Latest / DISGRACELAND / Bonus Episode: Enforced Edits, Wild Coyotes, and There’s No ‘G’

Transcript

Bonus Episode: Enforced Edits, Wild Coyotes, and There’s No ‘G’ · DISGRACELAND

0:00
Speaker 1: Hey guys, thanks for checking out this bonus episode and
0:03
Speaker 1: happy New Year. Before we get into it, I wanted
0:05
Speaker 1: to fill you in on all the great content we've
0:07
Speaker 1: got for you this week here in Disgraceland. All right,
0:10
Speaker 1: we got the double after party for double the Fun.
0:12
Speaker 1: That's right, new after party episodes today and on Thursday
0:15
Speaker 1: this week, before we dive into a ton of brand
0:18
Speaker 1: new episodes for twenty twenty four. Over in the bad
0:21
Speaker 1: Lands Feed, check out a brand new episode on Sharon
0:24
Speaker 1: Stone that drops tomorrow. And today we've got a brand
0:26
Speaker 1: new episode of our kids in family show Music Lands Stories.
0:30
Speaker 1: You can find that in its own feed. That show,
0:32
Speaker 1: of course, is hosted by the great Nikki Lynnette, who
0:35
Speaker 1: also hosts another double of a show called About a Girl.
0:39
Speaker 1: And we got a new episode over in that feed too,
0:41
Speaker 1: this one about Bob Dylan and Sues Rotolo. You might
0:44
Speaker 1: know her as the woman walking down the street with
0:47
Speaker 1: Bob on the cover of The Free Wheeling Bob Dylan,
0:49
Speaker 1: but she actually had a huge impact on Dylan's growth
0:52
Speaker 1: as an artist early on, So you're going to want
0:54
Speaker 1: to check that episode of About a Girl out. All right, though,
0:56
Speaker 1: let's get into the after party shall we. Hey, discos,
1:02
Speaker 1: need a little more Disgraceland in your life, just to
1:05
Speaker 1: touch to get you through. Yeah, me too. This is
1:08
Speaker 1: the podcast that comes after the podcast. Welcome to Disgraceland,
1:12
Speaker 1: the after Party. Welcome to the Disgraceland bonus episode, a
1:30
Speaker 1: little thing we like to call the after party. This
1:33
Speaker 1: is the show after the show, the party after the party,
1:35
Speaker 1: the bridge to game from one full episode of Disgraceland
1:38
Speaker 1: to the other, the backyard to dig into the dirt.
1:41
Speaker 1: On this episode, we are talking about, among other things,
1:45
Speaker 1: Disgraceland in twenty twenty three looking back, and Disgraceland in
1:50
Speaker 1: twenty twenty four looking forward, our rewind episode on Johnny Cash.
1:54
Speaker 1: We're going to give that some attention as well, and
1:56
Speaker 1: of course your voicemails, your text, dms and more, always
2:00
Speaker 1: a whole lot of rosie.
2:02
Speaker 2: All right, disc goes, let's get too experience this week
2:16
Speaker 2: in Disgraceland. All right, we're doing something a little different.
2:19
Speaker 2: First of all, Happy New Year to all of you. Okay,
2:22
Speaker 2: I've talked to some of you on techt some of
2:24
Speaker 2: you got your voicemails, talk to a bunch of you
2:27
Speaker 2: on Instagram, not enough of you on Twitter. Some of
2:31
Speaker 2: you on TikTok, but again not enough there as well.
2:34
Speaker 1: I just want to say, if I haven't said it, alright,
2:36
Speaker 1: if you haven't heard me say it, Happy New Year.
2:38
Speaker 1: I am pumped about twenty twenty four. This is going
2:41
Speaker 1: to be the greatest year for Disgraceland yet. I can
2:44
Speaker 1: promise you. We are doing a lot of different things,
2:47
Speaker 1: a lot of new and exciting things. Got some interesting
2:50
Speaker 1: projects happening. It's a whole new year for the show
2:54
Speaker 1: that you have come to love and support, Disgraceland. I'm
2:58
Speaker 1: here for you, and I just want to say it again,
3:00
Speaker 1: Happy New Year. This week, we're starting things off. We're
3:03
Speaker 1: all getting back into it. We've got our production wheels spinning,
3:07
Speaker 1: the factory is in full flex. This week, we're doing
3:10
Speaker 1: it a little bit different. We're doing two after party
3:12
Speaker 1: episodes for you, two bonus episodes this week before we
3:14
Speaker 1: get into the full episodes next week. That's well, you know,
3:19
Speaker 1: because we got a lot to talk about. We're gonna
3:21
Speaker 1: look back first. I want to look back at twenty
3:24
Speaker 1: twenty three before we look forward to twenty twenty four.
3:29
Speaker 1: We've created a little production juggernaut over here at Double Elvis.
3:34
Speaker 1: We produce a lot of content. This year, we've produced
3:37
Speaker 1: more content than we had any year prior, at least
3:40
Speaker 1: more Disgraceland content. I'm fairly confident. Just double Elvis. In general,
3:44
Speaker 1: we were banging it out. But I want to recap
3:47
Speaker 1: the Disgraceland full episodes that we gave you in twenty
3:51
Speaker 1: twenty three. Forty full episodes. Forty forty that's insane. We
3:57
Speaker 1: started the show back in two thousand eighteen. I launched
4:01
Speaker 1: with twelve episodes. Then I snuck I think in that
4:04
Speaker 1: same calendar year. Yeah, that same calendar year February eighteen,
4:07
Speaker 1: two thousand, sorry, twenty eighteen, we did another twelve episodes.
4:12
Speaker 1: So we did two twelve episode seasons twenty four episodes
4:15
Speaker 1: for the year in twenty eighteen. We repeated that in
4:17
Speaker 1: two thousand, nineteen, twenty and twenty one and twenty two,
4:21
Speaker 1: and then you know, give or take a few. This
4:25
Speaker 1: year we jumped it up, jumped it up to forty
4:27
Speaker 1: full episodes, all right, in order. Fifty cent ac DC,
4:31
Speaker 1: Mac Miller, Lynyrd, Skinnered Otis Redding, lou Reid Part one,
4:34
Speaker 1: lou Reed Part two, sly Stone, MC five, Skip, James
4:38
Speaker 1: Willie Nelson Part one, Willie Nelson, Part two, Bruce Springsteen,
4:42
Speaker 1: Justin Bieber, easy E, j F. Buckley, Jimmy Hendrix, Little
4:45
Speaker 1: Kim Arrowsmith, Arianna Grande, New Order, Merle Haggard, Sonny Rawlins,
4:49
Speaker 1: The Velvet Underground, and then ten episodes on the Wu
4:53
Speaker 1: Tang Clan, one for each member, then U two, Blondie
4:57
Speaker 1: in Excess, Jane's Addiction, Sean Diddycoe Holmes, and Mariah Carey.
5:01
Speaker 1: All that together makes forty full episodes for twenty twenty three.
5:06
Speaker 1: For twenty twenty four, we're planning roughly the same amount
5:10
Speaker 1: of output, and we're doing it a little different. As
5:15
Speaker 1: I've been teasing, we're going to be talking about other
5:19
Speaker 1: artists who aren't just musicians, and we're going to be
5:22
Speaker 1: releasing those artists in the Disgraceland feed. I'll have more
5:26
Speaker 1: on this as we continue to talk here in these
5:29
Speaker 1: bar But we're combining, we're combining our efforts with bad
5:34
Speaker 1: Lands in Disgraceland. It's you know, it doesn't matter what
5:38
Speaker 1: the medium is, it doesn't matter what the vertical is,
5:40
Speaker 1: it doesn't matter what form of art we're talking about
5:43
Speaker 1: or what section of life we're talking about. Disgrace is
5:46
Speaker 1: a disgrace, is a disgrace. What we really talk about
5:49
Speaker 1: here is interesting people, the lives of extraordinary artists, and
5:54
Speaker 1: the transgressions that have fueled them, that have crushed them,
5:58
Speaker 1: that have served as incredible obstacles for them to navigate
6:02
Speaker 1: around with incredible drama. That's really what we do here.
6:07
Speaker 1: So as I grow as a storyteller, as a writer,
6:11
Speaker 1: and as you guys grow as listeners and as part
6:14
Speaker 1: of this community, and we engage in this feedback every week,
6:18
Speaker 1: I think we should be able to talk about artists
6:22
Speaker 1: who might not be from a rock and roll band
6:26
Speaker 1: or from the rock and roll the world of the
6:29
Speaker 1: music industry, but are pretty fucking rock and roll. Anthony
6:33
Speaker 1: Bourdin perfect example, about as rock and roll as you get. Guy,
6:36
Speaker 1: never played an instrument, guy never made a record, but
6:39
Speaker 1: just a fascinating subject that I've been dying to talk
6:41
Speaker 1: about forever. Doesn't really fit into bad lands or disgraceland.
6:45
Speaker 1: And that got me thinking, well, shit, man, it's all disgraceful, right,
6:50
Speaker 1: Andy Warhol, same thing, Steve McQueen. Okay, you see where
6:54
Speaker 1: I'm going with this. Hunter S. Thompson, you know where
6:56
Speaker 1: I'm going, all right? So these are the episodes we
6:58
Speaker 1: have planned for next year so far. Serge Gainsburg, Stu
7:03
Speaker 1: Suckcliffe from The Beatles. This will be chapter nine in
7:06
Speaker 1: our Beatles series. And I don't know. I think this
7:08
Speaker 1: is it maybe a maybe a peak best episode. I
7:12
Speaker 1: doubt it, but I digress. I let me keep going here.
7:16
Speaker 1: Number one Serge Gainsburg, Stu Suckcliffe, Scott Wiland from Stone Table,
7:20
Speaker 1: Pilots The Clash, Anthony Bourdin, like I mentioned, Andy Warhol,
7:25
Speaker 1: Peter Tosh, Steve McQueen, Public Enemy, Hunter s Thompson, Lane
7:30
Speaker 1: Staley from Alison Chains, Kobe Bryant, Basquatch, Garth Brooks, william
7:36
Speaker 1: S Burrows, Chris Cornell, Bob Dylan r Kelly, jose Canseco,
7:43
Speaker 1: Bobby brown Waylon Jennings. And that's just the first half
7:47
Speaker 1: of the year. We got a bead on who we're
7:49
Speaker 1: doing for the second half of the year. Heard a
7:52
Speaker 1: lot of suggestions from you guys. This is your last
7:55
Speaker 1: chance to get these suggestions in for the calendar year
7:57
Speaker 1: twenty twenty four six one seven, nine oh six, six
8:02
Speaker 1: six three eight, Send me a text, send me a voicemail.
8:05
Speaker 1: You guys are great with the suggestions, but everything I
8:08
Speaker 1: just mentioned to you, All of those names, those are
8:11
Speaker 1: already being produced right now. A lot of them are
8:13
Speaker 1: already done. They're already in the can, They're already ready
8:16
Speaker 1: to go writing the Anthony Board an episode as we
8:19
Speaker 1: speak this week. But like I said, that was twenty
8:22
Speaker 1: one episodes that I just laid out for you for
8:24
Speaker 1: twenty twenty four that we have planned already, and we're
8:27
Speaker 1: gonna be doing about that same amount for the second
8:29
Speaker 1: half of the year. So we have some empty slots.
8:31
Speaker 1: We have a good idea on who we want to cover. Uh,
8:34
Speaker 1: but just now's the time. Six one seven nine oh
8:37
Speaker 1: six six six three eight. Uh. For those of you
8:41
Speaker 1: who are gonna your hair is gonna light on fire.
8:43
Speaker 1: You're gonna spontaneously combust because you haven't heard me say
8:47
Speaker 1: the band name van Halen. Don't worry. It's in the hopper.
8:51
Speaker 1: It's done. Actually, I don't know why it's not on
8:53
Speaker 1: this list. Uh, probably because we're not releasing it until
8:55
Speaker 1: the second half of the year. But don't worry. Van
8:58
Speaker 1: Halen's coming all right. Also, I want to know other
9:02
Speaker 1: artists who aren't musicians that you want to hear of.
9:05
Speaker 1: Big Big, The Bigger the name the better. Okay. I
9:09
Speaker 1: see jose Canseco on here and my mind goes to
9:11
Speaker 1: Lenny Diister and I go, you know, no, nos, who
9:13
Speaker 1: the fuck Lenny Diister is except for me and my
9:15
Speaker 1: stupid friends. So I don't know. I don't think that's
9:18
Speaker 1: not quite the type of name I'm thinking of. Right,
9:20
Speaker 1: we want bigger names, Okay, even I look, I look
9:23
Speaker 1: on this list and I look at someone like William
9:25
Speaker 1: S Burrows and Hunter S. Thompson. I know who those
9:27
Speaker 1: guys are, the greats. They're giants in my world. But
9:31
Speaker 1: I want big names. I want big crimes. Let me
9:34
Speaker 1: know what you guys want to hear. Six one seven
9:37
Speaker 1: nine oh six six six three eight. Also, before I forget,
9:42
Speaker 1: we have a rewind episode from our archive coming to
9:45
Speaker 1: you this Friday. This is our Johnny Cash. Episode involves crash, cadillacs,
9:50
Speaker 1: drug smuggling, speed of course, tranquilizers of course, beer, and
9:54
Speaker 1: oh yeah, burning down a national forest. So if you
9:57
Speaker 1: have not heard this Johnny Cash episode, if you were
9:59
Speaker 1: in New to Disgraceland, I suggest you stick around and
10:04
Speaker 1: you check this one out. You're not going to want
10:06
Speaker 1: to miss it, all right. Six one seven nine oh
10:08
Speaker 1: six six six three eight to get your requests in
10:10
Speaker 1: on who you want to hear voicemail text, also at
10:14
Speaker 1: disgracelam pod on Instagram, on Twitter, on TikTok, YouTube, Facebook,
10:21
Speaker 1: X what am I forgetting? I'm everywhere disgrace lampod at
10:23
Speaker 1: gmail dot com on email, and speaking of which, let's
10:26
Speaker 1: check out this email from April Woodhall right, subject Dean
10:30
Speaker 1: Martin exclamation point Jake. I was delighted to hear you
10:33
Speaker 1: sing the praises of Dean Martin. Check out a movie
10:35
Speaker 1: called Kiss Me Stupid where he plays himself. There is
10:38
Speaker 1: no one cooler. Thank you for all you do and
10:41
Speaker 1: especially your great energy. Happy New Year, Well, happy New
10:43
Speaker 1: Year to you, April. I agree there was no one cooler.
10:46
Speaker 1: Elvis agreed to. All right, let's check out one. Let's
10:49
Speaker 1: do one more, and one more and one more. I
10:51
Speaker 1: know I gotta be quick here, Let's do one more here.
10:52
Speaker 1: This one is from Jeff Cox, subject Taylor Mitchell. Okay,
10:57
Speaker 1: we haven't done an episode on Taylor Mitchell, but I
10:58
Speaker 1: did do a little Instagram video about this folk singer
11:01
Speaker 1: from Canada who was unfortunately killed on a hike attacked
11:07
Speaker 1: by wild coyotes and eaten lives. Brutal, brutal, brutal story.
11:12
Speaker 1: This comes from like I said, Jeff Cox subject Taylor
11:16
Speaker 1: Mitchell message Hello. I'm a huge fan of all your podcasts,
11:19
Speaker 1: and Disgraceland is my first recommendation to people who ask
11:22
Speaker 1: for a podcast to listen to, then I tell them
11:25
Speaker 1: to listen to all the other ones that you do.
11:26
Speaker 1: I live in Cape Breton where Taylor was killed. She
11:29
Speaker 1: was killed in the Cape Breton Highlands National Park. There's
11:31
Speaker 1: a paved road called the Cabot Trail you can drive
11:34
Speaker 1: on through the park. There are lots of trails and
11:36
Speaker 1: beaches and such off the main road. It was one
11:38
Speaker 1: of these trails, called the Skyline Trail that she was attacked.
11:42
Speaker 1: I've walked that trail many times and came face to
11:44
Speaker 1: face with a moose a couple of times, so you
11:46
Speaker 1: can get within fifteen to twenty feet of them sometimes.
11:48
Speaker 1: The views and foliage are amazing. If you have any
11:51
Speaker 1: questions about the area, I would be honored to help.
11:53
Speaker 1: Thank you from Jeff Well, Jeff, thanks for that email.
11:56
Speaker 1: Pretty wild that you're still walking that same path where
11:59
Speaker 1: that that that death happened. That's crazy. Be careful. All right, guys,
12:05
Speaker 1: we're gonna take a quick break. We'll be back in
12:07
Speaker 1: a flash with your texts and your voicemails. All right,
12:32
Speaker 1: we are back, and I answer some texts here, This
12:34
Speaker 1: one from the seven six to soh hey, just listen
12:36
Speaker 1: to the Beach Boys episodes. Then the bonus. So glad
12:39
Speaker 1: you had been enlightened to the bullshit that is Helter
12:41
Speaker 1: Skelter and the genius of Chaos. The book Tom O'Neill,
12:45
Speaker 1: that's the author of Chaos that the seven six to
12:48
Speaker 1: so was talking about was on Joe Rogan. Go to
12:51
Speaker 1: YouTube and search. I know where to find the Joe
12:53
Speaker 1: Rogan podcast, but I appreciate it. Seven six seven six
12:55
Speaker 1: zero goes on to say he's working on book two
12:57
Speaker 1: and there will be a Netflix stock. I'm aware of that.
13:00
Speaker 1: With Errol Mars, I know this. I suggest you read
13:02
Speaker 1: The Manson File by Nikolas Shrek to really have your
13:05
Speaker 1: mind blown about the Manson stuff, especially the cover up
13:08
Speaker 1: and the sham that the trial was all right. Happy
13:11
Speaker 1: to hear that there's other people out there in the
13:13
Speaker 1: world like myself who are hip to the real Helter
13:17
Speaker 1: Skelter story. I was not hip to it. When we
13:21
Speaker 1: produce those Beach Boys episodes. I was still on that
13:24
Speaker 1: Helter Skelter train, But can you blame me? Can you?
13:27
Speaker 1: Can you blame me? Don't blame me. It wasn't until
13:29
Speaker 1: I read Chaos, all right? Go read Chaos. Go read
13:34
Speaker 1: Chaos all right? This one from the four one to zero, right, Sin.
13:37
Speaker 1: So whatever you decide about combining bad Lands and disgraceland
13:40
Speaker 1: will be fine. I listened no matter what, But having
13:42
Speaker 1: to keep track of fewer podcasts would be great. What
13:45
Speaker 1: were you saying about Chaos versus Helter Skelter. It really
13:48
Speaker 1: hits on exactly what you do for us. You get
13:50
Speaker 1: the real story about these artists out there in a
13:53
Speaker 1: way that is not only entertaining, but based on facts
13:55
Speaker 1: and evidence. No one needs to hear the urban legends
13:58
Speaker 1: again about how Mama cast choked on a ham sandwich,
14:00
Speaker 1: or that Michael Hutchins accidentally died during autoerotic asphyxiation. Asphyxiation,
14:05
Speaker 1: excuse me. Even when the storytelling styles from a more
14:08
Speaker 1: creative point of view, the facts are real. That's probably
14:10
Speaker 1: the thing I most appreciate in all these stories that
14:12
Speaker 1: you tell. These people may be famous, but they are human. Well,
14:15
Speaker 1: thank you for one zero. I really appreciate that, and
14:18
Speaker 1: that's kind of how I'm thinking about it as well.
14:20
Speaker 1: They're all just human stories, and we're here to tell
14:22
Speaker 1: them in the most entertaining and dramatic way possible using
14:26
Speaker 1: this exciting, coolest shit medium known as podcasting. Stoked that
14:31
Speaker 1: you're down with combining the feeds. I'll have more on
14:33
Speaker 1: that in the coming weeks. The five four to one writes,
14:37
Speaker 1: in just listening to yesterday's after party, you recommended al
14:41
Speaker 1: Fonse Mouzon Funky Snakefoot. I've heard that before. I'll have
14:44
Speaker 1: to search through my dad's album collection because I am
14:47
Speaker 1: sure I have that album on vinyl. Yes, al Fonse Mouson.
14:52
Speaker 1: Was that the guy's name? I remember? Funky Snakefoot fucking great?
14:55
Speaker 1: Also someone I don't know if I talked about it
14:58
Speaker 1: in an after party, guys, if I was talking about
15:01
Speaker 1: it on social media or something. Clarence read and I
15:05
Speaker 1: believe the song is called the Winter. It's a Christmas
15:07
Speaker 1: song that I got obsessed with. I think that's the
15:10
Speaker 1: name of it over the last couple of weeks. I
15:12
Speaker 1: should remember it, and I listened to it enough, but
15:14
Speaker 1: I drink a lot of bourbon over the break as well.
15:16
Speaker 1: I can remember the song, and again Clarence read, No,
15:19
Speaker 1: it was my dad. My dad told me this, and
15:21
Speaker 1: I was telling him about the song, and uh, my dad,
15:26
Speaker 1: who knows way more about music than I do, told
15:28
Speaker 1: me that Clarence Reid is Blowfly, Blowfly. I didn't know that.
15:33
Speaker 1: You guys know who Blowfly is. Check that out. If
15:35
Speaker 1: you don't know, check out Blowfly, and then check out
15:37
Speaker 1: Clarence read. Check out the music. All right. So then
15:41
Speaker 1: I'm watching boardein because I'm writing this board Aine episode.
15:43
Speaker 1: I'm doing this research, and I find out that Clarence
15:45
Speaker 1: read Blowfly is from Florida, which I did not know.
15:49
Speaker 1: Not that you would care about that, but again, this
15:51
Speaker 1: guy's just popping up everywhere right now. Check out Clarence
15:54
Speaker 1: read get back to me. Six one seven nine oh
15:56
Speaker 1: six six six three eight. Did you have a good
15:58
Speaker 1: New Year's guys? Did you have a good New Years?
16:00
Speaker 1: Do you go out to do some fun stuff? Do
16:02
Speaker 1: you make out when the ball dropped all that? Eight
16:05
Speaker 1: one four? Rights and hey, Jake, My New Year's Eve
16:07
Speaker 1: song is ding Dong ding Dong by George Harrison from
16:10
Speaker 1: The Underrated in my honest opinion album dark Horse, Ring
16:14
Speaker 1: Out the Old, Ring In the New and as an
16:17
Speaker 1: added bonus, the video is chock full of George Harrison's
16:19
Speaker 1: unhinged sense of humor. Love the show, longtime listener, first
16:23
Speaker 1: time Texter rock and ROLLA thank you, hey one four
16:26
Speaker 1: appreciate that you know I cannot. I have that record,
16:30
Speaker 1: but I do not know that song. I don't know it.
16:33
Speaker 1: I'm not gonna lie and pretend I know it. I
16:35
Speaker 1: don't know it. You can't know every song, not even
16:37
Speaker 1: every George Harrison song on a you know what some
16:41
Speaker 1: would say is a seminal George Harrison album. I don't
16:44
Speaker 1: know it. An album I have, I don't know the song.
16:45
Speaker 1: I can't think of it eight six two rights and hey, Jake,
16:48
Speaker 1: I have an idea for an episode Disgrace Slay. An
16:50
Speaker 1: episode that is Ian Watkins, lead singer of Lost Prophets,
16:53
Speaker 1: in prison and can't wait to get out so he
16:55
Speaker 1: can reoffend his crime luring and assaulting young girls age
16:59
Speaker 1: fourteen with all remorse and a wicked cocaine habit. It's
17:02
Speaker 1: disgusting by any means, may be too egregious for you
17:06
Speaker 1: to do. You don't have to look into it. It
17:08
Speaker 1: also involves a baby at one point on video. Oh
17:11
Speaker 1: my god. Yeah, that's too much. I can't get in there.
17:13
Speaker 1: I typically don't do. I don't mess with the kids stuff.
17:16
Speaker 1: I'm going to make an exception for the r Kelly thing.
17:20
Speaker 1: That's a different story, entirely not different. It's a expanded
17:24
Speaker 1: or bigger or deeper. I don't know. I don't know
17:25
Speaker 1: what the right adjective is, but it's it's it's not
17:28
Speaker 1: just like, you know whatever. I don't like thinking about it.
17:31
Speaker 1: I don't like talking about it, and I don't think
17:32
Speaker 1: if people want to listen to me talk about the
17:34
Speaker 1: kids stuff. That's always been my take. That's why I
17:36
Speaker 1: haven't done it. Let's check out this one from the
17:39
Speaker 1: five to one nine. It's mister Mojo Rising, not rising.
17:43
Speaker 1: There's no g and Jim Morrison, Dave. Dave's pissed Dave.
17:49
Speaker 1: We're fucking around here, man, We're not being super literal,
17:52
Speaker 1: you know what I'm saying four to two four, writes
17:54
Speaker 1: in Looking forward to twenty twenty four Disgraceland with a
17:58
Speaker 1: snap of his top pog casts from Spotify, with Disgraceland
18:02
Speaker 1: in the number one spot, there you go. Six soho
18:05
Speaker 1: three rights in. Jake showed my kids The Blues Brothers
18:08
Speaker 1: when they were just six and nine years old. Kind
18:10
Speaker 1: of a whoops parenting moment. Perhaps, Ah, I don't know,
18:16
Speaker 1: they might be too young where it doesn't matter, Like
18:19
Speaker 1: there's a point when your kids are they're young enough
18:22
Speaker 1: that they don't get the super dirty stuff, but they're
18:25
Speaker 1: old enough to get the other stuff, If that makes sense.
18:27
Speaker 1: You know what I'm saying. Three oh four rights in,
18:30
Speaker 1: and I'll leave you with this text. Guys, Disgraceland times
18:33
Speaker 1: bad Lands equals Jake motherfucking Brennan Land. That's your new title,
18:40
Speaker 1: so everybody knows it. Don't get no better. Appreciate you
18:43
Speaker 1: three zho four, but I'm gonna stick with just straight
18:46
Speaker 1: up Brennan. All right, guys. Six one seven nine oh
18:49
Speaker 1: six six six three eight. I want to know what
18:51
Speaker 1: you want to hear in twenty twenty four. All right,
18:54
Speaker 1: I got twenty more slots give or take to fill
18:57
Speaker 1: big names. Big let's go beyond music. Let me know
19:00
Speaker 1: what you're thinking tech six one seven nine oh six
19:03
Speaker 1: six six three eight. Voicemail, same thing, same number, all right,
19:07
Speaker 1: Hit me on social at disgrace MPOG and take a
19:10
Speaker 1: quick break back after this. All right, we are back,
19:27
Speaker 1: and this is the recommendation's part, the part of the
19:30
Speaker 1: show where we recommend the things, the music that is
19:32
Speaker 1: it needs recommending. This is the recommendations part. So over
19:35
Speaker 1: the break, I was doing a lot of house clean up,
19:40
Speaker 1: doing a lot of organizing, and uh, while I do
19:43
Speaker 1: that stuff around the house, anyways, I like to put
19:46
Speaker 1: on a TV series that just goes deep, that has
19:51
Speaker 1: a ton of episodes and seasons, and then I've seen
19:54
Speaker 1: a bunch, uh and just have it playing while I'm
19:57
Speaker 1: doing my stuff, and then I kind of loosely get
20:00
Speaker 1: hold into the narrative, but I'm not really paying attention,
20:03
Speaker 1: but there's enough of the story going on in the
20:05
Speaker 1: background to keep me semi interested and not bored with
20:11
Speaker 1: the task that I'm having to do. But it's not
20:13
Speaker 1: distracting me either, you see what I'm saying. So good
20:16
Speaker 1: shows for this have been in my experience in the past.
20:20
Speaker 1: The Wire has been a great one, mad Men another one.
20:25
Speaker 1: So over the break, you know, it's been a while.
20:28
Speaker 1: I was a sopranos. I had to do it. I
20:31
Speaker 1: don't know, I just had the Sopranos. I didn't started
20:33
Speaker 1: at season one. I started around season four or five
20:36
Speaker 1: or something like that. I think it was season five,
20:39
Speaker 1: basically because season six. I wasn't a big fan of
20:42
Speaker 1: season six, though I did love the final episode that
20:45
Speaker 1: everyone else hated, and not just to be a contrarian,
20:47
Speaker 1: I really loved it when it first hit. But anyways,
20:51
Speaker 1: I didn't like the whole season. I hated that whole
20:54
Speaker 1: part with Tony. Spoiler alert, Okay, just letting you know.
20:57
Speaker 1: If you haven't seen The Sopranos, it's been like twenty
20:59
Speaker 1: fucking years, there's gonna be some spoilers. Okay. I didn't
21:02
Speaker 1: like the part where Tony gets shot and he ends
21:05
Speaker 1: up in Costa Mesa or wherever, wherever David Jase's idea
21:09
Speaker 1: of purgatory is in America. I didn't like that whole storyline,
21:13
Speaker 1: and I wanted to rewatch it sort of kind of
21:16
Speaker 1: not really and see if it if it hit me
21:18
Speaker 1: in any way, And of course it did, and of
21:20
Speaker 1: course I like it. I love it now actually, But
21:24
Speaker 1: it also the thing. The reason I'm telling you all
21:26
Speaker 1: this is because there's this incredible scene where Christopher gets
21:31
Speaker 1: gets high on heroin and gets back into junk and
21:35
Speaker 1: and he's he's outdoors at this Italian festival at night
21:39
Speaker 1: after it's closed down, and uh, it's it's a feast,
21:43
Speaker 1: one of those you know, classic city feasts that the
21:47
Speaker 1: Italians do. And he's lying back on the bench and
21:50
Speaker 1: he's smoking a cigarette and he's wasted, and there's this
21:56
Speaker 1: song playing and it's so good and it's Fred Neils
21:59
Speaker 1: the Dolphins, and this song is just amazing. I've talked
22:04
Speaker 1: about this song before to you guys, I believe in
22:07
Speaker 1: some capacity. And then I forgot about it, loved that
22:11
Speaker 1: I was reminded of it again from the sopranos, and
22:16
Speaker 1: I was like, I'm gonna I'm gonna look into Fred Neil.
22:18
Speaker 1: I'm going to figure this guy out, see what else
22:20
Speaker 1: is out there. And then I thought, no, I'm not.
22:22
Speaker 1: I'm going to ask the discos. I'm going to ask
22:23
Speaker 1: the Disgraceland listeners. I'm going to ask the Disgraceland community
22:26
Speaker 1: what they know about Fred Neil. So whoever among you
22:29
Speaker 1: knows anything about Fred Neil, has other Fred Neil music
22:32
Speaker 1: you can recommend to me. Hit me back six one
22:35
Speaker 1: seven nine oh six six six three eight. Let's talk
22:39
Speaker 1: about this week's rewind episode in the meantime of Johnny Cash.
22:44
Speaker 1: This episode is uh. It's one of my favorite Disgraceland episodes.
22:49
Speaker 1: I remember when we released it back in twenty nineteen.
22:54
Speaker 1: I believe, UH, it pissed a lot of people off
22:56
Speaker 1: because it was critical of Johnny Cash. And Johnny Cash
22:59
Speaker 1: fans are, you know, they like to stand up on
23:03
Speaker 1: their front foot, and you know, they like to yell
23:05
Speaker 1: or something. I don't know, but I don't really understand
23:08
Speaker 1: why I pissed people off. I think it was just
23:09
Speaker 1: some people don't like their artists to be criticized. And
23:13
Speaker 1: you know me, none of these guys, as much as
23:15
Speaker 1: I love them or girls, are beyond criticism. But I
23:20
Speaker 1: also remember that this episode was the first time, I
23:24
Speaker 1: think I think it was the first time I tried
23:26
Speaker 1: collaborating with another writer and having them write an episode
23:31
Speaker 1: of Disgraceland, and it did not go well for either
23:35
Speaker 1: of us. We tried. It just didn't work, and I
23:38
Speaker 1: remembered it was coming up on the deadline and I
23:42
Speaker 1: had to scrap the entire episode and write it all
23:47
Speaker 1: over myself start to finish. Typically, it takes me five
23:51
Speaker 1: days to write an episode after I've done the research.
23:55
Speaker 1: I thankfully had done the research because I was, like
23:57
Speaker 1: I said, collaborating, but I hadn't done any of the writing.
24:00
Speaker 1: And then I remember I just sat down in the
24:02
Speaker 1: morning and I was like, I'm just fucking doing this.
24:04
Speaker 1: I'm finishing this all five thousand words or whatever it is,
24:07
Speaker 1: edited the whole thing, and it took me something like
24:10
Speaker 1: seventeen hours to get done. Finally got it done, finally
24:13
Speaker 1: got it out. There had no idea if it was
24:14
Speaker 1: good or bad. I went back and listened to it
24:17
Speaker 1: months later, decided it was good. But I had such poor, poor,
24:22
Speaker 1: such a poor experience producing it, that it just it's
24:26
Speaker 1: just one of those episodes that fell flat for me
24:28
Speaker 1: for a lot of years. But but I've listened to
24:31
Speaker 1: it recently and I think it's pretty damn good and
24:34
Speaker 1: I think you're gonna love it. So for a little
24:36
Speaker 1: context on this Johnny Cash episode, it was around this time,
24:38
Speaker 1: actually early January, January thirteenth to be exact. Back in
24:42
Speaker 1: nineteen sixty eight that Johnny Cash made history by performing
24:46
Speaker 1: a show for inmates at Fulsome State prison. He made
24:49
Speaker 1: the record this is in Fulsome, California. The show is recorded.
24:52
Speaker 1: The record was released on Columbia Records in May of
24:55
Speaker 1: that same year. It's a big, huge part of the story.
24:59
Speaker 1: The album's first single, Folsom Prison Blues, charted on the
25:02
Speaker 1: Billboard one hundred and on the Country charts. It's just
25:05
Speaker 1: a big deal, big big big big big big big
25:08
Speaker 1: big big deal at the time, back when it was
25:10
Speaker 1: first release. But but a week later, Robert F. Kennedy
25:14
Speaker 1: was assassinated and radio stations stopped playing the song because
25:18
Speaker 1: of the famous line, I shot a man in Reno
25:21
Speaker 1: just to watch him die. Columbia Records demanded that the
25:24
Speaker 1: single be remixed to remove that line. Johnny Cash protested,
25:28
Speaker 1: but Columbia won the argument. It was remixed, the line
25:32
Speaker 1: was cut, re released, and then of course it charted
25:36
Speaker 1: even higher. Crazy Story six one seven nine oh six
25:40
Speaker 1: six six three eight. Your favorite Johnny Cash music? What
25:44
Speaker 1: is it? It's a huge well to dig from, all right.
25:47
Speaker 1: Do you like the early Sun Records stuff. Do you
25:50
Speaker 1: like the later Columbia stuff when he finally found his way?
25:53
Speaker 1: Do you like the I don't know? Do you like
25:55
Speaker 1: the gospel stuff? Do you like the the later Rick
25:58
Speaker 1: Rubin stuff? What's your favorite Johnny Cash Music six one
26:00
Speaker 1: seven nine oh six six six three eight voicemail text,
26:03
Speaker 1: I'm gonna take a quick break back and flash. All right,
26:22
Speaker 1: welcome back again six one seven nine oh six six
26:24
Speaker 1: six three eight and at disgracelam pod on Instagram, x, Facebook, YouTube,
26:29
Speaker 1: TikTok wherever I am there, hit me up all right,
26:32
Speaker 1: I'm here for you. Disgrace lamppod at gmail dot com
26:35
Speaker 1: on email. Let's recap, shall we? All right? Number one
26:39
Speaker 1: right now in your feed? This after party number two
26:42
Speaker 1: coming on Thursday. Another after party number three on Friday.
26:45
Speaker 1: A rewind episode from the archive on Johnny Cash. Number
26:48
Speaker 1: four over in the Badlands feed. We got a new
26:51
Speaker 1: episode on Sharon Stone tomorrow five next week in the
26:53
Speaker 1: disgrace Land feed, a brand new episode on Surge Gainsburg.
26:57
Speaker 1: My number number six. My number is six one seven
26:59
Speaker 1: nine six six six three eight. You can call it
27:01
Speaker 1: on the telephone, you can text me seven. Remember that
27:04
Speaker 1: no one cares about the music you love more than
27:05
Speaker 1: you do, and well that is a disgrace. All right,
27:08
Speaker 1: My moment of bliss in honor this week's Disgraceland rewind
27:12
Speaker 1: episode on Johnny Cash. Me reading you the phone book
27:16
Speaker 1: from Little Rock, Arkansas, circa nineteen sixty three. Cave See
27:23
Speaker 1: three one one six Cyprus three dash nine one four two,
27:29
Speaker 1: Cavanaugh Anita Mohawk three dash eight nine oh five, Cavanaugh
27:36
Speaker 1: Margaret Mohawk three dash four six two seven. Cavender Joanne
27:43
Speaker 1: Franklin five dash five eight eight four. Cavender Lenny Mohawk
27:51
Speaker 1: three dash three nine three eight, Caver Gilbert Mohawks three
27:57
Speaker 1: jash two eight five three cave ju Us frank Mohawk
28:02
Speaker 1: t catash seson one us cab cab dash, the Fragila
28:07
Speaker 1: five dish eight WI three hand one six skys three
28:13
Speaker 1: to two. Quit talking and start mixing