Latest / Frightmares / Ep. 142 - One Missed Call (2008)

Transcript

Ep. 142 - One Missed Call (2008) · Frightmares

• 0:43
  Speaker 1: Where's the ASMR that just sounds like somebody waiting for
• 0:50
  Speaker 1: like being annoyed.
• 0:51
  Speaker 2: Okay, look, the thing with ASMR is, wow, I sound
• 0:54
  Speaker 2: so loud to me right now, turn me down. I
• 0:59
  Speaker 2: don't need to hear me this clearly. So the thing
• 1:03
  Speaker 2: with ASMR is for some people, it's just sounds that work.
• 1:07
  Speaker 2: For people. Sometimes it's visual things like what people are
• 1:11
  Speaker 2: doing with their hands. Yeah, there's like a weird amount
• 1:15
  Speaker 2: of different things that work. And I don't know why,
• 1:17
  Speaker 2: but that shit makes me so sleepy. I'm just like, oh, yeah,
• 1:20
  Speaker 2: that's like, yes, please describe to me and I exam
• 1:25
  Speaker 2: good night.
• 1:26
  Speaker 1: I don't get it. You tried to show me one
• 1:29
  Speaker 1: and all I could hear was like this, lady's.
• 1:31
  Speaker 2: I sound super She did have a spitty voice.
• 1:33
  Speaker 1: Yeah, she was like, I'm like, no, I can't say some.
• 1:36
  Speaker 2: People do that. What I find weird is it's an
• 1:39
  Speaker 2: ASMR and usually people are talking very low or they're whispering.
• 1:44
  Speaker 2: And some people will be talking like this and you're like, bro,
• 1:47
  Speaker 2: that's not relaxing, that's just normal volume. Bring it down.
• 1:51
  Speaker 1: Yeah, I'm good on that. I'll just sounds super echoey.
• 1:55
  Speaker 1: What's ah, it's very echoey. I don't know what's going on.
• 1:59
  Speaker 1: Uh yeah, we're talking about a movie.
• 2:01
  Speaker 2: Today, not yet, well not yet.
• 2:04
  Speaker 1: I'm just saying, in a minute, you got a movie
• 2:07
  Speaker 1: to talk about, but no, we have a whole bunch
• 2:10
  Speaker 1: of other stuff to talk about. First, of course, there
• 2:12
  Speaker 1: are movies. Welcome Doe, what is it? Welcome to episode?
• 2:18
  Speaker 1: I'm your host, Austin Proctor, and that is your other host,
• 2:21
  Speaker 1: Gabrielle Proctor. Hello, doing ASMR for us terrible? Is there
• 2:28
  Speaker 1: something you wanted to say at the beginning or what's
• 2:30
  Speaker 1: going on?
• 2:32
  Speaker 2: I don't know if they don't have anything horror related,
• 2:34
  Speaker 2: unless you count getting a tattoo on Friday the thirteenth
• 2:36
  Speaker 2: horror related, I mean.
• 2:40
  Speaker 1: Kind of.
• 2:40
  Speaker 2: I mean the tattoo shop I'm going to is pretty cool.
• 2:45
  Speaker 2: Apparently last year they did they were playing Terrifier while
• 2:48
  Speaker 2: they were doing their tattoos. I don't know if they
• 2:50
  Speaker 2: played other movies. But then they gave everyone a shirt
• 2:54
  Speaker 2: that was Friday the thirteenth or it was like designed
• 2:58
  Speaker 2: for the day. Yeah, but it had art the clown
• 3:00
  Speaker 2: on it, And this year it's gonna have Why did
• 3:05
  Speaker 2: his name leave my head? I have no devils Devil's Rejects. Yeah, no,
• 3:10
  Speaker 2: not otis Captain Spaulding, Yes, thank you, sorry, totally love
• 3:13
  Speaker 2: my head. But Captain Spaulding is going to be on
• 3:15
  Speaker 2: the front of the shirt this year, and so I'm
• 3:17
  Speaker 2: guessing we're gonna watch House of a Thousand Corpses or
• 3:19
  Speaker 2: Devil Rejects, Devil Rejects, the Devil's Rejects.
• 3:22
  Speaker 1: Probably.
• 3:24
  Speaker 2: I will be my appointments in the evening since it's
• 3:27
  Speaker 2: a Friday and I work, so I guess we'll find out.
• 3:30
  Speaker 2: But I think that's pretty cool that they do like
• 3:32
  Speaker 2: a horror themed day to go along with the day.
• 3:35
  Speaker 1: What's the tattoo shop.
• 3:37
  Speaker 2: It's Golden Tarot Ink Club. It's in winter Park. It's
• 3:42
  Speaker 2: in Winter Park, and the place is really cool. I'm
• 3:45
  Speaker 2: really excited to go. It's all everything's like gothic and
• 3:48
  Speaker 2: gold and black, and they've got a lot of like
• 3:52
  Speaker 2: tarot card themed things. But they have tax dermy animals
• 3:56
  Speaker 2: literally everywhere. I saw raccoon in a basket and I
• 3:59
  Speaker 2: was like, raccoon, that's not a that raccoon is no
• 4:02
  Speaker 2: longer with us, Okay, taxidermied yeah, like everywhere.
• 4:06
  Speaker 1: That's kind of weird.
• 4:07
  Speaker 2: I think I saw like six or seven year the door,
• 4:09
  Speaker 2: and they've got a full bar in there too.
• 4:11
  Speaker 1: And the tattoo shop.
• 4:13
  Speaker 2: Yeah, that's weird because they do events and stuff there too.
• 4:15
  Speaker 1: Okay, typically they say to not be drunk when you
• 4:18
  Speaker 1: get a tattoo, because that'll make you bleed more.
• 4:21
  Speaker 2: I guess the whole thing with that place is it's
• 4:23
  Speaker 2: not they try to advertise it as not just an
• 4:26
  Speaker 2: at a tattoo shop, but like a place to a
• 4:29
  Speaker 2: place to be, like they do events at and that's
• 4:33
  Speaker 2: why they have a bar and stuff. So it's it's
• 4:34
  Speaker 2: pretty cool. I can't wait to go.
• 4:36
  Speaker 1: Well, I'm getting my tattoo in June, June twenty third.
• 4:41
  Speaker 1: I'm covering up the tattoo I currently have with a
• 4:44
  Speaker 1: whole bunch of horror shit, and I'm very excited. I
• 4:46
  Speaker 1: keep wanting to text my tattoo guy, like, so, what's
• 4:48
  Speaker 1: the looking log, buddy, But I don't want to annoy him.
• 4:51
  Speaker 2: So and we both know this tattoo is district just
• 4:54
  Speaker 2: to distract me from my big one in July, so
• 4:57
  Speaker 2: I will try to design it myself.
• 4:59
  Speaker 1: Okay, how are we back on you? We're talking about me.
• 5:02
  Speaker 1: You already had your spotlight. Okay, lady, I was.
• 5:04
  Speaker 2: Gonna go back to you in a second. Why do
• 5:05
  Speaker 2: you want to hurt me? What I was gonna go
• 5:08
  Speaker 2: back to you in a second. I was just saying,
• 5:10
  Speaker 2: you and I are doing a lot of tattoo stuff
• 5:12
  Speaker 2: this year. Yeah, finally doing this is the summer of tattoos.
• 5:16
  Speaker 1: Yeah. I have so many appointments to go to, like three,
• 5:21
  Speaker 1: probably more because he's start three. Yeah, three scheduled. Probably
• 5:25
  Speaker 1: gonna take like thirty total hours because my leg is
• 5:28
  Speaker 1: the size of a small back piece according to Steve.
• 5:31
  Speaker 2: At what I thought you were going to say, thirty
• 5:34
  Speaker 2: total specials? Like Jesus, how slow is that dude working?
• 5:37
  Speaker 2: It's it's a leg, not the whole body.
• 5:40
  Speaker 1: Yeah, it's but it's like when we drew my leg
• 5:43
  Speaker 1: out on the the what the fuck is that the
• 5:46
  Speaker 1: what's them? No, it was more like saran wrap that
• 5:49
  Speaker 1: he used.
• 5:50
  Speaker 2: That's another name whatever.
• 5:53
  Speaker 1: Yeah, he told me it was about the size of
• 5:55
  Speaker 1: a small back piece. And I'm like, good god, my legs.
• 5:57
  Speaker 2: The guy you real tall, You got much.
• 6:00
  Speaker 1: Lambs, got thunder thighs.
• 6:03
  Speaker 2: You have thunder thighs. They're huge, man, have you seen
• 6:06
  Speaker 2: my thighs? Lately. I mean yeah, yeah, so okay.
• 6:12
  Speaker 1: Okay, so that'll be fun. I'll be posting tattoos on
• 6:17
  Speaker 1: the Facebook page whenever those have not whenever when they happen.
• 6:20
  Speaker 2: You're going to post my tattoos not if.
• 6:23
  Speaker 1: Not, if they're not horror related, oh, I'll post them
• 6:27
  Speaker 1: on my Facebook.
• 6:28
  Speaker 2: Okay.
• 6:31
  Speaker 1: So let's talk about some ship that we got today.
• 6:33
  Speaker 1: You are making me do a weird triple feature.
• 6:36
  Speaker 2: It's a spiritual trilogy.
• 6:39
  Speaker 1: Yeah, it's a spiritual trilogy? Is it the same director.
• 6:44
  Speaker 2: Terry Gilliam, who also did work a lot of work
• 6:50
  Speaker 2: with Monty Python. I think he also wrote or he
• 6:52
  Speaker 2: did something with the production of Holy Grail.
• 6:55
  Speaker 1: And how did this come about? Is it because of
• 6:57
  Speaker 1: Mom and Dad Save the World that we watched or what?
• 7:00
  Speaker 2: Yes, And we were talking about Eric Idol and Eric
• 7:02
  Speaker 2: Idol is in I can't remember if he's in the
• 7:06
  Speaker 2: other two. But I had seen The Baron Munchausen because
• 7:10
  Speaker 2: my uncle James owns it, so I had watched that
• 7:15
  Speaker 2: as a kid, and I thought, like, it's a fantastical adventure.
• 7:18
  Speaker 2: I loved that movie, even if it was like I
• 7:20
  Speaker 2: didn't quite get what was going on. Some of the Time.
• 7:22
  Speaker 2: I love that movie. So Terry Gilliam did three movies,
• 7:27
  Speaker 2: Time Bandits, Brazil, and The Adventures of Baron Munchausen, and
• 7:34
  Speaker 2: so they're spiritual sequels because they deal with different stages
• 7:38
  Speaker 2: of different stages of a man's life. Time Bandits deals
• 7:41
  Speaker 2: with youth, Brazil deals with like the Middle Ages, and
• 7:48
  Speaker 2: The Adventures of Baron Munchausen deals with man at the
• 7:51
  Speaker 2: end of his adventures. But they don't have anything to
• 7:55
  Speaker 2: do with each other other than that. And then a
• 7:57
  Speaker 2: lot of cast like crosses over a lot of people
• 8:01
  Speaker 2: are in all three films. I've never seen Time Bandit,
• 8:05
  Speaker 2: so I'm really looking forward to it.
• 8:07
  Speaker 1: You've never seen this one, so this is the first
• 8:09
  Speaker 1: one in the.
• 8:10
  Speaker 2: Sequel in the spiritual series.
• 8:13
  Speaker 1: In the series, yes.
• 8:15
  Speaker 2: Yeah, and they're all they have great ratings, Like I
• 8:19
  Speaker 2: think the lowest one is a three point five.
• 8:22
  Speaker 1: That's the lowest. Yeah, I mean that's pretty good.
• 8:25
  Speaker 2: Yeah, exactly. And I've seen Brazil once. That movie wild
• 8:28
  Speaker 2: can't wait to watch it again so I can figure
• 8:30
  Speaker 2: out what the hell of the plot was because I
• 8:31
  Speaker 2: was getting lost in the middle. They're very clever and
• 8:36
  Speaker 2: very detailed, but Baron munchaus and I can't wait to
• 8:39
  Speaker 2: watch again. I haven't watched it in years.
• 8:41
  Speaker 1: I haven't seen any of these or heard of any
• 8:43
  Speaker 1: of these.
• 8:43
  Speaker 2: So all two plus hours long.
• 8:46
  Speaker 1: No, Terry Gilliam did not direct Mom and Dad Saved
• 8:50
  Speaker 1: the World. That is a falsitude, I said.
• 8:52
  Speaker 2: Eric Idol is in Mom and Dad, and he is
• 8:56
  Speaker 2: also in the Adventures of Baron Munchausen, which is why
• 8:58
  Speaker 2: I was thinking of it, because in Barren Munchausen he
• 9:01
  Speaker 2: also plays a guy who is in prison and starts
• 9:05
  Speaker 2: to lose his memory.
• 9:06
  Speaker 1: Yeah, you subjected me to Mom and Dad Saved the
• 9:09
  Speaker 1: World the other day, and uh boy, was that definitely
• 9:13
  Speaker 1: a movie I saw with my eyes loved it. I mean, yeah,
• 9:16
  Speaker 1: it was. It was ridiculous.
• 9:18
  Speaker 2: It's just a fun movie. Like it's a terrible movie.
• 9:21
  Speaker 2: But it's it if you can forget that, if you
• 9:23
  Speaker 2: don't expect it to be good, it's just fun.
• 9:25
  Speaker 1: It's not terrible.
• 9:26
  Speaker 2: I mean it's ridiculous.
• 9:27
  Speaker 1: It's ridiculous. It's not terrible. It's just like a fever
• 9:30
  Speaker 1: dream that makes no sense. And I was there for
• 9:33
  Speaker 1: every second of it. Not a terrible movie by any means.
• 9:35
  Speaker 1: You just have to suspend all reality.
• 9:38
  Speaker 2: It's a movie that it's very easy to just sit
• 9:40
  Speaker 2: and enjoy and not really it's it's a mindless enjoyable film. Yeah,
• 9:46
  Speaker 2: mindless because most everybody in that film is a moron.
• 9:48
  Speaker 1: But you know, and John John Lovetts is the best
• 9:52
  Speaker 1: in that movie, changing, changing wigs and mustaches every other scene.
• 9:56
  Speaker 1: I mean, it's just a delightful movie. And it's only
• 9:59
  Speaker 1: a the eight minutes, so no, like it's.
• 10:02
  Speaker 2: A it's short, it's cheesy, it's fun.
• 10:04
  Speaker 1: From nineteen ninety two, directed by Greg Beeman. He also
• 10:08
  Speaker 1: did a movie called License to Drive with the Coreys
• 10:11
  Speaker 1: Corey Haym, Corey Feldman and the Disney movie Brink. If
• 10:15
  Speaker 1: you've ever seen that, that was a favorite. That is
• 10:17
  Speaker 1: a favorite of mine growing up. So yeah, anyway, so
• 10:21
  Speaker 1: Time Band, it's you. Okay, you found Time bandits. Oh
• 10:26
  Speaker 1: the disc is loose and now let me fix that
• 10:29
  Speaker 1: real quick. Hold on.
• 10:31
  Speaker 2: Time Band. It's in Brazil.
• 10:33
  Speaker 1: ASMR Oh my god, I can't get this.
• 10:36
  Speaker 2: Why nails? Now do you want me to do it?
• 10:37
  Speaker 1: Why do they make it so impossible to get into?
• 10:40
  Speaker 2: No?
• 10:40
  Speaker 1: I got it, son of a bitch.
• 10:42
  Speaker 2: Anyway, Time Band it's in Brazil.
• 10:44
  Speaker 1: Yeah, Time bann It's in Brazil SMR.
• 10:48
  Speaker 2: All of these movies were surprisingly cheap. I think Baron
• 10:51
  Speaker 2: Munchasm was the most expensive.
• 10:53
  Speaker 1: Okay, let me open. Oh god, Brazil. Oh what the fuck?
• 10:58
  Speaker 1: Where does this go? Hello?
• 11:01
  Speaker 2: I think it's stacks.
• 11:02
  Speaker 1: Oh I hate when they stack them.
• 11:04
  Speaker 2: Well is the disc Okay?
• 11:06
  Speaker 1: Oh shit, I don't think that. Yeah, disc is fine?
• 11:09
  Speaker 1: Hello do you? Oh yeah, I don't like when they
• 11:12
  Speaker 1: do that. Ye hate when they stack shit. Anyways, So yeah,
• 11:15
  Speaker 1: Brazil and Time Bandits you found on Criterion, which is
• 11:20
  Speaker 1: awesome because I love the boutique labels.
• 11:23
  Speaker 2: Well, as soon as I saw them, like, well, now
• 11:24
  Speaker 2: I have to get them their Criterion. And if I
• 11:26
  Speaker 2: know anybody who loves a hood popped right back up.
• 11:30
  Speaker 1: Yeah, that's fucking dumb.
• 11:32
  Speaker 2: If I know anyone who loves a Criterion, it's you.
• 11:35
  Speaker 1: Well, it's just like it's just like when I went
• 11:38
  Speaker 1: to buy you my chauffeur for Christmas this year and
• 11:40
  Speaker 1: it was a vinegar syndrome and I was like, oh, hell, yeah,
• 11:43
  Speaker 1: that's so cool. So yeah, it's nice to have these on. Yeah.
• 11:47
  Speaker 1: They all come with booklets or some sort of poster
• 11:49
  Speaker 1: or something. Oh, this is a poster in it.
• 11:51
  Speaker 2: I know, I was about to say this one. Robert
• 11:53
  Speaker 2: De Niro and uh, Bob Hoskins are both in this,
• 11:58
  Speaker 2: so that's cool. I kind of forget about that poster.
• 12:02
  Speaker 1: Yeah, that's cool. So yeah, I like that Criterion did these.
• 12:07
  Speaker 1: But it's weird because typically Criterion, you know, has like
• 12:12
  Speaker 1: nearly like the Wes Anderson movies, Like I have most
• 12:15
  Speaker 1: of Wes Anderson's movies on Criterion because I think they
• 12:18
  Speaker 1: have all of them, because typically they usually do most
• 12:21
  Speaker 1: of the director's work. But for some reason, The Adventures
• 12:23
  Speaker 1: of Baron Munchausen is on just a regular Blu Ray.
• 12:26
  Speaker 1: I was very sad because we have these two gorgeous,
• 12:29
  Speaker 1: gorgeous Criterion collections and then just a fucking little shrink
• 12:32
  Speaker 1: wrap Blu ray whatever.
• 12:33
  Speaker 2: And The Adventures of Baron Munchausen is also Uma Thurman's
• 12:38
  Speaker 2: debut Thermos.
• 12:40
  Speaker 1: Nice.
• 12:40
  Speaker 2: Yeah, but I must have entirely forgotten that Robert De
• 12:43
  Speaker 2: Niro and Bob Hoskins were in Brazil's Bob Hoskins, Oh
• 12:47
  Speaker 2: my god, what haven't you seen him? And he would
• 12:49
  Speaker 2: be he would be the detective and who framed Roger Rabbit.
• 12:53
  Speaker 2: He was Mario and the terrible Mario movie, like the
• 12:56
  Speaker 2: Mario Brothers movie Super Mario Brothers.
• 13:00
  Speaker 1: You wash your mouth.
• 13:02
  Speaker 2: No, that movie was terrible. I watched that movie and
• 13:05
  Speaker 2: I spent the whole time thinking, at what point does
• 13:08
  Speaker 2: this become Mario Brothers because I'm lost This guy.
• 13:15
  Speaker 1: Ah doesn't look familiar. Really, I need this to stop
• 13:18
  Speaker 1: popping out though. Damn you Criterion. I've never seen you
• 13:21
  Speaker 1: do this before where you have two fucking discs and
• 13:24
  Speaker 1: one thing.
• 13:25
  Speaker 2: Don't break it. Oh, he's also in that Nightmare version
• 13:29
  Speaker 2: of a Christmas Carol. He's Fizzywig the Nightmare Version of
• 13:33
  Speaker 2: a Christmas Carol. Yeah, with the the Jim Carrey.
• 13:36
  Speaker 1: Yeah.
• 13:37
  Speaker 2: Oh, horrifying film.
• 13:40
  Speaker 1: Yeah. Okay, well, I guess Brazil is just gonna be broken.
• 13:43
  Speaker 1: I'm gonna have to exchange that or something, so that'll
• 13:46
  Speaker 1: be fun. You had never seen or heard any of these,
• 13:49
  Speaker 1: but we will report back whenever we decide to check
• 13:52
  Speaker 1: these fuckers out.
• 13:54
  Speaker 2: If you want some really unique films, here you go.
• 13:58
  Speaker 1: Boy boy, do we have movie for you? Other things
• 14:02
  Speaker 1: we got well, I mean I bought these, you bought
• 14:05
  Speaker 1: those whatever? I just got in Chucky season one And
• 14:09
  Speaker 1: this is a total blind buy because I heard everyone.
• 14:13
  Speaker 1: I don't think I heard a single bad thing about this.
• 14:16
  Speaker 1: Everyone was raving about this online. It was so good,
• 14:19
  Speaker 1: so well done. I think they're doing another season.
• 14:21
  Speaker 2: I heard absolutely nothing about it.
• 14:23
  Speaker 1: Really. I heard everyone just praising this because I know
• 14:27
  Speaker 1: Don Mancini is back involved in it in some way,
• 14:31
  Speaker 1: shape or form, and I believe he was the original
• 14:34
  Speaker 1: director of the first one. Let me double check that
• 14:37
  Speaker 1: for you. But yeah, I'm super excited to watch that
• 14:40
  Speaker 1: because the doll doesn't look like you know, the new
• 14:42
  Speaker 1: the most recent child's play they came out. I still
• 14:45
  Speaker 1: liked it on Tom Holland directed the first one.
• 14:47
  Speaker 2: The fuck is Don man Tom Holland?
• 14:49
  Speaker 1: Not that? Not that Tom Holland, Not that Tom Holland. Oh,
• 14:55
  Speaker 1: Don Mancini. Don Manchini was the writer of the original
• 14:58
  Speaker 1: Got It, Got It, Got It. But yeah, it looks
• 15:01
  Speaker 1: like Chucky's return to form. And this was a I
• 15:03
  Speaker 1: believe this was a Sci Fi channel thing. I'm gonna do.
• 15:07
  Speaker 1: I'm pretty sure it was on Sci Fi. So I'm
• 15:09
  Speaker 1: wondering how they got away with blood and guts. But
• 15:12
  Speaker 1: I do see Jennifer Tilly on the back right there,
• 15:14
  Speaker 1: so she's involved.
• 15:15
  Speaker 2: So that, Oh yeah, I knew about that.
• 15:17
  Speaker 1: Which is funny because she got involved in Bride of
• 15:20
  Speaker 1: Chucky and then she's pretty much just been involved in
• 15:22
  Speaker 1: every movie, every movie since. But yeah, this is gonna
• 15:26
  Speaker 1: be pretty cool. And Chucky is voiced by Brad Doriff again,
• 15:28
  Speaker 1: you know, going back to their roots. No offense to
• 15:31
  Speaker 1: Mark Hamill at all. He does great voice work, but
• 15:35
  Speaker 1: no one should. No one should be doing the voice
• 15:37
  Speaker 1: of Chucky besides Brad door if he encompasses that role
• 15:40
  Speaker 1: very well. So yes, from Child's play creator Don Manchini,
• 15:44
  Speaker 1: So yes, he is involved in this writing or directing
• 15:47
  Speaker 1: or in some way, shape or form. Very excited. We
• 15:50
  Speaker 1: got to watch this too. It's only six hours. I
• 15:52
  Speaker 1: don't know if it's like six episodes or what, but
• 15:57
  Speaker 1: that'll be exciting to watch. I know, I'm very very excited.
• 16:00
  Speaker 1: Check that out. Now. I'm gonna read these to you
• 16:03
  Speaker 1: and you're gonna tell me which one sounds better. Oh what,
• 16:07
  Speaker 1: it's the latest from shout Factory, your scream factory. Sorry,
• 16:11
  Speaker 1: it's the latest from screen Factory. I've got a hammer
• 16:13
  Speaker 1: film here called Kiss of the Vampire, right, so shut up.
• 16:20
  Speaker 1: Lost on the way to their honeymoon, a young couple
• 16:22
  Speaker 1: stumbles upon a mysterious family of vampires and their unspeakably
• 16:26
  Speaker 1: evil leader. When a wrong turn leaves newlyweds Marianne and
• 16:30
  Speaker 1: Gerard Harcourt stranded in a remote Bavarian forest, they have
• 16:34
  Speaker 1: no choice but to accept the hospitality of the hypnotic
• 16:37
  Speaker 1: doctor Ravna, distinguished lord of a nearby castle. Rovna uses
• 16:41
  Speaker 1: his quote unquote children to lure the newlyweds into his layer,
• 16:47
  Speaker 1: and soon they are plunged into a nightmare of horror
• 16:49
  Speaker 1: and deception from which there are which there may be
• 16:52
  Speaker 1: no escape. Their only hope is Professor Zimmer, who calls
• 16:55
  Speaker 1: upon an ancient ritual in a desperate attempt to destroy
• 16:58
  Speaker 1: the vampires and free Marianne from Robna's power. Oh boy, right,
• 17:05
  Speaker 1: so I think Kiss of the Vampire and the Vampire Lovers,
• 17:08
  Speaker 1: that other one that I read to you a while about,
• 17:10
  Speaker 1: would be a great vampire double feature.
• 17:12
  Speaker 2: Yeah, that would be something, all right?
• 17:14
  Speaker 1: Now, this is night creatures. And also look at the
• 17:17
  Speaker 1: art on No, I saw the.
• 17:19
  Speaker 2: Art on the other one. Actually seen the art of
• 17:21
  Speaker 2: both of them. They pens in on the kitchen.
• 17:22
  Speaker 1: Counter for a while, act like you're seeing the Wow, amazing,
• 17:27
  Speaker 1: Oh my god, all right. So in the eighteenth century,
• 17:31
  Speaker 1: a navy captain and his sailors investigate the rampaging quote
• 17:36
  Speaker 1: unquote marsh phantoms a lot of quotes terrorizing a coastal town,
• 17:40
  Speaker 1: but their search is hindered by doctor Reverend Bliss and
• 17:43
  Speaker 1: a horrifying curse. Directed by Peter Graham Scott. This chiller
• 17:47
  Speaker 1: also stars Oliver Read The Curse of the Werewolf, Yvonne Romaine,
• 17:51
  Speaker 1: and Hammer Films regular Michael Repper. I already liked the
• 17:54
  Speaker 1: description of this one better because it was way more
• 17:57
  Speaker 1: in depth. Yeah, but this looks like it involves swashbuckling pirates,
• 18:02
  Speaker 1: so that sounds awesome. Oh boy, that sounds really cool.
• 18:07
  Speaker 1: But yeah, we got to watch these because I buy
• 18:10
  Speaker 1: so many. I think you'd probably be more into the
• 18:11
  Speaker 1: vampire stuff.
• 18:12
  Speaker 2: Though probably probably you know, I'll save the vampires for you.
• 18:16
  Speaker 1: Thank you, You are welcome. It's something else you wanted
• 18:20
  Speaker 1: to say. I wrote it down. Hold on, let me see.
• 18:22
  Speaker 1: I'm pretty sure there was something else we needed. Oh
• 18:25
  Speaker 1: oh oh oh, the new fucking Cronenberg joint that.
• 18:29
  Speaker 2: We didn't want to say anything about that?
• 18:30
  Speaker 1: Why not?
• 18:32
  Speaker 2: No, I mean you can, but I had nothing to
• 18:34
  Speaker 2: say on that time.
• 18:35
  Speaker 1: Oh well, okay, there's a new David Cronenberg movie coming out.
• 18:39
  Speaker 1: I don't know when. I have no idea the timeline,
• 18:43
  Speaker 1: but it is called Crimes of the Future. Oops, if
• 18:46
  Speaker 1: I could spell this right, Crimes of the Future. It's
• 18:50
  Speaker 1: coming out this year. Apparently it's a deep dive into
• 18:53
  Speaker 1: the Nazu distant future in which humankind is learning to
• 18:55
  Speaker 1: adapt to its synthetic surroundings. This evolution moves humans beyond
• 18:59
  Speaker 1: their natural state into a metamorphosis, which alters their biological makeup. Yeah,
• 19:07
  Speaker 1: and like, the last thing that this man did, let
• 19:12
  Speaker 1: me see, the last thing he did was the dem
• 19:16
  Speaker 1: what's the last movie he did? Oh, Cosmopolis. Have you
• 19:21
  Speaker 1: seen that one with Robert Pattinson. Yep, Well, that's the
• 19:26
  Speaker 1: last thing he did. And that was in two thousand
• 19:28
  Speaker 1: and fucking twelve. Oh, I lied, I'm just kidding. Maps
• 19:31
  Speaker 1: to the Stars in twenty fourteen. But he hasn't done
• 19:34
  Speaker 1: a horror movie. I don't even know the last horror
• 19:37
  Speaker 1: movie he did. I mean that could that could be
• 19:41
  Speaker 1: Dead Ringers might have been the last horror movie he did.
• 19:45
  Speaker 1: It's been a long time.
• 19:46
  Speaker 2: Nonetheless, it's been a hot minute.
• 19:47
  Speaker 1: It's been a hot minute. I can't really put a
• 19:49
  Speaker 1: time line on it, but I'm pretty sure the last
• 19:51
  Speaker 1: thing he did that was because he's you know, he
• 19:53
  Speaker 1: did which I just saw recently, which was a History
• 19:56
  Speaker 1: of Violence with Vigo Mortensen.
• 19:57
  Speaker 2: Yeah, and I saw that in theaters with my holy.
• 20:00
  Speaker 1: That was an insane like crime.
• 20:02
  Speaker 2: Thriller and not a movie to see with your father.
• 20:04
  Speaker 1: No, definitely not. But that was a brilliant movie. And
• 20:07
  Speaker 1: that was the first movie of his that I had
• 20:09
  Speaker 1: seen that wasn't a horror movie, and that was fantastic.
• 20:13
  Speaker 1: Me and Spencer are gonna watch Eastern Promises next because
• 20:16
  Speaker 1: that's another one he did around the same time. But
• 20:19
  Speaker 1: I've pretty much only exclusively seen eighties horror movies from
• 20:22
  Speaker 1: you know, Cronenberg. So it's exciting to see a return
• 20:25
  Speaker 1: to form. And I saw a tweet the other day
• 20:28
  Speaker 1: that said a source who's seen his movie calls it
• 20:31
  Speaker 1: chaos and controversy. The last twenty minutes are a tough sit.
• 20:34
  Speaker 1: I expect walkouts, faintings, and real panic attacks. I almost
• 20:38
  Speaker 1: had one myself, fun, so I don't. That's like a
• 20:43
  Speaker 1: pretty awesome ringing endorsement right there at one hundred and
• 20:45
  Speaker 1: seven minutes, so I guess the last twenty minutes are
• 20:47
  Speaker 1: gonna completely fuck me up, and I'm ready for that.
• 20:50
  Speaker 1: I like movies that come with a warning of like
• 20:52
  Speaker 1: you might pass out. Cool bet, but that's exciting to
• 20:56
  Speaker 1: see a new it's a science fiction horror rama.
• 21:01
  Speaker 2: Sounds like a good time.
• 21:02
  Speaker 1: I mean, I know you like Cronenberg. Yeah, yeah, Video Drome,
• 21:06
  Speaker 1: The Fly.
• 21:07
  Speaker 2: I've seen a lot more than I realized I had.
• 21:13
  Speaker 1: He also did Crash, and now I think I'm confusing
• 21:16
  Speaker 1: that with the other Crash, like with like Jay not
• 21:20
  Speaker 1: j Lo, but like Matt Dylan there. Yeah, so I
• 21:23
  Speaker 1: don't think I've seen this one, because this one has
• 21:25
  Speaker 1: far better ratings than the other Crash. I don't think. Yeah,
• 21:28
  Speaker 1: I'm thinking of another one.
• 21:30
  Speaker 2: They other one one on Oscar.
• 21:31
  Speaker 1: So did it really?
• 21:34
  Speaker 2: I'm pretty sure it did. I think it was one
• 21:35
  Speaker 2: of those ones that fell in the category of one
• 21:37
  Speaker 2: an Oscar and then afterwards everyone's like, why, yeah, someone
• 21:43
  Speaker 2: some the Yeah. The Academy Awards of an issue where
• 21:46
  Speaker 2: sometimes they just go with what's popular now, not which
• 21:48
  Speaker 2: film is the best, hand has the most longevity to it.
• 21:51
  Speaker 1: Yeah, this is the one with Sandra Bullock, Don Chietel,
• 21:54
  Speaker 1: Matt Dillon, Michael Penya, Jennifer Spzzito, b Yeah, Brendan Fraser
• 21:58
  Speaker 1: like stacked, stacked, fucking cast. But it was pretty odd.
• 22:02
  Speaker 1: I actually watched that in high school. They showed us
• 22:04
  Speaker 1: that in like a like I don't know what fucking
• 22:07
  Speaker 1: class I was in, but they showed us Crash.
• 22:09
  Speaker 2: I saw parts of trading places in high school, and
• 22:12
  Speaker 2: that was like, really yeah, obviously scenes that were more
• 22:16
  Speaker 2: about the stock markets and less about the prostitution.
• 22:19
  Speaker 1: Oh, we watched the whole fucking movie. That was the
• 22:21
  Speaker 1: first time. I think that's the first time I can
• 22:23
  Speaker 1: recall seeing like a boob in a movie, like because
• 22:26
  Speaker 1: I was like tenth grade, you know, I hadn't came
• 22:28
  Speaker 1: from a Christian aushold, I'm not watching that shit. Yeah, yeah,
• 22:33
  Speaker 1: I mean it was I mean, from what I remember,
• 22:35
  Speaker 1: it was okay, which is a little weird. So that's
• 22:36
  Speaker 1: definitely not the Crash that I was thinking of. I
• 22:39
  Speaker 1: need to watch David Cronenbergs. But that's exciting. We'll keep
• 22:42
  Speaker 1: you updated on that as it comes out. And then
• 22:44
  Speaker 1: I have two recommendations for you people, actually really one.
• 22:49
  Speaker 1: It's called C for me not a horror movie. It's
• 22:51
  Speaker 1: like a crime thriller drama and it's a picture hush
• 22:54
  Speaker 1: right the movie hush Yes, But she's blind and it's
• 23:00
  Speaker 1: not really it's not like it's not like about breaking in.
• 23:02
  Speaker 1: It's more of like a heist movie. It's very interesting.
• 23:05
  Speaker 1: I think you'd like that one. What is she doing?
• 23:08
  Speaker 2: I don't know. She was twirling around. I was just
• 23:10
  Speaker 2: making sure she didn't do nothing suspicious.
• 23:12
  Speaker 1: Like throw up her ship. Damn. I think go lay down?
• 23:17
  Speaker 1: All right, you want to get into this dumpster fire here?
• 23:20
  Speaker 2: Yeah?
• 23:21
  Speaker 1: Boy? Do I well?
• 23:23
  Speaker 2: Boy? So, uh what.
• 23:26
  Speaker 1: We're not just gonna we gotta do all this first.
• 23:28
  Speaker 2: Yeah, I know that you're.
• 23:30
  Speaker 1: Just going straight into the review.
• 23:31
  Speaker 2: I was like, I was gonna let you read that,
• 23:33
  Speaker 2: but I was gonna intro it briefly. Go for it
• 23:36
  Speaker 2: by sharing the one tiny thing I have connected to
• 23:39
  Speaker 2: this film.
• 23:41
  Speaker 1: Go for it.
• 23:42
  Speaker 2: Uh. So the film has a ring tone that is
• 23:48
  Speaker 2: literally the only thing I remembered from the film, and
• 23:53
  Speaker 2: I remember it exactly actually, uh, And when when it
• 23:59
  Speaker 2: came out was when you had to like text to
• 24:01
  Speaker 2: get a ring tone, and I got it and it
• 24:04
  Speaker 2: was my ring tone on my phone, and everyone's like,
• 24:06
  Speaker 2: oh my Yeah, where'd you get that? That's so awesome?
• 24:09
  Speaker 2: And it went off in class one time and I
• 24:11
  Speaker 2: got my phone taken away for that. Wait for it,
• 24:22
  Speaker 2: where's the I told you it wasn't right.
• 24:25
  Speaker 1: No, there it is, there, it is there, it is.
• 24:31
  Speaker 1: So that's the rank. Okay, shut up now, God, that's
• 24:34
  Speaker 1: the ring. They're not you the phone.
• 24:35
  Speaker 2: Sorry, yeah, but that's it. That's when we were talking
• 24:38
  Speaker 2: about it. I'm like, I don't remember anything about that film,
• 24:41
  Speaker 2: but I could sing you the ring tone right now?
• 24:43
  Speaker 1: Do you want to know? Can you guess what this
• 24:45
  Speaker 1: is from? But no, that's from Crank. I've had that.
• 24:54
  Speaker 1: I had that for so long. When that first, and
• 24:56
  Speaker 1: when that you never seen? You never saw Crank with
• 24:58
  Speaker 1: Jason Statham, We're just like, keep us.
• 25:00
  Speaker 2: Oh no I did not. I saw Transformer and enough
• 25:05
  Speaker 2: the first.
• 25:05
  Speaker 1: I never I don't think I've seen high Voltage. But
• 25:08
  Speaker 1: at the first, Crank is so much fun. It's so ridiculous.
• 25:11
  Speaker 2: Yeah. There are some movies where I see the trailer
• 25:13
  Speaker 2: I'm like, yep, I never want to watch that. I mean,
• 25:16
  Speaker 2: Rash was one of them. Fine Fair just like Ambulance
• 25:20
  Speaker 2: that's out now. The trailer alone was like Wow, that's
• 25:23
  Speaker 2: a Michael Bay movie out.
• 25:26
  Speaker 1: And that's that's that's so funny because like, I don't know,
• 25:29
  Speaker 1: he has a great production value. I think everyone got
• 25:31
  Speaker 1: turned off after all the.
• 25:33
  Speaker 2: Transformers and like the trailer for Ambulance literally just looks
• 25:37
  Speaker 2: like the trailer for every Transformers movies. Like birds flying,
• 25:40
  Speaker 2: low camera angles, helicopters going overhead, girl with ponytail steps
• 25:45
  Speaker 2: out of vehicle, low shot of her hair blowing in
• 25:47
  Speaker 2: the wind, just a little bit dirty, but not like
• 25:51
  Speaker 2: disgusting dirty.
• 25:52
  Speaker 1: I didn't know. I never saw his face before, but
• 25:53
  Speaker 1: that's what he looks like.
• 25:54
  Speaker 2: Yeah, he looks like the male version of Celine Dion
• 25:58
  Speaker 2: m Yeah. So yeah, I'm like, when I saw the
• 26:01
  Speaker 2: trailer looking at you, mic, is this a Michael Bay movie?
• 26:03
  Speaker 2: And Michael Bay comes on the screen, I'm like, yep, yep.
• 26:07
  Speaker 1: There, Yes, they're low sweeping shots and of a car
• 26:09
  Speaker 1: chase scene.
• 26:10
  Speaker 2: Yes, yeah, I don't I don't need to see any
• 26:13
  Speaker 2: more of his formula stuff. It's not like Wes Anderston,
• 26:16
  Speaker 2: where he's got a really interesting style to it and
• 26:18
  Speaker 2: he always like finds new ways of using that style.
• 26:22
  Speaker 2: He just keeps sticking a different plot in the same
• 26:25
  Speaker 2: camera angles.
• 26:26
  Speaker 1: I talked about this with Mike a last not Michael
• 26:30
  Speaker 1: Vires on on our little live stream last night, and
• 26:32
  Speaker 1: I'll go on record as saying here, like Wes Anderson's
• 26:35
  Speaker 1: probably my favorite director. Uh, just stylistically with how he
• 26:39
  Speaker 1: tells the story. He's it's phenomenal. Every movie that you know,
• 26:42
  Speaker 1: we watch them chronologically, and you can see his style
• 26:44
  Speaker 1: really start coming out in those later movies. It's beautiful.
• 26:47
  Speaker 1: How he uses the camera to fall like follow the people,
• 26:51
  Speaker 1: and just how he tells the story with the camera
• 26:53
  Speaker 1: is beautiful.
• 26:53
  Speaker 2: Yeah. And him doing Isle of Dogs and fantastic mister Fox, brilliant.
• 26:58
  Speaker 2: He translates perfectly to stop motion. Yeah, fantastic, fantastic mister Fox.
• 27:04
  Speaker 2: And again he takes his style and formats it to
• 27:08
  Speaker 2: the story to how it works best. Not jam a
• 27:12
  Speaker 2: story into your style.
• 27:14
  Speaker 1: Yeah, I really want to.
• 27:15
  Speaker 2: That's why I don't really care about Michael Bay.
• 27:17
  Speaker 1: Yeah. I didn't realize that Michael Bay was a producer
• 27:20
  Speaker 1: for A Quiet Place one and two. Not a clue.
• 27:22
  Speaker 1: That's interesting.
• 27:23
  Speaker 2: That's for the best.
• 27:24
  Speaker 1: That's probably why those movies look so good.
• 27:27
  Speaker 2: Oh, they're talking about the movie. The movie.
• 27:28
  Speaker 1: Moving on, let's go to the movie. So we've got
• 27:32
  Speaker 1: one miss call from two thousand and eight. This is
• 27:35
  Speaker 1: not the original I believe Japanese horror movie. This is
• 27:39
  Speaker 1: the American remake. Yes, we're subjecting you to this movie.
• 27:43
  Speaker 1: Sorry in advance, but at least it will be entertaining
• 27:45
  Speaker 1: to talk about. That was released on January fourth of
• 27:48
  Speaker 1: that year, rated PG thirteen for mild sex and nudity.
• 27:54
  Speaker 1: You don't know where any of that came into play.
• 27:56
  Speaker 1: Oh when they were humping on the bed, that one.
• 27:59
  Speaker 2: Sex scene half a second that I would I look
• 28:02
  Speaker 2: at my phone, looked up and it was over, and
• 28:04
  Speaker 2: I was like, what happened?
• 28:05
  Speaker 1: Yeah, fully clothed, mind you. So mild sex and nudity,
• 28:10
  Speaker 1: severe violence and gore, mild profanity, no alcohol, drugs or smoking, boo,
• 28:16
  Speaker 1: and moderate frightening and intense scenes.
• 28:18
  Speaker 2: They really really like really didn't utilize the severe violence
• 28:25
  Speaker 2: and gore part of the reading because honestly, not that gory.
• 28:29
  Speaker 2: I mean, I mean there were some parts that were
• 28:31
  Speaker 2: supposed to be, but think about it, think of any
• 28:34
  Speaker 2: of the deaths. Tell me how much blood you saw.
• 28:37
  Speaker 1: Well, it's not necessarily blood, it's you know, it's just
• 28:40
  Speaker 1: it's violence and gores roped into one category. There was
• 28:42
  Speaker 1: a lot of like violent imagery and stuff.
• 28:44
  Speaker 2: That's what I'm saying they did. They really did not
• 28:47
  Speaker 2: use that category very well because you didn't see a
• 28:50
  Speaker 2: lot of blood. A lot of the kill shots you
• 28:52
  Speaker 2: didn't really see you see like the aftermath or something.
• 28:57
  Speaker 1: You're like, okay, I mean it might be maybe they're
• 29:00
  Speaker 1: it's probably severe for PG thirteen.
• 29:02
  Speaker 2: I mean geez, like even when the one kid gets
• 29:05
  Speaker 2: cut in the arm, they could have showed that with
• 29:07
  Speaker 2: a little bit of blood on the arm. And they're like, Nope,
• 29:09
  Speaker 2: can't do that.
• 29:10
  Speaker 1: Like okay, PG thirteen, you can't show a lot of blood.
• 29:12
  Speaker 1: That's how they got away with it. I mean I
• 29:16
  Speaker 1: can't AnyWho moving on a run time of an hour
• 29:20
  Speaker 1: and twenty seven minutes, listed as a horror mystery, and
• 29:23
  Speaker 1: boy was I scratching my head the whole time. Definitely
• 29:27
  Speaker 1: is hell it got made. Yeah, but uh, you're gonna
• 29:30
  Speaker 1: be You're gonna shit your pants when you realize how
• 29:32
  Speaker 1: much money this fucking movie costs. Insane.
• 29:36
  Speaker 2: Probably not gonna do that, Okay, you'll you'll.
• 29:39
  Speaker 1: Jump out of your seat. I don't know. Directed by
• 29:41
  Speaker 1: a man named Alec Vallette, who I think this was
• 29:44
  Speaker 1: his directorial debut in America and probably why he never
• 29:48
  Speaker 1: made a movie here again.
• 29:50
  Speaker 2: I think probably unfortunate.
• 29:51
  Speaker 1: Probably I don't know. Uh, he is seventeen directing credits
• 29:54
  Speaker 1: for nothing. Nothing else I recognize. I believe he is
• 29:57
  Speaker 1: French and does a lot and does foreign movie over there.
• 30:01
  Speaker 1: Written by a man named Andrew Clavin, who has twelve
• 30:03
  Speaker 1: writing credits and also did things like True Crime starring
• 30:06
  Speaker 1: Clint Eastwood and Don't Say a Word starring Michael Douglas.
• 30:10
  Speaker 2: I like that one.
• 30:11
  Speaker 1: I haven't seen Don't Say a Word.
• 30:12
  Speaker 2: I wanted to do it on this show, but apparently
• 30:14
  Speaker 2: it's not technically classified as a horror. It's a drama thriller,
• 30:18
  Speaker 2: and so then it doesn't count. Except you got Britney
• 30:22
  Speaker 2: Murphy doing a creepy thing where she keeps doing something
• 30:25
  Speaker 2: with her hand and saying, I'll never tell he's not here.
• 30:29
  Speaker 2: That's a different movie. Yeah, but I like that movie.
• 30:33
  Speaker 1: Did I show you the game with Michael Douglas.
• 30:35
  Speaker 2: No, but we've talked about it.
• 30:36
  Speaker 1: Okay, then that's a double feature we'll have to do.
• 30:39
  Speaker 1: Also written by Minaki Daira, who wrote the original three
• 30:44
  Speaker 1: because there's three one miscall movies from Japan, that's the thing.
• 30:48
  Speaker 1: So this one was also written by her him. I
• 30:52
  Speaker 1: don't know Manaki, I don't.
• 30:54
  Speaker 2: Know them them.
• 30:56
  Speaker 1: Sorry anyways, music by a man or just two people,
• 31:00
  Speaker 1: I believe by Ryan hold hile Hale heughl.
• 31:05
  Speaker 2: I love a movie where the acting or where the
• 31:07
  Speaker 2: music credits are stronger than everybody else.
• 31:10
  Speaker 1: Yeah, it's it's crazy. So he has fifty nine composer credits.
• 31:13
  Speaker 1: Who also did Run, Lola Run, One Hour Photo and
• 31:17
  Speaker 1: Land of the Dead, which is something we've reviewed. And
• 31:20
  Speaker 1: also by a man named Johnny Klimag who did pretty
• 31:23
  Speaker 1: much everything that he's I think they work hand in
• 31:26
  Speaker 1: hand because he did a lot of the same things
• 31:28
  Speaker 1: because he did Run, Lola Run, Land of the Dead.
• 31:30
  Speaker 2: He also did Cloud Atlas.
• 31:32
  Speaker 1: I'm reading that, man, dang.
• 31:35
  Speaker 2: He also read the next one.
• 31:36
  Speaker 1: No, this is just stop it. Land of the Dead,
• 31:40
  Speaker 1: Cloud Outlass, Wolf Creek two three E's in there, and
• 31:45
  Speaker 1: the Matrix Resurrections. So that's pretty cool. But yeah, the
• 31:48
  Speaker 1: composer credits much stronger than everybody else so far. And
• 31:54
  Speaker 1: the DP is probably the most famous person, not famous person,
• 31:57
  Speaker 1: but the most well versed. I guess. I guess you
• 32:00
  Speaker 1: could say in the production. Yeah, and this is why
• 32:02
  Speaker 1: the movie, this is why the movie looked so good
• 32:05
  Speaker 1: despite I'm not cg wise, the cinema cinematography looked great,
• 32:10
  Speaker 1: and that's what I really enjoyed about the movie, probably
• 32:12
  Speaker 1: the only thing I enjoyed that in the acting. But
• 32:15
  Speaker 1: it's a man named Glenn McPherson's who is sixty cinematographer,
• 32:19
  Speaker 1: slash DP credits, whatever you want to call it. He
• 32:21
  Speaker 1: also did trick art trick or treat from two thousand
• 32:24
  Speaker 1: and seven, the Michael Doherty Joint Rambo. The Final Destination,
• 32:28
  Speaker 1: the good one, the fifth one, not final or whatever.
• 32:31
  Speaker 1: The other one was wait no, the final Destination oh shit?
• 32:36
  Speaker 1: Oh yeah, because Final Destination five.
• 32:38
  Speaker 2: Was, oh no, The final Destination I think is the
• 32:40
  Speaker 2: one that is the very last one.
• 32:43
  Speaker 1: Yes, that is Resident Evil Afterlife and the final Chapter
• 32:47
  Speaker 1: Chapter and Monster Hunter. I heard Monster Hunter wasn't great,
• 32:50
  Speaker 1: but I mean, you still want to see it, still
• 32:52
  Speaker 1: want to see it, But yeah, he's done some pretty
• 32:55
  Speaker 1: good shit right there. Starring a man named Edward Burns
• 32:59
  Speaker 1: who is essentially looks like Ben Affleck's brother cousin family member.
• 33:04
  Speaker 1: He looks very similar to Ben Affleck. He looks like,
• 33:06
  Speaker 1: you know, Wish wish or what's what? Yeah, wish the
• 33:09
  Speaker 1: Wish version of Ben Affleck. I did it. He plays
• 33:13
  Speaker 1: Jack Andrews and has thirty nine acting credits and was
• 33:16
  Speaker 1: also in the movie A little movie called Saving Private
• 33:19
  Speaker 1: Ryan is Private, Private riband and also twenty seven dresses.
• 33:22
  Speaker 2: I think that's right he was. I think, so that's
• 33:25
  Speaker 2: the movie I've seen him from.
• 33:27
  Speaker 1: Then we have Shannon so Simon as Beth Raymond, who
• 33:30
  Speaker 1: has forty seven acting credits and was in A Night's
• 33:33
  Speaker 1: Tale as Joscelyn. So that's pretty cool.
• 33:35
  Speaker 2: Yeah, that's that's what I primarily know her from.
• 33:37
  Speaker 1: She's in Risk Cutters.
• 33:41
  Speaker 2: Yeah club or No, it's the MOVIEES just called s
• 33:43
  Speaker 2: risk Cutters. It's Risk Cutters something story like what I mean.
• 33:47
  Speaker 1: Mashing that up with Babysitters Club.
• 33:49
  Speaker 2: I don't know. It's not that. No, Risk Cutters, but
• 33:51
  Speaker 2: that is in a smaller that is a smaller indie film,
• 33:54
  Speaker 2: and that is a really good one.
• 33:56
  Speaker 1: Well, I'll have to watch it. I'll add it to
• 33:58
  Speaker 1: the ever growing list I have of blu rays I
• 34:00
  Speaker 1: haven't watched that. I bought and it's one hundred things
• 34:03
  Speaker 1: on my fucking what wristcutters. No, I'm saying wat, No,
• 34:09
  Speaker 1: I'll watch I'll said, I'll add it to the list
• 34:11
  Speaker 1: because I have the watch list on letterbox and all
• 34:13
  Speaker 1: the movies I've purchased that I haven't watched yet.
• 34:16
  Speaker 3: Uh.
• 34:16
  Speaker 1: Then we have Anna Claudia talon Con Sorry if I
• 34:20
  Speaker 1: butchered that shit as Taylor Anthony, who has fifty three
• 34:24
  Speaker 1: acting credits, who has done way more Spanish and TV
• 34:26
  Speaker 1: movies than anything. And then for some reason, probably because
• 34:30
  Speaker 1: of how famous he us, because he was barely in
• 34:32
  Speaker 1: the movie. But we have Ray Wise as Ted Summer's
• 34:34
  Speaker 1: funny enough, He's in how I mentioned Mother, So I
• 34:37
  Speaker 1: thought it was funny. His name was Ted. He's got
• 34:39
  Speaker 1: a whopping two hundred and forty eight acting credits and
• 34:42
  Speaker 1: was also in dead End that we reviewed with Lynn Shay.
• 34:47
  Speaker 1: That was a great movie.
• 34:48
  Speaker 2: I was there.
• 34:50
  Speaker 1: Yeah, he was in that movie as Frank Harrington. There
• 34:52
  Speaker 1: was someone else famous in not famous, in this who
• 34:55
  Speaker 1: was the other chick? It was the guy Eddie Johnny.
• 34:58
  Speaker 1: What was his name? You say you knew him from something?
• 35:01
  Speaker 2: Oh, I think you're thinking of the guy. Uh Margaret Show.
• 35:04
  Speaker 2: The comedians Market show.
• 35:06
  Speaker 1: Yeah yeah, oh no, I was thinking of Megan Good.
• 35:10
  Speaker 1: She was in the Intruder that we watched.
• 35:12
  Speaker 2: Oh yeah, she was in it for three minutes.
• 35:15
  Speaker 1: Yeah.
• 35:16
  Speaker 2: There are a bunch of people where you'd be like, oh,
• 35:18
  Speaker 2: I recognize them, and it turns out they were in
• 35:20
  Speaker 2: a bunch of stuff. Like there was a girl who
• 35:21
  Speaker 2: was in a couple episodes of Buffy sometimes alive, sometimes dead.
• 35:27
  Speaker 1: Oh yeah, that was a Zura Sky.
• 35:31
  Speaker 2: Yeah.
• 35:31
  Speaker 1: I like her blondie right, yeah, yeah.
• 35:34
  Speaker 2: She's the exact same hair and Buffy does she really Yeah,
• 35:37
  Speaker 2: that is just I think that's just what her hair does.
• 35:40
  Speaker 1: Damn. This is this is her most known for over
• 35:43
  Speaker 1: twenty eight Days with Sandra Bullock.
• 35:45
  Speaker 2: What oh yeah, what's that Movie's a bummer? That's good?
• 35:49
  Speaker 2: What's still said?
• 35:51
  Speaker 1: Isn't it about? Uh No, I'm thinking of twenty eight
• 35:54
  Speaker 1: days later.
• 35:54
  Speaker 2: Yeah, twenty eight days is the one where Sandra Bullock
• 35:56
  Speaker 2: goes to rehab.
• 35:57
  Speaker 1: That's the weirdest like series of movies. Twenty eight days
• 36:00
  Speaker 1: eight days later than twenty eight weeks later. Really up
• 36:03
  Speaker 1: and down on that one, you know what I mean?
• 36:04
  Speaker 2: I had a joke from a comedian.
• 36:06
  Speaker 1: Yeah, yeah, I don't know who it was, but it's
• 36:09
  Speaker 1: someone and I was like, that's a good one. I'm
• 36:11
  Speaker 1: gonna use that and save that for later. And here
• 36:12
  Speaker 1: it is. This is the time amusement.
• 36:14
  Speaker 2: Anyway, we should probably move on if you want to
• 36:16
  Speaker 2: talk about the movie at some point.
• 36:18
  Speaker 1: Hey, you know what, lady, we're moving along just fine. Here,
• 36:20
  Speaker 1: we got plenty of time. This is gonna be a
• 36:22
  Speaker 1: spoiler content episode because this movie was absolute dog shit.
• 36:25
  Speaker 1: But I can't wait to talk about it. But real quick,
• 36:28
  Speaker 1: an estimated budget of twenty million dollars twenty million, I'm sorry.
• 36:37
  Speaker 1: It did gross forty five point nine million.
• 36:39
  Speaker 2: Some of that money was mine.
• 36:41
  Speaker 1: Some of that money was mine. I know. I saw
• 36:43
  Speaker 1: this in theaters because that's when I was working at
• 36:46
  Speaker 1: Regal back in the day. I just I was astonished
• 36:48
  Speaker 1: that this movie cousted that much. I mean, it makes
• 36:51
  Speaker 1: sense because of how much CG they use, and it was,
• 36:54
  Speaker 1: you know, mid two thousand, so I guess I get it.
• 36:57
  Speaker 1: But to put it in perspective, oh damn, the ra
• 37:00
  Speaker 1: was forty eight million. Never mind, never mind.
• 37:05
  Speaker 2: I'm not kidding though. If I go and look, because
• 37:07
  Speaker 2: I used to save all my ticket stubs, I think
• 37:10
  Speaker 2: I still have them, and I probably still have the
• 37:12
  Speaker 2: stub to this movie.
• 37:13
  Speaker 1: I bet you do.
• 37:14
  Speaker 2: I probably do well.
• 37:16
  Speaker 1: It grows forty five point nine million, so definitely made
• 37:19
  Speaker 1: money back, but not the amount of time it took
• 37:22
  Speaker 1: me to watch it. So this movie was filmed Atlanta, Georgia.
• 37:25
  Speaker 1: You can rent this on Amazon for three ninety nine
• 37:28
  Speaker 1: or buy it for nine ninety nine. I rented it
• 37:32
  Speaker 1: because I had to, sadly, but you know what, for
• 37:36
  Speaker 1: how bad it was, I don't know, I still liked it,
• 37:38
  Speaker 1: Like you know what I mean. It was bad, but
• 37:40
  Speaker 1: I still I still liked it weirdly enough. I don't
• 37:42
  Speaker 1: know if that makes sense.
• 37:43
  Speaker 2: Yep.
• 37:44
  Speaker 1: It's just like a guilty pleasure. Like it was so
• 37:47
  Speaker 1: bad it just made it enjoyable.
• 37:49
  Speaker 2: Yeah, this movie had had literally no flavor for me.
• 37:53
  Speaker 1: It did.
• 37:54
  Speaker 2: It did absolutely nothing for me. I left that movie thinking,
• 37:58
  Speaker 2: I feel no different than when that movie started.
• 38:02
  Speaker 1: Movies that came out are the same time. We've got
• 38:04
  Speaker 1: some serious heavy hitters here, Juno, I am Legend, National
• 38:09
  Speaker 1: Triage Year that I spelled, Craez Yeer, Book of Secret,
• 38:14
  Speaker 1: Sweeney Todd, The Demon, Barber of Fleet Street Walk, Hard,
• 38:17
  Speaker 1: The Dewey Cox Story, Alien Versu Predator reck. We am
• 38:20
  Speaker 1: a lot of movies with semi Collin's in them. Don't
• 38:23
  Speaker 1: know what that is, Cloverfield and the I like, geez,
• 38:29
  Speaker 1: some good fucking movies in there, man. And this because
• 38:31
  Speaker 1: this came out in This came out in January, and
• 38:35
  Speaker 1: that's typically when you know a lot of uh fucking district,
• 38:39
  Speaker 1: you know, they'll drop their movies they think won't do
• 38:41
  Speaker 1: good in January. A lot of those are great.
• 38:43
  Speaker 2: Movies, about half of those in theater.
• 38:46
  Speaker 1: I was gonna say, I definitely saw Juno, I am Legend,
• 38:49
  Speaker 1: Dewey Cox, Cloverfield and the I. And no, no, I
• 38:52
  Speaker 1: didn't see the tweety Todd.
• 38:54
  Speaker 2: I saw Sweeney Todd, Juno, I am Legend, and Cloverfield.
• 38:57
  Speaker 1: Yeah. Did you hear that? I am legend too. Just
• 38:59
  Speaker 1: got got acts?
• 39:01
  Speaker 2: That's good?
• 39:02
  Speaker 1: Oh wait no sorry, no, no, no, no, no, didn't get acts.
• 39:04
  Speaker 1: They cut Will Smith, and I think they gave his
• 39:06
  Speaker 1: role to Michael B. Jordan. I think that's the rumor
• 39:07
  Speaker 1: going around.
• 39:08
  Speaker 2: Oh well, that would make sense if they were going
• 39:09
  Speaker 2: to do a pre cool which would be interesting to
• 39:12
  Speaker 2: talk about like the early Times. But also we'll kind
• 39:16
  Speaker 2: of know how to end.
• 39:17
  Speaker 1: So but yeah, I mean it would still be cool though,
• 39:20
  Speaker 1: you know, but like, yeah.
• 39:21
  Speaker 2: You should really amp up the fact that they're basically
• 39:23
  Speaker 2: like fucking vampires.
• 39:25
  Speaker 1: Yeah. Will Smith is essentially just canceled at this point unfortunately. Yeah,
• 39:30
  Speaker 1: well sorry, dude.
• 39:31
  Speaker 2: Really, he's going through some stuff. I hope he uh
• 39:33
  Speaker 2: finds his way back round again.
• 39:35
  Speaker 1: One of these days. So yeah, that's all the stuff
• 39:38
  Speaker 1: that came out around the same time. Real quick. I
• 39:41
  Speaker 1: didn't have a least favorite character or a favorite character.
• 39:43
  Speaker 1: I didn't.
• 39:43
  Speaker 2: They were all blamed.
• 39:45
  Speaker 1: They were all yeah, they were all like if they
• 39:46
  Speaker 1: were a spice, they'd be flower essentially.
• 39:50
  Speaker 2: Yeah. I don't blame any of the actors because I like,
• 39:54
  Speaker 2: well except for that one Hispanic chick, that was like
• 39:57
  Speaker 2: she was just kind of it felt like she was
• 39:59
  Speaker 2: phoning in, phoning it in nice no pun intended, uh so.
• 40:06
  Speaker 2: But the rest of them, it felt like they were
• 40:08
  Speaker 2: suffering from bad dialogue, which I know, we'll discuss the reasons.
• 40:14
  Speaker 2: They felt more like they were just suffering from bad dialogue,
• 40:17
  Speaker 2: not that their acting was bad, but that they didn't
• 40:19
  Speaker 2: actually have anything good to say. So that's why it
• 40:22
  Speaker 2: felt bad.
• 40:23
  Speaker 1: I mean, yeah, like the acting was the acting was good.
• 40:25
  Speaker 1: I thought the acting was great, but yeah, the characters
• 40:27
  Speaker 1: themselves just were.
• 40:29
  Speaker 2: Yeah, you didn't really care about them. There were useless
• 40:32
  Speaker 2: backstories that didn't go anywhere, so a lack of interest
• 40:36
  Speaker 2: in other characters. It was weird get into it.
• 40:38
  Speaker 1: I didn't have any favorite or least favorite, but I
• 40:40
  Speaker 1: did have a moment, a kill, and a line. Excuse me.
• 40:45
  Speaker 1: Favorite horror moment is when Leanne's arm gets severed but
• 40:49
  Speaker 1: it's still dyinggling the number. That was just a cool
• 40:51
  Speaker 1: touch I liked. And then my favorite kill was Taylor
• 40:55
  Speaker 1: And my favorite line was from Margaret Show and she's
• 40:59
  Speaker 1: like needs protection from what the ghost in her cell
• 41:02
  Speaker 1: phone tell her to call? Customer service was fun. That
• 41:05
  Speaker 1: was a ripping good yarn. That was good. So other
• 41:08
  Speaker 1: than that, let's just go ahead. Oh sorry, IMDb summary
• 41:11
  Speaker 1: real quick. Several people start receiving voicemails from their future selves,
• 41:15
  Speaker 1: messages which include the daytime and some of the details
• 41:19
  Speaker 1: of their deaths. Bump bum bum.
• 41:21
  Speaker 2: What a terrible description that implies something else is happening.
• 41:25
  Speaker 2: That they're getting calls from their future cells that imply
• 41:28
  Speaker 2: something entirely different.
• 41:30
  Speaker 1: That's what it said on IMDb.
• 41:31
  Speaker 2: I know, I'm just saying that's a terrible description.
• 41:33
  Speaker 1: Okay, So.
• 41:37
  Speaker 2: Okay, opening scene.
• 41:39
  Speaker 1: Oh boy, well stop laughing.
• 41:44
  Speaker 2: Okay. Opening scene is a hospital on fire and you're like,
• 41:50
  Speaker 2: what's happening? Why is this building on fire? That's random?
• 41:54
  Speaker 2: And this little girl slams her face into the glass
• 41:58
  Speaker 2: or like her hands on the glass and pop into
• 42:00
  Speaker 2: the glass, which is a terrible cgi. Girl walking into
• 42:03
  Speaker 2: the glass screaming. The little girl's rescued with her teddy bear,
• 42:08
  Speaker 2: and the people in there just asking like, where's your mother,
• 42:12
  Speaker 2: where's your mother? Uh like, well, she's sitting by the
• 42:15
  Speaker 2: ambulance just trying to figure out where her mom is.
• 42:18
  Speaker 2: And then she's just staring up at a window and
• 42:21
  Speaker 2: that's the end of that scene. Next scene and then
• 42:25
  Speaker 2: and you're just like okay, okay.
• 42:28
  Speaker 1: Yeah, no contacts, no, what day it is?
• 42:31
  Speaker 2: No?
• 42:31
  Speaker 1: Nothing?
• 42:32
  Speaker 2: Yeah no. So then the next scene is a girl
• 42:38
  Speaker 2: let me, let me grab the cast name it helps me.
• 42:42
  Speaker 2: A girl who is sitting in her Japanese garden in
• 42:46
  Speaker 2: the back of her house. Because what we've talked about
• 42:50
  Speaker 2: is one thing we've noticed with every film. Uh oh,
• 42:53
  Speaker 2: Megan Good playing Shelley is every time they take a
• 42:58
  Speaker 2: Japanese film and making an America conversion, they absolutely love
• 43:03
  Speaker 2: putting them near a Japanese garden at some point, just
• 43:06
  Speaker 2: so you know that they know that this film is
• 43:08
  Speaker 2: originally from Japan. You're like, you know what, you could
• 43:10
  Speaker 2: have not provided one instance of Japanese influenced architecture and
• 43:16
  Speaker 2: it and it wouldn't have mattered, Like no one needed that.
• 43:21
  Speaker 1: I don't think The Ring does that. I'm pretty sure
• 43:23
  Speaker 1: because I watched that recently. I don't think they had
• 43:25
  Speaker 1: anything like that in that.
• 43:26
  Speaker 2: No, but it's more like the like it happens a lot.
• 43:29
  Speaker 1: I'm sure it did in The Grudge, Yeah, believe Yeah.
• 43:32
  Speaker 2: But it's like, we really want you to know this
• 43:33
  Speaker 2: film was set in Japan originally, like nobody asked. Oh,
• 43:37
  Speaker 2: and it should be said that the plot of the
• 43:40
  Speaker 2: Japanese film is pretty much the same, like people are
• 43:44
  Speaker 2: getting preemptive calls about their deaths from their selves.
• 43:49
  Speaker 1: Well, I actually did just order that because arrows having
• 43:51
  Speaker 1: a sale and it was like twenty five dollars instead
• 43:54
  Speaker 1: of sixty. So we're gonna watch that to compare, Okay,
• 44:00
  Speaker 1: because at least that one has a three point zero
• 44:01
  Speaker 1: or three point one.
• 44:03
  Speaker 2: So anyway, Shelley is talking and she's saying something to
• 44:08
  Speaker 2: her friend about feeling paranoid. We don't know who she's
• 44:11
  Speaker 2: talking to on the phone. She's just saying she's feeling paranoid.
• 44:14
  Speaker 2: Her cat is near her, and then her cat is
• 44:17
  Speaker 2: over near the coy pond. So she goes to the
• 44:20
  Speaker 2: coy pond to see what's wrong, and an arm grabs
• 44:23
  Speaker 2: her and yanks her into the water and then apparently
• 44:27
  Speaker 2: fuck that cat, because the cat was fine up until
• 44:30
  Speaker 2: two seconds ago. The cat gets yanked into the water
• 44:33
  Speaker 2: and a little red ball pops up out of the water.
• 44:36
  Speaker 2: End of that scene, you're, oh, no, I'm sorry, And
• 44:38
  Speaker 2: then it cuts to her phone and something is I
• 44:41
  Speaker 2: guess that the ghost or the evil entity is scrolling
• 44:45
  Speaker 2: through her phone contact.
• 44:46
  Speaker 1: We're like, okay, I know it's not funny, but I
• 44:52
  Speaker 1: did laugh when the's like, yeah, like, fuck that cat
• 44:55
  Speaker 1: yeating you into this water? You had like it's like, geez.
• 44:59
  Speaker 2: That's a it's more of a yoink, less of a yeat.
• 45:02
  Speaker 1: Oh sorry, I just thought it was funny because no
• 45:04
  Speaker 1: other animals were harmed in the making of this fucking movie,
• 45:07
  Speaker 1: but they were, like a cat, cat good God, no
• 45:12
  Speaker 1: reason for that.
• 45:13
  Speaker 2: That seems over.
• 45:16
  Speaker 1: Off to it. And then we get the title sequence
• 45:18
  Speaker 1: of just like people on their cell phones and like
• 45:21
  Speaker 1: bluetooth in their ears and shit, and you're like, what
• 45:23
  Speaker 1: the fuck is he?
• 45:24
  Speaker 2: It was a weird period of time, and I have
• 45:26
  Speaker 2: to look up other examples because I know I'm thinking
• 45:28
  Speaker 2: of something where like, it wasn't just horror films, but
• 45:30
  Speaker 2: there were a lot of films where like the evils
• 45:33
  Speaker 2: of cell phone devices and they can't be trusted, and
• 45:36
  Speaker 2: it was it was weird email or just the paranoia
• 45:40
  Speaker 2: around technology in general.
• 45:42
  Speaker 1: Yeah.
• 45:42
  Speaker 2: But so then it cuts to a house party where
• 45:46
  Speaker 2: our leading lady Beth is talking to Brian and they're
• 45:52
  Speaker 2: just chit chatting about how Brian is flirting with one
• 45:56
  Speaker 2: girl to get another girl jealous, so maybe she'll come back.
• 46:00
  Speaker 2: But frankly, that conversation was so boring. I did not
• 46:03
  Speaker 2: catch those names.
• 46:07
  Speaker 1: The only thing I caught was the fucking salad that
• 46:09
  Speaker 1: they were making for this party.
• 46:11
  Speaker 2: They were literally tearing lettuce at a table while there's
• 46:14
  Speaker 2: at least forty people in there, just drinking beers and
• 46:16
  Speaker 2: standing around it being rather polite for a college party. Yeah,
• 46:21
  Speaker 2: which by the way, the lead by the time this
• 46:23
  Speaker 2: film came out was thirty years old, but don't worry,
• 46:25
  Speaker 2: she's twenty two in this film too at max, but
• 46:29
  Speaker 2: she has to be younger than that, so she's probably
• 46:31
  Speaker 2: around twenty.
• 46:32
  Speaker 1: Ripping ahead of lettuce for everyone, dicing how lapinios and cucumbers.
• 46:36
  Speaker 1: I don't know what the what was she making?
• 46:38
  Speaker 2: Was Was there any other food? Because I saw nothing
• 46:41
  Speaker 2: except the ingredients for a salad.
• 46:43
  Speaker 1: Order a fucking pizza. Dude, No one wants your salad.
• 46:46
  Speaker 1: Take that shit home.
• 46:47
  Speaker 2: Especially when that looked like that was the main meal.
• 46:49
  Speaker 2: All right, everybody, get your damn greens if you're gonna
• 46:51
  Speaker 2: drink your beer.
• 46:52
  Speaker 1: Didn't see any dressing or any dipping sauce for that.
• 46:55
  Speaker 2: It was weird.
• 46:56
  Speaker 1: It was very odd.
• 46:57
  Speaker 2: So after that, well that's all going on, Leanne comes
• 47:04
  Speaker 2: in and Leanne looks upset, so she goes upstairs with Beth, and.
• 47:14
  Speaker 1: That's when you see those two people humping in the room.
• 47:16
  Speaker 2: Briefly, well, I didn't see it again. I looked down
• 47:19
  Speaker 2: on my phone for half second, I looked up and
• 47:21
  Speaker 2: they were The girl was straightening her dinner mini skirt.
• 47:24
  Speaker 1: Yeah, they both had full clothes on. So I don't
• 47:26
  Speaker 1: know what they were doing, but it was very odd.
• 47:28
  Speaker 2: Apparently it was zipper down going round. Wowright, sorry everybody
• 47:34
  Speaker 2: for that. Yeah something, I'm just helping so you can
• 47:38
  Speaker 2: get a visual. Get a visual half a second scene
• 47:41
  Speaker 2: of the hum So anyway, so Leanne says it's super weird.
• 47:50
  Speaker 2: They were just kind of talking and she she's upset.
• 47:54
  Speaker 2: I guess Leanne had gone to the funeral and whatever.
• 47:57
  Speaker 1: Oh of Shelley.
• 47:58
  Speaker 2: Yeah, of Shelley, because now now we know who the
• 48:01
  Speaker 2: hell Shelley is. It's a friend of Leanne's who she
• 48:05
  Speaker 2: interned with at this hospital. Oh. I just figured this out.
• 48:09
  Speaker 2: It's still really stupid, but I just know it's still dumb.
• 48:12
  Speaker 2: Oh no, it's deep stupid. I just I just figured
• 48:15
  Speaker 2: it out. So anyway, so Leanne and Beth are talking
• 48:23
  Speaker 2: and while they're talking, the little ringtone plays and Leanne
• 48:29
  Speaker 2: listens to the voicemail and she makes face and Beth's like,
• 48:33
  Speaker 2: what's up? And she gives Beth the phone and has
• 48:38
  Speaker 2: her replay the message where it is Leanne saying something
• 48:45
  Speaker 2: on the voicemail and then like screaming, she's really weird.
• 48:48
  Speaker 1: Every time I turn around.
• 48:50
  Speaker 2: Thank you remembering that good. So yeah, they're like, that's weird.
• 48:57
  Speaker 2: But also this call is like from two days from now,
• 48:59
  Speaker 2: so that's odd. Yeah, no idea, how was.
• 49:02
  Speaker 1: That possible two days from now at like ten thirty
• 49:05
  Speaker 1: two pm or something.
• 49:06
  Speaker 2: Yeah, So, like Leanne starts acting weird and shifty around Beth,
• 49:11
  Speaker 2: and Beth's like, what the hell's going on? So, of course,
• 49:14
  Speaker 2: three minutes before the time Leanne is supposed to have
• 49:19
  Speaker 2: this event take place that was on her voicemail, then
• 49:24
  Speaker 2: she decides to call Beth and tell her what's going on.
• 49:28
  Speaker 2: And we discussed this, this is weird. So she's going
• 49:31
  Speaker 2: to this bridge that goes over some train tracks near
• 49:36
  Speaker 2: like the school, and she's worried and she's scared, and
• 49:40
  Speaker 2: she's just walking into an isolated area. Except then Beth's like, oh,
• 49:45
  Speaker 2: you're there. I'm two minutes from there, Like if you
• 49:47
  Speaker 2: were scared and your friend was that close, Because she
• 49:52
  Speaker 2: gets there to watch Leanne die, Yeah, why would you
• 49:56
  Speaker 2: not just go to your friend's house? I would be
• 49:59
  Speaker 2: going straight to my friend, like, hey, can I hang
• 50:01
  Speaker 2: out with you for a bit.
• 50:02
  Speaker 1: I'm really nervous, especially for two reasons because one you
• 50:05
  Speaker 1: just saw some shifty shit up on the bridge that
• 50:08
  Speaker 1: was like a shadow figure. Why would you go up there? Two?
• 50:10
  Speaker 1: You could have just fucking jumped across those tracks, you
• 50:13
  Speaker 1: could what's gonna happen? You could have just walked across
• 50:16
  Speaker 1: the tracks, no problem. I don't know why you had
• 50:18
  Speaker 1: to go up and over. Actually just saw some creepy
• 50:21
  Speaker 1: shit up there, you know what I mean?
• 50:23
  Speaker 2: Like, but yeah, it's so weird. So then they're all
• 50:27
  Speaker 2: at this funeral where Taylor appears, and Taylor is girl
• 50:33
  Speaker 2: who cannot stop talking to save her life.
• 50:36
  Speaker 1: I didn't want to talk about the scene of Leanne's death.
• 50:38
  Speaker 2: Oh, sorry, go ahead, Do you want to talk about it?
• 50:39
  Speaker 1: Oh? I just had one thing to say, because she
• 50:41
  Speaker 1: goes up on the bridge for whatever reason, and then
• 50:45
  Speaker 1: she says the words like, oh, it's just really really
• 50:48
  Speaker 1: really really weird every time I turn around. Then she
• 50:50
  Speaker 1: turns around, and for some reason, up on this bridge,
• 50:52
  Speaker 1: there's a fucking gate that opens No idea why there's
• 50:56
  Speaker 1: a gate on something over a train track, but that
• 50:59
  Speaker 1: opens up up and then the train starts coming and
• 51:02
  Speaker 1: then she just falls. Nothing pushes her, she doesn't trips,
• 51:05
  Speaker 1: She just ends up backwards and then gets hit by
• 51:08
  Speaker 1: the train and you're like.
• 51:09
  Speaker 2: A ride the train at that speed, You're not just
• 51:12
  Speaker 2: gonna be lying there, limp, lifeless body.
• 51:15
  Speaker 1: You are probably smashed into a million.
• 51:17
  Speaker 2: Yeah, you are smashed.
• 51:20
  Speaker 1: Uh So that was an interesting, very ridiculous scene.
• 51:23
  Speaker 2: That's why I said the gore part was kind of
• 51:25
  Speaker 2: weird because it's like she's just laying there like someone
• 51:29
  Speaker 2: broke her neck and dropped her over. She's barely got
• 51:32
  Speaker 2: any blood.
• 51:32
  Speaker 1: On her, like when her arm was completely severed.
• 51:35
  Speaker 2: Yeah, but that again, barely any blood on her, And
• 51:38
  Speaker 2: somehow that's the injury you sustain falling into a train
• 51:42
  Speaker 2: to a train that was going at full speed.
• 51:45
  Speaker 1: Ridiculous.
• 51:47
  Speaker 2: Trains would not be going that fast through a public area,
• 51:49
  Speaker 2: and they're supposed to go way slower.
• 51:51
  Speaker 1: They'd be going way slower. That thing was going full
• 51:53
  Speaker 1: fucking speed.
• 51:54
  Speaker 2: Yeah. So anyway, Leanne's funeral, Yeah, which for some reason,
• 52:00
  Speaker 2: all this shit seems to be Oh no, I think
• 52:02
  Speaker 2: this is all happening at Leanne's parents' house. Yeah, Taylor
• 52:06
  Speaker 2: is outside talking to a friend about the whole scenario,
• 52:09
  Speaker 2: about how she got a call and she missed a
• 52:13
  Speaker 2: call and the voicemail was from herself, with Leanne and
• 52:18
  Speaker 2: then how this has also happened to Shelley before, and
• 52:22
  Speaker 2: how the whole thing's weird, and Brian gets pissed off
• 52:26
  Speaker 2: and he's like, could you shut up? And Taylor takes
• 52:28
  Speaker 2: this as a queue to not shut up for one
• 52:32
  Speaker 2: whole second before she starts going again, and she does
• 52:35
  Speaker 2: this like three times. You're like, dude, damn Taylor, how
• 52:38
  Speaker 2: many times does someone gotta fucking ask you to stop
• 52:40
  Speaker 2: talking before you stop talking? So anyway, Brian, then you
• 52:48
  Speaker 2: see from Brian's starting to get upset and Beth is
• 52:52
  Speaker 2: trying to talk to him, and you see from Brian's
• 52:54
  Speaker 2: perspective that he's seeing some of the creepy shit that
• 52:58
  Speaker 2: Leanne is seeing. I think, yeah, implying that he he
• 53:04
  Speaker 2: got the call when they thought nobody else did.
• 53:07
  Speaker 1: Yeah, because Leanne saw the same thing on Beth's hand
• 53:10
  Speaker 1: when they were in class, and she's seeing all these
• 53:12
  Speaker 1: like distorted creepy faces, which, by the way, are all
• 53:15
  Speaker 1: just disgusting CG. It's just so bad.
• 53:19
  Speaker 2: It's all smooth and shiny and looks like it's just
• 53:22
  Speaker 2: laid over top of the film and not actually worked
• 53:25
  Speaker 2: into the film.
• 53:26
  Speaker 1: The only one that I are the one of the
• 53:27
  Speaker 1: ones I remember that was good. Was the guy on
• 53:29
  Speaker 1: the bus that was a good one. That was like
• 53:31
  Speaker 1: the one, and then everything else. Yeah, it just it
• 53:33
  Speaker 1: looks like they were almost superimposing stuff as opposed to
• 53:37
  Speaker 1: like you know, putting the green on the people's faces,
• 53:40
  Speaker 1: and like there's a.
• 53:41
  Speaker 2: Ghost over a little girl. At one point it looks
• 53:43
  Speaker 2: like the ghost is in the window and not in
• 53:45
  Speaker 2: fact behind her, like it's implied.
• 53:48
  Speaker 1: It's just god awful.
• 53:49
  Speaker 2: It's bizarre, very busy. So and the other weird thing
• 53:55
  Speaker 2: about this is you don't really have a clear indication
• 53:57
  Speaker 2: of time. You know, Leanne had two days, but it
• 53:59
  Speaker 2: kind of skips from when she got the call to
• 54:02
  Speaker 2: the night it's about to happen. Weird, weird, And then
• 54:07
  Speaker 2: you don't know when Brian got the call. When Beth
• 54:10
  Speaker 2: goes chasing after Brian after he gets upset, then he
• 54:14
  Speaker 2: tells her what's going on, and apparently his is minutes
• 54:17
  Speaker 2: away from happening, like two minutes they think. Yeah, So
• 54:22
  Speaker 2: it's very confusing. The cuts are so jarring that you
• 54:25
  Speaker 2: don't actually it all feels like it's happening over a
• 54:28
  Speaker 2: couple of days, but like if you do the math.
• 54:30
  Speaker 2: It's closer to like ten days. Also, who the hell's
• 54:34
  Speaker 2: planning a funeral and like less than two days?
• 54:38
  Speaker 1: Yes, if you think about it, Yeah, because le Anne
• 54:40
  Speaker 1: died and then it's like the next day they were
• 54:41
  Speaker 1: having a funeral. That takes like a week or so.
• 54:44
  Speaker 2: They have to like at best, you would have you
• 54:46
  Speaker 2: would get it happened on a Monday. You'd maybe get
• 54:49
  Speaker 2: to Friday. Yeah, maybe it's not the next day.
• 54:52
  Speaker 1: They have to do the autopsy.
• 54:53
  Speaker 2: They have to do and even if they don't have
• 54:55
  Speaker 2: to prepare the body, prepare the body and the information out, paperwork.
• 54:59
  Speaker 1: Has to be done. It's this isn't a fucking twenty
• 55:01
  Speaker 1: four hour turn time.
• 55:03
  Speaker 2: Yeah, so we don't even.
• 55:05
  Speaker 1: Think about that. That's ridiculous. Yeah, I didn't even think
• 55:07
  Speaker 1: about that.
• 55:08
  Speaker 2: So oh and I apologize. While this is all happening, uh,
• 55:13
  Speaker 2: After the party, it cuts briefly to a scene of
• 55:16
  Speaker 2: a cop talking to lady who might be hooker or
• 55:21
  Speaker 2: might be person who lives in neighborhood, not entirely clear.
• 55:26
  Speaker 2: And she has a flip phone video. All these are
• 55:29
  Speaker 2: flip phones, by the way, so just.
• 55:30
  Speaker 1: Every phone in this movie. The phone is a boost mobile.
• 55:33
  Speaker 2: Motorola, every single one of them.
• 55:36
  Speaker 1: They were definitely plugging that hardcore in this movie.
• 55:39
  Speaker 2: Yeah. So the detective who is Jackie andrews uh it
• 55:45
  Speaker 2: is busy working to get dirt and solve crime on
• 55:49
  Speaker 2: the streets and then he gets a call and uh,
• 55:55
  Speaker 2: you don't know what the hell that calls about. And
• 55:56
  Speaker 2: then he goes to talk to a doctor who's like, oh,
• 55:59
  Speaker 2: we didn't want to do the autopsy until you got here,
• 56:02
  Speaker 2: Like okay, but apparently you didn't also want to get
• 56:06
  Speaker 2: her out of the bag she came in. You couldn't
• 56:09
  Speaker 2: lay her out nice for the dude. Uh. And it's
• 56:12
  Speaker 2: his sister who also has the weird piece of candy,
• 56:16
  Speaker 2: like the red ball in her mouth.
• 56:21
  Speaker 1: It turns out to be candy.
• 56:22
  Speaker 2: It's candy.
• 56:24
  Speaker 1: Jawbreaker or something.
• 56:25
  Speaker 2: So he's like, he's involved now and uh he uh
• 56:32
  Speaker 2: so clearly his sister's connected somehow, but like, you don't
• 56:35
  Speaker 2: know what the hell.
• 56:36
  Speaker 1: You don't find out until very later on.
• 56:39
  Speaker 2: Yeah, so anyway, but.
• 56:40
  Speaker 1: It is convenient that he's a detective and on the.
• 56:43
  Speaker 2: Case, yes, and that his sister, who none of these
• 56:45
  Speaker 2: people knew, is involved.
• 56:48
  Speaker 1: With their circle of friends.
• 56:49
  Speaker 2: Now, yeah, because this is clearly impacting their friends specifically,
• 56:54
  Speaker 2: So back to Beth and Brian.
• 56:56
  Speaker 1: Back to Brian.
• 56:57
  Speaker 2: Brian lets her hear the call, and he's like, yeah,
• 57:02
  Speaker 2: I just get my head so turned around sometime and
• 57:05
  Speaker 2: then uh, that's it, And so he starts getting upset
• 57:10
  Speaker 2: with her, and she's like trying to say, like, oh,
• 57:12
  Speaker 2: it won't happen, but we need to do something, and
• 57:16
  Speaker 2: he's like, oh, if you just think it won't happen,
• 57:18
  Speaker 2: then it won't happen. So he tries to leave, except
• 57:23
  Speaker 2: then he realizes that or she yells that he forgot
• 57:26
  Speaker 2: his phone, so he starts to walk back. Well, there's
• 57:28
  Speaker 2: construction going on across the street from them, and did
• 57:31
  Speaker 2: that exact moment an explosion happens. It's very final destination
• 57:37
  Speaker 2: and a piece of rebar goes right through his chest.
• 57:41
  Speaker 2: And it's so stupid because the rebar, if his back
• 57:48
  Speaker 2: was to the construction site, and the construction, to be clear,
• 57:51
  Speaker 2: is on the roof of the building above this.
• 57:55
  Speaker 1: It's like seven stories in the air, like it's way
• 57:58
  Speaker 1: up there.
• 57:58
  Speaker 2: So the rebar, however, when you're looking directly at him,
• 58:02
  Speaker 2: is pointed up in the direction of his face. So
• 58:05
  Speaker 2: somehow even though the explosion happened above and behind him.
• 58:09
  Speaker 2: The rebar I don't know did it bounce off the
• 58:12
  Speaker 2: ground and then go through him, because it should be
• 58:14
  Speaker 2: pointed down towards the ground. If you're looking at his
• 58:17
  Speaker 2: front side, it is like facing the exact wrong angle.
• 58:20
  Speaker 1: And what my favorite part about that is is no
• 58:23
  Speaker 1: one around him is endangered in any way, not even Beth,
• 58:27
  Speaker 1: who's like directly in front of him. It's just him.
• 58:30
  Speaker 1: He's the only and it's just one thing of rebar.
• 58:32
  Speaker 1: There was concrete and all this other shit flying around.
• 58:35
  Speaker 1: I don't think I saw any cars get hit in
• 58:37
  Speaker 1: the background. Just the rebar that goes straight through his heart,
• 58:41
  Speaker 1: not like happens to go through a leg or an.
• 58:43
  Speaker 2: Arm, and that he barely bleeds too. Yeah, And then
• 58:47
  Speaker 2: I think we have to give credit to the one
• 58:48
  Speaker 2: scare in the movie that actually scared us where we
• 58:52
  Speaker 2: heard a noise oh yeah, and we both jumped a
• 58:55
  Speaker 2: little because we were like, Jesus, is that like the
• 58:58
  Speaker 2: loudest espresso maker ever? Or like, what is that? We
• 59:03
  Speaker 2: found out later what it was, but that was the
• 59:06
  Speaker 2: literal only time either one of us jumped. It's the
• 59:10
  Speaker 2: only time I jumped, so Brian's dead. Beth starts talking
• 59:19
  Speaker 2: to the detective. She starts explaining all this shit's weird.
• 59:23
  Speaker 2: He kind of brushes her off about it. He's like, yeah,
• 59:26
  Speaker 2: we're looking into it, blah blah blah. But yeah, they
• 59:31
  Speaker 2: kind of have like a brief conversation to connect and uh,
• 59:35
  Speaker 2: it's whatever. So then she goes home. Taylor is sitting
• 59:42
  Speaker 2: at home in the dark like creep because she's freaked
• 59:45
  Speaker 2: out because her number is in his phone, in Brian's phone,
• 59:50
  Speaker 2: and it and whoever's in the phone, like anyone who's
• 59:52
  Speaker 2: whose phone numbers in your phone could get called, or
• 59:55
  Speaker 2: at least that's what's being theorized at this point by
• 1:00:00
  Speaker 2: the other people. So they're both freaking out. Beth tries
• 1:00:04
  Speaker 2: to calm her down, so they agree, Okay, we'll take
• 1:00:06
  Speaker 2: the phone batteries out. They can't call if the phone like, okay,
• 1:00:10
  Speaker 2: so mystically you get a voicemail of yourself saying something
• 1:00:14
  Speaker 2: in the future. But yeah, the battery being out will
• 1:00:16
  Speaker 2: solve that, because we know none of this is supernatural.
• 1:00:21
  Speaker 2: So Beth takes out the batteries, They throw the phones
• 1:00:25
  Speaker 2: on the couch, they go to sleep. We get a
• 1:00:27
  Speaker 2: really weird cut, like a weird scene of like cut
• 1:00:31
  Speaker 2: sequences between like things going on in different rooms. Like
• 1:00:34
  Speaker 2: they couldn't find a really good way to do that,
• 1:00:38
  Speaker 2: And I should say, anytime someone mentions something traumatic, Beth
• 1:00:42
  Speaker 2: gets a weird flashback that you have no context for
• 1:00:45
  Speaker 2: what the hell's going on with her.
• 1:00:47
  Speaker 1: Yeah, and you don't even find out whatever happened with her.
• 1:00:49
  Speaker 2: You get all these flashbacks, you get a brief like
• 1:00:51
  Speaker 2: an eye meaning an extremely brief explanation, And apparently that
• 1:00:55
  Speaker 2: was all you needed because yeah, that.
• 1:00:57
  Speaker 1: Had no relevance to the movie.
• 1:00:59
  Speaker 2: They were trying to give her a backstory to make
• 1:01:01
  Speaker 2: you care more about her, but it was so irrelevant
• 1:01:05
  Speaker 2: to the plot because they tried to make it relevant,
• 1:01:08
  Speaker 2: then it turned out it was completely irrelevant.
• 1:01:10
  Speaker 1: Had nothing to do with anything.
• 1:01:13
  Speaker 2: It was like when you figure out what's actually going on,
• 1:01:15
  Speaker 2: it doesn't have anything to do with anything. But like
• 1:01:18
  Speaker 2: they were trying to use it to connect her to
• 1:01:21
  Speaker 2: the to what was happening, but it didn't really make sense,
• 1:01:26
  Speaker 2: and they did such a poor job connecting it that
• 1:01:28
  Speaker 2: you're just like, you could have cut that scene out
• 1:01:31
  Speaker 2: and I would have cared about her exactly the same amount.
• 1:01:34
  Speaker 1: Yeah, there's no relevance other than trying to link the
• 1:01:37
  Speaker 1: whole like abuse thing.
• 1:01:38
  Speaker 2: That was that and it didn't really even work anyway.
• 1:01:41
  Speaker 1: Yeah it did. It barely did anything to the story.
• 1:01:44
  Speaker 2: So after they do some really weird cuts of them
• 1:01:48
  Speaker 2: sleeping and random objects in their home, a phone rings downstairs.
• 1:01:54
  Speaker 2: Uh somehow, it's only half a ring in when Beth's
• 1:01:58
  Speaker 2: down the stairs and Taylor stand in the fucking corner
• 1:02:01
  Speaker 2: like a weirdo hob goblins just like it.
• 1:02:05
  Speaker 1: Which is it?
• 1:02:06
  Speaker 2: Jesus, how did you get down here? She's like fucking
• 1:02:09
  Speaker 2: Tony Kullett in Hereditary. She's just in the corner already.
• 1:02:12
  Speaker 2: You're like, how the fuck did you get here? And
• 1:02:15
  Speaker 2: Tabeth checks her phone. It's not her, Taylor checks her phone.
• 1:02:21
  Speaker 2: They they go on a weird thing where, uh, they
• 1:02:25
  Speaker 2: attempt to smash the phone repeatedly.
• 1:02:29
  Speaker 1: That's like a trope throughout the rest of the movie,
• 1:02:31
  Speaker 1: Like they keep trying to smash phones like it's that's
• 1:02:33
  Speaker 1: gonna just end everything.
• 1:02:35
  Speaker 2: And they repeatedly prove it doesn't work. That does not
• 1:02:37
  Speaker 2: stop anybody smashing these phones.
• 1:02:40
  Speaker 1: So many phones get smashing this and I'm like, does
• 1:02:42
  Speaker 1: everyone just have backup phones.
• 1:02:44
  Speaker 2: I do feel a little bad for Taylor because, oh,
• 1:02:48
  Speaker 2: she wasn't that bright. But there is a scene where
• 1:02:51
  Speaker 2: everybody like, this is a thing that's going on on
• 1:02:54
  Speaker 2: this college campus that everybody knows this is happening. So
• 1:02:57
  Speaker 2: it's not even like people don't believe you. They're like, nope,
• 1:02:59
  Speaker 2: shit's real. Like Jesus, that took little to no energy
• 1:03:02
  Speaker 2: to bread.
• 1:03:03
  Speaker 1: Get out of here. The curse it is real.
• 1:03:05
  Speaker 2: So Taylor has all these people surrounding her who are
• 1:03:09
  Speaker 2: taking her phone, and she's like, you can delete it
• 1:03:12
  Speaker 2: if you want to. So I think they're talking about
• 1:03:14
  Speaker 2: the voicemail at first, and then I realized they started
• 1:03:16
  Speaker 2: their phone numbers. They're deleting their phone numbers out of
• 1:03:19
  Speaker 2: her phone, like Jesus Christ. So Beth shuts that shit down.
• 1:03:27
  Speaker 2: They smashed the phone up. Uh. Then they're going home,
• 1:03:32
  Speaker 2: and then they bump into Ted, who is Ray Wise.
• 1:03:35
  Speaker 2: And Ted runs a TV show and has already heard
• 1:03:39
  Speaker 2: about this somehow and would like to perform an exorcism
• 1:03:45
  Speaker 2: on Taylor because as we know, she's somehow possessed somehow.
• 1:03:51
  Speaker 1: Should we just play this storyline out real quick and
• 1:03:53
  Speaker 1: get back to THEO, because it's you know what I mean,
• 1:03:54
  Speaker 1: because they kind of go back and forth.
• 1:03:56
  Speaker 2: Or yes, Taylor, I'm just gonna do her breathing, yeah,
• 1:03:59
  Speaker 2: and give again. It doesn't really matter that much. Taylor
• 1:04:03
  Speaker 2: decides to go along with the whole thing, even though
• 1:04:06
  Speaker 2: Beth doesn't want her to. Uh, they try to exercise her.
• 1:04:10
  Speaker 2: Then she gets try to.
• 1:04:11
  Speaker 1: Exercise the phone.
• 1:04:12
  Speaker 2: Oh yeah. Then they try to exercise the phone.
• 1:04:15
  Speaker 1: Like I command you to come out of the cell phone,
• 1:04:17
  Speaker 1: and I let out a squeal because I was like, oh,
• 1:04:19
  Speaker 1: that's fucking great, let's exercise a fucking electronic device.
• 1:04:22
  Speaker 2: Well, Beth and the detective are trying to figure out
• 1:04:26
  Speaker 2: the what the hell's going on, which I'll get back
• 1:04:29
  Speaker 2: to in a second. They literally come racing to talk
• 1:04:32
  Speaker 2: to her to do what I don't know, I don't know,
• 1:04:36
  Speaker 2: and uh yeah, she still ends up dying anyway, and
• 1:04:39
  Speaker 2: then the cameras conveniently don't actually save the information that happens.
• 1:04:45
  Speaker 2: So she dies anyway, and then unfortunately.
• 1:04:47
  Speaker 1: Little red marble comes out of her mouth.
• 1:04:49
  Speaker 2: Hill yeah, and then Beth gets her call. So going
• 1:04:52
  Speaker 2: back back to Beth and Jack. Jack comes to see
• 1:04:56
  Speaker 2: Beth and they have a discussion that he has figured
• 1:04:59
  Speaker 2: out that the connection with these people is they all
• 1:05:04
  Speaker 2: worked at the same hospital doing an internship, and they're
• 1:05:07
  Speaker 2: trying to figure out, like, Okay, so Brian got the
• 1:05:12
  Speaker 2: call from Leanne, who got the call from Shelley? And
• 1:05:15
  Speaker 2: who did Shelley get the call from? Well, Shelley got
• 1:05:17
  Speaker 2: the call from Jack's sister who died. And then so
• 1:05:22
  Speaker 2: then they're like, all right, so who got who sent
• 1:05:25
  Speaker 2: out the first call? Whoever sent out the first call,
• 1:05:27
  Speaker 2: that's who we need to go talk to. Well, they
• 1:05:31
  Speaker 2: go to find this nurse. They go to her house.
• 1:05:36
  Speaker 2: They try to break in with what looks like it's
• 1:05:38
  Speaker 2: supposed to be a credit card but looks more like
• 1:05:40
  Speaker 2: a vaguely thick piece of paper. And when they break in,
• 1:05:47
  Speaker 2: they're looking around. There are creepy dolls that resemble the
• 1:05:50
  Speaker 2: creepy shit that Leanne. You got to see what Leanne
• 1:05:53
  Speaker 2: had seen? Doller, Yeah, creepy doll in the stroller, the millipedes,
• 1:05:59
  Speaker 2: and so they're seeing some of that stuff, but they
• 1:06:03
  Speaker 2: don't know what the hell that's for, uh, And they
• 1:06:08
  Speaker 2: notice that there is a disc They find a disc
• 1:06:11
  Speaker 2: for a for something that says kids room. So they're
• 1:06:15
  Speaker 2: watching the nanny cam and it just looks like a
• 1:06:17
  Speaker 2: basic disc. So they're like, all right, let's go find
• 1:06:19
  Speaker 2: the nannycam. They go to find the nanny cam. Well,
• 1:06:24
  Speaker 2: they can't find it. It's not where it was. And
• 1:06:28
  Speaker 2: then it turns out they start looking into this this
• 1:06:31
  Speaker 2: woman who is I guess also a nurse, and she
• 1:06:36
  Speaker 2: has a history for children coming in with asthma attacks
• 1:06:40
  Speaker 2: and burns and cuts and bug bites and stuff like
• 1:06:44
  Speaker 2: that that send her to the hot send the kids
• 1:06:46
  Speaker 2: to the hospital several times. So they're like, oh okay,
• 1:06:51
  Speaker 2: and Beth over there jumps immediately to Moonshausen syndrome by proxy,
• 1:06:58
  Speaker 2: which if you're unaware of what that is, which is
• 1:07:00
  Speaker 2: funny because we've just recently watched some Forensic Files episodes
• 1:07:03
  Speaker 2: that were so Munchasen syndrome by proxy. It comes up
• 1:07:09
  Speaker 2: in the act. That's one example of it. Sixth sense
• 1:07:12
  Speaker 2: it comes up. It's basically when a parent makes a child.
• 1:07:17
  Speaker 2: It can happen other people, but the prime example is
• 1:07:20
  Speaker 2: usually a parent will make a child sick or a
• 1:07:23
  Speaker 2: peer sick to get attention by needing to take them
• 1:07:26
  Speaker 2: to like the hospital to get medical attention, and they
• 1:07:32
  Speaker 2: surmise that this woman whose name is Mary Layton has
• 1:07:37
  Speaker 2: been doing this to her two daughters, whose names are
• 1:07:42
  Speaker 2: Ellie and other child.
• 1:07:47
  Speaker 1: Laurel.
• 1:07:48
  Speaker 2: Laurel. Thank you Laurel. Yeah, so they're very upset about this,
• 1:07:55
  Speaker 2: and now they're suspecting this all has something to do
• 1:07:57
  Speaker 2: with that, but they don't know what the hell it is.
• 1:08:00
  Speaker 2: But they are running out of time, so then they
• 1:08:02
  Speaker 2: run to go try to save what's her face? Taylor? Uh,
• 1:08:07
  Speaker 2: and Taylor obviously does not make it if you were
• 1:08:10
  Speaker 2: listening earlier. Yeah, and then Beth gets her call. Now,
• 1:08:15
  Speaker 2: prior to this, everyone had been getting about two days
• 1:08:18
  Speaker 2: for each of their calls, give or take a few hours. Apparently,
• 1:08:23
  Speaker 2: fuck Beth, because Beth gets less than twenty four hours.
• 1:08:27
  Speaker 1: Yeah, she gets like a day.
• 1:08:28
  Speaker 2: Yeah, Like the first Taylor's death is supposed to be
• 1:08:31
  Speaker 2: like eight thirty something, and then hers is supposed to
• 1:08:33
  Speaker 2: be it's seven fifty five the next day.
• 1:08:36
  Speaker 1: Yeah, they're like, oh, all right, then that's fine.
• 1:08:38
  Speaker 2: And then she goes into the police station with Jack
• 1:08:43
  Speaker 2: and then Margaret Chose says her funny line about calling
• 1:08:47
  Speaker 2: customer service. That was great, and then it cuts to
• 1:08:49
  Speaker 2: the next morning and she's like, I'm gonna die today,
• 1:08:51
  Speaker 2: and you're like, wait, what wasn't it yesterday? Oh you're
• 1:08:56
  Speaker 2: like and we're like, oh, yeah, I guess it was daytime,
• 1:08:58
  Speaker 2: So I guess it is the next day. That was
• 1:09:00
  Speaker 2: not really clear the way they did that.
• 1:09:02
  Speaker 1: Time stamps would have really helped this movie.
• 1:09:04
  Speaker 2: Time stamps would have been great. A clearer progression between times,
• 1:09:09
  Speaker 2: like a clear indication that she was at the police
• 1:09:12
  Speaker 2: station all night. That would have been good, better editing. Yeah,
• 1:09:18
  Speaker 2: so she's like, yeah, fuck this, I'm not gonna just
• 1:09:21
  Speaker 2: sit here, but she starts getting upset. He notices some
• 1:09:25
  Speaker 2: scars on her arm. Then he asks her what the
• 1:09:27
  Speaker 2: hell that's about. And it turns out her mom used
• 1:09:30
  Speaker 2: to burn her with cigarettes, and that's why she's supposed
• 1:09:36
  Speaker 2: to you're supposed to feel bad for her, and that's
• 1:09:37
  Speaker 2: her connection.
• 1:09:38
  Speaker 1: Is dad hung herself too, and ship like.
• 1:09:41
  Speaker 2: What you said, her dad hung herself.
• 1:09:43
  Speaker 1: Hung hung himself sorry, which.
• 1:09:45
  Speaker 2: By the way, you see her see.
• 1:09:46
  Speaker 1: Him do that through a hole in the door.
• 1:09:50
  Speaker 2: Yes, which doesn't even look like a door, Like they
• 1:09:53
  Speaker 2: cut to the where the hole is, you know, like,
• 1:09:56
  Speaker 2: is that a wall, is that the floor the ceiling?
• 1:09:59
  Speaker 1: I have no idea that's a.
• 1:10:00
  Speaker 2: Non descript piece of wood You've got me pointed at.
• 1:10:02
  Speaker 2: I don't know what I'm looking at. Yeah, and then
• 1:10:04
  Speaker 2: when she gets up to me like, oh, I guess
• 1:10:06
  Speaker 2: it's a wall. Okay. Then her dad kills himself in
• 1:10:11
  Speaker 2: her flashback, and then she cries on Jack's arm, and
• 1:10:16
  Speaker 2: then they never speak about it again. No more flashbacks.
• 1:10:19
  Speaker 2: That is that is it for that? So back to
• 1:10:25
  Speaker 2: what's going on with them. That's pretty much like fuck that.
• 1:10:28
  Speaker 2: We're going to figure out what's going on. I'm done
• 1:10:30
  Speaker 2: with this bullshit. And he's like, all right, Well, they
• 1:10:33
  Speaker 2: figure out that this whole thing has to do with
• 1:10:35
  Speaker 2: the fire in the beginning, and Mary Layton's daughter, Laurel Laurel,
• 1:10:43
  Speaker 2: Laurel L Laurel, she's still alive. They go to talk
• 1:10:48
  Speaker 2: to her. She's mute and a child, but the teddy
• 1:10:54
  Speaker 2: bear she's holding still she's the kid from the beginning.
• 1:10:57
  Speaker 2: I should also say, which you don't find out till.
• 1:10:59
  Speaker 1: You have to put that together too. They didn't really.
• 1:11:02
  Speaker 1: You have to remember her face from the four seconds
• 1:11:04
  Speaker 1: she was in the fucking mood.
• 1:11:06
  Speaker 2: An hour ago, an hour ago.
• 1:11:08
  Speaker 1: Oh that's her, okay.
• 1:11:09
  Speaker 2: Yeah, So they're trying to talk to her trying to
• 1:11:13
  Speaker 2: bully this child who they assume has been abused by
• 1:11:17
  Speaker 2: yelling at her.
• 1:11:19
  Speaker 1: I mean not not Jack though, that was all.
• 1:11:22
  Speaker 2: But would you love because she's the victim of abuse,
• 1:11:25
  Speaker 2: You'd think a really an excellent moment to show that
• 1:11:28
  Speaker 2: she is, you know, she has empathy for the kid
• 1:11:34
  Speaker 2: because of the abuse, would have been for her to
• 1:11:37
  Speaker 2: calmly sit down and try to talk to Now. Fuck
• 1:11:39
  Speaker 2: that she's gonna scream at the kid because she has
• 1:11:42
  Speaker 2: no idea what it likes to be abused. Yeah, and
• 1:11:46
  Speaker 2: because they suspect that the mother is how the phone
• 1:11:50
  Speaker 2: calls are happening, So they're trying to locate her because
• 1:11:55
  Speaker 2: as far as they know, Laurel's there at the Foster
• 1:11:58
  Speaker 2: home Ellie the old his daughter has died, they believe
• 1:12:02
  Speaker 2: at the hands of Mary leyton yep. And so the
• 1:12:07
  Speaker 2: Jack says, Okay, well, I'm gonna go look at records,
• 1:12:09
  Speaker 2: see if I can track credit cards or whatever to
• 1:12:11
  Speaker 2: try to find this woman to try to figure this out.
• 1:12:14
  Speaker 2: And uh, Beth's like, cool, I'm gonna go do detective
• 1:12:17
  Speaker 2: work too. He's like, well we should stay together, and
• 1:12:19
  Speaker 2: she's like, nah, fuck that.
• 1:12:20
  Speaker 1: Fuck that.
• 1:12:21
  Speaker 2: So she lies and says she's going somewhere else. I
• 1:12:23
  Speaker 2: think the library. She doesn't do that. She gets a
• 1:12:28
  Speaker 2: a cab ride over to the hospital that was on
• 1:12:31
  Speaker 2: fire in the beginning because they which was apparently about
• 1:12:35
  Speaker 2: a week ago, but again you add the math up,
• 1:12:37
  Speaker 2: it's been about ten days total.
• 1:12:38
  Speaker 1: Yeah, so who knows?
• 1:12:40
  Speaker 2: Yeah who? So she goes to the hospital where Mary
• 1:12:47
  Speaker 2: Leyton and her family were the day the hospital caught fire.
• 1:12:53
  Speaker 1: Looking for the looking for this lady's body because she
• 1:12:56
  Speaker 1: feels like she burned up in there and.
• 1:12:59
  Speaker 2: That's why she hasn't been accounted for. So she wants
• 1:13:01
  Speaker 2: to go find her.
• 1:13:02
  Speaker 1: She's going to find this lady in a hospital, a
• 1:13:05
  Speaker 1: huge hospital. Yeah, and like pretty much immediately finds her.
• 1:13:10
  Speaker 2: No, she doesn't here a while because I mean the
• 1:13:12
  Speaker 2: cop gets there before she finds her. She runs around
• 1:13:15
  Speaker 2: in the hospital, gets scared by one thing, and then
• 1:13:20
  Speaker 2: tries to haul a Yeah the baby on the cell phone,
• 1:13:23
  Speaker 2: which is more funny than anything.
• 1:13:24
  Speaker 1: That was hilarious, And then.
• 1:13:27
  Speaker 2: She tries to haul us out. She can't do that.
• 1:13:29
  Speaker 2: She starts getting dragged off. Jack shows up. He tries
• 1:13:33
  Speaker 2: to help her. He gets knocked out, event conveniently, opens
• 1:13:36
  Speaker 2: up in the room she's in, but the event that
• 1:13:39
  Speaker 2: drops into the floor underneath the hospital, she finds Mary's body.
• 1:13:45
  Speaker 2: Mary's or at least.
• 1:13:46
  Speaker 1: That we think, which is all burned up and in
• 1:13:48
  Speaker 1: this ac duct or something.
• 1:13:50
  Speaker 2: So yeah, that she takes Mary's phone, and Mary's calling
• 1:13:54
  Speaker 2: somebody because you know, time's running out for Beth. Beth's
• 1:14:00
  Speaker 2: out and she thinks this is calling her, so she's
• 1:14:03
  Speaker 2: trying to smash up the.
• 1:14:06
  Speaker 1: Phone get another phone.
• 1:14:08
  Speaker 2: And then Mary's burned up body. You assume she's dead,
• 1:14:12
  Speaker 2: which I don't know how she would be alive for
• 1:14:14
  Speaker 2: that many days with that.
• 1:14:15
  Speaker 1: Much burnt like that, Now she was a ghost, I
• 1:14:18
  Speaker 1: don't know what's going on.
• 1:14:19
  Speaker 2: Most people would go into shock and then die. She
• 1:14:22
  Speaker 2: just hung out an event for ten days with no
• 1:14:24
  Speaker 2: medical treatment at all.
• 1:14:25
  Speaker 1: So I assume she I don't know, she's got to
• 1:14:27
  Speaker 1: be a ghost, but I don't know.
• 1:14:28
  Speaker 2: But also she didn't appear to be a ghost.
• 1:14:30
  Speaker 1: Yes, I don't. I don't know.
• 1:14:32
  Speaker 2: It was weird, no no idea. So then she chases
• 1:14:38
  Speaker 2: Beth sort of down the uh vents, Yeah, and then
• 1:14:43
  Speaker 2: kind of just lays on top of Beth and is crying,
• 1:14:46
  Speaker 2: and you're like.
• 1:14:47
  Speaker 1: Am I supposed to empathize with this burnt up thing?
• 1:14:50
  Speaker 2: But I don't know why I'm empathizing with her though. Yeah,
• 1:14:54
  Speaker 2: and then they figure out what I can't remember how
• 1:15:01
  Speaker 2: to figure out what the bear, what the camera is.
• 1:15:05
  Speaker 1: I don't know how they figure it out. They just
• 1:15:07
  Speaker 1: go back to I don't know, they go, they go,
• 1:15:09
  Speaker 1: I'm pretty.
• 1:15:09
  Speaker 2: Sure, Oh yeah, no, okay, I got it. So now
• 1:15:13
  Speaker 2: that they know that, oh yeah, because Jack says he's
• 1:15:16
  Speaker 2: gonna go tell Laurel that that's that her mom's dead.
• 1:15:20
  Speaker 2: Marie is dead, and Beth thinks she's safe now because
• 1:15:25
  Speaker 2: she didn't die. So then Jack goes to tell Laura
• 1:15:31
  Speaker 2: Laurel's asleep. He's looking at a picture of her with
• 1:15:33
  Speaker 2: her teddy bear, and he I don't know why, but
• 1:15:36
  Speaker 2: that makes him think critical thinking, and he takes the
• 1:15:41
  Speaker 2: teddy bear from her room. That's the camera. The camera,
• 1:15:46
  Speaker 2: the camera that apparently also sings the tune that they
• 1:15:50
  Speaker 2: keep hearing, because that makes sense.
• 1:15:51
  Speaker 1: Well, the camera doesn't sing it, it's just the but.
• 1:15:53
  Speaker 2: The bear sings. Like why is the bear a singing
• 1:15:56
  Speaker 2: bear and a camera? That's two different things. So so yeah,
• 1:16:02
  Speaker 2: then conveniently inside is another disc from the nanny cam
• 1:16:08
  Speaker 2: that conveniently explains exactly what's been happening. Yeah, and only that,
• 1:16:15
  Speaker 2: which is that the older sister, Ellie was attacking Laurel
• 1:16:24
  Speaker 2: and she would get upset and cause her own asthma attacks.
• 1:16:30
  Speaker 2: And then the mom, Marie, walks in, sees her cutting
• 1:16:35
  Speaker 2: her sister's arm, takes the sister away, and Ellie gets
• 1:16:41
  Speaker 2: stuck in the room, upset, goes, has an asthma attack,
• 1:16:44
  Speaker 2: goes to get her inhaler, can't get to the inhaler.
• 1:16:47
  Speaker 2: She makes the noise that we heard earlier.
• 1:16:49
  Speaker 1: That's scared with.
• 1:16:52
  Speaker 2: That Beth kept hearing and uh. Then the girl dies
• 1:16:57
  Speaker 2: and apparently she has been using her mom's phone. No, yeah,
• 1:17:03
  Speaker 2: she tries to call her mom, her mom with the phone.
• 1:17:06
  Speaker 1: And that's what apparently starts to fucking curse.
• 1:17:10
  Speaker 2: Yeah what first off? What?
• 1:17:13
  Speaker 1: What?
• 1:17:13
  Speaker 2: Second off? So you killed? So you died, and then
• 1:17:19
  Speaker 2: then your mom died in the hospital with the phone,
• 1:17:22
  Speaker 2: I guess in her hand. So then like, why did it?
• 1:17:26
  Speaker 2: How did you pick? You conveniently picked the detective sister,
• 1:17:29
  Speaker 2: and then only Beth's friends after that. It's supposed to
• 1:17:32
  Speaker 2: be random, but it's conveniently isolated to detective sister and
• 1:17:37
  Speaker 2: Beth's group of friends.
• 1:17:38
  Speaker 1: Yeah, because you could have had it be random people
• 1:17:40
  Speaker 1: around the country or around even the same state or
• 1:17:43
  Speaker 1: something like that and been like, Wow, these people are
• 1:17:45
  Speaker 1: just randomly dying in crazy ways and connected the dots,
• 1:17:47
  Speaker 1: you know what I mean?
• 1:17:48
  Speaker 2: And I get how they like, I realize now that
• 1:17:51
  Speaker 2: the reason they had to say they were all interning
• 1:17:53
  Speaker 2: at the same hospital was because that's how they would
• 1:17:55
  Speaker 2: have each other's numbers. Yeah, but also, okay, you could
• 1:17:59
  Speaker 2: have tied them in somehow better, and also like they.
• 1:18:03
  Speaker 1: Were the cause of the fire and they were being
• 1:18:05
  Speaker 1: picked off one by one something.
• 1:18:07
  Speaker 2: But this is just a girl who's being evil to
• 1:18:09
  Speaker 2: be evil. And this is the second film we've seen
• 1:18:12
  Speaker 2: where like it's, oh, the mother's actually protecting you from
• 1:18:16
  Speaker 2: her daughter, and uh yeah, it's basically at that point
• 1:18:20
  Speaker 2: I think Jack run like a hauling ass to save Beth,
• 1:18:25
  Speaker 2: though he has no reason to actually suspect she's still
• 1:18:27
  Speaker 2: in danger based off that information.
• 1:18:31
  Speaker 1: He's going there to tell her, Yeah, because he's the
• 1:18:35
  Speaker 1: only one that's seen the tape the nanny campt He's
• 1:18:37
  Speaker 1: going there to tell her what happened.
• 1:18:40
  Speaker 2: Yes, and the story, and then he gets there, they
• 1:18:45
  Speaker 2: go in Beth like they hear banging at the door
• 1:18:49
  Speaker 2: right behind him. He gets stabbed through the door by Ellie.
• 1:18:54
  Speaker 2: And then as Ellie's going to kill Beth, then apparently
• 1:18:59
  Speaker 2: Marie decides to get off of her ass and actually
• 1:19:02
  Speaker 2: stop her daughter because apparently she had the power all
• 1:19:05
  Speaker 2: along and just let like six people die before she
• 1:19:09
  Speaker 2: got around to it. Also fastest ghost turnover ever that
• 1:19:12
  Speaker 2: she was managing to murder this many people after dying
• 1:19:15
  Speaker 2: like literal days earlier.
• 1:19:17
  Speaker 1: Yeah, this movie is just irresponsible. That's the best way
• 1:19:21
  Speaker 1: I can put it. It makes no sense.
• 1:19:23
  Speaker 2: You got to stick to it like a plan. I
• 1:19:26
  Speaker 2: there was no plan.
• 1:19:28
  Speaker 1: Oh my god, with how terrible the story was and
• 1:19:32
  Speaker 1: how much it didn't make sense. I did enjoy the
• 1:19:35
  Speaker 1: sound design of this movie. It was very well done.
• 1:19:38
  Speaker 1: The back speakers were working very well in this round.
• 1:19:40
  Speaker 1: Sound definitely had some good jump scares. Cinematography was good,
• 1:19:44
  Speaker 1: acting was good, but good god, it just fell completely
• 1:19:47
  Speaker 1: flat on its face multiple times.
• 1:19:50
  Speaker 2: Yeah.
• 1:19:50
  Speaker 1: Every time it got back up to try and keep going,
• 1:19:53
  Speaker 1: just right back on its face.
• 1:19:54
  Speaker 2: Yeah, they really couldn't pick a direction. Like I said that,
• 1:19:57
  Speaker 2: you leave this movie the same way you went in.
• 1:20:00
  Speaker 2: You have no real feeling. I was not. I didn't
• 1:20:03
  Speaker 2: care about any of the characters, Like I didn't care
• 1:20:06
  Speaker 2: about the guy's sister. He didn't seem particularly hurt after
• 1:20:11
  Speaker 2: he saw the body about it. He didn't seem really
• 1:20:14
  Speaker 2: affected by anything. No, And it was super weird that
• 1:20:19
  Speaker 2: when they said bye right before you know, he got
• 1:20:22
  Speaker 2: got when he came back, she was like, oh, maybe
• 1:20:24
  Speaker 2: you could call me sometimes like that. Dude is ten
• 1:20:26
  Speaker 2: years older than you. No, so and even if and
• 1:20:30
  Speaker 2: I know that was technically their real life ages, but
• 1:20:34
  Speaker 2: if she was twenty two, I don't think there's I
• 1:20:37
  Speaker 2: don't think people make detective at twenty two, so who knows. Yeah,
• 1:20:42
  Speaker 2: she was way younger than him. And it was weird.
• 1:20:46
  Speaker 1: Yeah, so definitely not a winner. When I watch it again, fucking.
• 1:20:51
  Speaker 2: Yes, have fun with that.
• 1:20:52
  Speaker 1: Oh it was so bad. It's like it's like a
• 1:20:55
  Speaker 1: train wreck. I have to watch it real quick. I
• 1:20:57
  Speaker 1: gotta run through this like asap because we're like way
• 1:21:00
  Speaker 1: over on time here. I guess I'm trivia. Actually, I
• 1:21:03
  Speaker 1: got a tagline. This is the greatest tagline of all time.
• 1:21:06
  Speaker 1: What will it sound like when you die?
• 1:21:08
  Speaker 2: Oh?
• 1:21:08
  Speaker 1: God, you listen to this.
• 1:21:11
  Speaker 2: Yeah, I'm listening.
• 1:21:12
  Speaker 1: Okay, Trivia Giamo Adult Game. I can never say his name.
• 1:21:16
  Speaker 1: I'll just say del Toro. I always have a problem
• 1:21:18
  Speaker 1: saying Guilleremo was offered a chance to direct, but turned
• 1:21:21
  Speaker 1: it down to work on hell Boy two.
• 1:21:22
  Speaker 2: Smart move, Smart move.
• 1:21:24
  Speaker 1: When in preparation of this film, director Alec Villette whatever
• 1:21:27
  Speaker 1: his name is, never watched the original Japanese version and
• 1:21:31
  Speaker 1: asked the actors not to watch it either. That was
• 1:21:33
  Speaker 1: a terrible move on your part. You probably could have
• 1:21:35
  Speaker 1: gotten some inspiration. Out of eighty reviews in roten Tomatoes,
• 1:21:38
  Speaker 1: none of them have been positive, resulting in an abysmal
• 1:21:41
  Speaker 1: zero percent. As of twenty nineteen, This got a Moldy
• 1:21:45
  Speaker 1: Tomato Award for the worst reviewed film of two thousand
• 1:21:47
  Speaker 1: and eight, although it got zero percent on ron Tomatoes,
• 1:21:51
  Speaker 1: making it the worst film of two thousand and eight.
• 1:21:53
  Speaker 1: It was never nominated for any Razzies, so that's pretty interesting.
• 1:21:57
  Speaker 1: Rotten Tomatoes declared this the second worst film of the
• 1:22:00
  Speaker 1: two thousands, coming behind Ballistic X versus seven No Idea
• 1:22:04
  Speaker 1: What that is? The original writer Andrew Claven has also
• 1:22:09
  Speaker 1: mentioned several times he wrote the script under the assumption
• 1:22:12
  Speaker 1: that it was going to be a horror comedy and
• 1:22:13
  Speaker 1: was very surprised when the movie was made as a
• 1:22:16
  Speaker 1: serious horror film. Regarding some of the very clunky dialogue,
• 1:22:19
  Speaker 1: he said, those were supposed to be jokes. And last,
• 1:22:22
  Speaker 1: but not least, will the Japanese horror remake Oh. This
• 1:22:25
  Speaker 1: was the last Japanese horror remake to be theatrical theatrically
• 1:22:31
  Speaker 1: released ever since. The trend started with The Ring in
• 1:22:33
  Speaker 1: two thousand and two and ended with this film in
• 1:22:35
  Speaker 1: two thousand and eight. This film is often to blame
• 1:22:38
  Speaker 1: for killing off public interest and Japanese horror remakes due
• 1:22:41
  Speaker 1: to its critical and financial failure. It made so much money,
• 1:22:45
  Speaker 1: though at the same time found footage horror movies it
• 1:22:47
  Speaker 1: started to see a rise in popularity instead, beginning with
• 1:22:50
  Speaker 1: Paranormal Activity in two thousand and seven, even though that
• 1:22:52
  Speaker 1: didn't fully release till two thousand and nine. Four point
• 1:22:55
  Speaker 1: zero out of ten on NINEBB, one point seven out
• 1:22:57
  Speaker 1: of five on Letterbox. I can't decide between a one
• 1:23:00
  Speaker 1: and a half and a two, but it's probably gonna
• 1:23:02
  Speaker 1: be a one and a half. I want to give
• 1:23:05
  Speaker 1: it a too, but the CG was so bad. I
• 1:23:07
  Speaker 1: have to knock it, So it's probably gonna be a
• 1:23:10
  Speaker 1: one and a half for me. What would you have
• 1:23:12
  Speaker 1: given it?
• 1:23:13
  Speaker 2: Like a one?
• 1:23:14
  Speaker 1: Like a one. I still gave it the heart though,
• 1:23:19
  Speaker 1: because they definitely tried and I will want it's gonna
• 1:23:21
  Speaker 1: be a guilty pleasure movie of mine. But it's still
• 1:23:23
  Speaker 1: an awful movie. So nonetheless, that is one miscall from
• 1:23:27
  Speaker 1: two thousand and eight. Enjoy watching that if you'd like.
• 1:23:30
  Speaker 1: I'm not going for probably, I'm just saying it's like
• 1:23:34
  Speaker 1: I said, it's gonna be a guilty pleasure movie for
• 1:23:36
  Speaker 1: me for sure.
• 1:23:37
  Speaker 2: Recommendation of the week is going to be Mom.
• 1:23:40
  Speaker 1: And Dad Saved the World. Go watch that. It's on
• 1:23:42
  Speaker 1: HBO Max.
• 1:23:43
  Speaker 2: That's an enjoyable film. Terrible ratings, super fun.
• 1:23:46
  Speaker 1: No, it's got like a two point six better than
• 1:23:49
  Speaker 1: a one point seven.
• 1:23:50
  Speaker 2: Yeah, I actually looked up the Ballistic one. That's that's
• 1:23:53
  Speaker 2: Lucy Lou and Antonio banderas Oh wow. Yeah.
• 1:23:57
  Speaker 1: Follow us on Facebook and fright Maares Instagram, lasher app
• 1:24:00
  Speaker 1: at fright Meers podcast from Twitter at fright Maer's Underscore
• 1:24:04
  Speaker 1: pod Stayspooky at outlook dot com. I'm doctor Proctor on letterbox.
• 1:24:08
  Speaker 2: You are Watson l MP ninety boom Me.
• 1:24:12
  Speaker 1: And Corey will be back next week doing something a
• 1:24:14
  Speaker 1: little different. We were gonna try and do like a
• 1:24:16
  Speaker 1: stoner horror movie comedy thing, but turns out there's not
• 1:24:20
  Speaker 1: a lot of those, and we did a couple last
• 1:24:22
  Speaker 1: year and there's just not a lot.
• 1:24:23
  Speaker 2: Yeah, you tapped all the material early.
• 1:24:25
  Speaker 1: We really did. There's just not a lot of good
• 1:24:27
  Speaker 1: ones left. And I don't want to do Evil Bong
• 1:24:29
  Speaker 1: because that has like a one point seven. You mean
• 1:24:31
  Speaker 1: this one did too, But we had to do this
• 1:24:34
  Speaker 1: one because we did a good movie. Last time, we
• 1:24:36
  Speaker 1: me and you did an episode you know, terrible movie.
• 1:24:38
  Speaker 1: This time we'll go back to a good movie and
• 1:24:40
  Speaker 1: keep flipping back and forth. Yeah, So tune in next
• 1:24:43
  Speaker 1: week for that guys.
• 1:24:43
  Speaker 3: Until then, stay tuned and stay spooky.
• 1:25:04
  Speaker 2: H