Latest / Four Noncanonical Sherlock Holmes Short Stories / 001 - Story 1 The Field Bazaar
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- 0:00Speaker 1: Four non canonical Sherlock Holmes short stories by Arthur Conan Doyle.
- 0:06Speaker 1: This is a LibriVox recording. All LibriVox recordings are in
- 0:10Speaker 1: the public domain. For more information or to volunteer, please
- 0:15Speaker 1: visit LibriVox dot org. Dramatis Persona Sherlock Holmes read by
- 0:22Speaker 1: Peter Yearsley Dr.
- 0:23Speaker 2: Watson read by David Purdy.
- 0:26Speaker 3: Here Bier de Lernach read by L. G. Peg. James
- 0:31Speaker 3: Bland read by Lewis West Potterhood read by James Curry,
- 0:36Speaker 3: Inspector Collins read by Our Mapstone.
- 0:40Speaker 1: James McPherson read by Charles Conover.
- 0:43Speaker 2: Saint Helen's Stationmaster read by Rob.
- 0:46Speaker 1: Marland, Manchester Stationmaster read by Lary.
- 0:50Speaker 2: Wilson, Collins Green Stationmaster read by Twinkle Earlston station Master
- 0:57Speaker 2: read by Adrian Stephens. Station Master read by Lauren Emma
- 1:02Speaker 2: Kenyon Junction station Master read by Thomas Peter bart and Moss.
- 1:06Speaker 2: Station Master read by Marvin Bonarescue.
- 1:10Speaker 3: James read by Noel Vox. Edward read by Thomas Peter.
- 1:15Speaker 2: Sparrow, McCoy read by Adrian Stephens, John Palmer read by
- 1:20Speaker 2: Brent Burgess. John read by Charles Carnover, Coroner read by
- 1:26Speaker 2: Lauren Emma Dude, read by James Curin.
- 1:29Speaker 1: Narrator read by Michelle Eaton. Chapter one of four non
- 1:36Speaker 1: canonical Sherlock Holmes short stories by Arthur Conan Doyle. This
- 1:41Speaker 1: is a LibriVox recording. All LibriVox recordings are in the
- 1:45Speaker 1: public domain. For more information or to volunteer, please visit
- 1:49Speaker 1: LibriVox dot org. Chapter one, The Field Bazaar.
- 1:55Speaker 2: I should certainly do it, said Sherlock Holmes. I started
- 1:59Speaker 2: at the end, for my companion had been eating his breakfast,
- 2:03Speaker 2: with his attention entirely centered upon the paper, which was
- 2:06Speaker 2: propped up by the coffee pot. Now I looked across
- 2:10Speaker 2: at him to find his eyes fastened upon me with
- 2:12Speaker 2: the half amused, half questioning expression which he usually assumed
- 2:17Speaker 2: when he felt he had made an intellectual point. Do
- 2:20Speaker 2: what I asked, he smiled, as he took his slipper
- 2:23Speaker 2: from the mantelpiece and drew from it enough shagged tobacco
- 2:27Speaker 2: to fill the old clay pipe with which he invariably
- 2:30Speaker 2: rounded off his breakfast.
- 2:32Speaker 3: A most characteristic question of yours, Watson said, he You
- 2:36Speaker 3: will not, I am sure be offended if I say
- 2:39Speaker 3: that any reputation for sharpness which I may possess, has
- 2:42Speaker 3: been entirely gained by the admirable foil which you have
- 2:46Speaker 3: made for me. Have I not heard of debutantes who
- 2:49Speaker 3: have insisted upon plainness in their chaperones? There is a
- 2:54Speaker 3: certain analogy.
- 2:56Speaker 2: Our long companionship in the Baker Street rooms had left
- 2:59Speaker 2: us on those easy terms of intimacy, when much may
- 3:03Speaker 2: be said without offense. And yet I acknowledged that I
- 3:06Speaker 2: was nettled at his remark. I may be very obtuse,
- 3:10Speaker 2: said I, but I confess that I am unable to
- 3:13Speaker 2: see how you have managed to know that I was.
- 3:16Speaker 3: I was asked to help in the Edinburgh University Bazaar precisely.
- 3:21Speaker 2: The letter has only just come to hand, and I
- 3:24Speaker 2: have not spoken to you since.
- 3:26Speaker 3: In spite of that.
- 3:28Speaker 2: Said Holmes, leaning back in his chair and putting his
- 3:31Speaker 2: finger tips together.
- 3:32Speaker 3: I would even venture to suggest that the object of
- 3:35Speaker 3: the bazaar is to enlarge the university cricket field.
- 3:39Speaker 2: I looked at him in such bewilderment that he vibrated
- 3:42Speaker 2: with silent laughter.
- 3:44Speaker 3: The fact is, my dear Watson, that you are an
- 3:47Speaker 3: excellent subject, said he. You are never blase. You respond
- 3:52Speaker 3: instantly to any external stimulus. Your mental processes may be slow,
- 3:57Speaker 3: but they are never obscure. I found during breakfast that
- 4:01Speaker 3: you were easier reading than the leader in the times
- 4:04Speaker 3: in front of me.
- 4:05Speaker 2: I should be glad to know how you arrived at
- 4:08Speaker 2: your conclusions, said I.
- 4:10Speaker 3: I fear that my good nature in giving explanations has
- 4:14Speaker 3: seriously compromised.
- 4:16Speaker 2: My reputation, said Holmes.
- 4:18Speaker 3: But in this case the train of reasoning is based
- 4:21Speaker 3: upon such obvious facts that no credit can be claimed
- 4:25Speaker 3: for it. You entered the room with a thoughtful expression,
- 4:29Speaker 3: the expression of a man who is debating some point
- 4:31Speaker 3: in his mind. In your hand you held a solitary letter. Now,
- 4:36Speaker 3: last night you retired in the best of spirits, so
- 4:39Speaker 3: it was clear that it was this letter in your
- 4:42Speaker 3: hand which had caused the change in you.
- 4:45Speaker 2: This is obvious.
- 4:47Speaker 3: It is all obvious when it is explained to you.
- 4:50Speaker 3: I naturally asked myself what the letter could contain which
- 4:53Speaker 3: might have this effect upon you. As you walked, you
- 4:56Speaker 3: held the flap side of the envelope towards me, and
- 4:59Speaker 3: I saw upon it the same shield shaped device which
- 5:02Speaker 3: I have observed upon your old college cricket cap. It
- 5:06Speaker 3: was clear then that the request came from Edinburgh University
- 5:09Speaker 3: or from some club connected with the university. When you
- 5:13Speaker 3: reached the table, you laid down the letter beside your plate,
- 5:16Speaker 3: with the address uppermost, and you walked over to look
- 5:20Speaker 3: at the framed photograph upon the left of the mantelpiece.
- 5:24Speaker 2: It amazed me to see the accuracy with which he
- 5:27Speaker 2: had observed my movements. What next, I asked.
- 5:31Speaker 3: I began by glancing at the address, and I could tell,
- 5:34Speaker 3: even at the distance of six feet, that it was
- 5:37Speaker 3: an unofficial communication. This I gathered from the use of
- 5:40Speaker 3: the word doctor upon the address, to which, as a
- 5:44Speaker 3: bachelor of Medicine, you have no legal claim. I knew
- 5:48Speaker 3: that university officials are pedantic in their correct use of titles,
- 5:52Speaker 3: and I was thus enabled to say with certainty that
- 5:55Speaker 3: your letter was unofficial. When on your return to the table,
- 5:59Speaker 3: you turned over your letter and allowed me to perceive
- 6:02Speaker 3: that the enclosure was a printed one. The idea of
- 6:05Speaker 3: a bazaar first occurred to me. I had already weighed
- 6:09Speaker 3: the possibility of its being a political communication, but this
- 6:13Speaker 3: seemed improbable in the present stagnant conditions of politics. When
- 6:19Speaker 3: you returned to the table, your face still retained its expression,
- 6:23Speaker 3: and it was evident that your examination of the photograph
- 6:26Speaker 3: had not changed the current of your thoughts. In that case,
- 6:30Speaker 3: it must itself bear upon the subject in question. I
- 6:34Speaker 3: turned my attention to the photograph therefore, and saw at
- 6:37Speaker 3: once that it consisted of yourself as a member of
- 6:40Speaker 3: the Edinburgh University eleven, with the pavilion and cricket field
- 6:43Speaker 3: in the background. My small experience of cricket clubs has
- 6:48Speaker 3: taught me that, next to churches and cavalry ensigns, they
- 6:52Speaker 3: are the most debt laden things upon earth. When upon
- 6:57Speaker 3: your return to the table, I saw you take out
- 6:59Speaker 3: your pencil and draw lines upon the envelope, I was
- 7:02Speaker 3: convinced that you were endeavoring to realize some projected improvement
- 7:07Speaker 3: which was to be brought about by a bazaar. Your
- 7:10Speaker 3: face still showed some indecision, so that I was able
- 7:13Speaker 3: to break in upon you with my advice that you
- 7:16Speaker 3: should assist in so good an object.
- 7:19Speaker 2: I could not help smiling at the extreme simplicity of
- 7:22Speaker 2: his explanation. Of course, it was as easy as possible,
- 7:26Speaker 2: said I. My remark appeared to nettle him.
- 7:30Speaker 3: I may add, said he that the particular help which
- 7:34Speaker 3: you have been asked to give was that you should
- 7:37Speaker 3: write in their album, and that you have already made
- 7:40Speaker 3: up your mind that the present incident will be the
- 7:43Speaker 3: subject of your article.
- 7:44Speaker 2: But how I cried, it.
- 7:47Speaker 3: Is as easy as possible, said he, and I leave
- 7:51Speaker 3: its solution to your own ingenuity.
- 7:53Speaker 2: In the meantime, he added, raising his paper, you.
- 7:57Speaker 3: Will excuse me if I returned to this very resting
- 8:00Speaker 3: article upon the Trees of Cremona and the exact reasons
- 8:03Speaker 3: for the pre eminence in the manufacture of violins. It
- 8:07Speaker 3: is one of those small, outlying problems to which I
- 8:09Speaker 3: am sometimes tempted to direct my attention.
- 8:14Speaker 1: End of Chapter one