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Transcript

The Land Before Time · Verbal Diorama

• 2:26
  Hi,
• 2:26
  everyone,
• 2:26
  I'm
• 2:27
  Em,
• 2:27
  and
• 2:27
  welcome
• 2:27
  to
• 2:27
  verbal
• 2:28
  diorama,
• 2:28
  episode
• 2:29
  333,
• 2:31
  the
• 2:31
  land
• 2:31
  before
• 2:32
  Time.
• 2:32
  This
• 2:33
  is
• 2:33
  the
• 2:33
  podcast
• 2:33
  that's
• 2:34
  all
• 2:34
  about
• 2:34
  the
• 2:34
  history
• 2:34
  and
• 2:35
  legacy
• 2:35
  of
• 2:35
  movies
• 2:36
  you
• 2:36
  know,
• 2:36
  and
• 2:36
  movies
• 2:37
  you
• 2:37
  don't
• 2:37
  that's
• 2:38
  got
• 2:38
  more
• 2:38
  sequels
• 2:39
  than
• 2:39
  the
• 2:39
  Land
• 2:40
  Before
• 2:40
  Time,
• 2:41
  but
• 2:42
  only
• 2:42
  just.
• 2:44
  Welcome
• 2:44
  to
• 2:44
  Verbal
• 2:44
  Diorama.
• 2:45
  Whether
• 2:45
  you're
• 2:45
  a
• 2:46
  brand
• 2:46
  new
• 2:46
  listener,
• 2:46
  whether
• 2:46
  you're
• 2:47
  a
• 2:47
  regular
• 2:47
  returning
• 2:47
  listener,
• 2:48
  thank
• 2:48
  you
• 2:49
  for
• 2:49
  being
• 2:49
  here.
• 2:49
  Thank
• 2:49
  you
• 2:49
  for
• 2:49
  choosing
• 2:50
  to
• 2:50
  listen
• 2:50
  to
• 2:50
  this
• 2:51
  podcast.
• 2:52
  I
• 2:52
  am
• 2:52
  so
• 2:52
  happy
• 2:53
  to
• 2:53
  have
• 2:53
  you
• 2:53
  here
• 2:53
  for
• 2:53
  the
• 2:53
  history
• 2:54
  and
• 2:54
  legacy
• 2:55
  of
• 2:55
  the
• 2:55
  Land
• 2:56
  Before
• 2:56
  Time.
• 2:57
  Huge
• 2:57
  thank
• 2:58
  you
• 2:58
  to
• 2:58
  everyone
• 2:59
  listening
• 2:59
  to
• 2:59
  this
• 2:59
  podcast,
• 3:00
  but
• 3:00
  especially
• 3:00
  those
• 3:01
  who
• 3:01
  have
• 3:01
  continued
• 3:02
  to
• 3:02
  listen
• 3:02
  to
• 3:02
  and
• 3:03
  support
• 3:03
  this
• 3:03
  podcast.
• 3:04
  Especially
• 3:05
  now,
• 3:05
  because
• 3:06
  this
• 3:06
  is
• 3:07
  the
• 3:07
  second
• 3:07
  of
• 3:08
  three
• 3:08
  special
• 3:08
  episodes
• 3:10
  celebrating
• 3:10
  this
• 3:11
  podcast's
• 3:12
  birthday.
• 3:13
  This
• 3:13
  podcast
• 3:13
  is
• 3:14
  now
• 3:14
  seven
• 3:14
  years
• 3:15
  old
• 3:15
  and
• 3:15
  seven
• 3:15
  years
• 3:16
  ago,
• 3:17
  the
• 3:17
  very
• 3:17
  first
• 3:17
  episode
• 3:18
  of
• 3:18
  this
• 3:18
  podcast
• 3:19
  was
• 3:19
  on
• 3:19
  Titan
• 3:20
  AE,
• 3:21
  a
• 3:21
  little
• 3:21
  known
• 3:22
  movie
• 3:22
  from
• 3:22
  2000
• 3:23
  that
• 3:23
  was
• 3:24
  animated
• 3:24
  that
• 3:25
  was
• 3:25
  also
• 3:25
  directed
• 3:26
  by
• 3:26
  Don
• 3:26
  Bluth
• 3:27
  that
• 3:27
  almost
• 3:28
  kind
• 3:28
  of
• 3:28
  destroyed
• 3:29
  a
• 3:29
  studio.
• 3:29
  But
• 3:30
  let's
• 3:30
  not
• 3:30
  go
• 3:30
  into
• 3:30
  that
• 3:31
  right
• 3:31
  now.
• 3:31
  That's
• 3:31
  all
• 3:31
  in
• 3:32
  episode
• 3:32
  number
• 3:32
  one
• 3:33
  of
• 3:33
  this
• 3:33
  podcast.
• 3:34
  But
• 3:35
  I'm
• 3:35
  a
• 3:35
  huge
• 3:35
  fan
• 3:35
  of
• 3:36
  Don
• 3:36
  Bluth.
• 3:36
  And
• 3:36
  over
• 3:37
  the
• 3:37
  years,
• 3:37
  I've
• 3:37
  returned
• 3:38
  to
• 3:38
  Don
• 3:39
  a
• 3:39
  couple
• 3:39
  more
• 3:40
  times
• 3:40
  for
• 3:40
  the
• 3:40
  Secret
• 3:41
  of
• 3:41
  NIMH
• 3:41
  and
• 3:42
  Anastasia.
• 3:43
  And
• 3:43
  Don
• 3:43
  Bluth
• 3:44
  just
• 3:44
  has
• 3:44
  this
• 3:45
  ability
• 3:45
  to
• 3:45
  just
• 3:45
  transform
• 3:46
  me
• 3:46
  and
• 3:47
  take
• 3:47
  me
• 3:47
  back
• 3:47
  to
• 3:47
  my
• 3:47
  childhood.
• 3:48
  I
• 3:48
  used
• 3:49
  to
• 3:49
  watch
• 3:49
  Don
• 3:49
  Bluth
• 3:50
  movies
• 3:50
  on
• 3:50
  repeat
• 3:51
  when
• 3:51
  I
• 3:52
  was
• 3:52
  a
• 3:52
  kid,
• 3:52
  along
• 3:53
  with
• 3:53
  the
• 3:53
  Disney
• 3:54
  movies
• 3:54
  that
• 3:54
  I
• 3:54
  used
• 3:54
  to
• 3:54
  watch.
• 3:55
  So
• 3:55
  really,
• 3:55
  animation
• 3:56
  has
• 3:56
  been
• 3:57
  the
• 3:57
  very
• 3:57
  foundation
• 3:58
  of
• 3:58
  my
• 3:58
  being.
• 3:59
  I
• 3:59
  love
• 3:59
  animation.
• 4:00
  I
• 4:00
  still
• 4:01
  treasure
• 4:01
  it
• 4:01
  so
• 4:02
  much.
• 4:02
  It's
• 4:02
  why
• 4:03
  this
• 4:03
  podcast
• 4:03
  started
• 4:03
  with
• 4:04
  animation
• 4:04
  with
• 4:05
  Titan
• 4:05
  A
• 4:06
  and
• 4:06
  why
• 4:06
  animation
• 4:07
  continues
• 4:08
  to
• 4:08
  feature
• 4:08
  so
• 4:08
  prevalently.
• 4:09
  Because
• 4:10
  we
• 4:10
  are
• 4:10
  now
• 4:10
  in
• 4:11
  the
• 4:11
  sixth
• 4:11
  annual
• 4:11
  animation
• 4:12
  season.
• 4:12
  So
• 4:12
  there
• 4:13
  have
• 4:13
  been
• 4:13
  five
• 4:13
  animation
• 4:14
  seasons
• 4:14
  before
• 4:15
  this,
• 4:15
  but
• 4:16
  this
• 4:16
  season
• 4:17
  we've
• 4:17
  had
• 4:17
  Monsters,
• 4:18
  Inc.
• 4:18
  K,
• 4:19
  Pop,
• 4:19
  Demon
• 4:19
  Hunters,
• 4:20
  Paprika,
• 4:21
  Teenage
• 4:21
  Mutant
• 4:22
  Ninja
• 4:22
  Turtles,
• 4:22
  Mutant
• 4:23
  Mayhem,
• 4:23
  the
• 4:24
  Princess
• 4:24
  and
• 4:24
  the
• 4:24
  Frog,
• 4:25
  and
• 4:25
  most
• 4:26
  recently,
• 4:26
  an
• 4:26
  American
• 4:27
  Tail.
• 4:28
  And
• 4:28
  I
• 4:28
  genuinely
• 4:29
  want
• 4:29
  to
• 4:29
  celebrate
• 4:30
  animation
• 4:31
  in
• 4:31
  all
• 4:31
  of
• 4:31
  its
• 4:32
  forms.
• 4:33
  Animation
• 4:33
  is
• 4:33
  not
• 4:34
  just
• 4:34
  for
• 4:34
  children.
• 4:35
  Yes,
• 4:35
  there
• 4:35
  are
• 4:36
  movies
• 4:36
  that
• 4:36
  are
• 4:36
  very
• 4:36
  definitely
• 4:37
  aimed
• 4:37
  at
• 4:37
  children,
• 4:38
  and
• 4:38
  I
• 4:38
  think
• 4:38
  you
• 4:38
  could
• 4:39
  argue
• 4:39
  that
• 4:39
  the
• 4:39
  Land
• 4:39
  Before
• 4:40
  Time
• 4:40
  is
• 4:41
  very
• 4:41
  definitely
• 4:41
  aimed
• 4:42
  at
• 4:42
  children.
• 4:42
  But
• 4:43
  animation
• 4:43
  is
• 4:43
  also
• 4:44
  not
• 4:44
  a
• 4:44
  genre.
• 4:45
  Animation
• 4:46
  is
• 4:46
  capable
• 4:46
  of
• 4:47
  depicting
• 4:47
  anything.
• 4:48
  There
• 4:48
  are
• 4:48
  none
• 4:49
  of
• 4:49
  the
• 4:49
  limitations
• 4:49
  of
• 4:50
  live
• 4:50
  action
• 4:50
  cinema.
• 4:51
  And
• 4:52
  that's
• 4:52
  why
• 4:52
  animation
• 4:53
  season
• 4:53
  remains
• 4:54
  so
• 4:54
  important
• 4:54
  to
• 4:55
  me
• 4:55
  and
• 4:56
  to
• 4:56
  this
• 4:56
  podcast.
• 4:57
  And
• 4:57
  that's
• 4:57
  why
• 4:58
  I
• 4:58
  love
• 4:58
  to
• 4:58
  do
• 4:58
  this
• 4:58
  every
• 4:59
  January
• 4:59
  and
• 5:00
  February.
• 5:00
  But
• 5:01
  I
• 5:01
  especially
• 5:01
  love
• 5:01
  it
• 5:02
  because
• 5:02
  the
• 5:02
  birthday
• 5:02
  episodes
• 5:03
  always
• 5:03
  fall
• 5:04
  in
• 5:04
  animation
• 5:05
  season.
• 5:05
  So
• 5:05
  I
• 5:05
  always
• 5:06
  get
• 5:06
  to
• 5:06
  spend
• 5:06
  the
• 5:06
  birthday
• 5:07
  of
• 5:07
  this
• 5:07
  podcast
• 5:08
  talking
• 5:08
  about
• 5:08
  incredible
• 5:09
  animated
• 5:10
  movies,
• 5:10
  of
• 5:11
  which
• 5:11
  the
• 5:11
  Land
• 5:11
  Before
• 5:12
  Time
• 5:12
  is
• 5:12
  one
• 5:13
  of.
• 5:14
  And
• 5:14
  the
• 5:14
  Land
• 5:14
  Before
• 5:15
  Time
• 5:15
  has
• 5:15
  more
• 5:15
  sequels
• 5:16
  than
• 5:17
  Mission
• 5:17
  Impossible,
• 5:18
  the
• 5:18
  Fast
• 5:18
  and
• 5:18
  the
• 5:19
  Furious,
• 5:19
  Transformers,
• 5:20
  Batman
• 5:21
  X
• 5:22
  Men,
• 5:22
  Star
• 5:22
  Wars,
• 5:23
  Harry
• 5:23
  Potter,
• 5:24
  the
• 5:24
  Nightmare
• 5:24
  on
• 5:25
  Elm
• 5:25
  street
• 5:25
  series.
• 5:26
  And
• 5:26
  I
• 5:26
  did.
• 5:26
  That
• 5:27
  goes
• 5:27
  some
• 5:27
  way
• 5:27
  to
• 5:27
  prove
• 5:28
  how
• 5:28
  popular
• 5:29
  the
• 5:29
  franchise
• 5:29
  is.
• 5:30
  But
• 5:30
  the
• 5:31
  original
• 5:31
  is
• 5:31
  very
• 5:31
  different
• 5:32
  to
• 5:32
  the
• 5:32
  sequels
• 5:33
  that
• 5:33
  came
• 5:33
  afterwards
• 5:34
  and
• 5:35
  was
• 5:35
  almost
• 5:35
  a
• 5:36
  lot
• 5:36
  more
• 5:36
  traumatic
• 5:37
  than
• 5:37
  it
• 5:37
  ended
• 5:38
  up
• 5:38
  being.
• 5:39
  Here's
• 5:39
  the
• 5:39
  trailer
• 5:40
  for
• 5:40
  the
• 5:40
  Land
• 5:40
  Before
• 5:41
  Time.
• 8:12
  An
• 8:12
  orphaned
• 8:13
  Apatosaurus
• 8:14
  named
• 8:14
  Littlefoot
• 8:15
  sets
• 8:15
  off
• 8:15
  in
• 8:15
  search
• 8:16
  of
• 8:16
  the
• 8:16
  legendary
• 8:17
  Great
• 8:17
  Valley
• 8:18
  with
• 8:18
  some
• 8:18
  other
• 8:18
  young
• 8:19
  dinosaurs.
• 8:20
  Cera,
• 8:20
  ,theTriceratops,
• 8:22
  Petrie,
• 8:22
  the
• 8:23
  Pteranodon,
• 8:24
  Ducky,
• 8:24
  the
• 8:24
  Sauronophus,
• 8:25
  and
• 8:25
  Spike,
• 8:26
  the
• 8:26
  Stegosaurus,
• 8:27
  when
• 8:27
  they
• 8:28
  become
• 8:28
  separated
• 8:29
  from
• 8:29
  their
• 8:29
  parents.
• 8:30
  With
• 8:30
  their
• 8:31
  home
• 8:31
  becoming
• 8:31
  barren,
• 8:32
  the
• 8:32
  Great
• 8:32
  Valley
• 8:33
  is
• 8:33
  meant
• 8:33
  to
• 8:33
  be
• 8:33
  a
• 8:33
  land
• 8:34
  of
• 8:34
  lush
• 8:34
  vegetation
• 8:35
  where
• 8:35
  the
• 8:36
  dinosaurs
• 8:36
  can
• 8:36
  thrive
• 8:37
  and
• 8:37
  live
• 8:37
  in
• 8:37
  peace.
• 8:39
  Along
• 8:39
  the
• 8:39
  way,
• 8:39
  Littlefoot
• 8:40
  is
• 8:40
  guided
• 8:40
  by
• 8:40
  the
• 8:41
  spirit
• 8:41
  of
• 8:41
  his
• 8:41
  deceased
• 8:42
  mother
• 8:42
  as
• 8:43
  they
• 8:43
  encounter
• 8:44
  several
• 8:44
  obstacles,
• 8:45
  struggle
• 8:45
  with
• 8:45
  their
• 8:46
  learned
• 8:46
  prejudices
• 8:47
  against
• 8:47
  each
• 8:47
  other,
• 8:48
  and
• 8:48
  are
• 8:48
  stalked
• 8:49
  by
• 8:49
  the
• 8:49
  evil
• 8:50
  Tyrannosaurus
• 8:51
  rex
• 8:51
  that
• 8:51
  killed
• 8:52
  her.
• 8:53
  Let's
• 8:53
  run
• 8:53
  through
• 8:54
  the
• 8:54
  cast.
• 8:54
  We
• 8:54
  have
• 8:55
  Pat
• 8:55
  Hingle
• 8:55
  as
• 8:56
  the
• 8:56
  narrator,
• 8:57
  Helen
• 8:57
  Shaver
• 8:58
  as
• 8:58
  Littlefoot's
• 8:59
  mother,
• 9:00
  Gabriel
• 9:00
  Damon
• 9:01
  as
• 9:01
  Littlefoot,
• 9:03
  Candy
• 9:03
  Hutson
• 9:04
  as
• 9:04
  Cera
• 9:05
  Judith
• 9:06
  Barsi
• 9:06
  as
• 9:07
  Ducky
• 9:07
  and
• 9:08
  Will
• 9:08
  Ryan
• 9:09
  as
• 9:09
  Petrie.
• 9:10
  The
• 9:11
  Land
• 9:11
  Before
• 9:11
  Time
• 9:11
  has
• 9:12
  a
• 9:12
  screenplay
• 9:12
  by
• 9:12
  Stu
• 9:13
  Krieger,
• 9:14
  story
• 9:14
  by
• 9:14
  Judy
• 9:15
  Freudberg
• 9:15
  and
• 9:16
  Tony
• 9:16
  Geiss,
• 9:17
  and
• 9:17
  was
• 9:17
  directed
• 9:18
  by
• 9:18
  Don
• 9:19
  Bluth.
• 9:20
  So
• 9:20
  who
• 9:21
  is
• 9:21
  Don
• 9:21
  Bluth?
• 9:22
  Well,
• 9:23
  he
• 9:23
  worked
• 9:23
  at
• 9:23
  Walt
• 9:24
  Disney
• 9:24
  between
• 9:24
  1955
• 9:25
  to
• 9:26
  1957.
• 9:27
  He
• 9:27
  worked
• 9:27
  uncredited
• 9:28
  as
• 9:28
  an
• 9:28
  assistant
• 9:29
  animator
• 9:29
  on
• 9:29
  Sleeping
• 9:30
  Beauty
• 9:31
  and
• 9:31
  worked
• 9:32
  and
• 9:32
  credited
• 9:32
  as
• 9:32
  an
• 9:33
  assistant
• 9:33
  animator
• 9:33
  on
• 9:34
  the
• 9:34
  Sword
• 9:34
  in
• 9:34
  the
• 9:34
  Stone
• 9:35
  in
• 9:35
  1963
• 9:36
  before
• 9:37
  joining
• 9:37
  Filmation
• 9:38
  in
• 9:38
  1967
• 9:39
  and
• 9:40
  then
• 9:40
  returning
• 9:40
  to
• 9:41
  Disney
• 9:41
  full
• 9:41
  time
• 9:42
  in
• 9:42
  1971
• 9:43
  where
• 9:44
  he
• 9:44
  worked
• 9:44
  on
• 9:44
  character
• 9:45
  animation
• 9:45
  of
• 9:46
  Robin
• 9:46
  Hood,
• 9:46
  the
• 9:47
  titles
• 9:47
  animation
• 9:48
  for
• 9:48
  Escape
• 9:48
  to
• 9:48
  Witch
• 9:49
  Mountain
• 9:49
  and
• 9:50
  as
• 9:50
  an
• 9:50
  animator
• 9:50
  on
• 9:50
  the
• 9:51
  many
• 9:51
  adventures
• 9:51
  of
• 9:52
  Weird
• 9:52
  Poo.
• 9:53
  He
• 9:53
  became
• 9:53
  the
• 9:54
  directing
• 9:54
  animator
• 9:55
  for
• 9:55
  the
• 9:55
  Rescuers
• 9:55
  and
• 9:56
  Pete's
• 9:56
  Dragon
• 9:57
  and
• 9:57
  drew
• 9:58
  a
• 9:58
  few
• 9:58
  accredited
• 9:59
  scenes
• 9:59
  for
• 9:59
  the
• 9:59
  Fox
• 9:59
  and
• 10:00
  the
• 10:00
  Hound
• 10:00
  before
• 10:01
  creative
• 10:01
  tensions
• 10:02
  reached
• 10:02
  a
• 10:02
  breaking
• 10:02
  point
• 10:03
  during
• 10:03
  production
• 10:04
  of
• 10:04
  the
• 10:04
  Fox
• 10:04
  and
• 10:04
  the
• 10:04
  Hound,
• 10:05
  with
• 10:05
  arguments
• 10:06
  between
• 10:06
  younger
• 10:06
  animators
• 10:07
  and
• 10:07
  older
• 10:08
  animators
• 10:08
  over
• 10:09
  the
• 10:09
  creative
• 10:09
  direction
• 10:10
  serving
• 10:11
  as
• 10:11
  the
• 10:11
  final
• 10:12
  straw.
• 10:13
  On
• 10:13
  13
• 10:14
  September
• 10:15
  1979,
• 10:16
  his
• 10:16
  42nd
• 10:16
  birthday,
• 10:17
  Don
• 10:18
  Bluth
• 10:18
  resigned
• 10:19
  from
• 10:19
  Disney.
• 10:20
  But
• 10:20
  he
• 10:20
  didn't
• 10:20
  leave
• 10:21
  alone
• 10:21
  the
• 10:22
  departure
• 10:22
  of
• 10:22
  animators
• 10:23
  Don
• 10:23
  Bluth,
• 10:24
  Gary
• 10:24
  Goldman
• 10:25
  and
• 10:25
  John
• 10:25
  Pomeroy,
• 10:26
  along
• 10:26
  with
• 10:27
  a
• 10:27
  further
• 10:27
  four
• 10:27
  animators
• 10:28
  and
• 10:28
  four
• 10:28
  assistant
• 10:29
  animators
• 10:30
  represented
• 10:31
  about
• 10:31
  17%
• 10:32
  of
• 10:32
  the
• 10:33
  studio's
• 10:33
  animation
• 10:34
  staff.
• 10:35
  The
• 10:35
  loss
• 10:35
  was
• 10:35
  so
• 10:36
  significant
• 10:36
  to
• 10:36
  Disney
• 10:37
  that
• 10:37
  it
• 10:37
  delayed
• 10:38
  the
• 10:38
  release
• 10:38
  of
• 10:38
  the
• 10:39
  Fox
• 10:39
  and
• 10:39
  the
• 10:39
  Hound
• 10:39
  by
• 10:40
  six
• 10:40
  months.
• 10:41
  Bluth
• 10:42
  left
• 10:42
  Disney
• 10:42
  and
• 10:43
  started
• 10:43
  Don
• 10:43
  Bluth
• 10:44
  Productions
• 10:44
  and
• 10:45
  he
• 10:45
  was
• 10:45
  passionate
• 10:45
  about
• 10:46
  reviving
• 10:46
  the
• 10:46
  classical
• 10:47
  animation
• 10:48
  style
• 10:48
  Disney
• 10:49
  had
• 10:49
  used
• 10:49
  on
• 10:49
  its
• 10:49
  Golden
• 10:50
  Age
• 10:50
  classics.
• 10:51
  And
• 10:51
  the
• 10:51
  cost
• 10:52
  cutting
• 10:52
  measures
• 10:53
  of
• 10:53
  the
• 10:53
  60s
• 10:53
  and
• 10:53
  70s
• 10:54
  left
• 10:55
  Bluth
• 10:55
  feeling
• 10:56
  concerned
• 10:56
  for
• 10:56
  Disney's
• 10:57
  future.
• 10:57
  He
• 10:58
  felt
• 10:58
  they
• 10:58
  could
• 10:58
  no
• 10:58
  longer
• 10:59
  be
• 10:59
  creative,
• 11:00
  that
• 11:00
  there
• 11:00
  was
• 11:00
  too
• 11:00
  much
• 11:00
  bureaucracy,
• 11:01
  that
• 11:02
  artistic
• 11:02
  value
• 11:03
  was
• 11:03
  reduced
• 11:04
  and
• 11:04
  with
• 11:04
  no
• 11:05
  scope
• 11:05
  to
• 11:05
  grow,
• 11:06
  they
• 11:06
  had
• 11:06
  no
• 11:07
  choice
• 11:07
  but
• 11:07
  to
• 11:07
  leave
• 11:08
  and
• 11:08
  set
• 11:08
  up
• 11:09
  on
• 11:09
  their
• 11:09
  own.
• 11:10
  Their
• 11:10
  first
• 11:10
  feature
• 11:11
  length
• 11:11
  animated
• 11:12
  movie
• 11:12
  was
• 11:12
  an
• 11:13
  adaptation
• 11:13
  of
• 11:13
  Mrs.
• 11:14
  Frisby
• 11:14
  and
• 11:14
  the
• 11:14
  rats
• 11:15
  at
• 11:15
  NIMH,
• 11:15
  which
• 11:16
  became
• 11:16
  The
• 11:16
  Secret
• 11:17
  of
• 11:17
  NIMH.
• 11:17
  That's
• 11:18
  episode
• 11:18
  76
• 11:18
  of
• 11:19
  this
• 11:19
  podcast
• 11:19
  and
• 11:20
  it
• 11:20
  represented
• 11:21
  the
• 11:21
  sort
• 11:21
  of
• 11:21
  animated
• 11:22
  movies
• 11:22
  that
• 11:22
  would
• 11:22
  become
• 11:23
  blue
• 11:23
  trademarks,
• 11:24
  often
• 11:25
  dark,
• 11:25
  a
• 11:26
  little
• 11:26
  scary
• 11:26
  and
• 11:27
  nightmare
• 11:27
  fuel
• 11:28
  for
• 11:28
  our
• 11:28
  childhoods.
• 11:29
  The
• 11:29
  Secret
• 11:30
  of
• 11:30
  NIMH
• 11:30
  had
• 11:30
  a
• 11:30
  modest
• 11:31
  return
• 11:31
  at
• 11:31
  the
• 11:32
  box
• 11:32
  office,
• 11:32
  but
• 11:33
  then
• 11:33
  an
• 11:33
  industry
• 11:34
  wide
• 11:34
  animators
• 11:35
  strike
• 11:36
  led
• 11:36
  to
• 11:36
  Don
• 11:36
  Bluth
• 11:37
  Productions
• 11:37
  filing
• 11:38
  for
• 11:38
  bankruptcy
• 11:39
  in
• 11:39
  1982.
• 11:40
  But
• 11:41
  as
• 11:41
  I
• 11:41
  said
• 11:42
  last
• 11:42
  episode,
• 11:42
  Don
• 11:42
  Bluth
• 11:43
  is
• 11:43
  nothing
• 11:43
  if
• 11:43
  not
• 11:44
  a
• 11:44
  triumph.
• 11:44
  And
• 11:45
  this
• 11:45
  was
• 11:45
  when
• 11:45
  a
• 11:45
  collaboration
• 11:46
  with
• 11:46
  Steven
• 11:46
  Spielberg
• 11:47
  and
• 11:48
  Amblin
• 11:48
  Entertainment
• 11:49
  led
• 11:49
  to
• 11:49
  An
• 11:49
  American
• 11:50
  Tail,
• 11:51
  which
• 11:51
  is
• 11:51
  the
• 11:51
  subject
• 11:51
  of
• 11:52
  the
• 11:52
  previous
• 11:52
  episode.
• 11:54
  And
• 11:54
  it
• 11:54
  was
• 11:54
  during
• 11:54
  production
• 11:55
  of
• 11:55
  An
• 11:55
  American
• 11:55
  Tail,
• 11:56
  the
• 11:56
  talk
• 11:57
  began
• 11:57
  of
• 11:57
  another
• 11:58
  collaboration
• 11:58
  between
• 11:59
  Don
• 11:59
  Bluth
• 12:00
  and
• 12:00
  Steven
• 12:00
  Spielberg.
• 12:01
  Spielberg
• 12:02
  was
• 12:02
  keen
• 12:03
  to
• 12:03
  do
• 12:03
  something
• 12:03
  with
• 12:03
  dinosaurs.
• 12:05
  Of
• 12:05
  course,
• 12:05
  this
• 12:05
  was
• 12:06
  years
• 12:06
  before
• 12:06
  Jurassic
• 12:07
  park,
• 12:07
  and
• 12:07
  it
• 12:08
  was
• 12:08
  thought
• 12:08
  that
• 12:08
  dinosaurs
• 12:09
  would
• 12:09
  naturally
• 12:10
  be
• 12:10
  of
• 12:10
  interest
• 12:10
  to
• 12:11
  children.
• 12:12
  They
• 12:12
  took
• 12:12
  inspiration
• 12:13
  from
• 12:13
  a
• 12:13
  sequence
• 12:14
  in
• 12:14
  Disney's
• 12:14
  classical
• 12:15
  music
• 12:15
  epic
• 12:16
  Fantasia
• 12:17
  called
• 12:17
  the
• 12:18
  Rite
• 12:18
  of
• 12:18
  spring,
• 12:19
  a
• 12:19
  22
• 12:20
  minute
• 12:20
  portion
• 12:20
  of
• 12:20
  the
• 12:20
  movie
• 12:21
  set
• 12:21
  to
• 12:22
  Igor
• 12:22
  Stravinsky's
• 12:23
  ballet,
• 12:24
  which
• 12:24
  shows
• 12:24
  the
• 12:24
  Big
• 12:25
  Bang.
• 12:25
  Single
• 12:26
  cell
• 12:26
  organisms
• 12:27
  that
• 12:27
  evolve
• 12:27
  into
• 12:27
  sea
• 12:28
  creatures
• 12:28
  that
• 12:29
  become
• 12:29
  fish,
• 12:29
  that
• 12:30
  become
• 12:30
  amphibians,
• 12:31
  that
• 12:31
  become
• 12:32
  dinosaurs.
• 12:33
  It
• 12:33
  ends
• 12:33
  with
• 12:33
  the
• 12:34
  dinosaurs
• 12:34
  struggling
• 12:34
  to
• 12:35
  find
• 12:35
  food
• 12:36
  and
• 12:36
  then
• 12:36
  all
• 12:36
  of
• 12:36
  them
• 12:37
  dying.
• 12:38
  Spielberg
• 12:38
  envisioned
• 12:39
  his
• 12:39
  dinosaur
• 12:40
  animated
• 12:40
  story
• 12:40
  being
• 12:41
  similar
• 12:41
  with
• 12:42
  little
• 12:42
  to
• 12:42
  no
• 12:42
  dialogue.
• 12:44
  But
• 12:44
  he
• 12:44
  also
• 12:44
  wanted
• 12:44
  it
• 12:44
  to
• 12:45
  appeal
• 12:45
  to
• 12:45
  young
• 12:45
  children.
• 12:46
  And
• 12:46
  a
• 12:46
  wordless
• 12:47
  dinosaur
• 12:48
  movie
• 12:48
  was
• 12:49
  unlikely
• 12:49
  to
• 12:49
  attract
• 12:50
  kids.
• 12:51
  So
• 12:51
  they
• 12:51
  decided
• 12:52
  to
• 12:52
  make
• 12:52
  the
• 12:52
  dinosaurs
• 12:53
  youngsters,
• 12:54
  freshly
• 12:54
  hatched,
• 12:55
  five
• 12:55
  different
• 12:56
  species
• 12:56
  with
• 12:57
  a
• 12:57
  Tyrannosaurus
• 12:58
  rex
• 12:58
  as
• 12:58
  the
• 12:59
  villain.
• 13:00
  They
• 13:00
  originally
• 13:01
  wanted
• 13:01
  this
• 13:01
  movie
• 13:02
  soft
• 13:02
  and
• 13:02
  gentle.
• 13:03
  They
• 13:04
  would
• 13:04
  really
• 13:04
  get
• 13:04
  either
• 13:05
  of
• 13:05
  those
• 13:05
  things.
• 13:06
  They
• 13:06
  enlisted
• 13:06
  the
• 13:07
  same
• 13:07
  team
• 13:07
  of
• 13:07
  writers
• 13:08
  from
• 13:08
  An
• 13:08
  American
• 13:08
  Tail,
• 13:09
  Julie
• 13:09
  Freudberg
• 13:10
  and
• 13:10
  Tony
• 13:11
  Geiss,
• 13:11
  to
• 13:11
  write
• 13:12
  their
• 13:12
  soft
• 13:12
  and
• 13:13
  gentle
• 13:13
  dinosaur
• 13:14
  story.
• 13:15
  Spielberg
• 13:16
  wanted
• 13:16
  it
• 13:16
  to
• 13:16
  be
• 13:17
  like
• 13:17
  Bambi,
• 13:18
  and
• 13:18
  he
• 13:18
  mentioned
• 13:19
  it
• 13:19
  to
• 13:19
  his
• 13:19
  longtime
• 13:20
  friend
• 13:20
  George
• 13:20
  Lucas,
• 13:21
  and
• 13:21
  Lucas
• 13:22
  happily
• 13:22
  joined
• 13:23
  as
• 13:23
  an
• 13:23
  executive
• 13:23
  producer.
• 13:24
  The
• 13:25
  only
• 13:25
  other
• 13:25
  time
• 13:26
  Spielberg
• 13:26
  and
• 13:26
  Lucas
• 13:27
  worked
• 13:27
  together
• 13:28
  the
• 13:28
  wasn't
• 13:29
  on
• 13:29
  the
• 13:29
  Indiana
• 13:29
  Jones
• 13:30
  franchise.
• 13:31
  Now,
• 13:32
  I
• 13:32
  mentioned
• 13:32
  last
• 13:32
  episode
• 13:33
  that
• 13:33
  Don
• 13:33
  Bluth
• 13:33
  found
• 13:34
  it
• 13:34
  tricky
• 13:34
  to
• 13:34
  navigate
• 13:35
  decision
• 13:35
  making
• 13:36
  between
• 13:37
  three
• 13:37
  parties
• 13:37
  on
• 13:38
  An
• 13:38
  American
• 13:38
  Tail;
• 13:39
  Himself,
• 13:40
  Amblin
• 13:40
  and
• 13:41
  Universal.
• 13:42
  And
• 13:42
  this
• 13:42
  time
• 13:42
  around
• 13:43
  he
• 13:43
  would
• 13:43
  have
• 13:43
  George
• 13:44
  Lucas
• 13:44
  in
• 13:45
  the
• 13:45
  mix
• 13:45
  too.
• 13:46
  While
• 13:46
  Lucas
• 13:47
  chose
• 13:47
  to
• 13:47
  remain
• 13:48
  in
• 13:48
  California
• 13:48
  and
• 13:49
  provide
• 13:49
  his
• 13:49
  script
• 13:50
  notes
• 13:50
  and
• 13:50
  guidance
• 13:51
  through
• 13:51
  conference
• 13:52
  calls
• 13:52
  to
• 13:52
  the
• 13:52
  Ambling
• 13:53
  offices.
• 13:53
  Rather
• 13:54
  than
• 13:54
  being
• 13:54
  physically
• 13:55
  present,
• 13:55
  his
• 13:56
  involvement
• 13:56
  would
• 13:56
  be
• 13:57
  minimal
• 13:57
  until
• 13:58
  a
• 13:58
  special
• 13:58
  screening
• 13:59
  in
• 13:59
  London
• 13:59
  in
• 13:59
  May
• 14:00
  1987.
• 14:01
  More
• 14:01
  on
• 14:02
  that
• 14:02
  later.
• 14:03
  Spielberg
• 14:04
  too
• 14:04
  wasn't
• 14:04
  easily
• 14:05
  contactable
• 14:06
  as
• 14:06
  he
• 14:06
  was
• 14:06
  in
• 14:06
  Spain
• 14:07
  filming
• 14:07
  Indiana
• 14:08
  Jones
• 14:08
  and
• 14:08
  the
• 14:08
  Last
• 14:09
  Crusade.
• 14:09
  So
• 14:10
  it
• 14:10
  added
• 14:10
  extra
• 14:11
  difficulty
• 14:11
  to
• 14:12
  decision
• 14:12
  making
• 14:12
  on
• 14:13
  this
• 14:13
  movie.
• 14:14
  Freudberg
• 14:15
  and
• 14:15
  Geiss's
• 14:16
  original
• 14:16
  draft
• 14:17
  was
• 14:17
  seen
• 14:17
  as
• 14:17
  too
• 14:17
  juvenile.
• 14:18
  And
• 14:19
  so
• 14:19
  Stu
• 14:19
  Krieger
• 14:20
  was
• 14:20
  brought
• 14:20
  in
• 14:20
  to
• 14:21
  revise
• 14:21
  their
• 14:21
  draft.
• 14:22
  And
• 14:22
  since
• 14:22
  the
• 14:22
  script
• 14:23
  had
• 14:23
  to
• 14:23
  be
• 14:23
  approved
• 14:24
  by
• 14:24
  four
• 14:24
  individuals
• 14:25
  in
• 14:25
  different
• 14:25
  locations,
• 14:26
  sections
• 14:27
  of
• 14:27
  script
• 14:27
  were
• 14:28
  approved
• 14:28
  at
• 14:28
  one
• 14:28
  time
• 14:29
  rather
• 14:29
  that
• 14:30
  as
• 14:30
  a
• 14:30
  whole,
• 14:31
  something
• 14:31
  that
• 14:31
  Disney
• 14:32
  used
• 14:32
  to
• 14:32
  do
• 14:32
  in
• 14:32
  the
• 14:32
  old
• 14:33
  days
• 14:33
  when
• 14:33
  segments
• 14:34
  were
• 14:34
  developed
• 14:34
  independently
• 14:35
  of
• 14:35
  the
• 14:36
  finished
• 14:36
  script.
• 14:37
  At
• 14:37
  the
• 14:37
  same
• 14:38
  time,
• 14:38
  Bluth
• 14:38
  and
• 14:39
  his
• 14:39
  storyboard
• 14:39
  artist
• 14:40
  Larry
• 14:40
  Letter
• 14:41
  were
• 14:41
  working
• 14:41
  on
• 14:41
  the
• 14:42
  storyboards
• 14:42
  as
• 14:42
  they
• 14:43
  went
• 14:43
  along.
• 14:44
  But
• 14:44
  it
• 14:44
  was
• 14:44
  slow
• 14:44
  progress,
• 14:45
  as
• 14:45
  not
• 14:45
  only
• 14:46
  were
• 14:46
  they
• 14:46
  having
• 14:46
  to
• 14:46
  approve
• 14:47
  section
• 14:47
  by
• 14:47
  section
• 14:48
  of
• 14:48
  the
• 14:48
  script
• 14:48
  at
• 14:49
  a
• 14:49
  time,
• 14:49
  they
• 14:50
  were
• 14:50
  also
• 14:50
  mindful
• 14:51
  that
• 14:51
  the
• 14:51
  greenlight
• 14:52
  hadn't
• 14:52
  been
• 14:52
  given
• 14:52
  for
• 14:53
  their
• 14:53
  new
• 14:53
  dinosaur
• 14:54
  movie
• 14:54
  yet
• 14:55
  because
• 14:55
  An
• 14:55
  American
• 14:55
  Tail
• 14:56
  still
• 14:56
  hadn't
• 14:57
  been
• 14:57
  released.
• 14:58
  And
• 14:58
  there
• 14:58
  was
• 14:58
  always
• 14:59
  a
• 14:59
  chance
• 14:59
  an
• 15:00
  American
• 15:00
  tail
• 15:00
  could
• 15:01
  flop.
• 15:02
  During
• 15:03
  these
• 15:03
  storyboard
• 15:03
  sessions,
• 15:04
  Bluth
• 15:05
  came
• 15:05
  up
• 15:05
  with
• 15:05
  the
• 15:05
  idea
• 15:05
  that
• 15:06
  these
• 15:06
  young
• 15:06
  dinosaurs
• 15:07
  are
• 15:07
  taught
• 15:07
  from
• 15:08
  birth
• 15:08
  not
• 15:09
  to
• 15:09
  associate
• 15:09
  with
• 15:10
  other
• 15:10
  species
• 15:10
  of
• 15:10
  dinosaur,
• 15:11
  that
• 15:11
  each
• 15:11
  type
• 15:12
  is
• 15:12
  prejudiced
• 15:13
  against
• 15:13
  other
• 15:13
  types
• 15:14
  to
• 15:14
  show
• 15:14
  biases
• 15:15
  we
• 15:15
  aren't
• 15:16
  born
• 15:16
  with.
• 15:16
  Then
• 15:17
  if
• 15:17
  our
• 15:17
  parents
• 15:17
  and
• 15:18
  families
• 15:18
  are
• 15:18
  prejudiced,
• 15:19
  children
• 15:19
  learn
• 15:20
  those
• 15:20
  prejudices.
• 15:21
  It
• 15:22
  would
• 15:22
  also
• 15:22
  give
• 15:22
  the
• 15:22
  movie
• 15:23
  its
• 15:23
  joy
• 15:23
  in
• 15:23
  pretending
• 15:24
  and
• 15:24
  that
• 15:24
  all
• 15:24
  these
• 15:25
  dinosaurs
• 15:25
  overcome
• 15:26
  their
• 15:26
  prejudices
• 15:27
  by
• 15:27
  working
• 15:28
  together
• 15:28
  and
• 15:28
  they
• 15:29
  learn
• 15:29
  to
• 15:29
  accept
• 15:29
  and
• 15:30
  care
• 15:30
  for
• 15:30
  each
• 15:30
  other.
• 15:31
  And
• 15:31
  they
• 15:31
  thought
• 15:31
  this
• 15:32
  would
• 15:32
  be
• 15:32
  a
• 15:32
  great
• 15:32
  message
• 15:33
  for
• 15:33
  children.
• 15:34
  The
• 15:35
  team
• 15:35
  undertook
• 15:36
  extensive
• 15:36
  research,
• 15:37
  visiting
• 15:37
  the
• 15:38
  natural
• 15:38
  history
• 15:38
  museums
• 15:39
  in
• 15:39
  New
• 15:39
  York,
• 15:40
  Chicago,
• 15:41
  Los
• 15:41
  Angeles,
• 15:42
  and
• 15:42
  the
• 15:42
  Smithsonian
• 15:43
  institute
• 15:44
  in
• 15:44
  Washington
• 15:45
  D.C.
• 15:46
  they
• 15:46
  studied
• 15:46
  skeletons,
• 15:47
  fossils
• 15:48
  and
• 15:48
  paleo
• 15:48
  art
• 15:49
  from
• 15:49
  the
• 15:49
  turn
• 15:49
  of
• 15:49
  the
• 15:50
  century
• 15:51
  to
• 15:51
  help
• 15:51
  create
• 15:51
  a
• 15:51
  credible
• 15:52
  landscape
• 15:52
  and
• 15:53
  animals
• 15:54
  and
• 15:54
  help
• 15:54
  animators
• 15:55
  create
• 15:55
  authentic
• 15:56
  movement.
• 15:57
  To
• 15:57
  do
• 15:57
  that,
• 15:58
  they
• 15:58
  used
• 15:58
  live
• 15:58
  action
• 15:59
  footage
• 15:59
  of
• 15:59
  elephants
• 16:00
  and
• 16:00
  giraffes
• 16:01
  to
• 16:01
  model
• 16:01
  the
• 16:02
  dinosaurs
• 16:02
  walking
• 16:03
  motions,
• 16:03
  which
• 16:04
  is
• 16:04
  why
• 16:04
  the
• 16:04
  dinosaurs
• 16:05
  have
• 16:05
  distinct
• 16:06
  mammalian
• 16:07
  behaviors.
• 16:08
  As
• 16:09
  Stu
• 16:09
  Krieger
• 16:10
  continued
• 16:10
  writing
• 16:10
  the
• 16:11
  script
• 16:11
  with
• 16:11
  these
• 16:11
  new
• 16:12
  ideas,
• 16:12
  concept
• 16:13
  art
• 16:13
  was
• 16:13
  being
• 16:14
  created
• 16:14
  based
• 16:14
  on
• 16:15
  the
• 16:15
  Fantasia
• 16:16
  sequence.
• 16:16
  But
• 16:16
  they
• 16:17
  still
• 16:17
  don't
• 16:17
  have
• 16:17
  the
• 16:18
  go
• 16:18
  ahead.
• 16:18
  And
• 16:19
  all
• 16:19
  the
• 16:19
  while,
• 16:19
  Bluth
• 16:20
  knew
• 16:20
  they
• 16:20
  were
• 16:20
  running
• 16:21
  out
• 16:21
  of
• 16:21
  time.
• 16:22
  Spielberg
• 16:23
  was
• 16:23
  time
• 16:23
  limited
• 16:24
  and
• 16:24
  committed
• 16:24
  to
• 16:25
  another
• 16:25
  movie
• 16:25
  the
• 16:26
  following
• 16:26
  autumn.
• 16:27
  And
• 16:27
  if
• 16:27
  Amblin
• 16:28
  and
• 16:28
  Universal
• 16:28
  waited
• 16:29
  until
• 16:29
  the
• 16:30
  release
• 16:30
  of
• 16:30
  An
• 16:30
  American
• 16:30
  Tail,
• 16:31
  there
• 16:31
  would
• 16:32
  be
• 16:32
  less
• 16:32
  than
• 16:32
  a
• 16:32
  year
• 16:33
  to
• 16:33
  complete
• 16:33
  a
• 16:33
  film
• 16:34
  that
• 16:34
  was
• 16:34
  far
• 16:35
  more
• 16:35
  complex
• 16:35
  than
• 16:36
  An
• 16:36
  American
• 16:36
  Tail,
• 16:37
  which
• 16:37
  took
• 16:37
  over
• 16:37
  16
• 16:38
  months.
• 16:39
  The
• 16:40
  green
• 16:40
  light
• 16:40
  was
• 16:40
  finally
• 16:41
  given
• 16:41
  on
• 16:41
  the
• 16:42
  then
• 16:42
  title
• 16:42
  The
• 16:43
  Land
• 16:43
  Before
• 16:43
  Time
• 16:44
  Forgot
• 16:45
  in
• 16:45
  late
• 16:45
  summer
• 16:45
  1986.
• 16:47
  And
• 16:47
  unlike
• 16:47
  an
• 16:48
  American
• 16:48
  Tail,
• 16:49
  which
• 16:49
  Steven
• 16:49
  Spielberg
• 16:50
  had
• 16:50
  insisted
• 16:51
  could
• 16:51
  only
• 16:51
  be
• 16:51
  made
• 16:52
  in
• 16:52
  America
• 16:53
  because
• 16:53
  it
• 16:53
  was
• 16:53
  an
• 16:54
  American
• 16:54
  Tail,
• 16:55
  this
• 16:55
  time
• 16:56
  around,
• 16:56
  the
• 16:56
  majority
• 16:56
  of
• 16:57
  the
• 16:57
  work
• 16:57
  was
• 16:57
  done
• 16:57
  in
• 16:58
  Ireland.
• 16:58
  After
• 16:59
  Sullivan
• 16:59
  Bluth
• 17:00
  made
• 17:00
  the
• 17:00
  decision
• 17:00
  to
• 17:01
  relocate
• 17:01
  to
• 17:01
  Dublin,
• 17:02
  and
• 17:03
  because
• 17:03
  of
• 17:03
  the
• 17:03
  delays
• 17:04
  relocating
• 17:04
  the
• 17:04
  studio,
• 17:05
  production
• 17:06
  eventually
• 17:06
  began
• 17:07
  in
• 17:07
  spring
• 17:07
  1987.
• 17:09
  Not
• 17:10
  all
• 17:10
  the
• 17:10
  animators
• 17:10
  wanted
• 17:11
  to
• 17:11
  relocate
• 17:12
  though.
• 17:12
  And
• 17:12
  so
• 17:12
  many
• 17:13
  of
• 17:13
  the
• 17:13
  animators
• 17:14
  who'd
• 17:14
  previously
• 17:15
  worked
• 17:15
  with
• 17:15
  Bluth
• 17:16
  chose
• 17:16
  to
• 17:16
  move
• 17:16
  to
• 17:17
  other
• 17:17
  US
• 17:17
  based
• 17:18
  animation
• 17:18
  studios.
• 17:19
  Instead
• 17:20
  of
• 17:20
  making
• 17:20
  the
• 17:20
  move
• 17:21
  to
• 17:21
  Dublin,
• 17:22
  Sullivan
• 17:23
  Bluth
• 17:23
  hired
• 17:23
  hundreds
• 17:24
  of
• 17:24
  local
• 17:24
  animators.
• 17:25
  And
• 17:25
  by
• 17:26
  1989,
• 17:27
  75%
• 17:28
  of
• 17:28
  the
• 17:28
  Sullivan
• 17:29
  Bluth
• 17:29
  workforce
• 17:30
  was
• 17:30
  Irish.
• 17:31
  Bluth's
• 17:32
  desire
• 17:33
  to
• 17:33
  make
• 17:33
  a
• 17:34
  more
• 17:34
  dramatic,
• 17:35
  realistic
• 17:35
  dinosaur
• 17:36
  movie
• 17:37
  was
• 17:37
  very
• 17:37
  much
• 17:38
  at
• 17:38
  odds
• 17:38
  with
• 17:38
  Spielberg
• 17:39
  and
• 17:39
  Lucas.
• 17:40
  Ideas
• 17:41
  for
• 17:41
  a
• 17:41
  cute,
• 17:42
  fun,
• 17:42
  colorful
• 17:43
  dinosaur
• 17:43
  movie.
• 17:44
  They
• 17:45
  wanted
• 17:45
  less
• 17:45
  Fantasia,
• 17:46
  more
• 17:47
  kiddie
• 17:47
  dinosaurs.
• 17:48
  And
• 17:49
  this
• 17:49
  would
• 17:49
  mean
• 17:49
  Don
• 17:50
  Bluth
• 17:50
  would
• 17:50
  be
• 17:51
  continually
• 17:51
  frustrated
• 17:52
  throughout
• 17:53
  the
• 17:53
  process.
• 17:54
  Searching
• 17:55
  for
• 17:55
  the
• 17:55
  cast
• 17:55
  would
• 17:55
  be
• 17:56
  similarly
• 17:56
  frustrating.
• 17:57
  Many
• 17:57
  actors
• 17:58
  were
• 17:58
  hired
• 17:58
  and
• 17:59
  let
• 17:59
  go.
• 18:00
  The
• 18:00
  character
• 18:00
  of
• 18:00
  Sarah
• 18:01
  was
• 18:01
  originally
• 18:01
  voiced
• 18:02
  as
• 18:02
  a
• 18:02
  boy,
• 18:03
  and
• 18:03
  mid
• 18:03
  animation
• 18:04
  it
• 18:04
  was
• 18:04
  agreed
• 18:04
  she
• 18:05
  would
• 18:05
  be
• 18:05
  a
• 18:05
  female
• 18:05
  character
• 18:06
  instead.
• 18:07
  And
• 18:07
  Candy
• 18:07
  Hudson
• 18:08
  was
• 18:08
  hired.
• 18:09
  All
• 18:09
  of
• 18:09
  the
• 18:09
  child
• 18:10
  characters
• 18:10
  were
• 18:11
  voiced
• 18:11
  by
• 18:11
  children,
• 18:12
  except
• 18:12
  for
• 18:12
  Petrie.
• 18:13
  Because
• 18:14
  Will
• 18:14
  Ryan
• 18:14
  was
• 18:14
  in
• 18:15
  his
• 18:15
  late
• 18:15
  30s
• 18:16
  when
• 18:16
  he
• 18:16
  won
• 18:16
  the
• 18:16
  role,
• 18:17
  he
• 18:17
  also
• 18:18
  starred
• 18:18
  in
• 18:18
  An
• 18:18
  American
• 18:19
  Tale
• 18:19
  as
• 18:20
  Digit.
• 18:21
  It
• 18:21
  was
• 18:21
  Max
• 18:21
  Spielberg,
• 18:22
  Steven
• 18:22
  Spielberg's
• 18:23
  young
• 18:23
  son,
• 18:24
  who
• 18:24
  suggested
• 18:25
  they
• 18:25
  hire
• 18:25
  the
• 18:26
  voice
• 18:26
  of
• 18:26
  Digit
• 18:27
  for
• 18:27
  Petrie.
• 18:28
  Petrie
• 18:29
  was
• 18:29
  originally
• 18:30
  going
• 18:30
  to
• 18:30
  be
• 18:30
  a
• 18:30
  much
• 18:31
  bigger
• 18:31
  character
• 18:32
  until
• 18:32
  Ducky
• 18:33
  upstaged
• 18:34
  him.
• 18:35
  Duckie
• 18:35
  was
• 18:35
  voiced
• 18:36
  by
• 18:36
  Judith
• 18:36
  Barsi,
• 18:37
  a
• 18:37
  precocious
• 18:38
  talent
• 18:38
  who
• 18:39
  enchanted
• 18:39
  Don
• 18:40
  Bluth
• 18:40
  so
• 18:40
  much
• 18:41
  he
• 18:41
  also
• 18:41
  lined
• 18:42
  her
• 18:42
  up
• 18:42
  for
• 18:43
  his
• 18:43
  next
• 18:43
  project,
• 18:44
  All
• 18:44
  Dogs
• 18:44
  Go
• 18:45
  to
• 18:45
  Heaven,
• 18:46
  which
• 18:46
  is
• 18:46
  the
• 18:46
  next
• 18:47
  episode
• 18:47
  in
• 18:47
  this
• 18:47
  series.
• 18:49
  Barsi's
• 18:49
  story
• 18:50
  is
• 18:50
  one
• 18:50
  of
• 18:50
  the
• 18:51
  most
• 18:51
  tragic
• 18:51
  of
• 18:52
  Hollywood
• 18:52
  stories.
• 18:52
  So
• 18:53
  trigger
• 18:53
  warning
• 18:54
  for
• 18:54
  the
• 18:54
  next
• 18:54
  section
• 18:55
  because
• 18:56
  I'm
• 18:56
  going
• 18:56
  to
• 18:56
  be
• 18:57
  briefly
• 18:57
  talking
• 18:57
  about
• 18:58
  Judith
• 18:58
  Barsi's
• 18:59
  tragic
• 18:59
  death
• 18:59
  at
• 19:00
  the
• 19:00
  hands
• 19:00
  of
• 19:00
  her
• 19:00
  abusive
• 19:01
  father.
• 19:02
  Judith
• 19:03
  Barsi,
• 19:03
  like
• 19:03
  many
• 19:04
  child
• 19:04
  actors,
• 19:04
  was
• 19:05
  providing
• 19:05
  for
• 19:05
  her
• 19:06
  family
• 19:06
  at
• 19:06
  a
• 19:06
  young
• 19:07
  age.
• 19:07
  But
• 19:07
  by
• 19:08
  1987
• 19:09
  she'd
• 19:09
  already
• 19:09
  appeared
• 19:10
  in
• 19:10
  Jaws
• 19:10
  the
• 19:10
  Revenge
• 19:11
  at
• 19:11
  the
• 19:11
  age
• 19:11
  of
• 19:12
  eight,
• 19:12
  as
• 19:12
  she
• 19:13
  genuinely
• 19:13
  is
• 19:13
  one
• 19:14
  of
• 19:14
  the
• 19:14
  best
• 19:14
  things
• 19:14
  in
• 19:14
  that
• 19:14
  movie,
• 19:15
  by
• 19:15
  the
• 19:15
  way.
• 19:16
  Age
• 19:16
  9,
• 19:17
  she
• 19:17
  charmed
• 19:17
  Bluth
• 19:18
  and
• 19:18
  Steven
• 19:18
  Spielberg
• 19:19
  with
• 19:19
  her
• 19:19
  spirited
• 19:20
  recording
• 19:21
  sessions
• 19:21
  as
• 19:21
  Duckie
• 19:22
  and
• 19:23
  later
• 19:23
  as
• 19:23
  Anne
• 19:23
  Marie
• 19:24
  in
• 19:24
  All
• 19:24
  Dogs
• 19:24
  Go
• 19:24
  to
• 19:25
  Heaven.
• 19:25
  But
• 19:26
  all
• 19:26
  was
• 19:26
  not
• 19:26
  well
• 19:27
  at
• 19:27
  home.
• 19:28
  Despite
• 19:28
  her
• 19:29
  earnings
• 19:29
  and
• 19:29
  career
• 19:30
  successes,
• 19:30
  her
• 19:31
  father
• 19:31
  Joszef's
• 19:32
  alcoholism
• 19:33
  worsened
• 19:33
  and
• 19:34
  he
• 19:34
  started
• 19:34
  verbally
• 19:35
  and
• 19:35
  physically
• 19:36
  abusing
• 19:36
  both
• 19:37
  Judith
• 19:37
  and
• 19:38
  her
• 19:38
  mother,
• 19:38
  Maria.
• 19:39
  Maria
• 19:40
  would
• 19:40
  report
• 19:40
  him
• 19:41
  to
• 19:41
  the
• 19:41
  police,
• 19:41
  but
• 19:41
  would
• 19:41
  end
• 19:42
  up
• 19:42
  dropping
• 19:42
  the
• 19:42
  charges.
• 19:44
  His
• 19:44
  threats
• 19:44
  continued,
• 19:45
  though,
• 19:45
  with
• 19:45
  Judith
• 19:46
  starting
• 19:46
  to
• 19:46
  suffer
• 19:47
  extreme
• 19:48
  physical
• 19:48
  and
• 19:48
  emotional
• 19:49
  abuse
• 19:50
  and
• 19:50
  her
• 19:50
  agent
• 19:51
  took
• 19:51
  her
• 19:51
  to
• 19:51
  a
• 19:51
  child
• 19:52
  psychologist
• 19:53
  who
• 19:53
  reported
• 19:53
  her
• 19:54
  findings
• 19:54
  to
• 19:54
  Child
• 19:55
  Protective
• 19:55
  Services.
• 19:57
  Maria
• 19:58
  promised
• 19:58
  the
• 19:58
  caseworker
• 19:59
  that
• 19:59
  she
• 19:59
  was
• 19:59
  divorcing
• 20:00
  her
• 20:00
  husband
• 20:01
  and
• 20:01
  planned
• 20:01
  to
• 20:02
  move
• 20:02
  away
• 20:02
  with
• 20:02
  Judith.
• 20:03
  But
• 20:03
  she
• 20:04
  hesitated
• 20:04
  leaving.
• 20:05
  And
• 20:05
  on
• 20:06
  28th
• 20:06
  July
• 20:07
  1988,
• 20:08
  the
• 20:08
  bodies
• 20:09
  of
• 20:09
  Maria
• 20:09
  Barsi,
• 20:10
  Joszef
• 20:11
  Barsi
• 20:12
  and
• 20:12
  the
• 20:12
  then
• 20:12
  10
• 20:13
  year
• 20:13
  old
• 20:13
  Judith
• 20:14
  were
• 20:14
  found
• 20:14
  at
• 20:14
  their
• 20:15
  home
• 20:15
  in
• 20:15
  an
• 20:15
  apparent
• 20:16
  murder
• 20:16
  suicide.
• 20:17
  Both
• 20:18
  the
• 20:18
  Land
• 20:18
  Before
• 20:18
  Time
• 20:19
  and
• 20:19
  All
• 20:19
  Dogs
• 20:20
  Go
• 20:20
  to
• 20:20
  Heather
• 20:20
  were
• 20:21
  released
• 20:21
  posthumously
• 20:22
  with
• 20:22
  the
• 20:23
  closing
• 20:23
  credits
• 20:23
  Song
• 20:24
  of
• 20:24
  All
• 20:24
  Dogs
• 20:24
  Go
• 20:24
  to
• 20:25
  Heaven
• 20:25
  dedicated
• 20:26
  to
• 20:26
  Judith.
• 20:28
  So
• 20:29
  if
• 20:29
  you're
• 20:29
  not
• 20:29
  sad
• 20:30
  enough
• 20:30
  about
• 20:31
  this
• 20:31
  movie
• 20:31
  and
• 20:32
  its
• 20:32
  contents,
• 20:33
  there's
• 20:34
  some
• 20:34
  more
• 20:34
  fuel
• 20:35
  moving
• 20:35
  on
• 20:35
  to
• 20:36
  something
• 20:36
  slightly
• 20:36
  more
• 20:37
  upbeat,
• 20:37
  if
• 20:37
  it's
• 20:37
  at
• 20:38
  all
• 20:38
  possible.
• 20:39
  Don
• 20:39
  Bluth
• 20:39
  always
• 20:40
  tended
• 20:40
  to
• 20:40
  cast
• 20:41
  one
• 20:41
  person
• 20:41
  in
• 20:42
  particular
• 20:42
  in
• 20:43
  pretty
• 20:43
  much
• 20:43
  all
• 20:43
  of
• 20:43
  his
• 20:44
  movies
• 20:44
  and
• 20:44
  that
• 20:44
  was
• 20:44
  Dom
• 20:45
  DeLuise.
• 20:46
  The
• 20:46
  reason
• 20:47
  the
• 20:47
  cast
• 20:47
  doesn't
• 20:48
  include
• 20:49
  regular
• 20:49
  collaborator
• 20:50
  Dom
• 20:50
  DeLuise
• 20:50
  as
• 20:51
  some
• 20:51
  wacky
• 20:52
  random
• 20:52
  character
• 20:53
  is
• 20:53
  simply
• 20:53
  because
• 20:54
  DeLuise
• 20:55
  chose
• 20:55
  to
• 20:55
  take
• 20:56
  a
• 20:56
  role
• 20:56
  in
• 20:57
  Disney's
• 20:57
  Oliver
• 20:58
  and
• 20:58
  Company
• 20:59
  instead.
• 21:00
  The
• 21:00
  movie
• 21:00
  that
• 21:01
  went
• 21:01
  up
• 21:01
  against
• 21:01
  this
• 21:02
  one
• 21:02
  at
• 21:02
  the
• 21:02
  cinema.
• 21:03
  He
• 21:03
  played
• 21:03
  Fagan
• 21:04
  in
• 21:04
  that
• 21:05
  movie.
• 21:05
  DeLuise
• 21:06
  would
• 21:06
  return
• 21:07
  for
• 21:07
  All
• 21:07
  Dogs
• 21:07
  Go
• 21:07
  to
• 21:08
  Heaven,
• 21:08
  though,
• 21:08
  so
• 21:08
  clearly
• 21:09
  all
• 21:09
  was
• 21:10
  fine
• 21:10
  between
• 21:10
  him
• 21:10
  and
• 21:11
  Don
• 21:11
  Bluth.
• 21:12
  But
• 21:12
  let's
• 21:12
  go
• 21:12
  back
• 21:13
  to
• 21:13
  that
• 21:13
  special
• 21:13
  screening,
• 21:14
  the
• 21:15
  one
• 21:15
  in
• 21:15
  London
• 21:15
  in
• 21:15
  May
• 21:16
  1987.
• 21:17
  It
• 21:17
  was
• 21:18
  for
• 21:18
  producers
• 21:18
  only,
• 21:19
  and
• 21:19
  they
• 21:19
  were
• 21:20
  about
• 21:20
  halfway
• 21:20
  complete
• 21:21
  with
• 21:21
  the
• 21:21
  movie
• 21:21
  at
• 21:22
  the
• 21:22
  time.
• 21:22
  George
• 21:23
  Lucas
• 21:24
  was
• 21:24
  in
• 21:24
  London
• 21:24
  and
• 21:25
  went
• 21:25
  to
• 21:25
  the
• 21:25
  screening
• 21:26
  to
• 21:26
  see
• 21:26
  if
• 21:26
  production
• 21:27
  was
• 21:27
  on
• 21:27
  the
• 21:27
  right
• 21:27
  track,
• 21:28
  but
• 21:29
  he
• 21:29
  felt
• 21:29
  things
• 21:29
  were
• 21:30
  missing
• 21:30
  with
• 21:30
  the
• 21:30
  characters
• 21:31
  and
• 21:31
  their
• 21:31
  personalities.
• 21:33
  Don
• 21:33
  Bluth,
• 21:34
  Gary
• 21:34
  Goldman
• 21:35
  and
• 21:35
  John
• 21:35
  Pomeroy
• 21:36
  ended
• 21:36
  up
• 21:37
  having
• 21:37
  a
• 21:37
  two
• 21:37
  day
• 21:37
  marathon
• 21:38
  story
• 21:38
  session
• 21:39
  where
• 21:39
  they
• 21:40
  made
• 21:40
  major
• 21:40
  structural
• 21:41
  changes,
• 21:42
  taking
• 21:42
  all
• 21:42
  the
• 21:42
  raw
• 21:43
  material
• 21:43
  and
• 21:43
  everything
• 21:44
  they'd
• 21:44
  done
• 21:44
  up
• 21:45
  to
• 21:45
  that
• 21:45
  point
• 21:45
  and
• 21:46
  reforming
• 21:46
  it
• 21:46
  without
• 21:47
  taking
• 21:47
  anything
• 21:48
  away
• 21:48
  from
• 21:48
  the
• 21:48
  original
• 21:49
  story
• 21:49
  writers
• 21:50
  Judy
• 21:50
  Freudberg
• 21:51
  and
• 21:51
  Tony
• 21:51
  Geiss
• 21:52
  or
• 21:52
  script
• 21:53
  writer
• 21:53
  Stu
• 21:54
  Krieger.
• 21:55
  Pomeroy
• 21:55
  claimed
• 21:56
  that
• 21:56
  80%
• 21:56
  of
• 21:56
  the
• 21:57
  story
• 21:57
  came
• 21:58
  from
• 21:58
  that
• 21:58
  story
• 21:59
  meeting
• 21:59
  with
• 21:59
  George
• 22:00
  Lucas.
• 22:01
  The
• 22:01
  one
• 22:01
  idea
• 22:02
  that
• 22:02
  remained
• 22:02
  following
• 22:02
  that
• 22:03
  discussion
• 22:03
  was
• 22:04
  the
• 22:04
  death
• 22:04
  of
• 22:04
  Littlefoot's
• 22:05
  mother
• 22:05
  and
• 22:06
  that
• 22:06
  they
• 22:06
  needed
• 22:06
  to
• 22:07
  eliminate
• 22:07
  the
• 22:07
  parent
• 22:08
  to
• 22:08
  have
• 22:08
  the
• 22:08
  child
• 22:09
  go
• 22:09
  through
• 22:10
  a
• 22:10
  traumatic
• 22:10
  rite
• 22:11
  of
• 22:11
  passage.
• 22:12
  Psychologists
• 22:13
  were
• 22:13
  consulted
• 22:14
  about
• 22:14
  the
• 22:14
  scene
• 22:14
  and
• 22:15
  shown
• 22:15
  the
• 22:15
  film,
• 22:16
  and
• 22:16
  they
• 22:16
  gave
• 22:17
  their
• 22:17
  professional
• 22:17
  opinions
• 22:18
  of
• 22:18
  how
• 22:18
  the
• 22:19
  sequence
• 22:19
  could
• 22:19
  be
• 22:20
  depicted.
• 22:20
  But
• 22:21
  obviously
• 22:21
  it
• 22:22
  is
• 22:22
  quite
• 22:22
  a
• 22:22
  traumatic
• 22:23
  sequence
• 22:23
  because
• 22:23
  his
• 22:24
  mother
• 22:24
  is
• 22:25
  essentially
• 22:25
  brutalized
• 22:26
  and
• 22:26
  killed
• 22:27
  by
• 22:27
  a
• 22:27
  Tyrannosaurus
• 22:28
  rex.
• 22:29
  The
• 22:29
  original
• 22:29
  version
• 22:30
  of
• 22:30
  this
• 22:30
  scene
• 22:30
  was
• 22:30
  apparently
• 22:31
  a
• 22:31
  lot
• 22:31
  more
• 22:32
  violent,
• 22:32
  but
• 22:33
  that
• 22:33
  wasn't
• 22:33
  the
• 22:33
  only
• 22:33
  thing
• 22:34
  that
• 22:34
  was
• 22:34
  heavily
• 22:34
  edited,
• 22:36
  because
• 22:36
  much
• 22:36
  of
• 22:36
  the
• 22:37
  attack
• 22:37
  from
• 22:37
  the
• 22:37
  T
• 22:38
  Rex
• 22:38
  against
• 22:38
  the
• 22:39
  baby
• 22:39
  dinosaurs
• 22:40
  was
• 22:40
  also
• 22:40
  edited
• 22:41
  from
• 22:41
  the
• 22:41
  original
• 22:42
  footage,
• 22:42
  as
• 22:43
  well
• 22:43
  as
• 22:43
  scenes
• 22:43
  showing
• 22:44
  the
• 22:44
  dinosaurs
• 22:45
  in
• 22:45
  distress
• 22:46
  were
• 22:46
  taken
• 22:47
  out
• 22:47
  completely,
• 22:48
  with
• 22:48
  around
• 22:48
  10
• 22:49
  minutes
• 22:49
  in
• 22:50
  total
• 22:50
  removed.
• 22:51
  Steven
• 22:52
  Spielberg
• 22:52
  and
• 22:52
  George
• 22:53
  Lucas
• 22:53
  apparently
• 22:54
  felt
• 22:54
  that
• 22:54
  it
• 22:54
  was
• 22:54
  too
• 22:55
  frightening
• 22:55
  and
• 22:56
  could
• 22:56
  even
• 22:56
  cause
• 22:56
  some
• 22:57
  psychological
• 22:57
  damage
• 22:58
  in
• 22:58
  very
• 22:58
  young
• 22:59
  children.
• 23:00
  19
• 23:01
  scenes
• 23:01
  were
• 23:01
  cut,
• 23:02
  including
• 23:02
  scenes
• 23:03
  portraying
• 23:03
  the
• 23:03
  children
• 23:04
  in
• 23:04
  mild
• 23:04
  peril.
• 23:05
  And
• 23:05
  in
• 23:05
  addition,
• 23:06
  the
• 23:06
  children's
• 23:07
  screams
• 23:07
  were
• 23:07
  replaced
• 23:08
  with
• 23:08
  milder
• 23:09
  noises.
• 23:10
  Whatever
• 23:10
  a
• 23:10
  milder
• 23:11
  noise
• 23:11
  is,
• 23:12
  over
• 23:13
  $1
• 23:13
  million
• 23:14
  of
• 23:14
  footage
• 23:14
  was
• 23:14
  left
• 23:15
  on
• 23:15
  the
• 23:15
  cutting
• 23:15
  room
• 23:16
  floor
• 23:16
  by
• 23:16
  the
• 23:16
  end
• 23:17
  of
• 23:17
  the
• 23:17
  session.
• 23:18
  Some
• 23:18
  of
• 23:18
  these
• 23:18
  cutscenes
• 23:19
  appeared
• 23:19
  in
• 23:20
  trailers
• 23:20
  and
• 23:20
  ads
• 23:21
  before
• 23:21
  release,
• 23:22
  and
• 23:22
  some
• 23:22
  appeared
• 23:23
  in
• 23:23
  book
• 23:23
  adaptations.
• 23:24
  But
• 23:24
  most
• 23:25
  of
• 23:25
  these
• 23:25
  deleted
• 23:26
  scenes
• 23:26
  appear
• 23:26
  to
• 23:27
  have
• 23:27
  been
• 23:27
  destroyed,
• 23:28
  although
• 23:28
  some
• 23:28
  have
• 23:29
  surfaced
• 23:29
  on
• 23:29
  the
• 23:29
  Internet
• 23:30
  in
• 23:30
  recent
• 23:30
  years
• 23:31
  as
• 23:31
  cells
• 23:32
  and
• 23:32
  storyboard
• 23:33
  drawings.
• 23:34
  Dodd
• 23:35
  Bluth
• 23:35
  fought
• 23:35
  for
• 23:35
  the
• 23:35
  extra
• 23:36
  footage
• 23:36
  to
• 23:36
  remain
• 23:37
  in
• 23:37
  the
• 23:37
  movie
• 23:37
  despite
• 23:38
  its
• 23:38
  darker
• 23:38
  tone,
• 23:39
  but
• 23:39
  finally
• 23:40
  had
• 23:40
  to
• 23:40
  give
• 23:40
  in.
• 23:41
  And
• 23:41
  this
• 23:41
  is
• 23:41
  why
• 23:41
  the
• 23:42
  final
• 23:42
  running
• 23:42
  time
• 23:43
  is
• 23:43
  only
• 23:43
  69
• 23:44
  minutes,
• 23:45
  one
• 23:45
  of
• 23:45
  the
• 23:45
  shorter
• 23:46
  animated
• 23:47
  features.
• 23:48
  Even
• 23:48
  when
• 23:48
  the
• 23:48
  editing
• 23:49
  was
• 23:49
  finished,
• 23:49
  Spielberg
• 23:50
  was
• 23:50
  reportedly
• 23:51
  still
• 23:51
  unhappy
• 23:52
  and
• 23:52
  remixed
• 23:53
  the
• 23:53
  music
• 23:53
  and
• 23:54
  sound
• 23:54
  effects
• 23:54
  himself.
• 23:56
  But
• 23:56
  there
• 23:57
  was
• 23:57
  also
• 23:57
  a
• 23:57
  possible
• 23:57
  copyright
• 23:58
  issue
• 23:59
  with
• 23:59
  the
• 23:59
  Land
• 23:59
  Before
• 24:00
  Time
• 24:01
  because
• 24:01
  in
• 24:01
  his
• 24:01
  personal
• 24:02
  blog
• 24:02
  in
• 24:02
  2014,
• 24:04
  author
• 24:04
  William
• 24:05
  Stout
• 24:05
  mentions
• 24:06
  his
• 24:06
  top
• 24:06
  10
• 24:06
  dinosaur
• 24:07
  films
• 24:08
  with
• 24:08
  5A
• 24:09
  and
• 24:09
  5B
• 24:10
  being
• 24:10
  particularly
• 24:11
  important.
• 24:12
  5A
• 24:12
  mentions
• 24:13
  the
• 24:13
  Dinosaur
• 24:14
  Project
• 24:14
  1986,
• 24:16
  a
• 24:16
  Jim
• 24:16
  Henson
• 24:17
  Muppet
• 24:17
  style
• 24:18
  movie
• 24:18
  based
• 24:19
  on
• 24:19
  Stout's
• 24:19
  book
• 24:20
  the
• 24:20
  Dinosaurs,
• 24:21
  A
• 24:21
  fantastic
• 24:22
  new
• 24:22
  view
• 24:22
  of
• 24:22
  a
• 24:22
  lost
• 24:23
  era.
• 24:24
  Stout
• 24:24
  claims
• 24:25
  he
• 24:25
  met
• 24:25
  with
• 24:25
  Warner
• 24:26
  Bros.
• 24:26
  Where
• 24:26
  it
• 24:27
  was
• 24:27
  agreed
• 24:27
  they
• 24:27
  would
• 24:28
  adapt
• 24:28
  his
• 24:28
  story
• 24:29
  and
• 24:29
  Stout
• 24:30
  set
• 24:30
  about
• 24:30
  writing
• 24:30
  a
• 24:31
  script.
• 24:31
  He
• 24:32
  even
• 24:32
  started
• 24:32
  designing
• 24:33
  characters
• 24:33
  and
• 24:34
  painting
• 24:34
  key
• 24:34
  scenes.
• 24:35
  They
• 24:36
  were
• 24:36
  making
• 24:36
  progress
• 24:37
  when
• 24:37
  he
• 24:37
  alleges
• 24:38
  that
• 24:38
  Jim
• 24:39
  Henson
• 24:39
  found
• 24:39
  out
• 24:40
  about
• 24:40
  the
• 24:40
  Spielberg
• 24:41
  and
• 24:41
  Lucas
• 24:42
  produced
• 24:42
  the
• 24:42
  Land
• 24:43
  Before
• 24:43
  Time
• 24:44
  and
• 24:44
  with
• 24:44
  that
• 24:44
  movie
• 24:45
  claiming
• 24:45
  to
• 24:46
  be
• 24:46
  coming
• 24:46
  out
• 24:46
  first,
• 24:47
  Warner
• 24:47
  Brothers
• 24:48
  killed
• 24:48
  the
• 24:48
  Muppet
• 24:49
  Dinosaur
• 24:50
  version.
• 24:51
  It
• 24:51
  was
• 24:51
  apparently
• 24:52
  resurrected
• 24:52
  in
• 24:52
  1990
• 24:53
  by
• 24:53
  Jim
• 24:54
  Henson
• 24:55
  because
• 24:55
  he
• 24:55
  spoke
• 24:55
  to
• 24:55
  him
• 24:56
  out
• 24:56
  of
• 24:56
  the
• 24:56
  blue
• 24:57
  in
• 24:57
  the
• 24:57
  halls
• 24:57
  at
• 24:58
  Walt
• 24:58
  Disney
• 24:58
  Imagineering
• 24:59
  where
• 24:59
  Stout
• 25:00
  was
• 25:00
  working
• 25:00
  at
• 25:00
  the
• 25:01
  time.
• 25:01
  But
• 25:02
  then
• 25:02
  Henson
• 25:02
  passed
• 25:03
  away
• 25:03
  mere
• 25:03
  days
• 25:04
  later
• 25:04
  and
• 25:05
  Stout
• 25:05
  never
• 25:06
  heard
• 25:06
  anything
• 25:06
  else
• 25:06
  about
• 25:07
  the
• 25:07
  project.
• 25:09
  Stout
• 25:09
  also
• 25:10
  co
• 25:10
  wrote
• 25:11
  and
• 25:11
  painted
• 25:11
  the
• 25:11
  artwork
• 25:12
  for
• 25:12
  a
• 25:12
  book
• 25:12
  called
• 25:13
  the
• 25:13
  Little
• 25:13
  Blue
• 25:13
  Brontosaurus
• 25:14
  in
• 25:15
  1983,
• 25:16
  specifically
• 25:17
  using
• 25:17
  Disney
• 25:18
  style
• 25:18
  artwork
• 25:19
  and
• 25:19
  making
• 25:19
  the
• 25:19
  character
• 25:20
  look
• 25:20
  super
• 25:20
  cute.
• 25:21
  He
• 25:22
  also
• 25:22
  claims
• 25:22
  Bluth
• 25:23
  lifted
• 25:23
  the
• 25:23
  story
• 25:24
  and
• 25:24
  art
• 25:24
  style
• 25:25
  wholesale
• 25:25
  for
• 25:26
  the
• 25:26
  Land
• 25:26
  Before
• 25:26
  Time,
• 25:27
  but
• 25:27
  because
• 25:27
  of
• 25:28
  the
• 25:28
  might
• 25:28
  of
• 25:28
  Spielberg
• 25:29
  and
• 25:29
  Lucas,
• 25:30
  Stout
• 25:30
  would
• 25:31
  have
• 25:31
  no
• 25:31
  option
• 25:31
  to
• 25:32
  file
• 25:32
  a
• 25:32
  lawsuit
• 25:33
  for
• 25:33
  copyright
• 25:34
  lest
• 25:34
  he
• 25:34
  be
• 25:34
  blacklisted
• 25:35
  from
• 25:35
  Hollywood.
• 25:36
  He
• 25:36
  also
• 25:37
  alleges
• 25:37
  a
• 25:38
  friend
• 25:38
  saw
• 25:39
  a
• 25:39
  copy
• 25:39
  of
• 25:39
  his
• 25:40
  book
• 25:40
  the
• 25:40
  Little
• 25:40
  Blue
• 25:41
  Brontosaurus
• 25:42
  on
• 25:42
  Kathleen
• 25:42
  Kennedy's
• 25:43
  desk.
• 25:44
  Kennedy
• 25:45
  is
• 25:45
  obviously
• 25:46
  a
• 25:46
  longtime
• 25:46
  friend
• 25:47
  of
• 25:47
  Steven
• 25:47
  Spielberg
• 25:48
  and
• 25:48
  also
• 25:48
  the
• 25:48
  co
• 25:49
  founder
• 25:49
  of
• 25:49
  Amblin.
• 25:51
  She
• 25:51
  also
• 25:51
  co
• 25:51
  produced
• 25:52
  some
• 25:52
  of
• 25:52
  his
• 25:52
  biggest
• 25:53
  hits.
• 25:53
  She's
• 25:54
  also
• 25:54
  a
• 25:54
  longtime
• 25:55
  friend
• 25:55
  of
• 25:55
  George
• 25:55
  Lucas
• 25:56
  and
• 25:57
  was
• 25:57
  president
• 25:57
  of
• 25:57
  Lucasfilm
• 25:58
  from
• 25:59
  2012
• 25:59
  to
• 25:59
  2026.
• 26:01
  She's
• 26:01
  also
• 26:02
  credited
• 26:02
  as
• 26:02
  a
• 26:03
  co
• 26:03
  executive
• 26:03
  producer
• 26:04
  on
• 26:04
  the
• 26:05
  Land
• 26:05
  Before
• 26:05
  Time.
• 26:06
  It
• 26:06
  could
• 26:06
  be
• 26:07
  a
• 26:07
  coincidence,
• 26:08
  but
• 26:08
  it
• 26:08
  could
• 26:09
  also
• 26:09
  not
• 26:09
  be.
• 26:10
  The
• 26:10
  little
• 26:10
  blue
• 26:11
  brontosaurus
• 26:11
  designs
• 26:12
  do
• 26:12
  look
• 26:13
  remarkably
• 26:13
  similar
• 26:14
  to
• 26:14
  Littlefoot's
• 26:15
  eventual
• 26:15
  design.
• 26:17
  It's
• 26:17
  time
• 26:18
  to
• 26:18
  segue
• 26:18
  into
• 26:19
  the
• 26:19
  obligatory
• 26:19
  Keanu
• 26:20
  reference
• 26:20
  of
• 26:21
  this
• 26:21
  episode
• 26:22
  and
• 26:22
  if
• 26:22
  you
• 26:22
  don't
• 26:22
  know
• 26:23
  what
• 26:23
  that
• 26:23
  is,
• 26:23
  it's
• 26:24
  where
• 26:24
  I
• 26:24
  try
• 26:24
  and
• 26:24
  link
• 26:25
  every
• 26:25
  movie
• 26:25
  that
• 26:25
  I
• 26:25
  feature
• 26:26
  with
• 26:26
  Keanu
• 26:27
  Reeves
• 26:27
  for
• 26:27
  no
• 26:27
  reason
• 26:28
  other
• 26:28
  than
• 26:28
  he
• 26:29
  is
• 26:29
  the
• 26:29
  best
• 26:29
  of
• 26:29
  men.
• 26:30
  Now,
• 26:30
  just
• 26:30
  like
• 26:31
  last
• 26:31
  episode
• 26:32
  it's
• 26:32
  very
• 26:32
  difficult
• 26:33
  to
• 26:33
  link
• 26:33
  Keanu
• 26:34
  Reeves
• 26:34
  to
• 26:35
  any
• 26:35
  Don
• 26:36
  Bluth
• 26:36
  animated
• 26:37
  movie,
• 26:37
  but
• 26:38
  I
• 26:38
  did
• 26:38
  find
• 26:39
  that
• 26:39
  he
• 26:39
  produced,
• 26:40
  narrated
• 26:41
  and
• 26:41
  interviewed
• 26:42
  filmmakers
• 26:43
  for
• 26:43
  a
• 26:43
  documentary
• 26:44
  called
• 26:44
  Side
• 26:45
  by
• 26:45
  Side,
• 26:46
  which
• 26:46
  included
• 26:48
  interviewing
• 26:48
  George
• 26:49
  Lucas.
• 26:50
  Sometimes
• 26:50
  the
• 26:50
  easiest
• 26:51
  way
• 26:51
  I
• 26:51
  can
• 26:52
  link
• 26:52
  him
• 26:52
  to
• 26:52
  the
• 26:52
  Land
• 26:52
  Before
• 26:53
  Time
• 26:53
  via
• 26:54
  George
• 26:54
  Lucas
• 26:55
  because
• 26:55
  I'm
• 26:56
  pretty
• 26:56
  certain
• 26:56
  Keanu
• 26:57
  Reeves
• 26:57
  has
• 26:57
  never
• 26:57
  played
• 26:58
  a
• 26:58
  dinosaur,
• 27:00
  just
• 27:00
  like
• 27:00
  on
• 27:00
  An
• 27:01
  American
• 27:01
  Tale.
• 27:01
  James
• 27:02
  Horner
• 27:02
  would
• 27:03
  return
• 27:03
  to
• 27:03
  do
• 27:03
  the
• 27:03
  score
• 27:04
  for
• 27:04
  the
• 27:04
  Land
• 27:04
  Before
• 27:04
  Time,
• 27:05
  performed
• 27:06
  by
• 27:06
  the
• 27:06
  London
• 27:06
  Symphony
• 27:07
  Orchestra
• 27:08
  and
• 27:08
  the
• 27:08
  choir
• 27:08
  of
• 27:09
  King's
• 27:09
  College.
• 27:09
  The
• 27:10
  but
• 27:10
  unlike
• 27:10
  An
• 27:10
  American
• 27:11
  Tale,
• 27:11
  the
• 27:12
  Land
• 27:12
  Before
• 27:12
  Time
• 27:12
  would
• 27:13
  have
• 27:13
  no
• 27:13
  songs
• 27:14
  in
• 27:14
  it
• 27:14
  except
• 27:15
  for
• 27:15
  one
• 27:15
  in
• 27:16
  the
• 27:16
  end
• 27:16
  credits
• 27:17
  if
• 27:17
  We
• 27:17
  Hold
• 27:17
  On
• 27:18
  Together,
• 27:18
  written
• 27:19
  by
• 27:19
  Horner
• 27:19
  and
• 27:19
  Will
• 27:20
  Jennings
• 27:20
  and
• 27:21
  sung
• 27:21
  by
• 27:21
  Diana
• 27:22
  Ross.
• 27:23
  Now
• 27:23
  it
• 27:24
  shouldn't
• 27:24
  Oliver
• 27:24
  and
• 27:25
  Company
• 27:25
  a
• 27:25
  little
• 27:25
  bit
• 27:26
  earlier
• 27:26
  and
• 27:26
  Disney
• 27:27
  were
• 27:27
  not
• 27:27
  happy
• 27:28
  that
• 27:29
  An
• 27:29
  American
• 27:29
  Tail
• 27:30
  had
• 27:30
  surpassed
• 27:31
  Basil
• 27:31
  the
• 27:31
  Great
• 27:31
  Mouse
• 27:32
  Detective,
• 27:33
  and
• 27:33
  they
• 27:33
  actively
• 27:34
  went
• 27:34
  all
• 27:35
  out
• 27:35
  to
• 27:35
  get
• 27:36
  their
• 27:36
  movie,
• 27:37
  Oliver
• 27:37
  Co.
• 27:38
  Beating
• 27:39
  the
• 27:39
  land
• 27:39
  Before
• 27:40
  Time
• 27:40
  they
• 27:41
  wanted
• 27:41
  to
• 27:41
  assure
• 27:41
  their
• 27:42
  dominance
• 27:42
  of
• 27:42
  the
• 27:43
  animation
• 27:43
  market.
• 27:45
  Sears,
• 27:45
  who'd
• 27:46
  partnered
• 27:46
  with
• 27:46
  Amblin
• 27:47
  for
• 27:47
  the
• 27:47
  Land
• 27:47
  Before
• 27:47
  Time,
• 27:48
  were
• 27:49
  nabbed
• 27:49
  by
• 27:49
  Disney
• 27:50
  this
• 27:50
  time
• 27:50
  around
• 27:51
  to
• 27:51
  market
• 27:51
  Oliver
• 27:52
  and
• 27:52
  Company,
• 27:53
  so
• 27:53
  the
• 27:53
  Land
• 27:53
  Before
• 27:54
  Time
• 27:54
  had
• 27:54
  their
• 27:54
  own
• 27:55
  deal
• 27:55
  with
• 27:55
  JC
• 27:56
  Penneys.
• 27:57
  Universal
• 27:57
  also
• 27:58
  heavily
• 27:58
  promoted
• 27:59
  the
• 27:59
  Land
• 27:59
  Before
• 27:59
  Time
• 28:00
  on
• 28:00
  TV
• 28:00
  with
• 28:01
  ads
• 28:01
  during
• 28:01
  Saturday
• 28:02
  morning
• 28:02
  cartoons
• 28:03
  and
• 28:04
  magazine
• 28:04
  ads
• 28:04
  in
• 28:05
  Parents
• 28:05
  magazine.
• 28:06
  The
• 28:07
  media
• 28:07
  picked
• 28:07
  up
• 28:08
  on
• 28:08
  the
• 28:08
  Disney
• 28:08
  blues
• 28:09
  beef
• 28:09
  and
• 28:10
  critics
• 28:10
  noted
• 28:11
  the
• 28:11
  two
• 28:11
  were
• 28:11
  competing
• 28:12
  for
• 28:12
  cinemagoers
• 28:13
  attention.
• 28:14
  The
• 28:15
  Land
• 28:15
  Before
• 28:15
  Time
• 28:16
  released
• 28:16
  on
• 28:16
  the
• 28:17
  same
• 28:17
  day
• 28:17
  as
• 28:17
  Oliver
• 28:18
  Co.
• 28:18
  On
• 28:19
  18
• 28:19
  November
• 28:20
  1988.
• 28:21
  The
• 28:22
  same
• 28:22
  day
• 28:22
  theatrical
• 28:23
  release
• 28:23
  is
• 28:24
  a
• 28:24
  tactic
• 28:24
  that
• 28:24
  Disney
• 28:25
  would
• 28:25
  use
• 28:25
  regularly
• 28:26
  over
• 28:26
  the
• 28:26
  years
• 28:27
  in
• 28:27
  an
• 28:27
  attempt
• 28:28
  to
• 28:28
  bury
• 28:28
  Bluth's
• 28:29
  releases.
• 28:30
  The
• 28:30
  Lamb
• 28:31
  Before
• 28:31
  Time
• 28:31
  opened
• 28:32
  first
• 28:32
  the
• 28:32
  domestic
• 28:33
  weekly
• 28:33
  box
• 28:33
  office
• 28:34
  with
• 28:34
  Oliver
• 28:35
  Co.
• 28:35
  Fourth.
• 28:36
  This
• 28:36
  was
• 28:37
  the
• 28:37
  same
• 28:37
  week
• 28:37
  as
• 28:37
  Scrooge,
• 28:38
  which
• 28:38
  was
• 28:38
  on
• 28:38
  this
• 28:39
  podcast
• 28:39
  since
• 28:39
  Christmas.
• 28:40
  The
• 28:41
  Land
• 28:41
  Before
• 28:41
  Time
• 28:41
  would
• 28:42
  drop
• 28:42
  to
• 28:42
  second
• 28:42
  in
• 28:43
  its
• 28:43
  second
• 28:43
  week,
• 28:43
  but
• 28:44
  still
• 28:44
  above
• 28:44
  Oliver.
• 28:45
  It
• 28:45
  dropped
• 28:46
  below
• 28:46
  Oliver
• 28:47
  Co.
• 28:47
  In
• 28:47
  its
• 28:48
  fourth
• 28:48
  week
• 28:48
  and
• 28:49
  would
• 28:49
  stay
• 28:49
  in
• 28:49
  the
• 28:49
  top
• 28:50
  10
• 28:50
  for
• 28:50
  seven
• 28:51
  weeks.
• 28:52
  The
• 28:52
  land
• 28:52
  Before
• 28:53
  Time
• 28:53
  broke
• 28:53
  the
• 28:53
  record
• 28:54
  for
• 28:54
  the
• 28:54
  highest
• 28:54
  grossing
• 28:55
  animated
• 28:55
  film
• 28:56
  on
• 28:56
  its
• 28:56
  opening
• 28:57
  weekend
• 28:58
  and
• 28:58
  ended
• 28:58
  up
• 28:58
  grossing
• 28:59
  $48.5
• 29:00
  million
• 29:01
  domestically
• 29:02
  and
• 29:02
  $36
• 29:02
  million
• 29:03
  internationally
• 29:04
  for
• 29:05
  a
• 29:05
  total
• 29:05
  worldwide
• 29:06
  gross
• 29:06
  of
• 29:06
  $84.5
• 29:07
  million
• 29:09
  compared
• 29:09
  to
• 29:09
  Oliver
• 29:10
  Company's
• 29:10
  worldwide
• 29:11
  gross
• 29:11
  of
• 29:11
  $121
• 29:12
  million.
• 29:14
  They
• 29:14
  may
• 29:15
  have
• 29:15
  won
• 29:15
  the
• 29:15
  battle
• 29:16
  of
• 29:16
  an
• 29:16
  American
• 29:16
  Tail
• 29:17
  vs.
• 29:17
  Basil
• 29:18
  the
• 29:18
  Great
• 29:18
  Mouse
• 29:18
  Detective,
• 29:19
  but
• 29:19
  this
• 29:20
  one
• 29:20
  went
• 29:20
  to
• 29:21
  Disney.
• 29:22
  Oliver
• 29:22
  and
• 29:22
  Company
• 29:23
  would
• 29:23
  mark
• 29:23
  a
• 29:24
  turnaround
• 29:24
  at
• 29:24
  Disney
• 29:25
  with
• 29:25
  the
• 29:25
  studio
• 29:26
  recommitting
• 29:27
  to
• 29:27
  animation
• 29:28
  and
• 29:28
  promising
• 29:28
  one
• 29:29
  new
• 29:29
  animated
• 29:30
  feature
• 29:30
  every
• 29:30
  year
• 29:31
  and
• 29:31
  just
• 29:32
  to
• 29:32
  prove
• 29:32
  how
• 29:32
  serious
• 29:33
  Disney
• 29:33
  were
• 29:33
  about
• 29:33
  beating
• 29:34
  Bluth
• 29:34
  no
• 29:35
  matter
• 29:35
  what.
• 29:36
  Disney
• 29:36
  president
• 29:37
  Michael
• 29:37
  Eisner
• 29:38
  allegedly
• 29:38
  said
• 29:39
  he
• 29:39
  was
• 29:39
  willing
• 29:40
  to
• 29:40
  leave
• 29:40
  Oliver
• 29:41
  and
• 29:41
  Company
• 29:41
  in
• 29:41
  theaters
• 29:42
  through
• 29:43
  the
• 29:43
  summer
• 29:44
  if
• 29:44
  it
• 29:44
  meant
• 29:44
  getting
• 29:45
  a
• 29:45
  bigger
• 29:45
  total
• 29:46
  than
• 29:46
  the
• 29:46
  Land
• 29:46
  Before
• 29:46
  Time
• 29:47
  and
• 29:47
  An
• 29:48
  American
• 29:48
  Tail.
• 29:49
  But
• 29:49
  if
• 29:50
  you
• 29:50
  factor
• 29:50
  in
• 29:50
  the
• 29:50
  VHS
• 29:51
  market,
• 29:52
  the
• 29:52
  Land
• 29:52
  Before
• 29:52
  Time
• 29:53
  wins
• 29:53
  by
• 29:54
  a
• 29:54
  landslide,
• 29:55
  and
• 29:55
  it
• 29:55
  surpassed
• 29:56
  An
• 29:56
  American
• 29:56
  Tail
• 29:57
  domestically,
• 29:57
  so
• 29:58
  it
• 29:58
  was
• 29:58
  a
• 29:58
  personal
• 29:59
  victory
• 29:59
  for
• 29:59
  Bluth
• 30:00
  and
• 30:00
  his
• 30:00
  team.
• 30:02
  The
• 30:02
  Land
• 30:02
  before
• 30:02
  time
• 30:03
  has
• 30:03
  a
• 30:03
  65%
• 30:04
  rating
• 30:05
  of
• 30:05
  rotten
• 30:05
  Tomatoes,
• 30:06
  with
• 30:06
  the
• 30:07
  consensus
• 30:08
  Beautifully
• 30:08
  animated
• 30:09
  and
• 30:09
  genuinely
• 30:10
  endearing,
• 30:11
  the
• 30:11
  Land
• 30:11
  Before
• 30:12
  Time
• 30:12
  is
• 30:12
  sure
• 30:12
  to
• 30:13
  please
• 30:13
  dino
• 30:14
  obsessed
• 30:14
  tykes,
• 30:15
  even
• 30:15
  if
• 30:15
  it's
• 30:16
  a
• 30:16
  little
• 30:16
  too
• 30:16
  cutesy
• 30:17
  for
• 30:17
  older
• 30:17
  viewers.
• 30:18
  Overall,
• 30:19
  critics
• 30:19
  questioned
• 30:20
  whether
• 30:20
  dinosaurs
• 30:21
  could
• 30:21
  be
• 30:21
  cute,
• 30:22
  but
• 30:22
  found
• 30:22
  it
• 30:23
  to
• 30:23
  be
• 30:23
  an
• 30:23
  emotionally
• 30:24
  rich
• 30:24
  story
• 30:25
  and
• 30:25
  beautifully
• 30:26
  animated.
• 30:27
  It
• 30:28
  would
• 30:28
  take
• 30:28
  six
• 30:28
  years
• 30:29
  for
• 30:29
  a
• 30:29
  sequel
• 30:29
  to
• 30:29
  be
• 30:30
  released
• 30:30
  Direct
• 30:30
  to
• 30:30
  video
• 30:31
  1994's
• 30:32
  the
• 30:32
  Land
• 30:32
  Before
• 30:33
  Time
• 30:33
  2
• 30:34
  the
• 30:34
  Great
• 30:34
  Valley
• 30:35
  Adventure,
• 30:35
  which
• 30:36
  was
• 30:36
  not
• 30:36
  only
• 30:36
  less
• 30:37
  serious
• 30:37
  and
• 30:37
  more
• 30:38
  colorful,
• 30:39
  but
• 30:39
  also
• 30:39
  had
• 30:39
  socks.
• 30:40
  It
• 30:40
  had
• 30:41
  no
• 30:41
  involvement
• 30:41
  or
• 30:42
  support
• 30:42
  from
• 30:42
  Don
• 30:42
  Bluth,
• 30:43
  Steven
• 30:43
  Spielberg
• 30:44
  or
• 30:44
  George
• 30:45
  Lucas.
• 30:45
  Nor
• 30:46
  did
• 30:46
  any
• 30:46
  of
• 30:46
  the
• 30:47
  12
• 30:47
  further
• 30:47
  sequels
• 30:48
  that
• 30:48
  followed,
• 30:49
  which
• 30:49
  include
• 30:50
  Deep
• 30:51
  Breath,
• 30:52
  the
• 30:52
  land
• 30:52
  of
• 30:53
  All
• 30:53
  Time
• 30:53
  3
• 30:53
  the
• 30:54
  Time
• 30:54
  of
• 30:54
  the
• 30:54
  Great
• 30:54
  Giving
• 30:55
  in
• 30:55
  1995,
• 30:56
  the
• 30:56
  Land
• 30:57
  Before
• 30:57
  Time
• 30:57
  4.
• 30:58
  Journey
• 30:58
  through
• 30:58
  the
• 30:59
  Mists
• 30:59
  in
• 30:59
  1996,
• 31:00
  the
• 31:01
  Land
• 31:01
  Before
• 31:01
  Time
• 31:02
  5.
• 31:02
  The
• 31:02
  Mysterious
• 31:03
  island
• 31:03
  in
• 31:03
  1997,
• 31:05
  the
• 31:05
  Land
• 31:05
  Before
• 31:05
  Time
• 31:06
  6.
• 31:06
  The
• 31:06
  Secret
• 31:07
  of
• 31:07
  Saurus
• 31:07
  Rock
• 31:08
  in
• 31:08
  1998,
• 31:09
  the
• 31:09
  Land
• 31:10
  Before
• 31:10
  Time
• 31:10
  7.
• 31:11
  The
• 31:11
  Stone
• 31:11
  of
• 31:11
  Cold
• 31:12
  Fire
• 31:12
  in
• 31:12
  2000
• 31:13
  the
• 31:14
  Land
• 31:14
  Before
• 31:14
  Time
• 31:14
  8.
• 31:15
  The
• 31:15
  Big
• 31:15
  Freeze
• 31:16
  in
• 31:16
  2001,
• 31:17
  the
• 31:17
  Land
• 31:18
  Before
• 31:18
  Time
• 31:18
  9.
• 31:19
  Journey
• 31:19
  to
• 31:19
  Big
• 31:19
  Water
• 31:20
  in
• 31:20
  2002
• 31:21
  the
• 31:22
  Land
• 31:22
  Before
• 31:22
  Time
• 31:22
  10.
• 31:23
  The
• 31:23
  Great
• 31:23
  Long
• 31:24
  Neck
• 31:24
  Migration
• 31:25
  in
• 31:25
  2003,
• 31:26
  the
• 31:26
  Land
• 31:27
  Before
• 31:27
  Time
• 31:27
  11.
• 31:28
  Invasion
• 31:28
  of
• 31:28
  the
• 31:29
  Tynosauruses
• 31:30
  in
• 31:30
  2005,
• 31:31
  the
• 31:31
  Land
• 31:31
  Before
• 31:32
  Time
• 31:32
  12.
• 31:32
  The
• 31:33
  Great
• 31:33
  Day
• 31:33
  of
• 31:33
  the
• 31:33
  Flyers
• 31:34
  in
• 31:34
  2006,
• 31:35
  the
• 31:36
  Land
• 31:36
  Before
• 31:36
  Time
• 31:36
  13
• 31:37
  the
• 31:37
  Wisdom
• 31:37
  of
• 31:38
  Friends
• 31:38
  in
• 31:38
  2007
• 31:40
  and
• 31:40
  the
• 31:40
  Land
• 31:40
  Before
• 31:41
  Time
• 31:41
  14.
• 31:42
  Journey
• 31:42
  of
• 31:43
  the
• 31:43
  Brave
• 31:43
  in
• 31:44
  2016.
• 31:46
  Phew.
• 31:47
  There
• 31:47
  would
• 31:48
  also
• 31:48
  be
• 31:48
  a
• 31:48
  short
• 31:48
  lived
• 31:49
  TV
• 31:49
  series
• 31:49
  called
• 31:50
  The
• 31:50
  Land
• 31:50
  Before
• 31:50
  Time,
• 31:51
  which
• 31:51
  aired
• 31:51
  on
• 31:51
  Cartoon
• 31:52
  Network
• 31:52
  for
• 31:52
  one
• 31:53
  series
• 31:53
  between
• 31:54
  2007
• 31:55
  and
• 31:55
  2008
• 31:56
  after
• 31:57
  the
• 31:57
  Land
• 31:57
  Before
• 31:58
  Time
• 31:58
  13.
• 31:59
  So
• 31:59
  maybe
• 31:59
  they
• 31:59
  thought
• 32:00
  they
• 32:00
  were
• 32:00
  done
• 32:00
  and
• 32:01
  then
• 32:01
  poof,
• 32:01
  nine
• 32:02
  years
• 32:02
  later
• 32:02
  they
• 32:03
  get
• 32:03
  another
• 32:03
  one.
• 32:04
  Considering
• 32:05
  it's
• 32:05
  one
• 32:06
  of
• 32:06
  their
• 32:06
  most
• 32:06
  endearing
• 32:06
  classics,
• 32:07
  Don
• 32:08
  Bluth,
• 32:08
  Gary
• 32:09
  Goldman
• 32:09
  and
• 32:09
  John
• 32:09
  Pomeroy
• 32:10
  have
• 32:10
  mixed
• 32:11
  feelings
• 32:11
  about
• 32:12
  the
• 32:12
  Land
• 32:12
  Before
• 32:12
  Time.
• 32:13
  Bluth
• 32:14
  would
• 32:14
  say
• 32:14
  in
• 32:14
  1990
• 32:15
  that
• 32:15
  he
• 32:16
  wasn't
• 32:16
  fond
• 32:16
  of
• 32:16
  it,
• 32:17
  that
• 32:17
  the
• 32:17
  story
• 32:18
  was
• 32:18
  appealing,
• 32:18
  but
• 32:18
  it
• 32:18
  was
• 32:19
  too
• 32:19
  slow
• 32:19
  paced.
• 32:20
  Goldman
• 32:21
  would
• 32:21
  say
• 32:21
  it
• 32:21
  was
• 32:21
  dumbed
• 32:22
  down
• 32:22
  for
• 32:22
  four
• 32:22
  to
• 32:23
  seven
• 32:23
  year
• 32:23
  olds,
• 32:23
  and
• 32:24
  all
• 32:24
  the
• 32:24
  good
• 32:24
  stuff
• 32:25
  had
• 32:25
  been
• 32:25
  cut,
• 32:26
  despite
• 32:26
  needing
• 32:27
  those
• 32:27
  cuts
• 32:27
  to
• 32:28
  be
• 32:28
  as
• 32:28
  successful
• 32:29
  as
• 32:29
  it
• 32:29
  was.
• 32:30
  But
• 32:30
  he
• 32:30
  found
• 32:31
  the
• 32:31
  cut
• 32:31
  material
• 32:32
  to
• 32:32
  be
• 32:32
  artistically
• 32:33
  beautiful.
• 32:34
  Pomeroy
• 32:35
  would
• 32:35
  say
• 32:35
  the
• 32:35
  movie
• 32:35
  never
• 32:36
  lived
• 32:36
  up
• 32:36
  to
• 32:36
  his
• 32:36
  expectations
• 32:38
  because
• 32:38
  it
• 32:38
  was
• 32:38
  the
• 32:38
  ideal
• 32:39
  opportunity
• 32:39
  to
• 32:40
  show
• 32:40
  these
• 32:40
  five
• 32:40
  creatures
• 32:41
  with
• 32:41
  different
• 32:42
  personalities
• 32:42
  working
• 32:43
  together,
• 32:43
  but
• 32:44
  that
• 32:44
  never
• 32:44
  got
• 32:45
  a
• 32:45
  chance
• 32:45
  to
• 32:45
  truly
• 32:46
  demonstrate
• 32:46
  the
• 32:46
  richness
• 32:47
  of
• 32:47
  the
• 32:47
  original
• 32:48
  characters.
• 32:49
  But
• 32:49
  then
• 32:49
  he
• 32:50
  added,
• 32:50
  quote,
• 32:51
  what's
• 32:51
  strange
• 32:51
  is
• 32:52
  that
• 32:52
  what
• 32:52
  an
• 32:52
  artist
• 32:53
  considers
• 32:53
  an
• 32:53
  artistic
• 32:54
  disappointment
• 32:55
  will
• 32:55
  be
• 32:55
  considered
• 32:56
  the
• 32:56
  greatest
• 32:56
  thing
• 32:56
  ever
• 32:57
  achieved
• 32:57
  by
• 32:57
  the
• 32:58
  layman.
• 32:59
  I
• 32:59
  walked
• 32:59
  into
• 32:59
  a
• 32:59
  friend's
• 33:00
  house
• 33:00
  who's
• 33:00
  got
• 33:01
  five
• 33:01
  kids,
• 33:01
  and
• 33:02
  they're
• 33:02
  gathered
• 33:02
  around
• 33:03
  their
• 33:03
  TV
• 33:03
  set
• 33:04
  and
• 33:04
  they're
• 33:04
  on
• 33:04
  their
• 33:05
  third
• 33:05
  showing
• 33:05
  of
• 33:05
  the
• 33:06
  Land
• 33:06
  Before
• 33:06
  Time
• 33:07
  that
• 33:07
  day.
• 33:07
  They've
• 33:08
  got
• 33:08
  all
• 33:08
  the
• 33:08
  dialogue
• 33:09
  memorized.
• 33:09
  I
• 33:10
  see
• 33:10
  those
• 33:10
  five
• 33:10
  kids
• 33:11
  glued
• 33:11
  to
• 33:11
  that
• 33:12
  tv
• 33:12
  and
• 33:13
  I
• 33:13
  have
• 33:13
  to
• 33:13
  scratch
• 33:13
  my
• 33:14
  head
• 33:14
  and
• 33:14
  say,
• 33:15
  well,
• 33:15
  maybe
• 33:15
  there
• 33:15
  was
• 33:16
  something
• 33:16
  there
• 33:16
  that
• 33:16
  was
• 33:17
  worthwhile.
• 33:19
  And
• 33:19
  that's
• 33:19
  the
• 33:19
  thing
• 33:20
  when
• 33:20
  I
• 33:20
  say
• 33:20
  animation
• 33:21
  is
• 33:21
  not
• 33:21
  just
• 33:21
  for
• 33:21
  kids.
• 33:22
  It's
• 33:23
  true,
• 33:23
  but
• 33:23
  it
• 33:24
  can
• 33:24
  also
• 33:24
  be
• 33:24
  just
• 33:25
  for
• 33:25
  kids.
• 33:25
  And
• 33:26
  that's
• 33:26
  okay
• 33:26
  too.
• 33:27
  This
• 33:27
  is
• 33:28
  a
• 33:28
  gorgeously
• 33:28
  animated
• 33:29
  movie
• 33:29
  that
• 33:29
  is
• 33:30
  definitely
• 33:30
  more
• 33:31
  aimed
• 33:31
  at
• 33:31
  children,
• 33:32
  but
• 33:32
  also
• 33:32
  has
• 33:33
  some
• 33:33
  frightening
• 33:34
  moments.
• 33:34
  And
• 33:34
  just
• 33:35
  like
• 33:35
  last
• 33:35
  episode,
• 33:36
  I
• 33:36
  cried
• 33:37
  at
• 33:37
  the
• 33:37
  end
• 33:37
  when
• 33:37
  little
• 33:37
  Foot
• 33:38
  reunites
• 33:38
  with
• 33:38
  his
• 33:39
  grandparents,
• 33:39
  because
• 33:40
  how
• 33:40
  can
• 33:40
  you
• 33:41
  not?
• 33:42
  But
• 33:42
  I
• 33:43
  am
• 33:43
  curious,
• 33:43
  how
• 33:44
  distressing
• 33:45
  were
• 33:45
  the
• 33:45
  cutscenes?
• 33:46
  I
• 33:46
  guess
• 33:46
  we'll
• 33:47
  never
• 33:47
  truly
• 33:47
  know,
• 33:48
  but
• 33:48
  I
• 33:48
  for
• 33:48
  one
• 33:49
  would
• 33:49
  probably
• 33:49
  quite
• 33:50
  like
• 33:50
  to
• 33:50
  see
• 33:50
  the
• 33:50
  movie
• 33:51
  how
• 33:51
  Bluth,
• 33:52
  Goldman
• 33:53
  and
• 33:53
  Pomeroy
• 33:53
  originally
• 33:54
  intended
• 33:55
  it
• 33:55
  to
• 33:55
  be,
• 33:55
  if
• 33:56
  anything,
• 33:56
  because
• 33:56
  the
• 33:57
  three
• 33:57
  men
• 33:57
  seem
• 33:58
  quite
• 33:58
  disappointed
• 33:58
  with
• 33:59
  how
• 33:59
  it
• 33:59
  turned
• 33:59
  out,
• 34:00
  as
• 34:00
  if
• 34:00
  the
• 34:00
  involvement
• 34:01
  of
• 34:01
  Spielberg
• 34:02
  and
• 34:02
  Lucas
• 34:03
  was
• 34:03
  just
• 34:03
  too
• 34:03
  many
• 34:04
  cooks
• 34:04
  spoiling
• 34:05
  their
• 34:05
  dinosaur
• 34:06
  flavored
• 34:06
  broth.
• 34:07
  For
• 34:08
  his
• 34:08
  part,
• 34:08
  Spielberg
• 34:09
  made
• 34:09
  another
• 34:10
  animated
• 34:10
  dinosaur
• 34:11
  movie
• 34:11
  with
• 34:12
  1993's
• 34:13
  We're
• 34:13
  Back
• 34:14
  a
• 34:14
  Dinosaurs
• 34:15
  Story
• 34:15
  at
• 34:16
  Ambulation,
• 34:17
  which
• 34:17
  was
• 34:17
  a
• 34:17
  box
• 34:18
  office
• 34:18
  bomb
• 34:18
  five
• 34:19
  months
• 34:19
  after
• 34:20
  the
• 34:20
  huge
• 34:20
  critical
• 34:21
  and
• 34:21
  commercial
• 34:21
  success
• 34:22
  of
• 34:22
  Jurassic
• 34:23
  park
• 34:23
  in
• 34:23
  June
• 34:24
  1993.
• 34:25
  But
• 34:26
  the
• 34:26
  land
• 34:26
  Before
• 34:26
  Time
• 34:27
  probably
• 34:27
  made
• 34:27
  dinosaurs
• 34:28
  cool
• 34:28
  again.
• 34:29
  Before
• 34:29
  dinosaurs
• 34:30
  eat,
• 34:30
  man
• 34:31
  and
• 34:31
  woman
• 34:31
  inherits
• 34:32
  the
• 34:32
  earth.
• 34:33
  Despite
• 34:34
  partnering
• 34:34
  with
• 34:35
  Amblin,
• 34:35
  giving
• 34:35
  Sullivan
• 34:36
  Bluth
• 34:36
  their
• 34:36
  two
• 34:36
  biggest
• 34:37
  hits,
• 34:37
  the
• 34:38
  partnership
• 34:38
  wouldn't
• 34:38
  last.
• 34:39
  Spielberg
• 34:40
  would
• 34:40
  instead
• 34:40
  create
• 34:41
  Ambulation.
• 34:42
  Unlike
• 34:42
  the
• 34:42
  very
• 34:43
  dinosaurs
• 34:43
  they
• 34:44
  had
• 34:44
  created
• 34:44
  together,
• 34:45
  the
• 34:45
  partnership
• 34:46
  would
• 34:46
  become
• 34:47
  extinct.
• 34:48
  Feivel
• 34:49
  had
• 34:49
  found
• 34:49
  his
• 34:49
  family
• 34:49
  in
• 34:50
  America
• 34:50
  and
• 34:51
  livelihood,
• 34:51
  had
• 34:52
  been
• 34:52
  reunited
• 34:52
  with
• 34:53
  his
• 34:53
  grandparents
• 34:53
  in
• 34:54
  the
• 34:54
  Great
• 34:54
  Valley.
• 34:55
  There
• 34:55
  would
• 34:55
  be
• 34:56
  no
• 34:56
  third
• 34:56
  collaboration.
• 34:58
  Instead,
• 34:59
  Sullivan
• 34:59
  Bluth
• 34:59
  had
• 35:00
  lined
• 35:00
  up
• 35:00
  a
• 35:00
  new
• 35:00
  deal
• 35:01
  with
• 35:01
  independent
• 35:02
  British
• 35:02
  producers
• 35:03
  Goldcrest
• 35:03
  Films
• 35:04
  with
• 35:04
  a
• 35:04
  new
• 35:05
  three
• 35:05
  picture
• 35:05
  deal,
• 35:05
  giving
• 35:06
  Bluth
• 35:06
  the
• 35:07
  total
• 35:07
  creative
• 35:08
  control
• 35:08
  he
• 35:09
  so
• 35:09
  desperately
• 35:09
  craved.
• 35:10
  On
• 35:10
  An
• 35:10
  American
• 35:11
  Tale
• 35:12
  and
• 35:12
  the
• 35:12
  Land
• 35:12
  Before
• 35:12
  Time,
• 35:13
  away
• 35:14
  from
• 35:14
  the
• 35:14
  Hollywood
• 35:14
  system
• 35:15
  and
• 35:15
  they
• 35:16
  were
• 35:16
  free
• 35:16
  to
• 35:16
  create
• 35:17
  the
• 35:17
  next
• 35:18
  and
• 35:18
  final
• 35:18
  movie.
• 35:19
  In
• 35:19
  these
• 35:19
  special
• 35:20
  birthday
• 35:20
  episodes,
• 35:21
  all
• 35:22
  dogs
• 35:22
  go
• 35:22
  to
• 35:22
  Heaven,
• 35:23
  where
• 35:23
  they
• 35:24
  finally
• 35:24
  wanted
• 35:25
  to
• 35:25
  show
• 35:25
  what
• 35:26
  they
• 35:26
  could
• 35:26
  achieve
• 35:26
  on
• 35:27
  their
• 35:27
  own.
• 35:28
  Thank
• 35:28
  you
• 35:29
  for
• 35:29
  listening.
• 35:29
  As
• 35:29
  always,
• 35:30
  I
• 35:30
  would
• 35:30
  love
• 35:30
  to
• 35:30
  hear
• 35:30
  your
• 35:30
  thoughts
• 35:31
  on
• 35:31
  the
• 35:31
  Land
• 35:31
  Before
• 35:31
  Time
• 35:32
  and
• 35:32
  thank
• 35:33
  you
• 35:33
  for
• 35:33
  your
• 35:33
  continued
• 35:34
  support
• 35:34
  of
• 35:34
  this
• 35:35
  podcast.
• 35:36
  Genuine
• 35:37
  heartfelt
• 35:37
  thanks
• 35:37
  for
• 35:37
  listening
• 35:38
  to
• 35:38
  this
• 35:38
  podcast.
• 35:39
  Whether
• 35:39
  it's
• 35:39
  your
• 35:39
  first
• 35:40
  episode
• 35:40
  or
• 35:41
  or
• 35:41
  your
• 35:41
  333rd.
• 35:44
  If
• 35:44
  you
• 35:44
  want
• 35:44
  to
• 35:45
  show
• 35:45
  your
• 35:45
  support
• 35:45
  in
• 35:46
  multiple
• 35:46
  different
• 35:46
  ways,
• 35:47
  you
• 35:47
  could
• 35:47
  leave
• 35:47
  a
• 35:48
  rating
• 35:48
  or
• 35:48
  review
• 35:48
  wherever
• 35:49
  you
• 35:49
  found
• 35:49
  this
• 35:49
  podcast.
• 35:50
  You
• 35:51
  could
• 35:51
  tell
• 35:51
  your
• 35:51
  friends
• 35:51
  and
• 35:51
  family
• 35:52
  about
• 35:52
  this
• 35:52
  podcast
• 35:53
  or
• 35:53
  you
• 35:54
  can
• 35:54
  find
• 35:54
  me
• 35:54
  and
• 35:55
  follow
• 35:55
  me
• 35:55
  on
• 35:55
  social
• 35:56
  media
• 35:56
  and
• 35:56
  you
• 35:57
  can
• 35:57
  share
• 35:57
  the
• 35:57
  podcast
• 35:58
  that
• 35:58
  way.
• 35:58
  I
• 35:59
  am
• 35:59
  at
• 35:59
  Verbal
• 36:00
  Diorama.
• 36:00
  You
• 36:01
  can
• 36:01
  share
• 36:01
  posts
• 36:02
  like
• 36:02
  posts,
• 36:02
  comment
• 36:03
  on
• 36:03
  posts.
• 36:04
  It
• 36:04
  all
• 36:04
  helps
• 36:04
  really
• 36:05
  to
• 36:05
  get
• 36:05
  the
• 36:06
  word
• 36:06
  out
• 36:06
  there
• 36:06
  and
• 36:06
  hopefully
• 36:08
  get
• 36:08
  other
• 36:08
  people
• 36:08
  to
• 36:09
  know
• 36:09
  this
• 36:09
  podcast
• 36:10
  and
• 36:10
  know
• 36:10
  what
• 36:10
  I've
• 36:11
  been
• 36:11
  doing.
• 36:11
  I
• 36:11
  genuinely
• 36:12
  love
• 36:12
  doing
• 36:13
  this
• 36:13
  podcast
• 36:13
  and
• 36:14
  anything
• 36:14
  you
• 36:14
  could
• 36:14
  do
• 36:15
  to
• 36:15
  help
• 36:15
  would
• 36:15
  be
• 36:16
  so
• 36:16
  appreciated.
• 36:17
  A
• 36:18
  huge
• 36:18
  thank
• 36:18
  you
• 36:18
  to
• 36:19
  the
• 36:19
  amazing
• 36:19
  patrons
• 36:20
  of
• 36:20
  this
• 36:20
  podcast.
• 36:21
  To
• 36:21
  Simon,
• 36:22
  Laurel,
• 36:22
  Derek,
• 36:23
  Kat,
• 36:24
  Andy,
• 36:24
  Mike,
• 36:25
  Luke,
• 36:25
  Michael,
• 36:26
  Scott,
• 36:26
  Brendan,
• 36:27
  Ian,
• 36:27
  Lisa,
• 36:28
  Sam,
• 36:28
  Jack,
• 36:29
  Dave,
• 36:29
  Stuart,
• 36:30
  Nicholas,
• 36:31
  so
• 36:31
  Kev,
• 36:32
  Danny,
• 36:32
  Stew,
• 36:33
  Brett,
• 36:33
  Philip
• 36:34
  M.
• 36:34
  Xenos,
• 36:35
  Sean,
• 36:35
  Rhino,
• 36:36
  Philip
• 36:36
  K,
• 36:37
  Adam,
• 36:37
  Elaine,
• 36:38
  Kyle,
• 36:38
  Aaron,
• 36:39
  and
• 36:39
  Steve.
• 36:40
  If
• 36:41
  you
• 36:41
  want
• 36:41
  to
• 36:41
  get
• 36:41
  in
• 36:41
  touch,
• 36:42
  you
• 36:42
  can
• 36:42
  email
• 36:42
  verbaldioramail.com
• 36:45
  you
• 36:45
  can
• 36:46
  also
• 36:46
  go
• 36:46
  to
• 36:46
  the
• 36:46
  website
• 36:47
  verbaldiorama.com
• 36:48
  and
• 36:49
  you
• 36:49
  can
• 36:49
  fill
• 36:49
  out
• 36:49
  the
• 36:49
  contact
• 36:50
  form.
• 36:50
  You
• 36:51
  can
• 36:51
  say
• 36:51
  hello,
• 36:51
  you
• 36:52
  can
• 36:52
  give
• 36:52
  feedback
• 36:52
  or
• 36:52
  you
• 36:53
  can
• 36:53
  give
• 36:53
  suggestions.
• 36:54
  I
• 36:54
  would
• 36:54
  genuinely
• 36:55
  love
• 36:55
  to
• 36:55
  hear
• 36:55
  from
• 36:56
  you.
• 36:56
  You
• 36:56
  can
• 36:56
  also
• 36:56
  DM
• 36:57
  me
• 36:57
  on
• 36:57
  social
• 36:57
  media
• 36:58
  as
• 36:58
  well.
• 36:58
  I
• 36:59
  really
• 36:59
  love
• 36:59
  to
• 36:59
  hear
• 37:00
  from
• 37:00
  people
• 37:00
  and
• 37:00
  I
• 37:00
  always
• 37:01
  try
• 37:01
  to
• 37:01
  respond
• 37:02
  as
• 37:02
  quickly
• 37:02
  as
• 37:02
  possible.
• 37:03
  I'm
• 37:03
  hugely
• 37:04
  grateful
• 37:04
  to
• 37:04
  you
• 37:04
  all
• 37:05
  for
• 37:05
  your
• 37:05
  support.
• 37:06
  And
• 37:07
  finally.
• 39:05
  Bye.