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Hans Christian Andersen: Persona & Personhood
While many of Hans Christian Andersen’s 19th-century stories have moralizing motifs, their universality and depth places them among ageless fairy tales. Although The Princess and the Pea and The Emperor’s New Clothes are social satire, they also depict psychic dynamics. A young prince searches but cannot find a mate—until a princess arrives one stormy night, soaking wet and mind-blowingly over-sensitive. Do opposites attract, or are they only contrasting representations of superficiality and entitlement? Andersen’s pen next delivers the famous emperor an even more pointed jab: a child…
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