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Transcript

MC MENÓ K _ MC GP - Podpah _980(M4A_128K) · Luke's English Podcast

• 0:39
  Speaker 1: Get there, my.
• 0:45
  Speaker 2: Consecrated.
• 0:46
  Speaker 3: Every day can be a super day.
• 0:55
  Speaker 4: Download the app Superbad. Be super.
• 1:28
  Speaker 2: You like joy, you like funk, you like the Brazilian family,
• 1:32
  Speaker 2: this is the place.
• 1:33
  Speaker 5: You know.
• 1:34
  Speaker 2: Another Podpah is starting. I'm going to ask for a
• 1:39
  Speaker 2: round of applause. Applause!
• 1:53
  Speaker 4: There's a lot of people, huh, Mítico Jovem? Ah, as
• 1:55
  Speaker 4: long as there's a audience, I give a hand. Good thing.
• 1:57
  Speaker 6: How are you?
• 1:58
  Speaker 7: I'm fine, and you, my dear?
• 2:00
  Speaker 4: My, my... Very big Igão Underground.
• 2:01
  Speaker 7: That's me. You're awesome, man. Really? I get scared sometimes.
• 2:04
  Speaker 6: Man, really, play Mítico DJ on Spotify and you'll get.
• 2:09
  Speaker 7: A kick in the head, damn it. Damn it, the
• 2:11
  Speaker 7: son of a bitch shook his head to give more
• 2:13
  Speaker 7: drama to the thing.
• 2:14
  Speaker 4: You know, man.
• 2:15
  Speaker 7: Play Igão Underground on YouTube and you'll see a phenomenon
• 2:18
  Speaker 7: on the internet. Let's start this thing. Like, subscribe to
• 2:21
  Speaker 7: the channel and get ready. Because today this program will
• 2:24
  Speaker 7: be sensational. I guarantee it for you. Are you sure?
• 2:30
  Speaker 6: I'm sure.
• 2:30
  Speaker 8: I'm also sure.
• 2:31
  Speaker 6: Mítico, young man, before we introduce our guests, I need
• 2:34
  Speaker 6: to talk about our sponsors, starting with Airbnb, because it's
• 2:39
  Speaker 6: the end of the year, the carnival is already approaching,
• 2:42
  Speaker 6: and for sure it's already full of links, full of Airbnb.
• 2:45
  Speaker 8: Houses, and you haven't decided yet. So decide where you're going.
• 2:47
  Speaker 8: Do you already know where you're going at the carnival?
• 2:49
  Speaker 7: I'm going to some beach, I'm sure.
• 2:52
  Speaker 8: Are you sure?
• 2:53
  Speaker 4: Yes, and you?
• 2:53
  Speaker 6: I also don't know where I'm going, but I want
• 2:55
  Speaker 6: to go to Bahia.
• 2:56
  Speaker 4: I'm going to.
• 2:56
  Speaker 7: Get a house on the beach in the Northeast, I'm sure.
• 2:59
  Speaker 6: I want to go to Bahia. But the thing is,
• 3:01
  Speaker 6: why do we talk so much about Airbnb? Because Airbnb
• 3:03
  Speaker 6: gives you a freedom that the hotel doesn't give you, right?
• 3:06
  Speaker 6: It's much nicer, you can do the food at your time,
• 3:09
  Speaker 6: you do everything at your time. If you want to
• 3:11
  Speaker 6: get out of the pool to go home, you can,
• 3:13
  Speaker 6: because that house.
• 3:14
  Speaker 4: Is yours during that time. You know?
• 3:17
  Speaker 8: Churrasco, you can take the.
• 3:18
  Speaker 4: Dog to some houses, you can't.
• 3:36
  Speaker 7: So that's it, guys. Go to your favorite accommodations.
• 3:39
  Speaker 8: To enjoy the Carnival 2026, okay?
• 3:40
  Speaker 4: And now.
• 3:40
  Speaker 8: Mythic Jovem. Exactly.
• 3:41
  Speaker 6: New sponsor, including the one who helped us in our
• 3:43
  Speaker 6: new house. The sofa in the box. the sofas of
• 3:56
  Speaker 6: our meeting rooms are all sofas in the box.
• 3:59
  Speaker 8: Igor, what is the sofa in the box?
• 4:00
  Speaker 6: That's exactly it, it's a sofa that comes inside a box,
• 4:04
  Speaker 6: they deliver inside a box, you open it, it expands
• 4:06
  Speaker 6: like this, and you are ready, very comfortable, great, thank
• 4:10
  Speaker 6: you very much, see the sofa in the box.
• 4:12
  Speaker 7: And taking advantage of the fact that there is Black.
• 4:14
  Speaker 8: Friday, they gave a 5% off coupon, okay?
• 4:16
  Speaker 6: So, just use the coupon, it can go to 5%,
• 4:20
  Speaker 6: and buy your sofa in the box, right?
• 4:22
  Speaker 7: Man, the sofa in the box, it arrives in the
• 4:23
  Speaker 7: box and it's a sofa.
• 4:25
  Speaker 6: Exactly, it's much easier for you.
• 4:28
  Speaker 4: You know, really.
• 4:28
  Speaker 7: Man, sometimes to build a sofa is a big deal.
• 4:31
  Speaker 6: And to pass the sofa on the wall, on the door,
• 4:33
  Speaker 6: when the sofa arrives, this one doesn't.
• 4:35
  Speaker 8: Have these problems, you know?
• 4:36
  Speaker 7: You were a monster, man.
• 4:37
  Speaker 8: Pay attention, Mítico Jovem.
• 4:39
  Speaker 7: You were a monster, brother, that's why you're one of
• 4:40
  Speaker 7: the biggest hosts of podcasts in Brazil.
• 4:44
  Speaker 4: Thank you very much.
• 4:46
  Speaker 6: Look, on Sunday there's NFL, there's Dolphins game, and every
• 4:50
  Speaker 6: Dolphins game, me and Mítico Jovens are ambassadors of the
• 4:53
  Speaker 6: Miami Dolphins. And the news is this, every Miami Dolphins
• 4:56
  Speaker 6: game has a watch party. And, Gão, what is a
• 4:58
  Speaker 6: watch party? It's a party for you to watch something. So,
• 5:01
  Speaker 6: you go there, at Rango Bravo Burger, Rua Purpurina 550,
• 5:05
  Speaker 6: and watch the Dolphins game from 11h30 in the morning, Sunday,
• 5:09
  Speaker 6: with an exclusive menu, and with a giant screen for
• 5:13
  Speaker 6: you to enjoy there, and it's... Mídico Jovem, our sponsor
• 5:41
  Speaker 6: is Call.
• 5:42
  Speaker 4: Of Duty 7, Black Ops 7.
• 5:45
  Speaker 6: Call of Duty Black Ops 7, exactly where I and
• 5:48
  Speaker 6: Mídico Jovem did the commercial.
• 5:51
  Speaker 4: We are the replacers of Brazil.
• 5:53
  Speaker 6: And ours is the following, the biggest Black Ops ever made,
• 5:55
  Speaker 6: absurd graphics, gameplay and that chaos that only Black Ops
• 5:58
  Speaker 6: delivers to you, okay? So, get your friends together for
• 6:01
  Speaker 6: you to play. There's a QR Code on the screen.
• 6:04
  Speaker 6: I was so happy that my code arrived today. Thank
• 6:06
  Speaker 6: you very much, Prince. You're the man, bro. In BH,
• 6:09
  Speaker 6: whoever sends it is you, bro.
• 6:10
  Speaker 8: You know that.
• 6:11
  Speaker 7: I'm crazy to get home and play this code right away.
• 6:13
  Speaker 4: QR Code on the screen.
• 6:14
  Speaker 6: Download it now. Call of Duty Black Ops 7.
• 6:18
  Speaker 7: Go to Call of Duty's social media. Our campaigns with
• 6:21
  Speaker 7: Terry Crews. It was really cool. Go there, like it.
• 6:24
  Speaker 7: Share the campaigns because it was really cool to record.
• 6:26
  Speaker 8: With who did you do this commercial?
• 6:28
  Speaker 7: Terry Crews. Did you get it? The one who talks
• 6:31
  Speaker 7: without a doubt. The one who shakes his head like this.
• 6:37
  Speaker 8: The monster. A big hug, Ter Cruz.
• 6:39
  Speaker 7: We're exclusive on Spotify and YouTube.
• 6:41
  Speaker 9: Okay, guys?
• 6:42
  Speaker 7: Okay. Leave a like. Let's go.
• 6:44
  Speaker 6: Receive us with a lot of affection. Make a lot
• 6:46
  Speaker 6: of noise. Drop this studio.
• 6:48
  Speaker 4: Holy shit. What a moment the Brazilian funk lives. What
• 6:51
  Speaker 4: a moment. What a moment.
• 6:53
  Speaker 6: Top 1 and top 2 on Spotify. Sorry, okay? Streaming farmers, sorry, guys.
• 6:59
  Speaker 7: It's the funk, right?
• 7:00
  Speaker 6: It's the funk, it's the urban music. Keep it up. So,
• 7:03
  Speaker 6: receive it with a lot of affection, make a lot
• 7:04
  Speaker 6: of noise. For them, MC Menoká and MC GP, our
• 7:08
  Speaker 6: guests today.
• 7:08
  Speaker 4: Let's go! I like it like this.
• 7:17
  Speaker 1: I like it like this.
• 7:19
  Speaker 7: I like it like this.
• 7:20
  Speaker 4: I like it like this. I like it like this.
• 7:36
  Speaker 6: Man, what a moment this is. Let's talk quickly. Top
• 7:40
  Speaker 6: 1 and top 2 of Spotify. There's no way I
• 7:41
  Speaker 6: won't start like this, man. How crazy is the funk, man?
• 7:47
  Speaker 4: Yeah, man. The funk is like... It's rolling. Thanks to God.
• 7:51
  Speaker 1: We don't even believe it.
• 7:52
  Speaker 4: We look at it like this. You know?
• 7:54
  Speaker 7: You don't understand. It's just letting it happen.
• 7:57
  Speaker 5: That's it.
• 7:57
  Speaker 7: God bless you. But, like, man, I've never seen, like,
• 7:59
  Speaker 7: number one and number two like this. And you guys
• 8:02
  Speaker 7: have this tune of yours. It's really awesome. Congratulations. And
• 8:04
  Speaker 7: the song was released weeks ago, man.
• 8:05
  Speaker 3: Yes.
• 8:05
  Speaker 10: You know?
• 8:06
  Speaker 4: The song was released weeks ago. That's right. It's been
• 8:10
  Speaker 4: a month already, in top 1. I know. A month.
• 8:13
  Speaker 9: Look, man.
• 8:14
  Speaker 6: The guys took it easy, with all due respect.
• 8:16
  Speaker 4: They took it easy. It's normal.
• 8:18
  Speaker 7: It was awesome, man.
• 8:20
  Speaker 1: The guys were like, you know, Domingão, Pagodinho, Família, man.
• 8:25
  Speaker 7: It was awesome.
• 8:26
  Speaker 4: What's up? Are you with Ximas?
• 8:27
  Speaker 7: I'm still with Grêmio. Traditional, right? You have to have it, right, man?
• 8:31
  Speaker 4: Bro, this is really cool. Because you're dominating.
• 8:35
  Speaker 7: The funk scene.
• 8:37
  Speaker 1: Very cool.
• 8:37
  Speaker 4: Congratulations.
• 8:45
  Speaker 6: And the thing is that it's very cool that you're
• 8:48
  Speaker 6: a kid from Rio Grande do Sul, you know? And
• 8:49
  Speaker 6: we're not so used to people outside the axis. Unfortunately,
• 8:54
  Speaker 6: we're not used to people outside the axis making so
• 8:56
  Speaker 6: much success like that. And I wanted you to talk
• 8:58
  Speaker 6: a little more about your story, where you are from
• 9:02
  Speaker 6: the very beginning. So I want to know how you
• 9:04
  Speaker 6: were when you were little, bro.
• 9:05
  Speaker 8: What did you dream of? What did you want to be?
• 9:07
  Speaker 8: Do you remember?
• 9:08
  Speaker 4: Yeah, that's what's crazy, man.
• 9:11
  Speaker 1: Because for real, I've always liked music since I was
• 9:14
  Speaker 1: a kid. I never really went to sing, but I
• 9:17
  Speaker 1: always slept listening to music, woke up listening to music.
• 9:19
  Speaker 10: Funk?
• 9:20
  Speaker 1: Yeah, funk, all the time. I've been listening to GP
• 9:23
  Speaker 1: since I was a kid, you know, man? And in
• 9:27
  Speaker 1: Rio Grande do Sul, as you said, it's a narrow stadium.
• 9:29
  Speaker 1: There's no studio there.
• 9:32
  Speaker 4: Now there is.
• 9:32
  Speaker 10: Ok.
• 9:33
  Speaker 4: Now there is.
• 9:34
  Speaker 6: But I understand, you're talking about views here in São Paulo,
• 9:38
  Speaker 6: Rio de Janeiro.
• 9:38
  Speaker 1: Yeah, like in São Paulo, for example, in every corner
• 9:40
  Speaker 1: we touch there will be a studio, there will be
• 9:42
  Speaker 1: a production. There it's already half an hour for us
• 9:45
  Speaker 1: to go to the studio. I stayed there for only
• 9:47
  Speaker 1: two years. Making music to touch the studio, you know?
• 9:53
  Speaker 1: But since when did you decide to.
• 9:54
  Speaker 4: Become an MC?
• 9:54
  Speaker 6: Man, when I was 13 years old, you know?
• 9:57
  Speaker 1: When I was 13 years old, like... Because you woke
• 10:01
  Speaker 1: up and said, oh, I'll become an MC.
• 10:02
  Speaker 4: No, it was a joke, you know?
• 10:03
  Speaker 1: Even Lombradinho is there, my partner. Where's Lombradinho? Say hi,
• 10:06
  Speaker 1: show him.
• 10:07
  Speaker 4: Hey, Lombradinho.
• 10:08
  Speaker 7: And how was it?
• 10:09
  Speaker 4: Lombradinho is very good. We were there in the countryside,
• 10:14
  Speaker 4: you know? We were drunk, man. We were drinking shimas.
• 10:20
  Speaker 1: Yeah, we were. When we saw him, we were making rhymes.
• 10:24
  Speaker 1: Then he made a rhyme, it was cool. Then the
• 10:27
  Speaker 1: next day, he appeared with a song.
• 10:30
  Speaker 7: Talking about what? What was the song you were talking about?
• 10:33
  Speaker 1: Man, the song is like... I'm crazy, I live in
• 10:37
  Speaker 1: the favela... I was talking more about love, I don't
• 10:40
  Speaker 1: even remember much yet.
• 10:42
  Speaker 4: And after that, I started.
• 10:43
  Speaker 10: To record several songs.
• 10:49
  Speaker 1: I started as well. And we both started as well.
• 10:53
  Speaker 4: What were your inspirations?
• 10:55
  Speaker 6: Who did you see and say, wow, this is awesome,
• 10:57
  Speaker 6: I wanted to do the same?
• 10:59
  Speaker 7: Because at the beginning.
• 11:02
  Speaker 4: It was like that. Yeah, right? A funk there.
• 11:05
  Speaker 1: Man, the thing that is very crazy is that, like, it.
• 11:10
  Speaker 8: Was in 2019, 2018.
• 11:10
  Speaker 4: In 2018 he was 13 years old.
• 11:11
  Speaker 8: Is that it?
• 11:12
  Speaker 4: No. It was, right?
• 11:12
  Speaker 1: 2006, 2005. No, I'm talking about when I started being
• 11:19
  Speaker 1: an MC. It was in 2013, when I started singing.
• 11:21
  Speaker 4: When my song started to go viral was when I
• 11:23
  Speaker 4: was 14 years old. In 2019, 2018.
• 11:23
  Speaker 1: And at that time, look at the funk of Bomba Nera,
• 11:25
  Speaker 1: the funk of BH, you know?
• 11:28
  Speaker 4: MC Anjim.
• 11:29
  Speaker 1: MC Anjim, Rikim, LC, Tropa do Sete. We listened to
• 11:31
  Speaker 1: BH's funk a lot, you know? But there was a
• 11:33
  Speaker 1: scene in the south, There were more of the old ones,
• 11:47
  Speaker 1: you know? MC Tesco, MC Dino, Filipinho, the guys.
• 11:50
  Speaker 4: From the old ones, you know? Then.
• 11:51
  Speaker 1: Then, like this, we never stuck in the studio, I'll
• 11:55
  Speaker 1: tell you, we just pen, we stayed two years like this,
• 11:58
  Speaker 1: just penning the song, in the notebook.
• 11:59
  Speaker 11: Then, how?
• 12:00
  Speaker 4: I was still pumping that song back then.
• 12:02
  Speaker 1: Only pitbulls, the bands are black, I was pumping this song.
• 12:05
  Speaker 1: Then we listened to this song a lot. She was
• 12:12
  Speaker 1: talking about the Flamengo thing, you know?
• 12:16
  Speaker 4: This song.
• 12:17
  Speaker 1: Then I thought, man, why not talk about the team
• 12:19
  Speaker 1: from here, right? That's where I made the shirt of
• 12:21
  Speaker 1: the Grêmio.
• 12:21
  Speaker 4: You know? This one exploded.
• 12:23
  Speaker 1: Yeah, it was the shirt of the Grêmio, but like this,
• 12:26
  Speaker 1: we had never put it in the studio yet, just
• 12:28
  Speaker 1: the preview and stuff. Man, I recorded a preview of hers,
• 12:31
  Speaker 1: the thing exploded at the time of Twitter and status
• 12:34
  Speaker 1: of WhatsApp, you know?
• 12:36
  Speaker 7: But the preview was in Palma, how was it?
• 12:39
  Speaker 4: It was my brother recording, normal like this. He was
• 12:41
  Speaker 4: in the front, he was recording.
• 12:42
  Speaker 7: The shit exploded on Twitter.
• 12:44
  Speaker 1: Then, in the first studio that I've ever stuck in
• 12:47
  Speaker 1: my life, which was at DJ Ney, the first studio
• 12:49
  Speaker 1: that I've ever stuck, that I recorded it.
• 12:52
  Speaker 4: The shit exploded in a week, a million already.
• 12:54
  Speaker 7: But where did you release the song? On a channel,
• 12:56
  Speaker 7: on a.
• 12:57
  Speaker 4: Man, how is it?
• 12:58
  Speaker 1: The Flyer channel, it was the filmmaker himself who.
• 13:01
  Speaker 4: Recorded the shit.
• 13:02
  Speaker 7: A million in a week, man.
• 13:04
  Speaker 1: The channel had what? I think 2,000 followers, man. 2,000 followers,
• 13:08
  Speaker 1: only 2,000 subscribers.
• 13:10
  Speaker 6: Do you remember, G, your first song that you did
• 13:12
  Speaker 6: when you decided to become an MC? What age was
• 13:14
  Speaker 6: it too? Just to see if it hits the stories.
• 13:16
  Speaker 4: I remember. When was that?
• 13:20
  Speaker 9: It was... 2012.
• 13:20
  Speaker 4: How old.
• 13:23
  Speaker 6: Were you, G?
• 13:23
  Speaker 4: In 2012 I was 15 years old.
• 13:26
  Speaker 7: How was the song?
• 13:27
  Speaker 4: It was....
• 13:31
  Speaker 6: The first ones are hard to remember.
• 13:32
  Speaker 1: The worst thing is that I have it written, but
• 13:35
  Speaker 1: I don't remember.
• 13:36
  Speaker 4: I remember a little verse. It was like this. And
• 13:38
  Speaker 4: it made a little noise.
• 13:40
  Speaker 9: 100 views.
• 13:59
  Speaker 4: But it was the beginning.
• 14:01
  Speaker 7: Yeah, I knew.
• 14:02
  Speaker 4: Those 100 views were 100 first views. And then I
• 14:03
  Speaker 4: could go on multiplying. Man, that's crazy.
• 14:05
  Speaker 1: For sure.
• 14:12
  Speaker 6: Menocco, when did it happen that you said you were
• 14:15
  Speaker 6: the MC and people started talking about it?
• 14:17
  Speaker 4: Of course, it happened a lot at school.
• 14:20
  Speaker 8: I can imagine, Gê, in your time too, in 2012.
• 14:22
  Speaker 1: It was because of the shooting, it was because of
• 14:25
  Speaker 1: the kids were laughing. Even more because me and Lombradinho,
• 14:29
  Speaker 1: we were a duo, right?
• 14:30
  Speaker 4: It was MC Cauãzinho and MC Nego B. And we, how?
• 14:33
  Speaker 1: We sang in the ballrooms, without any songs yet. We
• 14:35
  Speaker 1: sang in the ballrooms. Locão, as a minor, sang in
• 14:38
  Speaker 1: the ballrooms already.
• 14:40
  Speaker 7: But, but, but, you agitated the guys.
• 14:42
  Speaker 4: Of course, music of others. I also sang music of others.
• 14:45
  Speaker 6: Do you remember your first performance, Gi?
• 14:47
  Speaker 4: I remember. Where was it? My first performance was at
• 14:50
  Speaker 4: the Quermesse do... No, it was at Viliaze. At the
• 14:54
  Speaker 4: Quermesse do Morro. At the Quermesse do Morro. At the
• 14:57
  Speaker 4: Quermesse do Morro. At the Quermesse do Morro.
• 14:59
  Speaker 7: At the Quermesse do Morro.
• 15:01
  Speaker 4: Man, I unrolled, I sent heavy, man. I sang that
• 15:04
  Speaker 4: one there. She arrives at the pagode, together with her friends.
• 15:09
  Speaker 4: She was at that time, man. Yeah, she was at
• 15:12
  Speaker 4: that time. 2013, man.
• 15:12
  Speaker 6: Do you remember this song from 2013?
• 15:14
  Speaker 4: Yeah, she was at that time, we were singing.
• 15:15
  Speaker 9: From.
• 15:16
  Speaker 4: Oh, Tuto, they're all calling me. Is he going to
• 15:19
  Speaker 4: win the Grammy? I'm going to call him. Wow. If
• 15:21
  Speaker 4: he's there.
• 15:22
  Speaker 6: Oh, it didn't happen? What's up?
• 15:24
  Speaker 4: Oh, Tuteira.
• 15:28
  Speaker 6: What's up, bro? What's up, my American Latino Grammys?
• 15:30
  Speaker 4: What's up?
• 15:31
  Speaker 7: Go, man!
• 15:31
  Speaker 4: Bring this thing to us! Look how the funk is,
• 15:34
  Speaker 4: the thing is crazy! What's up? How are you understanding, bro?
• 15:37
  Speaker 4: The guys at the Grammy, the thing is crazy! Huh?
• 15:40
  Speaker 6: The guys in Las.
• 15:42
  Speaker 4: Vegas, bro! Say it! I'm walking!
• 15:46
  Speaker 7: Oh, he's in the middle of the Grammy, bro!
• 15:49
  Speaker 4: We're together, huh? It's us, Tuto!
• 15:51
  Speaker 6: Man, he called us straight from the Grammy!
• 15:53
  Speaker 10: God bless you, bro!
• 15:53
  Speaker 9: Good luck, Tuto!
• 15:54
  Speaker 4: Good luck, bro!
• 15:55
  Speaker 7: Let's take it, bro!
• 15:57
  Speaker 4: Let's take it! Man, he called the Grammy right away.
• 16:01
  Speaker 6: Give a hand to the fans.
• 16:02
  Speaker 4: We're at the Grammy, man! We're at the Grammy, man!
• 16:04
  Speaker 4: Even if you don't take us, you already took us.
• 16:09
  Speaker 2: It's crazy.
• 16:16
  Speaker 4: Tuto O'Hara and Levano, that's it.
• 16:19
  Speaker 1: Just saying Grammy is already a word like Grammy, right?
• 16:23
  Speaker 6: That was too far away, impossible.
• 16:25
  Speaker 4: Say it again, man. Grammy.
• 16:26
  Speaker 10: You get used to this word, brother. You get used
• 16:28
  Speaker 10: to this word.
• 16:29
  Speaker 7: Really, right, man? A lot of funkers in the Grammy.
• 16:33
  Speaker 4: Hey, G, really, man.
• 16:34
  Speaker 8: What we just said is very crazy.
• 16:35
  Speaker 6: I'm asking you this question because I see that you
• 16:37
  Speaker 6: post a lot. from your time of cheating, you know,
• 16:44
  Speaker 6: where you cheated and such, and today you're showing off, like,
• 16:49
  Speaker 6: a partner, a real brother, Tuto came here and said, man,
• 16:51
  Speaker 6: today he's my brother, but what a partner, calling from Grammy,
• 16:55
  Speaker 6: and there's another partner that was also indicated, which is Harry,
• 16:57
  Speaker 6: several partners, it's here on the table, fans in the
• 17:00
  Speaker 6: top 1 and top 2 of Spotify, so.
• 17:03
  Speaker 4: Isn't that crazy? Did you imagine that?
• 17:04
  Speaker 8: It's a dream, man.
• 17:05
  Speaker 7: It's a dream to see the path.
• 17:06
  Speaker 4: We've taken to be here today. And to be with
• 17:09
  Speaker 4: you guys, because I saw your journey from the beginning.
• 17:13
  Speaker 4: And I'm happy for the greatness of Podpah. To be
• 17:15
  Speaker 4: able to be here, to be able to be in
• 17:16
  Speaker 4: the other studios and see the evolution. And here at
• 17:19
  Speaker 4: Funk it's not different. He's always wanting to grow. Always
• 17:35
  Speaker 4: following his partners on the steps. At least coming from
• 17:38
  Speaker 4: behind in his shoes. We're here! You know? And, bro,
• 17:41
  Speaker 4: I'm happy to see the guys I've already played with,
• 17:46
  Speaker 4: Pique Combo, Mó Sofrimento. How did you meet? We met
• 17:50
  Speaker 4: when he released a song. His manager, the guys from
• 17:53
  Speaker 4: the producer at the time, He said he was going
• 17:59
  Speaker 4: to São Paulo. He said, the kid is coming from
• 18:00
  Speaker 4: the South. He's a brave kid. I said, it took
• 18:02
  Speaker 4: too long. Then the day he stuck it, I said,
• 18:03
  Speaker 4: let's fight, bro. Let's stick it there. Let's stick it there.
• 18:06
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:08
  Speaker 4: it there. Let's stick it there. Let's stick it there.
• 18:10
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:14
  Speaker 4: it there. Let's stick it there. Let's stick it there.
• 18:16
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:19
  Speaker 4: it there. Let's stick it there. Let's stick it there.
• 18:20
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:22
  Speaker 4: it there. Let's stick it there. Let's stick it there.
• 18:24
  Speaker 4: Let's stick it there.
• 18:24
  Speaker 10: Let's stick it there.
• 18:25
  Speaker 9: Let's stick it there.
• 18:26
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:27
  Speaker 4: it there. Let's stick it there.
• 18:28
  Speaker 7: Let's stick it there.
• 18:29
  Speaker 4: Let's stick it there. Let's stick it there. Let's stick
• 18:31
  Speaker 4: it there. Let's stick it there. Let's stick it We
• 18:33
  Speaker 4: were just getting started, you know?
• 18:36
  Speaker 7: We didn't have any cars or anything.
• 18:37
  Speaker 6: But look how crazy it is. When you're just getting started, you...
• 18:41
  Speaker 6: The way you were, you opened up some opportunities.
• 18:43
  Speaker 7: No, come here.
• 18:43
  Speaker 6: Because normally, when you're just getting started, you'll say, like, bro.
• 18:46
  Speaker 7: I have to help myself first.
• 18:47
  Speaker 6: But I think that's really fucked up about funk, you know?
• 18:50
  Speaker 7: Everyone....
• 18:52
  Speaker 8: I think most people have an extended hand, bro. I've
• 18:54
  Speaker 8: heard a lot.
• 18:55
  Speaker 6: Of you saying, no, lean over there at home, let's go,
• 18:57
  Speaker 6: I don't know what.
• 18:58
  Speaker 4: How was it for you, man?
• 18:59
  Speaker 6: To be leaning over to São Paulo and already have
• 19:02
  Speaker 6: the doors open, you know, sticking to the wall.
• 19:04
  Speaker 1: Ah, man, for me it was always a very innovative thing, right, bro?
• 19:10
  Speaker 1: That's why I was kind of quiet in the middle
• 19:12
  Speaker 1: of the guys, because... We who come from the south,
• 19:14
  Speaker 1: you don't usually see the artists like that, from close.
• 19:17
  Speaker 1: Those who live here are already big, you know, like
• 19:21
  Speaker 1: in São Paulo. See all the time the guys, stick
• 19:24
  Speaker 1: in a club, stick there and see the guys. We
• 19:28
  Speaker 1: already see the guys, it's scary, right, bro? It's peak V1,
• 19:32
  Speaker 1: you know?
• 19:32
  Speaker 4: So, like, that's why we even cloned, you know? Then
• 19:34
  Speaker 4: we were cloning straight there at Resumo, we cloned there and.
• 19:38
  Speaker 1: But since I was a producer, I was very far
• 19:41
  Speaker 1: from the guys. And since he's from Gaúcho, just like us,
• 19:45
  Speaker 1: we're from São Paulo. We're going to be in our... walks.
• 19:59
  Speaker 4: He didn't stay long in São Paulo, but now he's here.
• 20:02
  Speaker 7: How is this moment in your life? This year it
• 20:04
  Speaker 7: got crazy. Crazy in what way?
• 20:05
  Speaker 9: Tell us.
• 20:05
  Speaker 4: It's like running, bro. It's like walking. You never slept again?
• 20:09
  Speaker 4: This week, bro, I slept.
• 20:10
  Speaker 7: I'm a zombie now.
• 20:11
  Speaker 4: God gave us a smooth face, otherwise I would be
• 20:13
  Speaker 4: with a sore throat. Fuck, because it's.
• 20:27
  Speaker 9: Crazy, man.
• 20:28
  Speaker 1: Yesterday I slept for about 3 hours. I think it
• 20:30
  Speaker 1: was yesterday. No, it was yesterday. It was yesterday.
• 20:35
  Speaker 7: And yesterday?
• 20:35
  Speaker 4: And yesterday there was The Box. Take it! The Box
• 20:39
  Speaker 4: from Bololô, Liberdade Pobuzeira.
• 20:40
  Speaker 7: Call it.
• 20:41
  Speaker 4: Liberdade Monstra.
• 20:42
  Speaker 8: Fuck, who was here participating in this The Box?
• 20:45
  Speaker 1: It was me, Negão, GP, Rian, Brinquedo.
• 20:50
  Speaker 4: Fuck.
• 20:50
  Speaker 7: Nossa Senhora.
• 20:52
  Speaker 4: Nego Truffle, Luke, that's right. The Bololô team. The Bololô team.
• 20:55
  Speaker 4: What about your family? When you said that you were
• 20:59
  Speaker 4: an MC.
• 20:59
  Speaker 6: How was it?
• 20:59
  Speaker 4: 14 years old.
• 20:59
  Speaker 8: Yeah, 13 years old.
• 21:00
  Speaker 4: Thank God, my mom was always cool, because... As in
• 21:04
  Speaker 4: the idea of a favela, I've always been loose on
• 21:06
  Speaker 4: the streets.
• 21:06
  Speaker 1: I've been living alone since I was 13. I and
• 21:17
  Speaker 1: Lombradinho started living alone.
• 21:19
  Speaker 7: Why is his nickname Lombradinho?
• 21:22
  Speaker 4: He's Lombrado, you know? I'm kidding.
• 21:25
  Speaker 1: So you've been living alone since you were 13, bro?
• 21:28
  Speaker 7: Since I was 13, bro. But was it you who said, man,
• 21:31
  Speaker 7: I'm going to live alone because what I want to follow,
• 21:34
  Speaker 7: I need to live alone? Because, like, I really liked
• 21:36
  Speaker 7: where I lived, in.
• 21:37
  Speaker 4: Coab, where I lived.
• 21:38
  Speaker 1: I was a kid from there, right? From Rubem Berto.
• 21:45
  Speaker 1: So my mom would move and I would move to
• 21:50
  Speaker 1: another place. I wanted to live there and I did.
• 21:52
  Speaker 10: How was that phase?
• 21:53
  Speaker 7: You were young and living alone. You were already trying
• 21:55
  Speaker 7: to be a funk. How was that moment?
• 21:58
  Speaker 1: It was one of those phases that was really cool,
• 22:01
  Speaker 1: you know?
• 22:03
  Speaker 4: Experience.
• 22:03
  Speaker 1: Yeah, because as we lived alone, Lombradinho used to work
• 22:07
  Speaker 1: at the market. I used to go to the market
• 22:11
  Speaker 1: to make some songs, on foot too. That's where I
• 22:12
  Speaker 1: started making these songs. We started doing several previews together. Man,
• 22:16
  Speaker 1: it took about two years, a year.
• 22:17
  Speaker 4: At the end of.
• 22:19
  Speaker 1: My 14 years to 15, I bombed Grammy's shirt. That's it.
• 22:22
  Speaker 1: It was a matter of believing in us.
• 22:23
  Speaker 4: You know? We always exchanged a thousand degrees between us.
• 22:26
  Speaker 4: And when this song burst, how was the movement? What
• 22:28
  Speaker 4: did you do?
• 22:36
  Speaker 7: How was it? Like, the song blew up, you were
• 22:37
  Speaker 7: going to do a show, you already had a team,
• 22:39
  Speaker 7: how was it? Was it just you and Lombradinho?
• 22:41
  Speaker 1: Man, actually, as I was a little kid, you know, like,
• 22:45
  Speaker 1: I was a minor, it was very, like, all innovative,
• 22:48
  Speaker 1: you know, for the guy. It was a lot of
• 22:52
  Speaker 1: people on top, you know, a lot of blood, stuff
• 22:54
  Speaker 1: like that, on.
• 22:55
  Speaker 4: Top, around the guy, right?
• 22:56
  Speaker 1: Like, the first businessman I ever saw was a guy
• 22:59
  Speaker 1: who already shone, boom, already... My mother's eyes were already shining.
• 23:04
  Speaker 1: I gave a little money to my mother so we
• 23:06
  Speaker 1: could sign a contract and come to São Paulo. So
• 23:09
  Speaker 1: it was a thing that, as I was a child,
• 23:12
  Speaker 1: I couldn't control my own path, you know?
• 23:15
  Speaker 4: As much as I was burst.
• 23:16
  Speaker 7: I understand.
• 23:18
  Speaker 1: So much so that I couldn't keep my image, but
• 23:21
  Speaker 1: I didn't keep the songs.
• 23:22
  Speaker 4: I went to bomb the songs again just this year,
• 23:24
  Speaker 4: after four or five years.
• 23:28
  Speaker 7: Damn, I got it. And financially it was also a
• 23:30
  Speaker 7: bit complicated at that time that you were.
• 23:33
  Speaker 4: I got it, that's right, I got it.
• 23:35
  Speaker 1: Thanks to God, bro, that's what I say, we never
• 23:37
  Speaker 1: lost hope, good energy, because it's cool, there are some
• 23:40
  Speaker 1: guys who are like that, right, bro? Without pumping the fine,
• 23:43
  Speaker 1: they already get frustrated.
• 23:45
  Speaker 7: And the music is like that.
• 23:47
  Speaker 6: And living alone, being a child, brother, is like that, unfortunately,
• 23:50
  Speaker 6: when we live in a situation like that, we become
• 23:52
  Speaker 6: adults very quickly, before the time. And you were a
• 23:57
  Speaker 6: child living alone, man. This is very crazy. You could have.
• 24:01
  Speaker 8: Not chosen, but ended up in any other destination, man.
• 24:05
  Speaker 7: Of course.
• 24:05
  Speaker 4: Thank God, man. Funk appeared.
• 24:06
  Speaker 6: It's very cool. Menoka, I remember when you blew up,
• 24:10
  Speaker 6: I even joked with Mitch, I said, when Menoka blew up,
• 24:13
  Speaker 6: we danced to his song dressed as Easter Bunny.
• 24:17
  Speaker 4: Yes. Fuck, I remember. I remember that.
• 24:19
  Speaker 6: But that was after the Grammy's shirt, right?
• 24:22
  Speaker 1: It was, like, it was when I blew up these
• 24:25
  Speaker 1: songs together, like, I blew up the Grammy's shirt, then
• 24:28
  Speaker 1: I did the Flamengo version, which exploded even more, you know,
• 24:31
  Speaker 1: with 2L da Rocinha.
• 24:32
  Speaker 4: That Correão too, right?
• 24:33
  Speaker 1: Yeah, they didn't listen to the lyrics. Rian, bro, look
• 24:35
  Speaker 1: at the madness. Gordinho is visionary.
• 24:37
  Speaker 4: When I released the video, he was the first MC
• 24:40
  Speaker 4: to call me, bro. Rian.
• 24:42
  Speaker 1: The first MC, bro. The first MC to call me.
• 24:45
  Speaker 1: Then I came to São Paulo and recorded one, which
• 24:49
  Speaker 1: was our faction. But that was later. But the first
• 24:52
  Speaker 1: song I released was this one, Grêmio' s T-shirt. Then the
• 24:55
  Speaker 1: Flamengo version, Cavalamemo, and I'll put you.
• 24:57
  Speaker 6: Who gave you a chance to move to Flamengo? Because
• 25:01
  Speaker 6: it would be more popular, right?
• 25:02
  Speaker 4: Normal.
• 25:03
  Speaker 1: It's a lot of these things that happen in song editing,
• 25:06
  Speaker 1: you know?
• 25:07
  Speaker 4: Like, let's do an editing here with this song. Then
• 25:09
  Speaker 4: it was walking with a version of Flamengo. Yeah, then
• 25:11
  Speaker 4: like that, with a version.
• 25:12
  Speaker 1: Of Grêmio was walking, everyone was playing, then 2L da
• 25:14
  Speaker 1: Rocinha gave a touch still. My old businessman gave a
• 25:17
  Speaker 1: touch to the brother, let's do the thing here, just
• 25:20
  Speaker 1: put Rocinha and Flamengo. That's what I changed in the song,
• 25:23
  Speaker 1: Rocinha and Flamengo.
• 25:25
  Speaker 4: He already put it at the peak of the river there, bro.
• 25:28
  Speaker 4: It's true.
• 25:28
  Speaker 7: The thing exploded, fuck.
• 25:30
  Speaker 4: Hey, Gê.
• 25:33
  Speaker 8: I have something to tell you, brother.
• 25:34
  Speaker 6: Your last album, Do you want to smoke one with G?
• 25:38
  Speaker 7: What did I listen to on this album?
• 25:41
  Speaker 6: And even today I listen to all of them. I
• 25:44
  Speaker 6: know all of them, even the adlibs.
• 25:46
  Speaker 10: The intros.
• 25:46
  Speaker 6: The ronronadas.
• 25:47
  Speaker 4: Very cool, brother.
• 25:48
  Speaker 7: We listened to it a lot.
• 25:49
  Speaker 6: We listened to it a lot.
• 25:50
  Speaker 4: I swear to God. I swear to God. I swear
• 25:52
  Speaker 4: to God.
• 25:52
  Speaker 10: I swear to God.
• 25:52
  Speaker 4: I swear to God.
• 25:53
  Speaker 10: I swear to God.
• 25:54
  Speaker 4: I swear to God.
• 26:04
  Speaker 8: What was the vibe of this album?
• 26:06
  Speaker 6: Because it's a very good vibe album, you know? Mykonos vibe,
• 26:12
  Speaker 6: I love it. Like Snoop Dogg, Uma Milha na Rua.
• 26:15
  Speaker 11: Wow.
• 26:16
  Speaker 6: What else is there? 3172... No, 317... We Are Chef 2. Man,
• 26:19
  Speaker 6: you're crazy, man.
• 26:21
  Speaker 10: Camarote Tá Salceiro.
• 26:23
  Speaker 4: Camarote Tá Salceiro.
• 26:24
  Speaker 10: Man, what was the.
• 26:25
  Speaker 8: Wow, very cool. And the clip of Mykonos, man. What
• 26:28
  Speaker 8: a beautiful clip, man.
• 26:28
  Speaker 10: So much so that the.
• 26:29
  Speaker 6: First time I showed it to oMítico, he said like this... Okay, man,
• 26:33
  Speaker 6: put this clip back, man.
• 26:35
  Speaker 4: The thing got gringo, man. It got very gringo.
• 26:37
  Speaker 7: It was absurd.
• 26:38
  Speaker 6: I wanted you to talk a little about the vibe
• 26:40
  Speaker 6: of this album. I know it's been a year since
• 26:42
  Speaker 6: you released it.
• 26:43
  Speaker 7: Are you going to release a new one?
• 26:44
  Speaker 6: Yes, but I wanted to talk about this album because
• 26:46
  Speaker 6: I listen to it a lot.
• 26:47
  Speaker 8: We were like, damn, he was really into it. I
• 26:49
  Speaker 8: like this album.
• 26:50
  Speaker 7: It was that vibe of living with the guys that were.
• 26:52
  Speaker 4: There on a daily basis. I was like, I'm going
• 26:57
  Speaker 4: to post this thing, what is Fumão Cugê? It's a question, right?
• 27:06
  Speaker 4: So when you post a question in the story, there
• 27:09
  Speaker 4: will always be an answer. So that was the idea,
• 27:12
  Speaker 4: to ask people if they wanted to smoke with me,
• 27:15
  Speaker 4: you know? Or if they thought it was cool based
• 27:18
  Speaker 4: on what I smoked. I said, man, it took a while,
• 27:20
  Speaker 4: who wants to smoke with G? I started posting and
• 27:22
  Speaker 4: a lot of people started saying, me, me, me. I said, man,
• 27:24
  Speaker 4: let's make an album with this name. It's good that
• 27:26
  Speaker 4: you get what I'm posting, you know? And also, like,
• 27:29
  Speaker 4: who wants to film with G? It's not just about the.
• 27:31
  Speaker 7: Base, who wants to film one, you know?
• 27:34
  Speaker 4: Who wants to enjoy a vibe, who wants to listen
• 27:35
  Speaker 4: to a song, you know?
• 27:36
  Speaker 9: Yeah, you know? Like, in that sense.
• 27:38
  Speaker 4: Who wants to come with G? It's like that, right?
• 27:40
  Speaker 4: I was making the songs. I was in Mykonos with
• 27:43
  Speaker 4: Iggy and Glennie.
• 27:45
  Speaker 7: Look at this little chat.
• 27:48
  Speaker 4: I was there with the guys.
• 27:50
  Speaker 10: Iggy was there already.
• 27:51
  Speaker 4: European summer, right? Iggy was there already. I said, I'll
• 27:55
  Speaker 4: tell the guys at GR6 that I'm going to record
• 27:58
  Speaker 4: a video. It's for Greece. Work, work. I said, Rodrigo,
• 28:01
  Speaker 4: I'm going to record a video with Iggy there in Greece.
• 28:08
  Speaker 4: I was like, I have to take Glenner with me.
• 28:10
  Speaker 4: I like to travel with Glenner. I used to go
• 28:12
  Speaker 4: to London with him, to the Wig show. I've traveled
• 28:14
  Speaker 4: with Wig 5 times in Europe. Why is it cool
• 28:16
  Speaker 4: to travel with Glenner? He's a very cheerful partner, very funny,
• 28:18
  Speaker 4: very natural. It's good to be with him. I like
• 28:21
  Speaker 4: to be next to him. Then, like, we were in
• 28:34
  Speaker 4: this breeze, right? Man, the Granger already came with that...
• 28:37
  Speaker 4: The cool thing about the Granger is that he came
• 28:39
  Speaker 4: with the VHS. And he kept recording, bro, bro, 24 hours, like, everything,
• 28:43
  Speaker 4: you know? One day you'll only get the exclusive ones, bro.
• 28:45
  Speaker 4: That's what I was going to say, one day.
• 28:47
  Speaker 6: You'll want to make a documentary that has the images.
• 28:49
  Speaker 4: Of the Granger. He has so many things like this here,
• 28:50
  Speaker 4: that you can play the pagoda too.
• 28:53
  Speaker 7: It was really bad.
• 28:54
  Speaker 4: I was just kidding. It was really bad. I thought.
• 28:58
  Speaker 1: It was an emergency. I was sleeping all the time.
• 29:01
  Speaker 1: I was so tired.
• 29:02
  Speaker 4: Melatonin.
• 29:04
  Speaker 1: I went to Europeurol. I took 5 or 10 shots
• 29:06
  Speaker 1: of this melatonin. I slept like hell.
• 29:08
  Speaker 4: I was one drink from a Japanese drink. I was
• 29:10
  Speaker 4: so tired. Then Jay Glenn.
• 29:13
  Speaker 1: Came with the camera and recorded me.
• 29:15
  Speaker 4: He took off his slippers. He said, I want to
• 29:17
  Speaker 4: talk to you. He took off his slippers. Hey, Jay. Wow,
• 29:22
  Speaker 4: I was tired.
• 29:23
  Speaker 7: I was sleepy.
• 29:24
  Speaker 4: I was broken. G, you... G sleeps in the studios.
• 29:26
  Speaker 7: No, but tell us.
• 29:27
  Speaker 4: Tell us.
• 29:27
  Speaker 1: He was already there and you were here wanting to go.
• 29:29
  Speaker 10: Yeah, I was here. I was like, man, I must be.
• 29:32
  Speaker 4: In a hurry in this place. Let's go. I also
• 29:34
  Speaker 4: have a great desire to know this place.
• 29:36
  Speaker 7: Then I looked, man. The guy was already.
• 29:38
  Speaker 4: With the house there.
• 29:40
  Speaker 7: Six.
• 29:40
  Speaker 4: And every time I'm in Europe, I save him, pay
• 29:42
  Speaker 4: for his ticket, he comes and does the thing. It's heavy.
• 29:45
  Speaker 9: He records well.
• 29:46
  Speaker 4: And his camera has a really good color. That's what
• 29:47
  Speaker 4: I was going to say. The color is amazing. Then
• 29:57
  Speaker 4: I said, Six, stick it here, let's record a video.
• 29:59
  Speaker 4: He stuck it, Grêmio was with the studio there, he
• 30:02
  Speaker 4: even brought a record to us from there, we already
• 30:04
  Speaker 4: recorded Amíconos there, I said, bro, I'm going to do
• 30:06
  Speaker 4: it here.
• 30:06
  Speaker 6: So, Amíconos, you record there in the place of the video,
• 30:09
  Speaker 6: right there in the pool?
• 30:10
  Speaker 4: Yeah, I recorded there, man, I lived that there, I
• 30:12
  Speaker 4: already recorded the video and then I already released it.
• 30:15
  Speaker 7: Damn, the most real video possible.
• 30:16
  Speaker 4: I was watching the moment, I said, bro, I have
• 30:18
  Speaker 4: to sing everything I'm seeing here in this place, because
• 30:20
  Speaker 4: I'm not living, right? I'm seeing the sun and living
• 30:22
  Speaker 4: a lot, I'm here with a lot of shit.
• 30:24
  Speaker 9: You know?
• 30:24
  Speaker 4: And the guys are like, I don't drink, so I'm
• 30:27
  Speaker 4: not going to stick to these guys who spend so much.
• 30:31
  Speaker 4: If you don't drink, right? If you don't drink, right?
• 30:34
  Speaker 10: I don't drink, I don't spend so much money, I
• 30:36
  Speaker 10: don't drink.
• 30:36
  Speaker 8: I died on that big rock.
• 30:38
  Speaker 4: And the partners are in the ballads, it's cool. I
• 30:40
  Speaker 4: stuck with Negão. Man, we were so happy. You made
• 30:50
  Speaker 4: this song in one day, right? Yes, man.
• 30:51
  Speaker 7: And I have to tell you, it.
• 30:53
  Speaker 4: Was one of the best experiences of my life. This
• 30:56
  Speaker 4: trip with Iggy and the guys.
• 30:57
  Speaker 6: How many days did you travel?
• 30:58
  Speaker 7: I stayed six days with.
• 30:59
  Speaker 4: The guys and I was so happy, man. This stuff
• 31:02
  Speaker 4: is in my mind until today, this air.
• 31:03
  Speaker 9: Man, for real.
• 31:03
  Speaker 4: When you say that.
• 31:05
  Speaker 8: Every place you go, you remember the air, the.
• 31:07
  Speaker 9: Place, you say.
• 31:07
  Speaker 4: The vibe, the energy.
• 31:08
  Speaker 7: Then you listen to a song and you say, man,
• 31:10
  Speaker 7: this song.
• 31:11
  Speaker 4: Makes me remember that day, man.
• 31:16
  Speaker 7: It's true, you should lie down and say Mikonos.
• 31:18
  Speaker 4: It's like that nostalgia, you say, man, there's a time
• 31:20
  Speaker 4: when I traveled to Marezias. I was a kid. I
• 31:25
  Speaker 4: was with Pandemia and Dureza, and we went to the
• 31:27
  Speaker 4: car with Truta. Man, but these days of Marizias too,
• 31:29
  Speaker 4: I never forget, bro. The end of the year, a
• 31:32
  Speaker 4: party on the beach.
• 31:32
  Speaker 1: See?
• 31:32
  Speaker 4: With money and without money, the same vibe. Like, not
• 31:35
  Speaker 4: stopping enjoying the walk, you know? But, man, talking about this.
• 31:38
  Speaker 7: Album, when you made Micronus, was the album already done?
• 31:41
  Speaker 4: Did you fit in the album or was this album built?
• 31:43
  Speaker 4: This album was being built like this, from the beginning.
• 31:55
  Speaker 4: I also did a song called Uma Milha na.
• 31:58
  Speaker 7: Rua in a place that I got. That's awesome.
• 32:01
  Speaker 4: Did you release a car? What was that song? I
• 32:02
  Speaker 4: called my girlfriend and said I was going to make
• 32:04
  Speaker 4: a song inspired by 307. But with another flow, another melody,
• 32:08
  Speaker 4: another beat. With the same rhythm, you know? So I
• 32:11
  Speaker 4: did that. I like it a lot, man. I think
• 32:13
  Speaker 4: that's your favorite.
• 32:18
  Speaker 7: Her beat is strong.
• 32:18
  Speaker 4: I had a car at the time, so.
• 32:19
  Speaker 7: A mile on the street. Yeah, I was listening to
• 32:22
  Speaker 7: this song in my car. Wow, man.
• 32:24
  Speaker 1: Going back to the mic, when you said that the
• 32:25
  Speaker 1: gringas didn't understand anything, that the Latinos were on the track,
• 32:29
  Speaker 1: I said.
• 32:47
  Speaker 6: This rhyme made me shiver, man.
• 32:49
  Speaker 7: Damn, man.
• 32:50
  Speaker 4: Because it was a mess.
• 32:51
  Speaker 6: I said, man, everything he's talking about, I'm absolutely.
• 32:55
  Speaker 4: Sure they lived, man. You know?
• 32:57
  Speaker 6: It was with the truth.
• 32:58
  Speaker 4: You can feel it. If you stop to watch the clip,
• 33:00
  Speaker 4: you'll understand some little figures that are there. You'll understand
• 33:05
  Speaker 4: the scenario as it was, you know?
• 33:06
  Speaker 7: I got it, I got it. The little figures that
• 33:10
  Speaker 7: were there.
• 33:10
  Speaker 4: Ha, ha, ha.
• 33:13
  Speaker 7: Mico didn't make it to the story, then. Will there
• 33:15
  Speaker 7: be Mico in the second part, then? I hope so.
• 33:17
  Speaker 4: There will be a second part of Mico, we'll have
• 33:19
  Speaker 4: to wait.
• 33:19
  Speaker 10: We'll have to wait.
• 33:21
  Speaker 6: We'll have to wait.
• 33:22
  Speaker 4: We'll have to wait. We'll have to wait. We'll have
• 33:24
  Speaker 4: to wait. We'll have to wait. Man, you look at
• 33:29
  Speaker 4: me like this and you say, man, I think I'm
• 33:30
  Speaker 4: an insect, man. On the other side, what a place, man.
• 33:34
  Speaker 4: It's like a movie, right? A white house, you say, man.
• 33:36
  Speaker 7: Everything is white.
• 33:38
  Speaker 4: I'm in Cavaliers of Zeodio. It's not possible, man. There's Athens,
• 33:42
  Speaker 4: there's Poseidon and I'm in Greece. I want to feel
• 33:47
  Speaker 4: like this.
• 33:48
  Speaker 7: Man, the thing is cool, bro.
• 33:49
  Speaker 4: But I say to you, it must be really cool
• 33:51
  Speaker 4: when you're... Bigode.
• 33:54
  Speaker 6: Bigode máximo.
• 33:55
  Speaker 10: Super Sayajin.
• 33:56
  Speaker 8: I knew you were going to say that.
• 33:58
  Speaker 4: You know, Vianna? When you have Super Sayajin, 5, 7.
• 34:00
  Speaker 7: Then it goes to Miko.
• 34:02
  Speaker 4: Blue hair.
• 34:03
  Speaker 6: That one that Goku turns into a gorilla.
• 34:06
  Speaker 10: Extinct.
• 34:07
  Speaker 7: Mano, bagulho extinto.
• 34:09
  Speaker 4: Mano, tipo Raposa de Nova Icauda. Sai da frente.
• 34:12
  Speaker 7: I see. So you lived there a little bit.
• 34:14
  Speaker 4: But not so much. Not so much. I saw what
• 34:17
  Speaker 4: it was like to be a mustache. I see. Those
• 34:21
  Speaker 4: beards even get here. I saw what it was like
• 34:24
  Speaker 4: to be a beard.
• 34:26
  Speaker 7: Fuck, everyone in the park there told me that this
• 34:28
  Speaker 7: guy is another.
• 34:30
  Speaker 4: Category, man.
• 34:31
  Speaker 8: Mano, where did you go now in Europe?
• 34:33
  Speaker 6: How was this experience?
• 34:33
  Speaker 4: Have you ever left the country?
• 34:36
  Speaker 1: I had already been there once, but it wasn't that
• 34:40
  Speaker 1: easy because we had a lot of fun.
• 34:42
  Speaker 4: We went to Marbella, Algarve.
• 34:44
  Speaker 7: Where are those places? I've never heard of them.
• 34:50
  Speaker 4: Algarve, Portugal.
• 34:51
  Speaker 1: And Marbella is in Spain?
• 34:53
  Speaker 4: They're traveling.
• 34:54
  Speaker 6: I'm sorry, I didn't know.
• 34:55
  Speaker 7: I'm going to tell this trip to the guys.
• 34:57
  Speaker 4: They're going to see it. I went to a show
• 34:58
  Speaker 4: in Europe. Then it goes like this, I went with
• 35:03
  Speaker 4: the contractors.
• 35:05
  Speaker 7: And the guys.
• 35:06
  Speaker 6: It was Angolan.
• 35:07
  Speaker 4: Angolan, Angolan... He was like this, crazy.
• 35:13
  Speaker 1: He said, GP, GP, GP, Menocá, if you stay here,
• 35:16
  Speaker 1: you'll earn 50,000, GP. Let Menocá stay here, GP. Menocá
• 35:18
  Speaker 1: is a master, GP. He took Menocá, he was admiring Menocá.
• 35:21
  Speaker 4: He was like, bro, the black guy can be like this,
• 35:26
  Speaker 4: give several mancajinhas with these things, but he has an eye,
• 35:29
  Speaker 4: he has an eye. He was like this, look. Let's
• 35:36
  Speaker 4: go to Negão beach, man!
• 35:38
  Speaker 1: Tell me how was that experience.
• 35:45
  Speaker 10: I was there with the contractors.
• 35:46
  Speaker 6: Contractors, yeah.
• 35:47
  Speaker 7: How was that experience?
• 35:49
  Speaker 4: It was like this, they left us kids. They left
• 35:51
  Speaker 4: my producer, Negão, in the car, driving the car. There
• 35:56
  Speaker 4: was no driver. Your producer had to drive the car there.
• 36:00
  Speaker 10: I'm going to.
• 36:01
  Speaker 4: Do like Scooby-Doo. I'm going to take this van with me.
• 36:06
  Speaker 4: Let's go out on the beach. Let's go to Spain.
• 36:09
  Speaker 4: I put it on the GPS, it was giving five hours.
• 36:11
  Speaker 4: Bye bye. It's in the direction of RJ. Let's imagine
• 36:14
  Speaker 4: that we're.
• 36:15
  Speaker 10: Going to Rio. Did you go for.
• 36:16
  Speaker 4: Five hours like that?
• 36:17
  Speaker 1: Man, we filled a small van for you, man.
• 36:19
  Speaker 4: For Marbella. We went to Marbella with this van. The
• 36:22
  Speaker 4: guy calling us later. Then the guys, bro, that's it.
• 36:24
  Speaker 4: Five hours, man.
• 36:25
  Speaker 10: The van can't leave the country.
• 36:28
  Speaker 4: The van can't leave the country. Then I said to
• 36:31
  Speaker 4: the partner, hey, partner. It's better you don't say anything,
• 36:33
  Speaker 4: because I'm full of oil in your face, man.
• 36:35
  Speaker 10: I said better.
• 36:37
  Speaker 4: Fuck it, you can sleep there, we're just there. Turn
• 36:39
  Speaker 4: off the phone.
• 36:40
  Speaker 10: Imagine the guy seeing on the GPS the car going
• 36:41
  Speaker 10: to his fucking house, man.
• 36:42
  Speaker 4: My brother-in-law, Glenn, he's already saying like this, let me
• 36:45
  Speaker 4: kick his ass, man. Like this, man, be gentle, let's
• 36:49
  Speaker 4: keep calm, let's not lose our heads. Man, I'm crazy
• 36:51
  Speaker 4: to kick his ass.
• 36:52
  Speaker 6: But he was rambling with you.
• 36:53
  Speaker 4: And the guys were rambling with him. Since the beginning, man.
• 36:56
  Speaker 4: Since the beginning, man.
• 36:57
  Speaker 10: Oh, and you took five hours of road.
• 37:00
  Speaker 4: Then I went to Marbella.
• 37:01
  Speaker 7: You arrived there, how was it?
• 37:02
  Speaker 4: We arrived in Marbella, I had already rented an Airbnb
• 37:04
  Speaker 4: in the middle of an avenue, right? It was very nice,
• 37:06
  Speaker 4: you know, Chaves arriving soon, taking the luggage.
• 37:10
  Speaker 9: But it's very crazy.
• 37:11
  Speaker 4: When you've decided that you're going to live now.
• 37:13
  Speaker 6: Like, the leaf is in white, you're like, okay, let's
• 37:14
  Speaker 6: go to Spain. And on the way I'm already renting
• 37:15
  Speaker 6: an Airbnb, this is very cool. Then, you know what happened?
• 37:18
  Speaker 6: The luggage started to shake.
• 37:20
  Speaker 8: I said, man, the luggage is shaking.
• 37:21
  Speaker 4: I said, man, what the hell? Let's get our bags
• 37:26
  Speaker 4: up and send them to the old village. Those Spanish
• 37:28
  Speaker 4: villages that have those narrow streets. Many people in white clothes.
• 37:31
  Speaker 4: A troop you were. Brazil de malo.
• 37:33
  Speaker 7: You could already.
• 37:34
  Speaker 4: See that he was Brazilian. The guys were already hungry,
• 37:36
  Speaker 4: they were already starving. Odena was already eating a lot
• 37:40
  Speaker 4: of neuroses, he was already hungry. I gave him to
• 37:43
  Speaker 4: smoke one, we were without beck. I said, look, it's soft.
• 37:53
  Speaker 4: There are some clubs here, we'll get there and it'll
• 37:55
  Speaker 4: be awesome. Let's go to Five Guys and eat some snacks.
• 37:59
  Speaker 4: And then we go to Five Guys.
• 38:00
  Speaker 7: And we'll be on the floor.
• 38:02
  Speaker 9: Violent.
• 38:03
  Speaker 6: And the van?
• 38:05
  Speaker 4: The van stayed with us until... Let's go to that
• 38:07
  Speaker 4: parking lot that has a P there to break the line.
• 38:08
  Speaker 4: You know? Those that have a little P that stays
• 38:11
  Speaker 4: on the streets. You were all programmed, you already knew everything.
• 38:13
  Speaker 7: I already knew everything I was going.
• 38:14
  Speaker 10: To do, bro.
• 38:15
  Speaker 4: I already said like this, bro, now it's the following,
• 38:17
  Speaker 4: let's go to the beach, enjoy that we haven't arrived
• 38:19
  Speaker 4: here with the sun yet. Man, it was already 9
• 38:21
  Speaker 4: o'clock in the.
• 38:22
  Speaker 7: Night, we were just using the internet.
• 38:23
  Speaker 10: We were sitting in the.
• 38:25
  Speaker 4: Chairs, changing ideas, seeing the landscape, then we saw a
• 38:27
  Speaker 4: ball there, we started to play with the ball. Soon
• 38:30
  Speaker 4: after we came back, we said, man, let's go to
• 38:32
  Speaker 4: the party at night. We arrived at the party at night.
• 38:36
  Speaker 4: When we arrived at the party there, the gringos already
• 38:41
  Speaker 4: wanted to go to the Menorca, man.
• 38:43
  Speaker 1: Why? Man, the guys were looking at me and I
• 38:45
  Speaker 1: was like, I don't know what, I don't know.
• 38:46
  Speaker 4: What, and the guy was like, he was Spanish, right?
• 38:50
  Speaker 4: Because Spanish people say that the color of the shirt
• 38:54
  Speaker 4: he was wearing was black. And the guy was like, black.
• 38:56
  Speaker 7: Black.
• 38:56
  Speaker 1: Black.
• 38:57
  Speaker 4: I was like, he's racist, bro. Wow, Jacobo.
• 39:03
  Speaker 10: You heard the black guy and it was over.
• 39:06
  Speaker 4: Let's break it. I said, wow, he spoke black. It's
• 39:08
  Speaker 4: worse that he had the luck that it was a
• 39:10
  Speaker 4: black guy in real life, man. It was a minor. No, no, no, no, no.
• 39:14
  Speaker 4: It's with you, friend. It's that guy. I said, it's
• 39:17
  Speaker 4: my friend, boy. And so, the guy didn't even understand
• 39:19
  Speaker 4: me either. I said, fuck it, let's go, man. Let's
• 39:22
  Speaker 4: leave a lesson fighting there, right, man? One wanting to
• 39:24
  Speaker 4: catch the other. That's what I was laughing at, man.
• 39:27
  Speaker 4: That's on the first day, man.
• 39:20
  Speaker 9: Coffee shop?
• 39:41
  Speaker 4: Another coffee shop. Another coffee shop. Another coffee shop. Another
• 39:44
  Speaker 4: coffee shop.
• 39:44
  Speaker 10: Another coffee shop.
• 39:45
  Speaker 4: Another coffee shop. Another coffee shop. Another coffee shop.
• 39:48
  Speaker 6: Another coffee shop. Another coffee shop.
• 40:05
  Speaker 10: I don't know how many times you've been sleeping, man.
• 40:08
  Speaker 4: And he's been sleeping for 30 minutes.
• 40:29
  Speaker 7: It's a 5-minute sleep.
• 40:30
  Speaker 10: 30 sleeps. But you guys went there to do a show?
• 40:31
  Speaker 4: Yeah.
• 40:32
  Speaker 6: No, we went to do a show.
• 40:34
  Speaker 10: We went to Paró to do a show.
• 40:35
  Speaker 4: We went to do a show. It was really a show.
• 40:38
  Speaker 4: But I'm talking about Marbella. Marbella, no. Marbella, no.
• 40:41
  Speaker 9: Marbella, no.
• 40:41
  Speaker 4: Marbella, no. Marbella, no.
• 40:43
  Speaker 9: Marbella, no.
• 40:44
  Speaker 4: Marbella, no. The guys wanted us to be our producer,
• 40:57
  Speaker 4: you know? Our Davan, leaving my producer as a driver. Man,
• 41:01
  Speaker 4: we were like this.
• 41:02
  Speaker 9: Like, son of a.
• 41:03
  Speaker 7: Played, played. Like, the guys wanted to talk.
• 41:05
  Speaker 4: To us like they wanted to talk to us here,
• 41:06
  Speaker 4: you know, boy? Here you come slowly, because if you
• 41:08
  Speaker 4: don't go, you think that here it's not stupid, Deni. GP...
• 41:15
  Speaker 4: Let me kick his ass, GP. He said, man, I'm tired.
• 41:19
  Speaker 4: And he said, GP, GP. The guys were going to
• 41:21
  Speaker 4: get my money.
• 41:22
  Speaker 6: The guys were going to get my money.
• 41:24
  Speaker 4: The guy said, I made a travescote here. I don't
• 41:29
  Speaker 4: know what. I don't know who got here. I don't
• 41:32
  Speaker 4: know how much. Now it's so much. If you give
• 41:36
  Speaker 4: me Menorca in my hand, GP, Menorca will be 100,000 euros.
• 41:38
  Speaker 4: I said, man, I'm coming. I'm coming to you, man.
• 41:42
  Speaker 9: I'm coming to you.
• 41:44
  Speaker 6: We wanted to drink Menocá, but they made.
• 41:47
  Speaker 4: Menocá sing saying that they would pay Menocá, but they didn't. Damn!
• 41:51
  Speaker 7: Just to fool you, right?
• 41:52
  Speaker 4: But the guys enjoyed it.
• 41:54
  Speaker 7: It's good that they lived, right?
• 41:56
  Speaker 4: It's good that they lived in Europe, you know? And
• 41:59
  Speaker 4: the show? Marbella is the best. Yeah, it was a
• 42:02
  Speaker 4: heavy show. The two shows we did in Algarve and
• 42:06
  Speaker 4: Algarve in Portugal. We arrived there, we did a show
• 42:08
  Speaker 4: in a casino, very crazy.
• 42:15
  Speaker 1: We've already made a video of the Vagabundo style with a.
• 42:20
  Speaker 4: Lot of girls. Yeah, heavy stuff. A lot of Brazilians
• 42:23
  Speaker 4: and gringos mixed up. Good stuff.
• 42:25
  Speaker 7: This video was awesome. Did you guys stay in Europe
• 42:28
  Speaker 7: for a week or more? Was it two or a week?
• 42:29
  Speaker 7: I think it.
• 42:30
  Speaker 4: Was eight days. Yeah, right? That's right. But you didn't
• 42:36
  Speaker 4: let that affect it either. Oh, you're doing a lot
• 42:39
  Speaker 4: of things. Yeah, that's right.
• 42:57
  Speaker 7: .
• 43:02
  Speaker 4: .
• 43:06
  Speaker 6: .
• 43:09
  Speaker 4: .
• 43:17
  Speaker 1: .
• 43:19
  Speaker 7: Man, let's talk about this song that is in
• 43:21
  Speaker 7: first place, and then I want to talk about the
• 43:23
  Speaker 7: one that is in second place. But I want you
• 43:26
  Speaker 7: to tell us about her breakthrough, what was the moment
• 43:29
  Speaker 7: you made her, did you already imagine that she would
• 43:31
  Speaker 7: be this successful?
• 43:33
  Speaker 4: Tell us, bro.
• 43:34
  Speaker 1: Man, worse than this song, when I saw the part
• 43:38
  Speaker 1: of Jacaré, when Japa NK showed me the part of
• 43:40
  Speaker 1: Jacaré in the studio, I already imagined that she was
• 43:42
  Speaker 1: going to bomb only by the part.
• 43:44
  Speaker 4: Of the alligator.
• 43:45
  Speaker 6: The alligator is really high, right?
• 43:47
  Speaker 4: Yeah, like that, bro, the alligator has already arrived that way, right?
• 43:49
  Speaker 4: I need to show you that the thing is a bomb.
• 43:52
  Speaker 1: Then when I saw the part of the alligator, I
• 43:53
  Speaker 1: already saw, wow, I'm going to have to do, I'm
• 43:56
  Speaker 1: going to have to imitate, you know? I'm going to
• 43:58
  Speaker 1: have to do, I'm going to have to do the pure,
• 44:00
  Speaker 1: thinking already. Then, as I was penning, I stayed a while,
• 44:04
  Speaker 1: I wasn't even going to pen this thing, you know?
• 44:05
  Speaker 1: So you can see that I wasn't going to pen
• 44:07
  Speaker 1: the song, I was going to pen another thing.
• 44:09
  Speaker 4: But I have, like, I.
• 44:11
  Speaker 1: When I'm making a very concentrated song, conscious, the walks,
• 44:14
  Speaker 1: I record. But I usually make music only in freestyle,
• 44:18
  Speaker 1: you know?
• 44:19
  Speaker 4: Then, that day, I was recording. I was recording. When
• 44:22
  Speaker 4: I saw Japa, I said, no, bro, get the microphone here, bro,
• 44:25
  Speaker 4: send it. It was live, man.
• 44:27
  Speaker 7: At that time.
• 44:28
  Speaker 4: Then I started, boom. But you had a melody in
• 44:30
  Speaker 4: your head.
• 44:30
  Speaker 1: Yeah, because I already had a part of her melody,
• 44:33
  Speaker 1: from the beginning of her. Baby, I don't deny that
• 44:37
  Speaker 1: you made me happy. But this part, I had written it,
• 44:41
  Speaker 1: you know? This part, I had written it. Then, like,
• 44:43
  Speaker 1: when I got there.
• 44:48
  Speaker 1: I wrote only this part, you know? Then the rest
• 44:51
  Speaker 1: I already did in the fridge.
• 45:04
  Speaker 7: And it was one freak or the other.
• 45:23
  Speaker 4: When you did that, did you say, damn, I kicked
• 45:25
  Speaker 4: this one, how was it? He said, when you sent
• 45:27
  Speaker 4: this one.
• 45:28
  Speaker 7: Japa NK is blessed, right?
• 45:29
  Speaker 10: He's blessed.
• 45:29
  Speaker 7: God bless you, Japa. When you sent this one, did
• 45:32
  Speaker 7: you say, that's.
• 45:32
  Speaker 4: It, it's done? My God, how was the reaction? That's right,
• 45:34
  Speaker 4: he was already at his peak, Japanese.
• 45:36
  Speaker 7: Japa was already crazy, he showed it to Gordinho. Gordinho
• 45:40
  Speaker 7: was already crazy.
• 45:51
  Speaker 1: I used to listen to her all the time. For
• 45:53
  Speaker 1: the music, you need to have a good energy, collectivity
• 45:55
  Speaker 1: and believe in it. If the guy believes in it.
• 46:05
  Speaker 4: If you get addicted to the song itself, man, fuck it.
• 46:08
  Speaker 7: If you get addicted to the song before releasing it,
• 46:10
  Speaker 7: it's because you already feel that something.
• 46:12
  Speaker 4: Good is coming, right, man? That collective energy, right? That
• 46:14
  Speaker 4: song that keeps repeating itself.
• 46:16
  Speaker 1: And for everyone that I showed the thing, wow, I
• 46:18
  Speaker 1: heard the thing that way, I already said, man, this
• 46:21
  Speaker 1: is foda, man.
• 46:21
  Speaker 8: This is foda, brother.
• 46:22
  Speaker 6: Really, this is very foda. But Pecadela was the first
• 46:26
  Speaker 6: time I saw in my life. Is this one from
• 46:29
  Speaker 6: the south?
• 46:30
  Speaker 4: The P.E.K.K.A? Yeah, but it's mine.
• 46:31
  Speaker 1: The key? Yeah, it's a thing that I... Because it's
• 46:34
  Speaker 1: going to work, right? Yeah, but to fit the flow. Yeah,
• 46:36
  Speaker 1: sometimes it's on.
• 46:38
  Speaker 7: And what was the strategy to release this song, bro? Like,
• 46:41
  Speaker 7: you said, bro, let's release a preview, let's release it
• 46:43
  Speaker 7: on Tik Tok, let's release a pass. What was the breeze?
• 46:46
  Speaker 7: Or was it.
• 46:47
  Speaker 4: Natural.
• 46:49
  Speaker 1: Man, like, one of the guys who worked really hard
• 46:52
  Speaker 1: on this song was Japenica, bro. And Jacaré too, he
• 46:54
  Speaker 1: really promotes the thing, you know? But Japa, he paid
• 46:58
  Speaker 1: the people to do the dances, the pages, to post,
• 47:01
  Speaker 1: you know?
• 47:02
  Speaker 4: This already helps the song a.
• 47:04
  Speaker 1: Lot, to make a group with the pages. Take this one,
• 47:07
  Speaker 1: spread the thing, take it. So the song has already started,
• 47:09
  Speaker 1: with the part of Jacaré. Then suddenly, the dancer of Tuto,
• 47:12
  Speaker 1: you know? Vitória did a dance, which was this one.
• 47:27
  Speaker 1: The one that goes backwards, you know? I didn't even
• 47:33
  Speaker 1: think it was going to be this part. I thought it.
• 47:36
  Speaker 4: Was going to be the front part.
• 47:37
  Speaker 1: I thought it was going to be this part at
• 47:40
  Speaker 1: the end. I thought it was going to be this part.
• 47:45
  Speaker 4: At the end.
• 47:46
  Speaker 6: Who is Davi Dogi Dogi? I need to meet this guy,
• 47:48
  Speaker 6: because he's in both. He produced both.
• 47:54
  Speaker 7: Damn, that's awesome.
• 47:56
  Speaker 4: Dog twice. Do you know Davi recently?
• 47:59
  Speaker 8: What's the record?
• 48:00
  Speaker 4: I met him with Japa NK, you know? On the
• 48:03
  Speaker 4: day we recorded her song, Involve 3. Iggy and Rihanna
• 48:08
  Speaker 4: were in the song and he was in the Caribbean.
• 48:11
  Speaker 4: Davi Dogdog stuck with Japa and Piquinho said... He also
• 48:16
  Speaker 4: does heavy beats, you know? I've seen him with Japa before,
• 48:19
  Speaker 4: you know? He and Japa producing together. He was in
• 48:23
  Speaker 4: other songs as well. I think he's in Nós Nemigo
• 48:26
  Speaker 4: as well. He said, let's do one now. Iggy pulled
• 48:32
  Speaker 4: Meninos do Gueto. It was his first time and he
• 48:34
  Speaker 4: saw Fortuna. He's there with the boys. He's seen a
• 48:38
  Speaker 4: lot of them. It's very admirable.
• 48:40
  Speaker 6: Of you because we'll see in other spheres of music,
• 48:43
  Speaker 6: in other.
• 48:50
  Speaker 6: Other musical styles, people hardly go someone who is already
• 48:54
  Speaker 6: successful will produce a song with a kid who arrived now,
• 48:59
  Speaker 6: let's say so and this in Funk is very cool bro,
• 49:01
  Speaker 6: you know, you have your voice with how many producers
• 49:04
  Speaker 6: do you think you know how many producers have your
• 49:06
  Speaker 6: voice bro you don't keep looking at this guy who
• 49:08
  Speaker 6: let's go there bro you know why you are like
• 49:11
  Speaker 6: that bro because.
• 49:12
  Speaker 4: I think that and with constancy it takes you to
• 49:18
  Speaker 4: success I believe that this is an innovation, you know?
• 49:20
  Speaker 1: Sometimes we believe in the kid that is coming, it's
• 49:22
  Speaker 1: something that can blow up too. It's the market too.
• 49:25
  Speaker 1: Like for you to see, sometimes you see the energy.
• 49:28
  Speaker 7: Of the kid too, you know?
• 49:36
  Speaker 4: A lot of guys don't know how to approach you.
• 49:38
  Speaker 4: Some don't know how to approach you. Sometimes you'll say, bro,
• 49:42
  Speaker 4: we can't do it because we have to be responsible.
• 49:46
  Speaker 4: You know? I'm late for my response, but the next
• 49:48
  Speaker 4: time we work, we'll do something cool. The guys don't understand.
• 49:51
  Speaker 4: There are guys who are already humble. They say, man,
• 49:55
  Speaker 4: you've seen a little boy with the peak of happiness.
• 49:58
  Speaker 4: You see that the boy wants to get to the
• 50:01
  Speaker 4: point and the peak is coming in sincerity with you.
• 50:04
  Speaker 4: That's when you get the opportunity. We all feel the energy.
• 50:07
  Speaker 4: It's knowing how to get there.
• 50:09
  Speaker 7: It's knowing how to get there.
• 50:11
  Speaker 4: It's knowing how to be respectful. It's knowing how to
• 50:15
  Speaker 4: be ethical. A lot of guys don't have that. They think, like,
• 50:19
  Speaker 4: I'm going to record a guy there to burn him.
• 50:22
  Speaker 4: There are a lot of people who think they're going
• 50:25
  Speaker 4: to win something. But in the end, God will show
• 50:27
  Speaker 4: who you are, you know? Like, show him that you're victorious.
• 50:31
  Speaker 9: Got it?
• 50:32
  Speaker 4: Sometimes we'll want to take our picture, but God will
• 50:33
  Speaker 4: show it to us. Take it. It's like the thing
• 50:35
  Speaker 4: with Adan, you know? What the fuck?
• 50:37
  Speaker 9: You saw it, right?
• 50:37
  Speaker 7: But when you posted this song, how long did it
• 50:39
  Speaker 7: take to hit first?
• 50:40
  Speaker 10: It was already a success when it was released, right?
• 50:43
  Speaker 4: It was a month, bro.
• 50:43
  Speaker 7: It was a month and it hit first.
• 50:44
  Speaker 6: A month.
• 50:44
  Speaker 7: What did you feel, bro? When you saw your sound,
• 50:47
  Speaker 7: the stuff you're in, first, in your country, man. Very crazy, that.
• 50:50
  Speaker 4: I felt.
• 50:50
  Speaker 7: Top 9 global. Thank you. Thank you.
• 51:01
  Speaker 6: And the famous one is Top 8 Brazil.
• 51:06
  Speaker 4: Top 1 is also the famous one.
• 51:07
  Speaker 2: Sorry.
• 51:08
  Speaker 4: He's got two Top 1s this year.
• 51:09
  Speaker 10: It's not the first time. He's got another one.
• 51:12
  Speaker 4: It's Roberto Carlos. He's got another one. He's got Top
• 51:17
  Speaker 4: 1 on YouTube now with Lele. This one is Diário
• 51:20
  Speaker 4: de um Cafajeste. You're awesome.
• 51:22
  Speaker 7: It's God, right? For me it's God.
• 51:23
  Speaker 4: It's an opportunity. He and Lele are the ones who
• 51:32
  Speaker 4: are coming. Chatão is dominating too. Chatão is coming strong. Menoka,
• 51:35
  Speaker 4: I think it's necessary to say something.
• 51:36
  Speaker 6: Here, really, brother.
• 51:37
  Speaker 8: I think everyone knows, and you are our son who
• 51:39
  Speaker 8: feels you, dad.
• 51:40
  Speaker 4: Really, brother, because.
• 51:41
  Speaker 6: Let's talk about it as a joke now, because this
• 51:44
  Speaker 6: has already passed, thank God, it has already passed through
• 51:47
  Speaker 6: all this and is making success today.
• 51:53
  Speaker 8: But what happened, bro?
• 51:56
  Speaker 6: What happened, bro?
• 51:57
  Speaker 8: Because they almost took your life, bro.
• 51:59
  Speaker 6: Fuck, almost everything we're talking about now could have ended
• 52:02
  Speaker 6: back there, you know?
• 52:03
  Speaker 8: This must be a thousand degrees in your mind, you know?
• 52:05
  Speaker 8: That's what I was.
• 52:06
  Speaker 4: Going to say, right?
• 52:07
  Speaker 1: Because he said that I feel like with the music,
• 52:10
  Speaker 1: that's what I was going to say, bro. I feel
• 52:13
  Speaker 1: more blessed by God, right, bro? For this reason that
• 52:16
  Speaker 1: you said, I have survived this journey.
• 52:17
  Speaker 4: You know? Because as I said, bro, as I came
• 52:20
  Speaker 4: from the south, the thing is... There, crime is intense, right, brother?
• 52:25
  Speaker 4: You know? In the south, where we live. Me, Boladinho,
• 52:29
  Speaker 4: MC Boladinho.
• 52:31
  Speaker 1: Where we live, the stuff there is like, bro, a
• 52:34
  Speaker 1: lot of faction wars.
• 52:35
  Speaker 4: A lot of people, yeah. Like, really, you know? The stuff.
• 52:38
  Speaker 4: And as I bombed in a break, bro, that has
• 52:41
  Speaker 4: this stuff, like, of war. And I bombed, and.
• 52:45
  Speaker 1: Everyone knows that I'm from Coab Rubemberta, because I always
• 52:48
  Speaker 1: take my name from my break. And there's a war
• 52:51
  Speaker 1: going on, you know, brother? At the time, we were
• 52:54
  Speaker 1: in a frenetic war. We started to kill innocent people,
• 52:56
  Speaker 1: you know? We started to kill innocent people.
• 52:58
  Speaker 4: You know?
• 52:58
  Speaker 1: We started to kill innocent people, you know? We started
• 53:00
  Speaker 1: to kill innocent people, you know? We started to kill
• 53:02
  Speaker 1: innocent people, you know? We started to kill innocent people,
• 53:04
  Speaker 1: you know? We started to kill innocent people, you know?
• 53:06
  Speaker 4: We started to kill.
• 53:07
  Speaker 7: Innocent people, you know?
• 53:08
  Speaker 4: We started to kill innocent people, you know? We started
• 53:10
  Speaker 4: to kill innocent people, you know? We started to kill
• 53:11
  Speaker 4: innocent people, you know?
• 53:12
  Speaker 7: We started to kill innocent people, you know? We started
• 53:14
  Speaker 7: to kill innocent.
• 53:14
  Speaker 4: People, you know?
• 53:15
  Speaker 1: We started to kill innocent people, you know?
• 53:19
  Speaker 4: We started to kill innocent people, you know? We started
• 53:21
  Speaker 4: to kill innocent people, you know?
• 53:24
  Speaker 1: Then I took the partners with me, I sang, as
• 53:25
  Speaker 1: it is on my side I decided to stay at
• 53:27
  Speaker 1: the party, I sent the team to go out smoothly.
• 53:29
  Speaker 4: I didn't even have a problem with these things. You
• 53:31
  Speaker 4: were in your area. I was in my area.
• 53:33
  Speaker 1: Then I stayed there, everything was fine, look how crazy
• 53:36
  Speaker 1: the thing was, I was still promising, without drinking and smoking,
• 53:41
  Speaker 1: it was smooth. Then I was with some girls, I
• 53:42
  Speaker 1: told my brothers, stay there, I'm going to go down
• 53:45
  Speaker 1: with the girls. First, when we were leaving. Then my
• 53:55
  Speaker 1: partners were up there. Then it was like crazy. The
• 53:59
  Speaker 1: guy who was in front of the party, who saw
• 54:02
  Speaker 1: me get off the minibus, he said, let's take a
• 54:05
  Speaker 1: picture here, don't take a picture with the poor guy.
• 54:07
  Speaker 4: Then I said, no, let's take a picture here, bro.
• 54:09
  Speaker 1: When I got in the car, bro, this same guy
• 54:13
  Speaker 1: who asked to take a picture, he kind of played
• 54:16
  Speaker 1: a game of sight with the Japanese guy who was
• 54:18
  Speaker 1: with him, you know? When I was taking a picture
• 54:20
  Speaker 1: and I saw Japinha passing by, I.
• 54:22
  Speaker 4: Already felt the thing, you know?
• 54:23
  Speaker 9: I had energy.
• 54:24
  Speaker 1: I was in the corner of my eye, like this.
• 54:25
  Speaker 1: I already felt the thing.
• 54:27
  Speaker 4: Then, how? I went up to the charity bank, brother.
• 54:29
  Speaker 4: This same guy who asked to take.
• 54:30
  Speaker 1: A picture, I already gave him three shots, like this,
• 54:33
  Speaker 1: in the window that I was in, at the charity bank.
• 54:34
  Speaker 1: I gave him three shots. Like, man, I could see
• 54:36
  Speaker 1: it right. I looked back, I saw the gun, like this,
• 54:39
  Speaker 1: at the tip of it, three shots.
• 54:41
  Speaker 9: Boom.
• 54:41
  Speaker 1: And I thought I had taken only one side, you know?
• 54:43
  Speaker 1: It was the shot that I took here, look, in
• 54:45
  Speaker 1: this arm.
• 54:45
  Speaker 9: Here, look.
• 54:47
  Speaker 6: Man.
• 54:49
  Speaker 4: I had no idea, bro.
• 54:50
  Speaker 9: You had.
• 54:51
  Speaker 4: One here, one in the hand too.
• 54:53
  Speaker 1: Then the Japa that was with him, who played the
• 54:57
  Speaker 1: game of looking at him, went in front of the
• 54:59
  Speaker 1: car and he shot in front of the car too,
• 55:01
  Speaker 1: you know?
• 55:02
  Speaker 4: The two guys shot, bro.
• 55:03
  Speaker 7: Then it was.
• 55:04
  Speaker 4: Here, there's a shot here too.
• 55:06
  Speaker 1: Here, look.
• 55:06
  Speaker 4: Here, look. A shot here too, I took three in
• 55:09
  Speaker 4: the leg. In all of this, I took nine shots.
• 55:10
  Speaker 4: But I didn't disarm yet. Then what?
• 55:17
  Speaker 1: The girls who were with us, who were with me,
• 55:19
  Speaker 1: who came down with me, too, one took a shot
• 55:22
  Speaker 1: in the leg, the other took a shot in the arm.
• 55:25
  Speaker 1: The engine still managed to escape to the side.
• 55:29
  Speaker 4: Then, you know, bro, at the time, right?
• 55:31
  Speaker 1: I was all shaken, thank God, like crazy, I wasn't drinking,
• 55:34
  Speaker 1: I was very conscious, you know? My body was accelerated,
• 55:36
  Speaker 1: I managed to keep myself conscious.
• 55:37
  Speaker 4: Then what? What goes through your head at.
• 55:40
  Speaker 7: A time like this, bro? Man, everything goes through, bro,
• 55:42
  Speaker 7: you know?
• 55:45
  Speaker 1: I myself was, like, how these things happen in my life,
• 55:48
  Speaker 1: I always asked God not to die like this, to shoot,
• 55:51
  Speaker 1: and I kept thinking about it a lot at the time, like, damn, God,
• 55:55
  Speaker 1: I asked not to die like this, crazy stuff, and
• 55:59
  Speaker 1: the stuff was happening frenetically, like, giving several shots, I
• 56:03
  Speaker 1: stopped taking shots and the stuff, the bursts continued, you know?
• 56:08
  Speaker 4: Damn, so it was an attack, man. Yeah, it was
• 56:10
  Speaker 4: a real attack, brother. Then what?
• 56:13
  Speaker 1: A girl who took a shot in the leg, after
• 56:15
  Speaker 1: she stopped the things, she left walking. She took a
• 56:18
  Speaker 1: shot in the leg and ran out of the car.
• 56:21
  Speaker 1: Then I left the car too, because the security of
• 56:23
  Speaker 1: the party was going to catch me. Then he took
• 56:27
  Speaker 1: me out of the car, locked me in the bench
• 56:28
  Speaker 1: in front of the party, I was all bruised, already
• 56:31
  Speaker 1: thinking how, I was going to die, right, bro? Because
• 56:34
  Speaker 1: like this, as I took a shot in the chest,
• 56:35
  Speaker 1: my chest was swollen, you know? It was this size,
• 56:37
  Speaker 1: it was swollen, and I thought, damn, I took a
• 56:39
  Speaker 1: shot in the chest, that's it, bro.
• 56:42
  Speaker 4: Then what? I was thinking that I was going to die, bro.
• 56:47
  Speaker 1: Then I looked to the side and to the other side,
• 56:50
  Speaker 1: there was already one dead here and one dead under
• 56:54
  Speaker 1: the car.
• 56:55
  Speaker 4: And you seeing? And I seeing the thing.
• 56:57
  Speaker 9: Two guys?
• 56:57
  Speaker 4: Yeah, two guys dead.
• 56:58
  Speaker 1: How come you don't think you're going to be the
• 57:00
  Speaker 1: next one? One that was an innocent dead, you know,
• 57:03
  Speaker 1: that was worth nothing.
• 57:04
  Speaker 7: And the other was the same guy who shot me.
• 57:06
  Speaker 4: Killed him? Who was under the car, dead. Died with
• 57:09
  Speaker 4: a shot in the head.
• 57:10
  Speaker 9: You know?
• 57:10
  Speaker 7: In the middle of the shooting, right?
• 57:13
  Speaker 4: The police said it was them who killed each other.
• 57:16
  Speaker 4: They beat each other up.
• 57:18
  Speaker 7: Holy shit, bro.
• 57:19
  Speaker 4: So what?
• 57:20
  Speaker 1: My partners went to the party. They were scared. My
• 57:24
  Speaker 1: partners went to the party too. They saw me on
• 57:27
  Speaker 1: the bench, all beaten up. They were thinking... Lombradinho, the
• 57:31
  Speaker 1: guys were with me. They thought, it's over, bro.
• 57:35
  Speaker 4: Fuck, right?
• 57:36
  Speaker 1: The guys tried to calm me down, saying it didn't
• 57:38
  Speaker 1: hit my chest. But I saw my chest all bloody.
• 57:43
  Speaker 4: Then how, bro?
• 57:44
  Speaker 1: In the whole race, look how crazy it is, bro.
• 57:47
  Speaker 1: A woman who went to pick up her husband there,
• 57:51
  Speaker 1: an Uber, went to pick up her husband there, left
• 57:53
  Speaker 1: her husband there and took me to the.
• 57:55
  Speaker 4: Hospital, bro. You know?
• 57:57
  Speaker 1: Left her husband there at the party and took me
• 57:59
  Speaker 1: to the hospital. Because no Uber wanted to accept. Recently
• 58:01
  Speaker 1: it had happened, several shots, boom. The woman stopped to
• 58:04
  Speaker 1: pick up her husband.
• 58:05
  Speaker 4: What an angel, bro. Boom. Wow, are you crazy?
• 58:08
  Speaker 9: Then what?
• 58:08
  Speaker 1: Man, and taking me to the hospital, the partners, my
• 58:11
  Speaker 1: leg was divided in the middle, like this, because I took.
• 58:13
  Speaker 4: A shot here, right? In the thigh? Yeah, in the thigh.
• 58:16
  Speaker 4: I forgot the name of this bone here. In the femur, right?
• 58:20
  Speaker 4: In the femur, that's it.
• 58:21
  Speaker 1: My femur was like this, divided in the middle, like this,
• 58:24
  Speaker 1: my leg out of the window, I arrived at the hospital.
• 58:26
  Speaker 1: To give you an idea, bro, I went to three
• 58:27
  Speaker 1: hospitals on the same day, you know? In the first
• 58:31
  Speaker 1: hospital I went to, everyone who was injured came to
• 58:35
  Speaker 1: this hospital too. The girls, a guy who went there
• 58:39
  Speaker 1: and took a shot that went through him too. He
• 58:41
  Speaker 1: was even more fucked than me, because no shot went
• 58:44
  Speaker 1: through here, you know?
• 58:46
  Speaker 4: Then, how?
• 58:47
  Speaker 1: I asked my mother, damn, will I die? I asked,
• 58:49
  Speaker 1: I gave him a ton of medicine, full of bullets.
• 58:53
  Speaker 1: My crown arrived, my crown saw me from that state,
• 58:55
  Speaker 1: I started to cry like hell. I saw the doctors
• 58:58
  Speaker 1: saying that I couldn't get close. Then, on that day,
• 59:02
  Speaker 1: they couldn't get me operated on there, right, bro? Because,
• 59:04
  Speaker 1: for God's sake, it was a hospital, right?
• 59:06
  Speaker 9: More.
• 59:07
  Speaker 4: Yeah, softer, more like a papá.
• 59:08
  Speaker 7: It turned into the night.
• 59:10
  Speaker 4: A nightclub.
• 59:11
  Speaker 1: It was a nightclub. Just so you know, the guy
• 59:14
  Speaker 1: who was there was shot. He was more fucked up
• 59:17
  Speaker 1: than me. He pierced his organs. It was a soft hospital.
• 59:20
  Speaker 4: When I got to.
• 59:23
  Speaker 1: The second hospital, that's when I got scared. I was
• 59:28
  Speaker 1: interviewed by more than 300 different police officers in.
• 59:31
  Speaker 4: The hospital bed. You know?
• 59:33
  Speaker 1: Police officers were arriving all the time. And at that time,
• 59:36
  Speaker 1: when the police officers were arriving and leaving, some of
• 59:39
  Speaker 1: them were dressed like us.
• 59:40
  Speaker 4: Like, Kiki Silver, Cordão.
• 59:43
  Speaker 1: And I was thinking, man, these guys came to kill
• 59:45
  Speaker 1: me here. Because until then, we didn't know who had
• 59:47
  Speaker 1: shot us.
• 59:49
  Speaker 4: You know? We were still trying to find the guys,
• 59:51
  Speaker 4: you know? Like, who shot us? Pum, pum, pum. And
• 59:54
  Speaker 4: the guys came and kept staring at me. At that
• 59:56
  Speaker 4: moment I almost died, my heart started to boom, boom, boom, boom, boom.
• 1:00:00
  Speaker 4: And the guys were staring at me on the bedside.
• 1:00:02
  Speaker 4: It's a tremendous lack of understanding.
• 1:00:05
  Speaker 1: Imagine, the guys would come, pick us up, Kiki's dolls, boom,
• 1:00:08
  Speaker 1: and stare at us like this, I'm all flabbergasted.
• 1:00:10
  Speaker 4: I've already... I've already activated the thing over there next
• 1:00:13
  Speaker 4: to the bed. Kiki's dolls, bro? I'm talking, man. Yeah,
• 1:00:15
  Speaker 4: the paisanos are like that, right, dad? The paisanos of
• 1:00:17
  Speaker 4: the broken, of the.
• 1:00:18
  Speaker 6: But when did you calm down, when they told you, look,
• 1:00:21
  Speaker 6: you don't risk your life, brother?
• 1:00:23
  Speaker 4: Or did you get to.
• 1:00:23
  Speaker 6: The.
• 1:00:23
  Speaker 1: Woman told me, no, actually, she didn't even tell me anything,
• 1:00:28
  Speaker 1: she said like this, I asked her, bro, I'm going
• 1:00:29
  Speaker 1: to die, bro. And she, if you were to die,
• 1:00:31
  Speaker 1: you were supposed to be dead already. She used to
• 1:00:35
  Speaker 1: say that, the woman from the hospital.
• 1:00:38
  Speaker 7: Straight talk. How long did you.
• 1:00:42
  Speaker 4: Stay in the hospital? After I got there, I went
• 1:00:44
  Speaker 4: to another hospital, which was the third one.
• 1:00:47
  Speaker 10: You couldn't operate, you couldn't do anything.
• 1:00:48
  Speaker 4: I stayed up all day. Then, in the third hospital
• 1:00:50
  Speaker 4: that I went, which was where they managed to take
• 1:00:53
  Speaker 4: me to the private hospital. That's where I was operated.
• 1:01:01
  Speaker 7: And you stayed one day, two days with the bullets
• 1:01:03
  Speaker 7: in your body?
• 1:01:04
  Speaker 1: No, I stayed a whole day with the bullets in
• 1:01:06
  Speaker 1: my body, man. Just, like, with the medicine, man.
• 1:01:10
  Speaker 4: The stuff.
• 1:01:10
  Speaker 7: When was that?
• 1:01:11
  Speaker 1: No, like, in the first hospital yet, they took care
• 1:01:14
  Speaker 1: of me, you know? They saw where I was, but
• 1:01:16
  Speaker 1: they said they had to send me to a bigger hospital, right, bro?
• 1:01:20
  Speaker 1: Patients to do surgery, because I was all bruised, like,
• 1:01:24
  Speaker 1: they had to open me here, you know? I have
• 1:01:25
  Speaker 1: iron here in my hand, I have iron here too.
• 1:01:28
  Speaker 1: I have iron in my thigh too, which broke my femur, right?
• 1:01:31
  Speaker 4: You know? So it was all... You know?
• 1:01:33
  Speaker 7: When was that?
• 1:01:33
  Speaker 4: When was that? I had.
• 1:01:36
  Speaker 7: It was in 2023, right?
• 1:01:37
  Speaker 1: I was 16 years old. It was in 2023, then
• 1:01:40
  Speaker 1: you had a heart attack. And how was the recovery process?
• 1:01:42
  Speaker 1: It was after three weeks, bro, that I had a
• 1:01:44
  Speaker 1: heart attack.
• 1:01:45
  Speaker 4: It was in 2022, if I'm not mistaken.
• 1:01:46
  Speaker 6: In Guarujá?
• 1:01:46
  Speaker 7: That's right.
• 1:01:47
  Speaker 4: We had a heart attack before. We had a heart
• 1:01:48
  Speaker 4: attack in Baleado, man. And you got there with the
• 1:01:50
  Speaker 4: guys there, I said, man.
• 1:01:59
  Speaker 4: It was smooth, right? Let's do it again. 2022. That's right, 2022.
• 1:02:01
  Speaker 4: I was 16 years old. How was the recovery process?
• 1:02:03
  Speaker 9: How was it, bro?
• 1:02:03
  Speaker 4: Your head, how was this moment for you too?
• 1:02:05
  Speaker 7: I'll tell you that, in fact, like this... The thing
• 1:02:07
  Speaker 7: that I was most scared of, bro, I was really smooth.
• 1:02:10
  Speaker 1: Like this, the shots, the stuff, thank God I had survived, right, bro?
• 1:02:20
  Speaker 1: The only time I cried was when the guys came
• 1:02:22
  Speaker 1: to give me a bath.
• 1:02:23
  Speaker 4: I was pissed. The guys gave me a bath. It's weird.
• 1:02:27
  Speaker 4: It's weird. People give me a bath, see my walk.
• 1:02:30
  Speaker 9: See my walk.
• 1:02:31
  Speaker 4: See my walk.
• 1:02:37
  Speaker 10: The guy is full of shots!
• 1:02:39
  Speaker 4: No, no, guys, that's awesome!
• 1:02:40
  Speaker 6: That's awesome!
• 1:02:40
  Speaker 4: I left it here!
• 1:02:41
  Speaker 6: Thank God there was a nurse with him, right, dad?
• 1:02:43
  Speaker 4: The crazy people! The guys are just to disturb you, right?
• 1:02:46
  Speaker 4: But how long did this recovery take?
• 1:02:48
  Speaker 7: It took, like, I stayed, bro, I did physiotherapy, right?
• 1:02:50
  Speaker 1: But it took like a month to get me really smooth.
• 1:02:53
  Speaker 4: Menor, did you ever think about stopping singing?
• 1:02:55
  Speaker 11: Oh, no!
• 1:02:56
  Speaker 6: Like, no, my first dance, and then I still missed
• 1:02:58
  Speaker 6: the shots.
• 1:03:08
  Speaker 1: I even have the video, I was still with the
• 1:03:10
  Speaker 1: band on my leg, I immediately missed my first dance,
• 1:03:13
  Speaker 1: you know?
• 1:03:14
  Speaker 4: As my former businessmen.
• 1:03:15
  Speaker 1: Paid for my hospital, then they discounted my money that
• 1:03:20
  Speaker 1: comes from my songs, you know? And at the beginning
• 1:03:22
  Speaker 1: I was like? I was always on the beat, you know?
• 1:03:24
  Speaker 4: So what?
• 1:03:25
  Speaker 1: I had to go back to dancing, you know? And
• 1:03:26
  Speaker 1: what saved me was still at the time that some...
• 1:03:32
  Speaker 1: Some Blazers, things like that. Robozinho was in the video.
• 1:03:36
  Speaker 1: At the time of the Blazer Robozinho, those Robozinho there,
• 1:03:38
  Speaker 1: to sell Robozinho.
• 1:03:41
  Speaker 10: Wow!
• 1:03:41
  Speaker 7: I saved you at the time.
• 1:03:42
  Speaker 1: Because then the stories were also getting less, right? Because
• 1:03:45
  Speaker 1: of the shooting media.
• 1:03:47
  Speaker 4: I already posted the link.
• 1:03:48
  Speaker 10: Bro, a month after that, you're already doing the show, bro.
• 1:03:50
  Speaker 7: You know what, I.
• 1:03:51
  Speaker 4: Talked to him after a month, man. Three weeks, right?
• 1:03:54
  Speaker 9: After.
• 1:03:55
  Speaker 4: Holy shit, man. I was like this, you know? You're
• 1:03:58
  Speaker 4: a warrior, bro.
• 1:03:59
  Speaker 7: Psychologically, like, I'm still kind of.
• 1:04:02
  Speaker 4: A spy, right, bro? Force of Davi and Sansão, man.
• 1:04:04
  Speaker 1: Inside the house, I was a big spy.
• 1:04:06
  Speaker 4: I used to send.
• 1:04:07
  Speaker 1: The guys to be armed to be smooth, because I
• 1:04:09
  Speaker 1: thought the guys would invade my house too. I was annoyed, like,
• 1:04:14
  Speaker 1: for a while. Changing ideas with Caxeta, this happened too.
• 1:04:16
  Speaker 1: We ask, like, bro, don't you think about it?
• 1:04:18
  Speaker 6: Like, bro, let go of this life. To become a CLT,
• 1:04:26
  Speaker 6: because it's something scary. You barely lost your life, you know?
• 1:04:30
  Speaker 7: Barely, man!
• 1:04:31
  Speaker 4: Like, damn, that's crazy!
• 1:04:33
  Speaker 6: So this neurosis is completely normal to understand, you know?
• 1:04:38
  Speaker 1: I don't stop, brother, in the thing of stopping wanting to...
• 1:04:41
  Speaker 1: We are the support of the whole family, crazy stuff,
• 1:04:43
  Speaker 1: we don't stop. There was no way to stop. If
• 1:04:46
  Speaker 1: I stopped, I would be even more fucked up. You
• 1:04:49
  Speaker 1: made some sounds at the time you were recovering, right?
• 1:04:51
  Speaker 1: Of course! I even made a sound of these things.
• 1:04:55
  Speaker 1: On the same day I already had dreams with the stuff, I.
• 1:04:57
  Speaker 4: Already woke up.
• 1:04:58
  Speaker 8: But these ideas are on the ground, thank God.
• 1:05:00
  Speaker 4: Thank God, right?
• 1:05:01
  Speaker 1: Today I still do the dance all over the South,
• 1:05:03
  Speaker 1: all over Rio Grande do Sul. If the stuff was, like,
• 1:05:06
  Speaker 1: the guys thought it was because of women, things like that,
• 1:05:10
  Speaker 1: you know? The stuff, so much in the day, it
• 1:05:12
  Speaker 1: wasn't even for me, bro. It was for a brother
• 1:05:15
  Speaker 1: who was with me, you know? But as the guys
• 1:05:17
  Speaker 1: knew that the brother was from the same gang, we
• 1:05:19
  Speaker 1: were from.
• 1:05:19
  Speaker 4: The same gang, like, ah, the guy goes.
• 1:05:21
  Speaker 1: I told my brother to stay in the club because
• 1:05:23
  Speaker 1: I was the only one going down with the girls.
• 1:05:26
  Speaker 1: If we went down straight, they wouldn't even wait for
• 1:05:28
  Speaker 1: us to go up the stairs. We would be right
• 1:05:30
  Speaker 1: in front of the club.
• 1:05:31
  Speaker 4: It was meant to happen.
• 1:05:31
  Speaker 1: That's why I don't have so much trauma. I see
• 1:05:34
  Speaker 1: that life has already prepared this for me. Of course
• 1:05:47
  Speaker 1: we have to take care of ourselves, right? Walk safely,
• 1:05:49
  Speaker 1: walk with the.
• 1:05:50
  Speaker 7: Stuff, walk smoothly.
• 1:05:51
  Speaker 6: Protected, right? No, but that's what G was talking about, bro.
• 1:05:53
  Speaker 6: You're a very strong kid, bro. And not just physically speaking,
• 1:05:56
  Speaker 6: it's psychologically, soul, spirit, because... Me, just you telling these stories,
• 1:06:01
  Speaker 6: I've thought about stopping 10 times here, you know?
• 1:06:04
  Speaker 8: You're crazy, bro, in a situation like this. So, fuck it, but.
• 1:06:08
  Speaker 6: Congratulations, because your story is like an absurd victory. We
• 1:06:12
  Speaker 6: pay money for Fitcent, the hell... Look at the kid
• 1:06:15
  Speaker 6: in front of me, man, 18 years old.
• 1:06:17
  Speaker 1: You know?
• 1:06:17
  Speaker 7: Congratulations.
• 1:06:18
  Speaker 4: Really, bro. God bless you, bro. For real.
• 1:06:19
  Speaker 8: Man, it's a super. Holy shit, you're crazy, man.
• 1:06:21
  Speaker 4: A thing like this, new. We talked about you.
• 1:06:22
  Speaker 6: I said, last year I talked about the end of
• 1:06:25
  Speaker 6: the year.
• 1:06:26
  Speaker 4: He wasn't even doing a lot of work, because he
• 1:06:28
  Speaker 4: was in this process of wanting to leave the production
• 1:06:33
  Speaker 4: that he was, you know? Then I said, man, you know,
• 1:06:35
  Speaker 4: since you didn't leave the production yet, but stick to it,
• 1:06:39
  Speaker 4: let's keep doing one, I'm getting some houses here. Then
• 1:06:46
  Speaker 4: I started to take some houses, he started to grow.
• 1:06:49
  Speaker 4: Then he already stuck... No, it was there in Maresias
• 1:06:52
  Speaker 4: that you stuck, wasn't it? I think it was the
• 1:06:53
  Speaker 4: first time you started to stick? Again? No, it was
• 1:06:56
  Speaker 4: the first time. Look how crazy this thing is, bro.
• 1:06:58
  Speaker 4: I was like.
• 1:06:59
  Speaker 1: I always make promises to God, right, brother?
• 1:07:02
  Speaker 4: I'm donating, you know? I was making promises.
• 1:07:05
  Speaker 1: I went back home and I found you there in
• 1:07:07
  Speaker 1: that bay. Do you remember the name of that house
• 1:07:11
  Speaker 1: we were in? That's where we did the Seta Seta.
• 1:07:14
  Speaker 1: Not in that little bar of Cotia. We got drunk,
• 1:07:16
  Speaker 1: just to... To get some ideas. We got drunk, we
• 1:07:21
  Speaker 1: did the Senta Senta. Then it went like, in the
• 1:07:24
  Speaker 1: same week, I already did Comedinha with the original thing.
• 1:07:27
  Speaker 1: Comedinha got mad. Then on the last day, I did.
• 1:07:33
  Speaker 1: Don't look at my face at Rian's house.
• 1:07:36
  Speaker 4: On the last day. And then, what was the other
• 1:07:38
  Speaker 4: one I did? In the same week.
• 1:07:41
  Speaker 1: I think I did one more, but I did like
• 1:07:43
  Speaker 1: four songs that I got right.
• 1:07:46
  Speaker 4: In the same week. After No Vitrine. Yeah, After No
• 1:07:49
  Speaker 4: Vitrine too. Pouco too.
• 1:07:51
  Speaker 7: I was inspired.
• 1:07:52
  Speaker 4: You got them all right.
• 1:07:54
  Speaker 6: Hey, G, what's the next album, bro?
• 1:07:56
  Speaker 4: I'm sorry.
• 1:07:56
  Speaker 7: No, I was going to say that.
• 1:07:57
  Speaker 4: The next album? Yeah. Do you have a date? The 27th.
• 1:08:02
  Speaker 6: Already?
• 1:08:04
  Speaker 4: Oh, that's it!
• 1:08:04
  Speaker 7: Don't even close the 20th.
• 1:08:05
  Speaker 9: Take it.
• 1:08:06
  Speaker 4: The 27th.
• 1:08:06
  Speaker 7: What can you say about this album, brother? The fit,
• 1:08:08
  Speaker 7: how many songs?
• 1:08:09
  Speaker 4: It's a very eclectic album, you know? Like... Many people
• 1:08:14
  Speaker 4: who do the stuff are from what they're playing, you know?
• 1:08:17
  Speaker 4: I'm in the opposite.
• 1:08:18
  Speaker 6: I prefer it that way too.
• 1:08:19
  Speaker 4: I'm not a person who likes... I don't make music
• 1:08:21
  Speaker 4: for anyone to think it's cool, you know? I do
• 1:08:24
  Speaker 4: it for me because I'm the first listener of my song,
• 1:08:26
  Speaker 4: you know? Then it's me. So, if I think it's cool,
• 1:08:29
  Speaker 4: I'm a person who has a good taste for music.
• 1:08:32
  Speaker 4: I know that people will think it's cool too. Sometimes
• 1:08:35
  Speaker 4: it can't be so many people. Have you ever done
• 1:08:37
  Speaker 4: one and you didn't like it?
• 1:08:38
  Speaker 8: No, there were some that we didn't.
• 1:08:39
  Speaker 4: Like because other people like it too. Sometimes a song
• 1:08:41
  Speaker 4: I don't like, a partner said, this song is good.
• 1:08:50
  Speaker 4: Then I say, is it okay? Then I start to
• 1:08:51
  Speaker 4: go crazy, I say, man, it can be okay. You know?
• 1:08:53
  Speaker 4: After you start to get a taste more, people sometimes
• 1:08:56
  Speaker 4: have a taste first than you for the song. You know?
• 1:08:58
  Speaker 4: And like this, then as I got together with the boys,
• 1:09:02
  Speaker 4: I was doing several camps, I ended up also calling
• 1:09:06
  Speaker 4: a lot of trap producers too, so like this, as
• 1:09:08
  Speaker 4: I also listen to a lot of trap and like
• 1:09:11
  Speaker 4: trap too, my album doesn't just have funk, you know?
• 1:09:14
  Speaker 4: It's funk and trap too, bro. There's trap too in
• 1:09:16
  Speaker 4: the stuff.
• 1:09:17
  Speaker 9: You know?
• 1:09:18
  Speaker 4: Different beats. There are some Afrobeat beats too. Which are
• 1:09:21
  Speaker 4: also some songs I like to listen to. But I
• 1:09:23
  Speaker 4: played my own language, you know? I didn't listen to
• 1:09:27
  Speaker 4: anyone's language. The beats are awesome. And the language is
• 1:09:31
  Speaker 4: still ours, you know? The street language, you know?
• 1:09:34
  Speaker 7: There might be some crazy feats there.
• 1:09:36
  Speaker 4: There is, bro. There's Menauká. Duel. Denna is also there.
• 1:09:41
  Speaker 4: The guy who's here, I'm talking about. Duel, Denna, Menauká.
• 1:09:48
  Speaker 4: And there's Orochi. There's also Fubá from Doruan. There's also Iggy,
• 1:09:55
  Speaker 4: Neguinho Cacheta.
• 1:09:57
  Speaker 7: This song you released is from this album, right?
• 1:10:00
  Speaker 4: No, the song with Menoka that will be released from
• 1:10:02
  Speaker 4: the album is not on the tracks yet.
• 1:10:05
  Speaker 6: You released a more electronic song now, right? I was
• 1:10:08
  Speaker 6: listening to it with... Who produced it? Ecologic.
• 1:10:12
  Speaker 4: Ah, I released it with Tuto. With Tuto, exactly. Yes,
• 1:10:16
  Speaker 4: I have.
• 1:10:16
  Speaker 7: Do you play along?
• 1:10:17
  Speaker 4: Do you have any... But for you to see, this
• 1:10:19
  Speaker 4: song from Ecologico, we made it 2, 3 years ago, bro.
• 1:10:22
  Speaker 4: It's not even like the song we made now. The
• 1:10:25
  Speaker 4: song is saved there, it's a big deal, bro. Then
• 1:10:27
  Speaker 4: he released it now. Then he said, can I release
• 1:10:32
  Speaker 4: this song here? I said, no, for me, you can
• 1:10:33
  Speaker 4: release it, bro.
• 1:10:34
  Speaker 6: He must like it a lot.
• 1:10:35
  Speaker 4: Do you have any bombs saved?
• 1:10:36
  Speaker 8: That you said, no, I'm going to save this one.
• 1:10:37
  Speaker 4: Man, I have some bombs with him, with the guys there, sinister.
• 1:10:42
  Speaker 4: I didn't even sign this album. I said, let me
• 1:10:44
  Speaker 4: save my ammunition. You know? The bombs stay here, man.
• 1:10:47
  Speaker 4: You have three albums ready. I have three albums, four
• 1:10:51
  Speaker 4: albums ready.
• 1:10:54
  Speaker 6: You make a lot of music.
• 1:10:55
  Speaker 4: The links, everything. Everything is already separated, everything is right.
• 1:10:58
  Speaker 4: I was talking to DG, the idea of ​ ​ the thing.
• 1:11:01
  Speaker 4: What do you want to film with DG? Volume 2,
• 1:11:04
  Speaker 4: I'll release it. As a tribute to this one you said.
• 1:11:06
  Speaker 4: This album.
• 1:11:06
  Speaker 10: You know?
• 1:11:07
  Speaker 4: You have to release his volume 2, you know? I'll
• 1:11:08
  Speaker 4: release it. And one thing I see that you pull
• 1:11:10
  Speaker 4: very well.
• 1:11:10
  Speaker 6: DG, is that you really like to post your stuff
• 1:11:13
  Speaker 6: on your channel. You make the clips yourself.
• 1:11:15
  Speaker 8: I think this is very key, bro.
• 1:11:17
  Speaker 6: You know? Where does it come from, bro? Important, bro.
• 1:11:24
  Speaker 4: Man, like this, I admire singers who have their own
• 1:11:28
  Speaker 4: ideas and believe in them, you know? I admire people
• 1:11:31
  Speaker 4: who are like that, you know? Who do the stuff,
• 1:11:33
  Speaker 4: sometimes at the beginning you think it's weird, and then
• 1:11:38
  Speaker 4: everyone admires it, you know? And I think I do
• 1:11:41
  Speaker 4: more or less that with my albums. Like my first album, Maloqueiragem,
• 1:11:45
  Speaker 4: which at the time I was born, no one stopped,
• 1:11:48
  Speaker 4: you know? Today I look at it with 130 million
• 1:11:50
  Speaker 4: and I say, damn, man. It's so cool, it's one
• 1:11:53
  Speaker 4: of the best songs of this album, you know? Like,
• 1:11:56
  Speaker 4: even today it's one of my best songs of... It
• 1:11:59
  Speaker 4: hits like 3 million streams per month, even today. It's
• 1:12:02
  Speaker 4: a song that is in the lives of many girls,
• 1:12:05
  Speaker 4: you know? And I like this album because of that,
• 1:12:07
  Speaker 4: because at the time I released it, no one gave
• 1:12:10
  Speaker 4: a damn.
• 1:12:10
  Speaker 9: Really?
• 1:12:12
  Speaker 4: Like, no one called me, no one even called, I
• 1:12:14
  Speaker 4: released the thing, but the one who released it, the
• 1:12:17
  Speaker 4: one that was on the album, was Wig, you know?
• 1:12:19
  Speaker 4: There were other MCs on the album, but they didn't
• 1:12:21
  Speaker 4: release the songs, they were almost missing in the video,
• 1:12:24
  Speaker 4: at the time, the guys were more in sync, but
• 1:12:27
  Speaker 4: the thing went the same way, you know? I tell
• 1:12:29
  Speaker 4: the guys, don't get discouraged by the thing, because when
• 1:12:33
  Speaker 4: you release the thing on the tracks, it's there to
• 1:12:35
  Speaker 4: be worked on, the YouTube will work, you know? One
• 1:12:37
  Speaker 4: hour someone will listen and will make your thing reach
• 1:12:40
  Speaker 4: other people. Just like you saw when I released the
• 1:12:43
  Speaker 4: album Quê Quer Fumar Um Cujê, many songs weren't getting
• 1:12:46
  Speaker 4: that many views, but nowadays, if you look at.
• 1:12:48
  Speaker 6: Them, they're at a million.
• 1:12:50
  Speaker 8: They all did.
• 1:12:51
  Speaker 4: You know, bro? If you go to see them, they're
• 1:12:53
  Speaker 4: all at a million.
• 1:12:55
  Speaker 8: You know what's crazy? For me, the first song of
• 1:12:57
  Speaker 8: the day.
• 1:12:57
  Speaker 6: I already told you, you have to listen to it, bro.
• 1:13:00
  Speaker 4: It's like a fucking mantra. Yeah, you know, bro? I
• 1:13:03
  Speaker 4: like to release other stuff on my album, not only funk,
• 1:13:07
  Speaker 4: because I'm a funk MC, you know? And I see
• 1:13:10
  Speaker 4: that the trap beat is also a funk beat, you know?
• 1:13:13
  Speaker 4: I think they come from the same father. Yes. They
• 1:13:17
  Speaker 4: are brothers, you know? They have a brotherhood, you know?
• 1:13:20
  Speaker 4: And they speak the same language. Yes, the same language.
• 1:13:23
  Speaker 8: It's funk, you can use it in trap. With all
• 1:13:25
  Speaker 8: due respect.
• 1:13:25
  Speaker 4: Guys, the trap in Brazil is the funk. Yes, the funk.
• 1:13:29
  Speaker 4: The trap in Brazil is the funk.
• 1:13:30
  Speaker 6: That's why we don't care about the beat. We don't
• 1:13:32
  Speaker 6: care about the beat. Menaka has a burst trap.
• 1:13:42
  Speaker 4: You know?
• 1:13:43
  Speaker 9: Like.
• 1:13:44
  Speaker 4: Sing that one, how is it? The beginning of it?
• 1:13:47
  Speaker 4: The one where you talk about the bush, right?
• 1:13:49
  Speaker 1: I listen to the acoustic, I push it You know
• 1:13:52
  Speaker 1: that deep down this evil dominates me I enter the
• 1:13:56
  Speaker 1: climate and I see things that are not to be seen,
• 1:14:00
  Speaker 1: like SVT, I'm in CHB listening to Tuey, it's that
• 1:14:05
  Speaker 1: I feel like Tuey even smoking a pressadinho, she says
• 1:14:08
  Speaker 1: she wants to see me, I'm with the smell of Vodin,
• 1:14:11
  Speaker 1: but since the time of the old ones, Caxeta already said,
• 1:14:15
  Speaker 1: calm down for a while, don't get lost in the fog, so...
• 1:14:19
  Speaker 1: I've changed my attitude, I'm a good guy, and today
• 1:14:23
  Speaker 1: I pass the vision and discipline.
• 1:14:26
  Speaker 6: The new guys are coming with a different chip.
• 1:14:28
  Speaker 12: This song has been around for three years.
• 1:14:32
  Speaker 4: This song has been around for three years. This song
• 1:14:33
  Speaker 4: blew up, man. Let's talk about it. Talk about your
• 1:14:35
  Speaker 4: second song on Spotify, man. What's the breeze of this song?
• 1:14:37
  Speaker 6: Man, Big G's party was.
• 1:14:38
  Speaker 9: Like this, you know?
• 1:14:39
  Speaker 7: Big G's party posted me on.
• 1:14:48
  Speaker 4: Big G's party was his. Lele JP is like a
• 1:14:50
  Speaker 4: brother to me, you know? I also consider him a
• 1:14:55
  Speaker 4: brother in music. I take him in my life. We
• 1:14:56
  Speaker 4: always shared bad and good moments.
• 1:14:59
  Speaker 1: And.
• 1:14:59
  Speaker 4: He was a partner who was always close to me.
• 1:15:01
  Speaker 4: When I was in a bad phase, he was the
• 1:15:05
  Speaker 4: one who always gave me good advice. He's a man
• 1:15:16
  Speaker 4: of a thousand degrees, blessed. He's where he is today
• 1:15:20
  Speaker 4: because it was a great purpose in his life to
• 1:15:23
  Speaker 4: see everything he went through. And we have a union,
• 1:15:25
  Speaker 4: you know? And the song started like this. We always
• 1:15:30
  Speaker 4: do some trips together, me, him, Iggy, to make some songs, guys, Menoka,
• 1:15:33
  Speaker 4: MC Rian, you know? And we decided to go to Maresias, man.
• 1:15:37
  Speaker 4: I think Marezias is the coastline that brings that vibe
• 1:15:42
  Speaker 4: of us making big hits. Marezias is a place that
• 1:15:44
  Speaker 4: all the MC's like to make hits. We already did
• 1:15:53
  Speaker 4: a lot of good songs there, like Paraíso Tropical.
• 1:15:56
  Speaker 8: Wow, I love Paraíso Tropical.
• 1:15:57
  Speaker 4: The first step was Paraíso Tropical. In that place in Marizinho,
• 1:16:01
  Speaker 4: in that old house. You kicked everything.
• 1:16:03
  Speaker 6: From Paraíso Tropical.
• 1:16:04
  Speaker 4: Yes.
• 1:16:04
  Speaker 6: And for you to see, it started there.
• 1:16:05
  Speaker 4: Lele was there, and we pulled a song. With DJ Iago.
• 1:16:09
  Speaker 4: Who counted, counted two that will come out of the IG.
• 1:16:20
  Speaker 4: Then I heard David Alguidó from Quebrada, a very humble guy,
• 1:16:22
  Speaker 4: a rich guy, also a singer. He said, hey, I
• 1:16:24
  Speaker 4: have some beats there, let's do some there. I said,
• 1:16:26
  Speaker 4: you know what, let's do some there. Then he put
• 1:16:28
  Speaker 4: the beats and I said, man, this beat is the key,
• 1:16:31
  Speaker 4: I've already started. Doing it for the party, right? Don't
• 1:16:35
  Speaker 4: fool me, I love you. Take this damn film. Then
• 1:16:37
  Speaker 4: I stopped, analyzed and said, let's do a second rhyme now.
• 1:16:41
  Speaker 4: This scene on the street, messing up the avenues. Then
• 1:16:45
  Speaker 4: I stopped. Now I'm going to have to play a
• 1:16:47
  Speaker 4: little bit up there on the beat. Joga a tag
• 1:16:50
  Speaker 4: lá em cima, ela ama adrenalina. Aí na terceira, na última,
• 1:16:55
  Speaker 4: quando vai mudar, eu já tinha que jogar mais alto.
• 1:16:58
  Speaker 4: Guarda minha 9mm na sua bolsa bonita, que é sensação
• 1:17:02
  Speaker 4: de poder. Aí deu paradinha, piranha do lazer, pele pro HD.
• 1:17:08
  Speaker 4: Everything with an E. E-T. Big G party. Bala Doce MD. Putinha,
• 1:17:15
  Speaker 4: what a pleasure. Without compromising. I have a chorus. Sit, sit,
• 1:17:20
  Speaker 4: sit for the boss. Sit, sit. Show me what you've got. Man, then... Key, key.
• 1:17:29
  Speaker 4: I wrote. Then I saw the thing. Then I said, man.
• 1:17:31
  Speaker 4: Look at Lelê. Look at Lelê. Because every time I
• 1:17:34
  Speaker 4: see that I made a song like this, and Lelê
• 1:17:36
  Speaker 4: is close, I say, put the song that you want
• 1:17:39
  Speaker 4: to hit. And it's like this. I didn't even know
• 1:17:41
  Speaker 4: if it was a hit or not, man. I just
• 1:17:43
  Speaker 4: said it to him, man. Look, I did it here,
• 1:17:45
  Speaker 4: I sang 40 seconds, 50 seconds. Sing a little thing
• 1:17:48
  Speaker 4: with you too, to be chiclete. Because, man, then I
• 1:17:51
  Speaker 4: said like this, sing it. Then I said, man, let's
• 1:17:53
  Speaker 4: put someone else. Then we were going to put Menoka.
• 1:17:57
  Speaker 4: We sent a lot of Menoka to us. What happened?
• 1:18:00
  Speaker 4: He didn't speak. I said, I'll call you. He didn't speak.
• 1:18:02
  Speaker 4: I said, let's go to the previews and see what happens.
• 1:18:05
  Speaker 4: The part of Lele went viral. The song was like that.
• 1:18:08
  Speaker 4: I hadn't even released my part. I peaked on the tracks.
• 1:18:10
  Speaker 4: Only Lele's part was on the street. I said, Lele,
• 1:18:12
  Speaker 4: it's time. Let's go tomorrow. At that fish pond there,
• 1:18:15
  Speaker 4: you know? foreign music Now we're going to do the stuff.
• 1:18:41
  Speaker 4: The doors are open for you to do auditions, music, music.
• 1:18:44
  Speaker 8: We're going to do it. You're going to win a.
• 1:18:47
  Speaker 4: Grammy that you recorded here.
• 1:18:49
  Speaker 1: Wow.
• 1:18:49
  Speaker 6: Just so you know.
• 1:18:51
  Speaker 4: We recorded the music there. We didn't record the music
• 1:18:54
  Speaker 4: one day and the next day we released it. I said, man,
• 1:18:57
  Speaker 4: let's edit it tomorrow. In the madness. In the madness.
• 1:18:59
  Speaker 4: We already did it. Papa F, let's release it. Man,
• 1:19:05
  Speaker 4: then the thing didn't release. And we were like... We're
• 1:19:08
  Speaker 4: not that strong in the stories, like a lot of Zé, right?
• 1:19:10
  Speaker 4: We released the link there and everyone clicked and the
• 1:19:12
  Speaker 4: thing broke. No, no, the thing didn't release the.
• 1:19:15
  Speaker 9: Thing, man.
• 1:19:16
  Speaker 4: And since I was already with that TikTok engagement, the
• 1:19:19
  Speaker 4: music started to gain a body. Man, very strong on Spotify.
• 1:19:23
  Speaker 4: Already hitting a million on the first day. On Spotify.
• 1:19:26
  Speaker 4: Then I said like this, my God, man. I saw
• 1:19:29
  Speaker 4: this feeling on Let's Go. I had this feeling here
• 1:19:33
  Speaker 4: in my life on Let's Go. In Pandora, bro. Like that.
• 1:19:37
  Speaker 4: Giro dos Artistas was a million views per day on YouTube.
• 1:19:41
  Speaker 4: Giro dos Artistas. It was a song that saw a
• 1:19:44
  Speaker 4: lot too. But at the time of Giro dos Artistas,
• 1:19:46
  Speaker 4: there wasn't as much Spotify as there is today. The
• 1:19:48
  Speaker 4: Spotify stuff was blowing up. It was blowing up more
• 1:19:51
  Speaker 4: on YouTube. So I felt this feeling in Let's Go,
• 1:19:53
  Speaker 4: in Pandora, and in this song, bro. The feeling of
• 1:19:56
  Speaker 4: seeing the thing and seeing the speed of light. I
• 1:19:59
  Speaker 4: like to let it go. You know? The speed of
• 1:20:02
  Speaker 4: light at full. Like, it's like... You know, man? You're
• 1:20:05
  Speaker 4: already letting these guys on the tour. He likes it, man.
• 1:20:07
  Speaker 4: I like it. I love this song. It hit a
• 1:20:11
  Speaker 4: million on the first day, man.
• 1:20:12
  Speaker 10: Man, it hit a million on the first day.
• 1:20:16
  Speaker 4: And Menoka's... Man, I remember when she released it, the
• 1:20:18
  Speaker 4: partners were discouraged. They said, damn, they released a lot
• 1:20:21
  Speaker 4: of stuff from the channel. I said, calm down, bro.
• 1:20:23
  Speaker 4: Calm down. The song was, I think, a week, 500 mil.
• 1:20:27
  Speaker 7: Calm down.
• 1:20:27
  Speaker 4: Locked there. I said, calm down, bro.
• 1:20:28
  Speaker 9: Calm down.
• 1:20:33
  Speaker 4: They didn't delete it.
• 1:20:35
  Speaker 10: They left it there.
• 1:20:36
  Speaker 4: They even wanted to delete it.
• 1:20:37
  Speaker 1: They wanted to delete the video, because it didn't work.
• 1:20:41
  Speaker 4: It's because they released it wrong. They released it wrong,
• 1:20:45
  Speaker 4: you know? But I said, no, man, let it breathe,
• 1:20:48
  Speaker 4: let it go, you know? I said, man, don't delete it,
• 1:20:51
  Speaker 4: don't delete it, leave it there, let it explode. I said, man,
• 1:20:55
  Speaker 4: let it explode, thank God. Gordinho, Jacaré, Menocá, Maçano, JPNK,
• 1:20:59
  Speaker 4: it's great to see the victory of the partners, the
• 1:21:01
  Speaker 4: partners are also at the top of the thing. You
• 1:21:03
  Speaker 4: know what I mean? And there's something else I want
• 1:21:06
  Speaker 4: to say to you guys. I want to highlight something here.
• 1:21:08
  Speaker 4: Like this, man. The big pivot of these tramps that
• 1:21:12
  Speaker 4: you see at the top, you know? A person who
• 1:21:14
  Speaker 4: has a strong willpower. Who always calls the guys to
• 1:21:18
  Speaker 4: do a camp. You know? It's a person who wakes
• 1:21:20
  Speaker 4: up every morning full of ideas in his mind. You know?
• 1:21:22
  Speaker 4: Like this, man. All these things that you see here, bro,
• 1:21:26
  Speaker 4: he's the articulator of the walk, you know?
• 1:21:28
  Speaker 8: He's one of the guys who articulates the walk too, and.
• 1:21:30
  Speaker 4: He's the one who puts the fuel of will in people.
• 1:21:33
  Speaker 4: Because sometimes there are some guys who are in the
• 1:21:35
  Speaker 4: music that sometimes are missing in the clips, you know?
• 1:21:37
  Speaker 4: They don't stop, they don't want to stop. And Godinho
• 1:21:43
  Speaker 4: even broke old records. He picks and makes the walk happen.
• 1:21:46
  Speaker 4: He goes to the artist's house and records the shit.
• 1:21:48
  Speaker 4: He even goes to you to record the video, with
• 1:21:49
  Speaker 4: his crew, with Silvagem, with everything. My partner is a
• 1:21:57
  Speaker 4: victory seed, bro. If he's in the top 2 of Spotify,
• 1:21:59
  Speaker 4: the thing is that he's blessed, bro. He has faith,
• 1:22:01
  Speaker 4: you know? He knows how to play the game, right?
• 1:22:02
  Speaker 6: He knows how to play the game.
• 1:22:03
  Speaker 4: When I was in the idea with Menoka, Godinho wasn't
• 1:22:06
  Speaker 4: in the idea with him either. Not yet, but Godinho
• 1:22:08
  Speaker 4: already had a.
• 1:22:08
  Speaker 10: Very big connection with him.
• 1:22:10
  Speaker 4: So, like, I couldn't play the boat alone because I'm
• 1:22:13
  Speaker 4: an MC and I also have my life. So, like,
• 1:22:15
  Speaker 4: I said, bro, I'm going to call a partner here.
• 1:22:26
  Speaker 4: My dad is in this fight with me, you know?
• 1:22:27
  Speaker 4: I'm going to give a save on a truta here.
• 1:22:30
  Speaker 4: I said, hey, fat man. I rolled up with the
• 1:22:32
  Speaker 4: truta there to buy a Menorca there, the price and such.
• 1:22:35
  Speaker 4: Let's buy together. He said, are you crazy? Let's buy.
• 1:22:38
  Speaker 4: I said, is that it? Is that it? I said, yeah, man.
• 1:22:41
  Speaker 4: So much. He said, are you crazy?
• 1:22:44
  Speaker 9: Let's go.
• 1:22:44
  Speaker 4: I said, it took time. Then, like, the guys already
• 1:22:45
  Speaker 4: wanted to give up soon. I took the pick.
• 1:22:47
  Speaker 9: Take it now.
• 1:22:48
  Speaker 4: Then I took the pick and said, man, are you crazy?
• 1:22:49
  Speaker 4: Bring the Menorca. Because the Menorca, like this. He paid
• 1:22:51
  Speaker 4: the pass. But he's his businessman, you know? But I
• 1:22:52
  Speaker 4: myself don't see the Menorca, like, as a puppy. Like
• 1:22:56
  Speaker 4: a kid that's our son. I see him as my brother.
• 1:22:59
  Speaker 4: We don't treat each other like brothers. Like if I'm
• 1:23:02
  Speaker 4: a businessman, I'll be in authority over him. Because I
• 1:23:05
  Speaker 4: didn't know him as a businessman. I knew him as
• 1:23:07
  Speaker 4: a friend of his. And it won't change that. I'm
• 1:23:10
  Speaker 4: the same person, I'm original. I don't want people to
• 1:23:12
  Speaker 4: look at me the same way I do. Now I
• 1:23:15
  Speaker 4: have a percentage of my career that I'll be like...
• 1:23:17
  Speaker 4: The treatment here is the same. Menocá stayed at my
• 1:23:24
  Speaker 4: house for several days. Piquinho was like a brother. We
• 1:23:27
  Speaker 4: shared the same walks. He would say, Menocá, this is
• 1:23:30
  Speaker 4: your house. If you want to do whatever you want,
• 1:23:32
  Speaker 4: you can stay here. He's crazy, he always has words.
• 1:23:34
  Speaker 7: He used to say, stay with the house.
• 1:23:35
  Speaker 4: He used to leave the umbrella in the house. I
• 1:23:37
  Speaker 4: used to live in another place. I used to say, man,
• 1:23:40
  Speaker 4: you can stay here in a personal place. You can
• 1:23:42
  Speaker 4: stay here, video games, everything. He'd say, man, you're my brother, man.
• 1:23:45
  Speaker 4: Things are not together. Ah, things, let's go there. Sometimes
• 1:23:49
  Speaker 4: I'm not in a good condition. I know that tomorrow
• 1:23:51
  Speaker 4: I can't be either. You know? I don't want anything
• 1:23:54
  Speaker 4: in exchange for my partner. Piki says, hey, man. You know, man?
• 1:23:57
  Speaker 4: I have money, man. You know? You can't do it now, man.
• 1:24:00
  Speaker 4: I'm going to strengthen you from the bottom of my heart,
• 1:24:03
  Speaker 4: because we're family.
• 1:24:04
  Speaker 1: It's a thing that G also does. You know what
• 1:24:05
  Speaker 1: we teach? We teach them to be.
• 1:24:07
  Speaker 4: Like their friends who walk with them. He's like that
• 1:24:10
  Speaker 4: with his partners. He strengthens his partners. And we're like
• 1:24:13
  Speaker 4: that with our partners. He's also like that with Denna.
• 1:24:15
  Speaker 4: Whatever is here, Piki, man. One thing is that we're
• 1:24:23
  Speaker 4: going to split everyone and we're going to stop. And
• 1:24:25
  Speaker 4: that's it, fuck it. You understand, bro? Money is not
• 1:24:28
  Speaker 4: something you get. And when did you buy his pass?
• 1:24:30
  Speaker 7: Man, it's been four months, right, bro? Fuck, it's very recent, bro.
• 1:24:33
  Speaker 4: Five months and he had 3 million listeners, bro. How
• 1:24:36
  Speaker 4: many do you have now? I have 15, 16 million.
• 1:25:02
  Speaker 1: I was in the audience with Locke.
• 1:25:04
  Speaker 4: I was the first Brazilian fan to hit 30 million.
• 1:25:06
  Speaker 4: I'm sure that's it. In the hours, we have a lot.
• 1:25:08
  Speaker 7: I think in this audience, only.
• 1:25:10
  Speaker 4: He and GW.
• 1:25:11
  Speaker 6: I think Jay is also with a lot.
• 1:25:12
  Speaker 4: Jay, Rodrigo do CN. Rodrigo da CN. Rodrigo da CN,
• 1:25:15
  Speaker 4: all of them. Gordinho. Yeah, Gordinho. Gordinho 17. I'm with 11.
• 1:25:18
  Speaker 4: I'm coming. I'm with 11, I'm coming.
• 1:25:32
  Speaker 6: Bro, imagine, there are 11 million listeners every month, saying
• 1:25:38
  Speaker 6: like this, let me listen to MCGP.
• 1:25:39
  Speaker 8: What's this, bro?
• 1:25:41
  Speaker 6: You said you started singing at a kermesse, which you
• 1:25:43
  Speaker 6: must have asked, for the love of God, please, let
• 1:25:45
  Speaker 6: me send one.
• 1:25:46
  Speaker 4: Apart from the times when I didn't have the opportunity either, right? That, like,
• 1:25:51
  Speaker 4: we were exposed to ballads.
• 1:25:52
  Speaker 8: In the producers, I was in the corner.
• 1:25:54
  Speaker 4: You know who already tromboned me once, Pique? Like, at
• 1:25:57
  Speaker 4: the club, picking up some shit, even Pique jumped on
• 1:25:59
  Speaker 4: my ball, the rusty one. Really? The one from Conde.
• 1:26:02
  Speaker 4: The rusty one.
• 1:26:02
  Speaker 10: I wasn't even a MC.
• 1:26:03
  Speaker 4: I wasn't even a MC, like, I'm already a MC.
• 1:26:04
  Speaker 4: I was Pique, those MCs who just sang in the room. And, like,
• 1:26:07
  Speaker 4: I would go to the dance and say, I'm not
• 1:26:09
  Speaker 4: a MC, man. Look. Because people used to call me
• 1:26:18
  Speaker 4: MC to go to the minas. To get fired. To
• 1:26:20
  Speaker 4: make me feel embarrassed. Because most of them were... Some
• 1:26:24
  Speaker 4: of them would steal. Some of them were traffickers.
• 1:26:28
  Speaker 7: Some of them had a lot of money.
• 1:26:30
  Speaker 4: Some of them had cool clothes. And we were like...
• 1:26:34
  Speaker 4: This is MC.
• 1:26:34
  Speaker 10: Weak.
• 1:26:35
  Speaker 4: MC was like.
• 1:26:35
  Speaker 9: I'm weak. I'm weak.
• 1:26:36
  Speaker 4: I'm weak. I'm weak.
• 1:26:37
  Speaker 1: I'm weak.
• 1:26:37
  Speaker 7: I'm weak.
• 1:26:38
  Speaker 4: I'm weak. It's like the MC wants to come and say,
• 1:26:46
  Speaker 4: I'm the MC now, and the cousin says, man, you're
• 1:26:48
  Speaker 4: the MC now. Now you're the MC. The police comes
• 1:26:50
  Speaker 4: in and says, I'm the singer. I'll tell you a story.
• 1:26:53
  Speaker 4: I told you once, Emiliano, I went to your video.
• 1:26:56
  Speaker 4: Which one?
• 1:26:56
  Speaker 2: LGKS.
• 1:26:56
  Speaker 4: Yes, man. I say that the mythical DJ is a legend.
• 1:26:58
  Speaker 4: At Nitro Night. Legend.
• 1:26:59
  Speaker 7: At Nitro Night. I was there, watching the video, the
• 1:27:03
  Speaker 7: triangle thing, colored.
• 1:27:03
  Speaker 4: I saw you coming there. With the robot.
• 1:27:14
  Speaker 7: There was a smoke robot.
• 1:27:15
  Speaker 4: It was a mess. It's a relic.
• 1:27:17
  Speaker 7: We just wanted to get a good view.
• 1:27:19
  Speaker 4: I was like that too. I recorded at Nitro Night.
• 1:27:21
  Speaker 4: I remember once, in 2015 or 2016, talking to Léo
• 1:27:23
  Speaker 4: da Baixada. I always say it.
• 1:27:24
  Speaker 7: Léo da Baixada and Hollywood were the first two to come.
• 1:27:37
  Speaker 6: And then I said, man, I just wanted to learn,
• 1:27:39
  Speaker 6: just stay here in the studio watching you.
• 1:27:41
  Speaker 4: Guys do it.
• 1:27:42
  Speaker 8: No, you're crazy, man, stick it here in my house.
• 1:27:44
  Speaker 4: I said, what is this, bro?
• 1:27:45
  Speaker 6: I'm going to Leo da Baixada's house. So, these are
• 1:27:47
  Speaker 6: things that.
• 1:27:48
  Speaker 4: We don't forget, man. Do you sing? Do you have
• 1:27:50
  Speaker 4: a song with us? I do, you know?
• 1:27:51
  Speaker 6: But for me, this is crazy, you know? Because I'm
• 1:27:53
  Speaker 6: a fan of yours, I follow you. And I also
• 1:27:55
  Speaker 6: always put myself in my place, right? I was like, man,
• 1:27:57
  Speaker 6: I wanted to be able to sing one, but no.
• 1:28:01
  Speaker 4: Are you doing some here?
• 1:28:01
  Speaker 6: Brother, it's been a long time since I've been to
• 1:28:04
  Speaker 6: the studio, bro. So much that we're cheating here to
• 1:28:06
  Speaker 6: make this new space happen.
• 1:28:08
  Speaker 4: But you make some verses, like... No, turn and move
• 1:28:10
  Speaker 4: and come some rhymes.
• 1:28:11
  Speaker 8: I write some rhymes, you know?
• 1:28:13
  Speaker 6: There are some loose rhymes, you know? But I really
• 1:28:15
  Speaker 6: like to be in the studio watching.
• 1:28:16
  Speaker 4: It's because....
• 1:28:21
  Speaker 6: What's cool is what happens before making the song, bro. Like,
• 1:28:23
  Speaker 6: the crowd, the people all happy, then you drop the beat.
• 1:28:26
  Speaker 6: The energy is good, right, bro?
• 1:28:27
  Speaker 4: This stuff is really cool, I really like the studio.
• 1:28:29
  Speaker 8: I have a question for you two. Menoka, did you
• 1:28:31
  Speaker 8: go to Vini Jr.
• 1:28:32
  Speaker 4: 's party?
• 1:28:32
  Speaker 8: I didn't, I didn't go. I went to the party.
• 1:28:40
  Speaker 4: Because the duel was there at the party. But the
• 1:28:45
  Speaker 4: duel was good there. The Vini Junior guy... Vini Junior's face!
• 1:28:55
  Speaker 10: Vini Junior's face!
• 1:28:58
  Speaker 4: Vini Junior's brother, man!
• 1:28:59
  Speaker 10: He was so quiet!
• 1:29:00
  Speaker 4: I just wanted you to vote. Have you ever seen
• 1:29:02
  Speaker 4: Vini Junior's songs in the comments? Of course I have!
• 1:29:03
  Speaker 4: Vini Junior from Funk!
• 1:29:06
  Speaker 10: He was so cool!
• 1:29:08
  Speaker 6: I just wanted you to vote because Tutu came here
• 1:29:10
  Speaker 6: and told the story.
• 1:29:11
  Speaker 4: I thought it was wonderful. But, like, in this Vini
• 1:29:13
  Speaker 4: Junior thing, it was a thing that... I also understood
• 1:29:18
  Speaker 4: the respect of you entering the box, you know? You
• 1:29:23
  Speaker 4: have to know the rules of the place and you
• 1:29:26
  Speaker 4: have to follow the rules, you know? The moment we
• 1:29:29
  Speaker 4: entered Mano's party and we couldn't take a picture on
• 1:29:32
  Speaker 4: the walk, everyone is the same, everyone is human, you know?
• 1:29:35
  Speaker 4: Everyone is made of flesh, everyone there, like, I understood too.
• 1:29:39
  Speaker 4: Everyone is here, everyone is the same, man. If you're
• 1:29:42
  Speaker 4: at my party, like, I understood that, but since we
• 1:29:45
  Speaker 4: had never been there, we felt like, fuck, we were
• 1:29:48
  Speaker 4: from Quebrada, from the favela, bro. You won't be impressed,
• 1:29:52
  Speaker 4: but at no time did I intend to take a
• 1:29:55
  Speaker 4: picture because I was in this thing. I was in
• 1:29:57
  Speaker 4: this image. You know? It was a small group. Because
• 1:29:59
  Speaker 4: Neyf said he wanted to take a picture.
• 1:30:01
  Speaker 7: Neyf.
• 1:30:01
  Speaker 9: Son of a bitch.
• 1:30:01
  Speaker 4: Neyf is crazy. Then he said, I'll take a picture
• 1:30:10
  Speaker 4: of you, take it for me. Then I went there
• 1:30:12
  Speaker 4: to take it. He already put it on the video.
• 1:30:14
  Speaker 4: When I took the picture, I saw that Camavinga was
• 1:30:16
  Speaker 4: very humble. Then I went to take one too. Then
• 1:30:18
  Speaker 4: this one came in the shot. Then in this duel
• 1:30:20
  Speaker 4: it came in the shot. Then it became a... Then
• 1:30:22
  Speaker 4: it became a meet and greet. Then, like this... The
• 1:30:24
  Speaker 4: guys were already muttering.
• 1:30:25
  Speaker 10: At us, you know?
• 1:30:26
  Speaker 6: Then he started to say, I.
• 1:30:28
  Speaker 4: Don't know what. I said, bro, you know, I didn't know, bro.
• 1:30:30
  Speaker 4: If you want to delete the photo, you can delete it.
• 1:30:33
  Speaker 4: I didn't know, it's fine, bro. I didn't know what
• 1:30:40
  Speaker 4: was going on. I said, I don't want to win. Tuto,
• 1:30:44
  Speaker 4: my partner, he's epic, he's already eating. But he's moving on.
• 1:30:47
  Speaker 4: He's already making fun of the guys. Is that it?
• 1:30:49
  Speaker 4: Is that it? I'm an astro too. You're an astro?
• 1:30:52
  Speaker 4: Everyone here is the same. I don't know what's going on.
• 1:30:55
  Speaker 4: The guys said, calm down. He called. He saw a
• 1:30:59
  Speaker 4: security guard. He saw another guy. The guy gave the order.
• 1:31:03
  Speaker 4: He said, I'm going to take it off. No, he
• 1:31:05
  Speaker 4: can stay. He said he couldn't stay. Then, he would
• 1:31:07
  Speaker 4: have disappeared.
• 1:31:08
  Speaker 9: Ha ha FIOTE!
• 1:31:27
  Speaker 4: Man, I'm... Man, I'm so FIOTE!
• 1:31:30
  Speaker 9: I'm so FIOTE!
• 1:31:31
  Speaker 10: FIOTE!
• 1:31:31
  Speaker 4: FIOTE!
• 1:31:31
  Speaker 9: FIOTE!
• 1:31:32
  Speaker 4: FIOTE!
• 1:31:32
  Speaker 9: FIOTE!
• 1:31:32
  Speaker 4: FIOTE! FIOTE! FIOTE!
• 1:31:33
  Speaker 2: FIOTE!
• 1:31:49
  Speaker 4: It's like... It comes true and I don't even drink.
• 1:31:52
  Speaker 4: That day... You were conscious. That day, Tuto said, I don't.
• 1:31:55
  Speaker 10: Know what to say, I'll drink too.
• 1:31:56
  Speaker 4: And I was like... It was the happiest day of
• 1:31:59
  Speaker 4: our lives. Sangalo was singing and everyone was dancing. You know?
• 1:32:04
  Speaker 4: And the guy was crazy. I looked at everyone and said,
• 1:32:15
  Speaker 4: is this for real? I said, man, this is serious.
• 1:32:19
  Speaker 4: Then it changed the scenario of the thing. Boom, let's
• 1:32:22
  Speaker 4: go to the high stage. Pick a coffee shop, pick
• 1:32:24
  Speaker 4: a stage. Pick a stage, split the game. The high
• 1:32:27
  Speaker 4: stage was another scenario, another kind of music. Pick a
• 1:32:30
  Speaker 4: thing to go around. Then, out of nowhere, it was Sangalo.
• 1:32:33
  Speaker 4: I said, man, everyone jumping, talking to each other, jumping.
• 1:32:37
  Speaker 4: Only the famous guy. My God, everyone dancing, happy.
• 1:32:40
  Speaker 1: You know?
• 1:32:42
  Speaker 4: Then the party stopped, everyone was tired. Everyone was tired.
• 1:32:47
  Speaker 7: We were tired because.
• 1:32:48
  Speaker 4: We weren't used to it, but the people there were like...
• 1:32:51
  Speaker 4: We were still in the dust. We stopped, we looked
• 1:32:53
  Speaker 4: to the side and said, look at Camavinga, look at
• 1:32:57
  Speaker 4: his idea, look at the genius's idea. The genius of disaster.
• 1:33:08
  Speaker 4: Lex Luthor trying to end the world. What is this,
• 1:33:11
  Speaker 4: you know? Then he looked at me like this. Hey, GP.
• 1:33:14
  Speaker 4: I'm going to take a picture of the shooting for me. Hey, Gordinho.
• 1:33:20
  Speaker 4: Look at the cell phone. Gordinho looked at me like this.
• 1:33:22
  Speaker 4: I don't know anything. He gave me the cell phone
• 1:33:26
  Speaker 4: and left. Gordinho is already smart. Gordinho is already smart.
• 1:33:29
  Speaker 4: It's been a few times. Then I said this. It
• 1:33:33
  Speaker 4: took me a while to get there, man. I was
• 1:33:35
  Speaker 4: so excited. I looked at the camera and said, man,
• 1:33:36
  Speaker 4: Neguinho plays so well, man. I'm a fan of his, man.
• 1:33:38
  Speaker 4: You're crazy, man. I'm going to take a picture with him.
• 1:33:42
  Speaker 4: You're crazy, man. Just tap it, man. You know? We're
• 1:33:47
  Speaker 4: in football, right, man? Then the guy was like, what
• 1:33:49
  Speaker 4: a humility. Yeah, yeah, yeah. Oui, oui, oui, oui. He
• 1:33:58
  Speaker 4: said oui when he said oui, man. I said, wow,
• 1:34:01
  Speaker 4: it's sim. Oui is sim.
• 1:34:02
  Speaker 9: From Mr.
• 1:34:03
  Speaker 4: Bean's movie, right? Yeah, fuck! Fuck, man! I love you, man!
• 1:34:07
  Speaker 4: You know, man? Now it's like this. It's all good here.
• 1:34:09
  Speaker 4: It's over.
• 1:34:09
  Speaker 10: The pod is missing.
• 1:34:11
  Speaker 4: We took it, we took it, we took it. The
• 1:34:13
  Speaker 4: little hands, man. Good morning, man. I said, my God, man.
• 1:34:19
  Speaker 10: Then I said, man, we got out there, I and Tuto, I.
• 1:34:21
  Speaker 4: Said like this, we said like this, bro, old man, damn,
• 1:34:22
  Speaker 4: old man, why did this happen to us, man, we're
• 1:34:24
  Speaker 4: a thousand degrees. Man, we couldn't even explain to each other. Man,
• 1:34:27
  Speaker 4: call Mano there so he can hear us, because, man,
• 1:34:30
  Speaker 4: we were so ashamed. No, he won't come back, no,
• 1:34:32
  Speaker 4: he sent us out, he won't come back. Then we
• 1:34:34
  Speaker 4: were there, Malcota, and out of nowhere came Oruan. Hey, GP,
• 1:34:37
  Speaker 4: what are you doing there, man? I said, bro, let's
• 1:34:47
  Speaker 4: go to my house, man. Don't be sad, man. You're sad.
• 1:34:50
  Speaker 4: Of course, bro. I was humiliated on the way. Japan, shit.
• 1:34:53
  Speaker 4: And nothing of the reasoning hit me. The reasoning only
• 1:34:56
  Speaker 4: hit our minds the other day. I said, bro, we
• 1:35:00
  Speaker 4: weren't even invited to Mano's party, you know, bro? It's
• 1:35:12
  Speaker 4: the first time we're in the same space, so I'm
• 1:35:14
  Speaker 4: not going to talk about it on the internet. It
• 1:35:16
  Speaker 4: was a special day in his life. I don't even
• 1:35:18
  Speaker 4: know him. I only know him because he's a Real
• 1:35:20
  Speaker 4: Madrid player. I saw him scoring in the final. You know?
• 1:35:30
  Speaker 4: I was there and I saw him scoring, but he
• 1:35:33
  Speaker 4: didn't know me. So, like, for him, it's nothing, you know?
• 1:35:35
  Speaker 4: It's worthless for me to say that I'm a GP,
• 1:35:37
  Speaker 4: you know? So, when I was there, I could have
• 1:35:40
  Speaker 4: won a point. I could have been in the discipline.
• 1:35:42
  Speaker 4: I was in the discipline of Ney. It was in
• 1:35:48
  Speaker 4: his discipline. Yeah, he's an indisciplined guy, you know? And
• 1:35:54
  Speaker 4: we are with discipline, you know? They left.
• 1:35:56
  Speaker 8: It happens, it happens.
• 1:35:58
  Speaker 4: We went there in the idea of the indisciplined guy, dude.
• 1:36:02
  Speaker 4: He wanted to take a picture.
• 1:36:03
  Speaker 7: Did you see Trevis' concert?
• 1:36:05
  Speaker 4: The indisciplined guy, look. He disappeared, man.
• 1:36:08
  Speaker 7: Didn't you see Trevis' concert?
• 1:36:10
  Speaker 4: No, it wasn't that day. Trevis' concert was the day before.
• 1:36:13
  Speaker 8: Tutu, remember, to start this story, he said... Never go
• 1:36:15
  Speaker 8: by the ideas of others.
• 1:36:16
  Speaker 4: You know why I said that? I said, oh, man,
• 1:36:18
  Speaker 4: the guy just sang there. Tutu had just sang with Natazinho.
• 1:36:21
  Speaker 4: And he said, I want you to fuck. I said, fuck, man.
• 1:36:22
  Speaker 4: To change the mood. Let's go with music?
• 1:36:24
  Speaker 9: Let's go. What's up?
• 1:36:25
  Speaker 4: What's up? What's up? Where are my DJs, my producers? Please, bro.
• 1:36:38
  Speaker 6: I wanted to start from the back, Mítico, to get
• 1:36:40
  Speaker 6: to today's ones, you know?
• 1:36:41
  Speaker 7: Bro, go with Faustão, he controls it.
• 1:36:43
  Speaker 4: Go.
• 1:36:43
  Speaker 7: Who sends it is the DJs. Drop it.
• 1:36:45
  Speaker 6: No, but these are headphones.
• 1:36:50
  Speaker 9: Look, this. This.
• 1:36:52
  Speaker 4: It's true, right?
• 1:36:54
  Speaker 6: Wow, Menocá and GP, sing the first ones that exploded,
• 1:36:57
  Speaker 6: you know? So you can get to today's ones later.
• 1:36:58
  Speaker 8: I'm going to sing Um.
• 1:37:00
  Speaker 4: Beijo na Minha Negra. Just for those who like it.
• 1:37:03
  Speaker 4: I love it. You got the tune?
• 1:37:08
  Speaker 7: Yeah.
• 1:37:08
  Speaker 4: You got the tune? No, no, no. No tune, man.
• 1:37:11
  Speaker 4: No tune. But do you have a little tune? I do. Yeah,
• 1:37:14
  Speaker 4: I think so.
• 1:37:15
  Speaker 7: Yeah, but I don't know the tune.
• 1:37:18
  Speaker 4: Oh, okay. What song are you going to sing first?
• 1:37:19
  Speaker 8: I don't know.
• 1:37:21
  Speaker 4: Are you sure? No tune? From the old ones? Do
• 1:37:24
  Speaker 4: you want to start from the old ones? Yeah, I
• 1:37:26
  Speaker 4: went back to the whores. Go, go.
• 1:37:28
  Speaker 8: Wow, I went back to the whores.
• 1:37:29
  Speaker 4: Please, man.
• 1:37:30
  Speaker 6: I went back to the whores.
• 1:37:31
  Speaker 7: Fuck.
• 1:37:33
  Speaker 4: Can you send this one?
• 1:37:34
  Speaker 6: Please, I'll send all of them.
• 1:37:36
  Speaker 10: I saved my balls with this one.
• 1:37:38
  Speaker 4: When the ball was dead, Mithy. Hey, G, Menor PR. Hey, Mithy. Hey, Gão. Hey, bro.
• 1:37:44
  Speaker 4: We got here. And today we're going to put it
• 1:37:49
  Speaker 4: on the stage. It's the GP, it's the Menor K.
• 1:37:52
  Speaker 4: Send it, send it. Cara de braba que me anda
• 1:37:56
  Speaker 4: maluca Já bateu na minha cara por causa da zagabunda
• 1:38:02
  Speaker 4: Ela é folgada e às vezes ela surta Me mandou
• 1:38:05
  Speaker 4: embora de casa e me mandou morar na rua Daquele jeito!
• 1:38:09
  Speaker 4: Voltei pras puta Voltei pras puta E a cara, o set,
• 1:38:17
  Speaker 4: a caixa, a toa e a joia E o quê?
• 1:38:19
  Speaker 9: E o quê?
• 1:38:20
  Speaker 7: Vai!
• 1:38:20
  Speaker 1: Voltei pras puta Votê tá as ponteia.
• 1:38:27
  Speaker 4: Cabra senta caixote, as dojo, caboclo.
• 1:38:20
  Speaker 1: I will have peace for you I will have peace
• 1:38:26
  Speaker 1: for you I will have peace for you I will
• 1:38:29
  Speaker 1: have peace for you Oyeca, here we smoke rum, fuck it,
• 1:38:37
  Speaker 1: it rolls hard. We came to hit the drum, see
• 1:38:41
  Speaker 1: who's going to sleep with me. That's what I like here,
• 1:38:44
  Speaker 1: that's what I love. The famous degusta.
• 1:38:46
  Speaker 4: Forte, drink from the horse.
• 1:38:48
  Speaker 1: And that at the end of the year it's flying
• 1:38:50
  Speaker 1: with the universe. Only the one who's in a hurry
• 1:38:54
  Speaker 1: will invite. I pulled in mine, I went in line 157.
• 1:39:00
  Speaker 13: The party blew up too much! A kiss on my nigga,
• 1:39:25
  Speaker 13: bye love.
• 1:39:26
  Speaker 4: I promise to come back home with a black money.
• 1:39:30
  Speaker 4: And if I don't come back, never forget that I'm
• 1:39:33
  Speaker 4: in this crazy life for you, my princess. A kiss
• 1:39:36
  Speaker 4: on my nigga, bye love. I promise to come back
• 1:39:40
  Speaker 4: home with a black money. And if I don't come back,
• 1:39:44
  Speaker 4: never forget that I'm in this crazy life for you.
• 1:39:47
  Speaker 4: Vários anos passou da época de pivete Muita coisa que mudou,
• 1:39:53
  Speaker 4: eu não sou mais moleque Levado os leigo em pé
• 1:39:56
  Speaker 4: de chinelo sem nadar no bolso Na laje o ei
• 1:40:00
  Speaker 4: do zelo não levava desaforo Bom de rima, bom de soco,
• 1:40:04
  Speaker 4: ruim de escola e de mulher Hoje o pai tá poderoso,
• 1:40:08
  Speaker 4: tá no Volvo muita fé De bode dava Pelé, sem placa,
• 1:40:12
  Speaker 4: chave de misto Lembado os neguinho lá no tempo das
• 1:40:16
  Speaker 4: antiga Lembado os neguinho lá no tempo das antiga Bye. Bye. Bye.
• 1:40:37
  Speaker 1: Manda cá, manda cá É pique porra E que eles
• 1:40:40
  Speaker 1: nunca querem nada Eu quero ver a desquebrada Conhecido lá
• 1:40:44
  Speaker 1: na boca É o famoso trocar de bala Eu sou
• 1:40:48
  Speaker 1: Falcão na pista Eu também sou Falcão no moco Quem
• 1:40:51
  Speaker 1: tá andando comigo Sabe que o bagulho é doido É
• 1:40:54
  Speaker 1: que os menor tá no veneno Todo traje é de
• 1:40:57
  Speaker 1: grêmio Baca, baca, palhaçada This is so good, man.
• 1:41:20
  Speaker 4: And she posts pictures on Instagram of Fernando de Noronha.
• 1:41:44
  Speaker 4: Vila Paco, Pacamana. De mini saca, camiseta preta e branca.
• 1:41:48
  Speaker 4: De praia praia, partiu Maia, meu Bahamas. De praia praia.
• 1:41:53
  Speaker 4: Garota linda, acelera que eu gosto de adenarina. Our teacher.
• 1:42:25
  Speaker 1: No Instagram, he's a crook. On Twitter, even more. Posts
• 1:42:29
  Speaker 1: videos rolling around. From Calcinha to Casamiga. But if you
• 1:42:34
  Speaker 1: go crazy, Menorca will hit you.
• 1:42:36
  Speaker 4: But if you go crazy, Igor will hit you. And
• 1:42:39
  Speaker 4: it's a horse, my love.
• 1:42:41
  Speaker 1: Matheus Silva, who said he was going to.
• 1:42:43
  Speaker 4: Hit Saga de Mim. Look at the size of this.
• 1:42:46
  Speaker 10: I'm liking it, my love.
• 1:42:47
  Speaker 4: Patrícia Silva said that, look, you know me.
• 1:42:49
  Speaker 1: The size of this, the size of this.
• 1:42:51
  Speaker 4: It's the peak. In my house, I took a shot
• 1:42:54
  Speaker 4: on top of the naked bed. Filling my body with
• 1:42:56
  Speaker 4: lipstick marks.
• 1:42:57
  Speaker 1: I got green, I got lances. Xereca, who already throws me. Hydromassage,
• 1:43:01
  Speaker 1: ready for the danger. I'm going to put my head
• 1:43:12
  Speaker 1: in her smelly head. But first I'm going to tell
• 1:43:14
  Speaker 1: you that I'm not going to forgive you.
• 1:43:16
  Speaker 4: I'm going to.
• 1:43:17
  Speaker 1: Put you, put you, put you. I'm going to put, put, put.
• 1:43:21
  Speaker 1: I'm going to make your legs tremble. Soon when you
• 1:43:23
  Speaker 1: go there, I'm going to put you, put you, put you.
• 1:43:26
  Speaker 1: I'm going to put, put, put.
• 1:43:28
  Speaker 4: I'm going to make your legs tremble. It's the peak.
• 1:43:30
  Speaker 4: Where are you sitting?
• 1:43:31
  Speaker 9: Nothing.
• 1:43:37
  Speaker 4: And then I want to see only the Paraiso Tropical part,
• 1:43:39
  Speaker 4: you know?
• 1:43:40
  Speaker 1: If you don't remember, I'll help you.
• 1:43:43
  Speaker 6: Wow, Mykonos, the part where he turns into an artist.
• 1:43:47
  Speaker 6: I'll send it, I'll send it, I'll send it, Carlos Lacerda.
• 1:43:49
  Speaker 6: I'll send it, I'll send it, I'll send it, Carlos Lacerda.
• 1:43:54
  Speaker 11: I'll send it, I'll send it, I'll send it, Carlos Lacerda. Fibaxe, DC, Hitnevi, LK, Hit.
• 1:44:14
  Speaker 4: Seu trabalho é proibido, pene na cevada e melo O
• 1:44:18
  Speaker 4: seu mundo é acessível, já que eu tenho pago o
• 1:44:21
  Speaker 4: preço Amassador de bandida, o paizão comanda tudo Toda linda, cheirosinha,
• 1:44:27
  Speaker 4: na mirada o vagabundo Chutadão de carro novo, esse desceu
• 1:44:31
  Speaker 4: da carreta Nós que tem a R8, o Alambu e
• 1:44:35
  Speaker 4: a Panamera Baby calma, não se afoba, quando vê a
• 1:44:39
  Speaker 4: reveria Trói zero, bafai das notas, o chefe da putaria
• 1:44:43
  Speaker 4: Sempre firme nas respostas São Paulo, as notas voam A
• 1:44:47
  Speaker 4: vista saqueia a goma Com orgulho pra coroa Peste, frouxe,
• 1:44:52
  Speaker 4: queima lento Com o importo de galinha Com o chapéu
• 1:44:55
  Speaker 4: do Panamá, com a morena lá Na puta joga licu
• 1:44:59
  Speaker 4: Ela quer fazer amor Quando tromba congela Ficha de tino
• 1:45:04
  Speaker 4: com lomo Oro tá no meu pescoço E hoje eu
• 1:45:07
  Speaker 4: tô pra jogo Ela quer se envolver com nós Instituto
• 1:45:11
  Speaker 4: Terminoso Senta, senta, senta, senta Bebezinha, hoje cê tá no
• 1:45:17
  Speaker 4: problema Se envolveu com os drags, sobeu neve Eu tô senta,
• 1:45:21
  Speaker 4: cê tá no Gerona quebrada Os menor que é lenda
• 1:45:25
  Speaker 4: Hoje entra na chapa Hoje você esquenta Senta, senta, senta,
• 1:45:31
  Speaker 4: senta sua fogueta Te busquei na sua casa de 1.200
• 1:45:35
  Speaker 4: Você sabe que o menorzinho é lenda You know that
• 1:45:42
  Speaker 4: we ask for a represent Uh, uh, uh, uh, beautiful
• 1:45:46
  Speaker 4: girl Pull your bond from me to dance with us
• 1:45:49
  Speaker 4: here You know that the train is the train that
• 1:45:53
  Speaker 4: will strengthen you Launch a bag, jet ski You know
• 1:45:57
  Speaker 4: that it's a new genre when I put it on
• 1:46:00
  Speaker 4: you Putting on a PT, rolling CPX You know that
• 1:46:03
  Speaker 4: I'm having fun, but today you won't come, they roll.
• 1:46:09
  Speaker 1: Quando prova não sai de cima da minha bota Se
• 1:46:13
  Speaker 1: me vê na putaria eu tô com outra Vivendo outra
• 1:46:18
  Speaker 1: rotina Piscina e aquelas coisa vai ver de verão No
• 1:46:22
  Speaker 1: zinga cai pra cima Toda zona natural do sul Da
• 1:46:26
  Speaker 1: ilha de life tá cor na folha 3G do gelo
• 1:46:29
  Speaker 1: da gringa Ela que quem guiça sente rosa Paga a
• 1:46:33
  Speaker 1: mana minha quando eu for botar na chapa Lura, sapatinha,
• 1:46:37
  Speaker 1: que king, sacenta e rosa Paga a mana minha quando
• 1:46:41
  Speaker 1: eu for botar na chapa Lura, sapatinha Senta, senta, senta,
• 1:46:46
  Speaker 1: senta Bebezinha, hoje cê tá no problema Se envolveu com
• 1:46:51
  Speaker 1: os dracas e soubeu na F800 Tá no giro ou
• 1:46:55
  Speaker 1: na quebrada, com os.
• 1:46:56
  Speaker 4: Vela querendo Hoje entra na chapa Today you... What, what?
• 1:47:00
  Speaker 4: Sit down, sit down, sit down, sit down.
• 1:47:03
  Speaker 1: It's okay, it's okay.
• 1:47:04
  Speaker 4: I looked for you in your house of Midos. What, what?
• 1:47:07
  Speaker 4: You know that... Come on, bro.
• 1:47:08
  Speaker 9: You know that.
• 1:47:08
  Speaker 4: Who wants to know this is Senta Senta, guys. The
• 1:47:11
  Speaker 4: song is Senta Senta. What is this?
• 1:47:13
  Speaker 9: What a song.
• 1:47:14
  Speaker 4: This is crazy, right, bro? Senta Senta. For God's sake, bro. Okay, okay.
• 1:47:27
  Speaker 6: I'm with Zadlib here.
• 1:47:28
  Speaker 7: Okay, okay.
• 1:47:28
  Speaker 4: Zadlib, Zadlib, Zadlib. The one you want to sing. The
• 1:47:31
  Speaker 4: first one, right?
• 1:47:31
  Speaker 6: This one was the first one that broke.
• 1:47:34
  Speaker 4: It broke. It started in Indiana, now we recorded it
• 1:47:36
  Speaker 4: in BC. It was heavy. It was good, right? The
• 1:47:38
  Speaker 4: clip was awesome. It was awesome, man. Let's talk straight. Hey,
• 1:47:40
  Speaker 4: let's hear one from.
• 1:47:49
  Speaker 1: So we can sing because they want to hear the
• 1:47:50
  Speaker 1: old ones. Do you want to listen to the.
• 1:47:52
  Speaker 4: Artists' songs? Sure.
• 1:47:53
  Speaker 7: Play it, Carlos Lacerda.
• 1:47:53
  Speaker 4: Play it, Carlos Lacerda. Just the tip. Just the tip.
• 1:47:55
  Speaker 4: Just the tip.
• 1:47:56
  Speaker 9: G live.
• 1:47:56
  Speaker 4: Like this. I'm very fast and I don't... We'll see
• 1:48:13
  Speaker 4: you next time. I'm not going to stop. You don't
• 1:48:38
  Speaker 4: intimidate me. Já tô longe, hoje é festa da quadrilha
• 1:48:57
  Speaker 4: Fui liberado do bote, da Francisco Morato Parti pra norte,
• 1:49:02
  Speaker 4: pra tromba, meus aliado Paguei o acerto e fui liberado
• 1:49:05
  Speaker 4: Agora é rolê com os aliado Pede rolê ponte, que
• 1:49:08
  Speaker 4: os moleque é de calo que não se esconde Pede
• 1:49:11
  Speaker 4: rolê ponte, que os moleque é de calo que não
• 1:49:14
  Speaker 4: se esconde.
• 1:49:22
  Speaker 9: Hey!
• 1:49:22
  Speaker 1: Put Kevin's trope on, to get it going.
• 1:49:29
  Speaker 4: Now. Kevin's trope, it's a tribute to Kevin. His part, right? No,
• 1:49:33
  Speaker 4: it's just a tribute.
• 1:49:33
  Speaker 9: Focus.
• 1:49:34
  Speaker 4: It's a tribute to Kevin. It's the drop of.
• 1:49:49
  Speaker 1: The car, it's the pot of fire. The company keeps
• 1:49:53
  Speaker 1: making money, but our voice is a hymn. The access
• 1:49:58
  Speaker 1: to the mic is already full of bicho. No talk
• 1:50:01
  Speaker 1: of wanting to be us, it's the funk itself.
• 1:50:03
  Speaker 4: Where they come to make money to have deception.
• 1:50:09
  Speaker 1: No baile de quebrada Vários bico por alto Se hoje
• 1:50:13
  Speaker 1: eu tocar mais cada Tem barato cada piu Se nem
• 1:50:17
  Speaker 1: vale nada, tioca Quer ser mesmo, né? Minha vida não
• 1:50:22
  Speaker 1: é uma uva Mas é um cabaré Puta El Inguiça
• 1:50:28
  Speaker 1: que cacém Tira o freio do trem Jogador na festa
• 1:50:33
  Speaker 1: Onde ninguém é de ninguém Fuma, bebe, fica bem Entra
• 1:50:37
  Speaker 1: na Mercedes-Benz Jogando no trem.
• 1:50:41
  Speaker 4: Domingão na minha favela Sem cap, tô no peão Clima
• 1:50:45
  Speaker 4: certo pra beber E fumar um com os ladrão Não
• 1:50:49
  Speaker 4: devo fazer pobre Bye.
• 1:50:50
  Speaker 1: Bye.
• 1:50:50
  Speaker 4: Bye. Nóis tem coleção de bico e oito highlooks preta
• 1:51:11
  Speaker 4: Oi vida louca, elas brisa, joga pros periferia Nóis imbica,
• 1:51:16
  Speaker 4: toma tudo e no outro dia faz festinha Trinta puta
• 1:51:20
  Speaker 4: na mansão, Guarujá é meu quintal É festinha de bante
• 1:51:24
  Speaker 4: do bom, só beber de fio dental Bebe da vontade
• 1:51:29
  Speaker 4: Na festa do chefe Só vela de ice Pra tropa
• 1:51:34
  Speaker 4: do queve Só menina viridosa Joga a camisa do peixe
• 1:51:39
  Speaker 4: Se tem lance do Neymar Pode ir pra que vai
• 1:51:42
  Speaker 4: pra rede Bebe da vontade Na festa do chefe Só
• 1:51:47
  Speaker 4: vela de ice Pra tropa do queve Só menina viridosa
• 1:51:52
  Speaker 4: Joga a camisa do peixe Se tem lance do Neymar
• 1:51:55
  Speaker 4: Pode ir pra.
• 1:51:56
  Speaker 1: Que vai pra rede This one is.
• 1:52:00
  Speaker 4: F * * * ed up. This one is.
• 1:52:01
  Speaker 1: F * * * ed up.
• 1:52:02
  Speaker 10: This one is f * * * ed up.
• 1:52:14
  Speaker 1: It was a bit sinister.
• 1:52:16
  Speaker 7: It was.
• 1:52:16
  Speaker 4: It was a part of him alone, you know? The
• 1:52:18
  Speaker 4: company follows Lucrano. The company follows Lucrano.
• 1:52:21
  Speaker 1: Our voice is hymn. In the access of the mangue.
• 1:52:24
  Speaker 1: In the end of the chorus. We are the funk, man.
• 1:52:26
  Speaker 4: We are the funk, man.
• 1:52:34
  Speaker 7: Do you have another one?
• 1:52:36
  Speaker 4: Do you want me to sing another one?
• 1:52:37
  Speaker 8: Caetão black and the golden one just to not feel
• 1:52:40
  Speaker 8: like it.
• 1:52:40
  Speaker 4: Do you have a tropical song?
• 1:52:41
  Speaker 7: People are asking for Pandora too.
• 1:52:43
  Speaker 9: Pandora.
• 1:52:43
  Speaker 4: Spoon bath.
• 1:52:44
  Speaker 6: Spoon bath.
• 1:52:45
  Speaker 10: Pandora.
• 1:52:47
  Speaker 6: I listen to it and it gives me a good feeling.
• 1:52:51
  Speaker 6: I want to leave Menoka for last.
• 1:52:52
  Speaker 4: Modo Esquete. Modo Esquete. Modo Esquete.
• 1:52:55
  Speaker 10: It's your house.
• 1:52:55
  Speaker 6: Modo Esquete.
• 1:52:56
  Speaker 4: Guys, it's Modo Esquete. Guys, it's Modo Esquete. Come with
• 1:53:01
  Speaker 4: Modo Esquete, guys.
• 1:53:04
  Speaker 1: DJ Victor.
• 1:53:05
  Speaker 4: DJ Victor. DJ Victor. Final de ano é fato, nó
• 1:53:28
  Speaker 4: vai tá lá no Nordeste Lá em Maracogi, vai ter
• 1:53:31
  Speaker 4: várias mulheres Tudo do mesmo ângu, com raza da internet
• 1:53:35
  Speaker 4: É violente, virgem, nó não manda esquece Final de ano
• 1:53:39
  Speaker 4: é fato, nó vai tá lá no Nordeste Lá em Maracogi,
• 1:53:42
  Speaker 4: vai ter várias mulheres I was a boy, far from
• 1:53:47
  Speaker 4: all of this. Ex-poor, got rich, sometimes I go to Paris.
• 1:53:52
  Speaker 4: In a Zuri park, I bury my capital. Black heart, chic,
• 1:53:55
  Speaker 4: the moment is surreal. Legalizing the tropical paradise. Life as
• 1:54:00
  Speaker 4: a celebrity, from Mecca, I'm illegal. Disabled, but always conscious.
• 1:54:05
  Speaker 4: Never drunk, but a healthy mind. Money is power, caused envy.
• 1:54:11
  Speaker 4: Causou revolta na mente de uns comédia Nunca me deram nada,
• 1:54:15
  Speaker 4: eu não convido pra minha festa Enquanto eles falam Violete, bitch,
• 1:54:21
  Speaker 4: tá numa disquete Final de ano é fato, nós vai
• 1:54:24
  Speaker 4: tá lá no Nordeste Lá em Maracanã, gozi Vai ter
• 1:54:27
  Speaker 4: alta do.
• 1:54:28
  Speaker 1: Léris Tudo do mesmo amor Vamos olhar a internet.
• 1:54:30
  Speaker 4: Violete, bitch, tá numa disquete.
• 1:54:33
  Speaker 1: Final de ano é fato, nós vai tá lá no
• 1:54:35
  Speaker 1: Nordeste Lá em Maracanã, gozi.
• 1:54:38
  Speaker 4: You know what I mean? I don't forget.
• 1:54:40
  Speaker 7: Wow, send it, Menoka.
• 1:54:42
  Speaker 4: Hey, DJ.
• 1:54:42
  Speaker 1: Send the new one.
• 1:54:44
  Speaker 4: The new one? You're going to send the new one?
• 1:54:50
  Speaker 4: Send the new one, Menoka. Send the new one. Send
• 1:54:53
  Speaker 4: the new one. Send the new one. Send a new
• 1:55:00
  Speaker 4: one now. The other new one. Send a new one.
• 1:55:03
  Speaker 4: Send a new one. Send a new one.
• 1:55:05
  Speaker 10: Send a new one.
• 1:55:06
  Speaker 9: Send a new one.
• 1:55:07
  Speaker 4: Send a new one. Send a new one. Top 1
• 1:55:27
  Speaker 4: on Spotify, okay? Top 1. You have to respect. Yeah,
• 1:55:29
  Speaker 4: but there's only the beat on this one? The one
• 1:55:31
  Speaker 4: from Japa? Oh, so it can be?
• 1:55:53
  Speaker 1: You have to send it to me, and then I'll
• 1:55:54
  Speaker 1: send it to you, so I can give it to you.
• 1:55:57
  Speaker 4: You have to send it to me, so I can give.
• 1:55:59
  Speaker 7: It to you, so I can give it to you.
• 1:56:01
  Speaker 1: You have to send it to.
• 1:56:02
  Speaker 4: Me, so I can give it to you, so I
• 1:56:03
  Speaker 4: can give it to you.
• 1:56:07
  Speaker 1: Oh, I already know what to do to forget about you,
• 1:56:10
  Speaker 1: fill the bottle of pinga, take me on the street,
• 1:56:15
  Speaker 1: I was crazy to live the next part, but my
• 1:56:19
  Speaker 1: life does not let me, today there is a ball
• 1:56:21
  Speaker 1: from the Japanese, I love my favela, if I go
• 1:56:24
  Speaker 1: back there, never forget me, stop on the radar, on
• 1:56:28
  Speaker 1: my goal, only the princess enters, Luta pra carai pra
• 1:56:32
  Speaker 1: tá sofrendo por nem feita Só um pente galera dançando
• 1:56:37
  Speaker 1: pra mim Mandando o passinho Repensem 18 anos e sobe
• 1:56:42
  Speaker 1: a favela feliz Bebê, quando você dança eu fico meio
• 1:56:46
  Speaker 1: iludido Vem cá bebê, não faz assim com seu pretinho
• 1:56:51
  Speaker 1: Vem balança.
• 1:56:52
  Speaker 4: Latinha e passa pra mimba Sem.
• 1:56:55
  Speaker 1: Aliança ela tá vivendo sem se apegar It's the 7 of.
• 1:56:59
  Speaker 10: Japap, huh?
• 1:57:00
  Speaker 1: I'm gonna put it in my voice, huh? It's because
• 1:57:03
  Speaker 1: it's the potipá, it's the piquê. Just wait for the
• 1:57:07
  Speaker 1: next day. Ah, you can stay there, man.
• 1:57:09
  Speaker 4: Get on the table. It's your episode, man.
• 1:57:11
  Speaker 9: Feel free.
• 1:57:12
  Speaker 6: Pomeu, pomeu.
• 1:57:12
  Speaker 8: Take it.
• 1:57:12
  Speaker 4: Pomeu, pomeu. Let's go to the Jajá show. Is that
• 1:57:35
  Speaker 4: my voice?
• 1:57:35
  Speaker 1: I'm traveling, waiting for the music to come.
• 1:57:38
  Speaker 4: Oh!
• 1:57:47
  Speaker 1: Baby, I don't deny that you made me happy But
• 1:57:51
  Speaker 1: at the end of a hundred cups, my heart gets
• 1:57:54
  Speaker 1: sad I lost the night of the ball, I fell
• 1:57:56
  Speaker 1: asleep early, I threw myself in the other hand I'm
• 1:57:58
  Speaker 1: going to the Accus Pass, this boat is good for
• 1:58:00
  Speaker 1: me too, the best thing is to get drunk I
• 1:58:03
  Speaker 1: waited for the summer.
• 1:58:04
  Speaker 4: To come, I took an alliance from this.
• 1:58:09
  Speaker 1: Part, it's good for me too, the best thing is
• 1:58:11
  Speaker 1: to be single. My mother is living everything she wanted, sit, poke,
• 1:58:16
  Speaker 1: all her sins will want to stay. Dog, dog, it's
• 1:58:19
  Speaker 1: already a piece for NK, beat that lets you slow down,
• 1:58:23
  Speaker 1: she sits, she kicks, she kicks.
• 1:58:30
  Speaker 4: Now, man. It's Davi Dog Dog, dog twice.
• 1:58:57
  Speaker 8: Nossa Senhora, esse aqui vai ter que mandar de novo.
• 1:59:00
  Speaker 4: Vai ser errado, tá bom? Não me iludo, curti, amo.
• 1:59:17
  Speaker 4: Pego firme essa maldita. Salcerando pela rua. Bagunçando as avenidas.
• 1:59:23
  Speaker 4: Joga ataque lá em cima. Ela ama adrenalina. Guarda minha
• 1:59:28
  Speaker 4: 9mm na sua bolsa bonita. Quer sensação de poder? Piranha
• 1:59:33
  Speaker 4: do lazer. Quer limpo HD? Trita meu na TT. Resta
• 1:59:38
  Speaker 4: do Big G. Bala doce MD. Putinha quer prazer. Sem
• 1:59:44
  Speaker 4: se comprometer, ok? Senta, senta, senta pro patrão Senta, senta
• 1:59:49
  Speaker 4: Mostra que tu tem disposição Desce, desce Ela que já
• 1:59:54
  Speaker 4: nasceu com esse dom Te leva a coração de ladrão Senta, senta,
• 2:00:00
  Speaker 4: senta pro patrão Mostra que tu tem disposição Ela que
• 2:00:04
  Speaker 4: já nasceu com esse dom Te leva a coração de ladrão.
• 2:00:15
  Speaker 14: Tá chovendo puta na festa do Big G Só cavalo
• 2:00:19
  Speaker 14: pra marchar, só pegar e escolher Dog, dog, lança a pura,
• 2:00:24
  Speaker 14: solta pra ela descer Lança a babafura, não é que
• 2:00:28
  Speaker 14: faz acontecer Baby, eu te trompei na vila, matou da
• 2:00:32
  Speaker 14: sapatinha Fiz de pata na garoba do Tiago Só menor
• 2:00:37
  Speaker 14: que o Tão na pista, de nobre na cinta Ela
• 2:00:41
  Speaker 14: ganhou de lao, só me puxado My brother, you're going to.
• 2:00:44
  Speaker 4: Make a mess in the room, you're going to make
• 2:00:46
  Speaker 4: a mess of stress.
• 2:00:47
  Speaker 1: He put me in his place to walk around with
• 2:00:49
  Speaker 1: his shoes on. He took me in sequence, the bullet
• 2:00:53
  Speaker 1: is without faith.
• 2:00:55
  Speaker 4: Coloquei na chapa que mandou vinho na minha reta Vai
• 2:00:58
  Speaker 4: tomar na... Coteca desestressa Me postou no daily, passei a
• 2:01:04
  Speaker 4: chapa aos colegas Tomou de sequencia com a vala desestressa
• 2:01:09
  Speaker 4: Coloquei na chapa que mandou vinho na minha.
• 2:01:12
  Speaker 1: Reta Senta, senta, senta pro patrão Senta, senta Mostra que
• 2:01:18
  Speaker 1: tu tem disposição Desce, desce Ela que já nasceu com
• 2:01:23
  Speaker 1: esse dom De novo a coração de ladrão.
• 2:01:29
  Speaker 4: Senta, senta, senta pro patrão Senta, senta Mostra que tu
• 2:01:33
  Speaker 4: tem disposição Ela que já nasceu com esse dom De
• 2:01:40
  Speaker 4: novo a coração de ladrão You know this is the peak.
• 2:01:45
  Speaker 4: LGP can't stop. Along with Menorca. Drop the bomb, Menorca.
• 2:01:49
  Speaker 4: Send it, send it. Send it, send it, Menorca.
• 2:01:51
  Speaker 7: Go.
• 2:01:51
  Speaker 3: Ready?
• 2:01:51
  Speaker 9: Which one?
• 2:01:52
  Speaker 7: A1?
• 2:01:52
  Speaker 9: Satisfaction, man.
• 2:01:53
  Speaker 4: Drop it, Menorca. Huh?
• 2:01:55
  Speaker 7: That way.
• 2:01:56
  Speaker 4: Big hug, Menorca.
• 2:01:57
  Speaker 2: Come, come.
• 2:01:58
  Speaker 4: To be in my face, just for us to see.
• 2:02:12
  Speaker 1: .
• 2:02:14
  Speaker 4: .
• 2:02:29
  Speaker 5: Black tattooed on a ship, valued at almost a million.
• 2:02:33
  Speaker 5: A smile that enchants you, the ideas that fascinate. A
• 2:02:37
  Speaker 5: little sugar depends on the occasion.
• 2:02:39
  Speaker 1: That we are in the front line.
• 2:02:41
  Speaker 4: Leader, old and reliant.
• 2:02:43
  Speaker 5: Only 23, the future millionaire is ahead. Today it's therapy,
• 2:02:47
  Speaker 5: I'm with Gena Tiradentes.
• 2:02:49
  Speaker 4: I'm going to the ball of Ansa to cool down.
• 2:02:51
  Speaker 5: Yo que yo que, negocia for da pele Oi disse
• 2:02:54
  Speaker 5: que dinheiro e jóias caras não a definem Oi mora
• 2:02:57
  Speaker 5: no AP no Murumbi, que é amiga da Gabi E
• 2:03:00
  Speaker 5: adora um filme, e adora um filme Ou perguntou minha
• 2:03:03
  Speaker 5: profissão e eu disse artista Ou quando eu perguntei o
• 2:03:06
  Speaker 5: que ela fazia, ela disse que trabalha com sexo Me
• 2:03:10
  Speaker 5: avisou no neguinho magrelo, cordão de ouro refletindo o olhar
• 2:03:14
  Speaker 5: Tô trajado no kit, caburo, rachiche Tramvei com essa donzela
• 2:03:18
  Speaker 5: no café de Lavosique Gostas de René Silo e Vick?
• 2:03:22
  Speaker 7: Vais comprar na Fendi?
• 2:03:23
  Speaker 4: Quem é esse que o tabaco pra?
• 2:03:25
  Speaker 5: Oi, viajou pra vários cantos do Brasil Mas se perde
• 2:03:28
  Speaker 5: no papo do seu menor marrento Cês vão deitar.
• 2:03:31
  Speaker 1: Para a sua bunda tatuada.
• 2:03:33
  Speaker 4: E você é louca de MD Gordão elegante, sempre cheiroso
• 2:03:40
  Speaker 4: E derra pra frente lábia de bandido Paco Rabanne, cordão
• 2:03:44
  Speaker 4: de ouro Chucro desenvolto no toque do Nevos Ela tava
• 2:03:49
  Speaker 4: no vitrine, poderosa, chique Toda bela, glamorosa, bebendo martini O
• 2:03:54
  Speaker 4: jeito que ela me olha com a intenção de crime
• 2:03:57
  Speaker 4: O jeito que ela me olha com a intenção Ai
• 2:03:59
  Speaker 4: que conversamos até se gostamos No motel se pegamos Ela
• 2:04:04
  Speaker 4: falou que trabalha nesse ramo Transa toda hora, vive lucrando
• 2:04:09
  Speaker 4: Morava na Europa, atravessou o oceano Ela foge pro hobby
• 2:04:13
  Speaker 4: comigo Gosta do jeito mais lindo Esse nosso love é
• 2:04:17
  Speaker 4: sem compromisso Apenas um lance escondido Fode pro hobby comigo
• 2:04:25
  Speaker 4: Gosta do meu jeito bandido Esse nosso love é sem
• 2:04:29
  Speaker 4: compromisso Apenas um lance escondido Pronta na minha base só
• 2:04:35
  Speaker 4: pra gente se ver Vem beber, vem beber Te passo
• 2:04:40
  Speaker 4: o endereço sem colar no AP Pra fuder, pra fuder
• 2:04:46
  Speaker 4: Pronta na minha base.
• 2:04:47
  Speaker 5: Só pra gente se ver Pode pá, pode pá, pode
• 2:04:49
  Speaker 5: pá Te passo o endereço sem colar.
• 2:04:51
  Speaker 4: No podpá Não pode pá, não pode pá Tá ligado?
• 2:04:53
  Speaker 4: Daquele jeito, tá? Uma satisfação, pode pá Manda o álbum
• 2:04:57
  Speaker 4: Manda o álbum Micron I'm going to send this one here.
• 2:05:05
  Speaker 4: Just for one night?
• 2:05:07
  Speaker 9: Just for one night.
• 2:05:10
  Speaker 4: Let you go, let you go to the base. Do
• 2:05:12
  Speaker 4: you have the note at least? No, I'm going to
• 2:05:16
  Speaker 4: send it here. The thing is like this, man.
• 2:05:19
  Speaker 1: In the pure.
• 2:05:20
  Speaker 4: If we already send it, already. Also. Just for one night? Yeah.
• 2:05:31
  Speaker 1: Go?
• 2:05:31
  Speaker 4: Put Meninos do Gueto for Duelo too. Put Meninos do Gueto.
• 2:05:36
  Speaker 4: Put Meninos do Gueto first, man. Put this one. Meninos
• 2:05:38
  Speaker 4: do Gueto is crazy.
• 2:05:39
  Speaker 9: Tenta Peitar too, right?
• 2:05:40
  Speaker 4: Tenta Peitar. Tenta Peitar. Tenta Peitar. You know you were
• 2:05:43
  Speaker 4: the guy who... You inspired me to try Tenta Peitar,
• 2:05:44
  Speaker 4: because you were listening to the thing and I was like, man,
• 2:05:48
  Speaker 4: do you like this song, man? And the thing had
• 2:05:53
  Speaker 4: already released a lot of music, the song wasn't working,
• 2:05:54
  Speaker 4: he said like this, man, this song is angry. I said, damn, man,
• 2:05:58
  Speaker 4: you can go to Cundi, she's a historian, I like
• 2:06:02
  Speaker 4: her too. Sometimes we use the hits first, right, man?
• 2:06:05
  Speaker 4: We don't believe it. Satisfaction, guys. Look how the blacks
• 2:06:14
  Speaker 4: are reigning. Do you want to start at the beginning?
• 2:06:21
  Speaker 1: Now go, now go Smelly, smelly, no feeling, Iggy Only
• 2:06:49
  Speaker 1: in the night city With us she knows that the
• 2:06:53
  Speaker 1: top is mine, it's in the pics Hoje bate na Lamborghini,
• 2:07:00
  Speaker 1: que já mamou os cusos, e eu de camisa de
• 2:07:03
  Speaker 1: Steve Higgins.
• 2:07:05
  Speaker 4: Tá aí com os meninos do gueto.
• 2:07:08
  Speaker 1: E ela senta demais, o jogador.
• 2:07:12
  Speaker 4: Na 25 milha nos beco, tem nada não, doutor. No encuadro,
• 2:07:20
  Speaker 4: na goma do pai Tá tipo Dubai, 60 demais pros
• 2:07:25
  Speaker 4: preto Na goma do pai.
• 2:07:29
  Speaker 1: Tá tipo Dubai 60 demais pros preto Lendo o retorno acontece,
• 2:07:36
  Speaker 1: com grana tudo é paz Ativo o modo esquece, na
• 2:07:40
  Speaker 1: madrugada em São Paulo.
• 2:07:42
  Speaker 4: Tipo um cão farejado, eu sei onde tem cheirosa And
• 2:07:45
  Speaker 4: they want to shoot It's the car, it's the car,
• 2:07:52
  Speaker 4: it's the car.
• 2:08:18
  Speaker 1: E olha como os preto tá reinando Mano, eu tô
• 2:08:22
  Speaker 1: falando Tanto de popô que tá piando Pra puta que der,
• 2:08:27
  Speaker 1: seu fago tanto Mandei cê deitar e.
• 2:08:30
  Speaker 4: Tomar Jack Daiana, que.
• 2:08:32
  Speaker 1: Mata tropical Posso te fazer loucura Tomar uma doce do
• 2:08:37
  Speaker 1: mal Curtir um baile de rua Que hoje na sala
• 2:08:40
  Speaker 1: der sal Só aventura no Tony Já que cê não
• 2:08:44
  Speaker 1: deu moral Passa mal, filha da puta Já aprendi a
• 2:08:47
  Speaker 1: ver Elas tudo com lança, joga no tuí, fica feliz
• 2:08:53
  Speaker 1: na onda, vai sentar pra mim, louco, louco, sem amor,
• 2:08:57
  Speaker 1: bom e novo e com dindim, várias querem o terror, nananami, louco, louco,
• 2:09:04
  Speaker 1: sem amor, bom e novo e com dindim, várias querem
• 2:09:07
  Speaker 1: o terror, bate a bunda sem carinho, bate a bunda.
• 2:09:11
  Speaker 4: It's a mess.
• 2:09:12
  Speaker 1: It's a mess.
• 2:09:12
  Speaker 11: It's a mess.
• 2:09:27
  Speaker 4: I told my friends that I was in a bad
• 2:09:29
  Speaker 4: mood And.
• 2:09:30
  Speaker 15: It got dark again, she already left home She put
• 2:09:33
  Speaker 15: on her best dress, looked for the best ballad She
• 2:09:36
  Speaker 15: called some friends that she was with I was handsome,
• 2:09:39
  Speaker 15: smelly and boring, on the streets of São Paulo.
• 2:09:47
  Speaker 1: Tá aí com os menino do gueto, ela senta demais
• 2:09:53
  Speaker 1: pro jogador. Na 25 milha no tempo, tem nada na doutor.
• 2:10:02
  Speaker 1: Na cola do pai, tá tipo Dubai, cê senta demais
• 2:10:07
  Speaker 1: pros preto. Na cola do pai, tá tipo Dubai, cê
• 2:10:13
  Speaker 1: senta demais pros preto.
• 2:10:16
  Speaker 4: It's the boys from the ghetto, check it out, the
• 2:10:17
  Speaker 4: boys from the ghetto are rich. Thank God.
• 2:10:20
  Speaker 6: Hey, G-Life.
• 2:10:20
  Speaker 4: I need to listen to one of the albums. What's up?
• 2:10:26
  Speaker 4: One of the albums, do you want to listen to
• 2:10:27
  Speaker 4: one of the albums? Do you want to listen to
• 2:10:30
  Speaker 4: the production? Which one? Can you put the production there? What?
• 2:10:33
  Speaker 4: The album, the song, the production, whatever. Can you send it?
• 2:10:37
  Speaker 4: Is there anything from the new album? You don't have anything?
• 2:10:42
  Speaker 4: Just for one night? No, no, 307 is not from
• 2:10:46
  Speaker 4: the new album, bro. He's not talking about the new album,
• 2:10:48
  Speaker 4: he's talking about the old album. Oh, the old album?
• 2:10:52
  Speaker 9: Yeah.
• 2:10:52
  Speaker 4: The old album? I have, I have, I have several there.
• 2:10:55
  Speaker 4: What's the new album? Micros? I'm going to release Micros.
• 2:10:58
  Speaker 4: Is there a Micros there, bro? I'm going to release Micros,
• 2:11:02
  Speaker 4: because he likes Micros.
• 2:11:03
  Speaker 10: He likes Micros, so I'm going to send it that way.
• 2:11:10
  Speaker 4: No, no, no, no, no, no. No, no, no, no, no.
• 2:11:34
  Speaker 7: Oh!
• 2:11:34
  Speaker 4: You know, today I'm here at Pod Bar, guys. I'm
• 2:11:37
  Speaker 4: feeling so happy, we're eating okra, right? Our brother, MC Denna, Lombradinho.
• 2:11:40
  Speaker 1: Hey, Gama!
• 2:11:40
  Speaker 4: Hey, Mítico! Hey, Duelli! Come here! I even try to
• 2:11:53
  Speaker 4: steal someone's time But the problem is wasting time with
• 2:11:57
  Speaker 4: the shit of love I live and work for the world,
• 2:12:01
  Speaker 4: it's a game of faith It's the name in the
• 2:12:04
  Speaker 4: mouth of the bitches and the salado I walk on
• 2:12:07
  Speaker 4: a ship, man, with this absurd price I bought a
• 2:12:13
  Speaker 4: new cinema and sauna house. Now I threw the lamp.
• 2:12:17
  Speaker 4: Will I be hard? Come with her, but your life
• 2:12:21
  Speaker 4: is broken. In the RJ, I'm with the guys making smoke.
• 2:12:27
  Speaker 4: It's the birthday of the chubby, call the horses And
• 2:12:29
  Speaker 4: they are from the store, I'm going to wear it
• 2:12:32
  Speaker 4: with a little clothes I want this face of a whore,
• 2:12:36
  Speaker 4: I want you to be in a position I'm taking
• 2:12:39
  Speaker 4: you to this drug group, smoking in a car I swear,
• 2:12:43
  Speaker 4: I'm just a little private I'm like Snoop Dogg, smoking
• 2:12:48
  Speaker 4: weed I'm like Júnior, just a private party I'm like Júnior,
• 2:12:53
  Speaker 4: just a private party I'm like Júnior, just a private
• 2:12:57
  Speaker 4: party Let's go! Samba in the world, LB Urus is
• 2:13:26
  Speaker 4: a novelty For those who only rode gold, piloting a
• 2:13:31
  Speaker 4: bike Did I find the dragon's wings? Did I accept
• 2:13:34
  Speaker 4: such a game of the million? I walk on dark skin,
• 2:13:37
  Speaker 4: the soil is gold Look how life changes, I'm rich
• 2:13:40
  Speaker 4: and famous O assunto das prostitutas e dos invejosos Eu
• 2:13:51
  Speaker 4: não me domino, as ruas da TV é fogo Todos
• 2:13:55
  Speaker 4: os negros de gente falsa que sente inveja Hey, hey, hey.
• 2:14:26
  Speaker 9: Hey!
• 2:14:42
  Speaker 4: Chippie Snoop Dogg, Manu Matos, Chipone Majono, Sua Festinha Privada,
• 2:14:50
  Speaker 4: Evo Macasputa, que vem do outro lado, SP Capital, VVCC!
• 2:14:58
  Speaker 4: I'm like Snoop Dogg Smoking a cigarette I'm like Pornemagino
• 2:15:03
  Speaker 4: Only private party I take a casputa That comes from
• 2:15:08
  Speaker 4: the other side SP Capital, bitch! It's the funk, that
• 2:15:16
  Speaker 4: way LGP, Menaka, who comes?
• 2:15:19
  Speaker 6: I swear to God Every time I listen to this song,
• 2:15:23
  Speaker 6: the Snoop Dogg type, every time I listen to the
• 2:15:25
  Speaker 6: Snoop Dogg type, I say, hey, Mythico, look what he says.
• 2:15:29
  Speaker 8: Pussy like Fausto Silva and Carro do Ronaldinho.
• 2:15:32
  Speaker 4: I said, my God, what an absurd rhyme. Then Gê
• 2:15:33
  Speaker 4: didn't remember, and when he remembered, he said, my God,
• 2:15:36
  Speaker 4: this is awesome!
• 2:15:37
  Speaker 10: Fuck, that's the rhyme I released!
• 2:15:39
  Speaker 4: He was remembering, singing his song. This is always happening.
• 2:15:43
  Speaker 4: This one we have to sing in a video. Pussy
• 2:15:46
  Speaker 4: like Fausto Silva and.
• 2:15:48
  Speaker 10: Carro do Ronaldinho.
• 2:15:49
  Speaker 4: She loves this life. Today I'm going to hit this
• 2:15:55
  Speaker 4: Ford cousin, without compromise. Today I'm going to eat in
• 2:15:58
  Speaker 4: the pool. Baby, do your job. Sip the money, spin
• 2:16:14
  Speaker 4: the money And what? Sip Snoop Dogg, smoke on a
• 2:16:19
  Speaker 4: torch I'm like Neymar, just a private party Take a
• 2:16:21
  Speaker 4: casputa that comes from the other side Sip the money,
• 2:16:25
  Speaker 4: spin the money Man, I like this one, right? Mikunos Vibe,
• 2:16:29
  Speaker 4: Mikunos Vibe Go, go, go, this is good Mikunos Vibe? Yeah,
• 2:16:34
  Speaker 4: João João Mikunos We'll be right back.
• 2:17:05
  Speaker 9: Thank you.
• 2:17:21
  Speaker 4: Amanda 300 no 7, acaba com tudo, meu irmão. He
• 2:17:40
  Speaker 4: likes to send this one. When his song starts playing,
• 2:17:43
  Speaker 4: the guys get agitated. This song is this one. This
• 2:18:03
  Speaker 4: song is this one. This one is going to play.
• 2:18:05
  Speaker 4: Like this, like this, like this, like this, like this.
• 2:18:08
  Speaker 4: It's the big boy. Listen to the beat, listen to
• 2:18:15
  Speaker 4: the beat.
• 2:18:15
  Speaker 10: He's listening, right? Put the phone and fuck. Go, man!
• 2:18:20
  Speaker 6: Like this.
• 2:18:20
  Speaker 1: My ex can't beat her, she's from the streets, what's
• 2:18:25
  Speaker 1: the matter?
• 2:18:26
  Speaker 4: My ex can't beat her, she's from the streets, what's
• 2:18:32
  Speaker 4: the matter? I'm a vagabond, I'm going to eat this
• 2:18:37
  Speaker 4: shit up. I'm a vagabond, I'm going to live!
• 2:18:42
  Speaker 1: If I give you a favor, I'm beating like a bullet,
• 2:18:46
  Speaker 1: I accelerate, today I just go back to the park. Hey,
• 2:18:49
  Speaker 1: if I spend all the money, more than 5 horses,
• 2:18:51
  Speaker 1: my bed will see so much.
• 2:18:53
  Speaker 4: That the TTL stayed even, took the GP's gold cord,
• 2:18:56
  Speaker 4: hit the face, today you're so delicious.
• 2:19:03
  Speaker 16: Lembrei das antigas que não era isso não Pediu foto
• 2:19:07
  Speaker 16: com a de 30, mas eu larguei o corre Nas
• 2:19:11
  Speaker 16: CHB os menor tá tudo bonitão Vivendo.
• 2:19:15
  Speaker 4: A vida de artista que ninguém.
• 2:19:17
  Speaker 1: Deu atenção Hoje virou realidade É o tropa do gera,
• 2:19:22
  Speaker 1: gerando inspiração Movimento monstro já dizia emicil É não superar
• 2:19:28
  Speaker 1: as da rua que é azul Vai!
• 2:19:30
  Speaker 4: Mas não superar as da rua que é azul Show vocês!
• 2:19:34
  Speaker 1: Modo vagabundo eu vou começar as puta tudo Modo.
• 2:19:39
  Speaker 4: Vagabundo eu vou Tipo assim, vai! Teu sonho era você
• 2:19:43
  Speaker 4: Me perdi nessa paixão Não deu, tive que correr Desse
• 2:19:48
  Speaker 4: poço de ilusão Me afundei no MD Louca noite de
• 2:19:52
  Speaker 4: bailão São Paulo só tem lindona Gostosa de alto padrão
• 2:19:56
  Speaker 4: When I fell in love, I was stupid and I
• 2:19:59
  Speaker 4: got lost. I thought I was going to cry when
• 2:20:01
  Speaker 4: I decided to leave. Nothing like the beginning, without making
• 2:20:05
  Speaker 4: a mistake with me. You can tell the baby that
• 2:20:08
  Speaker 4: the GP is in the sac. My ex doesn't get
• 2:20:10
  Speaker 4: over it and the street wants the subject.
• 2:20:16
  Speaker 7: My ex doesn't get.
• 2:20:17
  Speaker 4: Over the street, what's the matter?
• 2:20:19
  Speaker 10: Send the vagabond, I'm going.
• 2:20:21
  Speaker 1: To eat Send the vagabond, so say uncle Denan My
• 2:20:27
  Speaker 1: ex doesn't.
• 2:20:28
  Speaker 5: Get over the street, what's the matter? My ex doesn't
• 2:20:32
  Speaker 5: get over the street, what's the matter?
• 2:20:35
  Speaker 1: Send the vagabond, I'm going to.
• 2:20:39
  Speaker 4: Eat What happened, what happened, real, look.
• 2:20:42
  Speaker 8: Boladão nos cordão, tô na.
• 2:20:44
  Speaker 5: Pista de novo Não envolve o coração Nos acessos eu
• 2:20:48
  Speaker 5: tô pela norte O que mata sem nem se assustar
• 2:20:51
  Speaker 5: Já tá pra na disputa de ego Pra minha ex
• 2:20:53
  Speaker 5: já bati o martelo Quer ser em volta eu tô
• 2:20:55
  Speaker 5: pelo mundão Que toda vez Sobre o pela noite eu
• 2:21:00
  Speaker 5: ando só Que toda vez Faz uma cota.
• 2:21:04
  Speaker 1: Que eu não escuto o nome da minha ex Colei
• 2:21:07
  Speaker 1: na sorte Busquei o ice pra nó escarburar To make
• 2:21:10
  Speaker 1: more money, oh my God Contact of the vultures calling
• 2:21:15
  Speaker 1: me a boss They don't want love, they just.
• 2:21:17
  Speaker 4: Want a thing I'm loose.
• 2:21:19
  Speaker 5: With a lot of Varasocas, Silvio Vage Roll this ass
• 2:21:24
  Speaker 5: in the face of those who eat you.
• 2:21:28
  Speaker 9: Go!
• 2:21:28
  Speaker 10: Go!
• 2:21:28
  Speaker 9: Go!
• 2:21:29
  Speaker 6: Go! Send 300 to the set, Menoka will send one
• 2:21:56
  Speaker 6: to Spotify and we will end everything at a high level.
• 2:21:58
  Speaker 8: We will knock everything down.
• 2:21:59
  Speaker 4: We will knock everything down.
• 2:22:00
  Speaker 8: It's 300 to the set and then.
• 2:22:02
  Speaker 6: I won't bring you flowers, my God, I'm very happy. D, D, D, D.
• 2:22:07
  Speaker 4: This is how I'm going to send it. Today I'm
• 2:22:09
  Speaker 4: here in the Podipá. Let the rhyme unwind. When I
• 2:22:12
  Speaker 4: send it, she'll throw her ass in the air. When
• 2:22:15
  Speaker 4: I send it. The set that banks your life. It's
• 2:22:19
  Speaker 4: the G Live. The set that banks your life. Ah, Vida!
• 2:22:26
  Speaker 4: It's G, Vida! It's Igão, Vida! It's the mythical, Vida!
• 2:22:31
  Speaker 4: It's the Vidas! Ha, ha! Only you! Only you! Only you! General, general!
• 2:22:41
  Speaker 4: I ranked 300 in the set It doesn't matter what
• 2:22:43
  Speaker 4: happens Get the 2 on the flat And play in
• 2:22:46
  Speaker 4: the market I activated the forget-me-not mode I locked your
• 2:22:51
  Speaker 4: black card I spent on the S Quero só macalã
• 2:22:55
  Speaker 4: E nós invade as balada De uma forma diferente Os
• 2:22:59
  Speaker 4: menor deu uma contada E gastou lá no marra Show
• 2:23:03
  Speaker 4: do Iggy na vitrine Nós pesa as arraves Hoje cê
• 2:23:07
  Speaker 4: tá com os bigode Manos da capital Gigi não é
• 2:23:11
  Speaker 4: problema Na puta tá cabalera Hoje não troca as presença
• 2:23:16
  Speaker 4: Troca as amiga de London Que senta sem pena E
• 2:23:20
  Speaker 4: bola com violência Com essa boca de queiga-baiba Mama!
• 2:23:25
  Speaker 9: Mama!
• 2:23:26
  Speaker 4: Mama 1!
• 2:23:26
  Speaker 9: Mama 2!
• 2:23:27
  Speaker 4: Mama 3!
• 2:23:27
  Speaker 6: Mama 4!
• 2:23:28
  Speaker 4: Mama 5! Mama 1, mama 2, mama 3, mama 4,
• 2:23:36
  Speaker 4: mama 5, or no guardiola ponteado. Das amigas só fala
• 2:23:41
  Speaker 4: que só peixe piques.
• 2:23:43
  Speaker 7: Piques!
• 2:23:43
  Speaker 1: E elas querem poder.
• 2:23:47
  Speaker 4: Dar uma baforada. O gole no whisky, que é da burrilha.
• 2:23:55
  Speaker 4: Hoje cê vai dar mal.
• 2:23:57
  Speaker 2: Hoje cê vai dar mal.
• 2:24:01
  Speaker 4: I've already passed level 1 I can't give you a
• 2:24:04
  Speaker 4: condition In the same cab, there's Raul.
• 2:24:06
  Speaker 2: And there's Ladrão And the.
• 2:24:09
  Speaker 4: Ones that will still turn Baby, don't get emotional, I.
• 2:24:14
  Speaker 1: Can give you a condition I'm no longer level 1, 7, 1,
• 2:24:18
  Speaker 1: 7 Fuck, today you're going to hit Raul Today you're
• 2:24:22
  Speaker 1: going to hit I already passed level 1 Go fuck yourself.
• 2:24:33
  Speaker 2: Today you're.
• 2:24:39
  Speaker 1: Going to give it to Raul Today you're going to.
• 2:24:44
  Speaker 4: Go.
• 2:24:45
  Speaker 1: Fuck yourself I already passed level 1 I can give
• 2:24:50
  Speaker 1: you gold Let her come, with the guys from the 7.
• 2:24:56
  Speaker 4: She's already passed from Libya 1, with the guys who invest,
• 2:24:59
  Speaker 4: they want to give to Raul, bitch, bitch of the internet,
• 2:25:03
  Speaker 4: trap makes the idiots, now fuck the internet, I'm fucking
• 2:25:07
  Speaker 4: the bitches that love Raul, look that I'm not even Raul.
• 2:25:14
  Speaker 4: I'm fucking the bitches that love Raul. On the card with.
• 2:25:18
  Speaker 7: Nothing, only.
• 2:25:19
  Speaker 6: There in the Camarote with.
• 2:25:21
  Speaker 4: The blue bitches. Red Ciroquinha, Whisky, Red Bull. Today you
• 2:25:25
  Speaker 4: will give to Raul. Today you will give to Raul.
• 2:25:40
  Speaker 1: .
• 2:25:43
  Speaker 4: .
• 2:25:48
  Speaker 1: .
• 2:25:54
  Speaker 4: .
• 2:25:59
  Speaker 8: .
• 2:26:02
  Speaker 4: Lilipubu, guys, it's Liberdade Pubuzeira, right? Our partner is
• 2:26:07
  Speaker 4: being punished. Show it, show it. Right, guys? And we
• 2:26:09
  Speaker 4: won't keep quiet!
• 2:26:13
  Speaker 1: Got it?
• 2:26:13
  Speaker 4: For the world to understand. Lili for Bu. That's it.
• 2:26:17
  Speaker 4: Freedom for Manu B, man. Freedom for Buzeira, guys. We're
• 2:26:20
  Speaker 4: in this together. Do you want to go with Menocante?
• 2:26:23
  Speaker 12: Menocante, to wrap up, that way, to contemplate the funk,
• 2:26:45
  Speaker 12: your moment, your victory, your overcoming, thank you G, thank
• 2:26:47
  Speaker 12: you everyone who stuck, Menoka, send your moment.
• 2:26:50
  Speaker 6: He asked, they asked, Podipa asked, but he will not send, it's.
• 2:26:55
  Speaker 10: The peak, you know.
• 2:26:56
  Speaker 4: Pod!
• 2:27:11
  Speaker 1: Solto por aí Para de se iludir Cê tá mentindo
• 2:27:17
  Speaker 1: quando fala Pela boca que na sua vida eu errei
• 2:27:22
  Speaker 1: Mas eu te comi certo É o japonica, é o jacaré,
• 2:27:26
  Speaker 1: jacaré Pega essa visão, caralho! Mas eu tô topa na
• 2:27:33
  Speaker 1: bunda Assume que é eu que na cama te afunda
• 2:27:37
  Speaker 1: Não tem pra que negar Hey, hey It's a beautiful
• 2:27:31
  Speaker 1: night of flowers, but I'm all over the place. Assume
• 2:27:35
  Speaker 1: that it's me who sinks you in bed.
• 2:27:37
  Speaker 4: There's no reason to deny it. Come, come, come, come, come, come.
• 2:27:42
  Speaker 4: Come sit, come sit, come sit. And I'll pick you up.
• 2:27:46
  Speaker 1: Baby, I don't deny that you made me happy But
• 2:27:50
  Speaker 1: the end of this cup My heart is sad I
• 2:27:53
  Speaker 1: lost the night of dancing I fell asleep early I
• 2:27:56
  Speaker 1: threw myself in the other hand I'm going to the
• 2:27:59
  Speaker 1: street to sleep If the fact is good for me
• 2:28:01
  Speaker 1: too The best thing is to be single When the
• 2:28:03
  Speaker 1: summer comes, I'll take off my dress If the fact
• 2:28:06
  Speaker 1: is good for me too The best thing is to
• 2:28:08
  Speaker 1: be single I'm going to the street to sleep If
• 2:28:11
  Speaker 1: the fact is good.
• 2:28:12
  Speaker 2: For me too.
• 2:28:16
  Speaker 1: Senta, boca, toda a peca dela vai querer vingar Dog.
• 2:28:21
  Speaker 4: Dog, tá de pressa, japa, NK Piti que te.
• 2:28:26
  Speaker 1: Deixa lenta, vai, ela sente, ela quica, ela quica Vila, oh.
• 2:28:31
  Speaker 4: Yeah You know what this song is about?
• 2:28:54
  Speaker 1: Que a visão melhorou Mexe o corpo inteiro Pra entrar
• 2:29:03
  Speaker 1: na chapa do pai Uma de cada vez, tanto faz
• 2:29:10
  Speaker 1: Uma de cada vez, puto tu faz Assume que é
• 2:29:15
  Speaker 1: eu que na cama te afunda Não tem pra que negar.
• 2:29:23
  Speaker 4: Top 1, top 2 on Spotify, you can't stop. Let's
• 2:29:25
  Speaker 4: go up, DJ. If for you it's good for me too.
• 2:29:28
  Speaker 1: The best thing is to be single. Wait for the
• 2:29:30
  Speaker 1: summer to come, make an alliance. If for you it's
• 2:29:32
  Speaker 1: good for me too, the best thing is to be single. Go,
• 2:29:35
  Speaker 1: we're living everything that was a wish. Hey, are you tuned?
• 2:30:02
  Speaker 6: Leave a like, subscribe to the channel, I hope you
• 2:30:03
  Speaker 6: liked it. Respect Funk, right? Big hug. That's it, Mítico Jovem.
• 2:30:10
  Speaker 6: Follow Menaka on all social media.
• 2:30:12
  Speaker 8: Follow GP on all social media. Follow Duel, follow Denna.
• 2:30:15
  Speaker 4: Follow Lombradinho, follow Geral, right? It's us, my brothers. It's
• 2:30:20
  Speaker 4: your house. Thank you. Always, my brother. Satisfaction, brother. Thank you, brother.
• 2:30:24
  Speaker 4: You're awesome. It's us, Lombradito.
• 2:30:25
  Speaker 10: It's us.
• 2:30:26
  Speaker 4: We're together, guys. Dignity now. Let's go. Bye, bye, bye, bye, bye.
• 2:30:28
  Speaker 4: Thank you. We're together. Don't be late, come with me.
• 2:31:24
  Speaker 3: Don't be late, come with me.
• 2:31:30
  Speaker 4: Don't be late, come with me.
• 2:31:31
  Speaker 3: Don't be late, come with me. Don't be late, come
• 2:31:37
  Speaker 3: with me.
• 2:31:38
  Speaker 4: Don't be late, come with me.
• 2:31:39
  Speaker 8: Don't be late, come with me.
• 2:31:41
  Speaker 4: Don't be late, come with me. Don't be late, come
• 2:31:44
  Speaker 4: with me. Don't be late, come with me.