Latest / Frightmares / Ep. 156 - Rubber (2010)

Transcript

Ep. 156 - Rubber (2010) · Frightmares

• 0:43
  Speaker 1: Did you see the news from ty West? Well, I guess,
• 0:46
  Speaker 1: say twenty four today.
• 0:48
  Speaker 2: What are they doing now, because I aren't they doing like.
• 0:50
  Speaker 1: Two new movies this year? Well, ty West's ex or
• 0:57
  Speaker 1: Pearl comes out this weekend, and then there is another
• 1:01
  Speaker 1: movie happening in that universe called Maxine. Yeah, I just
• 1:06
  Speaker 1: heard about that.
• 1:08
  Speaker 2: Who some something was something was being said about the
• 1:12
  Speaker 2: person in the lead role, remember, yeah something somebody in
• 1:18
  Speaker 2: the Facebook group was like, yo, something something me a
• 1:21
  Speaker 2: gotha something something?
• 1:33
  Speaker 1: Yes, uh Mi, a goth is going to be starring
• 1:37
  Speaker 1: in Maxine. And this is a sequel to X. So
• 1:41
  Speaker 1: we will have Pearl and then X and then Maxine
• 1:46
  Speaker 1: and it's taking place after the events of X, and
• 1:50
  Speaker 1: she is going to Hollywood and trying to make it
• 1:53
  Speaker 1: as a star, because the whole thing in X was
• 1:55
  Speaker 1: her talking about having the X factor wanting to make it.
• 1:59
  Speaker 2: So I haven't seen any of these movies. What you
• 2:03
  Speaker 2: haven't seen, Well, Pearl is not out yet, so no,
• 2:06
  Speaker 2: And I haven't seen X yet.
• 2:07
  Speaker 1: Oh man. So I I.
• 2:10
  Speaker 2: Have been taking like the minutest break from Horror at
• 2:14
  Speaker 2: the moment outside of our podcast, just because so fucking Wesley.
• 2:20
  Speaker 2: A couple of weeks ago, went with his family to
• 2:22
  Speaker 2: go see the new Top gun.
• 2:24
  Speaker 1: Ol Maverick in theater a.
• 2:27
  Speaker 2: Couple of weeks ago. Okay, yeah, no, a couple of
• 2:29
  Speaker 2: weeks A couple of weeks ago. So, and we we
• 2:32
  Speaker 2: finished up our show on HBO. We tried to start
• 2:36
  Speaker 2: a new show. Well, we did start a new show.
• 2:38
  Speaker 2: We're on season two of Barry Barry, The Bill Hayter Show.
• 2:45
  Speaker 2: He's a hit man that oh Barry.
• 2:49
  Speaker 1: Sorry, I was thinking shovel Barry, and I'm like, that's
• 2:52
  Speaker 1: a way no Barry Barry. Yeah yeah, yeah, but.
• 2:56
  Speaker 2: On HBO okay, yeah, but we have come to find
• 3:00
  Speaker 2: now that is not a show that you should binge
• 3:03
  Speaker 2: because it is overarchingly depressing. Uh and like while the
• 3:10
  Speaker 2: jokes land, it's like there's so much just overt sadness
• 3:15
  Speaker 2: in this show that as you're binging it, you're just like, is.
• 3:20
  Speaker 1: It a twenty minute or forty minutes thirty minutest episodes? Yeah?
• 3:26
  Speaker 2: No, so it's it's super easy to speed through, but
• 3:30
  Speaker 2: you get like five episodes and you're like.
• 3:32
  Speaker 1: Man, I hug.
• 3:35
  Speaker 2: Yeah, it's because like it's it's written in a way
• 3:38
  Speaker 2: that like Barry is just trying to change his life
• 3:42
  Speaker 2: and do good, and he just keeps getting shit on
• 3:45
  Speaker 2: and has to keep killing and has to keep doing
• 3:48
  Speaker 2: like terrible shit while everyone around him is like saying, oh, yeah,
• 3:55
  Speaker 2: killers are terrible, these kind of people are psychopaths and
• 3:57
  Speaker 2: YadA YadA, and he has to pretend that he's not
• 4:01
  Speaker 2: that with this group of people. It's hilarious and hankery.
• 4:06
  Speaker 2: Henry Winkler is in it and oh right on, and
• 4:09
  Speaker 2: oh my fucking god, he is so hilarious.
• 4:13
  Speaker 1: He's gotta be getting up there, man, Oh.
• 4:15
  Speaker 2: Yeah, no, he's I mean he was like twenty two.
• 4:18
  Speaker 1: In Happy Days. Yeah, man, that was nineteen forty five
• 4:22
  Speaker 1: is when he was born. So he's pushing almost eighty year.
• 4:24
  Speaker 1: Oh yeah, wow, only eighty Okay. I thought I don't
• 4:27
  Speaker 1: know why I thought he was like in his eighties already. Wait,
• 4:31
  Speaker 1: no he is. Yeah, Okay, he's like seventy eight or
• 4:34
  Speaker 1: something like that. Okay, so yeah, he's getting up there.
• 4:36
  Speaker 1: He's fucking awesome though. I love him.
• 4:37
  Speaker 2: Yeah, and this every time he's on camera, he just
• 4:41
  Speaker 2: kind of steals the limelight and not even intentionally, like
• 4:45
  Speaker 2: he is just so funny. Yeah that excuse me. That it.
• 4:50
  Speaker 2: It just carries, but it's it's so hard to watch
• 4:53
  Speaker 2: like continuously. So Wesley was like, Yo, you want to
• 4:57
  Speaker 2: just do like a series like eighties and nineties action movies?
• 5:04
  Speaker 1: Nice?
• 5:05
  Speaker 2: So I'm like, why the fuck not?
• 5:07
  Speaker 1: Yeah, I'll do some eighties and nineties. If you're doing
• 5:10
  Speaker 1: in nineties action movies, you cannot forget speed? Oh yeah yeah,
• 5:15
  Speaker 1: who are you? Sandra Bullock? So ridiculous? But I love
• 5:19
  Speaker 1: that movie. I was what was I was gonna do?
• 5:25
  Speaker 2: Point Break?
• 5:25
  Speaker 1: Okay? Yeah, yeah, yeah, I haven't seen that one. In
• 5:28
  Speaker 1: a minute, we can.
• 5:30
  Speaker 2: We kicked it off with War Games okay, okay, and
• 5:34
  Speaker 2: I was like, oh my god, baby, Matthew Brodren, I
• 5:37
  Speaker 2: know right, I have.
• 5:38
  Speaker 1: That's another one I haven't seen in Frickin' ages. Okay,
• 5:41
  Speaker 1: point Break? Putting that on the list in War Games?
• 5:44
  Speaker 1: All right? Uh? So, oh, Catherine Bigelow, that name sounds familiar.
• 5:49
  Speaker 1: Oh that's because she did after or Near Dark. I
• 5:53
  Speaker 1: always get those confused after midnight, near dark, before sunset whatever.
• 5:57
  Speaker 1: So you so you've done only two movies in this
• 6:00
  Speaker 1: series of movies for eighties and nineties action?
• 6:03
  Speaker 2: Yeah?
• 6:03
  Speaker 1: Okay? And what's up next?
• 6:05
  Speaker 2: We don't know yet we have it. We kind of
• 6:08
  Speaker 2: just pick it as we go, or Wesley will be like, oh,
• 6:12
  Speaker 2: how about this movie that didn't age well?
• 6:15
  Speaker 1: Yeah, I've been noticing that a lot lately with some
• 6:16
  Speaker 1: stuff I've watched it. I've like like from the mid
• 6:18
  Speaker 1: two thousands, and You're like, oh man, this is not
• 6:20
  Speaker 1: aged well. But i mean, what can you do? Their
• 6:23
  Speaker 1: product of their time much seriously. So yeah, but if
• 6:27
  Speaker 1: you haven't seen X, definitely check that out.
• 6:30
  Speaker 2: It's on my list. I've just been trying to get
• 6:33
  Speaker 2: the gumption back up to like recommit that's fair.
• 6:37
  Speaker 1: I'm trying to see if this is streaming anywhere. No,
• 6:39
  Speaker 1: it's not streaming anywhere, but whatever. I'm sure you can
• 6:41
  Speaker 1: find it on Amazon. But yeah, Pearl comes out this weekend, Maxine.
• 6:45
  Speaker 1: I think it's twenty twenty three. Who knows, he might
• 6:47
  Speaker 1: drop it this year. At this point, he's already fucking
• 6:49
  Speaker 1: dropped two this year. It's not actually no, I think
• 6:53
  Speaker 1: they said it's not shot yet, but I believe it's
• 6:55
  Speaker 1: written out or something like that. But I just can't
• 6:58
  Speaker 1: believe we haven't gotten a fucking horror movie from Ty
• 7:00
  Speaker 1: West in like eight or nine years, and he's like,
• 7:03
  Speaker 1: how about I dropped three on your ass? Oh, and
• 7:05
  Speaker 1: they're all like the same story.
• 7:06
  Speaker 2: And Okay, isn't this the first time that A twenty
• 7:10
  Speaker 2: four has done like a trilogy or yeah, like any
• 7:15
  Speaker 2: kind of movie plus sequel continuation? Wait, did A twenty
• 7:23
  Speaker 2: four do you escape room?
• 7:24
  Speaker 1: No? Okay, I mean yeah, I think I think this
• 7:27
  Speaker 1: might I mean just even movie and sequel.
• 7:30
  Speaker 2: Is I think this the first for A twenty four?
• 7:33
  Speaker 1: Yeah, I think so. I'd have to look at their
• 7:36
  Speaker 1: their like catalog, but I mean lust a quiet places
• 7:40
  Speaker 1: A twenty four, No, it's not. Yeah, I think this
• 7:42
  Speaker 1: might be. This is definitely the first like trilogy they've had.
• 7:44
  Speaker 1: Oh yeah, for sure, for sure. And it's like a
• 7:48
  Speaker 1: movie that didn't need it sequel or prequel. But I'm
• 7:51
  Speaker 1: not gonna say no because it's a tie West. I've
• 7:54
  Speaker 1: heard nothing but good things about Pearl so far. I mean,
• 7:58
  Speaker 1: X is one of my favorite of this year, and
• 8:00
  Speaker 1: I'm sure Pearl's probably gonna be up there as well. Yeah, okay,
• 8:03
  Speaker 1: So to put this in perspective for you guys right now, X,
• 8:06
  Speaker 1: which came out in March, has a three point six
• 8:10
  Speaker 1: on Letterbox, which is very solid rating. If you use
• 8:13
  Speaker 1: that app.
• 8:14
  Speaker 2: Pearl with and especially for like new horror.
• 8:17
  Speaker 1: Oh yeah, for like brand new horse and especially I
• 8:20
  Speaker 1: mean i'd say especially ty West, but I mean I
• 8:23
  Speaker 1: mean he's well known, but like in the horror community. Like,
• 8:26
  Speaker 1: if you're just watching this because you saw an advertisement
• 8:28
  Speaker 1: for you probably don't know who Ty West is. So
• 8:31
  Speaker 1: for him to put out three movies because Pearl. Also,
• 8:34
  Speaker 1: now this hasn't gone to theaters yet, but it's been
• 8:35
  Speaker 1: around on the festival circuit. It also has a three
• 8:38
  Speaker 1: point six, So I'm assuming this is gonna be as
• 8:42
  Speaker 1: good or better than the first one and Maxine coming
• 8:44
  Speaker 1: out next year. I assume it's gonna be all the
• 8:46
  Speaker 1: same caliber of awesomeness. So I'm super excited for that.
• 8:50
  Speaker 1: That literally just got announced today. I saw it all
• 8:52
  Speaker 1: over Facebook. But speaking of new shit coming out, I
• 8:57
  Speaker 1: just did. Have you seen the list? Oh yeah, the list. Yeah,
• 9:01
  Speaker 1: let's go over the West. Let's go over this list.
• 9:04
  Speaker 2: I'm super hype for a number one as it is Barbarians.
• 9:08
  Speaker 1: Oh yeah, Salt this weekend? Fucking incredible? Is it? I
• 9:13
  Speaker 1: don't like want to hype hype it up, but Jesus Christ,
• 9:16
  Speaker 1: you will never see any of it coming. It is
• 9:19
  Speaker 1: so fresh and original.
• 9:21
  Speaker 2: I love to hear that.
• 9:22
  Speaker 1: Dude. It's got Penny Wise, what's his fucking name? Stars guard,
• 9:26
  Speaker 1: It's got Bill Star's guard in it. It's got Justin
• 9:29
  Speaker 1: Long in it, which which is what I was like, yo,
• 9:32
  Speaker 1: because I didn't even know he was in it until
• 9:34
  Speaker 1: you said something. I'm like, he's in this movie. I
• 9:36
  Speaker 1: had no idea.
• 9:37
  Speaker 2: Well, and what's super funny is like, you do you
• 9:40
  Speaker 2: remember that rumor that went around that after like the
• 9:42
  Speaker 2: MAC and PC commercially, that he like died of cancer
• 9:45
  Speaker 2: or something.
• 9:45
  Speaker 1: No, I didn't hear that.
• 9:47
  Speaker 2: Yeah what Yeah, like apparently he was supposedly like died
• 9:50
  Speaker 2: of cancer or some shit, like an internet rumor, because
• 9:54
  Speaker 2: then like after Tusk, he didn't do anything.
• 9:56
  Speaker 1: Yeah, disappear. He really hasn't done much. And at least
• 9:59
  Speaker 1: that I've while.
• 10:00
  Speaker 2: Nothing was like, holy shit, Justin Long he's alive.
• 10:03
  Speaker 1: Yeah, like, oh my god. And he's doing not only
• 10:05
  Speaker 1: is he doing this one, he's also doing a movie
• 10:08
  Speaker 1: that just came out today as well, called House of
• 10:10
  Speaker 1: Darkness with Kate Bosworth. It's like, but I think it's
• 10:13
  Speaker 1: think it's about vampires. I don't know. So he's in
• 10:16
  Speaker 1: two horror movies this year.
• 10:17
  Speaker 2: We're getting a weirdo renaissance this year.
• 10:20
  Speaker 1: I know we really are so, but yeah, like justin
• 10:24
  Speaker 1: Long Coming out of Nowhere in Barbarian, there's also another
• 10:28
  Speaker 1: lady in there. I can't remember her name. I think
• 10:30
  Speaker 1: she's like on the up and coming because I've never
• 10:33
  Speaker 1: heard of her before, but she did a fantastic job.
• 10:36
  Speaker 1: Her name is Georgina Campbell. Lets let's see.
• 10:39
  Speaker 2: That's the other thing I really appreciate about this generation
• 10:42
  Speaker 2: of horror is Hollywood finally realized we can't make a
• 10:46
  Speaker 2: horror movie with Chris Hemsworth and have anybody take it seriously.
• 10:50
  Speaker 2: So let's fucking give new people a chance.
• 10:52
  Speaker 1: Yeah, yeah, for real. There's been a lot of great performances.
• 10:56
  Speaker 1: I mean, Mia Goth is still relatively new ash. I
• 11:00
  Speaker 1: mean she was in a Cure for Wellness, which was
• 11:02
  Speaker 1: like twenty seventeen.
• 11:03
  Speaker 2: That was a Bizarro movie.
• 11:05
  Speaker 1: Yeah, so that was about five years old. So she's
• 11:07
  Speaker 1: still like i'd say, she's like coming up, and after
• 11:10
  Speaker 1: these three movies, she's definitely on the fucking map for everyone.
• 11:13
  Speaker 1: Georgina Campbell, though in Barbarian, seems to have done a
• 11:16
  Speaker 1: bunch of mini series and shorts and stuff. I think
• 11:18
  Speaker 1: this is really like her first like leading thing. She
• 11:21
  Speaker 1: was also on an episode of Black Mirror, but she
• 11:23
  Speaker 1: was fantastic in this. The score was great, the filming,
• 11:26
  Speaker 1: the cinematography in this movie is probably the most impressive
• 11:30
  Speaker 1: thing next to like the acting and sound design. But
• 11:32
  Speaker 1: you know who directed it, right? I do?
• 11:36
  Speaker 2: But I have forgotten.
• 11:38
  Speaker 1: Okay, so you might.
• 11:39
  Speaker 2: Get because I looked at it and I was like, oh,
• 11:41
  Speaker 2: no way.
• 11:42
  Speaker 1: Yeah. So it's directed by a man named Zach Kreiger
• 11:45
  Speaker 1: or Kreeger. I'm not sure how you pronounce his last name,
• 11:47
  Speaker 1: but he was one of the kids from Whitest Kids,
• 11:50
  Speaker 1: you know. Oh yeah, yeah, that's yeah.
• 11:53
  Speaker 2: That's why I was like what because I saw Sack
• 11:55
  Speaker 2: Kreeger and I was like, wait, that sounds for me.
• 11:58
  Speaker 2: I was like I know this, and then I was like,
• 12:00
  Speaker 2: that's Gallon, a PCP guy.
• 12:02
  Speaker 1: Yeah, gall PC. That's my favorite fucking sketch. They did
• 12:07
  Speaker 1: Space Potatoes. Okay, fair, that's a good one. So yeah,
• 12:13
  Speaker 1: for him to have a background in just silly comedy
• 12:18
  Speaker 1: ship to be like, I'm gonna put out one of
• 12:20
  Speaker 1: the greatest horror movies this year, like whoa dude, hey man,
• 12:23
  Speaker 1: good for you. I mean, fucking Peel. He just peeled it.
• 12:29
  Speaker 1: Really he peeled it because you know, Key and Peel
• 12:31
  Speaker 1: was a comedy group. I mean I think they still
• 12:33
  Speaker 1: do shit. I'm pretty sure that. Yeah, and he just
• 12:35
  Speaker 1: full went full horror and you're like, where did this
• 12:38
  Speaker 1: come from? So I think that's awesome because when do we.
• 12:41
  Speaker 2: Get the Dane Cook horror movie.
• 12:43
  Speaker 1: It's called mister Brooks. Hello, that exists. I don't know
• 12:50
  Speaker 1: if that's a horror movie, but I I feel like
• 12:53
  Speaker 1: it is completely forgot about that movie.
• 12:56
  Speaker 2: Oh my god, did I blow your mind?
• 12:59
  Speaker 1: Oh? Sean, Okay, it's technically a crime thriller, but I
• 13:04
  Speaker 1: label I know i'd consider that horror.
• 13:07
  Speaker 2: He's got the Cubrick stare, Yeah he does.
• 13:10
  Speaker 1: So.
• 13:10
  Speaker 2: Oh man, I can't eat Jesus Christ.
• 13:13
  Speaker 1: Hey, I love mister mister Brooks is pretty fucking good.
• 13:15
  Speaker 1: It's got a three point two. No, I'm just saying
• 13:18
  Speaker 1: like it.
• 13:19
  Speaker 2: I didn't. I didn't even realize that I had seen
• 13:23
  Speaker 2: that movie until you said something. It was so far
• 13:27
  Speaker 2: deep and so far burried. Oh.
• 13:29
  Speaker 1: I had to go real far back there. I was like,
• 13:31
  Speaker 1: there is one what's a mister Brooks. Uh so, there
• 13:35
  Speaker 1: you go, you got that, But yeah, that would be
• 13:36
  Speaker 1: He's I'm assuming he's next, because, uh, I mean, Limp
• 13:40
  Speaker 1: Biscuit wasn't even not a comedian, but he did a movie,
• 13:43
  Speaker 1: a horror movie called The Fanatic, which was I heard
• 13:45
  Speaker 1: was terrible. Limp Biscuit, Yeah.
• 13:50
  Speaker 2: Okay, I was like, wait the entire band, no, no,
• 13:52
  Speaker 2: are we in a big money hustlers situation? God no,
• 13:56
  Speaker 2: which you still haven't seen. Have you no homework for this?
• 14:01
  Speaker 1: I know, I know. Uh so let's let's just hope
• 14:04
  Speaker 1: Dan Cook is next, but honestly not uh so, yeah,
• 14:08
  Speaker 1: justin So going back to Zach Craigor Kreeger, I can't
• 14:11
  Speaker 1: remember how to pronounce his name. But not only is
• 14:13
  Speaker 1: this movie super scary, very original, and also the comedy
• 14:16
  Speaker 1: that's in there is hysterical, obviously because it's the kid
• 14:21
  Speaker 1: from Whitest Kids, you know. So I can't recommend Barbarian enough.
• 14:24
  Speaker 1: It is out currently right now, go see it if
• 14:26
  Speaker 1: you haven't seen it, so it's definitely gonna be talked
• 14:29
  Speaker 1: about on the top ten.
• 14:30
  Speaker 2: And speaking of comedy, uh, fucking what do you think
• 14:33
  Speaker 2: about this new weird Ali.
• 14:35
  Speaker 1: The biopic it's going straight to Roku. I know.
• 14:39
  Speaker 2: That's super strange.
• 14:40
  Speaker 1: It's very I mean, I want to watch it. I'm hype,
• 14:43
  Speaker 1: But how am I supposed to watch it? Do I
• 14:44
  Speaker 1: have If I have a Roku, can I watch it?
• 14:46
  Speaker 1: Or do I have to pay? You know?
• 14:47
  Speaker 2: I think I think you can just like get it
• 14:49
  Speaker 2: through Amazon. You can get Roku channels.
• 14:51
  Speaker 1: Through Okay, maybe I'll do that, but yeah, no, I'm
• 14:54
  Speaker 1: super hype for that. Daniel Radcliffe is starring as weird
• 14:58
  Speaker 1: Al and looks.
• 14:59
  Speaker 2: Just fucking like and and oh my god, and weird
• 15:02
  Speaker 2: Al hand picked him. Oh really, So Dan Radcliffe was
• 15:06
  Speaker 2: on like one of the fucking whatever variety shows on
• 15:08
  Speaker 2: TV and he was doing karaoke and weird Al was
• 15:11
  Speaker 2: like that guy. Really Yeah, weird Al hand picked him,
• 15:16
  Speaker 2: which is super weird.
• 15:17
  Speaker 1: That's funny. Yeah, it is kind of weird because I
• 15:19
  Speaker 1: also the other day on Facebook saw pictures of Radcliffe
• 15:23
  Speaker 1: and uh, weird Alt together like doing weird poses, and
• 15:26
  Speaker 1: I was like, oh, that's funny. They're doing like I
• 15:27
  Speaker 1: guess pre movie photo shoots or something. I did not
• 15:30
  Speaker 1: know he was hand picked though.
• 15:32
  Speaker 2: But then when you look at like Radcliffe and like
• 15:34
  Speaker 2: old photos you're like like, oh, give.
• 15:37
  Speaker 1: Him the the curly hair and the mustache and the glass.
• 15:40
  Speaker 1: Nailed it.
• 15:41
  Speaker 2: It's fucking Zach Effron and goddamn Ted Bundy.
• 15:44
  Speaker 1: Oh yeah for real. Yeah, same persons like, how is
• 15:47
  Speaker 1: this real life? Uh so that's something I'm super excited for.
• 15:52
  Speaker 2: Yeah, back to your list.
• 15:54
  Speaker 1: So he got Barbarian, we got House of Darkness. Like
• 15:57
  Speaker 1: I said, House of Darkness also stars mister joh Long.
• 16:00
  Speaker 1: He's apparently working this year, and it's about him and
• 16:04
  Speaker 1: Kate Bosworth. It's a seductive thriller from Neil labout driving
• 16:09
  Speaker 1: home to a secluded a state after meeting at a
• 16:11
  Speaker 1: local bar. Player out to score thinks his beautiful, mysterious
• 16:14
  Speaker 1: date will be another casual hookup. While getting acquainted, their
• 16:17
  Speaker 1: flirtation turns playful, sexy, and sinister, hoping to get lucky.
• 16:20
  Speaker 1: His luck may have just run out.
• 16:22
  Speaker 2: But bro, I hope that somebody took that like second
• 16:28
  Speaker 2: short from VHS and just that's what House of Darkness is,
• 16:34
  Speaker 2: because that's like the almost the exact same premise, which
• 16:37
  Speaker 2: one which one was that the fucking vampire girl obis
• 16:41
  Speaker 2: yeah split her head open?
• 16:42
  Speaker 1: Oh yeah, yeah, oh that would be yeah, I mean
• 16:44
  Speaker 1: it's that sounds like the exact same s. That sounds
• 16:47
  Speaker 1: like a comedy horror, mystery thriller, So that should be fun.
• 16:52
  Speaker 1: Then next up, we've got this movie called The Retaliators,
• 16:55
  Speaker 1: which is something I just heard about the other day,
• 16:59
  Speaker 1: Retaliate Tours. I cannot spell that. Retaliators. This is about
• 17:04
  Speaker 1: an upstanding pastor who uncovers a dark and twisted underworld
• 17:07
  Speaker 1: as he searches for answers surrounding his daughter's brutal murder.
• 17:10
  Speaker 1: So I'm getting some religiony sque core, which I know
• 17:13
  Speaker 1: is you're possibly possibly. I mean, he's a pastor, so
• 17:17
  Speaker 1: that might just be like a whole side story, but
• 17:19
  Speaker 1: it could involve like I don't know, could involve more.
• 17:22
  Speaker 2: Well, I mean, so was the dude from fucking Signs?
• 17:26
  Speaker 2: But that was a nowhere lead the dude from Signs.
• 17:30
  Speaker 1: Yeah, wasn't he a preacher?
• 17:31
  Speaker 2: Or am I am? I?
• 17:33
  Speaker 1: Oh, I think you're confusing. That was scary. I haven't
• 17:37
  Speaker 1: been a priestince that night. No no, no, no, no no
• 17:39
  Speaker 1: no no no I have.
• 17:41
  Speaker 2: So it's been a long ass times time since I've
• 17:44
  Speaker 2: seen Signs, too, So maybe I need to go back
• 17:46
  Speaker 2: and rewatch it.
• 17:47
  Speaker 1: I just watched Scary Movie three recently. I should go
• 17:49
  Speaker 1: back and watch Signs. I just that whole twist in
• 17:52
  Speaker 1: that movie. Oh the Aliens, I can tell you this.
• 17:54
  Speaker 1: I know the aliens have not aged well oh my god, no,
• 17:58
  Speaker 1: they look like gumby. But that is one of the
• 18:02
  Speaker 1: first movies to ever scare the ever loving fuck out
• 18:06
  Speaker 1: of me. We all know the scene where they're filming
• 18:09
  Speaker 1: and the alien comes out of the bushes. Oh my god,
• 18:12
  Speaker 1: first time I saw that.
• 18:13
  Speaker 2: For me, it was the village and you got the
• 18:14
  Speaker 2: fucking pig clow.
• 18:16
  Speaker 1: Oh yeah, that shit. I actually didn't see that until recently.
• 18:19
  Speaker 1: And uh, I kind of figured that was that was
• 18:22
  Speaker 1: gonna be the twist at the end, but I wasn't sure.
• 18:24
  Speaker 1: And then it saw it and I was like, that
• 18:25
  Speaker 1: makes sense.
• 18:26
  Speaker 2: We have talked about it before on the podcast, have
• 18:29
  Speaker 2: we like the third episode that's where Helen Hunt came from?
• 18:32
  Speaker 1: Is it?
• 18:33
  Speaker 2: Yes?
• 18:33
  Speaker 1: What? Hell? That Hunt? The whole bit came from the village.
• 18:39
  Speaker 1: The village Why why though? Because one of the.
• 18:42
  Speaker 2: One of the actor's name last name is Hunt, and
• 18:46
  Speaker 2: I was like, yeah or something. It came We.
• 18:49
  Speaker 1: Could never remember this story. It came from the village though,
• 18:53
  Speaker 1: I know that for sure because of William Hurt. That's
• 18:57
  Speaker 1: the only thing. Oh there was Lucius Hunt Hunt and
• 19:00
  Speaker 1: Alice Hunt.
• 19:02
  Speaker 2: Yeah no, yeah, we're talking about Alice Hunt. And we
• 19:05
  Speaker 2: were like, wait, isn't there another Hunt in Hollywood? And
• 19:08
  Speaker 2: then we kept yeah, no that it came from it came.
• 19:10
  Speaker 1: From the village. Oh my god, oh goodness, Okay, thank
• 19:15
  Speaker 1: you for mister ding Dong.
• 19:18
  Speaker 2: Yeah, Shamalama Dingda.
• 19:19
  Speaker 1: Oh, Shamalama ding Dong. I thought I was the only
• 19:21
  Speaker 1: person that said Jesus no. So that's the retaliators. Then
• 19:26
  Speaker 1: we have for no reason at all, But I'm gonna
• 19:28
  Speaker 1: watch it because I did not like the original. We
• 19:30
  Speaker 1: have a remake of good Night Mommy going straight to
• 19:34
  Speaker 1: Amazon Prime with Naomi Watts. I mean, I'm for it.
• 19:37
  Speaker 2: I feel like I saw that one as well.
• 19:40
  Speaker 1: Like we heard about it announced No the original Oh yeah,
• 19:44
  Speaker 1: I don't know. I remember watching it and I was like,
• 19:47
  Speaker 1: it's kind of spooky, but I don't know. For some reason,
• 19:50
  Speaker 1: I just wasn't into it. I also probably watched it.
• 19:52
  Speaker 1: I think it was probably before the podcast, so maybe
• 19:54
  Speaker 1: I should give it another watch. It's from twenty fourteen,
• 19:57
  Speaker 1: it's got a three point four, It has all all
• 20:00
  Speaker 1: the things there to make it a good movie. For
• 20:02
  Speaker 1: some reason, I wasn't into it, but I am definitely
• 20:04
  Speaker 1: because I also love Naomi watch she's fantastic. Oh yeah,
• 20:07
  Speaker 1: I don't know what the fuck she's been doing lately,
• 20:08
  Speaker 1: but yeah, that remake is going straight to Amazon Primes.
• 20:10
  Speaker 1: A lot of shit going straight to streaming, and it's like,
• 20:13
  Speaker 1: I like it, but some things I would like to
• 20:15
  Speaker 1: see on the big screen, Like I'd like to go
• 20:17
  Speaker 1: see that on the big screen.
• 20:18
  Speaker 2: It yeah, but it's unfortunately it's just overall cheaper.
• 20:21
  Speaker 1: Yeah, it's just the way ever since COVID, stuff is
• 20:24
  Speaker 1: just going straight to streaming. I mean, I don't know
• 20:26
  Speaker 1: how how do people like, how do these companies like
• 20:29
  Speaker 1: make money off of that? I mean through subscriptions. Is
• 20:31
  Speaker 1: like I've always wondered that, you know, they have to
• 20:34
  Speaker 1: spend millions of dollars on a movie, but they're not
• 20:36
  Speaker 1: seeing a return on that unless they put it for
• 20:38
  Speaker 1: you know, like a six ninety nine rental, then they
• 20:40
  Speaker 1: could probably see some money coming.
• 20:42
  Speaker 2: So so normally what would happen is you at so you've
• 20:47
  Speaker 2: got your base team of people that's like your financiers,
• 20:51
  Speaker 2: your producers and shit. And then they go to the
• 20:53
  Speaker 2: public publishing houses and say, hey, like, help us finance this,
• 20:57
  Speaker 2: and we'll put your name on it and shit.
• 20:59
  Speaker 1: That's true.
• 20:59
  Speaker 2: And then what happens is they then sell it to Amazon,
• 21:06
  Speaker 2: and Amazon buys it, yeah, buys the rights to it
• 21:10
  Speaker 2: to say, okay, this is gonna go straight to Amazon
• 21:12
  Speaker 2: as a quote unquote Amazon.
• 21:14
  Speaker 1: I guess that's true. They're just acting the distributor, and
• 21:17
  Speaker 1: then Amazon recoups their cost through subscription and fucking fees
• 21:21
  Speaker 1: and ship. Now that makes sense if they're acting as Yeah,
• 21:24
  Speaker 1: I they're acting as like the distributor for it. That
• 21:26
  Speaker 1: makes sense because you have to buy a movie. You know,
• 21:28
  Speaker 1: distributors will buy movies and then fucking put them out.
• 21:30
  Speaker 1: So I guess that makes sense.
• 21:31
  Speaker 2: Plus then you have all the other like random ass bullshit.
• 21:34
  Speaker 2: So all right, somebody's wearing an under Armour shirt. Hey
• 21:36
  Speaker 2: under Armour, right, Yeah, Hey, give us like a thousand
• 21:39
  Speaker 2: bucks so we'll wear this shirt, all right?
• 21:41
  Speaker 1: Cool sponsorship.
• 21:43
  Speaker 2: Hey, hey, pepsi, we're gonna drink. We're gonna drink a
• 21:46
  Speaker 2: pepsi on camera. You want to give us a thousand bucks,
• 21:48
  Speaker 2: or we'll just put it in a glass instead, and.
• 21:51
  Speaker 1: A clear glass with no markings on it. Fucking pepsi.
• 21:55
  Speaker 2: Hey, I like pepsi.
• 21:56
  Speaker 1: Oh yeah, you're You're a pepsi overcoat guy.
• 21:59
  Speaker 2: I'll take the pep challenge.
• 22:00
  Speaker 1: So you are one of the people when they're like,
• 22:02
  Speaker 1: is pepsi? Well, I guess you're not asking for coke
• 22:04
  Speaker 1: because every time I'm like, can I have a coke?
• 22:06
  Speaker 1: And like as pepsi? Okay, no, it's not take that
• 22:09
  Speaker 1: shit back. No.
• 22:10
  Speaker 2: What I love to do is say can I have
• 22:11
  Speaker 2: a pepsi? And they say is cococaine? I'll be like,
• 22:13
  Speaker 2: I'll have a Graham But and then they look at
• 22:17
  Speaker 2: me and go what.
• 22:17
  Speaker 1: I go what? Who loser says what? Uh? Okay, So
• 22:21
  Speaker 1: that's a good night Mommy. I has already talked about Pearl. Uh.
• 22:24
  Speaker 1: We've got jeepers creepers. Oh, I should probably say the
• 22:26
  Speaker 1: dates the all coming out Retaliators is nine to fourteen.
• 22:29
  Speaker 1: Good Night Mommy is nine sixteen, Pearl is nine sixteen,
• 22:33
  Speaker 1: nine to nineteen. We have jeepers, creepers reborn. Victor Salva
• 22:36
  Speaker 1: is not involved. It is a completely different team. And
• 22:38
  Speaker 1: then they're kind of rebooting the series with but also
• 22:41
  Speaker 1: keeping it true to what we already know. I'm super
• 22:44
  Speaker 1: excited for that.
• 22:44
  Speaker 2: And they don't call it three, call it Jeepers, Creepers
• 22:48
  Speaker 2: Colon something else.
• 22:49
  Speaker 1: It is Cheepers, Creepers Colon Reborn. Oh yeah, okay, because
• 22:52
  Speaker 1: Jeepers Creepers three was an absolute dumpster fire from what
• 22:55
  Speaker 1: I oh yeah, yeah. I never watched that because that's
• 22:58
  Speaker 1: when the that's when all the stuff came out about him.
• 23:00
  Speaker 1: So I was like, yeah, I'm not gonna watch that.
• 23:01
  Speaker 1: I'll watch this one because it's not from the same dude.
• 23:03
  Speaker 1: But this one looks really fun. It involves like, uh,
• 23:06
  Speaker 1: looks like there's at some point in the trailer there's
• 23:08
  Speaker 1: kids trapped in a house and the creepers trying to
• 23:10
  Speaker 1: like bust in and get them. It looks like it's
• 23:11
  Speaker 1: gonna be a haunted like house, like ooky, spooky thing.
• 23:15
  Speaker 1: So I'm about I'm about it, and it looks like
• 23:17
  Speaker 1: he's the It made me so sad.
• 23:19
  Speaker 2: When I was like, I can't watch this motherfucker's movies
• 23:21
  Speaker 2: anymore because.
• 23:22
  Speaker 1: The creeper fucking I love the Creepers, so I'm glad
• 23:25
  Speaker 1: it's going to someone else and and he looks like
• 23:27
  Speaker 1: he's getting a lot of screen time because he was
• 23:30
  Speaker 1: in so much of the trailer. So I'm excited for that.
• 23:32
  Speaker 1: I think they're doing like a limited Fathom event for
• 23:34
  Speaker 1: that and uh like Regal and AMC. But I'm sure
• 23:37
  Speaker 1: it'll go to streaming uh soon after that. The next
• 23:40
  Speaker 1: one isn't necessarily horror, but it's very controversial. Controversial already.
• 23:45
  Speaker 1: It's don't worry darling, and it's got a stellar cast.
• 23:48
  Speaker 1: But there has been some drama going on.
• 23:51
  Speaker 2: So I don't even know what the drama is.
• 23:54
  Speaker 1: Oh my god.
• 23:55
  Speaker 2: All I have heard is that nobody wants to fucking.
• 24:00
  Speaker 1: Yeah, no one wants to be there. Rats are all
• 24:03
  Speaker 1: over the.
• 24:04
  Speaker 2: No one wants to work with any of each other.
• 24:08
  Speaker 2: The producers are fighting with the director. The director's yelling
• 24:12
  Speaker 2: at the crew, the cruise striking, and it's it's all
• 24:16
  Speaker 2: a bunch of nonsense.
• 24:17
  Speaker 1: In a nutshell. Uh summon up very quickly. Uh. There
• 24:22
  Speaker 1: was a difference in pay between Florence Pew and Harry Styles,
• 24:24
  Speaker 1: like a massive difference, and Florence Peugh obviously is upset
• 24:28
  Speaker 1: because Harry Styles isn't a fucking actor. He's been in
• 24:31
  Speaker 1: two things, I think, so she's upset about that because
• 24:34
  Speaker 1: obviously she if someone deserves more money, it's her. She's
• 24:38
  Speaker 1: been acting, she has established herself as a phenomenal and.
• 24:41
  Speaker 2: She consistently kills it.
• 24:44
  Speaker 1: Yeah, every time, every every single movie I've seen her do.
• 24:48
  Speaker 1: I always loved her performances.
• 24:50
  Speaker 2: It's just fire yeah, slap yeah, everything boom yeah.
• 24:54
  Speaker 1: And she cannot like she's amazing. And also Olivia Wilde's
• 24:59
  Speaker 1: fucking Harry's and they were sleeping together, and that that's
• 25:02
  Speaker 1: a thing too. So there's a lot of bullshit on
• 25:05
  Speaker 1: the set. And I guess Shilah buff was supposed to
• 25:08
  Speaker 1: be on in the movie, but he said he quit
• 25:11
  Speaker 1: but he's tired.
• 25:13
  Speaker 2: He did he get like a shitload of tattoos for
• 25:16
  Speaker 2: this movie or was I don't know.
• 25:17
  Speaker 1: I didn't hear about that.
• 25:19
  Speaker 2: So he either for this role or a role that
• 25:21
  Speaker 2: he did like previously, he was supposed to play a
• 25:24
  Speaker 2: character with a bunch of fucking tattoos, so instead of
• 25:26
  Speaker 2: going into makeup, he just went and got the tattoos.
• 25:29
  Speaker 1: That might have been for his movie Honeyboy, which by
• 25:32
  Speaker 1: the way, he I don't know if you've seen Honeyboy,
• 25:34
  Speaker 1: but it's a like a biopic about him and his
• 25:36
  Speaker 1: dad and his relationship growing up. He just came out
• 25:38
  Speaker 1: and told everyone that that was none of those events
• 25:41
  Speaker 1: were real, and everyone's like, you made a movie of
• 25:44
  Speaker 1: the year, which it was literally a masterpiece. I watched it.
• 25:48
  Speaker 1: I was like, dude, that was amazing. He plays his
• 25:50
  Speaker 1: dad and it's the whole thing. But yeah, he came
• 25:52
  Speaker 1: out and said nothing, nothing in that movie happened, and
• 25:54
  Speaker 1: everyone's like, so what the fuck?
• 25:58
  Speaker 2: You know what, Like, you know what, I appreciate that.
• 26:02
  Speaker 2: Why because he is doing the ultimate thing that he
• 26:08
  Speaker 2: has always wanted to do, just fucking make ship and make.
• 26:14
  Speaker 1: People feel shit.
• 26:15
  Speaker 2: He doesn't care what it is as long as he
• 26:18
  Speaker 2: is making people emote from whatever he's doing, even it's
• 26:22
  Speaker 2: even if it's fucking stupid. That's what he wants to do.
• 26:25
  Speaker 1: That's why.
• 26:26
  Speaker 2: That's why he's always acting a fool in front of
• 26:28
  Speaker 2: the camera and having like quote unquote freakouts and ship.
• 26:32
  Speaker 2: It's because he just wants to like.
• 26:37
  Speaker 1: Be in front of the camera and I make people
• 26:39
  Speaker 1: feel thinks he's he sold us all in that movie.
• 26:42
  Speaker 2: I mean, I hey, you know what, if he can
• 26:45
  Speaker 2: sell it that well and make everybody believe it.
• 26:47
  Speaker 1: Fuck it, he deserves it, all right. I'm not like mad,
• 26:51
  Speaker 1: but I'm alost like, that's kind of weird. Why no
• 26:53
  Speaker 1: one asked you to reveal that he's.
• 26:56
  Speaker 2: But he's an actor out in his real life now,
• 26:59
  Speaker 2: like everything not. So now nobody knows what is the
• 27:04
  Speaker 2: real Shila.
• 27:04
  Speaker 1: Buck because he could actually he could be lying that
• 27:06
  Speaker 1: it was faked and it was all real and he's
• 27:08
  Speaker 1: just lying about Yeah. Yeah, it's a whole it's a
• 27:12
  Speaker 1: whole fucking production from even Stevens over here.
• 27:15
  Speaker 2: Perform is what it is.
• 27:17
  Speaker 1: Yeah. So I guess he was supposed to be in
• 27:18
  Speaker 1: the movie, but something happened with Florence Pew and I
• 27:21
  Speaker 1: guess something about allegations against assault or something, and they
• 27:25
  Speaker 1: kicked him off, but he said he left. I don't
• 27:26
  Speaker 1: know what's going on with I.
• 27:28
  Speaker 2: Thought I read that Florence Pew didn't like feel safe.
• 27:30
  Speaker 1: Yeah, he didn't feel safe around him. Yeah, so there's
• 27:33
  Speaker 1: a whole bunch of fucking shit going on with Don't worry, Darkling,
• 27:36
  Speaker 1: I'm gonna go see it because, like I'm curious, But
• 27:38
  Speaker 1: there's a whole bunch of drama going on behind it.
• 27:40
  Speaker 1: I thrive on drama. I think it's hilarious. But yeah,
• 27:43
  Speaker 1: look at the ratings on this. It's a two point seven.
• 27:46
  Speaker 1: But look how wild those ratings are in letterbox. Yeah,
• 27:50
  Speaker 1: it's like you got a bunch of half stars, a
• 27:52
  Speaker 1: bunch of five stars, a weird amount in the middle.
• 27:54
  Speaker 2: So but like no four point five, very few two
• 27:58
  Speaker 2: point five.
• 27:59
  Speaker 1: Yeah, it's it's very rad. So that's coming out on
• 28:02
  Speaker 1: the twenty third, and then buckle up, everybody, because we've
• 28:07
  Speaker 1: got the Monsters going straight to Netflix on the twenty seventh,
• 28:12
  Speaker 1: which is I guess Rob Zombie had always planned it too.
• 28:15
  Speaker 2: I'm so hype.
• 28:16
  Speaker 1: I am so hyped. I just I just wanted to
• 28:20
  Speaker 1: be I don't need it to be a masterpiece, but
• 28:22
  Speaker 1: I just don't want it to suck. I just want
• 28:23
  Speaker 1: it to be a good movie, like a three star
• 28:26
  Speaker 1: that was cool. Yeah, watching next year, give me my thing? Yeah,
• 28:30
  Speaker 1: let me move on. Yeah, I'm just I'm very worried.
• 28:33
  Speaker 2: That's what I'm hoping with the New Adams Family too.
• 28:36
  Speaker 2: Like I'm I'm a hype on the cast. I'm a
• 28:39
  Speaker 2: hype on like the direction. But everyone was a fucking
• 28:43
  Speaker 2: bash And what's his face. Yeah, but he looks exactly
• 28:47
  Speaker 2: like the original.
• 28:48
  Speaker 1: Fact. Yeah, he looks exactly like the original like Tim
• 28:51
  Speaker 1: Burton's original or not Tim Burton, Sorry, tim Burton. Cast
• 28:54
  Speaker 1: Uh what's his name? Fucking the guy from He's from Everything? Yeah,
• 28:59
  Speaker 1: he's literally from everything, the guy from Everything? Oh my god.
• 29:03
  Speaker 1: I know him the most from Waiting. He's the Spanish guy.
• 29:07
  Speaker 1: He's always trying to have sex with his girlfriend waiting
• 29:09
  Speaker 1: dot dot dot. What the fuck is your name? Brother
• 29:11
  Speaker 1: man Lewis Gusman? So oh yeah, yeah, I guess Tim
• 29:16
  Speaker 1: Burton picked him because, yeah, he looked exactly like the
• 29:18
  Speaker 1: original sketches, which he does. I've seen side by side pictures.
• 29:21
  Speaker 1: So I just don't know why people are so quick
• 29:23
  Speaker 1: to bash, Like, dude, yeah, he might not be what
• 29:26
  Speaker 1: you but people are also comparing him to the Gomez
• 29:29
  Speaker 1: from the movies. Yeah, and it's like people are gonna
• 29:31
  Speaker 1: look different, I mean, like, what do you want?
• 29:33
  Speaker 2: Yeah? Well, and because he the guy from the original
• 29:37
  Speaker 2: one was like the epitome of the Adams Family for
• 29:41
  Speaker 2: so long. Yeah, that's true, and I think that's what
• 29:44
  Speaker 2: it is. But I'm like, Guzman is hilarious. Number one.
• 29:49
  Speaker 1: I love him and everything.
• 29:50
  Speaker 2: He's he's hilarious and he's a great actor. So I'm like,
• 29:54
  Speaker 2: you know what, fuck it, I don't care. I just
• 29:57
  Speaker 2: give me more Adams family.
• 29:58
  Speaker 1: Yeah, because he's got that kind of of like I
• 30:00
  Speaker 1: can only watch the original so many times. Yeah, give
• 30:03
  Speaker 1: me some new material. And also Jenna Ortega as Wednesday Adams.
• 30:07
  Speaker 1: That is perfect fucking casting. Are you kidding me? So
• 30:11
  Speaker 1: I'm excited for that. I don't know what all the
• 30:13
  Speaker 1: hate is about. Watch something and then make up your mind.
• 30:16
  Speaker 1: Don't just shit on something, because yeah, I don't know
• 30:18
  Speaker 1: what people don't like about Lewis Gusman, but he's hilarious.
• 30:21
  Speaker 1: He's got that kind of fiery side, so I think
• 30:23
  Speaker 1: he would be perfect for a kind of snarky character.
• 30:26
  Speaker 1: So I think he's gonna do great. I can't remember
• 30:29
  Speaker 1: who Mortissiue was. Is it Evil? Not Eva Longoria, That's
• 30:33
  Speaker 1: not it. It's the check from Mask of Zorro, Catherine
• 30:35
  Speaker 1: Zada Jones. There you go, don't. I'm not sure about her. Uh,
• 30:40
  Speaker 1: I'm kind of iffy on her. But I mean again,
• 30:42
  Speaker 1: I mean, if.
• 30:42
  Speaker 2: We're if we're going just based off original concept art,
• 30:46
  Speaker 2: pretty similar. Yeah, I don't have any problem with Catherine
• 30:50
  Speaker 2: Zada Jones, like as an actor.
• 30:52
  Speaker 1: Oh no, no, no, yeah, yeah, I don't. I don't. I
• 30:55
  Speaker 1: don't like not like her. I'm just at this role.
• 30:57
  Speaker 1: I'm like, I don't know, but again, I'll have to see.
• 31:00
  Speaker 1: What's it? Am I spelling this wrong? The Adams Family.
• 31:03
  Speaker 1: Where's the fucking TV show?
• 31:04
  Speaker 2: It's a d D.
• 31:05
  Speaker 1: Yeah, huh. I can't find the TV I'm trying to
• 31:08
  Speaker 1: look it up on IMDb and I don't. I don't
• 31:10
  Speaker 1: see anything. Or is it or is it Wednesday? I
• 31:13
  Speaker 1: think it's Wednesday. Yeah, it's Wednesday. I'm sorry. There we go.
• 31:18
  Speaker 1: Oh wait, yeah, there we go. So oh Christina Richie's
• 31:20
  Speaker 1: going to be in it too. Oh shit.
• 31:22
  Speaker 2: Yeah, so you've got so you talked about the original
• 31:24
  Speaker 2: show from.
• 31:25
  Speaker 1: No, no, no, no, the new show is called it's called Wednesday.
• 31:29
  Speaker 1: You're talking about that right?
• 31:31
  Speaker 2: No?
• 31:32
  Speaker 1: Oh yes, yes, yes, yeah, it's the new show. It's Wednesday.
• 31:34
  Speaker 1: So it's going. That's another thing that's going straight to Netflix.
• 31:37
  Speaker 1: Oh is it already out? Oh no, no, it's not already out. Okay,
• 31:41
  Speaker 1: so there's no release day for this, but that I
• 31:43
  Speaker 1: assume it's coming this year. I do believe going straight
• 31:47
  Speaker 1: to Netflix with eight episodes directed by Tim Burton. I mean,
• 31:50
  Speaker 1: it's got all the ingredients for a pretty awesome show,
• 31:54
  Speaker 1: and I will be checking that out and we will
• 31:56
  Speaker 1: report back. I don't notice anybody else in the cast.
• 31:58
  Speaker 1: Oh except Ricky Lyndholmes. She's fucking hilarious. Oh she's a
• 32:03
  Speaker 1: she's a comedian. That's awesome. All right, Cool, let's see
• 32:06
  Speaker 1: what else we got for movies. There's a couple more here.
• 32:09
  Speaker 1: We've hocus Pocus two nine thirty going straight to Disney Plus.
• 32:13
  Speaker 1: I will say it, I'm not I'm not a huge
• 32:16
  Speaker 1: fan of it. Yeah, So I just I mean it's
• 32:19
  Speaker 1: like it's a bad movie.
• 32:20
  Speaker 2: I just it's one of those things that like, all right, fucking.
• 32:23
  Speaker 1: Twelve years ago. Sure, Yeah, I don't care. It's also
• 32:26
  Speaker 1: it's like it's like the Nightmare before Christmas. I can't
• 32:29
  Speaker 1: get involved to the fandom because the fan, like the fans,
• 32:32
  Speaker 1: they were it. Well, the fans are super into it,
• 32:34
  Speaker 1: and I'll never be at that level. So I don't bother. Yeah,
• 32:37
  Speaker 1: I've watched both of them. They're cool, just not my
• 32:40
  Speaker 1: cup of tea. So but I mean, if that's your thing, and.
• 32:43
  Speaker 2: If we're gonna get Disney movie remakes or reboots. Give
• 32:49
  Speaker 2: me my fucking Halloween Town remake.
• 32:52
  Speaker 1: Oh Man and Cass, you know, like the chick who
• 32:55
  Speaker 1: was in the Originals because her and the guy from
• 32:56
  Speaker 1: the movie they're married.
• 32:57
  Speaker 2: Now did you know that I did not?
• 32:59
  Speaker 1: They're married in real life. Yeah. Funding them back? Yeah,
• 33:03
  Speaker 1: bring them back is the mom and the fucking Yeah.
• 33:05
  Speaker 2: Yeah, add one extra character, Give me a fucking remake,
• 33:08
  Speaker 2: do that shit?
• 33:08
  Speaker 1: That would be amazing, or even a continuation. I don't care.
• 33:12
  Speaker 1: So yeah, hocus Pocus too, well, I watch it, probably
• 33:16
  Speaker 1: because it's.
• 33:17
  Speaker 2: Gonnaby's gonna make you watch it.
• 33:18
  Speaker 1: Yeah, because it's going straight. It's going straight to Disney.
• 33:21
  Speaker 1: I won't have to go to the theaters, and you
• 33:22
  Speaker 1: know whatever. I'll probably check it out. But on the
• 33:25
  Speaker 1: other hand, we've got a movie that I'm super excited
• 33:28
  Speaker 1: for coming out the same day, which is called My
• 33:32
  Speaker 1: Best Friend's Exorcism, and that looks sounds amazing. It's set
• 33:37
  Speaker 1: in nineteen eighty eight around high school sophomores. After an
• 33:41
  Speaker 1: evening of skinny dipping goes disastrous, disastrously wrong, Gretchen begins
• 33:46
  Speaker 1: to act different. She's moody, she's irritable and bizarre incidents
• 33:49
  Speaker 1: keep happening whenever she's nearby. Abby investigates. Investigations lead her
• 33:54
  Speaker 1: to some startling discoveries, and by the time their story
• 33:56
  Speaker 1: reaches its terrifying conclusion, the fate of Abby and Get
• 33:59
  Speaker 1: and Gretchen be determined by a single question. Is their
• 34:02
  Speaker 1: friendship powerful enough to beat the devil?
• 34:04
  Speaker 2: So you you said the trailer of this in the
• 34:07
  Speaker 2: group chat, didn't you?
• 34:08
  Speaker 1: I don't think so.
• 34:09
  Speaker 2: Now I feel like I saw this trailer because that
• 34:12
  Speaker 2: I was.
• 34:12
  Speaker 1: I was also hyped for that. Uh maybe Kyle did.
• 34:16
  Speaker 1: It's possible he did. But yeah, this looks fun. Uh oh,
• 34:20
  Speaker 1: it's going straight. It's going straight to Prime. Holy shit.
• 34:23
  Speaker 1: Fuck Yeah, dude. Prime is getting some shit this year,
• 34:26
  Speaker 1: all right, because they've got a good night mommy, and.
• 34:29
  Speaker 2: Now Flick's just trying.
• 34:31
  Speaker 1: They're trying. I mean, they're getting the monster. They're they're trying.
• 34:33
  Speaker 2: They're trying to scrape up that seventy five off the floor.
• 34:38
  Speaker 1: Right, I need this. We're gonna go defunct should have
• 34:42
  Speaker 1: bought out or a fucking If only Blockbuster would have
• 34:45
  Speaker 1: taken the buy out, they'd be super rich. Right now,
• 34:48
  Speaker 1: What was the last one. Oh, last but not least
• 34:51
  Speaker 1: coming out also on the thirtieth is a movie called Smile,
• 34:57
  Speaker 1: And I don't really know what it's a out besides
• 35:01
  Speaker 1: people smiling and killing people.
• 35:02
  Speaker 2: So all right, it is from what I gathered from
• 35:06
  Speaker 2: that trailer, it is something along the lines of like
• 35:12
  Speaker 2: the Bye Bye Man, where it's a thing that once
• 35:16
  Speaker 2: it gets in your brain, it can transfer to other people.
• 35:19
  Speaker 2: And if you see the Smile, that's how it gets you.
• 35:22
  Speaker 1: Yeah, I get, I get kind of it follow vibes.
• 35:25
  Speaker 2: It's it's gonna be a heavy teen scream. That's what
• 35:29
  Speaker 2: I'm I'm shooting. I'm guessing it's gonna be a PG
• 35:33
  Speaker 2: thirteen rating, is it? It's our surprising? Yeah, then that
• 35:39
  Speaker 2: just means it's gonna be gorys.
• 35:40
  Speaker 1: Yeah, oh yeah, it's definitely gonna be gory, uh, frightening
• 35:44
  Speaker 1: and intent o. Wait, you know what, let's see if
• 35:45
  Speaker 1: I what was what was.
• 35:46
  Speaker 2: The fucking movie about the girl with the Chinese wishing
• 35:52
  Speaker 2: box that would fucking open up and kill people?
• 35:56
  Speaker 1: Is that for this year?
• 35:58
  Speaker 2: No, it is like few years ago wishing Box.
• 36:02
  Speaker 1: I have no idea.
• 36:03
  Speaker 2: Hold on guy fill dead air. While I look this.
• 36:06
  Speaker 1: Up, I'm trying to think, is it like a Debik box.
• 36:09
  Speaker 2: No, it is not.
• 36:11
  Speaker 1: I was thinking The Possession, because that's a movie that's
• 36:13
  Speaker 1: really good. I'm really trying to think. It's a found footage.
• 36:16
  Speaker 2: It is not what the wish Upon.
• 36:20
  Speaker 1: Oh okay, I don't think I've seen that one.
• 36:22
  Speaker 2: It reminds me a little bit of wish Upon in
• 36:24
  Speaker 2: Polaroid and it follows and.
• 36:28
  Speaker 1: It's got a lot of similar vibes. Wish Upon, a
• 36:30
  Speaker 1: teenageerill discovers a box that carries magical powers and a
• 36:33
  Speaker 1: deadly price for using them. Yeah.
• 36:36
  Speaker 2: You you make a wish in the vicinity of the
• 36:39
  Speaker 2: box and then it opens and like somebody random around
• 36:42
  Speaker 2: you dies in horrible consequences.
• 36:44
  Speaker 1: Oh so it's like death not don't Oh no, that's
• 36:47
  Speaker 1: like writing names and the thing wish upon. Let's see
• 36:50
  Speaker 1: what it's got on a letter box.
• 36:53
  Speaker 2: Oh yeah, yeah, I saw that ship in theaters.
• 36:59
  Speaker 3: Oh man, okay, yeah it's And it's what makes it bad, unfortunately,
• 37:06
  Speaker 3: is the acting, Like, yeah, that's a make or break
• 37:10
  Speaker 3: for a movie something well, And the worst part is
• 37:13
  Speaker 3: you can see that they're trying.
• 37:15
  Speaker 1: Oh sof's like that. It's like, yeah, bless your soul. Yeah, alright,
• 37:20
  Speaker 1: so maybe maybe watch that one day if you're super
• 37:22
  Speaker 1: baked or whatever. Ninety minutes, so it's not that if
• 37:25
  Speaker 1: it was like a two hour movie and fuck that
• 37:27
  Speaker 1: not a one point.
• 37:28
  Speaker 2: Eight no, and it's a quick ninety minutes too, like
• 37:31
  Speaker 2: it's not Yeah, it's not a boring movie.
• 37:35
  Speaker 1: It's just some bad movie, not great.
• 37:39
  Speaker 2: Oh shit.
• 37:40
  Speaker 1: Uh so yeah, that's a wish upon but also smile,
• 37:44
  Speaker 1: go see that on the thirty f and then once
• 37:46
  Speaker 1: October rolls around, we'll go over all the releases we've
• 37:48
  Speaker 1: got going on there, because there's too the fucking last
• 37:51
  Speaker 1: couple of months of this year fucking lit with movies.
• 37:54
  Speaker 1: Holy shit, we've got so much stuff coming out that
• 37:58
  Speaker 1: Whindell and Wilde is finally coming out next year. We've
• 38:00
  Speaker 1: been talking about that on the Upcoming Movies of the
• 38:02
  Speaker 1: Year for the past two years and it's finally coming out.
• 38:05
  Speaker 1: So that's nice. Oh I didn't even introduce a show.
• 38:09
  Speaker 1: Hello thirty eight minutes in Welcome to episode one's one
• 38:12
  Speaker 1: fifty six of Frightmares. I'm your host, Austin Proctor. That
• 38:15
  Speaker 1: is your co host Corey Johnson. Hey, hey, oh, we
• 38:19
  Speaker 1: are talking about rubber today, And that's a perfect segue
• 38:22
  Speaker 1: because we should probably get on into this movie here.
• 38:25
  Speaker 2: Otherwise we're gonna be an hour deep and go oh yeah,
• 38:28
  Speaker 2: movie hold done.
• 38:30
  Speaker 1: So yeah, Rubber, let's let's get into this shit right here.
• 38:33
  Speaker 1: Was from twenty ten, released on February twenty fifth of
• 38:36
  Speaker 1: twenty eleven went straight to vod in the US. It
• 38:40
  Speaker 1: is rated R for mild sex and nudity, severe violence
• 38:44
  Speaker 1: and gore, moderate profanity, six or more fucks, No alcohol, drugs,
• 38:49
  Speaker 1: are smoking, and mild frightening and intense scenes coming in
• 38:53
  Speaker 1: at a wire.
• 38:54
  Speaker 2: There is smoking, however, is there? Yes, there are three
• 38:58
  Speaker 2: characters that openly smoke cigarett.
• 39:00
  Speaker 1: Oh well, okay, that's weird. I don't know why it.
• 39:02
  Speaker 1: So it's no alcoholic drugs. Run time of a brisk
• 39:06
  Speaker 1: hour and twenty two, so we're looking at like an
• 39:08
  Speaker 1: hour and seventeen with credits listed as a comedy, fantasy horror.
• 39:14
  Speaker 1: Directed by Quentin dipw. I'm gonna say I was thinking
• 39:19
  Speaker 1: Dupois or Dupois, that's probably it. Dupois Dupois, who has
• 39:24
  Speaker 1: fifteen director Quintin Dupois, that's probably the the He's obviously French,
• 39:30
  Speaker 1: fifteen director credits. Also did Deer Skin, Wrong Cops, and
• 39:34
  Speaker 1: Reality Never heard of Those also written by the same man,
• 39:38
  Speaker 1: quint Quentin.
• 39:42
  Speaker 4: Quintin Dupa Jesus Dupue Dupe, who has fourteen fourteen writing credits,
• 39:50
  Speaker 4: also did the same three movies I just mentioned, Deer.
• 39:53
  Speaker 1: Skin, Wrong Cops, and Reality, We've Got Gas Barred out
• 40:00
  Speaker 1: er ougu composer he has seven composer to credits also
• 40:04
  Speaker 1: did the tracks for a hit Man and War Dogs,
• 40:08
  Speaker 1: So that's weird, and also by Quentin again seven composer credits.
• 40:13
  Speaker 1: Also did Wrong Cops and Reality Cinematography fucking oh my god,
• 40:18
  Speaker 1: guess who? Ten cinematographer credits also did Deerskin, Wrong Cups
• 40:27
  Speaker 1: and Reality. Are you sensing a pattern here, folks? It
• 40:30
  Speaker 1: is not starring him though, so he is left out
• 40:33
  Speaker 1: of the cast. He was way too busy doing everything else.
• 40:36
  Speaker 1: It does star Steven Spinella as Lieutenant Chad sixty.
• 40:40
  Speaker 2: I have something to say about that guy.
• 40:43
  Speaker 1: Later, Okay. Sixty two acting credits was also in Ravenous,
• 40:47
  Speaker 1: which we reviewed on this podcast, as Knox Virtuosity as
• 40:51
  Speaker 1: Linden Mayer and Milk as Rick Stokes. And We've Got
• 40:55
  Speaker 1: Jack Plotnik as Accountant. He has one hundred and thirty
• 40:58
  Speaker 1: four acting credits and was also so in Mystery Man
• 41:01
  Speaker 1: as mister puff Switch. Mystery Man is getting a four
• 41:03
  Speaker 1: K this year. No one needed it, but we all
• 41:05
  Speaker 1: want it. Then we've got. He was also in Girls
• 41:08
  Speaker 1: Will Be Girls as Ev and six episodes of Z
• 41:11
  Speaker 1: Nation as Romanestes We've Got Wings. Houser as man in Wheelchair.
• 41:18
  Speaker 1: That is literally his name on IMDb one hundred and
• 41:20
  Speaker 1: fourteen acting credits. Also in the Insider as the Tobacco Lawyer,
• 41:23
  Speaker 1: Vice Squad as Ramrod, and Tough Guys Don't Dance as
• 41:27
  Speaker 1: Captain Alvin Luther Regency Fuck that name. Last but not least,
• 41:32
  Speaker 1: We've Got Rock. Sanne Mosquito is Sheila, who has forty
• 41:35
  Speaker 1: two acting credits. Was also in Fat Girl as Elena,
• 41:39
  Speaker 1: Pingot Kaboom as Laurel I, and Gossip Girl as Beatrice.
• 41:43
  Speaker 1: Grimaldi estimated budget of five hundred thousand dollars worldwide box
• 41:48
  Speaker 1: office cross of one hundred one thousand because this went
• 41:51
  Speaker 1: to VOD in most places. This is filmed at the
• 41:53
  Speaker 1: four Aces Movie Ranch in Palmdale, California, as well as
• 41:56
  Speaker 1: Lancaster and Hollywood, California. You can watch this on two
• 42:02
  Speaker 1: channels on Amazon Prime for free if you are subscribed
• 42:05
  Speaker 1: to them. I don't remember them because I didn't write
• 42:07
  Speaker 1: them down, but I did a free seven day trial,
• 42:10
  Speaker 1: and I'm gonna cancel it tonight. That's that's how I
• 42:13
  Speaker 1: watched it for free.
• 42:14
  Speaker 2: I paid three ninety nine for it because I forget
• 42:17
  Speaker 2: about free trials and then charge my mother's account fucking
• 42:21
  Speaker 2: thirty six bucks a month or what, and then I
• 42:24
  Speaker 2: have to and then I have to pay that shit back,
• 42:26
  Speaker 2: and I'm like, god, damn it. So now I'm just
• 42:27
  Speaker 2: like three ninety nine.
• 42:29
  Speaker 1: Yeah, yeah, so I noticed that at the last second.
• 42:33
  Speaker 1: But you can also rent it for three ninety nine,
• 42:35
  Speaker 1: buy it for twelve ninety nine, or you can buy
• 42:38
  Speaker 1: the Blue Blu ray like I did right after I
• 42:40
  Speaker 1: watched the movie for twelve ninety nine. Movies that came
• 42:43
  Speaker 1: out around the same time. We've got The Mechanic. The
• 42:45
  Speaker 1: Rights Hall passed the Adjustment Bureau, which is fantastic, Rango
• 42:51
  Speaker 1: Battle Los Angeles Limitless, The Lincoln Lawyer, Paul and Sucker Punch,
• 42:57
  Speaker 1: which I have not seen, but I've heard it is
• 42:59
  Speaker 1: not that good yet. No great like CG and shit.
• 43:02
  Speaker 1: But apparently now.
• 43:03
  Speaker 2: I have not seen The Mechanic, but I have seen
• 43:06
  Speaker 2: The Machinist.
• 43:07
  Speaker 1: That's what I was thinking. I don't think i've seen
• 43:10
  Speaker 1: I know i've seen The Machinists. I watched it recently.
• 43:12
  Speaker 1: It's got Christian Bale in it. Great movie. He's way
• 43:14
  Speaker 1: skinny and doesn't sleep ever. It's a fantastic movie. Uh,
• 43:18
  Speaker 1: the is that I feel like Jason Statham is in
• 43:21
  Speaker 1: the Mechanic. Why do I feel like, no, that the
• 43:24
  Speaker 1: Machinist mccan nick nick, that movie doesn't exist. I think
• 43:31
  Speaker 1: I'm spelling it wrong. Merchanic. I can't spell it definitely
• 43:35
  Speaker 1: has what's his face in it? I can't spell mechanic.
• 43:38
  Speaker 1: I feel stupid mercan nick. There we go. Yes, Jason say, okay,
• 43:44
  Speaker 1: all right, all right, all right, I was doing and
• 43:47
  Speaker 1: I was doing Machinists, so it was m But Mechanical
• 43:51
  Speaker 1: Mechanic is fucking emmy. Yes it's Jason Stathum twenty eleven too,
• 43:56
  Speaker 1: jesus ten years eleven years ago. Yeah, I have not
• 43:58
  Speaker 1: seen that one. Okay, moving down, did you have any
• 44:03
  Speaker 1: I didn't really have a specific horror moment, but I
• 44:05
  Speaker 1: absolutely had a favorite kill.
• 44:07
  Speaker 2: So I totally had a specific horror moment. Let's go,
• 44:10
  Speaker 2: and it is the the tire coming out of the sand,
• 44:16
  Speaker 2: just the just the yeah, rumble, rumble for like four minutes,
• 44:26
  Speaker 2: way too long. And that's so that is one of
• 44:29
  Speaker 2: my and you know this, everybody knows this, one of
• 44:32
  Speaker 2: my favorite things is to make a scene just go
• 44:38
  Speaker 2: way too long for no reason. Yeah, for no reason,
• 44:42
  Speaker 2: for no reason, which which is hilarious because of the
• 44:45
  Speaker 2: the opening monologue, Oh.
• 44:47
  Speaker 1: Yeah, we'll get there, We will get there. Okay, So
• 44:49
  Speaker 1: I did. Like I said, I didn't have a specific
• 44:51
  Speaker 1: horror moment. I had a favorite kill, though, and it
• 44:54
  Speaker 1: was just it was the first kill, the truck driver
• 44:57
  Speaker 1: when its head explodes, because I was like, oh shit, okay,
• 44:59
  Speaker 1: I I didn't think their head were gonna explode Scanner's style.
• 45:02
  Speaker 1: I thought they thought they were just gonna, like, I
• 45:04
  Speaker 1: don't know, fall over something. It's been so long since
• 45:06
  Speaker 1: I've seen this. Yeah, I couldn't remember a goddamn thing,
• 45:09
  Speaker 1: which is so this makes me sound like a psychopath.
• 45:12
  Speaker 2: But that's why the rabbit exploding was so hilarious.
• 45:16
  Speaker 1: That's why that was my.
• 45:17
  Speaker 2: Favorite kill because I've never seen this movie before, so
• 45:21
  Speaker 2: I didn't know. So it was like, Oh, I'm gonna
• 45:24
  Speaker 2: roll over this bottle, I'm gonna roll over this glass bottle.
• 45:27
  Speaker 1: I'm gonna roll I'm gonna blow up this can. And
• 45:29
  Speaker 1: I was like, wait, okay, hold on, you're blowing up
• 45:31
  Speaker 1: a can.
• 45:32
  Speaker 2: Now, what do you what.
• 45:33
  Speaker 1: Do you progress? Victory? What what's gonna happen?
• 45:36
  Speaker 2: And then all of a sudden, you hear this fucking
• 45:38
  Speaker 2: cacophony of cicadas and then the rabbit explodes and I
• 45:43
  Speaker 2: was like, what what?
• 45:48
  Speaker 1: Okay, little John, Oh I've died. Okay, hold on, let
• 45:54
  Speaker 1: me let me compose myself. Holy shit, yes, the what
• 45:59
  Speaker 1: did you say? The caffeate of cicadas?
• 46:01
  Speaker 2: The cacaphony of cicadas.
• 46:03
  Speaker 1: Cicadas is brilliant. Uh yeah, I found that funny too. Well. No,
• 46:07
  Speaker 1: that's the sound effect they were using. Yeah, I know,
• 46:10
  Speaker 1: which is hilarious because it's the same thing. In the
• 46:12
  Speaker 1: Babba Duke they used cicadas and I'm like, what is
• 46:14
  Speaker 1: this Babba Duke? Oh? I thought they used to fucking
• 46:18
  Speaker 1: terodactyl noise.
• 46:19
  Speaker 2: Tterodactyl noise. Yeah, And in the Baby when it's coming
• 46:23
  Speaker 2: out of the basement. It's like a pterodactyl.
• 46:25
  Speaker 1: I thought every time it showed itself it was doing
• 46:27
  Speaker 1: I'll have to watch it again. I could have sworn
• 46:29
  Speaker 1: it did cicada noises because I was like, did they've
• 46:31
  Speaker 1: rip that off from rubber? Yeah? I don't know what
• 46:33
  Speaker 1: that is, but it makes me laugh every time he
• 46:35
  Speaker 1: kills something.
• 46:36
  Speaker 2: Uh.
• 46:37
  Speaker 1: Did you have a favorite character at all?
• 46:42
  Speaker 2: No?
• 46:42
  Speaker 1: Mine was Chad just because of really, because the opening
• 46:45
  Speaker 1: monologue and the whole convincing everybody it was everything's fake.
• 46:49
  Speaker 2: No, I retract my statement. The fucking kid is my favorite.
• 46:56
  Speaker 1: The kid because you just watched a tire murders.
• 47:00
  Speaker 2: You're gonna try and talk to it, and then when
• 47:02
  Speaker 2: it rolls away from you, you're gonna throw your fucking
• 47:04
  Speaker 2: soda can at it like you just watched it murder somebody. Kid, Like,
• 47:09
  Speaker 2: have some better comments.
• 47:11
  Speaker 1: I'm gonna say I have some urgency for saving people's lives.
• 47:15
  Speaker 1: I didn't really have a least favorite character. I don't
• 47:17
  Speaker 1: know if you did. And I didn't really like.
• 47:20
  Speaker 2: The fucking two chicks on the Rock Jesus.
• 47:25
  Speaker 1: Yeah, they were kind of annoying. Yeah they're just one character. Yeah,
• 47:29
  Speaker 1: one character split into two for some reason.
• 47:30
  Speaker 2: Yeah, they were obnoxious.
• 47:32
  Speaker 1: Favorite line is the opening monologue, which i'll I'll read
• 47:35
  Speaker 1: some of it, was I was rolling on my fucking couch.
• 47:39
  Speaker 2: It was hilarious, but it also made me so angry.
• 47:42
  Speaker 2: Oh really, because every one of the things that he
• 47:45
  Speaker 2: says has a fucking reason. Why did the pianist have
• 47:50
  Speaker 2: to hide in the pianist because he was a Jew
• 47:53
  Speaker 2: in Nazi Germany? Why did this guy have to do this?
• 47:56
  Speaker 2: Because he was a fucking criminal mastermind committing crimes, and
• 47:59
  Speaker 2: this is how he got away, Like all of it
• 48:01
  Speaker 2: had reason.
• 48:02
  Speaker 1: Except for et being brown. I mean, there's no reason for.
• 48:05
  Speaker 2: That except there totally is. If you want to get
• 48:10
  Speaker 2: into conspiracy world.
• 48:11
  Speaker 1: Oh god no I don't. We don't have time, not today.
• 48:14
  Speaker 1: I would love to hear that at some point, though.
• 48:17
  Speaker 1: So let's see no favor no least favorite characters. All right,
• 48:21
  Speaker 1: So the IMDb summary, We've got a homicidal car tire
• 48:24
  Speaker 1: discovering it has destructive psionic power, sets its sight on
• 48:28
  Speaker 1: a desert town once a mysterious woman becomes its obsession.
• 48:32
  Speaker 1: And y'all, when I tell you this movie is dummered
• 48:34
  Speaker 1: and fucking shit, I mean that in a good way
• 48:37
  Speaker 1: for at least, I don't know I enjoyed it because
• 48:39
  Speaker 1: it was so fucking stupid. I probably because I had
• 48:41
  Speaker 1: a rough day to day and when I turned this
• 48:45
  Speaker 1: on and I was laughing within the first three minutes
• 48:47
  Speaker 1: and just like like like just so so loud, like
• 48:51
  Speaker 1: gall we had to come out there and make sure
• 48:52
  Speaker 1: I was okay. I was laughing that loud because it
• 48:55
  Speaker 1: literally just starts out in a desert and it cuts
• 48:58
  Speaker 1: to a man with way too many been for no reason,
• 49:01
  Speaker 1: standing in the middle of this desert, and it cuts
• 49:04
  Speaker 1: to a shot with like all these chairs set down
• 49:07
  Speaker 1: this road, and this car turns down the street and
• 49:10
  Speaker 1: fucking just hits every one purpose on purpose, ever swerving.
• 49:15
  Speaker 1: And then you know the chairs are obviously barely set
• 49:18
  Speaker 1: up because the second it taps the chair, it just
• 49:20
  Speaker 1: crumbles except for one, except for one chat together. So
• 49:24
  Speaker 1: this car comes out, just knocks down all these chairs.
• 49:27
  Speaker 1: The trunk opens, A cop gets out of the back
• 49:31
  Speaker 1: of the trunk and his name is Lieutenant Shad. He
• 49:33
  Speaker 1: goes up to the window, knocks on the window, gets
• 49:37
  Speaker 1: a cup of water from the other guy in the car,
• 49:40
  Speaker 1: goes up to the camera, breaks the fourth Wall and
• 49:44
  Speaker 1: says the following, I will read the first three like
• 49:47
  Speaker 1: sentences he says in the Steven Spielberg movie Et why
• 49:51
  Speaker 1: is the alien Brown? No reason? And Love Story? Why
• 49:55
  Speaker 1: do the two main characters fall madly in love with
• 49:57
  Speaker 1: each other? No reason? And Oliver's stumb JFK. Why is
• 50:01
  Speaker 1: the president suddenly assassinated by stranger? No reason? In the
• 50:06
  Speaker 1: Tobey Excellent chain or in the In the Excellent Chainsaw
• 50:09
  Speaker 1: Masaker by Tobey Hooper, why don't we ever see the
• 50:11
  Speaker 1: characters go to the bathroom or wash their hands like
• 50:14
  Speaker 1: people in real life? Absolutely no reason? And then the
• 50:18
  Speaker 1: thing that probably made you want to shoot yourself is
• 50:21
  Speaker 1: in The Pianist by Polanski? How come this guy has
• 50:24
  Speaker 1: to hide and live like a bum when he plays
• 50:26
  Speaker 1: a piano cell? Well, once again the answer is no reason. Why,
• 50:30
  Speaker 1: because life is full of no reasons? What? What is this?
• 50:36
  Speaker 1: What is happening? So?
• 50:37
  Speaker 2: And here is where my biggest gripe of the entire
• 50:42
  Speaker 2: movie comes in. Okay, every single person in the cast
• 50:46
  Speaker 2: is a dollar store version of somebody famous. Okay, so
• 50:51
  Speaker 2: the guy that plays Lieutenant Chad, yeah, he is the
• 50:55
  Speaker 2: most dollar store Christoph Waltz I have ever seen. I
• 50:59
  Speaker 2: thought I was watching somebody try and do an impression
• 51:03
  Speaker 2: of the guy from Django for the entire movie. Yeah,
• 51:06
  Speaker 2: I was like, Jesus fucking Christ, dude, Okay, come on,
• 51:10
  Speaker 2: Uh the chick looks like a bargain bin Mila Jovovic. Yeah,
• 51:15
  Speaker 2: the fucking one motel owner. He looks like a goddamn
• 51:20
  Speaker 2: knockoff Red Foreman.
• 51:21
  Speaker 1: Okay, yeah, yeah, these are all knockoff people. It's just
• 51:26
  Speaker 1: their stand ins for the for the movies and TV shows.
• 51:30
  Speaker 1: So yeah, uh, you you realize after his whole monologue
• 51:34
  Speaker 1: that he after the monologue, he pours out the water
• 51:37
  Speaker 1: for no reason. Uh. It gets back in the car
• 51:39
  Speaker 1: and leaves, and then it like scoots back and you
• 51:41
  Speaker 1: can see a whole group of people standing there as
• 51:44
  Speaker 1: the cops leave. And then the man with the binoculars
• 51:46
  Speaker 1: comes and hands out all of these binoculars to the people.
• 51:50
  Speaker 1: It just gets on his bike and rides away, and
• 51:52
  Speaker 1: someone's like, uh, is this gonna be in color or
• 51:54
  Speaker 1: black and white? And I guess they are. So he
• 51:57
  Speaker 1: tells them that ladies and gentlemen like this today film
• 52:00
  Speaker 1: is something. So when they hand them all the binoculars
• 52:03
  Speaker 1: and they use them. They're watching the movie. Yeah, that's
• 52:06
  Speaker 1: what's going on. I didn't understand that, but I you know, again,
• 52:09
  Speaker 1: so for no reason.
• 52:11
  Speaker 2: So they're watching the movie in.
• 52:13
  Speaker 1: Real real yeah time. Yeah, but they're so they're.
• 52:17
  Speaker 2: Watching a movie but it's actually happening, but they think
• 52:20
  Speaker 2: it's a movie. But they're literally just standing.
• 52:22
  Speaker 1: Yeah, they're standing there on this desert hillside with binoculars,
• 52:25
  Speaker 1: all watching the events unfold in town. It's the most
• 52:28
  Speaker 1: ludicrous thing. It's I've ever seen.
• 52:31
  Speaker 2: It's almost like they said, hey, come out to the
• 52:34
  Speaker 2: desert and watch this play that we are going to
• 52:37
  Speaker 2: say is a movie for universe building or what the
• 52:41
  Speaker 2: fuck ever?
• 52:43
  Speaker 1: Uh, And then it's just it goes dead quiet while
• 52:46
  Speaker 1: we listen to the like or just watch these people
• 52:48
  Speaker 1: looking off into the distance. And there's someone makes a
• 52:51
  Speaker 1: joke about uh, oh, I hope it's not a silent film,
• 52:53
  Speaker 1: and one of the guys like, no, you can hear
• 52:54
  Speaker 1: the wind rustling, and then they all stop talking and
• 52:56
  Speaker 1: then you hear the wind wrestling, and I'm like, oh,
• 52:58
  Speaker 1: oh my god, it's so stupid, so fucking dumb. And
• 53:01
  Speaker 1: then that's when we finally get the tire. It it
• 53:04
  Speaker 1: pans down to this tire in the sand, and you
• 53:06
  Speaker 1: get your little moment of him shimmying back and forth
• 53:08
  Speaker 1: for an ungodly amount of time.
• 53:11
  Speaker 2: And then and then probably uh what four five minute
• 53:15
  Speaker 2: montage of it learning how to walk.
• 53:20
  Speaker 1: Yeah, it's it's stands and regating its power senses. It
• 53:25
  Speaker 1: fucking stands itself up, it tries to go and and
• 53:27
  Speaker 1: then just falls over and does that six seven, eight
• 53:30
  Speaker 1: more times until finally it gets its legs, so to speak,
• 53:33
  Speaker 1: and is able to truck on down the road. It's
• 53:36
  Speaker 1: just the most ridiculous ship.
• 53:37
  Speaker 2: And and and what's even and what's even more bizarre
• 53:41
  Speaker 2: is the fucking music cues that happen. You're getting so random,
• 53:46
  Speaker 2: You're getting like, in the process of this getting up,
• 53:48
  Speaker 2: you're getting like this boom boom.
• 53:51
  Speaker 1: Yeah, it's all like lighthearted boom boom boo.
• 53:55
  Speaker 2: It's like this jovial, fucking like yeah, fairy metow music.
• 54:00
  Speaker 1: It makes no sense. And I'm like, wait, isn't.
• 54:02
  Speaker 2: This tires supposed to start killing people soon?
• 54:04
  Speaker 1: What is going on? Killing it to a killer soundtrack?
• 54:07
  Speaker 1: And it counters a water bottle runs it over very
• 54:11
  Speaker 1: very ridiculously. I don't even know how to describe how
• 54:14
  Speaker 1: stupid it was. Then it comes across a beer bottle,
• 54:17
  Speaker 1: struggles to get over. It gets mad at it, I
• 54:19
  Speaker 1: guess because it starts to like shake vigorously, and then
• 54:23
  Speaker 1: the fucking bottle cracks and you're like, okay, you've got
• 54:25
  Speaker 1: telekinetic powers, all right, and then uh, later on it
• 54:32
  Speaker 1: goes back to the people watching. They comment on the
• 54:35
  Speaker 1: telekinetic powers, and then one guy's using a camera and
• 54:37
  Speaker 1: some goes like, that's piracy, you can't do that. Like
• 54:40
  Speaker 1: stupid jokes, just dumb fucking jokes. It had me rolling
• 54:45
  Speaker 1: on the floor laughing. And then it comes across a
• 54:48
  Speaker 1: tin can, does the same thing, starts shaking, and then
• 54:50
  Speaker 1: it's a little more chaotic with this break because it
• 54:53
  Speaker 1: like kind of shoots into the air and breaks into pieces.
• 54:55
  Speaker 1: So you're like, oh, you're gaining strength, got it, totally
• 54:59
  Speaker 1: got it. See.
• 55:00
  Speaker 2: I thought like it was gonna be like the tire
• 55:02
  Speaker 2: gets power every time it kills, and that's the motiv
• 55:06
  Speaker 2: motivation for killing people, so it can gain more and
• 55:09
  Speaker 2: more power, Like for first you gotta roll over and
• 55:12
  Speaker 2: crush something that first, first you do the physical death,
• 55:16
  Speaker 2: then you get the power death.
• 55:19
  Speaker 1: It's so ridiculous. Uh, it's so stupid. And then eventually
• 55:23
  Speaker 1: the tire just falls over and it fades the black,
• 55:26
  Speaker 1: and uh, it's sleeping, I guess because the next day
• 55:29
  Speaker 1: we get a close above the tire and so I
• 55:31
  Speaker 1: don't know how they're making it do this, but they're
• 55:33
  Speaker 1: mimicking it breathing because it's like raising and lowering, and
• 55:36
  Speaker 1: I'm like, this is the dumbest fucking thing I've seen.
• 55:39
  Speaker 1: I love it so much. And then we cut back
• 55:43
  Speaker 1: to uh, the man with the binoculars, who is now
• 55:47
  Speaker 1: back at the group, and the group is all sleeping
• 55:50
  Speaker 1: and sleeping bags on the ground. The guy comes back
• 55:53
  Speaker 1: and wakes everybody up, but not before robbing two of
• 55:56
  Speaker 1: them taking their money. Wakes everybody up and is like, hey, hey,
• 56:00
  Speaker 1: like the movie's back on, Like it's the weirdest. It
• 56:04
  Speaker 1: is the weirdest, most bizarre movie you'll ever see. It
• 56:07
  Speaker 1: is so weird. So he leaves and they resume watching,
• 56:10
  Speaker 1: and then we cut to the tire drinking from a
• 56:13
  Speaker 1: puddle like, okay, now it's eating weird, and then a
• 56:17
  Speaker 1: rabbit interrupts him and then he does the shaky thing
• 56:20
  Speaker 1: again because he's mad at the rabbin. The fucking rabbit
• 56:22
  Speaker 1: just blows. It's like they put an M eighty and
• 56:24
  Speaker 1: a fucking fake rabbit with blood and just let it
• 56:26
  Speaker 1: like lit it on fire. It was so ridiculous. It
• 56:30
  Speaker 1: finally carries on and hits the road, and then there's
• 56:32
  Speaker 1: this little car that passes, so the tires starts shaking again.
• 56:35
  Speaker 1: I'm like, all right, this is gonna get real repetitive,
• 56:37
  Speaker 1: real quick. At this point, I was kind of getting
• 56:39
  Speaker 1: tired of it. But eventually it does like a change
• 56:41
  Speaker 1: pace a little bit, but not much, not much, You're
• 56:44
  Speaker 1: not wrong. The car breaks down, the tire tries to
• 56:47
  Speaker 1: approach it, There's a car coming behind it that obliterates
• 56:50
  Speaker 1: the tire and like yeats it into the fucking shoulder.
• 56:53
  Speaker 1: So the car that was broken down is able to
• 56:55
  Speaker 1: pick itself back up and keep going down the road.
• 56:59
  Speaker 1: Then this is where the tire catches up with the
• 57:01
  Speaker 1: guy at the gas station who ran him over and
• 57:03
  Speaker 1: shakes again and Scanners style head explode, pops his head
• 57:08
  Speaker 1: clean off. I was like, damn, I will say that
• 57:10
  Speaker 1: never gets old. That never got old. You're right, because
• 57:13
  Speaker 1: like everything.
• 57:14
  Speaker 2: Surrounding it got old.
• 57:15
  Speaker 1: Yeah, that never got I did not get old because
• 57:17
  Speaker 1: not only was it practical, it actually looks pretty damn
• 57:20
  Speaker 1: good like it. I expected it to be very cheap
• 57:23
  Speaker 1: and schlocky, but it looked pretty legitimate. I was. I
• 57:26
  Speaker 1: was not unhappy. So the cops. I guess someone called
• 57:30
  Speaker 1: the cops because they fly past the tire. The tire
• 57:32
  Speaker 1: is on its own doing its own thing, though, makes
• 57:35
  Speaker 1: its way to this like sleazy motel, and for some reason,
• 57:39
  Speaker 1: the girl that was driving the car leaves. The door
• 57:42
  Speaker 1: cracks for some reason, so the tire like wedges its
• 57:44
  Speaker 1: way in only to see her like gett naked and
• 57:46
  Speaker 1: get in the shower, and then all the people watching
• 57:49
  Speaker 1: are making all these ridiculous comments about her, which I
• 57:51
  Speaker 1: was like, what the fuck is going on? So then
• 57:55
  Speaker 1: at this point, she gets out of the shower, sees
• 57:58
  Speaker 1: the door's open, close the door, and then I don't
• 57:59
  Speaker 1: even know how the tire gets into the next room.
• 58:02
  Speaker 1: The tires in the next room. It's the watching TV.
• 58:05
  Speaker 1: It's the dude's it's the dude with glasses.
• 58:07
  Speaker 2: It's his room.
• 58:09
  Speaker 1: No, I don't think it's his room.
• 58:10
  Speaker 2: It is his room because he leaves and the tire
• 58:13
  Speaker 2: goes into that room. Okay, because when the when the
• 58:16
  Speaker 2: cleaning lady sees the guy walk out, she goes, can
• 58:19
  Speaker 2: I clean your room?
• 58:19
  Speaker 1: And he goes yeah.
• 58:20
  Speaker 2: And then when she's going through the bed, she sees
• 58:23
  Speaker 2: all the tire marks and that's how she yeah, tire
• 58:26
  Speaker 2: in the shower and goes, fucking weirdos.
• 58:28
  Speaker 1: Yeah, so so stupid. Uh so the tires in the
• 58:33
  Speaker 1: next room like watching TV or whatever, and then we see.
• 58:36
  Speaker 2: It and intentionally playing the TV super loud so the
• 58:40
  Speaker 2: girl can't sleep.
• 58:41
  Speaker 1: Yeah, exactly. So then we see the man with the binoculars.
• 58:44
  Speaker 1: He's in the hotel room, gets gets a call who who.
• 58:47
  Speaker 1: He talks to this person as master. Don't know what
• 58:50
  Speaker 1: that relationship is about, and he's like, yes, I will
• 58:53
  Speaker 1: do it first thing in the morning. And also he's
• 58:56
  Speaker 1: a fucking turkey in his room for again no reason,
• 58:59
  Speaker 1: I have no idea what to happen. Well yeah, yeah,
• 59:02
  Speaker 1: at first I was like, why is there a turkey here?
• 59:04
  Speaker 1: And then he opens up this little thing after he
• 59:07
  Speaker 1: gets off the phone. He's got knives and like what
• 59:09
  Speaker 1: looks like drugs in there, and then it cuts to
• 59:11
  Speaker 1: black and we hear the turkey gobble, and then that's
• 59:15
  Speaker 1: when he brings the turkey the next day to the
• 59:18
  Speaker 1: people because I guess that's their fucking food. They're not
• 59:22
  Speaker 1: going home, they're just staying there and they didn't bring
• 59:24
  Speaker 1: anything to eat, so they're all like eating it like barbarians,
• 59:27
  Speaker 1: just trying to grab this turkey and rip it apart,
• 59:29
  Speaker 1: which I thought it was real, except four man in
• 59:32
  Speaker 1: wheelchair except for yes, except for man in wheelchair, Thank
• 59:35
  Speaker 1: you for that. Almost forgot about that. And then that's
• 59:37
  Speaker 1: when the maid is cleaning the room. She sees all
• 59:40
  Speaker 1: the tire marks everywhere and then goes to the shower.
• 59:42
  Speaker 1: The tire is taking a shower, so she turns it
• 59:45
  Speaker 1: off and just throws the tire out of the room,
• 59:49
  Speaker 1: all wet, and then it gets all dirty, and then
• 59:51
  Speaker 1: it comes right back into the room and somehow mana
• 59:54
  Speaker 1: just to close the door. I find it hilarious. And
• 59:55
  Speaker 1: that's when that kid, yeah, sees the tire roll in there,
• 59:59
  Speaker 1: and that's finds it a little suspicious. But yeah, I
• 1:00:02
  Speaker 1: think that was suspicious. And this is where it gets
• 1:00:04
  Speaker 1: interesting because everyone back that is watching is now sick
• 1:00:09
  Speaker 1: from eating the turkey. They assume it's poisoning at this point,
• 1:00:13
  Speaker 1: which we will come right back around.
• 1:00:14
  Speaker 2: To well, no, So everybody's having their stomach start hurting.
• 1:00:17
  Speaker 2: They're going and they're all like, what's going on?
• 1:00:19
  Speaker 1: What's going on?
• 1:00:20
  Speaker 2: And the man in the wheelchair is like, y'all have
• 1:00:21
  Speaker 2: been poisoned?
• 1:00:22
  Speaker 1: Oh there you go?
• 1:00:23
  Speaker 2: Shouldn't he eat in the turkey?
• 1:00:24
  Speaker 1: Okay? Man in wheelchair knows all. And then the kid
• 1:00:29
  Speaker 1: that saw the tire earlier happens to stumble across the
• 1:00:33
  Speaker 1: dead maid calls the cops, tells the cop that it's
• 1:00:37
  Speaker 1: the tire. Of course no one believes him, because why
• 1:00:40
  Speaker 1: would you believe a fucking tire is killing people? Oops?
• 1:00:45
  Speaker 1: Lost my place? Whoa really lost my place? There we go.
• 1:00:48
  Speaker 1: So then the cops talking to the owner at this point,
• 1:00:50
  Speaker 1: same guy for it's the lieutenant chat same guy at
• 1:00:53
  Speaker 1: the beginning, and he's like standing there talking asking him
• 1:00:55
  Speaker 1: all the standard bullshit questions, and then his alarm goes
• 1:00:57
  Speaker 1: off on his watch and he goes, ah, very good,
• 1:01:00
  Speaker 1: it's been six hours. The poison is sad, time to
• 1:01:02
  Speaker 1: take effect. We can all stop now. And the shot
• 1:01:06
  Speaker 1: of the hotel owners like the poison. It's like, yeah,
• 1:01:08
  Speaker 1: we poisonous spectators, We don't need you anymore. You can
• 1:01:10
  Speaker 1: go home. We're good, and then the cop leaves and uh,
• 1:01:13
  Speaker 1: then it cuts back to all the spectators who are dead,
• 1:01:15
  Speaker 1: and that's where I'm gonna end it, because it gets
• 1:01:16
  Speaker 1: really fucking weird from there. It gets so fucking weird.
• 1:01:22
  Speaker 1: I need your thoughts, your feelings, lay it on me.
• 1:01:25
  Speaker 1: So oh no, he don't. Don't fuck are you? Did
• 1:01:30
  Speaker 1: you not like it? So here's the thing.
• 1:01:32
  Speaker 2: It's it's funny. Okay, it's funny, and it's a good time.
• 1:01:35
  Speaker 1: However, they leave.
• 1:01:41
  Speaker 2: So much out in the open that just makes literally
• 1:01:50
  Speaker 2: zero to negative four percent sense, and they drop a
• 1:01:55
  Speaker 2: bunch of lines that never get resolved, and there's like
• 1:01:59
  Speaker 2: four four or five story points that just kind of
• 1:02:03
  Speaker 2: meander into fucking nowhere. And it's very dissatisfying. Oh dissatisfying, Yes, dissatisfied.
• 1:02:13
  Speaker 1: But I mean, what did you expect? I mean, the
• 1:02:15
  Speaker 1: guy said with the whole monologue at the beginning where
• 1:02:17
  Speaker 1: he's like talking about everything happens.
• 1:02:20
  Speaker 2: So I expected the ending that happened. However, I expected
• 1:02:26
  Speaker 2: them to at least fucking explain two things.
• 1:02:31
  Speaker 1: Two things.
• 1:02:31
  Speaker 2: It's like, give me, give me an explanation of two things,
• 1:02:34
  Speaker 2: like why are the spectators?
• 1:02:38
  Speaker 1: I mean obviously no reason.
• 1:02:42
  Speaker 2: But like there, you can't have your cake and eat
• 1:02:48
  Speaker 2: it too, of presenting us with complete abstract surrealism while
• 1:02:55
  Speaker 2: still attempting to run a parallel quote unquote realistic experience.
• 1:03:03
  Speaker 1: In front of this.
• 1:03:05
  Speaker 2: So okay, if if they would have gone just one
• 1:03:09
  Speaker 2: killer tire like the bed that eats, Oh I'm in it,
• 1:03:15
  Speaker 2: you score higher. Okay, if you go complete absurdist nonsense
• 1:03:20
  Speaker 2: and don't try and like leverage anything at all, you
• 1:03:25
  Speaker 2: get points. But when you mix the two together, it
• 1:03:28
  Speaker 2: doesn't land properly, Like it'll land, but it's gonna break
• 1:03:33
  Speaker 2: its legs on the incline.
• 1:03:37
  Speaker 1: Okay, is all I'm saying. That's fair. I don't know.
• 1:03:41
  Speaker 1: I just I also think it. Like I said, my
• 1:03:44
  Speaker 1: day probably played into it too. I like I was
• 1:03:46
  Speaker 1: having a bad day, and I guess that's just exactly
• 1:03:49
  Speaker 1: what I needed to like flip my mood around, because I, yeah,
• 1:03:51
  Speaker 1: I was just laughing hysterically, wasn't taking anything seriously. And
• 1:03:55
  Speaker 1: obviously it's not something to go into with high expectations.
• 1:03:59
  Speaker 1: This is on to turn your brain off and just
• 1:04:02
  Speaker 1: watch it mindlessly. Oh no, for sure.
• 1:04:05
  Speaker 2: Yeah, But like I got high, like an hour or
• 1:04:09
  Speaker 2: two before and then I got high in the middle
• 1:04:10
  Speaker 2: of the movie, and getting high did not help.
• 1:04:13
  Speaker 1: Oh wow. Not that it didn't help.
• 1:04:15
  Speaker 2: It be more enjoyable. It was plenty enjoyable, but there
• 1:04:19
  Speaker 2: was just too much nonsense storytelling going on that it
• 1:04:26
  Speaker 2: didn't allow for the story that was there to actually
• 1:04:30
  Speaker 2: be as fun as it could have been.
• 1:04:32
  Speaker 1: See And this is exactly why I like our podcast
• 1:04:35
  Speaker 1: because of the times that we do have different opinions.
• 1:04:37
  Speaker 1: I love the different opinions we have because you weren't
• 1:04:40
  Speaker 1: satisfied with story points not being resolved, and I was
• 1:04:43
  Speaker 1: just like, fuck it, I had fun. So I think
• 1:04:44
  Speaker 1: that's cool that we watched the same movie, have fun
• 1:04:47
  Speaker 1: with it in different ways, and still find like we
• 1:04:51
  Speaker 1: kind of enjoyed it for different reasons. Yeah, that's really
• 1:04:53
  Speaker 1: really interesting.
• 1:04:54
  Speaker 2: And there were plenty of like, laugh out loud, oh
• 1:04:58
  Speaker 2: my god, that was a great scene type of moments.
• 1:05:03
  Speaker 2: But no matter how many of those you have, if
• 1:05:05
  Speaker 2: you don't tie them together in any semblance that makes sense,
• 1:05:10
  Speaker 2: it's just a fucking clip show.
• 1:05:12
  Speaker 1: Yeah no, I mean, you're not wrong.
• 1:05:14
  Speaker 2: And there were certain times like when the.
• 1:05:16
  Speaker 1: Fucking tire was looking in the.
• 1:05:19
  Speaker 2: Mirror and there was like a reflective montage of like
• 1:05:23
  Speaker 2: the whole movie. Yeah, like, okay, I get it for
• 1:05:28
  Speaker 2: no reason, but you can't just run on no reason
• 1:05:34
  Speaker 2: and expect.
• 1:05:35
  Speaker 1: It to work even though you set it up that way.
• 1:05:38
  Speaker 2: Yeah, like, even the room has a reason, the room,
• 1:05:43
  Speaker 2: the room, the movie.
• 1:05:46
  Speaker 1: Oh oh oh sorry sorry sorry, yes, yes, yes.
• 1:05:48
  Speaker 2: Time, even the room has a reason.
• 1:05:52
  Speaker 1: That's fair. Even though it's a.
• 1:05:54
  Speaker 2: Bad reason, it's still a reason.
• 1:05:57
  Speaker 1: You're not wrong. Yeah, I totally get what you're saying,
• 1:06:00
  Speaker 1: but I will I will say though, with all of
• 1:06:02
  Speaker 1: this being said, which is the first trivia that I'll
• 1:06:06
  Speaker 1: just read real quick since I wanted to mention it.
• 1:06:08
  Speaker 1: It's made mostly with practical effects. Very little CG was used.
• 1:06:11
  Speaker 1: I think that's I gave it a little bit extra
• 1:06:14
  Speaker 1: for that than I would have normally, because that's something
• 1:06:18
  Speaker 1: I can appreciate, especially from the twenty ten era, because
• 1:06:20
  Speaker 1: that was that was a time where.
• 1:06:22
  Speaker 2: Heavy, heavy, heavy CG, very three D. That was the
• 1:06:26
  Speaker 2: decade of Michael Bay.
• 1:06:27
  Speaker 1: Yeah. Yeah, seriously, everything was in three D, so that
• 1:06:30
  Speaker 1: was a very odd time. So for a movie to
• 1:06:32
  Speaker 1: come out in twenty ten that had all practical effects, yes,
• 1:06:36
  Speaker 1: they weren't like crazy evil dead practical effects or whatever.
• 1:06:40
  Speaker 1: But I mean all the like head explosions were all
• 1:06:43
  Speaker 1: practical everything. It was just I was like, you know what,
• 1:06:46
  Speaker 1: that's actually pretty impressive, especially to do on a budget
• 1:06:48
  Speaker 1: of like if it really was only five hundred thousand
• 1:06:50
  Speaker 1: or like, that's pretty impressive. I do really want to
• 1:06:53
  Speaker 1: know how did they get Like what were they doing
• 1:06:57
  Speaker 1: to move the wheel around? Was it just a guy
• 1:06:59
  Speaker 1: in like a green soon do you think? Yeah? Because
• 1:07:01
  Speaker 1: I couldn't find any trivia on how they moved it around.
• 1:07:04
  Speaker 2: It had to be that's the only well and that
• 1:07:08
  Speaker 2: end just pushing the fucking tire, or as they did
• 1:07:12
  Speaker 2: a lot, they would make the tire roll in just
• 1:07:16
  Speaker 2: such a way to where somebody could very easily just
• 1:07:19
  Speaker 2: be like boop boop, yeah, pushing it along and you'll
• 1:07:21
  Speaker 2: never see it in the camera because of the angles.
• 1:07:24
  Speaker 1: Yeah, oh yeah, because they did use some pretty convenient
• 1:07:26
  Speaker 1: angles when they were close up on stuff. I did
• 1:07:28
  Speaker 1: notice though the tire wasn't like a hollowed out it
• 1:07:31
  Speaker 1: had like I don't know how to describe this, but
• 1:07:33
  Speaker 1: like all the wheel wells were full of something. Because
• 1:07:36
  Speaker 1: I could I could see inside the tire and I
• 1:07:37
  Speaker 1: was like oh it doesn't. Actually, the wheel wells don't
• 1:07:39
  Speaker 1: go all the way out to the tire, so I
• 1:07:41
  Speaker 1: don't know if something was in there to maybe keep
• 1:07:42
  Speaker 1: it more balanced, probably to weigh it down.
• 1:07:44
  Speaker 2: Who knows.
• 1:07:45
  Speaker 1: I would love to fucking talk to Quentin and be like,
• 1:07:48
  Speaker 1: just tell me where's the behind the scenes on this
• 1:07:50
  Speaker 1: on how you move the tire because it was so convincing.
• 1:07:53
  Speaker 1: I figured, if you're if you're gonna use cgu use
• 1:07:55
  Speaker 1: it for that, but no, it was all a practical tire.
• 1:07:57
  Speaker 1: I would love to see like behind the scenes on
• 1:07:59
  Speaker 1: how they filmed all of this because it probably looks
• 1:08:01
  Speaker 1: just as ridiculous as the movie did. But yeah, I
• 1:08:05
  Speaker 1: mean again, this is something that you don't take seriously.
• 1:08:08
  Speaker 1: They let you know exactly what you're getting in, and
• 1:08:10
  Speaker 1: I like that they do that because if they didn't
• 1:08:13
  Speaker 1: set that up and they just if they just rolled
• 1:08:15
  Speaker 1: with it it, people would probably be like I would
• 1:08:17
  Speaker 1: probably be like, this is really I don't understand what
• 1:08:20
  Speaker 1: the point of this is. But the whole monologue of
• 1:08:23
  Speaker 1: No Reason, I was like, Okay, you're setting it out
• 1:08:25
  Speaker 1: there to be like, don't expect greatness. This is just
• 1:08:28
  Speaker 1: a stupid fucking movie. About a killer tire, and I
• 1:08:30
  Speaker 1: appreciate that. So, oh did you notice some I forget
• 1:08:36
  Speaker 1: to do this sometimes. Did you happen to notice a
• 1:08:37
  Speaker 1: mid or post credit scene? Okay, no, no, because.
• 1:08:40
  Speaker 2: As soon as it, as soon as the credits a run,
• 1:08:43
  Speaker 2: I was like.
• 1:08:44
  Speaker 1: Nope, damn okay. I was like, I have other shit
• 1:08:49
  Speaker 1: I haven't had an Honestly, this is a movie I
• 1:08:51
  Speaker 1: probably could have. It could have been like an hour twelve.
• 1:08:53
  Speaker 1: They could have probably trimmed off like ten minutes, and
• 1:08:55
  Speaker 1: I I probably would have liked it a little bit more.
• 1:08:57
  Speaker 2: Yeah, there was a lot of rolling, a lot of rolling.
• 1:08:59
  Speaker 1: And a yeah, a lot of exposition in the beginning
• 1:09:02
  Speaker 1: of him like or him or whatever whatever the he she,
• 1:09:04
  Speaker 1: whatever the tire is. I could have sworn. Oh, yeah,
• 1:09:07
  Speaker 1: it does have a name. It has a name. It's
• 1:09:10
  Speaker 1: a homicidal car tire named Robert Cool. Yes, a name, because.
• 1:09:16
  Speaker 2: He's a dick.
• 1:09:17
  Speaker 1: Oh that's rich I was gonna say, wait that Richard.
• 1:09:21
  Speaker 1: All right, So we've got some taglines here. Oh boy
• 1:09:24
  Speaker 1: are they honey? Are you tired of the expected? And
• 1:09:28
  Speaker 1: careful where you tread? Don't geezh terrible? Uh trivia about
• 1:09:36
  Speaker 1: the CG yeah. One of the spectators is played by
• 1:09:38
  Speaker 1: Daniel Quinn, who starred in Scanner Cop nineteen ninety four
• 1:09:41
  Speaker 1: as a man who could make people's head explode with
• 1:09:44
  Speaker 1: his mind, just as the tire does in the film.
• 1:09:48
  Speaker 1: The director, writer's, cinematographer, editor, composer. Quenton is also known
• 1:09:52
  Speaker 1: as mister Oizo. I guess that's a DJ name. Yeah,
• 1:09:57
  Speaker 1: And the only goof that I noticed is when Chad
• 1:09:59
  Speaker 1: the sheriff is a pressing the crowd at the start
• 1:10:01
  Speaker 1: of the movie. You can see the reflection of the
• 1:10:02
  Speaker 1: entire production crew in the glasses he wears, because they're literally.
• 1:10:05
  Speaker 2: Like yeah massive.
• 1:10:07
  Speaker 1: Also, I think super trouper glasses. Sorry.
• 1:10:09
  Speaker 2: I also think that is mister Weasel because he's French,
• 1:10:14
  Speaker 2: so it's probably we.
• 1:10:16
  Speaker 1: Oh weiso Oh yeah, oh yeah Wuiso wheeso. I like that.
• 1:10:20
  Speaker 1: So yeah, he does it all apparently. I mean, that's
• 1:10:23
  Speaker 1: good for you if you can direct right and do
• 1:10:25
  Speaker 1: the cinematography, edit and composed.
• 1:10:27
  Speaker 2: I hope his DJ sets make more sense than fucking
• 1:10:31
  Speaker 2: movies do.
• 1:10:33
  Speaker 1: He probably just plays a rubber behind him while he
• 1:10:36
  Speaker 1: does his DJ sets. That would be fucking great for
• 1:10:38
  Speaker 1: no reason, literally, for no reason. Uh. Five point seven
• 1:10:41
  Speaker 1: out of ten on IMDb, two point eight out of
• 1:10:44
  Speaker 1: five on Letterbox. I gave it a three and a
• 1:10:47
  Speaker 1: half because it was just a great, stupid, silly old
• 1:10:50
  Speaker 1: time to not take seriously.
• 1:10:52
  Speaker 2: I gave it a two five ooh average.
• 1:10:56
  Speaker 1: Yeah, no, I mean you're not You're not wrong. It
• 1:10:58
  Speaker 1: is a two point five movie. I just gave it
• 1:11:00
  Speaker 1: a three because happy, Yeah, you know, that's fine. That
• 1:11:04
  Speaker 1: is fun.
• 1:11:04
  Speaker 2: That's what movies.
• 1:11:05
  Speaker 1: Are for, exactly. And I'm surprised it even has a
• 1:11:08
  Speaker 1: two point eight on on Letterbox. I saw that and
• 1:11:11
  Speaker 1: I was like, wow, that is actually a substantially decent
• 1:11:14
  Speaker 1: rating for such a stupid movie. So perhaps to you guys,
• 1:11:18
  Speaker 1: you fucking did it. I would love to see something
• 1:11:20
  Speaker 1: else that he's done. I'm gonna try to check out
• 1:11:22
  Speaker 1: some of these other ones. Well, that one's got a
• 1:11:25
  Speaker 1: three to three okay, oh wow, fucking three six? All right,
• 1:11:29
  Speaker 1: what are these movies? These movies sound amazing, Oh wow, okay,
• 1:11:33
  Speaker 1: I'll have to check out more of his stuff. He's
• 1:11:35
  Speaker 1: obviously I don't know, like I assume he's French, so
• 1:11:37
  Speaker 1: maybe these weren't like American releases. I don't know. Oh yeah, oh,
• 1:11:41
  Speaker 1: he's a successful French techno musician Okay Monostlely or mon
• 1:11:47
  Speaker 1: Nostly Wow, Okay, mostly known for his nineteen ninety track
• 1:11:50
  Speaker 1: flat Beat. Never heard of that, but I will definitely
• 1:11:53
  Speaker 1: check that out.
• 1:11:54
  Speaker 2: We'll have to look that up when we go off there.
• 1:11:56
  Speaker 1: Yeah.
• 1:11:58
  Speaker 2: No, that's gonna be French house. That's gonna be like
• 1:12:00
  Speaker 2: fucking uh.
• 1:12:01
  Speaker 1: Prodigy, Prodigy Oh no, no, no, not Prodigy.
• 1:12:07
  Speaker 2: No, the ones with the with the giant fucking cross
• 1:12:09
  Speaker 2: as their album. No, that's not Pendulum.
• 1:12:13
  Speaker 1: I don't know. I'll remember, you'll remember a second. Oh,
• 1:12:19
  Speaker 1: let's see here. I need to pull up the ship
• 1:12:21
  Speaker 1: of what we're doing, because I've already forgotten. Do you
• 1:12:24
  Speaker 1: have the list that I sent you?
• 1:12:26
  Speaker 2: Uh, somewhere not super accessible.
• 1:12:30
  Speaker 1: I don't know what the funk we're doing next week?
• 1:12:32
  Speaker 1: You think I would fucking know, but I don't keep
• 1:12:34
  Speaker 1: track of this ship. Well, I don't say the movie.
• 1:12:37
  Speaker 2: No, no, not the artist that I was thinking of.
• 1:12:40
  Speaker 2: Oh the artists Justice Justice. You you know you know
• 1:12:45
  Speaker 2: who they are?
• 1:12:46
  Speaker 1: Do I? Yeah, I mean I might, it's it's definitely.
• 1:12:50
  Speaker 1: I don't know. I probably would know a song about
• 1:12:53
  Speaker 1: them if I heard it.
• 1:12:53
  Speaker 2: I'll play one for you after I was five, Oh
• 1:12:56
  Speaker 2: there it is.
• 1:12:56
  Speaker 1: Oh there we go, Hey, there we go. I found it.
• 1:12:59
  Speaker 1: Oh yeah, I know. We're doing next week. Okay, so
• 1:13:02
  Speaker 1: we were originally gonna do Me and Gabby were originally
• 1:13:05
  Speaker 1: gonna do The Happening next week. But it's not a
• 1:13:08
  Speaker 1: horror movie. No, and it's not good Well no, I know,
• 1:13:11
  Speaker 1: because me and Gabby do a good a good rated movie,
• 1:13:14
  Speaker 1: and a bad rated movie. So we flip flop every
• 1:13:16
  Speaker 1: time she's on we do. We flip flop. So we're
• 1:13:18
  Speaker 1: doing a bad one. But yeah, that's not a horror
• 1:13:21
  Speaker 1: I thought it was a horror movie. I mean people
• 1:13:23
  Speaker 1: are like putting themselves under lawnmowers and shit.
• 1:13:25
  Speaker 2: So I was like, I mean it has it's it's
• 1:13:27
  Speaker 2: like the knowing.
• 1:13:28
  Speaker 1: Yeah, it has horrible scene, but I guess it's not.
• 1:13:31
  Speaker 1: So we're doing another movie with an equally big star.
• 1:13:36
  Speaker 1: Michael Keaton is in this movie, because you know, Mark
• 1:13:39
  Speaker 1: Wahlberg is in The Happening, So we have another terrible
• 1:13:41
  Speaker 1: movie with it. I'd say, an equally you know star
• 1:13:44
  Speaker 1: with Michael Keaton. So that's a clue for next week.
• 1:13:47
  Speaker 1: It'll be me and Gabby coming back. I'll tell you
• 1:13:48
  Speaker 1: what it is in just two seconds, so follow us
• 1:13:51
  Speaker 1: on Facebook at fright Mare's and Instagram and slasher App
• 1:13:56
  Speaker 1: at Frightmar's podcast, Twitter at fright Maar's underscore. Hod uh,
• 1:14:00
  Speaker 1: Stay spooky. Dotlok dot com is our email. I'm doctor
• 1:14:03
  Speaker 1: Proctor on letterbox.
• 1:14:05
  Speaker 2: You are frights Cory Boo.
• 1:14:07
  Speaker 1: Yeah. So until next week, guys with our Michael Keaton
• 1:14:10
  Speaker 1: horror movies, stay tuned and stay spooky. Mother fucker