Latest / The MeatEater Podcast / Ep. 810: The Perfect Country and Western Song

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Ep. 810: The Perfect Country and Western Song · The MeatEater Podcast

• 0:00
  Speaker 1: Everyone.
• 0:00
  Speaker 2: We're on day two of our Eater Live Christmas Tour.
• 0:04
  Speaker 2: We're in Nashville. What does anybody think I'm gonna think
• 0:06
  Speaker 2: of Nashville? They think of music run, music Row. I'm
• 0:09
  Speaker 2: here with the host of God's Country podcast, Dan Reed
• 0:11
  Speaker 2: is belt his Hunt, and we're in a place where
• 0:14
  Speaker 2: you guys make music. Yeah.
• 0:16
  Speaker 3: Literally, we've made music in this room.
• 0:18
  Speaker 1: And we're on a street known for music making.
• 0:21
  Speaker 4: I mean, arguably the most legendary music street in the country.
• 0:25
  Speaker 3: Music Row, music kind of in between them.
• 0:27
  Speaker 5: Sixteenth and seventeenth is the legendary music row in Nashville,
• 0:31
  Speaker 5: and they just run parallel each other. One way this
• 0:32
  Speaker 5: way on sixteenth, one way that way on seventeenth.
• 0:35
  Speaker 1: So fair to say, hundreds of the songs you know
• 0:38
  Speaker 1: have been.
• 0:38
  Speaker 2: Touched thousand, thousands, thousands have been touched on this street.
• 0:41
  Speaker 1: Absolutely, and not only that, Let's get down to brass tacks.
• 0:44
  Speaker 1: The building.
• 0:45
  Speaker 2: It's a music building, indeed, a lot of history with it.
• 0:48
  Speaker 2: The room is a music room. I'm just trying to
• 0:51
  Speaker 2: establish our credentials legedly. This is a legit studio. I mean,
• 0:54
  Speaker 2: this was a vocal booth. If you if you were
• 0:56
  Speaker 2: to pull this down you'd see a big glass window
• 1:00
  Speaker 2: where artists converse with producers on what to play, what
• 1:04
  Speaker 2: they have canob jockeys, but jockey I wouldn't use that loosely.
• 1:11
  Speaker 2: Dolly Parton has been in this building, according to Tammy.
• 1:14
  Speaker 2: Whyett's been in this building. George Jones been this building
• 1:17
  Speaker 2: allegedly allegedly together maybe together many in this room.
• 1:20
  Speaker 4: I'm not one to say so.
• 1:23
  Speaker 1: I'm just establishing our credentials that we're in a music room.
• 1:26
  Speaker 4: I would visure to say, you're in the You're in
• 1:28
  Speaker 4: the heart of the country music creation.
• 1:34
  Speaker 3: Steve, this is this is why I've brought you here.
• 1:37
  Speaker 1: No I brought you here.
• 1:39
  Speaker 3: No I brought you here because.
• 1:40
  Speaker 4: I mean, arguably we brought.
• 1:43
  Speaker 1: This is I brought you.
• 1:44
  Speaker 6: This is the American South, and this is where music
• 1:47
  Speaker 6: is made. Has a Steve has a beef with me
• 1:51
  Speaker 6: because one time I said music is important to people
• 1:55
  Speaker 6: in the South.
• 1:56
  Speaker 3: That's all I say.
• 1:59
  Speaker 1: It's not in the North.
• 2:00
  Speaker 2: Was the implication, right, He's like, well, you don't understand
• 2:03
  Speaker 2: music is very important to people in the South.
• 2:06
  Speaker 4: It's kind of like fraud fish Wells is very important people.
• 2:09
  Speaker 3: What I was trying to say is it's important to.
• 2:11
  Speaker 4: People in the north, more important, frid fish more important.
• 2:14
  Speaker 1: No chance question what's more important?
• 2:17
  Speaker 2: And I just brought up I'm like, tell, go tell
• 2:19
  Speaker 2: the people in Motown about how special music is in
• 2:22
  Speaker 2: the South.
• 2:24
  Speaker 1: Well, I don't want I don't want to burn our
• 2:27
  Speaker 1: time up. These guys got a hard out. We have
• 2:28
  Speaker 1: a song to write.
• 2:29
  Speaker 4: My kids Christmas play. That's the only reason. Otherwise I'd
• 2:32
  Speaker 4: stay all day.
• 2:32
  Speaker 1: Okay, that is important. I thought you had like big
• 2:35
  Speaker 1: time country music stuff to attend to Christmas.
• 2:39
  Speaker 4: I wouldn't be wearing a college shirt if it wasn't
• 2:40
  Speaker 4: for my kids Christmas play.
• 2:42
  Speaker 1: Here's what I want to do.
• 2:43
  Speaker 2: I want to I want to give people a glimpse
• 2:45
  Speaker 2: but into what you do for a living and what
• 2:48
  Speaker 2: happens on this street. But can you guys touch on
• 2:52
  Speaker 2: your sort of your day job right like your your
• 2:55
  Speaker 2: career and what you do in music writing, what services
• 3:01
  Speaker 2: you provide and how that world works very quickly?
• 3:04
  Speaker 5: Yeah, we're lunch pelt songwriters what we'd like to call them.
• 3:07
  Speaker 5: And we write three four days a week right here
• 3:10
  Speaker 5: on music Road. Sometimes we write in this room.
• 3:12
  Speaker 4: Now we write three or four days a week. There
• 3:14
  Speaker 4: was a time, we were writing five days a week,
• 3:16
  Speaker 4: sometimes doubles.
• 3:17
  Speaker 5: Okay, yeah, but we've got we've got publishers or pluggers
• 3:21
  Speaker 5: that we write for or signed to. I'm signed to
• 3:23
  Speaker 5: fifty Egg, Dan signed to Sony, and they schedule out
• 3:27
  Speaker 5: our rights way in advance, and.
• 3:29
  Speaker 1: So they schedule it.
• 3:30
  Speaker 5: Yeah, we do too. We do a lot of that
• 3:31
  Speaker 5: too now, but most of the time they do. And
• 3:35
  Speaker 5: we'll look at on Sunday, you'll look at your calendar
• 3:37
  Speaker 5: for Monday and see that you're writing with X, this
• 3:39
  Speaker 5: X writer and this X writer at Sony at eleven
• 3:42
  Speaker 5: o'clock and you roll up at ten forty five, do
• 3:46
  Speaker 5: a little chat and say what's up? Catch up with everybody,
• 3:49
  Speaker 5: head into the room at eleven and do a chatting
• 3:51
  Speaker 5: for about thirty minutes again, and then you start scrolling
• 3:54
  Speaker 5: through ideas and seeing what artists. If you've got buddies
• 3:58
  Speaker 5: that's cutting a record, I.
• 4:00
  Speaker 4: Can't see his secret or we're friends with Luke Combs,
• 4:02
  Speaker 4: so a lot of times people will come in and
• 4:04
  Speaker 4: sit down with us and go, hey, man, when's Luke
• 4:06
  Speaker 4: cutting a bit? Oh man, he's two years out. What
• 4:08
  Speaker 4: is that's off the table?
• 4:09
  Speaker 3: Right?
• 4:09
  Speaker 4: There's no sense in even trying.
• 4:11
  Speaker 1: So that'll how you move beyond that.
• 4:12
  Speaker 4: So if you're six months out and you go, oh man,
• 4:14
  Speaker 4: he's looking for a song about hunting, then this guy
• 4:19
  Speaker 4: might go, it's crazy. I have this hook praying in
• 4:23
  Speaker 4: a deer stand or whatever it is.
• 4:25
  Speaker 1: And then we're praying in a deer stand. That's way
• 4:27
  Speaker 1: better than what I.
• 4:28
  Speaker 4: Got for you. Okay, we'll see wing right that.
• 4:30
  Speaker 3: If you want to, that'd be praying in a mule saddle.
• 4:33
  Speaker 1: So why okay? What so I brought Clay down?
• 4:36
  Speaker 4: Yeah, oh, you brought him.
• 4:37
  Speaker 2: I brought Clay's debatable to workshop because I wanted to
• 4:40
  Speaker 2: see you guys and work so the best I could
• 4:42
  Speaker 2: come up with.
• 4:43
  Speaker 1: I'm not a songwriter, sure, I was gonna pitch you, guys.
• 4:46
  Speaker 2: I was gonna be the guy that comes in and
• 4:47
  Speaker 2: I'm gonna pitch you on an idea of a song
• 4:49
  Speaker 2: that you could develop about how mules are better than horses.
• 4:52
  Speaker 4: Okay, now, look, I'm gonta be honest. I don't know
• 4:55
  Speaker 4: a whole lot about mutles.
• 4:56
  Speaker 3: That's what I hear.
• 4:58
  Speaker 5: I can give you the bullet point, okay, And to
• 5:01
  Speaker 5: be honest, we don't know a lot about horses.
• 5:02
  Speaker 1: Either well, his lifetime.
• 5:05
  Speaker 2: He needs a song to go with this because this
• 5:07
  Speaker 2: is his lifetime battle.
• 5:08
  Speaker 1: Anyways.
• 5:09
  Speaker 4: Okay, so you're the artists and we are the summer
• 5:14
  Speaker 4: I help, which is what we did.
• 5:16
  Speaker 1: And I'm the producer.
• 5:17
  Speaker 3: Well I sure more like produced bag producer. You're the producer.
• 5:24
  Speaker 6: So this is this is like really high stakes for me.
• 5:26
  Speaker 6: I need a song that carries now I want to
• 5:29
  Speaker 6: do that carries the data, the facts, but also the culture,
• 5:34
  Speaker 6: the attitude, the fire, and the bones of the overlooked people.
• 5:41
  Speaker 3: You are at this.
• 5:42
  Speaker 4: Yeah, so you know about Columbia, Tennessee. Right, yeah, we
• 5:45
  Speaker 4: will selltown, yeah, race Brothers, the Muletown Coffee.
• 5:50
  Speaker 7: Yeah.
• 5:51
  Speaker 3: Yeah, oh yeah, it's pretty slick. I haven't been probably
• 5:54
  Speaker 3: Grand Marshal at some day.
• 5:55
  Speaker 4: Dude, well, easy, we can put you in for that.
• 5:57
  Speaker 3: I mean you can put your mules in. There's a
• 6:00
  Speaker 3: condition their guitars.
• 6:01
  Speaker 7: That way, the lunch their lunch listen.
• 6:06
  Speaker 1: I think by dinner time.
• 6:10
  Speaker 6: The song that the song needs some like real specific
• 6:14
  Speaker 6: data that a mule or horse person would be like dang,
• 6:17
  Speaker 6: he's right, but it also needs like some catchy hook
• 6:21
  Speaker 6: that ca Okay, So so here here's here's the scoop.
• 6:26
  Speaker 6: For every hundred horses, there's probably two mules in the country.
• 6:35
  Speaker 3: Starting line, Okay.
• 6:37
  Speaker 4: Yeah, can I have that?
• 6:38
  Speaker 1: You just could put that line in there.
• 6:39
  Speaker 3: Well, you know what I mean. Well, but it's gotta
• 6:45
  Speaker 3: it's gotta bring the horses.
• 6:48
  Speaker 1: For every horse.
• 6:52
  Speaker 2: Okay, I'm saying there ain't a hundred horses. There ain't,
• 6:56
  Speaker 2: but two mules ain't. Well, now they're thinking we're dumb though.
• 7:04
  Speaker 6: I mean, it's like it's like special, but a mule
• 7:11
  Speaker 6: is a four wheel drive horse, Like that's kind of
• 7:14
  Speaker 6: a thing. Mules are surefooted, like way more surefooted than
• 7:18
  Speaker 6: a horse. That DaMina than a horse. They live longer
• 7:22
  Speaker 6: than a horse. They have a longer working life.
• 7:24
  Speaker 4: I think what I need from you that would make
• 7:25
  Speaker 4: for a great commercial country mule song. Maybe maybe this
• 7:29
  Speaker 4: is a story tune. So I'm sure's a specific meal.
• 7:32
  Speaker 4: I'm sure in your lifetime you've had or maybe even
• 7:34
  Speaker 4: a specific instance with a specific mule. Like you're on
• 7:37
  Speaker 4: a mountain and the cat jumps and swipes it, but
• 7:41
  Speaker 4: it doesn't kill it, and the horse falls off the
• 7:43
  Speaker 4: side of the mountain, but your mule stays and his
• 7:45
  Speaker 4: name is.
• 7:47
  Speaker 3: Is He's my good meal. Right now, that's what What
• 7:52
  Speaker 3: was the slow trap?
• 7:54
  Speaker 4: I said, So, what we're gonna do now in lunch
• 7:55
  Speaker 4: best songwriting world, It's take the three options he just
• 7:58
  Speaker 4: gave us and decide on which one is the hook
• 8:00
  Speaker 4: your name. Now one of them may meant more to
• 8:02
  Speaker 4: you than.
• 8:03
  Speaker 3: It doesn't matter. But is he Betty Bay? And Betty Bay?
• 8:09
  Speaker 5: So there's even like a he said, Betty Bay and
• 8:12
  Speaker 5: that's a laser color. That's a little song, right, you
• 8:14
  Speaker 5: think too? Is like the baby Bay is also for sale?
• 8:17
  Speaker 5: The two bees?
• 8:18
  Speaker 4: The this is craigslist.
• 8:19
  Speaker 3: Dude, geez, I'm thinking about somebody.
• 8:23
  Speaker 1: That's what this is.
• 8:24
  Speaker 3: Really getting your paycheck? Don't worry about this. Just write
• 8:32
  Speaker 3: me a really about Betty Bay.
• 8:35
  Speaker 4: Okay, I like Betty Bay. What was the other one?
• 8:37
  Speaker 7: Uh?
• 8:38
  Speaker 1: Slow trap? Is he Betty Bay?
• 8:41
  Speaker 3: And he said? May is her color? B a wat?
• 8:46
  Speaker 6: Yeah, she's Bay colored. But I mean, like the biggest
• 8:49
  Speaker 6: thing that a mule would have would be as surefootedness
• 8:53
  Speaker 6: and safety and rough country. Like if you meet somebody
• 8:56
  Speaker 6: with the mule, you're like, this dude's going in some
• 8:58
  Speaker 6: rough country. This, this is a this is a gritty American.
• 9:04
  Speaker 6: But mules are stubborn they're harder to deal with than
• 9:07
  Speaker 6: a horse. They're harder to train than a horse, But
• 9:10
  Speaker 6: if you get one trained, it's better than a horse.
• 9:12
  Speaker 4: Payoffs man, Okay, so nothing, I love that for a chorus,
• 9:18
  Speaker 4: Like hold on, we don't even know what.
• 9:19
  Speaker 3: No, I'm just working in my brain like this song
• 9:23
  Speaker 3: might be that.
• 9:23
  Speaker 4: What do you want this song to sound like? Well,
• 9:26
  Speaker 4: I mean should it be up tempo?
• 9:27
  Speaker 3: Should yeah?
• 9:28
  Speaker 7: Yeah?
• 9:28
  Speaker 3: Yeah?
• 9:28
  Speaker 5: Like should it be like like like like like like
• 9:33
  Speaker 5: kind of kind of fun. We could start out with
• 9:39
  Speaker 5: a chorus, That's what I'm thinking. Like them might they
• 9:44
  Speaker 5: would you just say? They might be what? They might
• 9:45
  Speaker 5: be this? They might be that.
• 9:46
  Speaker 6: Well they're they're they're surefooted, they're made for rough country.
• 9:52
  Speaker 1: To raise up, but it's worth it in the end.
• 9:54
  Speaker 3: Yeah yeah, what are the what are the downfalls of them?
• 9:57
  Speaker 3: They might be well, they're they're harder to train.
• 10:00
  Speaker 8: Might be.
• 10:02
  Speaker 3: There, they're a bad mule is.
• 10:05
  Speaker 6: Way worse than a bad horse. But a good mule,
• 10:08
  Speaker 6: okay here, let me it's better than a good horse.
• 10:10
  Speaker 6: We gotta save saying that outlaw. If you get an outlaw,
• 10:14
  Speaker 6: you're in trouble.
• 10:14
  Speaker 4: Nobody's listening to this. Should we should we save our
• 10:19
  Speaker 4: horse references like for because here's the thing, we could
• 10:23
  Speaker 4: ship on horses through this.
• 10:24
  Speaker 3: Entire song, right, no doubt. But I think the move.
• 10:27
  Speaker 4: I think the move is to pick one poignant moment
• 10:31
  Speaker 4: to ship on a horse and then just keep it honoring.
• 10:35
  Speaker 2: He's trying to go low and negative. Well you guys
• 10:38
  Speaker 2: are trying to go positive.
• 10:39
  Speaker 3: Well, positive makes money.
• 10:44
  Speaker 4: Yeah, we're trying.
• 10:48
  Speaker 3: Okay, could you could like.
• 10:52
  Speaker 6: Start with like a trip to the mountains in rough
• 10:54
  Speaker 6: country now, I mean like a personal to come through
• 11:00
  Speaker 6: with have been carrying a bear hide?
• 11:02
  Speaker 4: Love it? Give me two seconds? Betty by Betty of course,
• 11:08
  Speaker 4: finest mules, every fin god ever, Beny.
• 11:24
  Speaker 3: He should we put a state in there? Sure?
• 11:27
  Speaker 4: Yeah, yeah, in a minute, I've got one.
• 11:31
  Speaker 5: What's the reference for the state?
• 11:34
  Speaker 3: Well, just I don't know it.
• 11:36
  Speaker 6: Just like Tennessee stud is really cool. I would love
• 11:38
  Speaker 6: an Arkansas reference.
• 11:40
  Speaker 4: Okay, what's but Arkansas's Arkansas?
• 11:42
  Speaker 3: What just just Arkansas? Arkansas?
• 11:44
  Speaker 1: Ass yeah.
• 11:50
  Speaker 6: Words, well, but but but it's not a donkey. Like
• 11:53
  Speaker 6: if somebody's trying to insult me, they'll go, hey, get
• 11:56
  Speaker 6: your donkey out of the trailer.
• 11:59
  Speaker 1: Spotting.
• 12:00
  Speaker 3: Yeah, don't call my mule a donkey baby. Yeah yeah, so.
• 12:06
  Speaker 4: Now you're the artist's over. This is where we text
• 12:10
  Speaker 4: our poster and be like, hey, senis a text that
• 12:13
  Speaker 4: we got studio time at two thirty.
• 12:15
  Speaker 3: Sorry, I gotta go home.
• 12:20
  Speaker 4: I think we're just gonna have enough time.
• 12:22
  Speaker 3: Of course, Betty, Betty.
• 12:29
  Speaker 5: Got Betty, just write a different line of.
• 12:40
  Speaker 1: Clay.
• 12:41
  Speaker 4: I mean we could do you want to be in
• 12:42
  Speaker 4: the song.
• 12:44
  Speaker 1: Arkansas Clay, Betty Babe, Betty babe.
• 12:49
  Speaker 3: So I'm doing doing Arkansas Clay. I love that. And
• 12:52
  Speaker 3: then Betty for sale to the finest, finest God, this.
• 13:03
  Speaker 5: Got it.
• 13:05
  Speaker 1: And you can do?
• 13:06
  Speaker 3: And then a story, all right, which one goes first Clay?
• 13:09
  Speaker 3: Then got it?
• 13:10
  Speaker 4: The many Babe, Betty babe, what's okay?
• 13:16
  Speaker 3: Help us, help us, help us here?
• 13:18
  Speaker 4: Something about that Arkansas Clay, like the something to the
• 13:24
  Speaker 4: mount only dedicated to you? What's another word for vehicle
• 13:27
  Speaker 4: blank to the mountains of Arkansas Clay.
• 13:30
  Speaker 6: I call him like they're a ride a mountain Cadillac,
• 13:35
  Speaker 6: Cadillac for Arkansas.
• 13:42
  Speaker 4: Mountain, Cadillac for.
• 13:46
  Speaker 7: Many.
• 13:48
  Speaker 4: Betty, All right, there that's your course.
• 13:57
  Speaker 1: Over now.
• 13:57
  Speaker 6: But the parts the course she's four verse, she's actually
• 14:02
  Speaker 6: fourteen three is what they call it.
• 14:04
  Speaker 3: How old is she? She's seven going on eight.
• 14:07
  Speaker 6: We're going on eight, going on on out here, going
• 14:13
  Speaker 6: on and.
• 14:18
  Speaker 4: About it, you know, verse, how.
• 14:25
  Speaker 5: Do you she's going on eight at fourteen three?
• 14:28
  Speaker 4: Are she going on fourteen three something? To something that that's.
• 14:35
  Speaker 3: Spanish To somebody who don't, Yeah, I like like.
• 14:37
  Speaker 2: Technical sounds, dukes. It makes it sound like you guys
• 14:39
  Speaker 2: know a lot about it.
• 14:40
  Speaker 4: I think we're leaving that. I think it's got to
• 14:42
  Speaker 4: be clay cool. I don't think it's commercial cool. I
• 14:44
  Speaker 4: think we just got tochtake cool.
• 14:46
  Speaker 5: He's going on a fourteenth three dude, look at that.
• 14:51
  Speaker 1: And that would be a concern because you're just losing people.
• 14:55
  Speaker 3: Well you in a commercial sense.
• 14:58
  Speaker 5: Who's gonna know what she's going on eight at fourteenth three?
• 15:01
  Speaker 4: Nobody listeners that yours guys to Yeah.
• 15:05
  Speaker 2: No, I got you, but like just a but a
• 15:06
  Speaker 2: commercial audience is too obscure or yeah you do.
• 15:11
  Speaker 3: He's eight years old, stands fourteen three, So everybody that's
• 15:14
  Speaker 3: a little Claire, Yeah, that's a little bit.
• 15:16
  Speaker 4: I don't think we help out. I think we make
• 15:17
  Speaker 4: it cooler than Clay cool cool.
• 15:20
  Speaker 6: Well she she she weighs a thousand pounds. She's she's, uh,
• 15:26
  Speaker 6: you know, just a ball of energy energy the first verse.
• 15:32
  Speaker 5: Yeah, only fourteen.
• 15:38
  Speaker 4: Three pounds, thousand pounds of energy. Yeah, yeah, I'm good
• 15:48
  Speaker 4: shivers like, okay, so we could do this in that
• 15:50
  Speaker 4: second stands of stands.
• 15:53
  Speaker 1: You guys did bold versions.
• 15:54
  Speaker 2: You left the stands off last time, but I think't
• 15:57
  Speaker 2: throw that in even going on.
• 15:59
  Speaker 5: Eight stands fourteen three thousand pounds, thousand pounds of energy.
• 16:05
  Speaker 5: They call it horsepower fifteen g they you have her s.
• 16:13
  Speaker 5: They call it horsepower, but they should call it m power.
• 16:15
  Speaker 3: You know what I'm saying.
• 16:17
  Speaker 6: Maybe seven Yeah, horse powers got all the hype, but
• 16:21
  Speaker 6: mule power is really what we want. Yeah, you know
• 16:23
  Speaker 6: something like that energy, horsepower, horse powers for They say
• 16:28
  Speaker 6: horsepower makes horse powers Hollywood, mule powers powers for Ford.
• 16:33
  Speaker 4: Her horse powers for Hollywood, mules for the mountains, mules
• 16:37
  Speaker 4: for them for a lot for real life.
• 16:39
  Speaker 8: Horsepower horsepower for Hollywood.
• 16:44
  Speaker 4: Doesn't really based.
• 16:49
  Speaker 5: Yeah, okay, she she's going on eight stands, fourteen three
• 16:55
  Speaker 5: thousand energy.
• 16:59
  Speaker 8: We got it right, horse horse I got it still
• 17:02
  Speaker 8: trapped Hollywood.
• 17:05
  Speaker 1: That's you know, I mean, I'm little songwriter.
• 17:09
  Speaker 2: Horse powers for Grease monkeys, grease monkeys.
• 17:15
  Speaker 4: We just gave you the national not the Nashville Know.
• 17:18
  Speaker 4: Is when somebody says the line that we don't like,
• 17:20
  Speaker 4: you just look back and start playing again start yeah, okay, yeah.
• 17:25
  Speaker 1: But I liked it because I felt let down easy.
• 17:27
  Speaker 4: Yeah, that's that's what it's supposed to do.
• 17:30
  Speaker 1: Like leaves this idea that you're still mulling it.
• 17:32
  Speaker 4: And here's the thing, this is one of my favorite
• 17:34
  Speaker 4: quotes I've ever heard in Nashville about that about the
• 17:36
  Speaker 4: Nashville No. Guy said something one time and we kind
• 17:40
  Speaker 4: of Nashville noted. He prefaced it by saying, look, I
• 17:44
  Speaker 4: don't I don't know that this is the line, but
• 17:46
  Speaker 4: I don't know that this is the crop. But it
• 17:48
  Speaker 4: might be the fertilizer for it. So like smelling them
• 17:51
  Speaker 4: stepping in there, all.
• 17:52
  Speaker 1: Right, yeah I do. I do appreciate that. Then just
• 17:55
  Speaker 1: getting shut.
• 17:55
  Speaker 4: Down, yeah, instead of going that ship's terrible.
• 17:57
  Speaker 3: Yeah's are we trying to keep Are we trying to
• 17:59
  Speaker 3: keep keep it cool?
• 18:01
  Speaker 4: Man?
• 18:01
  Speaker 7: No?
• 18:01
  Speaker 3: No, I know, but the same like same cadence.
• 18:03
  Speaker 5: Like or you do or you do like horse powers
• 18:06
  Speaker 5: from something a I'll take power every day.
• 18:09
  Speaker 8: There's fourteen three thousand pounds energy, horse powers, Hollyoo something
• 18:16
  Speaker 8: there were Betty based real power, power, mule power.
• 18:22
  Speaker 4: It feels a little weird to me, man. I think
• 18:23
  Speaker 4: we maybe hangt like punt meal power and just try
• 18:26
  Speaker 4: another direction.
• 18:28
  Speaker 5: Yeah, she's just you know, going on eight stands fourteen,
• 18:32
  Speaker 5: three thousand pounds energy.
• 18:35
  Speaker 6: Uh sure, Now she'll carry a hog, should carry carry
• 18:41
  Speaker 6: a hog?
• 18:42
  Speaker 4: Or so?
• 18:46
  Speaker 3: No, no, no, something time to clear.
• 18:47
  Speaker 4: I think this is it. I think this is the
• 18:49
  Speaker 4: last line. Of course.
• 18:50
  Speaker 3: Yeah, absolutely, don't don't. That's another here's another trick. Don't bores.
• 18:54
  Speaker 3: Get to the course.
• 18:54
  Speaker 5: All right, So we what we just did, what we're
• 18:58
  Speaker 5: doing right now is we're talking out of line.
• 19:00
  Speaker 3: So like, yeah, you you want.
• 19:02
  Speaker 5: Songs to be conversational, and so that's what a lot
• 19:04
  Speaker 5: of song right is, is we sit there and go she's.
• 19:07
  Speaker 4: She'll carry white tail deep.
• 19:11
  Speaker 7: Side.
• 19:13
  Speaker 3: I love that she's some times a year there you go,
• 19:16
  Speaker 3: she'll carry.
• 19:19
  Speaker 6: We throw it to nature reference like when the leaves
• 19:22
  Speaker 6: turn orange and that time fall.
• 19:25
  Speaker 4: Well, gotta earn set up missing one line. We're missing
• 19:30
  Speaker 4: one line.
• 19:32
  Speaker 3: She'll carry a hog or a deer, or you can
• 19:35
  Speaker 3: flip them.
• 19:35
  Speaker 4: She'll carry a deer, hog something over along they step
• 19:41
  Speaker 4: over along or some ship.
• 19:42
  Speaker 6: Well they do, but that's a little that's a little
• 19:45
  Speaker 6: anti comatic.
• 19:47
  Speaker 4: Sorry. I like she'll carry this information that I is great.
• 19:52
  Speaker 1: It's a week.
• 19:53
  Speaker 3: What about h uh?
• 19:56
  Speaker 5: She'll carry a hog or sometime a year, so many times.
• 20:01
  Speaker 3: A year, any day of the year, any day of
• 20:04
  Speaker 3: the year.
• 20:04
  Speaker 1: That sounds cheap. That's ready to get an.
• 20:06
  Speaker 4: I love it. She's she'll carry a home.
• 20:08
  Speaker 8: What up?
• 20:09
  Speaker 4: She's ready to go in.
• 20:11
  Speaker 6: The daily.
• 20:19
  Speaker 5: Mountains ship forgotun Cadillac for Narkansas play.
• 20:22
  Speaker 3: She's got it right.
• 20:24
  Speaker 4: This guitar, we need to lay that once. You just
• 20:25
  Speaker 4: handle this and I'll handle this.
• 20:27
  Speaker 3: This is how all these guys not.
• 20:31
  Speaker 6: Put my fingerprint on the verse with my name, but
• 20:33
  Speaker 6: and Arkansas clay. Would it be like old Arkansas class.
• 20:36
  Speaker 4: See now we're just tightening the strands of this, and you.
• 20:42
  Speaker 1: Pick up your guitar and do it. I mean, what
• 20:45
  Speaker 1: is it I should like to you get in there?
• 20:47
  Speaker 1: I mean it's about you.
• 20:48
  Speaker 3: I don't even know how to do this.
• 20:49
  Speaker 4: Man, do what you don't do anything? She's doing it?
• 20:52
  Speaker 4: Oh okay, okay, okay, on to start with a course.
• 20:57
  Speaker 4: Ready to start with.
• 21:00
  Speaker 5: Betty Babe, Mountain Cadillac Roll Arkansas Play.
• 21:07
  Speaker 7: Betty Babe, Betty Babe, minest.
• 21:13
  Speaker 4: Mew gods ever watch it.
• 21:17
  Speaker 5: She's going on age dance fourteen three thousand pounds of energy.
• 21:22
  Speaker 7: You'll carry a harmor a white tell de she's ready
• 21:25
  Speaker 7: to go. And Debby by Babe, Betty Babe, She's a
• 21:33
  Speaker 7: battle Cadillac Roll Arkansas Clay Betty Babe, Betty Babe, miestmue
• 21:44
  Speaker 7: gods ever, Babe, my minest mute God.
• 21:48
  Speaker 2: Never there you going, Ladies and gentlemen. That's how hits
• 21:52
  Speaker 2: are made. Coming to you live from Music Row and Nashville, Tennessee.
• 21:56
  Speaker 2: Stay tuned for that one on the FM dial. Boom, boom,
• 21:59
  Speaker 2: turn it off, Evil, That's it.