Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Big Guy: The Case of the Villanious Friend (EP0958)

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The Big Guy: The Case of the Villanious Friend (EP0958) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to me Box thirteen at Great Detectives dot net, Follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com,
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slash Radio Detectives. Today's episode is brought to you by the financial support
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of our listeners. You can support the program at support not Great Detectives dot
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net. Well, now it's time to get into today's episode of The Big
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Guy. Kind of right in the middle of the programs run here now is
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the case of the Villainous Friend from August twenty seventh, nineteen fifty No not
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again, I'm twenty foot five in my thirty Sis nine hundred and two in
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a triple Z The Big Guy, NBC present The Big Guy, another in
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the series of adventures of a very unusual detective Got to a car, gon
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to a car work for his clients on a strictly cash basis to provide for
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the needs of his nearest and dearest Josh Junior and his daughter Debby. To
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these two, Sharp is both father and mother to his clients. He is
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a good detective. To Josh and Debby, he's the friendly magician, the
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fabulous hero, the giant among giants, the Big Guy to Night's Adventure with
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the Big Guy, the case of the Villainous Friend. A man alone trying
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to bring up a pair of youngsters runs into a lot of unexpected problems.
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One of my most unexpected was a sudden shortage of bedtime stories. After all,
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you can read grimm fairy tales only a few hundred times before the kids
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begin to tire of them. And that goes her hands Christian Anderson and all
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the rest of the Once upon a timers. I had reached that point with
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Josh and Debby, and they were getting so bored with witches sleeping beauties.
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But finally, for all our sakes, I tried tapping a new source.
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I bought a copy of Tales from Shakespeare. It was an immediate hit.
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In fact, it was too big a hit. That first night I read
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The Tempest and two Gentlemen from Verona, And still they didn't want me to
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stop. What's the next one, Daddy, or we'll let the next one?
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Wait? Baby, you and Debbie have to go to sleep. What's
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right? It's the tragedy of Ofella. Now you just close your eyes and
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yes. Well, and he was a man, Josh, oh, what's
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the crap? Well, he was married to a woman named Desdemona, who
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loved him very much. Heganic tragedy. So the tragedy came about because he
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had a friend, a friend named the Argo, and the Argo came to
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a fellow and told him that Desdemona didn't love him at all. He said
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she loved somebody else. He was dead. Oh, very is what happens
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here? Well, next teak. Next a couple of shrewd articles who are
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trying to warm another story out of their hard working father. Give him a
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kiss and say good night. And it was a good night under my roof.
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But elsewhere things were happening that were fated finally to intrude on my routine
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and make a shambles of it. The center of these events was a boy,
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a boy named Frank Gallard. I'd snagged the lad in question two years
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ago after he'd assisted in the armed robbery of the filling stations and committed assault
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and battery resisting arrest. My action in the matter came as part of my
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contract with a mutual Indemnity Insurance Company, and I had been in the courtroom
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that day the judge passed a ten years sentence on Frank Gollard. And then
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the same evening, while I was telling Josh and Debbie about Othello inside the
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grabbed gray walls on the Upstate Penitentiary. One O three number or oh for
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one, the number five sick all four, temperator sells one day, number
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five sick all five, the number sick all by night numberator dembo be you
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hit your wife lately, Frank? Yeah, I got a letter from Lina
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last week. Now let's turn in happy thing. Yeah, sure, get
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in a minute, Lilah. Oh that's that's the pretty name. Half Come
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you ask me that? Oh I heard your tossing around last night. I
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knew you wasn't sleeping. And I've been thinking about all the guys in this
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place. Who got somebody waiting for him? And wondering where all I'm somebody's
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are tonight, wondering who she's dancing where, and wondering who she's drinking?
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Will wonder who is a kid? Is cold? You? One? Half?
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I was only wondering is a clean kid? Clean and sweep and straight?
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Oh boy? Sure, there's a few good friends in the world.
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Maybe you got yourself one of'em. You could expect me to get said,
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now, could you? Frank? Man never knows about a thing like
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that. Man just never know. Good Night, Half in sor. I
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mean, how you a Frank? I said, good night. I don't
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want you to be sore. I mean you hit hear me, Frank?
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Okay, I'm not sure that's okay? Half, good night. Baby.
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Half was his cell mate, and Half was his friends. Big, slow,
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paternal Half McClane in for life and not a man to talk much about
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the way he was to spend the rest of his natural days. It was
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you to a friendship, and the two found a degree of peace in each
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other's companionship. It was a piece, however, that was ripped the shreds
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with a suddenness of a thunderclap. One hot night in early August, Half
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had smuggled a newspaper from the prison library into the cell, and young Gallard
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was lying on his bunk turning the pages. He half the matter, what's
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seeking? You'll say, hey, listen to what's cute? Lovely? Who's
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made it? Doing a ten years stretch for armed robbery? Is now seeing
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the town inside out with more than one flick haired rolling off. Even while
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I was on trial, she was rocking off. Kid, take it when
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I took the ride of this pile of stinking start while I prayed for every
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night he was telling me out midnight to morning, night after night, listen
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times happening. But he had no choice about taking it. With his friend
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Half helped, he calmed down and went on with a monotonous routine of his
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daily life behind the walls of the prison. And then, late one night
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weeks later, in the tell he shared with Half McLean, he found that
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he didn't have to take it anymore. Right, hey, kid, wake
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up and listen. Listen, will happen? Listen? Good? You gotta
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get out of here. Let's you're reading yourself alive. You gotta moved loose
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from this place. But I can't. I can't for parole, getting a
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parole, baby, alps got it all fixed? Fine, you got it
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fixed. Take a look, kid, why did you get gone out of
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the arsenal? Baby? It took me three months and a lot of doing,
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but I got it. And the trusty, the one in the laundry
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office, he's going to leave the laundry door unlock for twenty minutes tomorrow night
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be a truck just outside. How'd you do? What it happened? Oh?
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Look, I've been in this can twelve years. There are ways,
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baby, there are always ways. You're going nah n, I got nothing
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with the outside world, kid, Apple, rest easy right here, you
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go on. You can still hate and that means you can still live,
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enjoy yourself. Don't get yourself snagged. Baby. It was at eleven o'clock
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the next night guard chief, two minutes before they've chosenn hour half in the
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claim stood crucial guard for the appearance of any official, and the boy prepared
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for his venture. Will you make for her a pipe figure leo show,
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I'll wait till she does quit and get nabbed off waiting forget it. I
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look, I'll get the grapevine and let her know that you're coming and tell
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her a standby for you know ye eleven o'clock. O can't play you age
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now, baby, happen will be around to look out for you. No
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point in saying thank you. I happen to go n How brain is?
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The boy was halfway across the prison yard when don't wear off and the shaft
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of a giant searchlight, fucking like the lunge of an angry lion. Darting
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out of its blair, he took cover behind an angle of the walls.
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The boy fired at the guard on the watch tap. He made a dash
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for the laundry building and found the door unlocked. The schedule. The truck
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roared along the back roads on the all night drive to the city while the
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state was springing into action to retake Frank Gallard, retake him dead or alive.
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Next morning, when I walked into my place of business, my own
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personal private eye, Risky Skinner was waiting for me, as usual, but
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today Risky wasn't alone. A young city cop, Tom Saunders by name,
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had dropped him to tell me about the Gallard estate. He was little more
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than a rookie, this cop, green but enterprising, so knowing you are
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the man who put the finger on him in the first place. Two years
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ago, Sharp, it occurred to a few of the boys at precinct headquarters
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that you might have ideas about retaking from a Gallars. They figured you deck
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off a few ankles about the pumps, it could be maybe useful commanding.
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It would be glad to do all. I can tell me how much action
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is underway now well, the state's being dragged, commended, and even the
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coast Guard has been alerted on this one. Any results yet so far we've
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drawn a goose egg and just a second, Yeah, sharp speaking, this
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is what where are you? I'm not calling from home at the shop.
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I'm afraid to go there. Why. I'll tell you why. I got
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a call last night from the grape Pine, a gold Hill. Yeah,
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Hike is on his way to my place, on the way to his own
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home. Hello, Hello, this is Dollars, This is Dallas. Hello.
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Hello. The wire was dead, but the news had been sensational,
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leaving risky to try to check back on the call. I found missus Gallard's
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addressed in the city listing, flatched on the patrolman Saunders, and headed for
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gallard home. By twenty five of ten we were in his apartment. I
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was at the window and Saunders by the door. Hey, shut up,
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okay, okay, I see him. He's coming in great, get ready
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for business. But wait for him in the hall, all right, easy
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with that door, Saunders, Harry comes, Let him get to the first
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landing and for peace sake. Stop shaking there he is. I'm carrying it
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down. Hey Saunders, no wait, but I was too late. The
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green Rookie firing in panic missed and Frank Gallard went crashing back down the stairs,
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through the door and out into the street. I didn't have to be
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told that once Blues Gallard would head for his wife. After all, Lilah
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had tipped me off, and he probably knew that she was the only person
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on earth who had been wise to his whereabouts. The immediate deal Airport was
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to contact her without delay. It was just about this time there came a
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knock on the door of Warden Jamison's office at the State Penitentiary, and the
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cell brought guard by the name of Spears walked in with the announcement that somebody
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wanted to talk to the warden or is it Spears, prisoner from cell blockade?
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He yam until I went to see what was wrong. Yes, Spears
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let me told me he could we take Gallart for it's nothing flat and helped
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me. Now I'm not kid, and I know exactly what I told you
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the way out? All right, all right, I'll talk to him.
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Okay, you say you can recapture Frank Collard and be back before morning.
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Oh are you number five thousand two? I mean your name, oh,
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my name? Name is half the claim. I presume the claim that you
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can only perform its remarkable feet if you allow to be left out of the
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person alone who wants alone? Send spears with me with a gun, A
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dozen guns? Two cares hell. Look, I'm only trying to do the
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right thing here, mister, wouldn't That's all I'm interested. All right,
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we'll send spear it with you and you won't regret it. I'll tell you
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what I'm telling you something, mcclaim. You're succeeding this mission. I'll say,
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what can be done to is to cure you a full and complete party.
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No you mean it? Don't you think you deserve it? Well?
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I yes, I did figure something like that. I imagine you didn't acclaim
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bear. Yes, sir, you'll take McLean into the city. Let him
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do exactly as he thinks. That so hap McClean, and former and temporary
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public hero passed out of the prison walls on his errand of black treachery.
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Meanwhile, we were still ransacking the city for Lillah, and as it turned
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out, Frank Gallard was doing the same in the poem Booths of a Hole
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in the wall cigar store on a side street. Yes, I'm a kind
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of get rid of view. Yeah, that's it. Howbout why she's had
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not give me a river of few? Five? Three four five? Thank
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you? Hello? Is this you, Lilah? How are you? Frank?
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Honey? I'm fine. I'm gonna look for your Lallah. Honey.
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I just turned on the radio and her news. I just woke up.
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I'm going to sleep. Why did you go up to Riverview to sleep?
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Lallah? What's the matter? Friend? Matter nothing? I just wanted to
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see you. Well, are you I'll come stay where you are, I'll
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come to you. Do you remember how to get here? Yeah? I
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remember? You're alone? Lallah? Yes, girlfriend was staying with me up
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until last night. She had to get back to talk. Oh honey,
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I wish we could be together. I wish we never had to leave here.
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Say where you are till I get that baby? Maybe you never will.
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Feeling for the gun butt in his pocket, Frank Gallard ducked out onto
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the sidewalk and started the Toucher's journey for his final long sought vengeance. Wait
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in the afternoon back at the office, Thunders and I were checking the short
18:03
wave report. You know it baffles me a little shot. And what does
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Dollard's wife turning it in? Why she's a gunman's doll isn't sing? No,
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no, no, no quite anyway, she's not running through the phone,
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why not? A word around has been that she's almost arranged for parole.
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Raight, uh yeah, very Banner, yeah, risky, little luck
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at last that we can use. I think I found out where missus Gallard
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phone you prompt, yeah, but I'm afraid I won't help. And he
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seems to be raying up from my phone booth, phone booth. Huh where
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in a place called banners Tabin over a time street near the river? You
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know it? I said, Do you know it's commander huh oh, yeah,
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yeah, I know it. Riskyah, commander, Go get me a
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cap and a sweater. Huh a cap in the sweater? What do he
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wanted for? Go? Where? I'm going to Banner's tavern? Risky?
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And I want her to look like one of the boy. Banner's tavern,
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at the foot of a wharf on the river had never been what might be
19:14
called a pride to the community, and tonight was no exception. The clientele
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I saw at once was entirely mailed, except for one blonde cutie who sat
19:23
alone over a glass of beer, a bright red scar of a smile on
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her hard face. Well, what are you looking at? What do you
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think? Honey? Dated? I got a boyfriend coming from where that would
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be telling? Well, how's of our little drink? Till he shows?
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Well, go ahead? What do you have? And water? Why not?
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What's your name? Beautiful? That's all? That's the Moody and Nester
20:00
Moody. So you ain't the dog used to kick around with half mcclaim.
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You don't half like that? Will you to operate together in North Jersey?
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What do you now? How's he doing these days? You didn't stir?
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Didn't you know that? For how long? Hard to say? Right now?
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There's some kind of caper in the words. Yeah, I've been trying
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to figure it out all night. What blue down? Well? Lean over
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here? Yeah, about eleven o'clock last night, Half set me the word
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over the grape vine. H And he tells me to call up a certain
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private eye this morning, announced myself as missus Galland and say that Frank is
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on his way to his wife's flash. What do you think? What do
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you think? I think? I trusted your mighty fast Hanson. How about
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that little grim? How about better? Better? How about a little pinch?
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What's rob? Stop? Lad? And I you handed that runn around
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this morning? I got her the headquarters, not, however, without a
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set of fingernail marks down my cheek and walked in on a bit of exciting
21:18
news. It seemed a postbal clerk at a place called Riverview had phoned in
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giving Lila Gallards whereabouts the addressed twenty one Canton Lane, at which street number
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Franks Gallard had just arrived. Frank, he founded so strange over the phone.
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I don't understand what have I done? It really wants me to tell
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you, Lilah. It's called the cups and told them where they could pick
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me up. I did, Frank? Yeah, thank Frank? How could
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I? I didn't even know you'd broken out? Claim got worked at the
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apartment last night? Who told you? I like dat? But I wasn't
21:55
there. I wasn't even there. That's an easy can be in and then
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you'll run for the temple. Thanks? Do you honestly believe I do that
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I know you hypocritical. I've done it. Yeah. Hello, he I
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lamed out myself, kid. I figured you needed somebody to look at it
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in the human You've done business, yet not all of it. I'm right
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here at home base. Yeah, baby, you'll contacted my wife last night.
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Thank you. I won't ask again. I gotta hang up now we
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get the second Frank. Look, I'm in the alley behind banners, tab
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and on the side by the riomor you know where that is. Yes,
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will beat it down to see me. You can. I got a power
22:53
along. Who's gonna see you safe out of the States on a strictly credit
22:57
basis. Okay, thanks, thanks to Billy. I'll see your power you
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sheep, lying, rocking, deceitful trap. No fank, no, not
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a gun. Come up. This is beyond bathing and no place for track.
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If I prayers, if they say him, there won't be any time
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later. I won't me time to prayer. Thank I die before I heard
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you. I don't mind losing my life right. All I'll be bread is
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I'll never see you again. Never. Never. It was at that moment
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that Risky and I drove up in front of twenty one Canton Lane and heard
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the shots as he ran up the path to the house that was come Yeah,
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Colard Colored you blessed food? Why didn't get do you crazy? Pop?
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I just killed a liar, a scoolly and a chick. That's going
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out with our question. First, there's got to be a few answers given
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boys, such as such as, did you know this cheat here had just
24:15
about arranged to get you parole at the next meeting of the board? A
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lie and do bad for your peace of mind? I'm not not when I
24:22
said that, nor when I say this. Your wife didn't call me an
24:26
inform on you today, Collared di. She didn't know, she didn't.
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The call I got came from a woman named Esther Moody, who made it
24:33
to help weave this met your caught animal Moody. That's the Moody who's that?
24:40
What she got to do with me? She's got nothing to do with
24:42
you. But I think maybe her boyfriend has her boyfriend, a guy by
24:48
the name of Hap McClean. For a moment he stared at me like a
24:59
wounded animal, and then his eyes closed. Slowly he shook his head wearily.
25:03
Is it to come out of a sick dizziness and neither riskin or.
25:07
I caught the movement of his hand as he blast dangling bunch of punkiness into
25:12
blind blackness, and he crised out through the window. Here or gone in
25:25
the alley behind Banner's taverns. He's getting chili waking him acclaiming where's your boy?
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He said, he's on his way to it. There we come.
25:41
He shot him. Can't you see flathead? Take in your gun. Let
25:45
me take him in there nice the final lamp post, so I don't see
25:49
you too soon. Here, I am kids. How you are making his
25:56
head? I killed her as sure, Sure that's what you had it too.
26:02
Come on, we'll go in Bannet and have a few snows. That'll
26:04
set you up, right, he half. Yeah. The pilot that was
26:10
gonna help me lamb out of the stake. Oh well, he had to
26:15
go, but he'd be back. I thinking he was back. Now that's
26:19
him behind the lamp posting it happened. I gotta get him through. The
26:25
kid, how much blood do you want on your hands? Baby? That's
26:29
a little more, just a little more, your grazy crummy stool pigeons.
26:41
Hap McLean took a look into the empty, cold eyes of the boy,
26:45
and suddenly bolted down the alley at the corner McLean form abruptly in pirate.
26:51
The bullet hit and he waited for Frank Dollard to go down, But he
26:55
waited in vain. The boy came hoarding head lord, staggering, baby,
27:04
baby, don't be sore on me. I don't want you saw on me
27:08
Frank as he spoke McClean fight again, and found himself with an empty gun
27:14
in his hand, and he blinked unbelievingly as the boys swayed with the anguish
27:18
of the shots, and then steadily he plowed forward, half crazy with fear.
27:23
McClean stumbled into the darkness until he came the world's end, the edge
27:26
of the wharf behind the tavern. Oh, don't be all thrank. You
27:33
gotta listen to your hat. You gotta listen to you are happy. You
27:37
can't be sore on me? Baby, Something for you ones, Oh,
27:44
don't shoot kid, what's cooked out there? Frank Gallard, looking like a
27:59
child to sleep, was dead, stretched out on the rotten planking of the
28:03
war when we found him. Josh and Debby were in bed. When I
28:14
climbed the stairs, to our flat, and knowing nothing of what was going
28:17
on inside of me, they clamored for the next story in the book.
28:21
The next story was a fellow, and as I read the tale of the
28:25
tragic Desert Desdemona and Otello and the final undoing of the Argo, I shuddered
28:30
with a kind of recognition. At the end of the narrative, there was
28:36
silence. Then the fellow killed himself too. Yes, baby, I don't
28:41
see why he had to dine. He didn't know what are you to hear?
28:45
His sleep? Which yet, daddy? Yes, essentially it was the
28:52
Argo's fault. So why did he just explain? Go on, listen?
28:57
Maybe he didn't want to, honey, Oh, hes because he'd lost his
29:03
the most it's let's part of it. What's the other card? God?
29:08
Don't you know he'd lost Theeago too, Yes, baby, you get the
29:15
point. He'd also lost his friends. Gothu, a sharp detective, works
29:44
for his clients on a strickly cash basis to provide for the needs of his
29:48
nearest and nearest Gas Junior and Debbie. To them, he's the friendly magician,
29:53
the fabulous hero, the giant among giants, the big guy. NBC
30:07
has presented another in a series of Adventures of the Big Guy, played by
30:11
Henry Calvin and featuring David Anderson as Josh Junior and Joan Laser as Debbie.
30:17
The script was written by Peter Barry and directed by Thomas Madigan. The music
30:21
was composed and played by Jack Wards. Members of the cast were Jim Stephen
30:25
Merrily, Joe, Peggy Lawton, Bill Zucker, Linda Watkins, Lyle Sugo,
30:30
and Sandy Slous as Risky Skinner. Your announcer is Peter Robberts. Three
30:38
Times Mean Good Times on NBC. The American album of Familiar Music returns tonight
30:45
over most of these NBC stations, resigning the finest in Sunday evening musical listening
30:51
designed for the entire family. On Sunday, September tenth, Peter Guild on
30:55
the Air will be back with more hour long present stations from Broadway in Hollywood,
31:00
featuring the most famous and colleged autists of stage, screen and radio.
31:03
Three Times Mean Good Time on NBC. Welcome back. You know his cellmate
31:19
with that use of baby baby all the time kind of reminded me of Dick
31:25
Fatal from ESPN's College Basketball Many many years, Mack. This episode raises a
31:34
number of interesting issues. From the writing standpoint, I just could not see
31:40
them sending Pappy in with a guard, promising apart and telling the guard to
31:48
do whatever he's said, even though he is one of the more memorable characters
31:53
we've had on the program. And of course for as a twenty first century
32:02
people, they're in a twenty first century. We may find the idea of
32:07
sitting down and reading your kids the story of Othello as a bedtime story perhaps
32:15
a little bit of an odd choice. They're actually, it should be noted,
32:21
were a couple of books that were in existence out at the time of
32:27
this program, one by Edith Edith nest Bit called Beautiful Stories from Shakespeare and
32:38
the other by Mary Lamb, which did actually look at shakespeare total level more
32:49
that children could understand it. And it is somewhat interesting. We tend to
32:55
think of the nineteen fifties as a period where kids were pretty well protected from
33:05
negativity, harm, and some might even say reality. But in some ways,
33:13
particularly with kids who are twelve and under, we've kind of changed our
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standards a little bit in terms of allowing of not allowing some things that would
33:29
have been perfectly acceptable on juvenile programs in the nineteen fifties. I mean,
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the Adventures of Superman was a children's show. But I've lost count of the
33:45
number of now to listener comments and feedback. And we have a listener voicemail
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on that vexing issue of a composer's name. Hi, Adam, missus timm
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and who saw in Arizona? And I believe the way you pronounced the name
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of the composer that you mentioned is Shastakovich. And I guess my four years
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of colleague Russian has finally come in handy for something thirty years later. Take
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care, Thanks Ken, well, and thank you for providing the name of
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Shastovich and your four years of college Russian apparently did better than my one semester.
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Thanks so much for the comment. Ken Rick also adds that Shastovich also
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wrote the gadfly used on Riley Ace of Spies. So there you go,
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and thank you so much both Ken and Rick. That will actually do it
34:49
for today. Join us back here tomorrow we continue the Amy Bradshaw matter.
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In the meanwhile, Send your comments to Box thirteen at Great Detectors dot net.
34:59
Follow us on Twitter and radio Detectives and become one of our friends on
35:04
Facebook, Facebook, dot com. Slash Radio Detectives from Boise, Idaho.
35:08
This is your host, Adam graham Son and off