Latest / Locatora Radio [A Radiophonic Novela] / Capítulo 060: The Ana Tijoux Interview

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Capítulo 060: The Ana Tijoux Interview · Locatora Radio [A Radiophonic Novela]

0:02
Speaker 1: Radio Radio Radio com He's a Myth and Bullshit, a
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Speaker 1: radiophonic novella Local Radio hosted by Malamn. Welcome to season
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Speaker 1: three of Local Radio Rosas. Because fem revenge has never
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Speaker 1: myth and Bullshit. Last radio radio phonic novella, which is
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Speaker 1: So welcome back, welcome back, Thank you for tuning in,
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Speaker 1: and toxic friendships. And as you know, Look at our
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Speaker 1: Radio we always record here at Radio Espasio in boil Heights,
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Speaker 1: hosted out of ESPACI nine. This is a community radio station,
1:12
Speaker 1: a community space. Thank you for joining us. So we
1:16
Speaker 1: have a exclusive interview that we are going to be
1:20
Speaker 1: um sharing today. So before we share that in your interview,
1:24
Speaker 1: we want to discuss some announcements and also doing a
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Speaker 1: us a little note, say a little something if you
3:03
Speaker 1: hit the venmo and maybe we'll share it on air. Yes. Also,
3:07
Speaker 1: I wanted to share um the shirt that I'm wearing
3:10
Speaker 1: that says fem labor is not free because it's not.
3:13
Speaker 1: It's not pay for fem labor. Would whether that be emotional, mental, physical, whatever,
3:19
Speaker 1: pay for that it's labor um. And this shirt was
3:23
Speaker 1: actually gifted to me from got Salva Merch, so I
3:27
Speaker 1: will link that somewhere on the GRAM so y'all can
3:29
Speaker 1: check it out. Yeah, I got the salvare Um, I
3:33
Speaker 1: got a tank, Yes, I got the Salva tank. And
3:36
Speaker 1: it says men is short for mental mento sauce and true,
3:40
Speaker 1: which is true. Um. If you listen to our last episode,
3:43
Speaker 1: we talked about that in depth at length. Right. One
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Speaker 1: of my favorite like the chose is like or sayings
3:49
Speaker 1: is you can't spell disappointment without men, Well, you can't
3:55
Speaker 1: spell mentors and menthatos is without men. I'm seeing a connection, right,
3:58
Speaker 1: there's something that, there's something there, there's a truth here. Right,
4:02
Speaker 1: word men, the Latin word form and theos what's the
4:07
Speaker 1: root it's men. And yeah, so check out merch. We
4:12
Speaker 1: will tag her. Thank you girl, thank you. All right,
4:14
Speaker 1: So now we're jumping into our segment of Oya Lokas.
4:17
Speaker 1: What is your favorite bad word used to describe mohs. So,
4:23
Speaker 1: of course, bitch is a great one. I love bitch.
4:26
Speaker 1: It's been reclaimed. We say bitch every day, all day,
4:29
Speaker 1: at all times. I love the word. It's a good one. Strong. Yes,
4:34
Speaker 1: I loved it a lot of I love that sex
4:36
Speaker 1: workers use it. I love that it's been reclaimed. Um
4:40
Speaker 1: and I've heard, I've seen and whenever the women get
4:47
Speaker 1: into a fight, they always use the word soa And
4:49
Speaker 1: I think I like that word. I don't know, I
4:55
Speaker 1: like it. I like that And that word has been
4:58
Speaker 1: used to describe me but for an ex boyfriend's like family,
5:03
Speaker 1: they were like referring to me as that, and so like, yeah,
5:07
Speaker 1: I'm down a personal personal personal connections that next you
5:13
Speaker 1: can combine them right, they sound good, right, Sam, all together? Um,
5:20
Speaker 1: there's so many good ones. There's so many good ones.
5:22
Speaker 1: I've noticed. Remember TVT to that anonymous man that called
5:25
Speaker 1: this horri kuns for kuns. I don't know who uses
5:29
Speaker 1: the word who anymore. All I know is how All
5:32
Speaker 1: I know is well, hory kunz. And that was that
5:35
Speaker 1: was a creative use of those words, right right, So
5:38
Speaker 1: you know, hoy kunz. We have a story off of
5:40
Speaker 1: that one. Thank you, anonymous man, Thank you anonymous man.
5:44
Speaker 1: I also like some old school like hussys. A good
5:48
Speaker 1: hussy's a good one. Tramp tramp, that's a good one. Suckubus,
5:54
Speaker 1: nobody uses sus, bring back subs, nobody using I'm starting
5:59
Speaker 1: a campaign claim saccubus. I'm into it. I'm here for it,
6:03
Speaker 1: right right, you know what. So the thing is is
6:05
Speaker 1: there's so many derogatory words for women. We have a
6:08
Speaker 1: lot to choose, a lot. I really like, do you
6:12
Speaker 1: remember in Greece do you remember like the like possible
6:16
Speaker 1: like Latina character cha cha. I love the way they
6:19
Speaker 1: talk about her, vaguely, vaguely Latina. She goes to St Therese,
6:24
Speaker 1: yes the best dancer, and yeah, you know you know
6:27
Speaker 1: if she's Latina. Yes, I'm thinking I'm thinking of Saint
6:32
Speaker 1: Terse from something else. Yes, you are anyway anyway? So um, yeah,
6:37
Speaker 1: I love I love that. I love her character. I
6:39
Speaker 1: love cha. I need to spinoff, Like why didn't she
6:41
Speaker 1: get to spin? What is her story for Latin? What
6:45
Speaker 1: was chaa storyline? Right? We're right, I'm curious, alright, any who?
6:50
Speaker 1: Next one? Anyho? So yeah, those are some of our
6:52
Speaker 1: favorite words. That was a great question. Or we could
6:56
Speaker 1: just go on and on and so many and let's
6:59
Speaker 1: supply of bad words to be a woman? Great, It's
7:04
Speaker 1: just women things, just women things, just bitch bitch things,
7:08
Speaker 1: just cuntry things. That's all all right. Next question, how
7:12
Speaker 1: do you know when to let someone go? Um? How
7:16
Speaker 1: how do you know when to let someone go when
7:18
Speaker 1: you outgrown the relationship but still care. Yeah, I had
7:23
Speaker 1: a friendship like this. This is interesting because I just
7:25
Speaker 1: got a d M from this person yesterday. So I
7:28
Speaker 1: had a friend that I was really good friends within
7:30
Speaker 1: college and then um, it just sort of like fizzled
7:34
Speaker 1: out and we just sort of stopped hanging out. And
7:36
Speaker 1: this was an experience where I was doing all of
7:39
Speaker 1: the reaching out and if I didn't reach out. Then
7:42
Speaker 1: I never heard from her. And then I kind of
7:45
Speaker 1: was like, well, let me just see what happens if
7:47
Speaker 1: I never reach out to her like ever hear from
7:49
Speaker 1: her again. And I didn't. I never heard ever again.
7:52
Speaker 1: And so that was kind of just kind of like realizing, like,
7:55
Speaker 1: those are the terms of the friendship. Like the friendship
7:57
Speaker 1: exists if I'm you know, reaching out and organizing and
8:01
Speaker 1: coordinating hangouts, and it doesn't exist if I don't. But
8:04
Speaker 1: then she like reached out to me like yesterday because
8:07
Speaker 1: she saw the Forbes article. Literally that's literally, well she
8:09
Speaker 1: was congratulating me, but it was the Forbes article, said
8:14
Speaker 1: oh my god. But you know, but I'm like, I'm cool,
8:19
Speaker 1: Like I'm not upset or her. I just it's just
8:22
Speaker 1: objectively this this is the terms of the relationship, quite simply,
8:27
Speaker 1: without reading too much into it and making it about
8:29
Speaker 1: like me as a person. So well, I mean I
8:33
Speaker 1: hung onto a relationship that I outgrew and ended up
8:36
Speaker 1: hurting the person because I wouldn't end it, and they
8:40
Speaker 1: also wouldn't let me go even though they knew it
8:43
Speaker 1: was over. You know, it was just this very messy situation.
8:47
Speaker 1: So we ended up hurting each other a lot more. Um,
8:50
Speaker 1: if we had just let each other go, you know,
8:52
Speaker 1: a lot of pain would have been saved. Okay, So mama,
8:56
Speaker 1: what is your favorite ritual of the day. My favorite
8:58
Speaker 1: ritual of the day is going to sleep when the
9:00
Speaker 1: day is over and I'm in my bed and I'm
9:03
Speaker 1: no longer interacting with the outside world. Yes, that's my ritual. Agree,
9:07
Speaker 1: My favorite ritual is face masking at the end of
9:10
Speaker 1: the day, writing in my journal and going to Sleep's
9:14
Speaker 1: best ritual, nothing better, right, sleep? Sleep? Alrighty, thank you
9:18
Speaker 1: for those questions. So now we're going to jump into
9:20
Speaker 1: an interview that we had with the One and Only
9:23
Speaker 1: Anna Tase you what a treat we interviewed her back
9:26
Speaker 1: in and we're so excited to finally share this with y'all. Um,
9:30
Speaker 1: so tune in of it and ship all right, look
10:20
Speaker 1: on what is you are in for an unbelievable treat
10:25
Speaker 1: In this surprise, extra extra special cap of local radio
10:31
Speaker 1: BIOSA and I are in Highland Park at an airbnb.
10:37
Speaker 1: It is PM and we're sitting with the One and
10:41
Speaker 1: Only and a t Ju. We are catching up with her.
10:45
Speaker 1: She's here in l a recording an album and biosa.
10:49
Speaker 1: Can you please talk to our locomotives about Anna for
10:53
Speaker 1: those of them who don't know. Yes, yeah, okay, So
10:56
Speaker 1: I'm steel, super super blessed to intr do so wonderful,
11:01
Speaker 1: the talented, beautiful Anatio mc has trum follow and America
11:14
Speaker 1: Latina Lost Lugaimases, Exponent, Femininas that hip hop in Espanol. Yes,
11:27
Speaker 1: the one and only. Hello, thank you someone, thank you. Yeah,
11:34
Speaker 1: We're so excited to be chatting with you today. Can
11:36
Speaker 1: you let our listeners know what it's been like recording
11:40
Speaker 1: here in l A. What brings you here? Talk to
11:43
Speaker 1: us like, we're here like for a couple of shows,
11:48
Speaker 1: so to use the time in our favor, like we
11:51
Speaker 1: decided to stay for a couple of day like basically
11:54
Speaker 1: to record, like and pro producing this new album and
11:58
Speaker 1: use the time not of our That's basically what we
12:02
Speaker 1: are here. Yeah. So you're you're recording your newest creation,
12:06
Speaker 1: your newest project, right, and can you talk to us
12:08
Speaker 1: about what that process has been like starting this new album.
12:12
Speaker 1: It's been five years since your last album, and what
12:15
Speaker 1: what can we expect from this new album? Well, we
12:18
Speaker 1: are still building these album so it's hard like perhaps
12:21
Speaker 1: to say how it is, like because I can give
12:23
Speaker 1: you like some sign but I think that during the
12:26
Speaker 1: process the albums change a lot also, like because you're
12:29
Speaker 1: still searching like some kind of sounds or lyrics or whatever,
12:34
Speaker 1: producing details whatever. So I would say not to expect nothing.
12:39
Speaker 1: Not expect nothing, because the problem with music is like
12:42
Speaker 1: sometimes there is too much expectation and sometimes it's a
12:45
Speaker 1: very personal process and those proceress processes, like they're so
12:49
Speaker 1: personal that sometimes like projection and expectation not fit in
12:54
Speaker 1: what you are doing, like and it's and I'm not
12:57
Speaker 1: the same person since five years ago, which is normal.
13:00
Speaker 1: So you change all the experience, the touring life, whatever, whatever, whatever.
13:05
Speaker 1: So we've been doing this album like uh, like in
13:11
Speaker 1: different parts we have. We have been doing producer and
13:15
Speaker 1: in Chicago and France now here after in Chile just
13:18
Speaker 1: like that, like trying to find times in touring and
13:21
Speaker 1: trying to check out all the stuff that we appear
13:25
Speaker 1: and creativity speaking. Yeah, so creating this brand new project
13:31
Speaker 1: while also working and still touring. Yes, yes, I'm not
13:35
Speaker 1: in a position to stop everything. So I would love
13:37
Speaker 1: to stop, but I can basically, So it's during the
13:40
Speaker 1: process of working at the same times. But at the
13:43
Speaker 1: same time, I think that all my album has been
13:45
Speaker 1: like that. Like I would love to stop, but like
13:48
Speaker 1: I can't, Like economically I can't. Yeah, we we can
13:52
Speaker 1: relate to having some juggle balance multiple projects. We can
13:57
Speaker 1: really relate and we can really truly relate. Um. So
14:01
Speaker 1: you have a very transnational origin story. Um your sound
14:06
Speaker 1: is very transnational, and I would love to hear more
14:10
Speaker 1: about how like your experience is living in different parts
14:14
Speaker 1: of the world, traveling different parts of the world, how
14:17
Speaker 1: all of that has come together and has you know,
14:19
Speaker 1: found a place in your music. I think it's a
14:22
Speaker 1: goal in so many ways. You learn so many because
14:25
Speaker 1: I think every time you move somewhere, you you part
14:29
Speaker 1: of your of yourself die in some way and other
14:32
Speaker 1: parts lived. Because you come from every country you have
14:36
Speaker 1: been traveling now, so every country teaches something. And but
14:40
Speaker 1: at the same time it's very hard because um we
14:44
Speaker 1: don't without making a postal about it. But I guess,
14:47
Speaker 1: come on these traveling is not natural. It's not natural
14:52
Speaker 1: to be on an airplane, is not natural to be
14:54
Speaker 1: on between clothes and time zones. Yes, it's jet lag
15:00
Speaker 1: whatever whatever. So in some way like I think it's
15:04
Speaker 1: very good for creation. Another way it's not good at all,
15:06
Speaker 1: Like because I think creation is a lot about contemplation
15:10
Speaker 1: and become an even process. What have been happened to
15:14
Speaker 1: you with during all these years, and how you're feeling
15:18
Speaker 1: and what you want to write about it and much
15:20
Speaker 1: more in this industry and time where everything goes so
15:23
Speaker 1: fast and and it's crazy how right now we say, yo,
15:28
Speaker 1: your album gets fabulous is old album And for me
15:32
Speaker 1: it's not at all, you know, like your own perspective
15:35
Speaker 1: of time. It's very different about the industry. So you
15:37
Speaker 1: try to fit in that between travel and time. I
15:41
Speaker 1: mean that middle of all that emotion. Sometimes yes, yeah,
15:44
Speaker 1: what I'm hearing you touch upon is this constant need
15:47
Speaker 1: to create something new when you're probably might still be
15:50
Speaker 1: processing a project you just finished, right, but there's this
15:53
Speaker 1: pressure to like, Okay, what's next. We gotta keep rolling,
15:56
Speaker 1: we gotta keep creating, and that the artistn't like that, right,
15:59
Speaker 1: we have to let it like breathe and come naturally
16:03
Speaker 1: and maybe, like you said, contemplated longer. Yes, but I
16:06
Speaker 1: think it's not different. Is very fast, and the industry
16:11
Speaker 1: respond to that velocity of the market and the problem
16:14
Speaker 1: is like you're not the market, so you'll try. Okay,
16:17
Speaker 1: you got to work with it and deal with it.
16:18
Speaker 1: But at the end, like roativities, the total opposite is
16:22
Speaker 1: is another frequency and other temperature. So sometimes like like
16:28
Speaker 1: as so many artists have soffered with it, and sometimes
16:30
Speaker 1: I love with it with the flow. So it's the
16:32
Speaker 1: point of my moods a lot of time. Yeah, And
16:35
Speaker 1: as far as this new project that you've been working on,
16:38
Speaker 1: so even like we're hearing this in in the house
16:42
Speaker 1: that you're staying in and we walked in and music
16:47
Speaker 1: was playing. You have artists and producers and people here
16:50
Speaker 1: who you're working with and this is an active like
16:53
Speaker 1: studio space right now basically, And I'm wondering, like, when
16:56
Speaker 1: you're creating, what are the conditions for you that make
16:59
Speaker 1: it possible to bring out your most creative self. I
17:04
Speaker 1: don't think there is an appropriate envinroment for creation because
17:09
Speaker 1: sometimes you're creative in a very weird moment. And sometimes
17:12
Speaker 1: we get when you get all the equipment and everything
17:14
Speaker 1: is supposed to be creative, you're not creative at all.
17:17
Speaker 1: Like is you work with emotional emotionally are not static?
17:21
Speaker 1: They move all the time. So sometimes is super creative
17:26
Speaker 1: and sometimes I'm super stuck. That's what happened like for
17:30
Speaker 1: me at least, right right, how would you say that
17:34
Speaker 1: this process and working on this new album and from
17:37
Speaker 1: our understanding, right this is this interview is your first
17:41
Speaker 1: like United States interview about the new album, which thank
17:45
Speaker 1: you so much for sitting down with us to talk
17:47
Speaker 1: about it. We're really honored. Um, what is your process
17:50
Speaker 1: creating this new album? Has it been different than previous albums?
17:55
Speaker 1: Is it? Is it pretty consistent? Your process is very different,
17:59
Speaker 1: very different album. I was pregnant the last album I
18:02
Speaker 1: was like with trying to I was with my my baby,
18:07
Speaker 1: like on the in my stomach, so it was very different.
18:12
Speaker 1: Like right now, it's a different moment. And like I
18:15
Speaker 1: say before, like I'm not the same person, like experience
18:18
Speaker 1: make makes change of you like and I never make
18:21
Speaker 1: an album very similar to one to each other. Always move,
18:25
Speaker 1: which for me it is great. For the people, is
18:28
Speaker 1: that suck because they want a repetition sometimes of what
18:31
Speaker 1: you've done and repeat a heat or whatever whatever whatever.
18:34
Speaker 1: So I always say this, sometimes it's very painful because
18:38
Speaker 1: you're trying to know what you want to say how
18:40
Speaker 1: you want to say it, with what the best instrumentation
18:44
Speaker 1: it will be. And sometimes it's amazing and sometimes it's
18:47
Speaker 1: like really painful, Like it's like and with all these
18:49
Speaker 1: information around you, like sometimes you're very lost. And that's
18:54
Speaker 1: happened to me. I lost a lot that I'm lost,
18:56
Speaker 1: like in the middle of between creation and markets and
19:00
Speaker 1: where going what I should present this? And then I said,
19:04
Speaker 1: I don't give a ship, Like I'm doing whatever I want.
19:06
Speaker 1: So it's depen a lot of your mood. How you
19:09
Speaker 1: wake up, and that's who've been working this album. Also,
19:12
Speaker 1: like being honest with the process. I guess, yeah, how
19:18
Speaker 1: was being pregnant or creating an album? That's amazing to me.
19:21
Speaker 1: I had no idea, um, being pregnant while creating an album.
19:26
Speaker 1: What was like, what did that do for your music?
19:29
Speaker 1: It was very I was very with a lot of
19:31
Speaker 1: hope and I think to give birth and have a baby. Also,
19:35
Speaker 1: like you got all these hormonal and corporal corporal movement
19:41
Speaker 1: in your body. So that's made Bengo very special in
19:45
Speaker 1: some way. It was full of a milion that album,
19:47
Speaker 1: Like um so I think it's a little revolution like
19:53
Speaker 1: in so many ways. And but my mood was very different.
19:56
Speaker 1: That was very like come on in life. So this
20:01
Speaker 1: album was full of life in some way, you know.
20:04
Speaker 1: And I wanted to then go something very specific. I
20:07
Speaker 1: wanted to use a lot of Latin American music, have
20:11
Speaker 1: some kind of instrumentation and and some kind of of
20:16
Speaker 1: sounds and right now is different, which is normal, and
20:20
Speaker 1: and thank the universe that is different, like because if not,
20:23
Speaker 1: I will be like a f Myceltica, you know. And
20:26
Speaker 1: so yes, it's very different, but it's amazing. It was amazing,
20:30
Speaker 1: very like I was super tired, but it was crazy amazing. Yeah,
20:36
Speaker 1: I've seen photos of you um performing and like also
20:40
Speaker 1: like holding your baby like swallowed like after you know,
20:44
Speaker 1: she I'm assuming your baby when on tour with you
20:47
Speaker 1: your child? Yes, yes, so what is that? What has happened?
20:50
Speaker 1: Like like touring also mothering, how has as any as
20:55
Speaker 1: any worker mother, Like it's not very very different, just
20:57
Speaker 1: that the difference you are more exposed. But I guess
21:00
Speaker 1: that any like professional woman got to make like crazy
21:04
Speaker 1: movement like a tetrics to be a mother and probably
21:08
Speaker 1: be a independence in your world because it's your life. Also,
21:14
Speaker 1: so I would say, like as any mother's athetics. That's
21:19
Speaker 1: the best way I can explain. Yes, that's amazing. Yeah,
21:23
Speaker 1: I really appreciated you, know your comment about traveling. I
21:29
Speaker 1: think there's this assumption that traveling a lot for work
21:32
Speaker 1: is very glamorous, and maybe it can be, but how
21:35
Speaker 1: does that affect your your health and your wellness and
21:40
Speaker 1: the way that you function? So much? Traveling is not natural,
21:43
Speaker 1: That's what I was saying before, Like it's not natural
21:45
Speaker 1: to be an airplane, is not natural to be with ours,
21:49
Speaker 1: difference between hemisphere and countries, it's not natural. So in
21:54
Speaker 1: this unnaturality, you get to fit your naturality, which is
21:58
Speaker 1: a little big a quote. And sometimes, yes, my niece
22:02
Speaker 1: her so much and I say I'm done with this.
22:04
Speaker 1: I can't deal with this anymore. Like and sometimes I
22:07
Speaker 1: did it and I just go like it with discipline,
22:10
Speaker 1: and that's depend It's depends how I wake up that morning.
22:14
Speaker 1: What are what are some things that you do to
22:17
Speaker 1: take care of yourself while you're traveling? Right now, I
22:20
Speaker 1: just came back to make yoga because my boyfriend leave
22:23
Speaker 1: me classes. That was how I'm super I'm super out
22:28
Speaker 1: of form, but I know that when I do work
22:32
Speaker 1: out and feeling much better with yourself like behind like
22:36
Speaker 1: you've been traveling or not like and it's sometimes just
22:40
Speaker 1: sometimes I'm very obsessive. So it's like, yes, right now
22:42
Speaker 1: I'm disciplined and I will do what I will do,
22:44
Speaker 1: work right, and I will right. And then I'm like, oh,
22:46
Speaker 1: I'm done with this. I can't deal with And it's
22:49
Speaker 1: it's depend like it's depends a lot of what happened
22:52
Speaker 1: in your life and whatever and whatever even just how
22:54
Speaker 1: the day went. But now I'm trying to be disciplined
22:57
Speaker 1: once again. Like I've got to say, my boyfriends been
23:00
Speaker 1: helping a lot, like you got said you got to
23:02
Speaker 1: come back. Yes, I've got to come back. And that's
23:04
Speaker 1: helped a lot about myself and I'll feel confident about
23:08
Speaker 1: myself just to take up to make sports and to
23:12
Speaker 1: take out my head a little bit. I think too
23:15
Speaker 1: much and I've got to be what I think is
23:19
Speaker 1: not bright at all. It is a lot of stupidities.
23:24
Speaker 1: The only one person is interesting, like is like bullshit
23:28
Speaker 1: like So it's helped me a lot, like to trying
23:31
Speaker 1: to put my energy in another place and we forget that,
23:35
Speaker 1: we all forget we got a body like becond aesthetic
23:38
Speaker 1: I'm just talking about your body, like just breathe here
23:43
Speaker 1: now right, I'm here, so I'm trying to come back,
23:47
Speaker 1: like come on, terminator. Yeah, being mindful of your body,
23:52
Speaker 1: and I think, like even saying hydrated, it can be
23:56
Speaker 1: really hard, like dreating enough water, eating um, even like
24:01
Speaker 1: you know, having a good posture, like not having like
24:04
Speaker 1: tech like your shoulders tench ja jaw's clanch, you know
24:09
Speaker 1: what I mean. Like our bodies get really tense and
24:11
Speaker 1: we forget that we like, you know, we gotta like
24:13
Speaker 1: sit back, relaxed, and we are full of ex ien
24:16
Speaker 1: city and we are full of disease without It's not
24:20
Speaker 1: sometimes disease that doctor can see. It's just emotional. Sometimes
24:24
Speaker 1: a lot of emotional stuff all of us. Like the
24:28
Speaker 1: person of the day I've been here, like every class
24:30
Speaker 1: yoga classes, after I'm crying, I'm like what happened to me?
24:34
Speaker 1: And at the end, you're like bodies a center of
24:37
Speaker 1: an emotional place and it's a temple of translate how
24:44
Speaker 1: you are. But our bodies carry a lot of trauma,
24:47
Speaker 1: some in trauma. Like it's even like we may not
24:50
Speaker 1: be thinking about it, but our bodies remember because everything
24:54
Speaker 1: has been done to not think about and do not
24:56
Speaker 1: see it like everything is done to continue to work
24:58
Speaker 1: and continue to be prob active and forget about that
25:02
Speaker 1: about yourself. I mean that pattern right now once, I'm
25:06
Speaker 1: trying to come back and say, and I'll get leave
25:08
Speaker 1: your head a little bit and put yourself in the
25:11
Speaker 1: body and be here at present, just with yourself. There
25:15
Speaker 1: are so many layers, the physical health and mental health,
25:18
Speaker 1: even the social health, like maintaining healthy French friendships and
25:23
Speaker 1: relationships and families and how does you know? How does
25:27
Speaker 1: how does that work? Like with your schedule and with
25:29
Speaker 1: your traveling and with your work, keeping your your personal
25:32
Speaker 1: connections alive, Because I think friendship doesn't real friendship is
25:39
Speaker 1: a love relationship, is a political love relationship. So all
25:45
Speaker 1: my friends, like very close friends, there are not so
25:47
Speaker 1: many like my very very close friends. We don't need
25:49
Speaker 1: to see each day to which O got to know
25:51
Speaker 1: that we are there. And sometimes we can have issues,
25:54
Speaker 1: which is normal. I've got issues with my kids when
25:57
Speaker 1: my family, with my men, like it's normal, but you
25:59
Speaker 1: can count on them and they can't count on me,
26:01
Speaker 1: Like come on, and all of us were so full
26:05
Speaker 1: of issues and problems. So I don't think it is
26:09
Speaker 1: a topic at all, like about traveling my work at all,
26:14
Speaker 1: because I don't feel that my friend my friend, I
26:17
Speaker 1: think that I really loved me if I'm seeing on
26:19
Speaker 1: stage or not seeing on stage, like it's behind that
26:23
Speaker 1: is much bigger than that. It's bigger and music is
26:25
Speaker 1: bigger and it's a real love relationship. Yeah. Well, on
26:29
Speaker 1: the topic of love, since you brought up your boyfriend,
26:32
Speaker 1: you brought up your man. So how does love figure
26:34
Speaker 1: into your creation and your creativity because I think I
26:40
Speaker 1: mean a relationship. I think it's one of the hardest
26:43
Speaker 1: relations that you can have with someone. Is so hard
26:45
Speaker 1: to fit because coming back to the other conversation, we
26:50
Speaker 1: everything has been done to be alone, like and work alone,
26:53
Speaker 1: be super independent and and be big whatever you do.
26:57
Speaker 1: You can be a doctor or whatever. Like sour relationships
27:01
Speaker 1: needs a lot of commitment and a lot of hated
27:04
Speaker 1: that work, but sacrifice in some way, I mean a
27:06
Speaker 1: lot of work, you know, and and sometimes we don't
27:10
Speaker 1: want that because you're more happy like alone because it's
27:13
Speaker 1: me myself and I meet myself and I So it's
27:17
Speaker 1: also I think the first political relationship that you that
27:20
Speaker 1: is behind your kids or your parents because it's someone
27:23
Speaker 1: that does not come from your blood. And it's only
27:27
Speaker 1: about concession concession, concession concession, and chan, Okay, I've been stupid. Breathe,
27:34
Speaker 1: You've been stupid. I breathe, like we're still bid breath
27:37
Speaker 1: my club. That's right now, please like makeup sex? Yeah, yeah, yes,
27:44
Speaker 1: like come on. I think it's is about is about
27:48
Speaker 1: all that like trying to It's not because in my case,
27:53
Speaker 1: I don't want a boyfriend that come on, because I've
27:55
Speaker 1: seen that with friends of mine that want a boyfriend
27:58
Speaker 1: that doesn't like even doesn't is like, just support you
28:02
Speaker 1: and that's it. That's it in my case. No, I
28:06
Speaker 1: really like I think it's one of the best places
28:09
Speaker 1: to grow up. Yes, and it's one of the it's hard,
28:13
Speaker 1: but it's you grow up so much and all the time,
28:16
Speaker 1: like all my friends will take your hand like and
28:19
Speaker 1: then you say, but okay, i'm learning something, Like I'm
28:22
Speaker 1: learning and you've got to be prepared to be to
28:24
Speaker 1: learn something. And I guess it's about maturity and see
28:27
Speaker 1: how ourselves you can be, how ecocentric you are, how
28:30
Speaker 1: you used to to say me, me, me, me, me, me,
28:33
Speaker 1: me me me and then say okay, us just to
28:36
Speaker 1: change your eye to us. And that's and that's his
28:39
Speaker 1: a and that's of course affect the music because come on,
28:43
Speaker 1: that's make you in a pattern of in a in
28:47
Speaker 1: a conscious consciousness way, and in consciousness also like love
28:52
Speaker 1: touch places that perhaps I will understand in three years.
28:55
Speaker 1: And I think I'm very slow with my process, Like
28:59
Speaker 1: of course that's got to um uh change my point
29:04
Speaker 1: of view of creativity, like I've been like doing naturally
29:07
Speaker 1: love songs and why not, like I mean love, Like
29:10
Speaker 1: what is the problem with that? What is the typo
29:12
Speaker 1: about it? And so I think of course that that
29:16
Speaker 1: changed your point of view how you create, how you
29:18
Speaker 1: talk or how you create or you sing or whatever
29:23
Speaker 1: whatever whatever. That was going to be my follow up question,
29:26
Speaker 1: like do you feel like this relationship there and is
29:29
Speaker 1: coming into the album? It's like direct or indirect ways
29:35
Speaker 1: they're like subtle or very obvious. I think in both
29:38
Speaker 1: ways are very obvious and very you're not obvious. I
29:42
Speaker 1: don't think that you can explain with consciousness and unconscious.
29:45
Speaker 1: It's just it's just there, like there. An album is
29:48
Speaker 1: is the result of every conversation that you had with
29:51
Speaker 1: all your friends. Is the result with all the troubles
29:54
Speaker 1: that you had and of course with your relationship. An
29:58
Speaker 1: album is not that you comes out from you and
30:01
Speaker 1: and that's it, right, and like there's no contact with anyone.
30:03
Speaker 1: That's the result of everything that you see and makes
30:05
Speaker 1: you know that makes you boom or say, oh yes,
30:09
Speaker 1: I never thought about it, like and in some way
30:12
Speaker 1: even like sometimes the metaphor are not so good to
30:15
Speaker 1: explain it, like you know, but of course, like an
30:18
Speaker 1: album is a result of all the people that have
30:20
Speaker 1: been like around me all these year for bad, which
30:24
Speaker 1: is normal. I mean, like I'm sure that all people
30:27
Speaker 1: that make like all these albums suffering love is because
30:30
Speaker 1: they have been suffering is normal. You are the result
30:33
Speaker 1: of all of it. Yeah, I mean I think, um
30:38
Speaker 1: very like a political conscious understanding of love has very
30:41
Speaker 1: much been in all of your albums in one way
30:43
Speaker 1: or the other, like your love for people and for
30:46
Speaker 1: women and for like you know and anti right that
30:53
Speaker 1: you have like that out that song, and so just
30:55
Speaker 1: your love for I think social consciousness and movement has
31:00
Speaker 1: definitely played a role throughout all of your albums. So
31:03
Speaker 1: now I just see it in also like a more
31:05
Speaker 1: obvious romantic way. I think it's also something nice and
31:08
Speaker 1: something different that we're saying yes because core, I think
31:11
Speaker 1: it's interesting to touch that topic, to touch that topic
31:14
Speaker 1: at the same times, like, because it's something that is
31:18
Speaker 1: part of life and it's a more is it's something
31:22
Speaker 1: that push you also, like even if you don't want
31:25
Speaker 1: to fall in love and you know that's normal, that's
31:29
Speaker 1: part of life. And you know that once you fall
31:31
Speaker 1: in love, like you will suffer all So that's part
31:33
Speaker 1: of life also, so what I do, like I will
31:36
Speaker 1: not fall in love to not suffer like that's part
31:37
Speaker 1: of it. So should I take the old package or
31:40
Speaker 1: don't take nothing? So that's been natural Also about to
31:43
Speaker 1: talk about that in some in some way like totally yes, yes,
31:48
Speaker 1: stress love is stressful, Yes, but perhaps we got to change,
31:52
Speaker 1: Like it's about growing up. We learn it together, well,
32:00
Speaker 1: the learning and the unlearning. Right, So I think you
32:03
Speaker 1: do a lot of that in your relationships, your romantic ones,
32:05
Speaker 1: especially where you're learning with someone, but you're also on
32:08
Speaker 1: learning all these other maybe bad habits that you've learned
32:12
Speaker 1: with a former partner or even just by from your parents. Right,
32:15
Speaker 1: You're on learning all these patterns and then you maybe
32:18
Speaker 1: hopefully replacing them for better ones. Yes, And sometimes you
32:21
Speaker 1: fall in love with people that you never thought that
32:22
Speaker 1: it was falling in love at this age, perhaps five
32:25
Speaker 1: days before you will never see that guy before. But
32:28
Speaker 1: now you're in a position that, well, you get a
32:30
Speaker 1: connection and you want some stuff that you don't want
32:32
Speaker 1: it before, and before you wanted all the stuff like
32:35
Speaker 1: come on, I've got a lot of friends. Was talking
32:38
Speaker 1: about them with a friend, like and like friends of
32:42
Speaker 1: like sometimes for in love with activists and then you've
32:44
Speaker 1: got this vision about right and then these guys, the activists,
32:49
Speaker 1: the activists active there's another word in Spanish. In Spanish, no,
32:57
Speaker 1: well no machi stas right, yes, And it's about projection,
33:02
Speaker 1: like so there is not I don't think that there
33:05
Speaker 1: is no formula. There is no just like that it's
33:07
Speaker 1: depend on what you want to live and how you
33:09
Speaker 1: wanted to live. And I'm learning so badly about myself
33:12
Speaker 1: and I will not lie. Is hard, but it's beautifully hard,
33:17
Speaker 1: like and I want to live it. Like and your name,
33:21
Speaker 1: like you're a big name, like you're known internationally, like
33:24
Speaker 1: and I teach you. So how has that like name recognition,
33:28
Speaker 1: has that affected like your ability today or finding people
33:32
Speaker 1: or meeting people like what is the word is fame?
33:36
Speaker 1: What is the fame? How does that from that are
33:39
Speaker 1: very famous? And I'm always compared, so I don't feel
33:41
Speaker 1: that fame so big to be honest, like, uh, how
33:47
Speaker 1: it does affect let me think, like uh sometimes projection
33:54
Speaker 1: like the same that were saying about making an album
33:56
Speaker 1: like um like even because in general, like I've got
34:01
Speaker 1: to be like I've got all the lyrics very hard
34:03
Speaker 1: or whatever, but at the end, I'm super vulner ely
34:06
Speaker 1: all the time. So I'm very fragile. I've got to
34:09
Speaker 1: say it and not be ashamed about you be that's me, Like,
34:13
Speaker 1: that's honesty and don't one of the stuff that I
34:15
Speaker 1: can't take about honesty. So yes, sometimes men come like
34:19
Speaker 1: think you're the rough girl. It's like so in that
34:24
Speaker 1: sense perhaps and the other I will say, yes, perhaps
34:29
Speaker 1: I work a lot with men. And it's funny how
34:31
Speaker 1: like female fans approach to male than male find that
34:39
Speaker 1: the males are much more like they don't come directly.
34:42
Speaker 1: It's not so directs. Take your time, like question, do
34:47
Speaker 1: you date musicians? I'll date with a musician right now. Okay,
34:53
Speaker 1: we have a strict like we don't date listeners and
34:55
Speaker 1: they try it. Wow, they try it, you know what.
34:58
Speaker 1: I would say the same, but look at me. There
35:02
Speaker 1: is no formula there, like you understand totally about that fear,
35:06
Speaker 1: but assol everywhere, and there is not a profession of
35:10
Speaker 1: free of stupidities. You can find stupid doctors, stupid activist,
35:15
Speaker 1: stupid an amazing doctor, amazing whatever. There is amazing of everything.
35:21
Speaker 1: I used to say the same. No musicians, no, no artists,
35:25
Speaker 1: no artists artist. I think that is a is a prejudice.
35:31
Speaker 1: There's some equation. I don't think it's true at all
35:34
Speaker 1: at all. I'm off DJs for a very long time,
35:36
Speaker 1: no DJs and no rappers for the first seeable future.
35:39
Speaker 1: But sometimes you have to detox, you know, I mean
35:42
Speaker 1: perhaps because you had bad experience. Yeah, we both we did, Okay,
35:47
Speaker 1: I didn't. I understand like bad experiences with with life
35:51
Speaker 1: like right, come on, it's not it's not a professional personally,
35:56
Speaker 1: like you said, we learned something right, you know, hopefully.
36:01
Speaker 1: And then sometimes you are like in a frequency that
36:03
Speaker 1: you attract dark shot also oh yes, and sometimes like
36:08
Speaker 1: you are stronger, so you see all this guy forgetting right,
36:11
Speaker 1: you get more, you're more open to see what you
36:14
Speaker 1: couldn't see like five years ago. Yes, yes, I don't
36:18
Speaker 1: really agree that. Sometimes the frequency is definitely that it sounds,
36:23
Speaker 1: but it's true, like you attract, you know, unknowingly you're thinking,
36:27
Speaker 1: you're like I'm the best and I'm good and I'm healed.
36:30
Speaker 1: You're not you, You're not healed. Do you think you're strong?
36:33
Speaker 1: And then yeah, and then more week than ever? Right, yes,
36:38
Speaker 1: but the emotion, like we're talking about, emotion is emotion,
36:42
Speaker 1: and emotion is not static. Emotion moves. Oh you go
36:47
Speaker 1: with that movement and you get to prepare for that movement. Yeah,
36:50
Speaker 1: but we're not we don't work with numbers, right right,
36:54
Speaker 1: So movement and change. Do your fans, your listeners, um,
36:59
Speaker 1: do your audi as ever expect you to like stick
37:02
Speaker 1: to one sound or stick to one concept or message.
37:05
Speaker 1: And yes, that's happened to me with all my albums,
37:09
Speaker 1: like when I begin to make hip problem and they
37:11
Speaker 1: want to extrectly help up and I said, no, I
37:12
Speaker 1: always do something else and oh no, that that's happened
37:20
Speaker 1: to me all the time. But as I think it's
37:23
Speaker 1: a very good sign like UM for me at least,
37:27
Speaker 1: like a more we're not here to make music to
37:31
Speaker 1: be pleasant. We are here to be honest. And some
37:35
Speaker 1: albums will be understood, some other notes. Some are going
37:38
Speaker 1: to be good, although not and it's not you know,
37:43
Speaker 1: there is a whole life to make an album. The
37:45
Speaker 1: problem is the pressure that you put you yourself. That
37:47
Speaker 1: is the worst than amans yourself. It's not the crowd,
37:50
Speaker 1: it's not the fun fun always going to talk the
37:52
Speaker 1: light and don't light. That's about his noise, the price
37:57
Speaker 1: your your own, your noise. For me, at least, it's
38:00
Speaker 1: I feel the promise when my own enemies, when I
38:04
Speaker 1: begin to make a boycott of myself. So that's when
38:07
Speaker 1: I begin to talk shot. In my own head, I
38:09
Speaker 1: was like, oh damn right. But the inner critic, the
38:15
Speaker 1: self stand yes and say, oh I'm not. I'm done
38:17
Speaker 1: with this. I can do it like I think. That's
38:21
Speaker 1: my biggest battle, more than what thinks the crowd. Because
38:24
Speaker 1: at the end, if you believe in an album, whatever happened,
38:27
Speaker 1: like you will have to defend it for three years,
38:30
Speaker 1: like on stage, take two songs and making alive and
38:33
Speaker 1: check it and and if you fall, at least you
38:38
Speaker 1: will fall with dignity. Or yes, I felt, but I
38:40
Speaker 1: love my song. Guess what. There's plenty of albums with
38:43
Speaker 1: millions and millions of reproduction, and there is subjective I know,
38:47
Speaker 1: but they're terrible and sometimes asking to myself literally some people,
38:51
Speaker 1: those people really like those musics. Some perhaps yes, they
38:54
Speaker 1: really like it. I'm grateful for them, like good. But
38:57
Speaker 1: I'm sure that all the people have been trying to
38:59
Speaker 1: fit in something like and that is the problem when
39:02
Speaker 1: you get your feet in the in the clothes that
39:04
Speaker 1: is not your clothes. And I think more in the
39:07
Speaker 1: in that in this time where there is like a
39:09
Speaker 1: pattern of all female singers like all sexy, all with
39:14
Speaker 1: all kinds of videos, very similars um, and of course
39:19
Speaker 1: sometimes you lost in all that. Myself, I'm lost something wow,
39:22
Speaker 1: where I moved here, like I'm super lost. And sometimes
39:26
Speaker 1: you're asking to yourself and you doubt of yourself, which
39:29
Speaker 1: is normal. Doubt is part of creativity and mistake is
39:33
Speaker 1: part also. So I mean I'm really in that pattern
39:36
Speaker 1: right now of me doubting mistakes, where should move, where
39:40
Speaker 1: I shouldn't move, and I'm not even sure about myself
39:43
Speaker 1: and you know what does more super honest and I
39:48
Speaker 1: will not acting like yes, I'm super sure about what
39:51
Speaker 1: I'm doing and this album is going to change is
39:55
Speaker 1: the best album, because every time I listen that from colleagues,
39:58
Speaker 1: I say, this is bizarre. Every person that is so
40:01
Speaker 1: sure about himself like more with creativity sounds to me
40:04
Speaker 1: very conversation suspects suspectious because art is not a security
40:12
Speaker 1: is every art art, I think in all kinds of
40:16
Speaker 1: art shouldn't be a security. Place is playing in insecurity Card,
40:21
Speaker 1: which I think is amazing, amazingly beautiful. Like every artist
40:27
Speaker 1: in my case that I really like has been people
40:29
Speaker 1: that has been playing card that nobody thought that was
40:31
Speaker 1: going to play any kind of artist. So I'm in
40:35
Speaker 1: that pattern, Like who are some of your favorites? I've
40:38
Speaker 1: got so many? Who do you listen to? Who you?
40:41
Speaker 1: Who do you? I'm so curious? Who does I like
40:44
Speaker 1: a lot of the last about mcmiller, I've heard good
40:49
Speaker 1: things about it, and that is this album is crazy.
40:51
Speaker 1: I realized I love J Cole also a lot crazy
40:54
Speaker 1: about called Rahpsody. I'm talking about yeah about hip then
40:59
Speaker 1: the club is like a listen classical hip hop of course,
41:02
Speaker 1: the Couple of Ways whatever, whatever. I love. I love Internet,
41:07
Speaker 1: But do I love a producer name is Kiffer. I
41:10
Speaker 1: love Carson Montano, I love I love so many, Um,
41:18
Speaker 1: I've got love to so many musicians. And then I
41:21
Speaker 1: listen to classical music and I love to move like
41:24
Speaker 1: I'm not ecstatic. I would love to talk more about
41:27
Speaker 1: hip hop and how you found hip hop or how
41:29
Speaker 1: hip hop found you and where did the rapping start
41:33
Speaker 1: for you? How did you get into it? Um, how
41:36
Speaker 1: we found to each other, because in a very I
41:40
Speaker 1: was like, come more the way I begin or I
41:45
Speaker 1: listened to it. I mean, if if you remember like
41:49
Speaker 1: your first introduction to hip hop or when you first
41:51
Speaker 1: start like I want to do this. I was, I
41:53
Speaker 1: don't know, ten years old, perhaps yes, nine or ten.
41:58
Speaker 1: I was in France and my mother was a social
42:02
Speaker 1: worker and she used to work with all those kids
42:04
Speaker 1: robbers in France in Paris, and so I remember got
42:09
Speaker 1: to work with her and all those kids was arriving.
42:11
Speaker 1: They used to have like fifteen sixteen, so there was
42:14
Speaker 1: all the round, you know. So I was looking at
42:16
Speaker 1: them like like all the people know and they're right
42:19
Speaker 1: dancing and rapping. I said, what this is like, I said,
42:23
Speaker 1: this is a you huge universe and new planets and
42:28
Speaker 1: I felt it was a planet where I really wanted
42:29
Speaker 1: to stay. So it was like also going to the
42:33
Speaker 1: moon and we're like, wow, the other kind of oxygen,
42:36
Speaker 1: the other kind of breathing, all the kind of sick colors,
42:40
Speaker 1: all the kind of sea even like building, because every
42:43
Speaker 1: graffiti artists looked the building herself. How I can make
42:45
Speaker 1: vandalis tonight or bombing tonight. So I was like, they're
42:49
Speaker 1: really breathing the city in a very different way that
42:53
Speaker 1: normal people are living in the city. So I was like, Wow,
42:57
Speaker 1: they're really live in another frequency, like or trying to
43:00
Speaker 1: allay the time of trying to find step and rubber,
43:03
Speaker 1: to find to cut words and john words and metaphor.
43:07
Speaker 1: I was like, wow, they really speak another language. It
43:09
Speaker 1: was all that vision about the city and how there
43:14
Speaker 1: was really core touching the city, and that's what I feel.
43:19
Speaker 1: I was like, Oh, I fell in love, like immediately
43:22
Speaker 1: it was first love. Yeah. And so I imagine you
43:26
Speaker 1: have been listening to a lot of or growing up
43:28
Speaker 1: and since then a lot of rapping English, a lot
43:30
Speaker 1: of American yes, yes. So how was that transition from
43:35
Speaker 1: listening to wrap in English, American American rap and then
43:39
Speaker 1: writing your own wraps in Spanish. I guess at the
43:42
Speaker 1: first it was hard because I couldn't find the flow
43:44
Speaker 1: really in Spanish um, and because I was feeling that
43:47
Speaker 1: it was so I was like in English from its
43:51
Speaker 1: like yeah, it's yeah, yeah, it's like much more long.
43:55
Speaker 1: I don't know, it's different kind of modulation. So at
44:00
Speaker 1: the first it was like hard to find, like how
44:02
Speaker 1: I can make this musically beautiful for myself? And then
44:06
Speaker 1: I was super interested about putting longer sylaps like you know,
44:10
Speaker 1: like if I wasn't like and then and then help
44:16
Speaker 1: me Linda, and then playing with velocity and all that.
44:21
Speaker 1: That's when you've begin to study basically about flow. And
44:24
Speaker 1: you don't have a university a school. It's not that
44:27
Speaker 1: all we do a class of hip hop, like you
44:29
Speaker 1: just learned a bout your own, so you're your own teacher.
44:31
Speaker 1: You learn solve for so many people, but also you
44:33
Speaker 1: your own teacher self discipline, and so I begin to
44:39
Speaker 1: fall in love very slow of of how I could
44:43
Speaker 1: mix flow with And you've done music and collaborations that
44:49
Speaker 1: have like a punk sound or rock and espaniels like
44:52
Speaker 1: you genre ha, Yes, I mean I love music like always.
44:55
Speaker 1: It is I love music, and I listened all kinds
44:59
Speaker 1: of mus usic and I can appreciate a very good
45:02
Speaker 1: rock band, and then I can appreciate an amazing classical music.
45:06
Speaker 1: I love musicum the anti fascist in music, like good
45:10
Speaker 1: music is good music, Like come on, I've seen even
45:15
Speaker 1: I can appreciate a very good pop concert like it's
45:19
Speaker 1: about talent and if you can travel through that artist,
45:23
Speaker 1: and it doesn't matter the style of the music. Perhaps
45:27
Speaker 1: the only style of music I never heard her very
45:29
Speaker 1: much his country. Perhaps I would say that kind of music,
45:33
Speaker 1: and which is perhaps the only one. But I've been
45:37
Speaker 1: appreciated all kinds of music. Yeah, come on, music from China.
45:42
Speaker 1: And then like we're music, and I said, that is amazing,
45:46
Speaker 1: like come on, Yes, I love I love artists like
45:50
Speaker 1: each one is a good artist, like the really you
45:53
Speaker 1: really learn something amazing like about that reverse and what
45:57
Speaker 1: would be I would like to be closed of one
46:00
Speaker 1: kind of music. Well, Anna, thank you so much, thank you,
46:03
Speaker 1: thank you so much for sitting with us. We really
46:06
Speaker 1: appreciate it. Where can our listeners, um here your music?
46:09
Speaker 1: Where can they find you? Where can they support your work?
46:12
Speaker 1: Social media? Social media? Yes, were on the handles on
46:16
Speaker 1: the contradiction person. So yes, modify all those places everywhere, everywhere, everywhere. Ye,
46:26
Speaker 1: well this has been this has been amazing. Um, this
46:28
Speaker 1: definitely feels like that we've been talking about Yes in
46:34
Speaker 1: installment one miss out. Stay tuned for future events. There's
46:40
Speaker 1: more where this came from. Yes, we'll talk about it later. Um.
46:42
Speaker 1: Well again, this has been amazing. Um. We can't wait
46:48
Speaker 1: to hear your album whenever it's ready. We we like
46:51
Speaker 1: no pressure, no pressure off, like let us know, thank you,
46:55
Speaker 1: let us know we would love to you know, see
46:58
Speaker 1: you next time you're in l A definitely l thank you. Yes,
47:01
Speaker 1: so we will catch you next time. Look amores h
47:08
Speaker 1: m hm