Latest / The Power of Concentration / How Salvator Won and Other Recitations - Ella Wheeler Wilcox
Transcript
- 0:00Speaker 1: Preface of Hal Salvatore Ie and Other Recitations. This is
- 0:05Speaker 1: a LibriVox recording. All LibriVox recordings are in the public domain.
- 0:10Speaker 1: For more information or to volunteer, please visit LibriVox dot org.
- 0:16Speaker 1: Recording by Larry Wilson, Hal salvator I and Other Recitations
- 0:21Speaker 1: by Ella Wheeler Wilcox. Preface. I am constantly urged by
- 0:26Speaker 1: readers and impersonators to furnish them with verses for recitation.
- 0:31Speaker 1: In response to this ever increasing demand, I have selected
- 0:35Speaker 1: for this volume the poems which seem suitable for such
- 0:38Speaker 1: a purpose. In making my collection, I have been obliged
- 0:42Speaker 1: to use not those which are amongst my best efforts
- 0:45Speaker 1: in a literary or artistic sense, but those which contain
- 0:49Speaker 1: the best dramatic possibilities for professionals. Several of the poems
- 0:54Speaker 1: are among my earliest efforts. Others were written especially for
- 0:58Speaker 1: this book. It makes curse which has never before been
- 1:01Speaker 1: in print, and in several others. I ignored all rules
- 1:05Speaker 1: of art for the purpose of giving the public reader
- 1:08Speaker 1: a better chance to exercise is elocutionary powers. E ww
- 1:14Speaker 1: end of preface.
- 1:21Speaker 2: How Salvatore Won by Ella Wheeler Wilcox read for LibriVox
- 1:27Speaker 2: dot Org by J. Stark, five to two three. The
- 1:31Speaker 2: gate was thrown open. I rode out alone, more proud
- 1:34Speaker 2: than a monarch who sits on a throne. I am
- 1:37Speaker 2: but a jockey. Yet shout upon shout went up from
- 1:40Speaker 2: the people who watched me ride out, and the cheers
- 1:43Speaker 2: that rang forth from that warm hearted crowd, whereas earnest
- 1:47Speaker 2: as those to which monarch earned bowed. My heart thrilled
- 1:50Speaker 2: with pleasure, so keen it was pain as I patted
- 1:53Speaker 2: my salvager's soft silken mane, and a sweet shiver shot
- 1:57Speaker 2: from his hide to my hand. As we passed by
- 2:00Speaker 2: the multitude down to the stand, the great waves of
- 2:03Speaker 2: cheering came billowing back as the hoofs of brave Tenny
- 2:06Speaker 2: Rank swift down the track. And he stood there beside us,
- 2:10Speaker 2: all bone and all muscle, our noble opponent, while trained
- 2:13Speaker 2: for the tussle that weighted us. There on the smooth,
- 2:16Speaker 2: shining course. My Salvatore, fair to the lovers of horse,
- 2:20Speaker 2: as a beautiful woman is fair to man's sight, pure
- 2:23Speaker 2: type of the thoroughbred, clean limbed and bright, stood there,
- 2:26Speaker 2: taking the plaudits as only his dow and nothing at
- 2:29Speaker 2: all unexpected or new. And then there before us, the
- 2:33Speaker 2: bright flag is spread. There's a roar from the grand stand,
- 2:36Speaker 2: and Tenny's ahead. At the sound of the voices that
- 2:39Speaker 2: shouted ag, He's sprang like an arrow shot straight from
- 2:42Speaker 2: the bow. I tightened the reins on Prince Charlie's great son.
- 2:46Speaker 2: He is off like a rocket. The race has begun.
- 2:48Speaker 2: Halfway down the four long Their heads are together scarce
- 2:52Speaker 2: room twists their noses to wedge in a feather past
- 2:55Speaker 2: grandstand and judges in neck to neck strife. A salvator, boy,
- 2:58Speaker 2: tis the race of your life. I press my knees closer,
- 3:01Speaker 2: I coax him, I urge, I feel him go out
- 3:04Speaker 2: with a leap and a surge. I see him creep
- 3:06Speaker 2: on inch by inch, stride by stride, while backwards still
- 3:09Speaker 2: backward falls Tenny beside. We are nearing the turn. The
- 3:12Speaker 2: first quarter is past, TwixT leader and chaser. The daylight
- 3:15Speaker 2: is cast, the distance elong gates still. Tenny sweeps on
- 3:18Speaker 2: as graceful and free, limbed and swift as a fawn.
- 3:21Speaker 2: His awkwardness vanished, his muscles all strained. A noble opponent,
- 3:25Speaker 2: well born and well trained. I glanced over my shoulder,
- 3:28Speaker 2: ha Tenny. The cost of that one seconds flagging will
- 3:30Speaker 2: beat the race lost one second weak yielding of courage
- 3:34Speaker 2: and strength, and the daylight between us has doubled its length.
- 3:37Speaker 2: The first mile is covered. The race is mine. No,
- 3:40Speaker 2: for the blue blood of Tenny responds to a blow.
- 3:42Speaker 2: He shoots through the air like a ball from a gun,
- 3:45Speaker 2: and the two links between us are shortened till one.
- 3:47Speaker 2: My heart is contracted. My throat feels a lump, for
- 3:50Speaker 2: Tenny's long neck is at Salvatore's rump. And now, with
- 3:53Speaker 2: the new courage grown bolder and boulder, I see him
- 3:56Speaker 2: once more, running shoulder to shoulder, with knees, hands and body.
- 4:00Speaker 2: I press my grand steed. I urge my coax him.
- 4:02Speaker 2: I pray him to heed, Oh Salvator, Salvatory. List to
- 4:05Speaker 2: my calls. For the blow of my whip will hurt both.
- 4:08Speaker 2: If it falls, there's a roar from the crowd, like
- 4:10Speaker 2: the ocean in storm. As close to my saddle leaps
- 4:13Speaker 2: Tenney's great form once more, mighty plunge, and with knee
- 4:16Speaker 2: limb in hand, I lift my horse first by a
- 4:19Speaker 2: nose past the stand. We are under the string. Now
- 4:22Speaker 2: the grace. Race is done, and Salvator, Salvatore Salvator one cheer,
- 4:27Speaker 2: hoar headed patriarch's cheer loud, I say, tis the race
- 4:30Speaker 2: of the century. Witness today, Though ye live twice the
- 4:33Speaker 2: space that allotted to men, ye never will see such
- 4:36Speaker 2: a grand race again. Let the shouts of the populace
- 4:39Speaker 2: roar like the surf. For Salvator, Salvator, king of the turf.
- 4:43Speaker 2: He has broken the record of thirteen long years. He
- 4:46Speaker 2: has one first place in a vast line of peers,
- 4:48Speaker 2: twas a neck to neck contest, a grand, honest race,
- 4:51Speaker 2: and even his enemies grant him his place. Down into
- 4:54Speaker 2: the dust. Let his old records be hurled and hang
- 4:57Speaker 2: out two point oh five in the gaze of the
- 5:00Speaker 2: world and of poem. This recording is in the public domain.
- 5:11Speaker 3: The Gossips by Ella Wheeler Wilcox read for LibriVox dot
- 5:17Speaker 3: Org by Canmasters. A rose in my garden, the sweetest
- 5:23Speaker 3: and fairest, was hanging her head through the long golden hours,
- 5:28Speaker 3: And early one morning I saw her tears falling, and
- 5:32Speaker 3: heard a low gossiping talk in the bowers. The yellow nasturtium,
- 5:38Speaker 3: a spinster, all faded, was telling a lily, what ailed
- 5:43Speaker 3: the poor rose? That wild roving bee who was hanging
- 5:48Speaker 3: about her has jilted her squarely, as everyone knows. I
- 5:54Speaker 3: knew when he came, with these singing and sighing his airs,
- 5:59Speaker 3: and these speeches, so fine and so sweet, just how
- 6:04Speaker 3: it would end, But no one would believe me, for
- 6:08Speaker 3: all were quite ready to fall at his feet. Indeed,
- 6:13Speaker 3: you are wrong, said the lily bell proudly. I cared
- 6:18Speaker 3: nothing for him. He called on me once, and would
- 6:22Speaker 3: have come often, no doubt if I'd ask him. But
- 6:26Speaker 3: though he was handsome, I thought he a dunce. Now
- 6:32Speaker 3: now that's not true, cried the tall oleander. He has
- 6:36Speaker 3: traveled and seen every flower that grows, and one who
- 6:41Speaker 3: has supped in the garden of princes. We all might
- 6:46Speaker 3: have known would not wed with the rose. But wasn't
- 6:50Speaker 3: she proud when he showed her attention and she let
- 6:54Speaker 3: him caress her, said slime in your net? And I
- 6:59Speaker 3: used to see and blush for her folly. The silly
- 7:03Speaker 3: thing thinks he will come to her. Yet I thought
- 7:07Speaker 3: he was splendid, said pretty pert luxpur so dark and
- 7:12Speaker 3: so grand, with that gay cloak of gold. But he
- 7:16Speaker 3: tried once to kiss me, the impudent fellow, and I
- 7:20Speaker 3: got offended. I thought him too bold. Oh fie, laughed
- 7:25Speaker 3: the almond. That does for a story. Though I hang
- 7:30Speaker 3: down my head, yet I see all that goes. And
- 7:34Speaker 3: I saw you reach out trying hard to detain him,
- 7:38Speaker 3: But he just tapped your cheek and flew by to
- 7:41Speaker 3: the Rose. He cared nothing for her. He only was
- 7:46Speaker 3: flirting to while away time, as I very well knew.
- 7:52Speaker 3: So I turned a cold shoulder on all his advances,
- 7:57Speaker 3: because I was certain his heart was untrue. The roses
- 8:02Speaker 3: served right for her, folly and trusting and oily tongued stranger,
- 8:07Speaker 3: quoth proud Columbine. I knew what he was, and thought
- 8:13Speaker 3: once I would warn her. But of course the affair
- 8:17Speaker 3: was no business of mine. Oh well, cried the pereone,
- 8:22Speaker 3: shrugging her shoulders. I saw all along that the bee
- 8:26Speaker 3: was a flirt. But the Rose has been always so
- 8:30Speaker 3: praised and so petted. I thought a good lesson would
- 8:34Speaker 3: do her no hurt. Just then came the sound of
- 8:39Speaker 3: a love song sung sweetly. I saw my proud Rose
- 8:44Speaker 3: lifting up her bowed head, and the talk of the
- 8:48Speaker 3: gossips was hushed in a moment, and the flowers all
- 8:53Speaker 3: listened to hear what was said. And the dark, handsome bee,
- 8:58Speaker 3: with his cloak o gury shoulder, came swift through the
- 9:02Speaker 3: sunlight and kissed the sad rose and whispered, my darling,
- 9:09Speaker 3: I've roved the world over, and you are the loveliest
- 9:14Speaker 3: flower that grows. End of poem. This recording is in
- 9:20Speaker 3: the public domain.
- 9:27Speaker 4: Platonic by Ellow Wheeler Wilcox, read for LibriVox by Julian Prattley.
- 9:34Speaker 4: I knew it the first of the summer. I knew
- 9:36Speaker 4: it the same at the end, that you and your
- 9:38Speaker 4: love were plighted. But couldn't you be my friend? Couldn't
- 9:42Speaker 4: we sit in the twilight? Couldn't we walk on the
- 9:44Speaker 4: shore with only a pleasant friendship to bind us and
- 9:47Speaker 4: nothing more. There was not a word of folly spoken
- 9:51Speaker 4: between us two. So we lingered off in the garden
- 9:54Speaker 4: till the roses were wet with dew. We touched on
- 9:57Speaker 4: a thousand subjects, the moon and the world's above, and
- 10:00Speaker 4: our talk was tinctured with science and everything else save love.
- 10:04Speaker 4: A holy platonic friendship, you said, I had proven to
- 10:07Speaker 4: you could bind a man and a woman the whole
- 10:10Speaker 4: long season through, with never a thought of flirting, though
- 10:13Speaker 4: both were in their youth. What would you have said,
- 10:16Speaker 4: my lady, if you had known the truth, What would
- 10:19Speaker 4: you have done? I wonder had I gone on my
- 10:21Speaker 4: knees to you and told you my passionate story there
- 10:24Speaker 4: in the dusk and the jew, my burning, burdensome story,
- 10:28Speaker 4: hidden and hushed so long, my story of hopeless loving say?
- 10:31Speaker 4: Would you have thought it wrong? But I fought with
- 10:34Speaker 4: my heart and conquered. I hid my wound from sight.
- 10:37Speaker 4: You were going away in the morning, and I said
- 10:40Speaker 4: a calm good night. But now when I sit in
- 10:42Speaker 4: the twilight, or when I walk by the sea, that friendship,
- 10:45Speaker 4: quite platonic, comes surging over me, and a passionate longing
- 10:49Speaker 4: feels me for the roses, the dusk, the jew, for
- 10:53Speaker 4: the beautiful summer vanished, for the moonlight walks and you.
- 10:58Speaker 4: End of poem. This recar in the public domain.
- 11:07Speaker 5: Solitude by Ellow Wheeler Wilcox, read for Librevox dot Org
- 11:13Speaker 5: by Jen Broda. Laugh and the world laughs with you weep,
- 11:19Speaker 5: and you weep alone. For the sad old earth must
- 11:23Speaker 5: borrow its mirth. It has trouble enough of its own sing,
- 11:28Speaker 5: and the hills will answer sigh. It is lost on
- 11:32Speaker 5: the air, the echoes bound to a joyful sound, but
- 11:37Speaker 5: shrink from voicing. Care Rejoice, and men will seek you. Grieve,
- 11:44Speaker 5: and they turn and go. They want full measure of
- 11:48Speaker 5: all your pleasure, but they do not want your woe.
- 11:53Speaker 5: Be glad, and your friends are many, be sad, and
- 11:57Speaker 5: you lose them all. There are none to decline your
- 12:01Speaker 5: nectared wine. But alone you must drink life'skall feast, and
- 12:07Speaker 5: your halls are crowded fast, and the world goes by.
- 12:13Speaker 5: Succeed and give, and it helps you live, but it
- 12:17Speaker 5: cannot help you die. There is room in the halls
- 12:21Speaker 5: of pleasure for a long and lordly train, but one
- 12:25Speaker 5: by one we must all file on through the narrow
- 12:30Speaker 5: aisles of pain. End of poem. This recording is in
- 12:35Speaker 5: the public domain.
- 12:42Speaker 3: Grandpa's Christmas by Ellow Wheeler Wilcox read for Liprivox dot
- 12:48Speaker 3: Org by Kenmasters. In his great cushioned chair by the fender,
- 12:55Speaker 3: an old man sits streaming tonight. He's withered, hands licked
- 13:00Speaker 3: by the tender. Warm rays of the red anthracite are
- 13:05Speaker 3: folded before him, all listless, His dim eyes are fixed
- 13:11Speaker 3: on the blaze, while over him sweeps the resistless flood
- 13:16Speaker 3: tide of old days. He hears not the mirth in
- 13:21Speaker 3: the hallway. He hears not the sounds of good cheer
- 13:25Speaker 3: that through the old homestead ring alway in the glad
- 13:30Speaker 3: Christmas time of the year. He heeds not the chime
- 13:34Speaker 3: of sweet voices. As the last gifts are hung on
- 13:38Speaker 3: the tree in a long vanished day, he rejoices in
- 13:44Speaker 3: his lust used to be. He has gone back across
- 13:49Speaker 3: dead decembers to his childhood's fair land of delight and
- 13:54Speaker 3: his mother's sweet smile. He remembers as he hangs up
- 13:59Speaker 3: his stole looking at night, he remembers the dream haunted slumber,
- 14:05Speaker 3: all broken and restless because of the visions that came
- 14:10Speaker 3: without number of Dear Santa Claus. Again in his manhood's beginning,
- 14:17Speaker 3: he sees himself thrown on the world and into the
- 14:21Speaker 3: vortex of sinning by pleasures, strong arms, ease, earled. He
- 14:26Speaker 3: hears the sweet Christmas bells ringing Repent, ye, repent ye,
- 14:31Speaker 3: and pray, but he joins with his comrades in singing
- 14:36Speaker 3: a bacchanal. Lay Again he stands under the holly with
- 14:42Speaker 3: a blushing face lifted to his for love has been
- 14:47Speaker 3: stronger than folly and has turned him from vice unto bliss.
- 14:52Speaker 3: And the whole world is lit with new glory as
- 14:56Speaker 3: the sweet vows are uttered again, while the Christmas bells
- 15:01Speaker 3: tell the old story of peace unto men again. With
- 15:07Speaker 3: his little brood round him, he sits by the fair
- 15:11Speaker 3: mother wife. He knows that the angels have crown'd him
- 15:16Speaker 3: with the truest best riches of life, and the hearts
- 15:21Speaker 3: of the children untroubled are fill'd with the gay Christmas tide,
- 15:26Speaker 3: and the gifts for sweet Maudie are doubled. Tis her
- 15:30Speaker 3: birth day beside again, our dear Jesus have pity. He
- 15:38Speaker 3: finds in the chill waning day that one has come
- 15:42Speaker 3: home from the city. Frail Maudie, whom love led astray.
- 15:48Speaker 3: She lies with her babe on her bosom, half hid
- 15:53Speaker 3: by the snow's fleecy, spread a bud and a poor
- 15:58Speaker 3: trampled blossom, and both are quite dead, so fair and
- 16:05Speaker 3: so fragile, just twenty how mocking the bells sound to night.
- 16:12Speaker 3: She starv'd in this great land of plenty, when she
- 16:17Speaker 3: tried to grope back to the light Christ, Are thy
- 16:22Speaker 3: disciples inhuman? Or only for men? Hast thou died? No
- 16:28Speaker 3: mercy is shown to a woman who once steps aside.
- 16:34Speaker 3: Again he leans over the shrouded still form of the
- 16:39Speaker 3: mother and wife. Very lonely, the way seems and clouded
- 16:45Speaker 3: as he looks down the vista of life with the
- 16:49Speaker 3: sweet Christmas chimes, there is blended the knell for a
- 16:53Speaker 3: life that is done, and he knows that his joys
- 16:57Speaker 3: are all ended and is waiting begun. So long have
- 17:02Speaker 3: the year's been so lonely as he counts them by
- 17:06Speaker 3: Christmas's gone? I am home sick, He murmurs, if only
- 17:12Speaker 3: the angel would lead the way on. I am cold
- 17:17Speaker 3: in this chill winter. Whether why, Maudie, dear, where have
- 17:22Speaker 3: you been? And you too, sweet wife? And together O
- 17:28Speaker 3: Christ let me in. The children ran in from the hallway.
- 17:33Speaker 3: Were you calling us? Grandpa? They said? Then shrank with
- 17:37Speaker 3: that fear that comes alway when young eyes look there
- 17:42Speaker 3: first on the dead. The freedom so longed for is given.
- 17:47Speaker 3: The children speak low and draw near. Dear Grandpa keeps
- 17:53Speaker 3: Christmas in heav'n with Grandma this year. End of poem,
- 18:01Speaker 3: This recording is in the public domain.
- 18:10Speaker 4: After the engagement by Ella Wheeler Wilcox readfully revoked by
- 18:14Speaker 4: Julian Prattley, Well, Mabel tis over and ended. The ball
- 18:20Speaker 4: I wrote was to be, and oh it was perfectly
- 18:22Speaker 4: splendid if you could have been there to see. I've
- 18:25Speaker 4: a thousand things to write you that I know you
- 18:28Speaker 4: are wanting to hear, and one that is sure to
- 18:30Speaker 4: delight you. I am wearing Joe's diamond, my dear. Yes,
- 18:34Speaker 4: Mamma is quite ecstatic that I am engaged to Joe.
- 18:37Speaker 4: She thinks I am rather erratic and feared that I
- 18:40Speaker 4: might say no. But Mabel, I'm twenty seven, though nobody
- 18:44Speaker 4: dreams it, dear, and a fortune like Joe's isn't given
- 18:47Speaker 4: to lay at one's feet each year. You know my
- 18:50Speaker 4: old fancy for Harry, or at least I am certain
- 18:53Speaker 4: you guessed that it took on my sense not to
- 18:55Speaker 4: marry and go with that fellow out west. But that
- 18:58Speaker 4: was my very first season, and Harry, as poor as
- 19:01Speaker 4: could be, and Mamma's good practical reason took all the
- 19:04Speaker 4: romance out of me. She whisked me off over the
- 19:06Speaker 4: ocean and had me presented at court and got me
- 19:09Speaker 4: all out of the notion that ranch life out west
- 19:12Speaker 4: was my forte. Of course, I have never repented. I'm
- 19:15Speaker 4: not such a goose of a thing. But after I
- 19:17Speaker 4: had consented to Joe and he gave me the ring,
- 19:20Speaker 4: I felt such a queer sensation. I seemed to go
- 19:23Speaker 4: into a trance, away from the music's pulsation, away from
- 19:27Speaker 4: the lights and the dance and the wind o'er. The
- 19:29Speaker 4: wild prairie seemed blowing, strong and free, and it seemed
- 19:33Speaker 4: not Joe but Harry, who was standing there close to me.
- 19:37Speaker 4: And the funniest feverish feeling went up from my feet
- 19:39Speaker 4: to my head with little chills after its stealing, and
- 19:43Speaker 4: my hands got as numb as the dead a moment,
- 19:45Speaker 4: and then it was over. The diamond blazed up in
- 19:48Speaker 4: my eyes, and I saw in the face of my
- 19:50Speaker 4: lover a questioning, strange surprise. Maybe twas the scent of
- 19:55Speaker 4: the flowers that heavy with fragrance bloomed near. But I
- 19:58Speaker 4: didn't feel natural for hours. It was odd, now, wasn't it.
- 20:01Speaker 4: Dear right soon to your fortunate Clara, who has carried
- 20:05Speaker 4: the prize away, and say you come on when I
- 20:07Speaker 4: marry I think it will happen in May end of poem.
- 20:13Speaker 4: This recording is in the public domain.
- 20:20Speaker 6: The Watcher by Ella Wheeler will Cox read for librevoxa
- 20:25Speaker 6: dot Org by Tommy hrsat Carlsbad, California. I think I
- 20:32Speaker 6: hear the sound of horses feet beating upon the gravel avenue.
- 20:37Speaker 6: Go to the window that looks on the street. Ah,
- 20:42Speaker 6: he would not let me tie alone, I knew. Back
- 20:47Speaker 6: to the couch, the patient watcher passed and said, it
- 20:51Speaker 6: is the wailing of the blast. She turned upon her
- 20:56Speaker 6: couch and seeming slept the law, long dark lashes shadowing
- 21:02Speaker 6: her cheek, and on and on. The weary moments crept,
- 21:06Speaker 6: when suddenly the watcher heard her speak, I think I
- 21:11Speaker 6: hear the sound of horses hoofs, and answered, 'tis the
- 21:16Speaker 6: rain upon the roofs? Unbroken? Silence, quiet, deep, profound. The
- 21:25Speaker 6: restless sleeper turns, how dark, how late? What is it
- 21:33Speaker 6: that I hear a trampling sound? I think there's a
- 21:37Speaker 6: horseman at the gate. The watcher turns away, her eyes
- 21:42Speaker 6: tear blind. It is the shutter beating in the wind.
- 21:48Speaker 6: The dread hours passed, the patient clock ticked on. The
- 21:54Speaker 6: weary watcher moved not from her place. The gray shadows
- 22:01Speaker 6: of the early dawn caught sudden glory from the sleeper's face.
- 22:06Speaker 6: He comes, my love, I knew he would. She cried
- 22:12Speaker 6: and smiling sweetly in her slumbers, died. End of poem.
- 22:22Speaker 6: This recording is in the public domain.
- 22:32Speaker 3: False by Ello Wheeler Wilcox, read for LibriVox dot Org
- 22:37Speaker 3: by Kenmasters. False. Good God, I am dreaming. No, No,
- 22:46Speaker 3: it never can be. You are so true in seeming,
- 22:51Speaker 3: you false to your vows. And me, my wife and
- 22:56Speaker 3: my fair boy's mother, the star of my life, my
- 23:01Speaker 3: queen to held herself to another like some light magdalen proofs.
- 23:09Speaker 3: What are proofs? I defy them. They never can shake
- 23:13Speaker 3: my trust. If you look in my face and deny them,
- 23:18Speaker 3: I will trample them into the dust. For whenever I
- 23:23Speaker 3: read of the glory of the realms of Paradise, I
- 23:27Speaker 3: sought for the truth of the story and found it
- 23:30Speaker 3: in your sweet eyes. Why you are the shy young
- 23:36Speaker 3: creature I wooed in her maiden grace, there was purity
- 23:41Speaker 3: in each feature, and my heaven I found in your face.
- 23:47Speaker 3: And not only married, but mated, I would say, in
- 23:52Speaker 3: my pride and joy, and our hopes were all consummated
- 23:57Speaker 3: when the angels gave us out. Now you could not
- 24:03Speaker 3: blot that beginning, so beautiful, pure and true, with a
- 24:09Speaker 3: record of wicked sinning, as a common woman might do.
- 24:15Speaker 3: Look up in your old, frank fashion, with your smile,
- 24:19Speaker 3: so free from art, and say that no guilty passion
- 24:24Speaker 3: has ever crept into your heart. How pallied you are,
- 24:30Speaker 3: and you tremble, You are hiding your face from view.
- 24:35Speaker 3: Though a sinner you cannot dissemble my God. Then the
- 24:40Speaker 3: tale is true, true, and the sun above us shines
- 24:47Speaker 3: on in the summer skies, and men say the angels
- 24:51Speaker 3: love us, and that God is good and wise. Yet
- 24:56Speaker 3: he lets a wanton thing like you ruin my home
- 25:01Speaker 3: and my name get out of my sight. Ere I
- 25:05Speaker 3: strike you dead in your shameless shame? No, No, I
- 25:11Speaker 3: was wild, I was brutal. I would not take your life,
- 25:17Speaker 3: for the efforts of death would be futile to wipe
- 25:21Speaker 3: out the sun of a wife. Wife. Why that word
- 25:26Speaker 3: has seemed sainted? I uttered it like a prayer. And
- 25:31Speaker 3: now to think it is tainted? Christ, how much we
- 25:37Speaker 3: can bear slay you, my boy's stained mother. Nay, that
- 25:44Speaker 3: would not punish or save a soul that has outraged
- 25:49Speaker 3: another finds no sudden peace in the grave. I will
- 25:55Speaker 3: leave you here to remember the Eden that was your own,
- 26:00Speaker 3: while on toward my life's December, I walk in the
- 26:06Speaker 3: dark alone. End of poem. This recording is in the
- 26:12Speaker 3: public domain.
- 26:19Speaker 5: The Phantom Ball by Ellow Wheeler Wilcox read for Librevoks
- 26:24Speaker 5: dot Org by Jen Broda. You remember the hall on
- 26:28Speaker 5: the corner to night. As I walked down the street,
- 26:31Speaker 5: I heard the sound of music and the rhythmic beat
- 26:35Speaker 5: and beat in time to the pulsing measure of lightly
- 26:39Speaker 5: tripping feet, and I turned and entered the doorway. It
- 26:44Speaker 5: was years since I had been there, years and life
- 26:47Speaker 5: seem altered, pleasure had changed to care. But again I
- 26:52Speaker 5: was hearing the music and watching the dancer's fair. And
- 26:57Speaker 5: then as I stood and listened, the music lost its glee,
- 27:02Speaker 5: and instead of merry waltzers, there were ghosts of They
- 27:06Speaker 5: used to be ghosts of the pleasure seekers who once
- 27:10Speaker 5: had danced with me. Oh twas a ghastly picture. Oh
- 27:16Speaker 5: twas a gruesome crowd, each bearing a skull on his shoulder,
- 27:20Speaker 5: each trailing a long white shroud as they whirled in
- 27:24Speaker 5: the dance together, and the music shrieked aloud as they danced.
- 27:29Speaker 5: Their dry bones rattled like shutters in a blast, and
- 27:33Speaker 5: they stared from eyeless sockets on me as they circled past.
- 27:39Speaker 5: And the music they kept them whirling was a funeral
- 27:43Speaker 5: dirge play fast. Some of them wore their facecloths, others
- 27:48Speaker 5: were rotted away, some had mold on their garments, and
- 27:53Speaker 5: some seemed dead but a day corpses all. But I
- 27:57Speaker 5: knew them as friends, once blithe and gay, beauty and
- 28:02Speaker 5: strength and manhood. And this was the end of it all,
- 28:07Speaker 5: nothing but phantoms whirling and a ghastly skeleton ball. But
- 28:12Speaker 5: the music ceased, and they vanished, and I came away
- 28:17Speaker 5: from the hall. End of poem. This recording is in
- 28:22Speaker 5: the public domain.
- 28:29Speaker 1: The Kingdom of Love by Ella Wheeler Wilcox read for
- 28:34Speaker 1: librovox dot Org by Larry Wilson. In the dawn of
- 28:38Speaker 1: the day, when the sea and the earth reflected the
- 28:41Speaker 1: sunrise above, I set forth, with a heart full of
- 28:45Speaker 1: courage and birth, to seek for the Kingdom of Love.
- 28:49Speaker 1: I asked of a poet I met on the way
- 28:52Speaker 1: which crosswold would lead me aright and he said, follow me,
- 28:57Speaker 1: and ere long you shall see it's glitter between turrets
- 29:00Speaker 1: of light, and soon in the distance a city shone fair.
- 29:06Speaker 1: Look yonder, he said, how it gleams. But alas for
- 29:11Speaker 1: the hopes that were doomed to despair, it was only
- 29:14Speaker 1: the kingdom of dreams. Then the next man I asked
- 29:19Speaker 1: was a gay cavalier, and he said, follow me, follow me,
- 29:24Speaker 1: and with laughter and song, we went speeding along by
- 29:28Speaker 1: the shore of life's beautiful sea. Then we came to
- 29:31Speaker 1: a valley more tropical, far than the wonderful vale of Cashmere.
- 29:36Speaker 1: And I saw from a bower the face like a
- 29:38Speaker 1: flower smile out on the gay cavalier, and he said,
- 29:42Speaker 1: we have come to humanity's goal. Here love and delight
- 29:47Speaker 1: are intense. But alas, and alas for the hopes of
- 29:52Speaker 1: my soul, it was only the kingdom of sense. As
- 29:57Speaker 1: I journeyed more slowly, I met on the road to coach,
- 30:01Speaker 1: with retainers behind, and they said, follow me, or our
- 30:06Speaker 1: lady's abode belongs in that realm. You will find twas
- 30:12Speaker 1: a grand deme, a fashion a newly made bride. I followed,
- 30:17Speaker 1: encouraged and bold, but my hopes died away like the
- 30:22Speaker 1: last gleams of day. For we came to the Kingdom
- 30:26Speaker 1: of gold. At the door of a cottage, I asked
- 30:31Speaker 1: a fair maid, I have heard of that realm, she replied,
- 30:35Speaker 1: But my feet never roam from the Kingdom of Home,
- 30:38Speaker 1: so I know not the way, And she sighed. I
- 30:44Speaker 1: looked on the cottage, how RESTful it seemed, and the
- 30:48Speaker 1: maid was as fair as a dove. Great light glorified
- 30:52Speaker 1: my soul as I cried, why home is the Kingdom
- 30:57Speaker 1: of love?
- 31:00Speaker 7: In the poem.
- 31:01Speaker 1: This recording is in the public domain.
- 31:09Speaker 8: Under the Sheet by Ella Wheeler Wilcox, red for LibriVox
- 31:17Speaker 8: dot org. What a terrible night does the night? I
- 31:24Speaker 8: wonder the night with her black veil down to her feet,
- 31:30Speaker 8: like an ordained nun know what lies under that awful, motionless,
- 31:37Speaker 8: snow white sheet. The winds seem crazed and wildly howling
- 31:46Speaker 8: over the sad earth. Blindly go do they and the
- 31:51Speaker 8: dark clouds over them? Scowling?
- 31:55Speaker 3: Do they dream?
- 31:56Speaker 6: Or know?
- 31:58Speaker 9: Why?
- 31:59Speaker 8: Here in the room not a week or over, though
- 32:04Speaker 8: it must be a week, not more than one. I
- 32:09Speaker 8: cannot reckon of late or discover when one day is ended,
- 32:14Speaker 8: or one begun. But here in this room we were
- 32:18Speaker 8: laughing lightly, and glad was the measure our two hearts beat.
- 32:25Speaker 8: And the royal face that was smiling so brightly lies
- 32:30Speaker 8: under that sheet. I know not why it is strange
- 32:36Speaker 8: and fearful, but I am afraid of her lying there,
- 32:42Speaker 8: She who was always so gay and cheerful, lying so
- 32:48Speaker 8: still with that stony stare, She who was so like
- 32:54Speaker 8: some grand sultana, fond of color and glow and heat,
- 33:01Speaker 8: to lie there, clothed in that awful manner, in a
- 33:06Speaker 8: stark white sheet, She who was made out of summer blisses, tropical, beautiful, gracious, fair,
- 33:19Speaker 8: to lie and stare at my fondest kisses. God, no
- 33:25Speaker 8: wonder it whitens my hair. Shriek o wind, For the
- 33:31Speaker 8: world is lonely trail, cloud veiled to the nun night's feet.
- 33:38Speaker 8: For all that I prized in life is only a
- 33:43Speaker 8: shape and a sheet. End of poem. This recording is
- 33:50Speaker 8: in the public domain. His Youth by Ella Wheeler Wilcox,
- 34:03Speaker 8: red for LibriVox dot Org. Dying, I am not dying.
- 34:12Speaker 8: Are you mad? You think I need to ask for
- 34:16Speaker 8: heavenly grace? I think you are a fiend. Who would
- 34:21Speaker 8: be glad to see me struggle in death's cold embrace.
- 34:27Speaker 8: But man, you lie, for I am strong and truth,
- 34:34Speaker 8: stronger than I have been in years, and soon I
- 34:39Speaker 8: shall feel young again, as in my youth, my glorious youth.
- 34:45Speaker 8: Life's one great, priceless boon. Oh youth, youth, youth, Oh God,
- 34:54Speaker 8: that golden time, when proud and glad I laugh the
- 35:00Speaker 8: hours away. Why there's no sacrifice, perhaps no crime, I'd
- 35:08Speaker 8: pause at could it make me young today? But I'm
- 35:13Speaker 8: not old. I grew just ill, somehow grew stiff of limb,
- 35:22Speaker 8: and weak and dim of sight. It was but sickness.
- 35:28Speaker 8: I am better now, oh vastly better ever since last night.
- 35:36Speaker 8: And I could weep warm floods of happy tears to
- 35:41Speaker 8: think my strength is coming back at last. For I
- 35:46Speaker 8: have dreamed of such an hour for years, as I
- 35:50Speaker 8: lay thinking of my glorious past. You shake your head.
- 35:57Speaker 8: Why man, if you if we're saying, I'd strike you
- 36:02Speaker 8: to my feet. I would in truth? How dare you
- 36:07Speaker 8: tell me that my hopes are vain? How dare you
- 36:11Speaker 8: say I have outlived my youth? In heaven I may
- 36:17Speaker 8: regain it?
- 36:19Speaker 6: Oh?
- 36:19Speaker 8: Be still, I want no heaven. But what my glad
- 36:25Speaker 8: youth gave, its long, bright hours, its rapture, and its thrill. Oh, youth, youth, youth,
- 36:37Speaker 8: it is my youth I crave. There is no heaven.
- 36:43Speaker 8: There's nothing but a deep and yawning grave, from which
- 36:48Speaker 8: I shrink in fear. I am not sure of even
- 36:53Speaker 8: rest or sleep. Perhaps we lie and think as I
- 36:59Speaker 8: have here, Think, think, think, think as we lie there
- 37:07Speaker 8: and wrought, and hear the young above us laugh in glee.
- 37:13Speaker 8: How dare you say I'm dying?
- 37:16Speaker 7: I am not.
- 37:18Speaker 8: I would curse God if such a thing could be.
- 37:23Speaker 8: Why see me stand? Why hear this strong, full breath?
- 37:31Speaker 8: Dare you repeat that silly, base, untruth, a cry, a fall,
- 37:40Speaker 8: the silence known as death hushed his wild words? Well
- 37:49Speaker 8: has he found his youth? End of poem. This recording
- 37:56Speaker 8: is in the public domain.
- 38:05Speaker 4: Wanted a Little Girl by Ella Wheeler Wilcox, Bread for
- 38:08Speaker 4: Libervox by Julian Prattley. Where have they gone to? The
- 38:13Speaker 4: little girls with natural manners and natural curls, who love
- 38:17Speaker 4: their dollies and like their toys, and talk of something
- 38:20Speaker 4: besides the boys? Little old women in plenty I find
- 38:24Speaker 4: maturer in manners and old of mind, Little old flirts
- 38:27Speaker 4: who talk of their bows and vie with each other
- 38:30Speaker 4: in stylish clothes, Little old bells who, at nine and ten,
- 38:34Speaker 4: are sick of pleasure and tired of men, weary of travel,
- 38:37Speaker 4: of balls of fun, and find no new thing under
- 38:40Speaker 4: the sun. Once in the beautiful long ago, some dear
- 38:43Speaker 4: little children I used to know, girls who were merry
- 38:46Speaker 4: as lambs at play, and laughed and roliced the livelong day.
- 38:50Speaker 4: They thought not at all of the style of their clothes.
- 38:53Speaker 4: They never imagined that boys were bows, other girls brothers
- 38:57Speaker 4: and mates. Where they splendid fellows to help and play?
- 39:01Speaker 4: Where have they gone to? If you see one of
- 39:03Speaker 4: them anywhere, send her to me. I would give a
- 39:06Speaker 4: medal of purest gold to one of those dear little
- 39:08Speaker 4: girls of old with an innocent heart and an open smile,
- 39:12Speaker 4: who knows not the meaning of flirt or style. End
- 39:17Speaker 4: of poem. This recording is in the public domain.
- 39:25Speaker 1: Two Sinners by Ella Willer Wilcox read for LibriVox dot
- 39:29Speaker 1: Org by Larry Wilson. There was a man, it was said,
- 39:34Speaker 1: one time, who went astray in his youthful prime. Can
- 39:39Speaker 1: the brain keep cool and the heart, keep quiet when
- 39:42Speaker 1: the blood is a river that's running. Riot and boys
- 39:46Speaker 1: will be boys, the old folks say. And a man
- 39:49Speaker 1: is the better who's had his day. The sinner reformed,
- 39:54Speaker 1: and the preacher told of the prodigal son who came
- 39:57Speaker 1: back to the fold, and Christian people through open the
- 40:01Speaker 1: door with a warmer welcome than ever before. Wealth and
- 40:06Speaker 1: honor were his to command, and a spotless woman gave
- 40:09Speaker 1: him her hand, and the worlds drew their pathway with
- 40:13Speaker 1: blossoms of bloom, crying, God bless letty and God bless groom.
- 40:20Speaker 1: There was a maiden who went astray in the golden
- 40:23Speaker 1: dawn of her life's young day. She had more passion
- 40:26Speaker 1: and heart than head, and she followed blindly where fond
- 40:30Speaker 1: love led and love unchecked, as a dangerous guide to
- 40:35Speaker 1: wander at will by a fair girl's side. The woman
- 40:39Speaker 1: repented and turned from sin, but no door opened to
- 40:44Speaker 1: let her in. The preacher prayed that she might be forgiven,
- 40:48Speaker 1: but told her to look for mercy in heaven, for
- 40:52Speaker 1: this is the law of the earth. We know that
- 40:55Speaker 1: the woman is stoned, while the man may go brave.
- 41:00Speaker 1: Man wedded her after all, but the world said frowning,
- 41:04Speaker 1: we shall not call in the poem. This recording is
- 41:10Speaker 1: in the public domain.
- 41:17Speaker 6: Meg's Curse by Ella Wheeler Wilcox read for LibriVox dot
- 41:22Speaker 6: Org by Tommy Hersant, Carlsbad, California. The sun rode high
- 41:28Speaker 6: in a cloudless sky of a perfect summer morn. She
- 41:32Speaker 6: stood and gazed out into the street and wondered why
- 41:36Speaker 6: she was born. On the topmost branch of a maple
- 41:40Speaker 6: tree that close by the window grew A robin called
- 41:44Speaker 6: to his mate, enthralled, I love but you, but you,
- 41:49Speaker 6: but you. A soft look came in her hardened face.
- 41:55Speaker 6: She had not wept for years, but the robin's trill,
- 42:00Speaker 6: as some sounds will jarred, opened the door of tears.
- 42:05Speaker 6: She thought of the old home far away. She heard
- 42:09Speaker 6: the whirr of the mill. She heard the turtle's wild
- 42:13Speaker 6: sweet call, and the wail of the whipper Will, Whipper, Will, Whipperwill.
- 42:22Speaker 6: She saw again that dusty road. Whence he came riding down.
- 42:27Speaker 6: She smelled once more the flower she wore in the
- 42:30Speaker 6: breast of her simple gown. Out on the new Moan meadow,
- 42:36Speaker 6: she heard two blue jays, quarrel and fret, and the
- 42:40Speaker 6: warning cry of a phoebe bird more wet, more wet,
- 42:45Speaker 6: more wet. With a blithe hello to the men below,
- 42:50Speaker 6: who were spreading the new monet, the rider drew rein
- 42:55Speaker 6: at her window pane. How it all came back to day,
- 43:00Speaker 6: How young she was, and how fair she was, What
- 43:07Speaker 6: innocence crowned her brow. The future seemed fair, for love
- 43:15Speaker 6: was there and now and now and now. In a
- 43:22Speaker 6: dingy glass on the wall nearby, she gazed on her
- 43:27Speaker 6: faded face. Well, Meg, I declare, what a beauty you are,
- 43:36Speaker 6: she sneered, What an angel of grace, What a thing
- 43:44Speaker 6: of beauty and grace. She reached out her arms with
- 43:49Speaker 6: a moaning, sob oh, if I could go back. Then,
- 43:57Speaker 6: swift and strange came a sudden change. Her brow grew
- 44:02Speaker 6: hard and black. A curse on the day, and a
- 44:05Speaker 6: curse on that man and on all who are his,
- 44:08Speaker 6: she cried. May he starve and be cold, May he
- 44:13Speaker 6: live to be old when all who loved him have died.
- 44:17Speaker 6: Her wild voice frightened the robin away from the branch
- 44:20Speaker 6: by the window sill, And little he knew as away
- 44:24Speaker 6: he flew of the memories, stirred by his trail he
- 44:29Speaker 6: called to his mate on the grasp below. Follow me
- 44:32Speaker 6: as he soared on high, and as mates have done
- 44:36Speaker 6: since the world begun. She followed and asked not why
- 44:41Speaker 6: the dingy room seemed curtained with gloom. Meg shivered with
- 44:47Speaker 6: nameless dread. The ghost of her youth and her murdered
- 44:51Speaker 6: truth seemed risen up from the dead. She hurried out
- 44:57Speaker 6: into the noisy street, for the silence made her afraid
- 45:00Speaker 6: to flee from thought was all she sought. She cared
- 45:04Speaker 6: not whither she strayed. Still on, she pressed in her
- 45:09Speaker 6: wild unrest up avenues, skirting the park, where fashion's throng
- 45:14Speaker 6: moved gayly along in Vanity Fair. When hark a clatter
- 45:20Speaker 6: of hoofs down the stony street, the snort of a
- 45:23Speaker 6: frightened horse that was running wild, and a laughing child
- 45:28Speaker 6: at play in its very course. With one swift glance,
- 45:34Speaker 6: Meg saw it all his child, My God, his child,
- 45:41Speaker 6: she cried aloud, as she rushed through the crowd, like
- 45:44Speaker 6: one grown suddenly wild. There, almost under the iron feet,
- 45:49Speaker 6: hemmed in by a passing cart, stood the baby boy,
- 45:53Speaker 6: the pride and joy of the man who had broken
- 45:58Speaker 6: her heart. Us swooning women and shouting men. She fled
- 46:03Speaker 6: like a flash of light. With her slender arm, she
- 46:06Speaker 6: gathered from harm the form of the laughing sprite. The
- 46:11Speaker 6: death shod feet of the mad horse beat her down
- 46:15Speaker 6: on the bathing scray. But the baby laughed out with
- 46:20Speaker 6: a merry shout, and thought it splendid play. He pulled
- 46:27Speaker 6: her gown and called to her, say it up and
- 46:32Speaker 6: do that some more. That just see way, my papa
- 46:37Speaker 6: play with me and the nursery floor. When the frightened
- 46:43Speaker 6: father reached the scene, his boy looked up and smiled
- 46:48Speaker 6: from the stiffening fold of the arm, death cold of Meg,
- 46:54Speaker 6: who had died for his child. Oh words are a
- 47:01Speaker 6: woman's curse. Who loves as woman can for put to
- 47:07Speaker 6: the test, she will bear her breast and die for
- 47:12Speaker 6: the sake of the man and of pom. This recording
- 47:19Speaker 6: is in the public domain.
- 47:27Speaker 4: A fable by ellowheeler Wilcox, red for LibriVox by Julian Prattley.
- 47:33Speaker 4: Some couring crows, a hooting owl, a hawk, a canary,
- 47:37Speaker 4: an old marsh fowl. One day all met together to
- 47:40Speaker 4: hold a caucus and settle the fate of a certain
- 47:42Speaker 4: bird without a mate, a bird of another feather, my friends,
- 47:47Speaker 4: said the owl with a look. Most Wise, the eagle
- 47:49Speaker 4: is soaring too near the skies in a way that
- 47:52Speaker 4: is quite improper. Yet the world is praising her, so
- 47:55Speaker 4: I'm told, And I think her actions have grown so
- 47:57Speaker 4: bold that some of us ought to stop her. I
- 48:00Speaker 4: have heard it, said quoth hawk, with a sigh, that
- 48:02Speaker 4: young lambs died at the glance of her eye. And
- 48:05Speaker 4: I wholly scorn and despise her. This and more, I
- 48:08Speaker 4: am told, they say, And I think that the only
- 48:11Speaker 4: proper way is never to recognize her. I am quite convinced,
- 48:15Speaker 4: said crow with a caw, that the eagle minds no
- 48:17Speaker 4: moral law. She's a most unruly creature. She's an ugly thing,
- 48:21Speaker 4: piped canary bird. Some call her handsome. It's so absurd.
- 48:25Speaker 4: She hasn't a decent feature. Then the old marsh hen
- 48:28Speaker 4: went hopping about. She said she was sure she hadn't
- 48:31Speaker 4: a doubt of the truth of each bird's story, and
- 48:34Speaker 4: she thought it her duty to stop her flight, to
- 48:36Speaker 4: pull her down from her lofty height and take the
- 48:38Speaker 4: gilt from her glory. But lo from a peak on
- 48:41Speaker 4: the mountain grand that looks out over the smiling land
- 48:45Speaker 4: and over the mighty ocean. The eagle is spreading her
- 48:48Speaker 4: splendid wings. She rises, rises and upward, swings with a slow,
- 48:52Speaker 4: majestic motion, up in the blue of God's own skies,
- 48:56Speaker 4: with a cry of rapture. Away she flies close to
- 48:59Speaker 4: the great eternal. She sweeps the world with her piercing sight.
- 49:02Speaker 4: Her soul is filled with the infinite and the joy
- 49:05Speaker 4: of things supernal. Thus rise forever, the chosen of God,
- 49:10Speaker 4: the genius, crowd, or the power shored over the dust world,
- 49:13Speaker 4: sailing and back, like splinters blown by the winds, must
- 49:17Speaker 4: fall the missiles of silly minds, useless and unavailing. End
- 49:23Speaker 4: of poem. This recording is in the public domain.
- 49:30Speaker 6: The Way of It by Ella Wheeler Wilcox read for
- 49:34Speaker 6: LibriVox dot Org by Tommy Hersaunt, Carl Spad, California. This
- 49:41Speaker 6: is the Way of It, wide world over. One is
- 49:45Speaker 6: beloved and one is the lover. One gives and the
- 49:50Speaker 6: other receives, one lavishes all in wild emotion, one offers
- 49:57Speaker 6: a smile for a life's devotion, One hopes in the
- 50:03Speaker 6: other beliefs. One lies awake in the night to weep,
- 50:07Speaker 6: and the other drifts off in a sweet sound sleep.
- 50:12Speaker 6: One soul is a flame with a godlike passion. One
- 50:17Speaker 6: plays with love in an idler's fashion. One speaks and
- 50:24Speaker 6: the other hears. One sobs, I love you, and wet
- 50:30Speaker 6: eyes show it, and one laughs lightly and says I
- 50:36Speaker 6: know it, with smiles for the other's tears. One lives
- 50:42Speaker 6: for the other and nothing beside, and the other remembers.
- 50:47Speaker 6: The world is wide. This is the way of it,
- 50:52Speaker 6: sad earth over. The heart that breaks is the heart
- 50:57Speaker 6: of the lover. And the other learns to forget, for
- 51:03Speaker 6: what is the use of endless sorrow. Though the sun
- 51:08Speaker 6: goes down, it will rise tomorrow, and life is not
- 51:13Speaker 6: over yet. Oh, I know this truth if I know
- 51:20Speaker 6: no other. That passionate love is Paine's own mother. End
- 51:30Speaker 6: of poem. This recording is in the public domain.
- 51:40Speaker 9: The Suicide by Ella Wheeler Wilcox read for LibriVox dot
- 51:45Speaker 9: Org by Michael Frye Vtenridge, Louisiana, in June two thousand twenty.
- 51:53Speaker 9: Vast was the wealth I carried in life's pack, youth, health, ambition,
- 51:58Speaker 9: hope and trust. But time and fate. Those robbers fit
- 52:03Speaker 9: for any crime, stole all and left me but the
- 52:07Speaker 9: empty sack. Before me lay a long and lonely track
- 52:12Speaker 9: of darkling hills and barren steeps. To climb. Behind me
- 52:17Speaker 9: lay in shadows, the sublime lost lands of love's delight,
- 52:22Speaker 9: A lack, a lack. Unwearied and with springing steps, delate,
- 52:28Speaker 9: I had conveyed my wealth along the road. The empty
- 52:31Speaker 9: sack proved now a heavier load. I was borne down
- 52:36Speaker 9: beneath its worthless weight. I stumbled on and knocked at
- 52:41Speaker 9: death's dark gait. There was no answer. Strung by sorrow's gold,
- 52:47Speaker 9: I forced my way into that grim abode. I laughed
- 52:50Speaker 9: and flung life's empty sack to fate unknown and uninvited.
- 52:57Speaker 9: I passed in to that strange land that had between
- 53:00Speaker 9: two gulls, round which a dark and solemn river rolls,
- 53:05Speaker 9: more dread its silence than the loud earth's din. And
- 53:10Speaker 9: now where was the peace I hoped to win? Black
- 53:15Speaker 9: masted ships slid past me in great shoals, their bloody
- 53:20Speaker 9: decks thronged with mistaken souls. God punishes mistakes sometimes, like sin,
- 53:28Speaker 9: not rest, and not oblivion. I found my suffering self
- 53:32Speaker 9: dwelt with me just the same. But here no sleep
- 53:37Speaker 9: was and no sweet dreams came to give me respite.
- 53:41Speaker 9: Tyrant death uncrowned by my own hand, Still king of
- 53:46Speaker 9: terrors frowned upon my shuddering soul that shrank in shame,
- 53:51Speaker 9: before those eyes where sorrow blent with blame, and those
- 53:55Speaker 9: accusing lips that made no sound. What gruesome shapes dawned
- 54:02Speaker 9: on my startled sight, What awful size broke on my
- 54:06Speaker 9: listening ear. The anguish of the earth augmented here a
- 54:10Speaker 9: thousandfold made one continuous night. The sack I flung away
- 54:16Speaker 9: in impious spite, hung yet upon me filled I saw
- 54:20Speaker 9: in fear with tears that rained from Earth's adjacent's sphere,
- 54:25Speaker 9: and turned to stones in falling from that height, And
- 54:30Speaker 9: close about me pressed a grieving throng, each with his
- 54:33Speaker 9: heavy sack, which bowed him so his face was hidden.
- 54:39Speaker 9: One of these mourned, No who enters here but finds
- 54:43Speaker 9: the way more long to those fair realms where sounds
- 54:47Speaker 9: the angel's song. There is no man made exit out
- 54:51Speaker 9: of woe. Ye cannot dash the locked door down and
- 54:55Speaker 9: go to claim thy rightful joy through paths of wrong.
- 55:01Speaker 9: He passed into the shadows, dim and gray, and left
- 55:04Speaker 9: me to pursue my path alone, with terror greater than
- 55:09Speaker 9: I yet had known, hard on my soul, the awful
- 55:12Speaker 9: knowledge lay death had not ended life, nor found God's way,
- 55:18Speaker 9: but with my same sad sorrows still my own, where
- 55:22Speaker 9: by roads led to by roads thistles sown I had
- 55:27Speaker 9: but wandered off and gone astray, with Earth still near
- 55:32Speaker 9: enough to hear its sighs, with Heaven afar and Hell
- 55:36Speaker 9: but just below, still on and on my lonely soul
- 55:41Speaker 9: must go until I earn the right to paradise. We
- 55:46Speaker 9: cannot force our way into God's skies, nor rush into
- 55:50Speaker 9: the rest we long to know, but patiently, with bleeding
- 55:54Speaker 9: steps and slow toil on to where selfhood in God.
- 56:00Speaker 6: Good diyes.
- 56:04Speaker 7: End of poem.
- 56:06Speaker 9: This recording is in the public domain.
- 56:15Speaker 1: Now I lay me by Ella Willer Wilcox read for
- 56:19Speaker 1: LibriVox dot Org by Larry Wilson. When I pass from
- 56:24Speaker 1: Earth away palsied, though I be in gray me, my
- 56:29Speaker 1: spirit keeps so young that my feeling, faltering tongue frames
- 56:32Speaker 1: that prayer so dear to me taught me at my
- 56:35Speaker 1: mother's knee. Now I lay me down to sleep, passing
- 56:40Speaker 1: to eternal rest on the loving parent breast. I pray
- 56:45Speaker 1: the Lord my soul to keep from all danger, safe
- 56:48Speaker 1: and calm in the hollow of his palm. If I
- 56:52Speaker 1: should die before I wake, drifting with fated breath out
- 56:56Speaker 1: of slumber into death, I pray the Lord my soul
- 57:00Speaker 1: to take from the body's claim, set free, sheltered in
- 57:05Speaker 1: the great to be simple prayer of trust and truth
- 57:09Speaker 1: taught me in my early youth. Let my soul its
- 57:13Speaker 1: beauty keep when I lay me down to sleep.
- 57:17Speaker 7: In the poem.
- 57:19Speaker 1: This recording is in the public domain.
- 57:27Speaker 10: The Messenger by Ella Wheeler Wilcox read for Libervax dot org.
- 57:33Speaker 10: The Messenger. She rose up in the early dawn, and
- 57:37Speaker 10: white and silently she moved about the house. Four men
- 57:41Speaker 10: had gone to batter for the land they loved, and she,
- 57:45Speaker 10: the mother and the wife, waited for the tidings from
- 57:48Speaker 10: the strife. How still the house sing, and her tread
- 57:52Speaker 10: was like the footsteps of the dead. The long day passed,
- 57:56Speaker 10: the dark knight came. She had not seen a human face.
- 58:00Speaker 10: Some voice spoke suddenly, her name. How loud it echoed
- 58:03Speaker 10: in that place where day on day no sound was
- 58:07Speaker 10: heard but her own footsteps. Bring your word, She cried
- 58:11Speaker 10: to whom she could not see. Word from the battle
- 58:14Speaker 10: plain to me. The soldier entered at the door and
- 58:18Speaker 10: stood within the dim firelight. I bring you tidings of
- 58:21Speaker 10: the four, he said, who left you for the fight?
- 58:25Speaker 10: God bless your friend. She cried, speak one, for I
- 58:28Speaker 10: can bury. One is gone, I one is gone. He said,
- 58:33Speaker 10: which one? Dear lady, he your eldest son. A deathly
- 58:38Speaker 10: palla shot across her withered face. She did not weep.
- 58:42Speaker 10: She said, it is her previous last. But God gives
- 58:46Speaker 10: his beloved sleep. What of the living of the three,
- 58:50Speaker 10: and when can they come back to me? The soldier
- 58:53Speaker 10: turned away his head. Lady, your husband too is dead.
- 58:58Speaker 10: She put her hand upon her brain, and while child
- 59:01Speaker 10: pain was in her eyes. My husband, I have God
- 59:05Speaker 10: help me now. The soldier heard her shuddering sighs. The
- 59:08Speaker 10: task was harder than he thought. Your youngest son to him,
- 59:12Speaker 10: Madame fort closed at his father's side. Both fell dead
- 59:17Speaker 10: by the busting of a shell. She moved her lips
- 59:20Speaker 10: and seemed to moan. Her face had pale to ashen gray.
- 59:25Speaker 10: Then one has left me hold alone, she said, A
- 59:29Speaker 10: fool who marched away over ruling all wise gor How
- 59:35Speaker 10: can I pass beneath thy rod? The soldier walked across
- 59:38Speaker 10: the floor, was at the window at the door while
- 59:42Speaker 10: they called you dropped from his cheek, and thought of
- 59:46Speaker 10: the mourner's side again. What's more, dear lady, I must speak.
- 59:51Speaker 10: Your last remaining son was slain just at the closing
- 59:56Speaker 10: of the fight. Twas he who sent me here to night.
- 1:00:00Speaker 10: God knows, the man said afterwards, the fight itself was
- 1:00:05Speaker 10: not so hard, And of this recording is in the
- 1:00:10Speaker 10: public domain.
- 1:00:17Speaker 8: Illogical by Ella Wheeler Wilcox, read for LibriVox dot org.
- 1:00:27Speaker 8: She stood beside me while I gave an order for
- 1:00:31Speaker 8: a bonnet. She shuddered when I said, and put a
- 1:00:37Speaker 8: bright bird's wing upon it. A member of the Audubon Society,
- 1:00:43Speaker 8: was she, And cutting were her comments made on worldly
- 1:00:49Speaker 8: folks like me. She spoke about the helpless birds we
- 1:00:54Speaker 8: wickedly were harming. She quoted the statistics, and and they
- 1:01:01Speaker 8: really were alarming. She said, God meant his little birds
- 1:01:07Speaker 8: to sing in trees and skies. And there was pathos
- 1:01:13Speaker 8: in her voice, and tears were in her eyes. Oh,
- 1:01:21Speaker 8: surely in this beauteous world you can find lovely things
- 1:01:26Speaker 8: enough to trim your hats, she said, without the dear
- 1:01:32Speaker 8: bird's wings. I sat beside her that same day in
- 1:01:38Speaker 8: her own house at dinner, angelic, being that she was
- 1:01:43Speaker 8: to entertain a sinner. Her well appointed table groaned beneath
- 1:01:50Speaker 8: the ample spread coarse followed appetizing course, and hunger sated flood.
- 1:02:00Speaker 8: But still, my charming hostess urged, do have a red bird, dear,
- 1:02:07Speaker 8: They are so delicate and sweet at this time of
- 1:02:10Speaker 8: the year and of poem. This recording is in the
- 1:02:17Speaker 8: public domain.
- 1:02:25Speaker 11: A Servian legend by ellow Wheeler Wilcox read for liprivox
- 1:02:31Speaker 11: dot org by all a mapstone long long ago ere.
- 1:02:37Speaker 11: Yet our race began when Earth was empty, waiting still
- 1:02:41Speaker 11: for man, before the breath of life to him was given,
- 1:02:46Speaker 11: the angels fell into a strife in heaven. At length,
- 1:02:50Speaker 11: one furious demon grasped the sun and sped away as
- 1:02:55Speaker 11: fast as he could run, And with a ringing laugh
- 1:02:59Speaker 11: of fiendish mirth, he leap'd the battlements and fell to earth.
- 1:03:05Speaker 11: Dark was it then in heaven, but light below. For
- 1:03:08Speaker 11: there the demon wander'd to and fro, tilting aloft upon
- 1:03:13Speaker 11: a slender pole the orb of day. The pilfering old soul.
- 1:03:20Speaker 11: The angels wept and wailed, but through the dark the
- 1:03:23Speaker 11: great Creator's voice cried sternly, hark, who will restore to
- 1:03:28Speaker 11: me the orb of light?
- 1:03:30Speaker 7: Him?
- 1:03:31Speaker 11: Will I honor in all Heaven's sight. Then o'er the battlements,
- 1:03:36Speaker 11: there dropp'd another, a shrewder angel. Well, there could not
- 1:03:41Speaker 11: be quoth he. Behold my love for THEE, my brother,
- 1:03:45Speaker 11: For I have left all Heaven to stay with THEE,
- 1:03:50Speaker 11: thy loneliness and wanderings. I will share thy heavy burden.
- 1:03:54Speaker 11: I will help THEE bear well, said the demon answered,
- 1:03:58Speaker 11: and well done. But I'll not tax you with this
- 1:04:02Speaker 11: heavy sun. Your company will cheer me, it is true,
- 1:04:07Speaker 11: and I could never think of burdening you. Idly, they
- 1:04:11Speaker 11: wandered onward, side by side, till by and by they
- 1:04:15Speaker 11: neared the silvery tide. Let's bathe, the angel suddenly suggested.
- 1:04:21Speaker 7: Agreed.
- 1:04:22Speaker 11: The demon answered, I'll go last, because I needs must
- 1:04:26Speaker 11: leave quite unmolested this tiresome sun, which I will now
- 1:04:31Speaker 11: make fast. He set the pole well in the sandy
- 1:04:35Speaker 11: turf and caught a jack door near to watch the place. Meanwhile,
- 1:04:40Speaker 11: the angel paddled in the surf and playfully dared his
- 1:04:44Speaker 11: brother to erase. They swam around together for a while,
- 1:04:49Speaker 11: the demon always keeping near his prize, till presently the angel,
- 1:04:54Speaker 11: with a smile, proposed a healthful diving exercise. The demon hesitated,
- 1:05:02Speaker 11: but he thought the jack door will inform me with
- 1:05:05Speaker 11: a cry. If this good brother tries deceiving me, I
- 1:05:09Speaker 11: will not be outdone by him. Not I down Down
- 1:05:14Speaker 11: they went. The angel, in a trice, rose up again
- 1:05:18Speaker 11: and swift ashore. He sped the jack door shrieked, but
- 1:05:22Speaker 11: lo a mile of ice, the daemon found a frozen
- 1:05:26Speaker 11: o'er his head. He swore an oath and gathered all
- 1:05:30Speaker 11: his force and broke the ice to see the sun,
- 1:05:33Speaker 11: of course, held firmly in the radiant Angel's hand, who
- 1:05:38Speaker 11: sailed away towards the heav'nly land. He gave pursuit. Rathh
- 1:05:44Speaker 11: lent speed to his chase. All heaven leaned down to
- 1:05:47Speaker 11: watch the exciting race. On on they came, and still
- 1:05:51Speaker 11: the evil one gain'd on. The Angel, burdened with the sun,
- 1:05:57Speaker 11: with bated breath and faces white as ghosts. Over the
- 1:06:01Speaker 11: walls leaned heavens affrighted hosts up. Still up, the angel
- 1:06:05Speaker 11: almost spent through one foot forward or the battlement. The
- 1:06:11Speaker 11: demon seized the other with a shout, so Fierce's clutch
- 1:06:15Speaker 11: he pulled the bottom out as the good angel, fainting,
- 1:06:19Speaker 11: laid the sun down by the throne of God, who cried,
- 1:06:23Speaker 11: well done, Thy great misfortune shall be made divine man.
- 1:06:29Speaker 11: Will I create with a foot like thine? End of poem.
- 1:06:35Speaker 11: This recording is in the public domain.
- 1:06:44Speaker 5: Peek a Boo by Ellow Wheeler Wilcox, read for librevox
- 1:06:49Speaker 5: dot Org by Janbroda. The cunniest thing that a baby
- 1:06:54Speaker 5: can do is the very first time it plays peekaboo,
- 1:06:59Speaker 5: when it frides its pink little face in its hands
- 1:07:02Speaker 5: and crows and shows that it understands what nurse and
- 1:07:07Speaker 5: Mama and Papa too mean when they hide and cry peekaboo, peekaboo. Oh,
- 1:07:14Speaker 5: what a wonderful thing it is. When they find that
- 1:07:17Speaker 5: baby can play like this, and everyone listens and thinks
- 1:07:22Speaker 5: it true. The baby's gurgle means peekaboo, peekaboo, and over
- 1:07:29Speaker 5: and over the changes are wrung on the marvelous infant
- 1:07:33Speaker 5: who talks so young. I wonder if anyone ever knew
- 1:07:37Speaker 5: a baby that never played peek a boo. Peek a
- 1:07:41Speaker 5: boo tis old as the hills are. I believe Cain
- 1:07:45Speaker 5: was taught it by Mother Eve, for Cain was an
- 1:07:48Speaker 5: innocent baby too, and I am sure he played peekaboo peekaboo.
- 1:07:54Speaker 5: And the whole world full of the children of men.
- 1:07:58Speaker 5: Have all of them played that game since then? Kings
- 1:08:02Speaker 5: and princes and beggars too. Everyone has played peek a boo,
- 1:08:07Speaker 5: peek a boo. Thief and robber and ruffian bald, the
- 1:08:12Speaker 5: crazy tramp and the drunkard old all have been babies
- 1:08:17Speaker 5: who laughed and knew how to hide and play peekaboo
- 1:08:22Speaker 5: peek a boo. End of poem. This recording is in
- 1:08:27Speaker 5: the public domain.
- 1:08:34Speaker 11: The Falling of Thrones by Ella Wheeler Wilcox read for
- 1:08:40Speaker 11: librevox dot Org by Alan Mapstone. Above the din of commerce,
- 1:08:48Speaker 11: above the clamor and rattle of labor disputing with rises
- 1:08:53Speaker 11: of anarchist threats and groans, Above the hurry and hustle
- 1:08:58Speaker 11: and roar of that bloodless battle where men are fighting
- 1:09:02Speaker 11: for riches. I hear the falling of thrones. I see
- 1:09:08Speaker 11: no savage host, I hear no martial drumming. But down
- 1:09:12Speaker 11: in the dust at our feet lie the useless crowns
- 1:09:16Speaker 11: of king, and the mighty spirit of progress is steadily coming, coming,
- 1:09:22Speaker 11: And the flag of one republic abroad to the world
- 1:09:26Speaker 11: he flings, the universal Republic, where worth not birth is royal,
- 1:09:34Speaker 11: where the lowliest born may climb on a self made
- 1:09:37Speaker 11: ladder to fame, Where the highest and proudest born, if
- 1:09:42Speaker 11: he be not true and loyal, shall find no masking
- 1:09:46Speaker 11: title to cover and gild his shame. Not with the
- 1:09:51Speaker 11: bellow of guns, and not with sabers wetting, but with
- 1:09:56Speaker 11: growing minds of men, is waged. This sword iss frayed,
- 1:10:00Speaker 11: while over the dim horizon, the sun of royalty setting
- 1:10:05Speaker 11: lights with a dying splendor. The humblest Toiler's Way. End
- 1:10:12Speaker 11: of poem. This recording is in the public domain.
- 1:10:23Speaker 4: Her Last Letter by Ella Wheeler Wilcox read for Liprivox
- 1:10:26Speaker 4: by Julian Pratley. Sitting alone by the window, watching the
- 1:10:32Speaker 4: moonlit street, bending my head to listen to the well
- 1:10:35Speaker 4: known sound of your feet. I have been wondering, Darling,
- 1:10:39Speaker 4: how I can bear the pain when I watch with
- 1:10:41Speaker 4: sighs and tear wet eyes and wait for your coming
- 1:10:44Speaker 4: in vain. For I know that a day approaches when
- 1:10:47Speaker 4: your heart will tire of me, When by door and
- 1:10:49Speaker 4: gate I may watch and wait for a form I
- 1:10:52Speaker 4: shall not see. When the love that is now my heaven,
- 1:10:55Speaker 4: the kisses that make my life, you will bestow on another,
- 1:10:58Speaker 4: and that other will be your wife. You will grow
- 1:11:01Speaker 4: weary of sinning, though you do not call it. So
- 1:11:04Speaker 4: you will long for a love that is purer than
- 1:11:06Speaker 4: the love that we too know. God knows. I have
- 1:11:10Speaker 4: loved you dearly, with a passion strong as true. But
- 1:11:13Speaker 4: you will grow tired and leave me. Though I gave
- 1:11:15Speaker 4: up all for you, I was as pure as the morning.
- 1:11:18Speaker 4: When I first looked on your face. I knew I
- 1:11:21Speaker 4: never could reach you in your high, exalted place. But
- 1:11:24Speaker 4: I looked and loved and worshiped as a flower might
- 1:11:26Speaker 4: worship a star. And your eyes shone down upon me,
- 1:11:30Speaker 4: and you seemed so far, so far, And then well,
- 1:11:35Speaker 4: then you loved me, love me with all your heart.
- 1:11:37Speaker 4: But we could not stand at the altar. We were
- 1:11:40Speaker 4: so far apart. If a star should wed with the flower,
- 1:11:43Speaker 4: the star must drop from the sky, or the flower,
- 1:11:46Speaker 4: in trying to reach it, would droop on its stalk
- 1:11:48Speaker 4: and die. But you said that you loved me, darling,
- 1:11:52Speaker 4: and swore by the heavens above that the Lord and
- 1:11:54Speaker 4: all of his angels would sanction and bless our love.
- 1:11:57Speaker 4: And I I was weak, not wicked. My love was
- 1:12:00Speaker 4: as pure as true, and sin itself seemed a virtue
- 1:12:03Speaker 4: if only shared by you. We have been happy together,
- 1:12:07Speaker 4: though under the cloud of sin. But I know that
- 1:12:09Speaker 4: the day approaches when my chastening must begin. You have
- 1:12:13Speaker 4: been faithful and tender, but you will not always be,
- 1:12:16Speaker 4: and I think I had better leave you while your
- 1:12:18Speaker 4: thoughts are kind of me. I know my beauty is fading.
- 1:12:22Speaker 4: Sin furrows the fairest brow, and I know that your
- 1:12:25Speaker 4: heart will weary of the face you smile on. Now
- 1:12:28Speaker 4: you will take a bride to your bosom. After you
- 1:12:31Speaker 4: turn from me, you will sit with your wife in
- 1:12:33Speaker 4: the moonlight and hold her babe on your knee. Oh God,
- 1:12:37Speaker 4: I never could bear it. It would madden my brain,
- 1:12:40Speaker 4: I know. And so while you love me dearly, I
- 1:12:43Speaker 4: think I had better go. It is sweet to feel,
- 1:12:45Speaker 4: my darling, to know, as I fall asleep that someone
- 1:12:49Speaker 4: will mourn me and miss me, that someone is left
- 1:12:51Speaker 4: to weep, than to die as I should in the future,
- 1:12:55Speaker 4: to drop in the streets some day, unknown, unwept and forgotten.
- 1:12:58Speaker 4: After you cast me a way, Perhaps the blood of
- 1:13:01Speaker 4: the Savior can wash my garments clean. Perchance I may
- 1:13:05Speaker 4: drink of the waters that flow through pastures green. Perchance
- 1:13:08Speaker 4: we may meet in heaven and walk in the streets above,
- 1:13:12Speaker 4: with nothing to grieve us or part us. Since our
- 1:13:14Speaker 4: sinning was all through love, God says, love one another.
- 1:13:18Speaker 4: And down to the depths of hell, will he send
- 1:13:20Speaker 4: the soul of a woman? Because she loved and fell,
- 1:13:24Speaker 4: And so in the moonlight he found her, or found
- 1:13:27Speaker 4: her beautiful clay, lifeless and pallid as marble, for the
- 1:13:30Speaker 4: spirit had flown away. The farewell words she had written
- 1:13:34Speaker 4: she held to her cold white breast, and the buried
- 1:13:37Speaker 4: blade of a dagger told how she had gone to rest.
- 1:13:44Speaker 4: End of poem. This recording is in the public domain.
- 1:13:53Speaker 5: Baby Land by Ellow Wheeler Wilcox read for Liebrevox dot
- 1:13:58Speaker 5: Org by Jan Broda. Have you heard of the valley
- 1:14:02Speaker 5: of baby Land? The realm where the dear little darling
- 1:14:06Speaker 5: stay till the kind storks go as all men know,
- 1:14:10Speaker 5: and oh so tenderly bring them away. The paths are
- 1:14:15Speaker 5: winding and past all finding by all save the storks,
- 1:14:19Speaker 5: who understand the gates and the highways and the intricate
- 1:14:23Speaker 5: byways that lead to baby Land. All over the valley
- 1:14:29Speaker 5: of baby Land, sweet flowers bloom in the soft green moss,
- 1:14:34Speaker 5: and under the ferns fair and under the plants there
- 1:14:38Speaker 5: lie little heads, like spools of floss with the soothing number.
- 1:14:42Speaker 5: The river of Slumber flows o'er a bed way of
- 1:14:46Speaker 5: silver sand, and angels are keeping watch o'er the sleeping
- 1:14:51Speaker 5: babes of baby Land the path to the valley of
- 1:14:55Speaker 5: baby Land. Only the kingly kind storks know. If they
- 1:15:00Speaker 5: fly over mountains or wade through fountains. No man sees
- 1:15:05Speaker 5: them come or go, but an angel maybe who guards
- 1:15:09Speaker 5: some baby, or a fairy perhaps with her magic wand
- 1:15:13Speaker 5: brings them straightway to the wonderful gateway that leads to
- 1:15:18Speaker 5: baby Land. And there in the valley of baby Land,
- 1:15:23Speaker 5: under the mosses and leaves and ferns, like an unfledged darling,
- 1:15:28Speaker 5: they find the darling for whom the heart of a
- 1:15:32Speaker 5: mother yearns. And they lift him lightly, hence snug him
- 1:15:36Speaker 5: tightly in feathers soft as a lady's hand, and off
- 1:15:41Speaker 5: with a rockaway step they walk away out of baby Land.
- 1:15:46Speaker 5: As they go from the valley of baby Land forth
- 1:15:50Speaker 5: into the world of great unrest, sometimes weeping. He wakes
- 1:15:55Speaker 5: from sleeping before he reaches the mother's breast. Ah, how
- 1:16:00Speaker 5: she blesses him, how she caresses him. Bonniest bird in
- 1:16:05Speaker 5: the bright home band that o're land and water, the
- 1:16:09Speaker 5: kind stork brought her from far off baby Land. End
- 1:16:14Speaker 5: of poem. This recording is in the public domain.
- 1:16:24Speaker 12: Fishing by Ella Wheeler Wilcox read for Library Vaux dot
- 1:16:28Speaker 12: Org by Thoughtful Wilderness. Maybe this is fun sitting in
- 1:16:34Speaker 12: the sun with a book in parasol, as my angler
- 1:16:36Speaker 12: wishes while he dips his line in the ocean brine
- 1:16:40Speaker 12: under the impression that his bait will catch the fishes.
- 1:16:43Speaker 12: Tis romantic, yes, but I must confess. Thoughts of shady
- 1:16:48Speaker 12: rooms at home somehow seem more inviting. But I dare
- 1:16:51Speaker 12: not move quiet there, my love, says my angler, For
- 1:16:54Speaker 12: I think a monster fish is biting. Oh, of course
- 1:16:58Speaker 12: it's bliss, But how hot it is, and the rock
- 1:17:02Speaker 12: I'm sitting on grows harder every minute. Still my fisher waits,
- 1:17:05Speaker 12: trying various baits, but the basket at his side, I
- 1:17:08Speaker 12: see has nothing in it. Oh, it's just a way
- 1:17:12Speaker 12: to pass a July day, arcadian and sentimental dreamy, idle, charming,
- 1:17:18Speaker 12: But how fierce the sunlight falls, and the way that
- 1:17:21Speaker 12: insect crawls along my neck and down my back is
- 1:17:24Speaker 12: really quite alarming? Any luck? I gently ask of the
- 1:17:28Speaker 12: angler at his task, there's something pulling at my line.
- 1:17:32Speaker 12: He says, I've almost caught it. But when with blistered
- 1:17:35Speaker 12: face we our homeward steps retrace, we take the little
- 1:17:39Speaker 12: basket just as empty as we brought it. End of poem.
- 1:17:44Speaker 12: This recording is in the public domain.
- 1:17:52Speaker 11: The Old Stage Queen by Yellow Wheeler Wilcox, Redfolibrivox dot
- 1:17:59Speaker 11: Org by our Mapstone. Back in her box by the
- 1:18:05Speaker 11: curtain shaded, she sits alone by the house unseen. Her
- 1:18:10Speaker 11: eye is dim and her cheek is faded. She who
- 1:18:14Speaker 11: once was the people's queen. The curtain rolls up, and
- 1:18:19Speaker 11: she sees before her a vision of beauty and youth
- 1:18:23Speaker 11: and grace. Ah, no wonder ll hearts adore her silver
- 1:18:28Speaker 11: throated and fair of face. Out of her box, she
- 1:18:32Speaker 11: leans and listens. Oh is it with pleasure or with
- 1:18:36Speaker 11: despair that her thin cheek pails and her dim eye glistens,
- 1:18:41Speaker 11: while that fresh young voice sings the grand old air.
- 1:18:46Speaker 11: She is back again in her past, bright splendor, when
- 1:18:50Speaker 11: life was worth living and love was a truth. Ere
- 1:18:53Speaker 11: Time had told her she must surrender her double dower
- 1:18:57Speaker 11: of fame and youth. It is she herself who stands there,
- 1:19:02Speaker 11: singing to that sea of faces that shines and stirs,
- 1:19:07Speaker 11: and the cheers on cheers that go up, ringing and rousing,
- 1:19:10Speaker 11: the echoes are hers or hers, just for one moment.
- 1:19:15Speaker 11: The sweet delusion quickens her pulses and blurs her sight,
- 1:19:20Speaker 11: and wakes within her that wild confusion of joy that
- 1:19:24Speaker 11: is anguish and fierce delight. Then the curtain goes down,
- 1:19:29Speaker 11: and the lights are gleaming brightly o'er circle and box
- 1:19:32Speaker 11: and stall. She starts like a sleeper who wakes from dreaming.
- 1:19:37Speaker 11: Her youth lies under Time's funeral pall. Her day is dead,
- 1:19:43Speaker 11: and her star descended, never to rise or to shine again.
- 1:19:47Speaker 11: Her rein is over, her queenship ended. A new name
- 1:19:52Speaker 11: is sounded and sung by men, all the glitter and
- 1:19:56Speaker 11: glow and splendor, all the glory of that lost day,
- 1:20:00Speaker 11: with the friends that seem true and the love that
- 1:20:03Speaker 11: seemed tender. Why what is it all but a dead bouquet?
- 1:20:08Speaker 11: She rises to go as the night turned colder. The
- 1:20:12Speaker 11: new Queen answers to call and shout, and the old
- 1:20:16Speaker 11: Queen looks back over her shoulder, as all unnoticed, she
- 1:20:21Speaker 11: passes out. End of poem. This recording is in the
- 1:20:27Speaker 11: public domain.
- 1:20:33Speaker 13: The Princess's Fingernail A Tale of Nonsense Land by Ella
- 1:20:38Speaker 13: Wheeler Wilcox, read for Libervox dot Org by Sarah Brown.
- 1:20:43Speaker 13: All through the castle of high bred Ease, where the
- 1:20:46Speaker 13: chief employment was due, as you please, spread consternation and
- 1:20:51Speaker 13: wild despair. The Queen was wringing her hands and hair.
- 1:20:55Speaker 13: The maids of honor were sad and solemn. The pages
- 1:20:59Speaker 13: looked blank as they stood in column. The court jester
- 1:21:02Speaker 13: blubbered boo who, boo who. The cook in the kitchen
- 1:21:05Speaker 13: dropped tears in the stew, and all through the castle
- 1:21:09Speaker 13: went sob and wail, for the princess had broken her
- 1:21:12Speaker 13: finger nail. The beautiful princess read as a rose bride
- 1:21:16Speaker 13: elect of the Lord high Nose, broken her finger nail
- 1:21:20Speaker 13: down to the quick, No wonder, the Queen and her
- 1:21:22Speaker 13: court were sick, never sorrow, so dread before had dared
- 1:21:27Speaker 13: to enter that castle door. Oh what would my Lord
- 1:21:30Speaker 13: his high nose say when she took off her glove
- 1:21:33Speaker 13: on her wedding day, the fairest princess in nonsense Land
- 1:21:37Speaker 13: with a broken finger nail on her hand. Twas a terrible,
- 1:21:41Speaker 13: terrible accident. And they called a meeting of Parliament. And
- 1:21:45Speaker 13: never before that royal court had come such question of
- 1:21:49Speaker 13: grave import as how could you hurry a nail to grow?
- 1:21:53Speaker 13: And the skill of the kingdom was called to show.
- 1:21:56Speaker 13: They sent for monshau phylom Off, he smooth down the
- 1:22:00Speaker 13: corners so rag and rough. They sent for Madame led
- 1:22:03Speaker 13: diamond Dust, who lived on the fingers of upper crust.
- 1:22:07Speaker 13: They sent for Professor de Chamoiscin, who took her powder
- 1:22:11Speaker 13: and rubbed it in. They sent for the pudgy nurse
- 1:22:14Speaker 13: fat on the bone to bathe her finger in Eu
- 1:22:16Speaker 13: de Cologne. And they called the court surgeon monshou red Tape,
- 1:22:21Speaker 13: to hear what he thought of the new nail's shape.
- 1:22:24Speaker 13: Over the kingdom the telegrams flew which told how the
- 1:22:27Speaker 13: finger nail thrived and grew, and all through the realm
- 1:22:31Speaker 13: of nonsense Land. They offered up prayers for the princess's hand.
- 1:22:36Speaker 13: At length, the glad tidings were heard with a shout
- 1:22:39Speaker 13: that the princess's finger nail had grown out, pointed and
- 1:22:43Speaker 13: polished and pink and clean, befitting the hand of a
- 1:22:46Speaker 13: Sunday queen. Salutes were fired all over the land by
- 1:22:51Speaker 13: the home Guard battery, pop gun band, And great was
- 1:22:54Speaker 13: the joy of my Lord High Nose, who straightway ordered
- 1:22:58Speaker 13: his wedding clothes and paid his tailor. Don wait for
- 1:23:02Speaker 13: a who died of amazement the self. Same day, my lord,
- 1:23:06Speaker 13: by a jury was judged insane, for they said, and
- 1:23:10Speaker 13: the truth of the saying was plain that a lord
- 1:23:13Speaker 13: of such very high pedigree would never be paying his bills,
- 1:23:16Speaker 13: you see, unless he was out of his head. And
- 1:23:19Speaker 13: so they locked him up without more ado. And the
- 1:23:23Speaker 13: beautiful princess, read as a rose, pined for her lover,
- 1:23:27Speaker 13: my Lord High Nose, till she entered a convent and
- 1:23:30Speaker 13: took the veil. And this is the end of my
- 1:23:33Speaker 13: nonsense tale. End of poem. This recording is in the
- 1:23:38Speaker 13: public domain.
- 1:23:45Speaker 4: A Baby in the House by Ella Wheeler Wilcox read
- 1:23:48Speaker 4: Philiprivox by Julian Pratley I knew that a baby was
- 1:23:53Speaker 4: hid in the house, though I saw no cradle and
- 1:23:55Speaker 4: heard no cry. But the husband went tiptoeing round like
- 1:23:58Speaker 4: a mouse, and the good wife was humming a soft lullaby.
- 1:24:02Speaker 4: And there was a look on the face of that
- 1:24:03Speaker 4: mother that I knew could mean only one thing, and
- 1:24:06Speaker 4: no other. The mother, I said to myself, for I
- 1:24:09Speaker 4: knew that the woman before me was certainly that, For
- 1:24:12Speaker 4: there lay in the corner a tiny cloth shoe, and
- 1:24:15Speaker 4: I saw on the stand such a wee little hat.
- 1:24:17Speaker 4: And the beard of the husband said, plain as could be,
- 1:24:20Speaker 4: two fat, chubby hands have been tugging at me. And
- 1:24:23Speaker 4: he took from his pocket a gay picture book and
- 1:24:25Speaker 4: a dog that would bark if he poured on a string.
- 1:24:28Speaker 4: And the wife laid them up with such a pleased look.
- 1:24:30Speaker 4: And I said to myself, there is no other thing
- 1:24:33Speaker 4: but a babe that could bring about all this, And
- 1:24:35Speaker 4: so that one is in hiding here, somewhere, I know.
- 1:24:38Speaker 4: I stayed but a moment and saw nothing more, and
- 1:24:41Speaker 4: heard not a sound. Yet I knew I was right.
- 1:24:44Speaker 4: What else could the shoe mean that lay on the floor,
- 1:24:46Speaker 4: the book and the toy, and the faces so bright
- 1:24:49Speaker 4: and what made the husband as still as a mouse.
- 1:24:51Speaker 4: I am sure, very sure there's a babe in that house.
- 1:24:57Speaker 4: And of poem. This recording is in the public domain.
- 1:25:05Speaker 4: The Foolish Elm by Ella Wheeler Wilcox, dreadfully revoxed by
- 1:25:09Speaker 4: Julian Prattley. The bold young autumn came riding along one
- 1:25:13Speaker 4: day where an elm tree grew. You are fair, he said,
- 1:25:17Speaker 4: as she bent down her head. Too fair for your robes,
- 1:25:19Speaker 4: dull Hugh, you are far too young for a garb,
- 1:25:22Speaker 4: so old your beauty needs color and sheen. Oh, I
- 1:25:25Speaker 4: would clothe you in scarlet and gold, befitting the grace
- 1:25:28Speaker 4: of a queen. For one little kiss on your lips,
- 1:25:30Speaker 4: sweet elm, For one little kiss, no more, I would
- 1:25:33Speaker 4: give you. I swear a robe more fair than ever
- 1:25:36Speaker 4: a princess wore. One little kiss on those lips, my pet,
- 1:25:39Speaker 4: and lo you shall stand, I say, queen of the forest,
- 1:25:42Speaker 4: and better yet, queen of my heart. Alway, she tossed
- 1:25:46Speaker 4: her head, but he took the kiss. 'tis the way
- 1:25:49Speaker 4: of lover's bold and a gorgeous dress for that sweet
- 1:25:52Speaker 4: caress he gave ere. The morning was old for a
- 1:25:55Speaker 4: week and a day. She ruled a queen in beauty
- 1:25:57Speaker 4: and splendid attire. For a week and a day she
- 1:26:00Speaker 4: was loved, I ween with the love that is born
- 1:26:02Speaker 4: of desire. Then bold eyed Autumn went on his way
- 1:26:05Speaker 4: in search of a tree more fair, and mob winds
- 1:26:08Speaker 4: tattered her garments and scattered her finery here and there,
- 1:26:12Speaker 4: Poor and faded and ragged and cold, she rocked in
- 1:26:15Speaker 4: her wild distress, and longed for the dull green gown
- 1:26:18Speaker 4: she had sold for her fickle lover's caress. And the
- 1:26:22Speaker 4: days went by, and winter came, and his tyranous tempests
- 1:26:25Speaker 4: beat on the shivering tree, whose robes of flame he
- 1:26:28Speaker 4: had trampled under his feet. I saw her reach up
- 1:26:31Speaker 4: to the mocking skies, her poor arms bare and thin.
- 1:26:34Speaker 4: Ah well a day, it is ever the way with
- 1:26:36Speaker 4: the woman who trades with sin. End of poem. This
- 1:26:41Speaker 4: recording is in the public domain.
- 1:26:48Speaker 12: Robin's Mistake by Ella Wheeler Wilcox, wrote for library Vox
- 1:26:52Speaker 12: dot Org by thoughtful Wilderness. What do you think, read
- 1:26:57Speaker 12: Robin found by a mow of hay. Why a flask
- 1:27:00Speaker 12: brimful of liquor that the mowers brought that day to
- 1:27:03Speaker 12: slake their thirst in the hay Field, and Robin he
- 1:27:05Speaker 12: shook his head. Now, I wonder what they cull it,
- 1:27:08Speaker 12: and how it tastes, He said, I have seen the
- 1:27:11Speaker 12: mowers drink it. Why isn't it good for me? So
- 1:27:14Speaker 12: I'll just draw out the stopper and get it the
- 1:27:15Speaker 12: stuff and see. But alas for the curious Robin, one draft,
- 1:27:20Speaker 12: and he burned his throat from his bill to his
- 1:27:22Speaker 12: poor crops lining, and he could not utter a note,
- 1:27:26Speaker 12: and his head grew light and dizzy, and he staggered
- 1:27:29Speaker 12: left and right, tip over the flask of brandy, and
- 1:27:32Speaker 12: spilled it every mite. But after a while he sobered
- 1:27:35Speaker 12: and quietly flew away. And he never has tasted liquor
- 1:27:39Speaker 12: or touched it since that day. But I heard him
- 1:27:42Speaker 12: say to his kindred in the course of a friendly chat,
- 1:27:45Speaker 12: these men think they are above us, yet they drink
- 1:27:47Speaker 12: such stuff as that, Oh, the poor degraded creatures. I
- 1:27:51Speaker 12: am glad. I am only a bird. Then he flew
- 1:27:54Speaker 12: up over the meadow, and that was all I heard.
- 1:27:58Speaker 12: End of poem. This recording is public domain.
- 1:28:08Speaker 9: New Year Resolve by Ellow Wheeler Wilcox, read for LibriVox
- 1:28:12Speaker 9: dot org by Michel Frye. Maton Ridge, Louisiana in June
- 1:28:17Speaker 9: twenty twenty. As the dead year is clasped by a
- 1:28:22Speaker 9: dead December. So let your dead sins, with your dead
- 1:28:26Speaker 9: days lie. A new life is yours, and a new hope. Remember,
- 1:28:31Speaker 9: we build our own ladders to climb to the sky,
- 1:28:35Speaker 9: stand out in the sunlight of promise, forgetting whatever the
- 1:28:39Speaker 9: past held of sorrow and wrong. We waste half our
- 1:28:43Speaker 9: strength in a useless regretting. We sit by old tombs
- 1:28:47Speaker 9: in the dark. Too long have you missed in your aim? Well,
- 1:28:52Speaker 9: the mark is still shining. Did you faint in the race? Well,
- 1:28:56Speaker 9: take breath for the next Did the clouds drive you back,
- 1:29:00Speaker 9: but see yonder their lining where you tempted and fell?
- 1:29:04Speaker 9: Let it serve for a text. As each year hurries by,
- 1:29:09Speaker 9: Let it join that procession of skeleton shapes that march
- 1:29:13Speaker 9: down to the past. While you take your place in
- 1:29:16Speaker 9: the line of progression, with your eyes to the heavens,
- 1:29:19Speaker 9: your face to the blest. I tell you the future
- 1:29:24Speaker 9: can hold no terrors for any sad soul, while the
- 1:29:27Speaker 9: stars revolve if he will stand firm when the grave
- 1:29:31Speaker 9: of his errors, and instead of regretting, resolve, resolve it
- 1:29:37Speaker 9: is never too late to begin rebuilding. Though all into
- 1:29:40Speaker 9: ruins your life seems hurled. Foresee how the light of
- 1:29:44Speaker 9: the new year is gilding the wan worn face of
- 1:29:48Speaker 9: the bruised old world.
- 1:29:51Speaker 7: End of poem.
- 1:29:53Speaker 9: This LibriVox recording is in the public domain.
- 1:30:02Speaker 4: What We Want by Ella Wheeler Wilcox read Forlibrivrox dot
- 1:30:05Speaker 4: Org by Julian Pratley. All hail the dawn of a
- 1:30:11Speaker 4: new day breaking, when a strong armed nation shall take
- 1:30:14Speaker 4: away the weary burdens from backs that are aching with
- 1:30:17Speaker 4: maximum labour and minimum pay. When no man is honored
- 1:30:21Speaker 4: who hoards his millions, When no man feasts on another's toil,
- 1:30:25Speaker 4: and God's poor, suffering, striving billions, shall share his riches
- 1:30:29Speaker 4: of sun and soil. There is gold for all in
- 1:30:33Speaker 4: the earth's broad bosom. There is food for all in
- 1:30:36Speaker 4: the land's great store. Enough is provided, if rightly divided.
- 1:30:40Speaker 4: Let each man take what he needs no more. Shame
- 1:30:43Speaker 4: on the miser with unused riches, who robs the toilet
- 1:30:46Speaker 4: to swell his hoarde, who beats down the wage of
- 1:30:49Speaker 4: the digger of ditches and steals the bread from the
- 1:30:52Speaker 4: poor man's board. Shame on the owner of minds whose
- 1:30:56Speaker 4: cruel and selfish measures have brought him wealth, while the
- 1:30:59Speaker 4: ragged re wrechs who dig his fuel are robbed of
- 1:31:02Speaker 4: comfort and hope and health. Shame on the ruler who
- 1:31:05Speaker 4: rides in his carriage bought with the labor of half
- 1:31:08Speaker 4: paid men, men who are shut out of home and marriage,
- 1:31:12Speaker 4: and are herded like sheep in a hovel pen. Let
- 1:31:15Speaker 4: the clarion voice of the nation wake him to broader
- 1:31:18Speaker 4: vision and pharaoh play. Or let the hand of a
- 1:31:21Speaker 4: just law shake him till his ill gained dollars shall
- 1:31:24Speaker 4: roll away. Let no man dwell under a mountain of plunder.
- 1:31:28Speaker 4: Let no man suffer with want and cold. We want
- 1:31:31Speaker 4: right living, not mere almsgiving. We want just dividing of
- 1:31:35Speaker 4: labor and gold. End of poem. This recording is in
- 1:31:40Speaker 4: the public domain.
- 1:31:46Speaker 12: The Two Glasses by Ella Wheeler Wilcox Lead for Libraryvox
- 1:31:51Speaker 12: dot Org by Thought for Wilderness. There sat two glasses
- 1:31:55Speaker 12: filled to the brim on a rich man's table, rim
- 1:31:58Speaker 12: to rem as rudy and red as blood, and one
- 1:32:02Speaker 12: was as clear as the crystal flood, said the glass
- 1:32:05Speaker 12: of wine to his paler brother. Let us tell tales
- 1:32:08Speaker 12: of the past to each other. I can tell of
- 1:32:11Speaker 12: banquet and revel and mirth where I was king, For
- 1:32:15Speaker 12: I ruled in might, and the proudest and grandest souls
- 1:32:17Speaker 12: on earth fell under my touch, as though struck with blight,
- 1:32:21Speaker 12: from the heads of kings. I have torn the crown
- 1:32:24Speaker 12: from the heights of fame. I have hurled men down.
- 1:32:27Speaker 12: I have blasted many an honored name. I have taken
- 1:32:30Speaker 12: virtue and given shame. I have tempted the youth with
- 1:32:33Speaker 12: a sip, a taste that has made his future a
- 1:32:37Speaker 12: barren waste. Far greater than any king am I, or
- 1:32:40Speaker 12: than any army under the sky. I have made the
- 1:32:43Speaker 12: arm of the driver fail, and since the train from
- 1:32:46Speaker 12: its iron rail, I have made good ships go down
- 1:32:49Speaker 12: at sea, And the shrieks of the lost were sweet
- 1:32:51Speaker 12: to me. Fame, strength, wealth, genius before me fall, and
- 1:32:57Speaker 12: my might and power are over all. Ho Ho, pale brother,
- 1:33:00Speaker 12: laughed the wine. Can you boast of deeds as great
- 1:33:03Speaker 12: as mine? Said the glass of water. I cannot boast
- 1:33:07Speaker 12: of a king dethroned or a murdered host. But I
- 1:33:10Speaker 12: can tell of hearts that were sad by my crystal
- 1:33:12Speaker 12: drops made light and glad of thirsts I have quenched,
- 1:33:16Speaker 12: and brows I have laved of hands, I have cooled,
- 1:33:19Speaker 12: and souls I have saved. I have leapt through the
- 1:33:22Speaker 12: valley and dashed down the mountain, slept in the sunshine,
- 1:33:26Speaker 12: and dripped from the fountain. I have burst my cloud fetters,
- 1:33:29Speaker 12: and dropped from the sky and everywhere, gladdened the landscape
- 1:33:33Speaker 12: and eye. I have eased the hot forehead of fever
- 1:33:36Speaker 12: and pain. I have made the parched meadows grow fertile
- 1:33:39Speaker 12: with grain. I can tell of the powerful wheel of
- 1:33:42Speaker 12: the mill that ground out the flower and turned at
- 1:33:45Speaker 12: my will. I can tell of manhood based by you,
- 1:33:49Speaker 12: that I have uplifted and crowned anew. I cheer, I help,
- 1:33:53Speaker 12: I strengthen an aid. I gladden the heart of man
- 1:33:56Speaker 12: and maid. I set the chained wine captive free, and
- 1:34:00Speaker 12: all are better for knowing me. These are the tales
- 1:34:04Speaker 12: they told each other, the glass of wine and its
- 1:34:06Speaker 12: paler brother, as they sat together, filled to the brim
- 1:34:10Speaker 12: on the rich man's table, Rim to rim, end of poem.
- 1:34:15Speaker 12: This recording is in the public domain.
- 1:34:23Speaker 13: A pen by Ella Wheeler Wilcox, read for LibriVox dot
- 1:34:27Speaker 13: org by Sarah Brown. Oh I know a certain woman
- 1:34:31Speaker 13: who is reckoned with the good. But she fills me
- 1:34:34Speaker 13: with more terror than a raging lion could. The little
- 1:34:37Speaker 13: chills run up and down my spine whene'er we meet.
- 1:34:41Speaker 13: Though she seems a gentle creature, and she's very trim
- 1:34:43Speaker 13: and neat, and she has a thousand virtues and not
- 1:34:46Speaker 13: one acknowledged sin. But she is the sort of person
- 1:34:49Speaker 13: you could liken to a pin. And she pricks you,
- 1:34:53Speaker 13: and she sticks you in a way that can't be said.
- 1:34:55Speaker 13: When you seek for what has hurt you, why you
- 1:34:58Speaker 13: cannot find the head, but she fills you with discomfort
- 1:35:01Speaker 13: and exasperating pain. If anybody asks you why, you really
- 1:35:05Speaker 13: can't explain. A pen is such a tiny thing, of
- 1:35:09Speaker 13: that there is no doubt. Yet when it's sticking in
- 1:35:12Speaker 13: your flesh, you're wretched till it's out. She is wonderfully
- 1:35:16Speaker 13: observing when she meets a pretty girl, she is always
- 1:35:19Speaker 13: sure to tell her if her bang is out of curl.
- 1:35:22Speaker 13: And she is so sympathetic to her friend who's much admired.
- 1:35:26Speaker 13: She is often heard remarking, dear, you look so worn
- 1:35:29Speaker 13: and tired. And she is a careful critic for on
- 1:35:33Speaker 13: yesterday she eyed the new dress. I was airing with
- 1:35:36Speaker 13: a woman's natural pride, and she said, oh, how becoming,
- 1:35:40Speaker 13: and then softly added, it is really a misfortune that
- 1:35:44Speaker 13: the bask is such a fit. Then she said, if
- 1:35:47Speaker 13: you had heard me, yester Eve, I'm sure, my friend,
- 1:35:50Speaker 13: you would say I am a champion who knows how
- 1:35:53Speaker 13: to defend. And she left me with a feeling most unpleasant.
- 1:35:57Speaker 13: I aver that the whole world would despise me if
- 1:36:00Speaker 13: it hadn't been for her. Whenever I encounter her in
- 1:36:04Speaker 13: such a nameless way, she gives me the impression I
- 1:36:07Speaker 13: am at my worst that day, and the hat that
- 1:36:10Speaker 13: was imported and that cost me half a sonnet, with
- 1:36:13Speaker 13: just one glance from her round eyes becomes a bowery bonnet.
- 1:36:18Speaker 13: She is always bright and smiling, sharp and shining. For
- 1:36:21Speaker 13: a thrust use does not seem to blunt her point,
- 1:36:24Speaker 13: nor does she gather rest. Oh I wish some hapless
- 1:36:28Speaker 13: specimen of mankind would begin to tidy up the world
- 1:36:31Speaker 13: for me by picking up this pen.
- 1:36:35Speaker 6: End of poem.
- 1:36:36Speaker 13: This recording is in the public domain.
- 1:36:44Speaker 5: Breaking the Day in two by Ella Wheeler Wilcox read
- 1:36:49Speaker 5: for Liebrevox dot Org by John broda, when from dawn
- 1:36:54Speaker 5: till noon seems one long day, and from noon till
- 1:36:58Speaker 5: night another. Oh so then should a little boy come
- 1:37:02Speaker 5: from play and creep into the arms of his mother,
- 1:37:06Speaker 5: snugly creep and fall asleep. Oh, come my baby, do
- 1:37:11Speaker 5: creep into my lap, and with a nap, will break
- 1:37:15Speaker 5: the day in two. When the shadows slant for afternoon,
- 1:37:19Speaker 5: when the midday meal is over, when the winds have
- 1:37:23Speaker 5: sung themselves into a swoon, and the bees drone in
- 1:37:26Speaker 5: the clover. Then high to me hig for a lullaby.
- 1:37:32Speaker 5: Come my baby, do creep into my lap, and with
- 1:37:36Speaker 5: a nap will break the day in two. We'll break
- 1:37:40Speaker 5: it in two with a crooning song, with a soft
- 1:37:44Speaker 5: and soothing number, for the day has no right to
- 1:37:47Speaker 5: be so long, and keep my baby from slumber. Then
- 1:37:52Speaker 5: rock abye, rock may white dreams flock like angels over you.
- 1:37:59Speaker 5: Baby's gone, and the deed is done. We've broken the
- 1:38:03Speaker 5: day in two and of poem. This recording is in
- 1:38:08Speaker 5: the public domain.
- 1:38:15Speaker 11: The Rape of the Mist by Allow Wheeler Wilcox read
- 1:38:20Speaker 11: forlibrivotx dot org by Allan Lapstone. High o'er the clouds,
- 1:38:27Speaker 11: a sunbeam shone and far down under him, with a
- 1:38:31Speaker 11: subtle grace that was all her own. The mist gleamed
- 1:38:35Speaker 11: fair and dim. He looked at her with his burning eyes,
- 1:38:40Speaker 11: and longed to fall at her feet. Of all sweet
- 1:38:43Speaker 11: things there under the skies, he thought her the thing
- 1:38:47Speaker 11: most sweet. He had wooed off as a sunbeam may
- 1:38:52Speaker 11: wave and blossom flower, But never before had he felt
- 1:38:56Speaker 11: the sway of a great love's mighty power. Tall cloud
- 1:39:01Speaker 11: mountains and vast sea spaces, wind and tempest and fire?
- 1:39:05Speaker 11: What are obstacles such as these to a heart that
- 1:39:09Speaker 11: is fill'd with desire? Boldly he trod over cloud and star.
- 1:39:14Speaker 11: Boldly he swam through space. She caught the glow of
- 1:39:18Speaker 11: his eyes afar and veiled her delicate face. He was
- 1:39:23Speaker 11: so strong, and he was so bright, and his breath
- 1:39:26Speaker 11: was a breath of flame. The mist grew pale, with
- 1:39:30Speaker 11: a vague, strange fright, as fond yet fierce. He came
- 1:39:35Speaker 11: close to his heart. She was clasped and kiss'd. She
- 1:39:38Speaker 11: swoon'd in love's alarms, and dead lay the beautiful, pale
- 1:39:43Speaker 11: faced mist in the sunbeam's passionate arms. End of poem.
- 1:39:50Speaker 11: This recording is in the public domain.
- 1:39:58Speaker 8: The Maniac by Ella Wheeler Wilcox red for LibriVox dot Org.
- 1:40:08Speaker 8: I saw them sitting in the shade. The long green
- 1:40:14Speaker 8: vines hung over but could not hide the gold haired
- 1:40:20Speaker 8: maid and the earl, my dark eyed lover. His arm
- 1:40:27Speaker 8: was clasped so close, so close. Her eyes were softly lifted,
- 1:40:35Speaker 8: while his eyes drank the sheek of rose, and breasts,
- 1:40:41Speaker 8: like snowflakes drifted. A strange noise sounded in my brain.
- 1:40:49Speaker 8: I was a guest, unbidden. I stole away, but came
- 1:40:55Speaker 8: again with two knives, snugly hidden. I stood behind them close.
- 1:41:04Speaker 8: They kissed while I to eye was speaking. I aimed
- 1:41:10Speaker 8: my steels and neither missed the heart. I scent it, seeking.
- 1:41:18Speaker 8: There were two death shrieks mingled, so it seemed like
- 1:41:22Speaker 8: one voice crying. I laughed. It was such bliss, you know,
- 1:41:30Speaker 8: to hear and see them dying. I laughed and shouted
- 1:41:36Speaker 8: while I stood above the lovers, gazing upon the trickling
- 1:41:42Speaker 8: rills of blood and frightened eyes, fast glazing. It was
- 1:41:49Speaker 8: such joy to see the rose fade from her cheek forever,
- 1:41:56Speaker 8: To know the lips he kissed so close could answer never,
- 1:42:02Speaker 8: never to see his arm grow stark and cold, and
- 1:42:09Speaker 8: know it could not hold her, To know that while
- 1:42:14Speaker 8: the world grew old, his eyes could not behold her.
- 1:42:21Speaker 8: A crowd of people thronged about, brought thither by my laughter.
- 1:42:28Speaker 8: I gave one last triumphant shout. Then darkness followed. After
- 1:42:36Speaker 8: that was a thousand years ago each hour I lived
- 1:42:41Speaker 8: over for there, just out of reach. You know, she
- 1:42:48Speaker 8: lies with earle, my lover. They lie there staring, staring,
- 1:42:58Speaker 8: so with grace glazed eyes to taunt me. Will no
- 1:43:05Speaker 8: one buried them down low where they shall cease to
- 1:43:09Speaker 8: haunt me? He kissed her lips, not mine. The flowers
- 1:43:17Speaker 8: and vines hung all about them. Sometimes I sit and
- 1:43:23Speaker 8: laugh for hours to think just how I found them.
- 1:43:28Speaker 8: And then I sometimes stand and shriek in agony of terror.
- 1:43:35Speaker 8: I see the red warm in her cheek, then laugh
- 1:43:40Speaker 8: loud at my error. My cheek was all too pale,
- 1:43:45Speaker 8: he thought, he deemed hers far the brightest. Huh, but
- 1:43:52Speaker 8: my dagger touched a spot that made her face the whitest.
- 1:43:59Speaker 8: But oh, the days seem very long without my earl,
- 1:44:06Speaker 8: my lover. And something in my head seems wrong the
- 1:44:12Speaker 8: more I think it over. Ah, Look, she is not dead.
- 1:44:19Speaker 8: Look there, she's standing close beside me. Her eyes are open.
- 1:44:27Speaker 8: How they stare? Oh, hide me, hide me, Hide me?
- 1:44:36Speaker 8: And of poem. This recording is in the public domain.
- 1:44:48Speaker 6: What is flirtation? By Ella Wheeler Wilcox readfour LibriVox dot
- 1:44:54Speaker 6: org by Tommy her Son, Carlsbad, California. What is flirtation? Really?
- 1:45:03Speaker 6: How can I tell you that? But when she smiles,
- 1:45:07Speaker 6: I see it's wiles. And when he lifts his hat.
- 1:45:13Speaker 6: 'tis walking in the moonlight? Tis buttoning on a glove,
- 1:45:17Speaker 6: his lips that speak of plays next week? While eyes
- 1:45:22Speaker 6: are talking love, just meeting in the ballroom, tis whirling
- 1:45:27Speaker 6: in the dance, Tis something hid beneath the lid more
- 1:45:32Speaker 6: than a simple glance. Tis lingering in the hallway, to
- 1:45:38Speaker 6: sitting on the stair, tis bearded lips and fingertips. If
- 1:45:43Speaker 6: Mama isn't there? Just tucking in the carriage, tis asking
- 1:45:49Speaker 6: for a call? Tis long good nights in tender lights,
- 1:45:55Speaker 6: And that is no not all' tis party when it's over,
- 1:46:02Speaker 6: and one goes home to sleep. Best joys must end
- 1:46:07Speaker 6: trellaw my friend, But one goes home to weep. End
- 1:46:15Speaker 6: of poem. This recording is in the public domain.
- 1:46:24Speaker 1: How does Love Speak? By Ella Willer Wilcox read for
- 1:46:29Speaker 1: LibriVox dot org by Larry Wilson. How does love speak
- 1:46:35Speaker 1: in the faint flush upon the telltale cheek, and in
- 1:46:39Speaker 1: the pallor that succeeds it, by the quivering lid of
- 1:46:43Speaker 1: an averted eye, the smile that proves the parent.
- 1:46:46Speaker 5: Of a sigh?
- 1:46:47Speaker 1: Thus doth love speak? How does love speak? By the
- 1:46:52Speaker 1: uneven heart throbs and the freak of bounding pulses that
- 1:46:56Speaker 1: stand still and ache, while new emotions, like strange barges
- 1:47:01Speaker 1: make along vein channels. Their disturbing course still is the dawn,
- 1:47:07Speaker 1: and with a dawn swift force. Thus doth love speak?
- 1:47:13Speaker 1: How does love speak in the avoidance of that which
- 1:47:16Speaker 1: we seek? The sudden silence and reserve when near the
- 1:47:21Speaker 1: eye that glistens with an unshd tear, the joy that
- 1:47:25Speaker 1: seems the counterpart of fear, As the alarmed heart leaps
- 1:47:30Speaker 1: in the breast and knows and names and greets its
- 1:47:33Speaker 1: godlike guest. Thus doth love speak? How does love speak
- 1:47:40Speaker 1: in the proud spirits suddenly grown meek, the haughty heart
- 1:47:44Speaker 1: grown humble, in the tender and unnamed light that floods
- 1:47:48Speaker 1: the world with splendor, in the resemblance which the fond
- 1:47:51Speaker 1: eyes trace in all fair things to one beloved face,
- 1:47:58Speaker 1: in the shy touch of hands that thrill and tremble,
- 1:48:02Speaker 1: in looks and lips that can no more dissemble, Thus
- 1:48:07Speaker 1: doth love speak? How does love speak? In wild words
- 1:48:13Speaker 1: that uttered seem so weak they shriek ashamed to silence.
- 1:48:18Speaker 1: In the fire, glance strikes with glance, swift, flashing high
- 1:48:22Speaker 1: and higher, like lightnings that precede the mighty storm. In
- 1:48:27Speaker 1: the deep soulful stillness, in the warm and passioned tide
- 1:48:31Speaker 1: that sweeps through throbbing veins. Between the shores are keen
- 1:48:35Speaker 1: delights and pains, in the embrace, where madness melts in bliss,
- 1:48:40Speaker 1: and in the convulsive rapture of a kiss. Thus doth
- 1:48:44Speaker 1: love speak? In the poem this Recordingness in the public Domain.
- 1:48:57Speaker 1: As You Go through Life by Ella will Wilcox read
- 1:49:01Speaker 1: for LibriVox dot Org by Larry Wilson. Don't look for
- 1:49:06Speaker 1: the flaws as you go through life, And even when
- 1:49:09Speaker 1: you find them, it is wise and kind to be
- 1:49:12Speaker 1: somewhat blind and look for the virtue behind them. For
- 1:49:17Speaker 1: the cloudiest night has a hint of light somewhere in
- 1:49:20Speaker 1: its shadows hiding. It is better by far to hunt
- 1:49:24Speaker 1: for a star than the spots on the sun. Abiding,
- 1:49:28Speaker 1: the current of life runs ever away to the bosom
- 1:49:31Speaker 1: of God's great ocean. Don't set your force against the
- 1:49:35Speaker 1: river's course and think to alter its motion. Don't waste
- 1:49:39Speaker 1: a curse on the universe. Remember it lived before you.
- 1:49:45Speaker 1: Don't butt at the storm with your puniform, but bendon
- 1:49:49Speaker 1: let it go o'er you. The world will never adjust
- 1:49:53Speaker 1: itself to suit your whims to the letter. Some things
- 1:49:56Speaker 1: must go wrong your whole life long, and the sooner
- 1:49:59Speaker 1: you know, the better. It is folly to fight with
- 1:50:03Speaker 1: the infinite and go under at last. In the Wrestle,
- 1:50:08Speaker 1: the wiser man shapes into God's plan, as water shapes
- 1:50:12Speaker 1: into a vessel.
- 1:50:14Speaker 7: In the Boem.
- 1:50:16Speaker 1: This recording is in the public domain.
- 1:50:23Speaker 14: Memory's River by Ella Wheeler Wilcox read for LibriVox dot org.
- 1:50:29Speaker 14: Buy Tina in nature's bright blossoms not always reposes that strange,
- 1:50:36Speaker 14: subtle essence more rare than their bloom, which lies in
- 1:50:39Speaker 14: the hearts of carnations and roses, that unexplained something by
- 1:50:43Speaker 14: men called perfume. Though modest the flower, yet great is
- 1:50:47Speaker 14: its power and pregnant with meaning each pistol and leaf.
- 1:50:52Speaker 14: If only it hides there, if only abides there, the
- 1:50:55Speaker 14: fragrance suggestive of love, joy, and grief. Not always the
- 1:51:00Speaker 14: air that a master composes can stir human heart strings
- 1:51:04Speaker 14: of pleasure or pain, but strange, subtle chords like the
- 1:51:09Speaker 14: scent of the roses, breathe out of some measures, though simple,
- 1:51:13Speaker 14: the strain and lo When you hear them, you love
- 1:51:16Speaker 14: them and fear them. You tremble with anguish, you thrill
- 1:51:20Speaker 14: with delight. For back of them slumber old dreams without number,
- 1:51:25Speaker 14: and faces long vanish to peer out into sight. Those dear,
- 1:51:30Speaker 14: foolish days when the earth seemed all beauty before you
- 1:51:34Speaker 14: had knowledge enough to be sad, when youth held no
- 1:51:37Speaker 14: higher ideal of duty than just to lilt on through
- 1:51:41Speaker 14: the world and be glad on Harmony's river, They seemed
- 1:51:45Speaker 14: to float hither with all the sweet fancies that hung
- 1:51:48Speaker 14: round that time. Life's burdens and troubles turn into air
- 1:51:52Speaker 14: bubbles and break on the music's swift current of rhyme.
- 1:51:58Speaker 14: Fair Folly comes back with her spell while you listen,
- 1:52:01Speaker 14: and points to the paths where she led you of old.
- 1:52:04Speaker 14: You gaze on past sunsets, you see dead stars glisten.
- 1:52:08Speaker 14: You bathe in life's glory, you swoon in death's cold.
- 1:52:13Speaker 14: All pains and all pleasures surge up through these measures.
- 1:52:17Speaker 14: Your heart is wrenched open with earthquakes of sound from
- 1:52:21Speaker 14: ashes and embers rise June's and decembers, lost islands and
- 1:52:25Speaker 14: fathoms of feeling re found. Some airs are like outlets
- 1:52:30Speaker 14: of memory's oceans. They rise in the past and flow
- 1:52:33Speaker 14: into the heart, and down them float shipwrecks of mighty emotions,
- 1:52:38Speaker 14: all sea soaked and storm tossed and drifting apart. Their
- 1:52:42Speaker 14: fair timbers, battered, their lordly sails, tattered, their skeleton crew
- 1:52:47Speaker 14: of dead days on their decks. Then a crash of chords, blending,
- 1:52:51Speaker 14: a crisis, an ending. The music is over and vanished,
- 1:52:57Speaker 14: the wrecks.
- 1:53:00Speaker 5: Of poem.
- 1:53:01Speaker 14: This recording is in the public domain.
- 1:53:10Speaker 9: The Lady and the Game by Ellow Wheeler Wilcox, read
- 1:53:14Speaker 9: for LibriVox dot Org by Michel Frye Vetenrouge, Louisiana in
- 1:53:18Speaker 9: June two thousand twenty. So thou hast art good, Dame,
- 1:53:25Speaker 9: thou swearest to keep times perishing touch at bay from
- 1:53:30Speaker 9: the roseate splendor of the cheek so tender, and the
- 1:53:33Speaker 9: silver threads from the gold away, and the telltale years
- 1:53:37Speaker 9: that have hurried by us shall tiptoe back, and with
- 1:53:41Speaker 9: kind good will they shall take their traces from off
- 1:53:44Speaker 9: our faces. If we will trust to thy magic skill,
- 1:53:50Speaker 9: thou speakest fairly. But if I listen and buy thy
- 1:53:54Speaker 9: secret and prove its truth, hast thou the potion and
- 1:53:58Speaker 9: magic lotion to give me also the heart of youth,
- 1:54:03Speaker 9: with the cheek of rose, and the eye of beauty,
- 1:54:06Speaker 9: and the lustrous locks of life's lost prime. Wilt thou
- 1:54:10Speaker 9: bring thronging each hope and longing that made the glory
- 1:54:14Speaker 9: of that dead time. When the sap in the trees sets,
- 1:54:19Speaker 9: young buds bursting, and the song of the birds fills
- 1:54:22Speaker 9: the air like spray, will rivers of feeling come once more,
- 1:54:26Speaker 9: stealing from the beautiful hills of the far away. Wilt
- 1:54:31Speaker 9: thou demolish the tower of reason and fling forever down
- 1:54:35Speaker 9: into the dust the caution time brought me, the lessons
- 1:54:39Speaker 9: life taught me, and put in their places my old
- 1:54:43Speaker 9: sweet trust. If Time's footprint from my brow is driven,
- 1:54:49Speaker 9: canst thou too, take with thy subtle powers the burden
- 1:54:52Speaker 9: of thinking, and let me go drinking the careless pleasures
- 1:54:57Speaker 9: of youth's bright hours. If silver threads from my trusses vanished,
- 1:55:02Speaker 9: if a glow once more in my pale cheek gleams,
- 1:55:06Speaker 9: wilt thou slay duty and give back the beauty of
- 1:55:10Speaker 9: days untroubled by aught but dreams. When the soft fair
- 1:55:16Speaker 9: arms of the siren summer encircle the earth in their
- 1:55:20Speaker 9: languorous fold, will vast, deep oceans of sweet emotions surge
- 1:55:26Speaker 9: through my veins as they surged of old. Canst thou
- 1:55:30Speaker 9: bring back from a day long vanished the leaping pulse
- 1:55:34Speaker 9: and the boundless aim. I will pay thee double for
- 1:55:38Speaker 9: all thy trouble if thou wilt restore all these good dame.
- 1:55:45Speaker 9: End of poem. This LibriVox recording is in the public domain.
- 1:55:55Speaker 4: A Married Coquette by Ella Wheeler Wilcox read Felibrivox dot LG.
- 1:56:00Speaker 4: Julian Prattley. Sit still, I say, and dispense with heroics.
- 1:56:05Speaker 4: I hurt your wrists, well you have hurt me. It
- 1:56:08Speaker 4: is time you found out that not all men are
- 1:56:10Speaker 4: stoics nor toys to be used as your mood may be.
- 1:56:14Speaker 4: I will not let go of your hands, nor leave
- 1:56:16Speaker 4: you until I have spoken. No man, you say, dared
- 1:56:19Speaker 4: ever so treat you before I believe you, for you
- 1:56:22Speaker 4: have dealt only with boys till to day. You women
- 1:56:26Speaker 4: lay stress on your fine perception. Your intuitions are prated about.
- 1:56:30Speaker 4: You claim an occult sort of conception of matters which
- 1:56:33Speaker 4: men must reason out. So, then, of course, when you
- 1:56:36Speaker 4: asked me kindly to call again soon, you ret my heart,
- 1:56:40Speaker 4: I cannot believe you are acting blindly. You saw my
- 1:56:43Speaker 4: passion for you from the start. You are one of
- 1:56:47Speaker 4: those women who charm without trying. The clay you are
- 1:56:50Speaker 4: made of is magnetore, and I am the steel. Yet
- 1:56:53Speaker 4: there's no denying. You led me to loving you more
- 1:56:55Speaker 4: and more. You are fanning a flame that may burn
- 1:56:58Speaker 4: too brightly off, easily kindled, but hard to put out.
- 1:57:02Speaker 4: I am not a man to be played with lightly,
- 1:57:04Speaker 4: to come at a gesture and go at a pout
- 1:57:08Speaker 4: a brute. You call me a creature in human You say,
- 1:57:11Speaker 4: I insult you and bid me go. And you, oh,
- 1:57:14Speaker 4: you are a saintly woman with thoughts as pure as
- 1:57:17Speaker 4: the drifted snow. Pah You are but one of a
- 1:57:20Speaker 4: thousand beauties who think they are living exemplary lives. They
- 1:57:24Speaker 4: break no commandments and do all their duties as Christian
- 1:57:27Speaker 4: women and spotless wives, but with drooping of lids and
- 1:57:31Speaker 4: lifting of faces, and bearing of shoulders and well timed sighs,
- 1:57:35Speaker 4: and the devil knows what are the subtle graces? You
- 1:57:38Speaker 4: are mental wantons who sin with the eyes. You luw
- 1:57:42Speaker 4: a love to wake, yet bid it keep under you.
- 1:57:45Speaker 4: Tempt us to fall, but bid reason control, And then
- 1:57:48Speaker 4: you are full of an outraged wonder when we get
- 1:57:51Speaker 4: to wanting you body and soul. Why look at yourself.
- 1:57:55Speaker 4: You are no stranger to the fact that my heart
- 1:57:57Speaker 4: was already on fire when you asked me to call.
- 1:57:59Speaker 6: You knew my danger.
- 1:58:01Speaker 4: Yet here you are dressed in the gown I admire,
- 1:58:03Speaker 4: For half of the evil on earth is invented by vain,
- 1:58:06Speaker 4: pretty women with nothing to do but to keep themselves manicured,
- 1:58:10Speaker 4: powdered and scented, and seek for sensations amusing and new.
- 1:58:15Speaker 4: But when I play at love at a lady's commanding,
- 1:58:17Speaker 4: I always am certain to win one game. So there, there, there,
- 1:58:21Speaker 4: I will leave my branding on the lips that are free.
- 1:58:24Speaker 4: Now to cry a shame, shame you hate me? Quite
- 1:58:27Speaker 4: likely it does not surprise me. Brute force, I confess it.
- 1:58:31Speaker 4: But still you are kissed. And one thing is certain.
- 1:58:35Speaker 4: You cannot despise me for having been played with, controlled
- 1:58:37Speaker 4: and dismissed. And the next time you see that a
- 1:58:40Speaker 4: man is attracted by their beauty and graces that are
- 1:58:43Speaker 4: not for him, don't lead him on to be half distracted.
- 1:58:46Speaker 4: Keep out of deep waters, although you can swim, For
- 1:58:49Speaker 4: when he is caught in the whirlpool of passion, where
- 1:58:52Speaker 4: many bold swimmers are seen to drown, a man will
- 1:58:54Speaker 4: reach out, and in desperate fashion, will drag whoever is
- 1:58:57Speaker 4: nearest him down. Though the thing of his heart may
- 1:59:00Speaker 4: be wrenched and driven by a maiden coquette who has
- 1:59:03Speaker 4: led him along. She can be pardon, excused, and forgiven
- 1:59:06Speaker 4: for innocence, blindfolded walks into wrong. But she who has
- 1:59:10Speaker 4: willingly taken the fetter that cupid forges at hyman's command, well,
- 1:59:15Speaker 4: she is the woman who ought to know better. She
- 1:59:18Speaker 4: needs no mercy at any man's hand. In the game
- 1:59:21Speaker 4: of hearts. Though a woman be winner, the odds are
- 1:59:24Speaker 4: ever against her. You know the world is ready to
- 1:59:27Speaker 4: call her a sinner, and man is ready to make
- 1:59:29Speaker 4: her so. Shame is likely, and sorrow is certain, and
- 1:59:33Speaker 4: the man has the best of it. And as it
- 1:59:35Speaker 4: may so, Now my lady will drop the curtain and
- 1:59:38Speaker 4: put out the lights. We are through with our play.
- 1:59:43Speaker 4: End of poem. This recording is in the public domain.
- 1:59:51Speaker 11: A plea by ever Weira Wilcox read Forlibrevox dot Org
- 1:59:57Speaker 11: by Allan Maapstone, Columbia, large hearted and tender, too long
- 2:00:05Speaker 11: for the good of your kin. You have shared your homes,
- 2:00:08Speaker 11: comfort and splendor with all who have asked to come
- 2:00:12Speaker 11: in the smile of your true eyes has lighted the
- 2:00:16Speaker 11: way to your wide open door. You have held out
- 2:00:20Speaker 11: four hands and invited the beggar to take from your store.
- 2:00:26Speaker 11: Your overrun proud sister nations whose offspring you help them
- 2:00:31Speaker 11: to keep, are sending their poorest relations, their unruly, vicious
- 2:00:36Speaker 11: black sheep, unwashed and unlettered. You take them, and lo,
- 2:00:41Speaker 11: we are pushed from your knee. We are governed by
- 2:00:45Speaker 11: laws as they make them. We are slaves in the
- 2:00:48Speaker 11: land of the Free. Columbia. You know the devotion of
- 2:00:54Speaker 11: those who have sprung from your soil shall aliens borne
- 2:00:59Speaker 11: over the ocean dispute us the fruits of our toil.
- 2:01:03Speaker 11: Most noble and gracious of mothers, your children, rise up
- 2:01:08Speaker 11: and demand that you bring us no more foster brothers
- 2:01:13Speaker 11: to breed discontent in the land. Be prudent before you,
- 2:01:18Speaker 11: as zealous, not generous only.
- 2:01:21Speaker 6: But just.
- 2:01:22Speaker 11: Our hearts are grown wrathful and jealous toward those who
- 2:01:26Speaker 11: have outraged your trust. They jostle and crowd in our places.
- 2:01:31Speaker 11: They sneer at the comforts you gave. We say, shut
- 2:01:35Speaker 11: the door in their faces until they have learned to behave.
- 2:01:41Speaker 11: In hearts that are greedy and hateful, they harbor ill
- 2:01:44Speaker 11: will and deceit. They ask for more favors, ungrateful for
- 2:01:49Speaker 11: those you have poured at their feet, Rise up in
- 2:01:53Speaker 11: your grandeur and straight way. Bar out the bold clamoring mass.
- 2:01:58Speaker 11: Let sentinels stand at your gateway to see who is
- 2:02:02Speaker 11: worthy to pass. Give first to your own faithful toilers
- 2:02:07Speaker 11: the freedom our birthright should claim, and take from these
- 2:02:11Speaker 11: ruthless despoilers the power which they use to our shame. Columbia,
- 2:02:17Speaker 11: too long you have dallied with foes whom you feed
- 2:02:21Speaker 11: from your store. It is time that your wardens were
- 2:02:25Speaker 11: rallied and stationed outside the locked door.
- 2:02:31Speaker 7: End of poem.
- 2:02:32Speaker 11: This recording is in the public domain.
- 2:02:41Speaker 14: The Summer Girl by Ella Wheeler Wilcox read for LibriVox
- 2:02:45Speaker 14: dot Org by Tina. She's the jauntiest of creatures. She's
- 2:02:51Speaker 14: the daintiest of missus, with her pretty patent leathers or
- 2:02:55Speaker 14: her alligator ties, with her eyes inviting glances and her
- 2:02:58Speaker 14: lips inviting kisses as she wanders by the ocean, where
- 2:03:02Speaker 14: strolls under country skies. She's a captivating dresser, and her
- 2:03:07Speaker 14: parasols are stunning. Her fads will take your breath away.
- 2:03:10Speaker 14: Her hats are dreams of style. She is not so
- 2:03:14Speaker 14: very bookish, but with a ray bartet and punning she
- 2:03:17Speaker 14: can set the savants laughing and make even Dudlett smile.
- 2:03:21Speaker 14: She has no attacks of talent. She is not a
- 2:03:24Speaker 14: stage struck maiden. She is wholly free from hobbies, and
- 2:03:28Speaker 14: she dreams of no career. She is mostly gay and happy,
- 2:03:32Speaker 14: never sad or carebuladen, though she sometimes sighs a little
- 2:03:36Speaker 14: if a gentleman is near. She's a sturdy little walker,
- 2:03:39Speaker 14: and she braves all kinds of weather, and when the
- 2:03:42Speaker 14: rain or fog or mist, drive, rival crimps erect. Her
- 2:03:46Speaker 14: fluffy hair goes curling like a kinked up ostrich feather
- 2:03:50Speaker 14: around her ears and forehead, and the white nape of
- 2:03:53Speaker 14: her neck. She is like a fish in water. She
- 2:03:56Speaker 14: can handle rains and racket from head to toe and fingertip.
- 2:04:00Speaker 14: She's thoroughly alive when she goes promenading in a most
- 2:04:04Speaker 14: distracting jacket. The rustle round her feet suggests how laundresses
- 2:04:08Speaker 14: may thrive. She can dare the wind and sunshine in
- 2:04:12Speaker 14: the most bravado manner, and after hours of sailing she
- 2:04:15Speaker 14: has merely cheeks of rose. Old soul himself seems smitten
- 2:04:20Speaker 14: and at most will only tan her, though to everybody
- 2:04:23Speaker 14: else he gives a danger signal nose. She's a trifle sentimental,
- 2:04:28Speaker 14: and she's fond of admiration, and she sometimes flirts a
- 2:04:31Speaker 14: little in the season's giddy whirl. But win her if
- 2:04:34Speaker 14: you can, sir, she may prove your life's salvation for
- 2:04:39Speaker 14: an angel masquerading oft Is she the summer girl? End
- 2:04:44Speaker 14: of poem. This recording is in the public domain.
- 2:04:54Speaker 11: The Beautiful Blue Danube by Ella Weiler Wilcox, redfilipribox dot
- 2:05:01Speaker 11: Org by allammapstone. There he drift down the hall together
- 2:05:11Speaker 11: he smiles in her lifted eyes. Like waves of that
- 2:05:17Speaker 11: mighty river, the strains of the Danube brizes. They float
- 2:05:24Speaker 11: on its rhythmic measure, like leaves on a summer stream.
- 2:05:32Speaker 11: And here, in this scene of pleasure, I bury my
- 2:05:38Speaker 11: sweet dead dream through the cloud of her dusky tresses,
- 2:05:47Speaker 11: like a star shines out her face. And the form
- 2:05:52Speaker 11: his strong arm presses is sylph like in its grace,
- 2:06:00Speaker 11: as a leaf on the bounding river is lost on
- 2:06:05Speaker 11: the seeding sea. I know that forever and ever my
- 2:06:13Speaker 11: dream is lost to me. And still the vials are
- 2:06:21Speaker 11: playing that grand old word less rhyme, and still those
- 2:06:28Speaker 11: two are swaying in perfect tune and time. If the
- 2:06:35Speaker 11: great pursoons that mutter, if the clarionets that blow were
- 2:06:44Speaker 11: given a voice to utter the sea secret things they know,
- 2:06:53Speaker 11: would the lists of the slain whose slumber on the
- 2:06:57Speaker 11: Danube's battle lames The unknown hosts have number who dine
- 2:07:06Speaker 11: eat the Danube strains. Those four wa cans rattle mid
- 2:07:14Speaker 11: the rain of shot and shell, But these, in a
- 2:07:19Speaker 11: fiercer battle, find death in the music swell with the
- 2:07:28Speaker 11: river's roar of passion is blended, the dying grown. But
- 2:07:36Speaker 11: here in the halls of fashion, hearts break can make
- 2:07:42Speaker 11: no moan, and the music, swelling and sweeping like the river,
- 2:07:50Speaker 11: nose it all. But none are counting or keeping the
- 2:07:57Speaker 11: lis of those who fall. End of poem. This recording
- 2:08:07Speaker 11: is in the public domain.
- 2:08:15Speaker 5: The Birth of the Opal by Ellow Wheeler Wilcox read
- 2:08:19Speaker 5: for Librevox dot Org by Jenbroda. The sunbeam loved the
- 2:08:24Speaker 5: moonbeam and followed her low and high. But the moonbeam
- 2:08:29Speaker 5: fled and hid her head. She was so shy, so shy.
- 2:08:34Speaker 5: The sunbeam wooed with passion. Ah, he was a lover, bold,
- 2:08:39Speaker 5: and his heart was afire with mad desire for the moonbeam.
- 2:08:43Speaker 5: Pale and cold, she fled like a dream before him.
- 2:08:48Speaker 5: Her hair was a shining sheen, and oh, that fate
- 2:08:52Speaker 5: would annihilate the space that lay between. Just as the
- 2:08:57Speaker 5: day lay panting in the arms of the twilight dim
- 2:09:01Speaker 5: the sunbeam caught the one he sought and drew her
- 2:09:05Speaker 5: close to him. But out of his warm arms, startled
- 2:09:09Speaker 5: and stirred by love's first shock, she sprang afraid like
- 2:09:14Speaker 5: a trembling maid, and hid in the niche of a rock,
- 2:09:18Speaker 5: and the sunbeam followed and found her, and led her
- 2:09:22Speaker 5: to love's own feast. And they were wed on that
- 2:09:26Speaker 5: rocky bed, and the dying day was their priest. And Lo,
- 2:09:31Speaker 5: the beautiful opal, that rare and wondrous gem, where the
- 2:09:36Speaker 5: moon and the sun blend into one, is the child
- 2:09:40Speaker 5: that was born to them. End of poem. This recording
- 2:09:45Speaker 5: is in the public domain.
- 2:09:53Speaker 11: Sounds from the baseball field by Yellow Weider Wilcox Red
- 2:09:59Speaker 11: for Org by Alan Mapstone. Batter at the home plate.
- 2:10:07Speaker 11: That was nobody done, Try and get the first base
- 2:10:10Speaker 11: run run run arethirshots dot will you miss? Hear the
- 2:10:14Speaker 11: people cheer and hiss. Hear them yell and shout, twinkling
- 2:10:17Speaker 11: legs and flying feet. Oh, I wonder who we'll beat? Faster,
- 2:10:20Speaker 11: faster out, umpire, umpire, go along. That was wrong, sir,
- 2:10:27Speaker 11: that was wrong. Pitcher pishes four balls. Take your base,
- 2:10:33Speaker 11: my man toward the second. Now he crawls, steal it
- 2:10:36Speaker 11: if you can. Oh, the ball has gone so high.
- 2:10:39Speaker 11: Can they catch it on the fly? Oh, there is
- 2:10:41Speaker 11: no doubt he will get his third. I vow sure
- 2:10:44Speaker 11: the ball has got them out. Two men out, Umpire, Umpire,
- 2:10:49Speaker 11: that was wrong. Go along, sir, go along. One man
- 2:10:57Speaker 11: on the first base, not a single run. Boys warming
- 2:11:00Speaker 11: too the race now look out for fun. Pictures are
- 2:11:03Speaker 11: maybe as tired batter sudden seems inspired, grounds the ball
- 2:11:07Speaker 11: to win. Run their run there, run your best. I
- 2:11:10Speaker 11: am screaming with the rest. Two men in, Umpire, Umpire,
- 2:11:15Speaker 11: go away, dead wrong, dead wrong, sir, I say, what's
- 2:11:22Speaker 11: the matter now, pray, taking breath. That's all, but the
- 2:11:25Speaker 11: restless people say, play ball, play ball, one ball, two
- 2:11:29Speaker 11: stretch two balls out. Umpire calls the people, how what
- 2:11:32Speaker 11: is he about? Run and run, run, run and run.
- 2:11:35Speaker 11: Half the earnings now is done. Three men out, Umpire, umpire,
- 2:11:41Speaker 11: go along. You are always always wrong. End of poem.
- 2:11:50Speaker 11: This recording is in the public domain.
- 2:12:00Speaker 5: A Waltz quadrill by Ellow Wheeler Wilcox, read for librevox
- 2:12:04Speaker 5: dot Org by Jen Broda. The band was playing a
- 2:12:09Speaker 5: waltz quadrille. I felt as light as a wind blown
- 2:12:13Speaker 5: feather as we floated away at the caller's will. Through
- 2:12:17Speaker 5: the intricate mazy danced together like mimic armies. Our lines
- 2:12:23Speaker 5: were meeting, slowly, advancing, and then retreating, all decked in
- 2:12:28Speaker 5: their bright array. And back and forth to the music's rhyme.
- 2:12:33Speaker 5: We moved together, and all the time I knew you
- 2:12:38Speaker 5: were going away. The fold of your strong arm sent
- 2:12:42Speaker 5: a thrill from heart to brain as we gently glided
- 2:12:46Speaker 5: like leaves on the wave of that waltz quadrille, parted,
- 2:12:51Speaker 5: met and again divided, you drifting one way and I another,
- 2:12:57Speaker 5: then suddenly turning and facing each other, then off in
- 2:13:01Speaker 5: the blithe chasset, then airily back to our places, swaying,
- 2:13:07Speaker 5: while every beat of the music seemed saying that you
- 2:13:11Speaker 5: were going away. I said to my heart, let us
- 2:13:15Speaker 5: take our fill of mirth and music and love and laughter,
- 2:13:20Speaker 5: for it all must end with this waltz quadrill, and
- 2:13:24Speaker 5: life will be never the same life after. Oh that
- 2:13:28Speaker 5: the caller might go on calling, Oh that the music
- 2:13:32Speaker 5: might go on falling like a shower of silver spray,
- 2:13:37Speaker 5: while we whirled on to the vast forever, where no
- 2:13:40Speaker 5: heart breaks and no ties sever and no one goes
- 2:13:45Speaker 5: away a clamor a crash, And the band was still
- 2:13:50Speaker 5: twas the end of the dream and the end of
- 2:13:53Speaker 5: the measure. The last low notes of that waltz quadrill
- 2:13:58Speaker 5: seemed like a dirge or the death of pleasure. You
- 2:14:01Speaker 5: said good night, and the spell was over, too warm
- 2:14:06Speaker 5: for a friend and too cold for a lover. There
- 2:14:10Speaker 5: was nothing else to say. But the lights looked dim,
- 2:14:14Speaker 5: and the dancers weary, and the music was sad, and
- 2:14:18Speaker 5: the hall was dreary. After you went away. End of poem.
- 2:14:25Speaker 5: This recording is in the public domain.
- 2:14:33Speaker 8: Answered by Ella Wheeler Wilcox, read for LibriVox dot Org. Goodbye, Yes,
- 2:14:46Speaker 8: I am going sudden. Well, you are right, but a
- 2:14:53Speaker 8: startling truth came home to me with sudden force last night.
- 2:14:58Speaker 6: What is it?
- 2:15:00Speaker 8: Shall I tell you?
- 2:15:02Speaker 3: Nay?
- 2:15:03Speaker 8: That is why I go. I am running away from
- 2:15:07Speaker 8: the battlefield, turning my back on the foe riddles. You
- 2:15:14Speaker 8: think me cruel? Have you not been most kind? Why
- 2:15:20Speaker 8: when you question me like that? What answer can I find?
- 2:15:26Speaker 3: You?
- 2:15:26Speaker 8: Fear you failed to amuse me, your husband's friend and
- 2:15:31Speaker 8: guest whom he bade you entertain and please, Well you
- 2:15:38Speaker 8: have done your best? Then why am I going? Listen?
- 2:15:45Speaker 8: A friend of mine abroad whose theories I have been
- 2:15:49Speaker 8: acting upon, has proven himself a fraud. You have heard
- 2:15:55Speaker 8: me quote from Plato a thousand times no doubt. Well,
- 2:16:02Speaker 8: I have discovered he did not know what he was
- 2:16:05Speaker 8: talking about. You think I am speaking strangely. You cannot understand. Well,
- 2:16:15Speaker 8: let me look down into your eyes and let me
- 2:16:19Speaker 8: hold your hand. I am running away from danger. I
- 2:16:24Speaker 8: am flying before I fall. I am going because with
- 2:16:29Speaker 8: heart and soul I love you.
- 2:16:32Speaker 3: That is all there.
- 2:16:36Speaker 8: Now you are white with anger. I knew it would be.
- 2:16:41Speaker 8: So you should not question a man too close when
- 2:16:46Speaker 8: he tells you he must go. And of poem. This
- 2:16:53Speaker 8: recording is in the public domain.
- 2:17:02Speaker 11: The sign board by Ella Wheeler Wilcox read forlibrivox dot
- 2:17:08Speaker 11: Org by Allan Maapstone. I will paint you a sign,
- 2:17:13Speaker 11: rum cellar, and hang it above your door, a truer
- 2:17:18Speaker 11: and better sign board than ever you had before. I
- 2:17:22Speaker 11: will paint with the skill of a master, and many
- 2:17:25Speaker 11: shall pause to see this wonderful piece of painting. So
- 2:17:31Speaker 11: like the reality, I will paint yourself, Rumsellar. As you
- 2:17:36Speaker 11: wait for that fair young boy, just in the morning
- 2:17:39Speaker 11: of manhood, a mother's pride and joy. He has no
- 2:17:44Speaker 11: thought of stopping, but you greet him with a smile,
- 2:17:48Speaker 11: and you seem so blithe and friendly that he pauses
- 2:17:51Speaker 11: to chat. Awhile I will paint you again, rum Sellar,
- 2:17:56Speaker 11: I will paint you as you stand with a foaming
- 2:17:59Speaker 11: glass mass of liquor extended in your hand. He wavers,
- 2:18:04Speaker 11: but you urge him drink, pledge me, just this one.
- 2:18:08Speaker 11: And he takes the glass and drains it. And the
- 2:18:12Speaker 11: hellish work is done. And next I will paint a drunkard.
- 2:18:17Speaker 11: Only a year has flown, But into that loathsome creature,
- 2:18:22Speaker 11: the fair young boy has grown. The work was sure
- 2:18:26Speaker 11: and rapid. I will paint him as he lies in
- 2:18:29Speaker 11: a torpid, drunken slumber under the wintery skies. I will
- 2:18:36Speaker 11: paint the form of the mother as she kneels at
- 2:18:39Speaker 11: her darling side, her beautiful boy that was dearer than
- 2:18:43Speaker 11: all the world beside. I will paint the shape of
- 2:18:47Speaker 11: a coffin, labeled with one word lost. I will paint
- 2:18:51Speaker 11: all this rum cellar, and will paint it free of cost.
- 2:18:57Speaker 11: The sin and the shame and the sorrow, the crime,
- 2:19:00Speaker 11: and the want and the woe that are born there
- 2:19:03Speaker 11: in your workshop. No hand can paint you, know, But
- 2:19:08Speaker 11: I'll paint you a sign rum seller. And many shall
- 2:19:11Speaker 11: puuse to view this wonderful swinging signboard, so terribly fearfully true.
- 2:19:20Speaker 11: End of poem. This recording is in the public domain.
- 2:19:31Speaker 1: About May by Ella Willer Wilcox read for LibriVox dot
- 2:19:36Speaker 1: Org by Larry Wilson. One night, Nurse Sleep held out
- 2:19:41Speaker 1: her hand to tired little May. Come go with me
- 2:19:45Speaker 1: to Wonderland. She said, I know the way, just rock
- 2:19:49Speaker 1: a by hum um um Hello. We come to the
- 2:19:54Speaker 1: place where the dream girls play. But not in May.
- 2:19:59Speaker 6: She wriggled A away.
- 2:20:00Speaker 1: From Sleep's soft arms and said, I must stay awake
- 2:20:04Speaker 1: till I eat my cake, and then I will go
- 2:20:08Speaker 1: to bed with a bi Low. Away I will go,
- 2:20:12Speaker 1: But the good nurse shook her head. She shook her
- 2:20:16Speaker 1: head and away she sped while May sat munching her crumb.
- 2:20:20Speaker 1: But after the cake there came an ache. Though May cried, come, Sleep, Come,
- 2:20:26Speaker 1: and it's oh my, let us buy Low bye, all
- 2:20:30Speaker 1: save the echoes were dumb. She ran after Sleep toward Wonderland,
- 2:20:36Speaker 1: ran till the morning light, and just as she caught
- 2:20:40Speaker 1: her and grasped her hand, a nightmare gave her a fright.
- 2:20:45Speaker 1: And it's by Low. I hope she'll know better another night.
- 2:20:50Speaker 1: In a poem. This recording is in the public domain.
- 2:21:00Speaker 5: The Giddy Girl by Ellow Wheeler Wilcox read for Librevox
- 2:21:04Speaker 5: dot Org by Jan Broda. The giddy young maiden with
- 2:21:08Speaker 5: nimble feet, high ho alac and alas declared she would
- 2:21:13Speaker 5: far rather dance than eat. And the truth of it
- 2:21:16Speaker 5: came to pass, for she danced all day, and she
- 2:21:20Speaker 5: danced all night. She danced to the green earth faded white.
- 2:21:25Speaker 5: She danced ten partners out of breath, and danced the
- 2:21:28Speaker 5: eleventh one quite to death. And still she ridoed up
- 2:21:33Speaker 5: and down, the giddiest girl in town with one two three,
- 2:21:38Speaker 5: one two three, one two three, kick, chasse, back, shause back,
- 2:21:43Speaker 5: whirlow round quick. The name of this damsel ended with
- 2:21:48Speaker 5: e high ho alac and a day, and she was
- 2:21:52Speaker 5: as fair as a maiden need be, till she danced
- 2:21:56Speaker 5: her beauty away. She danced her big toes out of joint,
- 2:22:01Speaker 5: She danced her other toes all to a point. She
- 2:22:04Speaker 5: danced out slipper and boot and shoe. She danced till
- 2:22:08Speaker 5: the bones of her feet came through, And still she
- 2:22:12Speaker 5: read away, waltzt and whirled the giddiest girl in the
- 2:22:16Speaker 5: world with one two three, one two three one two three, kick,
- 2:22:22Speaker 5: shall say back, shall say back, Whirl around quick Now
- 2:22:26Speaker 5: the end of my story is sad to relate high
- 2:22:30Speaker 5: hoe and away we go, for this beautiful maiden's final
- 2:22:35Speaker 5: fate is shrouded in gloom and woe. She danced herself
- 2:22:40Speaker 5: into a patent top. She whirled and whirled till she
- 2:22:44Speaker 5: could not stop. She danced and bounced and sprang so
- 2:22:48Speaker 5: far that she struck at last on a pointed star.
- 2:22:52Speaker 5: And there she must dance till the judgment day, and
- 2:22:56Speaker 5: after it too, for she danced away her soul. You see,
- 2:23:00Speaker 5: so she has no place anywhere out of space with
- 2:23:04Speaker 5: her one two three one two three one two three
- 2:23:08Speaker 5: kick Shah, say back, Shah, say back, Whirl around quick
- 2:23:14Speaker 5: and of poem. This recording is in the public domain.
- 2:23:23Speaker 4: Del and I by Ella Wheelah Wilcox readfilibrivox dot org
- 2:23:27Speaker 4: by Julian Prattley. In a mansion grand just over the
- 2:23:32Speaker 4: way lives Bonnie, beautiful Dell. You may have heard of
- 2:23:35Speaker 4: this lady gay, for she is a famous bell. I
- 2:23:39Speaker 4: live in a low curt opposite. You never have heard
- 2:23:41Speaker 4: of me. For when the lady moon shines bright, who
- 2:23:44Speaker 4: would a pale star see? But ah well, ah well,
- 2:23:48Speaker 4: I am happier far than Dell, as strange as that
- 2:23:51Speaker 4: may be. Dell has robes of the richest kind, pinks
- 2:23:55Speaker 4: and purples and blues, And she worries her maid and
- 2:23:58Speaker 4: frets her mind to know which one to choose. Which
- 2:24:01Speaker 4: shall it be, now, silk or lace? In which will
- 2:24:04Speaker 4: I be most fair? She stands by the mirror with
- 2:24:07Speaker 4: anxious face, and her maid looks on in despair. Ah well,
- 2:24:11Speaker 4: ah well, I am not worried, you see, like Dell,
- 2:24:14Speaker 4: for I have but one to wear. Dell has lovers
- 2:24:17Speaker 4: of every grade, of every age and style. Suitors flutter
- 2:24:21Speaker 4: about the maid and bask in her word and smile.
- 2:24:24Speaker 4: She keeps them all with a coquette's art, as suits
- 2:24:27Speaker 4: her mood or mirth, and vainly wonders if in one
- 2:24:30Speaker 4: heart of all true love has birth. Ah well, ah well,
- 2:24:34Speaker 4: I never question myself like Dell, for I know a
- 2:24:37Speaker 4: true heart's worth. Pleasure to Dele seems stale and old.
- 2:24:41Speaker 4: Often she sits and sighs. Life to me is a
- 2:24:44Speaker 4: tale untold. Each day's a glad surprise. Dell will marry,
- 2:24:49Speaker 4: of course, some day after her bellship is run, she
- 2:24:52Speaker 4: will cavel the matter in worldly way and wed Dame
- 2:24:55Speaker 4: Fortune son, but ah well, sweet to tell I shall
- 2:24:59Speaker 4: not dally and choose like del for I love and
- 2:25:02Speaker 4: I'm loved by one end of poem. This recording is
- 2:25:06Speaker 4: in the public domain.
- 2:25:13Speaker 11: Vanity Fair by Ellow Wheeler Wilcox Readflibrevox dot org I
- 2:25:20Speaker 11: our mapstone In Vanity Fair. As we bow and smile,
- 2:25:26Speaker 11: as we talk of the opera after the weather, as
- 2:25:29Speaker 11: we chat of fashion and fad and style, we know
- 2:25:33Speaker 11: we are playing a part together. You know that the
- 2:25:36Speaker 11: mirth she wears she borrowed. She knows you laugh but
- 2:25:39Speaker 11: to hide your sorrows. We know that under the silks
- 2:25:43Speaker 11: and laces and back of beautiful beaming faces lies secret
- 2:25:47Speaker 11: trouble and grim despair in Vanity Fair. In Vanity Fair,
- 2:25:55Speaker 11: on dress parade, our colors look bright, and our swords
- 2:25:58Speaker 11: are gleaming, but many are uniforms, worn and frayed. And
- 2:26:03Speaker 11: most of the weapons, despite their seeming, are dull and
- 2:26:06Speaker 11: blunted and badly battered. And close inspection will show how
- 2:26:11Speaker 11: tattered and stained are the banners that float above us.
- 2:26:15Speaker 11: Our comrades hate while they swear to love us, and
- 2:26:18Speaker 11: robe like pleasure walks gaunt eyed care in Vanity Fair.
- 2:26:26Speaker 11: In Vanity Fair. As we strive for place, as we
- 2:26:29Speaker 11: rush and jostle and crowd and hurry, we know the
- 2:26:33Speaker 11: gold is not worth the race. We know the prize
- 2:26:36Speaker 11: is not worth the worry, that all our game means
- 2:26:39Speaker 11: loss for another, That in fighting for self we wound
- 2:26:43Speaker 11: each other. That the crown of success weighs hard and
- 2:26:46Speaker 11: presses the brow of the victor with thorns, not caresses.
- 2:26:51Speaker 11: That honors are empty and worthless to wear in Vanity Fair.
- 2:26:58Speaker 11: But in Vanity Fair, as we pass so long, we
- 2:27:01Speaker 11: meet strong hearts that are worth the knowing. Among poor
- 2:27:04Speaker 11: paced jewels that deck the throng, we see a solitaire,
- 2:27:08Speaker 11: sometimes glowing. We find grand souls under robes of fashion.
- 2:27:12Speaker 11: Neat like demeanors hide strength and passion and fine fair
- 2:27:16Speaker 11: honors and godlike resistance in halls of pleasure may have existence,
- 2:27:22Speaker 11: And we find pure altars and shrines of prayer in
- 2:27:27Speaker 11: Vanity Fair. End of poem. This recording is in the
- 2:27:32Speaker 11: public domain.
- 2:27:39Speaker 13: A Girl's Autumn Reverie by Ella Wheeler Wilcox read for
- 2:27:44Speaker 13: Libervox dot Org by Sarah Brown. We plucked a red rose,
- 2:27:48Speaker 13: you and I all in the summer weather, sweet its perfume,
- 2:27:52Speaker 13: and rare. It's bloom enjoyed by us together. The rose
- 2:27:56Speaker 13: is dead, the summer fled, and bleak winds are complained.
- 2:28:01Speaker 13: We dwell apart, but in each heart we find the
- 2:28:04Speaker 13: thorn remaining. We sipped a sweet wine, you and I
- 2:28:08Speaker 13: all in the summer weather, the beaded draft. We lightly
- 2:28:11Speaker 13: quaffed and filled the glass together together watched its rosy
- 2:28:16Speaker 13: glow and sow its bubbles glitter. Apart alone, we only
- 2:28:20Speaker 13: know the lees are very bitter. We walked in sunshine,
- 2:28:25Speaker 13: you and I all in the summer weather. The very
- 2:28:28Speaker 13: night seemed noonday bright when we two were together. I
- 2:28:33Speaker 13: wonder why, with our goodbye, or hill and veil and meadow,
- 2:28:37Speaker 13: there fell such shade. Our paths seemed laid for evermore
- 2:28:41Speaker 13: in shadow. We dreamed a sweet dream, you and I
- 2:28:45Speaker 13: all in the summer weather, where rose and wine and
- 2:28:48Speaker 13: warm sunshine were mingled in together. We dreamed that June
- 2:28:53Speaker 13: was with us. Yet we woke to fine December. We
- 2:28:56Speaker 13: dreamed that we two could forget. We woke, but two remember.
- 2:29:01Speaker 13: End of poem. This recording is in the public domain.
- 2:29:10Speaker 1: Geth semone by Ella Willer Wilcox read for LibriVox dot
- 2:29:16Speaker 1: Org by Larry Wilson in Golden Youth, when seems the
- 2:29:21Speaker 1: earth a summer land of singing birth, when souls are
- 2:29:25Speaker 1: glad and hearts are light, and not a shadow lurks
- 2:29:28Speaker 1: in sight. We do not know it, but there lies somewhere,
- 2:29:32Speaker 1: veiled under evening skies, a garden all must sometimes see,
- 2:29:38Speaker 1: the garden of Gethsemone. With joyous steps we go our ways.
- 2:29:44Speaker 1: Love lends a halo to our days. Light sorrows sell
- 2:29:48Speaker 1: like clouds afar. We laugh and say how strong we are.
- 2:29:52Speaker 1: We hurry on and hurry and go close to the
- 2:29:56Speaker 1: borderland of woe that waits for you, and waits for
- 2:29:59Speaker 1: me forever waits Gisemone. Down shadowy lanes, across strange streams,
- 2:30:07Speaker 1: ridged over by our broken dreams, Behind the misty caps
- 2:30:11Speaker 1: of years, beyond the great salt fount of tears, the
- 2:30:15Speaker 1: garden lies. Strive as you may, you cannot miss it.
- 2:30:19Speaker 1: In your way. All paths that have been or may
- 2:30:23Speaker 1: be pass somewhere through Gussemone. All those who journey soon
- 2:30:29Speaker 1: or late must pass within the garden's gate, must kneel
- 2:30:33Speaker 1: alone in darkness there and battle with some fierce despair.
- 2:30:39Speaker 1: God pity those who cannot say, not mine but thine,
- 2:30:46Speaker 1: who only pray let this cup pass, and cannot see
- 2:30:50Speaker 1: the purpose in gasemone in the poem. This recording is
- 2:30:57Speaker 1: in the public domain.
- 2:31:04Speaker 11: The Coming Man by Ellowheeler Wilcox read forliveryvox dot org
- 2:31:11Speaker 11: by our mapstone. Oh, not for the great departed who
- 2:31:18Speaker 11: formed our country's laws, and not for the bravest hearted
- 2:31:22Speaker 11: who died in freedom's cause, And not for some living
- 2:31:26Speaker 11: hero to whom all bend the knee, my muse would
- 2:31:31Speaker 11: raise his song praise, but for the man to be.
- 2:31:36Speaker 11: For out of the strife which woman is passing through
- 2:31:40Speaker 11: to day, a man that is more than human shall
- 2:31:44Speaker 11: yet be born, I say, a man in whose pure
- 2:31:47Speaker 11: spirit no dross of self will lurk, A man who
- 2:31:52Speaker 11: is strong to cope with wrong, a man who is
- 2:31:55Speaker 11: proud to work, a man with hope undaunted. A man
- 2:32:00Speaker 11: with godlike power shall come when he most is wanted,
- 2:32:04Speaker 11: shall come at the needed hour. He shall silence the
- 2:32:08Speaker 11: din and clamor of clan, disputing with clan, and toils
- 2:32:13Speaker 11: long fight with purse. Proud might shall triumph through this man.
- 2:32:19Speaker 11: I know he is coming, coming to help to guide
- 2:32:22Speaker 11: to save. Though I hear no martial drumming, and I
- 2:32:26Speaker 11: see no flags that wave, but the great salt travail
- 2:32:30Speaker 11: of woman and the bold freethought unfurled are heralds that
- 2:32:35Speaker 11: say he is on the way, the coming man of
- 2:32:38Speaker 11: the world. More not for vanished ages with their great
- 2:32:43Speaker 11: heroic men, who dwell in history's pages and live in
- 2:32:48Speaker 11: the poet's pen. For the grandest times are before us,
- 2:32:52Speaker 11: and the world is yet to see. The noblest worth
- 2:32:56Speaker 11: of this old earth in the men that are to
- 2:32:59Speaker 11: be and a poem. This recording is in the public domain.
- 2:33:11Speaker 11: A Man's Repentance by Ellow Wheeler Wilcox, read for Liberyvox
- 2:33:18Speaker 11: dot Org by Allan Mapstone, intended for recitation at Club
- 2:33:25Speaker 11: Dinners tonight. When I came from the club at eleven
- 2:33:31Speaker 11: under the gaslight, I saw a face, a woman's face,
- 2:33:36Speaker 11: and I swear to Heaven it looked like the ghastly
- 2:33:40Speaker 11: ghost of Grace, and Grace white. Grace was fair, and
- 2:33:45Speaker 11: I tarried and loved her a season, as we men do.
- 2:33:50Speaker 11: And then but sure, why of course she is married,
- 2:33:53Speaker 11: has a husband, and doubtless a babe or two. She
- 2:33:58Speaker 11: was perfectly calm on the day we parted, she spared
- 2:34:01Speaker 11: me a scene to my great surprise. She wasn't the
- 2:34:05Speaker 11: kind to be broken hearted, I remember, she said, with
- 2:34:08Speaker 11: a spark in her eyes. I was tempted, I know,
- 2:34:13Speaker 11: by her proud defiance to make good my promises there
- 2:34:17Speaker 11: and then. But the world would have called it a misalliance.
- 2:34:21Speaker 11: I dreaded the comments and sneers of men, so I
- 2:34:25Speaker 11: left her to grieve for a faithless lover, and to
- 2:34:28Speaker 11: hide her heart from the cold world's sight, as women
- 2:34:32Speaker 11: do hide them the widerth over My God, was it
- 2:34:36Speaker 11: grace that I saw to night? I thought of her marriage,
- 2:34:41Speaker 11: and often with pity, a poor man's wife in some
- 2:34:44Speaker 11: dull place. And now to know that she's here in
- 2:34:48Speaker 11: the city, under the gas light, and with that face.
- 2:34:53Speaker 11: Yet I knew it at once, in spite of the
- 2:34:55Speaker 11: daubing paint and powder, and she knew me. She drew
- 2:35:00Speaker 11: quick breath that was almost sobbing, and shrank in the
- 2:35:03Speaker 11: shade so I should not see. There was hell in
- 2:35:07Speaker 11: her eyes. She was worn and jaded, her soul as
- 2:35:10Speaker 11: it wore with the life she has led. As I
- 2:35:13Speaker 11: looked on that face so strangely faded, I wonder God
- 2:35:17Speaker 11: did not strike me dead. While I have been happy
- 2:35:21Speaker 11: and gay and jolly, received by the very best people
- 2:35:24Speaker 11: in town. That girl whom I led in the way
- 2:35:28Speaker 11: to folly has gone on recklessly down and down two o'clock,
- 2:35:36Speaker 11: and no sleep has found me. That face I saw
- 2:35:39Speaker 11: in the street, lamp's light peers everywhere out from the
- 2:35:43Speaker 11: shadows around me. I know how a murderer feels to night.
- 2:35:50Speaker 11: End of poem. This recording is in the public domain.
- 2:36:00Speaker 6: Dick's Family by Ella Wheeler Wilcox Narrator read by Tommy Hersant.
- 2:36:07Speaker 11: Doctor Griffin read by Alan Maapstone.
- 2:36:11Speaker 7: Dick read by William Jones.
- 2:36:13Speaker 9: Young Woman and Little Girl read by Michel Fry.
- 2:36:18Speaker 6: When Dick, the little deformed invalid, hobbled from his bed
- 2:36:23Speaker 6: into his chair lounge at the window where he reclined
- 2:36:26Speaker 6: all day long, he saw a rosy cheeked young woman
- 2:36:31Speaker 6: polishing the windows across the street, his pale face tinged
- 2:36:35Speaker 6: with a sudden glow, and his painfully brilliant eye shone
- 2:36:39Speaker 6: with an increased luster.
- 2:36:42Speaker 7: Well, I declare if my house is an occupied.
- 2:36:45Speaker 6: He cried, and he lifted the window and peered across
- 2:36:49Speaker 6: the way with such an excited countenance that the young
- 2:36:53Speaker 6: woman opposite paused in her work to regard him. But
- 2:36:57Speaker 6: after a moment's observation, the artled look in her face
- 2:37:01Speaker 6: gave place to pity, for she saw that the great
- 2:37:05Speaker 6: shining eyes were those of an invalid, an invalid child,
- 2:37:10Speaker 6: she thought.
- 2:37:12Speaker 9: Poor child, poor little fellow.
- 2:37:15Speaker 6: She said to herself, And such a pretty face too.
- 2:37:19Speaker 6: But Dick was twenty two years old, with a man's
- 2:37:23Speaker 6: heart and a man's longings shut up in his deformed body.
- 2:37:27Speaker 6: But since he was compelled to pass his days between
- 2:37:31Speaker 6: a bed and a chair, with an occasional hour down
- 2:37:35Speaker 6: on the curbing in the sunlight of a warm day,
- 2:37:39Speaker 6: he found his whole enjoyment in his imagination and wonderful flights.
- 2:37:45Speaker 6: It took, flights and freaks, suspected by no one save
- 2:37:50Speaker 6: good old doctor Griffin, his one confidante. He had known
- 2:37:56Speaker 6: Dick ever since his advent into his life of misery.
- 2:38:00Speaker 6: Dick's mother had been the beauty of the street more
- 2:38:03Speaker 6: than a score of years ago. Old Benjamin Levy, her
- 2:38:08Speaker 6: father was a hard man, and to escape the barren
- 2:38:13Speaker 6: home and dreary life, pretty Josie eloped with a handsome
- 2:38:18Speaker 6: Christian whom she had met while promenading on the street.
- 2:38:23Speaker 6: Her father had uttered a terrible curse when the knowledge
- 2:38:27Speaker 6: of her flight came to him, and scarce two years
- 2:38:31Speaker 6: later the curse had fallen, for pretty Josie came home
- 2:38:37Speaker 6: to die and to leave her invalid baby as the
- 2:38:43Speaker 6: constant reminder of the fulfillment of his curse to her father.
- 2:38:49Speaker 6: Doctor Griffin had been retained during all these years as
- 2:38:54Speaker 6: Dick's physician for the one thing in which Old Benjamin
- 2:38:58Speaker 6: showed no parsimony was in the care of this little
- 2:39:02Speaker 6: deformed grandchild. A little shop where he sold second hand clothing,
- 2:39:08Speaker 6: and a couple of small rooms above it for living
- 2:39:10Speaker 6: purposes constituted his manage. Directly opposite was a three story
- 2:39:17Speaker 6: in basement brick house which had in its day been
- 2:39:21Speaker 6: a semi fashionable private residence. But as trade encroached upon
- 2:39:28Speaker 6: the street, this building had degenerated to an apartment house.
- 2:39:33Speaker 6: While the house stood tenantless, Dick amused himself by imagining
- 2:39:39Speaker 6: that it was his own residence. It is my house,
- 2:39:43Speaker 6: he would say, And.
- 2:39:44Speaker 7: I am traveling abroad, and it is closed by and bye,
- 2:39:48Speaker 7: I shall come home, and it will be a great
- 2:39:51Speaker 7: house Mormon and lights in every window, and flower pots
- 2:39:55Speaker 7: on the sills, and pretty curtains and life and fun.
- 2:40:00Speaker 7: For I am a very rich young man with lots
- 2:40:03Speaker 7: of money, and I always have everything very gay around me.
- 2:40:08Speaker 6: Doctor Griffin used to encourage the boy in his fancies,
- 2:40:11Speaker 6: thinking they relieved the monotony of his dreary life.
- 2:40:16Speaker 11: Well, I see you are still traveling abroad, Dick.
- 2:40:20Speaker 6: He used to say that has.
- 2:40:22Speaker 11: Yours is still closed? No idea when you will return, have.
- 2:40:27Speaker 7: You No, I'm having too good a time to come
- 2:40:31Speaker 7: back yet. Awhile Dick would answer, haven't half seen the
- 2:40:35Speaker 7: world yet.
- 2:40:36Speaker 6: But one day there were people moving around on the
- 2:40:39Speaker 6: ground floor of the house, and Dick heard his grandfather
- 2:40:43Speaker 6: say it was to be made into flats and let
- 2:40:46Speaker 6: to separate families. The next day doctor Griffin called. He
- 2:40:51Speaker 6: greeted the boy.
- 2:40:52Speaker 11: With, oh, Dick, welcome home. I see you have returned
- 2:40:59Speaker 11: from a broom.
- 2:41:00Speaker 6: Dick shook his head soberly. Oh no, he replied, I
- 2:41:04Speaker 6: am not back yet.
- 2:41:06Speaker 7: But I got tired of having my house stay empty.
- 2:41:10Speaker 7: I thought it might as well let it help pay
- 2:41:12Speaker 7: my expenses. It's awful expensive traveling, you know, So I've
- 2:41:17Speaker 7: got some tenants in the house going to let each
- 2:41:21Speaker 7: floor separate, cause it is too expensive for a house
- 2:41:24Speaker 7: for anybody to take wool, cept some rich fellow like me.
- 2:41:29Speaker 6: And during the last six months, the floor exactly opposite
- 2:41:33Speaker 6: Dick's window had been vacant. After three months had passed
- 2:41:37Speaker 6: without a tenant, he told Doctor Griffin that he had
- 2:41:41Speaker 6: decided to reserve that floor for his own use.
- 2:41:45Speaker 7: I'm going to come home pretty soon and settle down,
- 2:41:49Speaker 7: you see, he said, And so I thought I'd keep
- 2:41:52Speaker 7: that floor for myself. I don't need the whole house,
- 2:41:56Speaker 7: and I can just as well let the other tenants stay.
- 2:42:00Speaker 6: And now, after three months more had passed, here were
- 2:42:04Speaker 6: people moving into his apartments. Doctor Griffin called that very
- 2:42:09Speaker 6: afternoon and found Dick looking unusually animated.
- 2:42:14Speaker 11: Well well, Dick, he exclaimed, So, after all you've decided
- 2:42:20Speaker 11: to rent your apartments, you have neighbors, I see. I
- 2:42:25Speaker 11: fear you will never return now and settle down as
- 2:42:28Speaker 11: you intended.
- 2:42:30Speaker 7: Why that's no neighbor's.
- 2:42:31Speaker 6: Doctor replied Dick contemptuously.
- 2:42:35Speaker 7: That's my family. I've come home to stay and brought
- 2:42:38Speaker 7: my family, you see.
- 2:42:40Speaker 11: You know, tell me, so, why what a stupid old fellow.
- 2:42:44Speaker 11: I am to be.
- 2:42:45Speaker 6: Sure, cried the doctor with feigned self scorn.
- 2:42:49Speaker 7: How large a family have you, Dick, Well, only only one,
- 2:42:54Speaker 7: as I care specially about. Look look at her.
- 2:42:57Speaker 6: Doctor, catching the doctor's hand, leaning forward in his chair.
- 2:43:02Speaker 7: See her of fixing the nice little curtain at the window.
- 2:43:06Speaker 7: She's a regular neat one. She is my little woman
- 2:43:09Speaker 7: over there. She was a cleaning the windows and things
- 2:43:12Speaker 7: this morning, with her hair so slick and a span
- 2:43:15Speaker 7: clean apron on. That's the kind of girl I like.
- 2:43:19Speaker 7: I always like that kind. Isn't she the right kind? Hey? Doctor?
- 2:43:24Speaker 6: Doctor Griffin saw a trim young woman with rosy cheeks,
- 2:43:29Speaker 6: looping back scrim curtains with pink ribbons. He nodded gravely.
- 2:43:35Speaker 11: From my brief acquaintance, I should say she was, he answered.
- 2:43:40Speaker 11: I congratulate you on your good look. With such a
- 2:43:43Speaker 11: family as that, you ought to be a happy fellow. Queer,
- 2:43:47Speaker 11: little fellow, queer, little fellow.
- 2:43:49Speaker 6: He said to himself as he went down the stairs.
- 2:43:53Speaker 11: Strange notion then about his home and family.
- 2:43:57Speaker 6: When Dick awoke the following day, he felt a new
- 2:43:59Speaker 6: sense of happiness in the thought of his neighbor opposite.
- 2:44:03Speaker 6: He hurried through his tedious ceremony of dressing ate his
- 2:44:07Speaker 6: frugal breakfast, hobbled into his invalid chair and gave an
- 2:44:12Speaker 6: eager glance across the street. Yes, there were the dainty
- 2:44:17Speaker 6: curtains still at the window, so it was no dream.
- 2:44:21Speaker 6: He watched for a glimpse of the occupant, but she
- 2:44:24Speaker 6: did not appear. Then he laughed a little softly to himself.
- 2:44:30Speaker 7: Of course she wouldn't be hanging around the window at
- 2:44:33Speaker 7: all hours. She isn't that sort. And of course I'm
- 2:44:37Speaker 7: over there now, and she's a pooring coffee for me.
- 2:44:40Speaker 7: We take breakfast sort of late today because we were
- 2:44:43Speaker 7: just home from Europe, and I haven't gone down to
- 2:44:46Speaker 7: the office yet. After I get off, she'll brush around
- 2:44:50Speaker 7: and set things to write, and hello, I must have
- 2:44:54Speaker 7: gone now, you know. For there she is a whisk
- 2:44:57Speaker 7: in the dust off the window sill, as pretty as
- 2:45:00Speaker 7: and need as a pin. All the time I'm down
- 2:45:03Speaker 7: at the office with him, pesky clerks of mine are
- 2:45:06Speaker 7: bothering me, I'll be a thinking of that sweet little
- 2:45:09Speaker 7: woman up here waiting for me. We do have very
- 2:45:14Speaker 7: sociable times.
- 2:45:15Speaker 6: Dick told of the doctor a month later.
- 2:45:18Speaker 7: That little woman and I seem made for each other.
- 2:45:21Speaker 7: She's just the right sort. We never have no fusses,
- 2:45:25Speaker 7: and things go so comfortable like all the time.
- 2:45:30Speaker 11: And how do you like the other party? There's a
- 2:45:33Speaker 11: man there also, I see, how do you like him?
- 2:45:37Speaker 6: Dick flushed painfully, and a deep frown settled on his face.
- 2:45:43Speaker 6: There was a man whom he saw from time to time,
- 2:45:47Speaker 6: sitting at the window after the dinner hour, reading his paper.
- 2:45:52Speaker 6: But the moment he made his appearance, Dick closed his
- 2:45:55Speaker 6: eyes or left the window seat. He regarded the man
- 2:45:59Speaker 6: as an intruder, a shadow upon his home life, a
- 2:46:04Speaker 6: serpent in his eden. Sunday was a day of restlessness
- 2:46:09Speaker 6: and discontent, because the man was there all day long,
- 2:46:15Speaker 6: and on Sundays he avoided the invalid chair, which was
- 2:46:19Speaker 6: his seat on all other days. Now, when he heard
- 2:46:23Speaker 6: Doctor Griffin speak of the man as a real being,
- 2:46:27Speaker 6: he suffered all the bitter and mortified pangs of jealousy
- 2:46:33Speaker 6: which might come to a man who hears a stranger
- 2:46:36Speaker 6: give words to a suspicion of his wife's disloyalty to
- 2:46:40Speaker 6: which he has striven to blind himself.
- 2:46:43Speaker 7: A man. Yes, there's a man there Sometimes, Dick stammered,
- 2:46:49Speaker 7: he's a sort of poor relative, don't you know, one
- 2:46:54Speaker 7: of my relations? You see? And I can't very well
- 2:46:57Speaker 7: turn him off.
- 2:46:58Speaker 6: Oh I see, answered the doctor, noticing Dick's confusion and
- 2:47:03Speaker 6: hastening to help him out.
- 2:47:05Speaker 11: Well, everybody has someone of that sort. I have half
- 2:47:09Speaker 11: a dozen poor relations who live on me. Some one
- 2:47:13Speaker 11: of them is with us most of the time, a
- 2:47:16Speaker 11: little uncomfortable occasionally, maybe because every man's house is his
- 2:47:21Speaker 11: castle where he wants to be alone at times. But
- 2:47:26Speaker 11: we who have homes have no right to be selfish.
- 2:47:30Speaker 11: We must share them with less fortunate people. Happiness must
- 2:47:34Speaker 11: not make us selfish.
- 2:47:36Speaker 6: Dick's face brightened, his heart had grown light and happy
- 2:47:40Speaker 6: while the doctor spoke.
- 2:47:42Speaker 7: That's just what I tell myself. And the little woman,
- 2:47:45Speaker 7: he said, often she doesn't like to have the fellow
- 2:47:49Speaker 7: dropping in and spoiling our chats.
- 2:47:52Speaker 6: Dick felt an immense satisfaction in saying this.
- 2:47:56Speaker 7: But I tell her, with just our two selves, we'd
- 2:48:00Speaker 7: get selfish with happiness unless we had something to do
- 2:48:04Speaker 7: for another. But he does break up our sundays awfully.
- 2:48:09Speaker 7: Scarcely can get out a word alone that fellow spoking around.
- 2:48:13Speaker 11: So, oh, well, you can afford him one day in
- 2:48:17Speaker 11: the week, and I won't let him bother me. Just
- 2:48:21Speaker 11: be as happy as if he wasn't around.
- 2:48:24Speaker 6: Somehow, Dick felt much better after this talk. He had
- 2:48:27Speaker 6: tried to ignore the presence of the man opposite, but
- 2:48:30Speaker 6: now he could acknowledge it and definitely locate the man
- 2:48:35Speaker 6: in his thought as a poor dependent who was benefited
- 2:48:40Speaker 6: by his bounty. He enjoyed thinking that the little woman
- 2:48:45Speaker 6: objected more or less to the fellow, and that she
- 2:48:49Speaker 6: allowed him so much liberty only to please Dick. As
- 2:48:55Speaker 6: the weeks rolled on, he confessed to the doctor that
- 2:48:59Speaker 6: the fellow was really useful at.
- 2:49:01Speaker 7: Times rainy days. He goes to market for the little woman,
- 2:49:06Speaker 7: he said, and often runs out on errands for us.
- 2:49:10Speaker 6: Dick's house had been occupied six months when a whole
- 2:49:14Speaker 6: week passed without his seeing his little woman at the window.
- 2:49:19Speaker 6: During that six months, there had scarcely been an afternoon
- 2:49:23Speaker 6: during which she had not sat for an hour or
- 2:49:26Speaker 6: two at the window with her sewing. Dick had grown
- 2:49:30Speaker 6: to think of that hour as the bright spoke in
- 2:49:34Speaker 6: the wheel of the day. She looked at him so
- 2:49:37Speaker 6: kindly and gently, and he used to imagine he was
- 2:49:42Speaker 6: lying on a lounge in the room, reading aloud to
- 2:49:45Speaker 6: her as she sewed, and that her kind, warm smile
- 2:49:50Speaker 6: was one of love, not of pity. And when a
- 2:49:55Speaker 6: whole week passed without his once seeing her, Dick found
- 2:50:01Speaker 6: himself in a nervous fever with a blinding headache from
- 2:50:05Speaker 6: having gazed so eagerly and anxiously across the street. And
- 2:50:10Speaker 6: Grandfather Levy sent for doctor Griffin.
- 2:50:14Speaker 7: There's something the matter over the way, whispered Dick, as
- 2:50:18Speaker 7: soon as the doctor was alone with him. I haven't
- 2:50:21Speaker 7: seen her for a whole week. There's a strange woman there,
- 2:50:26Speaker 7: and I'm sure she's sick. I couldn't sleep all last
- 2:50:30Speaker 7: night for worrying about her.
- 2:50:32Speaker 6: Doctor Griffin went to the window and looked out. Then
- 2:50:36Speaker 6: he took a magnifying glass from his pocket and deliberately
- 2:50:39Speaker 6: stared into the window opposite. Then he went.
- 2:50:44Speaker 11: Back to Dick, my dear fellow, He said, you are
- 2:50:48Speaker 11: to be congratulated. You are a father. I saw the
- 2:50:54Speaker 11: nurse walking up and down the room with the child
- 2:50:57Speaker 11: in her arms. It's a bad habit way, and you
- 2:51:01Speaker 11: must send her. Not to te shirt to the child.
- 2:51:04Speaker 11: You can't begin too young with them.
- 2:51:07Speaker 6: After the doctor went away, Dick buried his face in
- 2:51:11Speaker 6: his pillow and wept softly.
- 2:51:14Speaker 7: A little baby, Yes, my little baby, he whispered, God
- 2:51:20Speaker 7: bless the little woman. Someday she will sit with it
- 2:51:23Speaker 7: at the window, and I shall have them both for company.
- 2:51:28Speaker 6: And then one day, a soft, warm day late in May,
- 2:51:32Speaker 6: there she sat at the window again, with Lily's instead
- 2:51:37Speaker 6: of roses in her cheeks and the bundle of flannel
- 2:51:42Speaker 6: in her arms. She smiled at Dick, and tears of
- 2:51:49Speaker 6: joy and love welled up in his eyes as he
- 2:51:53Speaker 6: gazed upon the two.
- 2:51:55Speaker 7: I've got two of them for company. Now, a little woman, the.
- 2:52:00Speaker 6: Baby, he whispered. After that, the days seemed very happy
- 2:52:06Speaker 6: and bright, and Dick thought himself the richest man on earth.
- 2:52:11Speaker 6: Only he wondered why the roses did not come back
- 2:52:14Speaker 6: to the little woman's cheeks.
- 2:52:16Speaker 7: She doesn't look as well as she ought.
- 2:52:19Speaker 6: To, he told the doctor one day in June, and
- 2:52:22Speaker 6: the doctor, peering over his spectacles, shook his head as
- 2:52:26Speaker 6: he looked at her, but Dick did not see it.
- 2:52:30Speaker 6: Passing down the block, one day, doctor Griffin came face
- 2:52:33Speaker 6: to face with a little girl who wheeled a baby carriage,
- 2:52:38Speaker 6: and as he glanced under the awning he was startled
- 2:52:42Speaker 6: to see two weirdly brilliant eyes, the very counterpart of Dick's,
- 2:52:49Speaker 6: gazing up at him.
- 2:52:51Speaker 11: Whose child is this? Does he live over in the
- 2:52:55Speaker 11: brick flats? There?
- 2:52:56Speaker 6: Queried the doctor. The little girl.
- 2:52:59Speaker 11: Nodded second plight up, Yes, sir, queer enough, queer.
- 2:53:04Speaker 6: Enough, he mused, as he walked on.
- 2:53:08Speaker 11: Your baby has eyes exactly like.
- 2:53:11Speaker 6: You, Dick, said the doctor a few days later.
- 2:53:14Speaker 11: Honestly, no joking. I saw the little fellow on the street,
- 2:53:19Speaker 11: and I knew him by his eyes.
- 2:53:22Speaker 6: After that, Dick's heart went out to the baby more
- 2:53:26Speaker 6: and more, and he was eager to see it. One
- 2:53:29Speaker 6: day he saw the little nurse girl wheeling the carriage,
- 2:53:33Speaker 6: and as fast as his lame body would permit, he
- 2:53:36Speaker 6: hurried and hobbled it down to the street, hoping it
- 2:53:39Speaker 6: would pass near him. Sure enough, it did, and Dick's
- 2:53:44Speaker 6: heart jumped into his throat as he leaned on his
- 2:53:48Speaker 6: cane and peered into the carriage to catch his first
- 2:53:52Speaker 6: glimpse of the baby he had grown to think of
- 2:53:55Speaker 6: as his own. Yes, those were his own eyes, his
- 2:54:03Speaker 6: very own, gazing up at him, and he touched the
- 2:54:07Speaker 6: little hand with reverence and awe. The baby laughed and
- 2:54:13Speaker 6: twisted his small, soft fingers about his thumb, and clung
- 2:54:19Speaker 6: to his hand as if unwilling to let him go.
- 2:54:23Speaker 6: For weeks after that, he would wake at night thinking
- 2:54:28Speaker 6: he felt that clinging touch upon his hand, and those great,
- 2:54:34Speaker 6: dark startled eyes, the very counterpart of his own, seemed
- 2:54:40Speaker 6: illuminating the night for him. It was early November when
- 2:54:45Speaker 6: he failed to see the baby at the window or
- 2:54:49Speaker 6: on the street, nor did the mother appear at the
- 2:54:52Speaker 6: window for four days. The morning of the fifth day,
- 2:54:58Speaker 6: Dick saw from his window a little white hearse drawn
- 2:55:04Speaker 6: by white ponies, paused at the house opposite, and then
- 2:55:10Speaker 6: someone came out with a small casket, followed by the
- 2:55:16Speaker 6: male relative and a few sad faced friends. That day
- 2:55:24Speaker 6: Dick entered gesseemone, and the mourners who followed the little
- 2:55:29Speaker 6: baby to its last resting place shed no bitterer tears
- 2:55:35Speaker 6: than he mixed with his keen anguish for the loss
- 2:55:39Speaker 6: of the child, was fear for the life of the mother,
- 2:55:43Speaker 6: who was too ill to attend the burial. That night,
- 2:55:49Speaker 6: doctor Griffin was sent for, and he found Dick so
- 2:55:53Speaker 6: ill and feverish that he was alarmed. His tears mingled
- 2:55:58Speaker 6: with Dix when the poor boy told him of the
- 2:56:02Speaker 6: baby's death and begged him to go over and inquire
- 2:56:07Speaker 6: after the little woman.
- 2:56:10Speaker 7: You can ask the janitor doctor, just say friends opposite
- 2:56:15Speaker 7: want to inquire after her. You needn't say no more.
- 2:56:19Speaker 6: The doctor did as Dick desired, and came back shortly,
- 2:56:23Speaker 6: making an effort to speak cheerfully.
- 2:56:26Speaker 11: The janitor says, missus.
- 2:56:28Speaker 7: The little woman interrupted Dick. Yes, yes, how is she not?
- 2:56:34Speaker 6: For worlds what he have heard her name spoken?
- 2:56:38Speaker 11: She is ill, suffering from the prostration caused my grief.
- 2:56:43Speaker 6: The doctor replied, But she is.
- 2:56:46Speaker 11: Young, and she will rally in a few weeks, no doubt.
- 2:56:50Speaker 11: You must brace up, old man, and be ready to
- 2:56:53Speaker 11: comfort her. If you don't look after yourself a little better,
- 2:56:58Speaker 11: I won't promise for the consequences to your health. You've
- 2:57:03Speaker 11: overtext yourself lately, and you must keep very quiet now
- 2:57:08Speaker 11: for a few days.
- 2:57:10Speaker 6: But each day Dick dragged himself to the window to
- 2:57:14Speaker 6: see if the little woman was visible, and on the
- 2:57:17Speaker 6: tenth day after the baby's funeral, a black hearse with
- 2:57:22Speaker 6: nodding black plumes and black horses with jet harness and
- 2:57:26Speaker 6: dangling black dassels stood at the house opposite, and Dick,
- 2:57:33Speaker 6: with panting breath and wild eyes, crawled down the stairs
- 2:57:36Speaker 6: and out upon the street, for he seemed choking in
- 2:57:39Speaker 6: the house, and he thought he must hinder those cruel
- 2:57:42Speaker 6: people from taking away the little woman. He could not
- 2:57:46Speaker 6: could not let her go from him forever. And when
- 2:57:50Speaker 6: he saw them lifting the casket into the hearse he
- 2:57:53Speaker 6: reached out his arms try to cry out and stop them,
- 2:57:58Speaker 6: And then he fell over, weak and helpless, with strange
- 2:58:03Speaker 6: sounds ringing in his ears and warm blood spurting from
- 2:58:08Speaker 6: his mouth. When he awoke to consciousness, he was lying
- 2:58:14Speaker 6: on his couch, and Doctor Griffin and Grandfather Levy were
- 2:58:19Speaker 6: bending over him with tears in their eyes. He tried
- 2:58:24Speaker 6: to speak, and with each syllable the blood gushed again
- 2:58:29Speaker 6: from his lips.
- 2:58:31Speaker 11: You mustn't talk, said the doctor. You are very weak
- 2:58:36Speaker 11: and it may be fatal to you if you do
- 2:58:39Speaker 11: not keep quiet.
- 2:58:41Speaker 6: He drew the doctor's head down close to his lips.
- 2:58:46Speaker 7: It's no use trying to save me, he whispered. I'd
- 2:58:51Speaker 7: rather go. I couldn't stand it living on with both
- 2:58:56Speaker 7: of him gone. I've nothing to live for now, no
- 2:59:01Speaker 7: ambition or pleasure lived. I've had all the pleasure I'll
- 2:59:06Speaker 7: ever get out a life doctor this year back, it's
- 2:59:10Speaker 7: kinder to let me go and follow my family.
- 2:59:15Speaker 6: The hemorrhage set in anew and with the red gushing tide,
- 2:59:20Speaker 6: Dick's soul passed out to seek those of the little
- 2:59:24Speaker 6: woman and the baby end of Dick's family and of
- 2:59:30Speaker 6: how Salvador One and other recitations by Ella Wheeler Wilcox.
- 2:59:37Speaker 6: This recording is in the public domain.