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127: Best Of 1996 | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, y'all, what up? Man, Welcome to the Ball Brothers.
• 0:02
  Speaker 1: I'm Kevin on stage to Baker. Here's where we come
• 0:04
  Speaker 1: to talk about stuff. Man, were talking about stuff from
• 0:07
  Speaker 1: the year Our Lord and Savior in nineteen ninety six,
• 0:09
  Speaker 1: one of the beggest years of hip hop and arguably
• 0:14
  Speaker 1: the greatest NBA drafts of all time.
• 0:16
  Speaker 2: Oh all right, but before we talk about that, we're
• 0:18
  Speaker 2: on tour.
• 0:18
  Speaker 1: Man. Check our websites. Kem on Stage dot com, Tony
• 0:21
  Speaker 1: Baker Comedy dot com. I'm not doing the research of
• 0:22
  Speaker 1: when we're gonna be where we're gonna be. Just our
• 0:24
  Speaker 1: sixth episode we shot today. We're talking about it on
• 0:27
  Speaker 1: social media. It's our seventh episode. I for sure I
• 0:30
  Speaker 1: ain't gonna talk about it. This is seven seven nineteen
• 0:33
  Speaker 1: ninety six is the seventh, right, Yeah, because when you
• 0:35
  Speaker 1: do the years, my math always gets messed up, right,
• 0:37
  Speaker 1: because the ninety is always.
• 0:38
  Speaker 2: Because we're coming in with zero, coming with zero. You
• 0:41
  Speaker 2: don't usually count that on the cold official underneath.
• 0:43
  Speaker 3: But ninety six.
• 0:49
  Speaker 4: Man, I don't know how old y'all was, but I
• 0:51
  Speaker 4: was thirteen. I was fresh out of high school. Man,
• 0:54
  Speaker 4: I was out here in seventeen I was working at
• 0:56
  Speaker 4: Dry Queen. You was dipping stuff. He was holding blizzard
• 0:59
  Speaker 4: upside now, yeah, man, I never did that.
• 1:02
  Speaker 2: You never did that.
• 1:03
  Speaker 3: I never did the upside down.
• 1:05
  Speaker 2: You ain't doing the whole dirt now, man.
• 1:06
  Speaker 4: That wasn't giving people a full experience. Yeah, man, corny, Man,
• 1:12
  Speaker 4: that's corny.
• 1:14
  Speaker 2: Just give him the straight.
• 1:15
  Speaker 4: Doing it for just to show you what it's all
• 1:18
  Speaker 4: the belt and plus, if I make a banana split blizzard,
• 1:22
  Speaker 4: it's not gonna be able to Yeah, the banana split blitz.
• 1:27
  Speaker 4: That was a wet one.
• 1:29
  Speaker 2: Quite as kept.
• 1:30
  Speaker 1: Dairy Queen got the best chicken tenders on the market.
• 1:33
  Speaker 1: They got good chicken tenders. They got some toast and
• 1:35
  Speaker 1: some country grape. Yes, you don't know about my own
• 1:38
  Speaker 1: supply for that, mug. I was eating Dairy Queen.
• 1:42
  Speaker 2: You hear me.
• 1:43
  Speaker 3: That was the dairy King.
• 1:45
  Speaker 2: Oh, I was in there, all right.
• 1:47
  Speaker 1: Let's kick it off nineteen ninety five Best Movie, Best Movie,
• 1:53
  Speaker 1: ninety six, Best Movie.
• 1:57
  Speaker 2: You set it off, d that's that's actually the movie
• 2:00
  Speaker 2: we're moving. Set it off. That's my Oh interesting, set
• 2:05
  Speaker 2: it off?
• 2:05
  Speaker 1: Now.
• 2:06
  Speaker 2: First, I love some believe no no for now. But
• 2:09
  Speaker 2: here's why. Though.
• 2:10
  Speaker 1: In nineteen ninety six and me and my homeboy we
• 2:12
  Speaker 1: went to his family's house. We watched Set It Off
• 2:19
  Speaker 1: and Booty Call over and over and over. We watched
• 2:23
  Speaker 1: It Off probably two three times a day, and Booty
• 2:26
  Speaker 1: Call once or twice. He just had nothing to do.
• 2:28
  Speaker 1: He was in Memphis and there was gunshots and stuff.
• 2:30
  Speaker 1: We were just like, man, let's just let's just watch
• 2:32
  Speaker 1: Set It Off. So, I mean, Independence Day came out
• 2:36
  Speaker 1: that year. Jamcguire came out, not a professor, but Set
• 2:39
  Speaker 1: It Off.
• 2:40
  Speaker 2: Man.
• 2:40
  Speaker 1: Something about that movie. I've watched it so many good
• 2:43
  Speaker 1: what's the procedure? I still don't know why Frankie ran
• 2:46
  Speaker 1: off on that. Yeah.
• 2:48
  Speaker 2: She was just like they just shot it. They were
• 2:52
  Speaker 2: just like they did.
• 2:53
  Speaker 3: It was like pat She was like she didn't zig either.
• 2:57
  Speaker 1: And she don't never get no smoke or not zigging.
• 3:00
  Speaker 1: Frankie's it. She didn't play football fair, she was not
• 3:04
  Speaker 1: going to USC.
• 3:08
  Speaker 2: They're part of Ricky's own face. Difficult five man.
• 3:12
  Speaker 1: Even when she shut her hair ball, I was saying,
• 3:14
  Speaker 1: don't maybe you no never mind braids or no braids.
• 3:16
  Speaker 2: You can go half braids, you can go braids.
• 3:18
  Speaker 1: Down the middle and nothing on the sides. Or nothing
• 3:20
  Speaker 1: on the sides and only braids. Man, I said, Man,
• 3:24
  Speaker 1: the only thing I don't like about that is t T.
• 3:27
  Speaker 2: And I need that money, Frankie.
• 3:30
  Speaker 3: She needed the money.
• 3:31
  Speaker 2: Man oh. Man. And who was the dude who told him?
• 3:34
  Speaker 2: Uh their boss of the janitorial place.
• 3:37
  Speaker 3: He was like Charles Robertson.
• 3:39
  Speaker 2: Yeah, what's his name? Luther?
• 3:41
  Speaker 1: Yeah.
• 3:41
  Speaker 2: He was like, I'm docking your back man. Like man,
• 3:47
  Speaker 2: he was the worst.
• 3:48
  Speaker 3: He was a jerk. Man.
• 3:49
  Speaker 2: Man. But Cleo, Uh, I remember she had the girlfriend.
• 3:54
  Speaker 3: Yes, and I was like their girlfriend was man. She
• 3:57
  Speaker 3: had the short haircut with the barn was.
• 4:01
  Speaker 2: Like short to Broxton.
• 4:03
  Speaker 3: I would watch him get down.
• 4:04
  Speaker 1: Yeah, I would watch man, you're really doing this motel TV.
• 4:10
  Speaker 1: But Cleo, the way she went out in the movie, Man,
• 4:13
  Speaker 1: who is.
• 4:13
  Speaker 3: Your favorite of the four?
• 4:16
  Speaker 4: Oh?
• 4:18
  Speaker 2: Oh, I've never thought about this. T T's out.
• 4:21
  Speaker 3: I knew she was out.
• 4:23
  Speaker 2: I like Vivigar Fox Franky, it's between Vi and Clil. Yeah,
• 4:28
  Speaker 2: I'm gonna say Jada was a straight man. Jada was
• 4:30
  Speaker 2: a straight man.
• 4:31
  Speaker 1: She needed that money. I'm in I'm in a bond. Yeah,
• 4:34
  Speaker 1: I'm a man. He was like, yeah, I bet you
• 4:37
  Speaker 1: like I'm in the vine Nate. She knew what time
• 4:42
  Speaker 1: it was, she knew what the school was. She was like, yeah, man,
• 4:47
  Speaker 1: I'm in the vine Nate just giving them money with
• 4:51
  Speaker 1: no pumps or tax.
• 4:54
  Speaker 2: Come on, man, He was like, yeah, that's crazy. Take
• 5:00
  Speaker 2: the patties. He didn't care nothing about the Bible trash.
• 5:07
  Speaker 2: I was like, come on. He was like, I can't
• 5:10
  Speaker 2: do it. You know what, you know what it is.
• 5:14
  Speaker 2: Huh what kind of man are you?
• 5:16
  Speaker 1: Man?
• 5:18
  Speaker 3: How can you even enjoy bounce like that?
• 5:20
  Speaker 2: Man? These are the non consensual pumps. She don't want
• 5:23
  Speaker 2: to do what she's mine.
• 5:25
  Speaker 4: And he was like, yeah, how could you even rise
• 5:29
  Speaker 4: to the occasion knowing that she'll come in the barn?
• 5:35
  Speaker 3: Then? Don't like it's great?
• 5:37
  Speaker 2: But come on, no, man, I need.
• 5:43
  Speaker 3: To feel like I felt for sure.
• 5:47
  Speaker 2: You don't want in the mind pumps now, I don't
• 5:49
  Speaker 2: want in the Bible. I'm just doing.
• 5:51
  Speaker 3: Just just stop asking.
• 5:52
  Speaker 2: Don't talk to me no more.
• 5:53
  Speaker 1: Man.
• 5:53
  Speaker 2: You want to come away over some money, man, just
• 5:55
  Speaker 2: take a little two hundred and going on?
• 6:00
  Speaker 3: All right, So so you said it off.
• 6:02
  Speaker 2: Set off his mind, But man, I don't know. Man.
• 6:04
  Speaker 2: Jermy Guier was great, Jacky Guire.
• 6:06
  Speaker 1: I remember enjoying much more than I thought to her,
• 6:12
  Speaker 1: thinking like, man, this is a better movie than I
• 6:14
  Speaker 1: thought because I.
• 6:14
  Speaker 3: Didn't want to see it.
• 6:15
  Speaker 5: Yeah.
• 6:15
  Speaker 3: I was just like a little kid by this ship.
• 6:17
  Speaker 1: Yeah, the little kid. Remember the little kid had been
• 6:20
  Speaker 1: in stuff a lot. Yeah, renee Zel Worker was in there.
• 6:24
  Speaker 1: Eric Spears as the militant brother, Remember he got mad.
• 6:28
  Speaker 1: Cuba good and Jeda King she got mad at him.
• 6:30
  Speaker 2: She got mad at Aeric Spears because he was like, man,
• 6:32
  Speaker 2: he could he tough? She hit him. Yeah, it wasn't no,
• 6:36
  Speaker 2: that wasn't no stuff. Yeah, And and Cuba asked, Rod
• 6:40
  Speaker 2: was great.
• 6:41
  Speaker 3: Fantastic, show me about show me the money.
• 6:47
  Speaker 2: And I love how Cruise quit the job, got the fish.
• 6:53
  Speaker 3: Who's going with came with him?
• 6:56
  Speaker 2: And who was the other agent? J Moore? Oh, he
• 7:01
  Speaker 2: tried to hug his client at the end he get off.
• 7:06
  Speaker 3: Jaim mcguid was a good time. Honorible mentions.
• 7:10
  Speaker 4: Independence Day, We got Twister, we got Mission Impossible. We
• 7:14
  Speaker 4: had Mission Impossible with Jerry McGuire In the same year
• 7:17
  Speaker 4: he was going Jim Carrey two different kind of movies. Ransom,
• 7:20
  Speaker 4: one hundred and one, Downnations, The rock Nutty Professor, The
• 7:24
  Speaker 4: Bird Cage, A Time to Kill, First Wives Club, Phenomenon, Scream,
• 7:30
  Speaker 4: Scream two, Eraser, Michael Star Trek, First Contact, Space Jam,
• 7:37
  Speaker 4: That movie sucks Man Beavers, I butt here do America
• 7:40
  Speaker 4: Jingle all the way?
• 7:41
  Speaker 3: The cable guy, Cable Guy.
• 7:43
  Speaker 2: That's where he got that twenty million for what did
• 7:46
  Speaker 2: he do in the box office?
• 7:48
  Speaker 3: It did sixty?
• 7:49
  Speaker 2: What was budget?
• 7:51
  Speaker 4: Well, if he getting twenty off the top, there was
• 7:54
  Speaker 4: probably like forty forty some million.
• 7:57
  Speaker 6: Shit.
• 7:58
  Speaker 3: Uh Sleepers, Aggingheart, the Preacher's Wife.
• 8:02
  Speaker 1: Oh yeah, man, it was written for that angel sex man,
• 8:07
  Speaker 1: your husband, for the angel sex y'all.
• 8:09
  Speaker 3: Oh you know what, I might be changing it again.
• 8:12
  Speaker 2: Change it again, tom, switch it up.
• 8:15
  Speaker 3: So here's what I I was gonna go Happy Gilmore
• 8:19
  Speaker 3: because you watching no one?
• 8:20
  Speaker 2: Yeah what you It was cool?
• 8:23
  Speaker 3: Right? It wasn't terrible, but it was it was nowhere
• 8:26
  Speaker 3: near theirs.
• 8:27
  Speaker 4: Because Happy gil Boy is easily the most watched ninety
• 8:31
  Speaker 4: six movie. I've watched that movie nineteen times.
• 8:34
  Speaker 2: Yeah.
• 8:35
  Speaker 3: I love Happy gil Moore.
• 8:37
  Speaker 2: He was fucking with the hockeyest man.
• 8:39
  Speaker 4: I love every more Soon of Happy gil I think it.
• 8:42
  Speaker 4: I'm still gonna go Happy gil Moore, even though I
• 8:44
  Speaker 4: saw the long, Kiss good Night.
• 8:46
  Speaker 3: I love that movie. I love that movie.
• 8:49
  Speaker 4: Geena Davis, Sam Jackson. Geena Davis has some swaggers.
• 8:53
  Speaker 1: She's so dog on fine man, gena big dogs, milk
• 8:58
  Speaker 1: leaguing their own at all.
• 9:00
  Speaker 3: I get it.
• 9:00
  Speaker 2: He had like an old like a nineteen twenties kind
• 9:03
  Speaker 2: of like beauty. She was a dame.
• 9:05
  Speaker 1: Yes.
• 9:06
  Speaker 2: I was like, man, hell yeah, man, there's no crime
• 9:09
  Speaker 2: in baseball. But donnad was in there acting good. Yeah.
• 9:12
  Speaker 3: Buta did great and she was just one of the
• 9:14
  Speaker 3: girls in that movie. She did great in that movie.
• 9:16
  Speaker 3: That was a good ass.
• 9:18
  Speaker 2: I loved that movie. Don't be a jest man, he's
• 9:20
  Speaker 2: a popping in good time.
• 9:21
  Speaker 3: I'm gonna do happyre I'm stick.
• 9:22
  Speaker 1: With happy givemore all right, I'm gonna stick with set
• 9:24
  Speaker 1: it all. Let's move on to hip hop albums. Nineteen
• 9:27
  Speaker 1: ninety six is just based on the hip hop six
• 9:31
  Speaker 1: was crazy, you Got Tupac all eyes on Me, Fuji's
• 9:33
  Speaker 1: to score jay Z, Reasonable doubt nahs.
• 9:36
  Speaker 2: It was written outcast at Elliot Man.
• 9:39
  Speaker 1: Now, I gotta go with just the truth. I was thirteen,
• 9:41
  Speaker 1: I was living in Fairville, North Carolina at the time.
• 9:44
  Speaker 1: I'm going out of respect Aliens was like, I respect
• 9:48
  Speaker 1: and we were so proud. This is right around the
• 9:50
  Speaker 1: time the East Coast, West Coast beef Yeah happ and
• 9:52
  Speaker 1: I feel like the source outcast. You ain't got no
• 9:55
  Speaker 1: love for the I mean, uh, what am Andre saying?
• 9:58
  Speaker 1: He said no, he said the sound some south South
• 10:01
  Speaker 1: got something to say. I feel like this was around
• 10:03
  Speaker 1: that time, but North Carolina, where I was living out Atlanta,
• 10:07
  Speaker 1: was right down there.
• 10:08
  Speaker 2: We were so proud because it was.
• 10:11
  Speaker 1: Like, yeah, man, the South because it was all East
• 10:13
  Speaker 1: Coast and East Coast was like New York. East West
• 10:17
  Speaker 1: Coast be was like New York. So North Carolina technically
• 10:21
  Speaker 1: is on the East Coast, but culturally it is more
• 10:23
  Speaker 1: the South. So outcast was like all up to ninety five,
• 10:27
  Speaker 1: it was all the South was quietly taken over, man,
• 10:30
  Speaker 1: and they've been they've been having rapping it.
• 10:32
  Speaker 3: Taking over for sure. It was bubbling.
• 10:36
  Speaker 1: It wascast at Ellen's Big Boy Andre three thousand, Man,
• 10:40
  Speaker 1: Dungeon Family Man, Remember Cool Breeze.
• 10:43
  Speaker 4: Cool Watch for the hook Man, brother Man, so watch
• 10:50
  Speaker 4: for the Hook.
• 10:52
  Speaker 3: Yeah, six is tough.
• 10:54
  Speaker 2: Ninety six is a tough for rap.
• 10:57
  Speaker 4: Yeah, you got my deep second album, Hell on Earth,
• 11:00
  Speaker 4: You got Muddy Waters by Red Man.
• 11:02
  Speaker 3: You got Steaks is.
• 11:03
  Speaker 4: High by Daylight Soul, two TUPAC albums because mcavelly came
• 11:07
  Speaker 4: out in ninety six as well.
• 11:08
  Speaker 3: You got ugk Riding Dirty.
• 11:12
  Speaker 4: But I'm going You got iron Man, ghost Face Killer,
• 11:15
  Speaker 4: God Bless you got, you got the Lost Boys, Legal
• 11:18
  Speaker 4: drug Money, you got another Tribe album, Beast Rhymes in Life,
• 11:24
  Speaker 4: you got Bust Rhymes debut solo album.
• 11:27
  Speaker 3: Damn, I'm gonna go with.
• 11:31
  Speaker 4: You got ill adelth Half Life by the Roots Man,
• 11:35
  Speaker 4: Nocturnal by Healter Skelter.
• 11:36
  Speaker 3: I'm going with It was written by n.
• 11:39
  Speaker 1: You did all that to circle back to what you
• 11:42
  Speaker 1: was gonna say from the have to give it. You
• 11:46
  Speaker 1: was thinking, oh man, you got this and that.
• 11:48
  Speaker 2: Man, it was written you.
• 11:50
  Speaker 1: Was always gonna do what was he even doing a
• 11:52
  Speaker 1: popc oh Man Helter Skelter, y'all manlid Yeah.
• 11:56
  Speaker 2: Anyway, man, it was written not it was always gonna be.
• 12:01
  Speaker 4: My pig how to set the stage, the fake out
• 12:04
  Speaker 4: for to set the stage. Man, it was written because
• 12:08
  Speaker 4: I remember when I bought it was written, I could
• 12:10
  Speaker 4: not stop listening to it. I was telling everybody there, Queenn, yo,
• 12:13
  Speaker 4: get this album. I was telling everybody there, turn the
• 12:17
  Speaker 4: blizzards over, man, get this album. And then I was
• 12:21
  Speaker 4: excited because it was selling like crazy.
• 12:23
  Speaker 3: It was like number one for four weeks. I'm like,
• 12:25
  Speaker 3: I'm telling y'all, man, you know what I'm saying.
• 12:27
  Speaker 4: And it was written as it's still still I come
• 12:30
  Speaker 4: back to this album A lot, A lot of people
• 12:32
  Speaker 4: argue that a lot of people argue that it was
• 12:35
  Speaker 4: written is better than I've heard that. Yeah, I've heard
• 12:38
  Speaker 4: that argument. I haven't heard the albums, but man, it
• 12:41
  Speaker 4: was written.
• 12:41
  Speaker 3: It's fantastic. Only one skip on it for me.
• 12:44
  Speaker 2: All right, Let's move on to R and B album
• 12:46
  Speaker 2: nineteen ninety six Silks.
• 12:49
  Speaker 1: My favorite is one twelve. Man who really love it
• 12:53
  Speaker 1: and specifically I love Slim's voice.
• 12:55
  Speaker 3: This is really your pick?
• 12:56
  Speaker 2: Absolutely not. I hate one.
• 12:58
  Speaker 1: Twelve and I hate slims. He performed at the Atlanta
• 13:03
  Speaker 1: Dream Game. I was at two weeks ago by himself
• 13:06
  Speaker 1: like he done no.
• 13:07
  Speaker 2: No that skinners Kan Sky. But in that Skinner s
• 13:09
  Speaker 2: Kan Sky, they were like I was, I was on
• 13:12
  Speaker 2: my phone.
• 13:12
  Speaker 1: They was like, coming to the stage, y'all, please welcome
• 13:15
  Speaker 1: Slim from one twelve.
• 13:16
  Speaker 2: I was like what he came out by himself. I
• 13:20
  Speaker 2: was like, yeah, no, let me tell you with him
• 13:22
  Speaker 2: going and not even know one twelve it was just him.
• 13:26
  Speaker 2: It was just one of the twelve.
• 13:28
  Speaker 3: Has he done a solo project?
• 13:29
  Speaker 2: I don't know, man, I ain't checking for slim. So
• 13:31
  Speaker 2: you Khan Sky and sit aside and see I hate it.
• 13:35
  Speaker 2: Peaces in cream? What peaces in cream? Peeps?
• 13:42
  Speaker 4: I'm busting in on the podcast.
• 13:44
  Speaker 2: Man.
• 13:44
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• 13:45
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• 13:49
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• 13:49
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• 13:50
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• 13:56
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• 14:01
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• 14:04
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• 14:06
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• 14:54
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• 14:57
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• 15:00
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  Speaker 3: Back to the ball.
• 15:52
  Speaker 1: Brothers without disrespect to slam Boom boom boom b Man
• 16:00
  Speaker 1: R and B. You got Tony Bracks of Secrets, you
• 16:03
  Speaker 1: got Maxwell Urban Hanging, Sweet Neil Soul in the Bachelor,
• 16:09
  Speaker 1: and you got Sweat.
• 16:13
  Speaker 3: You know you guys keep.
• 16:15
  Speaker 2: Gonna release an album. If not one, then both they
• 16:20
  Speaker 2: gonna put that disc album.
• 16:21
  Speaker 4: He's sitting right there in the throne. Ninety six man
• 16:25
  Speaker 4: got this new album, Yo, check me out.
• 16:28
  Speaker 3: Keith Wayn had the.
• 16:29
  Speaker 2: Hell of a run man putting that music out, so
• 16:32
  Speaker 2: it was selling. He was sweating because he dogger had
• 16:35
  Speaker 2: an album coming out. Every year we still listening to
• 16:38
  Speaker 2: the last.
• 16:40
  Speaker 3: They keep it coming. That's what I always say. You
• 16:44
  Speaker 3: got a return of the back, Yes, the whole album.
• 16:49
  Speaker 2: There it is, Come on album. You're right, I'm back
• 16:56
  Speaker 2: in the game.
• 17:01
  Speaker 4: She was really singing his own backup vocals mustling stro
• 17:05
  Speaker 4: Joe old uh.
• 17:09
  Speaker 3: So We also got seven O two, no doubt. We
• 17:11
  Speaker 3: got a lad one in a million. We got baby
• 17:14
  Speaker 3: Face Today, we got the Tony Ridge Project. I thought
• 17:18
  Speaker 3: he was baby Facing first.
• 17:20
  Speaker 4: Yeah, you got SWV New Beginning, you got New Addition,
• 17:23
  Speaker 4: Home Again, you got Black Street Another Level.
• 17:27
  Speaker 3: That's the best selling album. And then I got my answer.
• 17:31
  Speaker 3: You got Drew Hill. Also which album? Uh, their self
• 17:36
  Speaker 3: titled debut?
• 17:37
  Speaker 2: The debut was it ninety six? Yeah?
• 17:41
  Speaker 3: Yeah, with Cisco hands on the table. Let me see
• 17:43
  Speaker 3: right here. We got Kenny.
• 17:46
  Speaker 2: Lattimore, although that because they came after Joe to see.
• 17:51
  Speaker 3: You got Mantel, Jordan Moore.
• 17:54
  Speaker 2: I'm gonna go Drew Hill.
• 17:55
  Speaker 3: You got Tony Tony, Tony House some music.
• 17:57
  Speaker 2: I'm tripping Drew him, Drew Hell. I love Drew Hill. Now.
• 18:00
  Speaker 4: I bobbled Between Secrets by Tony Braxton. I listened to
• 18:05
  Speaker 4: that album a lot. But I'm gonna go with Maxwell
• 18:08
  Speaker 4: Urban Eric hanksweets are good. Max Well, you could just
• 18:10
  Speaker 4: put that on and just let it.
• 18:12
  Speaker 2: Do on the neo classic, I mean, the neo soul.
• 18:15
  Speaker 3: You can let that Max Well just play on out
• 18:18
  Speaker 3: and then right now.
• 18:19
  Speaker 1: Holds up just as he makes some time this album absolutely,
• 18:22
  Speaker 1: because even though the Midnight, uh, midsummer, what.
• 18:27
  Speaker 3: Is it, Midsummer, the mid the black, Summer's night, Summer's night.
• 18:33
  Speaker 2: Yeah, yeah, yeah, that album's old now.
• 18:37
  Speaker 3: Yeah, I feel like it just came out.
• 18:39
  Speaker 2: But man, I was working at key Bank and I
• 18:41
  Speaker 2: was like, man, this album is crazy. Maxwell.
• 18:44
  Speaker 1: I remember being like, man, Maxwell still got because you know,
• 18:46
  Speaker 1: sometimes that long you'd be like, man, it don't sound weird,
• 18:50
  Speaker 1: and he came right back like it didn't sound dated
• 18:53
  Speaker 1: at all.
• 18:54
  Speaker 2: I felt like he still was doing his thing, but
• 18:56
  Speaker 2: it was on the it was on the like on
• 19:00
  Speaker 2: his wavelength.
• 19:01
  Speaker 1: But still yeah, but with today's stuff, you didn't feel
• 19:04
  Speaker 1: like it was like sounding old.
• 19:06
  Speaker 2: You know what I'm saying, Right, yeah, slid right in good.
• 19:10
  Speaker 4: He got two cops come knocking, ascension on there, something
• 19:14
  Speaker 4: something sweet lady.
• 19:16
  Speaker 3: Yeah, I'm gonna go with.
• 19:17
  Speaker 1: That, Max with all right, all right, let's do arm
• 19:20
  Speaker 1: I mean Gospel's album.
• 19:24
  Speaker 3: Let's get it started, Let's get it cracking.
• 19:27
  Speaker 1: Man.
• 19:27
  Speaker 3: You go first year, Let's see, let's see if we
• 19:30
  Speaker 3: match up on this.
• 19:32
  Speaker 1: Nineteen ninety six you got Fred Hammon Raddick for Christ Spirited,
• 19:36
  Speaker 1: David Hezekia Walker love fellis required live in New York
• 19:39
  Speaker 1: by any means necessary, Yolanda live in Washington.
• 19:43
  Speaker 2: John p. Keys that's just a live.
• 19:46
  Speaker 3: That's the way he's still getting credit for coming on.
• 19:50
  Speaker 2: Yeah, going underneath and Kirk Kraman the family. What you're
• 19:54
  Speaker 2: looking for? What you're looking for? They said that for
• 19:58
  Speaker 2: the last one.
• 19:58
  Speaker 3: Yeah he did man numbers Man.
• 20:02
  Speaker 2: Oh no, it was Christmas. It was Christmas. Oh yeah,
• 20:04
  Speaker 2: all right, I'm gonna go man.
• 20:07
  Speaker 4: It's tough man because they was all Hughes, they was
• 20:10
  Speaker 4: all bangers. Man, I'm gonna go fred Hamon.
• 20:12
  Speaker 2: Yes, I was thinking too.
• 20:14
  Speaker 3: You can't go wrong with fred Hammond. Man, Frederick Hammond.
• 20:18
  Speaker 3: That's that's when you.
• 20:21
  Speaker 4: For me.
• 20:22
  Speaker 2: Man, All right, let's move on.
• 20:23
  Speaker 1: Music videos nineteen ninety six. You're probably not gonna believe me.
• 20:28
  Speaker 1: My honorable mention is spice girls want to be man?
• 20:33
  Speaker 1: What that's honorable?
• 20:34
  Speaker 2: Minch? That ain't no one tell me?
• 20:38
  Speaker 3: Oh that video is that where they're in the desert?
• 20:40
  Speaker 4: Right?
• 20:41
  Speaker 2: I want to, I want to.
• 20:42
  Speaker 5: I want to.
• 20:42
  Speaker 2: I think they got all the white in the back.
• 20:46
  Speaker 3: If you want to be my lover, just have a crush.
• 20:50
  Speaker 2: Is that which one?
• 20:52
  Speaker 3: She I didn't have a crush on her till later though. Yeah,
• 20:57
  Speaker 3: I feel like she got better looking what she did.
• 20:59
  Speaker 2: Who was Beckham?
• 21:04
  Speaker 3: You got posh baby, sporty, scary and.
• 21:10
  Speaker 2: Ginger ginger spies. Who the hell is she? Jerry Jerry
• 21:14
  Speaker 2: Jerry Hartwell Hallowell was what was the name of it? Baby?
• 21:22
  Speaker 3: Want to be? Yes?
• 21:24
  Speaker 2: The one I want to?
• 21:25
  Speaker 1: I want to?
• 21:31
  Speaker 2: They break up? They're so British? Jay quit? Who quit?
• 21:38
  Speaker 2: At you? Famous?
• 21:41
  Speaker 3: Were they just put together? Were they a real like?
• 21:45
  Speaker 3: Were they a real group?
• 21:48
  Speaker 2: Kay? They were real group, but like fast right now.
• 21:55
  Speaker 3: Changes up the membership. Okay yet you sporty spies, Kevin Brother?
• 22:05
  Speaker 2: All right, y'all, let's.
• 22:08
  Speaker 4: This was fun man, this is this is a time
• 22:21
  Speaker 4: capsule man lessen my precious time.
• 22:29
  Speaker 3: I will say that I like some Spice Girl.
• 22:31
  Speaker 2: Stuff absolutely, but that's not my favorite video.
• 22:36
  Speaker 3: I got you all in check.
• 22:38
  Speaker 2: I thought bust of Rhymes was just like so dope.
• 22:43
  Speaker 1: He was his music videos were always like you know,
• 22:46
  Speaker 1: he was always like in the camera and the fishball.
• 22:48
  Speaker 3: Energy energy, energy, colorful.
• 22:51
  Speaker 1: Man.
• 22:51
  Speaker 2: I was like, man, bust a bust.
• 22:53
  Speaker 3: I liked the little intro to that video is like
• 22:56
  Speaker 3: everything remains wrong. They were just in the truck I
• 22:59
  Speaker 3: make sure everything remains row. I was like, man, you
• 23:02
  Speaker 3: of this album and just look at the collars.
• 23:05
  Speaker 4: Man, Hey Williams, Man, this part of this, this part
• 23:08
  Speaker 4: of the joint, my favorite ship right here.
• 23:17
  Speaker 2: To love them. I said it all that Swift with
• 23:22
  Speaker 2: Swift with for the longest. Man, the search wall wrecks.
• 23:31
  Speaker 6: Everything remains raw. I made sure everything remains raw. The
• 23:38
  Speaker 6: energy man, yeah, man, he was bringing it on these videos.
• 23:46
  Speaker 2: It was so like, man, what is this on? He
• 23:49
  Speaker 2: did all the crazy stuff. Ooh ha, I got you
• 23:56
  Speaker 2: all got the color colors. Man, the visuals is crazy.
• 24:05
  Speaker 3: The fish eyed lands.
• 24:10
  Speaker 2: With disrespect. Man. I couldn't get enough of it. Man,
• 24:16
  Speaker 2: I couldn't get enough. I love it.
• 24:19
  Speaker 3: I love it.
• 24:20
  Speaker 2: Bust the bus bus.
• 24:23
  Speaker 3: Video for me, I'm gonna go with California Love. Tupac up.
• 24:31
  Speaker 3: It looks like there's a mad Max. I'm gonna go
• 24:34
  Speaker 3: with that. California Love video was epic.
• 24:37
  Speaker 2: Man, Yeah, Mad Max, that was a great It was
• 24:40
  Speaker 2: in there.
• 24:41
  Speaker 3: You know what I'm saying.
• 24:43
  Speaker 4: It was just a perfect like, Yo, we're gonna we're
• 24:45
  Speaker 4: gonna mad Max the South. It's just Roger Troutman and
• 24:49
  Speaker 4: that thing.
• 24:50
  Speaker 3: It was just executed well man, I was like, all right, California.
• 24:54
  Speaker 1: Loves Hi, California Love mad Max version, all right, now
• 25:00
  Speaker 1: Got Left is the song of the year nineteen ninety six.
• 25:06
  Speaker 2: That's tough, man, He's all.
• 25:10
  Speaker 4: Man, I'm gonna go to the best selling hip hop
• 25:12
  Speaker 4: album of that year and go killing me softly by
• 25:17
  Speaker 4: the Foojiez.
• 25:18
  Speaker 2: I was gonna say, that's.
• 25:21
  Speaker 3: That's my pick. That wouldn't. That wasn't even the official single,
• 25:26
  Speaker 3: and it was huge.
• 25:27
  Speaker 1: It wasn't.
• 25:28
  Speaker 2: No dang Yeah, that song still comes on all the time.
• 25:32
  Speaker 1: To know Woo.
• 25:35
  Speaker 2: Sister act too. She was in there. I know. I'm
• 25:37
  Speaker 2: surprised you even like her.
• 25:40
  Speaker 1: Uh Man, he got California Love breaking my heart. No Diggity,
• 25:47
  Speaker 1: No diggity is fine, like the way you work at
• 25:49
  Speaker 1: no diggity that might be.
• 25:53
  Speaker 2: Of the group. You said, what that might feel the
• 25:55
  Speaker 2: most ninety diggity.
• 26:00
  Speaker 4: Doo whipping the Queen pin do get dag loved.
• 26:09
  Speaker 2: She did a cover of that. I don't know if
• 26:11
  Speaker 2: I saw it that it was recent. Uh she You're
• 26:15
  Speaker 2: a perfect ten.
• 26:17
  Speaker 3: I want to get in doggle do. I like the
• 26:21
  Speaker 3: way you're working no diggity. You got to bag it.
• 26:25
  Speaker 2: Up, bag it up. Damn. I can't remember her name.
• 26:29
  Speaker 5: You had clashes Shan she the profoundlings that no, yeah, digg.
• 26:46
  Speaker 2: Never mean damn but oh mm no diggity.
• 26:53
  Speaker 3: Y'all you got to poo please, just to sure the
• 26:58
  Speaker 3: bang banger.
• 26:59
  Speaker 2: Look, Yo, nineteen ninety six is done.
• 27:03
  Speaker 1: Donkeys turn in next week or tune in next week
• 27:07
  Speaker 1: for nineteen ninety seven.
• 27:08
  Speaker 2: How far you want to do this?
• 27:10
  Speaker 1: We can do it all the way up till now.
• 27:12
  Speaker 1: We can't do it all the way up to now, man, easy,
• 27:14
  Speaker 1: Bob Brothers for happening it all the way up till now.
• 27:17
  Speaker 1: We can mix it in another episodes between here and there,
• 27:19
  Speaker 1: but we.
• 27:19
  Speaker 2: Can finish out the nineties. Then we'll mix in. We'll
• 27:22
  Speaker 2: kick in one.
• 27:23
  Speaker 1: Not all right, man, We'll see y'all next time. God
• 27:25
  Speaker 1: bless you, gotta keep you. We'll see at the conference