Latest / INSPIRE STORY / I Work At A Half-Priced Voodoo Shop

Transcript

I Work At A Half-Priced Voodoo Shop · INSPIRE STORY

• 0:15
  Speaker 1: Welcome back to Griefcast.
• 0:17
  Speaker 2: Today, we are reading a story called I Work at
• 0:19
  a half priced Voodoo Store. From what I've been told,
• 0:25
  it seems that this is in you, not an exact parallel,
• 0:28
  but it's something that if you're a fan of Tails
• 0:31
  from the gas Station, this is something that might skew
• 0:33
  towards your liking. I don't know if it's as comic
• 0:36
  coal or as you know, if it's as campy and fun,
• 0:38
  but just like kind of little exerts from somebody working
• 0:42
  in a in a spooky shop pretty much right.
• 0:47
  Speaker 1: Yeah, It's like.
• 0:52
  Speaker 3: I completely lost what my train of thought was.
• 0:55
  Speaker 4: I was, I was somewhere with that.
• 1:02
  Speaker 1: It's okay. I had one line immediately, just don't mess
• 1:08
  it up. Don't mess up?
• 1:12
  Speaker 4: Sure, I think because I saw a couple of people
• 1:18
  recommend this one, I think it's kind of campy.
• 1:21
  Speaker 1: I don't think it is.
• 1:23
  Speaker 4: Well, I mean, it's our audience, so if it was
• 1:25
  as on the nose as Tails from the Gas Station,
• 1:27
  they wouldn't tell us this. But most people have yes
• 1:30
  described it as like a more tonally like straightforward Tales
• 1:34
  from the gas Station.
• 1:35
  Speaker 1: I really I really liked Tales from the gas Station.
• 1:40
  Speaker 4: And thought it was like fun and like enjoyed some
• 1:44
  of the narrative directions. At the end, I was like
• 1:46
  annoyed because I think I was taking it a little
• 1:48
  too seriously.
• 1:50
  Speaker 1: So I'm going to try to not do that this
• 1:52
  time hopefully.
• 1:54
  Speaker 2: Well, I will say, you know, I think that the
• 1:57
  ending was so kind of out there and stuff that
• 1:59
  by the and you know, I think.
• 2:01
  Speaker 1: At least I was rolling my eyes a bit.
• 2:03
  Speaker 2: But I will say, yeah, the entire like the time
• 2:06
  of like it was funny, it was. I mean, it's
• 2:08
  such a good fucking story, man, It's such and I
• 2:10
  know we haven't even touched on all of it, but
• 2:13
  I'm kind of ready to have another experience like that.
• 2:15
  Speaker 1: Like I wouldn't mind another campy thing right.
• 2:16
  Speaker 2: Now, going into it prepared for that, you know, and
• 2:19
  have it it be consistent through the story would be lovely.
• 2:22
  I think that's the biggest problem with a lot of
• 2:23
  the stuff we read. It is like it's not that
• 2:25
  it goes campy, it's that's like you sent me through
• 2:27
  the entire thing and then at a certain point it
• 2:30
  just like hits you across the face with a bat
• 2:32
  where it's like.
• 2:32
  Speaker 1: And by the way, now yeah. You know, it's like
• 2:35
  it's just a bit jarring.
• 2:36
  Speaker 2: You're so in You're in one seat on a ride
• 2:38
  and you're like yeah, yeah, yeah, and then it turns
• 2:40
  into another ride halfway through and you're like, oh, I
• 2:43
  was enjoying that ride, so yeah, exactly. Whatever it is,
• 2:47
  I hope, but if it's campy, let it be campy throughout,
• 2:49
  and I'm ready to have some fun with it.
• 2:51
  Speaker 1: I'm going to let this happen to me.
• 2:53
  Speaker 4: Whatever this story has in store, I'm gonna let it
• 2:56
  just simply take me and do it at once. The
• 2:59
  story is written by a Reddit user who goes by
• 3:02
  voodoo Clerk. It seems that they made that account in
• 3:06
  order to originally tell the story, but they have several
• 3:08
  other stories on No Sleep as well, like I'm a
• 3:11
  receptionist out of Plastic Surgeons, my boss is stalking me.
• 3:15
  Another series or another standoff or one off. My cross
• 3:19
  country road trip turned out to be a mistake. So
• 3:21
  they write a bunch of different stories, and they also
• 3:23
  post a lot of I believe their own art regarding
• 3:26
  their stories. They have a linked Instagram account as well
• 3:29
  that is also Voodoo Clerk, where they post a lot
• 3:31
  of artwork for the characters within the story. So it
• 3:35
  seems that this original voodoo story got a ton of
• 3:38
  traction and a bunch of people became interested. So the
• 3:40
  author just kept rolling with it from there, writing more
• 3:42
  stuff making art about the stories, which is pretty cool.
• 3:44
  So we'll there' stuff linked in the description to check out.
• 3:47
  Be sure to show them some love.
• 3:48
  Speaker 2: Yeah, be sure to show their author love as always, guys,
• 3:51
  go support their stuff, especially if you like the story.
• 3:53
  See if there's any physical media.
• 3:55
  Speaker 1: Is there any? I don't think I saw any physical media?
• 3:57
  This person was still like that, but I don't think so. Heoh,
• 4:01
  at least none that I'm seeing.
• 4:02
  Speaker 4: But again, they're socials to be linked in the description
• 4:04
  for you all to double check if you're interested.
• 4:06
  Speaker 3: But none that I'm seeing on their Instagram.
• 4:09
  Speaker 4: There's like artwork they make, but I think that is it,
• 4:12
  at least from what I see in their official links.
• 4:14
  Speaker 2: Okay, cool, Well, I mean go support them any way.
• 4:16
  You can just support the authors or the reason why
• 4:18
  we're here. And just wanted to say, if you enjoy
• 4:20
  this podcast, do consider checking us out on Spotify or
• 4:23
  Apple Podcasts.
• 4:24
  Speaker 1: It does help us out quite a bit and it
• 4:26
  just helps keep this thing rolling.
• 4:28
  Speaker 2: So without further ado, I say, let's get into I
• 4:31
  work at a half priced voodoo store.
• 4:35
  Speaker 1: Let's get into it.
• 4:36
  Speaker 4: I should also mention, especially for you Hunter and the audience,
• 4:39
  that if I randomly disappear at any point, there's like
• 4:41
  a biblical storm happening outside of the window right now.
• 4:45
  Oh so either the power went out or I died.
• 4:49
  Speaker 1: Oh good, I'm going to assume that you just died immediately. Okay,
• 4:52
  I'm going to jump to that conclusion.
• 4:54
  Speaker 4: Good, And I want you to continue the podcast in
• 4:56
  my state, if I died right now on air, what
• 4:58
  would you do.
• 5:00
  Speaker 2: And I knew that you died, Yeah, I would stop.
• 5:04
  I would probably I would stop recording and I'd be like,
• 5:08
  I would stop recording, and I would go and I
• 5:10
  would probably try to.
• 5:11
  Speaker 1: Alert some kind of authority of being like, hey, this
• 5:14
  guy died.
• 5:15
  Speaker 2: Also, I'll tell you if you die, if you did not,
• 5:19
  if you did not die, or if you did die,
• 5:20
  I would not continue the show.
• 5:23
  Speaker 1: We've had this conversation before. Yes, you would. I absolutely would.
• 5:27
  Speaker 4: Have discussed at length on this podcast before.
• 5:31
  Speaker 1: You would have entire breakdowns.
• 5:34
  Speaker 4: No, okay, well, what you would just like be like
• 5:36
  well that sucks.
• 5:38
  Speaker 1: Sorry everyone, he's dead.
• 5:39
  Speaker 2: I think that that's if if anybody got mad that
• 5:42
  the show ended because where the Coast died, I'd be like,
• 5:44
  why don't you fucking look inward just a little bit, dude.
• 5:47
  Speaker 4: Like good the lord, you know why why don't you
• 5:50
  examine your heart and get back to me?
• 5:52
  Speaker 3: On that one?
• 5:55
  Speaker 1: I would be I certainly would not continue the show.
• 5:57
  Speaker 4: If you died, I would be free for once, I
• 6:00
  would be able to escape.
• 6:04
  Speaker 2: I mean, here's the thing, though, if you carried on
• 6:06
  without me, that's totally fine. I'm just saying for me,
• 6:08
  I'd be like, there's no way you're the whimsical backbone.
• 6:11
  If there's none of that, it's not even worth doing.
• 6:13
  There's no whimsy.
• 6:14
  Speaker 1: I'm the whimsical backbone. I think, So what what would
• 6:19
  you be? God? I don't. I wish, but I don't know.
• 6:32
  It's such an as titleone was nice is whimsical backbone?
• 6:38
  Speaker 5: No?
• 6:38
  Speaker 4: No, it's it's too kind, That's my point.
• 6:41
  Speaker 1: It's too like.
• 6:41
  Speaker 4: I I think I'm just the guy that reads stuff
• 6:44
  and you do the funny impressions and jokes.
• 6:46
  Speaker 1: That's fine. I'm the I'm the chat GPT boys.
• 6:51
  Speaker 4: With a I and they wouldn't noticed for like two weeks.
• 6:55
  Speaker 1: Well, to be fair, I don't think that they would
• 6:57
  notice on any of us. It's getting too good. It's
• 7:00
  it's it's simply too good.
• 7:02
  Speaker 2: What I am worried about on ironically is that because
• 7:06
  I was actually just to throw this out too, and
• 7:07
  we'll get to the story quickly. But the people have
• 7:11
  been posting there's stories on creepcast and it's been awesome.
• 7:17
  I love that on the Creepcast subret I should say,
• 7:22
  and I'm so worried that people are going to and
• 7:24
  I don't even know if I should say this, it's
• 7:26
  just slipping into AI stories and like, yeah, that kind
• 7:29
  of stuff. And I worry about that because it just
• 7:33
  sucks because there's so much actual media that people have
• 7:36
  made and like put their fucking heart into, and you'd
• 7:39
  take to like spotlight that, you know what I mean,
• 7:41
  Spotlight that kind of thing. So I just want to say,
• 7:42
  if you haven't working hard on a story and if
• 7:44
  it keeps it, if every story you're writing is getting
• 7:46
  rejected by our slash no Sleep, throw it up on ours,
• 7:49
  like I mean, people have been loving it.
• 7:51
  Speaker 4: So yeah, I've seen a bunch of people posting stuff
• 7:55
  in there.
• 7:55
  Speaker 1: I need to come through it one day and pick
• 7:57
  out some favorites. But yeah, there is there. Did you
• 8:00
  did you see the fuck? Did you see the book
• 8:02
  that somebody? I did see that? What was that book?
• 8:05
  Isn't it pulled up a second ago? Yeah?
• 8:08
  Speaker 4: So hold on for those that don't know, someone posted
• 8:12
  this in our subreddit. In our subreddit, bus Federal ninety
• 8:17
  six fifty four, which is an absurd name anyway. Uh,
• 8:23
  they posted that there is a book called Yellow Flowers
• 8:27
  by author Drew Gasper, and in the cover of the
• 8:31
  book he put a note that says, dedicated to the
• 8:35
  creep cast community.
• 8:36
  Speaker 1: How cool is that? Man? That is?
• 8:38
  Speaker 4: That is so wild and unbelievably cool this author. Their
• 8:43
  name on Reddit is Forsaken Library one four nine. His flair,
• 8:49
  you know, you can pick flares on Reddit. His flair
• 8:53
  on Reddit is oh oh, he's going to explain Google
• 8:57
  to your quote during the best.
• 8:59
  Speaker 1: Fridge to ruin My life story.
• 9:01
  Speaker 4: He replied to the guy to a bus Federal who
• 9:04
  posted his book and said, whoa, thank you so much
• 9:06
  for buying a physical copy. Glad to hear you're enjoying it,
• 9:10
  And then He links an original post with an Amazon
• 9:12
  listing and stuff.
• 9:13
  Speaker 1: You know what, let's throw that in the description as well.
• 9:16
  Speaker 2: Yeah, we're gonna throw that in the description. Please go
• 9:18
  support that. Just think that's so cool. I remember the
• 9:22
  making a physical book and stuff. Go support that also too.
• 9:25
  It's always good to just support physical media in that way,
• 9:28
  and especially one.
• 9:29
  Speaker 1: Of our own.
• 9:30
  Speaker 2: One of our own can go read the story if
• 9:32
  anything to that, we could reach out and see if
• 9:34
  it could be something. If it makes sense to uh
• 9:37
  maybe read on the show or do something like that.
• 9:38
  I think they could be fun.
• 9:39
  Speaker 4: So they put they posted about it. Drew Gasper did
• 9:43
  and said, I've been listening to the podcast since basically
• 9:46
  day one, and while I've dabbled in writing a bit before,
• 9:49
  I've never actually published anything until now. Creep Cast definitely
• 9:52
  inspired me to write and actually finish writing my longest
• 9:54
  work today. It's up for zale on Amazon and if
• 9:57
  you really want a physical copy, you top on Amazon
• 10:00
  if you really want a physical copy, but it's also
• 10:02
  available to.
• 10:02
  Speaker 3: Read online for free.
• 10:04
  Speaker 1: Oh.
• 10:04
  Speaker 4: I wanted to publish it on No Sleep as well,
• 10:06
  but didn't realize how strict they were about some of
• 10:09
  the rules They gave me a thirty day band because
• 10:13
  my story contains a prologue and a fictional character's full name.
• 10:23
  Speaker 1: Oh my god, it's give us your stories.
• 10:29
  Speaker 2: It'll be okay, please, they posted there. But also at
• 10:32
  the same time, support the physical work man. Try to
• 10:35
  pick up a book if you can, or at least
• 10:37
  just read the story, share with your.
• 10:39
  Speaker 1: Buddies if you like it. You know how it does.
• 10:41
  Speaker 4: And then he said, well hold on, he says, I've
• 10:44
  dedicated this book to the Greek Cast community, so hopefully
• 10:46
  you'll enjoy it. I honestly appreciate any feedback y'all are
• 10:50
  willing to share. Also, there might be one or two
• 10:53
  creep Cast Easter eggs hidden throughout the books.
• 10:56
  Speaker 1: That's all that.
• 10:58
  Speaker 4: Well, now I have to buy four immediately. Anyway, back
• 11:03
  to that's very cool. Yeah, that's awesome, y'all check that out.
• 11:06
  But anyway, not to take away from the story we're
• 11:07
  reading today, I work at a half price voodoo store.
• 11:10
  Came highly recommended. I'm ready to have some fun with this, hunter,
• 11:12
  Are you ready to have some fun with this?
• 11:13
  Speaker 2: I am ready for some Ironically, I am ready for
• 11:16
  some camp be fun.
• 11:17
  Speaker 1: I need it in my life.
• 11:19
  Speaker 3: Ready time for some camp be fun.
• 11:20
  Speaker 1: Let's do it.
• 11:21
  Speaker 4: I work at a half price voodoo store.
• 11:24
  Speaker 1: Part one. You ever get out.
• 11:26
  Speaker 4: Of high school and realize you have no idea what
• 11:28
  the hell you want to do with your life? Turns
• 11:31
  out just kind of waiting and seeing where life takes
• 11:33
  you can really only get.
• 11:34
  Speaker 1: You so far.
• 11:36
  Speaker 4: You're always told, oh, what do you want to do
• 11:38
  when you get out of high school? Simple enough question. Well,
• 11:41
  it turns out it's a lot harder to figure that
• 11:42
  shit out when you don't really think of it the
• 11:44
  entire time you're in high school.
• 11:47
  Speaker 3: So what do you do? Walking down the aisle and
• 11:49
  accepting your.
• 11:49
  Speaker 4: Deployment and suddenly you realize you have no clue what
• 11:52
  you want to do with your life.
• 11:53
  Speaker 1: My name is Travis.
• 11:54
  Speaker 4: When I graduated high school, I had no idea what
• 11:57
  the hell I wanted to do with my life. College
• 12:00
  not appealing to me, job even less appealing.
• 12:03
  Speaker 1: So what did I do with.
• 12:04
  Speaker 4: All my government mandated education? Stayed home, sleeping all day
• 12:08
  and gaming all night. Typical dead beat shit, And like
• 12:12
  any loving and supportive parents, my lovely mom and dad
• 12:15
  threatened to kick me out of my ass unless I
• 12:17
  found something to make of my life, so I waited
• 12:20
  my options college. I had no idea what to study.
• 12:23
  The nearest college was several miles away. I had no
• 12:26
  scholarship opportunities. The idea of being in debt for the
• 12:28
  majority of my life was very unappealing. Job I get
• 12:32
  home tired and probably have to listen to some asshole boss.
• 12:35
  Speaker 3: So it's a job I ended up choosing.
• 12:37
  Speaker 4: Although trying to find any kind of employment in my
• 12:40
  town was near possible unless I wanted to work at
• 12:42
  a factory for the rest of my life, I really
• 12:44
  had to expand my search from fast food to garbage man,
• 12:47
  throwing my application to any place that had a help
• 12:49
  wanted signed. That's how I ended up at Old King Kreoles. Honestly,
• 12:55
  I don't remember even applying here. I just got a
• 12:58
  call one day when I was lying in bed reading
• 13:00
  a book. Let's just say that's what I was doing.
• 13:04
  Speaker 3: Oh I was. I'm like, why did he say, let's
• 13:06
  just say? But now I get it. It's a joke
• 13:08
  about self gratification.
• 13:11
  Speaker 1: Was he beating his dick?
• 13:13
  Speaker 3: That's that's what he was doing?
• 13:14
  Speaker 1: Yet? Okay, when my phone pulled me.
• 13:16
  Speaker 4: Away from what I was doing, sign as I stared
• 13:19
  at the unfamiliar number. The person behind the line talked
• 13:22
  with a heavy old Southern accent, but I can tell
• 13:25
  how excited he was to meet me in person.
• 13:28
  Speaker 1: Mister Weller, I'm just coming back. Boys.
• 13:30
  Speaker 4: You know, I wasn't gonna say anything yet. I was
• 13:33
  gonna give the story a little bit more time. But
• 13:35
  we are back on the Bayou right down in New Orleans.
• 13:40
  Uh Nola. Because it's old King Kreoles, it's a voodoo shop.
• 13:46
  I assume that's where this is going to. Voodoo shop,
• 13:50
  So I mean this might as well be down on
• 13:53
  Royal or Dalphine Street. Dal fine, straight, you go down
• 14:00
  to buy you He that sows the n reef with
• 14:03
  the whirlwind, said old mister Well's. Isn't that wait, hold on,
• 14:06
  remind me, isn't the bit that mister Wellers is a
• 14:09
  normal guy. But there's like a dude that follows mister
• 14:13
  Weller's around who talks like that.
• 14:15
  Speaker 1: I barely remember any of the stories we read.
• 14:17
  Speaker 2: You are you're asking the wrong man.
• 14:22
  Speaker 4: Okay, so if I recall correctly, the comments will correct me.
• 14:25
  But mister Weller's worked at a blood.
• 14:28
  Speaker 1: Clinic, yes, like a donation clinic.
• 14:30
  Speaker 4: Yes, but but he was just like a normal like
• 14:33
  you know, doctor, medical, technician, whatever. But there's like this
• 14:38
  crazy Cajun man in the trees who follows him around. Yes,
• 14:42
  and he's like, mister Weller is gonna get you good
• 14:46
  down there?
• 14:46
  Speaker 1: Yeah? Yeah.
• 14:47
  Speaker 4: So really the character is miss is the guy that
• 14:49
  follows mister Wellers rather mister Wellers is completely unimportant to
• 14:57
  what this guy thinks of mister Wellers.
• 15:00
  Speaker 1: I think that was the bit we set up. I
• 15:03
  think that was the dynamic.
• 15:05
  Speaker 4: Oh anyway, although I never think about people who haven't
• 15:11
  seen old episodes.
• 15:12
  Speaker 1: Are well, at this point, this is your first episode
• 15:15
  you're in for Yeah. He was like, oh, creep cast,
• 15:20
  I'll check it out.
• 15:21
  Speaker 4: And we spend ten minutes talking about someone else giving
• 15:24
  us credit in a book they wrote, and now we're
• 15:27
  just talking about old stories they haven't heard before. It's
• 15:29
  we're really selling the podcast. I was excited to finally
• 15:33
  shove it in my parents' faces that I had made
• 15:35
  something with my life that is an intense like reaction
• 15:39
  to just getting a polk call. We're getting out a
• 15:42
  voodoo shop, living the dream.
• 15:43
  Speaker 1: Right.
• 15:45
  Speaker 4: Of course, if you asked me now what I would
• 15:46
  have chosen college is looking a bit more optimal, if
• 15:49
  only a little bit.
• 15:51
  Speaker 1: Now.
• 15:51
  Speaker 4: Look, we've all heard the story of bosses from hell
• 15:54
  and shitty working conditions for ship pay, and to some extent,
• 15:57
  I get that. I'll get into my boss in a second.
• 16:00
  I really don't hate this place. The customers pissed me
• 16:03
  off more than anything. Let me explain why by explaining
• 16:05
  my job. I work at Old King Creoles half Priced
• 16:08
  Voodoo Shop. What a title, what a great name. That's
• 16:12
  a great name for a video shop. I took you
• 16:15
  to some of the some of the stores. Yeah, yeah,
• 16:22
  I think it took you to Reverend Zombies, which great name.
• 16:26
  Uh and then Mama Bone Mama.
• 16:28
  Speaker 1: Again great name. Yah Mama was closed though, Oh yeah,
• 16:34
  that's right, that's right.
• 16:35
  Speaker 4: Reverence is cool and all Mama Bones was especially cool
• 16:37
  because when I brought like Brandon Buckingham and some friends down,
• 16:41
  she shut off the shop just to like do an
• 16:43
  interview with us for you too, which is very She's
• 16:45
  very kind and stuff and very knowledgeable about like voodoo
• 16:48
  traditions and stuff. A lot of cool culture down there.
• 16:52
  But yeah, so something like Old King Kreoles half Priced
• 16:56
  Voodoo would fit right in completely unnoticed. Also say, since
• 17:00
  I've brought it up, have we ever have I ever
• 17:03
  explained I feel like we've gotten close about when I
• 17:06
  got you trapped in the quarter and we walked ten miles.
• 17:09
  Speaker 1: Yes, we have explained it in great detail. We don't
• 17:11
  need to.
• 17:16
  Speaker 4: I take him down, No, no, no, I take him
• 17:18
  down to the quarter and we're going on like these
• 17:21
  little We went on like a haunt, a tour, and
• 17:23
  I'm like.
• 17:24
  Speaker 1: Oh, honey, you got to see this, you got to
• 17:25
  see this.
• 17:25
  Speaker 4: And I didn't realize it until near the end of
• 17:27
  the day, but we walked like a collective twelve miles
• 17:31
  across the French Quarter. And as the day went on,
• 17:34
  you could see it like wearing on Hunter's face, like
• 17:38
  it was getting worse and worse. And there were three
• 17:40
  instances where we would walk to the edge of the
• 17:42
  quarter and we'd be like, Okay, where's his next thing
• 17:45
  we're doing?
• 17:45
  Speaker 1: And I'm like, it's on the other side of the quarters,
• 17:47
  so we have to like double back the way we came.
• 17:51
  Speaker 4: At one point we were we were near the edge
• 17:55
  of town and Hunter's like, Okay, where's the next place
• 17:57
  we're going? And I just pull out my phone and
• 17:59
  he goes, it's out of the quarter right right.
• 18:05
  Speaker 1: And I remember at.
• 18:07
  Speaker 4: The very end of the day, we were trying to
• 18:09
  find somewhere to eat. It was like eleven pm. We
• 18:11
  were trying to find somewhere to eat, and I put
• 18:13
  in a location on my phone and we're like on
• 18:15
  Bourbon Street and the place is packed, and I was like, well,
• 18:18
  maybe I can find another place. And I like pull
• 18:20
  out my phone and I start scrolling and I just
• 18:23
  feel Hunter lean in behind me, like over my shoulder,
• 18:29
  and he goes, get me out of here.
• 18:37
  Speaker 1: I'm like, all right, we're leaving.
• 18:38
  Speaker 4: And then we went we went to a waffle house
• 18:40
  that was like weird and had a line and it
• 18:42
  was like takeout only, so we left. And then that's
• 18:46
  when we went to Canes and I cried laughing as
• 18:49
  we were ordering chicken.
• 18:50
  Speaker 1: You can acte. Yeah, it was a long day. There's
• 18:53
  a long day.
• 18:54
  Speaker 4: It was the very yeah. Yeah, the ca yeah, the
• 18:56
  cane acts. I forgot. I was so tired. I forgot
• 18:59
  what cane sauce is called, which is just called cane sauce.
• 19:03
  But Caine has a caniac combo option, so I order, like,
• 19:07
  I order the food and then I'm like, can I
• 19:09
  have an extra Caniac sauce? One more Caniac sauce? One
• 19:14
  more Caniac sauce? And I wasn't like thinking about it,
• 19:17
  and a hundred leans in right behind me while I'm
• 19:19
  in the driver's seat and he goes, I want you
• 19:22
  to say Caniac sauce one more time, and I'm I
• 19:28
  immediately realized what I had done, and I'm trying and
• 19:32
  I'm containing a laugh but I don't want to like
• 19:35
  start laughing at the person taking my order, and so
• 19:39
  it comes out as like tears just start running.
• 19:42
  Speaker 3: Down my face.
• 19:43
  Speaker 4: But I'm keeping it like completely, I'm trying to keep
• 19:47
  it straight while I'm trying to finish the order, but
• 19:49
  I'm crying, and the woman goes, are you okay? I'm like, yeah,
• 19:56
  I'm fine that I have one more Caniac sauce.
• 19:58
  Speaker 1: Please. I'm riddle and I'm old, and I don't go
• 20:04
  to the doctor as much as I should, and I
• 20:06
  don't want to deal with an appointment.
• 20:07
  Speaker 6: And insurance and bat out, so I let somebody else handle it.
• 20:13
  And that's why I use ZocDoc. ZocDoc is a free
• 20:16
  app and website where you can search and compare high
• 20:18
  quality in network doctors, choose the right one for your needs,
• 20:22
  and click.
• 20:23
  Speaker 1: To instantly book an appointment.
• 20:24
  Speaker 6: We're talking about in network appointments with more than one
• 20:27
  hundred thousand healthcare providers across every specialty from mental.
• 20:30
  Speaker 1: Health to dental health, to eye care to skincare and
• 20:33
  much much more.
• 20:34
  Speaker 7: And the nice thing about ZocDoc is that you can
• 20:36
  filter for doctors that take your insurance, that are nearby
• 20:39
  and are highly rated. It's super easy to use, and
• 20:42
  you can find an appointment time that works for you
• 20:44
  with the right doctor that fits your needs.
• 20:47
  Speaker 2: Plus, ZocDoc appointments happen fast, typically within just twenty four
• 20:50
  to seventy two hours of booking. You can even score
• 20:53
  same day appointments. You don't want to admit it, we
• 20:55
  should probably see the doctor.
• 20:56
  Speaker 6: Go to ZocDoc dot com slash creepcast to find antly
• 21:00
  book a top ratted doctor today.
• 21:02
  Speaker 1: That's zoc doc.
• 21:04
  Speaker 6: Dot com, slash screap cast, doc dot com slash screap cast.
• 21:08
  Speaker 1: Thank you so much for zach doc for sponsoring this episode.
• 21:13
  Back to the episode, don't get too scared.
• 21:19
  Speaker 4: Quite the mouthful, huh, it's this glorified check full to
• 21:22
  the brim with freaky dolls and spooky cob webs.
• 21:25
  Speaker 1: Lovely place really, especially.
• 21:26
  Speaker 4: At night when all the desperate people come in begging
• 21:29
  for wishes or potions. Oh yeah, we give out free wishes,
• 21:32
  like really real wishes. But I don't handle that, so
• 21:36
  I'm not gonna talk much about them. Just remember, if
• 21:39
  you ever come in and ask for a wish, please
• 21:41
  think it through thoroughly. So tired of wiping up the
• 21:45
  counter after a bad wish gets granted. The main thing
• 21:48
  I deal with is doll cells and potions. Need that
• 21:52
  wart removed? Got a great potion for that? You a
• 21:55
  shitty parent and forgot little Jimmy's birthday? What if the
• 21:58
  dolls should do it? Just don't come crying to me
• 22:00
  when Jimmy Soul gets trapped in the doll. We have
• 22:03
  a strict no return policy. Is it a scam? No,
• 22:07
  you bought it without asking if it could suck up
• 22:09
  Jimmy Sole. Can't really do much about that, now, can I.
• 22:14
  Potions are more flexible. The only time I've seen it
• 22:16
  go bad was a weight loss potion. Had to sell
• 22:19
  the angry lady a potion to get rid of all
• 22:21
  her excess skin. I don't know what she expected. She
• 22:23
  was like three hundred pounds. Do you think all that
• 22:25
  skin was going to go somewhere? The way I check
• 22:28
  into work is also pretty interesting, if I can call
• 22:31
  it that, show up on time or five minutes late
• 22:33
  without fail, and stab a needle into the voodoo doll
• 22:36
  on the counter. It's not meant to look like anyone
• 22:38
  since it's a blank template, but still doesn't make it
• 22:41
  any less weird. I swear that thing looks at me
• 22:43
  whenever I'm on my phone when nobody is in the
• 22:45
  shop and I've got nothing to do. What do you
• 22:48
  want me to do? Wipe the counter down for the
• 22:50
  million time I've tried, Man, the dust always comes back
• 22:54
  without fail. Turn around for half a second and it's back.
• 22:57
  It's gotten to the point where I just leave it
• 22:59
  and draw things.
• 23:00
  Speaker 1: What else? Oh?
• 23:02
  Speaker 4: Yeah, we have a basement I'm never allowed to go into.
• 23:04
  I've told by my boss. Talk about him soon. Calm
• 23:07
  your horses that I'm never allowed down there, not that
• 23:10
  I even want to go down there. The loud knocking
• 23:12
  coming from it and the crying has pretty well and
• 23:14
  truly kept me away from it. Hey, don't you start
• 23:16
  judging me about it. If you're so damn curious, you
• 23:19
  go down there. If you're so damn tough, I'm just
• 23:22
  a cashier. If I'm told not to go down into
• 23:24
  the freaky murder basement, I ain't going down there. What
• 23:27
  else happens here, Well, the place seemingly stocks itself, so
• 23:31
  that's pretty cool. Sometimes this place can get so boring
• 23:35
  when nobody is here that I wish I could restock
• 23:38
  the shelves or the potions something.
• 23:40
  Speaker 3: Man.
• 23:40
  Speaker 4: I get paid to sit behind the counter and ring
• 23:42
  up things people want to buy, simple as that. I've
• 23:46
  been working here for about two months, and man, does
• 23:49
  it feel like I've been here for decades.
• 23:51
  Speaker 1: Every day feels like three. Man.
• 23:53
  Speaker 4: All right, I'll stop whining and talk about my boss.
• 23:56
  If you guessed his name is King Kreole, then ding ding.
• 24:00
  You've been paying attention to my dumb ramblings. King Kreole,
• 24:04
  who will shorten to k C.
• 24:05
  Speaker 1: That's for you.
• 24:06
  Speaker 3: Kansas City for.
• 24:08
  Speaker 4: Now is weird, like an uncanny valley kind of weird.
• 24:12
  He's this six', four blanky man with messy black hair
• 24:15
  and button. Eyes you ever Watched? Corline, yeah we're approaching
• 24:19
  other mother, territory. THOUGH i guess he's got her beat
• 24:22
  because he's real and his mouth is sewn, up same
• 24:25
  with his throat and neck.
• 24:27
  Speaker 1: Like he's got stitches all around his.
• 24:28
  Speaker 4: Neck sometimes when he turns his head too, quickly you
• 24:31
  can see a wobble and his stitch is about to.
• 24:33
  Speaker 1: Snap it's.
• 24:34
  Speaker 4: Gross it's pretty, cool all things, said, though he definitely
• 24:37
  doesn't have a concept of personal. Space WHEN i walked
• 24:40
  into work on my first, day he came out of
• 24:43
  god knows where and grabbed my hand and put his
• 24:45
  face like a good three inches away from my. Face
• 24:48
  one thing that strikes you About kse apart from the
• 24:51
  stitches and button, eyes is how pale he.
• 24:53
  Speaker 3: Is.
• 24:54
  Speaker 4: Now i'm no bronze god, myself But casey is about
• 24:57
  as pale as white.
• 24:58
  Speaker 1: Chalk. Like it's.
• 24:59
  Speaker 4: Unreal WHEN i first met, HIM i thought he was
• 25:01
  wearing pain or some shit like, That but, nope that's his.
• 25:04
  Speaker 1: SKIN i.
• 25:05
  Speaker 4: Think, anyway if you look at him long, enough you
• 25:08
  kind of see his skin, cracking like some bleach corpse or.
• 25:11
  SOMETHING i don't. Know all in, all he isn't such
• 25:13
  a bad. Boss he pays well. Enough get twenty dollars
• 25:16
  an hour to just sit here and ring up an occasional.
• 25:19
  Customer you got a, wish, sorry That's casey's. Department and
• 25:23
  of course if you screw up your wish and end
• 25:25
  up as a bloody mess on the floor, encounter guess
• 25:28
  what poor idiot has to clean that? Up yours, Truly so,
• 25:31
  please if you ever show up To Old King kreole's
• 25:34
  Half Prize foodoo, shop thank your stupid wishes through now
• 25:38
  if you'll excuse, me my break is. Done and that
• 25:40
  thing in the basement is really banging on the, door
• 25:42
  that all on the counter is really giving me the.
• 25:44
  Sinki anything else interesting happens, Here i'll let you guys.
• 25:47
  Speaker 1: Know that's the, End part, One part. One SO i like,
• 25:52
  it so it.
• 25:53
  Speaker 2: Is it does have like A tails from the Gas
• 25:55
  station kind of, vibe like the UH i do like
• 25:58
  the idea of like the almost like what's that do
• 26:01
  the character From One, PIECE i thought the skeleton dude
• 26:04
  From One Piece, BROOKE i think it is his lovie
• 26:08
  maybe maybe me think of, That but then it's like
• 26:10
  it seems like, no he's just like basically a zombie
• 26:14
  of some kind or like A i THOUGHT i thought
• 26:17
  for a second that they were going to go the
• 26:18
  angle of he himself is like a voodoo, doll but
• 26:21
  it kind of seems like he IT'S i, mean he's
• 26:23
  a voodoo, doll but he's still a, skin you, Know
• 26:25
  he's not like made a. Fabric but the button eyes
• 26:27
  are pretty. Sweet AND i like that his mouth is
• 26:29
  all sewn up and. Everything AND i like the kind
• 26:32
  of comical tones to how torturous some of these wishes would.
• 26:35
  Be losing all that weight and then you're still walking
• 26:37
  around with all THE x skin and, stuff or you
• 26:40
  like turn to bile at the. Counter is a lot
• 26:43
  of fun. Too so curious to see how through these
• 26:45
  next couple of, parts because in total it's seven. Parts
• 26:47
  curious to, See Like i'm guessing that each part is
• 26:49
  going to be an individual case of, hey this person
• 26:51
  came in and this, happened which is pretty.
• 26:53
  Speaker 4: Fun, yeah it's like a vignette's like with the. Setting
• 26:56
  the first part kind of seemed to be our setup for,
• 26:58
  like you, know the setting in a world to take.
• 27:00
  Speaker 1: Place AND i like How casey sounds like a giant voodoo.
• 27:03
  Speaker 4: Doll, yeah like he's incredibly, pale button eye stuff like.
• 27:06
  That it's like he got he made a bad deal
• 27:08
  a while, back and now he runs the shop in
• 27:10
  the state he's.
• 27:11
  Speaker 1: In it's it interesting? Anyway part.
• 27:13
  Speaker 4: Two part two seems as though my original post was
• 27:16
  pretty popular despite me just talking about how BORED i
• 27:19
  am with my. Job, well it turns OUT i GUESS
• 27:21
  i didn't make it scary enough for most. People so
• 27:23
  to fix, THAT i, THOUGHT i will tell you guys
• 27:25
  a story from my second week of working at this
• 27:27
  high price feodoo shop as a reward for you guys
• 27:30
  liking it so. Much, well just in case you have
• 27:33
  no idea WHO i am and stumbled on this post
• 27:35
  before my last. One my Name's, travis AND i work
• 27:38
  at Old King kreole's half prize foodoo, shop run than
• 27:41
  the desk against a, clerk and overall just do my
• 27:43
  best to keep up with all the weird shit that happens.
• 27:45
  Here like what happened WHEN i just started working. Here
• 27:48
  i'd punched in like any other day, before stabbing a
• 27:50
  pin into the doll template that just stares at me
• 27:53
  all day from its spot on the. Counter at this,
• 27:55
  POINT i was still struggling in vain to keep the counter.
• 27:58
  Clean but a last to know of it so resigned
• 28:01
  myself to just screw around on my phone UNTIL i
• 28:03
  saw some form of. Life, travis my, boy came the
• 28:07
  voice of my boss and owner of this fine, Establishment
• 28:10
  King creole.
• 28:11
  Speaker 1: Himself how has the job been treating?
• 28:13
  Speaker 4: You he, asked his stitched up lips curled into a
• 28:16
  smile as he came around the counter and wrapped an
• 28:18
  arm around, me causing me a decent amount of. Discomfort
• 28:22
  AS i mentioned, Before King creole has button, eyes stitched up,
• 28:25
  mouth and a head being kept on his shoulders by some.
• 28:28
  Stitches he always wears a nice black suit and a
• 28:30
  dark purple tie and a top. Hat, yes even he
• 28:34
  dresses like a pimp for some.
• 28:35
  Speaker 1: Reason travis is his newest.
• 28:39
  Speaker 4: SLUT i didn't mention That i'm forced to set up
• 28:46
  front and like a, garter, yes even.
• 28:51
  Speaker 1: Indoors and, YES i know he.
• 28:53
  Speaker 4: Looks, Ridiculous but, look, Man i'm trying to keep this
• 28:55
  job as long as, possible so.
• 28:57
  Speaker 1: Don't blow this for. Me it's going, okay, MISTER.
• 29:00
  Speaker 4: I, said, awkwardly still at this, point weirded out by
• 29:03
  his looks and his unnaturally chalk white, skin nodded happily
• 29:07
  at me and gave me a good smack on the,
• 29:09
  back getting because we described it as like being dressed
• 29:14
  like looking.
• 29:15
  Speaker 1: Prostitute that's my.
• 29:20
  Speaker 4: Ba he nodded happily at me and gave me a
• 29:23
  good smack on the, Back getting allowed oof out of me.
• 29:27
  Speaker 1: To heal, Son now remember they come ask a full.
• 29:30
  Wish you just come fetch old key, kreole And i'll
• 29:34
  be right on.
• 29:34
  Speaker 4: Over that voice is perfect for this, character he un't, happily.
• 29:42
  Speaker 3: Finally letting go of me and standing.
• 29:43
  Speaker 4: BACK i, nodded since that was really the only THING
• 29:47
  i didn't have to do.
• 29:47
  Speaker 1: Here by the, WAY i think one of the dolls is, missing.
• 29:51
  Speaker 4: Pointing towards the wall of voodoo dolls that goes from
• 29:53
  the floor to the. Ceiling each of them is of
• 29:56
  a different design and of a different, person so if
• 29:58
  one goes, missing there's usually a.
• 30:00
  Speaker 1: Reason oh, Well i'll be he, hummed almost.
• 30:04
  Speaker 4: Happily as his button eyes turned back to me and
• 30:07
  he gave me a yellow tooth smile behind the.
• 30:09
  Speaker 1: STITCHES i expect a customer will come in, today.
• 30:13
  Speaker 4: Chuckled walking past me and pat me on the. Shoulder
• 30:16
  his hand was cold as, eyes giving me a bit
• 30:19
  of a shiver as he vanished to the office in the.
• 30:20
  BACK i set my butt down on the uncomfortable stool
• 30:23
  that sat behind the, counter went back to looking at my,
• 30:26
  phone periodically peeking out the doll on the counter and
• 30:29
  turning it back over whenever it's somehow managed to turn
• 30:32
  and look at. Me that's the visual is. Funny for,
• 30:35
  one that you check in by stabbing a voodoo.
• 30:37
  Speaker 1: Doll that's.
• 30:37
  Speaker 4: Funny, Yeah but also that like he's just passively annoyed
• 30:41
  by all this.
• 30:42
  Speaker 2: Stuff, well, YEAH i liked. It he isn't just, like,
• 30:45
  well this is also. WEIRD i mean he's there every. Day,
• 30:47
  yeah he's gotten used it like more so annoyed and
• 30:50
  just kind of weirded. Out there are things that obviously he's, like,
• 30:52
  oh that's kind of shives a shiver real like that
• 30:54
  like sends a you, know a cold feeling down my.
• 30:57
  Back but otherwise he's just kind of, like stop looking at,
• 30:59
  me turn it.
• 31:00
  Speaker 4: Back he's like setting there Scrolling, instagram and every now
• 31:03
  and then he looks up in the voodoo, dolls who
• 31:05
  just like rotates it back around and goes back to his.
• 31:07
  Speaker 1: Phone that's a fun, visual, YEAH i think. So after
• 31:10
  about an hour into my.
• 31:11
  Speaker 4: Shift the old rusty bell on the door, clang signaling
• 31:13
  me to get off my. Phone AS i quickly hit
• 31:15
  it and looked over to the. Customer it was a
• 31:18
  girl about my, age maybe a year. Older she looks
• 31:20
  around at the, place a bit disgusted by all the,
• 31:22
  cobwebs quickly coming closer to. Me luckily she didn't look
• 31:26
  at the wall of, dolls since their gaze followed her
• 31:29
  as she came up to the.
• 31:30
  Speaker 1: Counter welcome To Old King Creole's Half Price Voodoo.
• 31:32
  Speaker 4: SHOP i said to my BEST i do actually want
• 31:35
  to be? Here, voice what CAN i help you? With
• 31:37
  putting my hands on the counter and looking down to
• 31:39
  make sure wasn't too.
• 31:40
  Speaker 1: Dusty, hi sign said said free, Wishes.
• 31:44
  Speaker 4: She asked me with a raised. Brow she seemed like
• 31:46
  the sporty kind of. Person how DID i know? This
• 31:49
  because she was wearing workout gear in the middle of a.
• 31:52
  Speaker 3: Fall she.
• 31:56
  Speaker 1: She seemed athletic and as if she was working. Out
• 32:00
  how DID i know?
• 32:00
  Speaker 4: This because she was wearing clothes which one would work out.
• 32:03
  In she obviously was jogging and saw sign.
• 32:06
  Speaker 1: How exactly does that? Work? YEAH i gotta Be, YEAH
• 32:10
  i gotta go get my. Boss to handle. That wait,
• 32:12
  here why go get, HIM i asked.
• 32:13
  Speaker 4: Her she, nodded still a bit skeptical about this, place
• 32:17
  AND i really don't blame her about that at, all
• 32:19
  If i'm being. Honest getting off my, STOOL i stretched
• 32:22
  a bit and made my way over to The king's, office.
• 32:25
  Speaker 1: Flinching i'm, sorry.
• 32:27
  Speaker 4: We've already liked this set up to me because now
• 32:30
  in my, mind like she walks in and he's just
• 32:31
  like A t.
• 32:32
  Speaker 1: Shirt normally he's, like, yeah.
• 32:33
  Speaker 3: Let me go get my.
• 32:33
  Speaker 1: Boss when he comes round the, counter one testicle popping
• 32:38
  out of the phone. Skirts, yes, sorry company, POLICY i
• 32:46
  have to wear. It i'm, sorry clock in you know
• 32:51
  what they. Say.
• 32:52
  Speaker 4: Stretch ben made my way over to The king's, office
• 32:55
  flinching when whatever was in the basement started pounding on
• 32:58
  the door. Again POINT i was still afraid of, it
• 33:01
  SO i just quickly ran past it and to the
• 33:03
  boss man's, office knocking three times LIKE i always was
• 33:06
  told to.
• 33:07
  Speaker 1: Do, hey Mister, kreole we have someone here asking about a.
• 33:10
  Speaker 4: Wish receiving silence from the, office raising a brow at,
• 33:14
  THAT i tried, again knocking another three times to get her.
• 33:17
  Response the RESPONSE i got was the girl at the counter.
• 33:20
  Screaming turning, QUICKLY i saw that it was just my
• 33:23
  boss stated at the, counter.
• 33:27
  Speaker 1: That's.
• 33:27
  Speaker 4: Funny he knocks three, times and he like appears in
• 33:30
  a puff of. Smoke looking back at the office and
• 33:32
  over to the, counter scratched my head at how the
• 33:35
  hell he had gotten over there so, quickly but ultimately
• 33:38
  resigned myself to it just being not worth my time
• 33:41
  to think.
• 33:41
  Speaker 1: ABOUT i do apologize for startling, you darling.
• 33:45
  Speaker 3: King creole hum taking his hat off and putting it
• 33:47
  to his.
• 33:47
  Speaker 1: CHEST i do forget sometimes that my appearance does frighten
• 33:51
  the fate of.
• 33:52
  Speaker 4: Heart in my, mind this is like a voodoo stitched
• 33:55
  version of The Voodoo man From princess and The. Frog,
• 34:00
  sure yeah and, everything, yeah like but like white skin
• 34:06
  with like the button eyes and stuff like. That, yeah
• 34:08
  he hummed with a.
• 34:09
  Speaker 1: Chuckle. YEAH i had the same reaction as that girl
• 34:11
  WHEN i first seen. Him it's a little early For.
• 34:14
  Speaker 4: Halloween the girl, pouted backing up from, him AND i
• 34:17
  can imagine really rethinking the idea of coming in. HERE
• 34:20
  i wouldn't have blamed her if she had left right,
• 34:22
  there would have saved me the trouble of cleaning up.
• 34:25
  Speaker 1: Afterwards what CAN i do for, You, melissa.
• 34:28
  Speaker 4: My, bossed, asked putting his hat back on that messy
• 34:30
  mat of black hair he, owned and put in his
• 34:32
  hands out in front of, him obviously throwing the girl
• 34:35
  off by knowing her. Name she looked to me as
• 34:38
  if to see IF i was having the same. REACTION
• 34:40
  i just shrugged at. Her he did the same thing to,
• 34:43
  me SO i didn't know what she.
• 34:45
  Speaker 1: Wanted.
• 34:46
  Speaker 4: Well she began looking back at him and pursing her
• 34:49
  lips and, thought what does asking for a wish and?
• 34:51
  Tail she, asked crossing her. Arms not a bad question to,
• 34:55
  ask in my own honest.
• 34:56
  Speaker 1: Opinion will you asked a little old me for a
• 35:00
  wish AND i grant it for, you no strings.
• 35:03
  Speaker 4: Attached i'm holding his hands up and showing that some
• 35:07
  strings dangled down from his gloved.
• 35:09
  Speaker 1: Fingers that's. FUN i do ask that you think you'll
• 35:12
  wish through very. Sorely wishes have a very bad tendency of.
• 35:17
  Speaker 3: Backfiring looked at my boss with a raised.
• 35:19
  Speaker 4: Brow that was the first Time i'd seen him show
• 35:22
  any kind of emotion that wasn't.
• 35:24
  Speaker 1: Well.
• 35:25
  Speaker 4: Creepy happy is the best way to describe. Him seemingly
• 35:28
  SENSING i was staring at, him his attention turned to.
• 35:31
  Speaker 1: Me, travis can you please get something out of my?
• 35:34
  Speaker 4: OFFICE i looked up at, him confused SINCE i was
• 35:37
  never really allowed in, There but, hey he pays, me SO.
• 35:40
  Speaker 1: I might as well do it. Right, sure what do you?
• 35:43
  Speaker 4: Need look into the, counter noticing that stupid doll was
• 35:46
  staring at me.
• 35:46
  Speaker 1: Again get the brown satchel bag that's under my. Desk
• 35:50
  i'll handle young Miss.
• 35:51
  Speaker 4: Melissa, Yeah i'm turning his attention back to, her his
• 35:56
  hands coming down to the dusty counter and drumming his
• 35:58
  hands on.
• 35:59
  Speaker 1: Them, sure, thanks, Sir give me one last.
• 36:02
  Speaker 4: Look to the girl before turning and going to his.
• 36:04
  Office now before that thing in the basement started banging
• 36:07
  again and startled me cousey rushing past it into his.
• 36:09
  Office Gang kreole's office was surprisingly. SPOTLESS i said that
• 36:14
  because the entire shop is covered in dust and, cobweb
• 36:16
  so seeing such a nice office was definitely. JARRING i
• 36:20
  know you guys are expecting severed heads and dead bodies,
• 36:23
  everywhere but, really he just has a desk and some
• 36:25
  photos on the. Wall all of them are scratched, out
• 36:28
  though SO i didn't really pay too much attention to.
• 36:30
  Speaker 3: It going over to.
• 36:31
  Speaker 4: His desk and looking underneath, IT i did indeed see
• 36:34
  the satchel. Bag he told me to, fetch taking, it
• 36:36
  and heading out of his. OFFICE i came back To
• 36:38
  melissa shaking his gloved, hand and both of their attentions
• 36:41
  turned to.
• 36:41
  Speaker 1: Me, travis good, boy you found.
• 36:44
  Speaker 3: It emotioned for me to come closer to.
• 36:46
  Speaker 4: HIM i, did and handed him satchel with a cheerful
• 36:49
  grin on his stitched up. Mouth he quickly slammed it
• 36:52
  down on the, counter kicking up dust and sending both
• 36:55
  me And melissen to a coughing. Fit he opened it
• 36:57
  up and searched inside for a bit, mile growing wider and,
• 37:01
  wider seemingly about to bust his stitches when he pulled
• 37:04
  out exactly what he was looking, for pulling out a
• 37:06
  small can of what looked like skincare.
• 37:09
  Speaker 1: Cream, now, then your exact wish was that you never
• 37:13
  wanted to act any problems ever? Again?
• 37:16
  Speaker 4: Correct, yes the, girl tilting his head and waiting for an.
• 37:19
  Answer from my angle at his, SIDE i could notice
• 37:22
  that his head really strained the stitches on his. NECK
• 37:26
  i would have been funny to see his head go
• 37:27
  rolling around the. Shop lisa looked, uncomfortable obviously self conscious
• 37:32
  about my being, there but she nodded to The voodoo,
• 37:35
  salesman who in turn handed her the. Cream she looked
• 37:39
  down at it and then up to, him was a
• 37:41
  cool look on her.
• 37:42
  Speaker 1: Face well go, On, darland try it, out smile still
• 37:46
  on his.
• 37:46
  Speaker 4: Face less look down at it and uncapped. IT i
• 37:50
  tried to peek for my spot next To kreole from
• 37:52
  behind the.
• 37:53
  Speaker 1: Counter end of the jar was.
• 37:55
  Speaker 4: Just as, normal white cream like any other kind of skincare.
• 37:58
  Product as she dipped her fingers into the cream and
• 38:02
  got a conservative, amount tapping it on her cheeks and
• 38:05
  face as she spread it out in circles on the,
• 38:07
  surface and when she was, finished she pulled out her
• 38:10
  phone from her pocket and looked at, herself eyes raised
• 38:13
  as she waited for something to. Happen, well something did.
• 38:17
  Happen she started screaming really, loud and her skin started
• 38:23
  sizzling and dripping off her. Face Now i'm not squeamish,
• 38:27
  much but being caught off guard like, THAT i backed
• 38:29
  up and away from the.
• 38:30
  Speaker 3: Counter what the fuck is?
• 38:32
  Speaker 4: This melissa screamed as the skin on her face started
• 38:36
  dripping off her faster like a melting. Candle, MEANWHILE i
• 38:40
  was behind the counter struggling to keep my food. Down
• 38:42
  luckily for, me i'd skip, breakfast SO i just gagged a.
• 38:45
  Speaker 1: Lot you wish for normal.
• 38:46
  Speaker 4: Acne Dear reel hummed over her loud screams and the
• 38:50
  sizzling of her.
• 38:51
  Speaker 1: Skin now you won't have to worry about that acne ever, again.
• 38:55
  Speaker 4: So with a soft chuckle as he watched her squirm
• 38:57
  and screamed some. More this, Point melissa's face was mostly
• 39:01
  on the floor in a bloody. Mess she clawed at
• 39:04
  what was left of her skin as it melted her
• 39:06
  down to her skull and. Sinews her hands weren't spared,
• 39:09
  either as they too started melting their skin. Off took
• 39:13
  less than two minutes for the girl Called melissa to
• 39:15
  have become nothing but a steaming pile of, bones, blood
• 39:18
  and other gross shit on the shop.
• 39:19
  Speaker 1: Floor, travis be a good boy and clean up this, mess, Please.
• 39:23
  Speaker 4: Kriol, said as he turned his attention to. ME i
• 39:26
  was still hacking and looked up at him like he was.
• 39:29
  Insane just watched some girl die in front of, me
• 39:32
  and now he wanted me to get rid of. Her
• 39:34
  just a little bit, crazy don't you, think?
• 39:36
  Speaker 1: EH i.
• 39:38
  Speaker 4: Started to, stammer holding my stomach and shivering some of
• 39:41
  WHAT i just.
• 39:42
  Speaker 3: Seen but my.
• 39:43
  Speaker 4: Gaze turned when he gripped me by the shoulder stared
• 39:45
  into my eyes with his button.
• 39:47
  Speaker 1: Eyes be a good boy and clean this. Up with
• 39:51
  the pile of bones in a trash bag and toss
• 39:53
  it into the.
• 39:53
  Speaker 4: Basement come to, me raising his finger quickly WHEN i
• 39:57
  tried to remind him THAT i wasn't allowed in the.
• 39:59
  Speaker 1: Basement i'll be done, this so don't worry about.
• 40:02
  Speaker 4: It patting me hard on the, back and walking over
• 40:04
  to the, door unlocking it with a key he produced
• 40:07
  from his soup pocket and inserting it into the basement, door.
• 40:10
  Speaker 3: Opening it, quickly he closed it behind.
• 40:12
  Speaker 4: HIM i could hear his muffled yelling and whatever was
• 40:15
  downstairs screing away from the door as his footsteps disappeared.
• 40:18
  Speaker 1: Down into the.
• 40:19
  Speaker 4: Unknown looking over at the pile of human bones and,
• 40:22
  BLOOD i sighed hard and looked behind the. Counter putting
• 40:26
  on rubber gloves and getting out a, MOP i went to,
• 40:28
  work clutting all the bones by, hand put it in
• 40:31
  a trash bag and did my best to hold my.
• 40:32
  BREAST i didn't know if he wanted the organs in
• 40:35
  there as, well SO i just scooped them up quickly
• 40:37
  and shoved them into the, bag dagging hard WHEN i
• 40:40
  finally let them go into the, bag saying that, ASIDE
• 40:44
  i did my best to mop up the leftover, blood
• 40:46
  did a decent job for, it being my first time in. All,
• 40:49
  FINALLY i grabbed the bag and went over to the basement,
• 40:51
  door looking at it and swallowing a lump in my
• 40:54
  throat BEFORE i opened the door and looked down into
• 40:56
  the pitch black. Hole looking at the, BAG i tied
• 40:59
  it up AS i, could chucked it down, there closing
• 41:02
  the door, again and signed. Hard AS i kept a
• 41:04
  hand on it and looked down at the. FLOOR a
• 41:07
  little shining piece of broken porcelain caught my. Attention reaching,
• 41:10
  DOWN i grabbed it and looked at. IT i was
• 41:13
  just a white, piece maybe from a vase or, something
• 41:16
  SO i shoved it in my pocket and went back
• 41:18
  to my, stool pulling at my, phone shivering AS i
• 41:21
  scrolled through. It King creole returned after thirty, minutes slamming
• 41:25
  the door shut and locking it bumbling something to himself
• 41:28
  as he took off his hat and dusted, it looking
• 41:31
  over to. Me his smile, returned and he walked over to,
• 41:33
  me peering over the counter to see my.
• 41:35
  Speaker 1: Work excellent, Work travil.
• 41:38
  Speaker 4: Said wrapping an arm around me and looking at me
• 41:40
  like a proud father when his son caught his first.
• 41:42
  Speaker 1: Fish why don't you take the rest of the day off,
• 41:45
  here probaly your, trouble.
• 41:47
  Speaker 4: Rolling his fingers like he was doing a card trick
• 41:49
  and producing two hundred, dollars staring at the amount of
• 41:52
  money and then back to at. Him he could have
• 41:54
  asked me to lick the dusty counter AND i would
• 41:56
  have done, it taken it from. HIM i nodded and
• 41:58
  thanked him EVERYTHING i came, WITH i phone and nothing.
• 42:01
  ELSE i unstuck the pin from the voodoo doll and
• 42:04
  left without another. Word Set, now, LOOK i know you're
• 42:08
  all THINKING i covered up some girl's death or helped
• 42:10
  get rid of her, body and you're, RIGHT i. Did
• 42:14
  but in my own, DEFENSE i did get paid a
• 42:16
  lot to do.
• 42:16
  Speaker 1: It that's a great. Defense and it seems like everyone
• 42:21
  thought she just ran.
• 42:22
  Speaker 4: Away no police ever came to the, shop and they
• 42:25
  never do whenever a wish goes. Bad so don't you
• 42:27
  start preaching to, me not Like i'm the one telling
• 42:30
  people to make wishes without thinking them. Through so if
• 42:33
  you ever end up at this, shop think of your wishes. Through,
• 42:36
  okay NOW i need to get back to. Work customer
• 42:38
  just walked.
• 42:39
  Speaker 1: IN i found like a little Monkey.
• 42:40
  Speaker 2: PAUL i wonder if these are going to all be
• 42:42
  like a Little Monkey paul situations as. Well do you think,
• 42:45
  also him clocking in with the, pen do you think
• 42:47
  that like protects him at all from, it like anything
• 42:51
  in the, store you know WHAT i?
• 42:51
  Speaker 4: Mean probably like whenever he clocks, in it's, like, okay this,
• 42:56
  one this guy's fine while he's in.
• 42:59
  Speaker 3: There probably, YEAH i would, say so that would make.
• 43:01
  Speaker 4: SENSE i also think like the monkey's paw thing is always,
• 43:04
  like oh you're wording wasn't careful?
• 43:06
  Speaker 1: Enough you? DIED i THINK i think that woe was.
• 43:08
  Speaker 3: Cheating a little.
• 43:09
  Speaker 4: BIT i think if a girl's LIKE i don't want
• 43:10
  acne and you just melt, HER i.
• 43:13
  Speaker 2: Think that he's, WELL i guess by monkey paw just
• 43:16
  mean more, so, uh like the wish always has No
• 43:20
  i'm Not i'm.
• 43:21
  Speaker 1: Not arguing you like you're correct the.
• 43:24
  Speaker 4: Story, Yeah i'm saying that was that was a petty
• 43:28
  move On King kriel's.
• 43:30
  Speaker 1: Part he doesn't let you what if you melted right
• 43:35
  here in the floor of the.
• 43:36
  Speaker 2: Shop what do you think is the thing scuttling around
• 43:39
  in the? Basement and also is there anything in the?
• 43:41
  Hole Like i'm curious with those little pieces propped up.
• 43:44
  Speaker 4: All though the hole was the passageway into the. BASEMENT i, think,
• 43:49
  OKAY i thought.
• 43:50
  Speaker 2: THAT i thought in the room it was the it
• 43:53
  was like almost like a, well.
• 43:54
  Speaker 4: NO i think what he's saying is he goes he
• 43:57
  opens the basement door and it's like a staircase going,
• 44:00
  down and that's the hole he throws the bag. Into
• 44:02
  because earlier he Said King creole opened it and walked
• 44:05
  down yelling when he got to the bomb of the.
• 44:07
  Stairs so whatever normally fights against the basement door wasn't
• 44:11
  Because King creole walked.
• 44:13
  Speaker 1: Out, yeah because he went down there and he was
• 44:14
  like pushing it away basically.
• 44:16
  Speaker 4: Yeah, yeah or whatever's down there's afraid of?
• 44:18
  Speaker 3: Him all?
• 44:18
  Speaker 1: Right? Anyway part? Three part?
• 44:21
  Speaker 4: Three what would you do if you got held up
• 44:23
  at work like a gunpoint and some coked up junkie
• 44:26
  of screaming at you to give him all the money
• 44:27
  and the, register hold your hands up and, Comply try
• 44:30
  and be a hero and fight him.
• 44:31
  Speaker 1: Off with a bat or a.
• 44:32
  Speaker 3: Gun hid it under the.
• 44:33
  Speaker 4: COUNTER i always THOUGHT i would just give the guy
• 44:35
  the cash register and hold my hands up while he
• 44:38
  left with. It that was UNTIL i got held up not,
• 44:41
  once but twice in the same. Week the first TIME
• 44:43
  i got to work on, time looking around to make
• 44:46
  Sure King creole wasn't hiding behind some corner THAT i
• 44:49
  didn't even know existed in the. Shop satisfied that my
• 44:52
  boss wasn't going to scare, me walked over to the
• 44:54
  counter and stabbed my needle into the counter, doll taking
• 44:57
  a seat on my stool and sign AS i started my,
• 44:59
  shift turning my fingers up and down on the. Counter
• 45:02
  NORMALLY i would see at most four or five customers
• 45:05
  during an entire. Shift most want a, wish much to my,
• 45:09
  chagrin and maybe one or two of them want a.
• 45:11
  Speaker 1: Potion that's a simple.
• 45:13
  Speaker 4: Procedure you ask for the potion AND i ring you
• 45:16
  up easy as that don't have to clean anything AND
• 45:19
  i don't have to help discard a. Body but, unfortunately for.
• 45:22
  Me not many people want a. Potion i'd rather try
• 45:25
  and wish for. Something so when a guy came in
• 45:28
  wearing a beanie and a, HOODIE i was more than
• 45:30
  willing to bet that he was going to ask for a.
• 45:32
  Wish barely open my mouth talk to. Him when a
• 45:35
  gun was shoved in front of my. FACE i reflex.
• 45:38
  ALMOST i put my hands up, Slowly, easy, MAN i,
• 45:42
  said in a, squeaky surprised. Voice don't try and say
• 45:45
  you wouldn't react the same.
• 45:46
  Speaker 1: Way shut? Up is it just you and?
• 45:48
  Speaker 4: Here guy, asked AS i was darting everywhere in a paranoid.
• 45:51
  State he was obviously. On something had to be to
• 45:54
  try and rob a place that looked a band in
• 45:55
  ninety percent of the.
• 45:56
  Speaker 2: Time, UGH i think my boss is here and that
• 46:00
  thing in the, basement But i'm pretty sure it can't get.
• 46:02
  Speaker 4: Out when when he said thing in the, BASEMENT i
• 46:06
  got a. SHIVER i got immediately just mine filled with
• 46:12
  all those so monster, hunter. HUH i motioned my head
• 46:15
  over to the shut basement, door which of course this
• 46:18
  time was not banging or crying or. Screaming guy obviously,
• 46:22
  unamused shoving the gun further in my.
• 46:24
  Speaker 1: Face get your boss out here BEFORE i blow your
• 46:27
  fucking brains all over the.
• 46:28
  Speaker 3: Walls, threatened cocking the hammerback on his.
• 46:30
  Speaker 1: Revolver oh, okay just, chill man.
• 46:33
  Speaker 4: Said putting my hands up higher AS i backed up
• 46:35
  and started making my way over to the boss man's.
• 46:38
  Office lucky the guy was so busy focused on, me
• 46:41
  because believe me WHEN i say, that the dolls on
• 46:43
  the wall behind him looked like they wanted to jump
• 46:45
  down and rip him to. Shreds making it To Kan kreole's,
• 46:48
  OFFICE i quickly knocked on, it looking back to the
• 46:50
  guy who was staring at the counter. DOLL i imagine he
• 46:53
  had the look on him that he gives me When
• 46:56
  i'm slacking off on my.
• 46:57
  Speaker 1: Phone right was what do you?
• 46:58
  Speaker 4: Want priole's voice came from the, office the door opening
• 47:02
  and him looking down at, me then over to the
• 47:04
  guy holding up this.
• 47:05
  Speaker 1: Establishment smile lowered a, bit but it didn't.
• 47:08
  Speaker 4: Falter, instead he nodded knowingly and stepped, out fixing his
• 47:13
  dark purple, tie walking over to the counter with me
• 47:15
  next to.
• 47:16
  Speaker 1: Him Jesus Robert.
• 47:18
  Speaker 4: Cass when he Saw King creole coming towards. Him pretty
• 47:21
  normal response when seeing my boss for the first. Time
• 47:24
  the man damn falter for too, long, though pointing his
• 47:26
  gun up at the lanky voodoo shop. Owner what CAN
• 47:29
  i do for, You creole, asked hands clasped together as
• 47:32
  he looked down at the, robber not an ounce of
• 47:34
  concern on that shalky white face of.
• 47:36
  Speaker 1: His open up the register in the, Safe robert.
• 47:38
  Speaker 4: Said, quickly looking back at the, doors then back to. Us,
• 47:40
  quickly he gun firmly in his hands and a serious
• 47:43
  look on his face despite his eyes starting between.
• 47:46
  Speaker 1: Us, well, WELL i don't have a. Safe, well if
• 47:49
  it is the register you, Want travis will be more
• 47:51
  than willing to open it for, you.
• 47:53
  Speaker 4: Right, travis my, Boy, yes it's giving me a hard
• 47:55
  smack to my back and sending me stumbling.
• 47:57
  Speaker 1: Forward the robber nearly shot me on the.
• 47:59
  Speaker 4: SPOT i did, so my hands still, up AND i
• 48:01
  looked back To creole like he was sending me to the. Slaughter,
• 48:05
  well if he wanted to get, ROBBED i really couldn't stop.
• 48:07
  Him walked back beyond the counter and opened up the.
• 48:10
  Register one look at it told me that it was
• 48:13
  way more filled than. USUAL i can say that for a,
• 48:16
  fact because WHEN i opened it, up the thing shot
• 48:18
  some loose bills up into the.
• 48:20
  Speaker 3: Air my eyes were as wide as the, robbers.
• 48:22
  Speaker 4: Who quickly pushed me aside and started filling up his
• 48:24
  hoodie and pants pockets with all the cash from the.
• 48:27
  Speaker 1: Register, Now, kevin his voice.
• 48:29
  Speaker 4: Hummed in a tone THAT i knew met, trouble the
• 48:32
  one he used when persuading someone into wishing for, something
• 48:36
  started instinctively backing away from him as he kept on
• 48:39
  shoving bills into his. Pockets he did look, up, though obviously,
• 48:43
  confused as now the voodoo man knew his.
• 48:45
  Speaker 1: Name how the hell do you know my?
• 48:46
  Speaker 4: Name the, robber WHO i guess was indeed Named kevin,
• 48:49
  asked pointed again At King, creole who didn't flinch as.
• 48:53
  Speaker 1: He walked over to.
• 48:54
  Speaker 4: Him robert was obviously freaked out with the gun shaking
• 48:57
  in his.
• 48:57
  Speaker 1: Hand, Nunchial mama of a teach you that steel is,
• 49:01
  very very.
• 49:02
  Speaker 4: Bad raising a glove finger and shaking it To, kevin
• 49:05
  who shivered and started, sweating backing up away from the.
• 49:08
  Speaker 1: Man and didn't anyone ever tell you not to play with?
• 49:11
  Speaker 4: Guns kevin looked to, me s eyes wide with, fear
• 49:14
  as he pointed the shaking revolver, forward a loud crack
• 49:17
  went off in the.
• 49:18
  Speaker 3: Shop my own eyes were wide as my ears.
• 49:21
  Speaker 4: Ring seeing That kevin pulled the trigger on my boss
• 49:24
  looked over To King, creole who staggered to a, stop,
• 49:27
  said jerked backward and the stitches holding his head on
• 49:30
  almost snapping.
• 49:31
  Speaker 1: Off, Oh, Kevin, Kevin, kevin.
• 49:33
  Speaker 4: Causing both me And kevin shot hit the. Floor kreole
• 49:37
  jerked his head back into, place only this time there's
• 49:40
  an obvious bullet hole in his.
• 49:42
  Speaker 1: Forehead looks Like i'll have to teach you a.
• 49:44
  Speaker 4: Listen kevin then started backing, up dropping the gun to
• 49:49
  the floor and holding his hands UP heimi while looked
• 49:51
  over At, creole completely. DUMBFOUNDED i at this point had
• 49:54
  figured he wasn't really, human but surviving a headshot really
• 49:58
  kind of solidified that in my own. Head looked over
• 50:00
  at the register and saw that it was still very
• 50:02
  much full of, cash a never ending cash. Register another
• 50:05
  park to work in.
• 50:06
  Speaker 1: HERE i, Guess, travis do be a good boy and look, away, Please.
• 50:10
  Speaker 4: King creole asked, me is he closed the distance To
• 50:13
  kevin grabbing the robber by the throat.
• 50:15
  Speaker 1: And lifting him up from the. Floor BUT i don't
• 50:17
  want you to wash this, pot.
• 50:19
  Speaker 4: He, said, sweetly like a mom talking to her son about.
• 50:21
  Something help in my mouth to ask what was going to,
• 50:24
  happen BUT i thought, better turning around and looking at
• 50:27
  the wall behind, Me kevin Bean while screamed and begged.
• 50:31
  Speaker 3: For me to help. Him funny how that.
• 50:33
  Speaker 4: WORKS a couple of minutes ago he was holding me.
• 50:35
  Up now he's screaming at the top of his lungs
• 50:37
  to help. Him though that didn't last too much, longer
• 50:39
  since his screaming turned into gurgles hacking. Coughs did do
• 50:43
  my best to ignore the increasingly wet and nasty slaps
• 50:47
  and rips.
• 50:47
  Speaker 3: Coming from behind.
• 50:48
  Speaker 4: Me i'm gonna be, honest the fear of what he
• 50:51
  was doing to the robber was a million times scarier
• 50:53
  than the act of being. Robbed all, done satisfied hum
• 50:56
  of my boss ring in my ring in ears turned
• 50:59
  up and saw the big splatter of blood on the
• 51:01
  wall and floor Where kevin had been, great no DOUBT
• 51:04
  i would have to clean that.
• 51:05
  Speaker 1: Up what'd you do with?
• 51:06
  Speaker 3: HIM i asked the old voodoo.
• 51:08
  Speaker 4: King he looked at me with those big black button
• 51:11
  eyes of his and looked to his, arm which he
• 51:14
  brought up and showed he was holding a controller for
• 51:16
  a marionette, doll except it was made of, bones small
• 51:21
  bones that almost looked like some kind of. Animals of,
• 51:24
  course those thoughts were dispelled when he lifted his arm
• 51:26
  up further and produced a small bloody figure attached to
• 51:29
  the stings of the. Controller i'm SURE i don't need
• 51:32
  to spell out who the figure looked.
• 51:33
  Speaker 1: LIKE i don't appreciate people threatening my, employees he.
• 51:37
  Speaker 4: Said dropping the bloody figure on to the table made
• 51:39
  it dance, around making the counter messy with blood as
• 51:42
  he did. So looked up to, him both thankful and pissed,
• 51:45
  off mostly BECAUSE i Figured i'd have to clean all this.
• 51:47
  Speaker 1: Up thank, you, Sir do you want me to start?
• 51:50
  Speaker 4: It but was soon interrupted by him when he held
• 51:53
  his hand up and little figure mimicked.
• 51:54
  Speaker 3: Him got a hand it to. Him he's a great.
• 51:56
  Speaker 1: Puppeteer don't worry about the, Miss travis Chuck.
• 51:59
  Speaker 4: Lena he picked up the figure and held it tightly
• 52:01
  clenched in his. Gloves more blood.
• 52:03
  Speaker 3: Linking out of it and dripping onto the.
• 52:05
  Speaker 1: Counter just get rid of this for, me, please, yees.
• 52:08
  Speaker 4: Tossing the gun at, ME i fumbled with, it afraid
• 52:11
  that it was going to go off in my.
• 52:12
  Speaker 1: Hands ONCE i was sure wouldn't.
• 52:14
  Speaker 4: Go off because it was, EMPTY i looked up at,
• 52:16
  him noticing that the bullet hole in his forehead. DISAPPEARED
• 52:19
  i didn't ask about, that, though simply, nodded went over
• 52:22
  to the front, door and, left walking across the street
• 52:25
  to a dumpster that is near our shop in the.
• 52:27
  Speaker 3: Alley tossed it in there.
• 52:29
  Speaker 4: AFTER i wiped it down against my pants just in
• 52:31
  case my fingerprints were in. There quickly jogged back into the,
• 52:34
  store more than happy to see not a speck left
• 52:37
  Where kevin once. Was that was the first TIME i
• 52:39
  was held up in the. Store second time came about
• 52:42
  two days. LATER i was working later than, usual my
• 52:45
  shifts usually from nine am to three. Pm this TIME
• 52:48
  i was working from five to Nine not, horrible but
• 52:50
  we definitely get weirder people in the later. Hours weird
• 52:53
  people that are usually chill With King kreole and the
• 52:56
  odd person asking for a wish or.
• 52:58
  Speaker 1: Potion, well this time fine.
• 53:00
  Speaker 4: Gentlemen came running into the store and hid behind a
• 53:02
  shelf that covered him from the view of the front.
• 53:04
  DOOR i watched as he squatted even lower when a
• 53:07
  car drove, past trying to light into the shop and
• 53:10
  going along for a. Moment guy looked up for a,
• 53:12
  minute then over to.
• 53:13
  Speaker 1: Me, hey do you need anything or are you just
• 53:17
  here to? Loiter?
• 53:18
  Speaker 4: LOOK i was, tired, man AND i was like half
• 53:20
  an hour away from unpinning my needle from the. Doll,
• 53:23
  MENTALLY i was checked out, already so when the guy
• 53:25
  pointed a gun at, ME i actually rolled my eyes
• 53:27
  at him, AGAIN i, thought AS i put my hands.
• 53:30
  UP i needed police to, hide he, said quickly looking
• 53:33
  back at the door and rushing over to. Me the
• 53:35
  cops are after, Me and that's WHEN i noticed the
• 53:38
  blood on his. CLOTHES i sighed and looked over To
• 53:40
  King kreole's, office hoping he could handle. This of, course
• 53:44
  WHEN i turned back around and saw him right behind this,
• 53:46
  GUY i nearly shat.
• 53:47
  Speaker 1: Myself what have we?
• 53:49
  Speaker 4: Here, yes putting his hand onto the other man's, shoulder
• 53:52
  flipping him around to face.
• 53:53
  Speaker 1: Him the man gasp was quickly. Disarmed needed please to,
• 53:57
  hide son what set in?
• 54:00
  Speaker 4: Confusion but at the mention of, hiding he quickly pulled
• 54:03
  out a, switchblade pointing it.
• 54:04
  Speaker 1: Up a creole WHERE i need a, quick man.
• 54:07
  Speaker 4: Shouted looking Behind creole to see if the cops were
• 54:10
  making another.
• 54:10
  Speaker 1: Round why right this, way, Honey.
• 54:13
  Speaker 4: Bos said with a happy, tone pulling the nameless man
• 54:16
  along and towards the. Basement, now seeing that really sent
• 54:19
  my stomach down into a. Pit at this, POINT i
• 54:22
  had gotten used to the basement, creature but seeing some
• 54:24
  unsuspecting person getting led there felt bad for the.
• 54:27
  Speaker 1: Man, fast you, Freak they could be here any, minute.
• 54:30
  Speaker 4: Man, said flinching at any little creek at the. Shop
• 54:33
  creole took a sweet, time pointing out the key and
• 54:36
  opening up the, basement opening it up and stepping aside
• 54:39
  like a grand unveiling all, yours he, hummed watching with
• 54:43
  a wide smile as the man rushed into the dark,
• 54:44
  basement closing the door behind him and locking.
• 54:47
  Speaker 1: It and that's.
• 54:48
  Speaker 4: That looking back at me with the same smile and
• 54:50
  walking over to, ME.
• 54:52
  Speaker 1: H what's down, there, Sir pointing out the basement.
• 54:55
  Speaker 4: Door creole looked at me dead in the. EYES i
• 54:58
  could tell he wasn't messing around just by the tone
• 55:00
  of his.
• 55:00
  Speaker 1: Voice noney of, Business, travis he.
• 55:03
  Speaker 3: Said in almost an animal like.
• 55:05
  Speaker 4: Snarl swallowed the lump in my throat and backed up a,
• 55:08
  bit nowing up at, him flinching hard when the door
• 55:11
  began to be banged.
• 55:12
  Speaker 1: On pok me out look something out, here.
• 55:15
  Speaker 4: The man, screamed banging harder and harder on the, door
• 55:18
  the frame bending with just how hard he hit. It of,
• 55:21
  course those soon turned into loud, screams AS i assume
• 55:24
  whatever lived in the basement.
• 55:26
  Speaker 1: Got up with.
• 55:26
  Speaker 4: Him King creole looked back at the basement door and
• 55:28
  waited for it to stop. Banging soon enough it. Did
• 55:31
  we heard the sounds of something being dragged down the.
• 55:33
  STAIRS i looked at him, then look of anger was
• 55:36
  on his pale.
• 55:37
  Speaker 3: Face first Time i'd ever seen him like.
• 55:39
  Speaker 1: That that hole gets what she, deserves he.
• 55:41
  Speaker 4: Mumbled low enough to WHERE i assume he THOUGHT i
• 55:44
  couldn't hear HERE i. DID i didn't say, anything wiping
• 55:48
  up the counter and unpinning my needle from the. Doll Good, night,
• 55:51
  sir he, said AS i took off my name tag
• 55:53
  and shoved it into my. Pocket my words shook him
• 55:56
  from his angry, spat and he turned on his heels
• 55:57
  to look at, me a smile on his face once.
• 55:59
  Again Good, Night, travis my, Boy, yeah turning and walking
• 56:03
  off back to his. OFFICE i, nodded turned to leave,
• 56:06
  myself stopped at the, door, though turning back and looking
• 56:08
  at the basement. Door it's back over Towards King krill's.
• 56:11
  Office ONCE i Was shrew's in, THERE i made my
• 56:13
  way back over to the. DOOR i looked at, it
• 56:16
  noticing the blood coming from underneath the crack of the.
• 56:18
  Door nelton tried to peer through the. KEYHOLE i didn't
• 56:22
  seem to think at, first just the usual blackness of the.
• 56:24
  Basement sided and stood to leave TILL i heard a
• 56:27
  soft thud come from the. DOOR i turned and raised
• 56:30
  a brow to, That leaning down, again put my eye
• 56:33
  to the key. Hole this TIME i was greeted by a, green,
• 56:37
  shiny cracked. Eye flinching, hard backed up and quickly made
• 56:40
  my way out of the, shop shaking my head.
• 56:42
  Speaker 3: Quickly and just getting out of.
• 56:43
  Speaker 4: THERE i don't know What King creole has down, there
• 56:46
  AND i really don't want to know, either even if
• 56:48
  whatever it is keeps begging me to let it.
• 56:51
  Speaker 1: Out. Interesting, Interesting, interesting this is certainly. FUN i see
• 56:56
  why people made the connection to oh.
• 56:58
  Speaker 3: NO i click on part. Four there's an not say for, work.
• 57:02
  Speaker 1: Oh, no oh, NO.
• 57:06
  Speaker 4: I certainly see why people make the connection Between tales
• 57:09
  from The Gas station because it kind of has that
• 57:10
  note of like a disinterested like employee who just puts up.
• 57:15
  Speaker 1: With the supernatural stuff that's.
• 57:16
  Speaker 4: Happening but there is there is a note to this
• 57:20
  one where there's like a curiosity to.
• 57:23
  Speaker 3: It our protagonist has The travis has.
• 57:27
  Speaker 4: Where he's kind of like he's disinterested about stuff like being,
• 57:31
  robbed but he is curious about like what's the thing
• 57:33
  in the? Basement stuff like, That AND i think those
• 57:36
  little questions go a long.
• 57:37
  Speaker 2: WAY i think, TOO i think that this has just
• 57:40
  a bit more, Sinister LIKE i think that there's going
• 57:43
  to be kind of time, when, LIKE i don't, know
• 57:45
  they're really setting Up king to be a very like
• 57:49
  bubbly happy, guy but we're getting more and more of
• 57:52
  these moments where the facade's kind of.
• 57:54
  Speaker 1: Broken you.
• 57:54
  Speaker 4: Know, yeah when he said that, line The horgue gets
• 57:57
  what she, DESERVES i think he's talking about the thing
• 58:00
  in the.
• 58:00
  Speaker 1: Basement, yeah, yeah the great the green cracked eye thing for.
• 58:03
  Speaker 4: Sure, yeah so that's it makes me ask these interesting
• 58:08
  questions and stuff like the story's. FUN i like the fun.
• 58:11
  NOTES i like the idea that two people tried to rob.
• 58:13
  It one of them got thrown to the thing in the,
• 58:15
  basement the other was turned like they WERE i imagine
• 58:17
  they were ripped to shreds and then their pieces used
• 58:20
  to make the voodooed all like their souls trapped in
• 58:22
  it or, something And King creole collects these. Souls that's
• 58:25
  a it's a neat. Touch it's a very interesting. DYNAMIC
• 58:30
  i think it's a ton of fun using a voodoo
• 58:33
  the half priced voodoo store as a setting. Forward it's
• 58:35
  a lot of. Fun it's just it's a cool Story
• 58:38
  i'm vibing so.
• 58:39
  Speaker 1: Far, YEAH i.
• 58:39
  Speaker 2: Think that there's enough humor in it so far too
• 58:41
  that it's been. Fun but then there's also kind of
• 58:43
  brutal moments like. That i'm hoping that we get a
• 58:46
  little deeper into some of the other kind of gruesome
• 58:48
  things outside of these wishes and, Stuff like what else
• 58:50
  is he? Doing i'm curious if he's kind of like
• 58:52
  a hell raiser vibe where he's just like this angel
• 58:55
  of death kind of, thing you, KNOW.
• 58:57
  Speaker 1: I could see.
• 58:58
  Speaker 4: THAT i also like the detail that it's slowly getting more,
• 59:01
  detailed because like the first one was just LIKE.
• 59:04
  Speaker 1: I work at a voodoo.
• 59:05
  Speaker 4: Store but each one's giving like more specific, instances we
• 59:09
  get more of an idea of what's. Happening So i'm
• 59:11
  excited to keep. Reading at LEAST i say that.
• 59:17
  Speaker 3: You know right. Now, Again part four had a not
• 59:20
  safe for work, tax so.
• 59:21
  Speaker 1: It does have a nice diff. Work so let's see
• 59:23
  what happens.
• 59:23
  Speaker 4: Here, well we'll see if this becomes like everything else
• 59:25
  we do all the time.
• 59:26
  Speaker 1: Forever so let's go part.
• 59:29
  Speaker 4: Four so by this, Point i'm pretty sure you guys
• 59:31
  have a pretty good grasp.
• 59:32
  Speaker 3: On What King creole is like as a.
• 59:34
  Speaker 4: Boss it's creepy and a murderer by most definitions of the.
• 59:38
  Speaker 1: Law.
• 59:38
  Speaker 4: Right, ALSO i got to Mention travis is a ride
• 59:42
  or die just no, snitching like need need to get
• 59:45
  rid of a, gun, sir got.
• 59:46
  Speaker 1: It he's his main bitch. Dude earlier when he's like all,
• 59:49
  right WELL i Guess i'm getting.
• 59:50
  Speaker 2: OFF i just pictured him walking off with like high heels,
• 59:52
  on and he's just like clicking out of the cling
• 59:54
  out of the. Store all, right we'll see you next.
• 59:55
  Time it's like pimply ass walking, out give me leave the.
• 59:59
  Speaker 4: Light so, sir, yeah something like. THAT i, mean the
• 1:00:06
  button eyes and sewn up mouths should have been a
• 1:00:08
  dead giveaway to. That, well he has ways of surprising,
• 1:00:12
  you like some pointed out he defended me during the
• 1:00:14
  robbery and the runaway convict. Situation that alone sort of
• 1:00:18
  tipped the scales to him being pretty all. Right, well
• 1:00:21
  something happened a few days. Ago it really changed my
• 1:00:24
  perspective on. Him oh, no that.
• 1:00:27
  Speaker 1: Intro combined with the not safe for work. Tag oh,
• 1:00:30
  no it was a lazy.
• 1:00:31
  Speaker 4: SATURDAY i was leaning back on my newly upgraded rocking.
• 1:00:34
  Chair that's, right, folks no more crappy. Stool old buddy
• 1:00:38
  Boy travis has a rocking. Chair now take that desk. Jockeys,
• 1:00:42
  ANYWAY i was rocking on the chair, join how good
• 1:00:45
  it fell to have back support when the rusty doorbell.
• 1:00:48
  Rang looked over at the door and saw nobody. There
• 1:00:52
  odd but not out of the ordinary in this. Place
• 1:00:55
  figured it was some ghost or. Something SO i heard
• 1:00:59
  the sounds of Tiny he's training and a little hand
• 1:01:02
  came off from the other side of the. Counter raised
• 1:01:04
  my brow with. That quickly looked to the wall of voodoo.
• 1:01:07
  Dolls i'd one escaped, again thought to. Myself but my
• 1:01:12
  train of thought was derailed when a childlike voice pulled
• 1:01:14
  my attention back.
• 1:01:15
  Speaker 1: Over.
• 1:01:18
  Speaker 4: Hunter, Huh, hunter innocent of just a little. SHY i
• 1:01:23
  stood up for my rocking chair and looked over to
• 1:01:26
  see a little girl standing there by.
• 1:01:27
  Speaker 1: Herself. Hunter, oh come, on, please it's not gonna go.
• 1:01:31
  There it's not going to go. There, hunter it's not going.
• 1:01:35
  Speaker 4: There. Hunter these people and our, audience they think it's
• 1:01:43
  funny to do, this and then you, know the worst
• 1:01:45
  part is they complain about. It they set they tee
• 1:01:48
  us up for this kind of, failure and then they
• 1:01:50
  get mad that we read.
• 1:01:52
  Speaker 3: It, okay but it hasn't happened. Yet you're, right you're,
• 1:01:56
  Right you're.
• 1:01:56
  Speaker 4: Right she looked to, me about in the second or
• 1:02:00
  even first. Grade her little hands quickly went behind her,
• 1:02:02
  back and she looked up at.
• 1:02:03
  Speaker 1: Me, uh, hello little, girl are you, LOST.
• 1:02:06
  Speaker 4: I asked, her looking around the shop for any sign
• 1:02:08
  of a parental. Figure then take me too, long considering
• 1:02:11
  how small this place, IS i went to, reach she, said,
• 1:02:14
  softly looking up at me and giving a soft, pout
• 1:02:17
  the kind of kid gives when they expect the answer
• 1:02:19
  to be, no but they still want to shoot their.
• 1:02:21
  Speaker 1: Shot uh uh, oh let me go get my. Boss.
• 1:02:24
  Speaker 4: OKAY i wasn't exactly trained to handle, children much less
• 1:02:28
  one looking to ask for a, wish and having seen
• 1:02:31
  my fair share of wishes in this, PLACE i almost
• 1:02:33
  wanted to talk.
• 1:02:33
  Speaker 1: Her out of. It but a job is a. Job
• 1:02:36
  turning to go.
• 1:02:37
  Speaker 4: To griole's, OFFICE i was surprised to see him already leaving.
• 1:02:40
  Speaker 1: It Bad, travis my, boy.
• 1:02:42
  Speaker 4: Pulling on his suit to straighten it, out and patting
• 1:02:45
  down some dust off of.
• 1:02:46
  Speaker 1: IT i need you to watch the shop WHILE i.
• 1:02:49
  Speaker 4: Can't, say but his button eyes quickly turned to see
• 1:02:51
  the little girl standing at the. Counter he was too
• 1:02:53
  busy looking up at the wall of voodoo dolls to notice. Us,
• 1:02:57
  well i'll be said in a bewildered.
• 1:02:59
  Speaker 2: Voice, yeah she came in here asking for a. WISH
• 1:03:03
  i was just about to come and get, you.
• 1:03:04
  Speaker 4: Explain looking back over to the mystery, girl he was
• 1:03:07
  busy looking wide eyed at the dolls. Available it's like
• 1:03:10
  she'd never seen a toy.
• 1:03:11
  Speaker 1: Before wish.
• 1:03:12
  Speaker 3: Huh walking over the little girl and clearing his.
• 1:03:15
  Speaker 1: Throat, oh little Miss, olivia.
• 1:03:18
  Speaker 3: He, asked pitting down to his knees to get on her.
• 1:03:20
  Speaker 4: Level the little girl turned around, and to my, surprise
• 1:03:23
  didn't flinch it all At King kreole's. Appearance in, fact
• 1:03:26
  she had stars in her eyes when she saw.
• 1:03:28
  Speaker 8: Him are you the wish?
• 1:03:30
  Speaker 3: Man she asked quickly and.
• 1:03:32
  Speaker 4: Excitedly WHY i do BELIEVE i, am he responded after
• 1:03:37
  a chuckle and a. Smile the smile was different than
• 1:03:40
  the one he usually wore his.
• 1:03:42
  Speaker 1: HUNTER i do know.
• 1:03:50
  Speaker 2: Also the voice That i'm, Doing i'm imagining that the
• 1:03:52
  girl Is Gypsy, rose by the, Way so just keep
• 1:03:54
  that in.
• 1:03:54
  Speaker 1: Mind keep that in your mental your mind Like Gypsy
• 1:04:01
  rosen now OR.
• 1:04:04
  Speaker 9: I don't care either one of.
• 1:04:06
  Speaker 1: THEM i wish my mom was.
• 1:04:11
  Speaker 8: Back Oh.
• 1:04:26
  Speaker 1: I'm just gonna roll over that. One. Yeah, no we're
• 1:04:31
  not cutting, it BUT i just want. IT i know
• 1:04:34
  you're not got it or not cut. IT i just want.
• 1:04:38
  IT i just wanted.
• 1:04:39
  Speaker 4: To know THAT i didn't participate when you did, that
• 1:04:44
  BUT i think.
• 1:04:45
  Speaker 1: You're the part of what you've said should be left,
• 1:04:47
  in all.
• 1:04:47
  Speaker 4: Right his normal smile always gave off an air of creepy,
• 1:04:50
  judgment like someone knowing the person they were talking to was,
• 1:04:54
  inferior but a smile this time seemed.
• 1:04:56
  Speaker 1: Genuine can you grant me a.
• 1:04:58
  Speaker 4: Wish, NO i am just thinking about gipsy like. Looking
• 1:05:04
  you killed it, Immediately the girl Named olivia as you read,
• 1:05:08
  before asked, quietly looking up at Voodoo man with all
• 1:05:11
  the passion of a girl at her age could have.
• 1:05:13
  Speaker 3: HELL i wanted to grain her wish just for.
• 1:05:15
  Speaker 1: That i'm afraid you're too, Young. DARLIN i can't good
• 1:05:19
  conscious grant.
• 1:05:20
  Speaker 4: You, wish taking off his hat as if in silent.
• 1:05:23
  Apology See olivia's heartbreak clear on her. Face she dropped
• 1:05:28
  like a dying, flowery immediately in her, arms behind her
• 1:05:32
  back and coming to the. Surface and that's WHEN i
• 1:05:36
  noticed all the bruises on. Them, hunter she's gonna fucking
• 1:05:41
  ask For, oh keep, going keep. Going creole saw them as.
• 1:05:46
  WELL i, MEAN i KNOW i know where this is.
• 1:05:48
  Speaker 1: Going he's.
• 1:05:48
  Speaker 4: Trying he's gonna defend. Her, no, no just keep, Going.
• 1:05:51
  Okay creole saw them as. Well his attention turned to,
• 1:05:54
  it and he took the girl by the, arm gently
• 1:05:57
  lifting her tiny panel and bruiz darn up and looking at.
• 1:05:59
  Speaker 1: Her who did this to?
• 1:06:00
  Speaker 4: You olivia looked like she was holding back the floodgates
• 1:06:04
  they finally broke as she started crying And hiccopine using
• 1:06:07
  her free arm to wipe her face as she, cried
• 1:06:11
  but she managed to blurt out and answer To creole
• 1:06:13
  my Momy.
• 1:06:20
  Speaker 1: GYPSY i was, like was that so? Funny AND i
• 1:06:29
  forgot what you had set UP a moment.
• 1:06:32
  Speaker 2: Ago she, Literally King creole is going to be the
• 1:06:36
  fucking online person she met that she starts having sex.
• 1:06:39
  Speaker 1: With and she's, like, Yeah King.
• 1:06:40
  Speaker 2: Creole and knew should go and stand my mom thirty
• 1:06:43
  five times.
• 1:06:48
  Speaker 1: Step stab my.
• 1:06:49
  Speaker 4: MOM i think from WHAT i Think King creole is
• 1:06:55
  going to do that, Anyway yeah.
• 1:06:59
  Speaker 1: Is going.
• 1:06:59
  Speaker 4: Yeah as if on, cue the front door slammed, open
• 1:07:02
  nearly breaking a shelf near. It as a woman came
• 1:07:05
  into the. SHOP i could tell she Was olivia's mother
• 1:07:07
  by the resemblance of her to her crying, Daughter.
• 1:07:10
  Speaker 1: Olivia what the hell are you doing in this? Place
• 1:07:16
  is her? Mom Scary? Carrie her Mom's gypsy's. Mom i'm a?
• 1:07:21
  Date he little print.
• 1:07:22
  Speaker 2: Says it's a big old, girl big old, Woman olivia.
• 1:07:28
  Speaker 4: Coming over with a look of rage on her.
• 1:07:29
  Speaker 1: Face, Wow, wow calm down, there, darling little. Missus olivia
• 1:07:34
  was simply asking for a wish was.
• 1:07:36
  Speaker 4: Haul creole, said springing up and quickly Pushing olivia behind.
• 1:07:39
  HIM i acted as, well motioning for the girl to
• 1:07:42
  come over to be behind the. Counter she acted, accordingly
• 1:07:45
  coming over to me and hugging my pants.
• 1:07:47
  Speaker 1: Like she shouldn't have lived WHERE i told her to.
• 1:07:49
  Speaker 4: Stay woman spat my boss's. FACE i could smell the
• 1:07:53
  alcohol on her from. Here Figures i'm.
• 1:07:56
  Speaker 1: Not paying for whatever she asked.
• 1:07:57
  Speaker 10: For, olivia get job's over, Here get the, car she.
• 1:08:02
  Speaker 1: Screamed you have ruined this entire. Dynamic, no it's good because,
• 1:08:11
  no it's your.
• 1:08:11
  Speaker 4: Fault because now in my, head it's the voodoo man
• 1:08:14
  From princess and The frog standing next to a man
• 1:08:17
  dressed as a prostitute As Gypsy rose powers behind, him
• 1:08:22
  A Gypsy roses mother is.
• 1:08:24
  Speaker 1: Jelly it's like the, gaggle the incomprehensible. GAGGLE i need
• 1:08:33
  you to help me in.
• 1:08:36
  Speaker 4: The incomprehensible gaggle of people in the store is completely throwing.
• 1:08:41
  Speaker 1: Off can you wait for? Me she's a bad. Woman
• 1:08:46
  stop with. That it's. Me i'm not paying for one.
• 1:08:59
  Speaker 4: Of the.
• 1:09:02
  Speaker 11: Doors over.
• 1:09:03
  Speaker 1: Here get the, car she screamed in my.
• 1:09:05
  Speaker 4: DIRECTION i reached a hand out and patted the girl's,
• 1:09:07
  head and she shivered violently against.
• 1:09:09
  Speaker 1: ME i assure, you, ma'am you don't have to pay for.
• 1:09:12
  Speaker 4: Anything creole, hums holding his hands up defensively against woman's
• 1:09:16
  gabs and.
• 1:09:16
  Speaker 1: Accusations why all she asked for was a, doll And
• 1:09:22
  i'm mighty inclined to get a.
• 1:09:23
  Speaker 4: One he, hummed fixing his tie as she walked. Past
• 1:09:26
  the angry mother walked over to the wall the voodoo
• 1:09:28
  dolls and hummed as he looked up at the, wall
• 1:09:31
  pointed his finger out as if to try and find
• 1:09:33
  the right, one snapping when he found.
• 1:09:34
  Speaker 1: It reaching, out he took the correct doll and brushing.
• 1:09:37
  Speaker 4: Off blowing on it and sending the dust into the mother's,
• 1:09:40
  face sending her on a coffin fit. HA i smiled at, That, YEAH,
• 1:09:55
  O i smiled at, that seeing my boss stand up
• 1:10:03
  for this poor, girl this poor Little.
• 1:10:05
  Speaker 1: Gypsy, Rose Miss Gypsy.
• 1:10:08
  Speaker 5: Rose not, no, okay, okay, okay, miss that's WHERE i.
• 1:10:20
  Speaker 11: Travels that's saying rewriting the names of characters within the
• 1:10:31
  story to fit your sick little.
• 1:10:33
  Speaker 6: Game metal toothed Mouth Gypsy, okay miss.
• 1:10:46
  Speaker 1: Miss, olivia.
• 1:10:54
  Speaker 4: He asked, her and he walked over and passed the
• 1:10:58
  sputtering mother he and once again got down on her
• 1:11:01
  level and revealed the doll to. Her it was a small,
• 1:11:05
  one about the size of my. Forearm it was dressed
• 1:11:08
  in a Black victorian gown and had the hair to,
• 1:11:10
  match along with the button eyes of all the dolls
• 1:11:13
  we had in the. Store, olivia pulling herself away from my,
• 1:11:16
  leg looked down at the doll in all sniffing as
• 1:11:19
  she held both her bruised arms. Out Kink creole carefully
• 1:11:23
  gave her the doll and smiled as she looked at,
• 1:11:24
  it brushing the doll's hair and quickly giving it a.
• 1:11:27
  Hug thank, you said, softly clinging to the item as
• 1:11:31
  she walked away from the counter to her.
• 1:11:33
  Speaker 1: Mother that thing better not have any fleas.
• 1:11:37
  Speaker 4: She, hissed turning and Grabbing olivia's little arm and yanking her.
• 1:11:40
  Along olivia gave one last forlorn look as she was dragged,
• 1:11:44
  away sad rusty bell jingling as they both, left looked
• 1:11:49
  over to my, boss who was clearly as upset AS i.
• 1:11:52
  Was seemed was more difficult for me than all the
• 1:11:54
  bad WISHES i had ever seen working here because of how.
• 1:11:58
  Hopeless it all seemed as if reading my. Mind kreole
• 1:12:01
  put his hand on my, shoulder forced my gaze to
• 1:12:03
  look into his button.
• 1:12:04
  Speaker 1: Eyes she'll be, fine SO i assure, you.
• 1:12:07
  Speaker 4: Then, said nodding to me and tussling my. Hair sighed
• 1:12:11
  as he let me go and started back to his.
• 1:12:13
  Office the thing in the door banging every TIME i
• 1:12:16
  read the thing in the basement or something close to,
• 1:12:18
  IT i GET i. Jump scar thing in the door
• 1:12:21
  banging as he walked past, it causing him to freeze in.
• 1:12:24
  Place he looked to the door with a clinched, fist
• 1:12:27
  smashed his fist against.
• 1:12:28
  Speaker 1: It shut, Up you're never leave in this, place.
• 1:12:32
  Speaker 4: He screamed at the, door his mouth wide as he
• 1:12:35
  gritted his. TEETH a few of his stitches, ripped causing
• 1:12:38
  him to cover his mouth and walk over to his,
• 1:12:40
  office slaming the door with a loud. Slam leave me.
• 1:12:43
  Alone with the uneasy feeling of being all alone in the,
• 1:12:45
  shop the rest of the day was hard to get.
• 1:12:48
  Through ALL i could think about was Poor livia and her.
• 1:12:51
  Mother sided and set back in my rock and, chair
• 1:12:54
  how MUCH i could. DO i didn't know her last,
• 1:12:56
  name SO i couldn't report her TO, cps SO i
• 1:12:58
  resigned myself to listen To King, creole who has never
• 1:13:01
  steered me. Wrong only two other customers came in that,
• 1:13:04
  day and all they wanted was a warp removal.
• 1:13:07
  Speaker 3: Potion and a heart attack. Potion don't.
• 1:13:09
  Speaker 4: Ask AS i unpinned my pin from the doll on the,
• 1:13:13
  counter looked over To kreol's. Office walking over to, IT
• 1:13:16
  i knocked three, times not hear anything from, inside opened
• 1:13:19
  the door and poked my head, inside Seeing creole at
• 1:13:21
  his desk sewing a doll at his, office obviously lost
• 1:13:25
  in whatever thoughts were dancing around.
• 1:13:26
  Speaker 1: In that head of.
• 1:13:27
  Speaker 4: His, Sir i'm going to head, HOME i, Said bring into,
• 1:13:30
  concentration and lifted his head to look at. Me look
• 1:13:33
  confused for a, second before looking over the clock on
• 1:13:35
  his wall and nodding and seemingly realizing what the time was.
• 1:13:39
  Speaker 1: Right, yes see them On trevin, look he, said like a.
• 1:13:42
  Speaker 4: Robot turned back to the doll he of sewing and
• 1:13:45
  said nothing more to, me nodded and turned to, leave
• 1:13:48
  letting the door to his office closed behind. Me walking
• 1:13:51
  away from his, OFFICE i stopped at the basement, door
• 1:13:53
  reached into my, pocket pulling out that single shart of
• 1:13:55
  Porcelain i'd kept all this, time rub my fingers over,
• 1:13:59
  it looked to the, Door please let me. Out the
• 1:14:03
  voice of a woman came from behind the. Door oh, no,
• 1:14:06
  poundy this time just a soft and desperate voice of a.
• 1:14:08
  Woman she had A southern, accent but it sounded far,
• 1:14:12
  away like she was talking to me from a. Hallway
• 1:14:15
  ALL i did was place the shard of porcelain at
• 1:14:17
  the foot, door slowly pushed it underneath the, crack turning
• 1:14:20
  and leaving for the, day got home and hugged my,
• 1:14:23
  mom just to thank whatever being is out there for
• 1:14:26
  giving me a loving. Parents the next, DAY i still
• 1:14:29
  had a living in my, mind BUT i mostly resigned
• 1:14:32
  myself to just get through another day of. Work walking
• 1:14:35
  into the, SHOP i Saw King kreole standing at the.
• 1:14:37
  Counter mused look on his pale. Face smile only grew
• 1:14:40
  AS i got.
• 1:14:40
  Speaker 1: Closer good, Morning, SIR i said that.
• 1:14:43
  Speaker 3: Look he was giving, me giving me a sharp chill
• 1:14:46
  up my.
• 1:14:46
  Speaker 1: Spine, travis my, boy did you trust sneaking this underneath the?
• 1:14:50
  Speaker 4: Door oh, shit, YEAH i figured he would.
• 1:14:53
  Speaker 1: Know it's also the reason he did.
• 1:14:55
  Speaker 4: That it's not stated right he just felt the urge
• 1:14:58
  to push the porcelain under the because that came from
• 1:15:01
  the girl that died in part, one, Right.
• 1:15:02
  Speaker 2: Yeah well he found it down, there, right AND i
• 1:15:05
  think that he hears this innocent, voice so it could
• 1:15:07
  be an attempt to just be, like put it there
• 1:15:09
  and slide it under and maybe it can help her,
• 1:15:11
  somehow you, know h with a.
• 1:15:13
  Speaker 1: LOT i don't know how big the porcelain piece is
• 1:15:15
  supposed to, be.
• 1:15:16
  Speaker 4: But heesked the sweetest, honey lifting up the shard of.
• 1:15:19
  PORCELAIN i tried to sneak under the, door audibly swallowed and.
• 1:15:22
  Speaker 1: NODDED i was just trying TO i don't, KNOW i,
• 1:15:26
  THOUGHT i.
• 1:15:27
  Speaker 4: Stammered trying to give him the reasoning behind my parent.
• 1:15:30
  Speaker 1: Crime Travis Travis, travis.
• 1:15:33
  Speaker 4: He, tissed walking out from behind the counter and walking
• 1:15:35
  close to, me grabbed me by the collar and pulled
• 1:15:38
  me up close to, him his smile turning into a
• 1:15:41
  scowl that turned my blood into.
• 1:15:42
  Speaker 1: Eyes don't ever fucking give her, anything AM i?
• 1:15:48
  Speaker 4: Understood he, growled his yellow teeth sharpening as he, Spoke
• 1:15:52
  i'm a shit and pissed. Myself i'm a shit and
• 1:15:56
  pissed and come, myself it is. Demeanor quickly, nodded shivering
• 1:16:01
  as heart as a human.
• 1:16:02
  Speaker 1: Could, yes, SIR i, promised stuttered, out breathing hard.
• 1:16:09
  Speaker 4: Ones he released, me his smile returning and his teeth
• 1:16:11
  going back to.
• 1:16:12
  Speaker 1: Normal. Wonderful now you better clock. In i'm expecting a
• 1:16:16
  very fun appointment.
• 1:16:17
  Speaker 4: Today he, hums spinning around on his heels and walking
• 1:16:20
  to his, office walking past the basement door and into his,
• 1:16:23
  office letting the door close.
• 1:16:24
  Speaker 1: Behind, him hoffing.
• 1:16:25
  Speaker 4: HARD i walked to my rocking chair and set myself,
• 1:16:27
  down stabbing the doll in the head and rubbing my face.
• 1:16:30
  Hard last TIME i would ever try to even look
• 1:16:33
  at that basement door if that's how he reacted to
• 1:16:37
  my just returning something to, it pulled my phone, out
• 1:16:41
  used to get my mind off what had just. Happened
• 1:16:44
  maybe an hour or two into my, shift my phone
• 1:16:46
  usage was interrupted by the front door flying. Open the
• 1:16:49
  rusty bell nearly flew off from its place as the
• 1:16:52
  door swung open and. Shut, afterward looked up and dropped
• 1:16:55
  my phone WHEN i saw it Was olivia's. Mom although
• 1:16:58
  she looked a little, paler her.
• 1:17:00
  Speaker 3: Skin looked like creole'.
• 1:17:01
  Speaker 1: Skin what the? Fuck did you give?
• 1:17:03
  Speaker 4: Her she shouted as she stumbled to the, counter hacking
• 1:17:06
  and coughing, violently collapsing on to her knees just near
• 1:17:09
  me and looking up at, me sending me flying back
• 1:17:12
  further from my. Chair she had one eye dangling from its,
• 1:17:15
  socket and the other one looked like it was made of,
• 1:17:17
  milk chocolate and starting to. Melt she clawed her nails
• 1:17:20
  into the, counter pulled herself, up feeling around and grabbing
• 1:17:23
  my arm and pulling me close to.
• 1:17:24
  Speaker 1: HER i don't, know, MAN i just work here was.
• 1:17:28
  Speaker 4: ALL i could offer the, woman trying to get away from.
• 1:17:30
  Her as her one eye fell out with a gross sounding,
• 1:17:33
  PLoP she recoiled and stumbled, backward, gasping, coughing white puffy
• 1:17:38
  stuff coming out of her, mouth and falling to the.
• 1:17:40
  Speaker 3: FLOOR i knew what it was.
• 1:17:41
  Speaker 1: Instantly it was dull. Stuffing, goodness you'rely.
• 1:17:47
  Speaker 4: Creo old's cheery voice. CAME i turned to see he
• 1:17:49
  was standing in his office. Door strode his way over
• 1:17:52
  to the woman and grabbed her by her, hair pulling
• 1:17:54
  it upwards so he could look into her eye. Sockets, now,
• 1:17:57
  dear we can't have you losing your. Stuff, chuckled producing
• 1:18:02
  some thread and a.
• 1:18:03
  Speaker 1: Needle what the fuck did you do to?
• 1:18:05
  Speaker 4: Me, shouted shoving them away and trying to stumble, away
• 1:18:09
  only for her leg to buckle underneath her like an.
• 1:18:11
  Accordion humans aren't meant to bend that.
• 1:18:14
  Speaker 1: Way if you didn't, know dear, me you'll change much
• 1:18:18
  faster THAN i first thought you, would for.
• 1:18:21
  Speaker 4: You old, chuckle grabbing the woman again and yanking her.
• 1:18:23
  UP i was in shock at all. This by this,
• 1:18:26
  point the woman's skin looked like one of the dolls we.
• 1:18:28
  Sells when he clicked for, me she was turning into a.
• 1:18:31
  Doll sir spoke, up flinching When creole slammed the woman
• 1:18:35
  onto my counter and started sewing her mouth. Shut despite
• 1:18:38
  the woman's thrashing and quickly impinging, appendages.
• 1:18:42
  Speaker 3: He looked over to me with a quizzical look and, smiled.
• 1:18:45
  Speaker 1: Be a good boy and hold it, down trave, it.
• 1:18:49
  Speaker 3: Continuing to sew her mouth.
• 1:18:50
  Speaker 4: SHUT i looked at her and swallowed AS i walked
• 1:18:53
  forward and quickly gripped her, arms already feeling that there
• 1:18:56
  was not an ounce of bone left in. Them ALL
• 1:18:59
  i could fill was. Dolls closed my eyes as eye
• 1:19:02
  held her. Down i'm not proud of this. Moment when
• 1:19:05
  he was finishing and finally allowed me to let, Go
• 1:19:07
  King creole gave her the finishing, touches sewing buttons into
• 1:19:11
  her empty eye, sockets smiling as he wiped his gloved
• 1:19:14
  hands clean.
• 1:19:15
  Speaker 1: Her prison is all. Done just got a way for
• 1:19:18
  her to, Shrink.
• 1:19:20
  Speaker 3: Chuckle looking at me with an excited.
• 1:19:21
  Speaker 4: SMILE i gave him a confused, look my eyes wandering
• 1:19:24
  down the, body stead still and looking very much like
• 1:19:28
  she belonged to the. Morgue maura, looked, though mar realized
• 1:19:31
  that she was shrinking inch by. Inch, well at LEAST
• 1:19:36
  i know, where at least some of the voodoo dolls come.
• 1:19:39
  From NOW i was left in charge of the doll
• 1:19:41
  WHILE i waited for this mystery guest of. HIS i
• 1:19:43
  already had an inkling who it was, for but it
• 1:19:45
  Was King. Creole you never know what to, EXPECT i,
• 1:19:48
  said and watches this fully grown woman shrunk down to
• 1:19:51
  the size of a, child then a, toddler then too
• 1:19:54
  the size of my, forearm and she was a. Doll
• 1:19:57
  throw and through lifted her up and looked at, her
• 1:20:00
  waggled her, around finally left her on the Counter when
• 1:20:03
  the door opened, again the first THING i saw was
• 1:20:05
  a woman in A victorian style dress coming close to,
• 1:20:08
  me her hands clasping in front of, her and looking
• 1:20:11
  at me with a warm and motherly. Smile good, day,
• 1:20:13
  ShopKeep i do believe my daughter would like to speak with.
• 1:20:16
  Speaker 1: You oh that's.
• 1:20:18
  Speaker 4: Cool, YEAH i like. That he gave her a mom
• 1:20:22
  and the, doll and the mom switched. Places that's, neat she,
• 1:20:25
  asked in a Soft british. ACCENT i looked at, her
• 1:20:28
  my jaw hitting the. Floor she was the doll that
• 1:20:31
  all The King creole had Given. Olivia as if to
• 1:20:34
  reinforce the, point tiny hand came up to pull on
• 1:20:36
  the big black. Dress the woman looked down and, smiled
• 1:20:40
  leaning down and lifting up the thing the tiny arm
• 1:20:43
  was attached.
• 1:20:43
  Speaker 1: To where's Mister King, Kreon.
• 1:20:46
  Speaker 4: Levia, asked with her, big old happy. EYES i looked at,
• 1:20:50
  her and then at this, woman who just yesterday had
• 1:20:52
  been a. Doll looking back At, OLIVIA i opened my
• 1:20:55
  mouth to say, SOMETHING i was quickly cut off By
• 1:20:58
  creole's office door opening in the voodoom smiled so MUCH
• 1:21:01
  i thought he'd bust.
• 1:21:01
  Speaker 1: A stitch my, Dolling, olivia how are.
• 1:21:04
  Speaker 3: You, yes this Like olivia was a. Friend he hadn't
• 1:21:07
  seen him.
• 1:21:08
  Speaker 4: Forever at his, Voice olivia smiled as wide as, him
• 1:21:11
  and the woman put her, down letting her run up
• 1:21:13
  to my boss and giving his legs a.
• 1:21:14
  Speaker 8: Hug thank you so much for my new, mommy.
• 1:21:18
  Speaker 4: She, humm nuzzling her face into, him chuckled and knelt
• 1:21:21
  down a, bit patting her head and motioning me to come.
• 1:21:24
  Over took the doll off the counter and came, over
• 1:21:26
  getting on my knees with an old man grun and
• 1:21:28
  handing the doll To.
• 1:21:29
  Speaker 1: Olivia she gasped and happily accepted.
• 1:21:31
  Speaker 3: It wrapping her tiny arms around into Pinking creole a million.
• 1:21:34
  Speaker 4: Times when all was said and, Done olivia said her,
• 1:21:37
  goodbyes and her new mother took her by the hand
• 1:21:39
  and led her out the, door this new mother turning
• 1:21:42
  around and waving goodbye to us and over to the voodoo.
• 1:21:45
  Speaker 3: Dolls Who i'll wait.
• 1:21:46
  Speaker 1: Back oh that's. COOL i do love happy.
• 1:21:49
  Speaker 4: Endings creole, saw taking his hat off and rubbing his
• 1:21:52
  messy black, hair turning to me and raising a brow
• 1:21:55
  to my obvious uncomfortableness over the whole. Situation don't, worry,
• 1:21:59
  son in the best possible, hand he, said put in
• 1:22:02
  a hand on my, Shoulder, sir how come you didn't hurt?
• 1:22:06
  Her going back to all the times he'd cause horrible
• 1:22:08
  things to happen to anybody seemingly needed his, help it
• 1:22:11
  looked at me like i'd Spoken chinese at.
• 1:22:13
  Speaker 1: Him, Son my mama always, said help those that truly need.
• 1:22:18
  It can you stand there and tell me she didn't
• 1:22:20
  need a? Help?
• 1:22:20
  Speaker 4: YEAH i spat my shoulder and heading over to his,
• 1:22:22
  office leaving me with that train of thought for the
• 1:22:25
  rest of the day AS i washed away all the
• 1:22:27
  blood left over from the old. Mother King creoles a strange.
• 1:22:30
  Man he went from wanting to kill me for going
• 1:22:32
  near the basement door to hugging a child that he
• 1:22:34
  had saved from an abusive. MOTHER i still deal with
• 1:22:37
  the back and forth of his. PERSONALITY i don't Think
• 1:22:40
  i'll ever understand. HIM i don't expect. To ALL i
• 1:22:43
  want to know is what is in the basement that
• 1:22:45
  causes him so much?
• 1:22:46
  Speaker 1: Rage, see at FIRST i was wondering if in the.
• 1:22:48
  Speaker 2: Basement first, OFF i just want to say that might
• 1:22:51
  be our first wholesome ending ever on the, show AND
• 1:22:53
  i really loved.
• 1:22:54
  Speaker 4: It, god thank, god we got that not safe for.
• 1:22:59
  Speaker 1: Work there was a kid. Out oh do you think
• 1:23:02
  he do you think he did that to bait the
• 1:23:04
  to bait the normal? Stuff do you?
• 1:23:07
  Speaker 4: Have so, so if you have a story that involves child,
• 1:23:11
  abuse you're supposed to tag.
• 1:23:12
  Speaker 1: It, oh it'll get tagged.
• 1:23:13
  Speaker 2: On, well even then it's handled in a great way
• 1:23:15
  off like the bruises on the. ARM i do have
• 1:23:17
  the mom that's it's not that. Explicit, no, no, no
• 1:23:20
  but it's effective, Though like you, know you do feel
• 1:23:22
  bad For olivia THERE i.
• 1:23:24
  Speaker 1: DO i JUST i don't.
• 1:23:24
  Speaker 2: Know it's like a Fun it's like, uh tales from
• 1:23:27
  the crypt Meets, uh what was?
• 1:23:30
  Speaker 1: That was?
• 1:23:30
  Speaker 2: That West side West Side stories from West side or like,
• 1:23:35
  wait Wayward. Stories you remember that book from back in the,
• 1:23:37
  day West Side, stories West Side. Stories it's uh what.
• 1:23:44
  Speaker 1: Was it? Called it was about the same, guy hold,
• 1:23:47
  on a second guy who wrote. Holes he wrote a
• 1:23:51
  book called Give me A Second Wayside.
• 1:23:55
  Speaker 2: School so it's Like Wayside Wayside stories or whatever it's
• 1:23:59
  it's it's the collection of a bunch of stuff of
• 1:24:01
  like random things that happened throughout the day or whatever
• 1:24:04
  we want to. Say that's gonna fucking dry me. Insane Wayside. School,
• 1:24:08
  YEAH i had this book WHEN i was, younger AND
• 1:24:10
  i fucking loved. IT i was, like, this shit's awesome
• 1:24:13
  sideway stories From Wayside, School that's what it. Is My
• 1:24:16
  god took fucking, forever BUT i got. THERE i JUST
• 1:24:19
  i don't, know there's like a level of innocence with
• 1:24:20
  these that are really.
• 1:24:21
  Speaker 1: NICE i mean also. TOO i just want to, say
• 1:24:23
  the visuals.
• 1:24:23
  Speaker 2: Of the woman turning into a voodoo all was fucking,
• 1:24:26
  sick AND i wanted to say as well at the
• 1:24:28
  end of, it when he's, like my mama always said.
• 1:24:31
  This at, FIRST i thought that maybe it was a
• 1:24:34
  relative or something, like maybe it was his mom in
• 1:24:37
  the basement that had been you know WHAT i, mean
• 1:24:39
  like some kind of weird fucking demon woman or something like,
• 1:24:42
  that to where that was also why he connected With
• 1:24:44
  olivia so.
• 1:24:45
  Speaker 1: Hard could be could? BE i also, think, WELL i
• 1:24:49
  don't think it'd be. THAT i. Don't i'm. Surprised i'm
• 1:24:52
  curious to see what's in.
• 1:24:53
  Speaker 2: THERE i don't know if it's his, mom BECAUSE i
• 1:24:54
  don't think he would have said my mom always said
• 1:24:56
  to help people that.
• 1:24:58
  Speaker 1: Are neat or. WHATEVER i don't feel like he would
• 1:24:59
  reference her.
• 1:25:00
  Speaker 4: In my, mind it's like a former romantic interest or
• 1:25:02
  something like.
• 1:25:03
  Speaker 1: That, OH i, mean i'd be. Sinister she broke she
• 1:25:06
  broke my, heart SO i keep her in a.
• 1:25:08
  Speaker 4: Box, WELL i mean he kills like he kills a
• 1:25:12
  girl who wanted acne taken care of and stuff like.
• 1:25:14
  Speaker 2: That right to be, fair it is like you're, SAYING i,
• 1:25:17
  MEAN i don't think that the woman that wanted her
• 1:25:19
  acne clear should have.
• 1:25:20
  Speaker 1: DIED i think that's a.
• 1:25:22
  Speaker 2: Bit he is a, murderer but it was vanity in a,
• 1:25:25
  Way like it seems like it's, like, uh you, know
• 1:25:27
  the other people tried robbing the. Store you THINK i was,
• 1:25:29
  threatening you, know Threatening travis's. Life it seems like the
• 1:25:34
  people that are asking for this stuff usually get their
• 1:25:37
  come up in and it's usually. Selfish LIKE i wonder
• 1:25:39
  if if somebody was just, like OH i want you
• 1:25:41
  to help this, person if he would do it if
• 1:25:43
  it was a selfless, request you, know yeah, yeah, yeah.
• 1:25:47
  Speaker 4: Uh, potentially like you, said if anyone needs help. HIM
• 1:25:51
  i THINK i kind of get the idea that he
• 1:25:54
  used to be a human at some, point like he
• 1:25:56
  would normal and then a spell happened to him or
• 1:25:58
  something like. THAT i love the idea that the voodoo
• 1:26:02
  dolls like can become people and like they all like
• 1:26:05
  when the mother, leaves she the new mother, leaves she
• 1:26:07
  waves at all the voodoo dolls and they wave.
• 1:26:09
  Speaker 1: Back that's the final to, You.
• 1:26:11
  Speaker 4: Like you said, this it's so rare to have a
• 1:26:14
  feel good story in one of.
• 1:26:16
  Speaker 1: The well and it's.
• 1:26:17
  Speaker 2: CONNECTED i was really bought in and you still have
• 1:26:19
  the elements of horror in, there you.
• 1:26:21
  Speaker 1: Know it's it's just what a what a fun that
• 1:26:23
  that that so far is.
• 1:26:25
  Speaker 2: My favorite one by. Far like THAT'S i really Enjoyed
• 1:26:28
  part four a. Lot AND i will say, too do
• 1:26:30
  you think that maybe the woman was the person who
• 1:26:32
  changed him into this?
• 1:26:33
  Speaker 1: Thing? Maybe? Yeah what do you?
• 1:26:36
  Speaker 4: Say it was a green cracked eye he, saw which
• 1:26:41
  makes it sound like it's.
• 1:26:41
  Speaker 1: A doll kind Of that's WHAT i was gonna. Say
• 1:26:43
  it sounds like a green.
• 1:26:44
  Speaker 4: Uh button beating button eye or something could be all?
• 1:26:50
  Speaker 1: Right part? Five part?
• 1:26:52
  Speaker 4: Five you, know the MORE i work here At Old
• 1:26:55
  King kreole's half Price Voodoo, shop the more it starts
• 1:26:57
  question how the HELL i never noticed it? Before Now
• 1:27:00
  i'm ready to Admit i'm No einstein when it comes
• 1:27:02
  to this. Town, Sure i've lived here my whole, life
• 1:27:05
  but even, Then i'm still discovering new. PLACES i didn't
• 1:27:08
  even know we had A denny's near us until last.
• 1:27:11
  Week but the fact that so many of our customers
• 1:27:14
  are high school kids makes me, wonder how COME i
• 1:27:16
  never heard of this place. Before THEN i look back
• 1:27:18
  at my track record of socializing and school and, remember, oh,
• 1:27:21
  yeah that's WHY i never learned to this. PLACE i
• 1:27:24
  think the REASON i have to clean up so many
• 1:27:25
  messes here is that a majority of our customers are
• 1:27:28
  indeed stupid high school. Kids they barge in here thing
• 1:27:31
  and they got away Around King kreole's, game and every
• 1:27:33
  single Time i'm the poor idiot that has to clean
• 1:27:35
  up there's stupid. Mess it's to the point where ANYTIME
• 1:27:39
  i see a teenager coming to the, SHOP i instinctively
• 1:27:41
  reach behind the counter for some rubber gloves BECAUSE i
• 1:27:44
  Know i'll have to wipe.
• 1:27:45
  Speaker 3: Them off what's left of them off the floor and.
• 1:27:47
  Speaker 4: WALLS i think the worst case of this was when
• 1:27:50
  a group of four kids walked. In they were, seniors
• 1:27:53
  And i'm pretty sure they were about to GRADUATE i
• 1:27:55
  came into the. SHOP i was busy actually getting to
• 1:27:58
  stock something for. ONCE i had someone come in and
• 1:28:01
  buy a decent amount voodoo, dolls SO i was finally
• 1:28:04
  able to stalk them use them old. Stool managed to
• 1:28:07
  just put them all in place when the bell rang
• 1:28:09
  and this group of kids came. In it was three
• 1:28:11
  girls and a guy who had his arm around the blonde,
• 1:28:13
  girl a, COUPLE i. Assumed the other two girls seemed
• 1:28:16
  to have just tagged along for this ill fated journey
• 1:28:18
  to my place of. Employment the guy looked over to
• 1:28:20
  me and shot me that head movement all of guys
• 1:28:22
  make to each, other you, know the, one hey, GUYS i,
• 1:28:25
  said getting off my stool and heading into the, counter
• 1:28:28
  sitting on my rocking chair and making sure all my
• 1:28:30
  cleaning supplies were in. View what CAN i do, FOR i,
• 1:28:33
  asked realized THAT i was picking up on some Of
• 1:28:36
  kreole's Fancy southern.
• 1:28:37
  Speaker 2: Talk we heard there were wishes, here and since we're
• 1:28:39
  about to, graduate we figured why not try them?
• 1:28:41
  Speaker 4: Out guy, said letting his girlfriend go and going over
• 1:28:44
  to the shelf of voodoo, dolls getting in real clothes
• 1:28:46
  and looking at. Them the girls, meanwhile didn't wonder too
• 1:28:49
  far from, him since they no doubt we're afraid of
• 1:28:51
  all the cobwebs.
• 1:28:52
  Speaker 3: Around fair.
• 1:28:53
  Speaker 1: Enough, yep do all of you want?
• 1:28:55
  Speaker 4: ONE i, asked treading the ANSWER i expected got and
• 1:28:59
  his girlfriend, nodded while only one of the, girls a
• 1:29:01
  black haired girl and a blouse responded as well with a.
• 1:29:04
  Nod last girl in her, hoodie though just sug her
• 1:29:06
  head figured she just got dragged.
• 1:29:08
  Speaker 2: Here, travis my dear, boy seem you've brought in quite
• 1:29:12
  a bit of, customers.
• 1:29:13
  Speaker 4: Creole, hummed walking over to me from seemingly. Nowhere he
• 1:29:16
  does that a, lot and smiling at the group of,
• 1:29:19
  students all of whom instantly backed up a couple of
• 1:29:21
  feet and shocking my boss's.
• 1:29:23
  Speaker 1: Appearance, wow freaky, costume man.
• 1:29:26
  Speaker 4: Guy, said, chuckling trying to keep up a brave face
• 1:29:28
  in front of his, girl BUT i could tell he
• 1:29:30
  was seconds away from pissing.
• 1:29:32
  Speaker 3: Himself all the girls had the same.
• 1:29:34
  Speaker 4: Expression what CAN i do with you, For, jacob boss man,
• 1:29:37
  asked looking at. ME i was wondering why TILL i
• 1:29:40
  realized my rocking chair was taking up space he needed
• 1:29:42
  to get to the, counter SO i just easily backed
• 1:29:44
  up a bit and let him do his. Thing pulling
• 1:29:47
  out my, phone which had a dead, battery, SAID i
• 1:29:49
  decided to watch the inevitable horror that was about to
• 1:29:52
  come my.
• 1:29:52
  Speaker 1: Way, man you're freaky as.
• 1:29:54
  Speaker 4: Fuck jacob, chuckle clearing his throat and coming forward was
• 1:29:58
  as much moxy as he could.
• 1:29:59
  Speaker 2: Muster, OKAY i wish to get into my dream college
• 1:30:04
  full ride SO i don't have to pay for, anything.
• 1:30:07
  Speaker 4: Declared, confidently crossing his arms To King. Creole i'd handed
• 1:30:11
  to him that was a pretty irritight. WISH i couldn't
• 1:30:14
  think of really anyway For creole to mess with that, wish,
• 1:30:18
  well until his girlfriend spoke.
• 1:30:19
  Speaker 1: Up what the?
• 1:30:20
  Speaker 4: Fuck jacob girlfriend, shouted coming over To jacob and pounding
• 1:30:25
  him with her fist over and over.
• 1:30:27
  Speaker 1: Again you're trying to find a way to leave, me aren't,
• 1:30:29
  you she, shouted grabbing him and thrashing him. Around she's
• 1:30:33
  seeing the clinging.
• 1:30:34
  Speaker 4: Type, no you crazy, Bitch i'm trying to secure my,
• 1:30:38
  future he, shouted shoving her away and rolling his eyes
• 1:30:41
  as if this.
• 1:30:42
  Speaker 1: Had been an ongoing.
• 1:30:43
  Speaker 4: Issue me And creole looked at each other and just.
• 1:30:45
  Shrugged what's in our business to give these two couples. Therapy,
• 1:30:49
  suddenly the girl pushed past her boyfriend and up to the,
• 1:30:52
  counter slamming her fists down on the dusty countertop and
• 1:30:55
  staring up with wild. Eyes King, CREOLE i wish That
• 1:30:58
  jacob will never leave my.
• 1:30:59
  Speaker 3: Side what a great what a great, wish.
• 1:31:02
  Speaker 4: God awesome, idea Causing jacob to come over and grab,
• 1:31:08
  her pulling her away from. Us, Well, king girls LIKE
• 1:31:13
  i don't even have to try for.
• 1:31:14
  Speaker 1: This, yeah.
• 1:31:15
  Speaker 4: Exactly king began bringing a hand up and starting to rubbish.
• 1:31:18
  Chin my, mama tell me that ladies should go, first,
• 1:31:24
  smiled shrugging and snapping his, fingers Causing jacob to stop
• 1:31:28
  in his.
• 1:31:28
  Speaker 1: Tracks as he stopped.
• 1:31:29
  Speaker 4: Thrashing around with his, girlfriend looked at her with a
• 1:31:32
  new look in his, eyes and started to kiss.
• 1:31:34
  Speaker 1: Her now that's more like.
• 1:31:35
  Speaker 4: It she get, gold wrapping her arms around him and
• 1:31:38
  making out in the. SHOP i rolled my eyes at. This,
• 1:31:41
  Yes i'm horribly. Single leave me, alone although what happened
• 1:31:45
  next kind of helps me feel better about being. Single
• 1:31:48
  she suddenly shouted in, pain trying to shove him off of.
• 1:31:51
  Her for good, reason since he had gotten a thread
• 1:31:54
  and needle and was starting to stick it into both
• 1:31:57
  of their. SKINS i need to be closer to, you
• 1:32:00
  shouted At cray's, tone starting to pick up speed as
• 1:32:03
  she screamed, louder trying to get away from. Him well
• 1:32:06
  that went about as well AS i expected it to.
• 1:32:08
  Go he managed to pin her to the floor as
• 1:32:10
  he started to sew the two of them. Together two
• 1:32:13
  other girls were screaming and cowering together as they watched the.
• 1:32:16
  Speaker 1: Scene Since jacob appears to be, Preoccupied.
• 1:32:20
  Speaker 4: Creole said with a, chuckle turning his attention to the
• 1:32:23
  two remaining, Girls.
• 1:32:24
  Speaker 1: Would you ladies like to try your?
• 1:32:26
  Speaker 4: Luck said with a, smile his fingers drumming on the
• 1:32:28
  counter as he. Waited blackhaired girl quickly looked at the
• 1:32:31
  hoodie girl and shoved her, away backing up from everything
• 1:32:35
  and looking back at the.
• 1:32:36
  Speaker 1: DOOR i WISH i could just live the rest of
• 1:32:38
  my life never seen you. Again oh my, gosh sh.
• 1:32:41
  Speaker 4: Out, here packing up and get into the. Door creole
• 1:32:44
  shrugged and nodded to. Her if that's what you wish, for,
• 1:32:48
  said looking back at her and motioning forward to shoe
• 1:32:51
  with his. Hands the girl nodded and, turned opening the
• 1:32:54
  door and running out at full. Speeds shame she didn't
• 1:32:57
  see that car.
• 1:32:59
  Speaker 1: Seconds. AFTER i fledged at how sudden.
• 1:33:02
  Speaker 4: It just happened like she was out of the shop
• 1:33:05
  and dead in a good ten.
• 1:33:06
  Speaker 1: Seconds that's funny.
• 1:33:08
  Speaker 4: That that's the bit of a jerk. Movie it's, LIKE
• 1:33:10
  i don't want to see. You it's, like, oh, right
• 1:33:11
  have you considered being?
• 1:33:13
  Speaker 2: Dead just like he's, like, cool, right, well i'll see you.
• 1:33:17
  Later and then it just of course he's just not
• 1:33:19
  gonna let her get away that.
• 1:33:20
  Speaker 1: Easily of.
• 1:33:21
  Speaker 4: Course the last girl remaining was screaming her head off
• 1:33:24
  as she saw the girl get hit by the. Car
• 1:33:27
  let's just say That jacob and his girlfriend were closer
• 1:33:29
  than they were ever going to. Be he and her
• 1:33:31
  were sewing, together nice and tight and bleeding. Everywhere please
• 1:33:35
  don't kill, me girl, mumbled collapsing the floor and, shivering
• 1:33:38
  shaking her head and pulling her hoodie, down revealing some
• 1:33:42
  nice long red. Hair looking over at, HER i did
• 1:33:44
  feel pretty. Bad she seemed like the one who had
• 1:33:47
  been dragged here unwillingly by her. Friends is that a, wish,
• 1:33:51
  darling my boss, asked stepping away from the counter and
• 1:33:54
  over to the sewn up bodies wriggling on the. Floor
• 1:33:56
  looking over at, her she answered with a fast shake
• 1:33:59
  of her. Head then what you, wish, yes poking out
• 1:34:03
  the sowne together couple with his finger showing some amusement from.
• 1:34:06
  Speaker 1: IT i don't want, anything she, mumbled.
• 1:34:10
  Speaker 4: Curling up into the fetal, position shaking violently and looking
• 1:34:13
  at me LIKE i was going to come in and save. Her,
• 1:34:16
  WELL i get paid by this, man SO i can't
• 1:34:17
  really offer much.
• 1:34:18
  Speaker 1: Help hmm. Shame if that's the, case then please leave my.
• 1:34:22
  SHOP i don't take kindly deloyd, us he, tissed the
• 1:34:26
  front door swinging.
• 1:34:27
  Speaker 4: Open the girl looked up, quickly and then the two
• 1:34:30
  of us cautiously standing up and walking out of the,
• 1:34:33
  shop making.
• 1:34:34
  Speaker 3: Sure to keep on the sidewalk as she started running.
• 1:34:36
  Speaker 1: Away want me to clean, up, SIR.
• 1:34:38
  Speaker 4: I Asked, kreole after an awkward. Silence looking over to.
• 1:34:41
  Me he smiled and. Chuckled if you wouldn't, mind, son he,
• 1:34:45
  answered looking at the sowne couple and then over to
• 1:34:47
  the basement. DOOR i could tell from his face he
• 1:34:49
  was trying to figure out a way of getting them down,
• 1:34:51
  THERE i, mean WHILE i was already getting them.
• 1:34:54
  Speaker 1: Off ready need help moving? HIM i asked.
• 1:34:57
  Speaker 4: Him AS i set the bucket down and started feeling
• 1:34:59
  it was bleaching. SOAP a decent way to hide the.
• 1:35:01
  Blood but if the cops ever shined that stuff the
• 1:35:03
  shows hidden blood, splatters this place would look.
• 1:35:06
  Speaker 1: Like a cheap hotel.
• 1:35:07
  Speaker 4: Room, hm coll mind, tiss looking back over the basement
• 1:35:11
  with a.
• 1:35:11
  Speaker 2: Sneer all, right help me move them to the door
• 1:35:14
  and leave them and leave them. There i'll head down
• 1:35:16
  there and we could just roll them down, it And
• 1:35:18
  i'll say it's all.
• 1:35:19
  Speaker 4: Right not having much of a choice since offered to,
• 1:35:21
  HELP i helped him pick them up and carry them
• 1:35:23
  close to the, door the girl gurgling something inco hearing at,
• 1:35:26
  me since her And jacob's mouth had been sewn, together
• 1:35:29
  soon it was a plea for. Help once they were
• 1:35:31
  down at the foot of the, Door kreole unlocked it
• 1:35:34
  and opened it a peek from behind his shoulder to
• 1:35:36
  see IF i could get a good. Look nothing but
• 1:35:38
  blackness stared back at.
• 1:35:40
  Speaker 1: Me all, right looks like we can just kick them down.
• 1:35:42
  Speaker 4: There greol, hum placing his dress shoe on the wriggling
• 1:35:46
  mass and shoving it down the. Stairs the wet smacking
• 1:35:49
  and rolling were heard for a good solid thirty. Seconds
• 1:35:52
  we waited the door's still. Open then we heard rapid
• 1:35:55
  crawling coming towards. Us FOR i could see the mysterious basement.
• 1:35:58
  Creature greol slammed the door closed and locked it. Tight,
• 1:36:01
  WELL i, said after a decent amount of, Silence i'll start,
• 1:36:05
  cleaning backing away From creole and heading back to moping,
• 1:36:08
  bucket starting to wipe away all the evidence of our latest.
• 1:36:11
  Crime WHEN i looked back at the, Basement King kreole
• 1:36:14
  was still standing. There he was looking at the basement
• 1:36:16
  with his usual anger or wordlessly just walking back over
• 1:36:20
  to his office let him, go continuing to do the
• 1:36:23
  part of the JOB i hated. MOST i was busy,
• 1:36:25
  mopping contemplated IF i really should have gone into. College
• 1:36:29
  the door opened up AND i heard the familiar words
• 1:36:31
  of hands in the. Air turn my hands, quickly my
• 1:36:34
  mob hitting the. Floor AS i turned to look at
• 1:36:36
  who's holding me up this? Time turned out it was a.
• 1:36:39
  Cop shit arms straightened up quicker WHEN i saw it
• 1:36:44
  was a cop this time and not some idiot trying
• 1:36:46
  to rob. Us those thoughts of college were really start
• 1:36:49
  to seeing much more.
• 1:36:50
  Speaker 1: Appealing turn around and step away from the mop bucket ordered.
• 1:36:53
  Me it is AS i was.
• 1:36:54
  Speaker 4: Told heading over to the back, wall cop closed the
• 1:36:57
  distance and slamming against the, wall slapping some cuffs on
• 1:37:01
  me and throwing me to the, ground.
• 1:37:02
  Speaker 1: Putting his gun in my. Back where's your, boss.
• 1:37:05
  Speaker 4: He, asked grabbing my head up SO i could answer.
• 1:37:08
  Speaker 1: Him office over, there push towards his.
• 1:37:11
  Speaker 4: Office with, that the officer let my head, go which
• 1:37:14
  slammed down into the wooden, floor give me a good
• 1:37:17
  sized bruise on my. FOREHEAD i rolled over to see
• 1:37:19
  what was going to. Happen this was the first TIME
• 1:37:22
  i ever had to run in with cops in this.
• 1:37:23
  Speaker 1: Place before you in, there come out with their hands.
• 1:37:27
  Speaker 4: Out officer, shouted gun trained on the door and waiting
• 1:37:30
  for anyone to comply with that. ORDER i, meanwhile strange
• 1:37:33
  try and see what was going to. Happen when suddenly
• 1:37:36
  my arms went limp AND i was suddenly free of my.
• 1:37:38
  Cuffs pulling my hands, OUT i looked down to see
• 1:37:41
  the voodoo doll template holding the. Cuffs there's how that
• 1:37:45
  thing doesn't hate me that much after. All opening the,
• 1:37:47
  Door kreoles stared at the gun in his face and
• 1:37:50
  then over to the officer stitched mouth in a smile
• 1:37:53
  as he looked at the.
• 1:37:54
  Speaker 1: Man, rookie, rookie your sergeant should have told you you're
• 1:37:59
  not allowed in.
• 1:38:00
  Speaker 3: Here Side he passed him to look at me on the.
• 1:38:03
  Speaker 4: Floor an assault in my, Employee shame on, you the
• 1:38:07
  voodoo man's, side suddenly getting grabbed by the officer and
• 1:38:10
  tossed onto the.
• 1:38:11
  Speaker 3: Floor, quickly keep your.
• 1:38:12
  Speaker 1: Mouth, shut you. Fucker what'd you do with that?
• 1:38:15
  Speaker 4: Body he, shouted putting his foot On creole's. Back felt
• 1:38:19
  afraid for the. Officer Handling King creole like that in
• 1:38:22
  his own shop would not end. Well and end well
• 1:38:24
  it did. Not the second his foot was put On
• 1:38:26
  King griol's, back every single voodoo doll on the wall
• 1:38:30
  came to, life staring at the officer and jumping off
• 1:38:33
  their places on the, wall kissing and screeching at him
• 1:38:36
  as they all rushed towards. Him the officer looked at
• 1:38:39
  the sound of the noise and let out a shout
• 1:38:41
  as he tried shooting. Them he got two shots off
• 1:38:44
  before they swarmed. Him the best WAY i can describe
• 1:38:46
  what they did to him was piranhas eating a cow
• 1:38:49
  in The. Amazon they swarmed over him and ripped chunks
• 1:38:52
  of flesh off his.
• 1:38:53
  Speaker 1: BODY i could never stand rude, Idiots.
• 1:38:57
  Speaker 4: Creole hissed, angrily standing up and dusting himself, off walking
• 1:39:01
  over the rapidly disintegrating cop body and coming over to,
• 1:39:04
  me offering me a hand and pulling me back.
• 1:39:06
  Speaker 1: Up sorry you had to see, that, said dusting me.
• 1:39:09
  Speaker 4: Off his attention then turned towards the squad car waiting
• 1:39:13
  outside spot and eyes staring at the, car and he
• 1:39:16
  made his way over to the. Door stepping outside the
• 1:39:18
  shop for the first time SINCE i started working, here
• 1:39:21
  looked over at what was left at the officer.
• 1:39:23
  Speaker 3: Bloody uniform and nothing.
• 1:39:24
  Speaker 4: Else and the split SECOND i wasn't paying, attention all
• 1:39:28
  the voodoo dolls had returned to the wall and now
• 1:39:30
  had some accessories with, them some bones and skin. Pieces
• 1:39:34
  my little template friend was back on the, counter still
• 1:39:37
  giving me the sink ive for probably not cleaning. UP
• 1:39:40
  i was going to until a girl's scream caught my.
• 1:39:42
  Attention creole was dragging that redhead back into the. Shop
• 1:39:46
  she was shrying with all her might to keep from
• 1:39:48
  being dragged. Away oh, no her, nails, yeah she went
• 1:39:52
  and she. Snatched, yeah her nails clawed at the wooden
• 1:39:55
  floor and spreading blood. Everywhere once her nails had been
• 1:39:57
  broken and, destroyed she cried and begged not to be.
• 1:39:59
  Speaker 3: Heard she was dragged towards the basement.
• 1:40:01
  Speaker 1: Door this will show you to not misplace my good, graces.
• 1:40:04
  Speaker 4: Creole, shouted grabbing her by the. Hair when she caught
• 1:40:07
  the side of the, counter gripped it with all her,
• 1:40:09
  Mind dragging her by the, hair got to the basement,
• 1:40:12
  door opening, it dragging the red head down into the.
• 1:40:14
  Depths grail didn't need to tell me shut the door behind.
• 1:40:18
  HIM i went back to cleaning the bloody mess that
• 1:40:20
  was left. Behind stuff in the officer's uniform into the
• 1:40:22
  trash bag and set that aside AS i mopped up
• 1:40:24
  every piece of BLOOD i could. See i'm god surprisingly
• 1:40:27
  good at. This something about that girl's, demise, though didn't
• 1:40:30
  sit right with. Me out of everything he's done to,
• 1:40:32
  people hers was the one that rubbed me the wrong
• 1:40:34
  way the. Most not LIKE i could do anything about.
• 1:40:37
  It cops are clearly out of the. Question looking over
• 1:40:40
  at the basement, DOOR i, Sighed SO i set back
• 1:40:42
  in my rocking. Chair when all the cleaning was, Done
• 1:40:45
  mayes closing in, exhaustion they didn't get much time to
• 1:40:48
  rest For creole returned after nearly an hour and a,
• 1:40:50
  half blood on a suit and a pale. Face swallows
• 1:40:53
  hard as he came over to, me staring at me
• 1:40:55
  with those blood splattered button.
• 1:40:57
  Speaker 1: Eyes, travis my, boy you've been so very helpful these
• 1:41:00
  past few months THAT i think a raises in.
• 1:41:03
  Speaker 4: Order smiled as yellow teeth back to being sharp.
• 1:41:06
  Speaker 1: Pains how about thirty an hour.
• 1:41:09
  Speaker 4: You hum tilted his head at, me looked back at
• 1:41:11
  it with a bewildered, look quickly nodding without, thinking smiled
• 1:41:15
  and wrestled my bessy brown hair and pulled out my pay.
• 1:41:17
  Speaker 1: For the, week take tomorrow off.
• 1:41:20
  Speaker 4: Ordered WHEN i took my, pay looked up at him
• 1:41:22
  and nodded. Quickly no way in HELL i was going
• 1:41:24
  to question. Him backing, UP i had stuck my pin
• 1:41:27
  and took the officer's uniform in the trash, bag threw it,
• 1:41:29
  away taking made way home AS i sighed, hard rubbing
• 1:41:32
  my face AS i thought about that poor girl being
• 1:41:35
  dragged into whatever the hell weighted her down to that.
• 1:41:38
  Speaker 2: Basement we've had some unjustifiable death so, far or not,
• 1:41:42
  unjustifiable but we've had some where you're, like you, know
• 1:41:44
  a girl asked for.
• 1:41:45
  Speaker 1: Acne you don't deserve.
• 1:41:46
  Speaker 2: That BUT i will say the one person who didn't
• 1:41:49
  like request, anything like the first person that was actually,
• 1:41:52
  selfless you, know like even went to the police and was, like,
• 1:41:55
  hey this happened to these. PEOPLE i, know these. FRIENDS
• 1:41:57
  i have a Good samaritan and she just get it's absolutely.
• 1:42:00
  Destroyed but it.
• 1:42:03
  Speaker 4: IS i, mean it's, like you, know they can't have
• 1:42:05
  police showing, up, right you gotta do what you gotta.
• 1:42:07
  Speaker 2: Do, yeah or it seems like the police don't even,
• 1:42:10
  Know like it seems.
• 1:42:11
  Speaker 4: Like well it sounds like the police force does because
• 1:42:15
  when he opens, up mister King creole, says, oh, rookie
• 1:42:18
  your sergeant must not have told you exactly come. Here so,
• 1:42:20
  yeah it seems people who are familiar with the.
• 1:42:23
  Speaker 1: Area. NO i really love the sewn together part of.
• 1:42:25
  Speaker 2: That LIKE i thought it was going to be that
• 1:42:27
  they just magically start fusing together or. Whatever BUT i
• 1:42:30
  like the idea of like an obsessive guy basically pinning
• 1:42:32
  someone on the floor and just starts sewing their body
• 1:42:34
  together in like a horribly mutilated.
• 1:42:36
  Speaker 1: Way pretty.
• 1:42:37
  Speaker 4: Gruesome, yeah it's nice to have that massive garbage disposal
• 1:42:41
  thing in the basement you can just throw stuff. Into, yeah,
• 1:42:43
  exactly all, Right part, Six part Six Part ever since
• 1:42:50
  the redhead, INCIDENT i was swear of going back to.
• 1:42:52
  Work i've never really cared about the people who get
• 1:42:54
  what they asked for whenever they don't think a wish.
• 1:42:57
  Through but she wasn't there for a. WISH i don't want.
• 1:43:00
  Anything she was just. There, yeah she brought a cop
• 1:43:03
  to the. Shop but IF i was, Her i'd do
• 1:43:05
  the same. Thing whatever happened her down in the, basement
• 1:43:08
  she didn't deserve. It my day off was spent mostly
• 1:43:11
  in my, room, sulking just wrapped up in blankets and
• 1:43:14
  contemplating the many horrible THINGS i had done For King.
• 1:43:16
  Kreole when my mom came in knocked on my.
• 1:43:18
  Speaker 2: Door, travis a couple of police officers are here looking for.
• 1:43:22
  Speaker 1: You what the hell did you?
• 1:43:24
  Speaker 4: Do she asked an confused and scared. Tone at the same.
• 1:43:26
  Time as far AS i, know she Thinks i'm selling
• 1:43:29
  crack for all the money That i'm. GETTING i swallowed
• 1:43:31
  AS i tossed my blankets away and made my way
• 1:43:33
  past her and down with the lobby of our. House
• 1:43:36
  two officers were standing there and looking up at.
• 1:43:38
  Speaker 1: Me, travis can we please talk to you, outside.
• 1:43:41
  Speaker 4: The older man, said brushing his grain hair back and
• 1:43:44
  placing his hat back. On an otti wordlessly and looked
• 1:43:47
  back at my, parents who were staring at me from the.
• 1:43:49
  Kitchen AS i was let outside in the cold autumn,
• 1:43:52
  afternoon put my hands in my hoodie pocket and looked
• 1:43:55
  up at the.
• 1:43:55
  Speaker 3: Officers my face, betrayed AND i was nervous as all?
• 1:43:58
  Speaker 4: Hell is this, About, KING i, asked after a prolonged,
• 1:44:01
  silence my eyes wide. Him when the officer, nodded looked
• 1:44:05
  around quickly before the older one took his hat off
• 1:44:07
  again and looked at me dead in the.
• 1:44:08
  Speaker 1: Eyes tell him that we're sorry for the trouble that
• 1:44:12
  one of the rookies caused. Him we didn't have time
• 1:44:15
  at to radio him and tell him to wait for.
• 1:44:16
  Speaker 4: Backup that's great, fun the man, said in a, quick nervous,
• 1:44:20
  tone which all hell to the. Floor just how desperately
• 1:44:23
  this cop was apologizing to.
• 1:44:24
  Speaker 1: ME i could tell him tomorrow WHEN i go back to, work.
• 1:44:27
  Speaker 4: Offered the man breathes, long hard sigh of relief and
• 1:44:30
  notut it, quickly taking a notepad out in a.
• 1:44:32
  Speaker 2: Pencil tell him the agreement with the department still, stands
• 1:44:35
  and that we're so terribly sorry about what.
• 1:44:37
  Speaker 4: Happened, said scribbling something on his notepad and ripping it,
• 1:44:40
  out handing it to. ME i looked down at the,
• 1:44:42
  note which was basically just what he had told, me
• 1:44:45
  but in written. FORM i guess the Case King creole
• 1:44:47
  didn't believe.
• 1:44:48
  Speaker 1: Me, yeah, OKAY.
• 1:44:51
  Speaker 4: I, nodded putting the page in my hoodie pocket and
• 1:44:53
  shaking both of their hands the, wordlessly walking back into
• 1:44:57
  my house and walking past my, parents who bump part
• 1:44:59
  of me with. QUESTIONS i didn't answer, them just going
• 1:45:02
  back to my room and collapsing back on top of my,
• 1:45:04
  bed pulling the covers over myself and resigning myself To
• 1:45:07
  tillian with.
• 1:45:08
  Speaker 3: All this some other.
• 1:45:09
  Speaker 4: Day that's pretty cool that like again his like kind
• 1:45:13
  of passive fitness to, it where he's, like, yeah, whatever
• 1:45:16
  in spite of how major this. Is making my way
• 1:45:19
  to work the next, DAY i sighed AS i entered
• 1:45:21
  the f familiar dusty, shop walking over to the counter
• 1:45:24
  and sticking my needle back into the, template looking back
• 1:45:27
  at the basement, door which was eerily, silent shaking my,
• 1:45:30
  head and reaching into my, pocket walked over To creole's
• 1:45:32
  office and knock three, times standing back a bit and
• 1:45:35
  waiting for the boss. Man he didn't leave me waiting
• 1:45:37
  for too, long as he soon opened the door and
• 1:45:40
  smiled big and wide when he said it was.
• 1:45:42
  Speaker 1: Me, travis how was your day? OFF i missed, you my, boy.
• 1:45:46
  Speaker 4: Chuckled coming fully out of his office and giving me a,
• 1:45:48
  hug WHICH i half heartily gave.
• 1:45:50
  Speaker 1: Back it was, fine. Sir the police came and told
• 1:45:54
  me to give you, this.
• 1:45:55
  Speaker 4: Said reaching into my pocket and handing him the handwritten,
• 1:45:58
  note looked at it quizzically and took it from, me
• 1:46:01
  looking down with his button eyes and that smile on
• 1:46:03
  his face growing wide enough to strain the stitches on his.
• 1:46:05
  Speaker 1: Mouth oh. MARVELOUS i was beginning to think that they
• 1:46:09
  had forgotten about a little, me, chuckled sticking the note
• 1:46:12
  to a, suit. SMILING i do apologize again for you
• 1:46:14
  being roughed up so badly as you.
• 1:46:16
  Speaker 4: Were trouse just put in a hand around me and
• 1:46:19
  leading me back to my.
• 1:46:19
  Speaker 1: Counter it's, fine, sir it didn't hurt that, BADLY.
• 1:46:23
  Speaker 4: I, said rubbing the bruise on my forehead a bit
• 1:46:25
  only stung IF i touched it really looking for. Me
• 1:46:27
  my hair is long enough THAT i can hide it
• 1:46:29
  behind my bangs pace and never get a. Haircut, sometimes good,
• 1:46:33
  GOOD i do enjoy your company in the.
• 1:46:35
  Speaker 1: Shop even your little friend was missing you.
• 1:46:38
  Speaker 4: Chuckle tapping the tinplate doll in its, head looked at
• 1:46:41
  it and for once it wasn't giving me a stink.
• 1:46:43
  Eye Glad i'm not such an ass to it.
• 1:46:45
  Speaker 1: After, all keep up all the good works, On.
• 1:46:48
  Speaker 4: Creole, said give me a firm pat on the, back
• 1:46:50
  and leaving me to run the front, end once again
• 1:46:53
  doing my usual ringing up at the odd. Customer was soon,
• 1:46:56
  Enough matt was something that did make my day a little.
• 1:46:58
  Speaker 3: Better levy usually came.
• 1:47:00
  Speaker 4: Back to the shop Every saturday with her new, mother
• 1:47:02
  so it's always a little ray of sunshine to see
• 1:47:04
  her so.
• 1:47:04
  Speaker 1: Happy my Doll, brooke.
• 1:47:08
  Speaker 3: Of, course you remember the.
• 1:47:09
  Speaker 4: Voice she, said with a sad little pal holding up
• 1:47:12
  the doll of what used to be her mom and
• 1:47:14
  showing that the arm indeed came.
• 1:47:16
  Speaker 1: Off can mister kim kreo, vincent.
• 1:47:19
  Speaker 4: She, asked, sadly like this was the absolute end of the.
• 1:47:21
  WORLD i looked up at her new, mother who looked
• 1:47:24
  at me with this blank. Gaze, WELL i thought then
• 1:47:27
  it was. Blank NOW i think it was one of
• 1:47:28
  worry and. PITY i didn't have to go get. Creole
• 1:47:31
  when he threw open the door to his office and
• 1:47:32
  came over To, olivia we ran to him and gave
• 1:47:35
  him a hug like he was her long lost, father
• 1:47:38
  smiled and giggled with her as he took a doll
• 1:47:39
  in her, hand leading him to her. Office are you await,
• 1:47:43
  Too olivia's new mother asked me out of the blue
• 1:47:46
  Soft british accident in a low whispering.
• 1:47:48
  Speaker 1: Tone looked at her with a confused, look what do you?
• 1:47:51
  MEAN i?
• 1:47:52
  Speaker 4: Asked it up in my rocking chair and looking at
• 1:47:54
  the voodoo, template taking it off the counter and placing
• 1:47:57
  it on the, floor looking back at her for more,
• 1:47:58
  information to the wall of voodoo dolls behind her and
• 1:48:02
  leaning close to.
• 1:48:03
  Speaker 1: Me he's using.
• 1:48:04
  Speaker 9: You you need to get out of here before it's too, late.
• 1:48:07
  Speaker 4: She said in a soft pegging, tone graving me by
• 1:48:10
  the hoodie strings and pulling me. Close get, away she, begged,
• 1:48:14
  quickly letting go of me and do IT a full
• 1:48:16
  one eighty of, emotions big happy, smile on her face
• 1:48:19
  As olivia came back with her doll all fixed.
• 1:48:21
  Speaker 1: Up be more careful with a, Darling she's, fragile.
• 1:48:25
  Speaker 4: He, instructed Giving olivia pat on her head and handing
• 1:48:27
  her back to her new. Mother olvia nodded up to
• 1:48:30
  the voodoo man and took her mother's. Hand as she
• 1:48:32
  was let out of the. Store father looked back at,
• 1:48:35
  me and a sad look came to her. Face after
• 1:48:38
  they were, GONE i turned To King kreole and mustered
• 1:48:40
  all the non existent STRENGTH i, Had, sir why did
• 1:48:44
  you hire? Me quickly placed the temple back on the,
• 1:48:46
  counter putting my hands on the dusty. Surface question seemingly
• 1:48:50
  caught him off guard as he looked at me Like
• 1:48:51
  i'd spoken to him in an alien. Language stared at
• 1:48:54
  me with those button eyes for a good long, time
• 1:48:57
  long enough for me to grow. Uncomfortable same look he
• 1:49:00
  gave me WHEN i asked him about the.
• 1:49:02
  Speaker 1: BASEMENT i just needed an extra, hand was all he. Said, oh,
• 1:49:07
  okay not.
• 1:49:08
  Speaker 4: It quickly sinking away from his piercing. Gaze it felt
• 1:49:12
  like every BUTTON i was looking at me in the.
• 1:49:14
  Shop he was a. Lifesaver when the front door opened
• 1:49:16
  and a customer walked, In kreole instantly turned into the
• 1:49:20
  usual happy self and happily granted the person's wish of
• 1:49:24
  carrying their, cancer shaving about the heart attack they had right.
• 1:49:27
  Afterward see that's WHAT i. Mean he's playing the gambit too.
• 1:49:30
  Much it's, like, oh you don't want to, Die, well
• 1:49:32
  you can't not want to die if you're.
• 1:49:34
  Speaker 1: Dead, YEAH i mean he. Is he, Is, okay, buddy,
• 1:49:39
  Pal yeah he did one good. THING i mean that.
• 1:49:44
  Speaker 4: He reminds me of like a mob, boss, right you
• 1:49:47
  know WHAT i was gonna, say he who the fuck
• 1:49:49
  do you ever see death?
• 1:49:50
  Speaker 1: Note?
• 1:49:52
  Speaker 2: Yeah, yeah he reminds me of like the Shitting gami
• 1:49:54
  in that but the one that light.
• 1:49:56
  Speaker 1: Has, yeah it's kind of, that you. Know it's just
• 1:49:59
  kind of, like.
• 1:49:59
  Speaker 2: Well i'm you, KNOW i don't interfere with, anything but
• 1:50:01
  then he's going to like at the end of the,
• 1:50:04
  day he's, Like i'm going to fucking kill.
• 1:50:05
  Speaker 1: You like that's just the kind of ye, it you.
• 1:50:07
  Speaker 4: Know, yeah it's like any any of those like criminal
• 1:50:10
  things where it's, like you, know IF i can help
• 1:50:12
  a kid on the, STREET i, Will oh what's? That
• 1:50:14
  a family of five told the. Police will looks LIKE
• 1:50:16
  i have to kill.
• 1:50:17
  Speaker 1: Him, yeah, yeah he's not a good. Guy.
• 1:50:20
  Speaker 4: Yeah as creole took a hold of the dead body
• 1:50:23
  and dragged it towards the, basement opened the door behind,
• 1:50:25
  him granting as he tried to get a better grip
• 1:50:27
  on the. CADAVER i was about to offer helped him
• 1:50:30
  when a white arm shutted from the darkness of the
• 1:50:32
  open basement and wrapped around his.
• 1:50:34
  Speaker 1: Neck you, sneaky.
• 1:50:37
  Speaker 4: Fucking, ah, shouted slipping off the first step of the,
• 1:50:40
  basement tumbling backwards into the. DARKNESS i watched the whole
• 1:50:43
  thing and abject. Horror the arm that grabbed my boss
• 1:50:46
  was one of. PORCELAIN i could tell this because of
• 1:50:49
  all the shards of it falling off of it when
• 1:50:51
  the two of them went tumbling. Down, yeah, okay so
• 1:50:54
  that explains what the piece of porcelain. Is she's, like
• 1:50:57
  not only, that but the cracked eye. Too, yeah, yeah
• 1:51:00
  it makes more.
• 1:51:01
  Speaker 1: Sense stand up.
• 1:51:02
  Speaker 4: QUICKLY i look down to the. Basement an entire pile
• 1:51:04
  of porcelain charts waiting for. Me at the entrance to the,
• 1:51:07
  Door sir shouted down to the dark, depths do you
• 1:51:11
  need any? Help this was my paycheck on the. Line
• 1:51:13
  man this was. Serious do you think.
• 1:51:15
  Speaker 2: That that could have been his ex worker or something
• 1:51:17
  like he's using You do you think he's gonna like
• 1:51:19
  use his soul put it into some kind of doll
• 1:51:21
  or you know WHAT i?
• 1:51:21
  Speaker 1: Mean, LIKE i think.
• 1:51:23
  Speaker 2: There's something that's setting up to like maybe that was
• 1:51:26
  an ex employee that he got bitter at or something who,
• 1:51:28
  knows or like an ex girlfriend down or something could.
• 1:51:32
  Speaker 1: Be, ALSO i like how the doll.
• 1:51:34
  Speaker 4: Earlier like now that it's a mother out on your,
• 1:51:36
  own is like you need to get, Away like even though,
• 1:51:39
  yeah she supposedly was something he, created she's still, like
• 1:51:42
  you have to get out of.
• 1:51:42
  Speaker 1: Here.
• 1:51:43
  Speaker 4: Yeah, YEAH i didn't hear anything from, him AND i
• 1:51:45
  looked down into the dark, depths swallowing the bile building
• 1:51:48
  in my, throat pulled my phone out and turned on the.
• 1:51:50
  Flashlight clinched my fist AS i took my first steps
• 1:51:53
  into the. Basement took me a whole thirty seconds to
• 1:51:55
  take my second, step just out of fear of whatever
• 1:51:57
  was going to come towards me in the. Darkness shouted
• 1:52:00
  into the darkness, again taking a few more liberal steps
• 1:52:03
  BEFORE i froze. AGAIN i showed my flashlight deeply into the,
• 1:52:06
  darkness and heard a fast scurry heading towards. Me oh
• 1:52:08
  fuck this shut it quickly turning and booking it. Upstairs
• 1:52:12
  managed to get up there and put my hands on the,
• 1:52:13
  door flashing stills shining down into the. Dark what met
• 1:52:17
  me was a, woman body may completely out of, porcelain
• 1:52:19
  crawling up the stairs at mocked speeds towards. Me she
• 1:52:22
  wore dirty and tattered white. Dress she was missing one
• 1:52:25
  of her. EYES i didn't let her get far AS
• 1:52:27
  i quickly slammed the door in her face and pushed
• 1:52:30
  full weight up against the. Door she, screamed smashing her
• 1:52:34
  hands against the, door cracking. Porcelain heard as she smashed
• 1:52:37
  and beat against the, door the boy waked up plate she,
• 1:52:41
  screamed confirmed to me that she subdued my. Boss closed
• 1:52:44
  my eyes and just kept my full weight against the
• 1:52:46
  door as she kept on.
• 1:52:47
  Speaker 1: BANGING i Can't i'd have no, choice.
• 1:52:51
  Speaker 4: Just keeping my eyes closed as she banged and pounded with.
• 1:52:53
  FUTILITY i didn't know who this creature, was AND i
• 1:52:56
  didn't want to know what was going to stop me
• 1:52:59
  from up like, her SO i just kept against the
• 1:53:02
  door until she suddenly fell SILENT i was about to
• 1:53:05
  take my chances and just stayed against the door till
• 1:53:07
  a familiar voice came from behind the. Door opening the
• 1:53:11
  door came the haggard and tired voice In my boss
• 1:53:15
  cautiously looked at the door and backed away from, it
• 1:53:17
  the knob turning in the figure of my boss coming
• 1:53:19
  out and slamming the door, shut locking it with the,
• 1:53:22
  key pounding his fist into the. Door are you, okay,
• 1:53:24
  sir asked, him backing up to give him. Space looked
• 1:53:28
  back at, me stitches to his mouth torn open as
• 1:53:30
  he covered it with his. Hand nodding to, me he
• 1:53:33
  pointed to something behind. Me LOOKING i saw the template
• 1:53:36
  was holding a spool of thread and a. Needle nodding to,
• 1:53:39
  HIM i walked over and gave it to, him lifted
• 1:53:41
  his hand up and quickly started to sew up his.
• 1:53:43
  Mouth thick black liq would have stripping from his mouth
• 1:53:46
  as he sewed himself back up with expert, precision finishing
• 1:53:50
  it up one hundred thirty seconds.
• 1:53:52
  Speaker 1: Flat i'm, fine, son she just got the drop on.
• 1:53:55
  Speaker 4: Me, growl tossing spool back at me and working his lower.
• 1:53:59
  Jaw then he turned his attention back to. Me and
• 1:54:01
  grabbed me by the, throat shoving me into the wall
• 1:54:04
  and giving me a firm squeeze in my.
• 1:54:05
  Speaker 10: THROAT i told you never to fucking go down. THERE
• 1:54:10
  i was worried about.
• 1:54:12
  Speaker 4: You choked out trying to pull him off, me gagging
• 1:54:15
  and looking pleadingly at. Him gretted his teeth and dropped.
• 1:54:18
  Me caused me to gag and choke for, air so
• 1:54:21
  he walked away from. Me looked up as he walked
• 1:54:23
  away from, me silently going into his office and slamming
• 1:54:26
  the door. Close pulling myself up into my rocking, CHAIR
• 1:54:28
  i breathed, hard just trying to get my. Bearing took
• 1:54:31
  a good hour for me to finally pull my phone
• 1:54:33
  out and shakily look at.
• 1:54:35
  Speaker 3: It what COULD i possibly?
• 1:54:36
  Speaker 4: Do the police obviously wouldn't help me if they came
• 1:54:40
  to me to apologize for them coming. HERE i had
• 1:54:42
  no one to answer anything for me except looked back
• 1:54:46
  at the basement door and walked over to, it stepping.
• 1:54:48
  Over it's still a dead.
• 1:54:49
  Speaker 2: Customer i'm. SORRY i Just i'm afraid of. Him do
• 1:54:53
  you know anything about? Him is there some way to stop?
• 1:54:55
  Speaker 4: HIM i asked into the key, hole waiting to see
• 1:54:58
  if a porcelain woman was still there, there about to
• 1:55:00
  give up when the soft voice came back.
• 1:55:02
  Speaker 9: To, Me, Charles Charles, sumner.
• 1:55:06
  Speaker 4: That's, all she, whispered going silent again and not responding.
• 1:55:09
  Again an awed to silent thanks to, her went to my,
• 1:55:13
  counter pulling up my, phone started my. Research, well it
• 1:55:17
  turned out that the only, thing, okay this is actually really.
• 1:55:20
  Cool this is story development that like that that is
• 1:55:25
  a woman he knew or whatever that's locked in the.
• 1:55:27
  Basement and then it's like after he tried to help
• 1:55:31
  him and he pinned him against the, wall choking, Him he's,
• 1:55:34
  LIKE i have to do, something but she gives him
• 1:55:36
  his real. Name so Now King, Creole like if he
• 1:55:40
  can learn the history Of King. Creole if it's like
• 1:55:42
  Some Antebellum south like voodoo ritual went, wrong this Is
• 1:55:46
  i'm gonna be all over.
• 1:55:47
  Speaker 2: This this IS i hope that'd be. Sick it also
• 1:55:51
  kind of seems like a H.
• 1:55:54
  Speaker 1: I don't.
• 1:55:54
  Speaker 2: Know my mind keeps going to like one he doesn't
• 1:55:57
  kill he hasn't killed, him he's broken two.
• 1:55:59
  Speaker 1: Rules it was anybody.
• 1:56:00
  Speaker 2: ELSE i, mean you see even with the woman who
• 1:56:03
  called the cops or, whatever which have no have no
• 1:56:06
  authority over. Him, Right it's not like the cop could
• 1:56:08
  have done. Anything he's fucked With King creole twice or
• 1:56:11
  broken his rules. TWICE i almost think that he's using
• 1:56:14
  him as a host or a soul or, something.
• 1:56:16
  Speaker 1: You know WHAT i. Mean he needs he needs that
• 1:56:18
  kid right. Now he Needs. Travis, yeah, yeah.
• 1:56:22
  Speaker 4: Probably, well it turned out that the only THING i
• 1:56:24
  knew About Charles sumner was the guy that got beat
• 1:56:28
  with a cane in The senate before The Civil.
• 1:56:30
  Speaker 1: War SO i don't think the internet's.
• 1:56:32
  Speaker 3: Going to help me.
• 1:56:32
  Speaker 1: There oh, yeah isn't that the guy Who Kansas missouri?
• 1:56:35
  Guy i'm pretty? Sure, yeah, yeah that's, right that's.
• 1:56:37
  Speaker 2: Right, yeah they beat the guy got beat with a,
• 1:56:40
  cane and then the representative that dead it people would
• 1:56:42
  like toss him.
• 1:56:43
  Speaker 1: Canes it was like a huge. Meme and that's also
• 1:56:45
  Why missouri And kansas still hate each. Other that's why
• 1:56:48
  there's a big.
• 1:56:49
  Speaker 4: Right, yeah well that's that's what led to like the
• 1:56:51
  uh what was it called the decision they made there
• 1:56:53
  be one slave state and one free.
• 1:56:55
  Speaker 1: STATE i can't. Remember ALL i know Is missouri was
• 1:56:58
  on the own side of.
• 1:57:00
  Speaker 4: That well for just out of, curiosity which what would
• 1:57:07
  that be to?
• 1:57:08
  Speaker 1: You missouri was on the. Wrong they were pro slave right?
• 1:57:11
  There you would to say it, There, Yeah i'm making.
• 1:57:14
  Sure could you? IMAGINE i was, like, hey not going
• 1:57:18
  to SEE i cleared the fifth as it.
• 1:57:22
  Speaker 4: Were i'm just you, know or is entitled to our.
• 1:57:25
  Opinions The Missouri. Compromise that was the name of.
• 1:57:28
  Speaker 1: It that's what it.
• 1:57:28
  Speaker 3: Is that's.
• 1:57:29
  Speaker 4: RIGHT i worked the rest of my ship and left
• 1:57:31
  without a word To King. Creole but instead of heading straight,
• 1:57:33
  HOME i went SOMEWHERE i hadn't been in. Years the,
• 1:57:36
  library a wealth of knowledge and the only PLACE i
• 1:57:38
  could THINK i would have anything on my. Boss get
• 1:57:41
  into the reference. SECTION i poured into everything and ANYTHING i,
• 1:57:44
  could looking at the newspaper, section the, headlines, deaths famous
• 1:57:48
  people from my, town anything About Charles. Sumner, then about
• 1:57:52
  an hour before they were about to, CLOSE i got a.
• 1:57:55
  Hit Charles sumner nineteen hundred to nineteen twenty. Five oh let's, go,
• 1:58:00
  baby let's, go let's go. Baby he was a pretty
• 1:58:03
  famous pianist back in the. Day oh let's. Go it's
• 1:58:06
  like an old jazz. Musician he was a pretty famous
• 1:58:08
  pianist back in the, day and was even part of
• 1:58:10
  a band called The Sumner.
• 1:58:11
  Speaker 1: Orchestra other than.
• 1:58:13
  Speaker 4: THAT i didn't get too much about, him but it
• 1:58:16
  did lead me down a rabbit. Hole WHEN i saw
• 1:58:18
  the only picture of him in the reference, book it
• 1:58:20
  was clearly my boss king creole in the, flesh no button,
• 1:58:24
  eyes no, stitches.
• 1:58:25
  Speaker 3: Nothing he was no doubt human in this. Picture that was.
• 1:58:29
  Speaker 4: Surprising what surprised me most was the woman standing next
• 1:58:32
  to him in the, picture because that was the porcelain.
• 1:58:35
  Speaker 3: WOMAN i, Was, oh, man, brother where's it?
• 1:58:38
  Speaker 4: Out where's it? At where is it? At what DID
• 1:58:42
  i say earlier that the woman down there is an
• 1:58:43
  old love? Interest boom play my. Card let's go.
• 1:58:51
  Speaker 1: That that bear trap wasn't nearly as good as My Gypsy.
• 1:58:53
  ROSE i just want to say.
• 1:58:56
  Speaker 4: That but you didn't even call it out as a bear.
• 1:58:58
  Trap you didn't even call.
• 1:58:59
  Speaker 1: It BUT i thought it was being.
• 1:59:00
  Speaker 2: Respectful but if you're being gonna do it and put
• 1:59:02
  in my, face.
• 1:59:03
  Speaker 4: Then now you're just doing it BECAUSE i.
• 1:59:07
  Speaker 1: Did that's completely. Different and ALSO i have the. Card
• 1:59:09
  you don't have the.
• 1:59:10
  Speaker 4: Card, no this episode is incomprehensible to people who are
• 1:59:14
  new to the.
• 1:59:14
  Speaker 1: Show by the, way good.
• 1:59:18
  Speaker 10: Only real fans, Allowed i'm just, kidding come back exactly
• 1:59:23
  what they? Wrong, way, no, no.
• 1:59:24
  Speaker 1: No she was.
• 1:59:27
  Speaker 4: Famous enough to have a caption along with our Boy
• 1:59:29
  Charles Marry, simmons well love singer in the band and
• 1:59:33
  according to the, Book charles fiance, MAN i was so.
• 1:59:36
  Speaker 3: RIGHT i love being right about everything all the.
• 1:59:38
  Speaker 4: TIME i dropped the book WHEN i saw that staring
• 1:59:41
  in disbelieve she was his. Fiance what could she have
• 1:59:44
  done to deserve what she was? GETTING i needed to know?
• 1:59:47
  More then all the lights in the library cut? Out oh, no, no,
• 1:59:53
  god oh.
• 1:59:54
  Speaker 2: No, well so how dangerous is that? Too like this
• 1:59:57
  omnipotent boss of? Yours LIKE i Would, GOD i feel
• 2:00:00
  LIKE i. HAVE i, MEAN i don't even know HOW
• 2:00:02
  i would want to research. THIS i feel like he would,
• 2:00:03
  know you, know even him whispering to, Her.
• 2:00:06
  Speaker 4: Yeah you got you gotta at some point you gotta
• 2:00:08
  be like, ep you, KNOW i clock, IN i don't ask,
• 2:00:10
  QUESTIONS i clock.
• 2:00:11
  Speaker 2: Out, yeah or just realize you're up shit. Creaking you're
• 2:00:14
  pretty much fucked, him because what you can't quit that job?
• 2:00:16
  Speaker 1: Too? Right?
• 2:00:17
  Speaker 4: Yeah, Yeah and the only fear is that he's using
• 2:00:20
  your soul or will replace you eventually with, something so
• 2:00:23
  not a lot you can. DO i looked up, queerly
• 2:00:25
  quickly and nearly pissed. Myself excuse, me grab? It this
• 2:00:29
  guy almost pisses himself constantly grabbing my phone and turning
• 2:00:33
  the flashlight. ON i clung to it tightly AS i looked,
• 2:00:36
  around quickly looked back at the book and sorry about this,
• 2:00:40
  library ripped the photo out of, it stuffing it into my,
• 2:00:43
  hoodie and making a break for, it TILL i found
• 2:00:45
  myself falling flat on my. Face looking. Down my eyes
• 2:00:49
  went white AS i saw a couple of voodoo dolls
• 2:00:51
  at my. Feet oh, shit tied my laces together WHILE
• 2:00:53
  i was in the, darkness can give me a? Break
• 2:00:56
  shout at, them kicking them and quickly ditching my. Shoes
• 2:00:58
  AS i made a run forward again into the front,
• 2:01:01
  DOORS i pulled on them to no. AVAIL i was locked.
• 2:01:04
  In why couldn't the internet have had this? Information? NOW
• 2:01:08
  i was gonna die my least favorite place in a stupid,
• 2:01:10
  town and that was saying. Something looking, AROUND i had
• 2:01:14
  to find a way to, escape at the idea to
• 2:01:16
  head to the fire. Escape looking around AS i soon
• 2:01:19
  made it to the nearest, door reached out to open,
• 2:01:21
  it only for my arm to go completely limp. ON
• 2:01:24
  i raised a brout this BEFORE i lost control entirely
• 2:01:27
  of my, body once, again hitting the floor with a
• 2:01:29
  grunt and looking around in tear AS i couldn't. MOVE
• 2:01:32
  a million QUESTIONS i asked were soon answered when a
• 2:01:35
  familiar voice came up to.
• 2:01:36
  Speaker 1: Me you should lift well enough, Alone.
• 2:01:38
  Speaker 4: Trevin uh, oh creoberted me from the. Darkness lights came
• 2:01:43
  back on and revealing him standing right next to me
• 2:01:46
  holding a voodoo doll looked exactly like. Me oh, No
• 2:01:50
  he held it in a firm grip a needle held
• 2:01:52
  right up to the doll's.
• 2:01:53
  Speaker 3: Neck swallowed hard and looked up at.
• 2:01:55
  Speaker 1: HIM i just wanted to know more about, you.
• 2:01:57
  Speaker 4: Shouted at, him fear my voice, obvious but he held
• 2:02:00
  a hand up to his mouth to hush. Me so
• 2:02:02
  he knelt down with the doll in his.
• 2:02:03
  Speaker 1: Hand use your inside, Force, treves we're in a.
• 2:02:07
  Speaker 4: Library, chuckled grabbing me by the hair and pulling me
• 2:02:10
  up by.
• 2:02:11
  Speaker 1: It you want to learn more about?
• 2:02:13
  Speaker 4: Me?
• 2:02:13
  Speaker 1: Huh want to know about what that war did to?
• 2:02:16
  Speaker 4: Me he, asked his teeth growing sharp as he, talked
• 2:02:19
  reaching it into my pocket and pulling out a Page
• 2:02:20
  i'd ripped from the. Book he looked down at it
• 2:02:22
  with a disgust at, first but also a sense of.
• 2:02:24
  Sadness please don't kill, me Went, bird, shivering trying to
• 2:02:29
  gain any kind of control back over my, body looked at,
• 2:02:32
  me then at the paper tossed in the back at
• 2:02:34
  me and giggling like a.
• 2:02:35
  Speaker 1: Child, huh not gonna kill, you. SON i need you for, things.
• 2:02:40
  Speaker 4: He, said grabbing me by my hair and pulling my
• 2:02:42
  head up to meet his button.
• 2:02:44
  Speaker 1: Eyes but after this little stunt you, pulled it looks
• 2:02:47
  Like i'll have to put things in.
• 2:02:49
  Speaker 4: Motion side pulling me up to my feet and tossing
• 2:02:52
  the doll.
• 2:02:52
  Speaker 3: Of me up and.
• 2:02:53
  Speaker 1: Down what do you?
• 2:02:55
  Speaker 4: MEAN i, asked, again getting shushed by, him pat in
• 2:02:59
  my head and whispered something into the doll's. Ear suddenly
• 2:03:02
  got super, drowsy struggled to keep myself, standing looking at,
• 2:03:05
  creole and FINALLY i passed. OUT i woke up this
• 2:03:08
  morning and, gasped looking around quickly to see where the
• 2:03:11
  HELL i. WAS i was in my, room AND i
• 2:03:14
  dreamed all of that picture Of Charles, mary, however still
• 2:03:18
  my hood you, pocket, however and that quickly dispelled any
• 2:03:20
  idea of a, nightmare got up and went to the
• 2:03:22
  bathroom next to my room and screamed because looking at
• 2:03:26
  my reflection in the mirror were two big black buttets
• 2:03:29
  where my eyes should have. Been, LOOK i don't know
• 2:03:31
  what he's doing to, me AND i don't know how
• 2:03:34
  to stop. It scared, Guys i'm going to find out
• 2:03:37
  how to stop him BEFORE i end up like the
• 2:03:39
  Customers i've shit.
• 2:03:40
  Speaker 3: About IF i don't, upload ASSUME i.
• 2:03:42
  Speaker 4: Failed my skin is getting really pale AS i finished this,
• 2:03:45
  up SO i got to get a move.
• 2:03:46
  Speaker 1: On wish me.
• 2:03:47
  Speaker 2: Luck end Of part six into the final Part part,
• 2:03:50
  Seven i'm having a lot of. Fun i'm, Like i'm
• 2:03:52
  Actually i'm. Glued i'm glued in right.
• 2:03:55
  Speaker 1: Now day, Fun it's, fun all.
• 2:03:57
  Speaker 4: Right part, seven the, finale hearts on keeping the door
• 2:04:01
  closed on my parents as they attempted to learn WHY i.
• 2:04:03
  SCREAMED i finally convinced them THAT i had seen a
• 2:04:06
  giant spider and killed.
• 2:04:07
  Speaker 1: It WHEN i finally heard their.
• 2:04:08
  Speaker 4: Footsteps walk away from the bathroom, DOOR i took another
• 2:04:10
  look at myself in the. Mirror there's no doubt that
• 2:04:13
  my eyes were replaced by. Buttons couldn't blink THAT i
• 2:04:16
  really needed, to AND i could see much better THAN
• 2:04:19
  i could, Before so it'd been nice if my eyes weren't.
• 2:04:21
  Buttons this is very the bell dam or whatever from
• 2:04:25
  a core, line very core.
• 2:04:27
  Speaker 1: LINE i was.
• 2:04:28
  Speaker 4: STUCK i had to learn more About creole and learn
• 2:04:31
  how to defeat him BEFORE i turned into whatever the
• 2:04:34
  HELL i was about to turn. Into AND i have
• 2:04:36
  to give it to you, guys mentioning THAT i should
• 2:04:38
  Find olivia's new. Mother fortunately for, ME i had no
• 2:04:42
  clue where she. Lived pulled on my hair trying to
• 2:04:44
  figure out where she could. Live BUT i had an.
• 2:04:46
  Idea all of the items that were on her original
• 2:04:49
  mother's body was sitting behind the counter at. Work this
• 2:04:52
  included a cell phone and her, wallet where her id
• 2:04:56
  would be. Great back into The, lionston seeting it up
• 2:05:00
  my hooding and pulling the hood on, QUICKLY i ran
• 2:05:02
  past my, parents shouting THAT i was late for work.
• 2:05:04
  Speaker 3: And books it. OUTSIDE i HOPE i can see them again.
• 2:05:06
  Speaker 4: Someday making my way to the, SHOP i gathered all
• 2:05:09
  the COURAGE i could and walked into the. Shop was
• 2:05:11
  immediately confused WHEN i saw nobody. There the office door
• 2:05:15
  was closed and the basement door was locked shut as. Usual,
• 2:05:18
  well at least this part would be. Easy walking over the,
• 2:05:20
  COUNTER i fished around in the container of people sayings
• 2:05:23
  and soon found WHAT i was looking. For sophie said,
• 2:05:26
  aloud looking at the idea Of olivia's old. Mother, man
• 2:05:29
  that is. Weird SO i have two sisters and their
• 2:05:32
  names Are sophia And. Olivia it's just it's a weird coincidence,
• 2:05:38
  anyway which contained her?
• 2:05:40
  Speaker 1: Address what are the? Ship one Day.
• 2:05:46
  Speaker 3: I'll be dead AND i won't have to put up
• 2:05:48
  with this.
• 2:05:48
  Speaker 1: Door that's the saving.
• 2:05:50
  Speaker 4: Grace one day you'll, die which contained her, address and
• 2:05:53
  it was within walking distance of. Here stuffing the idea
• 2:05:56
  of my, POCKET i quickly turned to leave and walked
• 2:05:58
  right Into kreole standing behind.
• 2:06:00
  Speaker 1: Me you do look very distinguished with, buttons.
• 2:06:03
  Speaker 4: He, could grabbing my face with his hands and pushing
• 2:06:05
  the hood off my. Head looking up at, HIM i
• 2:06:08
  shivered as he stared at me with a happy.
• 2:06:09
  Speaker 1: Expression you're looking quite pale these. Days are you, Sick?
• 2:06:14
  Speaker 4: Trevis he, asked fake concern plastered all over that pale
• 2:06:17
  face of. His looking down at my, HAND i saw
• 2:06:20
  that it was quickly becoming the shade of.
• 2:06:21
  Speaker 3: White he.
• 2:06:22
  Speaker 1: Was what the fuck are you doing to?
• 2:06:24
  Speaker 4: Me shouted, him pounding on his chest and finally shoving
• 2:06:27
  him off my, face backing up from him and starting
• 2:06:31
  to head for the front.
• 2:06:31
  Speaker 1: DOOR i need a store, cook, you answered the advertisement, treves.
• 2:06:36
  Speaker 4: He said with a, chuckle picking up the voodooed all
• 2:06:39
  of me from the, counter pulling a needle from his
• 2:06:41
  pocket and holding it back up to the doll's. NECK i,
• 2:06:43
  froze looked at him with grited, teeth looking behind, him feigned,
• 2:06:47
  concern making it look Like mary had broken free from the.
• 2:06:51
  Speaker 3: Basement he fell for, it looked back at the basement.
• 2:06:53
  Speaker 4: Door he did so long enough for me to Chuck
• 2:06:56
  sophie's cell, phone WHICH i had kept right into his,
• 2:06:59
  head his hat off and stackering him for a bit.
• 2:07:02
  TURNING i quickly fled out of the shop and started
• 2:07:04
  booking it towards the direction Of olivia's.
• 2:07:06
  Speaker 1: HOUSE i was hoping that.
• 2:07:07
  Speaker 4: The voodoo doll had limited range on, me and LUCKILY
• 2:07:10
  i think it. Did nothing happened to, me SO i
• 2:07:13
  ran to the, neighborhood panting and out of. BREATH i looked, around,
• 2:07:17
  man could you see if he was wrong about.
• 2:07:18
  Speaker 1: That he's like the. Suckers it just falls over. Dead, yeah,
• 2:07:22
  WELL i mean you have to, try. Right.
• 2:07:24
  Speaker 4: Yeah nothing happened to me AS i ran to the,
• 2:07:26
  neighborhood panting and out of, breath looked around and tried
• 2:07:29
  to find the correct, house soon, enough managing to find
• 2:07:32
  it and stumbling my.
• 2:07:32
  Speaker 3: Way to the, door knocking on it.
• 2:07:34
  Speaker 1: Hard you work with mister King.
• 2:07:36
  Speaker 4: Krio lvia gas when she opened the door for, me
• 2:07:39
  look of confusion on her face when she saw me
• 2:07:41
  with button eyes and pale.
• 2:07:42
  Speaker 1: Skin CAN i get but nice?
• 2:07:44
  Speaker 4: TOO i need to talk to your, mommy said it
• 2:07:48
  through exhausted, Panting no, wonder almost felt pee all those
• 2:07:51
  times in high.
• 2:07:51
  Speaker 3: School she nodded to let me into the.
• 2:07:53
  Speaker 4: HOUSE i looked around and saw that every single picture
• 2:07:56
  in the house was Of olivia and her new.
• 2:07:58
  Speaker 3: Mother not a single one Of sophie.
• 2:08:00
  Speaker 4: Existed, damn he's, Good oh Dear, god came the soft
• 2:08:04
  and Concerned british voice Of olivia's new. Mother looked up
• 2:08:07
  at her and stumbled to, her grabbing her by the
• 2:08:09
  collar for poofy black dress and shaking her desperation clear
• 2:08:13
  on my. Face help, me how DO i stop, this,
• 2:08:17
  screamed begging the woman to help me in any way she.
• 2:08:19
  COULD i did not want to end up Like sophia
• 2:08:21
  or all those other people the creole had.
• 2:08:23
  Speaker 1: KILLED i know his real, name AND i know who's
• 2:08:26
  trapped in the. Basement please tell me how to save.
• 2:08:29
  MYSELF i. DON'T i do not, know for speak ill of,
• 2:08:34
  HIM i.
• 2:08:34
  Speaker 4: May she looked over To, olivia who was playing in
• 2:08:37
  the living, room oblivious to us in our own little.
• 2:08:39
  Speaker 1: World she turned back.
• 2:08:41
  Speaker 3: To me and bitter.
• 2:08:41
  Speaker 1: Lips go to this, address she.
• 2:08:43
  Speaker 3: Said quickly pulling out a notepatter and scribbling on.
• 2:08:45
  Speaker 4: It please tell me this isn't, FAR i. Begged having
• 2:08:48
  to run here had really wiped me.
• 2:08:50
  Speaker 9: Out it, Is i'm, afraid but it is the only
• 2:08:53
  place that may help, you.
• 2:08:55
  Speaker 4: She, said tearing off the sheet of paper and handing
• 2:08:57
  it to. ME i looked down at it and raised my.
• 2:08:59
  Speaker 1: Brow isn't this right near the, shop won't you?
• 2:09:02
  Speaker 4: KNOW i asked, her wondering if she was sending me
• 2:09:04
  on a suicide. Mission but she shook her head and
• 2:09:07
  kept her hands together around the.
• 2:09:08
  Speaker 1: Notepad he does not go there. Anymore you should be, safe.
• 2:09:12
  Speaker 4: She, Said then her face twisted into. Fear she covered
• 2:09:15
  her mouth with her. Hands the notepad fell to the
• 2:09:18
  floor as she backed away from. ME i shivered as
• 2:09:20
  she did, so scared of what she could have.
• 2:09:22
  Speaker 1: Seen why you're, blushing, Mister.
• 2:09:25
  Speaker 4: Olivia asked, me her attention now on me and tilting
• 2:09:27
  her head in. Confusion WAS i? BLUSHING i didn't feel
• 2:09:31
  hot enough for. THAT i pulled my phone out and
• 2:09:33
  looked at myself in the, camera and my heart sank
• 2:09:36
  in an. Instant my cheeks were painted red like a.
• 2:09:39
  PUPPET'S i turned and ran out of the, house adrenaline
• 2:09:42
  up and completely in panic. Mode he was turning me
• 2:09:46
  into a, puppet and IF i didn't stop him, SOON
• 2:09:49
  i was going to be over for me. QUICKLY i
• 2:09:52
  had to find out more about him and maybe find
• 2:09:54
  a way to stop this in the. Process slowing down
• 2:09:57
  after a, WHILE i made my way back towards the,
• 2:09:59
  shop but instead to making my usual left turn towards,
• 2:10:01
  IT i continued forward and ended up at a decrepit
• 2:10:04
  old building just like The voodoo. SHOP i really need
• 2:10:08
  to fix up this part of. Town the faded old
• 2:10:10
  letter read out library. ONLY i had never seen nor
• 2:10:13
  heard of this library, ever though considering how it. LOOKED
• 2:10:17
  i could see why signing and walking in with my
• 2:10:19
  head held. HIGH i walked up to the doors and
• 2:10:21
  found them completely sealed behind wooden. Boards lucky for, me
• 2:10:25
  there was a broken window right, nearby SO i entered
• 2:10:28
  the building and became my. SEARCH i headed for the reference,
• 2:10:31
  section WHERE i found much more information detailling things About Charles.
• 2:10:35
  Sumner let's just say it's a, tale all. Right Charles
• 2:10:38
  sumner was born into a poor, family his dad dying
• 2:10:41
  of cholera and his mother having to raise him on her.
• 2:10:43
  Speaker 1: Own lucky for.
• 2:10:44
  Speaker 4: The two of, Them charles's mother was a voodoo witch,
• 2:10:47
  doctor very well loved by the. Community charles, meanwhile became
• 2:10:50
  a piano prodigy at the age of. Seven you would
• 2:10:53
  go on to make a career of it soon. Enough
• 2:10:55
  by the time he was, eighteen he was in his own.
• 2:10:58
  Band now he was a millionaire or, anything but it
• 2:11:01
  seemed like he was well. Off that's Where Mary simmons
• 2:11:04
  was the vocalist For charles and his.
• 2:11:06
  Speaker 1: Fiance while, nice this information didn't.
• 2:11:09
  Speaker 4: Help me at, all AND i was about to give
• 2:11:10
  up completely and just burned down the whole shop WHEN
• 2:11:13
  i suddenly turned to the last page the reference BOOK
• 2:11:16
  i was reading had On, charles and in big black
• 2:11:19
  letters a headline shown from the Newspaper Charles sumner. Missing,
• 2:11:24
  INTRIGUED i read as BEST i could the old and
• 2:11:27
  decayning page of the. Book charles had gone out with
• 2:11:30
  his bandmates and had never returned. Home looked around and
• 2:11:33
  tried to find any other Information, Charles, mary, Anybody and
• 2:11:37
  THEN i found.
• 2:11:38
  Speaker 1: It Mary simmons and six others go.
• 2:11:41
  Speaker 4: MISSING i read aloud WHEN i found an ancient newspaper
• 2:11:45
  article about. It looked up WHEN i heard footsteps, outside
• 2:11:48
  but it was just some crackheads bumpling to each. Other
• 2:11:51
  back to the paper and read it as BEST i.
• 2:11:52
  Could mary had gone missing about four months After charles.
• 2:11:56
  Did struck my chin at. That looked back at the
• 2:11:59
  other BOOKS i throw around. Everywhere his mother mumbled to,
• 2:12:02
  myself going on a hunch and trying to find a
• 2:12:05
  book or something on her if she was so beloved
• 2:12:07
  by the, community AND i. Did although she were treated
• 2:12:11
  from public life after the disappearance Of, CHARLES i did
• 2:12:14
  manage to find one interview she gave before. Then she
• 2:12:17
  Blamed mary for the Missing. Charles more, importantly the missing
• 2:12:21
  ten thousand dollars he had won in a contest the
• 2:12:24
  night he went. Out, GOTCHA i said, aloud closing that
• 2:12:28
  book and trying to use my mind to help piece things.
• 2:12:30
  Speaker 1: Together having a good read, Son, creole.
• 2:12:33
  Speaker 4: Asked, me sending me flinching into the bookshelf and staring
• 2:12:36
  at him as he set up above me on the
• 2:12:37
  bookshelf across from.
• 2:12:38
  Speaker 1: ME a really good, One charles shot back at, him.
• 2:12:42
  Speaker 4: Smiling his face disappeared WHEN i called him, that growled
• 2:12:45
  at me and hopped down to my, level grabbing me
• 2:12:47
  by the collar again and slaving.
• 2:12:48
  Speaker 1: Me hard into the. Bookshelf don't call, me.
• 2:12:50
  Speaker 4: That, snarled lifting up his fist to beat, me only
• 2:12:53
  for me to headbut him and grab a book from the,
• 2:12:55
  floor tracking my boss in the face with it and
• 2:12:58
  pushing him. Over tripped and fell into. Floor stared back
• 2:13:01
  at me with anger in those buttons of His.
• 2:13:03
  Speaker 1: What Did mary? Do who should keep her trapping the?
• 2:13:05
  Speaker 4: BASEMENT i demanded to, know lifting the book over my
• 2:13:08
  head to hit him. Again he looked at me with
• 2:13:11
  sharpened teeth and got up to his, feet fixing his
• 2:13:15
  tie and looking at me LIKE i was a. Worm
• 2:13:16
  he just stepped, on grabbing me by the collar. Again
• 2:13:19
  he stared into my button eyes with his.
• 2:13:21
  Speaker 1: Own that whole deserts EVERYTHING i give to.
• 2:13:23
  Speaker 3: Him snarls teeth.
• 2:13:24
  Speaker 4: Again growing sharp and a pure rush of, ADRENALINE i
• 2:13:27
  grabbed his mouth by the stitches and yanked as hard
• 2:13:30
  AS i, could managed to rip out the entire length
• 2:13:32
  of his, future causing him to drop me and stumble,
• 2:13:35
  backwards gagging and. Coughing he looked at me with the
• 2:13:38
  black ooze dripping out of his mouth much quicker than
• 2:13:40
  it did.
• 2:13:41
  Speaker 1: Before acting, QUICKLY i.
• 2:13:43
  Speaker 4: Ran up to him and pushed him over with all my,
• 2:13:45
  weight fishing inside his coat pockets as we both stumbled
• 2:13:48
  to the, FLOOR i managed to pull out the two
• 2:13:50
  ITEMS i knew he, needed his spool of black thread
• 2:13:54
  and the key to the. Basement Thanks, CHARLES i shouted
• 2:13:57
  with a, chuckle standing and booking it towards the library.
• 2:14:00
  Entrance no pun intended. There, SURPRISINGLY i heard him scream
• 2:14:04
  and shout at, me but WHEN i looked, back he
• 2:14:06
  was struggling to stand. Up clearly ripping those threads out
• 2:14:09
  of his mouth did something to. Him good thanking adrenaline fueled,
• 2:14:12
  me making it out through the WINDOW i had gone in.
• 2:14:14
  THROUGH i sighed hard AS i looked down at my,
• 2:14:16
  arms still pale as, him but they had stopped at my,
• 2:14:19
  elbows MEANING i bought myself some. Time from all that sighed,
• 2:14:23
  HARD i now knew WHAT i had to. DO i
• 2:14:26
  was going to the, basement armed with the key and
• 2:14:28
  a rusty PIPE i stole from the outside of the.
• 2:14:30
  LIBRARY i started walking towards Old King. KREOLES a million
• 2:14:34
  things were going through my mind at that, Moment thoughts About,
• 2:14:37
  charles what had happened to? Him what was going to
• 2:14:40
  happen to? Me opening the doors to the, shop everything was, dead.
• 2:14:43
  Silent even the rusty bell was much quieter than it usually.
• 2:14:47
  Was looking to the wall of voodoo, DOLLS i saw
• 2:14:49
  that they were all starting to rot and fall off the.
• 2:14:52
  Speaker 1: Shelves must have really weakened.
• 2:14:54
  Speaker 4: Him renewed by, THIS i strode towards the basement and
• 2:14:57
  stopped his. OFFICE i looked over to it and changed
• 2:15:01
  my course to look through. It maybe there was something in.
• 2:15:03
  There going into the clean, OFFICE i saw most of
• 2:15:06
  WHAT i had seen the first, time tidy office and
• 2:15:08
  scratched out. Pictures, well this TIME i paid attention to the.
• 2:15:11
  Pictures see that indeed these were Of charles And. Mary
• 2:15:15
  opened up his office. DESK i didn't find much of,
• 2:15:18
  anything countless buttons and, threads as well as several pairs of.
• 2:15:22
  Gloves about to, LEAVE i saw on his desk a
• 2:15:24
  picture that wasn't completely scratched out stood prominently a picture
• 2:15:28
  of a Young Charles sumner and his, mother Mother, creole
• 2:15:32
  looking out of the office towards the basement. DOOR i
• 2:15:34
  knew that all my answers would come from down. There
• 2:15:37
  walking over, THERE i finally inserted the key and turned,
• 2:15:39
  it opening the door and staring into the, Depths taking
• 2:15:43
  my phone out and turning on the, FLASHLIGHT i made
• 2:15:45
  my way down.
• 2:15:45
  Speaker 1: There, okay the.
• 2:15:46
  Speaker 4: Old wooden steps creaked with every one of my. FOOTSTEPS
• 2:15:49
  i looked to the ceiling into the. FLOORS i made
• 2:15:51
  my way, down passing several bones and articles of clothing
• 2:15:54
  on my way.
• 2:15:55
  Speaker 3: Down finally touched solid.
• 2:15:56
  Speaker 4: GROUND i was in the basement after all this, time
• 2:15:59
  and it was this freak and, gross As i'm sure
• 2:16:01
  you guys imagined to cane and. Broughting bodies laid, everywhere
• 2:16:05
  some hung up by strings like, puppets and others clearly
• 2:16:07
  having been chewed.
• 2:16:08
  Speaker 1: On by.
• 2:16:09
  Speaker 4: Something that's something soon caught my. Attention the sound of
• 2:16:13
  crunching porcelain turned my attention to the corner of the,
• 2:16:15
  room Where mary sat looking up at me in.
• 2:16:17
  Speaker 1: Horror he's he's gotten to, you, too.
• 2:16:20
  Speaker 4: Twimpered, softly curling up in the fetal. POSITION i made
• 2:16:23
  my way over to, her phone trained on her cracked
• 2:16:26
  and broken, body kept my pipe in my hand just
• 2:16:29
  in case she got any ideas.
• 2:16:30
  Speaker 1: What happened to. Him obviously he didn't just wake up like,
• 2:16:33
  that AS i.
• 2:16:34
  Speaker 4: DID i demanded to, know keeping distance from her and
• 2:16:37
  waiting for the. Answer she curled up, tighter obviously not
• 2:16:40
  wanting to spill her. Beans but finally she spoke.
• 2:16:42
  Speaker 1: UP i cheated on, him.
• 2:16:44
  Speaker 4: She, mumbled looking at me with the one eye she.
• 2:16:46
  Had her face was cracked and her right eye was,
• 2:16:49
  missing but the other showing the FLASHLIGHT i had trained on.
• 2:16:51
  Speaker 9: Her she was a nice, guy but he asked me
• 2:16:54
  to marry. HIM i, caved BUT i was already seeing someone.
• 2:16:58
  Speaker 2: Else a, mobster and you wanted to make him disappear
• 2:17:01
  and steal that ten thousand.
• 2:17:02
  Speaker 3: Dollars oh, yes sort of siding with cree Old charles
• 2:17:05
  in this.
• 2:17:05
  Speaker 1: One no that.
• 2:17:07
  Speaker 9: Wasn't the plane at. ALL i Told henry THAT i
• 2:17:10
  just want him to get scared and leave. Town henry
• 2:17:13
  and his goons took it too, far.
• 2:17:15
  Speaker 4: She, said, quickly looking at me and lunging, out grabbing
• 2:17:17
  me and shaking me quickly back and.
• 2:17:19
  Speaker 1: FORTH i didn't tell them to torture. Him wait, TORTURE.
• 2:17:23
  Speaker 4: I, asked, quickly shoving the porcelain doll off, me holding
• 2:17:26
  my pipe up to get her back from.
• 2:17:28
  Speaker 1: Me looked.
• 2:17:29
  Speaker 4: Fragile something had to be chewing on all these corpses down.
• 2:17:31
  Here she was the only living thing down.
• 2:17:33
  Speaker 1: Here it's stupid, idiots she.
• 2:17:37
  Speaker 4: Mumbled starting to cry and looking up at, me holding
• 2:17:39
  her two hands up and rubbing her messy hair.
• 2:17:41
  Speaker 9: Around they tortured, him beat, him put the eyes out
• 2:17:45
  of his, head and cut his head off when it
• 2:17:48
  was all said and, done.
• 2:17:50
  Speaker 3: She, explained looking up at me for some kind of.
• 2:17:51
  Speaker 1: Sympathy what you were just gonna fuck him up and
• 2:17:54
  steal his. MONEY i don't believe you for a. Second
• 2:17:57
  he's done horrible things to. People if you cause that
• 2:17:59
  to happen.
• 2:17:59
  Speaker 4: To, him you know better than, him said with the.
• 2:18:02
  Huff didn't make. Sense the way she had put it
• 2:18:05
  at least what she, began obviously trying to fix her.
• 2:18:10
  Lie oh that's, interesting, Okay but she gave up in,
• 2:18:15
  sighed rubbing her cracked face and nodding behind her, hands
• 2:18:19
  looking back up at me with an exhausted.
• 2:18:21
  Speaker 1: Face.
• 2:18:22
  Speaker 9: FINE i wanted to get rid of, him BUT i
• 2:18:24
  wasn't strong enough to just.
• 2:18:26
  Speaker 1: Come out and SAY i didn't love him.
• 2:18:27
  Speaker 9: Anymore he spent every single moment of his time playing
• 2:18:30
  gigs WHICH i had to sing.
• 2:18:32
  Speaker 1: IN i hated. IT i hated all of.
• 2:18:36
  Speaker 9: That so When henry came up and swept me off my,
• 2:18:38
  FEET i decided to be selfish for once in my.
• 2:18:41
  Speaker 4: Life decided to be for selfish and have this man murdered.
• 2:18:45
  Speaker 1: VIOLENTLY i, mean, like what the fuck are you talking?
• 2:18:47
  Speaker 4: About this is interesting, though that they're both bad people
• 2:18:50
  effectively of the.
• 2:18:51
  Speaker 2: Most, well also just kind of delusional to like how
• 2:18:54
  is still hung up on this for what over one
• 2:18:56
  hundred years or? Whatever like it's just, yeah they're made
• 2:18:59
  for chel literally shouted back at, me stumbling to her
• 2:19:02
  feet and staring at me with daggers in her single.
• 2:19:04
  EYE i guess you didn't expect him to come back
• 2:19:06
  as eventual voodoo.
• 2:19:07
  Speaker 4: Ghost, snickered backing up from her and heading back towards the.
• 2:19:11
  Stairs she followed. Me anger's still obvious on her.
• 2:19:14
  Speaker 9: Face If henry hadn't done such a shit job hiding his,
• 2:19:16
  body his mother wouldn't have discovered it and turned him
• 2:19:19
  into that, freak.
• 2:19:20
  Speaker 4: She, mumbled turning and looking around the wall she must
• 2:19:22
  have looked at for almost one hundred years.
• 2:19:24
  Speaker 9: Now now nothing but his punching, back.
• 2:19:27
  Speaker 3: She, sighed looking back at me with hopeless.
• 2:19:29
  Speaker 1: Expression he fixes me and breaks me over and over.
• 2:19:33
  Speaker 4: Again that explains the porcelain cracks and stuff like, That
• 2:19:37
  like how she goes down the stairface and, shatters puts
• 2:19:40
  her back, together breaks her.
• 2:19:41
  Speaker 2: Again it's also a great. UH i don't know if
• 2:19:44
  you feel the same. Way abused, metaphor, well abused, metaphor
• 2:19:47
  but also toxic, relationship you know WHAT i?
• 2:19:49
  Speaker 1: Mean, yeah that kind of. Deal But i'm, Sorry, MARY
• 2:19:52
  i really.
• 2:19:53
  Speaker 9: Am but at the same, time you weren't some innocent.
• 2:19:56
  Speaker 4: VICTIM i, responded looking down at my phone when it
• 2:19:59
  vibrated A no, number THOUGH i knew exactly who it.
• 2:20:02
  Speaker 3: Was, no he said, Softly.
• 2:20:04
  Speaker 1: Sorry, travis my, boy your looks run out.
• 2:20:08
  Speaker 4: The familiar voice said to me for something struck me
• 2:20:10
  on my, head AND i lost all control of my,
• 2:20:12
  body flopping in the floor and passing. Out it's nice
• 2:20:14
  stresshes coming into view just AS i lost.
• 2:20:16
  Speaker 2: Consciousness do you think also he didn't want him to
• 2:20:18
  go down there because he thought he was going to
• 2:20:20
  have sex with her or something like jealousy?
• 2:20:22
  Speaker 4: Thing, WELL i think, that and he also just didn't
• 2:20:24
  want her to get out or did anyone talk to?
• 2:20:26
  Speaker 2: Her, yeah, SURE i MEAN i understand, that BUT i
• 2:20:28
  think to me it reads more and more like jealousy,
• 2:20:31
  now you, know like he's keeping her down there for.
• 2:20:34
  Speaker 1: Himself you, KNOW i think that's certainly part of.
• 2:20:36
  Speaker 4: It, yeah, yeah, wakey wakey son creole hums smacking me
• 2:20:40
  hard in the face with the, glove snapping me awake
• 2:20:42
  and looking around instantly trying to move and finding myself
• 2:20:46
  stuck and. Trapped looked around and SAW i was still
• 2:20:48
  in the basement AND i was tied to a.
• 2:20:50
  Speaker 1: Table you're gonna cut me in, half my.
• 2:20:53
  Speaker 4: Ass groaning at the stinging pain in my, head looking
• 2:20:56
  at him and realizing that he had lost an, eye
• 2:20:58
  then seeing he used the thread For i'm bad eye
• 2:21:00
  to sow his mouth back.
• 2:21:01
  Speaker 1: Up, unfortunately, NOT i do need you to be somewhat.
• 2:21:05
  Speaker 4: Intact he, sad walking over to me and tapping my,
• 2:21:08
  nose smiling as he pulled.
• 2:21:09
  Speaker 1: Away, No, travis my, BOY i do in fact need
• 2:21:13
  you alive well sort.
• 2:21:15
  Speaker 4: Of, chuckles slim in a heavy bag onto the table
• 2:21:18
  on top of my, leg causing me to cry out in.
• 2:21:20
  Speaker 1: Pain, charles, please he doesn't deserve.
• 2:21:23
  Speaker 4: This very's soft voice spoke, up Causing creole to stop
• 2:21:26
  his searching in the bag and looking off in the
• 2:21:28
  DIRECTION i couldn't focus on grabbing the Pipe i'd equipped
• 2:21:31
  myself with he walked out of my field of. View
• 2:21:34
  although the sound of breaking porcelain it's more than enough
• 2:21:36
  for me to.
• 2:21:37
  Speaker 3: Understand what he was doing to.
• 2:21:38
  Speaker 4: Her sorry about, that return with the, chuckle dropping the
• 2:21:42
  pipe on the floor and searching through the, bag once,
• 2:21:44
  again smiling nice and wide when he finally found the
• 2:21:48
  item he was searching, for pulling out an ancient, drill
• 2:21:51
  the kind you need to crank to.
• 2:21:52
  Speaker 1: Be able to. Use what are you gonna do to?
• 2:21:55
  Speaker 4: Me i asked, him pulling on my restraints hard and
• 2:21:58
  trying to escape the restraints that had me firmly down
• 2:22:00
  on the. Table he looked at me with wide and
• 2:22:02
  happy smile as he placed the drill on my Exposed,
• 2:22:04
  PAUL i.
• 2:22:05
  Speaker 1: Need a permanent, employee someone who could work hard and
• 2:22:09
  never ever take breaks or refuse an. Order and IF
• 2:22:13
  i had been a good little boy and just followed my,
• 2:22:16
  ORDERS i wouldn't have to do this. Step but you
• 2:22:19
  just had to start, snooping didn't.
• 2:22:21
  Speaker 4: You besides starting to drill into my. Hand i'm not
• 2:22:25
  ashamed to SAY i. SCREAMED i screamed and BEG i
• 2:22:28
  thrashed and tried every way possible to try and. Escape
• 2:22:31
  wasn't so bad with the second. HAND i THINK i
• 2:22:33
  was passing out from blood loss by that. Point the,
• 2:22:36
  feet lucky enough for, me was a walk in the
• 2:22:38
  park compared to the drill in my. Hands AS i
• 2:22:41
  struggled to stay, CONSCIOUS i saw that he had begun
• 2:22:43
  to tie thick pieces of string into the holes of
• 2:22:45
  my hands and.
• 2:22:46
  Speaker 1: Feet you'll make a fine addition to the, Crew. Travis
• 2:22:49
  you probably looked the, pot.
• 2:22:51
  Speaker 4: He, giggled his voice distorted AS i slipped in and
• 2:22:53
  out of. Consciousness although the feeling of something sharp and
• 2:22:57
  cold in my throat brought me back to. Reality, god
• 2:22:59
  a hack saw over my, throat sputtered, out my voice
• 2:23:04
  slurred from blood, loss trying to, protest but two weeks
• 2:23:07
  to move it.
• 2:23:07
  Speaker 1: All, sorry, son this is the only way to grant you.
• 2:23:11
  Immortality lucky enough for, me my head was still intact
• 2:23:15
  enough of my mama to bringing me back to. Life
• 2:23:17
  so you'll be nice and. Easy just a quick dip
• 2:23:20
  in that Solution i've whipped, up and you'll be and
• 2:23:23
  you'll be a new.
• 2:23:24
  Speaker 4: Man he, chuckled pressing the hacksaw heart on my throat
• 2:23:28
  and started to saw into. Me the first few ghosts
• 2:23:30
  were on a scale of pain you could never. Imagine
• 2:23:33
  by the time he cut into my spinal, CORD i
• 2:23:36
  was already.
• 2:23:36
  Speaker 1: Dead mmm. Damn so he got, him got. Him, wakey, wakey,
• 2:23:41
  son you gotta stop falling asleep on.
• 2:23:44
  Speaker 3: Me, creole soft and loving voice spoke to.
• 2:23:46
  Speaker 4: Me AS i regained my, CONSCIOUSNESS i looked around and
• 2:23:49
  saw THAT i was sitting up on a table down to.
• 2:23:53
  Myself startled WHEN i SAW i was in my own black.
• 2:23:56
  Speaker 1: Suit my tie was.
• 2:23:58
  Speaker 4: Red i'm Like creole's purple my, LIFE i, asked looking
• 2:24:02
  over to him and touching my, throat finding long growth
• 2:24:05
  stitches across.
• 2:24:06
  Speaker 3: My throat like.
• 2:24:07
  Speaker 1: His, yes, indeed he, son he, chuckled.
• 2:24:10
  Speaker 4: Smacking my back and pulling my attention over to a
• 2:24:13
  large black cauldure.
• 2:24:14
  Speaker 1: Nearby mama's old. RECIPE a quick dip of your head in,
• 2:24:17
  there and you can kiss mortality, goodbye.
• 2:24:20
  Speaker 4: Chuckled pulling me to my feet and helping me stand.
• 2:24:22
  Straight shivered at the thought THAT i had been, dead
• 2:24:26
  but even more so WHEN i look down at the
• 2:24:28
  strings tied to my hands and.
• 2:24:30
  Speaker 1: Feet what what AM?
• 2:24:32
  Speaker 4: I i asked, him looking over at him and wanting to.
• 2:24:35
  Cry spite my clear like of. Eyes looks back at
• 2:24:38
  me with a big yellow, smile pulling me close with
• 2:24:41
  his arms around my.
• 2:24:41
  Speaker 1: Neck you're my store Clok, son and my own personal.
• 2:24:46
  Speaker 4: Puppet, chuckled lifting up mirror and showing me myself did
• 2:24:51
  start crying, then even if no tears came. Back my
• 2:24:54
  face was, spelling the red cheeks bride and. Vibrant my
• 2:24:57
  normally messy hair was nice and combed.
• 2:24:59
  Speaker 1: Downward now you're going to walk with, me he you, forever.
• 2:25:06
  Speaker 4: He, chuckled stepping back and smiling as he motioned for
• 2:25:08
  me to go up the, stairs looked up at the
• 2:25:11
  stairs and refused to take a single step till the
• 2:25:13
  string tied around me went. Tight some unseen force began
• 2:25:17
  to force me. Upstairs tried to fight. IT i tried so,
• 2:25:21
  hard tried running out the, door running far away into
• 2:25:25
  the arms of my parents SO i could wake up
• 2:25:27
  from this.
• 2:25:27
  Speaker 3: Nightmare BUT i had no such.
• 2:25:29
  Speaker 4: Luck force made me go to the counter and stand,
• 2:25:31
  there just stand, there unable to.
• 2:25:33
  Speaker 1: MOVE i just want to go, HOME i.
• 2:25:36
  Speaker 4: Mumbled still, crying As creole made his way back, upstairs
• 2:25:40
  looking my way with a smile and a.
• 2:25:42
  Speaker 1: Chuckle, Now, travis we can't have a sad. Store look looks.
• 2:25:47
  Speaker 4: Fist that, tiss snapping his fingers and smiling at.
• 2:25:50
  Speaker 1: Me of, Course King, Creole, SIR.
• 2:25:52
  Speaker 4: I, said, happily saluting him and smiling. Back my mouth
• 2:25:56
  and body may have said, that but my mind was
• 2:25:58
  screaming and wanting to strangle. Him the strings keeping me
• 2:26:01
  held up right had a, Boy creole, hummed clapping his
• 2:26:04
  gloved hands together and heading into his, office leaving me standing.
• 2:26:07
  There there's no way to sit down or do. Anything stand,
• 2:26:10
  there smile like an. IDIOT i can only control myself at.
• 2:26:14
  Night when he locks the shop up and spends all
• 2:26:16
  his time down in the. Basement i'm allowed to sit
• 2:26:19
  and do WHATEVER i, want but the SECOND i approached the,
• 2:26:21
  door min invisible handler.
• 2:26:23
  Speaker 3: Forces me back to my.
• 2:26:24
  Speaker 4: Post this is my life, Now Puppet King creole's Six Little.
• 2:26:29
  Games ALL i can do is, smile thank you for coming.
• 2:26:32
  IN i can't scream for help or. Anything trapped, here
• 2:26:37
  can't find any way. Out help, Me please help, me
• 2:26:41
  and make sure to Visit Old King Kreole's Half Priced Voodoo.
• 2:26:44
  Shop we have everything you could ever. Want King creole
• 2:26:47
  is a Lovely boston is more than happy to grant
• 2:26:49
  any wish you could ever. Want And i'm more than
• 2:26:52
  happy to clean up anything that you leave.
• 2:26:54
  Speaker 1: Behind and that is he half Price Voodoo. Store, man
• 2:26:59
  that was a fucking. Grid that was.
• 2:27:01
  Speaker 3: Fun that was a whole lot of.
• 2:27:02
  Speaker 2: Fun interesting, too is, that you? KNOW i not to
• 2:27:05
  say that OUR i don't Think. Travis once, AGAIN i
• 2:27:07
  don't Think travis deserved. It but he also watched how
• 2:27:10
  many people die and just kind of clean.
• 2:27:11
  Speaker 4: Up, yeah, no, no, no, no it's desertly.
• 2:27:14
  Speaker 1: Right he.
• 2:27:14
  Speaker 4: Was he allowed this to happen and did. Nothing as
• 2:27:19
  far as the story, goes he was a willing participant in,
• 2:27:21
  it holding people, down letting people, die stuff like. That
• 2:27:25
  so it's only fitting that he would be end up
• 2:27:29
  just Like King creole because he was willing to go
• 2:27:32
  along with the monsters that he was.
• 2:27:34
  Speaker 1: Creating. Yeah, YEAH i, MAN i don't. KNOW i really
• 2:27:37
  liked this.
• 2:27:37
  Speaker 2: One really, fun not a huge, backstory not overly, complicated
• 2:27:42
  just a guy who got cheated on by a, girl
• 2:27:44
  took it way too far and has basically just been
• 2:27:46
  living immortal a in this half priced voodoo store just
• 2:27:51
  because his mom was a witch. DOCTOR i just think
• 2:27:53
  that's like just such a fun little. Premise you get
• 2:27:55
  some nice little and it's funny too because basically parts
• 2:27:58
  one through four are all just lead up to just
• 2:28:01
  basically being Showing travis's. Compliance he's just like our navigator
• 2:28:05
  through these, stories but also just kind of showing how
• 2:28:09
  simple and how easy it is to kind of get
• 2:28:11
  swept into being, Like, okay WELL i guess this person's,
• 2:28:13
  dead So i'll clean it, up and then he kind
• 2:28:15
  of gets his come up and in the end as,
• 2:28:17
  Well so a lot of.
• 2:28:19
  Speaker 1: Fun. Yeah, yeah it's like you start out with.
• 2:28:24
  Speaker 4: Just the basic intro of like here's the story of
• 2:28:27
  a half prize voodoo. Store i'm just a guy that works,
• 2:28:29
  there and then we get our. Vignettes but THEN i
• 2:28:32
  like how the story started, Connected like in the very first,
• 2:28:34
  story we get a mention of something banging on the
• 2:28:35
  basement door and it sounds like a wild, animal but
• 2:28:38
  then that becomes the main part of the.
• 2:28:39
  Speaker 1: Story and like in part four we get.
• 2:28:42
  Speaker 4: The little Girl, olivia who has given a new mother
• 2:28:44
  through the voodoo all and that character comes back twice
• 2:28:47
  as a figure that helps us through the. Story AND
• 2:28:50
  i like how it became like or like the mention that,
• 2:28:52
  earlier When King kreole's mouth one of his threats got,
• 2:28:56
  clipped this black goo leaked out of, him and then
• 2:28:58
  that black goo needs to be fixed or else like
• 2:29:01
  that damages, Him like maybe that's this weak, spot but
• 2:29:04
  we'll never know because the story didn't go. THERE i
• 2:29:05
  also think it's incredibly impressive given the tone of the.
• 2:29:10
  STORY i guess for it to kind of in.
• 2:29:12
  Speaker 1: On you, know our.
• 2:29:13
  Speaker 4: Protagonist, loses but there's so many cool, things like with
• 2:29:18
  the history and. Stuff this reminded me so much of
• 2:29:20
  an Old goosebumps.
• 2:29:21
  Speaker 1: Book yes, yes, yes, yes yes exactly.
• 2:29:24
  Speaker 4: Even down to, like, Oh i'm a puppet at the sore,
• 2:29:27
  now you, KNOW.
• 2:29:28
  Speaker 2: I kind of felt like the Very Twilight zone ending
• 2:29:31
  of you, know the person got their come up ins
• 2:29:33
  or it's, like you, know it's the dark, ending the
• 2:29:35
  scary ending with the. Person you, know you don't get the,
• 2:29:38
  happy the, happy, fun everybody's safe. Ending do you think
• 2:29:42
  that the do you Think olivia's new mom that daw
• 2:29:45
  was maybe somebody he knew in his life that he
• 2:29:47
  transformed and he's, like, oh she'll make a good, mother
• 2:29:49
  but she's just as controlled AS i think.
• 2:29:52
  Speaker 4: She's older than, that because he always says he described and.
• 2:29:55
  Britch so it's probably could have been a woman who
• 2:29:59
  got turned into to a voodoo doll and then was
• 2:30:01
  passed around for centuries until it got into his.
• 2:30:03
  Speaker 2: Hands it could, be, YEAH i mean his mom was
• 2:30:05
  A it couldn't be something that it's attached to.
• 2:30:07
  Speaker 1: His mom or something with her witch practices as.
• 2:30:10
  Speaker 2: Well you, KNOW i think that this story too really
• 2:30:14
  rode that line well of like it wasn't so hammy
• 2:30:18
  and like so many cheesy, lines like there was a
• 2:30:20
  there was enough cheese in there for it to be
• 2:30:22
  kind of charming and, fun you, know like it. Was
• 2:30:26
  it was a nice light, read and then it would
• 2:30:27
  like peper in really like kind of like vulgarly like
• 2:30:31
  just violent. Moments and even the way that it wraps itself,
• 2:30:34
  up it doesn't linger too. Long it doesn't like completely
• 2:30:36
  kick the whole tone of the story out at the.
• 2:30:39
  Speaker 1: End it feels to. Punch it. Feels it feels like
• 2:30:43
  a good tone that it. Keeps.
• 2:30:46
  Speaker 4: Like sure it would be funny in, moments but they
• 2:30:48
  were never so much so that it pulled away from everything.
• 2:30:51
  Else and sure our setting is, spectacular like it's naturally
• 2:30:54
  kind of, campy but it never it never pushes that
• 2:30:57
  button too.
• 2:30:58
  Speaker 2: Hard, well it just like happened. It it didn't cheapen
• 2:31:01
  the environment that we were, in is WHAT I, yeah
• 2:31:03
  it doesn't overstay its welcome. Compliments it pretty well.
• 2:31:06
  Speaker 4: Well it did a very good balance between like having
• 2:31:10
  fun and also like taking itself.
• 2:31:12
  Speaker 2: SERIOUSLY i, think AND i, THINK i mean, EXACTLY i
• 2:31:15
  think he just nailed. IT i was just gonna, say
• 2:31:17
  even like the idea of like basically this fucking one
• 2:31:20
  piece character walking around and, stuff and never DID i
• 2:31:23
  think it was like so it didn't feel like fanfake
• 2:31:26
  like BECAUSE i feel like a lot of people in
• 2:31:27
  these stories it's like over explaining how like you, know
• 2:31:31
  robust and like exotic they, look or you, know like
• 2:31:34
  how kind of crazy they. ARE i think people get
• 2:31:37
  in the fanfake area to where it's, like, well he
• 2:31:38
  looks like this and this and. That but really it
• 2:31:41
  was pretty straightforward and it just like he bled, well
• 2:31:43
  like his character bled well into how he looks and
• 2:31:46
  how he, acts and it just was, REALLY i don't,
• 2:31:48
  know cohesive.
• 2:31:49
  Speaker 1: THROUGHOUT i just enjoyed. It it was a good. One
• 2:31:51
  it was a lot of.
• 2:31:51
  Speaker 2: Fun i'm really happy to also, TOO i think that
• 2:31:55
  each part was like a really nice like it JUST
• 2:31:58
  pasd really, nice Like i'm glad. That i'm glad that
• 2:32:01
  like halfway through it wasn't like this place is kind
• 2:32:03
  OF i need to start digging, in like he really
• 2:32:05
  didn't start digging intoll like part, five which once AGAIN
• 2:32:08
  i like That travis is not. Innocent travis is kind
• 2:32:11
  of just like at he pays for.
• 2:32:14
  Speaker 4: It in the, end like exactly Exactlyuences.
• 2:32:17
  Speaker 2: Travis travis is selfish because all he gives a fuck
• 2:32:19
  about is his. Paycheck And i'm glad And i'm glad
• 2:32:22
  that he gets his come up ins in the, end because,
• 2:32:24
  he like that kind of, character deserves. It the only
• 2:32:27
  death in the story Where i'm like, okay which and
• 2:32:29
  to be, fair they did show it early on is
• 2:32:31
  the girl who ran and called the cops, whatever because
• 2:32:34
  because they they do a great The Voodoo clerk does
• 2:32:37
  a great job with Making King creole, like oh, well
• 2:32:41
  he's kind of nice because he saved the, girl you.
• 2:32:44
  Know oh, well you know he does have a little
• 2:32:45
  quirks here and. There but then it's, like, no he's just,
• 2:32:48
  Evil like he's just an evil. Guy like one good
• 2:32:50
  thing you do doesn't justify the amount of horrible shit
• 2:32:54
  that you do as.
• 2:32:54
  Speaker 1: Well, so, oh in, all this is A this is a.
• 2:32:59
  BANGER i enjoyed.
• 2:33:00
  Speaker 3: It very well, done very well. DONE i enjoyed it a.
• 2:33:03
  Speaker 1: Lot that was a cool. STORY i liked.
• 2:33:04
  Speaker 4: It if you all want to continue to, read if
• 2:33:06
  you go to, again it's user Voodoo clerk voodoo underscore
• 2:33:10
  clerk On. Reddit he has a ton of continuations to the, series,
• 2:33:15
  yep because right after this he has another one Called
• 2:33:17
  My life is A Voodoo, puppet and then after that
• 2:33:19
  a series Called My return to The Half Priced Voodoo
• 2:33:24
  store and then like, that there's so many about This
• 2:33:27
  Voodoo store that. Continue the Half Prize Voodoo store is.
• 2:33:30
  Reopening these are all, series so if you really like
• 2:33:32
  the story and want to check out, more link will
• 2:33:34
  be in the. Description cannot recommend. Enough, YEAH i think it's.
• 2:33:37
  Great please go support the.
• 2:33:38
  Speaker 2: Author we left the link as well To Drew gasper's
• 2:33:41
  work yellow flowers for The amazon link and other stuff,
• 2:33:44
  there so please go support that as just a member
• 2:33:46
  of our community who's made a book, now but please
• 2:33:49
  always support the authors and be sure to check us
• 2:33:52
  out On spotify And apple, podcasts any places that you
• 2:33:55
  can listen to. Stuff, well maybe you're just driving or
• 2:33:57
  head into, work or maybe just want to throw us
• 2:33:58
  in your ears.
• 2:33:59
  Speaker 1: And not have to watch our ugly.
• 2:34:00
  Speaker 2: Faces but until next, time, everyone thank you so much
• 2:34:03
  for watching Creep.
• 2:34:04
  Speaker 12: Cast until the next, time stay, Creeped stay Creep and
• 2:34:09
  if your mother is a voodoo queen or, no, ladies
• 2:34:14
  if you're ever dating.
• 2:34:15
  Speaker 4: A guy whose mother is a voodoo, queen do not
• 2:34:17
  cheat on him with a mob boss seems like and
• 2:34:20
  then plan to murder him seems like incredibly unwise planning
• 2:34:24
  on her. Part so don't do that unless you really want.
• 2:34:28
  To seven sisters time