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BOOK CLUB: THE HOUSEMAID (CHAPTERS 11-20) · Relatables

• 0:00
  Speaker 1: Previously.
• 0:00
  Speaker 2: I'm Relatable's Baddies book Club for finding out that you're
• 0:03
  Speaker 2: trying to have a second kid, and that's why Enzo's
• 0:05
  Speaker 2: still there because he's Cecily's dad.
• 0:09
  Speaker 1: Pull my drop. Oh my god. That was good. Yeah,
• 0:15
  Speaker 1: that was a good prediction.
• 0:17
  Speaker 3: Oh wow, all right, watch me be completely wrong.
• 0:22
  Speaker 1: I love how I invested you already are. Yeah, that
• 0:24
  Speaker 1: was so good. All right, Welcome to Relatables Baddies book Club,
• 0:29
  Speaker 1: where we will embark on a journey reading some of
• 0:31
  Speaker 1: the finest pieces of literature you have ever laid eyes
• 0:34
  Speaker 1: or he is, if that's your preferred way to consume
• 0:36
  Speaker 1: a book.
• 0:36
  Speaker 2: On The Housemaid Chapters eleven to twenty.
• 0:43
  Speaker 1: Yeah, I'm glad some stuff has started to come out
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  Speaker 1: of the woodworks.
• 0:50
  Speaker 3: Yeah it's happening up. Yeah, come out of the woodwork.
• 0:52
  Speaker 2: Yeah, it's turning up and it's kind of like snowballing
• 0:58
  Speaker 2: quite quickly.
• 1:00
  Speaker 1: And I like that. Yeah, it's a so I want
• 1:04
  Speaker 1: the I'm starting to expect the Sarah Jay mass effect
• 1:08
  Speaker 1: in this book because we're twenty chapters in and I
• 1:12
  Speaker 1: know that's not much, but they're short chapters. Even though
• 1:14
  Speaker 1: it is a sixty chapter book. There's chapters that are
• 1:16
  Speaker 1: three pages. There's chapters that are two pages like that,
• 1:19
  Speaker 1: And I was kind of like, you know what I
• 1:20
  Speaker 1: did yesterday was I didn't start reading. I started on
• 1:23
  Speaker 1: chapter eleven at I think five PM. I read a couple,
• 1:29
  Speaker 1: went to bed at nine, finished it, and I was
• 1:31
  Speaker 1: just like, this was easy.
• 1:33
  Speaker 2: This book makes me feel smart, whereas like Akata, I
• 1:37
  Speaker 2: was like, fuck it, yeah, this is using my brain bound.
• 1:39
  Speaker 1: Yeah, Akatar is a couple like you got to reread
• 1:41
  Speaker 1: a few pages. You're like, fuck, I've ventured off in
• 1:43
  Speaker 1: the oh, yeah, what was my mind doing? But I
• 1:49
  Speaker 1: do like it. But what I'm starting to expect is like,
• 1:51
  Speaker 1: because surj Mass's books, some of them are also sixty chapters,
• 1:56
  Speaker 1: some of them eighty chapters, but the chapters are so
• 1:58
  Speaker 1: long that it feels as though the last twenty chapters
• 2:02
  Speaker 1: or the last thirty chapters are or they are technically
• 2:04
  Speaker 1: the last fucking I guess twenty percent of the book.
• 2:07
  Speaker 1: But so what I'm trying to get out is we're
• 2:10
  Speaker 1: used to this much of book being intense. Yeah, we
• 2:14
  Speaker 1: used to this much of book being intense, because that's
• 2:17
  Speaker 1: how much of fucking that's the whole book. But that's
• 2:19
  Speaker 1: like the whole book. And so as of right now
• 2:21
  Speaker 1: it's been pretty slow, but we've just figured some stuff out. Yeah,
• 2:24
  Speaker 1: I've kind of liked.
• 2:25
  Speaker 2: Like the little little teasers here and there, the slow
• 2:28
  Speaker 2: plot getting into the scene setting.
• 2:32
  Speaker 1: Yeah.
• 2:32
  Speaker 2: Same now it's like it it reminded me of my
• 2:37
  Speaker 2: crime podcast days.
• 2:39
  Speaker 1: Okay, I can't for some read it just never would
• 2:43
  Speaker 1: have taken you as a crime podcast guy.
• 2:45
  Speaker 2: I used to do it when I was driving a
• 2:46
  Speaker 2: fair bit when we went traveling on the eat Coase
• 2:49
  Speaker 2: of Australia because we were driving so much, I would
• 2:52
  Speaker 2: do like I'd have funny he public podcasts and then
• 2:55
  Speaker 2: i'd also have crime and then like I wasn't listening
• 2:58
  Speaker 2: to that much education occasional at the time, but I'd
• 3:01
  Speaker 2: go crime for a little bit. Then when I got scared,
• 3:02
  Speaker 2: I'll go to the funny hihi haha.
• 3:04
  Speaker 3: And it's reminded me. It's giving me reminiscence of my.
• 3:07
  Speaker 1: Favorite was Crime Junkie Crime Junky.
• 3:10
  Speaker 3: It's giving that a little bit.
• 3:11
  Speaker 2: And I was like, oh, I'm excited because you're like
• 3:13
  Speaker 2: you're like, what a fucking idiot, But then you're also like,
• 3:16
  Speaker 2: I don't know how it feels to be in that situation.
• 3:19
  Speaker 1: Well, this is good, this is a good book for you.
• 3:20
  Speaker 1: Then a little bit of psychological or thriller crime type shit.
• 3:23
  Speaker 1: I was the other day we were talking about how
• 3:26
  Speaker 1: do you grow? How do you grow with the times?
• 3:28
  Speaker 1: You know, we've got book Club, we've got this, we've
• 3:30
  Speaker 1: got that. Is there any other angle we can get into?
• 3:32
  Speaker 1: And I actually we thought we did say like, Crime
• 3:36
  Speaker 1: is huge, people love it, And I originally said, like, oh,
• 3:40
  Speaker 1: because we aren't that interested in it. I don't think
• 3:42
  Speaker 1: it would do well. And you did mention like you
• 3:44
  Speaker 1: have listened to it a bit, but I didn't know
• 3:46
  Speaker 1: you actually kind of quite liked it.
• 3:47
  Speaker 3: Yeah, it's a funny.
• 3:50
  Speaker 2: I don't know if the word like is correct. It's
• 3:52
  Speaker 2: a funny relationship in a sense of you listen because
• 3:56
  Speaker 2: you need to know what happens.
• 3:58
  Speaker 1: And that's why Crime is so good, because it's gripping.
• 4:01
  Speaker 4: Yeah.
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  Speaker 2: Yeah, it's like all those bad Netflix series that are
• 4:05
  Speaker 2: coming out and it's all these murder mysteries and they're
• 4:08
  Speaker 2: done terribly.
• 4:08
  Speaker 1: But have you started watching ed Gane No, I haven't
• 4:11
  Speaker 1: halfway through the same thing as the other one we watched,
• 4:14
  Speaker 1: where we watch half the episode. Turned it off, Dama, Yeah,
• 4:16
  Speaker 1: really exact same thing. Watch half the episode best and
• 4:18
  Speaker 1: I turned it off.
• 4:19
  Speaker 2: I mean, like, you know, have you seen like the
• 4:21
  Speaker 2: real story. I suppose that Dharmo and this person that
• 4:23
  Speaker 2: he's acting, but it's like the actual real scenes of
• 4:26
  Speaker 2: like the police footage camera and this is terrible, but
• 4:29
  Speaker 2: like what actually happened is crazy that you have to
• 4:31
  Speaker 2: keep watching.
• 4:32
  Speaker 1: Yep, yep, yep.
• 4:33
  Speaker 3: Yeah, it's kind of giving that.
• 4:34
  Speaker 2: Because I'm like, leave girl, like be homeless. Yeah, but
• 4:38
  Speaker 2: we found out what's her parole officer. She's got to
• 4:40
  Speaker 2: keep the job.
• 4:41
  Speaker 1: So yeah, that's the thing it makes you. Let's go back,
• 4:44
  Speaker 1: let's go into the recap. Okay, right, So, as we said,
• 4:47
  Speaker 1: it's nice short chapters, which is beautiful for the recap.
• 4:51
  Speaker 1: So we left off with, you know, Andrew's cool, Cecilia's
• 4:56
  Speaker 1: a bitch, Nina's a bitch, Millie's pretty cool butt you know,
• 5:00
  Speaker 1: Nina is just so bipolar, it's ridiculous. Finished off with
• 5:06
  Speaker 1: Nina gave Milly some clothes and then she's like, all right,
• 5:10
  Speaker 1: now clean them up. Don't be fucking rude, like I
• 5:12
  Speaker 1: just gave you shit.
• 5:12
  Speaker 2: Yeah, So next chapter is Nina calls Milly kind of frantically,
• 5:19
  Speaker 2: can you.
• 5:19
  Speaker 1: Please pick up Cecilia from school? It's called it's called
• 5:23
  Speaker 1: the Winter Academy. You pick her up from the Winter Academy.
• 5:26
  Speaker 1: And so Milly's like shit, and she goes, yeah, two
• 5:29
  Speaker 1: forty five. It's like two thirty, and Nina goes, sorry.
• 5:33
  Speaker 1: Milly's thinking shit, okay. She goes to look at the
• 5:35
  Speaker 1: Winter Academy doesn't exist. It's in Wisconsin or something. They're
• 5:38
  Speaker 1: in New York, Long Island I think it was. And
• 5:42
  Speaker 1: she's thinking, what she called it the Winter Academy. I
• 5:45
  Speaker 1: swear she called it the Winter Academy. What is I'm not?
• 5:49
  Speaker 1: And so she luckily saw a thing on the fridge
• 5:51
  Speaker 1: that said the Windsor Academy and that's her actual school.
• 5:55
  Speaker 1: So she finds it. Rips there, gets a park next
• 5:58
  Speaker 1: to like a Rolls Royce in a Mercede goes waits,
• 6:01
  Speaker 1: there's like five entrances. She's like, fuck, where's Cecily gonna
• 6:05
  Speaker 1: come out? She's stressed, and she goes and sees some mums.
• 6:07
  Speaker 1: She's like, I'm so sorry, where did the fourth graders
• 6:09
  Speaker 1: come out? They say, all right here and then they say, oh,
• 6:12
  Speaker 1: you who you picking up? She said, Cecilia, I am
• 6:17
  Speaker 1: Nina Win and she go and they go, oh, you
• 6:18
  Speaker 1: must be Nina's new maide or something like that, and
• 6:22
  Speaker 1: then Millie correct san says I'm the housekeeper whatever. They
• 6:26
  Speaker 1: go on to be like how is it. They tell
• 6:27
  Speaker 1: her Nina's psychotic, she's crazy, she's she's cuckoo whatever, and
• 6:32
  Speaker 1: she's like weird. She doesn't ask him too many more questions.
• 6:36
  Speaker 1: Gets Cecilia comes out and she goes, all right, say Cecilia,
• 6:39
  Speaker 1: like your mom said to pick her up. And she's like,
• 6:41
  Speaker 1: you're not picking me up. I'm going I'm getting picked
• 6:44
  Speaker 1: up by like Sarah's mum to go to ballet or
• 6:46
  Speaker 1: karate or some shit karate and she goes, no, no, no,
• 6:50
  Speaker 1: your mom definitely she said call me. She just called me.
• 6:54
  Speaker 1: And so then Sarah's mum comes over and she goes,
• 6:56
  Speaker 1: it's hey, Cecilia, ready to go, And then Nina goes
• 6:58
  Speaker 1: over and she goes, So Milli goes over and she's like,
• 7:01
  Speaker 1: I'm so sorry, I'm Nina's new housekeeper. She's asked me
• 7:03
  Speaker 1: to pick Cecilia up. And so then fucking this girl
• 7:07
  Speaker 1: course Nina. She's like Hi, great housekeeper here. She says
• 7:11
  Speaker 1: she's in for Cecilia. What's going on. She's like, ha
• 7:15
  Speaker 1: ha ha, yes, of course I totally understand. Yet all
• 7:17
  Speaker 1: good and then she hangs up the phone. She's like,
• 7:21
  Speaker 1: Nina has no idea what you're talking about.
• 7:27
  Speaker 3: She leaves, this would make me feel crazy.
• 7:29
  Speaker 1: Oh my god, bro, She goes, yeah, Nina has no
• 7:32
  Speaker 1: idea talking about you must have days mixed up. Cecilia
• 7:34
  Speaker 1: goes off. She texts Nina. She goes, what's going on here?
• 7:40
  Speaker 1: She's like, millly, I have no idea what you're talking about,
• 7:43
  Speaker 1: so merely you're losing the plot.
• 7:45
  Speaker 2: And I was like, gas lidding really to the I
• 7:49
  Speaker 2: was like, what the fuck?
• 7:51
  Speaker 1: Anyway, next day she's cleaning. She's on her own, she's
• 7:57
  Speaker 1: cleaning the on sweet bathroom, and she's like, why the
• 8:02
  Speaker 1: fuck does this place get so filthy? Basically, she cleans
• 8:05
  Speaker 1: all day, gets the place spotless, the whole house. She
• 8:08
  Speaker 1: wakes up in the morning. Somehow the house is absolutely
• 8:10
  Speaker 1: filthy after a day, like toothpaste caked, bloody tampons on
• 8:15
  Speaker 1: the ground, fucking just close everywhere. She always likes to
• 8:19
  Speaker 1: mention though, that Andrew's clean.
• 8:23
  Speaker 3: Yeah, Andrew.
• 8:23
  Speaker 1: Andrew seems to get his clothes in the laundry.
• 8:25
  Speaker 3: MM.
• 8:27
  Speaker 1: So Millie's like those ladies were talking about, you know,
• 8:31
  Speaker 1: she's crazy. They might have even mentioned like a psych
• 8:35
  Speaker 1: ward or a mental hospital or something. She's like, what
• 8:37
  Speaker 1: if I take a peek at a medicine capinet? And
• 8:39
  Speaker 1: I was like, oh fuck, it's just recipe.
• 8:43
  Speaker 3: For We're starting to see Millie's decision making is a
• 8:47
  Speaker 3: little bit flawed.
• 8:48
  Speaker 1: Yeah, yeah, yeah, yeah. So it's just classic main character energy.
• 8:53
  Speaker 1: All main characters have to be like this. So she
• 8:57
  Speaker 1: takes a peak. She finds a medicine. I wrote them down.
• 9:00
  Speaker 1: I don't know if it's real or not. Everything else
• 9:02
  Speaker 1: in the book seems to be real. There's a it's
• 9:05
  Speaker 1: an antipsychotic medicine called halo paradole. So she sees anything
• 9:10
  Speaker 1: because halo paradol. There's heaps of medicine in there. By
• 9:12
  Speaker 1: the way, then Nina comes in. Nina's like, what are
• 9:15
  Speaker 1: you doing in here? She doesn't see that, merely looked
• 9:17
  Speaker 1: at the medicine counter and she's like, what are you
• 9:18
  Speaker 1: doing here? She goes, I'm cleaning your bathroom and she's like,
• 9:23
  Speaker 1: what sprain wipe are you using. She's like, I don't know.
• 9:26
  Speaker 1: Is it organic? I don't think so, it's like we
• 9:30
  Speaker 1: prefer organic stuff in this house. And I was like okay.
• 9:33
  Speaker 1: She's like, actually, actually, can you show me how you
• 9:36
  Speaker 1: clean the basin?
• 9:37
  Speaker 3: It is crazy?
• 9:37
  Speaker 1: Can you show me how you clean the basin? Because
• 9:41
  Speaker 1: I don't think you're doing a very good job. She
• 9:44
  Speaker 1: cleans the basin and she's like, Okay, is that how
• 9:47
  Speaker 1: you actually clean it? Or is that how you clean
• 9:48
  Speaker 1: it when I'm watching You's like a fucking hell bro
• 9:53
  Speaker 1: oh my god. And she's like whatever, whatever, just makes
• 9:57
  Speaker 1: you do a better job to cleaning the house please,
• 9:58
  Speaker 1: because I don't have time to what you clean and
• 10:00
  Speaker 1: make sure you're doing the good time. Fucking hell bro
• 10:03
  Speaker 1: oh she bugs off all right. Next scene Enzo I
• 10:08
  Speaker 1: believe is this when he knocks on the door he
• 10:11
  Speaker 1: has a package?
• 10:12
  Speaker 3: Yeah, someone dropped a big package at the front or.
• 10:15
  Speaker 1: Is this no? Sorry? This is is this no? No? No,
• 10:18
  Speaker 1: it's not sorry. So she just has a She notices
• 10:22
  Speaker 1: Enzo outside working, takes him a glass of water. She's
• 10:26
  Speaker 1: trying to get info out of him. But English shit
• 10:29
  Speaker 1: still not good. But he's still got that little bit
• 10:33
  Speaker 1: of a word look in his face. But yeah, so
• 10:37
  Speaker 1: it just didn't really work out. And once again, obviously
• 10:39
  Speaker 1: he's so sexy, he's so handsome, he would be great
• 10:42
  Speaker 1: in beads. She's mentioning this a lot, and chatchbt, I
• 10:45
  Speaker 1: looked it up. This is when when you said, I
• 10:47
  Speaker 1: hope this is a sexy book. I asked, chatchibt, hopefully
• 10:50
  Speaker 1: it's wrong, because it can get stuff wrong, because it
• 10:52
  Speaker 1: told me it's not. But he's referencing a lot of things.
• 10:55
  Speaker 2: She is, no, but what we found out happens kind
• 10:57
  Speaker 2: of alludes to nothing sexy does happen, but also how
• 11:00
  Speaker 2: much she's like sexualizing Andrew too, and like he was single.
• 11:05
  Speaker 1: Think to be fair, she's been in prison for ten years.
• 11:09
  Speaker 3: Bro, Yeah, but she seems to be pretty.
• 11:12
  Speaker 1: Yeah, apparently she's beautiful.
• 11:14
  Speaker 2: Go out and find someone who you don't work for
• 11:16
  Speaker 2: or doesn't work for your same employers.
• 11:18
  Speaker 1: Yeah, all right. So now she's got a day off
• 11:22
  Speaker 1: and she's got her first parole meeting with while being
• 11:26
  Speaker 1: with the Winchesters, and I had the prole meeting with
• 11:31
  Speaker 1: so she says, she says things like, oh, I have
• 11:34
  Speaker 1: one of these per month. Now I need to hold
• 11:36
  Speaker 1: down a job, have a place to live or else,
• 11:38
  Speaker 1: have to finish my the five years of my sentence
• 11:40
  Speaker 1: in prison. So on. Parole still means like you're technically
• 11:44
  Speaker 1: you know, you just have there's requirements, I assume, and
• 11:47
  Speaker 1: you're not allowed to lie. But she has been lying
• 11:48
  Speaker 1: to a pro officer. She goes in and pro officer
• 11:54
  Speaker 1: seems nice. You know, how's it going. She says, I
• 11:57
  Speaker 1: got a new job. I'm the live in house keeper
• 12:01
  Speaker 1: of the Winchesters. She's sweet. How they're treating you. She lies,
• 12:06
  Speaker 1: and she says it's great. She goes on to sending
• 12:09
  Speaker 1: Milli things like, yeah, you need a social life. You
• 12:11
  Speaker 1: need to you know, one day you can find a man.
• 12:14
  Speaker 1: No pressure, no pressure.
• 12:15
  Speaker 2: But you know, there was a mention in there about
• 12:18
  Speaker 2: like drugs or like drug trafficking or something for like
• 12:22
  Speaker 2: her sentence, there was a sly little mention about it,
• 12:26
  Speaker 2: or like she said something about it. That might have
• 12:28
  Speaker 2: been what she got.
• 12:29
  Speaker 1: So it wasn't murder. We think it was murder.
• 12:30
  Speaker 3: We think it was murder.
• 12:31
  Speaker 1: It could be still.
• 12:32
  Speaker 2: But there was a little mention about drugs, Okay, was there?
• 12:36
  Speaker 1: I do seem to feel like there was some.
• 12:39
  Speaker 2: It was like a sly message about something, saying it
• 12:42
  Speaker 2: was when she was incarcerated, something about the drug traffickers
• 12:45
  Speaker 2: or the drug something.
• 12:47
  Speaker 1: Okay, Yeah, she talks about a prison a little bit.
• 12:51
  Speaker 1: Fuck I didn't catch that. But the next day she
• 12:56
  Speaker 1: can't sleep. She talks about how in prison you have
• 12:59
  Speaker 1: to sleep one eye open. Obviously everyone's got that fang
• 13:02
  Speaker 1: on there. So initially when she first got out of prison,
• 13:07
  Speaker 1: she slept well, but then her insomnia came back. So
• 13:10
  Speaker 1: she wants to buy a TV for a room because
• 13:12
  Speaker 1: she wants the white noise or something, but she needs
• 13:16
  Speaker 1: a few more paychecks for that. She's like, well, I
• 13:19
  Speaker 1: could just go downstairs and watch the TV. So that's
• 13:22
  Speaker 1: what she does. Everyone's asleep. It's like nine thirty. No, no,
• 13:25
  Speaker 1: I'm sorry, I think it's like one am by now
• 13:26
  Speaker 1: it's Mill night. It's a mill of the night. And
• 13:28
  Speaker 1: their routine, like the Winchess's routine is quite you know,
• 13:31
  Speaker 1: always in bed by like nine regiment. Yeah, So she
• 13:34
  Speaker 1: goes down and she's like, fuck it up. She watches
• 13:36
  Speaker 1: the family feud. She's watching and she's just wearing like
• 13:39
  Speaker 1: some some box of shorts or like workout shorts and
• 13:42
  Speaker 1: a t shirt. No bra by the way, no bra.
• 13:45
  Speaker 1: And she's watching family Feud, giggling, and then and then
• 13:48
  Speaker 1: Andrew comes down. He says, is that family feud? And
• 13:51
  Speaker 1: she's like, oh my god, oh my god, I'm so sorry.
• 13:52
  Speaker 1: I'm so sorry. And he's like, no, Nina, sorry, sorry, Millie.
• 13:55
  Speaker 1: I keep getting them mixed up. He's like, no, Milli,
• 13:57
  Speaker 1: it's fine. You live here, you're lad to watch the TV.
• 13:59
  Speaker 1: I'm just getting water, don't mind me. He goes get
• 14:02
  Speaker 1: drink of water, sits down. She scoots away from him.
• 14:04
  Speaker 1: She's terrified of being next to him, just case near
• 14:06
  Speaker 1: C's right, and he's like, I don't know what. They
• 14:11
  Speaker 1: just basically watched some family few together.
• 14:13
  Speaker 2: Andrew's a little bit of a flirt, dude, Andrew a
• 14:17
  Speaker 2: little bit.
• 14:18
  Speaker 1: I It feels to me that Andrew gets joy out
• 14:23
  Speaker 1: of making people feel comfortable. Yes, like, and not that
• 14:27
  Speaker 1: that's a bad thing.
• 14:28
  Speaker 2: Something about that rubs me, rubs me the wrong way. Agreed, Agreed.
• 14:33
  Speaker 2: It's interesting.
• 14:34
  Speaker 3: He's too good looking.
• 14:35
  Speaker 2: Yeah, he's too perfect, he's too nice, he's too clean.
• 14:39
  Speaker 3: Someone like that has something wrong with.
• 14:41
  Speaker 1: And it's too and it's mentioned too often. You know,
• 14:44
  Speaker 1: Millie always says things like he could be doing way
• 14:48
  Speaker 1: better than Nina, he'd be with a supermodel, all these things.
• 14:52
  Speaker 1: He's clean, he's a great dad, green as flag. Ever,
• 14:56
  Speaker 1: I'm intrigued.
• 14:57
  Speaker 2: We watched the trailer last week on Patreon, and we
• 15:00
  Speaker 2: saw Nina and she was quite thin, and throughout this
• 15:03
  Speaker 2: whole book it describes how huge big she's getting.
• 15:07
  Speaker 3: Yeah, I wonder how they do that in the movie.
• 15:09
  Speaker 1: They might not.
• 15:10
  Speaker 3: Okay, they may not, who knows, Yeah, because.
• 15:13
  Speaker 2: I was thinking, I was like, the trailer we saw
• 15:15
  Speaker 2: was a very thin, nice looking yeah.
• 15:17
  Speaker 1: Very attractive yeah, and then the book this chick's big.
• 15:20
  Speaker 1: What's that actor's name? She's from Mama Mia is she? Yeah,
• 15:23
  Speaker 1: she's a good actor. But so he's down there and
• 15:27
  Speaker 1: then they're kind of chatting, and then I think she
• 15:29
  Speaker 1: might she may have even said something on the lines
• 15:31
  Speaker 1: of like, oh, you know, I just I don't think
• 15:33
  Speaker 1: Nina would be all that happy if we were talking,
• 15:35
  Speaker 1: because he was also just wearing like a see through shirt,
• 15:38
  Speaker 1: pajama shirt and boxes. And then so there's downstairs and
• 15:40
  Speaker 1: they're fucking pajamas chilling.
• 15:41
  Speaker 2: Didn't say it, but I was picturing that bulbs about
• 15:45
  Speaker 2: seeing some sexy muscles.
• 15:48
  Speaker 1: So then they're joking and laughing and he's making her comfortable,
• 15:53
  Speaker 1: of course, and she's like fuck it. And then we
• 15:57
  Speaker 1: don't even hear footsteps. She's too quiet on her feet.
• 16:00
  Speaker 1: Nina at the foot of the stairs. It's going on here?
• 16:03
  Speaker 1: What's all the jokes about? What's all the jokes? My house?
• 16:08
  Speaker 4: All right?
• 16:08
  Speaker 1: And then and so she's like, what's going on down here? Huh?
• 16:12
  Speaker 1: And then Andrew's like, oh, you know, he just watching
• 16:14
  Speaker 1: a family feud. Oh wait, completely forgot something real back
• 16:19
  Speaker 1: to before Nina gets there. So Andrew sits down and
• 16:22
  Speaker 1: he's like, I'm hungry. Would it be crazy? Would it
• 16:26
  Speaker 1: be crazy if I ate peanut butter right out of
• 16:29
  Speaker 1: the jar? And and she goes like what does she say?
• 16:37
  Speaker 1: Because he says like would it be crazy? For?
• 16:40
  Speaker 3: Like what do you mean?
• 16:41
  Speaker 1: Yeah, She's like what do you Maybe she asked him
• 16:44
  Speaker 1: why do you have it? And he goes peanut butter?
• 16:48
  Speaker 1: So everyone knows peanut butter. She goes, well, Cecily is allergic.
• 16:53
  Speaker 1: He's like, no, she's not. I was thinking what and
• 16:57
  Speaker 1: Millie goes, no, I made her a peanut butter like
• 17:00
  Speaker 1: snack the other day and she told me she's like
• 17:04
  Speaker 1: deathly allergic to it. And Andrew goes, look, I think
• 17:08
  Speaker 1: I would know if my daughter was definitely alleged peanut butter. Also,
• 17:11
  Speaker 1: why would we have it in the house. And Nina's thinking,
• 17:14
  Speaker 1: that's exactly what I was thinking. But sorry, Millie was
• 17:17
  Speaker 1: thinking that's exactly what. But Nina also said, like, you're
• 17:20
  Speaker 1: trying to kill my kid. Okay, Nina said, I told
• 17:23
  Speaker 1: you this listen better insane. So Millie's like, anyway. Then
• 17:30
  Speaker 1: they go on to joke and laugh. Right then Nina
• 17:33
  Speaker 1: comes down. What's all the jokes about? She gets in,
• 17:36
  Speaker 1: she's ripping in. She goes, Nina, this is the sorry.
• 17:37
  Speaker 1: She goes Millie, this is the family room. I keep
• 17:40
  Speaker 1: on mixing them up. Nina says to Millie, this is
• 17:43
  Speaker 1: the family room. What are you doing down here? And
• 17:46
  Speaker 1: Andrew's like, Nina, she can watch TV, she lives here.
• 17:51
  Speaker 1: She goes Andrew, and you you have a meeting in
• 17:53
  Speaker 1: the morning. What are you doing? Huh? Get the fuck
• 17:55
  Speaker 1: to bed. So he kind of goes, yeah, you know,
• 18:00
  Speaker 1: you're right, You're right whatever. He walks upstairs and then dude,
• 18:04
  Speaker 1: this is the craziest I wrote down what she said, right,
• 18:08
  Speaker 1: So she kind of rips into Milli a bit okay,
• 18:13
  Speaker 1: and then Millie is worried that Nina's jealous, and so
• 18:20
  Speaker 1: she's like, I need to make this better, and so
• 18:22
  Speaker 1: she says to Nina on the stairs, She's like, she
• 18:27
  Speaker 1: goes Nina, like, I swear that nothing was happening, and
• 18:33
  Speaker 1: Nina laughs in her face. Right, Nina laughs in her face, ha,
• 18:40
  Speaker 1: do you think my husband would risk everything he has for?
• 18:46
  Speaker 1: And I quote, she says, you think I'm scared that
• 18:49
  Speaker 1: my husband would risk everything in his life for some
• 18:53
  Speaker 1: trampy servant living in the attic? Crazy because you couldn't
• 19:00
  Speaker 1: say that to me, a bro.
• 19:02
  Speaker 2: I would have fucking I would have packed my bags
• 19:05
  Speaker 2: and left trippy servant.
• 19:11
  Speaker 1: Nina's terrifying.
• 19:12
  Speaker 3: That's when you get petty a all right.
• 19:15
  Speaker 1: So then if Millie's embarrassedes, fuck right, Andrews left his
• 19:20
  Speaker 1: water glass on the coffee table, Nina goes, while you're
• 19:23
  Speaker 1: at it, clean up this mess. It's one glass. Nina
• 19:27
  Speaker 1: goes upstairs. Milli goes and picks up the glass, throws
• 19:30
  Speaker 1: it on the ground. What I was like, what's going on?
• 19:34
  Speaker 1: She shocks about how she needs to like reel it
• 19:36
  Speaker 1: in a bit, and you know not. Let Nina see
• 19:38
  Speaker 1: Millie has a dark he does, Milli has a dark side.
• 19:42
  Speaker 1: She has a temper that was left field as I
• 19:44
  Speaker 1: was like, what interesting. Okay, now we've got Millie stressing
• 19:55
  Speaker 1: about a PTA meeting Parent Teacher Association. Nina is the
• 20:00
  Speaker 1: vice president of it. So Nina's been stressing her out
• 20:03
  Speaker 1: because she's nailing into her or just hounding into her.
• 20:07
  Speaker 1: She needs to pick up these or derves right. Also
• 20:10
  Speaker 1: didn't know that's how you spelt all derves hat jo
• 20:12
  Speaker 1: warr space do o u v r s. What is
• 20:18
  Speaker 1: finger food? Bro oh right, yeah, it's like finger food
• 20:23
  Speaker 1: or dirves of thes. So she's handing into her. You
• 20:25
  Speaker 1: need to pick up these orders once again. The house
• 20:28
  Speaker 1: is filthy, all right, she's barely got time to clean
• 20:31
  Speaker 1: the house. She gets the house clean, she goes outside.
• 20:33
  Speaker 1: She doesn't picked up the ordrves can take twenty minutes
• 20:34
  Speaker 1: to get there, twenty minutes get back right. She goes outside.
• 20:38
  Speaker 1: As immaculate as the yard is, Enzo makes it great.
• 20:41
  Speaker 1: The patio furniture disgusting, full of dust. No one sits
• 20:45
  Speaker 1: in them. She's like, fuck. Andrew comes out, Millie, what's
• 20:50
  Speaker 1: wrong you think you look like you're about to cry.
• 20:52
  Speaker 1: She goes, oh, there's nothing or something. It's just speak
• 20:54
  Speaker 1: a meeting. He goes, don't let that shit stress you out,
• 20:57
  Speaker 1: those ugly bitches and and say that those those wretched
• 21:01
  Speaker 1: women aren't going to fucking be happy with anything you
• 21:03
  Speaker 1: do type of thing. Let me, seriously, what can I do?
• 21:05
  Speaker 1: What can I do?
• 21:06
  Speaker 3: Help?
• 21:06
  Speaker 1: She goes, no, no, it's fine, as fine as fine. He's like, no,
• 21:08
  Speaker 1: you're crying. Let me help you. Let me actually, he goes, oh,
• 21:10
  Speaker 1: what do you know? I have a fucking tissue in
• 21:12
  Speaker 1: my pocket?
• 21:14
  Speaker 3: What a man?
• 21:14
  Speaker 1: What?
• 21:15
  Speaker 3: What a man? Oh my god?
• 21:18
  Speaker 1: All right, he says. Here, it's like, seriously, what can
• 21:21
  Speaker 1: I do? She goes, oh, well, if you could pick
• 21:22
  Speaker 1: up the old drs. He says, consider it done. She's like,
• 21:25
  Speaker 1: oh my Fanny flutters cec comes out. Dad. I'm hungry.
• 21:29
  Speaker 1: Oh no, Dad, the computer's breaker. Can you fix it?
• 21:31
  Speaker 1: Of course I can. But first we're going on a
• 21:33
  Speaker 1: field trip. Get your shoes on. She goes inside. Millie says,
• 21:37
  Speaker 1: we find something out crazy here. Milly says, you're great
• 21:40
  Speaker 1: with her, by the way, He goes, yeah, thanks, she's
• 21:43
  Speaker 1: like he's She goes, yeah, and she she looks like you,
• 21:47
  Speaker 1: and Andrew says, ah, yeah, I mean she looks a
• 21:49
  Speaker 1: lot more like Nina. Millie says, yeah, agreed, but she
• 21:53
  Speaker 1: has your nose. And he's like, crazy, she's not actually
• 21:56
  Speaker 1: my biological daughter. Crazy. Oh my god, you guys, when
• 22:01
  Speaker 1: I met Nina, she was just a baby. I was right, same, bro,
• 22:06
  Speaker 1: I was like, oh my fuck, why are we even
• 22:07
  Speaker 1: reading this?
• 22:08
  Speaker 3: Or he just totally looks like Enzo, doesn't it.
• 22:10
  Speaker 1: Oh so yeah, he goes, yeah. When I met Nina,
• 22:14
  Speaker 1: Ceci was still just a kid, but she didn't know
• 22:17
  Speaker 1: her other dad. And just you know, ever since, I've
• 22:19
  Speaker 1: just told I'm the only dad she's known what she
• 22:21
  Speaker 1: calls me dad Nina. And Millie is just like this
• 22:25
  Speaker 1: fucking guy, bro, He's perfect, this guy, all right. Pta
• 22:30
  Speaker 1: meeting has begun. Four women, including Nina. There's three others
• 22:35
  Speaker 1: don't remember their names, but so they're all there, and
• 22:38
  Speaker 1: they're all kind of like Nina. They're all just like
• 22:40
  Speaker 1: high strung, and Nina is treating merely like a slave,
• 22:45
  Speaker 1: just to stand over in the corner and just wait
• 22:47
  Speaker 1: on them as they so desire. Right, They're all drinking
• 22:49
  Speaker 1: and eating the old herbs, and they are chatting. They're
• 22:53
  Speaker 1: just being I don't know, talking about gluten, veganism whatever.
• 22:56
  Speaker 1: And the PTA meeting is about some dumb field day
• 22:58
  Speaker 1: they have for the kids where they just go playing
• 22:59
  Speaker 1: a field for four hours or some shit. We're worried
• 23:02
  Speaker 1: about the menu for it. Who whatever. Nina's a cow
• 23:05
  Speaker 1: to Millie. She is talking in front of Millie shit
• 23:10
  Speaker 1: about Melle, talking shit about Melli right to these people.
• 23:13
  Speaker 1: They're all they're like, yeah, it's so hard to find
• 23:15
  Speaker 1: good help. And Nina goes, oh my god, of course,
• 23:17
  Speaker 1: like the only reason I'm keeping her is because we
• 23:21
  Speaker 1: do actually need to help with the baby. And all
• 23:23
  Speaker 1: they say, oh my god, are you pregnant? And she says, oh,
• 23:26
  Speaker 1: well not yet, but we're going to see a fertility
• 23:28
  Speaker 1: specialist tomorrow. So fingers crossed, one of them goes, actually,
• 23:33
  Speaker 1: oh my god, I thought you were eating way more
• 23:35
  Speaker 1: than the rest of us. I knew you were pregnant.
• 23:37
  Speaker 1: And that's when Nina goes, oh no, no, just you know,
• 23:39
  Speaker 1: and Nina looks like she's about to cry, gets up.
• 23:40
  Speaker 1: She goes, just give me a I'll be right back,
• 23:42
  Speaker 1: and then Milli overhears these women talking shit about Nina
• 23:48
  Speaker 1: bro and they're like, how fucking awkward was that? She's humanous?
• 23:52
  Speaker 1: Right now she's eating as much as a house, so
• 23:54
  Speaker 1: she's the size of a house, Like I thought she
• 23:56
  Speaker 1: was pregnant.
• 23:57
  Speaker 3: Oh my days.
• 23:58
  Speaker 1: Oh they talk about how they talk a bit about
• 24:01
  Speaker 1: the psychoticness, like you know, she's so weird. All this
• 24:04
  Speaker 1: psychotic stuff comes up, and so Millie's like, fuck, you know,
• 24:08
  Speaker 1: And then they talk about like they confirm her time
• 24:12
  Speaker 1: in the psychiatric hospital, the mental hospital, and Millie is
• 24:15
  Speaker 1: now starting to feel really bad about hating Nina because
• 24:17
  Speaker 1: it's like she clearly has something wrong with her, she
• 24:19
  Speaker 1: can't control it, and so she has a bit of
• 24:22
  Speaker 1: empathy for her.
• 24:24
  Speaker 3: I still wouldn't know.
• 24:25
  Speaker 1: I would know she's insane.
• 24:27
  Speaker 3: Probably worried for my life. Yeah, I wouldn't have any empathy.
• 24:30
  Speaker 1: Okay, next day, Nina and Andrew they get home from
• 24:35
  Speaker 1: the fertility appointment. There was a there was a scene
• 24:38
  Speaker 1: of Cecilia. She was a bitch, of course, like she's
• 24:40
  Speaker 1: getting she gets home from school, she asks for a sandwich.
• 24:44
  Speaker 1: Millie thinks she says, I want a bloney sandwich. She
• 24:47
  Speaker 1: actually said an abalone sandwich. The fuck is that? No idea?
• 24:53
  Speaker 1: Nina Andrew get home. They're depressed, all right for some reason.
• 24:58
  Speaker 1: Nina's just hating Milli again. Seese's shoes are all over
• 25:02
  Speaker 1: the place, there's a sandwich on the ground because she
• 25:04
  Speaker 1: threw it on the ground, and they look obviously quite upset,
• 25:08
  Speaker 1: and she says to them, is everything okay? Millie says
• 25:12
  Speaker 1: to them. Then he goes, it's not your fucking business, Millie.
• 25:15
  Speaker 3: Why are you so nosy?
• 25:16
  Speaker 1: Why are you so nosy? Yeah? My days? She just
• 25:22
  Speaker 1: so me. She goes to Andrew, I'm going upstairs. I
• 25:25
  Speaker 1: have a head I have a headache. And so Andrews
• 25:28
  Speaker 1: is down she go and he goes, Oh that sucked.
• 25:31
  Speaker 1: And Millie goes, is you know, it's everything okay? And
• 25:36
  Speaker 1: he's like, honestly, not really, do you want to talk
• 25:38
  Speaker 1: about it?
• 25:38
  Speaker 3: Not really?
• 25:39
  Speaker 1: A bit of a pause, and then he goes, it's
• 25:41
  Speaker 1: not gonna happen for Nina and I. She's she's not
• 25:43
  Speaker 1: getting pregnant. Tests yeah, she's not getting pregnant, you know.
• 25:47
  Speaker 1: She's like. He talks about how he can't help but
• 25:50
  Speaker 1: admit that he's disappointed, but he loves her but you know,
• 25:54
  Speaker 1: he's always wanted his own kids. He's like, he's like,
• 25:57
  Speaker 1: I'd have twelve. He loves them. And so then she says, well,
• 26:02
  Speaker 1: if theres anything I can do, let me know, and
• 26:04
  Speaker 1: he says, if there actually is, there's a show Nina
• 26:06
  Speaker 1: really wants to see in the city. If you can
• 26:07
  Speaker 1: get us some tickets, that'd be lovely cool. So that night,
• 26:12
  Speaker 1: Millie awake, she is arguing Nina and Andrew arguing under
• 26:16
  Speaker 1: underneath her. She hears a massive loud crash. She's like, fuck,
• 26:20
  Speaker 1: do I need to go check this out? Oh goes
• 26:22
  Speaker 1: to open her door, stuck again. She's scared it terrified,
• 26:25
  Speaker 1: but it opens. She's in her head again. She goes
• 26:27
  Speaker 1: she's sneaking down, she's eavesdropping. She's like, here's Nina yelling
• 26:30
  Speaker 1: at Andrew. It is my fault. It is. He's like,
• 26:32
  Speaker 1: it's not your fault. You're gonna leave me. You need
• 26:35
  Speaker 1: someone younger. If it was ten years ago, we could
• 26:37
  Speaker 1: have had a kid. Whatever. Bh blah blah blah blah blah.
• 26:39
  Speaker 1: Andrew's like, Nina, stop, stop, I'm not gonna leave you whatever.
• 26:43
  Speaker 1: She has another loud crash. Millie's thinking about knocking on the.
• 26:46
  Speaker 3: Door, go back up, going back upstairs.
• 26:51
  Speaker 1: Oh my days. So somebody on the door. Nina comes out.
• 26:56
  Speaker 1: She goes, are you eaves dropping one else? She's got
• 26:58
  Speaker 1: blood all over her hand. She's like, no, I just
• 27:02
  Speaker 1: I heard crashing. I just wanted to make sure everything
• 27:04
  Speaker 1: was okay. Like she goes, get the back, get back
• 27:07
  Speaker 1: into the attic. Milli says, no, yeah, crazy. She goes,
• 27:11
  Speaker 1: get back into the attic or you're fired. Millie's like,
• 27:15
  Speaker 1: she goes, she means it too. And then she's thinking
• 27:18
  Speaker 1: to herself, what if she just killed Andrew and I
• 27:22
  Speaker 1: can save him? But I didn't. I was like, oh
• 27:26
  Speaker 1: my god, get the fantasy out of your Jesus Christ.
• 27:29
  Speaker 3: So she's read too many thriller.
• 27:32
  Speaker 1: Fucking oath bro. So she's like, I just I heard crashing.
• 27:35
  Speaker 1: Like she's like, where's Andrew? And nin He goes, my
• 27:37
  Speaker 1: husband is fine, thank you very much. She hears a
• 27:42
  Speaker 1: tap running. She has a sense of relief, and nin
• 27:44
  Speaker 1: He goes, there, you're happy he's alive. What do you
• 27:47
  Speaker 1: think I would do to my husband? Get back into
• 27:49
  Speaker 1: the attic. So Nina goes, I'm sorry sorry. Millie goes,
• 27:51
  Speaker 1: I'm sorry, I'm sorry I bothered you. And then she's
• 27:53
  Speaker 1: about to walk up, and then from a distance, Nina says,
• 27:57
  Speaker 1: she's like Millie at night, stay in the attic. And
• 28:02
  Speaker 1: I was thinking, like, does she say that as a
• 28:06
  Speaker 1: controlling thing or as a warning to like, I don't
• 28:09
  Speaker 1: know what could happen at night?
• 28:11
  Speaker 2: I think both, But also I think the bread coming
• 28:14
  Speaker 2: there is she's gonna start locking her in there at night.
• 28:17
  Speaker 1: Yeah, she's got and.
• 28:18
  Speaker 3: She's gonna come back at like eight am and unlock it.
• 28:20
  Speaker 1: Yeah, insane. Next day, Nina's just acting normal. Andrew's gone
• 28:27
  Speaker 1: to work. Oh no, he hasn't, not yet. He's getting
• 28:29
  Speaker 1: ready for work, and Cecilia has been taken to school.
• 28:32
  Speaker 1: Nina comes back from taking Cecily to school, screeched to
• 28:35
  Speaker 1: a holt in the driveway. She comes in. She's looking
• 28:37
  Speaker 1: flustered as fuck, and she's like looking like she hasn't
• 28:41
  Speaker 1: been keeping herself well. So she's getting gaining more weight.
• 28:44
  Speaker 1: She's like the roots of her hair are growing out,
• 28:46
  Speaker 1: and she just isn't looking great. Last couple of weeks.
• 28:48
  Speaker 1: She comes in, she says, Mellie, you make me breakfast
• 28:51
  Speaker 1: the usual? Please makes it for her? Some big ass breakfast, right,
• 28:55
  Speaker 1: and so she's eating it. While she's eating it, Nina's
• 28:57
  Speaker 1: just not even there. She's barely there. And so she
• 29:02
  Speaker 1: takes a bite, eggs just get all over her and
• 29:04
  Speaker 1: shit like that, and she's like oh. And so then
• 29:07
  Speaker 1: Millie's kind of like, oh, Andrew asked me to get
• 29:08
  Speaker 1: tickets to this show, would you? How do you feel
• 29:11
  Speaker 1: about that? She goes, yeah, that'd be great. So she's
• 29:13
  Speaker 1: such a deer, isn't he He's such a good guy
• 29:15
  Speaker 1: or whatever, and then she goes, oh, when works for you?
• 29:17
  Speaker 1: And she's like two weeks from the current Sunday or
• 29:19
  Speaker 1: some random shit like that, and I was like, whatever,
• 29:22
  Speaker 1: Andrew comes down and yeah, Nina. She gets up. She
• 29:27
  Speaker 1: says hello, Andrew, how are you today? And he's like, oh,
• 29:29
  Speaker 1: you've got some egg on you and she goes, oh, yeah,
• 29:31
  Speaker 1: how embarrassing. Whatever goes over, gives her a big cuddling kiss,
• 29:33
  Speaker 1: big whatever. Millie's jealous as fuck, right, and does anything
• 29:39
  Speaker 1: else happened there?
• 29:40
  Speaker 3: Really?
• 29:41
  Speaker 1: No though.
• 29:42
  Speaker 2: I thought she was gonna like turn her nose up
• 29:44
  Speaker 2: to the concert or over the play.
• 29:47
  Speaker 1: Same, but then it's like no.
• 29:48
  Speaker 3: Yeah, Tue, yeah, oh no, Andrew came down and she
• 29:50
  Speaker 3: had egg in her mouth and he like wiped it
• 29:52
  Speaker 3: and she was kind of disgusting, and I.
• 29:54
  Speaker 1: Was like, yeah, that's about it. So knock knock on
• 29:58
  Speaker 1: the door. She's alone now by the way, clean in
• 30:01
  Speaker 1: the house. Knock knock. It's Enzo, big ass package. Heavy
• 30:04
  Speaker 1: chopes the door. Hi, thank you so much. He brings
• 30:05
  Speaker 1: it in. She can't get out of there. She wants
• 30:08
  Speaker 1: to fuck this man, and so she's like, she goes,
• 30:11
  Speaker 1: I need to fuck someone, right, it may as well
• 30:14
  Speaker 1: be Enzo because he's sexy as fuck, okay, because I
• 30:17
  Speaker 1: can't get these fantasies of entry out of my head.
• 30:19
  Speaker 1: And he's a married man. So she goes, I know
• 30:22
  Speaker 1: he loves universal language. Ends is about to leave, and
• 30:24
  Speaker 1: she goes, oh, I d want some water, gives him
• 30:26
  Speaker 1: some water. It takes a big gulp. She's like, oh,
• 30:28
  Speaker 1: it has work. Do you want to take a break.
• 30:29
  Speaker 1: He's like, what work? She puts her hand on his chest.
• 30:33
  Speaker 1: She's trying to seduce him. He realized what's He realizes
• 30:36
  Speaker 1: what's about to happen. He backs off. He rejects her
• 30:40
  Speaker 1: in the worst way possible, screaming at her in Italian
• 30:43
  Speaker 1: or Spanish or where wherever he's from, right, And she's like,
• 30:47
  Speaker 1: oh my god, this is so embarrassing. This is the
• 30:48
  Speaker 1: worst thing that's ever happened to me. And so he
• 30:51
  Speaker 1: goes to leave, and then he turns around and he says, like, Millie,
• 30:55
  Speaker 1: you need to leave. It's dangerous. So she's like, what
• 31:01
  Speaker 1: the fuck is going on here?
• 31:03
  Speaker 2: As if this isn't sign enough, like he's clearly scared
• 31:07
  Speaker 2: of this house, all right.
• 31:10
  Speaker 1: She goes to take Cecilia to tap dance lessons. She
• 31:15
  Speaker 1: got a pounding headache. Someone next to her, also quite young,
• 31:18
  Speaker 1: who's clearly also some help. She is like the help
• 31:21
  Speaker 1: of another rich family. She's like, oh, you want some
• 31:23
  Speaker 1: mad Phil, Yes, please, I'm Amanda. By the way. She goes, oh,
• 31:28
  Speaker 1: who are you here with? Amanda says she's here with
• 31:30
  Speaker 1: some twins. She's like, all about you, and Millie goes, oh,
• 31:32
  Speaker 1: I'm Cecilia's made or whatever. She's like, oh, you work
• 31:35
  Speaker 1: for the Winchesters. How's that. It's like, oh, it's all right.
• 31:39
  Speaker 1: She goes, are you sure or something. She's like that
• 31:43
  Speaker 1: must be fucking terrible. It's like, how do you mean?
• 31:46
  Speaker 1: She goes, well, Nina's crazy crazy trying to get answers. Well,
• 31:50
  Speaker 1: she's like, yeah, she spent you know, she went she's cuckoo.
• 31:54
  Speaker 1: She spent time in the looney bin. So word for
• 31:57
  Speaker 1: word what she said. She's like, damn. She goes, yeah,
• 32:02
  Speaker 1: I've heard rumors about that, but I didn't really nothing
• 32:05
  Speaker 1: was confirmed. And she's like, you know what she did, right,
• 32:09
  Speaker 1: He goes, No, she goes, really, she tried to drown
• 32:16
  Speaker 1: Cecilia when she was a baby. Lucky Andrew called the
• 32:20
  Speaker 1: cops when he did two minutes later, and they would
• 32:22
  Speaker 1: have both been dead. I was like, oh my god,
• 32:26
  Speaker 1: Andrew was at work ten years ago, nine years ago, whatever.
• 32:29
  Speaker 1: And Nina has a psychotic break drugs. Cecilia puts her
• 32:34
  Speaker 1: in a bath, drugs herself, gets in the bath. Andrew
• 32:38
  Speaker 1: just for some reason, senses something weird because he can't
• 32:40
  Speaker 1: get a hold of them, calls the cops, leaves, gets
• 32:42
  Speaker 1: there just in time.
• 32:47
  Speaker 2: Leave please.
• 32:48
  Speaker 1: Now that is the end of the chapters. Yes, that
• 32:52
  Speaker 1: went a little longer than expected, but I got into
• 32:53
  Speaker 1: it athologies, so got carried away. She goes on to
• 32:57
  Speaker 1: say I need to leave, but she needs a few
• 33:01
  Speaker 1: more paychecks because she is in a tight spot. She
• 33:05
  Speaker 1: is stuck in between a rock and a heart place,
• 33:06
  Speaker 1: so keep that in mind. Yeah, all right, thoughts and feelings,
• 33:10
  Speaker 1: let's get into it.
• 33:11
  Speaker 3: Ah, let's probably get into a day.
• 33:13
  Speaker 2: Oh it's like, you know, sensation when like your skin,
• 33:18
  Speaker 2: your skin is itchy and your can't it chit.
• 33:20
  Speaker 3: Yes, it's that. Yeah, that's what she's giving to me.
• 33:23
  Speaker 1: I want to be honest. I put off until literally
• 33:27
  Speaker 1: yesterday afternoon reading this book. Not because I don't enjoy
• 33:31
  Speaker 1: the book. It's gripping and I want to keep reading, obviously,
• 33:34
  Speaker 1: but to me, it's unrealistic. Now, how much of a
• 33:41
  Speaker 1: bitch Nina is bipolar or not?
• 33:45
  Speaker 3: Unrealistic?
• 33:46
  Speaker 1: Meaning, like, what I liked about this book is that
• 33:49
  Speaker 1: you can put yourself in Millie's shoes.
• 33:51
  Speaker 2: Okay, yeah, I there's no.
• 33:57
  Speaker 1: Easy for me to say, because I'm not in a
• 33:59
  Speaker 1: position I need it. But there is not a single
• 34:03
  Speaker 1: part of me that would stay there after like I
• 34:08
  Speaker 1: would have left after the peanut butter or deal. Yeah,
• 34:11
  Speaker 1: especially after could being confirmed by Andrew what's the alternative?
• 34:14
  Speaker 1: But so literally, I would prefer five years in jail
• 34:19
  Speaker 1: with my life intact, then fear for my life in
• 34:22
  Speaker 1: a fucking attic.
• 34:25
  Speaker 3: You know what I mean, I don't know.
• 34:26
  Speaker 1: I think I would after also.
• 34:30
  Speaker 2: The cleaning, as soon as I found out that she
• 34:33
  Speaker 2: tried to kill Cecilia, that's when I'm out. Yeah, okay,
• 34:36
  Speaker 2: out of that, I reckon I would have been like,
• 34:37
  Speaker 2: I've got no other options.
• 34:38
  Speaker 1: I'm sleeping like you now.
• 34:40
  Speaker 2: Hell no, no, I mean, if I've hurt in this situation, Okay,
• 34:44
  Speaker 2: my options are sleeping in the car. Yeah, I've got
• 34:46
  Speaker 2: like three weeks till my PRORO officer comes around and
• 34:49
  Speaker 2: asks what I'm doing. And if I don't have a job,
• 34:50
  Speaker 2: I'm going back to jail or I can copy this
• 34:52
  Speaker 2: I'm back, or fuck. I can be treated like shit,
• 34:55
  Speaker 2: I can be thinking I'm crazy, but I can't be unsafe.
• 34:59
  Speaker 2: That's my fine thing. The final straw is that she
• 35:02
  Speaker 2: tried to kill her daughter, Let's be real, the fucking
• 35:04
  Speaker 2: bloody hand after the argument with the Andrew Yeah right.
• 35:08
  Speaker 3: Also, I don't know who thinks of this ship.
• 35:11
  Speaker 1: Yeah, it's a crazy good point.
• 35:13
  Speaker 3: Like so girls like I wrote a book and then
• 35:16
  Speaker 3: she wrote this.
• 35:17
  Speaker 1: Yeah she's like she says to her friends, like, just
• 35:20
  Speaker 1: because apparently this so freedom McFadden.
• 35:23
  Speaker 3: She is famous as well.
• 35:25
  Speaker 1: She's famous ads for this book, but she also is like, uh,
• 35:29
  Speaker 1: she's this is not her main profession. She was something
• 35:32
  Speaker 1: else beforehand, like very I'm like, I'm sure successful too.
• 35:36
  Speaker 3: That would scare me.
• 35:37
  Speaker 1: And so she just like writes this book right, and
• 35:42
  Speaker 1: it's I don't know what's.
• 35:45
  Speaker 2: Bet You know how there used to be that ongoing
• 35:47
  Speaker 2: joke how women used to listen to crime podcasts to
• 35:50
  Speaker 2: fall asleep.
• 35:51
  Speaker 3: Yep, is this that the same thing?
• 35:53
  Speaker 1: Yeah? It is, to be fair, I I dated a
• 35:57
  Speaker 1: girl that listened to crime podcasts falling asleep, and I
• 35:59
  Speaker 1: remember on two occasions, every now and then, I like
• 36:02
  Speaker 1: I could zone it out right and I would fall asleep.
• 36:06
  Speaker 1: There was two occasions where the story was so gripping
• 36:12
  Speaker 1: but also so terrifying that I couldn't fall asleep and
• 36:15
  Speaker 1: I had the worst nightmare.
• 36:17
  Speaker 3: Yeah.
• 36:17
  Speaker 2: I think I'm too much of a whim page. Yeah,
• 36:19
  Speaker 2: because my mind will take over. I've been all alone
• 36:23
  Speaker 2: at my house recently.
• 36:24
  Speaker 1: And there's been some noises that would be terrifying and
• 36:26
  Speaker 1: I'm scared. Yeah, no, no, And it's in the middle
• 36:28
  Speaker 1: of the day noises to who care?
• 36:30
  Speaker 3: Yeah, but at night anyone it's home.
• 36:31
  Speaker 2: I'm a man, Yeah, yeah, I can take I can
• 36:34
  Speaker 2: take on anyone when I'm having alone.
• 36:35
  Speaker 3: I'm like doors locked.
• 36:36
  Speaker 1: Well, you can take on anyone when you can see them,
• 36:38
  Speaker 1: you know what I mean. I hate darkness a yeah,
• 36:44
  Speaker 1: something about where I live. It doesn't worry me just
• 36:46
  Speaker 1: because of like the population density.
• 36:48
  Speaker 3: But there's more people could do stuff exactly.
• 36:50
  Speaker 2: Yes, bushes, but that's more people that can hear me scream.
• 36:54
  Speaker 2: Bushes are scary. Yeah, that's scary. I got no bushes
• 36:57
  Speaker 2: because they ruffle.
• 36:58
  Speaker 3: Wait.
• 37:00
  Speaker 2: But yeah, overall, I'm enjoying it. Hey, I've been listening
• 37:03
  Speaker 2: a fair bit. Yeah, yeah, her long Island accent I've
• 37:07
  Speaker 2: become accustomed to.
• 37:08
  Speaker 3: Okay, but now I'm thoroughly enjoying it.
• 37:11
  Speaker 4: I'm liking that it's a really easy read.
• 37:13
  Speaker 2: I think it was the right move after Akata, not
• 37:15
  Speaker 2: that we didn't like Akatar, just to like press refresh
• 37:18
  Speaker 2: on the mind.
• 37:19
  Speaker 3: Yeah, and it's just an easy read. Couple chapters here
• 37:22
  Speaker 3: and they're listening and reading. Overall, we are really good,
• 37:26
  Speaker 3: but also like kind of scared.
• 37:29
  Speaker 1: Yeah, me too.
• 37:30
  Speaker 3: I think like.
• 37:32
  Speaker 1: The movie, I do think will be scary because it's
• 37:36
  Speaker 1: a book. It's scary. Shit hasn't even happened to be fair? True,
• 37:39
  Speaker 1: I want to see if a book can scare me.
• 37:41
  Speaker 1: I've never been scared of a book. Obviously, suppose it's
• 37:43
  Speaker 1: your imagination. Hey, yeah, there's no sound effects in a
• 37:46
  Speaker 1: book like listening or reading. Say, you know, there's some
• 37:52
  Speaker 1: jump scares in a katar, but when you're reading them,
• 37:55
  Speaker 1: instead of being like, oh, you're a bit more like
• 37:57
  Speaker 1: a damn damn they got them?
• 38:00
  Speaker 3: Yeah, hang on them.
• 38:02
  Speaker 1: Okay. How do you feel about Millie as of right now?
• 38:07
  Speaker 3: I have mixed feelings. I think, what's the saying.
• 38:11
  Speaker 2: She's stuck between a rock and a hard place, and
• 38:14
  Speaker 2: she's a little bit jarring. I really liked it in
• 38:18
  Speaker 2: the first ten chapters, but now I'm like, Okay, something
• 38:20
  Speaker 2: is wrong with you two.
• 38:21
  Speaker 1: Definitely something wrong with Melli too.
• 38:23
  Speaker 2: Her decision making is flawed as well as I guess. Also,
• 38:28
  Speaker 2: who knows what ten years incass race is going to
• 38:30
  Speaker 2: do to a person. True, Like she hasn't been able
• 38:34
  Speaker 2: to get off in ten years. The first man that
• 38:36
  Speaker 2: comes along, she's like, oh.
• 38:37
  Speaker 1: Yeah, like not hear mely Valley.
• 38:40
  Speaker 3: Yeah yeah.
• 38:42
  Speaker 2: But also she said in the first ten chapters, like
• 38:44
  Speaker 2: there's been people in the bar just fuck one of
• 38:45
  Speaker 2: those dumb dudes who comes into the bar. She used
• 38:47
  Speaker 2: to work out, get your hit.
• 38:49
  Speaker 1: She said that she got hit on a lot.
• 38:51
  Speaker 3: Yeah, but they're.
• 38:52
  Speaker 1: All just yeah fives and under Yeah. True, so I
• 38:57
  Speaker 1: didn't want to.
• 38:58
  Speaker 3: I'm skeptical of her.
• 39:00
  Speaker 1: Same I'm skeptical of Millie. She is. She's got a
• 39:04
  Speaker 1: dark side. She does that throwing of the glass thinking
• 39:07
  Speaker 1: whoa temper? It's like valid, But Jesus, come on, Nina.
• 39:15
  Speaker 1: A lot has been explained clearly, she's getting the psych
• 39:18
  Speaker 1: board tried to kill her kid.
• 39:20
  Speaker 2: I think so, Milly Nina Cecilia is kind of self
• 39:24
  Speaker 2: explained or written within the book.
• 39:26
  Speaker 1: But Andrew. Yeah, wait with Cecilia though, like she's just
• 39:31
  Speaker 1: a braddy kid, right, But at the same time, maybe
• 39:36
  Speaker 1: she's young. She's like nine grade four. She's very weird apparently,
• 39:43
  Speaker 1: like she she only wears these like crazy elegant dresses,
• 39:49
  Speaker 1: even wears them to school, like she can't play in them.
• 39:52
  Speaker 1: She's an odd kid. Apparently. The only one that seems
• 39:55
  Speaker 1: most normal. You're right is Andrew.
• 39:57
  Speaker 2: But also there's no explanation behind Andrew. He rubs me
• 40:01
  Speaker 2: the worst because I don't know anything about him. Same
• 40:04
  Speaker 2: I'm picturing Don Draper from mad Men in my head
• 40:07
  Speaker 2: is what he looks like. He's handsome, just always clean cut,
• 40:10
  Speaker 2: always looks like a ten ready to go to work,
• 40:13
  Speaker 2: comes back and he's just the nicest guy ever.
• 40:16
  Speaker 3: But he's got fucking trauma. We don't know what it is.
• 40:20
  Speaker 1: So why is he with Nina is the question? So
• 40:25
  Speaker 1: like he took over his parents' business and with it
• 40:30
  Speaker 1: from the amount of time that his parents handed the
• 40:32
  Speaker 1: business down to him, maybe they passed away or something,
• 40:35
  Speaker 1: and he's been in control. Apparently he's like ten next it,
• 40:39
  Speaker 1: so he's rich as fuck. One thing was the package
• 40:43
  Speaker 1: Fromenzo had a name on it, and it was from
• 40:46
  Speaker 1: someone Winchester, a cousin or to be like a cousin
• 40:50
  Speaker 1: or a sister or something of Andrews. So I dare
• 40:53
  Speaker 1: say it's like a very heavy box as well. I
• 40:55
  Speaker 1: dare say, we'll figure out what ended up being.
• 40:57
  Speaker 2: Do you think it is the same anyone who hasn't
• 40:59
  Speaker 2: seen Mad Men or Don Draper? He do you reking
• 41:03
  Speaker 2: it's the same thing? His name's not actually Andrew, oh Winchester.
• 41:09
  Speaker 2: Like he's got a fake persona and personality. That's why
• 41:11
  Speaker 2: he's perfect and he didn't actually take over his dad's company.
• 41:15
  Speaker 3: He killed the son and now he's pretending to be
• 41:20
  Speaker 3: Andrew Winchester.
• 41:22
  Speaker 1: Shit. Here's the thing though, mad Men came out before this,
• 41:28
  Speaker 1: so she would have been copying mad Men if she
• 41:30
  Speaker 1: does that.
• 41:31
  Speaker 2: He didn't kill her in mad Men. He was a
• 41:34
  Speaker 2: deserter and they died at war and he just happened
• 41:38
  Speaker 2: to beat someone else's dog tag.
• 41:39
  Speaker 1: Yeah, he took someone else's dogtag and then just pretended
• 41:41
  Speaker 1: to be him because he hated his life prior to
• 41:43
  Speaker 1: the war.
• 41:43
  Speaker 3: But Andrew's giving I killed him to get his life.
• 41:48
  Speaker 1: And then he just has to put on this perfection.
• 41:51
  Speaker 2: And no one can see through it. But what that
• 41:54
  Speaker 2: still doesn't explain why he picked Nina she knows? Oh yeah, shit, yeah,
• 42:01
  Speaker 2: because why else would he go for this psycho girl
• 42:05
  Speaker 2: with a kid who she tried to kill.
• 42:07
  Speaker 1: And who apparently is the size of a house. Like
• 42:09
  Speaker 1: look again, nothing wrong with that, but he didn't go
• 42:11
  Speaker 1: for personality. Oh that was good.
• 42:18
  Speaker 2: Ok.
• 42:18
  Speaker 1: Hey, that's our new prediction.
• 42:20
  Speaker 3: And what's going to happen with the whole There's something
• 42:23
  Speaker 3: going on with the kids situation with Millie, Nina and
• 42:27
  Speaker 3: Andrew there's something going on there.
• 42:28
  Speaker 4: My prediction wasn't obviously right, we found out, but I still.
• 42:31
  Speaker 2: Think there's some validity behind that, behind MILLI walking in
• 42:35
  Speaker 2: on seeing someone fuck or something.
• 42:36
  Speaker 1: Wait, remember so my prediction last week could still hold.
• 42:41
  Speaker 1: It's that Cecilia. Maybe not Cecilia now changing the prediction.
• 42:49
  Speaker 1: Nina killed the last living housemate. Enzo saw it happen, right,
• 42:56
  Speaker 1: Andrew Rich also, just like he hovered it up. And
• 43:02
  Speaker 1: the reason Enzo's terrified of this place is because he's
• 43:04
  Speaker 1: been threatened to be killed and or sent back to mate.
• 43:08
  Speaker 1: I'm assuming like if he's a citizen, then he's being
• 43:12
  Speaker 1: threatened to be killed, and if he's not a citizen,
• 43:13
  Speaker 1: then he is being threatened to have a green card
• 43:15
  Speaker 1: or visa revoked. Are And Yeah, I think maybe that
• 43:23
  Speaker 1: could still be it. But I do really like the
• 43:26
  Speaker 1: thought of Andrew Winchester not being who he said he is.
• 43:29
  Speaker 1: And yeah, he's killed the son and taken his place.
• 43:34
  Speaker 4: Wow, maybe they killed the son together her and Nina.
• 43:40
  Speaker 3: That's why.
• 43:41
  Speaker 4: And I still I still think something's going on.
• 43:44
  Speaker 1: You call Cecilia what you're doing? Yeah, because they keep
• 43:47
  Speaker 1: caulling a in the book.
• 43:50
  Speaker 4: I still reckon it could be Enzos, like there's something
• 43:52
  Speaker 4: going on.
• 43:53
  Speaker 1: Yeah, but so we don't know how long Enzo's known.
• 43:56
  Speaker 3: There's not much descriptive language.
• 43:58
  Speaker 1: He says he's worked there for three years.
• 44:00
  Speaker 2: There's not much descriptive language of Cecilia either, though, other
• 44:03
  Speaker 2: than it looks like Nina.
• 44:04
  Speaker 1: Pilskin Yeah, white hair, Yeah, but no, we know that
• 44:10
  Speaker 1: Enzo's worked there for three years. The English would be better,
• 44:13
  Speaker 1: That's what Millie said. Yeah, but that means that it
• 44:16
  Speaker 1: can't be Nina's baby daddy because the kid's nine. He's
• 44:23
  Speaker 1: only worked at the house for three years. Oh, I
• 44:25
  Speaker 1: did true, True, unless he's known Nina for ten plotholes
• 44:29
  Speaker 1: in my predictions, But no, I like that. Okay. I
• 44:33
  Speaker 1: do want to just finish it to find out what happens,
• 44:35
  Speaker 1: but it's too juicy juicy.
• 44:38
  Speaker 2: So before we finish, there's going to be a Patreon
• 44:42
  Speaker 2: exclusive and we can't do it on Spotify because we'll
• 44:45
  Speaker 2: get copyrighted. So over on Patreon we will be listening
• 44:49
  Speaker 2: to I don't know if it's the official but I'm
• 44:51
  Speaker 2: going to call it the official Housemade Playlist, a little
• 44:54
  Speaker 2: bit of reactions to the songs and try and I
• 44:57
  Speaker 2: don't know.
• 44:58
  Speaker 3: Put faces to the songs.
• 45:01
  Speaker 1: I like it.
• 45:02
  Speaker 2: Let's do it all right, batties. That was the Patreon exclusive.
• 45:05
  Speaker 2: You also get the book Club five days early, as
• 45:08
  Speaker 2: well as an extra episode every single week on Patreon
• 45:11
  Speaker 2: for five dollars aud a month.
• 45:13
  Speaker 1: Yes, but Jake, that is the end of the book Club.
• 45:15
  Speaker 3: How many chapters are we reading? Up to you next week?
• 45:17
  Speaker 1: Do you want to do ten again? I like ten?
• 45:20
  Speaker 1: Do it? Thank you for listening.
• 45:21
  Speaker 3: Stay bad.