Latest / An ASMR Practice / Just feel it all

Transcript

Just feel it all · An ASMR Practice

• 0:00
  Speaker 1: Alright.
• 0:01
  Speaker 2: Alright, you guys. I am behind a bus. It's calling
• 0:07
  Speaker 2: me a ho-tard. They're calling me a ho-tard. Or are
• 0:11
  Speaker 2: they calling me a hot-ard? Hot-ard. Oh, look. And Taylor
• 0:21
  Speaker 2: Swift's right there, too. What's up, Swift? Best in class.
• 0:24
  Speaker 2: Hell yeah, girl.
• 0:25
  Speaker 3: Oh, man.
• 0:26
  Speaker 2: I was behind the Raging Cajun bus. I was behind
• 0:30
  Speaker 2: the Raging Cajun bus, and now some other motherfucker, the ward,
• 0:36
  Speaker 2: the ward is now behind them, and I'm going simply
• 0:39
  Speaker 2: too fast because they're no longer keeping me on the rails. Alright,
• 0:45
  Speaker 2: now I am in the Raging Cajun's blind spot. I'ma
• 0:50
  Speaker 2: chill here for a little bit. The Raging Cajun. I'm
• 1:00
  Speaker 2: trying to think. I feel like I was watching Wipeout
• 1:07
  Speaker 2: with somebody. I don't know. Probably an ex. I was
• 1:16
  Speaker 2: watching Wipeout and they referred to some Cajun New Orleans
• 1:20
  Speaker 2: guy as a raging Cajun. Whoever I was watching it
• 1:23
  Speaker 2: with was like, that's racist. This is racist. It's probably
• 1:29
  Speaker 2: some fucking racist I was watching it with. Alright, alright.
• 1:36
  Speaker 2: The Chrysler just blew past my ass. Alright. The Chrysler's
• 1:41
  Speaker 2: in front. The silver Chrysler's in front. I had a
• 1:44
  Speaker 2: silver Chrysler in college. Yes, I did. My friend, let's
• 1:51
  Speaker 2: call her Fergie. She's Fergalicious. Um... My friend Fergie, uh... Freakin'...
• 2:02
  Speaker 2: Helped me procure this... Silver Chrysler. Okay? And, uh... You know...
• 2:14
  Speaker 2: It was good... Until it wasn't. What did I do
• 2:19
  Speaker 2: to that car? Let me think.
• 2:22
  Speaker 4: Um....
• 2:24
  Speaker 2: I didn't wreck it. I did not wreck it. Do
• 2:26
  Speaker 2: not call me Ralph. Do not come. Do not call
• 2:29
  Speaker 2: me Ralph. Kamala has now entered chat. And she said,
• 2:39
  Speaker 2: do not come. She said there will be no coming.
• 2:56
  Speaker 2: I'm going to be honest. At one time, okay, this
• 2:59
  Speaker 2: is a confession for whoever's listening, if anybody's listening. This
• 3:03
  Speaker 2: is my confession. This is one of many confessions that
• 3:07
  Speaker 2: I'm trying to get off my chest. There's a lot
• 3:09
  Speaker 2: on my chest right now. You wouldn't believe what's on
• 3:14
  Speaker 2: my chest right now. You simply would not believe what's
• 3:21
  Speaker 2: on my chest right now. Billboards are speaking to me.
• 3:27
  Speaker 2: They're telling me to call some fucking white guy. Okay.
• 3:30
  Speaker 2: All right this one this one has a construction crew.
• 3:32
  Speaker 2: Oh Okay safety.
• 3:35
  Speaker 4: Warehouse Safety warehouse is calling for me I'm.
• 3:45
  Speaker 2: On the way guys. Wait up.
• 3:50
  Speaker 4: Don't go Literally don't go Wait.
• 3:57
  Speaker 2: Up. Okay, what the fuck was I saying? Does anybody
• 4:02
  Speaker 2: even know? All right, we got the Mustang. The Mustang's
• 4:05
  Speaker 2: surpassing me. Let's go, Mustang. Let's go. Oh, intercepted. Intercepted
• 4:11
  Speaker 2: by the freaking... I'm not even giving any clout to
• 4:13
  Speaker 2: this brand. I'm not giving any clout to this brand.
• 4:19
  Speaker 2: Or I'm not saying nothing about this. We got a
• 4:24
  Speaker 2: sexy little dodge over here. Okay. It's like an orange red.
• 4:30
  Speaker 2: It's like a red, but it's like an orange red. So,
• 4:36
  Speaker 2: whatever that means to you. I fear that I left
• 4:40
  Speaker 2: my fucking, like, the bag that I need the most.
• 4:44
  Speaker 2: I fear I left, of all the bags, I fear
• 4:47
  Speaker 2: that I left the bag I need the most. But unfortunately,
• 4:50
  Speaker 2: I'm driving, so I cannot check. Kamala said do not check.
• 4:56
  Speaker 2: You're driving, girl. Stan Lee is between my feet and my,
• 5:05
  Speaker 2: how do you call this? My root chakra. Stan Lee
• 5:13
  Speaker 2: is going like this, ready? They're bringing the boot down.
• 5:17
  Speaker 2: They're bringing the boot down quite gently. They yearn for
• 5:23
  Speaker 2: the mines, I think. Rigid. Alright. The ram is feeling rigid.
• 5:33
  Speaker 2: He just spoke to me. He said, rigid. He's behind me.
• 5:38
  Speaker 2: He's my bodyguard. The ram, the dodge ram is my bodyguard.
• 5:43
  Speaker 2: You know, I got pretty good at.
• 5:47
  Speaker 2: I got pretty good at, what did I get good at?
• 5:54
  Speaker 2: I got good at car brands, like identifying car brands
• 5:57
  Speaker 2: when I worked for the highway department. I think they
• 6:03
  Speaker 2: might be hiring. Stan Lee said they might be hiring.
• 6:08
  Speaker 2: They're probably always hiring. I don't think they want me back.
• 6:12
  Speaker 2: I'm going to be honest though. I've talked a lot
• 6:16
  Speaker 2: of shit about them, and they might want me back.
• 6:19
  Speaker 2: I don't want them back, okay? There were two people
• 6:24
  Speaker 2: I liked. There were three people I liked at the
• 6:26
  Speaker 2: highway department, okay? I liked the lady. I liked the lady.
• 6:33
  Speaker 2: A certain, uh... Let's just say... Her and her family
• 6:41
  Speaker 2: are big supporters of Harley Davidson. Okay? And she's just Ken.
• 6:50
  Speaker 2: She's just Ken, but make it Latina, okay? And if
• 6:55
  Speaker 2: you think about it, it's kind of my middle name.
• 6:58
  Speaker 2: If you take Ken and you make it Latina, and
• 7:02
  Speaker 2: then you also make it Scottish, then that's my middle name.
• 7:06
  Speaker 2: That's my real middle name, like government official. But... Here
• 7:13
  Speaker 2: on this platform, here on Spreaker, this is Gragratismam de
• 7:19
  Speaker 2: la Strasse. And we are so freaking close to Pensacola
• 7:25
  Speaker 2: right now. I'm going to come. I might not. I
• 7:35
  Speaker 2: don't know who's to say. We'll have to see what
• 7:39
  Speaker 2: we can procure. The forerunner. The forerunner. That's a beautiful color. Damn,
• 7:47
  Speaker 2: the forerunner's got a beautiful muted fucking, what do you
• 7:50
  Speaker 2: call this? Um, what is this color? Like a turquoise?
• 7:56
  Speaker 2: A certain Gonzales just hit me up. He's saying it's
• 7:58
  Speaker 2: a muted turquoise. Oh boy. Oh boy, another one. I
• 8:05
  Speaker 2: don't know what he's saying with that one. I might
• 8:06
  Speaker 2: have to click it. I wonder if I click it,
• 8:11
  Speaker 2: if it'll read it for the class. Is it reading it?
• 8:16
  Speaker 2: It's not reading it. Fuck. It's a private. It's private.
• 8:20
  Speaker 2: The Lord only knows what the Gonzales is saying. I'll
• 8:25
  Speaker 2: find out later. Don't worry about it. I'm driving. Damn it, Gonzales.
• 8:32
  Speaker 2: I'm driving. Can I focus? Lambert's Cafe.
• 8:39
  Speaker 1: Lambert. Oh, Lambert.
• 8:43
  Speaker 2: Something about lambs. You know, this is the kind of
• 8:49
  Speaker 2: meat that I kind of like. I freaking love a gyro.
• 8:55
  Speaker 2: I love a gyro. I would call it a gyro.
• 8:58
  Speaker 2: I've heard people say it all sorts of ways. Gyro
• 9:03
  Speaker 2: is how I was taught to say it, probably by
• 9:06
  Speaker 2: a certain... How can I... How can... Oh! Oh!
• 9:11
  Speaker 5: This is another... This is another Ken! This is another Ken!
• 9:15
  Speaker 5: It's a Ken, but make it... Make it, like, um...
• 9:21
  Speaker 5: We're not making it Latina, okay?
• 9:23
  Speaker 2: We're making it... Uh, we're making it, um... Really good
• 9:29
  Speaker 2: at following orders. Like, so good at following orders that
• 9:32
  Speaker 2: they did a genocide, okay? And I don't even want
• 9:34
  Speaker 2: to give clout to this organization. They may or may
• 9:37
  Speaker 2: not be in... in one of my relatives' closet in
• 9:43
  Speaker 2: uniform form. They may or may not. So if you
• 9:51
  Speaker 2: take Ken and you make it, um, and you make it, uh, like, uh,
• 9:57
  Speaker 2: like Yahtzee, right? If you take can and you make
• 10:00
  Speaker 2: it like Yahtzee at the end, right? That's called a suffix,
• 10:04
  Speaker 2: I believe. They made me cough. The suffixes just made
• 10:07
  Speaker 2: me cough. And then you give it the old Irish
• 10:12
  Speaker 2: fucking prefix, all right? get one of these fuckers used
• 10:19
  Speaker 2: to have a forerunner not gonna lie I think one
• 10:23
  Speaker 2: of his parents had a forerunner it might have been
• 10:26
  Speaker 2: the one that I preferred oh boy oh boy oh
• 10:33
  Speaker 2: boy that fucker He's with me in spirit, okay? His
• 10:42
  Speaker 2: wife and his political affiliations are keeping him quite busy. Oh, boy,
• 10:49
  Speaker 2: we got some cranes up ahead. Not even the bird.
• 10:52
  Speaker 2: I'm talking about construction here. Okay, we were talking about
• 10:57
  Speaker 2: the highway department. So we got, if you make Ken
• 11:01
  Speaker 2: Latina or Gap and you give her a Harley Davidson,
• 11:05
  Speaker 2: that lady, I was fucking with her heavy. And then
• 11:09
  Speaker 2: there was a certain... There was a certain... There was
• 11:14
  Speaker 2: a certain cohort member who worked alongside me who was
• 11:21
  Speaker 2: kind of handsome, okay? And I said... He told me
• 11:26
  Speaker 2: where he's from. I said, oh, Papusa! Like the Papusa!
• 11:32
  Speaker 2: Because a certain other guy who may or may not
• 11:37
  Speaker 2: have Quit going to school to join the military. Put
• 11:41
  Speaker 2: me on the papooses. So, yeah. I don't know where
• 11:48
  Speaker 2: he's at. Last I heard, he was abroad. And so
• 11:59
  Speaker 2: then the other guy at the highway department I liked
• 12:02
  Speaker 2: was my boss. He was just... He was my boss.
• 12:06
  Speaker 2: We can call him... So, if you take the main guy,
• 12:11
  Speaker 2: the main character from McDonald's, and you make it less
• 12:15
  Speaker 2: like Donald Trump, right? You take the main McDonald, and
• 12:22
  Speaker 2: you don't make it Donald. Okay, you just, it's just
• 12:27
  Speaker 2: the first bit. It's just, you know, it sort of
• 12:32
  Speaker 2: looks like the word run, you know? like run forest
• 12:36
  Speaker 2: run type shit but make it a different vowel and
• 12:40
  Speaker 2: you got it that was my boss at the highway
• 12:42
  Speaker 2: department he was all right i didn't mind him so
• 12:45
  Speaker 2: much i feel like some of the other whoa okay
• 12:49
  Speaker 2: sparkly billboard andy wins andywins.com okay they got sparkles.
• 12:57
  Speaker 1: On that bitch Andy, where are you? A certain Gonzales
• 13:04
  Speaker 1: is reaching out again. He might be speedy.
• 13:11
  Speaker 2: He might be in my fucking walls, also. Wait, wait, wait! Wait, wait, wait, guys! Stop! Stop!
• 13:23
  Speaker 2: Is this Pensacola? No. Where are we? What is this shit?
• 13:29
  Speaker 2: They got big-ass buildings here. Holy fuck. Dang, it's looking
• 13:34
  Speaker 2: kind of Middle Eastern. It's looking kind of... They got
• 13:39
  Speaker 2: some curves on this architecture right now. Call me Alabama.
• 13:45
  Speaker 2: The billboards... The billboards, like, they're advertising to specifically me.
• 13:51
  Speaker 2: And they keep saying, call me, call me, call me.
• 13:56
  Speaker 2: I'm not calling any of you fuckers. I'm not calling anybody.
• 14:00
  Speaker 2: I'm literally not calling. I don't want help. You don't
• 14:07
  Speaker 2: want help. Nobody wants to be helped. We're not intervening.
• 14:12
  Speaker 2: We're not intervening, you guys. Because intervention is just like,
• 14:17
  Speaker 2: why are we doing so much? The universe is on it. God,
• 14:23
  Speaker 2: the universe, whatever you want to call it, it's on it.
• 14:27
  Speaker 2: God works in mysterious ways, you just gotta freakin' let it. See,
• 14:32
  Speaker 2: this guy looks like he could use some- Does he
• 14:35
  Speaker 2: need help, or is he just taking a moment? I
• 14:37
  Speaker 2: don't know. He's got earrings, so I think he's probably
• 14:40
  Speaker 2: doing okay. I don't really wanna stop here, cause the
• 14:44
  Speaker 2: roads are kinda busy. I do want to give a
• 14:48
  Speaker 2: shout out though to all the men, um, not all
• 14:52
  Speaker 2: the men, all the men who have helped me in
• 14:54
  Speaker 2: my time of need. Too fast. Why are they calling
• 15:00
  Speaker 2: me too fast? What the hell? Wait, this reminds me
• 15:03
  Speaker 2: of a song. Can anybody guess this song? I discovered
• 15:15
  Speaker 2: this artist on a certain app who shall not be named.
• 15:21
  Speaker 2: I no longer have this app, if that tells you anything. Okay,
• 15:26
  Speaker 2: we're going in a tunnel. Oh boy. Oh boy. Princess
• 15:31
  Speaker 2: Diana is shaking. Princess Diana has fear and is trembling.
• 15:38
  Speaker 2: Oh boy, they're honking in the tunnel. Oh boy. Oh boy.
• 15:45
  Speaker 2: Y'all can... The tunnel can have me. The tunnel can
• 15:48
  Speaker 2: literally fucking have me. Slice me in half, brother. Share
• 15:55
  Speaker 2: it with the crew. If I was in The Walking Dead,
• 15:59
  Speaker 2: I think I would definitely be a part of the
• 16:00
  Speaker 2: community that was eating people. I mean, they kinda had
• 16:06
  Speaker 2: that shit figured out, I'm not even gonna lie. Like...
• 16:09
  Speaker 2: Call it a cult... Call it a culture. Call it
• 16:11
  Speaker 2: whatever you like. But... You know.
• 16:14
  Speaker 2: One time I. With. My partner. One time with my partner.
• 16:24
  Speaker 2: It's a bit. The partnership's a bit on the fritz
• 16:26
  Speaker 2: right now. Miss Frizzle is on it. She's taking care
• 16:35
  Speaker 2: of my partnership right now. Miss Frizzle is a baddie.
• 16:41
  Speaker 2: One time I. I jokingly. bit my partner, like, on
• 16:46
  Speaker 2: the shoulder. Just a little bit. It wasn't even that serious.
• 16:50
  Speaker 2: But I bit him on the shoulder. And I started giggling. Stop!
• 16:55
  Speaker 2: Stop revving your engine! You're being way too loud. Oh
• 16:59
  Speaker 2: my god. Oh my god. We're in the tunnel. Ugh!
• 17:04
  Speaker 2: I wish I was Princess Diana. Ugh! Okay. I bit
• 17:11
  Speaker 2: my partner on the.
• 17:14
  Speaker 2: Shoulder, and I was giggling, and I said, I said,
• 17:21
  Speaker 2: what did I say? Oh, I said, I'm the devouring mother.
• 17:27
  Speaker 2: And ever since then, he doesn't seem to be interested
• 17:33
  Speaker 2: in me. Ever since then. What the heck? I was
• 17:41
  Speaker 2: just being funny. I was literally just being funny. Alright,
• 17:46
  Speaker 2: we got, look, we got the whole gang over here.
• 17:48
  Speaker 2: We got Australia! Yes! We got Brazil! France! Ireland! Deutschland! Japan! Mexico!
• 17:59
  Speaker 2: Who the fuck else? I missed it. They had the
• 18:02
  Speaker 2: whole gang there. Um... Felix! Fix it, Felix! That's freaking PewDiePie, dude.
• 18:10
  Speaker 2: I have his number. Um.
• 18:13
  Speaker 2: There's somebody, there's seriously somebody in my contacts. It's like, PewDiePie,
• 18:17
  Speaker 2: smiley face, no idea who it is. It might be
• 18:19
  Speaker 2: my cousin. It might be my cousin who put me
• 18:23
  Speaker 2: onto PewDiePie. I'm not sure, they're not speaking to me.
• 18:29
  Speaker 2: You know, their mom and my mom is, like, beefing,
• 18:31
  Speaker 2: because people be beefing with their siblings. That's fucking weird.
• 18:35
  Speaker 2: That's literally fucking weird. Me and my siblings... We just
• 18:41
  Speaker 2: like to play. We like to play. You know, I
• 18:46
  Speaker 2: think we're a lot less racist than the generation before us.
• 18:52
  Speaker 2: So I think we did something good there. Okay, we're
• 18:58
  Speaker 2: approaching a fort. I'm not giving a shout out to
• 19:02
  Speaker 2: the fort. Origin. They're making me cough. Maybe I should.
• 19:10
  Speaker 2: We're approaching Spanish fort. Antegra. There's an Antegra. Oh, Odyssey!
• 19:21
  Speaker 2: Odyssey Antegra! Oh, baby! They say in heaven, love comes first.
• 19:37
  Speaker 2: We'll make heaven a place on earth. Anyways, I don't
• 19:44
  Speaker 2: remember anything I was saying. I used to work for
• 19:46
  Speaker 2: the highway department. It was good until it wasn't. It
• 19:52
  Speaker 2: was way too fucking hot, I'll tell you that right now.
• 19:56
  Speaker 2: The one good thing that happened to me at the
• 19:59
  Speaker 2: highway department that was pretty serendipitous or whatever was.
• 20:08
  Speaker 2: They're trying to tell me bye-bye, but I'm not going bye-bye, fuckers.
• 20:11
  Speaker 2: You can't make me, you can't make me. Make me, me, me, me, me, me, me.
• 20:25
  Speaker 2: You literally cannot make me. Okay, the Audi, the freaking Audi. Oh,
• 20:34
  Speaker 2: this is what I was saying. I got really good
• 20:36
  Speaker 2: at naming car brands. Or, like, identifying them by the logo.
• 20:41
  Speaker 2: Because I was on the walkie-talkie, right? And you have to, like,
• 20:43
  Speaker 2: memorize all these fucking stupid-ass codes. And I remember one
• 20:47
  Speaker 2: time I was telling the other guys I worked with
• 20:49
  Speaker 2: at the kitchen. I was telling them, like... I was like, oh, I...
• 20:53
  Speaker 2: You know, because... In the kitchen, you say, like, yes, chef. Heard. Heard. Yes, chef.
• 21:02
  Speaker 2: You say that. But at the freaking highway department, you say,
• 21:05
  Speaker 2: turn four. 10-4. And I was telling them, I was.
• 21:11
  Speaker 6: Like, oh, 10-4.
• 21:13
  Speaker 2: And they were like, isn't that like trucker talk? I
• 21:16
  Speaker 2: was like, I don't know. I learned it at the
• 21:17
  Speaker 2: highway department. My understanding is it might be like government,
• 21:23
  Speaker 2: you know, like the boys, the government boys, they're doing this.
• 21:27
  Speaker 2: They're talking in number code because this is what they do.
• 21:31
  Speaker 2: I don't know. I think the cook's got it figured out.
• 21:36
  Speaker 2: I think the cooks are on it. The license plates
• 21:46
  Speaker 2: are making me fucking die right now. They're literally making
• 21:49
  Speaker 2: me die. And this is why I lost my other
• 21:55
  Speaker 2: government job. It's because the license plates are speaking to me.
• 21:59
  Speaker 2: They're literally speaking to me. And it's highly relevant. It's
• 22:03
  Speaker 2: highly relevant. Every number means something to me. And some
• 22:09
  Speaker 2: of them scare me. Okay? And some of them just
• 22:13
  Speaker 2: make me cry instantly. Oh my gosh. And see this,
• 22:20
  Speaker 2: this yawn of mine. I feel like I inherited it
• 22:24
  Speaker 2: from a certain... Carlin. When I knew them, their name
• 22:29
  Speaker 2: was Carlin. And we were roommates for a time. And
• 22:34
  Speaker 2: let me tell you something about this person, okay? No
• 22:37
  Speaker 2: hard feelings whatsoever. Actually, actually, I have a couple bones
• 22:44
  Speaker 2: to pick with this certain Karlyn.
• 22:48
  Speaker 4: Um.
• 22:53
  Speaker 2: First of all, she yawned like that. First of all,
• 22:55
  Speaker 2: she yawned like the biggest yawns ever. Which I- I
• 22:59
  Speaker 2: grew to love it. I did grow to love it
• 23:01
  Speaker 2: because I was like, okay, theater, let's go theater. Um,
• 23:07
  Speaker 2: and then, um, I just remember there was a certain
• 23:11
  Speaker 2: Ashley in my life, a lady, lady Ashley. I'm not
• 23:15
  Speaker 2: talking about the other Ashley because that guy, that guy
• 23:19
  Speaker 2: is not right. Is he from my home state? Yes.
• 23:23
  Speaker 2: Does that make him right? No, certainly it does not. And,
• 23:28
  Speaker 2: you know, I, of course, I'm the one that they said, like,
• 23:33
  Speaker 2: you're the last hope. This guy is off the rails.
• 23:36
  Speaker 2: You're the last hope. I tried. I literally did try.
• 23:41
  Speaker 2: And ultimately, he said some crazy shit. And so we're
• 23:44
  Speaker 2: going back to Lady Ashley, okay? Lady Ashley is saying,
• 23:51
  Speaker 2: one time I asked her, I was like, I don't know,
• 23:57
  Speaker 2: it just, I think me and a certain Carlyn were
• 24:02
  Speaker 2: speaking about our sex lives or something. And I looked
• 24:08
  Speaker 2: at my friend, Lady Ashley, okay, and I said, how's
• 24:12
  Speaker 2: your sex life going? And a certain Carlyn, this motherfucker,
• 24:17
  Speaker 2: stepped in and was like, you can't ask people that.
• 24:21
  Speaker 2: You can't ask people that. That's so violating and intrusive.
• 24:26
  Speaker 2: And I'm looking at Lady Ashley like, what? Was that
• 24:29
  Speaker 2: violating an intrusion? We were literally just talking about it. What?
• 24:34
  Speaker 2: Are we not allowed to ask questions? What the hell
• 24:37
  Speaker 2: and fuck are you talking about, actually? And I didn't
• 24:42
  Speaker 2: say all that. I did not say all that because
• 24:46
  Speaker 2: ultimately I was like, what? What are you talking about? Like,
• 24:52
  Speaker 2: I was just, I was aghast. I couldn't, and I
• 24:56
  Speaker 2: don't know. I think me and Lady Ashley got out
• 24:59
  Speaker 2: of there. I don't remember. And I would like to
• 25:05
  Speaker 2: apologize to Lady Ashley. If you're listening to this, I
• 25:09
  Speaker 2: would like to apologize because I will say I heard
• 25:11
  Speaker 2: some rumors that somebody told me that Lady Ashley was, like,
• 25:16
  Speaker 2: constantly doing psychedelics. And I think I had one interaction
• 25:22
  Speaker 2: with them where I was just irritable. I was literally
• 25:25
  Speaker 2: just irritable.
• 25:25
  Speaker 6: And I looked.
• 25:27
  Speaker 2: At them and I was like, this bitch is on
• 25:29
  Speaker 2: psychedelics right now. I'm out of here. And I'm sorry.
• 25:35
  Speaker 2: And I would really like to apologize. Um, I'm making amends, okay?
• 25:41
  Speaker 2: This is an amend I have. I am sorry to
• 25:43
  Speaker 2: Lady Ashley. I don't know what I did to Carlin. Uh, okay,
• 25:48
  Speaker 2: one thing, Carlin got very upset at me because I
• 25:51
  Speaker 2: made an insensitive joke, I suppose. I thought it was
• 25:53
  Speaker 2: a pretty good joke, but... Um.
• 26:07
  Speaker 2: I said, um, I feel like I shouldn't say. I
• 26:12
  Speaker 2: feel like I shouldn't say. But, um, Josh's vote is
• 26:17
  Speaker 2: on yes, I should say. So, I will proceed for Josh.
• 26:22
  Speaker 2: I made a joke, okay, to the Carlin, and I
• 26:28
  Speaker 2: said that my favorite thing about, you know, Eating a
• 26:36
  Speaker 2: woman out is that... My favorite thing about eating a
• 26:44
  Speaker 2: woman out is that it sort of simulates the sensation
• 26:49
  Speaker 2: of kissing a man with a beard. And of course,
• 27:02
  Speaker 2: they were like, this is so fucked up, you're just
• 27:04
  Speaker 2: using women, you're queerbaiting. Oh my god. I'm so sick
• 27:13
  Speaker 2: of this shit. I support the queer community. I literally
• 27:18
  Speaker 2: support the queer community. I'm a part of it. Oh
• 27:20
  Speaker 2: my gosh. Am I not allowed to give love to
• 27:25
  Speaker 2: men in my support of the queer community? Oh, my God.
• 27:30
  Speaker 2: And I am allowed.
• 27:31
  Speaker 6: And this is, okay, this is what the fucking, this.
• 27:34
  Speaker 2: Is what the feminists are saying. The feminists are saying.
• 27:36
  Speaker 6: Well, actually, you just shouldn't take things so seriously. And
• 27:41
  Speaker 6: that it probably wasn't about you. And this person probably
• 27:43
  Speaker 6: just like, and.
• 27:45
  Speaker 2: It wasn't about you. And you're just taking it wrong.
• 27:48
  Speaker 2: You're literally just taking it wrong. Let women speak. Oh,
• 27:51
  Speaker 2: my God. How about we let me speak, motherfucker? I'm
• 27:54
  Speaker 2: about to freak out. The feminists have a valid point, okay?
• 28:00
  Speaker 2: And I think that... The feminists are saying... Okay, let's
• 28:07
  Speaker 2: tap in. Feminists, tap in. The feminists have left chat,
• 28:13
  Speaker 2: I think. The feminists are fucking out of here. The
• 28:20
  Speaker 2: feminists are saying... The real feminists, of my heart, are saying...
• 28:27
  Speaker 2: They're saying, you know, our men provide for us. Our
• 28:33
  Speaker 2: men literally provide for us. What are you talking about?
• 28:35
  Speaker 2: We have an Etsy shop. We're making a little bit.
• 28:41
  Speaker 2: They're saying our men literally provide for us. And they're
• 28:50
  Speaker 2: also saying.
• 28:51
  Speaker 6: Have you considered having children? You might feel a little
• 28:55
  Speaker 6: better if you had children. You might be able to
• 28:57
  Speaker 6: distract yourself from everything going on in your mind if
• 29:00
  Speaker 6: you had children. Have you ever considered that? The feminists
• 29:04
  Speaker 6: are trying to convince me to reproduce, and it's not happening.
• 29:07
  Speaker 2: It's literally not happening. I won't do it. I simply
• 29:12
  Speaker 2: won't do it. And see, this is why I could
• 29:14
  Speaker 2: not be with a guy in the military, because... Well, no. Listen,
• 29:21
  Speaker 2: I don't know. My understanding is, is that they reward
• 29:25
  Speaker 2: military guys for reproducing, like, like if you're in the military,
• 29:31
  Speaker 2: if you're just a guy in the military, you get
• 29:33
  Speaker 2: like a bunk bed, but if you have a wife,
• 29:35
  Speaker 2: perhaps you get like a small apartment, and then if
• 29:37
  Speaker 2: you have kids, you get like a home, is my
• 29:40
  Speaker 2: understanding I could be wrong I'm sure there's levels to
• 29:43
  Speaker 2: it I don't know somebody ask them somebody ask the
• 29:46
  Speaker 2: marines I probably would not ask the marines I'd probably
• 29:49
  Speaker 2: ask one of the other classes if you want like
• 29:53
  Speaker 2: a more realistic point of view I don't know oh Okay. Alright. So,
• 30:06
  Speaker 2: I would like to apologize. I will go ahead and
• 30:09
  Speaker 2: make amends with a certain Carlin. I'm sure they're not
• 30:12
  Speaker 2: even freaking called that anymore, so.
• 30:17
  Speaker 2: I'm sorry that I made freaking lesbian fellatio about men, okay?
• 30:23
  Speaker 2: I'm really sorry. Like, I was trying to be funny.
• 30:27
  Speaker 2: That's the problem with the freaking queers. At my college, specifically.
• 30:33
  Speaker 2: This is what's wrong with the freaking feminist queers at
• 30:35
  Speaker 2: my freaking college. It's like, these motherfuckers, they just, they
• 30:40
  Speaker 2: want to be mad. They literally enjoy being mad. And, uh,
• 30:47
  Speaker 2: fair enough. Good job. You're doing a good job, guys.
• 30:52
  Speaker 2: You're making my jokes. You're taking my jokes the wrong way.
• 30:55
  Speaker 2: How about that? How about that? You're taking my jokes
• 30:58
  Speaker 2: the wrong way. I'm here trying to entertain the freaking crowd. Also, what? What?
• 31:06
  Speaker 2: And at this point, sure, I'm just going to say
• 31:09
  Speaker 2: I'm straight because what? Y'all are annoying me. Y'all are
• 31:15
  Speaker 2: literally annoying me. I'm trying to think, like, who do
• 31:24
  Speaker 2: I like from college? I mean, I like my friend.
• 31:31
  Speaker 2: I like my friend I was staying with. I like, um.
• 31:37
  Speaker 2: I like a certain person with the name of a
• 31:40
  Speaker 2: certain redheaded mermaid. Of a certain redheaded mermaid. I like
• 31:44
  Speaker 2: that person. They actually helped me sleep the other night.
• 31:50
  Speaker 2: They helped me sleep the other night. I just, I
• 31:53
  Speaker 2: needed a male perspective.
• 31:55
  Speaker 1: I don't know.
• 31:55
  Speaker 2: I wanted a male perspective. And so they texted me.
• 32:03
  Speaker 2: I texted back promptly. And they called me. They called me.
• 32:07
  Speaker 2: And you know what they said?
• 32:08
  Speaker 3: They said, you texted back pretty quick, girl. I assumed
• 32:11
  Speaker 3: you were ready for a call. I said, that's sound
• 32:15
  Speaker 3: logic right there. That's sound logic, brother. I don't know
• 32:21
  Speaker 3: if that motherfucker ever got his.
• 32:22
  Speaker 2: Degree, but... You know? He's got a friend in me.
• 32:30
  Speaker 3: Okay?
• 32:31
  Speaker 2: Andy wins. Touchdown, Andy. Okay. Okay, so I want to hear... Okay,
• 32:42
  Speaker 2: these are the songs we're queuing up, guys. Pebbles and
• 32:45
  Speaker 2: Tam Tam. Which one? Oh, shit, no. The song I
• 32:50
  Speaker 2: was singing before is called Too Slow by Maud Latour.
• 32:55
  Speaker 2: Mode La Tour. It's called Too Slow. Samantha, get in
• 33:01
  Speaker 2: the fucking car. I love that song. And then we're
• 33:06
  Speaker 2: going to cue up some Pebbles and Tam Tam. I
• 33:12
  Speaker 2: don't know which one. Maybe Pillow Fight. That's the main
• 33:15
  Speaker 2: one that's coming to mind. Pillow Fight by Pebbles and
• 33:18
  Speaker 2: Tam Tam. And there's something about when I touch down
• 33:24
  Speaker 2: upon the amateurs and cut them from the team. Alchemy.
• 33:30
  Speaker 2: Alchemy by Taylor Swift. This is what we're queuing up.
• 33:34
  Speaker 2: Don't worry, you guys. I'm going to pull over. I
• 33:37
  Speaker 2: can pull over and do this. Don't worry about it.
• 33:39
  Speaker 2: I need everybody to go queue up these songs real quick.
• 33:46
  Speaker 2: Just feel it. Just feel the beat. Feel the beat.
• 33:50
  Speaker 2: Feel the rhythm. Feel the lyrics. Feel it all. Just
• 33:55
  Speaker 2: feel it all. Just feel it all. Okay, bye.