Latest / Pink Shade: Reality TV with Mary Payne / 964 - 90 Day Fiance (s11e12) "Blinded by Love" with Kimberly

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964 - 90 Day Fiance (s11e12) "Blinded by Love" with Kimberly · Pink Shade: Reality TV with Mary Payne

• 0:13
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's very pain here.
• 0:16
  Speaker 1: I got Kimberly. I'm back. I'm back. I was talked
• 0:19
  Speaker 1: bad about on my own podcast, but now I'm back.
• 0:23
  Speaker 2: Are you mad?
• 0:24
  Speaker 1: Now?
• 0:25
  Speaker 2: Are you salty?
• 0:27
  Speaker 1: I am not salt. Listen, Matt was worse than you.
• 0:32
  Speaker 2: That's always worse than me.
• 0:34
  Speaker 1: Uh No, I'm not salty. I don't care. Listen, if
• 0:38
  Speaker 1: they're not talking about you, then they forgot you or whatever.
• 0:42
  Speaker 1: Any press is good press. Mm hmmm yeah, okay, don't
• 0:47
  Speaker 1: think you want How is your trip? Do you think
• 0:49
  Speaker 1: you want to apologize for or No?
• 0:52
  Speaker 2: I'm not feeling bad about anything. I don't remember what
• 0:55
  Speaker 2: we said, and I remember what I said today, so
• 1:00
  Speaker 2: that's true.
• 1:01
  Speaker 1: Same. Well, I told you.
• 1:03
  Speaker 2: I said if I said anything, this will be a
• 1:06
  Speaker 2: ninety day apology. If you felt bad about anything, I'm
• 1:12
  Speaker 2: sorry that you made yourself feel bad about anything that
• 1:17
  Speaker 2: I might have said.
• 1:19
  Speaker 1: It sounds like a Housewives apology.
• 1:21
  Speaker 2: Okay, there we go.
• 1:23
  Speaker 1: Yeah, if you were offended.
• 1:26
  Speaker 2: Yeah, if you were offended, I'm sorry that you felt offended.
• 1:30
  Speaker 1: I don't have all my lights on it here. It
• 1:31
  Speaker 1: seems very weird. Let me turn my light on hold
• 1:33
  Speaker 1: one sack filled the space phil space.
• 1:36
  Speaker 2: Oh my god. Okay, guys, what did we say about her?
• 1:42
  Speaker 2: I think Matt did his impression where he goes ginger
• 1:46
  Speaker 2: and he screams. We probably made fun of Hello Lash,
• 1:49
  Speaker 2: even though we love Hello Lash. I honestly don't know
• 1:54
  Speaker 2: what we said.
• 1:55
  Speaker 1: So scared, so scared America. Instead of her going up
• 1:58
  Speaker 1: like kidding, said amountain, what were you saying?
• 2:04
  Speaker 2: Nothing?
• 2:07
  Speaker 1: Listen, I know you don't like it when I draw
• 2:08
  Speaker 1: attention to the dogs barking, but I didn't hear that. Yeah,
• 2:12
  Speaker 1: I mean they're going nuts and I have no idea why.
• 2:14
  Speaker 1: What it is is that violence? He's a squirrel and
• 2:18
  Speaker 1: Ginger starts screaming in the background, scrappy do backup, So
• 2:21
  Speaker 1: I don't know. There's nothing outside. I just liked.
• 2:24
  Speaker 2: So that was another thing you made fun of me.
• 2:27
  Speaker 2: But it's okay, it's okay. That did it's it's not
• 2:31
  Speaker 2: making fun. It's just an impression.
• 2:35
  Speaker 1: Oh my daughter. So look, everything's fine now.
• 2:37
  Speaker 2: All impressions are rooted in satire, and.
• 2:41
  Speaker 1: It's fine because he's right. But here's the thing that
• 2:44
  Speaker 1: he says. He acts like he doesn't like it, but
• 2:47
  Speaker 1: he's the one that calls me and talks for four hours.
• 2:49
  Speaker 2: So yeah, he does, and he's always like, let me
• 2:52
  Speaker 2: see that, let me dear. He says, it's like being home.
• 2:58
  Speaker 2: It's like feels like home when he talks you. So
• 3:01
  Speaker 2: that's nice. That's a compliment.
• 3:04
  Speaker 1: I'll have to listen back tomorrow to find out what
• 3:06
  Speaker 1: you said about me when I got up. But that's okay.
• 3:09
  Speaker 1: Yesterday we had Yesterday, we had a fun episode. We
• 3:12
  Speaker 1: did a crossover with Chris and waffrom Doku Sweete's for
• 3:15
  Speaker 1: a love after Lockout.
• 3:15
  Speaker 2: I was just listening four.
• 3:17
  Speaker 1: On the pods kind of hard, but we kind of like, yeah, beforehand,
• 3:21
  Speaker 1: we're like just remember, like trying to step over each
• 3:23
  Speaker 1: other because then you sooner visit record it very well.
• 3:26
  Speaker 1: And yeah, so hopefully we did all right with it.
• 3:29
  Speaker 1: So fun though. I love that we had so much fun.
• 3:33
  Speaker 1: Later on this week, guys out. On Thursday, I have
• 3:35
  Speaker 1: John Hill to talk pop culture and Bravo. He has
• 3:37
  Speaker 1: a new podcast called show Pony, where he is recapping
• 3:41
  Speaker 1: Jackie Warner's early Broadway show called Workouts.
• 3:44
  Speaker 2: Right, you said that, I have to listen. I remember
• 3:47
  Speaker 2: that show.
• 3:48
  Speaker 1: It's so funny. So he's doing that he's coming on
• 3:51
  Speaker 1: to talk about pop culture and Bravo and that's it.
• 3:55
  Speaker 1: Amy and I don't have ninety day last Resort this
• 3:57
  Speaker 1: week and Hunt Hunt for Love doesn't come on until
• 4:00
  Speaker 1: May twenty six, so we've got I know, we've got
• 4:04
  Speaker 1: three week Bobby, We're gonna do sweet Bobby. Did you
• 4:07
  Speaker 1: watch it?
• 4:07
  Speaker 2: Yeah? No, but I heard it's amazing.
• 4:12
  Speaker 1: Well, I will listen to the podcast, but it's been
• 4:14
  Speaker 1: like two years.
• 4:16
  Speaker 2: So this is the documentary.
• 4:18
  Speaker 1: Uh on what on the story of the podcast?
• 4:23
  Speaker 2: It's no, I mean on what platform?
• 4:27
  Speaker 1: Netflix?
• 4:28
  Speaker 2: Okay, net Fleaks. Check it out. I heard it's only
• 4:32
  Speaker 2: a story.
• 4:33
  Speaker 1: Yeah, it's only an hour and twenty two minutes. And
• 4:34
  Speaker 1: so that's why I picked it because I was like,
• 4:36
  Speaker 1: let's just pick something short and sweet, and it's been
• 4:38
  Speaker 1: out so people can get to it because we're trying
• 4:40
  Speaker 1: to do this other one called shit this is kind
• 4:46
  Speaker 1: of American family Murder or something like that. But it
• 4:49
  Speaker 1: comes out, you know, it comes out on Friday, and
• 4:52
  Speaker 1: Netflix is like, yeah, we'll give you the screeners, and
• 4:57
  Speaker 1: just yeah, we'll give you those screeners. And then k
• 4:59
  Speaker 1: Casey has this problem with the same episode. She's asked
• 5:02
  Speaker 1: for it as well and hasn't gotten it, so it's
• 5:03
  Speaker 1: not just me. So anyway, we're going to cover that
• 5:06
  Speaker 1: next week because they'll give us time to either not
• 5:08
  Speaker 1: give it to us or give it to us, but
• 5:10
  Speaker 1: either way it'll be out on your Netflix. So we're
• 5:12
  Speaker 1: just going to cover stuff like that until the Hunt
• 5:15
  Speaker 1: for Love comes back.
• 5:17
  Speaker 2: I heard you call it the Hunt for Red October.
• 5:20
  Speaker 1: The Hunt for Mexico House, the Hunt for Celet.
• 5:25
  Speaker 2: Called the Hunt for Her piece medication because someone's getting
• 5:31
  Speaker 2: an STD up and there.
• 5:33
  Speaker 1: Yeah, so it's it's Tiffany, it's too who I like. Yeah,
• 5:38
  Speaker 1: I love Tiffany. I think she's love spiring too.
• 5:41
  Speaker 2: I know tim Everyone hates him. I loved him. I
• 5:44
  Speaker 2: think he's I think he's he's the male version of
• 5:48
  Speaker 2: me and I, oh no.
• 5:50
  Speaker 1: No, no, no no, then you'd have to be misogynistic
• 5:52
  Speaker 1: and you're not that.
• 5:53
  Speaker 2: Oh no, I don't like that part. And also he
• 5:55
  Speaker 2: likes guns a lot and I hate guns. We probably
• 5:59
  Speaker 2: differ on a lot of political things, but I do
• 6:02
  Speaker 2: enjoy his non zest for life makes me laugh, but
• 6:09
  Speaker 2: I can so I cannot picture him in this setting
• 6:13
  Speaker 2: with like drunken hookups. Also with Jennifer is there and
• 6:19
  Speaker 2: so who hates him and so and talk so much
• 6:25
  Speaker 2: smack with Jesse when she was with Jesse.
• 6:27
  Speaker 1: So yeah, and he hates her too.
• 6:29
  Speaker 2: He should throw in Jesse one week. They should just
• 6:32
  Speaker 2: bring in Jesse.
• 6:33
  Speaker 1: He loves to make a cameo on any of these. Yeah,
• 6:37
  Speaker 1: he loves just show up.
• 6:40
  Speaker 2: It is me Jesse from Amsterdam. Don't cut Steak on
• 6:44
  Speaker 2: a bias. Tim, You're not a manly man.
• 6:48
  Speaker 1: Normally I would have would I would have a prop.
• 6:50
  Speaker 1: But normally what he's doing is he's got a tiny
• 6:52
  Speaker 1: little teacup and he's like, yeah, and a turtleneck. I'm
• 6:57
  Speaker 1: so worldly. Yes, so that and then Colt, of course,
• 7:02
  Speaker 1: who we know, just like on the other.
• 7:04
  Speaker 2: Is he get hurt and Leaf is that okay.
• 7:07
  Speaker 1: That's what happened him the first season on the last
• 7:09
  Speaker 1: resort he had a trampoline accident. And then this season
• 7:15
  Speaker 1: he's there for like a week and then has some
• 7:18
  Speaker 1: sort of and he hooks up with Courtney Corney.
• 7:21
  Speaker 2: I can't see that at all. That does not that's
• 7:24
  Speaker 2: gross that Stosi, your boy. Are you sure Colt hooks
• 7:29
  Speaker 2: up with her? Because I know I saw I read
• 7:31
  Speaker 2: an article. There's a hot guy named Coal and I
• 7:34
  Speaker 2: and I think Cole hooks up with some people.
• 7:38
  Speaker 1: No, I think Courtney Corney leaves with Colt when he
• 7:42
  Speaker 1: gets hurt. Yeah, that's dedication. It's also stupidity because then
• 7:47
  Speaker 1: you're not getting paid for the whole thing.
• 7:48
  Speaker 2: But he's thirsty for that ninety day d SO and attention.
• 7:58
  Speaker 2: Yeah I do.
• 7:59
  Speaker 1: She's not my favorite, No, she's nobody's favorite. We've got
• 8:02
  Speaker 1: Sojia boy. We've got Rob. I love soldier boy.
• 8:07
  Speaker 2: I mean I don't love how he treats women, but
• 8:10
  Speaker 2: I'm excited to watch him. And Rob Yeah can walk
• 8:14
  Speaker 2: into the sea.
• 8:15
  Speaker 1: Uh huh, I never reach you.
• 8:17
  Speaker 2: Not like him?
• 8:18
  Speaker 1: Yeah, And then we have Chantelle.
• 8:22
  Speaker 2: He is kind of boring to me. I'm not that excited,
• 8:25
  Speaker 2: but all the guys are going to be fighting over her.
• 8:27
  Speaker 1: You know, we should get some dreaks. She kind turns
• 8:29
  Speaker 1: it up. Okay, So yeah, so I'm excited about that.
• 8:33
  Speaker 1: Why they're giving us a three week break in between
• 8:36
  Speaker 1: torture purposes, I suppose.
• 8:39
  Speaker 2: Yeah, I mean normal podcasters would take a break, but
• 8:44
  Speaker 2: not Mary Payne. No.
• 8:47
  Speaker 1: I like to make myself as stressed and sweaty as
• 8:49
  Speaker 1: possible at all times.
• 8:51
  Speaker 2: So Yeah, we're gonna the hardest working podcaster and show business.
• 8:55
  Speaker 1: I will say that you did say that about me
• 9:00
  Speaker 1: on the episode with Matt, so I appreciate that. I
• 9:02
  Speaker 1: appreciate that.
• 9:02
  Speaker 2: Okay, kind of redeemed myself.
• 9:07
  Speaker 1: I loved your little Lama Lama Matt at mama behind you.
• 9:13
  Speaker 1: Isn't that all? Thank you? Yeah? It's so cute. It's
• 9:16
  Speaker 1: very sparkly.
• 9:17
  Speaker 2: Yeah, it's it's a diamond painting. Oh well, I know
• 9:20
  Speaker 2: it's a diamond painting. Does it's for kids? Those kids kids.
• 9:26
  Speaker 2: I haven't figured out how to work the drill yet,
• 9:29
  Speaker 2: so I can't get these. I haven't dedicated a time
• 9:33
  Speaker 2: to drill in these shelves and become a real person,
• 9:36
  Speaker 2: an adult who knows how to work a drill. So
• 9:39
  Speaker 2: right now, it's just frames that can be stuck with
• 9:42
  Speaker 2: that sticky stuff.
• 9:44
  Speaker 1: Okay, here's a suggestion for you. Thumb tack or task
• 9:47
  Speaker 1: rabbit done.
• 9:49
  Speaker 2: Yeah. I did think about that, but then I'm torn
• 9:52
  Speaker 2: between doing that and then like wanting to be an
• 9:54
  Speaker 2: adult and learning how to do this skill. And my
• 9:58
  Speaker 2: brother got me a a drill, so now I own
• 10:02
  Speaker 2: a drill.
• 10:04
  Speaker 1: So do you want it done right? Or do you
• 10:06
  Speaker 1: want to punch a bunch of holes in your wall,
• 10:08
  Speaker 1: because I would say being an adult would be knowing
• 10:12
  Speaker 1: your weaknesses and hiring someone to do it properly. The
• 10:17
  Speaker 1: person find like three things in your apartment that need
• 10:20
  Speaker 1: to be done, these shells, oh yeah, a flapper on
• 10:23
  Speaker 1: my toilet, and then one other thing, and then just
• 10:26
  Speaker 1: call them over and they'll be there for an hour
• 10:28
  Speaker 1: and it'll cost you, like a hundred bucks. It won't
• 10:29
  Speaker 1: be much at all.
• 10:32
  Speaker 2: A hundred bucks. It's a lot.
• 10:34
  Speaker 1: I have several you made a hundred bucks while you've
• 10:37
  Speaker 1: already been sitting here. They they are rolling in money,
• 10:44
  Speaker 1: just rolling. It's just money.
• 10:46
  Speaker 2: It's just like Taylor Swift, like the more time goes by,
• 10:48
  Speaker 2: it's just I'm making my passive income just my sitting here.
• 10:53
  Speaker 1: Yeah.
• 10:53
  Speaker 2: Yeah, if anyone wants to send me a hundred bucks, now,
• 10:57
  Speaker 2: I'm just kidding, I'm not I'm not doing crowdsourcing so
• 11:01
  Speaker 2: I can hang up a shelf. People actually need that money,
• 11:05
  Speaker 2: so uh yeah, you're right, I'll get it done.
• 11:09
  Speaker 1: I want to see it.
• 11:10
  Speaker 2: I've been here for almost a year and I have
• 11:12
  Speaker 2: several large posters that have not been hung, so that's easy.
• 11:17
  Speaker 1: Also posters. Literally I got we got our new ones
• 11:20
  Speaker 1: from the Grateful Dead concert. Measure it out, go on
• 11:22
  Speaker 1: an Amazon boom, order it. The frame comes for it.
• 11:25
  Speaker 1: You put it in the frame, just like I did
• 11:26
  Speaker 1: with my diamond painting a pink shade. Pop it in
• 11:28
  Speaker 1: the frame. Hang it up easy. Get all your stuff
• 11:31
  Speaker 1: ready that needs to be hung. Mark it out kind
• 11:33
  Speaker 1: of in your mind with sticky notes or whatever where
• 11:35
  Speaker 1: you want it to go. Call the guy, spend one
• 11:38
  Speaker 1: hundred bucks, get it done. Live your life.
• 11:41
  Speaker 2: Yeah, you're right. I know you're right.
• 11:43
  Speaker 1: I know older and wiser. Well, people that aren't older
• 11:49
  Speaker 1: or wiser are people on this show, and.
• 11:52
  Speaker 2: Some of them are older, but they're just not wiser.
• 11:55
  Speaker 1: Yeah, no one's older than me. Oh take it back, yep,
• 11:58
  Speaker 1: Mark's older. The men, Yeah, you got some. I got
• 12:01
  Speaker 1: to tell you too that I did listen to your
• 12:04
  Speaker 1: recap with Matt, but I haven't watched the episode from
• 12:06
  Speaker 1: last week. So when we're going through these people, I'm
• 12:10
  Speaker 1: going to need you to sort of like fill in some.
• 12:12
  Speaker 2: Blanks, okay, because well our recap was so good that
• 12:17
  Speaker 2: you don't need to watch. That's the whole idea, that's
• 12:20
  Speaker 2: all Matt Matt does did the recap and not me,
• 12:23
  Speaker 2: and he doesn't go as detailed, so yeah, he kind
• 12:27
  Speaker 2: of brushes over stuff. But I was like, it's fine,
• 12:29
  Speaker 2: let it go.
• 12:31
  Speaker 1: Yeah, control.
• 12:33
  Speaker 2: You don't need to say every single line, No, we do.
• 12:36
  Speaker 2: We should to say every single bit of dialogue as
• 12:40
  Speaker 2: if it is like Ernest Hemingway or something like, it
• 12:45
  Speaker 2: has to be quoted exactly and it is so important
• 12:48
  Speaker 2: and it's not.
• 12:50
  Speaker 1: We went to the Hemingway Bar when we were in Paris,
• 12:52
  Speaker 1: which is this bar. It's the last bar Princess Diana
• 12:55
  Speaker 1: went to before she walked out the door to her death.
• 12:57
  Speaker 1: Oh wow, and it's a very famous bar in the
• 13:00
  Speaker 1: Ritz Carlton. It's very small, so they open up at
• 13:03
  Speaker 1: five point thirty. You have to be outside. It's in
• 13:05
  Speaker 1: the hallway. It's not like out in the elements outside
• 13:08
  Speaker 1: waiting to go in, or you don't get in in
• 13:09
  Speaker 1: that first round, and then you have to wait for
• 13:11
  Speaker 1: people to have their drink, have their snack and leave
• 13:13
  Speaker 1: before you can go in. So we've we've done it
• 13:17
  Speaker 1: every time we've gone. It's called the Hemingway Bar because
• 13:19
  Speaker 1: Ernest Hemingway, like this was his spot. This is where
• 13:22
  Speaker 1: he loved to be in Paris. The whole wall is
• 13:24
  Speaker 1: all you know, this stuff, And so we get the
• 13:26
  Speaker 1: menu and it's like a newspaper and he gives all
• 13:29
  Speaker 1: these facts and things that's really interesting. And is it
• 13:32
  Speaker 1: like you could buy this for twelve dollars? I was like,
• 13:34
  Speaker 1: or I could just screenshot it. But they have a
• 13:39
  Speaker 1: whole like non alcoholic section. So my husband ordered a
• 13:43
  Speaker 1: drink called the Daisy, and so I go, do you
• 13:45
  Speaker 1: know why it's called the Daisy? And he goes, I
• 13:48
  Speaker 1: don't know. It's gout like daisies in and I'm like, no,
• 13:52
  Speaker 1: try again. He goes, there was somebody in a Hemingway
• 13:54
  Speaker 1: book named Daisy. I was like, oh my god, Dave
• 13:58
  Speaker 1: the Great gass me. I didn't know. He didn't know.
• 14:03
  Speaker 1: He didn't know, well, he didn't know. I was like,
• 14:07
  Speaker 1: I took a five hundred level course in college only
• 14:09
  Speaker 1: on the Great Gas Fee. And he was like, yeah, no,
• 14:14
  Speaker 1: I don't know.
• 14:15
  Speaker 2: I don't know. Uh yeah.
• 14:17
  Speaker 1: In college I took two five hundred level courses. One
• 14:22
  Speaker 1: was because I wanted to because I'm weird, and the
• 14:24
  Speaker 1: second one was because I had to. The one that
• 14:26
  Speaker 1: I had to take was the Great Gas v one.
• 14:28
  Speaker 1: It didn't stick with me at all. But the one
• 14:31
  Speaker 1: that I wanted to take that I took voluntarily stuck
• 14:34
  Speaker 1: with you day Daisy was uh was this about the
• 14:41
  Speaker 1: sound in the Fury? The William Falkker book. I took
• 14:43
  Speaker 1: a whole colass on just that book.
• 14:45
  Speaker 2: I took one on James Joyce uses. Yeah, like the
• 14:49
  Speaker 2: longest art promplicated book ever. I don't think I finished it.
• 14:55
  Speaker 2: I don't think I finished a single book. And I
• 14:57
  Speaker 2: was an English miner. I just don't think I ever
• 14:59
  Speaker 2: finished a slow reader. I'm very I'm like I do
• 15:02
  Speaker 2: on ninety day, like I need to get every single
• 15:05
  Speaker 2: line and it's like yeah, boorb it into my brain
• 15:07
  Speaker 2: and I go back a lot and like reread section
• 15:10
  Speaker 2: very slow. So I don't think I ever actually finished
• 15:13
  Speaker 2: a book.
• 15:14
  Speaker 1: I'm currently reading Graydon Carter's book, The Editor, former editor
• 15:17
  Speaker 1: of Vanity Fair. It's really good. It's really good. It's
• 15:23
  Speaker 1: interesting because I saw him one time at the Waverly
• 15:26
  Speaker 1: Inn and he was apparently there with like a wife
• 15:28
  Speaker 1: or now I know, maybe his second wife and his kid,
• 15:33
  Speaker 1: and then on the booth behind him was liv Tyler
• 15:35
  Speaker 1: and her mom. Now what's interesting is Now that I'm
• 15:38
  Speaker 1: reading the book, I realize he is the owner of
• 15:41
  Speaker 1: the Waverley Inn, which I did not know. And he
• 15:44
  Speaker 1: says that he was when they first opened, specifically before
• 15:48
  Speaker 1: he hired somebody they could do it as good as
• 15:50
  Speaker 1: he did. He every night did the seating chart, so
• 15:53
  Speaker 1: if anybody came in, he knew where they were going
• 15:54
  Speaker 1: to be sitting. So I was like, so you telling
• 15:57
  Speaker 1: me the night that Ingrid and I said, at a
• 15:58
  Speaker 1: two top next to your table and live Tyler's table,
• 16:03
  Speaker 1: that that was on purpose? No, I think it's put
• 16:06
  Speaker 1: those two randoms. Probably don't know who we are right
• 16:10
  Speaker 1: next to us. But he was wrong. I knew who
• 16:12
  Speaker 1: he was.
• 16:13
  Speaker 2: Uh huh. And it went up on a podcast.
• 16:16
  Speaker 1: And now we're talking about it. Anyway. It's a good
• 16:17
  Speaker 1: book if you like. I'm a longtime reader of Vanity Fair.
• 16:21
  Speaker 1: I love it, and especially of the Heyday, you know,
• 16:23
  Speaker 1: when they first started the Vanity Fair party and all
• 16:25
  Speaker 1: the you know it's against the Holly that would issue,
• 16:28
  Speaker 1: the entrepreneur issue, the business issue. All he kind of
• 16:31
  Speaker 1: talks about how all of it came to be, and uh,
• 16:33
  Speaker 1: it's a really good book. Everybody, Oh, okay, book Club
• 16:38
  Speaker 1: let's talk about these dummies ninety day Fiance, Season eleven,
• 16:43
  Speaker 1: episode twelve, Blinded by Science, No, Blinded by Love. We'll
• 16:49
  Speaker 1: start with the dummies. Are we ever going to get who.
• 16:53
  Speaker 2: Are the dummies? They're all dummies.
• 16:56
  Speaker 1: The biggest dummies of all the threatles, the throuble. Okay,
• 17:00
  Speaker 1: they're doing a lot of posting. Have you noticed them?
• 17:03
  Speaker 1: They're doing a lot of posting together.
• 17:05
  Speaker 2: Like like boob and butt shots like those.
• 17:10
  Speaker 1: Or like funny tiktoks showing what a couple, what a
• 17:15
  Speaker 1: throuble they are? Like the three of them will ligne
• 17:17
  Speaker 1: up there, yeah, and it'll be like, who's the most
• 17:20
  Speaker 1: likely to make plans? You know, raise hands, point fingers,
• 17:25
  Speaker 1: who's the most likely to make dinner? You know, raise hands,
• 17:28
  Speaker 1: point fingers. You know. So they're together still, according to
• 17:33
  Speaker 1: social media, they are, don't I don't see any attraction
• 17:39
  Speaker 1: other than sexual between these people. I don't see any understanding.
• 17:43
  Speaker 1: I don't see any.
• 17:44
  Speaker 2: The attraction is the fame, it's the show, it's the money.
• 17:49
  Speaker 1: Good one. You're right. So, Season eleven, episode twelve, Blinded
• 17:54
  Speaker 1: by Love, we start with our throwtple. Matt a mini
• 17:57
  Speaker 1: a money and on any.
• 18:00
  Speaker 2: She called herself a mini Yeah, but it's a mom.
• 18:04
  Speaker 2: Still doesn't make sense.
• 18:05
  Speaker 1: You know. Well Annie's name was billed any so I
• 18:09
  Speaker 1: just you guys. Yeah, So anyway, we opened with these dummies.
• 18:12
  Speaker 1: Annie is wearing a very dressy outfit, like she's business casual.
• 18:15
  Speaker 1: She may be going to a business meeting mm hmm.
• 18:18
  Speaker 1: And and her talking head Amanie is like, oh, I
• 18:22
  Speaker 1: just you know, I feel really bad about me telling
• 18:24
  Speaker 1: Matt that she loves me more than him, Like, I
• 18:27
  Speaker 1: feel terrible about this. No, you didn't, and maybe he
• 18:30
  Speaker 1: just just left out. And so I'm gonna set what
• 18:34
  Speaker 1: you wanted. This is exactly what you wanted. And she goes,
• 18:38
  Speaker 1: so I'm going to set up a date for Matt
• 18:39
  Speaker 1: and Annie so they can get closer. This was the date.
• 18:43
  Speaker 1: They sat at a taco stand. That was their date.
• 18:46
  Speaker 2: They watched a guy cut meat. Yeah, that was the
• 18:49
  Speaker 2: close up shots and stared at each other and afterward
• 18:52
  Speaker 2: silence and made why is it because they need to
• 18:56
  Speaker 2: have this connection. They've already had sex like twenty times,
• 18:59
  Speaker 2: so yeah, they.
• 18:59
  Speaker 1: Had sex first, yeah on this trip. So anyway, they
• 19:04
  Speaker 1: said awkwardly and stare at the guy making food, and
• 19:07
  Speaker 1: then he says again in this very odd Southern accent.
• 19:10
  Speaker 1: He's like, mmmmm, I will for sure make you these tacos.
• 19:14
  Speaker 1: I'm will add it to my repertoire.
• 19:17
  Speaker 2: I was like, it's no idea what he's saying. I
• 19:19
  Speaker 2: guarantee you she understood one word out of that sentence.
• 19:23
  Speaker 1: And then he tells her. He goes, look, Amani told
• 19:26
  Speaker 1: me that you said you love Amani more than me,
• 19:30
  Speaker 1: and he goes, not, I gotta tell you know, little lady,
• 19:32
  Speaker 1: I'm getting a little jealous. And she says, no, I
• 19:37
  Speaker 1: just feel like she shows me a lot and you
• 19:39
  Speaker 1: need to give me more, like you need to show
• 19:41
  Speaker 1: me more reaction. And he's like, well, I just want
• 19:45
  Speaker 1: you to know I'm here for you, and he says,
• 19:47
  Speaker 1: she's my wife, but you may one day be my wife,
• 19:50
  Speaker 1: and I care about you deeply and I want to
• 19:53
  Speaker 1: be with.
• 19:53
  Speaker 2: You really really. What's her middle name?
• 20:00
  Speaker 1: What is her birthday? Yeah?
• 20:03
  Speaker 2: What is her favorite color?
• 20:05
  Speaker 1: He definitely doesn't know that, and she says, I appreciate
• 20:09
  Speaker 1: you talking with me and opening your heart, and I
• 20:12
  Speaker 1: just want more time with you. And then they sort
• 20:14
  Speaker 1: of like make out where they've just had like beefy tacos,
• 20:18
  Speaker 1: which seems kind of disgusting. And then as they're making out,
• 20:21
  Speaker 1: she's like, remember the rules. We can't bang it out
• 20:24
  Speaker 1: right here at this tacos Dad, we have to call
• 20:26
  Speaker 1: the monni.
• 20:27
  Speaker 2: First counter in front of the taco guy.
• 20:32
  Speaker 1: So in her talking head, she tells us, I'm not
• 20:34
  Speaker 1: a doll. I want to feel that they're truly here
• 20:37
  Speaker 1: for me. In his talking head, he says, I know
• 20:40
  Speaker 1: I should give Annie a little more faith. And I
• 20:44
  Speaker 1: feel good we're taking steps. I feel optimistic. And so
• 20:48
  Speaker 1: they get on the beach and they walk and giggle
• 20:50
  Speaker 1: and make out and shots.
• 20:52
  Speaker 2: Did you notice how many butt shots? It opens with
• 20:55
  Speaker 2: her butt shot. Then they're walking on the beach and
• 20:57
  Speaker 2: you get both of their butt shots. It's just like that,
• 20:59
  Speaker 2: can't our guy loves to crouch behind them.
• 21:03
  Speaker 1: I felt like, because there were so many close up
• 21:05
  Speaker 1: butt shots that her butt is fake. That's what I
• 21:07
  Speaker 1: felt like. Oh, I think they were trying to make
• 21:11
  Speaker 1: a point.
• 21:13
  Speaker 2: Ah, I thought.
• 21:16
  Speaker 1: So he gets home from the date, and I guess
• 21:20
  Speaker 1: Annie's had to go back to work, even though it
• 21:22
  Speaker 1: seems like, you know, for the two weeks she's not
• 21:24
  Speaker 1: working that they're there. He could be like, hey, don't
• 21:27
  Speaker 1: work for two weeks and we'll just pay for whatever
• 21:29
  Speaker 1: so we can spend time with you.
• 21:30
  Speaker 2: But now he's like, yeah, isn't the relationship transactionary anyways?
• 21:34
  Speaker 1: Get that coin girl.
• 21:36
  Speaker 2: Yeah.
• 21:36
  Speaker 1: So he gets home from the date and he's telling her.
• 21:39
  Speaker 1: He's telling Amani, you know, I feel good about that
• 21:43
  Speaker 1: amazing date that you plan for us at the taco stand,
• 21:46
  Speaker 1: I feel And he says, the cards are falling into line.
• 21:52
  Speaker 2: No, that's not right, sir, that's mixed metaphors. Also, he said,
• 21:56
  Speaker 2: I took steps to catch up in the relationship. Like
• 22:00
  Speaker 2: that's a healthy way of thinking about a threatfle Like
• 22:04
  Speaker 2: it's a competition, it's a race, and you are trying
• 22:07
  Speaker 2: to catch up with your wife.
• 22:09
  Speaker 1: Wait for me, I mean, don't make out without me.
• 22:14
  Speaker 1: The talking head of Annie says, oh, I still have
• 22:17
  Speaker 1: questions about Annie and her ex, whose name is Ray.
• 22:22
  Speaker 1: You know, we've been together for a year, but Annie
• 22:25
  Speaker 1: doesn't give us any straight answers. And when we send
• 22:28
  Speaker 1: her money, because we've been sending her money the whole time,
• 22:31
  Speaker 1: we send it to this joint bank account she has
• 22:34
  Speaker 1: with Ray.
• 22:36
  Speaker 2: No, huh no, no, so Marie, it's a pimp.
• 22:43
  Speaker 1: Just let's that's we're we're getting there. I think that
• 22:47
  Speaker 1: that's what we're supposed to think. Or he's the club owner,
• 22:50
  Speaker 1: so he just he decides when she dances, Like, I
• 22:53
  Speaker 1: don't know. It was weird. It's an ex boyfriend that
• 22:56
  Speaker 1: she dated for a short amount of time that she's
• 22:58
  Speaker 1: got a joint account with that they have to pay.
• 23:01
  Speaker 1: It's all sus okay. So amani Uh tells Matt, you
• 23:07
  Speaker 1: know I texted with Roy. He's like, what she says?
• 23:10
  Speaker 1: I said, I want to meet him, and he goes, huh.
• 23:13
  Speaker 1: And I think that maybe he didn't actually know that
• 23:16
  Speaker 1: because it normally he's doing that smile, talking like he's
• 23:19
  Speaker 1: they hers. Yeah, I know, he was genuinely surprised. He
• 23:22
  Speaker 1: was like, really, what now?
• 23:23
  Speaker 2: Is he a just Yeah, you sent me on a
• 23:29
  Speaker 2: date with our throuple so that I could fall further
• 23:34
  Speaker 2: in love with her and we could have a deeper
• 23:36
  Speaker 2: emotional connection whilst you were texting her ex behind her
• 23:42
  Speaker 2: back and are planning to blow up this entire relationship
• 23:46
  Speaker 2: as you sent me off to develop further emotional feelings
• 23:50
  Speaker 2: with this woman. That's diabolical. Yeah, I think that if
• 23:55
  Speaker 2: any of this is true, that's super sick and mean
• 23:57
  Speaker 2: to do to your husband. Oh, you could have waited
• 24:02
  Speaker 2: for this private love date until you figure this thing
• 24:05
  Speaker 2: out with Ray.
• 24:06
  Speaker 1: Well, she had to get away from him to be
• 24:08
  Speaker 1: able to make the call. She has to send him
• 24:10
  Speaker 1: on an errand so she'd be able to.
• 24:12
  Speaker 2: It feels like, well, now we've the first problem we
• 24:16
  Speaker 2: had was the connection between Matt and Annie. So now
• 24:21
  Speaker 2: we fix that problem. So now I've created another plot device,
• 24:24
  Speaker 2: which is bringing texting the boyfriend.
• 24:28
  Speaker 1: Yes, and by the way, I don't think they solved
• 24:30
  Speaker 1: that problem. I feel like Matt and Annie act like
• 24:33
  Speaker 1: they barely know each other. I mean, yeah, yeah.
• 24:37
  Speaker 2: So.
• 24:39
  Speaker 1: She says, you know, I just need to get the
• 24:41
  Speaker 1: full truth about Ray without Annie there, So we're going
• 24:44
  Speaker 1: to meet with him. So the next day they're getting
• 24:47
  Speaker 1: ready and she yeah it. So where's again? Where is
• 24:50
  Speaker 1: Annie is? The next day? And she goes, yeah, Annie's
• 24:54
  Speaker 1: going to be hello, pissed about this, Yeah, and talking
• 24:58
  Speaker 1: to him. Matt goes, yeah, do something behind her back
• 25:00
  Speaker 1: kind of pulls up memral heart strings. Okay, Matt, it's
• 25:07
  Speaker 1: not so bright, that's what's he sounds like a cowpok
• 25:10
  Speaker 1: m h. And they're going to be meeting her family soon,
• 25:14
  Speaker 1: and so they need to make sure everything's okay before
• 25:16
  Speaker 1: they do that, because he has kids too that he
• 25:19
  Speaker 1: has to think about, Well, why'd you leave them at
• 25:21
  Speaker 1: home for two weeks? Yeah, So they walk up. They
• 25:27
  Speaker 1: walk up to this restaurant, and I gotta tell you
• 25:29
  Speaker 1: something about Amani is really beautiful.
• 25:33
  Speaker 2: She's gorgeous.
• 25:35
  Speaker 1: She's really a black turtleneck on and like this sensible pants.
• 25:39
  Speaker 2: Yeah, she does look good. She looks really good.
• 25:42
  Speaker 1: I was like, aren't you hot? Aren't you in Mexico?
• 25:44
  Speaker 1: So here comes Ray, who's like an American dude who's
• 25:47
  Speaker 1: older and not very cute. And they're stunned because they
• 25:49
  Speaker 1: just have to assume that everybody Annie is with us hot.
• 25:52
  Speaker 1: But no, it's this old dude's got money.
• 25:56
  Speaker 2: So yeah, and.
• 25:57
  Speaker 1: I guess we're gonna find out next week. Her name
• 25:59
  Speaker 1: is really Brunda. I don't know which is hilarious the
• 26:01
  Speaker 1: dream would.
• 26:02
  Speaker 2: Be, but they're still Brenda. Brenda is the fake name.
• 26:06
  Speaker 2: I don't think anyone that's not a Mexican name, is
• 26:10
  Speaker 2: it Brenda?
• 26:10
  Speaker 3: Maybe it is, Maybe it is, I don't I've never heard.
• 26:15
  Speaker 1: And it's also an older name, an elder's name. You know,
• 26:19
  Speaker 1: she's pretty young.
• 26:20
  Speaker 2: She's the Lattice.
• 26:22
  Speaker 1: Yeah. I don't think lattice will ever make a comeback.
• 26:24
  Speaker 1: You know a lot of names have made comeback, so
• 26:26
  Speaker 1: I don't think Gladys is one.
• 26:27
  Speaker 2: Yeah. No, I Brenda might be a Mexican name. Okay,
• 26:34
  Speaker 2: it's not traditionally Mexican. It's oh well, it's not a
• 26:39
  Speaker 2: common traditional Mexican name. It's used in Mexico. Thanks, Ai bad.
• 26:45
  Speaker 2: I just burned up like eighty trees to get that information.
• 26:50
  Speaker 1: Oh my god. All right, let's move on to Greg
• 26:54
  Speaker 1: and Joan.
• 26:56
  Speaker 2: Oh boy, okay, So Joan is learning to love the dogs.
• 27:02
  Speaker 2: By the way, these dogs I don't feel like are
• 27:04
  Speaker 2: well behaved. And I feel like that's Lucile's fault because
• 27:07
  Speaker 2: I forgot to mention. But when they were sorting the socks,
• 27:10
  Speaker 2: the the uh black and white caeculation a seculation sucks. Yes,
• 27:20
  Speaker 2: that we did not pick up on. The dogs just
• 27:24
  Speaker 2: bark at Joan whenever she walks into a room and
• 27:27
  Speaker 2: sits down, and that she's been living in the house
• 27:28
  Speaker 2: for a while. That is not nice. I don't like that.
• 27:31
  Speaker 1: Well, so my dogs bark at me if I've been
• 27:35
  Speaker 1: gone for twenty minutes or twenty seconds. When I enter
• 27:38
  Speaker 1: the room again, it is like, whoa, where have you been?
• 27:42
  Speaker 2: It could have been four days. It's all aggressive. So
• 27:45
  Speaker 2: this felt like there's a stranger in our house. Oh no,
• 27:48
  Speaker 2: they are not allowed to sit on the couch.
• 27:51
  Speaker 1: No, my dogs are barking because they're excited.
• 27:53
  Speaker 2: Exactly. So she says she's going to help Greg give
• 27:58
  Speaker 2: them a bath, and then they're making jokes about like
• 28:02
  Speaker 2: her massaging him, and then he's making a lot of
• 28:05
  Speaker 2: digs at her, and like he's like, Joan's way of
• 28:08
  Speaker 2: watching the dogs is the way she gives me a massage. Terrible.
• 28:12
  Speaker 2: I'm kidding, I'm kidding. And I was like, Greg, take
• 28:15
  Speaker 2: it easy, Tiger, you don't need to make fun of
• 28:17
  Speaker 2: this lady who's way out of your leak. And then
• 28:19
  Speaker 2: he's like, the dogs are the luckiest dogs in the world.
• 28:22
  Speaker 2: I wish she would give me a bath. That would
• 28:24
  Speaker 2: be more action than I've gotten in the past few days.
• 28:28
  Speaker 1: Yeah, he's starting to he's starting to feel that he
• 28:32
  Speaker 1: needs to be having more sex. Whose fault is that? Greg?
• 28:36
  Speaker 2: Look inward, Yeah, look inward, you should be kissing the ground.
• 28:40
  Speaker 2: This woman walks on so then Lucille comes out, like, Greg, Greg,
• 28:45
  Speaker 2: your phone's been going off like crazy. So he leaves
• 28:48
  Speaker 2: her Joan to deal with both dogs, and they of
• 28:50
  Speaker 2: course run away, and she says, they're offended because they
• 28:53
  Speaker 2: won't let me sleep. I won't let them sleep in
• 28:55
  Speaker 2: the bed with us. But dogs also just run around
• 28:57
  Speaker 2: nuts after a bath, but she doesn't know that. So
• 29:01
  Speaker 2: Greg comes out and he's like, I have to tell
• 29:04
  Speaker 2: you something. I got the job. And she's like, oh
• 29:07
  Speaker 2: my god, wow, we've been praying for this. Now we
• 29:10
  Speaker 2: can finally move out of this hellscape and get away
• 29:13
  Speaker 2: from these dogs. This is great news. So he's going
• 29:17
  Speaker 2: to take her to New York City, to Manhattan, and
• 29:21
  Speaker 2: he's teaching her how to talk New York, as if
• 29:23
  Speaker 2: living with Lucille wasn't enough, and he's like, I'm walking here.
• 29:29
  Speaker 2: She's like, I'm walking here. It was funny, and then
• 29:33
  Speaker 2: he says we should be saving for a house. But
• 29:36
  Speaker 2: I finally got a job. Airhorn sound. I can't do
• 29:41
  Speaker 2: airhorn sound and Joan and.
• 29:43
  Speaker 1: Katie do that on your podcast always.
• 29:45
  Speaker 2: She does it great, Yeah, she is it really good
• 29:47
  Speaker 2: and I can't do it. She's like, I finally got
• 29:50
  Speaker 2: a job. That means Joan is not leaving me. She
• 29:54
  Speaker 2: might leave you for other reasons, though, Greg, just because
• 29:57
  Speaker 2: you've got a job doesn't mean enough to step up
• 29:59
  Speaker 2: your behavior and all of the other bad qualities you
• 30:02
  Speaker 2: have here.
• 30:03
  Speaker 1: One day, not one day.
• 30:06
  Speaker 2: Calm down. So he's like, we're celebrating. So he says
• 30:11
  Speaker 2: they're driving in, and he says, we're taking the Midtown Tunnel,
• 30:14
  Speaker 2: and this means we're going to be totally submerged underwater.
• 30:17
  Speaker 2: So I press a button on my car and it
• 30:19
  Speaker 2: turns into a submarine and that is standard issue on
• 30:23
  Speaker 2: all American cars. And she kind of half believes him
• 30:26
  Speaker 2: for a second and that was funny. And then as
• 30:30
  Speaker 2: they're driving in, he goes, I love the city. I
• 30:34
  Speaker 2: used to work out of the city, And I went,
• 30:37
  Speaker 2: you used to work?
• 30:40
  Speaker 1: Was it a state job that was based in Manhattan?
• 30:44
  Speaker 1: What was happening Manhattan, Barbie? You used to work?
• 30:49
  Speaker 2: What did you do? Greg?
• 30:51
  Speaker 1: You have a job?
• 30:52
  Speaker 2: Pizzas.
• 30:53
  Speaker 1: Maybe anything's better than what he's doing now, which is nothing,
• 30:59
  Speaker 1: I know.
• 31:00
  Speaker 2: So he is going to take her. Oh, so he's
• 31:02
  Speaker 2: showing her like the tall buildings, the traffic, the Times Square,
• 31:06
  Speaker 2: the lights and every it's very sweet. She's very excited.
• 31:09
  Speaker 2: And then he takes her for a fine dining experience
• 31:12
  Speaker 2: with a slice of pizza, which I was actually happy
• 31:15
  Speaker 2: he was saving some money and not doing like a
• 31:17
  Speaker 2: really really fancy like Michelin Star restaurant. Yeah yeah, yeah,
• 31:21
  Speaker 2: he can't afford that. And then he's teaching her how
• 31:25
  Speaker 2: to fold the pizza and eat it like a New
• 31:26
  Speaker 2: Yorker and she thinks it's the best pizza she's ever had,
• 31:29
  Speaker 2: better than Ugandan pizza, which no one was surprised by that.
• 31:33
  Speaker 2: I didn't, Yeah it.
• 31:34
  Speaker 1: Was, he did say at one point, didn't He say,
• 31:37
  Speaker 1: she's from the actual jungle and this is the concrete jungle.
• 31:40
  Speaker 2: Concrete dangle, silly, And he says the excitement on her
• 31:45
  Speaker 2: face is just so wonderful to see, and it keeps
• 31:48
  Speaker 2: cutting to her and she's just like calmly eating the pizza,
• 31:51
  Speaker 2: like she's not very expressive. No, she doesn't show a
• 31:56
  Speaker 2: lot of excitement, but that's just her way, I think.
• 31:59
  Speaker 2: And then they're going to go to a hotel and
• 32:01
  Speaker 2: he's going to rock her world good with her permission,
• 32:05
  Speaker 2: I hope. So they go to the hotel and he
• 32:08
  Speaker 2: makes her wait in the hallway as he sprinkles rose pedals,
• 32:11
  Speaker 2: he does the love after lock up standard issue rose pedals,
• 32:15
  Speaker 2: fake candles that are battery operated, and then he pops
• 32:18
  Speaker 2: a bottle of champagne. And then he finally lets her
• 32:21
  Speaker 2: back in from the hallway. She's just like she's sitting there.
• 32:25
  Speaker 2: I think she knocked on the door like hello.
• 32:29
  Speaker 1: It's good though, I'm I'm glad he was doing that
• 32:31
  Speaker 1: for her. She deserves it.
• 32:33
  Speaker 2: It's nice. Couldn't you call ahead and maybe like have
• 32:36
  Speaker 2: the hotel do it or something?
• 32:38
  Speaker 1: This is they want to.
• 32:40
  Speaker 2: Okay, So he says, I love you. I never want
• 32:43
  Speaker 2: you to go back to Uganda unless we're going on
• 32:46
  Speaker 2: vacation or something. I felt like that was like a
• 32:48
  Speaker 2: I'm not holding you captive though, like you could go
• 32:51
  Speaker 2: back we're going on vacation. I just don't want you
• 32:54
  Speaker 2: to leave me. And she says, I know I push
• 32:57
  Speaker 2: you and you're really trying, and I hate having to
• 32:59
  Speaker 2: be this strict, controlling girlfriend, but it's for our future.
• 33:03
  Speaker 2: And also you won't do anything unless I push you,
• 33:06
  Speaker 2: so I'm gonna have to keep pushing you. Oh no,
• 33:12
  Speaker 2: Mary Payne went silent.
• 33:18
  Speaker 1: I don't know what.
• 33:19
  Speaker 2: How there we go.
• 33:20
  Speaker 1: That happens yesterday too, when I was recording with the
• 33:23
  Speaker 1: with the ladies.
• 33:24
  Speaker 2: It just does and it sounds like it's not your
• 33:26
  Speaker 2: normal mic either. Check the settings says.
• 33:30
  Speaker 1: Your mic was unplugged, and I'm like, no, it was not,
• 33:32
  Speaker 1: and it switched now it's switched back. Okay, are we
• 33:35
  Speaker 1: good now?
• 33:36
  Speaker 2: Hm mm hmm.
• 33:37
  Speaker 1: What was the deal? It did that yesterday too. I
• 33:41
  Speaker 1: can't have any glitches in my life. No, okay, continue
• 33:47
  Speaker 1: with the uh what romanticism with Joan and Gregg.
• 33:51
  Speaker 2: Apologize, Well, she's doing a lot of apologizing for pushing him.
• 33:56
  Speaker 2: I don't. I think he literally wouldn't do anything if
• 34:00
  Speaker 2: he wasn't being pushed because Lucille doesn't push him, and
• 34:03
  Speaker 2: thus he has done nothing so far. And now Joan
• 34:06
  Speaker 2: has come and within a month she's gotten him to
• 34:09
  Speaker 2: get a job, so pushing is what he needs. But
• 34:13
  Speaker 2: she apologizes and says I was really hard on him,
• 34:16
  Speaker 2: and he's flown to Uganda multiple times to see me,
• 34:19
  Speaker 2: and he paid to bring me here. I appreciate what
• 34:21
  Speaker 2: he's doing. And then he kicks the camera crew out
• 34:24
  Speaker 2: of a sliding door. I was like, did he put
• 34:28
  Speaker 2: them on the balcony or in the bathroom. That was
• 34:31
  Speaker 2: not the door to the hallway. It was a sliding door.
• 34:34
  Speaker 2: I have not noticed the sliding door. It was like
• 34:37
  Speaker 2: literally a frosted sliding door. So unsure where he put them.
• 34:42
  Speaker 2: Maybe there's some sort of vestibule outside of the hotel room. Anyway,
• 34:48
  Speaker 2: just go in the bathroom.
• 34:49
  Speaker 1: It's going to be really quick. You can come right back.
• 34:51
  Speaker 2: Yeah, that's terrible, but anyway, they're happy. We'll see how
• 34:57
  Speaker 2: long he sticks with this job, because he's gonna come
• 35:01
  Speaker 2: home all slulky and be like, this isn't my dream.
• 35:03
  Speaker 2: My dream is the bakery. This is what I want
• 35:06
  Speaker 2: to do. I don't want to have to answer to
• 35:09
  Speaker 2: someone else in a job. I really just think I'm
• 35:12
  Speaker 2: the kind of person that needs to be my own boss,
• 35:15
  Speaker 2: And so how can I just be my own boss
• 35:18
  Speaker 2: right now tomorrow without putting in any steps to get there?
• 35:24
  Speaker 1: Okay, let us know if you figure that out, Greg,
• 35:28
  Speaker 1: we're gonna move on to Chicina and supper. But I
• 35:30
  Speaker 1: have to tell you, I felt that they're seeing this
• 35:32
  Speaker 1: week was extremely fake. Now I have no idea what
• 35:36
  Speaker 1: happened with them last week? Why did they get in
• 35:38
  Speaker 1: a fight and he stormed off what happened.
• 35:40
  Speaker 2: She recorded their fight, and apparently she was cooking dinner
• 35:46
  Speaker 2: for him, and he came home from the park, which
• 35:49
  Speaker 2: is the only place he goes to. And I don't
• 35:52
  Speaker 2: know how she was cooking because they're not supposed to
• 35:54
  Speaker 2: cook in that apartment because the smells. But he was
• 35:58
  Speaker 2: like not appreciative or something, or he is in a
• 36:00
  Speaker 2: bad mood, and he took it out on her because
• 36:02
  Speaker 2: he's lonely and homesick and has to go to the
• 36:06
  Speaker 2: park every day. And she he was like, I don't
• 36:10
  Speaker 2: like your face, that face you're making, and I was like,
• 36:12
  Speaker 2: I just think you don't like the face, and she
• 36:14
  Speaker 2: you designed the face. And they just started screaming each other. Basically,
• 36:20
  Speaker 2: he had a bad attitude and he took it out
• 36:22
  Speaker 2: on her and that was it. And she doesn't appreciate
• 36:26
  Speaker 2: that he has sacrificed and left everything to come here.
• 36:30
  Speaker 1: So when he comes back in the apartment, is this
• 36:33
  Speaker 1: the same same day or is this a new day?
• 36:37
  Speaker 2: No, it's been two days.
• 36:39
  Speaker 1: Where did he sleep.
• 36:40
  Speaker 2: I think he's left on the couch. She said, Yeah,
• 36:45
  Speaker 2: that's not true.
• 36:46
  Speaker 1: That's like a lovesy. Oh this is fake. I'm mad
• 36:48
  Speaker 1: about it.
• 36:49
  Speaker 2: So it's all the same room too, because there's no
• 36:52
  Speaker 2: door on the bedroom. No, it's all the same I'm
• 36:55
  Speaker 2: still sleep in the same room.
• 36:57
  Speaker 1: So he walks in and she'sn't quite a get up.
• 36:59
  Speaker 1: She's an a blue jean strapless corset and Pina blue jeans.
• 37:05
  Speaker 2: Say so just again, much like when Hilaria wore those
• 37:10
  Speaker 2: space funds during a very serious conversation about the woman
• 37:14
  Speaker 2: that died on the set of Rest. It does not
• 37:16
  Speaker 2: feel like an appropriate outfit to have a are we
• 37:19
  Speaker 2: going to stay together? Conversation?
• 37:21
  Speaker 1: Yeah? Yeah, but he's also in a tank top cut
• 37:24
  Speaker 1: down to his navel, so yeah, as per usual. So
• 37:28
  Speaker 1: it's talking heat. He says, we have to solve our problems.
• 37:32
  Speaker 1: You know, I've missed it. I don't know what is
• 37:34
  Speaker 1: the problem here, So I have to talk to China.
• 37:36
  Speaker 1: So he sits down and he's telling her, you know,
• 37:39
  Speaker 1: he thinks they are a one in a million match,
• 37:42
  Speaker 1: but he feels weak because here in the States he
• 37:45
  Speaker 1: can't work. Here, he's just dog sitter. And she goes, okay, So,
• 37:51
  Speaker 1: but did I make that rule? Like is it my
• 37:53
  Speaker 1: fault that that's happening, or is it like the United
• 37:56
  Speaker 1: States of America and it's I didn't make the rule
• 37:59
  Speaker 1: and you're acting like an asshole. And he goes and
• 38:04
  Speaker 1: he says, the truth is you don't like me anymore.
• 38:08
  Speaker 1: And she goes, what are you talking about? And she goes,
• 38:12
  Speaker 1: I don't like this dismissive, cold and rude sorper that's
• 38:15
  Speaker 1: what I don't like.
• 38:17
  Speaker 2: And it's more like, I don't like this dismiss I
• 38:20
  Speaker 2: have ed rude, super gotta do the vocal fry.
• 38:24
  Speaker 1: That was better. And he says, all this change has
• 38:28
  Speaker 1: put me down into depression and she goes, oh, okay,
• 38:32
  Speaker 1: so in the last two days you've gone into a
• 38:34
  Speaker 1: depression and now I'm horrible to live with, just in
• 38:36
  Speaker 1: the last two days.
• 38:38
  Speaker 2: And that's nice to do when your partner says they
• 38:41
  Speaker 2: have a mental health issue, mock them super supportive.
• 38:46
  Speaker 1: And he says, she kind of you're not the same
• 38:50
  Speaker 1: sweet girl you are in Turkey. You used to listen
• 38:53
  Speaker 1: to me and not talk to me harshly.
• 38:58
  Speaker 2: So I think the sisters have got in both of
• 39:00
  Speaker 2: their heads. I think the band of Sisters they got
• 39:04
  Speaker 2: into his head because he started reminiscing about when she
• 39:08
  Speaker 2: was more Geisha and correct would wait on him and
• 39:11
  Speaker 2: submissive and talk nicely to him, and she is trying
• 39:15
  Speaker 2: to defend herself and be like, no, I'm not a
• 39:18
  Speaker 2: doormat like they said, like, I'm totally a strong independent woman.
• 39:22
  Speaker 2: And so now she's second guessing and picking on everything
• 39:24
  Speaker 2: he does. So the power struggle, I feel.
• 39:29
  Speaker 1: Like it's fake because of the not because of him,
• 39:31
  Speaker 1: because his acting is pretty decent. Hers is so over
• 39:35
  Speaker 1: the top that that's why I think this is that
• 39:38
  Speaker 1: they planned this whole.
• 39:39
  Speaker 2: Thing so well. It's true, they are pretty happy. They
• 39:42
  Speaker 2: need some conflict. Yeah, and there's the storyline. You're being
• 39:46
  Speaker 2: reckless with our relationship, so she says.
• 39:51
  Speaker 1: She says, sorry, Back up, she says, the version of
• 39:54
  Speaker 1: me you get depends on how you treat me, and
• 39:57
  Speaker 1: how you've been treating me. Is the reason you're hearing
• 40:00
  Speaker 1: this voice and seeing this face is a series of
• 40:05
  Speaker 1: bad choices that have put us in a bad situation.
• 40:08
  Speaker 1: And now I don't even know if I want to
• 40:10
  Speaker 1: get married. You're being reckless with that relationship, That's what
• 40:13
  Speaker 1: she says. Now, all of this is not true.
• 40:16
  Speaker 2: Okay, So he says, when he does say I don't
• 40:19
  Speaker 2: recognize you, I was like, neither do we no, and she.
• 40:24
  Speaker 1: Just posted something like in the last couple of days
• 40:26
  Speaker 1: and the whole new thing she did no Charcy style.
• 40:29
  Speaker 2: Uh huh yeah, yeah, yeah, no, yeah. I saw Stacy's
• 40:34
  Speaker 2: latest picture and it's terrifying.
• 40:36
  Speaker 1: I don't listen. It's upsetting. I don't know why.
• 40:39
  Speaker 2: It's very upsetting.
• 40:40
  Speaker 1: Just leave well enough alone. So do like me, put
• 40:43
  Speaker 1: a double filter on the screen and call it a day.
• 40:46
  Speaker 2: Call it a day.
• 40:48
  Speaker 1: So he says, if we break up, you will cry
• 40:52
  Speaker 1: for years for me, and she goes, oh my god,
• 40:56
  Speaker 1: and he goes, it's not ego. I just know I
• 41:00
  Speaker 1: am most perfect match in the world for you. So
• 41:04
  Speaker 1: the talking Eddy says, she Quina and I we are
• 41:07
  Speaker 1: so different, but we are like puzzle pieces that they
• 41:10
  Speaker 1: together exactly. But now things are different. She's not listening
• 41:14
  Speaker 1: to me, she's not doing what I want, all right.
• 41:19
  Speaker 1: So then he says, sometimes I feel like in this house,
• 41:21
  Speaker 1: I'm walking on the eggshells, and she goes, if you
• 41:24
  Speaker 1: don't like it and you feel like you're on eggshells,
• 41:27
  Speaker 1: you can leave, and he goes, wow, threat.
• 41:37
  Speaker 2: And she's it's not a threat, like it's the truth.
• 41:40
  Speaker 1: And he says all of the things that you're saying
• 41:44
  Speaker 1: totally suck. And she says, she says, the man I
• 41:49
  Speaker 1: love doesn't know what I want, doesn't listen to me,
• 41:52
  Speaker 1: doesn't know how to treat me right, and that's bad
• 41:55
  Speaker 1: for me. And he says. People argue, but you're so
• 41:59
  Speaker 1: bad at it. You have no compromise skills. She goes,
• 42:03
  Speaker 1: what do I have to fix it? What did I
• 42:05
  Speaker 1: do wrong? He goes, ohhit kind of I'm just missing
• 42:08
  Speaker 1: the freedom I had in Jerkey. She was like, you
• 42:10
  Speaker 1: have all the freedom in the world.
• 42:11
  Speaker 3: You go to the park every day, Like what are
• 42:13
  Speaker 3: you talking about. It's literally the only place he can go, though.
• 42:16
  Speaker 3: He sits and sits on a bench like a sad
• 42:19
  Speaker 3: little kid whose mom forgot to pick him up after
• 42:21
  Speaker 3: school at the park every day, Like he can't go
• 42:25
  Speaker 3: anywhere else because he's a guest in your house and
• 42:28
  Speaker 3: you keep calling it your house, like you have not
• 42:30
  Speaker 3: made any space for him in your life.
• 42:34
  Speaker 1: He's not able at this time to go and teach
• 42:36
  Speaker 1: laugh aerobics at exactly.
• 42:39
  Speaker 2: Although she did say last week she was moving out
• 42:42
  Speaker 2: that workspace. She was cleaning out, so she was packing
• 42:47
  Speaker 2: up her bottles and she was wiping them all down,
• 42:50
  Speaker 2: and they kept doing close ups, and I was like,
• 42:51
  Speaker 2: why are we seeing her do with the wiping the
• 42:53
  Speaker 2: bottles and putting them in boxes. And she said she
• 42:56
  Speaker 2: was making a compromise by moving out into like a
• 43:01
  Speaker 2: workspace so he can cook in the house and have
• 43:04
  Speaker 2: a living room.
• 43:05
  Speaker 1: Well, somebody said, or maybe it was maybe it was
• 43:08
  Speaker 1: you that said, you know, if she was gone so
• 43:11
  Speaker 1: often that it wouldn't make sense for her to pay
• 43:13
  Speaker 1: for a workspace if she could only take clients when
• 43:16
  Speaker 1: she was home, so she had to make her kitchen,
• 43:19
  Speaker 1: living area, half bath area into a workspace. But yeah,
• 43:22
  Speaker 1: I think that they each need a space to be
• 43:25
  Speaker 1: able to go to in that.
• 43:26
  Speaker 2: Apartment exactly because they both like to run away. Like
• 43:30
  Speaker 2: in Turkey, she would go to a hotel. She would
• 43:32
  Speaker 2: pay for him to go to a hotel every time
• 43:35
  Speaker 2: they get into a fight. He had a much bigger
• 43:37
  Speaker 2: he had a much bigger place. Yeah, you know, but
• 43:40
  Speaker 2: she would still go to a hotel.
• 43:41
  Speaker 1: Yeah she would so, And then talking Eddy says, you know,
• 43:45
  Speaker 1: when she was in Turkey, my home was her home.
• 43:48
  Speaker 1: I accommodated her, and my family treated her like a daughter.
• 43:53
  Speaker 1: She doesn't see my side. I think that's all true.
• 43:58
  Speaker 1: But also your apartment was filled with fluid, but.
• 44:05
  Speaker 2: He did burn them. He got rid of them. M hm.
• 44:08
  Speaker 1: He got rid of the bottles, and he got rid
• 44:10
  Speaker 1: of the dot.
• 44:10
  Speaker 2: I didn't get rid of the apartment though. She is
• 44:14
  Speaker 2: only one foot in because he had his parents keep
• 44:17
  Speaker 2: the apartment.
• 44:18
  Speaker 1: I wonder if he's airbn being in and if it
• 44:20
  Speaker 1: came with a hazmat warning.
• 44:22
  Speaker 2: Yeah, exactly.
• 44:24
  Speaker 1: Things have happened here that you may not be comfortable with.
• 44:26
  Speaker 2: Basically, you are renting a porn site to live in.
• 44:30
  Speaker 2: If you're okay with that, that's fine.
• 44:33
  Speaker 1: Yeah, So he says to her, He goes, I don't
• 44:36
  Speaker 1: want to lose this relationship one in a million. I
• 44:38
  Speaker 1: don't want another relationship ever, And she says, really, because
• 44:43
  Speaker 1: I'm thinking I could find somebody more compatible than you.
• 44:46
  Speaker 1: I'm thinking I can find somebody I'm more compatible. But
• 44:48
  Speaker 1: then this I can find a real man. So this
• 44:51
  Speaker 1: is why I know it's fake, because I think even
• 44:53
  Speaker 1: if she was mad at him, she would never say that.
• 44:56
  Speaker 2: Yeah.
• 44:57
  Speaker 1: And I think if she was saying that in earnest,
• 45:00
  Speaker 1: he would flee the country flip out. Yeah yeah, and
• 45:05
  Speaker 1: he goes, what, why do you say that, and she
• 45:07
  Speaker 1: says that, you know. She goes, I just don't want
• 45:09
  Speaker 1: to be treated like shit just because you had a
• 45:11
  Speaker 1: bad day and you haven't even said you're sorry. And
• 45:14
  Speaker 1: he says, I have said I'm sorry. I'm here, I'm apologizing,
• 45:18
  Speaker 1: and you're being rude to me, and that's the problem.
• 45:21
  Speaker 1: She goes, you know what, when you figure out how
• 45:23
  Speaker 1: a bat she said, that's what I hear. Yeah, that's
• 45:29
  Speaker 1: what I hear when she talks. And uh. In the
• 45:32
  Speaker 1: talk of edge, she's sitting. This is a different view
• 45:34
  Speaker 1: that we've seen from our upstairs. It seems like she's
• 45:36
  Speaker 1: sitting in a chair in her closet and like the
• 45:38
  Speaker 1: beds behind her. So we're seeing more of this space upstairs.
• 45:44
  Speaker 1: And she says, you know, I never even wanted to
• 45:46
  Speaker 1: get married again. I should have stuck with that plan.
• 45:48
  Speaker 1: Now I just feel foolish for bringing him here. We
• 45:51
  Speaker 1: don't believe you. We don't believe you. Don't believe you,
• 45:55
  Speaker 1: all right, that's it. Jessica and one also don't believe
• 46:00
  Speaker 1: they have any problems. But let's see what you think.
• 46:04
  Speaker 2: You think Meghan is fake, Meghan the doll that classes.
• 46:07
  Speaker 1: No, no, no, no, I think Megan is a real problem.
• 46:11
  Speaker 1: But I don't think Jessica and Juan care too much
• 46:13
  Speaker 1: about what Megan thinks.
• 46:15
  Speaker 2: Did I tell you Meghan was on pillow Talk? Did
• 46:17
  Speaker 2: you see it?
• 46:19
  Speaker 1: No? I haven't had chanced you. Why because they're putting
• 46:21
  Speaker 1: sister wives in between just the time to watch all that.
• 46:25
  Speaker 1: But maybe I'm watching this afternoon. I gotta catch up.
• 46:28
  Speaker 2: She tried to redeem her her entire personality because Tim
• 46:34
  Speaker 2: and Veronica called her like they were gonna go after her,
• 46:37
  Speaker 2: Like you could tell they were going to be like, girl, yeah,
• 46:40
  Speaker 2: are you in love with Jessica? What's happening? Why are
• 46:42
  Speaker 2: you like this? But instead she was just like started
• 46:45
  Speaker 2: giving gossip and tea about like one and Jessica's sex life,
• 46:50
  Speaker 2: like their romance, like she had like all the dirt
• 46:53
  Speaker 2: and how they met on the cruise and Jessica's ex
• 46:57
  Speaker 2: was there. They all got the crews together, which we
• 46:59
  Speaker 2: had known they bought it as but then they got
• 47:02
  Speaker 2: broke up and they were too into that. It was
• 47:05
  Speaker 2: like a distraction game, and they never asked her about
• 47:08
  Speaker 2: her personality and why she's like this, and then they
• 47:11
  Speaker 2: hung up and they were like she was great. She
• 47:13
  Speaker 2: was not what I expected, and I was like, good job, Megan,
• 47:17
  Speaker 2: used a distraction game, like with a toddler, and you
• 47:20
  Speaker 2: got them to not ask you about your crazy, weird
• 47:23
  Speaker 2: stocker personality, and now you came off looking great.
• 47:27
  Speaker 1: What does she say about their sex life?
• 47:29
  Speaker 2: She said, like it's hot and heavy and she knows everything,
• 47:33
  Speaker 2: and like I don't.
• 47:35
  Speaker 1: I can't die remember, I was disturbed.
• 47:40
  Speaker 2: And then it was more about the cruise too, how
• 47:42
  Speaker 2: they broke up or they met on this cruise and
• 47:45
  Speaker 2: how awkward it was. But yeah, I can't even remember.
• 47:50
  Speaker 2: That's how she's not interesting to me. And I was
• 47:52
  Speaker 2: waiting for Tim and Roonica to ask the hard hitting
• 47:55
  Speaker 2: questions are you in love with one? Are you in
• 47:57
  Speaker 2: love Jessica? Do you talk about them while you are
• 48:01
  Speaker 2: making love to your husband? What goes on in your
• 48:03
  Speaker 2: brain that makes you think it's okay to act like this?
• 48:07
  Speaker 2: And they never did, so good job, Megan, Good job Megan. Okay,
• 48:12
  Speaker 2: so we we open on the crying doved baby. It's
• 48:18
  Speaker 2: really focusing on the baby crying to underscore the fact
• 48:21
  Speaker 2: that jan is living in hell. Whatever the seventh Ring
• 48:26
  Speaker 2: of Hell is is a crying baby on an airplane
• 48:29
  Speaker 2: in the middle seat and the okay, thing they're serving
• 48:33
  Speaker 2: on the plane is watery mac and cheese soup. Oh okay,
• 48:38
  Speaker 2: did you see that episode or was that where you
• 48:40
  Speaker 2: were gone? I got it so And also the subtitles
• 48:45
  Speaker 2: on the screen say, baby cries hysterically.
• 48:51
  Speaker 1: To David he doesn't feel good.
• 48:53
  Speaker 2: Yeah, stopping such a hysterical baby, duve d so so hysterical,
• 48:59
  Speaker 2: just like a woman. So they go and they see
• 49:02
  Speaker 2: the wedding venue, which she is seen not in the winter,
• 49:05
  Speaker 2: but now they are going to go see in the
• 49:07
  Speaker 2: winter because they only have ninety days. So she said,
• 49:10
  Speaker 2: I don't really want to get married in the winter,
• 49:12
  Speaker 2: but that's what we're doing. It's going to be a
• 49:14
  Speaker 2: winter wonderland aka frozen hellscape theme that smells like kalmanure.
• 49:20
  Speaker 1: So you get married inside exactly.
• 49:23
  Speaker 2: So one comments as they're walking up, all the trees
• 49:27
  Speaker 2: are dead, and she goes, welcome to winter, and like
• 49:31
  Speaker 2: she's always like and.
• 49:33
  Speaker 1: Then she never, like you said, she never agrees, She
• 49:36
  Speaker 1: never says, oh, I know, it's not so great. She
• 49:38
  Speaker 1: always defends it like.
• 49:41
  Speaker 2: Which is not as a therapist, you're supposed to like
• 49:43
  Speaker 2: validate someone's I know she he's not her patient, but
• 49:47
  Speaker 2: like she does, she never validates his opinion and that's frustrating.
• 49:51
  Speaker 2: So then they do a lot of close ups of
• 49:54
  Speaker 2: the dirty ice on the ground, just to make they're
• 49:57
  Speaker 2: doing her town dirty. They really are, like ever since
• 50:01
  Speaker 2: the cowpoop focus, we are just it's sad. I'm sure
• 50:06
  Speaker 2: that town has some really good qualities, and.
• 50:08
  Speaker 1: I don't you. My nephew was living there for a
• 50:10
  Speaker 1: long time. He just moved, but he was living there
• 50:12
  Speaker 1: for a long time.
• 50:13
  Speaker 2: And did he say it smell like cowpoop?
• 50:15
  Speaker 1: Well he's a cowboy, so he wouldn't notice.
• 50:17
  Speaker 2: He doesn't smell.
• 50:18
  Speaker 1: Yeah, he doesn't smell it. But he said it's a
• 50:19
  Speaker 1: great little town.
• 50:20
  Speaker 2: Yeah, he doesn't mind having drive forty five minutes to
• 50:23
  Speaker 2: go bowling. I guess so they so they they go
• 50:29
  Speaker 2: up and the wedding they're like, oh, it's cold, it's
• 50:32
  Speaker 2: winter and all the trees are dead, and the wedding
• 50:35
  Speaker 2: venue lady is like, we're going to have a fire
• 50:38
  Speaker 2: pit on all night because your guests will be getting
• 50:41
  Speaker 2: hypothermia otherwise, So that's what we're trying to avoid. Everyone
• 50:45
  Speaker 2: will leave here with all their fingers and their toes
• 50:49
  Speaker 2: to cut it, lady, no, and then she's like, we
• 50:52
  Speaker 2: can make s'mores to prevent them from smelling the manure smell.
• 50:56
  Speaker 2: Maybe it will cut that. So and he's like, oh,
• 51:00
  Speaker 2: I've never had s'mores. And then he finally sees something
• 51:03
  Speaker 2: he likes. He goes, oh, that's a cool bar area,
• 51:06
  Speaker 2: and Jessica goes, we won't get to be at the
• 51:09
  Speaker 2: bar because we'll be taking pictures. It's like the one
• 51:12
  Speaker 2: thing he was excited about, Debbie Downer. God, and so
• 51:16
  Speaker 2: Wan is like, you know, I don't really care. It's
• 51:19
  Speaker 2: just a wedding. Weddings are more big for the woman.
• 51:22
  Speaker 2: It's not as big of a deal. But he actually
• 51:23
  Speaker 2: does care about some things. And every time he cares
• 51:27
  Speaker 2: about something, Jessica's like, we can't do that. Whatever. So
• 51:31
  Speaker 2: there's a gazebo outside and she's like, this is so
• 51:34
  Speaker 2: beautiful for Jessica's special day featuring Wan. And I know
• 51:38
  Speaker 2: that's a joke that all couples make. I know that's
• 51:40
  Speaker 2: a joke. I get it, but like it actually feels
• 51:43
  Speaker 2: real in this case.
• 51:45
  Speaker 1: And I just kind of feel sorry for him in
• 51:47
  Speaker 1: this scene.
• 51:48
  Speaker 2: I really do. So there it's you know, they're standing
• 51:52
  Speaker 2: outside where the ceremony is gonna be and the wedding.
• 51:55
  Speaker 2: The host goes, we're gonna have blankets for the guests.
• 51:58
  Speaker 2: We're gonna try to make them as comfortable as possible,
• 52:02
  Speaker 2: like a dog that you are gonna put down.
• 52:05
  Speaker 1: No, don't say that, Kimberly.
• 52:07
  Speaker 2: No, we're gonna make them as comfortable as possible. They're
• 52:11
  Speaker 2: going into hospice, yeah, and we're gonna yeah, and then
• 52:17
  Speaker 2: and if it's snows, we'll give the guests clear umbrellas
• 52:22
  Speaker 2: so they won't be just sitting out there in the snow.
• 52:26
  Speaker 2: Go inside, go inside, and poor one. He's just like,
• 52:32
  Speaker 2: thanks a lot, Thanks, that's great, Okay, clear umbrellas. That's
• 52:36
  Speaker 2: good to hear. Okay, great. It's just like constantly that
• 52:40
  Speaker 2: curb your enthusiasm music, and his thought bubble is, I've
• 52:44
  Speaker 2: made a huge mistake. And so he says, you know,
• 52:48
  Speaker 2: Colombian weddings are by the beach. It's a huge party party.
• 52:51
  Speaker 2: It's like a carnival, and like it's so fun and exciting,
• 52:55
  Speaker 2: and my family's coming from Colombia and it's not just
• 52:59
  Speaker 2: like young people, like old aunties and grannies and they're
• 53:02
  Speaker 2: gonna be like in the snow and they actually might
• 53:04
  Speaker 2: die because it's the old people that are going to
• 53:06
  Speaker 2: die first.
• 53:07
  Speaker 1: Yeah, go inside, go inside, it's easy.
• 53:09
  Speaker 2: And so and he's like, you know, we we have
• 53:12
  Speaker 2: laughing and drinking and carnival. And Jessica goes, well, we'll
• 53:16
  Speaker 2: have the laughing and the drinking, but not the carnival.
• 53:20
  Speaker 2: He's like, Okay, it's fine.
• 53:22
  Speaker 1: In here side of the venue. Let's see the inside
• 53:24
  Speaker 1: of the venue.
• 53:25
  Speaker 2: Let's go inside. He says, it's fine here. It's just
• 53:27
  Speaker 2: so American. It's nothing from my culture. And she is
• 53:31
  Speaker 2: so annoyed. She's like, what do you need to make
• 53:35
  Speaker 2: it feel more Colombian, Like she's sew not into this.
• 53:39
  Speaker 2: And he says, oh, well, there's this traditional Colombian white
• 53:43
  Speaker 2: shirt that you know we wear, but it'll be too
• 53:45
  Speaker 2: cold to wear, so I can't. I could wear it
• 53:48
  Speaker 2: like under my sweater, I guess. Like he's so sad,
• 53:51
  Speaker 2: and then the host goes, well, if it's like a
• 53:54
  Speaker 2: full on blizzard below, like sixty degrees below, we'll move
• 53:58
  Speaker 2: it inside. Basically like if the survivors of the Andes
• 54:02
  Speaker 2: plane crash start eating each other and like wrapping themselves
• 54:06
  Speaker 2: in the carcasses to stay warm. Then we will move
• 54:09
  Speaker 2: it inside. But other than that, we're staying outside. I
• 54:12
  Speaker 2: don't know, that's the best I can do for you.
• 54:14
  Speaker 1: Why can't they just have it aside and let him
• 54:16
  Speaker 1: wear his traditional shirt?
• 54:18
  Speaker 2: And I think because Jessica has imagined this outside, and.
• 54:24
  Speaker 1: She imagined it outside in the spring.
• 54:27
  Speaker 2: Right, but it's Jessica's day, so sorry, I forgot sorry. Also,
• 54:31
  Speaker 2: the chairs are all set outside the gazebo. Maybe the
• 54:34
  Speaker 2: inside isn't as big. I'm not sure. But the count's
• 54:39
  Speaker 2: she's like a marriage counselor the host of the venue,
• 54:42
  Speaker 2: is just like, that's all we can do. Okay, bye,
• 54:44
  Speaker 2: Can we continue the tour? And she kind of just
• 54:46
  Speaker 2: walks away. She's like done with their marriage problems. And
• 54:49
  Speaker 2: Jessica is so annoyed. She's like, we've been planning this
• 54:52
  Speaker 2: wedding for two years. Why is he just bringing it
• 54:54
  Speaker 2: up now? He could have told me earlier that he
• 54:57
  Speaker 2: wanted parts of his culture. Well you could have thought
• 55:00
  Speaker 2: about that too, though, like something to make your house
• 55:04
  Speaker 2: is covered with word art and nothing.
• 55:07
  Speaker 1: By the way, so well, this wedding, the whole wedding
• 55:10
  Speaker 1: is going to be coverage chatter. Yes, love, mister and missus.
• 55:15
  Speaker 2: Mister and missus, bride and groom, all of it. So
• 55:18
  Speaker 2: a sign that says there's no bride's side and groom side.
• 55:23
  Speaker 2: We're all in this together. Don't pick a side, pick
• 55:26
  Speaker 2: a chair or something, you know, one of those signs.
• 55:28
  Speaker 1: Yes, it's just gonna be. There's gonna be so many
• 55:30
  Speaker 1: instructional signs all over the place. Yes.
• 55:32
  Speaker 2: Yeah. So she's like, you know you, why didn't you
• 55:36
  Speaker 2: tell me this earlier? And he says it's just it
• 55:39
  Speaker 2: looked a little boring. It was brown and dead and
• 55:42
  Speaker 2: no colors. And she's like, well, we're gonna have flowers
• 55:45
  Speaker 2: and we're gonna have photos of us from our adventures.
• 55:48
  Speaker 2: And he says, okay, but I'm talking about my culture.
• 55:51
  Speaker 2: And I know you're trying to be positive, because that's
• 55:55
  Speaker 2: she's trying to, like always put a positive spim. But
• 55:57
  Speaker 2: it negates his feelings. Why can't you listen to me?
• 56:00
  Speaker 2: Why don't they do music? They could do Colombian music
• 56:03
  Speaker 2: for something like that. He said it, yeah, and he's like,
• 56:07
  Speaker 2: I'm stressed. I can't work. And then he tells us
• 56:10
  Speaker 2: that he got a call from the cruise ship offering
• 56:13
  Speaker 2: him a job and he hasn't told her yet. Oh boy.
• 56:16
  Speaker 2: So then he goes to the get Fit Jim G
• 56:21
  Speaker 2: I T get oh it?
• 56:23
  Speaker 1: Does it?
• 56:24
  Speaker 2: Get g? I D get fit, get fit give it? Uh.
• 56:29
  Speaker 2: And so I've never seen him so happy walking into
• 56:32
  Speaker 2: a gym.
• 56:33
  Speaker 1: He's like, Hi, let's work out.
• 56:35
  Speaker 2: Like he's so excited, Like he's smiling, like he never
• 56:37
  Speaker 2: smiles at home. And he says he loves working out.
• 56:41
  Speaker 2: When he was a skinny, ugly teenager, no, none of
• 56:44
  Speaker 2: the girls wanted him, and now the ladies love him
• 56:47
  Speaker 2: after he started working out, so he loves.
• 56:49
  Speaker 1: It, okay.
• 56:50
  Speaker 2: And he's meeting his gym partner, Herbie, Megan's long suffering husband,
• 56:56
  Speaker 2: and she he says, I've become great friends with Herbie,
• 57:01
  Speaker 2: even though his wife is a little bit crazy.
• 57:04
  Speaker 1: Yes, his wife is a demon, but that's okay.
• 57:06
  Speaker 2: Yeah, but she's a doll that comes to life and
• 57:08
  Speaker 2: then flosses and then kills you. But it's fine. I
• 57:11
  Speaker 2: really like him. So they're friends, and Herbie is actually
• 57:15
  Speaker 2: planning his bachelor party. They're going to Deadwood, which is
• 57:19
  Speaker 2: a gambling and party town, and I was like, we'll
• 57:22
  Speaker 2: see okay, listen he'll feel like he's back on the boat. Yeah,
• 57:28
  Speaker 2: is it? Is it? Or is it like sad like
• 57:30
  Speaker 2: in a strip mall. I don't know if I gotta
• 57:32
  Speaker 2: find out.
• 57:33
  Speaker 1: Either way, it's more exciting than having to drop forty feministible.
• 57:36
  Speaker 2: Yeah, great point. So Wan says, you know, I wish
• 57:39
  Speaker 2: I could work sooner, and Herbie says, well, once you're
• 57:42
  Speaker 2: allowed to, it's easy to find a job here, but
• 57:44
  Speaker 2: you might not like them. It's farming, it's ranching. You're
• 57:47
  Speaker 2: going to be covered in poop all day long. And
• 57:50
  Speaker 2: also it's zero degrees outside and you're going to have
• 57:52
  Speaker 2: to be standing in frozen cow poop? Is that appealing
• 57:55
  Speaker 2: to you? And Want's like, couldn't I get a bartending job?
• 58:00
  Speaker 2: And Herbie's like, you're not going to find a bartending
• 58:02
  Speaker 2: job here, and even if you did, you're not gonna
• 58:04
  Speaker 2: get good tips like you do on the cruise ship. Right,
• 58:07
  Speaker 2: And so Wan says, you know, Wan tells us about
• 58:10
  Speaker 2: his passion for cruising. It wasn't just a job. It
• 58:14
  Speaker 2: made him feel complete. Cruising you complete, wand and it's
• 58:20
  Speaker 2: very beautiful. He talks about it in a way he
• 58:23
  Speaker 2: never talks about.
• 58:24
  Speaker 1: Jessica okay, I gulds okay. True, he loves cruising. He
• 58:31
  Speaker 1: loves to cruise. He I had my AC guy came
• 58:35
  Speaker 1: today to like do like a summer check up on
• 58:37
  Speaker 1: the air conditioner, and I said, I've just been in
• 58:39
  Speaker 1: Puerto Rico and whatever he goes, I'm going to Mexico
• 58:41
  Speaker 1: student on a cruise and literally I screamed. I was like,
• 58:44
  Speaker 1: I love dacruise. I was like, oh, simmer down, lady, lady,
• 58:50
  Speaker 1: not minded. I love da cruiz tes.
• 58:52
  Speaker 2: That's how Wan is. He's like he loves the sights,
• 58:56
  Speaker 2: the smells, the people, the excitement, the friendships, the camaraderie,
• 59:00
  Speaker 2: the loud, pulsing music and the drunken, sticky floors and
• 59:04
  Speaker 2: like he just loves it. And like he never talks
• 59:07
  Speaker 2: about Jessica or the family that way, and it makes
• 59:09
  Speaker 2: me sad. I feel bad for her too, but she
• 59:14
  Speaker 2: I feel bad for her too. That's she got bagnant
• 59:16
  Speaker 2: with the guy she met on the cruise.
• 59:17
  Speaker 1: I mean, I.
• 59:19
  Speaker 2: Yeah, and he should have wrapped it up too, Like
• 59:21
  Speaker 2: I blame both of them for that.
• 59:22
  Speaker 1: Total.
• 59:24
  Speaker 2: So he wishes he could take another contract and save money,
• 59:27
  Speaker 2: but Jessica would not like that and Herbie's like, yeah,
• 59:31
  Speaker 2: if you did that, you'd believing her and the baby
• 59:34
  Speaker 2: and the word art and she'd have to take care
• 59:36
  Speaker 2: of all of it and be the parent. You know.
• 59:38
  Speaker 2: She would not like that. And He's like, wait till
• 59:42
  Speaker 2: I get home and tell Meghan this gossip. She will
• 59:46
  Speaker 2: murder one should I tell her.
• 59:48
  Speaker 1: I think about that.
• 59:49
  Speaker 2: He's like, what if I'm in the doghouse with Megan
• 59:52
  Speaker 2: about something, I'm gonna save this bit of gossip for
• 59:55
  Speaker 2: when I'm in the doghouse and then I can get
• 59:58
  Speaker 2: He'll be like, you can't be mad at me because
• 1:00:00
  Speaker 2: I have hot goss. And it's another reason for you
• 1:00:04
  Speaker 2: to hate Wan, which I know is the blood of
• 1:00:08
  Speaker 2: young innocence that keeps you alive. Is hating Wan, And
• 1:00:12
  Speaker 2: so he is going to come home. He's he's saving this,
• 1:00:15
  Speaker 2: I think for a rainy day.
• 1:00:17
  Speaker 1: I wonder if Wan actually made this up to test,
• 1:00:21
  Speaker 1: just like they're doing on the valley right now, to
• 1:00:24
  Speaker 1: test if Herbie's really his friend, or if he'll tell
• 1:00:27
  Speaker 1: Megan who will Megan?
• 1:00:29
  Speaker 2: Yeah, very smart. I love that idea. So yeah, exactly so,
• 1:00:37
  Speaker 2: But why would you want to blow up his one
• 1:00:38
  Speaker 2: friendship in America? One friend. It's so sad.
• 1:00:42
  Speaker 1: Well, he needs his one friend is attached to his
• 1:00:47
  Speaker 1: mortal enemy, so I don't know.
• 1:00:48
  Speaker 2: Right his one friend could be a spy basically, so
• 1:00:53
  Speaker 2: you have to find out if that person is a
• 1:00:54
  Speaker 2: spy for the enemy team, so he says, so I
• 1:01:00
  Speaker 2: actually never he tells us, I never actually quit after
• 1:01:03
  Speaker 2: my last contract because I thought I'll leave the door
• 1:01:07
  Speaker 2: open in case I didn't find a job in America.
• 1:01:10
  Speaker 2: He doesn't say in case it didn't work out with Jessica.
• 1:01:13
  Speaker 2: He is in case I couldn't find a job here,
• 1:01:16
  Speaker 2: and my boss has been reaching out, and I told
• 1:01:18
  Speaker 2: him that I can't work now because this work permit thing,
• 1:01:21
  Speaker 2: because I guess now that he's living in America on
• 1:01:24
  Speaker 2: that visa. He needs the American work permit, so he
• 1:01:28
  Speaker 2: can't go to work on the cruise ship yet, but
• 1:01:30
  Speaker 2: once it comes through he would be into that. And
• 1:01:34
  Speaker 2: he said, I know Jessica will be sad, but I'm
• 1:01:37
  Speaker 2: miserable here not working and staying home with the kids.
• 1:01:40
  Speaker 2: And I'm also just miserable here. And I don't think
• 1:01:45
  Speaker 2: I don't think the job is it's an issue, but
• 1:01:48
  Speaker 2: I don't think it's the main issue. I think you're
• 1:01:50
  Speaker 2: miserable there.
• 1:01:51
  Speaker 1: I think he's miserable being a say to home dad.
• 1:01:53
  Speaker 1: I think if he could get a job at one
• 1:01:56
  Speaker 1: of the restaurants and be the bartender and have his
• 1:02:00
  Speaker 1: customers and all that, then he would he would feel
• 1:02:03
  Speaker 1: more part of the community.
• 1:02:05
  Speaker 2: Yeah, maybe, Like I don't think there's a Colombian restaurant,
• 1:02:08
  Speaker 2: but like there's a Mexican restaurant, so you know, he
• 1:02:11
  Speaker 2: could do make guacamole at the table and talk to
• 1:02:15
  Speaker 2: the people and like, you know, schmooze. Like I think
• 1:02:17
  Speaker 2: he loves that like interaction because he was like one
• 1:02:20
  Speaker 2: of the party guys on the boat.
• 1:02:22
  Speaker 1: You know, he used to be like the tom cruise
• 1:02:24
  Speaker 1: and cocktail like shaking the cocktails doing that thing. Yeah,
• 1:02:27
  Speaker 1: all the cross He's cute and all that. Yeah.
• 1:02:29
  Speaker 2: Yeah, So if there is a place with that sort
• 1:02:32
  Speaker 2: of scene, yeah, that could be just anything like any scene.
• 1:02:37
  Speaker 2: But also, like I think they only have one car.
• 1:02:40
  Speaker 2: Is she going to be like taking him? She also works,
• 1:02:43
  Speaker 2: then who's going to watch the baby? I don't know
• 1:02:45
  Speaker 2: how this works. Do they get a babysitter like Megan? Yeah?
• 1:02:52
  Speaker 2: Is it Megan also a therapist? Though I guess yes,
• 1:02:55
  Speaker 2: that's terrifying. So also I saw in reddits someone posted
• 1:03:00
  Speaker 2: the website for their group, their therapy like company.
• 1:03:05
  Speaker 1: Were they in the same group.
• 1:03:07
  Speaker 2: Yes, And the photos are just not professional, like people
• 1:03:13
  Speaker 2: were making fun of them, like it just looked very
• 1:03:15
  Speaker 2: like put together by it, like an like me intern
• 1:03:21
  Speaker 2: or like me. I was gonna say, a young person
• 1:03:24
  Speaker 2: that was like, actually, a young person would make a
• 1:03:27
  Speaker 2: way better website than an old person like us. It
• 1:03:30
  Speaker 2: would be like but like one of the photos the
• 1:03:33
  Speaker 2: ladies in Shadow, it's like she's in witness protection or something,
• 1:03:36
  Speaker 2: and I'm like it because it's like meet our team,
• 1:03:39
  Speaker 2: you know, and it has a picture of a therapist.
• 1:03:41
  Speaker 2: And like one of the pic I think the picture
• 1:03:43
  Speaker 2: of Jessica is from like it does not look like her,
• 1:03:47
  Speaker 2: Like I don't even know if it was her, or
• 1:03:48
  Speaker 2: it's from twenty years ago, Like she already.
• 1:03:52
  Speaker 1: Looks super young. So if it was from she's in high.
• 1:03:55
  Speaker 2: School, or it's like photoshop to hell, or it wasn't
• 1:03:58
  Speaker 2: even her. Maybe to Jessica at the place, I don't know,
• 1:04:03
  Speaker 2: but it was very funny. So then Herbie gives him
• 1:04:07
  Speaker 2: good advice and he's like, you just need to talk
• 1:04:09
  Speaker 2: to Jessica about this. It's not going to go well,
• 1:04:12
  Speaker 2: but more fodder for me to tell my wife about.
• 1:04:15
  Speaker 1: So good luck, keep the hot goss coming.
• 1:04:18
  Speaker 2: Yeah, yeah, but I do like their romance, like I
• 1:04:21
  Speaker 2: do think that I'm glad he has a friend at least,
• 1:04:23
  Speaker 2: even if he is me.
• 1:04:24
  Speaker 1: Ty like, because we've only seen those all those girls
• 1:04:28
  Speaker 1: now which just alike with the blonde hair. It's like
• 1:04:30
  Speaker 1: Megan and they and criticize him. Yeah, yeah, yeah, I'm
• 1:04:34
  Speaker 1: glad he's got Herbie, which is hard to say. It's
• 1:04:37
  Speaker 1: like Herbie Hancock. I guess Herbie Hancock. Yeah, Herby. Don't
• 1:04:43
  Speaker 1: hear that very often? All right, will note like glad.
• 1:04:50
  Speaker 1: We'll move on to uh, Sean and Aliyah. So they're
• 1:04:55
  Speaker 1: rack from Sonoma County. Now. I didn't see any of this,
• 1:04:57
  Speaker 1: se I just saw a flash from last week on
• 1:05:00
  Speaker 1: or whatever, because I heard you and Matt talking about
• 1:05:03
  Speaker 1: her dress looked like a potato sack or something. But
• 1:05:06
  Speaker 1: then I saw the flashbacks, and I only saw from here,
• 1:05:09
  Speaker 1: so I couldn't tell it didn't look terrible.
• 1:05:11
  Speaker 2: I thought it looked like like a seventies Barber streisand
• 1:05:15
  Speaker 2: kind of number. It had no shape to it. It
• 1:05:20
  Speaker 2: was very much just like a straight down and then
• 1:05:24
  Speaker 2: feathers all along the bottom.
• 1:05:26
  Speaker 1: Maybe it was maybe she broke the glass and took
• 1:05:29
  Speaker 1: that barbage. Yes, she was like two days the day
• 1:05:34
  Speaker 1: I've watched All of a Star is born. Can I
• 1:05:36
  Speaker 1: wear it? Can I wear it? Yeah?
• 1:05:38
  Speaker 2: You know, it's kind of like the style that Sabrina
• 1:05:40
  Speaker 2: Carpenter wears when she performs, which is also fairly shapeless.
• 1:05:44
  Speaker 2: It's like a nightie almost yeah, yeah, yeah, with the
• 1:05:47
  Speaker 2: feathers on the bottom. And I think so that's maybe
• 1:05:50
  Speaker 2: why I'm thinking it's like sixties, like, yeah, that sort
• 1:05:53
  Speaker 2: of I love that kind of a dress though, I love.
• 1:05:56
  Speaker 2: I love a shift dress.
• 1:05:57
  Speaker 1: With no shape. I don't want to sense.
• 1:05:59
  Speaker 2: You I want to.
• 1:06:00
  Speaker 1: I don't want to.
• 1:06:00
  Speaker 2: I want to be able to eat.
• 1:06:02
  Speaker 1: I don't want a body con. I don't want to
• 1:06:04
  Speaker 1: dash nothing, nothing around the gut area. So Sean Italy
• 1:06:10
  Speaker 1: is so the back from Sonoma County and the wedding
• 1:06:12
  Speaker 1: is less than a month away. So they're gonna be
• 1:06:15
  Speaker 1: dazzle outfits for Max because Max has to have a
• 1:06:18
  Speaker 1: costume change. Maxwell the dog and they go outside to
• 1:06:23
  Speaker 1: look at it, and Aliah's like, oh my God, you
• 1:06:26
  Speaker 1: have everything here. She's so excited because she loves the
• 1:06:28
  Speaker 1: crafts she loves.
• 1:06:29
  Speaker 2: I wish he had taken her to Joe Ann's and
• 1:06:33
  Speaker 2: they could have shopped together. I think she would have
• 1:06:35
  Speaker 2: loved a Joe ants, yeah.
• 1:06:36
  Speaker 1: I don't know if he just this is just his
• 1:06:38
  Speaker 1: crafting basket that already had.
• 1:06:40
  Speaker 2: He might have he might have already had that. That's interesting.
• 1:06:45
  Speaker 2: So he says, how are you feeling? And and then
• 1:06:48
  Speaker 2: he says, so you're the wedding so closeure you're having
• 1:06:50
  Speaker 2: second thoughts. And she kind of like this, I think
• 1:06:53
  Speaker 2: you've got to save crafting time for fun time and
• 1:06:56
  Speaker 2: save the serious conversations for I don't know. On this
• 1:07:00
  Speaker 2: show they do it like over meal time. I also
• 1:07:02
  Speaker 2: don't like that. I don't want to ruin my meal
• 1:07:04
  Speaker 2: with a serious conversation, and I don't want to ruin
• 1:07:07
  Speaker 2: my crafting with a serious conversation.
• 1:07:09
  Speaker 1: I see it. Well, they had to kill two birds
• 1:07:11
  Speaker 1: with my stone. So he says, you have a second thought.
• 1:07:15
  Speaker 1: So she doesn't understand that phrase. So he says it
• 1:07:17
  Speaker 1: means like, are you thinking you want to make a
• 1:07:20
  Speaker 1: different answer, and she gets really quiet. He's like, okay, well,
• 1:07:23
  Speaker 1: don't like takes so long to give the answer, and
• 1:07:26
  Speaker 1: she says, no, I don't think I'm doing anything wrong.
• 1:07:30
  Speaker 1: I don't think I'm making the wrong decision. But we
• 1:07:33
  Speaker 1: still have some things to figure out. You know, I
• 1:07:35
  Speaker 1: feel very insecure because I'm working on my transition. And
• 1:07:39
  Speaker 1: I think that because I feel so insecure, it affects
• 1:07:42
  Speaker 1: our relationship, and he kind of says yes, and she
• 1:07:45
  Speaker 1: says it affects our intimacy, and she says, so sometimes
• 1:07:48
  Speaker 1: I feel insecure because I don't like the way I look.
• 1:07:51
  Speaker 1: I don't feel like I look like myself, and so
• 1:07:53
  Speaker 1: that's hard for me to be intimate. And she says,
• 1:07:56
  Speaker 1: I want to give you an amazing sex life and
• 1:07:59
  Speaker 1: be very happy, but at the same time, I'm trying
• 1:08:02
  Speaker 1: to complete myself and feel like myself. So I feel
• 1:08:05
  Speaker 1: like I need to do these physical changes to feel
• 1:08:08
  Speaker 1: less insecure. She says, I really want to move forward
• 1:08:12
  Speaker 1: and with the transition, and I've made an appointment with
• 1:08:14
  Speaker 1: this doctor that I found. So Sean says that the talking
• 1:08:19
  Speaker 1: head she's been doing a lot of research she's been here,
• 1:08:22
  Speaker 1: which is fine, but she doesn't talk to me about
• 1:08:25
  Speaker 1: much of it. She does the research doesn't talk to
• 1:08:28
  Speaker 1: me about it, and it's a little concerning. I'm trying
• 1:08:31
  Speaker 1: to roll with it, but there's going to be a
• 1:08:33
  Speaker 1: limit to what I'm comfortable with, and I want her
• 1:08:36
  Speaker 1: to be comfortable in her life, but I don't know
• 1:08:39
  Speaker 1: if the marriage would survive it, which I think is again,
• 1:08:42
  Speaker 1: it's honest. It's an honest thing.
• 1:08:43
  Speaker 2: That's it's not there's no enemy here. It's just a
• 1:08:48
  Speaker 2: hard It's a tricky situation. Who's paying for all these surgeries?
• 1:08:54
  Speaker 2: I have questions about I'm I feel like I'm assuming
• 1:08:58
  Speaker 2: he would be he is Also if there is a line,
• 1:09:02
  Speaker 2: like if he doesn't, if there is a limit, like
• 1:09:05
  Speaker 2: he doesn't want, you know, gender affirming surgery like or whatever,
• 1:09:11
  Speaker 2: like if he's fine with like a brow thing, and
• 1:09:13
  Speaker 2: then that's it. Yeah, you know, like they need to
• 1:09:16
  Speaker 2: discuss this, go for the wedding. Yeah, but she might
• 1:09:20
  Speaker 2: not know what she's comfortable with right now. She might
• 1:09:23
  Speaker 2: want She might be okay now, but then in several
• 1:09:26
  Speaker 2: years she might want more surgeries.
• 1:09:29
  Speaker 1: Yeah. Yeah. So she says, you know, I want to
• 1:09:32
  Speaker 1: talk to the doctor about the precediments and the hormone therapy,
• 1:09:38
  Speaker 1: and he goes, okay, good, that's I think you should
• 1:09:41
  Speaker 1: get some information. And she says but and he says,
• 1:09:45
  Speaker 1: should I go with you to the appointment? And she says, yes,
• 1:09:47
  Speaker 1: I want you to go to talk about the proceedments,
• 1:09:50
  Speaker 1: and so he goes, okay, procedures, but she says he's trying.
• 1:09:56
  Speaker 1: He's trying, but you could tell he's.
• 1:09:57
  Speaker 2: Because last week they did have a conversation and like
• 1:10:01
  Speaker 2: quite a long conversation about like she doesn't like being
• 1:10:04
  Speaker 2: made fun of, and he makes fun of her a lot,
• 1:10:06
  Speaker 2: like hurt the way she talks and like her phrases,
• 1:10:10
  Speaker 2: and that she doesn't understand his you know, nineteen forties
• 1:10:14
  Speaker 2: references and like, so, yeah, I hope he takes that
• 1:10:19
  Speaker 2: into consideration in the future.
• 1:10:21
  Speaker 1: I felt like he was trying to not every time
• 1:10:24
  Speaker 1: she said proceedments to say proceedures. So he only said
• 1:10:26
  Speaker 1: it once, he said, but she didn't pick up on it,
• 1:10:31
  Speaker 1: and so he was like, Okay, she's going to say
• 1:10:33
  Speaker 1: proceedments and it's fine. Yeah. So they go to the
• 1:10:36
  Speaker 1: doctor and this is a doctor that specializes in transgender
• 1:10:41
  Speaker 1: people that want to change, you know, either way, And
• 1:10:43
  Speaker 1: I felt like she did enough research because this doctor
• 1:10:46
  Speaker 1: seemed very knowledgeable and very loving and sweet. Yeah, so
• 1:10:52
  Speaker 1: the doctor says. So they sit down, and the first
• 1:10:55
  Speaker 1: thing is the doctor asked, Sean, so, how are you
• 1:10:58
  Speaker 1: feeling about all of this? Which is an interesting take
• 1:11:01
  Speaker 1: too because and I'm glad the doctor did that, because
• 1:11:03
  Speaker 1: the doctor is recognizing it's more than just the person.
• 1:11:06
  Speaker 1: It's affecting everybody around them for various reasons. So he says,
• 1:11:12
  Speaker 1: I'm just here. I just want to support her no
• 1:11:14
  Speaker 1: matter what, which it's not true that it's not the
• 1:11:16
  Speaker 1: truest what he just told us. So Elia says, right now,
• 1:11:21
  Speaker 1: her main concern really is this browbone. She wants to
• 1:11:24
  Speaker 1: get the browbone shaved down, and she wants breast implants.
• 1:11:29
  Speaker 1: So the doctor says, what have you thought about breast
• 1:11:31
  Speaker 1: and plants and hands her like a little silicone thing.
• 1:11:34
  Speaker 1: And the funniest thing, Sean's like when you're putting your
• 1:11:36
  Speaker 1: hands on your boob, So you want it to be
• 1:11:38
  Speaker 1: like this or like this or like this or like this.
• 1:11:40
  Speaker 1: It's like, my gosh, she's not Larissa gosh. Yeah, and
• 1:11:45
  Speaker 1: she's like, I don't know, I haven't thought about it.
• 1:11:46
  Speaker 2: You, Sophie. Those looked so painful at the reunion. It
• 1:11:50
  Speaker 2: just looks so tight. The skin is tight.
• 1:11:52
  Speaker 1: It's just like Dereet on Beverly Hills when she first
• 1:11:56
  Speaker 1: got him. I was like, oh, the skin looks like
• 1:11:58
  Speaker 1: it's just like I asked, been.
• 1:11:59
  Speaker 2: Too jas it feels so painted. Oh, I can like
• 1:12:03
  Speaker 2: feel my skin stretching them.
• 1:12:05
  Speaker 1: Talking ahead, Sean's like, I've never been a boob guy,
• 1:12:10
  Speaker 1: was never really a boob guy, and now I'm kind
• 1:12:12
  Speaker 1: of a peck guy and more of a butt guy.
• 1:12:15
  Speaker 1: So all of this could be a transition for me.
• 1:12:18
  Speaker 1: And Okay. In the talking head, they talk about if
• 1:12:23
  Speaker 1: they were to do genital surgery, because she was saying
• 1:12:26
  Speaker 1: that the other surgery, and so the doctor says, it
• 1:12:28
  Speaker 1: would be genital surgery. Let's just call it what it is.
• 1:12:31
  Speaker 1: How it would work. She explains how you take this skin,
• 1:12:36
  Speaker 1: make this, make that. And I'm not a doctor, and
• 1:12:40
  Speaker 1: Eliah says, oh gosh. She's like, all of this is
• 1:12:42
  Speaker 1: so new for me. Information. I just want the information.
• 1:12:45
  Speaker 1: And the doctor says, absolutely, that's what you should be
• 1:12:47
  Speaker 1: doing before you do anything. You need to gather the information.
• 1:12:49
  Speaker 1: You need to think about it. And the doctor says
• 1:12:52
  Speaker 1: the nicest thing, which I really loved. She says, remember
• 1:12:56
  Speaker 1: the surgery is not what is making you a woman.
• 1:12:59
  Speaker 1: You're already a woman, and it's not the surgery. It
• 1:13:02
  Speaker 1: was really nice, and she says.
• 1:13:03
  Speaker 2: Because there are lots of trans people who cannot afford
• 1:13:06
  Speaker 2: surgery and may and some don't want it and some
• 1:13:09
  Speaker 2: don't want it, and so it's whatever you are comfortable
• 1:13:14
  Speaker 2: with and you work on yourself too, insight and I think.
• 1:13:18
  Speaker 1: Faith of faith. And Lauren said she didn't want the
• 1:13:21
  Speaker 1: blow the way surgery. So I love that she said that,
• 1:13:25
  Speaker 1: you know you're already a woman. There's no right answer here,
• 1:13:28
  Speaker 1: there's no right choice. Whatever you choose will be the
• 1:13:31
  Speaker 1: right choice for you, which I loved. So talking to Hed,
• 1:13:34
  Speaker 1: Sean says, I do want to know where this is going,
• 1:13:38
  Speaker 1: because if she's planning to fully transition, I feel like
• 1:13:42
  Speaker 1: I need to know because I fell in love with
• 1:13:44
  Speaker 1: a man, and slowly every piece of that person is disappearing.
• 1:13:49
  Speaker 1: And I don't know if what Sean is really trying
• 1:13:51
  Speaker 1: to say is if she gets rid of the penis,
• 1:13:55
  Speaker 1: then that's the line for me. Yeah, I don't And
• 1:13:59
  Speaker 1: I don't know if he wants to say that. I
• 1:14:01
  Speaker 1: don't know if he's afraid to say that. But it
• 1:14:03
  Speaker 1: kind of seems like that's what he's saying.
• 1:14:04
  Speaker 2: The thing is like what the doctor said, like you
• 1:14:07
  Speaker 2: are a woman on the inside, you are a woman.
• 1:14:09
  Speaker 2: So like Aliyah is a woman, and you just said
• 1:14:13
  Speaker 2: like you kind of would rather be with a man.
• 1:14:17
  Speaker 2: And so even if she doesn't have those surgeries.
• 1:14:20
  Speaker 1: Like she presents as a woman.
• 1:14:23
  Speaker 2: Yes, she presents and feels in her soul that she
• 1:14:26
  Speaker 2: is a woman, and so you can't keep bringing up
• 1:14:29
  Speaker 2: At least he's not saying the dead name, like he's
• 1:14:31
  Speaker 2: not said that. He's just good, Yes, he learned, but like, yeah,
• 1:14:36
  Speaker 2: I think I think the penis is like an important
• 1:14:39
  Speaker 2: part for him because he could like deal with like
• 1:14:42
  Speaker 2: boobs and he could deal with like more feminine features.
• 1:14:45
  Speaker 2: But maybe he really likes I don't know, it's it's
• 1:14:51
  Speaker 2: very complicated.
• 1:14:52
  Speaker 1: It's very complicated. I will be interested to see if
• 1:14:54
  Speaker 1: she does this browbone thing, because I think what we've
• 1:14:56
  Speaker 1: seen for her on the internet, I don't think she's
• 1:15:00
  Speaker 1: done it. We did see Chloe.
• 1:15:05
  Speaker 2: Yeah, Chloe, I just did it preast right, she just
• 1:15:08
  Speaker 2: did it. I can't I can't wait to watch that episode.
• 1:15:11
  Speaker 2: I love Chloe.
• 1:15:13
  Speaker 1: She houston to do it. She like went to Houston, Texas,
• 1:15:16
  Speaker 1: like that was the doctor she found, like she was
• 1:15:17
  Speaker 1: in London. Yeah, okay, let's move on to Mark and
• 1:15:23
  Speaker 1: Mina and Martini pat.
• 1:15:27
  Speaker 2: So they got back to New Hampshire and immediately Mark
• 1:15:31
  Speaker 2: took a five day flying job.
• 1:15:34
  Speaker 1: Good for him, Good for him.
• 1:15:36
  Speaker 2: Yeah. So she's now bored at home with the baby
• 1:15:39
  Speaker 2: in the old person house that smells like old man farts.
• 1:15:42
  Speaker 2: And I'm just like guessing.
• 1:15:44
  Speaker 1: The man's got to work. I mean, I've been good
• 1:15:45
  Speaker 1: for him, Like he's got to work.
• 1:15:47
  Speaker 2: He does have to work. He has to pay for
• 1:15:49
  Speaker 2: all those clothes she bought at this that closing shop.
• 1:15:52
  Speaker 2: But like she's bored, she's at home. She's wandering around
• 1:15:57
  Speaker 2: the house. She's looking at the family photos with the
• 1:16:00
  Speaker 2: X in them, and she said, I feel like she's
• 1:16:02
  Speaker 2: watching me, like her eyes follow me everywhere I go.
• 1:16:06
  Speaker 2: So she just starts taking down the photos and then
• 1:16:09
  Speaker 2: she starts analyzing every single photo he has, like going
• 1:16:13
  Speaker 2: through like loosely photos and like photo albums. She's like
• 1:16:16
  Speaker 2: pulling out everything and she's we see photos of a
• 1:16:19
  Speaker 2: young Mark flying, George Bush, the og George Bush, and
• 1:16:25
  Speaker 2: I think Dick Cheney. It was very fast. It was
• 1:16:27
  Speaker 2: an old white man that looked like Darth Vader. I
• 1:16:30
  Speaker 2: think it was Dick Cheney. And so then there's a photo.
• 1:16:34
  Speaker 2: It's just my favorite scene ever. So she looks at
• 1:16:37
  Speaker 2: this photo. Mark is wearing a face mask, like pandemic
• 1:16:41
  Speaker 2: style face mask with a woman who's also wearing a
• 1:16:45
  Speaker 2: face mask, and she meanas like, who is this woman? Maria,
• 1:16:49
  Speaker 2: like she talks to the baby. Do you know who
• 1:16:51
  Speaker 2: this woman is with Mark? Who is this woman? It's
• 1:16:56
  Speaker 2: Kamala She Now, I don't know much about French politics,
• 1:17:02
  Speaker 2: so I'm not judging at all. I know Macron, Emmanuel Macron,
• 1:17:07
  Speaker 2: but I wouldn't know, like, do.
• 1:17:10
  Speaker 1: You know about his wife?
• 1:17:11
  Speaker 2: Him?
• 1:17:11
  Speaker 1: You know about his wife?
• 1:17:13
  Speaker 2: I don't know much about his wife.
• 1:17:14
  Speaker 1: No, Okay, well his wife was his teacher, and I
• 1:17:18
  Speaker 1: believe she's like thirty years older than him.
• 1:17:21
  Speaker 2: I did see something like, yeah, like I have seen
• 1:17:24
  Speaker 2: like age difference pop up, So I'm gonna need to
• 1:17:28
  Speaker 2: look into that.
• 1:17:29
  Speaker 1: It was a grooming situation.
• 1:17:30
  Speaker 2: Continue, Okay, it's like that one actor that was is
• 1:17:35
  Speaker 2: dating the manager and they have a child together. But
• 1:17:38
  Speaker 2: he was like eighteen when she first signed him, and.
• 1:17:42
  Speaker 1: Yeah, now they have I know exactly what you're talking about, yes.
• 1:17:45
  Speaker 2: And she's like forty forty eight or something. I don't know.
• 1:17:49
  Speaker 2: I don't know his name, but people are concerned online.
• 1:17:53
  Speaker 2: So anyway, she's like, who is this one? Who is
• 1:17:57
  Speaker 2: this and then she leaves out the photo and she's like,
• 1:18:00
  Speaker 2: Mark is going to have to explain to me when
• 1:18:01
  Speaker 2: he gets home who this woman is. And they keep
• 1:18:04
  Speaker 2: doing a close up the vice president of the Yeah,
• 1:18:07
  Speaker 2: it was so funny. So she's going to see Martini Pat.
• 1:18:12
  Speaker 2: She's been invited to join her crochet club. And she
• 1:18:17
  Speaker 2: goes outside which with the baby, and we see a
• 1:18:20
  Speaker 2: huge turkey walking around outside. Beautiful. Why do people kill
• 1:18:24
  Speaker 2: those birds? Gorgeous? So also that's just how remote they
• 1:18:28
  Speaker 2: are that a turkey is just like, hey, I'm just
• 1:18:30
  Speaker 2: crossing the street.
• 1:18:32
  Speaker 1: To not find turkeys to be attractive those feathers.
• 1:18:37
  Speaker 2: Okay, turkey. I think it was a turkey. Maybe it
• 1:18:43
  Speaker 2: was a peacock. I think it was a turkey.
• 1:18:45
  Speaker 1: It was a peacock.
• 1:18:47
  Speaker 2: Yeah, So she calls Mark because she's forgotten how to
• 1:18:51
  Speaker 2: get to Martini Pat's house. There's not a lot of
• 1:18:54
  Speaker 2: homes around there, it's like one road. And then like
• 1:18:57
  Speaker 2: maybe a house and then you have to like go
• 1:18:59
  Speaker 2: half mile there's like another house. It's very pretty, but
• 1:19:03
  Speaker 2: also like where Slasher films take place.
• 1:19:06
  Speaker 1: These homes have garages for airplanes. You have to be
• 1:19:11
  Speaker 1: spaced pretty far apart.
• 1:19:12
  Speaker 2: Yeah. Yeah, but like here in southern California, you are
• 1:19:16
  Speaker 2: like an inch from your next door neighbors.
• 1:19:18
  Speaker 1: Yeah.
• 1:19:18
  Speaker 2: So yeah, I would prefer this, but I would also
• 1:19:22
  Speaker 2: be scared at night, and I would have an alarm system.
• 1:19:24
  Speaker 2: So the all that she goes to the house, he
• 1:19:27
  Speaker 2: helps her find it. He's like in French, like I
• 1:19:29
  Speaker 2: don't know where you are, but like three houses go
• 1:19:33
  Speaker 2: to the left, like there's Keepe walking like I don't
• 1:19:36
  Speaker 2: know where you are. So it's like what my mom
• 1:19:39
  Speaker 2: calls me and is like, how do I find this
• 1:19:40
  Speaker 2: TV show on my computer? And I'm like, I'm not
• 1:19:44
  Speaker 2: seeing what you're seeing.
• 1:19:45
  Speaker 1: It's like where MoMA will always say mine doesn't have that.
• 1:19:50
  Speaker 2: My my yeah, mine doesn't have that, and then you
• 1:19:53
  Speaker 2: drive over and you're like, it's right there, it does.
• 1:19:57
  Speaker 1: My mom will go, my iPhone doesn't have that option.
• 1:19:58
  Speaker 1: I go, it's an iPhone. You go to settings and
• 1:20:01
  Speaker 1: you go to general and then nope, my iPhone doesn't
• 1:20:04
  Speaker 1: have settings.
• 1:20:05
  Speaker 2: When I lived in LA I was on the phone
• 1:20:07
  Speaker 2: with my mom. I started crying because I was so frustrated,
• 1:20:11
  Speaker 2: like literally, and I never cry. Literally, I started crying.
• 1:20:14
  Speaker 2: I was so frustrated. I was like trying. We were
• 1:20:16
  Speaker 2: both on the same web page, and I was like,
• 1:20:19
  Speaker 2: at the bottom, it says like enter submit, Like yeah,
• 1:20:22
  Speaker 2: says it. It says it, and like no, Finally, after
• 1:20:26
  Speaker 2: like literally forty five minutes, she's like, oh, you just
• 1:20:29
  Speaker 2: wipe down. You just scroll.
• 1:20:31
  Speaker 1: You have to get into the pattom.
• 1:20:32
  Speaker 2: You scroll to the bottom. So all the ladies are crocheting,
• 1:20:38
  Speaker 2: including dot that's one of those old lady names. That's
• 1:20:42
  Speaker 2: very cute, or Dottie. Uh. And then so Martini pat
• 1:20:47
  Speaker 2: aka the original MP.
• 1:20:49
  Speaker 1: Wait, what was the name of the house. What was
• 1:20:51
  Speaker 1: the name of the house?
• 1:20:51
  Speaker 2: Oh, it's it was like Bob bobber Bear, Bob's birds.
• 1:20:58
  Speaker 1: Something it was. It had two b's And I.
• 1:20:59
  Speaker 2: Was like, yeah, must be her husband.
• 1:21:02
  Speaker 1: So and yes, I am offended. You may not call
• 1:21:04
  Speaker 1: Martini Path the original MP.
• 1:21:06
  Speaker 2: No, but she's older than you.
• 1:21:09
  Speaker 1: I don't care. She doesn't get to take my name.
• 1:21:10
  Speaker 1: She's Martini Path. That's good enough. She doesn't need another name.
• 1:21:14
  Speaker 2: Okay, So she calls this group stitch and bitch and
• 1:21:19
  Speaker 2: you drink and you complain and like you have to
• 1:21:22
  Speaker 2: complain if you were there, And I love this and
• 1:21:25
  Speaker 2: she's they say, all the men here are type a's,
• 1:21:27
  Speaker 2: they're pilots, like they think they run the show, and
• 1:21:31
  Speaker 2: so we as the women have to bitch about them
• 1:21:33
  Speaker 2: and we have to stick together. So I love it.
• 1:21:36
  Speaker 2: And so Mina sits down like instantly starts bitching. She's like,
• 1:21:40
  Speaker 2: which was what the group is for? She's like, I
• 1:21:43
  Speaker 2: am stuck at home alone. I watch TV and I sleep.
• 1:21:46
  Speaker 2: I watch TV. I sleep like I'm so bored. And
• 1:21:50
  Speaker 2: they said, have you traveled to see Mark's family? Have
• 1:21:53
  Speaker 2: you seen any of America? And she says, yeah, we
• 1:21:55
  Speaker 2: saw the family and they go, do you get along
• 1:21:57
  Speaker 2: with them? And she goes yeah, and they're all like
• 1:22:02
  Speaker 2: and she goes, okay, no, they told me I need
• 1:22:05
  Speaker 2: to sign a prenup. And Jennifer, who is Pat's daughter
• 1:22:09
  Speaker 2: and is still older than Mina, it's like and her
• 1:22:15
  Speaker 2: wife Tara. So these cute New England lesbians are like
• 1:22:22
  Speaker 2: they're they're like, what a prenup? That is bullshit? Like, no,
• 1:22:27
  Speaker 2: they just want to make sure you don't touch the money.
• 1:22:29
  Speaker 2: And they're all like, going, you cannot do that, and
• 1:22:32
  Speaker 2: Mina goes, I don't know what to do. I'm just
• 1:22:34
  Speaker 2: a small cat. I'm terrified.
• 1:22:37
  Speaker 1: She's like a small cat.
• 1:22:40
  Speaker 2: I don't know what metaphor is in French that she
• 1:22:44
  Speaker 2: was going for. But like, also, she's not a meek like.
• 1:22:48
  Speaker 2: There's nothing about Mina that's meek. She does cry very easily,
• 1:22:52
  Speaker 2: but she's not meek like. I would not describe her
• 1:22:54
  Speaker 2: as that way. So Martini Pat says, you deserve money
• 1:22:59
  Speaker 2: in the prenup, her daughter deserves to be protected, and
• 1:23:02
  Speaker 2: so Mina says, well, I do have an idea. I'll
• 1:23:05
  Speaker 2: sign the prenup if he legally adopts my kids, which
• 1:23:09
  Speaker 2: I think she just means her son, unless there's a
• 1:23:12
  Speaker 2: third child we don't know about. So she wants to
• 1:23:15
  Speaker 2: make sure my kids are taken care of. And then
• 1:23:18
  Speaker 2: she starts Martini Pat starts crying too, and she's like,
• 1:23:24
  Speaker 2: I just have not seen a woman in this situation.
• 1:23:27
  Speaker 2: You are in this position with two kids, you are
• 1:23:30
  Speaker 2: counting on him, and there are no guarantees for you,
• 1:23:33
  Speaker 2: and that's not fair and like it's it's very sweet,
• 1:23:37
  Speaker 2: and there's just really like really rallying around each other.
• 1:23:40
  Speaker 2: And Mina starts crying and she's like I left everything
• 1:23:43
  Speaker 2: to come here, my friends and the baguettes and my
• 1:23:46
  Speaker 2: sister and my son is you know, and like she goes,
• 1:23:49
  Speaker 2: I don't care about my feelings. It's about my kids.
• 1:23:52
  Speaker 2: I want my kids to be protected. This is like
• 1:23:54
  Speaker 2: a lot of what Jasmine says. But like, I think
• 1:23:56
  Speaker 2: Mina actually is going to follow through on this.
• 1:23:59
  Speaker 1: I think she means it. I think she actually come here.
• 1:24:02
  Speaker 2: Yes, whereas Jasmine forgot about it pretty easily when she come.
• 1:24:07
  Speaker 2: When she came here, she does a new baby. Now
• 1:24:09
  Speaker 2: it's fine, it's fine, She's the new one.
• 1:24:11
  Speaker 1: Forget about Victim.
• 1:24:13
  Speaker 2: So she says he hasn't agreed to it yet. I
• 1:24:16
  Speaker 2: don't think she's actually even told him yet, but she
• 1:24:20
  Speaker 2: presents it to them as if like, yeah, this is
• 1:24:22
  Speaker 2: what's going to happen. But she still talked him, and
• 1:24:24
  Speaker 2: the ladies are all like pumping her up, like you
• 1:24:26
  Speaker 2: could do it, like I love this group, Like can
• 1:24:28
  Speaker 2: I join crochet? Can I diamond paint knit? I'll do
• 1:24:32
  Speaker 2: it like I can do it all. So like I
• 1:24:34
  Speaker 2: want to hang out with these older ladies.
• 1:24:36
  Speaker 1: Yeah.
• 1:24:37
  Speaker 2: Yeah.
• 1:24:38
  Speaker 1: By the way, the lesbian couple were probably my age,
• 1:24:41
  Speaker 1: so I felt them. But it's funny.
• 1:24:43
  Speaker 2: It's like, did Mina's in her thirties? I know this?
• 1:24:48
  Speaker 1: Did you bitch?
• 1:24:48
  Speaker 2: Though?
• 1:24:49
  Speaker 1: It seems like none of the the only thing required
• 1:24:52
  Speaker 1: is to bitch. You don't have to stitch, and you
• 1:24:53
  Speaker 1: don't have to drink, just you just have to bitch.
• 1:24:57
  Speaker 2: I think Dot was crocheting something, but most to the ladies,
• 1:25:00
  Speaker 2: we're just drinking.
• 1:25:01
  Speaker 1: Yeah, they they looked real serious, but.
• 1:25:04
  Speaker 2: I love it.
• 1:25:06
  Speaker 1: I loved it.
• 1:25:06
  Speaker 2: Also, it snows a lot there, so like you have
• 1:25:08
  Speaker 2: to stay inside, so like this is perfect.
• 1:25:11
  Speaker 1: I Love's gonna come home and she's like needed a rug.
• 1:25:16
  Speaker 1: She's like, I've been at Martini pass right.
• 1:25:18
  Speaker 2: He sent her to Martini Pats to become friends and
• 1:25:22
  Speaker 2: find like community, and they hate him and they are
• 1:25:26
  Speaker 2: like they're like, f men, we are here for the women,
• 1:25:30
  Speaker 2: and like we want her to get hers. And so
• 1:25:32
  Speaker 2: now she's has like this new feminist lease on life
• 1:25:35
  Speaker 2: thanks to the Stitch and Bitch group. And he's like,
• 1:25:38
  Speaker 2: that's not what I intended when I sent you there.
• 1:25:40
  Speaker 1: He's like Pat remember what we talked about.
• 1:25:44
  Speaker 2: But also he the same thing with the lady who
• 1:25:46
  Speaker 2: owns the clothing shop. I think he thought she was
• 1:25:48
  Speaker 2: going to put in a good word for him, and
• 1:25:50
  Speaker 2: instead she was like she hates Mark and she was
• 1:25:53
  Speaker 2: giving all of his dirty secrets.
• 1:25:55
  Speaker 1: Who posted it was either it was the reality Gaze
• 1:26:01
  Speaker 1: or Doky Sweetie's could even been a little must recap,
• 1:26:05
  Speaker 1: but I don't think she covers this show. Somebody posted
• 1:26:07
  Speaker 1: a picture of Mark and his first family and then
• 1:26:11
  Speaker 1: Mark with this current family, but they replace his face
• 1:26:15
  Speaker 1: with a cabbage patch doll in all the pictures, and
• 1:26:19
  Speaker 1: that shit was funny because I was like, and first
• 1:26:22
  Speaker 1: I was like, I wonder why they put that face
• 1:26:23
  Speaker 1: over that pearl. It's ark, Yeah, he does look like
• 1:26:28
  Speaker 1: a cabbage patch doll.
• 1:26:30
  Speaker 2: Oh well I read it. They said he looks like
• 1:26:32
  Speaker 2: an elderly lesbian named Brenda, or something like if you
• 1:26:35
  Speaker 2: put little pearls here, it would be like, yeah, I
• 1:26:38
  Speaker 2: could see that he has a round, happy face, which
• 1:26:44
  Speaker 2: is the doll aspect the cabbage patch.
• 1:26:47
  Speaker 1: Yeah, an Anywhere's transition lenses which makes him look old,
• 1:26:50
  Speaker 1: and his hair is a little permed, and if he
• 1:26:53
  Speaker 1: just got a face left. I think he would look
• 1:26:55
  Speaker 1: brand now. Yeah, she could like a few more. Johnson
• 1:26:59
  Speaker 1: gets there.
• 1:27:00
  Speaker 2: Yeah done, Okay, Stevie and Maddie.
• 1:27:05
  Speaker 1: So Maddie is upset. I guess is what happened last
• 1:27:09
  Speaker 1: week is that he's upset because Stevie painted her friend
• 1:27:13
  Speaker 1: Claire in the nude and didn't tell him. I didn't
• 1:27:17
  Speaker 1: tell him. So again he thinks this is a speaking
• 1:27:20
  Speaker 1: of lesbians. Again, he thinks this is a lesbian thing.
• 1:27:22
  Speaker 1: He thinks she's full gay because she's Listen, my sister
• 1:27:25
  Speaker 1: is an artist and there's she's got nude paintings in
• 1:27:28
  Speaker 1: her house. That doesn't Yeah, but that's not his culture,
• 1:27:31
  Speaker 1: so he doesn't. It's not his culture. He doesn't understand.
• 1:27:33
  Speaker 2: He also thinks homosexuality is very, very wrong. So did
• 1:27:37
  Speaker 2: he say that, Yes, he does. He thinks it did
• 1:27:41
  Speaker 2: say that. He said he thinks that it's wrong in
• 1:27:43
  Speaker 2: his culture, it is wrong. I told Maddie, I said,
• 1:27:47
  Speaker 2: give him a few months in New Orleans and he
• 1:27:49
  Speaker 2: will be like wearing leather and a ballgag in a
• 1:27:54
  Speaker 2: like gay pride parade. Yeah, he'll embrace it.
• 1:27:58
  Speaker 1: So he seems he seems way more open than that.
• 1:28:01
  Speaker 1: I'm very surprised, and maybe he's just saying in my culture,
• 1:28:05
  Speaker 1: this is how it is, and I'm trying to like
• 1:28:07
  Speaker 1: adapt to a new way of thinking. You know.
• 1:28:09
  Speaker 2: I think he'll come around. I really do. It's just
• 1:28:12
  Speaker 2: he only has ninety days and this is yeah, but
• 1:28:16
  Speaker 2: I think there's hope for him. He's not like a
• 1:28:18
  Speaker 2: bigot that I would look at and be like, he's
• 1:28:20
  Speaker 2: never going to change, Like I actually think he could.
• 1:28:23
  Speaker 1: He's I actually think open minded.
• 1:28:26
  Speaker 2: I think he would do really well in the gay community.
• 1:28:28
  Speaker 2: He's very good looking, very fit. Well, yes, but he's
• 1:28:32
  Speaker 2: not gay, so stop. Okay, So see, ever been given
• 1:28:36
  Speaker 2: a chance to explode? Well, no, maybe testing too much?
• 1:28:42
  Speaker 1: Oh my gosh. So the two of them are giving
• 1:28:45
  Speaker 1: each other the silent treatment, and she says, I don't
• 1:28:49
  Speaker 1: feel like I need to apologize because I haven't done
• 1:28:51
  Speaker 1: anything wrong. I didn't do anything wrong by painting my
• 1:28:54
  Speaker 1: friend nude. So now this is where I don't understand.
• 1:28:58
  Speaker 1: Was it a paid job or friends like, oh you
• 1:29:00
  Speaker 1: it was amazing paintings. Will you paint me? I'm going
• 1:29:01
  Speaker 1: to like present it to my husband for Valentine's Day?
• 1:29:05
  Speaker 1: Or was it? She's practicing her news and she was
• 1:29:07
  Speaker 1: like a run out of nude models. Hey, Claire, what
• 1:29:10
  Speaker 1: are you doing? Can you come over? You know, I
• 1:29:12
  Speaker 1: don't know.
• 1:29:13
  Speaker 2: I would guess it was more like the first I
• 1:29:16
  Speaker 2: think part of his issue was he had thought that
• 1:29:19
  Speaker 2: all these women were sending her photos and she was
• 1:29:22
  Speaker 2: painting them off of the photos, and he didn't realize
• 1:29:25
  Speaker 2: there was in person nudity, like the nudity is in
• 1:29:29
  Speaker 2: the room with us. Oh, Claire was actually physically there too,
• 1:29:34
  Speaker 2: So that really bothered him that she was like it
• 1:29:36
  Speaker 2: felt like it wasn't how she had presented it to him. Okay,
• 1:29:41
  Speaker 2: he or he had misunderstood that these women who were
• 1:29:44
  Speaker 2: paying her were sending photos of their bodies and then
• 1:29:48
  Speaker 2: off of a photo.
• 1:29:50
  Speaker 1: Right, okay, all right, this is very layered. So he
• 1:29:55
  Speaker 1: tells us, you know, I feel betrayed. I feel betrayed
• 1:29:59
  Speaker 1: by what she's told me, and I just want her
• 1:30:00
  Speaker 1: to be honest with me, and she just needs to
• 1:30:03
  Speaker 1: tell me if she's bisexual, like maybe she just wants
• 1:30:07
  Speaker 1: to get married. And then later she'll tell me she
• 1:30:10
  Speaker 1: doesn't want to be with me, and then I'm gonna
• 1:30:11
  Speaker 1: feel trapped, I'm gonna feel set up.
• 1:30:13
  Speaker 2: Well no whatever, but that's the risk you take when
• 1:30:17
  Speaker 2: you marry someone. Yeah, they fall in love with someone else.
• 1:30:20
  Speaker 2: That's with a lot of marriages, that's cheating happens, or
• 1:30:23
  Speaker 2: divorce happens. It doesn't really matter what the person's gender
• 1:30:26
  Speaker 2: is totally.
• 1:30:28
  Speaker 1: It doesn't have to be bisexual. It doesn't have to
• 1:30:29
  Speaker 1: have anything to do with gay new paintings.
• 1:30:32
  Speaker 2: It just could be the person desires to leave you
• 1:30:34
  Speaker 2: so fall out of love. Yeah, So he pulls up.
• 1:30:37
  Speaker 1: She pulls up to the house and calls him as like, hey,
• 1:30:40
  Speaker 1: I got smoothies, will come out to the car.
• 1:30:43
  Speaker 2: She kept saying, with protein. Did you notice with protein,
• 1:30:45
  Speaker 2: I got, I got, I got maddie and smoothie with protein.
• 1:30:49
  Speaker 2: I'm hoping it'll smooth things over.
• 1:30:51
  Speaker 1: Here's your smoothie. Years as protein doesn't have protein because
• 1:30:55
  Speaker 1: I don't two or three times, I don't care about protein,
• 1:30:57
  Speaker 1: but you care about protein a lot. So he brings
• 1:31:01
  Speaker 1: her a little purse back back, which was thought I thought.
• 1:31:04
  Speaker 2: It was his. I thought he was walking out of
• 1:31:06
  Speaker 2: the house with a man purse. And I was like,
• 1:31:08
  Speaker 2: and you're worried about birthing bisexual and you're embracing a
• 1:31:13
  Speaker 2: man purse.
• 1:31:14
  Speaker 1: It was hers.
• 1:31:15
  Speaker 2: Anything wrong with the man purse.
• 1:31:17
  Speaker 1: It was hers and I looked it up.
• 1:31:19
  Speaker 2: Not real. Okay, so do you know just from the
• 1:31:22
  Speaker 2: thing you're so good.
• 1:31:23
  Speaker 1: It doesn't exist. That purse doesn't exist, that style doesn't exist.
• 1:31:31
  Speaker 2: So, just to be clear, there's nothing wrong with being bisexual,
• 1:31:33
  Speaker 2: there's nothing wrong with wearing a man purse. Nothing. The
• 1:31:36
  Speaker 2: two don't have anything to do with them, and there's
• 1:31:38
  Speaker 2: nothing wrong with either one. Just want to be really clear,
• 1:31:40
  Speaker 2: if everyone knows that, yes.
• 1:31:42
  Speaker 1: There's nothing wrong with any of these things we're discussing.
• 1:31:45
  Speaker 1: Was presented to us on our television, which was a
• 1:31:47
  Speaker 1: fake backpack. Okay, so we're more offended by I'm more
• 1:31:52
  Speaker 1: offended by that. Yeah. So he's in the car and
• 1:31:55
  Speaker 1: he's watching football soccer on his phone. She goes, well,
• 1:31:59
  Speaker 1: you did watch it? You watch and he says, oh football.
• 1:32:01
  Speaker 1: She says, you're watching soccer. He's like, it's called football.
• 1:32:05
  Speaker 1: So they go for a walk. I got you the
• 1:32:09
  Speaker 1: protein smoothie and he says, so you know what I'm
• 1:32:13
  Speaker 1: going to ask you, and she goes, don't do it.
• 1:32:16
  Speaker 1: He says, this is the last time I'm ever going
• 1:32:19
  Speaker 1: to ask you this question. She goes, I prefer that
• 1:32:21
  Speaker 1: you did not ask me because I've already told you
• 1:32:23
  Speaker 1: the answer, and he goes, so I'm going to ask
• 1:32:25
  Speaker 1: you one more time. They go back and forth like,
• 1:32:27
  Speaker 1: don't do it, don't say it, I'm going to ask you,
• 1:32:29
  Speaker 1: don't ask me. You already know what the question is.
• 1:32:31
  Speaker 1: You already know what the answer is.
• 1:32:32
  Speaker 2: Yeah.
• 1:32:32
  Speaker 1: So she says, it's ridiculous. It's ridiculous. Whatever I prefer
• 1:32:38
  Speaker 1: doesn't matter because I'm in a relationship with you. So
• 1:32:41
  Speaker 1: we are together, and she goes, and if I say
• 1:32:45
  Speaker 1: no to your question, you won't believe it. You're just
• 1:32:48
  Speaker 1: going to have an assumption. And he goes, no, I
• 1:32:50
  Speaker 1: would believe you, and she goes, okay, no, and he
• 1:32:54
  Speaker 1: does not drop it because she says, if I answer
• 1:32:57
  Speaker 1: you and say no, you won't believe it anyway, and
• 1:32:59
  Speaker 1: he goes, no, I will.
• 1:33:00
  Speaker 2: But she's not doing it in a way that like
• 1:33:02
  Speaker 2: she's telling like seriously, no. She's doing it in a
• 1:33:06
  Speaker 2: way like fine, I'll just say no then, like it's
• 1:33:08
  Speaker 2: not like that's her official answer.
• 1:33:11
  Speaker 1: You I know, But I felt like he wanted an
• 1:33:13
  Speaker 1: answer and he wanted her to just say no, and
• 1:33:16
  Speaker 1: so she did, and that should be it.
• 1:33:18
  Speaker 2: He's still not Yeah, you're right, you're right.
• 1:33:20
  Speaker 1: Because whether or not in his mind or her mind,
• 1:33:24
  Speaker 1: whether or not it's true. She said, no, he has
• 1:33:28
  Speaker 1: to believe what she says and then drop it, right,
• 1:33:30
  Speaker 1: and so he won't drop it, and she goes, just
• 1:33:34
  Speaker 1: understand that you are enough. I love you and want
• 1:33:37
  Speaker 1: to be with you, and none of this matters. That's it.
• 1:33:40
  Speaker 1: She says, you can choose what you want, just like
• 1:33:42
  Speaker 1: I can choose what I want. I've told you one
• 1:33:44
  Speaker 1: hundred times that I choose you, So take it or
• 1:33:47
  Speaker 1: leave it. She's over it. She's like, We've had this
• 1:33:50
  Speaker 1: conversation now ten times. I've now made an answer, and
• 1:33:54
  Speaker 1: take it or leave it. So of course I.
• 1:33:56
  Speaker 2: Think she's gonna make I think she's making it more
• 1:33:59
  Speaker 2: difficult cult out of principle. I think I think she
• 1:34:05
  Speaker 2: could just knowing him the culture he comes from, she
• 1:34:09
  Speaker 2: could just give him a like a definitive no, and
• 1:34:13
  Speaker 2: this would have stopped. But she keeps doing this. Why
• 1:34:17
  Speaker 2: do I have to tell you? Why do I have
• 1:34:19
  Speaker 2: which I totally respect because she shouldn't have to talk
• 1:34:22
  Speaker 2: about it. It doesn't matter. Maybe it's true, maybe it's
• 1:34:25
  Speaker 2: not true. She maybe she doesn't want to talk about
• 1:34:27
  Speaker 2: it on camera. Maybe she doesn't you know, maybe she's
• 1:34:31
  Speaker 2: she's been married two other times, maybe this has been
• 1:34:33
  Speaker 2: an issue before or something, or with her husband's like
• 1:34:36
  Speaker 2: I don't know what, or she's doing it out of principle,
• 1:34:39
  Speaker 2: like why do we have to assume everyone is straight
• 1:34:42
  Speaker 2: like the heteronormative, and then we have to ask if
• 1:34:44
  Speaker 2: someone's gay, because that's the different thing, whereas it should
• 1:34:48
  Speaker 2: be everyone's on a spectrum. Like I don't know why
• 1:34:50
  Speaker 2: what why she's making such a big deal, but I
• 1:34:53
  Speaker 2: respect it, but I think in this case just it's
• 1:34:56
  Speaker 2: causing more problems and you could much like you have
• 1:34:59
  Speaker 2: to under stand someone's like Dowry culture, and you don't
• 1:35:02
  Speaker 2: agree with that, but sometimes you have to go along
• 1:35:05
  Speaker 2: with it because like Greg said, like it's been thousands
• 1:35:08
  Speaker 2: and thousands of years with the Dowries. They're not going
• 1:35:11
  Speaker 2: to change it for me, So maybe you just have
• 1:35:13
  Speaker 2: to go. I don't think it matters. I don't like
• 1:35:15
  Speaker 2: that I have to keep answering this question, but I'm
• 1:35:17
  Speaker 2: telling you absolutely no, like no, and be serious and
• 1:35:22
  Speaker 2: just maybe then he'd stop. I don't know, but I again,
• 1:35:25
  Speaker 2: I respect what she's doing. But it's it's maybe causing
• 1:35:30
  Speaker 2: more problems.
• 1:35:31
  Speaker 1: I agree with all of that, and I think she's
• 1:35:33
  Speaker 1: digging in on principle alone, and that I respect that
• 1:35:37
  Speaker 1: she should.
• 1:35:37
  Speaker 2: Again like that's what I would do. I'm annoying like that, Like.
• 1:35:41
  Speaker 1: Oh, and the more you ask me, the more probley Yeah,
• 1:35:44
  Speaker 1: the more I'm not going to tell you. Yeah, I
• 1:35:47
  Speaker 1: would keep digging into. But he got his answer, whether
• 1:35:51
  Speaker 1: it was under dress or not. So then he because
• 1:35:54
  Speaker 1: he said, once you give me an answer, whether it's
• 1:35:57
  Speaker 1: yes or no, once you give me an answer, I'll
• 1:35:59
  Speaker 1: drop it. What you wouldn't have dropped it if the
• 1:36:01
  Speaker 1: answer was yes, but whatever.
• 1:36:02
  Speaker 2: But then he did say, like what if I had
• 1:36:05
  Speaker 2: like desires like out like I was, and she'd be like,
• 1:36:09
  Speaker 2: that's whatever. I wouldn't care. I wouldn't ask you, you know.
• 1:36:13
  Speaker 1: Because we're chosen each other now. Yes, this is the
• 1:36:15
  Speaker 1: relationship we're in now. So whether there was another one
• 1:36:18
  Speaker 1: with another man, another woman, whatever, in the past, it
• 1:36:21
  Speaker 1: doesn't matter because we're together now. This is the relationship. Bran.
• 1:36:24
  Speaker 1: Now we want to get married. She's going when I
• 1:36:26
  Speaker 1: get married, it's forever. I was like, well, okay, next week.
• 1:36:31
  Speaker 1: On ninety day, fiance Jessica and Wan are having a
• 1:36:35
  Speaker 1: bachelor and bachelorette party. There seems to be excited cowgirl strippers. Yeah, okay,
• 1:36:41
  Speaker 1: I'm so excited. He says having this Vechel party makes
• 1:36:45
  Speaker 1: him feel alive. Oh, he wants to go back to work,
• 1:36:48
  Speaker 1: is what he says.
• 1:36:49
  Speaker 2: This might open Pandora's box, like he remembers how fun
• 1:36:53
  Speaker 2: drinking and partying is.
• 1:36:55
  Speaker 1: Also, maybe he could get a job as a stripper,
• 1:36:57
  Speaker 1: because he's.
• 1:36:58
  Speaker 2: Like, that's a great you know, if she was okay
• 1:37:01
  Speaker 2: with that, he would do so well at bachelorette parties.
• 1:37:04
  Speaker 1: He's so cute and he's fit. So Mina tells Mark
• 1:37:10
  Speaker 1: she will sign the prenup, but he's going to need
• 1:37:13
  Speaker 1: to officially adopt Clayton, and we are made to believe
• 1:37:18
  Speaker 1: that he's like, oh geez, whar. But I don't think
• 1:37:21
  Speaker 1: that's it at all. I think he's like, I think
• 1:37:23
  Speaker 1: he's literally going of course, I've already told you I would.
• 1:37:26
  Speaker 1: I think that's what is happening.
• 1:37:27
  Speaker 2: I hope so. And it's not like a Jordan's not
• 1:37:30
  Speaker 2: gonna like this.
• 1:37:32
  Speaker 1: Oh she's not. She's not too bad. Maddie and Stevie
• 1:37:37
  Speaker 1: have drinks and it looks like they're in New Orleans
• 1:37:39
  Speaker 1: and they're walking around and now all of a sudden,
• 1:37:41
  Speaker 1: he's got this friend that we've never seen before who
• 1:37:43
  Speaker 1: has a very severe dimple with hair in it. Yeah,
• 1:37:49
  Speaker 1: it's like a soul patch, but it's down in like
• 1:37:52
  Speaker 1: a chin dimple situation.
• 1:37:54
  Speaker 2: Oh yeah, I love a chin a butt chin. I
• 1:37:56
  Speaker 2: love it. This is filled with hair, and I don't
• 1:37:59
  Speaker 2: like it with hair, Ye, I don't like. It's a
• 1:38:01
  Speaker 2: hairy but face situation said, I don't like. And the
• 1:38:05
  Speaker 2: friend says, you know, I'm worried about him marrying a
• 1:38:08
  Speaker 2: girl that he barely knows. And then he says to Stevie,
• 1:38:12
  Speaker 2: I don't see a lot of sacrifice on your side.
• 1:38:16
  Speaker 1: Who's this jerk with the harry? Buttole face, what does
• 1:38:21
  Speaker 1: she have to do? Like they're moving to like what what?
• 1:38:24
  Speaker 2: It's not like that she can't move there. I mean
• 1:38:27
  Speaker 2: she can't move there. She has two children. I don't
• 1:38:31
  Speaker 2: know what she's supposed to do. This is not like
• 1:38:33
  Speaker 2: Chakaina who was bragging that she cleaned out part of
• 1:38:35
  Speaker 2: her closet, like and I made such a big sacrifice,
• 1:38:38
  Speaker 2: Like I just don't know what sort of sacrifice he
• 1:38:41
  Speaker 2: would want from Stevie.
• 1:38:42
  Speaker 1: Yeah, I don't either, So I don't know. Maybe we're
• 1:38:44
  Speaker 1: just being made to think he's a jerk, but he
• 1:38:46
  Speaker 1: seemed like a jerk. Now we see I rol, Amani
• 1:38:50
  Speaker 1: and Matt talking to this troll, Ray, who says.
• 1:38:57
  Speaker 2: That's nice.
• 1:38:59
  Speaker 1: Who's he says that. Amani and Matt are talking to Ray,
• 1:39:03
  Speaker 1: who says Annie's name is really Brenda. He says, but
• 1:39:06
  Speaker 1: you know her is Brenda? What her name is? Brenda?
• 1:39:09
  Speaker 1: And then Annie walks up and they all are smile
• 1:39:11
  Speaker 1: talking because it's fake, and she says, hi, Brenda, and
• 1:39:13
  Speaker 1: they're all like, smile talk, smile talk. It's all fake,
• 1:39:18
  Speaker 1: and ch Kina ends Arper's flight was also fake. So
• 1:39:20
  Speaker 1: we had double fakeness this week that I had to
• 1:39:22
  Speaker 1: cover and I'm unhappy about it.
• 1:39:24
  Speaker 2: I really need this to not I want. I'm so
• 1:39:27
  Speaker 2: sad to hear there on social media together, the three
• 1:39:30
  Speaker 2: of them. I really wanted this to be a catfishing
• 1:39:34
  Speaker 2: situation and.
• 1:39:36
  Speaker 1: The Brenda was just trying to take them for what
• 1:39:38
  Speaker 1: they're worth.
• 1:39:39
  Speaker 2: Yeah, yes, that's what I wanted. And if that's not
• 1:39:43
  Speaker 2: the case, I'm sad for it.
• 1:39:45
  Speaker 1: They're all together children. I'm scared for the children unless
• 1:39:48
  Speaker 1: they're still just dating, you know, and she's just trying
• 1:39:51
  Speaker 1: to get citizenship another way, and then he could stay
• 1:39:54
  Speaker 1: married to Amani, because I don't see a world where
• 1:39:56
  Speaker 1: he's going to divorce Amani and then bring Annie over
• 1:40:01
  Speaker 1: on a ninety day fiance visa. I don't know, but
• 1:40:05
  Speaker 1: they did it on Seeking Sister Wife. Garrick got divorced
• 1:40:09
  Speaker 1: from Danielle with two ins and two els, and he
• 1:40:12
  Speaker 1: just really.
• 1:40:13
  Speaker 2: Wanted to and he just actually hated his wife. Yeah
• 1:40:17
  Speaker 2: that was Yeah, and she's so sad. I feel so bad.
• 1:40:20
  Speaker 2: I feel that worse for Danielle than about anyone else
• 1:40:22
  Speaker 2: on TV.
• 1:40:23
  Speaker 1: Yeah, she's gone back to like waitressing and she has
• 1:40:25
  Speaker 1: a baby because her husband has migraines. I hate her.
• 1:40:30
  Speaker 1: I mean I don't hate her, sorry, I hate him.
• 1:40:32
  Speaker 1: I feel like she's in a coercive control situation.
• 1:40:35
  Speaker 2: Yes, seriously, I need her brother to like and his
• 1:40:40
  Speaker 2: wife to like kidnap her and to yea by her
• 1:40:43
  Speaker 2: or something they hate the situation for her.
• 1:40:47
  Speaker 1: Oh well, are their names? Their names were like they
• 1:40:49
  Speaker 1: had the same name. They were like Nick and Nicole
• 1:40:53
  Speaker 1: or something like that. Mike and MICHAELA. I can't remember
• 1:40:56
  Speaker 1: what their names were. We need them back, we need
• 1:40:58
  Speaker 1: them back on our television. I keep asking the TLC people,
• 1:41:00
  Speaker 1: I'm like, when are we getting Seeking Sister wife?
• 1:41:02
  Speaker 2: But yeah, is it not? Because we have now Polly Family,
• 1:41:07
  Speaker 2: So maybe they are trying to do one at a time.
• 1:41:10
  Speaker 1: Well, maybe they're just trying to prime us up with
• 1:41:12
  Speaker 1: Polly Family and then once we're done with Polly Family,
• 1:41:14
  Speaker 1: we're gonna roll right and seeky Sister. They're trying to
• 1:41:16
  Speaker 1: just get us ready.
• 1:41:17
  Speaker 2: It's a fluffer.
• 1:41:18
  Speaker 1: It's a fluffer.
• 1:41:20
  Speaker 2: Lease.
• 1:41:20
  Speaker 1: I haven't watched Polly Family though. Is it good?
• 1:41:23
  Speaker 2: It's fascinating, Yeah, writing there's lots of weird, weird dynamics
• 1:41:29
  Speaker 2: going on.
• 1:41:30
  Speaker 1: All I saw was a preview with the one lady
• 1:41:32
  Speaker 1: was like, you know, I feel left out. I think
• 1:41:33
  Speaker 1: I'm gonna try to breastfeed the baby, but I didn't
• 1:41:35
  Speaker 1: give birth to the baby, so how you would produce milk?
• 1:41:38
  Speaker 1: I'm not sure. Maybe there's a way somebody will tell me.
• 1:41:42
  Speaker 1: Somebody so I'm missing.
• 1:41:43
  Speaker 2: I haven't seen that episode yet.
• 1:41:46
  Speaker 1: What's happening over on a Date with Dayline? By the way,
• 1:41:48
  Speaker 1: I've been listening to your podcast and when I've been flying,
• 1:41:50
  Speaker 1: because I find it very soothing to have you and
• 1:41:52
  Speaker 1: Katie in my ears.
• 1:41:53
  Speaker 2: Oh thank you. Uh. We have a new episode coming
• 1:41:57
  Speaker 2: on Wednesday, call Murder in Mine not m Well I
• 1:42:06
  Speaker 2: n O T which we thought would be mino, but
• 1:42:10
  Speaker 2: it is mine not.
• 1:42:14
  Speaker 1: I would either say mino or not my not okay?
• 1:42:19
  Speaker 1: And where is my not located? What state?
• 1:42:22
  Speaker 2: North? South Dakota, North Dakota, one of the Dakota's just.
• 1:42:25
  Speaker 1: A place some different then? Okay? And was it in
• 1:42:29
  Speaker 1: the Friday episode?
• 1:42:30
  Speaker 2: Yes?
• 1:42:31
  Speaker 1: Okay, great because I've got it.
• 1:42:32
  Speaker 2: And Katie has a great title pun that references the
• 1:42:37
  Speaker 2: Kendrick Lamar Drake feud because we are topical.
• 1:42:43
  Speaker 1: Katie is so good at puns. I know she is
• 1:42:48
  Speaker 1: so good at it, and you really have to have
• 1:42:50
  Speaker 1: a certain kind of brain for that, because I'm not
• 1:42:52
  Speaker 1: good at like naming me.
• 1:42:53
  Speaker 2: You can't do it. I can't do it. That's why
• 1:42:56
  Speaker 2: I hate them usually because I get I just am
• 1:42:58
  Speaker 2: more frustrated with myself. It's an internalized pun knowledge.
• 1:43:04
  Speaker 1: But I think that you have a podcast partner that
• 1:43:06
  Speaker 1: can do it so well, So you need to release
• 1:43:08
  Speaker 1: that stress on yourself and let that be for her thing.
• 1:43:12
  Speaker 1: Don't even try.
• 1:43:13
  Speaker 2: I don't even try.
• 1:43:15
  Speaker 1: Yeah, she's so good with that. That is like three
• 1:43:19
  Speaker 1: people this week have sent me. Three people this week
• 1:43:22
  Speaker 1: have sent me the girl that you've had on your podcast,
• 1:43:25
  Speaker 1: the girl Peaches and whatever that does the date line binder.
• 1:43:28
  Speaker 2: I know, it's like making its go around again.
• 1:43:31
  Speaker 1: Did it come back or does she make a new one?
• 1:43:33
  Speaker 2: No, it's the same one that just is coming around again,
• 1:43:37
  Speaker 2: and people are like sending it to me too, And
• 1:43:38
  Speaker 2: I'm like, we did a whole live stream with her
• 1:43:41
  Speaker 2: go our page for.
• 1:43:42
  Speaker 1: The two people that send it to me initially, and
• 1:43:45
  Speaker 1: the third one I haven't responded to. I wrote back
• 1:43:47
  Speaker 1: and said, Kimberly and Katie love her and she's been
• 1:43:50
  Speaker 1: on with her show.
• 1:43:52
  Speaker 2: Yeah on our YouTube channel. Yeah. I was like, you
• 1:43:55
  Speaker 2: can get a live stream and her end bank.
• 1:43:57
  Speaker 1: Yes. Yeah. I don't know. I don't know.
• 1:44:01
  Speaker 2: The Internet's weird, like memes just will come around, like
• 1:44:04
  Speaker 2: every six months, the same meme and everyone didn't even.
• 1:44:07
  Speaker 1: I didn't click it. I was like, I've already seen this.
• 1:44:10
  Speaker 2: Yeah, I don't click it because then that probably it'll
• 1:44:13
  Speaker 2: keep getting sent to you. Yeah, you're right, I don't know.
• 1:44:15
  Speaker 2: I don't know how it works. That probably listening to
• 1:44:17
  Speaker 2: us right now, and then it's going to get sent
• 1:44:18
  Speaker 2: to me again.
• 1:44:19
  Speaker 1: I'm mind and open my phone, it's going to be there. Well, everybody.
• 1:44:23
  Speaker 1: Kimberly and Katie have a great podcast. It's called a
• 1:44:25
  Speaker 1: Date with Dateline. They cover dateline and you can also
• 1:44:27
  Speaker 1: follow them on social media and all the places at
• 1:44:31
  Speaker 1: date Dateline and if you're feeling nice, you could follow
• 1:44:34
  Speaker 1: me at Pink Shade Pod. And here's something you can do.
• 1:44:37
  Speaker 1: And I asked for it last week and only a
• 1:44:38
  Speaker 1: few of you replied, so I'm going to say it again.
• 1:44:42
  Speaker 1: Please go and leave a five star review on Apple
• 1:44:45
  Speaker 1: podcast or Spotify. Wherever you listen on Apple, it matters
• 1:44:48
  Speaker 1: a little bit more if you listen there, just because
• 1:44:50
  Speaker 1: it really helps an algorithm bump your show into other
• 1:44:54
  Speaker 1: people's feeds. Sometimes if you go in your Apple feed,
• 1:44:56
  Speaker 1: it'll say shows you might like or because you liked this,
• 1:45:00
  Speaker 1: like that. That's how our shows get in there. And
• 1:45:03
  Speaker 1: if you have a lot of reviews, it also really
• 1:45:05
  Speaker 1: helps because then people look and go, oh, this show's
• 1:45:07
  Speaker 1: got ten thousand reviews. I don't have ten thousand reviews,
• 1:45:10
  Speaker 1: but you see that it has more than like twelve,
• 1:45:13
  Speaker 1: and you're like, oh wow, okay, so I should listen.
• 1:45:17
  Speaker 1: There you go.
• 1:45:19
  Speaker 2: I just hold an Apple Podcasts to look at our reviews,
• 1:45:22
  Speaker 2: and then I'll be sad the rest of the day.
• 1:45:24
  Speaker 1: I don't do it.
• 1:45:25
  Speaker 2: The one, the one that's mean, makes me said.
• 1:45:29
  Speaker 1: I There'll be six that are great and one that
• 1:45:32
  Speaker 1: is so mean, and I'll think about that meaning one
• 1:45:34
  Speaker 1: for months. So every so often i'll send a bad review,
• 1:45:39
  Speaker 1: like I'll screenshot it, send to Engrish. She'll be like, shit,
• 1:45:41
  Speaker 1: I was hoping you wouldn't look at it, like she
• 1:45:44
  Speaker 1: will have already seen it and not told me, and
• 1:45:47
  Speaker 1: then praise. This is not the month that I decide
• 1:45:50
  Speaker 1: to look at the reviews, because it's really like every
• 1:45:52
  Speaker 1: third month.
• 1:45:53
  Speaker 2: She hopes before because you'll send me like a thing
• 1:45:56
  Speaker 2: about anything negative. I'm like, don't send that to Katie.
• 1:46:00
  Speaker 2: Got to keep her mental health good. No, no, no
• 1:46:02
  Speaker 2: anything about anything. Yeah, your problems don't bring up any
• 1:46:06
  Speaker 2: comments on Instagram, Like, do just send it to me.
• 1:46:09
  Speaker 1: I did. Two of my reviews recently mentioned that we
• 1:46:12
  Speaker 1: have too many commercials, So I'm sorry I sent those
• 1:46:18
  Speaker 1: to Ingrid. She's the one to complain to directly instead
• 1:46:21
  Speaker 1: of leaving a three star review. You could just send
• 1:46:23
  Speaker 1: us an email or a DM that'd be great. Yeah,
• 1:46:27
  Speaker 1: I've got a complain DM apping shaped pod.
• 1:46:30
  Speaker 2: Uh do you ever watch TV? And do you write
• 1:46:32
  Speaker 2: to those TV shows and leave the rom a review
• 1:46:35
  Speaker 2: saying that they have too many commercials? There is this
• 1:46:39
  Speaker 2: show stays on the air.
• 1:46:41
  Speaker 1: There is a skip button, and that is how we
• 1:46:44
  Speaker 1: make money so that we can do this job that
• 1:46:46
  Speaker 1: we love. The end.
• 1:46:48
  Speaker 2: Oh okay, so one that says I love this podcast,
• 1:46:51
  Speaker 2: huge MANK fan over here. Love Kimberly and like listening
• 1:46:54
  Speaker 2: to her with Mary Payne as well. What look at
• 1:46:58
  Speaker 2: your podcast?
• 1:47:00
  Speaker 1: Thank you? Yes, I get comments. I love Keisha, I
• 1:47:02
  Speaker 1: love Kimberly, love Amy, love all the co hosts. So
• 1:47:05
  Speaker 1: I like all that too. I like to mention other people.
• 1:47:09
  Speaker 1: We got to all.
• 1:47:11
  Speaker 2: And those to me, they're always get excited.
• 1:47:14
  Speaker 1: Rising tides lift all boats.
• 1:47:16
  Speaker 2: Okay, exactly.
• 1:47:18
  Speaker 1: That's it Kimberly and I'll be back next week. And
• 1:47:21
  Speaker 1: I already told you what's happening the rest of this
• 1:47:23
  Speaker 1: week on the show, so uh, make sure you listen
• 1:47:26
  Speaker 1: because it's going to be good. But covering the valley
• 1:47:28
  Speaker 1: with the show to doc you.
• 1:47:30
  Speaker 2: Sweetey's right now, okay good.
• 1:47:32
  Speaker 1: And also I did forget to miss j I'm covering
• 1:47:34
  Speaker 1: the Valley with Keisha. That'll come out on Wednesday.
• 1:47:36
  Speaker 2: Okay bye, so