Latest / Movie Meltdown / 90.2: Dreamscapin' with the Snakeman

Transcript

90.2: Dreamscapin' with the Snakeman · Movie Meltdown

• 0:00
  Speaker 1: The following feature has been rated R by the Motion
• 0:02
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:06
  Speaker 1: and parental discretion is advised.
• 0:18
  Speaker 2: It's showtime, folks! Enjoy the show!
• 0:37
  Speaker 3: You're listening.
• 0:37
  Speaker 4: Are you listening to Movie Meltdown?
• 0:40
  Speaker 2: I'm Amanda Burse.
• 0:40
  Speaker 3: I hope so.
• 0:49
  Speaker 5: It's time for Sofa Theater. There he is, Alex Gardner,
• 0:55
  Speaker 5: when he was 19 years old.
• 0:57
  Speaker 2: I worked with him for a year and a half.
• 1:00
  Speaker 2: He was an authentic genius, this boy.
• 1:02
  Speaker 5: Exceptionally gifted. Telekinesis was only one of his talents. I
• 1:10
  Speaker 5: remember reading about him.
• 1:13
  Speaker 3: Caused quite a controversy at the time.
• 1:16
  Speaker 5: Then, in the middle of it, he disappeared.
• 1:18
  Speaker 6: Yeah.
• 1:19
  Speaker 5: He ran out on us.
• 1:21
  Speaker 7: After months of intensive parapsychological testing.
• 1:26
  Speaker 5: Didn't like being poked and prodded. Who dies?
• 1:30
  Speaker 3: He's perfect.
• 1:31
  Speaker 5: I want him.
• 1:33
  Speaker 3: Yes, you're right, of course.
• 1:34
  Speaker 5: He would be perfect.
• 1:35
  Speaker 8: If we can find him.
• 1:37
  Speaker 5: You leave that to me.
• 1:39
  Speaker 2: If he's alive, I'll find him.
• 2:06
  Speaker 9: Hey, hey, kids, rock and roll.
• 2:09
  Speaker 4: Nobody tells you where to go, baby.
• 2:15
  Speaker 5: Welcome to Movie Meltdown Sofa Theater. Once again, I am Brian.
• 2:20
  Speaker 5: This is Roger.
• 2:21
  Speaker 3: I'm Joni Still.
• 2:22
  Speaker 8: I'm Greg.
• 2:23
  Speaker 3: Marlena.
• 2:24
  Speaker 5: All right.
• 2:27
  Speaker 10: I wanted to do the rainbow thing, but I forget
• 2:30
  Speaker 10: this is a television show.
• 2:31
  Speaker 3: It's a radio show, so.
• 2:34
  Speaker 3: We're like, hi!
• 2:37
  Speaker 5: Way to get the mic waving at the microphone. You
• 2:39
  Speaker 5: guys can feel that, right?
• 2:41
  Speaker 9: This needs to be a visual.
• 2:42
  Speaker 5: As well as audio thing. Have you seen The Way
• 2:51
  Speaker 5: We Operate? Do you want to watch this?
• 2:53
  Speaker 3: I don't have.
• 2:53
  Speaker 11: Any makeup on today. Once again, think about what you
• 2:57
  Speaker 11: would have to look at. I mean, it's bad enough
• 2:59
  Speaker 11: we have to sit here and do this, but nobody
• 3:01
  Speaker 11: should have to witness this.
• 3:02
  Speaker 5: And no one will.
• 3:03
  Speaker 9: We'll lose viewers, listeners.
• 3:07
  Speaker 3: Just have to wear a lower cut shirt right I'll
• 3:09
  Speaker 3: just have.
• 3:09
  Speaker 11: To unzip yeah you might bring you might bring.
• 3:13
  Speaker 12: In geeks you're right yeah that would be like bringing
• 3:15
  Speaker 12: geeks make it all broadcast.
• 3:18
  Speaker 5: And we've already got you know more than most shows
• 3:20
  Speaker 5: so yeah it's like 50% at this point that's what.
• 3:23
  Speaker 9: I'm saying so 50% ladies if.
• 3:25
  Speaker 11: You guys want that you know we loser would show
• 3:28
  Speaker 11: up we don't hear from you much so if that's
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  Speaker 11: what you want from us I guess you better get
• 3:32
  Speaker 11: a hold of.
• 3:33
  Speaker 9: Us yeah somehow let us know chime in.
• 3:38
  Speaker 11: All right, this week's Sofa Theater feature is Dreamscape, 1984,
• 3:41
  Speaker 11: director Joseph Rubin. The most simplified, actually, I had problems
• 3:47
  Speaker 11: with several of the IMDb plots, so I'm going with
• 3:50
  Speaker 11: the first half of the first sentence on one of them.
• 3:53
  Speaker 3: Oh, wow.
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  Speaker 5: And that's right. A government-funded project looks into using psychics
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  Speaker 5: to enter people's dreams. If you stop there, it's not
• 4:00
  Speaker 5: wrong yet.
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  Speaker 11: Yeah.
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  Speaker 5: There's several others. What happens later?
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  Speaker 9: Is there any way?
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  Speaker 11: Well, the other one says, a man who can enter
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  Speaker 11: and manipulate people's dreams is recruited by the government.
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  Speaker 13: Okay, no.
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  Speaker 5: No. He had no use of that before.
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  Speaker 11: He's not recruited by the government specifically because of his
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  Speaker 11: power to manipulate people.
• 4:18
  Speaker 5: No.
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  Speaker 11: And then it is to help cure the president of
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  Speaker 11: the United States. No, that's not what he was brought.
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  Speaker 11: They didn't even know anything about that when they started
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  Speaker 11: this project. So once again, wrong, wrong.
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  Speaker 5: Massively wrong.
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  Speaker 9: To end world peace.
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  Speaker 12: I mean, wait.
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  Speaker 5: You can't worry.
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  Speaker 11: So, first off, giant spoiler alert, just to let you
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  Speaker 11: know it's out there.
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  Speaker 5: We're going to talk about Crazy Snake Man.
• 4:42
  Speaker 11: If you don't want to, I'll have that ruined for
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  Speaker 11: you if you've been napping since 84 and you.
• 4:47
  Speaker 5: Haven't seen this one. Dreaming. Dreaming away. Go ahead and
• 4:51
  Speaker 5: go get yourself a copy. It's pretty much readily available.
• 4:54
  Speaker 5: It's on Netflix.
• 4:55
  Speaker 11: Watch instantly right now. So, yeah, it's easily accessible. Go
• 5:00
  Speaker 11: get yourself a version of it and watch it. Next up,
• 5:04
  Speaker 11: before we begin, I do want to officially add this
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  Speaker 11: to the official Hall of Fame here as.
• 5:10
  Speaker 5: Video Boxes That Warped My Brain. Or in this case,
• 5:13
  Speaker 5: and the colors are a little off on this, by
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  Speaker 5: the way. You guys were checking it out earlier. It
• 5:17
  Speaker 5: looks really bright.
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  Speaker 9: It looks really beautiful.
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  Speaker 5: Yeah, it's a little different. I kind of like the original.
• 5:21
  Speaker 11: And I know what the original is because this, for
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  Speaker 11: my purposes, falls under One Sheets That Warped My Brain.
• 5:26
  Speaker 11: Because I had this one sheet on my wall for years. Yeah,
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  Speaker 11: for quite a while. I had probably the folded version
• 5:35
  Speaker 11: back when they came that way. And at some point,
• 5:38
  Speaker 11: probably a flea market somewhere, dorky kid that I was.
• 5:41
  Speaker 11: Went and tracked one down, and it hung on my
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  Speaker 11: wall for a long time there. It was one of
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  Speaker 11: those original ones back as a kid.
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  Speaker 9: You should have laminated it.
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  Speaker 5: God.
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  Speaker 11: I'm sure I still have it. It's lost somewhere in
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  Speaker 11: a box, but it's not like it left. God forbid
• 5:55
  Speaker 11: I get rid of anything. So when I come across
• 5:57
  Speaker 11: it again... you'll see it hanging on the wall.
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  Speaker 5: More than likely. Nice.
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  Speaker 11: So, yeah, I mean, it's one of the more awesome
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  Speaker 11: visions ever. This is back when they actually made kick-ass
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  Speaker 11: movie posters.
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  Speaker 10: Yeah.
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  Speaker 9: I think it is Drew Streisand, I think, who did
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  Speaker 9: the art.
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  Speaker 3: There hasn't been an art cover for a movie this
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  Speaker 3: awesome since Adventures in Babysitter.
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  Speaker 5: Which, once again, was very much like that.
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  Speaker 1: Yeah.
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  Speaker 9: I think that was Drew Streason also.
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  Speaker 2: Yeah.
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  Speaker 11: It's back when they really took the scope of the
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  Speaker 11: entire movies and jammed it into one poster. And not
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  Speaker 11: the way that the badly pieced together videotape covers. You
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  Speaker 11: remember how horrible those were.
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  Speaker 1: Mm-hmm.
• 6:35
  Speaker 5: When they would just slap.
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  Speaker 11: Like, this one finds a way of working in damn
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  Speaker 11: near everything that takes place in that movie in that
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  Speaker 11: one image.
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  Speaker 5: Yeah. And yet, it doesn't seem forced.
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  Speaker 11: It doesn't seem hacked together out of, you know, just
• 6:47
  Speaker 11: still frames that they stole off the video.
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  Speaker 5: It seems very Indiana Jones-esque.
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  Speaker 11: Yeah, it's completely Indiana Jones. But it was one of those,
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  Speaker 11: I went back watching it again, I'm like, no, it's
• 6:57
  Speaker 11: all in there. Even the cheesy torch is in there.
• 6:59
  Speaker 5: It's like he works in everything.
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  Speaker 8: So, I mean, it.
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  Speaker 9: it's a very motorbike scene yeah.
• 7:04
  Speaker 5: There's no horses in here you.
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  Speaker 11: Were lying well we already we already covered the horses
• 7:09
  Speaker 11: in our dreams that's a whole different thing but but
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  Speaker 11: yeah i think it's an awesome uh video box slash
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  Speaker 11: one sheet and yeah that's that's the way to go.
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  Speaker 14: Really The cover, not that anyone can see this, but
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  Speaker 14: the cover reminds me also, at least the artwork, of
• 7:24
  Speaker 14: Neverending Story.
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  Speaker 5: I was thinking that, yeah. I'm pretty sure you did
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  Speaker 5: that too.
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  Speaker 11: Once again, classic, epic packaging back when they knew how
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  Speaker 11: to do it.
• 7:34
  Speaker 5: Every once in a while now, somebody will turn out
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  Speaker 5: a good one. The kid looks like a troll, though.
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  Speaker 5: He's all creeped in the back.
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  Speaker 4: He looks like Sean Astin a little bit.
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  Speaker 5: We can get to him. He's got a fabulous tie-in, too.
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  Speaker 10: Nice.
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  Speaker 5: Alright, so we've thrown out the plot. Where would you
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  Speaker 5: like to begin? This was definitely one of those movies
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  Speaker 5: that I remember from when I was young. Warped your brain?
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  Speaker 12: And I remember that the part with the snake man
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  Speaker 12: in it actually scared the shit out of me when
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  Speaker 12: I was a kid. And the fact where, like, you know,
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  Speaker 12: he runs through the room and it's just like, yeah,
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  Speaker 12: it's my father.
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  Speaker 5: He won't help us. He's like, you little bastard.
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  Speaker 2: Right.
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  Speaker 5: Or whatever. And then, like. I knew that was going
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  Speaker 5: to be your favorite line.
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  Speaker 12: Well, as they leave and it's, like, got the shadow
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  Speaker 12: and the sound effects of the snake man, like.
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  Speaker 5: Eating his father and his father screaming. Like, that always, like,
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  Speaker 5: disturbed me for some reason. Like how the little kid
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  Speaker 5: didn't even care. He's like, good.
• 8:23
  Speaker 6: Yeah.
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  Speaker 5: He's like, get out of here.
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  Speaker 11: That little part always reminded me of The Clash of
• 8:29
  Speaker 11: the Titans, because you always got the shadow of Medusa,
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  Speaker 11: and to me it was a pretty close kind of
• 8:34
  Speaker 11: running to that.
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  Speaker 12: But, I mean, this is definitely one of those movies
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  Speaker 12: that I remember seeing when I was way too young
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  Speaker 12: probably to watch it, and loved it ever since, even
• 8:43
  Speaker 12: though it did terrify me to an extent.
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  Speaker 11: Definitely.
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  Speaker 5: As all the good ones really do. What's his name,
• 8:48
  Speaker 5: the bad guy? He's awesome. The real bad guy.
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  Speaker 11: Yeah, I mean, the one that's usually a bad guy
• 8:54
  Speaker 11: in most movies and isn't is Max von Sydow.
• 8:57
  Speaker 5: Yeah. Who is awesome. He was totally awesome. Who is
• 8:59
  Speaker 5: awesome in everything.
• 9:01
  Speaker 11: It's funny because I just, I was sitting there watching
• 9:04
  Speaker 11: earlier this week.
• 9:05
  Speaker 5: I was watching, no. James Brute.
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  Speaker 3: There's one.
• 9:08
  Speaker 5: Why is he in there?
• 9:09
  Speaker 1: Strange Brute.
• 9:10
  Speaker 5: There's another one that, why is he in Strange Brew?
• 9:12
  Speaker 5: He's awesome. He's awesome.
• 9:14
  Speaker 11: It's an awesome movie, but that's such a weird choice
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  Speaker 11: of projects for him.
• 9:18
  Speaker 3: I think Strange Brew is on Netflix on the instant queue.
• 9:21
  Speaker 5: I'm so excited. You're going to go home and watch it.
• 9:23
  Speaker 9: Oh, that's a great movie.
• 9:24
  Speaker 5: That's fun. But no, he's in.
• 9:27
  Speaker 11: shutter island and i'm sitting there i'm watching it and
• 9:31
  Speaker 11: it's it's kind of like this one i'm sitting there
• 9:32
  Speaker 11: watching twitter island going you got max von siddow and
• 9:34
  Speaker 11: you got um ben kingsley it's like you know even
• 9:37
  Speaker 11: if leonardo sucked look at these two yeah.
• 9:41
  Speaker 5: These two on screen are fucking awesome.
• 9:43
  Speaker 11: And then in this one we've got a max von
• 9:45
  Speaker 11: siddow and then bob blair is uh christopher plumber yeah
• 9:49
  Speaker 11: christopher plumber is badass in this movie yeah yeah He,
• 9:52
  Speaker 11: and it's funny, he said this is like the other movie.
• 9:54
  Speaker 11: He's remembered most of the time on the street. They
• 9:57
  Speaker 11: say people come up mad and talk to him about
• 9:59
  Speaker 11: two movies this one and the sound of music two
• 10:03
  Speaker 11: very opposite engines of the spectrum here yeah but it's
• 10:06
  Speaker 11: funny that this movie makes its impression on people as
• 10:09
  Speaker 11: sound of music wow yeah.
• 10:13
  Speaker 3: What year was Nightmare on Elm Street?
• 10:16
  Speaker 5: That's the one I was, yeah, a whole big area
• 10:19
  Speaker 5: I was going to get into. No, it's 84.
• 10:21
  Speaker 11: It's actually, this predates it, though. It's the same year,
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  Speaker 11: but they were shooting this one before that because they
• 10:28
  Speaker 11: came to them when they were going to do the
• 10:30
  Speaker 11: makeup and stuff for Nightmare on Elm Street and said, hey, who.
• 10:34
  Speaker 5: Did you guys use?
• 10:35
  Speaker 11: And the effects guys were sort of like, oh we
• 10:37
  Speaker 11: went with this and we did so he kind of
• 10:38
  Speaker 11: helped them out and pointed them in the right direction
• 10:41
  Speaker 11: so you can definitely feel it yeah you can and some.
• 10:45
  Speaker 10: Of the dream sequences were very Nightmare on Elm Street
• 10:48
  Speaker 10: and the part where he's fingers became nails. And also,
• 10:53
  Speaker 10: that guy has a very Robert Englund kind of cheesy.
• 10:57
  Speaker 3: I mean, he's not as quippy, but he.
• 11:00
  Speaker 5: Definitely has that. He throws them out there.
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  Speaker 9: He's awesome.
• 11:03
  Speaker 5: What's he say when he, well, again, spoiler, pulls the
• 11:07
  Speaker 5: heart out. Again, this was a thing that... Yeah, he
• 11:09
  Speaker 5: actually was quippy.
• 11:10
  Speaker 11: Yeah, he says to our main character, Alex, Alex, have
• 11:14
  Speaker 11: a heart, and then throws it at him. Yeah, very
• 11:17
  Speaker 11: very Freddy through but again it totally like the nails
• 11:22
  Speaker 11: on the hand I mean they're just blades that pop
• 11:24
  Speaker 11: out of his fingers that's Freddy before there was Freddy
• 11:27
  Speaker 11: I mean I guess Freddy was probably a script at
• 11:29
  Speaker 11: this point but still they beat him to the screen
• 11:32
  Speaker 11: doing that I'm sure they.
• 11:33
  Speaker 3: Were similar the same people working on both movies had
• 11:37
  Speaker 3: to have been I mean it's just too coincidental.
• 11:40
  Speaker 6: Especially the time period for what was available I mean
• 11:45
  Speaker 6: people wise you.
• 11:46
  Speaker 11: Know And it was just, it's a weird point in
• 11:48
  Speaker 11: time for us, I guess, as movie viewers, because we
• 11:52
  Speaker 11: had a lot of heart ripping out too. This was
• 11:55
  Speaker 11: also the same year Temple of Doom came out with
• 11:57
  Speaker 11: its nice big heart ripping scene. So there's a lot
• 12:00
  Speaker 11: of hearts being ripped out of people's chests, still beating
• 12:03
  Speaker 11: in these movies all of a sudden, which you probably
• 12:05
  Speaker 11: didn't get a lot of that, you know, back in
• 12:07
  Speaker 11: the day. So this was a turning point in there.
• 12:10
  Speaker 5: Let's play a little game. All right, it's your party.
• 12:14
  Speaker 7: Let's pretend that a man with a little help from science,
• 12:20
  Speaker 7: could psychically project himself inside the dream.
• 12:25
  Speaker 5: Of a sleeping person. Okay, let's pretend that.
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  Speaker 15: Then pretend that once inside the dream, he could become
• 12:34
  Speaker 15: an active participant in it. He could actually be there,
• 12:39
  Speaker 15: right in the middle. He could feel the dream, experience it,
• 12:47
  Speaker 15: shape and alter the dream itself. What would you say
• 12:52
  Speaker 15: to a motion like that?
• 12:54
  Speaker 5: That it's crazy.
• 12:57
  Speaker 11: This also is one of those movies, and again, I
• 13:00
  Speaker 11: don't think I realized it until I went back and
• 13:01
  Speaker 11: watched it this week, watching it today, and going back
• 13:06
  Speaker 11: and looking at some of the stuff going on in it.
• 13:09
  Speaker 11: I've discussed it many times before, how obsessed I was
• 13:11
  Speaker 11: with nuclear.
• 13:12
  Speaker 5: War as a child.
• 13:13
  Speaker 11: Mm-hmm.
• 13:15
  Speaker 5: You really see.
• 13:15
  Speaker 11: And I think it's just because it was so evident.
• 13:18
  Speaker 11: But I start to go back and look at things
• 13:20
  Speaker 11: that I liked a lot as a kid, like this movie,
• 13:23
  Speaker 11: and it's there.
• 13:24
  Speaker 5: And it's not.
• 13:24
  Speaker 9: It was in the Cold Wars when we grew up.
• 13:26
  Speaker 5: Yeah, it's like.
• 13:27
  Speaker 11: It's not because of that. It just happens to be there,
• 13:30
  Speaker 11: you know? It's just sort of like that.
• 13:32
  Speaker 5: And I don't know.
• 13:33
  Speaker 11: I think that's how it worms its way into your consciousness.
• 13:36
  Speaker 11: Or at least at that point. Again, I think kids
• 13:38
  Speaker 11: now don't have that same feeling at all.
• 13:40
  Speaker 5: I think they.
• 13:41
  Speaker 11: It's probably equally as scary in a different way because
• 13:44
  Speaker 11: now you can just get blown up at any given moment.
• 13:49
  Speaker 5: Or shot.
• 13:49
  Speaker 3: Yeah.
• 13:49
  Speaker 5: You're right.
• 13:49
  Speaker 14: When I was a kid, like you said, 83, 84,
• 13:52
  Speaker 14: that was the common theme when you were playing outside
• 13:55
  Speaker 14: with your buddies.
• 13:56
  Speaker 5: Oh, here comes the nuclear missiles. You know.
• 13:58
  Speaker 14: And actually, a kid, the next street over that I
• 14:01
  Speaker 14: played with him, they actually had a bomb shelter under
• 14:04
  Speaker 14: their house.
• 14:04
  Speaker 5: Which is awesome.
• 14:06
  Speaker 14: And we would play Rambo in there, you know, whatever.
• 14:10
  Speaker 14: And that was always the plot of we'd be down
• 14:12
  Speaker 14: inside and they had stocked canned goods. So you already
• 14:17
  Speaker 14: had everything there for your little war movie that you
• 14:20
  Speaker 14: were playing. Every day turned into Red Dawn for us.
• 14:24
  Speaker 5: Which is awesome, too. But, yeah, and I drove by
• 14:28
  Speaker 5: there not too long ago. It's still there.
• 14:30
  Speaker 3: Wow.
• 14:31
  Speaker 6: Yeah.
• 14:31
  Speaker 5: Big mound in their backyard.
• 14:33
  Speaker 11: Would the current owners be upset if they just found
• 14:35
  Speaker 11: you playing? I'm having some sardines.
• 14:38
  Speaker 5: Come on out with me.
• 14:39
  Speaker 9: Wolverines.
• 14:40
  Speaker 14: We would crawl in there and play Axis and Allies,
• 14:43
  Speaker 14: the board game.
• 14:44
  Speaker 5: Yeah, nice. Bunk beds and everything. So, yeah, it was
• 14:47
  Speaker 5: just a game.
• 14:50
  Speaker 14: Part of life back then for me you know that's
• 14:52
  Speaker 14: it was gonna happen eventually yeah oh yeah there was
• 14:55
  Speaker 14: no like if it was just when.
• 14:57
  Speaker 11: That's and that's what we said before that i think
• 14:59
  Speaker 11: so shaped this entire generation of what i still say
• 15:03
  Speaker 11: are the reason most of us are slackers there's no
• 15:06
  Speaker 11: point in accomplishing anything because we're all gonna die i
• 15:10
  Speaker 11: think i think that factors in a lot more than
• 15:12
  Speaker 11: people realize i think i'd agree with that yeah yeah
• 15:14
  Speaker 11: i think it really sort of took and then finally
• 15:17
  Speaker 11: we got to that point where okay the cold war
• 15:19
  Speaker 11: is over shit.
• 15:21
  Speaker 5: I gotta get a real job right.
• 15:22
  Speaker 11: So you've got these people yeah you got these people
• 15:26
  Speaker 11: like 30 something scrambling to be like oh shit now
• 15:28
  Speaker 11: what do i do right so yeah i think it's
• 15:31
  Speaker 11: funny that yeah it to me has more of it
• 15:34
  Speaker 11: it's funny now looking back and seeing how much that
• 15:37
  Speaker 11: has affected just me in general but i think an
• 15:40
  Speaker 11: entire generation of kids and Again, it's not even like a.
• 15:44
  Speaker 5: Main theme in this movie. It's sort of the grand
• 15:47
  Speaker 5: scale of.
• 15:48
  Speaker 11: It's sort of what gets the entire end of the
• 15:50
  Speaker 11: movie happening and sort of leads us down the path
• 15:53
  Speaker 11: to the president.
• 15:54
  Speaker 2: But.
• 15:55
  Speaker 11: Yeah, not really the main focus of this movie, but
• 15:57
  Speaker 11: it's very overbearing.
• 16:02
  Speaker 14: What's funny, too, is the whole thought that, and you
• 16:05
  Speaker 14: just take it on face value, that the president, on
• 16:08
  Speaker 14: a whim, could disarm the United States. Not only push
• 16:12
  Speaker 14: one button to destroy everyone, but at the same time,
• 16:15
  Speaker 14: we could completely disarm ourselves.
• 16:17
  Speaker 5: I'm going to fly to Geneva, and it's over with.
• 16:19
  Speaker 6: Mm-hmm.
• 16:20
  Speaker 11: I mean, not like that. But, I mean, it is
• 16:23
  Speaker 11: one of those one person could put the system into play.
• 16:27
  Speaker 5: Right.
• 16:28
  Speaker 11: And that's what I thought this did really well is
• 16:30
  Speaker 11: I think it also, well, I mean, it starts off,
• 16:32
  Speaker 11: we can get back to the whole intro dream part because,
• 16:35
  Speaker 11: I mean, we haven't really gone into that.
• 16:37
  Speaker 3: Right.
• 16:37
  Speaker 11: But, I mean, you get that first, like, 45 minutes
• 16:39
  Speaker 11: of movie that's just about the dream thing. You know,
• 16:42
  Speaker 11: entering people's dreams and we learn about all that. It
• 16:45
  Speaker 11: really doesn't bring in the president plot towards the end.
• 16:49
  Speaker 11: I mean, we touch on it in the beginning and
• 16:51
  Speaker 11: it does a really good job of setting it up,
• 16:52
  Speaker 11: which is kind of cool because it doesn't seem forced
• 16:55
  Speaker 11: in there.
• 16:56
  Speaker 5: It seems like they set it up really well. They
• 16:58
  Speaker 5: paste everything really nicely.
• 16:59
  Speaker 11: And by the time they bring it in, it doesn't
• 17:01
  Speaker 11: seem because I mean, if you work in a story
• 17:03
  Speaker 11: about a normal guy and then all of a sudden
• 17:05
  Speaker 11: he's dealing.
• 17:05
  Speaker 5: With the president, it could seem very ridiculous.
• 17:08
  Speaker 11: But they do a nice job of like slowly kind
• 17:10
  Speaker 11: of working us up to that point.
• 17:12
  Speaker 5: And it makes sense, you know, by the end of it.
• 17:14
  Speaker 11: I don't know it does a good job of sort
• 17:16
  Speaker 11: of taking the basic plot line of what's going on
• 17:19
  Speaker 11: with the dreams and then working in this this presidential
• 17:21
  Speaker 11: plot which on its own is almost a movie like
• 17:25
  Speaker 11: you could almost do right an entire movie whereas they're
• 17:27
  Speaker 11: they're using dreams to assassinate the president which is.
• 17:30
  Speaker 5: What they're doing people yeah.
• 17:32
  Speaker 11: Just to different well i mean and so that i
• 17:35
  Speaker 11: think that's the part that i think once again they
• 17:36
  Speaker 11: do a good job on is i think it's very
• 17:38
  Speaker 11: realistic in the way that Once again, anytime our government
• 17:41
  Speaker 11: gets a hold of something, what can we do to
• 17:43
  Speaker 11: use it as a weapon? Because initially, I'm sure they
• 17:47
  Speaker 11: wanted to use it on foreign leaders. Like he says, oh,
• 17:49
  Speaker 11: this guy, you know, this guy in whatever country, insert
• 17:52
  Speaker 11: your guy we've been trying to kill for the last,
• 17:54
  Speaker 11: you know, umpteen years now. And we can't get a
• 17:56
  Speaker 11: hold of him. Well, you send some guy over there,
• 17:58
  Speaker 11: put him in his dream, and take him out. And
• 18:01
  Speaker 11: you don't have to physically even come in contact with
• 18:04
  Speaker 11: him to kill him, which is what we really want.
• 18:06
  Speaker 14: But doesn't that seem almost extremely inefficient? Like, if you're
• 18:09
  Speaker 14: close enough to lay down and sleep next to the person,
• 18:13
  Speaker 14: just kill him. Why did you have to develop this
• 18:15
  Speaker 14: elaborate plot when they could have just walked in and
• 18:17
  Speaker 14: killed the president where they were?
• 18:20
  Speaker 3: This is true.
• 18:21
  Speaker 5: They could have just gave him the sedative and went.
• 18:22
  Speaker 11: Like, especially with the president it's harder to do that
• 18:29
  Speaker 11: a regular person yeah.
• 18:30
  Speaker 5: You just go shoot the person i mean it happens
• 18:32
  Speaker 5: every day.
• 18:33
  Speaker 14: But even still the secret service were down the hall
• 18:35
  Speaker 14: nobody they were the worst looking secret service i've ever
• 18:42
  Speaker 14: seen too they seem very unofficial.
• 18:45
  Speaker 5: They didn't have the same outfits on.
• 18:47
  Speaker 9: Yeah, that's like Secret Service.
• 18:49
  Speaker 5: One was Burberry. You're fired. You wore the wrong color suit.
• 18:54
  Speaker 3: I've been lied to by the Secret Service before. I
• 18:56
  Speaker 3: have personal beef. You've been lied to by the Secret Service?
• 19:01
  Speaker 10: Yes. Before he was president, but before President Obama was president,
• 19:04
  Speaker 10: he came... To the street where I work and filmed
• 19:07
  Speaker 10: a commercial. And the Secret Service lady... And, of course,
• 19:12
  Speaker 10: the Secret Service people are kind of dicks.
• 19:13
  Speaker 3: Sorry. I hope I don't go to prison for saying that.
• 19:15
  Speaker 5: It's part of your job.
• 19:16
  Speaker 3: I respect it.
• 19:17
  Speaker 5: You will get audited.
• 19:18
  Speaker 3: Probably. But the Secret Service lady... Like, we had to
• 19:24
  Speaker 3: shut down for a whole day.
• 19:25
  Speaker 11: And.
• 19:26
  Speaker 10: It pissed me off because Obama's commercial was like, I
• 19:29
  Speaker 10: support small businesses.
• 19:30
  Speaker 3: I'm like, you're fucking shutting us down for a.
• 19:32
  Speaker 5: Day, dick.
• 19:33
  Speaker 2: Right?
• 19:34
  Speaker 5: Yes.
• 19:34
  Speaker 3: Fuck your mother. Didn't mean to call the president a dick.
• 19:38
  Speaker 11: Sorry.
• 19:38
  Speaker 5: I didn't mean it.
• 19:39
  Speaker 3: I didn't mean it.
• 19:40
  Speaker 5: I don't mean it.
• 19:41
  Speaker 3: I like the president.
• 19:42
  Speaker 5: If an accident befalls you, we know what happened.
• 19:45
  Speaker 3: I'm trying to not go to jail for the rest
• 19:49
  Speaker 3: of my life here. I'm not making any threats towards
• 19:51
  Speaker 3: the president.
• 19:52
  Speaker 5: I like our president.
• 19:53
  Speaker 3: I'm telling a story. And the Secret Service lady was like, hey,
• 19:57
  Speaker 3: since you all are standing around not doing anything, help
• 20:00
  Speaker 3: us put up these barricades. She's like, we'll get you
• 20:02
  Speaker 3: all some lunch. And half the guys in my kitchen
• 20:05
  Speaker 3: were like, okay. And I was like, what the fuck
• 20:07
  Speaker 3: are you guys doing? You don't work for him. You
• 20:09
  Speaker 3: work for me.
• 20:09
  Speaker 5: Get back here.
• 20:10
  Speaker 3: I was like yelling at them. And they never got
• 20:14
  Speaker 3: free lunch out of it.
• 20:16
  Speaker 5: Scammed by the president. Scammed by the government. Just that
• 20:21
  Speaker 5: Secret Service bitch. Still, this is his group of people
• 20:25
  Speaker 5: at work.
• 20:26
  Speaker 3: But, I mean, I was, of course, outside yelling like
• 20:29
  Speaker 3: a maniac. You didn't work for him.
• 20:31
  Speaker 5: You worked for me.
• 20:32
  Speaker 9: Get back here.
• 20:34
  Speaker 5: Once again, I wouldn't hold it against him. I would
• 20:35
  Speaker 5: have called them government whores.
• 20:37
  Speaker 11: I wouldn't hold it against him as long as he
• 20:39
  Speaker 11: shows up now and, like, buys him a Big Mac
• 20:41
  Speaker 11: or something.
• 20:42
  Speaker 5: Like, here you go, guys. Come on. You need to
• 20:43
  Speaker 5: write a letter to your congressman.
• 20:45
  Speaker 3: You shut down my business for a whole damn day.
• 20:48
  Speaker 3: Promise me lunch today.
• 20:50
  Speaker 5: Just send an angry email to the president. See how
• 20:52
  Speaker 5: that goes. Anyway.
• 20:55
  Speaker 3: It's a great idea.
• 20:57
  Speaker 5: Listen, you owe me lunch.
• 21:01
  Speaker 9: Lunch!
• 21:01
  Speaker 3: I just want some Jimmy John's now.
• 21:02
  Speaker 5: Apparently we just picked up a whole lot of militia listeners. Right?
• 21:08
  Speaker 5: In Michigan, weren't we talking about Michigan? Yeah, we were
• 21:10
  Speaker 5: talking about Michigan.
• 21:11
  Speaker 11: But no, I think that's what this does that it
• 21:13
  Speaker 11: does pretty well is it sets up that whole presidential
• 21:15
  Speaker 11: assassination plot that worked almost as its own storyline. And
• 21:20
  Speaker 11: then I think while we're on the whole realistic government,
• 21:23
  Speaker 11: I think that part is very realistic. The fact that
• 21:26
  Speaker 11: this man that's in power as presidents come and go
• 21:29
  Speaker 11: really does kind of run way more than people will
• 21:31
  Speaker 11: ever get. And it's how our government works way more
• 21:34
  Speaker 11: than people want to think about. But I think it's
• 21:37
  Speaker 11: also funny that when he sees something going on that
• 21:39
  Speaker 11: he doesn't like. this sinister bastard that he is like
• 21:42
  Speaker 11: he really would just take steps to for the again
• 21:46
  Speaker 11: he would yeah he would convince himself for the safety
• 21:49
  Speaker 11: of my country i'm taking this guy out even if
• 21:51
  Speaker 11: he's my friend and i've known him for years like
• 21:54
  Speaker 11: poor george.
• 21:54
  Speaker 5: Went okay we've taken a left.
• 21:58
  Speaker 11: Turn we got taken out poor eddie albert because he's
• 22:03
  Speaker 11: gonna screw him over but luckily we'll get to that
• 22:06
  Speaker 11: later Okay, but yeah, I think the presidential part was
• 22:09
  Speaker 11: kind of cool. And the fact that I think most
• 22:11
  Speaker 11: government agents, well, especially somebody on his level, would very
• 22:14
  Speaker 11: easily take someone out, even his own president, if he
• 22:17
  Speaker 11: thought it was going to keep us on the road
• 22:20
  Speaker 11: that we are. Everyone in politics has a very set
• 22:23
  Speaker 11: mind of where they think we need to be. Even now,
• 22:26
  Speaker 11: even people sitting at home right now will very gladly
• 22:29
  Speaker 11: bitch about.
• 22:29
  Speaker 5: The government, as, you know, sometimes we do when they
• 22:31
  Speaker 5: don't buy us lunch.
• 22:33
  Speaker 11: But, yeah, everybody's kind of got their mindset of how
• 22:36
  Speaker 11: our government needs to be running things, especially during the
• 22:38
  Speaker 11: Cold War. So something as major as, you know, disarmament
• 22:42
  Speaker 11: of our country, I could see people taking somebody out,
• 22:45
  Speaker 11: even a president, over something like that. So I think
• 22:47
  Speaker 11: that part was kind of cool, too, because it felt
• 22:50
  Speaker 11: kind of real, actually. I could see that going on
• 22:52
  Speaker 11: behind the scenes.
• 22:53
  Speaker 14: Plus, something like that had to be in the film,
• 22:58
  Speaker 14: because otherwise it could have just become a horror movie,
• 23:02
  Speaker 14: because it would have just been individually based, these are
• 23:04
  Speaker 14: these characters, and what's at stake for them? But when
• 23:07
  Speaker 14: you take it to a global scale, it becomes what's
• 23:09
  Speaker 14: at stake for everyone, and much less of a haunted
• 23:13
  Speaker 14: house horror movie, like Nightmare on Elm Street. That's the
• 23:16
  Speaker 14: way they differ. If you don't have the president, you
• 23:18
  Speaker 14: don't have the.
• 23:19
  Speaker 11: Movie that you have, a sci-fi... Yeah, it could have
• 23:23
  Speaker 11: changed things if they started with a different plot line
• 23:27
  Speaker 11: midway through and they just focused on something else.
• 23:29
  Speaker 5: It would definitely change the scope of it. It does
• 23:31
  Speaker 5: become a huge.
• 23:32
  Speaker 11: Thing that, like, he is saving the country, if not
• 23:35
  Speaker 11: the world, by helping this one guy. Whereas if it
• 23:38
  Speaker 11: was just more crazy sex dreams, you know, it would
• 23:41
  Speaker 11: go down a very different road.
• 23:44
  Speaker 9: Interesting, nonetheless, but different.
• 23:46
  Speaker 5: Definitely.
• 23:46
  Speaker 12: I don't know if they just met up with all
• 23:48
  Speaker 12: kinds of different psychics and, you know, in the back
• 23:50
  Speaker 12: they mentioned scanners. And how it would have been cool if,
• 23:52
  Speaker 12: you know, they teamed up and then had a big
• 23:55
  Speaker 12: dream war, like a dream rumble, where they all, like,
• 23:58
  Speaker 12: got together in one dude's head and just, like, fought
• 24:00
  Speaker 12: it out.
• 24:01
  Speaker 5: Oh, like Inception?
• 24:02
  Speaker 6: Yeah.
• 24:03
  Speaker 5: Yeah.
• 24:04
  Speaker 9: I really want.
• 24:05
  Speaker 5: To see that. That's what led us to this movie.
• 24:08
  Speaker 5: This is our version of Inception.
• 24:10
  Speaker 14: Which, you know, a lot of things were, I'm not
• 24:13
  Speaker 14: going to talk about Inception, but there were some things
• 24:15
  Speaker 14: that were pulled from Inception that had to have been.
• 24:17
  Speaker 5: Yeah. Nolan watching it as a younger gentleman, or I
• 24:20
  Speaker 5: guess kid at that point. Older kid, I think. Yeah,
• 24:23
  Speaker 5: I'm sure many times he saw this on cable, as
• 24:26
  Speaker 5: all of us did.
• 24:27
  Speaker 14: He used this, I'm sure you say, inspiration for the show,
• 24:30
  Speaker 14: inspiration for the movie. I'm sure he used it.
• 24:34
  Speaker 5: Yeah, I don't know how you could make a movie
• 24:35
  Speaker 5: about dreams and not. I mean, assuming you grew up
• 24:39
  Speaker 5: in this country.
• 24:39
  Speaker 11: Because once again, this isn't something that nobody ever saw.
• 24:43
  Speaker 11: It didn't do well at the box office, I'll tell
• 24:45
  Speaker 11: you that. But by the time it hit VHS, by
• 24:48
  Speaker 11: the time it hit cable, it ran on cable constantly. So...
• 24:53
  Speaker 11: It is one, and even now. I mean, it was
• 24:54
  Speaker 11: on earlier this week on Showtime. It's on Netflix right now.
• 24:59
  Speaker 11: I mean, it's not like this movie has not wormed
• 25:02
  Speaker 11: its way into people's consciousnesses in many, many forms over
• 25:05
  Speaker 11: the years.
• 25:05
  Speaker 5: So it's, yeah, definitely I'm sure it had to tie
• 25:08
  Speaker 5: in a little bit with that. All right, do you
• 25:10
  Speaker 5: want to go into Norm now?
• 25:12
  Speaker 11: Norm!
• 25:13
  Speaker 6: Norm!
• 25:14
  Speaker 11: Norm!
• 25:14
  Speaker 5: I did yell that. We do meet him in a
• 25:17
  Speaker 5: bar for the first time. Right, yeah.
• 25:19
  Speaker 14: Yeah, he wasn't believable as a writer to me, but
• 25:23
  Speaker 14: I'm not going to get.
• 25:24
  Speaker 5: He just didn't seem... I don't know if he was.
• 25:27
  Speaker 14: Just a plot device to, hey, we've got to get
• 25:30
  Speaker 14: this guy some information, but it just didn't fit in
• 25:35
  Speaker 14: the movie. I remember thinking he runs out to meet
• 25:37
  Speaker 14: him outside of the.
• 25:40
  Speaker 14: The facility i'm thinking why how did he get there
• 25:43
  Speaker 14: how did they know to contact each other how did
• 25:45
  Speaker 14: he all of a sudden show up it just it um.
• 25:48
  Speaker 11: Happened what was really funny is when he's standing there
• 25:51
  Speaker 11: outside there and you're like how did he get there
• 25:53
  Speaker 11: there's also a bike leaning up against i was like
• 25:55
  Speaker 11: okay george went did not ride that bike i'm sorry
• 25:58
  Speaker 11: i've seen george went he ain't riding no bike around.
• 26:01
  Speaker 14: Well then they start they start running from him it's
• 26:03
  Speaker 14: like I'm sure Dennis Quaid would be way ahead of
• 26:06
  Speaker 14: him at that point.
• 26:08
  Speaker 5: He's trying to drag him along.
• 26:10
  Speaker 11: I mean, no offense, Norm, but you're not a track star,
• 26:13
  Speaker 11: neither am I.
• 26:14
  Speaker 5: No.
• 26:16
  Speaker 11: It's one of those, it's weird, and this wasn't their
• 26:19
  Speaker 11: fault in this movie, because when they shot this, he
• 26:21
  Speaker 11: wasn't Norm, he was.
• 26:23
  Speaker 5: on cheers but basically.
• 26:24
  Speaker 11: Nobody was watching it i think it was the first
• 26:26
  Speaker 11: season when really nobody cared about it back when you
• 26:29
  Speaker 11: could have a show that would run a season or
• 26:31
  Speaker 11: two and nobody cared about it you don't get that
• 26:33
  Speaker 11: it didn't get canceled in the first year yeah instantly
• 26:35
  Speaker 11: you get six shows now six episodes and if you're
• 26:38
  Speaker 11: not making tons of viewers would come you know to
• 26:41
  Speaker 11: them every week you're canceled so yeah that was back
• 26:44
  Speaker 11: when you could ride it out for a couple of
• 26:45
  Speaker 11: years and This network would actually get behind you.
• 26:48
  Speaker 5: Imagine that.
• 26:49
  Speaker 11: But no, at that point, he was still kind of
• 26:52
  Speaker 11: an unknown actor. So when they cast him, he was
• 26:54
  Speaker 11: just a guy and they cast him. But by the
• 26:56
  Speaker 11: time you watch it now, like when he came on screen,
• 26:59
  Speaker 11: I yelled out Norm. So yeah, it does sort of,
• 27:04
  Speaker 11: I mean, it's one of those that does sort of hurt.
• 27:07
  Speaker 11: It definitely did with him. It sort of hurt his career.
• 27:09
  Speaker 11: Because he became that character. He really, I mean, he
• 27:12
  Speaker 11: didn't have a ton of movies after Cheers started. So
• 27:16
  Speaker 11: it's a good thing that Cheers was successful. But at
• 27:18
  Speaker 11: the same time, yeah, it totally killed his whole career.
• 27:22
  Speaker 5: And John Razenberry. I mean, short of, you know, Woody.
• 27:25
  Speaker 5: We didn't really get anybody that salvaged. He gets to
• 27:29
  Speaker 5: be in every Pixar movie.
• 27:33
  Speaker 11: He's got a fun voice, but you don't have to
• 27:35
  Speaker 11: worry about his visual.
• 27:38
  Speaker 5: He'll always be Cliff Clavin. Yeah, he's Cliff Clavin forever.
• 27:41
  Speaker 5: He has a show on the Travel Channel or.
• 27:44
  Speaker 3: The Food Network. The Made in America.
• 27:48
  Speaker 5: He's done some stuff.
• 27:49
  Speaker 11: He actually was in an independent movie a couple years ago.
• 27:52
  Speaker 3: You know what I really hate?
• 27:55
  Speaker 5: I don't think so. That was Dave Thomas.
• 27:57
  Speaker 11: Oh, yeah!
• 28:01
  Speaker 5: Very close. I'm not sure how he got that job. Oh, wait,
• 28:05
  Speaker 5: he created Wendy's.
• 28:06
  Speaker 14: Oh, wait.
• 28:06
  Speaker 5: He was Wendy's.
• 28:07
  Speaker 11: Oh, shit.
• 28:14
  Speaker 3: It was worth a try, guys.
• 28:17
  Speaker 10: Shelley Long had a long and illustrious career after Cheers,
• 28:21
  Speaker 10: or maybe it was before or during.
• 28:23
  Speaker 5: No, it was sort of around the time.
• 28:25
  Speaker 14: She left it to become the big movie. And then
• 28:28
  Speaker 14: she sort of tanked after that.
• 28:30
  Speaker 3: Troop Beverly Hills was my favorite movie as a child.
• 28:32
  Speaker 5: It was another failed movie. I don't know if that
• 28:34
  Speaker 5: was enough to save her. I think everything after she
• 28:37
  Speaker 5: left Cheers kind of went downhill.
• 28:38
  Speaker 1: It was.
• 28:38
  Speaker 10: The one where she was supposed to, hello again, where
• 28:41
  Speaker 10: she was supposed to be dead.
• 28:42
  Speaker 5: She reincarnated.
• 28:43
  Speaker 3: My mom loves that movie. Loves it.
• 28:45
  Speaker 5: I've watched all those movies.
• 28:47
  Speaker 11: I'm not going to say they're good, but yeah, I've
• 28:49
  Speaker 11: probably seen damn near every one. But yeah, so it
• 28:52
  Speaker 11: just being on something that popular does sort of hurt
• 28:55
  Speaker 11: your credibility when coming into a serious project because idiots
• 28:58
  Speaker 11: are going to yell at Norm like me.
• 29:00
  Speaker 3: Right.
• 29:00
  Speaker 11: But it's also funny what, I mean, I think it
• 29:02
  Speaker 11: was just a big plot device, but it's funny. He is, um,
• 29:07
  Speaker 11: Charlie Prince, um, which was not even a veiled version
• 29:12
  Speaker 11: of Stephen King.
• 29:13
  Speaker 2: Right.
• 29:13
  Speaker 5: I mean, even the creators come out and.
• 29:15
  Speaker 11: Said, yeah, this was just our little alternate world version of,
• 29:18
  Speaker 11: he's basically playing a Stephen King character. So he was like,
• 29:22
  Speaker 11: and even the book, when he pulls it out, looks
• 29:24
  Speaker 11: like his used to, like that 80s run of books
• 29:27
  Speaker 11: looked exactly like.
• 29:28
  Speaker 5: That when he pulled out.
• 29:29
  Speaker 11: So it's, yeah, they're just using, and again, it's something
• 29:31
  Speaker 11: that was really huge at that time. I mean, Stephen
• 29:34
  Speaker 11: King as a writer then probably even more than now, was,
• 29:38
  Speaker 11: you could.
• 29:39
  Speaker 5: Get no bigger. He was massive at that point.
• 29:42
  Speaker 14: Put out anything and people would buy it.
• 29:44
  Speaker 3: Yeah, I mean, everything he did went crazy. I mean,
• 29:48
  Speaker 3: turned into a movie, everything.
• 29:50
  Speaker 5: He was huge.
• 29:51
  Speaker 11: So it's kind of, yeah, I mean, it's definitely all
• 29:53
  Speaker 11: these little tie-ins that were tie-ins sort of because of
• 29:56
  Speaker 11: the time they were. Now, I don't know, I guess
• 29:59
  Speaker 11: it'd have to be like J.K. Rowling or somebody.
• 30:01
  Speaker 5: Stephanie Meyer.
• 30:04
  Speaker 1: Yeah.
• 30:04
  Speaker 3: Yikes. Do you want to share some throw up? Back
• 30:08
  Speaker 3: to Dennis Quaid.
• 30:10
  Speaker 5: Okay, would you like to go into Dennis Quaid?
• 30:12
  Speaker 14: Was it in his contract to have.
• 30:15
  Speaker 5: His shirt off at least like 20% of this movie?
• 30:18
  Speaker 3: I hope so.
• 30:19
  Speaker 5: It was off all the time. He took like four
• 30:21
  Speaker 5: showers in the movie.
• 30:23
  Speaker 3: He was the cleanest, well-groomed Dennis Quaid ever.
• 30:27
  Speaker 5: This was back, yeah, back when they were making use
• 30:29
  Speaker 5: of him.
• 30:29
  Speaker 11: Because I actually do mention, like, the shot where he
• 30:31
  Speaker 11: gets up out of bed and walks by in his underwear.
• 30:33
  Speaker 11: The director or the writer, one of them specifically put
• 30:36
  Speaker 11: that in. They were like, okay, you're in shape.
• 30:38
  Speaker 5: We're going to use it. So here, you're going to
• 30:40
  Speaker 5: do this.
• 30:41
  Speaker 11: So he made him wear that, which is pretty much nothing.
• 30:44
  Speaker 5: And shoot that. Yeah, work that one in.
• 30:47
  Speaker 1: All right.
• 30:48
  Speaker 3: They were like the colored frilly looms. There was like
• 30:51
  Speaker 3: zero female nudity. I know. Or suggestive anything. Well, there
• 30:55
  Speaker 3: was a little bit of suggestive in her dream.
• 30:58
  Speaker 5: Which I was okay with. Oh, they kissed and they
• 31:00
  Speaker 5: hugged violently. That was it. Violent hugging.
• 31:04
  Speaker 11: It's one of those, it's a very, it's funny because
• 31:06
  Speaker 11: it is like a very girly dream. Like it is
• 31:08
  Speaker 11: one of those, it suddenly becomes a Harlequin romance novel scene.
• 31:10
  Speaker 5: Yeah.
• 31:11
  Speaker 11: Everything's very like smoky and they're both wearing white i
• 31:15
  Speaker 11: mean it definitely has a very like.
• 31:18
  Speaker 5: Girly feel about it yeah.
• 31:20
  Speaker 11: That was like but it's funny looking at all the
• 31:23
  Speaker 11: other dreams about it i.
• 31:25
  Speaker 14: Think i would get seasick from being on the train
• 31:28
  Speaker 14: it was she was like convulsing.
• 31:30
  Speaker 10: Sitting on the fucking train but that'd be awesome imagine
• 31:34
  Speaker 10: how awesome it would be to Make sweet love in
• 31:36
  Speaker 10: a train.
• 31:37
  Speaker 9: Make sweet, sweet love in a train.
• 31:39
  Speaker 5: They didn't make love. They kissed and they hugged. They
• 31:43
  Speaker 5: jumped around a little bit with their clothes or her
• 31:45
  Speaker 5: clothes on. Well, I mean, it wasn't going to happen.
• 31:48
  Speaker 5: I mean.
• 31:50
  Speaker 3: She was pretty upset after it happened the first time.
• 31:52
  Speaker 11: Yeah.
• 31:53
  Speaker 3: Remember, we all yelled, dream rape.
• 31:54
  Speaker 11: Dream rape.
• 31:55
  Speaker 5: Dream rape.
• 31:57
  Speaker 3: Dream rape. She needs a dream rape whistle.
• 32:00
  Speaker 5: That is pretty creepy.
• 32:03
  Speaker 11: Yeah.
• 32:03
  Speaker 5: You know, if it was the.
• 32:05
  Speaker 6: Other kid doing it, I'd be like, ooh, that's creepy.
• 32:06
  Speaker 6: But it's just Quaid doing it. So I was like, okay,
• 32:09
  Speaker 6: I'm okay with this.
• 32:10
  Speaker 5: Yeah. This does not go against my morality at all.
• 32:13
  Speaker 1: Yeah.
• 32:13
  Speaker 3: She was like, how dare you? But I kind of
• 32:15
  Speaker 3: liked it.
• 32:16
  Speaker 1: Right.
• 32:17
  Speaker 5: You would just wake up and be like, quit wasting
• 32:19
  Speaker 5: your time with a dream. Get the hell over here.
• 32:21
  Speaker 6: Right.
• 32:22
  Speaker 5: I'm winning. Not what you would do, Rod.
• 32:26
  Speaker 3: Oh, my bad.
• 32:29
  Speaker 6: I just got this really weird image of you and
• 32:32
  Speaker 6: young Dennis Quaid.
• 32:33
  Speaker 3: She liked it.
• 32:34
  Speaker 5: This is not you and Randy Quaid. Oh, there it is.
• 32:39
  Speaker 5: The other brother. He just pulled a beer out of
• 32:42
  Speaker 5: his back pocket. That's the thing.
• 32:44
  Speaker 3: I could get into.
• 32:45
  Speaker 11: That, too.
• 32:46
  Speaker 5: You do have odd taste in you.
• 32:49
  Speaker 3: Shut up.
• 32:51
  Speaker 2: Not that odd.
• 32:51
  Speaker 5: Jesus Christ. While playing Lenny from A Mice and Men.
• 32:54
  Speaker 5: I do hear she likes them special. Are you talking about.
• 33:01
  Speaker 9: I just like guys who are jerks.
• 33:05
  Speaker 3: I don't like guys who are retards.
• 33:07
  Speaker 5: I was just doing the callback.
• 33:09
  Speaker 11: Sometimes.
• 33:09
  Speaker 3: Sometimes they are both, I guess.
• 33:12
  Speaker 11: But that is funny. That was something I was thinking. Well,
• 33:15
  Speaker 11: number one, I was thinking about the young version of
• 33:17
  Speaker 11: It Is Quaid. I'll get to that in a minute.
• 33:19
  Speaker 11: But it then reminded me. Young version of Dennis Quaid
• 33:22
  Speaker 11: was studly back in the day. There was never a young,
• 33:24
  Speaker 11: hot version of Randy Quaid.
• 33:27
  Speaker 5: No, he always looked like that. He always looked like that.
• 33:30
  Speaker 5: Poor bastard.
• 33:32
  Speaker 11: Yeah, you got to feel a little bad because they're
• 33:34
  Speaker 11: from the same gene pool. You know, he had to
• 33:36
  Speaker 11: grow up and be like, mother.
• 33:37
  Speaker 3: Fuck, look at that bastard. He's like, how did, how did,
• 33:41
  Speaker 3: what the hell?
• 33:42
  Speaker 5: Mom, he's my real dad. I'm going to work at it.
• 33:45
  Speaker 5: Doesn't just come easy. Why would he become an actor?
• 33:48
  Speaker 5: That's what I want to know. Why would you even
• 33:49
  Speaker 5: want to do that?
• 33:50
  Speaker 11: He's not a bad actor. He just always looked like that,
• 33:54
  Speaker 11: the poor bastard. So what are you going to do?
• 33:56
  Speaker 5: I would have been an attorney. But it is funny.
• 33:59
  Speaker 11: That that reminded me of the difference with the Dennis Quaid.
• 34:02
  Speaker 11: Because you're looking at Dennis Quaid was kind of like
• 34:04
  Speaker 11: he plays it very different. Like if you gave this
• 34:06
  Speaker 11: to somebody else, which if Misty were here, she would
• 34:10
  Speaker 11: be thrilled to find out who the other casting choice.
• 34:13
  Speaker 5: Their first.
• 34:14
  Speaker 11: person that they were trying to get on this is
• 34:16
  Speaker 11: john snyder so beau duke would have been this lead
• 34:20
  Speaker 11: had they gotten their way i guess that i think
• 34:22
  Speaker 11: he was working on something else so they.
• 34:24
  Speaker 5: Just kind of their other bear their other version.
• 34:27
  Speaker 11: How is greg evigan and it's sad that i know
• 34:29
  Speaker 11: that so bj and the bear the movie when are
• 34:34
  Speaker 11: they gonna bring that out.
• 34:35
  Speaker 3: Oh god we need to write letters.
• 34:39
  Speaker 11: Nothing like a man and his monkey so but yeah
• 34:42
  Speaker 11: there was I mean they bring in Dennis Quaid was
• 34:44
  Speaker 11: their other big choice that they wanted and so but
• 34:48
  Speaker 11: he plays it very differently than I think he would
• 34:50
  Speaker 11: have given it to most other like leading men at
• 34:52
  Speaker 11: this time and I think it's just because that's the
• 34:54
  Speaker 11: way he was if you go back and watch anything
• 34:56
  Speaker 11: and because he was like king of the 80s like
• 34:59
  Speaker 11: I saw so many things with him and like a
• 35:01
  Speaker 11: lot of my favorite movies at that point were with
• 35:03
  Speaker 11: Dennis Quaid so it's like I thought he was awesome
• 35:06
  Speaker 11: then and I go back and watch it now and
• 35:07
  Speaker 11: he's so like he's kind of like Everything is sort
• 35:11
  Speaker 11: of smirky with him. He's got the very jokey thing.
• 35:15
  Speaker 11: I think just because he's got that grin and he
• 35:16
  Speaker 11: likes to work it into the movies as much as possible.
• 35:19
  Speaker 11: But then it's like you fast forward. Look at him
• 35:21
  Speaker 11: at stuff now. He can't really pull that off now.
• 35:24
  Speaker 11: We watched him in Legion last year. He just did
• 35:28
  Speaker 11: the I'm kind of a pissed off old man role.
• 35:31
  Speaker 5: He's just moved into... What was the space thing he
• 35:35
  Speaker 5: was in? Space King?
• 35:38
  Speaker 11: That was Kate Capshaw. We're on the right road. No,
• 35:42
  Speaker 11: the one that just came out this year, Pandora. Did
• 35:45
  Speaker 11: you see that?
• 35:46
  Speaker 14: That was about visually as dark of a movie as
• 35:50
  Speaker 14: I've ever seen. I don't even know what the fuck
• 35:51
  Speaker 14: was going on.
• 35:53
  Speaker 5: I can't hardly see anything.
• 35:56
  Speaker 11: But yeah, that's what I said on the Legion episode.
• 35:59
  Speaker 11: I was like, suddenly he's in everything again. He was
• 36:01
  Speaker 11: in one movie a year for a long time, and
• 36:03
  Speaker 11: this last two years, he's been in five movies a year.
• 36:06
  Speaker 5: All of a sudden, he's back. I can't think of
• 36:08
  Speaker 5: one besides Pandorum. Pandorum.
• 36:11
  Speaker 8: What else?
• 36:11
  Speaker 5: He was in Legion. He was in.
• 36:14
  Speaker 11: G.I.
• 36:15
  Speaker 5: Joe.
• 36:15
  Speaker 3: G.I.
• 36:15
  Speaker 5: Joe. There you go. Oh, that's right. He was in G.I.
• 36:17
  Speaker 3: Joe.
• 36:17
  Speaker 11: Yeah, so it's like he was in all these semi-big
• 36:20
  Speaker 11: properties of me.
• 36:21
  Speaker 5: All together.
• 36:23
  Speaker 11: But now it's like he doesn't play it that way.
• 36:25
  Speaker 11: He's really changed as a person, I guess, or at
• 36:29
  Speaker 11: least as an actor.
• 36:30
  Speaker 5: Maybe he's just more pissed off now. He can't pull
• 36:32
  Speaker 5: that off anymore.
• 36:32
  Speaker 11: He can't be the smirky young kid anymore that he
• 36:35
  Speaker 11: played in all those movies for that 20-year span there.
• 36:40
  Speaker 11: He kind of pulled it off longer than most people
• 36:42
  Speaker 11: could have gotten away with it, but... I don't know
• 36:44
  Speaker 11: if he just came to terms with the fact that
• 36:45
  Speaker 11: he's an old man now, or somebody finally directed him
• 36:48
  Speaker 11: in a different direction, but he's very different now.
• 36:51
  Speaker 6: I think if I could go back in time, I
• 36:53
  Speaker 6: would prefer to see him as Indiana Jones.
• 36:57
  Speaker 3: I'm not going to lie.
• 36:58
  Speaker 5: And I love Harrison Ford. Wow. That's crushing.
• 37:00
  Speaker 6: I love Harrison Ford. But I would just want to
• 37:03
  Speaker 6: see it, just to see... The different shape.
• 37:06
  Speaker 5: It's better than Tom Selleck, I'll give you that.
• 37:08
  Speaker 2: Oh, God, yes.
• 37:09
  Speaker 5: That was the original casting.
• 37:11
  Speaker 3: Yeah.
• 37:11
  Speaker 5: Really?
• 37:11
  Speaker 6: Yeah.
• 37:12
  Speaker 5: That's awesome. That was who they originally wanted.
• 37:15
  Speaker 3: I could have gone both ways with that movie.
• 37:17
  Speaker 6: No.
• 37:17
  Speaker 2: God.
• 37:18
  Speaker 5: That would have been horrible. He's got the wrong kind
• 37:21
  Speaker 5: of charisma. Yeah.
• 37:22
  Speaker 9: I love Tom Selleck.
• 37:23
  Speaker 5: I don't hate Tom Selleck.
• 37:24
  Speaker 11: But I think, yeah, he's a very different performer, and
• 37:27
  Speaker 11: you would not have gotten Indiana Jones out of him.
• 37:30
  Speaker 11: We would have gotten one movie, not three or four,
• 37:32
  Speaker 11: if you count that one. So, yeah, I don't think
• 37:34
  Speaker 11: you would have had the success of Indiana Jones. You
• 37:37
  Speaker 11: would have had Raiders that would have gone horrible, and
• 37:39
  Speaker 11: nobody would have.
• 37:40
  Speaker 5: Gone to see it. Now, Quigley Down Under, on the
• 37:42
  Speaker 5: other hand, was awesome.
• 37:44
  Speaker 11: But he's one of those that his movie career never
• 37:47
  Speaker 11: really took off. Like, he's in a lot of movies.
• 37:50
  Speaker 11: None of them were ever really big. Like, you know,
• 37:52
  Speaker 11: at that point, he was making, like, High Road to China.
• 37:55
  Speaker 11: Who likes that movie?
• 37:56
  Speaker 5: Nobody. Who saw that movie in the theater? Nobody.
• 37:59
  Speaker 10: So.
• 38:00
  Speaker 5: It's not like it.
• 38:01
  Speaker 11: Again, I think Raiders of the Lost Ark probably would
• 38:04
  Speaker 11: have just become another one of those. It would have
• 38:05
  Speaker 11: been your High Road to China of that year.
• 38:08
  Speaker 5: And it would have totally tanked. And, yeah. So, Spielberg,
• 38:12
  Speaker 5: at least you got something right.
• 38:14
  Speaker 2: Right.
• 38:14
  Speaker 5: Until you hit four. Yeah. But, speaking of things he got,
• 38:17
  Speaker 5: Kate Capshaw. So, this is what led to that, actually.
• 38:20
  Speaker 2: Yeah.
• 38:21
  Speaker 11: She was... in dealing with the casting, I think after
• 38:25
  Speaker 11: they saw her in this, or it was the same
• 38:27
  Speaker 11: year that she got cast. Actually, I think they said
• 38:29
  Speaker 11: she got cast, like she got the official word. She
• 38:32
  Speaker 11: was cast in temple of doom during the shoot of this.
• 38:36
  Speaker 11: She got it while she was on set shooting this.
• 38:37
  Speaker 11: So this led to her becoming, cause really she wasn't
• 38:40
  Speaker 11: a very big star at this point.
• 38:42
  Speaker 5: She'd done like one other.
• 38:43
  Speaker 11: Movie before this, which is odd because she's really good
• 38:46
  Speaker 11: at it. Like I think she plays it. She's another
• 38:49
  Speaker 11: one of those. I noticed there's a lot of nonverbal stuff.
• 38:52
  Speaker 11: that little like look that she gets when he reads
• 38:54
  Speaker 11: her mind is fucking awesome. Like it said everything she
• 38:59
  Speaker 11: could have said in that one little look. And then
• 39:01
  Speaker 11: like the look she gets when she wakes up and
• 39:03
  Speaker 11: we all dream rape.
• 39:05
  Speaker 5: Right.
• 39:05
  Speaker 11: It's like amazing because she didn't have to say a
• 39:08
  Speaker 11: goddamn thing.
• 39:09
  Speaker 5: She looked at him with that look and stormed out
• 39:10
  Speaker 5: of the room and you were like, oh shit, he's screwed.
• 39:13
  Speaker 5: We're bound.
• 39:14
  Speaker 11: So yeah, she did a lot of really cool stuff
• 39:17
  Speaker 11: in this for, you know, not being a lead role. She,
• 39:19
  Speaker 11: she actually kind of pulls off a pretty decent performance.
• 39:23
  Speaker 5: And then to the.
• 39:24
  Speaker 11: Table this led her to temple of doom which she's
• 39:27
  Speaker 11: really annoying him but you know now she's got more
• 39:29
  Speaker 11: money than god because because of that movie she married
• 39:32
  Speaker 11: steven spielberg so.
• 39:34
  Speaker 5: Yeah, she can do whatever the hell she wants. I
• 39:36
  Speaker 5: want sleeping with Steven Spielberg's like.
• 39:38
  Speaker 8: No, I don't.
• 39:39
  Speaker 11: Cha-ching, cha-ching.
• 39:41
  Speaker 5: Oh, wait.
• 39:43
  Speaker 10: Can you imagine what it would be like to sleep
• 39:45
  Speaker 10: with a director that probably like.
• 39:46
  Speaker 3: A little to the left.
• 39:47
  Speaker 5: Right?
• 39:48
  Speaker 3: Cut!
• 39:49
  Speaker 5: Hold on, this lighting's off.
• 39:50
  Speaker 2: Take two.
• 39:50
  Speaker 5: Let me move this lamp over here. Can we get
• 39:52
  Speaker 5: a gaffer in here? Stunt double. Finish this out for me.
• 39:56
  Speaker 3: I got some shit to do.
• 39:58
  Speaker 11: Fluffers.
• 40:00
  Speaker 5: Oh, he can get fluffers. Don't you?
• 40:02
  Speaker 11: Oh, yuck.
• 40:03
  Speaker 5: Wow.
• 40:03
  Speaker 11: The whole.
• 40:05
  Speaker 10: idea of a fluffer is just weird weird.
• 40:08
  Speaker 11: Hey it's an occupational hazard what do you want.
• 40:12
  Speaker 3: Yes so i thought you were singing a.
• 40:16
  Speaker 5: Song i thought you were doing the right.
• 40:18
  Speaker 16: Stuff You know, New Kids on the Block is the
• 40:30
  Speaker 16: sound of pain to me.
• 40:31
  Speaker 5: That's true.
• 40:33
  Speaker 10: I do equate New Kids on the Block and KOTB
• 40:36
  Speaker 10: with pain.
• 40:37
  Speaker 5: I won't argue that, actually.
• 40:40
  Speaker 10: Unless you're Donnie, and then I associate you now only
• 40:45
  Speaker 10: with Tom Selleck, which is just purely awesome.
• 40:47
  Speaker 3: What?
• 40:48
  Speaker 5: What just happened? You've been out for a while.
• 40:52
  Speaker 3: Tom Selleck.
• 40:53
  Speaker 5: What were your dreams like?
• 40:53
  Speaker 3: New TV show.
• 40:54
  Speaker 5: What? Yes.
• 40:56
  Speaker 2: Wow.
• 40:57
  Speaker 10: Yes.
• 40:57
  Speaker 9: I don't know what that is.
• 40:59
  Speaker 6: I loved him in Band of Brothers, so I'm okay
• 41:00
  Speaker 6: with this, because my dad kind of looks like Tom
• 41:02
  Speaker 6: Selleck as well. Well, my dad circa 1985, 6, looked
• 41:06
  Speaker 6: like Tom Selleck.
• 41:07
  Speaker 5: That's kind of awesome. Are you going to call him
• 41:08
  Speaker 5: fat now? Yeah.
• 41:09
  Speaker 14: No, now my dad looks like Eric Carpenter. Sigourney Weaver
• 41:12
  Speaker 14: and Tom Selleck.
• 41:13
  Speaker 5: That's awesome. This is a nice setup you got going.
• 41:15
  Speaker 5: That's what this would look like.
• 41:18
  Speaker 9: And Tom Selleck.
• 41:22
  Speaker 6: For those of you at home, you can't know that yet.
• 41:25
  Speaker 5: There's not a picture from the site. But she doesn't
• 41:27
  Speaker 5: have a huge mustache.
• 41:28
  Speaker 1: I do.
• 41:28
  Speaker 3: I do. She just shaved this morning. Look at this. Lord, lord, lord.
• 41:37
  Speaker 1: Oh, lord.
• 41:39
  Speaker 11: That's, yeah, that's the most of our cast there. We've
• 41:41
  Speaker 11: gone through the four main ones. We can go into
• 41:44
  Speaker 11: the kid just a little bit. The Danny Bonaduce ripoff?
• 41:48
  Speaker 5: Although he wasn't a bad actor. No, he wasn't a
• 41:51
  Speaker 5: bad actor.
• 41:51
  Speaker 11: He did a decent job, actually. Because I saw him
• 41:52
  Speaker 11: and I had that same reaction of, ugh. Because he
• 41:55
  Speaker 11: is not an attractive child.
• 41:56
  Speaker 5: I'm sorry.
• 41:56
  Speaker 3: He's the scariest ginger child I've seen.
• 41:58
  Speaker 5: In a while.
• 41:59
  Speaker 11: He actually comes from a family of unattractive children. First
• 42:03
  Speaker 11: of all, his name, his quotation name, and I always
• 42:06
  Speaker 11: love quotation names in movies as it's running by on
• 42:09
  Speaker 11: the screen. You're like, this is Corey Bumper, air quotes.
• 42:14
  Speaker 11: How do you get the name Bumper? Was he, like, pinball?
• 42:17
  Speaker 5: Where do you get that?
• 42:19
  Speaker 11: But I'll finish the last name, and it's sad that
• 42:21
  Speaker 11: this was my first thought, and it turned out to
• 42:23
  Speaker 11: be true.
• 42:23
  Speaker 5: Corey Bumper Yothers. And I went, is that Tina's brother?
• 42:28
  Speaker 11: Yep.
• 42:28
  Speaker 10: Wow.
• 42:28
  Speaker 11: Tina Yothers, star of Family Ties. Also another very unattractive child, actually.
• 42:33
  Speaker 11: She had a lot of awkward moments. Yeah, and the
• 42:36
  Speaker 11: thing is, she grew out of it. Like, I don't
• 42:38
  Speaker 11: think she's unattractive now. When she had her rock band,
• 42:41
  Speaker 11: which went nowhere. Sorry about that, Tina, but it did. Yeah,
• 42:45
  Speaker 11: she grew up and became a normal looking woman. But yeah,
• 42:48
  Speaker 11: as a child, oh my God, she was not attractive.
• 42:51
  Speaker 5: I'm like, what went wrong in that family?
• 42:53
  Speaker 11: She was the Randy Quaid of that family. Michael J. Fox,
• 42:57
  Speaker 11: Justine Bateman, and you?
• 42:59
  Speaker 3: Come on.
• 43:00
  Speaker 2: Right.
• 43:00
  Speaker 5: How do you get two? Well, I guess if you
• 43:02
  Speaker 5: get two right, you've got to have one going wrong.
• 43:05
  Speaker 5: All you've got is the leftover bad genes. That's right.
• 43:08
  Speaker 6: Me and my little brother are decent looking people, but
• 43:11
  Speaker 6: my older brother looks like an escaped monkey.
• 43:14
  Speaker 10: You've been so nice describing your family today.
• 43:19
  Speaker 5: That's true. Tom Selleck, Simone Weaver, and a monkey. And
• 43:25
  Speaker 5: a monkey. I don't need to go to my other
• 43:28
  Speaker 5: session this week, though. When we post your picture, can
• 43:31
  Speaker 5: we just have a family photo? Yeah, right.
• 43:35
  Speaker 6: I'm going to bring in a picture of my parents
• 43:37
  Speaker 6: and you're going to look at them and go, holy shit,
• 43:39
  Speaker 6: it's Tom Selleck and Sigourney Weaver.
• 43:41
  Speaker 5: I want you guys at a barbecue. Fucking Ripley making
• 43:45
  Speaker 5: a hot dog and a monkey jumping around in the background.
• 43:48
  Speaker 5: Magnum waxing the car. This is what I want to see.
• 43:57
  Speaker 9: Magnum wax.
• 43:58
  Speaker 3: Could you get her.
• 44:01
  Speaker 5: A paper bag?
• 44:02
  Speaker 3: Once again, we've killed Joanie.
• 44:23
  Speaker 5: This is the meltdown portion of the movie.
• 44:26
  Speaker 11: We do have one every episode it seems.
• 44:30
  Speaker 3: She's been moved to tears.
• 44:36
  Speaker 5: You back? Man, we're back.
• 44:42
  Speaker 9: You play music with this thing?
• 44:44
  Speaker 5: That's a matter of opinion. Who the hell are you?
• 44:47
  Speaker 3: Tommy Ray Blattman.
• 44:49
  Speaker 5: Oh, yeah. Paul told me about you. You're the Neil
• 44:54
  Speaker 5: Armstrong of dreamwinking, right?
• 44:56
  Speaker 2: Right.
• 44:57
  Speaker 3: Just like walking on the moon.
• 44:59
  Speaker 5: Yeah? Listen, I'm gonna put on some clothes. Wanna go
• 45:03
  Speaker 5: down and have a couple of beers?
• 45:04
  Speaker 10: Why?
• 45:06
  Speaker 5: I don't know. I just thought maybe.
• 45:07
  Speaker 3: I know what you want.
• 45:07
  Speaker 7: I knew it the second I saw you.
• 45:12
  Speaker 5: You want my secrets.
• 45:14
  Speaker 2: No, I don't.
• 45:14
  Speaker 5: I just want some advice.
• 45:17
  Speaker 9: I don't give advice. I'm in this with me, myself,
• 45:21
  Speaker 9: and I.
• 45:22
  Speaker 5: That's it.
• 45:23
  Speaker 11: Sorry.
• 45:25
  Speaker 5: Novotny gives me free reign, know why? Must be your
• 45:28
  Speaker 5: sparkling personality. Because I'm the only guy, Alex.
• 45:33
  Speaker 11: I'm the only guy who.
• 45:34
  Speaker 1: Can do it.
• 45:36
  Speaker 5: What about Edward Sims? They had to carry him away
• 45:39
  Speaker 5: in a basket. Yeah, well, Novotny seems to think I'll
• 45:44
  Speaker 5: be able to do it. I'll order your basket.
• 45:48
  Speaker 11: Now, we did just touch on the other main character,
• 45:52
  Speaker 11: who would be Tommy Ray Glattman. Now, is there more
• 45:55
  Speaker 11: of a, like, assassin name ever I mean that really
• 45:59
  Speaker 11: is gonna be somebody you're seeing on the news as
• 46:01
  Speaker 11: they haul away assassinating somebody so it's it's not you
• 46:04
  Speaker 11: know it's not Tommy Ray yeah his name's Tommy Ray
• 46:07
  Speaker 11: for God's sakes he is a gunman if ever I
• 46:09
  Speaker 11: saw one he's just in.
• 46:10
  Speaker 3: His dream Tommy Ray.
• 46:11
  Speaker 11: Gun Tommy Ray Gunman not Blackman he knew Kung Fu
• 46:18
  Speaker 11: because he saw what was it Enter the Dragon six
• 46:20
  Speaker 11: times six whole times he makes you an expert.
• 46:24
  Speaker 14: Which is a throwback to another Max von Sydow film
• 46:28
  Speaker 14: when he says, I've seen Jedi 17 times when they're
• 46:32
  Speaker 14: playing hockey.
• 46:33
  Speaker 8: I've seen Jedi 17 times.
• 46:38
  Speaker 5: Oh, Rick Moranis, you're funny. You're a dork. We love you.
• 46:42
  Speaker 5: You're a dork.
• 46:43
  Speaker 3: Let's not even go there, people.
• 46:44
  Speaker 5: Some of us love you a little more than others.
• 46:46
  Speaker 5: A little more. When it comes to Bob and Doug McKenzie,
• 46:50
  Speaker 5: I'm right there with you. Oh, man.
• 46:53
  Speaker 11: But no, the actor, oddly enough, also has three names.
• 46:57
  Speaker 11: David Patrick Kelly... is fucking awesome. He's in a lot
• 47:01
  Speaker 11: at this time period, but still, he needed to be
• 47:04
  Speaker 11: in more. Because I look at him in this, I'm like,
• 47:06
  Speaker 11: why was he not the villain in every fucking movie
• 47:09
  Speaker 11: for the entire 80s and 90s?
• 47:12
  Speaker 5: Because he is awesome in this movie.
• 47:14
  Speaker 14: The scene that sold me on him in this movie
• 47:17
  Speaker 14: was when he's sitting there eating the sandwich, the close-up
• 47:21
  Speaker 14: of him eating that sandwich and drinking the Coke and
• 47:24
  Speaker 14: being a badass who just Spoiler alert, killed someone. And
• 47:29
  Speaker 14: Quaid's all in his face. And he just continues delivering
• 47:32
  Speaker 14: his lines. and eating that sandwich. That's a good actor.
• 47:37
  Speaker 14: He did a fantastic job.
• 47:38
  Speaker 5: That's the one, yeah.
• 47:39
  Speaker 11: He's just kind of creepy in the first part of
• 47:42
  Speaker 11: that movie, but by the time you get to that scene,
• 47:43
  Speaker 11: you're like, holy shit, this is a villain, if ever
• 47:47
  Speaker 11: there was one.
• 47:48
  Speaker 9: I think I'm scared. You should be.
• 47:50
  Speaker 5: I don't want to go to sea. Dude is fucking creepy.
• 47:52
  Speaker 3: I mean, at first I just thought he was an
• 47:53
  Speaker 3: annoying little douchebag. He was like, I'm going to play
• 47:55
  Speaker 3: this trumpet. Saxophone.
• 47:58
  Speaker 5: Saxophone, what else? Somebody at home was bitching you.
• 48:02
  Speaker 3: Sorry.
• 48:04
  Speaker 5: You want my secrets.
• 48:05
  Speaker 3: You just lost friends.
• 48:06
  Speaker 14: I know.
• 48:07
  Speaker 3: Me, of all people, I should know more about.
• 48:10
  Speaker 5: I was kind of surprised, actually, that you did.
• 48:12
  Speaker 3: It was just a slip. I knew that it was
• 48:15
  Speaker 3: a saxophone.
• 48:16
  Speaker 5: I was just calling it. Making sure nobody else had
• 48:18
  Speaker 5: to bit it. One's a horn, the other one's a
• 48:20
  Speaker 5: reed instrument. Come on.
• 48:22
  Speaker 11: We do get called out for shit wrong all the
• 48:25
  Speaker 11: time by Naked Eskimo.
• 48:26
  Speaker 3: Yeah but uh i was just like god this guy's
• 48:29
  Speaker 3: an obnoxious douche i hope he kicks him in his
• 48:31
  Speaker 3: balls or punches him or something i mean that's annoying.
• 48:34
  Speaker 11: But once again he plays that pretty amazing too because
• 48:37
  Speaker 11: it's consistent he never has a moment that he's not
• 48:40
  Speaker 11: that douchebag i mean he any minute that he walks
• 48:43
  Speaker 11: in like he just walks up behind him while he's
• 48:45
  Speaker 11: sketching that hey what are you a cartoonist you know
• 48:48
  Speaker 11: just everything is like and the thing is you know
• 48:49
  Speaker 11: that jacket I mean, if you take it down a
• 48:52
  Speaker 11: notch and a half, you've worked with that guy.
• 48:54
  Speaker 5: You know, he's just... Oh, you went to school with him. Yeah,
• 48:56
  Speaker 5: it's like, you're never safe with this motherfucker.
• 48:58
  Speaker 11: Everything you say, he's gonna turn around and, like, just
• 49:01
  Speaker 11: be a jerk.
• 49:02
  Speaker 5: About it, you know? He's just abrasive. You can't, yeah.
• 49:06
  Speaker 11: You can't have a conversation with him, and that's pretty
• 49:08
  Speaker 11: much how he is in this. He's a jerk in
• 49:10
  Speaker 11: every moment he's on screen. And he likes Bruce Lee. Which, again, that,
• 49:15
  Speaker 11: I mean, the nunchuck scene is pretty fucking awesome. Even
• 49:18
  Speaker 11: though he gets schooled as soon as he has to
• 49:20
  Speaker 11: use them. But the fact that he's got basically lightsaber
• 49:24
  Speaker 11: nunchucks is fucking awesome.
• 49:25
  Speaker 5: With little maces on the end. Pulled him out of nowhere.
• 49:29
  Speaker 3: I would have had to pay George Lucas for that.
• 49:31
  Speaker 9: Nah, screw that.
• 49:32
  Speaker 3: Because doesn't he get pissed anytime anyone uses something that looks.
• 49:35
  Speaker 5: Remotely like a light saber?
• 49:37
  Speaker 2: Oh, my God.
• 49:38
  Speaker 9: I'm pretty sure.
• 49:39
  Speaker 5: Yeah, glow sticks.
• 49:40
  Speaker 10: I'm surprised he doesn't go to raves and start taxing
• 49:43
  Speaker 10: all the fucking rave kids.
• 49:44
  Speaker 5: You owe me a dollar. You owe me a dollar.
• 49:46
  Speaker 5: You owe me a dollar. Play school had to stop
• 49:48
  Speaker 5: making the glow worm. No. That's mine. Actually, you know what?
• 49:53
  Speaker 3: I went to a rave the other day. It was
• 49:55
  Speaker 3: sort of, well, it was more like a backyard dance party.
• 49:57
  Speaker 3: And they didn't have glow sticks. They had sparklers. I
• 50:00
  Speaker 3: was like, I feel like I'm at an old time rave.
• 50:02
  Speaker 5: It's light.
• 50:03
  Speaker 3: It's burning. It's burning each other.
• 50:05
  Speaker 14: It's like 1,200 degree sparklers and we'll dance around.
• 50:11
  Speaker 11: Come on back to the old timey rave. We're going
• 50:14
  Speaker 11: to have some lemonade and get the sparklers out.
• 50:17
  Speaker 14: Yeah, no, really.
• 50:17
  Speaker 5: I was like.
• 50:18
  Speaker 3: I kept yelling that and no one got it. I'm like, oh,
• 50:21
  Speaker 3: Tom Rafe!
• 50:22
  Speaker 5: Oh, Tom Rafe!
• 50:22
  Speaker 3: And they're like, what? Whatever.
• 50:26
  Speaker 5: Somebody's got a bunch of lightning bugs tied together. You
• 50:31
  Speaker 5: kids are getting out of control. You're not going to
• 50:32
  Speaker 5: get any cookies.
• 50:34
  Speaker 3: Yeah, they've just got a little jar. They've got a
• 50:36
  Speaker 3: mason jar full of lightning bugs and they're like.
• 50:38
  Speaker 5: Dancing around with it. They've got a lightning bug on
• 50:43
  Speaker 5: their tongue.
• 50:48
  Speaker 3: Old time rave.
• 50:51
  Speaker 5: Old time rave. Anyway. Now that would be a movie. Wow.
• 51:00
  Speaker 5: It's just big band swing music.
• 51:03
  Speaker 11: Actually, I don't know that that would work as a movie,
• 51:06
  Speaker 11: but it's starting next week on TLC.
• 51:07
  Speaker 5: Yeah. Join us for Old Time Rave this week. With midgets.
• 51:12
  Speaker 5: With midgets.
• 51:13
  Speaker 3: And a girl with no face.
• 51:14
  Speaker 5: And one special boy.
• 51:25
  Speaker 3: Why did we just get transported back in 1859?
• 51:27
  Speaker 11: Because we're retarded.
• 51:33
  Speaker 8: All right, enough of that.
• 51:34
  Speaker 5: Let's talk about these moving pictures.
• 51:37
  Speaker 3: I'm going to have a huge themed party now.
• 51:40
  Speaker 5: Huge.
• 51:40
  Speaker 3: It's going to be huge.
• 51:41
  Speaker 10: People are going to be forced to dress up like
• 51:44
  Speaker 10: it's 1899 and listen to phonographs and lightning bugs and
• 51:47
  Speaker 10: jars and rave.
• 51:48
  Speaker 3: Dancing and stuff. Can we get Megadeth on phonograph? As
• 51:51
  Speaker 3: long as we can make it sound old-timey. Okay, I
• 51:53
  Speaker 3: think we can do that.
• 51:56
  Speaker 5: Hey, what movie did we watch this week? Anyway... Dream Cat? No.
• 52:02
  Speaker 5: David Patrick Kelly, fucking awesome. Yes. That was my original point.
• 52:06
  Speaker 11: Yeah, he's the villain in many key movies at this point.
• 52:10
  Speaker 11: If you haven't seen Warriors, holy shit, go watch it.
• 52:13
  Speaker 11: What was it, Warriors?
• 52:15
  Speaker 5: If you've not seen Warriors, we have to watch Warriors. Yeah.
• 52:19
  Speaker 5: But yeah, Warriors is awesome. Fucking The Crow.
• 52:23
  Speaker 8: He's awesome in The Crow.
• 52:26
  Speaker 3: Twin Peaks.
• 52:27
  Speaker 5: Twin Peaks.
• 52:28
  Speaker 11: Again, that's his more understated role, but yeah, go watch
• 52:31
  Speaker 11: him in Twin Peaks.
• 52:32
  Speaker 5: Yeah, he was creepy. He's creepy, but it's so normal.
• 52:36
  Speaker 11: Because he's always so over the top, and those other
• 52:38
  Speaker 11: three roles are massively over the top, villainous. That one,
• 52:43
  Speaker 11: he's a very realistic guy. He's a businessman, he's always
• 52:47
  Speaker 11: got his own little interest at heart, and.
• 52:50
  Speaker 5: But there's always something else kind of going on there.
• 52:52
  Speaker 11: You always assume that he's guilty of more than really
• 52:54
  Speaker 11: he actually is by the end of the show. But,
• 52:56
  Speaker 11: I mean, as the series goes on, I don't think
• 52:58
  Speaker 11: he's even all that tied to most of the evils
• 53:00
  Speaker 11: going on there. He just always seems like he is
• 53:02
  Speaker 11: because he's a slimy bastard, and that's why I love
• 53:05
  Speaker 11: the guy. So where is David Patrick Kelly these days?
• 53:08
  Speaker 5: Yeah, what's he been doing? I'm going to have to
• 53:10
  Speaker 5: go track him down. I don't know. But why isn't
• 53:13
  Speaker 5: he at the next convention we go to? That would
• 53:16
  Speaker 5: be awesome. Oh, I don't know.
• 53:18
  Speaker 3: I don't think I'd want to talk to him.
• 53:19
  Speaker 6: I'd be like, no, I'd be like, dude, I bought,
• 53:24
  Speaker 6: I bought, I brought three bottles with me.
• 53:26
  Speaker 3: Do it.
• 53:28
  Speaker 5: So we've, okay. We've done all the stars.
• 53:31
  Speaker 11: At least let's touch on the dreams here because I
• 53:34
  Speaker 11: think that's, that's the key of this. I mean, we,
• 53:36
  Speaker 11: we go into this, the guy gets recruited to go
• 53:38
  Speaker 11: into dreams. And that's all just sort of build up,
• 53:41
  Speaker 11: that first 20 minutes of setup. And then from there,
• 53:43
  Speaker 11: we enter into that recording studio that they call the
• 53:46
  Speaker 11: dream area. It just looks like a recording studio.
• 53:51
  Speaker 5: With dentist chairs in the middle of it. And then, yeah.
• 53:54
  Speaker 11: So from there, we go into all the dreams. So
• 53:57
  Speaker 11: the steel worker wins pretty quick. It was just get
• 53:59
  Speaker 11: a taste of it. Let's see, where do we go
• 54:02
  Speaker 11: from there? Do we want to go into the sex dream?
• 54:05
  Speaker 11: The one with the husband and wife?
• 54:06
  Speaker 3: There was a dream after that, though.
• 54:08
  Speaker 5: I think the second one was the sex dream, where you, yeah,
• 54:10
  Speaker 5: the toupee guy. Oh, yeah, yeah.
• 54:12
  Speaker 3: Oh, okay. I was thinking of the sex dream.
• 54:15
  Speaker 5: Way hotter wife? No, not the, yeah. I was thinking
• 54:18
  Speaker 5: of the sex dream with the girl.
• 54:19
  Speaker 3: Not the train sex.
• 54:19
  Speaker 11: Yeah, yeah.
• 54:20
  Speaker 3: That one was weird.
• 54:21
  Speaker 5: This is the one with the priest with his pants down.
• 54:23
  Speaker 3: That was more like a dream that I would have.
• 54:25
  Speaker 3: See that?
• 54:26
  Speaker 5: It's one of those.
• 54:26
  Speaker 11: I remember at the time thinking maybe that crossed the
• 54:29
  Speaker 11: line into funny a little too much. But looking at
• 54:32
  Speaker 11: it now, I'm just like, no, this is just a dream.
• 54:34
  Speaker 11: I mean, you have dreams that make no sense. And
• 54:36
  Speaker 11: the part that makes it awesome to me, and granted
• 54:39
  Speaker 11: this is... horrible in the real world but it makes
• 54:41
  Speaker 11: it a dream she's cheating on her husband with his
• 54:45
  Speaker 11: brother in front of the children yeah.
• 54:50
  Speaker 5: It's the in front of the children line.
• 54:53
  Speaker 11: That i was just like okay i'm sold that's pretty
• 54:55
  Speaker 11: that's that's a dream that's a fucked up dream if
• 54:58
  Speaker 11: ever you've.
• 54:58
  Speaker 14: Had yeah so yeah and who was the The Asian
• 55:02
  Speaker 14: safari guy?
• 55:03
  Speaker 5: What was that?
• 55:04
  Speaker 11: I'm assuming he's the cliche gardener. Because they did have
• 55:07
  Speaker 11: a fucking huge house. So I'm sure they also had
• 55:10
  Speaker 11: a gardener. So of course he would have to be
• 55:11
  Speaker 11: an Asian gardener. Because they couldn't afford a Mexican gardener?
• 55:15
  Speaker 5: I don't know. And they do the gong when he
• 55:17
  Speaker 5: looks at him. And I'm like, really? It almost seemed
• 55:19
  Speaker 5: like a.
• 55:22
  Speaker 14: Out of out of an episode of benny hill like
• 55:24
  Speaker 14: if yakety sax came on it would have been a
• 55:27
  Speaker 14: benny hill.
• 55:27
  Speaker 5: Episode yeah kind of all my dreams are like.
• 55:29
  Speaker 11: That that's true you do hear that in all of
• 55:32
  Speaker 11: your dreams don't you oh but yeah i mean that
• 55:35
  Speaker 11: one you have to have one that's just sort of
• 55:36
  Speaker 11: fucked up in that way or it doesn't seem like
• 55:38
  Speaker 11: i mean you're you're looking at them going these aren't
• 55:40
  Speaker 11: real dreams that one's a real fucked up dream you're
• 55:43
  Speaker 11: like whoa okay and And I like that just basically
• 55:46
  Speaker 11: his fear in his dream is that everyone is screwing
• 55:49
  Speaker 11: his wife.
• 55:51
  Speaker 6: The priest like crosses him and he's like, I don't
• 55:53
  Speaker 6: worry about it, I'm Jewish.
• 55:55
  Speaker 3: What's that even important?
• 55:55
  Speaker 5: Why aren't you kicking everybody's ass right now? There's just
• 56:00
  Speaker 5: too many people she's screwing.
• 56:01
  Speaker 14: They cut back to the office where they're discussing it
• 56:06
  Speaker 14: with Quaid and Max von Sydow and they're just laughing
• 56:09
  Speaker 14: at him like, yeah, he thinks everybody's fucking his wife.
• 56:12
  Speaker 5: And they are.
• 56:13
  Speaker 11: And they are.
• 56:14
  Speaker 5: More than likely.
• 56:15
  Speaker 11: I mean, where else would all that deep-seated fear come from?
• 56:18
  Speaker 11: Probably she's on the side nailing people. Well, if you
• 56:21
  Speaker 11: have a toupee, you obviously can't perform in bed. And
• 56:24
  Speaker 11: you've seen that guy. I mean, it's not like he's
• 56:26
  Speaker 11: really like, you know. How he even got that wife,
• 56:28
  Speaker 11: I'm not really sure.
• 56:29
  Speaker 14: Whatever.
• 56:29
  Speaker 3: He had a sweet fucking suit. I would do him.
• 56:33
  Speaker 5: You get a nice car and a nice house.
• 56:35
  Speaker 3: Speaking of dreams, did I ever get to discuss my
• 56:37
  Speaker 3: Don Knotts dream?
• 56:38
  Speaker 5: I don't think you did on here. Online, we discussed it.
• 56:41
  Speaker 3: Don Knotts, huh? I just want to get this out.
• 56:44
  Speaker 5: Since we're in the middle of dreamscape, it's not that far,
• 56:47
  Speaker 5: so go ahead.
• 56:48
  Speaker 1: Okay.
• 56:48
  Speaker 3: A couple of weeks ago, I had a dream for
• 56:50
  Speaker 3: some reason. I don't know if I was his publicist
• 56:52
  Speaker 3: or his friend. There was nothing sexual going on, but
• 56:56
  Speaker 3: I was.
• 56:56
  Speaker 10: Living in an Airstream trailer with Don Knotts, Airstreams are sweet.
• 57:01
  Speaker 5: Yeah, this is awesome as far as I'm concerned.
• 57:06
  Speaker 3: Between Andy Griffith's show and Ghost in Mr. Chicken, I
• 57:09
  Speaker 3: would assume. Probably closer to Ghost in Mr. Chicken era.
• 57:13
  Speaker 5: That's a decent time frame for him. It's not Mr.
• 57:15
  Speaker 5: Furly years. I was thinking Scooby-Doo and Don Knotts. No,
• 57:18
  Speaker 5: that's about the right time. That's late 60s.
• 57:21
  Speaker 10: Yeah, late 60s Don Knotts. And every morning, he'd wake
• 57:26
  Speaker 10: up really early in the morning. I left this part
• 57:28
  Speaker 10: out when I was describing it online. But I'd have
• 57:30
  Speaker 10: to turn the shower on for him. And get a
• 57:33
  Speaker 10: towel for him and lay out clothes. And then he
• 57:35
  Speaker 10: would take a shower at like 5 in the morning.
• 57:37
  Speaker 10: And he'd be like, alright, let's go to Denny's. Let's
• 57:39
  Speaker 10: get some breakfast.
• 57:40
  Speaker 3: Let's go to Denny's. So every morning, I would do
• 57:42
  Speaker 3: an Airstream trailer with Don Knotts. And every morning at
• 57:44
  Speaker 3: 5 in the morning, he would beg me to take
• 57:47
  Speaker 3: him to Denny's for breakfast.
• 57:48
  Speaker 14: I'm going to have to get a publicist to turn
• 57:50
  Speaker 14: on my shower.
• 57:51
  Speaker 5: I can't find the towels.
• 57:53
  Speaker 3: It was awesome. He shoots himself in the foot somehow. Yeah,
• 57:59
  Speaker 3: my dreams are pretty sweet.
• 58:00
  Speaker 14: As long as he's wearing an ascot. I think he
• 58:03
  Speaker 14: would be the perfect sidekick. In general. Yeah, come on,
• 58:07
  Speaker 14: let's go.
• 58:07
  Speaker 10: I've been looking for someone who's a lot like Don
• 58:09
  Speaker 10: Knotts my whole life.
• 58:10
  Speaker 5: Yeah, I can see that. I do. I can't argue.
• 58:14
  Speaker 11: Actually, what's weird, just to fill in, again, total side note,
• 58:17
  Speaker 11: but the other day, and most of the time, my
• 58:21
  Speaker 11: dad and I have totally different movie tastes and never
• 58:24
  Speaker 11: have any sort of tie-in, but the other day I
• 58:27
  Speaker 11: was massively impressed... And reminded me that he is, in fact,
• 58:30
  Speaker 11: my father when he quoted The Ghost and Mr.
• 58:32
  Speaker 9: Chicken.
• 58:33
  Speaker 10: You know, that is one of the movies that me
• 58:36
  Speaker 10: and my mom have in common.
• 58:37
  Speaker 11: Yeah.
• 58:37
  Speaker 5: Well, that doesn't even seem like his kind of movie.
• 58:39
  Speaker 5: I mean, you've seen my dad. I was just like,
• 58:41
  Speaker 5: where did that come from?
• 58:43
  Speaker 3: Nor does it seem like a movie my mom would
• 58:44
  Speaker 3: be into. Yeah.
• 58:45
  Speaker 5: It's everybody loves don knots that's.
• 58:47
  Speaker 3: The moral they grew up with him i guess.
• 58:50
  Speaker 14: Or finally your dad was like i've got to connect
• 58:52
  Speaker 14: with brand i'm gonna drop a movie line just so
• 58:55
  Speaker 14: that i can connect with him i can't remember anything
• 58:57
  Speaker 14: okay it goes to mr jake we did that.
• 58:59
  Speaker 6: Back in the day we found like the quotes.
• 59:02
  Speaker 11: I mean most of the the stuff that i'm into
• 59:04
  Speaker 11: like stemmed from stuff that he liked it's funny that
• 59:06
  Speaker 11: like he grew out of it but i didn't like
• 59:09
  Speaker 11: as he got older, he didn't care about it as much.
• 59:12
  Speaker 11: I got into it more and more.
• 59:14
  Speaker 5: He didn't plan on moving out of it because we
• 59:16
  Speaker 5: were going to have a nuclear war. That's true. So
• 59:18
  Speaker 5: why would I bother having grown-up interest?
• 59:21
  Speaker 8: Fuck it.
• 59:21
  Speaker 5: I like dreamscape. Just like when it came out.
• 59:24
  Speaker 11: Yeah.
• 59:25
  Speaker 10: But I think I may have already mentioned this too,
• 59:28
  Speaker 10: but I just need to reiterate how horrible and sad
• 59:30
  Speaker 10: and creepy this is to me. Like, every night my mom,
• 59:35
  Speaker 10: because I've had to stay there because my electricity's been out,
• 59:37
  Speaker 10: she'll be.
• 59:38
  Speaker 3: Like, our man's on TV! And I'm like, oh God,
• 59:41
  Speaker 3: who's she talking about? She's talking about my name is Earl.
• 59:44
  Speaker 3: And I'm like... Damn it, I really do actually love
• 59:47
  Speaker 3: Jason Lee a lot.
• 59:48
  Speaker 5: Hell yeah.
• 59:49
  Speaker 3: And I'm just like, me and my mom, we have.
• 59:50
  Speaker 5: A man together.
• 59:51
  Speaker 3: Like, we share love for Jason Lee, and that is sad.
• 59:55
  Speaker 5: Me and my mom have one of those.
• 59:57
  Speaker 6: It's, and mine's sadder, because at least yours is Jason Lee.
• 1:00:01
  Speaker 5: Mine's Randy Orton from WWE. Yeah.
• 1:00:06
  Speaker 6: But he's so big and buff and hot.
• 1:00:10
  Speaker 5: Are you sure you want to say that out loud? Yeah.
• 1:00:13
  Speaker 5: This is being recorded. Once again, I am Marlena. Yes. Wow.
• 1:00:22
  Speaker 5: Good save.
• 1:00:24
  Speaker 3: That was like flaming a fart on the dog.
• 1:00:27
  Speaker 5: And then there's someone listening to it.
• 1:00:29
  Speaker 3: Oh, she foiled me.
• 1:00:30
  Speaker 9: Who is it?
• 1:00:32
  Speaker 3: Was that Roger, really?
• 1:00:34
  Speaker 5: I think it was.
• 1:00:39
  Speaker 2: Wow. Alrighty.
• 1:00:42
  Speaker 5: Hello, Tangents. Yeah. Let's at least get back to the
• 1:00:46
  Speaker 5: snake man.
• 1:00:47
  Speaker 3: Right.
• 1:00:47
  Speaker 5: Because that is an essential part of this. So, Yeah,
• 1:00:51
  Speaker 5: snake man.
• 1:00:52
  Speaker 10: I kept thinking layer of the white worm. I think,
• 1:00:54
  Speaker 10: but only because I read that not.
• 1:00:56
  Speaker 3: That long ago.
• 1:00:57
  Speaker 5: He's not white or a worm.
• 1:00:59
  Speaker 3: I know, but neither was the worm. It was like
• 1:01:02
  Speaker 3: a big snake thing.
• 1:01:04
  Speaker 14: Oh, you know, the shadow when he was attacking his father,
• 1:01:08
  Speaker 14: I thought it looked a lot like Randall from Monsters Incorporated.
• 1:01:12
  Speaker 5: Yeah.
• 1:01:14
  Speaker 14: And I thought, well, maybe they, you know, because it
• 1:01:17
  Speaker 14: was the one monster that this little girl was afraid of.
• 1:01:22
  Speaker 14: I thought, well, maybe when Pixar, because Pixar has a
• 1:01:26
  Speaker 14: pretty good background in movies. I don't see how they,
• 1:01:30
  Speaker 14: you know. Not that that was completely intentional, but it
• 1:01:33
  Speaker 14: could have been. It very well could have been.
• 1:01:35
  Speaker 11: And just in general, all of them sort of draw
• 1:01:37
  Speaker 11: from stuff that they liked when they were younger. So,
• 1:01:39
  Speaker 11: I mean, I can see even if it's not 100%
• 1:01:41
  Speaker 11: here's our joke, it's just like as he's drawing stuff,
• 1:01:45
  Speaker 11: it may have crept in there either way.
• 1:01:47
  Speaker 10: Right.
• 1:01:48
  Speaker 3: And Beetlejuice, the part in Beetlejuice where he turns into
• 1:01:51
  Speaker 3: the worm.
• 1:01:51
  Speaker 7: Yeah.
• 1:01:51
  Speaker 3: Kind of reminded me of that.
• 1:01:52
  Speaker 5: Kind of, yeah. The animation's kind of the same. Yeah.
• 1:01:56
  Speaker 6: It was.
• 1:01:57
  Speaker 11: It was the same time period. It was right there,
• 1:01:59
  Speaker 11: a couple years ahead on Beetlejuice.
• 1:02:00
  Speaker 5: You know, it wasn't that bad. No, I mean.
• 1:02:04
  Speaker 11: I mean, it looks cheesy now, but the thing is,
• 1:02:07
  Speaker 11: I'll take any of that over bad CGI. I will
• 1:02:10
  Speaker 11: tell you, I mean, as low tech as a lot
• 1:02:13
  Speaker 11: of that was, because they even like couldn't afford the,
• 1:02:16
  Speaker 11: and I'll get to that. I mean, for what they
• 1:02:18
  Speaker 11: did with the money, I think looks pretty good, but
• 1:02:19
  Speaker 11: they couldn't even afford like a full on transformation scene.
• 1:02:22
  Speaker 5: They did like.
• 1:02:23
  Speaker 11: The version that they do is basically they modeled five
• 1:02:25
  Speaker 11: or six heads and then would jump cut between them
• 1:02:28
  Speaker 11: so you see a transition. But it's not a full transition.
• 1:02:32
  Speaker 11: It's just those little jumps along the way. So that's
• 1:02:35
  Speaker 11: how low-tech this version is. And yet, to me, it's
• 1:02:38
  Speaker 11: still pretty cool, and I'll take it over bad CGI
• 1:02:41
  Speaker 11: any day because it's just... There's something to that when
• 1:02:44
  Speaker 11: it is actually somebody physically making those heads and the models.
• 1:02:48
  Speaker 11: And by the time it gets to the stop motion
• 1:02:51
  Speaker 11: version of the Snake Man, it's fucking awesome.
• 1:02:54
  Speaker 5: I love that part.
• 1:02:56
  Speaker 14: Even if you go back and watch Harryhausen stuff, gosh,
• 1:03:00
  Speaker 14: it looks cheesy. But comparatively, and I know it's not CGI,
• 1:03:05
  Speaker 14: but you can see that somebody actually took some, more
• 1:03:08
  Speaker 14: than others, but time with it.
• 1:03:10
  Speaker 3: And I don't know.
• 1:03:13
  Speaker 5: I'm sure we probably beat that like a dead horse, but... Well,
• 1:03:16
  Speaker 5: but I mean, it really... I mean, that feels.
• 1:03:18
  Speaker 11: Especially you look at something like Harryhausen did, and that
• 1:03:21
  Speaker 11: looks like it is an art form. I mean, you
• 1:03:23
  Speaker 11: do give him credit for something amazing, whereas... programming the
• 1:03:27
  Speaker 11: CGI stuff? Does that feel like... I mean, I know
• 1:03:29
  Speaker 11: we're entering into that weird gray area of when does
• 1:03:32
  Speaker 11: art done on computer mean it's still art? It is
• 1:03:35
  Speaker 11: a weird question that people have been saying for a
• 1:03:38
  Speaker 11: while now. We talked about this with the artist last
• 1:03:41
  Speaker 11: week at the show.
• 1:03:43
  Speaker 5: If using Photoshop counts as art. That's a question that
• 1:03:47
  Speaker 5: ties into the movies. Does CGI.
• 1:03:50
  Speaker 11: still a special effect, like a visual effect that, you know,
• 1:03:53
  Speaker 11: is the same type of art form as molding mask.
• 1:03:56
  Speaker 5: And, you know, is, is it the same thing?
• 1:03:59
  Speaker 11: I don't know. I mean, not exactly, but as we progress,
• 1:04:01
  Speaker 11: maybe we'll have to start looking at it that way.
• 1:04:03
  Speaker 3: Right.
• 1:04:04
  Speaker 5: Because I think it looks, I mean, if you look
• 1:04:05
  Speaker 5: at what we did that.
• 1:04:06
  Speaker 11: You know, into the eighties version of like blue screen
• 1:04:09
  Speaker 11: and where we are with green screen now, it's kind
• 1:04:12
  Speaker 11: of jumped quite a bit, and there's a hell of
• 1:04:14
  Speaker 11: a lot more that we can do. At some point,
• 1:04:16
  Speaker 11: it could be kind of viewed as more of an
• 1:04:18
  Speaker 11: art form as you get further into it, and we
• 1:04:20
  Speaker 11: kind of know how to do it a little better.
• 1:04:22
  Speaker 14: Yeah, I mean, as long as there's a sliding scale
• 1:04:24
  Speaker 14: of good, you know, with someone that can say this
• 1:04:28
  Speaker 14: is good and this is bad, it has to be
• 1:04:30
  Speaker 14: an art form. There are people that are better than
• 1:04:32
  Speaker 14: the others, as long as it's not a Completely technology-driven thing.
• 1:04:35
  Speaker 14: If that looks good because they can pay more to
• 1:04:41
  Speaker 14: do it, that's not art. But if when you take
• 1:04:43
  Speaker 14: two people with the same materials that can pull that off.
• 1:04:47
  Speaker 14: then you can decide which one is the artist and
• 1:04:49
  Speaker 14: which one isn't. So I just don't think we have
• 1:04:51
  Speaker 14: enough or enough time yet.
• 1:04:53
  Speaker 11: Yeah.
• 1:04:53
  Speaker 5: And in the end it becomes like apples and oranges.
• 1:04:55
  Speaker 11: I mean, it really is like there are levels where
• 1:04:58
  Speaker 11: both of them are good and bad, but it's like,
• 1:04:59
  Speaker 11: you know, saying a great painting is the same thing
• 1:05:01
  Speaker 11: as a great sculpture.
• 1:05:02
  Speaker 5: They're both art, but they're very different.
• 1:05:04
  Speaker 11: So I'd say that with like stop motion versus CG,
• 1:05:07
  Speaker 11: there's levels where they're both going to be amazing and
• 1:05:09
  Speaker 11: they're both going to suck, but they're totally different set,
• 1:05:12
  Speaker 11: you know, separate things that.
• 1:05:13
  Speaker 5: Haven't been said. The stop motion animation on the snake
• 1:05:16
  Speaker 5: man in this awesome.
• 1:05:17
  Speaker 12: Any stop animation is awesome. Any stop animation, even if
• 1:05:21
  Speaker 12: they did it today, even when they do do it today,
• 1:05:24
  Speaker 12: is awesome.
• 1:05:24
  Speaker 11: It's one of those you look back at stuff, and yeah,
• 1:05:28
  Speaker 11: they just hardly ever do it today, but when they do,
• 1:05:30
  Speaker 11: it's still pretty awesome. It just has a very specific
• 1:05:33
  Speaker 11: look to it. that i mean maybe it's just nostalgia
• 1:05:36
  Speaker 11: once again maybe it's a generational nostalgia thing and kids
• 1:05:40
  Speaker 11: years from now will look at it and think it's
• 1:05:42
  Speaker 11: just like you know it's.
• 1:05:43
  Speaker 12: We remember you know we remember old-time rage we remember
• 1:05:48
  Speaker 12: harryhausen like we still remember harryhausen.
• 1:05:50
  Speaker 11: A lot of cute stuff So I don't know. I mean,
• 1:05:52
  Speaker 11: the snake man is awesome. And I think that is
• 1:05:54
  Speaker 11: probably what people remember most about this movie. I think
• 1:05:57
  Speaker 11: those scenes are really freaking scary. I think even now,
• 1:06:01
  Speaker 11: I think that especially the, the, well, both of them,
• 1:06:04
  Speaker 11: I mean, most of the dreams are sort of normal,
• 1:06:07
  Speaker 11: but yeah, the, the kid's dream and the president's dream
• 1:06:09
  Speaker 11: at the end are fucking creepy. And like, not just
• 1:06:13
  Speaker 11: because of the snake man, but I mean, you look at,
• 1:06:15
  Speaker 11: especially like the kid's dream, The kids' dream, it's even
• 1:06:18
  Speaker 11: the visuals of everything. It all kind of has that Dr.
• 1:06:21
  Speaker 11: Caligari look to it. The staircase, the doors.
• 1:06:24
  Speaker 5: The doors are all crazy slanted. The windows.
• 1:06:27
  Speaker 11: Everything is set up with this weird, kind of askew
• 1:06:30
  Speaker 11: look to it.
• 1:06:31
  Speaker 14: There had to have been just about a ready-made set
• 1:06:34
  Speaker 14: that they went into that on. I don't think all
• 1:06:37
  Speaker 14: of that looked like it was designed specifically for the movie.
• 1:06:39
  Speaker 5: I don't know.
• 1:06:40
  Speaker 14: I don't know what the budget was. But it just
• 1:06:42
  Speaker 14: had a, you know, unless they spent a lot of
• 1:06:45
  Speaker 14: money on that.
• 1:06:46
  Speaker 2: May have. Yeah.
• 1:06:47
  Speaker 5: I don't know. Like I said.
• 1:06:49
  Speaker 11: The budget actually was, and this to me is kind
• 1:06:51
  Speaker 11: of impressive, a five and a half million.
• 1:06:53
  Speaker 3: Really?
• 1:06:54
  Speaker 5: That's pretty.
• 1:06:55
  Speaker 12: For the amount of visual effects of a movie alone.
• 1:06:58
  Speaker 11: For something that's, yeah, like an adventure special effects heavy
• 1:07:02
  Speaker 11: kind of movie with tons of visual effects thrown in,
• 1:07:05
  Speaker 11: you know. For the time period and for the materials
• 1:07:08
  Speaker 11: they had to work with, I think it looks damn good.
• 1:07:10
  Speaker 5: Right.
• 1:07:11
  Speaker 11: I mean, granted, it's going to pale a little by
• 1:07:13
  Speaker 11: movies today's standards. If you've never seen this before, you're
• 1:07:17
  Speaker 11: going to notice a difference. But, I mean, for $ 5. 5
• 1:07:20
  Speaker 11: million in the 80s, this looks pretty damn good.
• 1:07:23
  Speaker 5: Oh, yeah.
• 1:07:23
  Speaker 14: So there was one part where they were in the
• 1:07:25
  Speaker 14: president's dream where they walked through one you know rubble
• 1:07:29
  Speaker 14: area yeah and then they walked back through it and
• 1:07:32
  Speaker 14: they walked back through it and i was.
• 1:07:34
  Speaker 11: Like oh but but again you have to give me
• 1:07:37
  Speaker 11: magic you have to give them credit because that still
• 1:07:40
  Speaker 11: played like the world and because the.
• 1:07:42
  Speaker 5: Way they wrote it Yeah. They were, yeah.
• 1:07:44
  Speaker 11: See, I don't think I was even paying that close,
• 1:07:45
  Speaker 11: but yeah, they, the way they wrote it was like,
• 1:07:48
  Speaker 11: it really was supposed to have huge visuals of like
• 1:07:51
  Speaker 11: cities and ruins and all of that.
• 1:07:52
  Speaker 5: And they had five and a half million. They couldn't
• 1:07:55
  Speaker 5: do that. But to me, it still plays like that.
• 1:07:57
  Speaker 11: You still get the feeling that the world is destroyed by,
• 1:08:00
  Speaker 11: And really all they have is a couple little scenes
• 1:08:02
  Speaker 11: that they throw rubble in, but they do a good
• 1:08:04
  Speaker 11: job of kind of conveying that through what the visuals
• 1:08:07
  Speaker 11: that they have.
• 1:08:08
  Speaker 12: It's like The President's Dream where it's like going through
• 1:08:10
  Speaker 12: the rubble and it reminded me of Terminator, like kind
• 1:08:13
  Speaker 12: of the miniature that they made of the world destroyed
• 1:08:16
  Speaker 12: or whatever. When he opens the door and the kids
• 1:08:18
  Speaker 12: come pouring out or whatever.
• 1:08:19
  Speaker 9: Which that one was terrifying as hell.
• 1:08:22
  Speaker 5: That seems really creepy.
• 1:08:23
  Speaker 12: Yeah, because you hear the kids and their voices are
• 1:08:26
  Speaker 12: kind of disjointed or whatever. And then all the irradiated,
• 1:08:30
  Speaker 12: melted children come out of the door.
• 1:08:32
  Speaker 14: They splice in the stock footage of the... nuclear bomb
• 1:08:36
  Speaker 14: testing yeah they made it red so.
• 1:08:38
  Speaker 11: That it all went together that it worked but again
• 1:08:41
  Speaker 11: that stuff i think almost i don't even know that
• 1:08:44
  Speaker 11: they were like working that in as like stealing stock
• 1:08:47
  Speaker 11: footage and putting in there like to me that was
• 1:08:48
  Speaker 11: almost more of like this is what we're drawing from
• 1:08:51
  Speaker 11: like this this is the touchstone of where everybody gets
• 1:08:54
  Speaker 11: these fears from and i think if.
• 1:08:56
  Speaker 14: It's his if it's his dream that's what that's the
• 1:08:59
  Speaker 14: fuel that he probably has in his brain.
• 1:09:01
  Speaker 11: To and that's that's the way we all see that
• 1:09:04
  Speaker 11: i mean these are these are the only images we
• 1:09:06
  Speaker 11: have we don't have current footage of that because they're
• 1:09:08
  Speaker 11: trying not to blow it up all we have are
• 1:09:10
  Speaker 11: these bad 50s test footage from like out in the
• 1:09:13
  Speaker 11: desert somewhere um So that's kind of like, in all
• 1:09:15
  Speaker 11: of our heads, that's the version of what a nuclear
• 1:09:17
  Speaker 11: blast looks like.
• 1:09:18
  Speaker 5: And Indy was in the refrigerator. And he was. I
• 1:09:21
  Speaker 5: don't care what anybody says. That part was awesome. Oh,
• 1:09:23
  Speaker 5: my God. That part was hilarious. I'm like, dude, the refrigerator.
• 1:09:29
  Speaker 3: You're a genius.
• 1:09:29
  Speaker 12: We'll never watch the Crystal Skull.
• 1:09:31
  Speaker 5: If you haven't seen it, we'll never watch it.
• 1:09:34
  Speaker 12: But he survives a nuclear blast by getting in a refrigerator.
• 1:09:38
  Speaker 5: And it throws him like miles. It's like a 50s refrigerator.
• 1:09:42
  Speaker 5: Those things were fucking indestructible.
• 1:09:43
  Speaker 3: The fall would have killed his old ass.
• 1:09:45
  Speaker 11: I have a Kelvinator in the other room, damn it.
• 1:09:47
  Speaker 5: It still survived.
• 1:09:48
  Speaker 3: Shia LaBeouf would have saved him with his motorcycle.
• 1:09:51
  Speaker 5: With his goofy head. His what?
• 1:09:54
  Speaker 11: Butt.
• 1:09:54
  Speaker 5: Oh, Shia LaBeouf.
• 1:09:57
  Speaker 3: I like him.
• 1:09:58
  Speaker 5: I love him. I like Shia LaBeouf, too.
• 1:10:00
  Speaker 3: He's so cute. I would take off his pants.
• 1:10:03
  Speaker 9: I wouldn't go that far.
• 1:10:04
  Speaker 11: I would probably shake his.
• 1:10:07
  Speaker 9: Hand while you were disrobing him, and he'd be like, what?
• 1:10:10
  Speaker 5: No, double teams.
• 1:10:11
  Speaker 3: I caught you off guard. Now you can't get away.
• 1:10:14
  Speaker 1: Wow.
• 1:10:14
  Speaker 5: Get him, baby.
• 1:10:16
  Speaker 11: Get him.
• 1:10:21
  Speaker 3: I just want his pants.
• 1:10:24
  Speaker 5: Sorry about that, Shia. If you're listening... I'm not. He
• 1:10:29
  Speaker 5: would probably be totally down with that, too.
• 1:10:31
  Speaker 6: Because he's... My number's 502.
• 1:10:35
  Speaker 5: And her name is.
• 1:10:37
  Speaker 2: 365-5565.
• 1:10:37
  Speaker 5: There you go. That's her number. Call her right now.
• 1:10:40
  Speaker 1: Oh, God.
• 1:10:42
  Speaker 11: Tangent once again. So, I mean, those are the big
• 1:10:46
  Speaker 11: dreams right there. The one with the kid. The staircase
• 1:10:48
  Speaker 11: is awesome.
• 1:10:49
  Speaker 5: The staircase is really awesome.
• 1:10:50
  Speaker 11: Which somebody online I heard referred to as a disembodied staircase.
• 1:10:53
  Speaker 5: It is kind of disembodied. Yeah. There's no structure to
• 1:10:57
  Speaker 5: it at all.
• 1:10:57
  Speaker 2: Disembodied?
• 1:10:58
  Speaker 5: Nothing.
• 1:10:59
  Speaker 9: It's just free-floating in that black area, you know?
• 1:11:02
  Speaker 11: Which, again, ties in quite a bit that level of dream.
• 1:11:06
  Speaker 11: And I think this is one that I wanted to
• 1:11:08
  Speaker 11: get to that... I think this is what separates it from, like,
• 1:11:12
  Speaker 11: Nightmare on Elm Street. Because as much as I really
• 1:11:15
  Speaker 11: like Nightmare on Elm Street, the first one in particular...
• 1:11:18
  Speaker 11: I think all of those dreams are really grounded. Like,
• 1:11:22
  Speaker 11: they're very reality. Yeah, it's like, I'm going to have
• 1:11:26
  Speaker 11: a crazy dream. I'm out on the street in front
• 1:11:28
  Speaker 11: of my house.
• 1:11:30
  Speaker 5: Okay.
• 1:11:30
  Speaker 12: That dream made me feel like the Twilight Zone movie
• 1:11:34
  Speaker 12: in that house where the kid controlled everything.
• 1:11:36
  Speaker 5: Yeah, like that. The shit was just wrong. Everything was wrong.
• 1:11:39
  Speaker 12: It's not really basically sort of reality. It's like staircases
• 1:11:43
  Speaker 12: and doors don't make sense. The most basic of things
• 1:11:45
  Speaker 12: don't make sense anymore. So it's just like, It's really
• 1:11:48
  Speaker 12: kind of disembodied.
• 1:11:50
  Speaker 11: And that's, and that's the, I mean, that to me
• 1:11:53
  Speaker 11: is what works in there. Like these feel like real
• 1:11:56
  Speaker 11: messed up dreams. As much as I like Nightmare on
• 1:11:58
  Speaker 11: Elm Street, to me.
• 1:11:59
  Speaker 5: It's just like. What do my dreams feel like?
• 1:12:01
  Speaker 6: Others.
• 1:12:01
  Speaker 2: Yeah.
• 1:12:01
  Speaker 11: Well, they're just, it's so normal other than when Freddie
• 1:12:04
  Speaker 11: comes in. It's like, there's a few key moments they
• 1:12:06
  Speaker 11: throw in. Oh, look, the sheep ran by. But, I mean,
• 1:12:09
  Speaker 11: for the most part, I'm in the hallway at school. Well,
• 1:12:12
  Speaker 11: I mean, every day, half the other shots in this
• 1:12:14
  Speaker 11: movie are you're in the hallway at school. So, I mean,
• 1:12:16
  Speaker 11: they don't really take it off on a weird area.
• 1:12:19
  Speaker 11: There's weird things thrown in, and that, again, might have
• 1:12:22
  Speaker 11: been budget reasons. Because as they go on, I mean,
• 1:12:25
  Speaker 11: if you go into the sequels, they get into those weird, like, fucking.
• 1:12:27
  Speaker 5: Turning into a car or motorcycle, whatever the hell he
• 1:12:31
  Speaker 5: turned into.
• 1:12:31
  Speaker 3: Tree board.
• 1:12:32
  Speaker 11: The soul pizza i mean those get weird dream bullshit
• 1:12:36
  Speaker 11: but those are also when they became kind of stupid
• 1:12:39
  Speaker 11: i still like freddy all the way through the run
• 1:12:41
  Speaker 11: but the movie's got stupid let's face it so i
• 1:12:44
  Speaker 11: mean but i mean that first one they're they're just
• 1:12:46
  Speaker 11: a little too too real world where i think this
• 1:12:50
  Speaker 11: actually plays really well at being like Very dream world.
• 1:12:53
  Speaker 11: It is one of those where things don't necessarily make sense.
• 1:12:56
  Speaker 11: Things don't necessarily look like they would normally look.
• 1:12:59
  Speaker 6: Like the dad and the kid's dream just randomly sitting
• 1:13:02
  Speaker 6: at the end of the table. Apparently it's the same
• 1:13:04
  Speaker 6: dream over.
• 1:13:05
  Speaker 5: And over again. Could be. He's like, don't worry, he
• 1:13:08
  Speaker 5: won't help.
• 1:13:10
  Speaker 11: Or just like the guy on top of the building
• 1:13:12
  Speaker 11: with the sky doing that weird thing and the clouds
• 1:13:14
  Speaker 11: going by.
• 1:13:15
  Speaker 12: Yeah, dreams are always one-off. I just know whenever I'm dreaming,
• 1:13:19
  Speaker 12: it's like I can be somewhere that's familiar, but something's
• 1:13:22
  Speaker 12: just skewed a little bit.
• 1:13:23
  Speaker 2: Yeah.
• 1:13:24
  Speaker 11: And that's where I think this kind of gets it right,
• 1:13:28
  Speaker 11: especially going into Nightmare.
• 1:13:29
  Speaker 5: They never quite embraced that.
• 1:13:32
  Speaker 11: And because I think what they were really more worried
• 1:13:34
  Speaker 11: about doing was Nightmare and every other movie that goes
• 1:13:38
  Speaker 11: into Dreams pulls this.
• 1:13:39
  Speaker 5: Hell, even movies that don't go into Dreams pull this.
• 1:13:42
  Speaker 5: You're already in the dream. It is a dream already.
• 1:13:45
  Speaker 5: You wake up from the dream and you didn't know
• 1:13:46
  Speaker 5: you were in the dream.
• 1:13:47
  Speaker 9: You're not even watching the movie right now.
• 1:13:49
  Speaker 5: At least they never, yeah, at least they never. Yeah,
• 1:13:50
  Speaker 5: they never pull that in this movie.
• 1:13:51
  Speaker 11: It's very obvious when you go into a dream, you
• 1:13:54
  Speaker 11: go through the crazy dream tunnels and you get there
• 1:13:56
  Speaker 11: and like everything is fucked up and weird and then
• 1:13:58
  Speaker 11: you come out of the dream and it's normal.
• 1:14:00
  Speaker 5: It is a very different experience.
• 1:14:01
  Speaker 3: Yeah.
• 1:14:02
  Speaker 5: Where every other movie.
• 1:14:03
  Speaker 11: Not even dream movies just in general I mean how
• 1:14:06
  Speaker 11: many movies can you think of that like and you
• 1:14:08
  Speaker 11: wake up and oh it was only a dream that
• 1:14:10
  Speaker 11: whole last five minute scene that we had to sit
• 1:14:12
  Speaker 11: through was bullshit and never really happened this movie never
• 1:14:15
  Speaker 11: pulls that it's an entire season of Newhart yeah what's
• 1:14:21
  Speaker 11: that the entire series no the entire series yeah there's
• 1:14:23
  Speaker 11: an entire season of Dallas there's an entire series that
• 1:14:26
  Speaker 11: is Newhart.
• 1:14:28
  Speaker 10: And the last season of Roseanne I think Pretty sure.
• 1:14:33
  Speaker 14: I just tuned out after John Goodman left.
• 1:14:37
  Speaker 11: Even before that, those last couple years just started to
• 1:14:40
  Speaker 11: really suck.
• 1:14:42
  Speaker 6: I can never get into Roseanne because she just pissed
• 1:14:43
  Speaker 6: me off all the time. I just wanted to yell
• 1:14:45
  Speaker 6: at her and be like, be a.
• 1:14:46
  Speaker 5: Nice person, you stupid whore. No, she's mean.
• 1:14:50
  Speaker 12: The one thing about Dreamscape that I hated when I
• 1:14:52
  Speaker 12: was a kid, that none of the three versions of
• 1:14:54
  Speaker 12: the Snake Man coincided. First Snake Man was Snake Man
• 1:14:59
  Speaker 12: with the snake head. Second iteration that the guy turned into,
• 1:15:02
  Speaker 12: it still had like a human-looking face to the snake head.
• 1:15:06
  Speaker 12: And then when, at the end, Quaid pulls his face apart,
• 1:15:10
  Speaker 12: it's like this blob of green mass.
• 1:15:12
  Speaker 9: It doesn't even make sense anymore. I'm like, did you
• 1:15:14
  Speaker 9: all run out of money?
• 1:15:15
  Speaker 3: But you know what?
• 1:15:16
  Speaker 5: It's all three different people's vision of the dream of
• 1:15:20
  Speaker 5: the Snake Man. But as a kid, I hated it.
• 1:15:23
  Speaker 9: I wanted the first Snake Man over and over again
• 1:15:25
  Speaker 9: because I loved it.
• 1:15:26
  Speaker 11: I was thinking that, at least between the first and
• 1:15:28
  Speaker 11: the second one, because the second one is the Tommy Ray's.
• 1:15:31
  Speaker 5: Impersonation of what he thinks the Snake Man is. From
• 1:15:34
  Speaker 5: the drawing.
• 1:15:35
  Speaker 11: Because he never even saw the Snake Man. So, yeah,
• 1:15:37
  Speaker 11: that one I understand. And the third one I can
• 1:15:39
  Speaker 11: actually tell you because I heard them explain what happened.
• 1:15:42
  Speaker 11: And they did a version of the head... monster and
• 1:15:46
  Speaker 11: it was the the makeup effects guy and the one
• 1:15:48
  Speaker 11: and the guy that did the hands that attack him
• 1:15:50
  Speaker 11: and somebody didn't like it i don't know if it
• 1:15:52
  Speaker 11: was producers or like a test.
• 1:15:54
  Speaker 5: Audience like change that shit and.
• 1:15:55
  Speaker 11: He the guy who did it's like i like that
• 1:15:57
  Speaker 11: one better really and that's the one he did but
• 1:15:59
  Speaker 11: i guess still he was like i kind of like
• 1:16:00
  Speaker 11: that one better and then someone else came in and
• 1:16:02
  Speaker 11: did that little effect which does look pretty bad it
• 1:16:05
  Speaker 11: does look bad compared to the rest of the movie
• 1:16:07
  Speaker 11: but the hands that go out and grab them are
• 1:16:09
  Speaker 11: it cuts to the first version because that's the main
• 1:16:12
  Speaker 11: makeup man.
• 1:16:13
  Speaker 5: Those are his hands. He's actually doing that. So the
• 1:16:15
  Speaker 5: only thing that looks really bad is the head, and
• 1:16:17
  Speaker 5: that was somebody else. No wonder. I give credit to
• 1:16:20
  Speaker 5: the main makeup guy.
• 1:16:21
  Speaker 9: Oh, Tommy Rave.
• 1:16:23
  Speaker 11: And I think there's even sort of a reason for
• 1:16:27
  Speaker 11: the face. I think that was one of those that
• 1:16:29
  Speaker 11: they wanted to make it look like it was Tommy Rave.
• 1:16:32
  Speaker 5: As the snake man like i think they sort of.
• 1:16:34
  Speaker 11: Wanted you yeah to know that he was in there
• 1:16:36
  Speaker 11: so they almost modeled the snake's face after david patrick
• 1:16:40
  Speaker 11: yeah it's and i do like that when he changes
• 1:16:42
  Speaker 11: back and he's like half snake man and then and
• 1:16:46
  Speaker 11: then that was creepy that was creepy.
• 1:16:50
  Speaker 6: There's an episode of supernatural i think it was i
• 1:16:52
  Speaker 6: think it's have we watched that one yet the one
• 1:16:55
  Speaker 6: where they're in Skeeter's dream.
• 1:16:57
  Speaker 12: With Snake Man yeah where he's being attacked constantly by
• 1:17:00
  Speaker 12: his wife yeah it's.
• 1:17:01
  Speaker 6: In season 4 of Supernatural for those of you who
• 1:17:03
  Speaker 6: give a shit um and they go into this kind
• 1:17:06
  Speaker 6: of like Dreamwalking, that's what they call it, which obviously.
• 1:17:10
  Speaker 5: Is a throwback to.
• 1:17:10
  Speaker 9: You have to take peyote, basically, or mushrooms.
• 1:17:13
  Speaker 6: Mushrooms to do it, which is obviously a payback, or
• 1:17:15
  Speaker 6: playback for this, kind of.
• 1:17:17
  Speaker 5: Because you're on mushrooms. Well... Because they both had, like,
• 1:17:20
  Speaker 5: sync up. I would not watch this on mushrooms. Oh,
• 1:17:23
  Speaker 5: my God. Snake Man would blow your mind. Right? But
• 1:17:28
  Speaker 5: they use.
• 1:17:30
  Speaker 6: There's this one Tommy Ray-type character who's... realize that he's great.
• 1:17:35
  Speaker 9: At this, like, getting into other people's dream, and he can.
• 1:17:37
  Speaker 5: Do whatever the fuck he wants.
• 1:17:39
  Speaker 6: So they, you know, gets him to do their dream,
• 1:17:40
  Speaker 6: and Sam and Dean are all badass, they're fighting him.
• 1:17:43
  Speaker 5: And how do they beat him? Daddy!
• 1:17:45
  Speaker 6: Brings his dad back and apparently beat him in the
• 1:17:48
  Speaker 6: head when he was little and made him not be.
• 1:17:50
  Speaker 5: Able to dream anymore. Yeah. That's a rip-off.
• 1:17:54
  Speaker 3: Almost exactly.
• 1:17:55
  Speaker 11: As much as I kind of like Supernatural, they were
• 1:17:57
  Speaker 11: never the most original show. So many of their plots
• 1:18:02
  Speaker 11: were just ripped off from movies that they condensed down
• 1:18:05
  Speaker 11: to an hour-long version and then jammed.
• 1:18:07
  Speaker 5: The two of them in. Which is, yeah, I mean, it's...
• 1:18:09
  Speaker 5: It's still a fun show. They do a decent job
• 1:18:11
  Speaker 5: at it. They do. At least it's not shabby. It's
• 1:18:13
  Speaker 5: not bad, but it's just... Shabby?
• 1:18:15
  Speaker 11: Did you say shabby?
• 1:18:16
  Speaker 5: I did say shabby.
• 1:18:16
  Speaker 3: That's awesome.
• 1:18:17
  Speaker 5: So many times I just feel like, oh, it's like,
• 1:18:19
  Speaker 5: insert movie here.
• 1:18:20
  Speaker 11: Whatever movie of the week they decided to do. I
• 1:18:23
  Speaker 11: kind of like their little arcs better when they do
• 1:18:25
  Speaker 11: the whole fighting the demon monsters.
• 1:18:28
  Speaker 5: Yeah, I like them.
• 1:18:29
  Speaker 11: He's going to hell. That was at least kind of original,
• 1:18:31
  Speaker 11: that version of it.
• 1:18:32
  Speaker 5: I'm just talking about it because I want to watch
• 1:18:33
  Speaker 5: it now. It's their little one-shot ones that are always
• 1:18:35
  Speaker 5: just ripped off.
• 1:18:36
  Speaker 6: I like it when they're talking about hell and he's like, yeah,
• 1:18:39
  Speaker 6: Hellraiser pretty much got it right.
• 1:18:40
  Speaker 9: Got it right.
• 1:18:40
  Speaker 5: Except for the patent leather.
• 1:18:41
  Speaker 7: Yeah.
• 1:18:42
  Speaker 5: There you go. I love Hellraiser. My obsession for Pinhead.
• 1:18:47
  Speaker 3: Pinhead, if you're listening, my number is.
• 1:18:49
  Speaker 5: And my name is not Marlena. And I'm not Marlena.
• 1:18:54
  Speaker 5: We can find you, Doug Bradley. He's at all these shows. Yeah.
• 1:18:58
  Speaker 5: I don't know if he'll... Well, he might wear the
• 1:18:59
  Speaker 5: makeup for you.
• 1:19:00
  Speaker 3: Can you do prosthetics for me?
• 1:19:03
  Speaker 5: How about the guy at the film... The film festival.
• 1:19:06
  Speaker 14: That kept pulling up his outfit.
• 1:19:10
  Speaker 9: I heard about that guy.
• 1:19:11
  Speaker 5: Which one? The pinhead guy.
• 1:19:13
  Speaker 9: Oh, yeah.
• 1:19:14
  Speaker 5: And he kept pulling up his skirt in front of us.
• 1:19:18
  Speaker 5: There was a big fan there. There was a big
• 1:19:20
  Speaker 5: turbo fan in front of us. And everybody had to stop.
• 1:19:24
  Speaker 14: But he would just be like, we're sitting there with
• 1:19:27
  Speaker 14: nothing to do.
• 1:19:28
  Speaker 5: And he's waving his joke at us. What?
• 1:19:32
  Speaker 14: Into the whole costume going I wore.
• 1:19:38
  Speaker 10: A dress to that and the air conditioning was broken
• 1:19:41
  Speaker 10: so there are these giant industrial fans so every time
• 1:19:45
  Speaker 10: I'd walk around I'd have to like hold my skirt
• 1:19:47
  Speaker 10: down because I'd have I had like at least 40
• 1:19:49
  Speaker 10: to 50 Marilyn Monroe moments like where my skirt.
• 1:19:51
  Speaker 14: Just blew up now picture Pinhead doing that wow waving
• 1:19:57
  Speaker 14: his junk.
• 1:19:58
  Speaker 9: Happy birthday Mr.
• 1:19:59
  Speaker 5: President sweating Wow.
• 1:20:02
  Speaker 3: Yes, please.
• 1:20:04
  Speaker 5: Yeah, you at least held yours down every time, unlike
• 1:20:06
  Speaker 5: that 14-year-old girl.
• 1:20:08
  Speaker 6: Ew.
• 1:20:08
  Speaker 5: That's a whole different story.
• 1:20:09
  Speaker 10: I mean, I try to keep it classy, and it doesn't,
• 1:20:11
  Speaker 10: I always wear, like, leggings, so it's not like, even
• 1:20:15
  Speaker 10: if my skirt blew up.
• 1:20:17
  Speaker 3: Over my head.
• 1:20:19
  Speaker 5: So, yeah.
• 1:20:20
  Speaker 11: Eddie Albert's pretty awesome as the president. We do, you
• 1:20:23
  Speaker 11: know it's an awesome movie when the president gets to
• 1:20:24
  Speaker 11: kill a man.
• 1:20:25
  Speaker 5: Yeah.
• 1:20:26
  Speaker 2: Right?
• 1:20:26
  Speaker 10: Yeah.
• 1:20:27
  Speaker 5: And almost effortlessly shoves it through his chest.
• 1:20:30
  Speaker 11: Again, it's a dream, and it was his dream, so
• 1:20:34
  Speaker 11: I guess if he wanted it to be like gelatin-like,
• 1:20:38
  Speaker 11: just straight through.
• 1:20:39
  Speaker 6: So that's the thing I didn't like, the fact that
• 1:20:41
  Speaker 6: the president was like, whoa, I am in a dream.
• 1:20:44
  Speaker 3: What the fuck did you change things then?
• 1:20:47
  Speaker 5: Make it sunny. Take those dogs away. I don't know.
• 1:20:50
  Speaker 5: I like those dogs. Make it so that you can
• 1:20:52
  Speaker 5: actually run, old man.
• 1:20:54
  Speaker 11: I don't know.
• 1:20:56
  Speaker 5: And not jump and fall down and almost kill yourself.
• 1:20:58
  Speaker 6: I like the that one scene where they're going under
• 1:21:03
  Speaker 6: the rubble and he like touches something and it gets
• 1:21:07
  Speaker 6: a spark on it and then the dog like runs
• 1:21:09
  Speaker 6: by and brushes it and like automatically gets all fried.
• 1:21:13
  Speaker 5: And disappears so it's like a live wire or something
• 1:21:15
  Speaker 5: yeah this is dream logic things are different right.
• 1:21:18
  Speaker 3: And then he kills himself that's kind of cool.
• 1:21:21
  Speaker 11: That's what always happens right before you jump across the
• 1:21:23
  Speaker 11: glowing green river yeah.
• 1:21:25
  Speaker 5: Of slime or something? I don't know. Again, this is
• 1:21:28
  Speaker 5: all dream world.
• 1:21:28
  Speaker 3: Toxic waste from mountains.
• 1:21:31
  Speaker 11: Which, again, is what I think is key about this movie.
• 1:21:33
  Speaker 11: It gets these weird dream things, and they don't have
• 1:21:36
  Speaker 11: to make sense. Your dog can have glowing red eyes.
• 1:21:38
  Speaker 11: It can be a green slime river. That's just the
• 1:21:41
  Speaker 11: way it is. You know, that and the snake man
• 1:21:44
  Speaker 11: is probably what works best.
• 1:21:45
  Speaker 5: In this movie. Any final thoughts? I love this.
• 1:21:49
  Speaker 6: Movie yeah I'm just really glad to get to see
• 1:21:52
  Speaker 6: it again like I said the last time I saw
• 1:21:53
  Speaker 6: it I was probably 6.
• 1:21:56
  Speaker 5: 7 that's why you're messed up now.
• 1:21:58
  Speaker 3: That and many other things like.
• 1:22:01
  Speaker 6: Tom Selleck and what's her name And a train.
• 1:22:06
  Speaker 5: And a train on its way to Louisville. Right. Once again,
• 1:22:10
  Speaker 5: Louisville gets a lot of 80s shout-outs.
• 1:22:12
  Speaker 11: I totally forgot about the one in this one, but
• 1:22:14
  Speaker 11: it's like we had that whole span of, like, you know,
• 1:22:16
  Speaker 11: Return of the Living Dead and this movie, and, you know,
• 1:22:19
  Speaker 11: we got some Stripes action. So, you know, in the 80s,
• 1:22:21
  Speaker 11: we were almost cool in Louisville.
• 1:22:23
  Speaker 14: You have to take an Amtrak to get to Louisville.
• 1:22:26
  Speaker 5: You can't fly there. We're pretty huge.
• 1:22:27
  Speaker 3: Right.
• 1:22:28
  Speaker 11: Right we've got amtrak running straight through it's massive and
• 1:22:32
  Speaker 11: straight to churchill down yep that's what happens and then
• 1:22:34
  Speaker 11: you go there and cheat so in wrapping up everybody's
• 1:22:40
  Speaker 11: gonna remember the snake man and everybody's gonna remember the
• 1:22:42
  Speaker 11: crazy staircase and that's cool i mean it offers all
• 1:22:46
  Speaker 11: these great visuals but the thing i noticed this past
• 1:22:49
  Speaker 11: time watching it and this is something that's kind of
• 1:22:51
  Speaker 11: subtle and kind of awesome so if If you want
• 1:22:54
  Speaker 11: to give it a little more credit for something, this
• 1:22:56
  Speaker 11: was kind of my favorite part. The first time that
• 1:22:59
  Speaker 11: Alex meets Bob Blair, he's actually strapped down into the,
• 1:23:03
  Speaker 11: what looks like a cat scan machine, but it says
• 1:23:05
  Speaker 11: x-ray above it. So Bob Blair walks in and he
• 1:23:09
  Speaker 11: starts giving him his dialogue, but I'm sitting there watching
• 1:23:11
  Speaker 11: it and when.
• 1:23:13
  Speaker 5: Does he meet him?
• 1:23:14
  Speaker 11: He meets him when he's completely strapped down, can't move anything.
• 1:23:19
  Speaker 11: So initially, right off the bat, we see Bob Blair
• 1:23:21
  Speaker 11: is in control, complete control at that point. So right there,
• 1:23:25
  Speaker 11: it shows you the situation. Bob Blair has all the power.
• 1:23:28
  Speaker 11: Bob Blair likes having all the power. He likes being
• 1:23:31
  Speaker 11: in control. And when he enters into a situation, when
• 1:23:35
  Speaker 11: he meets someone, when he sets up their entire relationship,
• 1:23:38
  Speaker 11: he likes to have the power.
• 1:23:40
  Speaker 5: He likes to be in control. Now follow that up
• 1:23:42
  Speaker 5: with what's the next thing that he does as he
• 1:23:45
  Speaker 5: starts talking to him?
• 1:23:46
  Speaker 11: He looks over his shoulder. He realizes that the door
• 1:23:49
  Speaker 11: is open somewhat. He goes over and closes it as
• 1:23:52
  Speaker 11: he's delivering the rest of his dialogue. So that's the
• 1:23:55
  Speaker 11: other thing that tied in. He wanted to make sure
• 1:23:57
  Speaker 11: no one was listening. So right there, he likes controlling
• 1:24:00
  Speaker 11: information and.
• 1:24:01
  Speaker 5: He doesn't trust anybody.
• 1:24:03
  Speaker 11: So all of this stuff is said without actually having
• 1:24:06
  Speaker 11: anything to do with the dialogue. They're sitting there delivering
• 1:24:09
  Speaker 11: dialogue back and forth, but you've got all this information. Basically,
• 1:24:14
  Speaker 11: everything you need to know about Bob Blair, you find
• 1:24:17
  Speaker 11: out right there in that couple of minutes. And it
• 1:24:19
  Speaker 11: has nothing to do with the dialogue going on. I
• 1:24:22
  Speaker 11: thought that part was really impressive and kind of shows you.
• 1:24:25
  Speaker 11: there is a level of subtlety to this, and there
• 1:24:27
  Speaker 11: is something put in there in character development that could
• 1:24:30
  Speaker 11: get overlooked and.
• 1:24:31
  Speaker 5: Sort of overshadowed by the crazy special effects.
• 1:24:34
  Speaker 11: I think that's kind of a cool element that this
• 1:24:38
  Speaker 11: shows that there's a little more to this movie than
• 1:24:39
  Speaker 11: you might think initially.
• 1:24:42
  Speaker 12: Night swimming deserves a quiet night.
• 1:25:01
  Speaker 1: The crowds are thinning out at the snack bar, folks,
• 1:25:10
  Speaker 1: and there are still three minutes till showtime. You can
• 1:25:13
  Speaker 1: easily make it for something that'll just hit the spot.
• 1:25:16
  Speaker 1: How about it? Don't waste a second of refreshment time.
• 1:25:19
  Speaker 2: On a mysterious island in the South China Sea, There
• 1:25:23
  Speaker 2: is a fortress without walls, protected by an invincible army
• 1:25:27
  Speaker 2: that needs no ordinary weapons. This is Enter the Dragon,
• 1:25:37
  Speaker 2: the first martial arts film produced by a major Hollywood studio.
• 1:25:41
  Speaker 2: John Saxon, U.S. karate champion Jim Kelly, and Black Belt
• 1:25:45
  Speaker 2: Hall of Fame superstar Bruce Lee. Penetrate the secret chambers
• 1:25:50
  Speaker 2: of Han's evil empire. Discover its secret and destroy. This
• 1:25:56
  Speaker 2: is Enter the Dragon. Where the world's greatest martial arts
• 1:26:00
  Speaker 2: athletes meet the ultimate challenge with the most ancient and
• 1:26:03
  Speaker 2: deadly of weapons. The human body. Enter the Dragon. For
• 1:26:10
  Speaker 2: Warner Brothers, rated R. Under 17, not admitted without parent.
• 1:26:16
  Speaker 5: It's part of your problem, you know.
• 1:26:19
  Speaker 2: You haven't seen enough movies.
• 1:26:20
  Speaker 11: All of life's riddles.
• 1:26:22
  Speaker 5: Are answered in the movies.
• 1:26:23
  Speaker 2: And now, on with the show.
• 1:26:25
  Speaker 5: I know you.
• 1:26:47
  Speaker 9: I know you've seen her.
• 1:26:52
  Speaker 5: She's a sad tomato.
• 1:26:54
  Speaker 10: I was scarred as a teenager being pushed over by
• 1:26:58
  Speaker 10: my fake brother at a show and landed.
• 1:27:00
  Speaker 3: On the floor with my skirt.
• 1:27:03
  Speaker 5: Hiked up.
• 1:27:04
  Speaker 3: Hiked up.
• 1:27:06
  Speaker 9: Business and showing the world.
• 1:27:09
  Speaker 11: That sounds like your fake brother.
• 1:27:10
  Speaker 6: I was there in an assembly in high school in
• 1:27:14
  Speaker 6: front of the entire fucking school.
• 1:27:17
  Speaker 5: Wow. I fell.
• 1:27:21
  Speaker 6: That's the day Olive Oil County High School realized, oh,
• 1:27:25
  Speaker 6: you didn't wear underwear.
• 1:27:27
  Speaker 5: She became an instant hit. She was an instant hit.
• 1:27:30
  Speaker 5: I'm a high school celebrity. Thank God Facebook didn't. The
• 1:27:33
  Speaker 5: Homecoming Queen and everything.
• 1:27:43
  Speaker 11: Yeah, that's... Forget Facebook. Cell phones with cameras would have
• 1:27:47
  Speaker 11: been your enemy for the.
• 1:27:48
  Speaker 5: Rest of your life. Yeah. You would have been across
• 1:27:53
  Speaker 5: the interwebs in about two seconds. I was a freshman, too. Ooh,
• 1:27:56
  Speaker 5: four years of hell. Like, I was young.
• 1:28:01
  Speaker 3: Meat to those bastards.
• 1:28:04
  Speaker 5: Anybody who went to Bull County High School.
• 1:28:07
  Speaker 3: In the years of 2000 to 2004, screw you. Did
• 1:28:13
  Speaker 3: they give you a nickname for that?
• 1:28:15
  Speaker 5: I had a few for a while.
• 1:28:18
  Speaker 3: I was just curious.
• 1:28:22
  Speaker 5: I've blocked a lot of that shit out.
• 1:28:25
  Speaker 3: I'm trying to remember one of them.
• 1:28:28
  Speaker 5: Just always drawers was funny.
• 1:28:30
  Speaker 2: What? Drawers.
• 1:28:31
  Speaker 5: Draws. Panty Pirate was one.
• 1:28:33
  Speaker 9: I don't know why Panty Pirate.
• 1:28:35
  Speaker 2: It's high school.
• 1:28:40
  Speaker 17: High school because they're not because they're alliteration yeah you
• 1:28:42
  Speaker 17: wouldn't actually be a panty pirate you would have been
• 1:28:44
  Speaker 17: hit by one perhaps wouldn't actually be one yeah yikes.
• 1:28:52
  Speaker 3: Maybe we should just go straight to my next session
• 1:28:54
  Speaker 3: after this.
• 1:28:55
  Speaker 5: We've already started you're well into it It all starts
• 1:28:59
  Speaker 5: with Tom Selleck and no panties. As do most of
• 1:29:03
  Speaker 5: your dreams.
• 1:29:03
  Speaker 3: As do most of my stories. Well, let's see. This
• 1:29:09
  Speaker 3: one time with Tom Selleck and no underwear.
• 1:29:12
  Speaker 5: And then we were on a train. And Ripley's making
• 1:29:15
  Speaker 5: my breakfast. All right, we are back. And do we
• 1:29:19
  Speaker 5: have feedback?
• 1:29:20
  Speaker 11: No.
• 1:29:20
  Speaker 1: What?
• 1:29:21
  Speaker 5: Because you guys are slack asses. So I'm not even
• 1:29:24
  Speaker 5: going to complain about it anymore.
• 1:29:25
  Speaker 9: Just shit.
• 1:29:27
  Speaker 5: Why do we bother? I don't know.
• 1:29:28
  Speaker 3: You guys don't care.
• 1:29:29
  Speaker 5: I want to hear what y'all have to say.
• 1:29:31
  Speaker 1: Fine.
• 1:29:31
  Speaker 11: That's why I just don't take your feelings into account.
• 1:29:33
  Speaker 11: We're just going to do whatever the hell we want
• 1:29:35
  Speaker 11: to do from here on out. Because you don't seem
• 1:29:37
  Speaker 11: to care. Just mindless drones that load up whatever the
• 1:29:40
  Speaker 11: next podcast is, I suppose.
• 1:29:42
  Speaker 9: Do you have opinions of yourself?
• 1:29:44
  Speaker 11: Guess not.
• 1:29:45
  Speaker 5: You guys suck.
• 1:29:47
  Speaker 11: I'm joking.
• 1:29:48
  Speaker 5: On that night, hey, call in right in. Don't be shy.
• 1:29:50
  Speaker 3: We'd like to hear from you.
• 1:29:52
  Speaker 5: So give us a call at 502-365-5565. Or you can
• 1:29:53
  Speaker 5: email us at geeksatmoviemeltdown.com.
• 1:30:06
  Speaker 8: And just stop by the website for our frequent updates.
• 1:30:09
  Speaker 8: That's MovieMeltdown.com.
• 1:30:18
  Speaker 5: Sharktopus Countdown!
• 1:30:26
  Speaker 2: I've got a picture called Sharktopus, which comes out September
• 1:30:30
  Speaker 2: 25th on the SyFy channel.
• 1:30:34
  Speaker 11: It is currently 48 days, 1 hour, 4 minutes, and
• 1:30:38
  Speaker 11: 41 seconds until the premiere of Sharktopus.
• 1:30:43
  Speaker 5: Mark your calendars, people. Sharktopus is coming.
• 1:30:48
  Speaker 3: Do you like baked beans? Do you like George Witt?
• 1:30:55
  Speaker 10: Do you like watching George Witt while eating baked beans?
• 1:30:58
  Speaker 11: Wow.
• 1:30:58
  Speaker 3: Or eating... Yeah. Other way around.
• 1:31:04
  Speaker 11: Watching baked beans hey that's up to you whatever you
• 1:31:09
  Speaker 11: are into nothing hotter than george went and baked beans
• 1:31:16
  Speaker 11: let me tell.
• 1:31:17
  Speaker 3: You i live with that are they hot or are
• 1:31:23
  Speaker 3: they cold baked beans that's what i want to.
• 1:31:24
  Speaker 5: Know Spicy or temperature? That's the question.
• 1:31:28
  Speaker 3: Temperature.
• 1:31:29
  Speaker 5: I think hot. Okay, kids, get out your decoder pins.
• 1:31:31
  Speaker 9: All right.
• 1:31:33
  Speaker 2: I can tell that tonight's message was really important.
• 1:31:38
  Speaker 11: It's time for the Movie Meltdown Secret Circle reveal of
• 1:31:40
  Speaker 11: the next one plus sort of another thing features. Next
• 1:31:46
  Speaker 11: week will be another movie, and like normal, we'll continue on.
• 1:31:50
  Speaker 11: And we've decided to go with Fright. If you're not
• 1:31:54
  Speaker 11: familiar with it, 1971, the granddaddy of all babysitter slasher movies.
• 1:32:00
  Speaker 5: That's kind of how it's billed.
• 1:32:02
  Speaker 11: I'm interested to watch it, so it'll be kind of
• 1:32:05
  Speaker 11: cool to see what's going on in Friday.
• 1:32:07
  Speaker 12: The first of the beginning of the series that is
• 1:32:10
  Speaker 12: a babysitter versus maniac.
• 1:32:12
  Speaker 5: The wave of babysitter movies.
• 1:32:17
  Speaker 1: Oh, Lord.
• 1:32:18
  Speaker 11: So the next week, we won't even bother with a
• 1:32:20
  Speaker 11: specific movie, as far as I know, because we're going
• 1:32:24
  Speaker 11: to be heading to Chicago. We're going to be going
• 1:32:27
  Speaker 11: to the Wizard World slash Chicago Comic Con, whatever the
• 1:32:31
  Speaker 11: hell they're calling it this time.
• 1:32:33
  Speaker 5: And yeah, we're going to be there.
• 1:32:35
  Speaker 11: You'll get more coverage of us probably making fun of people,
• 1:32:39
  Speaker 11: which we had a little bit of positive feedback on that,
• 1:32:41
  Speaker 11: but I'll save that for the party responsible for most
• 1:32:44
  Speaker 11: of the smart-ass comments. So Yeah, I feel like us,
• 1:32:48
  Speaker 11: you know, with our usual, well, Randy did say he
• 1:32:51
  Speaker 11: went driving around in a car making fun of people.
• 1:32:53
  Speaker 5: We will be in a car. I'm going to have
• 1:32:56
  Speaker 5: the microphone. We can probably arrange that.
• 1:32:58
  Speaker 9: We should.
• 1:32:59
  Speaker 11: I'm sure it will be us at the convention doing
• 1:33:01
  Speaker 11: a little bit. We may do more of the fun
• 1:33:03
  Speaker 11: hotel version of the show we did last year.
• 1:33:05
  Speaker 5: That was kind of fun.
• 1:33:06
  Speaker 9: That was fun.
• 1:33:07
  Speaker 5: That was possibly the first of us going to sleep.
• 1:33:08
  Speaker 9: We should do an elevator this next time. Just carry
• 1:33:10
  Speaker 9: all the equipment with big, long extension cords.
• 1:33:12
  Speaker 10: I'm going to ride around in a car and yell, Hey,
• 1:33:14
  Speaker 10: want to take a ride on my disco stick?
• 1:33:16
  Speaker 3: Just for Randy.
• 1:33:17
  Speaker 5: Yeah, he did seem to be pretty excited about that.
• 1:33:20
  Speaker 5: I know. I'm sure he's using that line all the time.
• 1:33:23
  Speaker 1: I know.
• 1:33:25
  Speaker 5: All right, so that will be the next two features.
• 1:33:27
  Speaker 5: We're figuring out the next one. Whatever we get back,
• 1:33:30
  Speaker 5: we'll come up with that at some point.
• 1:33:32
  Speaker 11: But in the meantime, go get yourself a copy of
• 1:33:34
  Speaker 11: Fright and then just be prepared for our craziness in Chicago.
• 1:33:39
  Speaker 5: Anything else you guys have for the show here? I
• 1:33:41
  Speaker 5: like those photograph records for Old-timey rave.
• 1:33:44
  Speaker 2: Yes.
• 1:33:45
  Speaker 5: And get a hold of all of the sparklers you
• 1:33:48
  Speaker 5: can find. Steal them from children.
• 1:33:51
  Speaker 2: Yeah.
• 1:33:51
  Speaker 5: And lightning bugs. Catching lightning bugs. Like sparklers and snakes.
• 1:33:55
  Speaker 10: I think this should become a yearly event and it
• 1:33:57
  Speaker 10: should happen sometime this year before it gets really cold.
• 1:33:59
  Speaker 3: I agree. Next year.
• 1:34:00
  Speaker 9: How do you mix photographs? Like, how do you do that?
• 1:34:02
  Speaker 3: I don't know. But that would be fucking amazing.
• 1:34:05
  Speaker 5: That would be awesome.
• 1:34:06
  Speaker 11: You have to get a really old guy to do it.
• 1:34:08
  Speaker 3: I'm going to, I'm actually, I'm going to. I'm going
• 1:34:15
  Speaker 3: to get on this. This sounds like an amazing idea.
• 1:34:17
  Speaker 2: It sounds tight, yeah.
• 1:34:18
  Speaker 3: I'm willing to help coordinate.
• 1:34:19
  Speaker 12: But if it ever happens from here on this day,
• 1:34:22
  Speaker 12: we started it. People just stole our answers.
• 1:34:26
  Speaker 5: We have it on. We can be the hipsters that
• 1:34:28
  Speaker 5: are like, man, I was there.
• 1:34:29
  Speaker 9: When that started.
• 1:34:30
  Speaker 5: I was there at the conception of.
• 1:34:33
  Speaker 2: It, man.
• 1:34:33
  Speaker 3: I'll be like the forecastle guy.
• 1:34:36
  Speaker 5: Could be.
• 1:34:37
  Speaker 11: I mean, I remember when he was standing in the park,
• 1:34:39
  Speaker 11: Tyler Park, with like 10 people around him.
• 1:34:42
  Speaker 5: I was at that one. Now I don't want anything
• 1:34:45
  Speaker 5: to fucking do with it.
• 1:34:46
  Speaker 11: Fast forward like four years and he's making a kajillion
• 1:34:49
  Speaker 11: dollars with Smashing Pumpkins.
• 1:34:52
  Speaker 5: I want to catch you in booking Zooey Deschanel.
• 1:34:54
  Speaker 2: Yeah.
• 1:34:55
  Speaker 5: Which came to town, didn't talk to me at all.
• 1:34:58
  Speaker 1: Bitch.
• 1:34:58
  Speaker 5: What's that about? No, don't call her a bitch.
• 1:35:03
  Speaker 3: You take that back.
• 1:35:05
  Speaker 11: She was supposed to sit in with us that week, though.
• 1:35:07
  Speaker 5: What the hell's her problem? She'd be a great guest.
• 1:35:10
  Speaker 5: She could have watched, like... Her eyes are just so big.
• 1:35:12
  Speaker 5: We could have watched that happen.
• 1:35:13
  Speaker 3: We could just watch her bleep.
• 1:35:15
  Speaker 5: We shouldn't do that. That'd be so cute.
• 1:35:17
  Speaker 9: She's got the prettiest voice.
• 1:35:18
  Speaker 5: We would annihilate her movie and she would be unhappy
• 1:35:20
  Speaker 5: with it.
• 1:35:21
  Speaker 3: No. But you were so cute in it, Zoe. It's okay.
• 1:35:24
  Speaker 5: You're so cute. Tell us about Marky Marks and more.
• 1:35:29
  Speaker 11: Did anybody on set not see his penis?
• 1:35:35
  Speaker 5: Let's go with the better question.
• 1:35:37
  Speaker 3: Every woman in America.
• 1:35:38
  Speaker 5: Did you get to avoid his penis?
• 1:35:40
  Speaker 9: Was he doing the Hellraiser thing?
• 1:35:42
  Speaker 6: Was he in front of a fan most of the day?
• 1:35:44
  Speaker 1: Yep.
• 1:35:44
  Speaker 5: Actually, I was standing in front of a fan the other.
• 1:35:47
  Speaker 13: Day and some guy was like, stood beside me, and
• 1:35:56
  Speaker 13: he was wearing shorts.
• 1:35:57
  Speaker 3: She goes, ah, it feels so good in my balls.
• 1:36:00
  Speaker 5: It feels so good in my balls.
• 1:36:02
  Speaker 4: That's when you look at him and.
• 1:36:07
  Speaker 5: Go, mine too. And he slowly inches away.
• 1:36:10
  Speaker 3: Let me reiterate, I did not know this guy. I
• 1:36:12
  Speaker 3: had never seen him before. He just comes up beside
• 1:36:15
  Speaker 3: me and stands in his balls by the face.
• 1:36:22
  Speaker 5: That's my opening line. If she's okay with that, I'm in.
• 1:36:27
  Speaker 3: I don't know how I didn't go home like that.
• 1:36:32
  Speaker 5: I would have been like, oh, hi, I'm Joni. Nice
• 1:36:34
  Speaker 5: to meet you. Nice to meet you. And you're bald.
• 1:36:36
  Speaker 5: We'll be going back to your place now. Your place?
• 1:36:39
  Speaker 5: I'm the panty pirate. Nice to meet you.
• 1:36:42
  Speaker 11: We're bringing the fan with us and heading on back. Yay!
• 1:36:46
  Speaker 3: Good to have you.
• 1:36:49
  Speaker 5: Sometimes Joni shouldn't talk. I forgot about that. still trying
• 1:36:56
  Speaker 5: lord let's get the hell out of.
• 1:36:58
  Speaker 3: Here okay musically.
• 1:37:00
  Speaker 11: If you haven't noticed the theme well this week's movie
• 1:37:02
  Speaker 11: was probably the first time I came in contact with
• 1:37:04
  Speaker 11: the weird occurrence that is rapid eye movement.
• 1:37:07
  Speaker 5: So I thought musically we would follow suit rapid eye
• 1:37:10
  Speaker 5: movement yeah.
• 1:37:11
  Speaker 11: Yeah So, otherwise, that about does it. We will return
• 1:37:15
  Speaker 11: next week. Same geek time, same geek feed. Thanks for listening.
• 1:37:18
  Speaker 5: Thanks, guys.
• 1:37:20
  Speaker 3: Oh, I am. Oh, my God.
• 1:37:22
  Speaker 5: Welcome. On top of things. Now that you've punched in,
• 1:37:27
  Speaker 5: you can go ahead and punch out.
• 1:37:29
  Speaker 3: I was like, I'm trying to.
• 1:37:32
  Speaker 11: Think of something.
• 1:37:35
  Speaker 5: I'm looking for an interruption.
• 1:37:44
  Speaker 4: You were looking to dig my dreams. Be prepared for anything.
• 1:37:52
  Speaker 1: You were coming to my little scene.
• 1:37:56
  Speaker 9: Hooray, hooray, hooray, hooray.
• 1:38:01
  Speaker 5: There's one thing.
• 1:38:03
  Speaker 9: I can guarantee.
• 1:38:05
  Speaker 5: You won't have to dig, dig to the deep.
• 1:38:08
  Speaker 3: Say, leave me today.
• 1:38:11
  Speaker 5: Touch me deep.
• 1:38:15
  Speaker 4: Thank you.
• 1:38:33
  Speaker 9: You look and drive my.
• 1:38:35
  Speaker 4: Dreams You hear throughout my screams You come, deliver my
• 1:38:44
  Speaker 4: demons Hooray, hooray, hooray, hooray You come and ease my
• 1:38:53
  Speaker 4: headache Do you feel good now?
• 1:38:59
  Speaker 9: Am I good enough?
• 1:39:04
  Speaker 5: I don't know, I guess so Some medicine for my headache.
• 1:39:39
  Speaker 4: Hooray, hooray, hooray, hooray. I'm pitching for a new direction.
• 1:39:48
  Speaker 9: Pinch me when I wake.
• 1:39:50
  Speaker 4: Don't tell me my dreams are fake.
• 1:39:54
  Speaker 11: You leave me late.
• 1:39:55
  Speaker 4: You touch me deep.
• 1:39:58
  Speaker 5: I don't sleep.
• 1:40:02
  Speaker 4: I dream. That's my dad, but he won't help us.
• 1:40:54
  Speaker 8: This show is a production of Movie Meltdown, produced and
• 1:40:57
  Speaker 8: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:41:01
  Speaker 8: To help support the show, email producer at moviemeltdown.com for
• 1:41:04
  Speaker 8: ways that you can contribute or advertise with us.
• 1:41:07
  Speaker 2: Talk hard!