institutions, they own rules, just like people are. Just
10:24
Speaker 1: like institutions or establishments to require mass or something. Then
10:28
Speaker 1: some only follow the CDC guidelines. Some had their own guideline.
10:32
Speaker 1: I am very upset about this because yesterday we had
10:34
Speaker 1: a very very important guest that I wanted to sit
10:38
Speaker 1: down and have a conversation with, and we couldn't have
10:40
Speaker 1: her up because somebody and her entourage chest the positive
10:42
Speaker 1: for COVID and I said, so what bring her up?
10:46
Speaker 1: And they wouldn't bring her up. Okay, I'm upset about
10:49
Speaker 1: this now, let me get this off my chest. H Angel,
10:53
Speaker 1: Angel Louise. I'm gonna miss you. I'm gonna miss you.
10:58
Speaker 1: I'm gonna tune me and tell all your all your
11:00
Speaker 1: new upcoming adventures, and we wish you the best here
11:04
Speaker 1: in the day. You know, we always root for you.
11:06
Speaker 1: We see you around here a lot. We know you
11:09
Speaker 1: party with us, so we always stip our hat to you. Charlemagne.
11:13
Speaker 1: I need a book from you, brother, I got you
11:15
Speaker 1: I'm gonna get your address and we'll send you something. Brother,
11:17
Speaker 1: All right, now, you and you, hey, when Angela leave
11:21
Speaker 1: you and DJ Mvy cut on that funny business out man, man,
11:28
Speaker 1: funny business are you talking about? Funny is the key word?
11:31
Speaker 1: Oh no, no, listen, listen, I'm gonna tell y'all something.
11:34
Speaker 1: I'm gonna get the address. I'm saying something, so of
11:36
Speaker 1: other causes to get through, we take this out. Yeah, yeah, yeah,
11:39
Speaker 1: because I'm want to send the book. I'm trying to
11:40
Speaker 1: build myself. Take us out. Both of y'all are almost
11:46
Speaker 1: like consider political figures, right, So when you y'all, y'all
11:50
Speaker 1: almost considered like political figure. You're not politically, not not
11:54
Speaker 1: in a politician type way. But people admire y'all. Y'all.
11:58
Speaker 1: They listen to y'all, especially you or charlottelady, because you're
12:02
Speaker 1: well into mental health and people look up to that.
12:04
Speaker 1: So when y'all do that funny business thing, man, you
12:07
Speaker 1: confuse the funniest of all the funny business is good
12:10
Speaker 1: for my mental health. I love loving on my brother.
12:12
Speaker 1: We should be able to love on each other without
12:14
Speaker 1: you know, anybody thinking anything funny. But yeah, you got
12:18
Speaker 1: to remember you at work. I mean I know you
12:20
Speaker 1: at work. Hold on, well, they say you gotta remember
12:29
Speaker 1: you at work. You're that in your free time, not
12:32
Speaker 1: at work. You know what it is? Toxic masculinity has
12:35
Speaker 1: ranged supreme so much that when you see a black
12:37
Speaker 1: man loving on another black man, you think they're gay.
12:39
Speaker 1: And they might be, but so white. Getn't know if
12:43
Speaker 1: your chest eight hundred five eight five one on five one.
12:45
Speaker 1: If you need to vent, hit this up now. It
12:47
Speaker 1: was The Breakfast Club, Good Morning, The Breakfast Club Power
12:54
Speaker 1: one on five one, The Breakfast Club Your Morning's will
12:57
Speaker 1: never be the same. That's program is sponsored by Better Help.
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13:12
Speaker 1: dot com. Slash the Breakfast Club listen. Oh, it's a club.
13:26
Speaker 1: But R Kelly's a long time living girlfriend who allegedly
13:29
Speaker 1: might be his fiance. Joycelyn Savage is going to be
13:32
Speaker 1: writing a tella book about her relationship with R. Kelly,
13:36
Speaker 1: and an email to the Post, she did confirm the
13:38
Speaker 1: book will be called Love and Joy of Robert and
13:40
Speaker 1: it will be published tomorrow on Saturday. She said, all
13:45
Speaker 1: I can say is that it is about Robert, the
13:47
Speaker 1: beginning of my life and Robert's shadow, where things began
13:49
Speaker 1: to take off and where they are currently going. Okay,
13:53
Speaker 1: so we don't know whether or not they're engaged, but
13:55
Speaker 1: she said everything will be answered in her book. Okay, yeah,
14:01
Speaker 1: she should be interesting. I'll try to make sure I
14:04
Speaker 1: get my hands on it this weekend so we can
14:06
Speaker 1: talk about it Monday, all right. And people are upset
14:09
Speaker 1: about Britney Spears for a post that she wrote to
14:13
Speaker 1: Kevin Federline, her ex, and you know, he had posted
14:17
Speaker 1: these recordings of their two sons together of Britney Spears
14:22
Speaker 1: arguing with them, and she attempted to give an explanation
14:25
Speaker 1: of why. And in the post she was just talking
14:28
Speaker 1: about teenagers who are just hard to deal with at
14:31
Speaker 1: that age. They were eleven and twelve at the time,
14:33
Speaker 1: and she said, but come on, there's being rude, then
14:35
Speaker 1: there's being hateful. They would visit me walking the door,
14:38
Speaker 1: go straight to their room and lock the door. And
14:40
Speaker 1: so then she goes on to say that she would
14:42
Speaker 1: ask to see the kids and wouldn't get a response
14:45
Speaker 1: for us sometimes two or three days. But the part
14:47
Speaker 1: that people are upset about is she's talking about how
14:52
Speaker 1: there's a lot of weed being smoked at Kevin Federline's
14:55
Speaker 1: house and she said we will She said, when can
14:59
Speaker 1: we you so as much as so as much of
15:03
Speaker 1: you watch what he refers to as his family, as
15:06
Speaker 1: a perfect Brady Bruns family. I can guarantee you that
15:09
Speaker 1: house has more weed than Ludacris, fifty cent jay Z
15:12
Speaker 1: and Puff Daddy combined. I was offended by that she
15:15
Speaker 1: named dropped all these black people. I was offended by
15:18
Speaker 1: that because she ain't named nobody that's a notorious smoker.
15:20
Speaker 1: She ain't say Snoop Dog, she ain't say Winds Khalifa.
15:23
Speaker 1: When do we associate weed with Ludacris, fifty jay Z
15:28
Speaker 1: and did he? Yeah? That doesn't right knocking off. That's
15:31
Speaker 1: what offended me more than anything like damn at least
15:33
Speaker 1: no yea himpop That sounds dumb. Now she just said
15:36
Speaker 1: Snooped have been like if she said Snooper Winds, I understand,
15:39
Speaker 1: like those people are anonymous with marijuana currency, like you
15:43
Speaker 1: just name You just named four random people that aren't
15:46
Speaker 1: even associated with marijuana, like stop. Yeah. So people were like, oh,
15:51
Speaker 1: you can send and name all these black people, all
15:53
Speaker 1: these black rappers seem like all right, And Kathy Hilton
15:57
Speaker 1: has tattoo apologize and explain why she mistook Lizzo for Precious.
16:04
Speaker 1: And this was while she was on Watch What Happens
16:06
Speaker 1: Live with Andy Cohen And here is what happened during
16:10
Speaker 1: that instant. I feel like I do precious. No, she
16:23
Speaker 1: as precious. Now, Lizza's precious. That's like what I call her.
16:26
Speaker 1: Lizz is precious to me. Yes, now Lizzo is precious.
16:34
Speaker 1: M hmm. All right. Well her explanation, she said, the
16:37
Speaker 1: screen was so far away and my vision is terrible.
16:40
Speaker 1: If you recall, I couldn't even make it who Justin
16:42
Speaker 1: Timberlake or Melissa Ethridge was. I don't think she was
16:46
Speaker 1: trying to be funny. You he really thought she was precious.
16:48
Speaker 1: I think she really made an honest mistake. And the
16:51
Speaker 1: worst part about that mistake is that, well, I guess not.
16:53
Speaker 1: She don't know that gaps. She don't know Gabbery cidaby.
16:56
Speaker 1: She only knows her ass precious, you know what I mean?
16:59
Speaker 1: Maybe if she would have said Gabay citabaiting. People probably
17:01
Speaker 1: wouldn't have been so offended by it. People people were offended, right,
17:06
Speaker 1: It was backlash. People are plenty. Yeah. I think if
17:09
Speaker 1: I think if she would have said Gabberrey Citabay, it
17:11
Speaker 1: would have been precious. Yeah. And I think what she
17:16
Speaker 1: said precious, it comes off as a joke, but she
17:18
Speaker 1: probably don't know that. She don't know gaberts to the
17:20
Speaker 1: Bay's real name, all precious his real name? What you know?
17:23
Speaker 1: What the hell I mean? All right? Now, our pastor
17:25
Speaker 1: in North Carolina is upset about Beyonce's song Church a
17:29
Speaker 1: Girl and to discernment about it. I saw that she
17:32
Speaker 1: got some backlash, but then I also saw a lot
17:34
Speaker 1: of positivity, people saying, you know, I had some issues
17:37
Speaker 1: and I was thinking about, like, you know, church and
17:41
Speaker 1: what I do and judgment and all of that. So
17:44
Speaker 1: some people say that song really help him. But this
17:46
Speaker 1: pastor is saying that that song is trash. Here's what
17:49
Speaker 1: he had to say. The only thing I can account
17:51
Speaker 1: for some of this stuff is somebody that sold their
17:54
Speaker 1: soul to the devil. Now, all I can say to
17:57
Speaker 1: you is this, when you're saying your soul to the devil,
17:59
Speaker 1: you get the short end of the stick because you would.
18:03
Speaker 1: You're not gonna live but solo. And when you leave here,
18:06
Speaker 1: when you're going, you're going to be that forever. It's
18:10
Speaker 1: not a good deal. I don't care when it gives you.
18:12
Speaker 1: But this piece of shrash, that's release. And she named
18:19
Speaker 1: it church Girl. Now. I had thought to try to
18:25
Speaker 1: read the lyrics to you, but I struggle to listen
18:28
Speaker 1: to them. It's too bad. It's too bad. It's not
18:32
Speaker 1: for public consumption. I drop it like dropping, like knocking
18:39
Speaker 1: off path through. What is he talking about it? That's
18:41
Speaker 1: why when people say only God can judge me, I say, yeah, right,
18:44
Speaker 1: that's all humans do is judge, especially religious folks. Yeah,
18:48
Speaker 1: that's the whole point of the song. I g to
18:51
Speaker 1: not be judged. Church girls acting a little bad girls act.
18:53
Speaker 1: The snotty took that ass like you came up from
18:56
Speaker 1: the South, dropping like like about it and shut up, man,
19:02
Speaker 1: you're messing up the song, singing it all slow like
19:05
Speaker 1: you you've been in Houston too long? Are you chopping
19:07
Speaker 1: the screw in the song? Listen? Religious folks are so
19:09
Speaker 1: damn judgmental. Do not judge, or you two will be
19:12
Speaker 1: judged Matthew seven one two religious folks don't give a
19:14
Speaker 1: damn about that scripture. And crazy part about that song
19:17
Speaker 1: is Beyonce is showing the whole totality of people. We
19:20
Speaker 1: are all the perfect balance of ratchetness and righteousness. And
19:23
Speaker 1: I saw church girls in real life. I didn't told
19:25
Speaker 1: y'all this story. Bishop td Jake sixty fifth B Day
19:27
Speaker 1: Party dropping on the clues box with Bishop td Jakes. Okay,
19:30
Speaker 1: those folks at depart the house, girl, how to get down?
19:32
Speaker 1: You hear me? When? When when d Knights played, uh
19:35
Speaker 1: blow the whistle by two s my favorite folks know
19:39
Speaker 1: what truth your favorite world was? And guess what, that's fine.
19:42
Speaker 1: We all the perfect balance of ratchness and rightness. Who perfect?
19:46
Speaker 1: And that's not even being imperfect just because you want
19:48
Speaker 1: to drop it like I thought it, dropping it like
19:50
Speaker 1: I thought it. Hey, hey, hey, all right, all right, right,
19:53
Speaker 1: well that is your report. Play the song. Let's play
19:55
Speaker 1: this song. Play an entirety, lay the song. Can we
19:58
Speaker 1: play it in this entirety? Why not? Can you? Can
20:00
Speaker 1: you put a song come dropped the next Drake record?
20:03
Speaker 1: I know that's a job. No, No, we're about to play.
20:04
Speaker 1: We're about to play Beyonce. I know, but you probably
20:06
Speaker 1: had another Drake record your had scheduled to play this
20:08
Speaker 1: little Baby. Okay, come on, Church Girl wants us to
20:12
Speaker 1: play this record this morning the Breakfast Club. Your mornings
20:16
Speaker 1: will never be the same. What it's time to get
20:19
Speaker 1: with someone special. The best way to do it is
20:21
Speaker 1: with Magnum large size condoms. That gold foil rapper is
20:25
Speaker 1: a badge of honor, and it means you're protected and
20:28
Speaker 1: you take care of things with comfort. Accept no substitute.
20:31
Speaker 1: So bring the pleasure with the gold standard Magnum large
20:34
Speaker 1: sized condoms. Hey, the line I love in that record
20:38
Speaker 1: nobody can judge me but me. But that's not true always.
20:41
Speaker 1: But people will judge you all day long. We'll just
20:43
Speaker 1: remember judgmental folks. Judging a person does not define who
20:47
Speaker 1: they are, defines who you are. All right? I love
20:50
Speaker 1: that record. Man with a perfect balance of ratchetness and righteousness.
20:53
Speaker 1: All right, well we are to Breakfast Club. Let's getting
20:55
Speaker 1: some ropes. Yeah, you know me, guy's crazy. All right, Well,
21:05
Speaker 1: let's talk about you know, we still do have COVID
21:08
Speaker 1: nineteen and the CDC has announced that they are going
21:11
Speaker 1: to be loosening these restrictions. So as first the guidance
21:15
Speaker 1: for quarantines and social distancing, they no longer recommend individuals
21:19
Speaker 1: stay at least six feet apart to reduce the risk
21:21
Speaker 1: of exposure. The guidance was someplace since the start of
21:24
Speaker 1: the pandemic, but because of widespread vaccination or previous infection,
21:29
Speaker 1: they believe that most of the United States has at
21:30
Speaker 1: least some immunity, so no more of those six feet
21:34
Speaker 1: apart rules now. They also said the new guidelines dictate
21:37
Speaker 1: that contact tracing only needs to be enforced at hospitals
21:41
Speaker 1: or at high risk population living situations like nursing homes.
21:45
Speaker 1: So some of the guidances is saying like, if you
21:47
Speaker 1: come into contact with somebody who tested positive for COVID,
21:51
Speaker 1: then you go ahead and get tested too. But when
21:53
Speaker 1: it comes to quarantining, people who have been exposed but
21:56
Speaker 1: are not infected do not need to quarantine. And if
21:59
Speaker 1: you have test positive you should stay home at least
22:01
Speaker 1: five days, but if you have more moderate or severe cases,
22:04
Speaker 1: isolate for ten days. So it's over, y'all, got it,
22:07
Speaker 1: It's over, y'all. So what are they saying, I don't
22:10
Speaker 1: have to stay in six feet away and if I
22:11
Speaker 1: catch COVID? What I gotta do? If you have it,
22:15
Speaker 1: if you're if it's not too severe, stay home for
22:18
Speaker 1: five days. If it is. If it is severe or moderate,
22:21
Speaker 1: then ten days. It's overall. We've moved on. If you're
22:25
Speaker 1: exposed and you're negative, you don't need to quarantine. We've
22:29
Speaker 1: moved You don't have to quarantine up, man, We just man. Listen, hey,
22:32
Speaker 1: if you're narrative, it's so all right. We've moved on.
22:35
Speaker 1: The social experiment is done. They know y'all don't care,
22:37
Speaker 1: so we don't have to test it the more to
22:38
Speaker 1: come up here when the last time you to come,
22:42
Speaker 1: don't test. Now. I'm so mad about that guest that
22:44
Speaker 1: couldn't come up here yesterday because it's as stupid ass
22:47
Speaker 1: COVID protocol. Okay, if we've lost out on such a
22:50
Speaker 1: phenomenal guest yesterday, at least phenomenal to me. Okay, the
22:53
Speaker 1: guests didn't have COVID, but somebody with them did and
22:55
Speaker 1: we couldn't let him up. But they didn't schedule that, Eddie.
22:58
Speaker 1: If that was the case, we would let him up
22:59
Speaker 1: there for soon. Okay, all right, soon soon, listen, please
23:05
Speaker 1: iPhone stop sending me that dumb ass notification that I
23:07
Speaker 1: came in contact with people with COVID. All right, it
23:09
Speaker 1: clearly doesn't matter no more, the CDC said, So they
23:11
Speaker 1: dropped restrictions like a thoughty, thoughty, anybody asking you to
23:14
Speaker 1: do COVID test now they just flirting, especially if it's
23:16
Speaker 1: the anal swap, all right. And mortgage rates are above
23:20
Speaker 1: five percent once again after dipping below that the first
23:24
Speaker 1: time in months a week earlier. So right now, the
23:26
Speaker 1: thirty year fixed rate mortgage is about five point twenty
23:29
Speaker 1: two percent, and that's up from four point nine nine
23:32
Speaker 1: percent the week before. So, you know, still kind of high,
23:39
Speaker 1: very high for people who are looking about you. People
23:43
Speaker 1: are still buying, all right, Well that is your Yeah,
23:46
Speaker 1: people are still buying if you can listen, if you
23:47
Speaker 1: can get a great deal, a great deal, it's a
23:49
Speaker 1: great deal no matter what. Yeah, people are still looking
23:50
Speaker 1: for housing. There's still a shortage of housing, so people
23:52
Speaker 1: are still buying. Interest rates are still high, but you can,
23:55
Speaker 1: you know, still find some some good deals right now.
23:57
Speaker 1: Prices are coming down a little bit. Drop her like
23:58
Speaker 1: a thoughty, drop her like it out of Hey, Chryst
24:01
Speaker 1: is dropping like I thought all right when we come back,
24:05
Speaker 1: fifty cent oill be joining us to go legend, so
24:07
Speaker 1: don't move. It's the Breakfast Club. Good morning, the Breakfast
24:11
Speaker 1: Club one five one, the Breakfast Club. Your morning's will
24:19
Speaker 1: never be the same morning. Everybody's DJ Envy Angela Yee,
24:24
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got
24:27
Speaker 1: a special guest in the building, fifty cent. It got
24:31
Speaker 1: me up bright and early. What's going on? Many thing?
24:34
Speaker 1: Good man? No complaints? How I feel? Will be back
24:36
Speaker 1: in New York Man, feel good man? The city, The
24:38
Speaker 1: city is good. Don't you ain't watching YouTube to see
24:41
Speaker 1: the news clips about every more? Things is going on
24:44
Speaker 1: out here. You look like you got back in the
24:46
Speaker 1: gym heavy brom I back. You know this said was
24:48
Speaker 1: fat super Bowl man, because I was like, what are
24:55
Speaker 1: you talking about? I'm not fat? Like I got pick
24:57
Speaker 1: I'm gonna show you a picture I took with Jamie.
25:00
Speaker 1: You know, I guess it's the angle because I was
25:02
Speaker 1: coming up so you see like it looked a little
25:04
Speaker 1: wider and then they got they got that and they
25:07
Speaker 1: ran with it. But you know, like I'm I'm looking
25:09
Speaker 1: like now. I fluctuated a lot throughout mind my run,
25:13
Speaker 1: you know what I'm saying, And it's just my body
25:15
Speaker 1: time I can be security. Bro would be too big
25:19
Speaker 1: and it's sorry. You know. I started training and working
25:21
Speaker 1: out stuff but regular stuff, but I just made sure
25:23
Speaker 1: I did it every morning because they said that to me. Now,
25:26
Speaker 1: how's it back on the road? You know, the last
25:28
Speaker 1: two three years you've been doing nothing but movies and shows,
25:31
Speaker 1: and now you're back on the road. How does that
25:33
Speaker 1: feel to be out perform like you know, look, hip
25:35
Speaker 1: hop is now old enough for them to start to
25:37
Speaker 1: treat us like we treated the real pop stars, you know,
25:42
Speaker 1: like we're Princeton and Mike and them. When they was
25:45
Speaker 1: they would just say I'm performing today and the show
25:48
Speaker 1: would go up and sell out that day, you know
25:50
Speaker 1: what I'm saying. Like, and then and the nationally, I'm
25:53
Speaker 1: getting an old response to the things like everything so
25:56
Speaker 1: out like when I went out there, like and it's
25:58
Speaker 1: because I laid the groundwork, like during Get Richard Die
26:00
Speaker 1: Trying and the Massacre those projects. Was taking two years
26:04
Speaker 1: for me to come with the next album because I
26:06
Speaker 1: spent the whole year after I released it touring, you know,
26:09
Speaker 1: so because I was going everywhere like Croatia, moved by
26:13
Speaker 1: India like Coast of Old Like I was everywhere, you
26:17
Speaker 1: know what I'm saying, Like everywhere that they would. I
26:19
Speaker 1: wanted all of the flags that m had on that
26:21
Speaker 1: Marsha Maters album, that plaque. So I was like, I know,
26:24
Speaker 1: I'm gonna have to go do the door to get it,
26:26
Speaker 1: but I'm gonna go in the association to em help,
26:31
Speaker 1: you know what I'm saying. So I was like, I
26:33
Speaker 1: went out there and did all of that, but now
26:34
Speaker 1: now it feels good because I'm able to go out
26:36
Speaker 1: there and do those things and people really responded to it,
26:39
Speaker 1: and I'm so seasoned the performance now it's like it's easy,
26:45
Speaker 1: you know what I'm saying. Like I'm running out and
26:47
Speaker 1: it's like ol boom. I'm like, yeah, I'll get do
26:49
Speaker 1: it again tonight. DoD it make you feel celebrated and
26:53
Speaker 1: appreciated because fifth you were, you a different type of legend,
26:56
Speaker 1: like this levels the legends, you know, a different type
26:58
Speaker 1: of legend. You gotta change. You can't do the same way.
27:01
Speaker 1: You know what I'm saying, Like I'm looking at going
27:03
Speaker 1: the things that I got off phone in the beginning,
27:06
Speaker 1: charl it changed dramatically like now, look, the simplicity and
27:10
Speaker 1: writing music is a key to it. So like go short,
27:13
Speaker 1: it's your birthday, is what comes what I'm feeling when
27:15
Speaker 1: I'm hearing the record. And then the reason is where
27:18
Speaker 1: people have a specific reason they want to enjoy themselves
27:21
Speaker 1: when it's your birthday and we're here, we want to
27:24
Speaker 1: have a good time. So I'll put that in it.
27:26
Speaker 1: But when you think about it and television is it's
27:29
Speaker 1: almost never right the first time, Like they write it
27:32
Speaker 1: and then they get the notes from the executives and
27:34
Speaker 1: it comes down with different so it kind of morphs
27:36
Speaker 1: into something different. And it's choices. So if creatively, if
27:39
Speaker 1: you make if you go okay, I'm going left here
27:42
Speaker 1: and they're gonna you could have went right, and you see,
27:44
Speaker 1: I could have did that, but it was a creative choice.
27:47
Speaker 1: But that example, if they don't give you that example
27:49
Speaker 1: what you could have did. They don't know why they're
27:52
Speaker 1: receiving there by they're being paid, so they give you
27:56
Speaker 1: that example and then the artists change it and it
27:58
Speaker 1: just changes. So it makes me not creatively want to
28:01
Speaker 1: be a part of the writing process because it's a
28:04
Speaker 1: it's a very tedious process, you got to know so
28:07
Speaker 1: many details about the story before you get started that
28:10
Speaker 1: it's like I'd rather feed the writer information to be
28:14
Speaker 1: a part of the you know, the whole creative idea,
28:17
Speaker 1: but let them handle that part because there's so many
28:20
Speaker 1: changes and stuff until it works. Then you start to
28:23
Speaker 1: see less and less notes as the project is more
28:26
Speaker 1: and more successful. But do you feel celebrated? Fifth, that's
28:35
Speaker 1: see you guys have for a long time. I answer
28:38
Speaker 1: how I want to answer, and I come back and
28:41
Speaker 1: I want to say, so you look at you go now,
28:43
Speaker 1: I do feel celebrated, even when you see the new versions,
28:46
Speaker 1: like when you see like Dirt and these these other
28:49
Speaker 1: artists that come out that have that um like the
28:52
Speaker 1: element that is coming straight out of the environment, you
28:55
Speaker 1: know what I'm saying. And then you look like and
28:57
Speaker 1: this pure Chicago. Would you would you get from them?
28:59
Speaker 1: You know what I'm saying. So I'm looking at him
29:01
Speaker 1: like and I was turned onto them so early because
29:04
Speaker 1: I remember I was crazy about Chief keep ye Chiki
29:09
Speaker 1: first came. They thought Chief he wouldn't retard. He just
29:11
Speaker 1: didn't know. You didn't know what I was talking about.
29:14
Speaker 1: It was like yo, nah, like what they're talking about,
29:17
Speaker 1: you know, the environment, how to survive and function there,
29:20
Speaker 1: and it was in a whole new world with this
29:22
Speaker 1: this actual business. You know what I'm saying. But once
29:24
Speaker 1: you get a chance to kind of know them, you
29:26
Speaker 1: you start to like them because they're not like the music.
29:29
Speaker 1: What the music is saying is not who they actually are.
29:32
Speaker 1: Like that's and it's the same thing with me too,
29:33
Speaker 1: or you wouldn't be able to grow past those points.
29:36
Speaker 1: He would just look the guy who does exactly what
29:40
Speaker 1: I'm saying and does is that it's not successful. Are
29:44
Speaker 1: you doing? Are you doing another album? Heard that you
29:46
Speaker 1: might be doing one last album? Heard you working on
29:49
Speaker 1: Is they any true to that? Yeah? I started working
29:50
Speaker 1: on some things like the last one, though it may
29:53
Speaker 1: not be the last album and maybe broken up into
29:56
Speaker 1: something that goes out with one of the television shows.
29:59
Speaker 1: You see what I'm say. But creatively, I just said,
30:01
Speaker 1: now I want to do something, and I got all
30:03
Speaker 1: the vehicles that I needed to do twenty five television show,
30:07
Speaker 1: so I could just put here's the EP connected to
30:09
Speaker 1: this and let it rock without having the pressure of
30:13
Speaker 1: it being a full album and and all that. Because
30:16
Speaker 1: like look, if you look when the last time you've
30:18
Speaker 1: seen the actual numbers on the sales of record, like
30:21
Speaker 1: you see Kanye say, you put it on something device, yea,
30:25
Speaker 1: So you can't see the actual number the numbers, right,
30:28
Speaker 1: And that that's because if you see the number, you go, oh, wait,
30:30
Speaker 1: minute doing it? How did you use to? Yeah? You
30:33
Speaker 1: know what, especially when you have a huge successful sales record.
30:37
Speaker 1: So they're avoiding that number by putting it on a
30:39
Speaker 1: device or putting it through title or through somewhere else,
30:43
Speaker 1: so you can't actually see what's happening with it. But
30:46
Speaker 1: the record, they're bigger stars within the culture because they've
30:49
Speaker 1: been here longer and developed their brands. I don't even
30:51
Speaker 1: thin get mad at them more. Be honestly, they did
30:53
Speaker 1: what three hundred something, and people will be like, oh,
30:55
Speaker 1: it's her lower sales weekend. I'm like, gives you twenty
30:57
Speaker 1: five years in. I mean, it's just how many kids
31:00
Speaker 1: you got three married, married, married with three kids and
31:06
Speaker 1: it's supposed to be the same sex, right, Like, I mean,
31:11
Speaker 1: it's a different energy there. And then our audience has
31:13
Speaker 1: grown the grown folks. You gotta look and say, I'd
31:17
Speaker 1: say between two thousand and three and two thousand and five,
31:20
Speaker 1: views in college. You my core audience, you know what
31:23
Speaker 1: I'm saying, because that's when you're having your adult experience
31:26
Speaker 1: for the first time, when you party in every available
31:28
Speaker 1: moment possible. And those those people the material impacted the
31:33
Speaker 1: hardest because it's the theme music to their life at
31:35
Speaker 1: that point, when it's smoking, hottest, brand new, it's just
31:39
Speaker 1: happening at that point. And then you look, love music
31:41
Speaker 1: don't get old. So Beyonce that she ain't going nowhere
31:43
Speaker 1: like Shell, there'll be a reason for you to want
31:46
Speaker 1: to listen to Beyonce. Like you know what I'm saying.
31:49
Speaker 1: It's just when you look at R and B music,
31:52
Speaker 1: music require buttons. At some point you had to be
31:54
Speaker 1: a gentleman. Now you look up, they got the same tattoos.
31:58
Speaker 1: The hip hop parts got there saying the same they're
32:00
Speaker 1: singing the lyrics the hip hop artists would say in
32:03
Speaker 1: the in the verse, all right, we got more with
32:04
Speaker 1: fifty cent when we come back, don't move. It's the
32:06
Speaker 1: breakfast club, Good morning morning. Everybody's DJ Envy Angela Yee,
32:11
Speaker 1: Charlemagne the guy. We are the breakfast club. We're still
32:14
Speaker 1: kicking it with fifty cent. Charlemagne is there anybody fifty
32:16
Speaker 1: cent fists. Ever, historically in life, all of the situations,
32:20
Speaker 1: if you don't have fear, then you're not Then you're
32:22
Speaker 1: just not acknowledging danger a point. Nah yeah, but you're
32:27
Speaker 1: just not stupid. Then you're not scared enough. You watch
32:31
Speaker 1: that guy that just has a zero fear and say, yeah,
32:34
Speaker 1: we can get him. He's tough. We're gonna have a
32:36
Speaker 1: hard time chewing on him, but we're gonna get him.
32:38
Speaker 1: We get him. Like other than that, you just gotta
32:41
Speaker 1: pay attention to its surrounded. They's just going on like
32:43
Speaker 1: and you say never never saying the toughest guy. I
32:48
Speaker 1: just I'm gonna do what I want to do and
32:51
Speaker 1: then if I die in the process, I was doing
32:53
Speaker 1: what I wanted to do. Even the themes, look it's
32:56
Speaker 1: power the dollar, Yeah, I get hit, I come back,
32:59
Speaker 1: get rich, or die trying. Yeah, right, and the proces
33:02
Speaker 1: because that's already but I'm feeling like I'm going to
33:05
Speaker 1: do it. I'm in the process. It's the greatest thing
33:07
Speaker 1: is to watch me because either I'm going to get
33:09
Speaker 1: rich or I'm gonna die in the process. And this
33:12
Speaker 1: is what I'm gonna call the record. So it was
33:13
Speaker 1: the massacre, you projecting all the pain you felt on
33:17
Speaker 1: everybody else. I was supposed to go, but that album
33:19
Speaker 1: was supposed to come out February eight, supposed to be
33:22
Speaker 1: the same Valentire's days. It pushed it back because we
33:26
Speaker 1: was doing too good with games record, and I'm like, yo,
33:29
Speaker 1: like you gotta think. In the scope was when East
33:31
Speaker 1: Coast West Coast was going on. In the scope was
33:34
Speaker 1: the West Coast. So there's some uncomfortability with me being
33:38
Speaker 1: from the East Coast. Yeah, that I'm not even conscious of. Initially,
33:41
Speaker 1: I'm going like yo. They're like Yo, they love that,
33:44
Speaker 1: they're doing extremely well like that, but they're going to
33:46
Speaker 1: damn why we can't have one like from here? You
33:49
Speaker 1: see what I'm saying, Like from Drake's perspective, it's why
33:52
Speaker 1: why we can't have one from the West coast like that?
33:56
Speaker 1: And it's that's the assignment game started moving. They was like, wait, wait,
34:01
Speaker 1: wait to build that, Like, what's that that record is
34:04
Speaker 1: out in the selling They're going, wait, we don't want
34:06
Speaker 1: to cut the legs off of this, And You're going,
34:09
Speaker 1: but that's rearranging my presentation what I'm doing. So now
34:13
Speaker 1: I wouldn't have given him things. It was so good
34:16
Speaker 1: if I felt like it was going all to what
34:18
Speaker 1: I'm doing, you know what I'm saying, Like I did
34:20
Speaker 1: my first record so fast, like the second record, my attempted.
34:24
Speaker 1: The first record went was done in the weekend, so
34:26
Speaker 1: just get rich. No, the second the massacre, and that
34:31
Speaker 1: the attempt that was done in the weekend turns in
34:33
Speaker 1: the games out you regret giving game, you regretted to
34:37
Speaker 1: love it. This is how we do. Look, it's just
34:40
Speaker 1: the way things are. Like when I look, I don't
34:42
Speaker 1: I don't see anyone who's who hasn't um, who hasn't
34:46
Speaker 1: helped other artists and haven't had it recipitated. Probably, like
34:51
Speaker 1: that's what every everybody, you know what I'm saying, Even
34:54
Speaker 1: with Koda, you see him with jack Boy, the things
34:58
Speaker 1: that these guys come together, Like I'm talking cot that
35:01
Speaker 1: he go yo, But I didn't know we was going
35:03
Speaker 1: to go through that. It's too hard, Like it's too
35:06
Speaker 1: hard to get here for us to go through that sod.
35:08
Speaker 1: But no, that's the same thing as what we experienced.
35:11
Speaker 1: We looked down for like when they're not right under
35:14
Speaker 1: you because they're in a different area, it's easy to
35:17
Speaker 1: persuade them like, this is also how Jimmy Hinchman felt,
35:22
Speaker 1: this is what drive what how game was behaving because
35:25
Speaker 1: he also had his whole management team is going, Yo,
35:28
Speaker 1: you don't need them from you got a whole coast,
35:31
Speaker 1: you got the whole West coast, Like you don't gotta
35:33
Speaker 1: be down with them. When he's just gave him the record,
35:37
Speaker 1: you know what I'm saying, and then they gold, he
35:39
Speaker 1: flips out. I'm like, oh okay, but it is a
35:41
Speaker 1: reflection of you see how the Jimmy Hinchman thing turned out,
35:45
Speaker 1: like the eight turns into real street stuff, you know
35:47
Speaker 1: what I'm saying. So you're going he was feeling that
35:49
Speaker 1: way along before, Yeah, I mean, and then then it
35:53
Speaker 1: just was like did full on we could do everything
35:56
Speaker 1: we want to do vice first because Chris really his
36:00
Speaker 1: was with Chris. But Chris, Lady, That's why I don't
36:02
Speaker 1: like James Cruise. Why yeah, I don't like I don't
36:06
Speaker 1: like him at all, Like because he's a sucker. Like
36:08
Speaker 1: the whole time he was like he was still going
36:11
Speaker 1: to go see Jimmy hanging out. Meanwhile, Jimmy's getting Mike
36:15
Speaker 1: Ldy cut in the back of the head and everything
36:17
Speaker 1: else in the shooting and everything else is going. He's
36:19
Speaker 1: a punk. Like when you see people that like they're
36:21
Speaker 1: just fear full of We said, respect come from admiration
36:25
Speaker 1: of fear. One of the dollars, right, His respect for
36:28
Speaker 1: Jimmy comes from fear. So he's a sucker in my eyes,
36:31
Speaker 1: you know what I'm saying. And then he does all
36:32
Speaker 1: of this talk about things that went on with Chris
36:35
Speaker 1: Lydy that I'm like, Yo, wait, why are you even
36:37
Speaker 1: talking about what I'm doing? What comes from me? You?
36:40
Speaker 1: You was like you were in the meeting. You didn't
36:43
Speaker 1: actually make no deals. He I thought he said he
36:45
Speaker 1: managed you at one point. He never had no agreement
36:48
Speaker 1: with me to manage me in anyway or any capacity.
36:51
Speaker 1: So when he say that, it irritates me. You know
36:54
Speaker 1: what I'm saying. It didn't like later he's just he's
36:56
Speaker 1: a sucker. I didn't understand why Chris wanted them a
37:00
Speaker 1: know what I'm saying, Like when the shooting happened with
37:02
Speaker 1: little Kim d hating him, Yo, come out from behind
37:06
Speaker 1: the red car. They got us. That's what he was doing,
37:10
Speaker 1: you know what I'm saying. Like, watch sitting around and
37:14
Speaker 1: the Chris was like like dealing with him because he had,
37:18
Speaker 1: you know, like a background. He was because he had
37:20
Speaker 1: a radio background. He always looked like he should get
37:23
Speaker 1: a piece. But if you're getting the best deal for me,
37:25
Speaker 1: why you feel like somebody should give your people? That's
37:28
Speaker 1: the way I look at it. I look like if
37:30
Speaker 1: you go to somebody else to say, yo, you should
37:32
Speaker 1: get me a watch, or you should give me this.
37:34
Speaker 1: That's that was his thing. You know what I'm saying
37:35
Speaker 1: that I'm like, but if you're asking them for watchton
37:37
Speaker 1: you felt like you gave him a deal to then
37:39
Speaker 1: you didn't get me the best deal if you if
37:41
Speaker 1: he owes your watch for the deal. You see what
37:43
Speaker 1: I'm saying. And then it's like they act like they
37:46
Speaker 1: don't understand why I don't like it. Between Diddian crews,
37:49
Speaker 1: I don't think you'd have worked on Bad Boy. I
37:51
Speaker 1: don't think it terrible, but you know what, I look
37:55
Speaker 1: at that point, I would have probably did the deal.
37:57
Speaker 1: So there was no other like that point. Jennifer who
38:01
Speaker 1: told puff to work with me okay because she her
38:05
Speaker 1: first album, want to Sing Boy. Rooney was the executive producer.
38:09
Speaker 1: Borey Rooney was my executive producer for Power of the Doubt.
38:13
Speaker 1: So we had the relationship from Queens and everything coming
38:15
Speaker 1: out that they put us in the same circles. And
38:18
Speaker 1: then Jennifer was telling Yo, he is dope. You work
38:21
Speaker 1: with him like he's gonna it's gonna eventually it's gonna happen,
38:25
Speaker 1: you know. And then Puff, that's what Puff is calling me.
38:28
Speaker 1: That down to do it. But Puff can't even hear hit. See,
38:32
Speaker 1: I know he can't. He couldn't. Puff can't hear a hit.
38:35
Speaker 1: That's kind of crazy. He still hear things from back
38:38
Speaker 1: then that time. Oh can't buy the right. He can't.
38:43
Speaker 1: You play for him right now and it's hot, he
38:45
Speaker 1: can't buy it. This is why he fighting Drake when
38:47
Speaker 1: you hit Drake because he used the beat that he
38:50
Speaker 1: didn't actually right, you know what I'm saying. So if
38:53
Speaker 1: he like he heard it and he heard Drake used it,
38:55
Speaker 1: but it wasn't a hit yet until Drake put the
38:57
Speaker 1: thing the lines are and he's upset about that because
39:01
Speaker 1: he can't hear it. But he felt like he took
39:03
Speaker 1: something from and you know there's something to him for that,
39:06
Speaker 1: did Tara Marie, I would pay you all your money
39:08
Speaker 1: yet she's still how much just loved that. I think
39:14
Speaker 1: it's like fifty something thousand now I thought it was
39:18
Speaker 1: twenty five. Yeah, and it keep going up because she
39:20
Speaker 1: keeps delaying and moving around like she gonna feel like
39:24
Speaker 1: she went to college. Man, it's clearly the principle with
39:26
Speaker 1: you because it's not the money. Why though, because I
39:30
Speaker 1: have to set examples so people don't keep coming to
39:32
Speaker 1: play with me. See, look, this is Lisa Bloe. I
39:34
Speaker 1: don't I don't think nobody played at but I don't
39:39
Speaker 1: think nobody plays with They say me too, I say
39:42
Speaker 1: not me. I tell people all the time, you know
39:46
Speaker 1: what I'm saying. When they say me too, I say
39:48
Speaker 1: not me. I'm not involved with that. So when she comes,
39:51
Speaker 1: she was upset because I said something about Trey Trey songs.
39:55
Speaker 1: Had the situation that was going on one of the
39:57
Speaker 1: girls that was around in the actual house set. Nah,
40:00
Speaker 1: he didn't hit her that particular situation. He didn't hit
40:03
Speaker 1: her it he put out out the house, but the
40:05
Speaker 1: way he said it and he did it made her
40:06
Speaker 1: feel like she felt like he slapped her right. And
40:11
Speaker 1: that's later she said that he hit her. And I'm like,
40:16
Speaker 1: because the other female that I knew it was there
40:19
Speaker 1: said that to me. I was like, nah, I don't
40:20
Speaker 1: believe he did that. And then she was like, don't
40:23
Speaker 1: be uh, but she's shaming the girl that UM wanted
40:29
Speaker 1: her clients, shaming on her clients. And I'm like, no, no,
40:34
Speaker 1: like I'm not victims shaman. I'm just saying I don't
40:36
Speaker 1: believe her. And then the next available thing that she
40:39
Speaker 1: could come with, she was, oh, yes, yeah, jumped on
40:42
Speaker 1: Tiara Marie. Think because she's gonna come, she gonna service me, right,
40:45
Speaker 1: she gonna because the climate is all me too. That
40:49
Speaker 1: when you bring a female and you said you've done something.
40:52
Speaker 1: You see what I'm saying, They felt like oh yeah, yeah,
40:56
Speaker 1: you're finished, buddy. And then when it don't work out,
41:00
Speaker 1: they think it just goes away. You can't say everything
41:03
Speaker 1: that's not you see when they came. But that was
41:06
Speaker 1: a great I understand. I understand exactly why he's doing
41:08
Speaker 1: it ten times. I get it ten times because they
41:11
Speaker 1: would hold it to you, yes, yes, and then you
41:13
Speaker 1: know what they would do to you, like just based
41:14
Speaker 1: on those circumstances, like you go in an Indian entire
41:17
Speaker 1: career and you go so that's what you was attempting
41:20
Speaker 1: to do at that point, or you want it, she
41:23
Speaker 1: said to a friend. Now I'm trying to get the bag.
41:25
Speaker 1: You know what I'm saying that. I'm like, okay, so
41:27
Speaker 1: now I'm gonna make you feel like you went to college.
41:29
Speaker 1: We got more with fifty when we come back, let's
41:31
Speaker 1: get into a little fifty cent mini mix. Let me
41:33
Speaker 1: know what you want to hear. It's the Breakfast Club.
41:35
Speaker 1: Good morning, it's a Friday, damnit, and everybody it's DJ Envy,
41:38
Speaker 1: Angela Yee. Charlemagne, the guy we are the Breakfast Club
41:41
Speaker 1: was still kicking him with fifty. Why Cyrus, are you
41:44
Speaker 1: gonna help me get into acting? You want to do
41:46
Speaker 1: some acting? Anyone? He was up there. He said that
41:48
Speaker 1: you was supposed to put him in power. To put
41:51
Speaker 1: him in power, So the good guy. It's a personality,
41:53
Speaker 1: I think, a bigger personality than than an artist, like
41:57
Speaker 1: as a songwriter and stuff like that, because when you
41:59
Speaker 1: watch him, like when I see him one of the
42:01
Speaker 1: clips and stuff like that. Now he liked that in person.
42:04
Speaker 1: It's a ton of personality there. So you know, well,
42:07
Speaker 1: we find the right thing and get him. So we're
42:09
Speaker 1: talking about rumors and you know when you google his name,
42:12
Speaker 1: there's a rumor that pops up that he was did
42:15
Speaker 1: he's boy to right? Wait, so this is so Charlotmagne
42:19
Speaker 1: says it's not true. But I told after he brought
42:21
Speaker 1: up the stuff with you, I said, you know what
42:22
Speaker 1: Fifthy is gonna say when he meet you? Oh no,
42:24
Speaker 1: I don't know that that was going on. You know,
42:26
Speaker 1: I can't wait to running him what you're gonna say
42:29
Speaker 1: to him? He was playing with your booty in Miami?
42:34
Speaker 1: You know it was in Miami. Yo, Look that's for
42:37
Speaker 1: James Cruisers said all the time, Miami, Miami. He's like, Miami.
42:41
Speaker 1: I'm like what you're talking? Abou happened in Miami? We
42:45
Speaker 1: playing the audio? Man, I missed the fifth year? Good man? Yeah,
42:48
Speaker 1: he gonna go we were in and worse with it
42:50
Speaker 1: still he gonna you know, we're just being Yeah, but
42:53
Speaker 1: come here. You know what fifty gonna say to you
42:55
Speaker 1: when he sees I heard did he touch you button? Man?
43:00
Speaker 1: You know yeah? Wa until I see him, until I
43:05
Speaker 1: seem like, yo, that he got a good relationship though, right, Yeah,
43:09
Speaker 1: I'm gonna yeah, like do you see I got coin
43:12
Speaker 1: season raised in Canaan. Oh that's true. Oh yeah, yeah,
43:14
Speaker 1: yeah yeah, point talented and and I want to get
43:18
Speaker 1: Justin and something. How did that go to? Do you do?
43:20
Speaker 1: You do? You have talked about that he stay out,
43:22
Speaker 1: stays out of that. You know what we're talking about
43:24
Speaker 1: that we was more it's more that's about his talent though,
43:26
Speaker 1: that's not about like he read, he read for that,
43:29
Speaker 1: he killed it, you know what I'm saying. I think
43:31
Speaker 1: like and I called him to tell him that, like
43:33
Speaker 1: you ain't got to do with you that it's really
43:35
Speaker 1: about the work he put in. Right now, now, why
43:38
Speaker 1: did you pass on Jay Coole before? That's before we
43:40
Speaker 1: get to the new stuff? Why do you pass on
43:41
Speaker 1: Jay Coole? That was so early? Bro? Like like this
43:44
Speaker 1: is before Like I think, look, there's a difference, you know.
43:48
Speaker 1: I think when at that point we didn't have a
43:50
Speaker 1: lot of representation on the street, then like we were
43:53
Speaker 1: the representation at that point, and you know they're they're
43:57
Speaker 1: cringing for something else this whatever it is, that to me.
44:02
Speaker 1: J cole Um, Kendrick Lamar, these artists existed early on
44:08
Speaker 1: when I fell in love with hip hop, But it
44:11
Speaker 1: was Tyler quality. Yeah, it was most deaf trapical Quest,
44:15
Speaker 1: It's trip cold Quest. It was like it was Tyler
44:20
Speaker 1: most common sense, you know what I'm saying. And they
44:23
Speaker 1: really as dope as they are, like that they are.
44:26
Speaker 1: It's like the smarter rap, smarter music. The logic can
44:31
Speaker 1: sit down, be humble, We're supposed to already know to
44:36
Speaker 1: sit down and be home. They put that there. It's
44:39
Speaker 1: it's it's almost the conscious side of of it. And
44:42
Speaker 1: I looked and I'm like, oh no, I was cool,
44:44
Speaker 1: but I didn't really know if everybody was ready for
44:47
Speaker 1: it because of how strong it was embracing what we
44:49
Speaker 1: were doing. A lot of people say that when you
44:54
Speaker 1: and Kanye went head up, and that's what that was.
44:57
Speaker 1: When you when you sold more, it shifted from the
45:00
Speaker 1: streets to when you do Look, they just wanted that anyway.
45:05
Speaker 1: Look at the best new artists, thirteen million records. On
45:08
Speaker 1: the first album, you got to have a double CD
45:11
Speaker 1: and Die to Go Diamond Tupac or Eyes on Me. Yeah.
45:15
Speaker 1: Prior to my album Come and Give It to Die Try,
45:17
Speaker 1: you had to have a double CD and Die. I
45:21
Speaker 1: think those are the only two albums that they sold
45:24
Speaker 1: that many copies. So when you come and and and
45:28
Speaker 1: you're having that much success, you will see. Uh. Diana
45:33
Speaker 1: Ross was on on the award panels saying, you don't
45:35
Speaker 1: have to be like this, Like you don't have to
45:38
Speaker 1: be like like they're afraid their kids go want to
45:42
Speaker 1: if they acknowledge the material, so they don't give you
45:46
Speaker 1: the trophies. I got the checks I didn't get. Jake
45:49
Speaker 1: got all of my trophies. Man, that's because he signed
45:52
Speaker 1: that contract. No, if you don't sign, you don't give
45:59
Speaker 1: him a trophy. She ain't coming. They needed in the seats. Now,
46:04
Speaker 1: come on, you know Beyonce that ran down on you
46:07
Speaker 1: once fifth Come on? She did. She did work. She
46:09
Speaker 1: jumped up in the thing off collect I was like, oh,
46:12
Speaker 1: I didn't really know what to do. And it was
46:14
Speaker 1: worth situations where he was like whoa he says to Jay,
46:18
Speaker 1: says Jay, he'll look at you and go No, that happened.
46:24
Speaker 1: Beyonce jumped down on you. She jumped out. She was
46:27
Speaker 1: like on a window sill. Right. It was in Vegas.
46:29
Speaker 1: She said, come on, I'm talking to her. She jumped out.
46:31
Speaker 1: She was like, and I'm like, wait, what did you
46:33
Speaker 1: doing that stuff? That's me and Jay stuff. This ain't
46:37
Speaker 1: got nothing to do with you, girl, don't come to
46:39
Speaker 1: Hold wasn't there hit me? I'm talking to Jail. I
46:42
Speaker 1: talked to Jay. She jumped down, come over and I said,
46:45
Speaker 1: about to jump you lucky so Lange wasn't. I would
46:49
Speaker 1: have had a reboot like that elevator like it was
46:56
Speaker 1: nothing some gas going on, Jake, nothing, what the bay?
47:02
Speaker 1: She was just staring at you. Nah, she can't, like
47:05
Speaker 1: she was ready, like something was gonna happen. And I'm like, yo, whoa, whoa,
47:11
Speaker 1: she's throwing me off now because I don't know what
47:14
Speaker 1: exactly how to responded. You are still Beyonce. You know,
47:20
Speaker 1: she brought all of the sexy over that jumped off,
47:23
Speaker 1: and I'm like, what the oh I'm seeing all this.
47:30
Speaker 1: I'm like, wait, what happened? I look at Jay. He
47:32
Speaker 1: goes nah, But y'all knew each other. For you though
47:36
Speaker 1: you had you had the thugs on. I want that's
47:42
Speaker 1: the cap you know that Beyonce back fifty down? You
47:44
Speaker 1: know that. I thought people do that. People. Oh she
47:47
Speaker 1: did jump down. I didn't even know how to respond
47:49
Speaker 1: to that. I just looked at Jay. He was looking
47:51
Speaker 1: at He was like, all right, whatever, I don't know
47:55
Speaker 1: what because we really I'm just saying what's up, but
48:00
Speaker 1: she's feeling my energy come over because we do say
48:02
Speaker 1: things about each other. It's a competitive nature, that's it. Yeah,
48:05
Speaker 1: hip hop a battle. It's not like I want to
48:07
Speaker 1: do something, more like we don't want to do something,
48:10
Speaker 1: not to each other. Y'all gotta go. Y'll still got
48:12
Speaker 1: y'all got a good relationship, right if you look. I
48:16
Speaker 1: think if you don't have, if you don't have people
48:19
Speaker 1: that you're competing with, I don't know where you get
48:21
Speaker 1: your right. I don't think people realize what you're doing
48:27
Speaker 1: at stars like I don't think people I don't even
48:29
Speaker 1: realize how unprecedented that is. Like how much programming are
48:32
Speaker 1: you responsible for over there? Like fifty Well yeah there
48:35
Speaker 1: was say of it, and it's like probably of what
48:39
Speaker 1: the viewership is into. Wow, at that point you post,
48:42
Speaker 1: they put post supposed to be an executive up there something,
48:47
Speaker 1: then they're going. If you're going with the confusion everything
48:49
Speaker 1: that you see me talk about being upset about, I
48:53
Speaker 1: think you don't see anywhere else, like you don't see
48:55
Speaker 1: other networks having the television show link. Yeah you don't
48:59
Speaker 1: see you know what I'm saying, like when they talk
49:01
Speaker 1: about a programming for specific demographic, then you go, uh,
49:09
Speaker 1: like those go premium woman is the man. When you
49:11
Speaker 1: do that, you go, okay, well, I mean, but that
49:15
Speaker 1: ain't what your hits are because Powell wasn't premium woman,
49:20
Speaker 1: and all four the spinoffs are not premium women. So
49:23
Speaker 1: now you're saying you can't have the hit that you
49:25
Speaker 1: had to beget this drawing people here because you just
49:28
Speaker 1: created a new man. Date this away from the success
49:32
Speaker 1: you're having, right, and I'm going away. So it's this.
49:35
Speaker 1: Can you explain that to me a little further so
49:37
Speaker 1: I understand exactly what it is. Because I can produce
49:39
Speaker 1: what you need. I just gotta understand exactly what it
49:41
Speaker 1: is because what does when you see me in Variety
49:45
Speaker 1: or the Rap or Hollywood Reporter and stuff like that,
49:49
Speaker 1: that does nothing from my phone goes further than the
49:51
Speaker 1: Hollywood Reporter and Variety I could just right. So when
49:57
Speaker 1: when you think about what those things, dude, those things
50:01
Speaker 1: speak directly the business inside that says, if you have
50:04
Speaker 1: this project and you want to sell it, you should
50:06
Speaker 1: come to fifties so we can sell it and I
50:10
Speaker 1: get additional things. But but I can look at these
50:13
Speaker 1: things and see if they work for the network. When
50:16
Speaker 1: you understand the mandate, you know what I'm saying, So
50:18
Speaker 1: I'm going I can find what you need, if what
50:20
Speaker 1: you want, and bring it in and produce it for you.
50:23
Speaker 1: If you don't. If there's a once this clarity, it's clear,
50:27
Speaker 1: but they're looking and using it for their own identity,
50:33
Speaker 1: Well you better do the right thing because you know
50:35
Speaker 1: there's no reason to watch stars if it's a fact.
50:40
Speaker 1: We appreciate you for joining us. August twenty fifth, out
50:45
Speaker 1: in Houston. I'll be out there and host to others.
50:47
Speaker 1: Make sure you get your tickets. There's so many things
50:49
Speaker 1: from pool parties, clubs, to charity events to comedy shows, performances.
50:53
Speaker 1: Make sure you're part of it. And we see raise
50:56
Speaker 1: the chaining coming soon, right Oaks fourteen and one isn't true?
51:01
Speaker 1: They asked you to be on the Murdering Doc. No,
51:03
Speaker 1: they wasn't name who. To try and clear I get
51:08
Speaker 1: money for the Supreme thing. Oh okay, okaybody, they asked
51:12
Speaker 1: you to be on the Doctor? Did you clear? It's
51:24
Speaker 1: the Breakfast Cloud Good Morning Before with Angela ye Well
51:34
Speaker 1: on the latest episode of Karsia Please. On Revolt, she
51:38
Speaker 1: had JT on her other half of the City Girls
51:41
Speaker 1: and Saucy Santana. You know, all of them are BFFs,
51:44
Speaker 1: and one of the things they talked about was JT
51:47
Speaker 1: describing her experience being locked up as the City Girls
51:50
Speaker 1: were on the rise. So when I was in jail,
51:52
Speaker 1: I did fifteen months, and my first six six months
51:55
Speaker 1: was very, very hard. I didn't really go outside and much.
51:58
Speaker 1: I didn't really want to talk to people that much
52:00
Speaker 1: because we had a big like there was like a
52:02
Speaker 1: breakout moment, so a lot of people would be like
52:04
Speaker 1: that is so it is h So I heard it.
52:06
Speaker 1: Didn't never want to go outside. And then I think
52:09
Speaker 1: like after my six months, it kind of got easy
52:11
Speaker 1: and it was just like start feeling like school a
52:14
Speaker 1: little bit because I started getting you to my surroundings.
52:16
Speaker 1: You basically getting control every single day, like get up,
52:20
Speaker 1: go to sleep. And then because of who I was,
52:23
Speaker 1: some guards feel like I gotta show this speech like
52:26
Speaker 1: you know, just seems to be being meeting. So it
52:29
Speaker 1: was just like a transition, all right. In addition to that,
52:35
Speaker 1: but both of them know that they're stronger together as
52:37
Speaker 1: a group as a City Girls. Even though you can
52:39
Speaker 1: do your own individual things. Here is what JT had
52:42
Speaker 1: to say and Karasia about knowing they're stronger that way.
52:45
Speaker 1: I'm not thinking like, oh, I'm gonna do j That's
52:48
Speaker 1: not my intentionous, that's not what I'm on. I feel
52:50
Speaker 1: like people, it's a group and we scroll heads, we
52:52
Speaker 1: shrunk with together, and now we always had a conversation
52:55
Speaker 1: like it's just like I think, I think that, and
52:59
Speaker 1: that's what I was saying earlier. JT is out of
53:02
Speaker 1: the way and me being your friend, it frustrates me
53:06
Speaker 1: sometimes as I'm like, Crisia, got Cresia please, and she
53:09
Speaker 1: could do she could do all that stuff, and I'm like, JT,
53:11
Speaker 1: you so it's so wrong why you won't do nothing?
53:15
Speaker 1: And she it's just that's not her personality. He's gonna
53:18
Speaker 1: tell me I'm not doing nothing. She's gonna see JT
53:23
Speaker 1: not doing nothing. J is doing a lot. Man. I
53:27
Speaker 1: love JT Youngmi herself though, like outside of being in
53:32
Speaker 1: the group, you know, she has her own show. Yeah again,
53:37
Speaker 1: all right, now, as far as JT being the princess
53:40
Speaker 1: of a rap, listen to this, how do you feel
53:43
Speaker 1: about how people calling me prince? It's a rap? Because
53:45
Speaker 1: I really really really like you one of my favorite
53:48
Speaker 1: rappers in generation. I agree in this generation, like every
53:51
Speaker 1: time when we do a song and you see a
53:54
Speaker 1: very step, I'd be like, I don't white no home. Yeah,
53:56
Speaker 1: I don't know. I didn't know people was calling me that.
53:59
Speaker 1: I don't even like. I just I felt like both
54:02
Speaker 1: of us is the same way when it coming, Like
54:03
Speaker 1: even the industry, I think we just enjoy it, Like
54:06
Speaker 1: I don't come to be I'm not competitive. I don't care,
54:09
Speaker 1: like I'm not in it for the competition, Like I
54:11
Speaker 1: don't care who's being called the Princess rap. I don't.
54:14
Speaker 1: I know that I'm tired that I'm know I'm good
54:15
Speaker 1: at it, but if I'm trying to go for a title, no,
54:18
Speaker 1: like I think the people are thinking they got the
54:21
Speaker 1: title sucks. I love JT and Young Miami. I feel
54:25
Speaker 1: the bestage you have to come from the City Girls.
54:27
Speaker 1: They haven't even scratched the surface of who and what
54:29
Speaker 1: they are, and they're doing more than just rapping. I
54:31
Speaker 1: mean the executive producing on Rap, the EPs on that show,
54:37
Speaker 1: along with a coach K and P soh. Yeah, they're
54:40
Speaker 1: doing anything. City Girls doing anything all right now? Jo
54:44
Speaker 1: Rule has commented after that recent Drink Champs episode with
54:48
Speaker 1: him and IRV Gatty where people feel like he did
54:50
Speaker 1: not come to Ashanti's defense enough. There were a lot
54:54
Speaker 1: of talk about that, so he posted Brotherly Love. The
54:57
Speaker 1: last few days have been very turbulent for me, but
54:59
Speaker 1: it's time to ling plane. I love my sis, I
55:01
Speaker 1: love my bro but I do not condone or agree
55:03
Speaker 1: with the behavior nor the way Gotti handled things on
55:06
Speaker 1: Drink Champs. I hope you'll understand how comfortable this is
55:09
Speaker 1: for me being in the middle of something I wish
55:11
Speaker 1: to not be going forward or I ask us to
55:13
Speaker 1: be left out of this. Please and thank you, sincerely, Switzerland. Bennett, Well,
55:18
Speaker 1: a little Birdie told me that absolutely positively did check them.
55:23
Speaker 1: They did have a conversation, told him it wasn't right.
55:26
Speaker 1: They took a little bath from break during little and
55:29
Speaker 1: then you come back and you see IRB apologize. So
55:32
Speaker 1: he says, joh, absolutely positively did check him with you.
55:35
Speaker 1: If anybody watches the full interview, you can ask the
55:38
Speaker 1: apology who is the birdie and you yep, okay, then
55:41
Speaker 1: why do you say say nor dropping a clue? Bob
55:43
Speaker 1: for nor Man snoop to the whole drink Champs. I
55:46
Speaker 1: wanted to be known as a little birdie, okay, because
55:49
Speaker 1: when you're calling him a little bit, I'm not nor
55:53
Speaker 1: would say that himself talking about got you. Sorry, Nori
56:00
Speaker 1: broke that crack depression. No, you broke so easily. That
56:04
Speaker 1: was too easy. Yep. Yeah, make sure y'all listen to
56:09
Speaker 1: the Drink Chance podcast. Subscribes to the Drink Chance podcast
56:12
Speaker 1: on the Black Effect I Heart Radio Podcast Network. Sorry,
56:14
Speaker 1: Noray queens, I know you just got your life and
56:22
Speaker 1: a body, a body, A little birdie mean a little birdie, Nori. Yeah,
56:27
Speaker 1: and old Noriega shot. Wow, that was proud of you.
56:33
Speaker 1: Stop it. You know what he did. But why would
56:36
Speaker 1: you just say that? You guys can't just say that
56:37
Speaker 1: with no context. No shots didn't have you weary? Did
56:42
Speaker 1: you help raid maglogo the other day? Check this dude
56:46
Speaker 1: for why what's up with this guy? This morning? Man?
56:48
Speaker 1: I definitely would have rated Magalogo. No, it's not called Magalogo.
56:53
Speaker 1: It's not no maga. It's called marg Mago. I like Magalogo.
56:57
Speaker 1: It's magalog Just can't make words, I can, that's all.
57:01
Speaker 1: I don't know. It's not mag Magalogo. It's not magalogo.
57:05
Speaker 1: It's like Marge Simpson magalogo. It's like March, like Margos magalogo.
57:09
Speaker 1: I don't know Marge Simpson laggo. What's it called magalogo?
57:14
Speaker 1: Murlago merlolago? Guys, was it magalogo? I'm going with Magalogo.
57:21
Speaker 1: I told you that from the beginning. I don't know
57:22
Speaker 1: why we had to go through this old dance. Right,
57:25
Speaker 1: what are you giving your dog? Get ma? Man? Four
57:27
Speaker 1: after the hour? Man, there's no reason for button neckd
57:29
Speaker 1: men to be faced down ass up in the screetchs
57:31
Speaker 1: to Florida. But we'll talk about it four after the hour, Okay.
57:33
Speaker 1: I know it's Friday and that sounds like a good time.
57:35
Speaker 1: We do not need button naked men face down ass
57:38
Speaker 1: up on the streets of Florida, all right, don't don't
57:41
Speaker 1: threaten Some people would have been talking about it after
57:43
Speaker 1: the hour at my house. Boy, I can't wait till
57:50
Speaker 1: you leave. What so breakfast club your morning zone. That
58:00
Speaker 1: would be the saying leaving a child in a hot
58:02
Speaker 1: vehicle can lead to their death, very quickly said, cell
58:05
Speaker 1: phone reminders or play something you'll need in the back
58:07
Speaker 1: seat so you don't forget your child is in the car.
58:10
Speaker 1: Look for your baby before you lock paid for it
58:13
Speaker 1: by Nitza. Craziest people in America come from the Bronx
58:15
Speaker 1: and all of Florida. Yes, you are a donkey. A
58:20
Speaker 1: Florida man at tapped and ATM for a very strange reason.
58:24
Speaker 1: It gave him too much money. Florida man is arrested
58:26
Speaker 1: after definitely say he rigged the board to his home
58:28
Speaker 1: and an attempt to a much of his predet likes.
58:30
Speaker 1: Police arrested in Orlando man for talking a Familia to
58:33
Speaker 1: Breakfast club Bitchy Donkey of the Day with Sharlamine a
58:37
Speaker 1: guy I don't know why y'all keeping get y'all. Yes,
58:39
Speaker 1: Donkey to Day for Friday, August twelve goes to a
58:42
Speaker 1: man named Brandon Right. Brandon Right is a Florida man,
58:44
Speaker 1: Ladies and gentlemen. And what did your uncle Sharla always say?
58:51
Speaker 1: Oh you just go play man nigga man? Oh what
58:57
Speaker 1: did your uncle Shalla always say about the great state
59:00
Speaker 1: to Florida. The craziest people in America come from the
59:02
Speaker 1: Bronx and all the Florida. And this morning is no exception. Okay,
59:05
Speaker 1: But I'm gonna tell you something that right this one
59:07
Speaker 1: I understand. I tell y'all all the time, every day
59:09
Speaker 1: of our lives, we are just trying to avoid crazy.
59:12
Speaker 1: But right now it's hard to avoid what some people
59:15
Speaker 1: would call crazy, all right, because the gap between the
59:18
Speaker 1: halves and have notches so wider. Right, the have notch
59:21
Speaker 1: are coming for the halves. And when I say has,
59:23
Speaker 1: I don't mean extra wealthy, I don't mean super rich.
59:26
Speaker 1: I mean simply you have something that I don't. Okay,
59:30
Speaker 1: I'm talking about simple. You just simply have something that
59:34
Speaker 1: I don't. I might be hungry and you got a bagel, Okay,
59:37
Speaker 1: therefore you are a hal I ever have not Okay.
59:39
Speaker 1: In this case I'm talking about it was simply close.
59:42
Speaker 1: What do you mean ocause Charlotte close. Was somebody stunting
59:45
Speaker 1: in some Gucci or some Louis or some Versese Argino
59:51
Speaker 1: was Faragino or Gamah, Yeah, Paul Masson, No, that's liquor.
59:56
Speaker 1: What's the one that's Paul something? I don't know. I
59:59
Speaker 1: don't know what guy you think because the marl of
1:00:01
Speaker 1: the story is Okay, it wasn't no designer, all right.
1:00:03
Speaker 1: There was simply a man in Florida named Brandon Wright
1:00:06
Speaker 1: who was walking around the streets of Florida butt booty naked.
1:00:09
Speaker 1: All right. When I say butt bootynked, I mean butt
1:00:12
Speaker 1: assnket Did y'all see the video? Show envy the video, Angelie,
1:00:15
Speaker 1: you should google Brandon, right, I mean button naked. The
1:00:18
Speaker 1: only thing he had on him, who you started typing fast?
1:00:21
Speaker 1: The only thing he had on him wasn't machetti? Okay,
1:00:24
Speaker 1: a big long sharp blade all right? And he ran
1:00:28
Speaker 1: down on another man and simply demanded that man's close.
1:00:32
Speaker 1: I can't make this kind of stuff up. Do we
1:00:34
Speaker 1: have audio from the police helicopter? All right? I got
1:00:37
Speaker 1: the visual on the mail. He is naked, yelling at
1:00:39
Speaker 1: people in the parking lot, very animated black mail, athletic,
1:00:45
Speaker 1: thick build. It's like a got He's now walking out
1:00:48
Speaker 1: to traffic on Beersfort. That all traffic, yelling at people
1:00:52
Speaker 1: who he's still walking. He spent on Beersfort, across the
1:00:57
Speaker 1: street to the Sick Good now still kind of stationary,
1:01:00
Speaker 1: all the roads, still push ups at the entrance at
1:01:02
Speaker 1: the third store here. That's what's wild. Dude is in shape.
1:01:06
Speaker 1: You heard what they said athletic thick build. You know
1:01:09
Speaker 1: what I'm saying. Listen, we are failing people in this country.
1:01:13
Speaker 1: We live in a country that has money for war
1:01:14
Speaker 1: but can't feed the poor. Word in Tupac. All right.
1:01:17
Speaker 1: Not only are we not putting money in people's pockets,
1:01:19
Speaker 1: we are not providing them with things they need, like healthcare.
1:01:22
Speaker 1: When I say healthcare, I'm not just talking physical. I'm
1:01:24
Speaker 1: talking mental. Yeah. When y'all say things like all Charlemagne
1:01:28
Speaker 1: does is talk about mental health, that's true because mental health,
1:01:31
Speaker 1: just like your herpes, isn't going anywhere. All right. This
1:01:34
Speaker 1: brother right here was suffering from either poverty, drug use,
1:01:38
Speaker 1: all battling with mental health issues maybe all three, but
1:01:41
Speaker 1: definitely wanted it two And until this country does something
1:01:44
Speaker 1: about it, we are going to continue to have these
1:01:45
Speaker 1: kind of situations happen. Now. This buttonnecking man was driving
1:01:49
Speaker 1: a white Dodge Challenger, so it was probably drugs and
1:01:52
Speaker 1: mental health issues that he was dealing with. But the
1:01:54
Speaker 1: moral of the story is we must help all right
1:01:58
Speaker 1: in all capitals. All right, h elp, all right, what
1:02:01
Speaker 1: do they say? No one is useless in this world?
1:02:03
Speaker 1: Who lightens the burden the burdens of others? Right, right now.
1:02:08
Speaker 1: So many of us are useless because we are not
1:02:09
Speaker 1: attempting to lighten the burdens of others. You don't have
1:02:11
Speaker 1: to be rich to do that. You just need to
1:02:13
Speaker 1: have more than the next person. Think about it. Some
1:02:16
Speaker 1: of y'all right now, got a bunch of clothes, okay,
1:02:19
Speaker 1: shoes you don't even wear anymore. They're just in the closet,
1:02:21
Speaker 1: messy all over the place. I'm talking about me right now.
1:02:23
Speaker 1: My wife will call me a hypocrite if I don't
1:02:25
Speaker 1: say that. But that's what I do. When I got
1:02:26
Speaker 1: all these clothes, I don't wear anymore, okay, because I
1:02:28
Speaker 1: wear the same thing all the time. Anyway, I put
1:02:29
Speaker 1: stuff in bags and that I give them the good will. Okay,
1:02:32
Speaker 1: any and all of us can do that, I promise.
1:02:35
Speaker 1: You may not think you have a lot, but to
1:02:36
Speaker 1: somebody who has less than you, trust me, you have everything,
1:02:41
Speaker 1: all right. This brother, Brandon Wright, has prior convictions for kidnapping,
1:02:45
Speaker 1: gun possession by a felon, battery on a law enforcement officer,
1:02:49
Speaker 1: cocaine possession, and resisting arrest. Now he's in custody without
1:02:52
Speaker 1: bond and some so called correctional facility that is not
1:02:56
Speaker 1: providing any type of correction. Please remember that this weekend
1:03:01
Speaker 1: when you see someone in need, all right, because it
1:03:04
Speaker 1: sounds to me like this brother needed help, and he's
1:03:06
Speaker 1: needed to help his whole life and clearly hasn't gotten it,
1:03:09
Speaker 1: all right, So please remember this weekend when you see
1:03:11
Speaker 1: someone in need, all right, that you can be of
1:03:14
Speaker 1: assistance to that person. The real road of compassion is
1:03:17
Speaker 1: giving and helping, assistance and community service. That is a
1:03:21
Speaker 1: road that can be set and declared as your life's purpose. Please,
1:03:26
Speaker 1: if not, you could be on the receiving end of
1:03:29
Speaker 1: somebody's machete. Please get Brandon right, the biggest he hull
1:03:37
Speaker 1: that was big. You see him right, lay out on
1:03:40
Speaker 1: the street, face down, the ass up thick diesel you
1:03:43
Speaker 1: saw on me. That's what they described him as in
1:03:46
Speaker 1: the helicopter thing play that play. That's what they described him.
1:03:49
Speaker 1: They didn't hit See here, y'all got the visual on
1:03:52
Speaker 1: the mail. He is naked yelling at people in the
1:03:54
Speaker 1: park of Monty, very animated black mail, athletic, thick build.
1:04:02
Speaker 1: He's now walking out to traffic on beers first that
1:04:06
Speaker 1: all traffic yelling at people. He's still walking. He's found
1:04:10
Speaker 1: on beers first across the street to the Sicco. Now
1:04:13
Speaker 1: it's still kind of station push ups at the entrance
1:04:17
Speaker 1: of the that that helicopter operty something turned on. Why
1:04:20
Speaker 1: don't you describe that man like that? He's like athletic.
1:04:24
Speaker 1: They got big build. Oh he's doing push ups now
1:04:30
Speaker 1: he did. Then they had him face down, ass up
1:04:33
Speaker 1: on the concrete, button necking with his hands behind his back. Oh, oh,
1:04:38
Speaker 1: what you are right, I'm saying all like, I'm disgusted
1:04:41
Speaker 1: by the police people. You'll have to stop. You thought
1:04:46
Speaker 1: you released something the last days of the Breakfast Club
1:04:49
Speaker 1: as we know it, right, Jesus Christ, Why did it
1:04:53
Speaker 1: awkward because he said I didn't not say there's nothing
1:04:58
Speaker 1: else that he he heard it. You could have said it. Damn,
1:05:02
Speaker 1: it's messed up your thank you. Next, Tink hit Maker's
1:05:12
Speaker 1: gonna be joined luth Take, I Love Take all right,
1:05:14
Speaker 1: We're gonna talk to Tink and hit Maker when we
1:05:16
Speaker 1: come back as the Breakfast Club. God Morning, the Breakfast Club.
1:05:21
Speaker 1: It's no power one O five one the Breakfast Club
1:05:25
Speaker 1: en angela Ye and Charlomagne the Guard Morning. Everybody is
1:05:29
Speaker 1: DJ Envy and angela Ye, Charlomagne the guy. We are
1:05:33
Speaker 1: the Breakfast Club. He got a specially guess joining us today.
1:05:36
Speaker 1: We got who we got, We got a hit maker
1:05:37
Speaker 1: and Tink, big Tink, not the little take. What's happening?
1:05:43
Speaker 1: What's up, y'all? How's it going? Think you little pregnant?
1:05:46
Speaker 1: Just want to throw that out there right off the
1:05:47
Speaker 1: top of everybody was saying she was pregnant online. Okay,
1:05:51
Speaker 1: well I didn't even know that because everybody's been thinking
1:05:54
Speaker 1: I've been bregning for a while, and I'm glad you
1:05:57
Speaker 1: said at that. Some days we're just a little bloated.
1:06:01
Speaker 1: Trust me, I know nobody said I was pregny today.
1:06:04
Speaker 1: We got to start with you. You know, when we
1:06:06
Speaker 1: first started the Breakfast Club, I don't even know, twelve
1:06:08
Speaker 1: years ago and Timberland played this U as an artist,
1:06:10
Speaker 1: we don't fell in love a long time, A long time,
1:06:13
Speaker 1: long time fan of team super duper successful. When you
1:06:16
Speaker 1: went through the ups and downs and now you're here now.
1:06:18
Speaker 1: So for people that don't know who Tinks, explain to
1:06:21
Speaker 1: who who Tink is, how you got your first start
1:06:24
Speaker 1: and to where you are now. Yeah, Tink, y'all know me.
1:06:27
Speaker 1: I've been making music for a long time. I'm from Chicago.
1:06:31
Speaker 1: Since twenty twelve, I've been dropping mixtapes when it's diary,
1:06:35
Speaker 1: you know. I got signed with Timberland and twenty fifteen
1:06:38
Speaker 1: we made some really dupe music, but it didn't really
1:06:40
Speaker 1: work out, you know, the way I wanted it too,
1:06:42
Speaker 1: but didn't work out. I just felt like the situation
1:06:46
Speaker 1: wasn't a fit for me. I had a lot of
1:06:48
Speaker 1: people on a label that were kind of like hovering
1:06:51
Speaker 1: over my situation, so I felt like I wasn't as
1:06:53
Speaker 1: creative anymore and we had a lot of disagreements. That's all.
1:06:57
Speaker 1: That album was classic Charlotte Magne heart album. It didn't
1:07:01
Speaker 1: come out it was Think Tink. So that was in
1:07:03
Speaker 1: twenty fifteen, so, you know, it's just the label situations.
1:07:07
Speaker 1: A lot of people in the office were having you know,
1:07:09
Speaker 1: silent beefs, and it trickled down on the artists. But
1:07:12
Speaker 1: I became independent in eighteen easy, easy to hope, not
1:07:17
Speaker 1: at all. I really had to, like sighten up. I
1:07:19
Speaker 1: had to go and get an attorney, switch attorneys, you know,
1:07:22
Speaker 1: you got to talk to your accountants and just switched
1:07:24
Speaker 1: the whole team up on the business side. So that
1:07:27
Speaker 1: took some time. It took like years, so that's why
1:07:29
Speaker 1: I took a break. In twenty seventeen, I backed off
1:07:32
Speaker 1: a music completely just to go get my life right.
1:07:35
Speaker 1: And yeah, in eighteen, I was finally, you know, released,
1:07:39
Speaker 1: so we had to do some negotiating behind the scenes,
1:07:42
Speaker 1: but you know, Tim, he let me go and do
1:07:44
Speaker 1: my thing, and yeah, I became independent. I saw my
1:07:47
Speaker 1: distribution deal with Empires, so I'm able to just really
1:07:49
Speaker 1: like release whatever I want free again. And yeah, I've
1:07:53
Speaker 1: been making albums ever since and it's really just been
1:07:55
Speaker 1: turning up. And you got Gazi and hit make It
1:07:58
Speaker 1: Here with You Today. That's big listening gods in the
1:08:01
Speaker 1: building too. I didn't even see guys shot out saying fire.
1:08:05
Speaker 1: You think people always say they Tim, Tim might have
1:08:07
Speaker 1: oversold you, like comparing you to the Alias and the
1:08:10
Speaker 1: Lauren Hills. Do you think that had a negative impact?
1:08:12
Speaker 1: I do. It was a lot, like I called, a
1:08:15
Speaker 1: lot of backlash, you know, I dropped the record billion
1:08:18
Speaker 1: and it was a really dope song. But I felt
1:08:20
Speaker 1: like with him kind of like comparing me to her
1:08:22
Speaker 1: and you know, telling people I'm the next Aliyah. You
1:08:25
Speaker 1: can't play with legends like that. And I had a
1:08:28
Speaker 1: lot of work to do at the time, so it
1:08:29
Speaker 1: wasn't really necessary. And I remember we dropped the record
1:08:32
Speaker 1: with Jay Z and Rick Ross. It's actually y'all premier that. Yeah, yeah, yes,
1:08:40
Speaker 1: y'all got him in big trouble. But yeah, it was
1:08:44
Speaker 1: just a lot of things on the business end that
1:08:45
Speaker 1: weren't tight and it kind of just affected everything. It's
1:08:48
Speaker 1: like a snowball effect. And how does that affect you
1:08:50
Speaker 1: as far as like wanting to sign somewhere else? Again,
1:08:53
Speaker 1: I'm really careful with with all my deals now, like
1:08:56
Speaker 1: I really had to get a new attorney. I'm looking
1:08:58
Speaker 1: through my contracts now, I'm actually reading them worried for word.
1:09:02
Speaker 1: I think when I was younger, I was like nineteen,
1:09:04
Speaker 1: so I was just signing. So now I'm on top
1:09:06
Speaker 1: of it. Oh that's a great question, because you go,
1:09:08
Speaker 1: I think it's very selective because over the years, I've
1:09:10
Speaker 1: hit think a million times like yo, think this person
1:09:13
Speaker 1: won't talk to you, this person won't talk you wanna
1:09:14
Speaker 1: talk to you? And I was going through things, Charlotta Magne.
1:09:18
Speaker 1: I'm really like, you know, I'm really personable, but like
1:09:20
Speaker 1: when you locked into a situation you can't really talk
1:09:24
Speaker 1: to anyone at the time, Like I was in deals
1:09:27
Speaker 1: and I couldn't really move at the time, so that's
1:09:29
Speaker 1: all that was, you know, you know, how to make
1:09:33
Speaker 1: So I'm an Empire. I have been with Empire for
1:09:35
Speaker 1: like some years and he recently last year came to Empire. Yes,
1:09:39
Speaker 1: so we linked at the studio. It was real organic,
1:09:41
Speaker 1: like I met him in San Francisco. Yeah, I liked
1:09:46
Speaker 1: the process with him, like you make it fun. It's
1:09:49
Speaker 1: not no pressure because it wasn't like that off the rip,
1:09:53
Speaker 1: you know what I'm saying. Charlotmagagne already gonna say that,
1:09:55
Speaker 1: you know what I'm saying. You know, she's very very
1:09:58
Speaker 1: b I was introduced to her, you know, just because guys,
1:10:02
Speaker 1: he really believed in me. Like last time I was here,
1:10:05
Speaker 1: I said, I actually got my gig with Atlantic Records
1:10:08
Speaker 1: from speaking on you know records, because you know, I
1:10:11
Speaker 1: was speaking things to exist there and then um, I
1:10:14
Speaker 1: got my my gig and I was running into trials
1:10:17
Speaker 1: and trip relations at Atlantic because I sold so many
1:10:19
Speaker 1: records for them, multiple number one records. Kind of felt underappreciated,
1:10:23
Speaker 1: and guys, he came and like scooped me up and
1:10:26
Speaker 1: it was a big deal for me, and it was
1:10:27
Speaker 1: like yeah, because leaving Atlantic and doing all these huge
1:10:29
Speaker 1: records or whatever to go in the empire, people would
1:10:32
Speaker 1: look at it like maybe you're going to You're going
1:10:34
Speaker 1: to an independent, like yeah, it's gonna be rougher for you.
1:10:36
Speaker 1: But actually I got in there a linked with Tink.
1:10:39
Speaker 1: We did the last album. Charlottagne actually opened up the
1:10:41
Speaker 1: last album. Appreciate for doing that, and then you know
1:10:44
Speaker 1: I've done badest Chris Brown Blue two Chains by your
1:10:48
Speaker 1: boy Peru. I was able to orchestrate that record and
1:10:50
Speaker 1: have involved in that, so we're rocking. I don't think
1:10:53
Speaker 1: people realize how talented Think is. Man. I don't know.
1:10:55
Speaker 1: She the best, Thank you man. Yes, I want to
1:11:00
Speaker 1: give up with everything that you were going through, like
1:11:02
Speaker 1: you know that. Yes, all the time. I took a
1:11:05
Speaker 1: break and I was really like my moment while I
1:11:08
Speaker 1: was like, I don't know if I really need to
1:11:09
Speaker 1: be doing this. I'm not in the right space. It
1:11:11
Speaker 1: was messing with me mentally and I'm trying to take
1:11:14
Speaker 1: care of things at home. You know, I'm still in Chicago,
1:11:16
Speaker 1: so there's a lot I always you know, what did
1:11:18
Speaker 1: you do during their moments to be honest, I was
1:11:22
Speaker 1: more so to myself. I kind of like stayed in
1:11:25
Speaker 1: the house for a long time, and you know, I
1:11:27
Speaker 1: started approaching my records again like how I would do
1:11:30
Speaker 1: before I got signed. So that's like writing in Chicago
1:11:33
Speaker 1: righting at home. I just went back to what you know,
1:11:36
Speaker 1: my home grounds and kind of just had to tighten
1:11:39
Speaker 1: up everything. But you've never stopped me getting money off
1:11:41
Speaker 1: music though you do shows, man. Yeah, And that's the
1:11:45
Speaker 1: that's the best thing. Like my fans, they really like
1:11:47
Speaker 1: hold me down from way back, like day one fans.
1:11:50
Speaker 1: So during that time period, they were still waiting and
1:11:52
Speaker 1: ready to support. So and y'all got directed Goofy. It
1:11:56
Speaker 1: isn't goofy like fighting words in Chicago you get shot
1:11:58
Speaker 1: from called somebody and goofy and Chicago. Yeah, you gotta
1:12:01
Speaker 1: hear the song, though, I was saying more so like
1:12:04
Speaker 1: I'm crazy and love when I thought about it, when
1:12:06
Speaker 1: I when I hear it back, and now that you
1:12:07
Speaker 1: know people are reacting to it, I'm like, man, goofy
1:12:09
Speaker 1: is a strong word. But I guess I'm saying, like y'all,
1:12:12
Speaker 1: I'm being Sometimes we crazy and love. We make decisions
1:12:16
Speaker 1: that we normally wouldn't when we really love somebody. So yeah,
1:12:20
Speaker 1: sometimes it can can come up like we being goofy.
1:12:22
Speaker 1: Is it hard for you to find love Teink because
1:12:25
Speaker 1: you are Tink. Yeah, it's a real thing. Like it's
1:12:29
Speaker 1: so hard beating people that understand this, I guess lifestyle
1:12:32
Speaker 1: or and just me as a person, I'm so I'm
1:12:34
Speaker 1: an intellectual, you know me. I'm a thinker, very mature.
1:12:39
Speaker 1: So yeah, this generation, it's it's a little weird. It's
1:12:41
Speaker 1: like people don't really be on my same when people
1:12:43
Speaker 1: lived like that. So who's the guy that's gonna hear
1:12:46
Speaker 1: this record and be like, oh, she's talking about me.
1:12:47
Speaker 1: I made her. I made her a goofy. Oh lord,
1:12:50
Speaker 1: I hate to think of it like that. That's giving
1:12:51
Speaker 1: people too much, but it's it's all of us. It
1:12:55
Speaker 1: could be for a lot of people not like that,
1:12:56
Speaker 1: but it could be for a lot of guys, like
1:12:58
Speaker 1: I speak for all the women. You're gonna tell me true,
1:13:01
Speaker 1: I'm assuming this based bro like that. You know something, Nah,
1:13:08
Speaker 1: as far as Goofy, And that's what the funny thing is,
1:13:11
Speaker 1: you know what I'm saying. Like we actually had the
1:13:13
Speaker 1: pleasure to work with Rico love and collaborate on this record,
1:13:16
Speaker 1: and we were playing to beat him. We was vibe
1:13:18
Speaker 1: into it, and he came in and kind of like saying,
1:13:20
Speaker 1: he wrote that got the goofy part, and I was
1:13:23
Speaker 1: so that throughout the first and she just went in, Okay,
1:13:30
Speaker 1: please say you got that reference track list in case
1:13:31
Speaker 1: we ever need the black mask Nigel about now, y'all
1:13:40
Speaker 1: got some some quotables in these streets. We got more
1:13:47
Speaker 1: with Tink and Young Burger hit Maker. Where we come back,
1:13:49
Speaker 1: Let's get into the single. It's cater featuring two Chains.
1:13:52
Speaker 1: It's the breakfast Club, Good Morning. It's DJ Envy Angela Yee,
1:13:56
Speaker 1: Charlemagne the guy. We are the breakfast Club. We will
1:13:59
Speaker 1: keep getting with Tink and Maker. When Burg was out,
1:14:01
Speaker 1: there was still was a five thousand dollars Birg, a
1:14:03
Speaker 1: ten thousand dollar bird now to where you're at now.
1:14:05
Speaker 1: So do those people still come to you that knew
1:14:07
Speaker 1: you back then and be like I need that old
1:14:09
Speaker 1: bird price, But you're like that doesn't exist anymore. I'm
1:14:13
Speaker 1: hit making that. No, I'm not even gonna lie like
1:14:14
Speaker 1: right now, I haven't really been taking like too many advances,
1:14:17
Speaker 1: and I have song deals with every company that's in
1:14:20
Speaker 1: the business. So it's like it's a slated fee. And
1:14:22
Speaker 1: if I really like you and I rock with you,
1:14:23
Speaker 1: I probably won't charge you because it's like when i'm
1:14:25
Speaker 1: gonna tell you, like Buster Rhymes has a new single
1:14:27
Speaker 1: that I just did with bea coming out, I can't
1:14:29
Speaker 1: charge Buster what I'm saying, you'll pay me sixty gram,
1:14:32
Speaker 1: pay me my rate, like and Buster is a legend
1:14:34
Speaker 1: the same way y'all see me with Terrace Squad chains,
1:14:36
Speaker 1: Like I can never charge Fat Joe. You know what
1:14:38
Speaker 1: I'm saying. So Tink, I don't charge Tink. You know
1:14:42
Speaker 1: what I'm saying. You know it's it's a vibe. I
1:14:45
Speaker 1: gonnae it was early. It was early. Now we gotta
1:14:55
Speaker 1: understanding and we're partners and hug we like we so
1:14:58
Speaker 1: locked in with everything we got going on this My
1:15:00
Speaker 1: partner like, I ain't gonna lie like she involved with
1:15:02
Speaker 1: my career. I'm involved with her career. We're making decisions together.
1:15:04
Speaker 1: I'm bossing up together. Do you write for other artists too?
1:15:07
Speaker 1: I do. Actually people don't know this, but I was
1:15:10
Speaker 1: writing for Rihanna's camp. I knew that I haven't really
1:15:13
Speaker 1: written lately because I've been so focused. But when I
1:15:15
Speaker 1: take my breaks, and you know, there's periods of time
1:15:17
Speaker 1: where I'm not dropping a lot of music. I'm still
1:15:20
Speaker 1: working in shopping records. I had an argument with an
1:15:22
Speaker 1: executive one time because you know, they were seeing how
1:15:25
Speaker 1: dope you all blogs and black, and they literally said
1:15:27
Speaker 1: to me, but I just don't think she'll pop because
1:15:29
Speaker 1: she dogskin what. Yeah, I'm not gonna ever say the
1:15:32
Speaker 1: person's name. You know, I'm not even surprised to hear that.
1:15:35
Speaker 1: That's the way of this industry out. It's it's really
1:15:38
Speaker 1: it's sad to hear it, but at the same time,
1:15:40
Speaker 1: like whatever, we hear that all the time, and to me,
1:15:43
Speaker 1: that's what makes me even more dope because it's like, man,
1:15:46
Speaker 1: people really like me for my talent. I actually said,
1:15:48
Speaker 1: didn't know. That's the reason she would because she represents
1:15:51
Speaker 1: for a whole group of people that see all that
1:15:53
Speaker 1: melan and they're like, oh, okay, but it's a new
1:15:57
Speaker 1: day now. You know, people got to really come get
1:15:59
Speaker 1: around me and see what's going on now, so she
1:16:01
Speaker 1: gets tell the truth. Executive hitmaker, you hear things like
1:16:03
Speaker 1: that right about not necessarily about skin color whatever, but
1:16:08
Speaker 1: I've just seen people make so many wrong decisions, and
1:16:12
Speaker 1: even with my departure from Atlantic Records, like this is
1:16:15
Speaker 1: what happens. La Read offered me a label deal, and
1:16:19
Speaker 1: I came back to Craig and I was just like, yo, like,
1:16:21
Speaker 1: I know I work for y'all, but this guy want
1:16:23
Speaker 1: to give me a label deal? Is this big amount
1:16:25
Speaker 1: of money? You know? Let me go get my bag.
1:16:27
Speaker 1: You know, I'll still create the hits and do whatever
1:16:29
Speaker 1: I need to do. And he was like, Nah, you
1:16:31
Speaker 1: can't do that. You can't do that. And then they
1:16:34
Speaker 1: offer me a deal. And I don't think that they
1:16:37
Speaker 1: gave me the deal because they wanted they believed in
1:16:39
Speaker 1: me to get the deal. They just gave me the
1:16:41
Speaker 1: deal to keep me in that system and keep me
1:16:43
Speaker 1: locked in or whatever and just passify me in the situation.
1:16:46
Speaker 1: And I wanted to grow and elevate and work with
1:16:48
Speaker 1: up and coming artists and work with different people, sign people,
1:16:51
Speaker 1: work with artists like ten because I was thinking, la
1:16:53
Speaker 1: Read it offered me like, man, like, you could just
1:16:55
Speaker 1: work with whatever artists in its label and if it
1:16:57
Speaker 1: works out, we'll put them under your banner. You know
1:17:00
Speaker 1: what I'm saying? Similar to game in fifty cent or
1:17:02
Speaker 1: something like that. How he has all these different acts
1:17:04
Speaker 1: that were signed. So I was really trying to elevate.
1:17:06
Speaker 1: But I think that the game, man is gonna be
1:17:08
Speaker 1: the game. Look at me, I'm young Burg, I'm Iceberg,
1:17:10
Speaker 1: I'm hit maker. I got a documentary, I got all
1:17:12
Speaker 1: types of stuff coming soon. So if you stay in
1:17:14
Speaker 1: it long enough, man, you're gonna see a lot man
1:17:17
Speaker 1: wrapping it all. You miss it. Hell no, it's a
1:17:20
Speaker 1: dangerous job. It's more dangerous than ever right now. And
1:17:23
Speaker 1: then not only that, it's a self serving like probably
1:17:26
Speaker 1: like an ego thing stroke ego. While I would want
1:17:28
Speaker 1: to do that right now or rap like, I honestly
1:17:30
Speaker 1: want to be behind the people that's really doing and
1:17:32
Speaker 1: killing it because I've experienced it, and I think there's
1:17:35
Speaker 1: not enough executives that have actually been artists before and
1:17:38
Speaker 1: been on the other side to really know and appreciate
1:17:41
Speaker 1: the artists and know where the artist is coming from
1:17:42
Speaker 1: and actually being the trenches making the records with him.
1:17:45
Speaker 1: Work with RSVP, I already did as no boys they
1:17:48
Speaker 1: got one, and then I guess it's the funniest because ever,
1:17:51
Speaker 1: like yo, when y'all have a Breakfast Club with ray
1:17:53
Speaker 1: Ja and all them boy y'all go, it's gonna be.
1:17:56
Speaker 1: It's going down in history. It's gonna be like er
1:17:58
Speaker 1: Gotty Dream Champs like it's gonna be. It's gonna be.
1:18:01
Speaker 1: J is a marketing genius. There's nothing dumb about Raj.
1:18:06
Speaker 1: Anybody who thinks that's a goddamn fool je. No, it's
1:18:09
Speaker 1: exactly what he's doing at all times. And I cannot
1:18:11
Speaker 1: wait to see how he rolls out RSVP exactly. Now,
1:18:14
Speaker 1: what about A one Bentley? He said, you don't make
1:18:16
Speaker 1: your own beats and you rely on other producers like
1:18:18
Speaker 1: og parkin Smash David. How you respond to that? I don't.
1:18:23
Speaker 1: I don't make this. I'm a curator of everything. You
1:18:27
Speaker 1: know what I'm saying, Like, I come up with the ideas.
1:18:29
Speaker 1: I'm the person that says, you know what, He's like,
1:18:31
Speaker 1: I want to, But yeah, I want to. I want
1:18:33
Speaker 1: to sample this, and I have a guy that replays
1:18:35
Speaker 1: everything for me. And it's similar to cater or. I
1:18:38
Speaker 1: want to do this and I want to do that,
1:18:39
Speaker 1: and I get with the right people, and I put
1:18:41
Speaker 1: the right people in the room. I'll write the record
1:18:43
Speaker 1: with the people. As you can see on my Instagram
1:18:45
Speaker 1: or whatever. But I don't program beats. Have I program
1:18:48
Speaker 1: beats before? Absolutely? On songs that have came out before,
1:18:51
Speaker 1: they have plaques to him. Absolutely, But when you're working
1:18:54
Speaker 1: with this heavy valume or whatever, like no one man
1:18:57
Speaker 1: could sit there and lie like, oh I did everything myself.
1:19:00
Speaker 1: So even if a person that programs beats, he didn't
1:19:02
Speaker 1: do everything. Timberland had danger and Scott Storch and everything.
1:19:06
Speaker 1: So I think that that's the dirt they thrown you
1:19:08
Speaker 1: when you get real successful and then it's like, oh,
1:19:10
Speaker 1: well you don't do this and do that and shout
1:19:11
Speaker 1: out to a one a man you don't make no
1:19:15
Speaker 1: beats at all, or you do make beats, you just
1:19:16
Speaker 1: don't make all of You Know what I do is,
1:19:19
Speaker 1: I'm the producer behind the whole session. I'm the person
1:19:22
Speaker 1: that brings in everything. You know what I'm saying. I'm
1:19:24
Speaker 1: the orchestrate, I'm the Quincy Jones and you know what
1:19:27
Speaker 1: I'm saying. So I know the right people to work with.
1:19:29
Speaker 1: I know the right people to pull in. I know
1:19:31
Speaker 1: what drum loop I want to use. I want to
1:19:32
Speaker 1: know what top line I want to use, what music
1:19:35
Speaker 1: bed I want to put behind this. I actually facility.
1:19:39
Speaker 1: They don't sit there themselves. And like they've always said
1:19:41
Speaker 1: that about Duty. Yeah, Kali, you hear that about Dred
1:19:45
Speaker 1: sometime since that's a great company. Yeah, I didn't put
1:19:49
Speaker 1: you in that company other people. Here's a quick example,
1:19:57
Speaker 1: because I want to give it back the team, like
1:19:58
Speaker 1: forgive me a boogie, look back at it. The song
1:20:01
Speaker 1: was six minutes long when they had it. They gave
1:20:03
Speaker 1: me that song. I went to Hawaii with boogie. He
1:20:05
Speaker 1: gave me all the fouls. I shortened the song, added
1:20:07
Speaker 1: to snap and turned them to a three minute and
1:20:09
Speaker 1: thirty second record and rearranged the whole song. And that's
1:20:12
Speaker 1: the song that y'all got from a six minute record.
1:20:14
Speaker 1: So if that ain't produced, and I don't know what
1:20:16
Speaker 1: producing is now when we talked, I don't know. Was
1:20:21
Speaker 1: here my first Yeah she was, so she was just like,
1:20:37
Speaker 1: oh no, this is big, y'all know. I'm just a calm,
1:20:40
Speaker 1: chill girl. Thank you. You gonna cry in the cab man,
1:20:46
Speaker 1: I'm glad you're standing next to think like this man.
1:20:48
Speaker 1: Ronald applaud you because think she's been and the best
1:20:52
Speaker 1: is yet to come for her. And he's glad to
1:20:54
Speaker 1: trust me. It's Hipmaker, It's Tink. It's the Breakfast Club
1:20:57
Speaker 1: to the Breakfast Club Morning. Everybody is DJ Envy, Angeline, Charlomagne,
1:21:07
Speaker 1: the guy. We are the Breakfast Club. Now again. I
1:21:10
Speaker 1: have one week left for my car show. To Drive
1:21:12
Speaker 1: your Dreams Car Show. It's the North Verst to South
1:21:15
Speaker 1: Houston versus New York, New Jersey, Philly. So it's gonna
1:21:19
Speaker 1: be a bunch of celebrity cars from Lynn of course, Turkey, Lang,
1:21:21
Speaker 1: Hunt and Trade the Truth. They're bringing them Houston cars,
1:21:22
Speaker 1: some country cars down then also we got cars from
1:21:25
Speaker 1: fifty cent Fabulous, Little Kim, Jim Jones, Fat Joe, meek Mill,
1:21:30
Speaker 1: Little Oozy Vert, and a host to others. It's a
1:21:33
Speaker 1: family fund days for kids fiving under a free There's
1:21:35
Speaker 1: ride for the kids, roller skating rink. There's a BMX
1:21:39
Speaker 1: bike show where they'll be doing flips and teaching the
1:21:41
Speaker 1: kids how to willie. There's also South to Souflow Willie
1:21:44
Speaker 1: School out in Florida that actually bringing some motorcycles up
1:21:47
Speaker 1: and teaching people how to do willies or motorcycles. They
1:21:50
Speaker 1: have like a big mattress on the back so you
1:21:51
Speaker 1: can't fall and hurt yourself. So it's gonna be a
1:21:53
Speaker 1: big family fund day. The weather's supposed to be amazing.
1:21:55
Speaker 1: So if you haven't got your tickets, get your tickets.
1:21:58
Speaker 1: And I can't wait to see you guys Saturday. Yes,
1:22:01
Speaker 1: and once again, man, if you missed what I said,
1:22:03
Speaker 1: you know, do the scheduling conflicts in the programming lineup
1:22:06
Speaker 1: the Black Effect you know podcast festival, it's gonna be postponed,
1:22:10
Speaker 1: you know until a later date. All right, We're looking
1:22:14
Speaker 1: forward to you know doing it right, So I just
1:22:16
Speaker 1: want to reiterate that, you know, if you need updated
1:22:19
Speaker 1: festival information, including the new date, it'll be shared at
1:22:22
Speaker 1: www dot Black Effect dot com and via all Black
1:22:26
Speaker 1: Effects social media platforms. And all tickets purchase through dice
1:22:30
Speaker 1: dot fm will be automatically refunded and please allow time
1:22:34
Speaker 1: for that the process and all other purchases please contact
1:22:36
Speaker 1: your point of sale all right now? Um, yes, the
1:22:40
Speaker 1: positive notice this what God sends you will arrive in clarity,
1:22:43
Speaker 1: not confusion. Breakfast club you know, finish or y'all dumb