Latest / The Path Went Chilly / Jean Spangler Pt. One
Transcript
- 0:31Speaker 1: Welcome back to the Path, went Chili. I'm Robin. Before
- 0:34Speaker 1: we start, I just wanted to mention that ash is
- 0:36Speaker 1: going to be taking a few more weeks off for
- 0:37Speaker 1: a personal issue. She had previously taken some time off
- 0:40Speaker 1: and we were going to record this week, but there
- 0:42Speaker 1: were some scheduling conflicts we couldn't get all three of
- 0:44Speaker 1: us together. So for the moment at least, it'll just
- 0:47Speaker 1: meet me telling some details about a case with jewels,
- 0:50Speaker 1: and she'll be given off her a live reaction. But
- 0:52Speaker 1: Ashley will hopefully be back within the next few weeks
- 0:55Speaker 1: and we'll be glad to have her again. So, Jules,
- 0:58Speaker 1: we're doing an old time Hollywood mystery this week. Have
- 1:01Speaker 1: you ever heard of the disappearance of Gene Spangler.
- 1:04Speaker 2: I have heard of this case. I can't think of
- 1:06Speaker 2: the details offhand, but I love an old timey mystery,
- 1:09Speaker 2: and I especially love an old timey Hollywood mystery.
- 1:13Speaker 1: Yeah, there is definitely a lot to talk about in
- 1:15Speaker 1: this one. It took place in Los Angeles in nineteen
- 1:18Speaker 1: forty nine, only like a couple years after the Black
- 1:20Speaker 1: Dolia Murder, and much like Elizabeth Short, Geen Spangler was
- 1:24Speaker 1: an aspiring actress and she kind of looked like Elizabeth
- 1:27Speaker 1: Short So there was speculation that maybe the cases were connected,
- 1:31Speaker 1: even though Jean's body was never found, and there are
- 1:34Speaker 1: number of twists and turns and possible theories, including the
- 1:36Speaker 1: potential involvement of one of the biggest stars in Hollywood
- 1:40Speaker 1: during this time period. So this is heavily talked about mystery,
- 1:44Speaker 1: which is often cited as one of the biggest unsolved
- 1:46Speaker 1: cases in the history of Hollywood.
- 1:49Speaker 2: Well, I'm excited to hear the details because the name
- 1:52Speaker 2: is familiar offhand, and I remember it being connected somehow
- 1:57Speaker 2: to the Black Dolia case, but I can't, for the
- 1:59Speaker 2: life of you recall exactly how. But I'm sure you're
- 2:02Speaker 2: going to share all of those details, So I'm excited
- 2:05Speaker 2: to get into.
- 2:05Speaker 1: It, definitely. So Jean Spangler was a very interesting person.
- 2:09Speaker 1: She was born in Seattle, Washington, but was hoping to
- 2:12Speaker 1: launch a successful career as a Hollywood actress. In the
- 2:16Speaker 1: early nineteen forties, she had gotten married to a plastics
- 2:19Speaker 1: manufacturer named Dexter Benner, but within six months she would
- 2:23Speaker 1: file for divorce, accusing her husband of cruelty. But in
- 2:26Speaker 1: spite of that, it took a while for the divorce
- 2:28Speaker 1: to actually get through because they would continue to maintain
- 2:31Speaker 1: an on again, off again relationship, and she became pregnant
- 2:35Speaker 1: with a daughter named Christine, who was born when Dexter
- 2:39Speaker 1: enlisted to the army and was overseas serving in World
- 2:42Speaker 1: War Two. When he returned to the United States. It
- 2:45Speaker 1: sounds like they tried to make it work but just couldn't.
- 2:47Speaker 1: So the divorce officially went through in the nineteen forty
- 2:50Speaker 1: six and after a lengthy two year court battle, Jean
- 2:54Speaker 1: was awarded custody of Christine and Dexter would get visitation
- 2:58Speaker 1: every other weekend. It was kind of crazy researching this
- 3:01Speaker 1: case is I look through the archives of newspapers dot
- 3:04Speaker 1: com and found Gene Spangler's name listed in a bunch
- 3:07Speaker 1: of articles in nineteen forty eight, the year before she
- 3:10Speaker 1: went missing. Because back then the Los Angeles Times would
- 3:12Speaker 1: actually report on custody battles between divorced couples. I guess
- 3:16Speaker 1: maybe because divorces were far less common back then. And
- 3:19Speaker 1: it's quite Hilary's to see some of the language. Because
- 3:22Speaker 1: the judge ruled in Jane's favor and said that even
- 3:25Speaker 1: quote unquote glamour girls can be good parents towards their children.
- 3:29Speaker 1: So that's why he decided to give Christine to Jane.
- 3:32Speaker 2: Wow, that's problematic, but definitely a product of its time.
- 3:36Speaker 2: And I really shudder to think what type of marriage
- 3:39Speaker 2: Jane and Jexter would have had, because in the nineteen forties,
- 3:43Speaker 2: to get a divorce, like you said, they covered it
- 3:45Speaker 2: in the Los Angeles Times, because divorce wasn't a common thing,
- 3:49Speaker 2: So I'm assuming it was essentially like a War of
- 3:52Speaker 2: the Roses type entertainment thing where people are like, oh,
- 3:55Speaker 2: let's tune in to see who's getting divorced, and look
- 3:58Speaker 2: at all like the sortid details. But I really would
- 4:02Speaker 2: wonder what was going on in their marriage. If she
- 4:05Speaker 2: was citing extreme cruelty, it must have been really bad
- 4:09Speaker 2: for her to want to leave the marriage and to
- 4:12Speaker 2: have that be the reason why. And then it makes
- 4:15Speaker 2: me sad that she continued to have an on again,
- 4:18Speaker 2: off again relationship, which so often happens with victims of
- 4:22Speaker 2: domestic violence. And then for Dexter to be overseas and
- 4:26Speaker 2: to give birth to her daughter and to be doing
- 4:28Speaker 2: that all on her own, that seems like an insurmountable task.
- 4:32Speaker 1: In the nineteen forties, Definitely, we're going to be talking
- 4:35Speaker 1: a lot more about Dexter. And even though I haven't
- 4:37Speaker 1: seen any direct accusations of domestic violence, it does sound
- 4:41Speaker 1: like the guy was a jerk. But he had gotten
- 4:44Speaker 1: remarried this point, to another woman, and Jean was technically
- 4:47Speaker 1: still a single mother. She had not hooked up with
- 4:49Speaker 1: anyone else. So for the courts to award custody of
- 4:53Speaker 1: Christine to her, when we know that single mothers were
- 4:55Speaker 1: looked down upon during the nineteen forties, probably shows that
- 4:59Speaker 1: they decided that if she wound up with Dexter, it
- 5:01Speaker 1: would be a pretty bad home life for the.
- 5:03Speaker 2: Child, exactly. And I just want to clarify when I
- 5:06Speaker 2: say domestic violence, I don't necessarily mean that he's putting
- 5:10Speaker 2: his hands on her. But by the definition of ex
- 5:13Speaker 2: of domestic violence, extreme cruelty would likely land within the
- 5:18Speaker 2: parameters of our modern definition.
- 5:21Speaker 1: Definitely, Yeah, so as possible. He was only verbally abusive
- 5:23Speaker 1: towards her and never actually laid a hand on her,
- 5:26Speaker 1: But it really did not sound like he was the
- 5:27Speaker 1: most pleasant person. But before this, Jene had worked as
- 5:31Speaker 1: a model and a showgirl. That's why she was referred
- 5:34Speaker 1: to as a glamour girl by the judge in the
- 5:36Speaker 1: custody case. But she was still hoping to make it
- 5:39Speaker 1: as a Hollywood actress, and thankfully she had a very
- 5:42Speaker 1: supportive mother named Florence, who said that she was going
- 5:46Speaker 1: to help raise Christine while she pursued her dream and
- 5:49Speaker 1: was seeking work. So by nineteen forty nine, Jean had
- 5:52Speaker 1: joined the Screen Extras Guild and had obtained work as
- 5:55Speaker 1: a bit player, dancer, or background extra in at least
- 5:58Speaker 1: eight Hollywood productions, but because she didn't have any lines
- 6:01Speaker 1: of dialogue and was not a center to the plot,
- 6:03Speaker 1: she never actually received screen credit for any of these
- 6:06Speaker 1: small roles, but she was still hoping to make it.
- 6:08Speaker 1: She was twenty six years old at this point, so
- 6:11Speaker 1: there was still some time for it. So on October
- 6:14Speaker 1: the seventh, nineteen forty nine, Florence was away visiting family
- 6:17Speaker 1: in Kentucky, so Jean's sister in law, Sophie, volunteered to
- 6:21Speaker 1: visit from Saint Louis and stay at their apartment to
- 6:24Speaker 1: help look after Christine because tragically, Jean's brother Edward had
- 6:29Speaker 1: actually been killed during World War Two when his bomber
- 6:32Speaker 1: went missing on a mission near Japan, which left Sophia
- 6:35Speaker 1: a widow, but Jean still had a close relationship with her,
- 6:38Speaker 1: so she volunteered to come to Los Angeles and watch
- 6:41Speaker 1: over Christine. And on this particular night, October the seventh,
- 6:45Speaker 1: Jean told Sophie that she was going to meet up
- 6:47Speaker 1: with her ex husband to discuss an overdue child support payment,
- 6:51Speaker 1: and after that she would spend the evening working on
- 6:53Speaker 1: a film shoot. So at five PM, Jean said goodbye
- 6:57Speaker 1: to Christine and Sophie and gave her a saying wish
- 7:01Speaker 1: me luck before she left the apartment. Two and a
- 7:04Speaker 1: half hours later, Jean's phone Sophie in order to check
- 7:07Speaker 1: on Christine and see how she was doing, which was
- 7:09Speaker 1: fairly common practice when she was gone. She would often
- 7:12Speaker 1: call the apartment to see how Christine was doing, and
- 7:15Speaker 1: she implied that she would not return home that evening
- 7:17Speaker 1: because she would have quote unquote to work the full
- 7:20Speaker 1: eight hours, which implied that she was going to be
- 7:23Speaker 1: on a long production. But after the call ended, this
- 7:26Speaker 1: would turn out to be the last time that Jane
- 7:28Speaker 1: was confirmed to be alive.
- 7:30Speaker 2: This to me, there's so many layers to this, Okay,
- 7:33Speaker 2: So Jeane is twenty six and she's lived like a
- 7:36Speaker 2: whole life. Most people when they're twenty six, maybe they're
- 7:40Speaker 2: just getting out of college, they're starting in the workforce.
- 7:43Speaker 2: But Jeane has already had a daughter, she's been married
- 7:46Speaker 2: and divorced, she's lost her brother to war, Like this
- 7:50Speaker 2: is a lot to be dealing with. And then she
- 7:52Speaker 2: gets custody of her daughter and is told that, you know,
- 7:56Speaker 2: even glamour girls are good mothers can be good mothers,
- 7:59Speaker 2: which just tell you about the attitudes of the time,
- 8:01Speaker 2: like you can't both be responsible and beautiful. And then
- 8:05Speaker 2: she has this dream to be on the silver screen,
- 8:07Speaker 2: which so many people had at the time, and I'm
- 8:10Speaker 2: sure have in a different way now because the landscape
- 8:14Speaker 2: has changed entirely.
- 8:16Speaker 3: But it just it really.
- 8:17Speaker 2: Hit me, like smacking the gut that this is somebody
- 8:20Speaker 2: who is she's not a baby, but she is so
- 8:24Speaker 2: young and this is so much responsibility, and it's great
- 8:28Speaker 2: that they really have this it takes a village to
- 8:31Speaker 2: raise a child type of mentality. With Florence stepping in
- 8:34Speaker 2: and being a really good constant in Christine's life and
- 8:39Speaker 2: there for Jean and in helping share the childcare responsibilities,
- 8:44Speaker 2: and it's great that when Florence can't be there, that
- 8:46Speaker 2: Sophie flies in to help look after Christine, and it
- 8:49Speaker 2: sounds like Jeane is very present. Even while she's at work,
- 8:53Speaker 2: she's calling in to check to see how Christine is doing.
- 8:56Speaker 2: So she sounds like an incredible mother.
- 8:59Speaker 1: She is, yeah, like she has lived a huge life
- 9:01Speaker 1: up to the age of twenty six. And then of
- 9:03Speaker 1: course she's going to become very famous for entirely different reasons,
- 9:07Speaker 1: not because she became a successful actress, but because she
- 9:10Speaker 1: would vanish without a trace and become the center of
- 9:12Speaker 1: an unsolved mystery. But it sounds like she was doing well,
- 9:16Speaker 1: Like she obviously regretted her relationship with Dexter, but she
- 9:19Speaker 1: genuinely loves her daughter and says, well, even though the
- 9:22Speaker 1: relationship turned up badly, at least I have this little girl,
- 9:25Speaker 1: and I have a very supportive family in order to
- 9:27Speaker 1: still pursue my dream. If you go on YouTube and
- 9:30Speaker 1: you look up a Three Stooges short called Mummies Dummies,
- 9:34Speaker 1: you could actually see Gene in the background of a
- 9:36Speaker 1: scene where she's playing a harem girl. Most of the
- 9:38Speaker 1: productions that she started you couldn't really see her in
- 9:41Speaker 1: the background, but that's one where you can actually see
- 9:44Speaker 1: her on camera, And it's kind of creepy to watch
- 9:46Speaker 1: this lighthearted's Three Stooges short and then realize that this
- 9:49Speaker 1: woman in the background is going to become a missing
- 9:51Speaker 1: person several months later.
- 9:54Speaker 2: Yeah, that is really eerie. It's sort of reminiscent of
- 9:58Speaker 2: what is the case that is attached to the movie
- 10:02Speaker 2: Jaws and their speculation that it could be the one
- 10:05Speaker 2: of the missing Jane does or I know you knew all.
- 10:08Speaker 3: The details to this.
- 10:10Speaker 1: Yeah, we actually covered this together on an episode. It
- 10:13Speaker 1: was the Lady of the Dunes case. She was an
- 10:15Speaker 1: unidentified woman found in that section of Massachusetts during the
- 10:19Speaker 1: summer of nineteen seventy four. And I know that Stephen
- 10:23Speaker 1: King's son Joe Hill Like was watching an anniversary screening
- 10:26Speaker 1: and saw this extra in the background and thought this
- 10:29Speaker 1: might be the Lady the Dunes. It kind of looked
- 10:31Speaker 1: like her composite sketch. But in recent years she was
- 10:34Speaker 1: identified as a woman named Ruth Marie Terry, and we
- 10:37Speaker 1: know that she did not appear in Jaws, so it
- 10:39Speaker 1: turned out to be a false lead. So over twenty
- 10:43Speaker 1: four hours passed and Jeane did not return which caused
- 10:46Speaker 1: Sophie to become concerned, so she decided to contact the
- 10:49Speaker 1: Los Angeles Police Department to report her missing, and surprise, surprise,
- 10:53Speaker 1: the police did not appear overly concerned at first. They
- 10:55Speaker 1: said that maybe Gene just disappeared for a quote unquote
- 10:58Speaker 1: fling and would come back on her own, But Sophie
- 11:02Speaker 1: was saying, even if Jeane was busy, she would always
- 11:04Speaker 1: call on the phone to check on Christine, and she
- 11:07Speaker 1: hadn't done that for twenty four hours, so they thought
- 11:09Speaker 1: that was a big sign. And then the following morning,
- 11:12Speaker 1: October the ninth, the case would go in a different
- 11:14Speaker 1: direction because they would discover Jean's purse at the entrance
- 11:18Speaker 1: to the Ferndal Trail at Griffith Park, which was located
- 11:21Speaker 1: about five miles away from Jean's apartment, so her identification
- 11:25Speaker 1: and her personal effects were still inside, so it did
- 11:27Speaker 1: not appear that a robbery took place, but one of
- 11:30Speaker 1: the straps was torn loose, suggesting that someone had ripped
- 11:33Speaker 1: it away by force. But the strangest clue was a
- 11:36Speaker 1: handwritten note that was inside which read quote, Kirk can't
- 11:39Speaker 1: wait any longer going to see doctor Scott. It will
- 11:43Speaker 1: work best this way while mother is away end quote.
- 11:46Speaker 1: And when Jean's mother, Florence, returned from Kentucky, she said
- 11:49Speaker 1: that this note was definitely in Jean's handwriting, and a
- 11:52Speaker 1: handwriting analysis pretty much reached the same conclusion after comparing
- 11:56Speaker 1: it to some other samples of Jeane's handwriting.
- 11:59Speaker 2: There is a few things that one could assume or
- 12:02Speaker 2: extrapolate from what is written in that note. What isn't
- 12:06Speaker 2: written in that note? My mind first goes to who
- 12:10Speaker 2: could this Kirk person be? Firstly, could it be a
- 12:13Speaker 2: love interest? Could it be somebody that she's in a
- 12:16Speaker 2: relationship with? And what could it be that she can't
- 12:20Speaker 2: wait any longer on? That would be best done will
- 12:24Speaker 2: mother is away? My mind first goes to termination of
- 12:28Speaker 2: a potential pregnancy.
- 12:30Speaker 1: Oh yeah, definitely that is going to be a theory
- 12:32Speaker 1: that's pushed forward. And another amusing detail is the mention
- 12:36Speaker 1: of Kirk and doctor Scott. And as we're going to
- 12:39Speaker 1: talk about, there would be rumors that Gene once had
- 12:41Speaker 1: an affair with someone named Scotty. So a lot of
- 12:44Speaker 1: people see this note to make Star Trek comparisons, even
- 12:46Speaker 1: though this was twenty years before Star Trek became a thing.
- 12:50Speaker 1: Oh that's funny, Yeah, weird coincidence. They figured that the
- 12:54Speaker 1: perse had only been dropped there on the morning of
- 12:56Speaker 1: October the ninth, because this was an entrance that a
- 12:59Speaker 1: lot of people passed through, a lot of hikers went through,
- 13:02Speaker 1: so they figured that if it had been there on
- 13:04Speaker 1: the seventh and the eighth, someone would have found it
- 13:06Speaker 1: much earlier. So it was probably deposited there a short
- 13:09Speaker 1: time before it was found, and they figured it was
- 13:12Speaker 1: probably thrown from a moving car just the way that
- 13:14Speaker 1: it landed. And if you look at some sources about
- 13:18Speaker 1: this case, they speculate that when you look at a
- 13:20Speaker 1: photo of the note, because photos of it are available online,
- 13:23Speaker 1: that the line it will work best this way while
- 13:26Speaker 1: mother is away. They think that it ends in a comma,
- 13:28Speaker 1: which made some people speculate that maybe she got interrupted
- 13:32Speaker 1: in the middle of writing this note and didn't get
- 13:34Speaker 1: a chance to finish it, because she didn't sign her
- 13:36Speaker 1: name at the end. When I look at photos, I
- 13:39Speaker 1: personally feel that it's a period. I don't think it's
- 13:42Speaker 1: a comma, so I don't really go to the theory
- 13:45Speaker 1: that she was interrupted in the middle of writing it.
- 13:47Speaker 1: But that line it will work best this way while
- 13:49Speaker 1: mother is away. Of course, is fueled speculation that maybe
- 13:52Speaker 1: she was planning an abortion or something because her mother
- 13:55Speaker 1: was in Kentucky, and maybe she decided to use this
- 13:58Speaker 1: opportunity to get rid of the child because she knew
- 14:01Speaker 1: that her mother would never find out.
- 14:03Speaker 2: Yeah, that makes sense. And she's already having to juggle
- 14:07Speaker 2: so many things, being a mother to Christine, trying to
- 14:11Speaker 2: actualize her dreams of being this movie star on the
- 14:16Speaker 2: silver screen, and that takes a lot of her time.
- 14:20Speaker 2: Being pregnant probably wasn't part of the plan, especially if
- 14:25Speaker 2: this guy is married or doesn't want to commit, or
- 14:29Speaker 2: she just isn't interested in pursuing a relationship long term.
- 14:34Speaker 2: It's one thing to be married and divorced and have
- 14:37Speaker 2: a child from your first husband, but it's a whole
- 14:40Speaker 2: other thing in the nineteen forties to then add another
- 14:43Speaker 2: child to the mix that you had out of wedlock.
- 14:46Speaker 1: Oh yeah, And it makes me think like, as we're
- 14:48Speaker 1: going to talk about, no one from Jean's family knew
- 14:51Speaker 1: of anyone named Kirk in her life. So if she
- 14:53Speaker 1: was having a relationship with this man and may have
- 14:55Speaker 1: just been an affair, and she didn't have any long
- 14:58Speaker 1: term plans, and that's why she didn't want this person's child.
- 15:02Speaker 1: And it would soon turn out that Gene had been
- 15:04Speaker 1: completely lying about what she was doing on the night
- 15:07Speaker 1: she disappeared. They contacted her ex husband Dexter about because
- 15:11Speaker 1: she had said that they had a meeting to discuss
- 15:13Speaker 1: overdue child support payments, but Dexter denied seeing Gene that
- 15:17Speaker 1: night and said that no meeting had ever been scheduled,
- 15:20Speaker 1: and Dexter's story was backed up by his current wife, Lynn,
- 15:23Speaker 1: who said that she was home with him the entire
- 15:25Speaker 1: evening and that Gene never showed up. And the disappearance
- 15:29Speaker 1: became even stranger when investigators checked all the studios in
- 15:33Speaker 1: the screen Exters Guild, because Gene had said that after
- 15:35Speaker 1: she saw Dexter, she was planning to do a film
- 15:38Speaker 1: shoot and that she would be gone probably as long
- 15:41Speaker 1: as eight hours, but they found out that there were
- 15:43Speaker 1: no shoots scheduled at all on the evening of October
- 15:46Speaker 1: the seventh, So that's pretty much two false stories that
- 15:49Speaker 1: she provided Sophie, which led to speculation that she was
- 15:53Speaker 1: doing something that she did not want her family to
- 15:55Speaker 1: know about.
- 15:56Speaker 2: Normally, when you would have a spouse back up your alibi.
- 16:01Speaker 2: In Dexter's case, I would think, oh, there could be
- 16:04Speaker 2: something untoward because this person has a vested interest in
- 16:08Speaker 2: lying because they want to keep their spouse out of jail.
- 16:11Speaker 2: But given the other details that we know, the Gene
- 16:14Speaker 2: lied about or misrepresented what she was doing that day
- 16:19Speaker 2: with regards to doing a shoot, that would have been
- 16:23Speaker 2: like the quote unquote full eight hours, which is what
- 16:26Speaker 2: she said to Sophie, and then she's never heard from again.
- 16:29Speaker 2: One detail I find interesting is if this kirkperson is
- 16:33Speaker 2: somehow responsible or I'm I guess there's many different scenarios.
- 16:37Speaker 2: If she had an abortion and something went wrong and
- 16:41Speaker 2: then they disposed of her body, or this Kirk person
- 16:44Speaker 2: could have done something to her if he felt that
- 16:47Speaker 2: maybe she changed her mind and decided that she wanted
- 16:49Speaker 2: to go full term with the pregnancy. We can't know
- 16:53Speaker 2: with the details that we have so far. But one
- 16:56Speaker 2: thing I do find interesting is wouldn't you want to
- 17:00Speaker 2: orch all evidence that could connect you to Gene? And
- 17:03Speaker 2: in Gene's purse, it would be pretty easy to have
- 17:05Speaker 2: looked to see if there was anything with your name
- 17:08Speaker 2: on it or anything that reflected that you had a relationship.
- 17:12Speaker 2: But the fact that her purse is dumped somebody went
- 17:14Speaker 2: out of their way. I guess they didn't go out
- 17:17Speaker 2: of their way if they tossed it out of a
- 17:18Speaker 2: moving car, But they could have very easily looked inside
- 17:21Speaker 2: to see what was in there, and you would have
- 17:23Speaker 2: seen this note. You'd think that you would dispose of
- 17:25Speaker 2: that before disposing of the purse.
- 17:27Speaker 1: Yeah, that is definitely one of the most baffling elements
- 17:30Speaker 1: of this entire case, because there has been speculation that
- 17:33Speaker 1: Kirk or perhaps doctor Scott were complicit in Gene's disappearance
- 17:37Speaker 1: and wanted to cover the whole thing up and maybe
- 17:39Speaker 1: threw her purse out because they wanted to make it
- 17:41Speaker 1: look like she was abducted or it had been the
- 17:43Speaker 1: victim of an assault or a robbery. But you would,
- 17:46Speaker 1: like you said, you would think they would look inside
- 17:48Speaker 1: the purse, and if this person had a secret they
- 17:50Speaker 1: wanted to hide and they wanted to cut off all
- 17:52Speaker 1: contact with Gene, they would get rid of the note.
- 17:54Speaker 1: They would completely torch it and ensure it's never been found.
- 17:57Speaker 1: Because if a perse had been found without the note,
- 18:00Speaker 1: no one would have even known about a potential connection
- 18:02Speaker 1: with Kirk or doctor Scott. So that's just what's so
- 18:05Speaker 1: weird about this whole situation is that it looks like
- 18:08Speaker 1: the scene was stage, but it's also seems like whoever
- 18:11Speaker 1: dumped the purse wanted the note to be found, So
- 18:14Speaker 1: how does that work?
- 18:15Speaker 2: But I also think that for us, it's really difficult
- 18:19Speaker 2: to divorce ourselves from the ideas of having some kind
- 18:23Speaker 2: of forensic knowledge, right, or forensic countermeasures that we would
- 18:28Speaker 2: expect that any criminal would employ some kind of friends
- 18:32Speaker 2: of countermeasure or know what to look for, But the
- 18:35Speaker 2: very basics of these things weren't really known. I mean
- 18:38Speaker 2: unless they were buying detective magazines, which were like a
- 18:42Speaker 2: big deal at the time. Right. I can't really see
- 18:46Speaker 2: any other source where you would find information on like
- 18:49Speaker 2: what you would do or how you would behave after
- 18:53Speaker 2: you've committed a crime. So maybe, like we're just taking
- 18:56Speaker 2: for granted that we have so much information about so
- 18:59Speaker 2: many cases where people have done the wrong things that
- 19:02Speaker 2: you learn what the right things are to do. If
- 19:06Speaker 2: you were in that scenario and you would want to
- 19:09Speaker 2: make sure that you destroy any or all connections to
- 19:12Speaker 2: you and that person, and the fact that that wasn't
- 19:14Speaker 2: done seems so odd to us. But is that just
- 19:17Speaker 2: because of our perspective in twenty twenty six?
- 19:20Speaker 1: That is true because we're true crime followers. We've looked
- 19:23Speaker 1: at so many of these cases, and if Jane was
- 19:25Speaker 1: killed by someone who may not have been planning to
- 19:27Speaker 1: kill her, they might have been in a panic and
- 19:29Speaker 1: under a lot of stress and just didn't go through
- 19:31Speaker 1: the basic step of checking inside or purse for a
- 19:34Speaker 1: note and then just tossed it without even thinking about it. So, yeah,
- 19:38Speaker 1: you've seen so many cases in which criminals do incredibly
- 19:41Speaker 1: stupid things and you wonder, how could they have done that?
- 19:43Speaker 1: But it's either because they were just not that bright
- 19:46Speaker 1: to begin with, or they were under a lot of
- 19:47Speaker 1: stress and we're not thinking clearly. So of course, once
- 19:51Speaker 1: Jeane's disappearance made the news, there would be numerous reported sightings.
- 19:54Speaker 1: Hover On the night she went missing, there was an
- 19:57Speaker 1: employee at the Farmer's Market, located only a few locks
- 20:00Speaker 1: from Jean's apartment, who claimed that they remembered seeing Jane
- 20:03Speaker 1: in there at around six pm, which is an hour
- 20:06Speaker 1: after she left, where she browsed around for a long
- 20:09Speaker 1: period of time and appeared to be waiting for someone,
- 20:12Speaker 1: and Jean was a regular customer at this market and
- 20:14Speaker 1: the employee had seen her there before, so that's why
- 20:17Speaker 1: they were certain that it was Jean. And we also
- 20:20Speaker 1: know that she phoned the apartment to speak to Sophie
- 20:23Speaker 1: and Christine about an hour later, so even if this
- 20:25Speaker 1: sighting was legitimate, she was still alive for at least
- 20:28Speaker 1: an hour afterwards. But the more interesting sightings took place
- 20:32Speaker 1: at around two am on the morning of October the eighth,
- 20:35Speaker 1: several hours later, where she was seen with an unidentified
- 20:39Speaker 1: man who appeared to be in his thirties in an
- 20:42Speaker 1: establishment called the Cheesebox Restaurant on the Sunset Strip. And
- 20:46Speaker 1: what's hilarious is that the eyewitness was a local radio
- 20:48Speaker 1: personality nicknamed Al the Sheikh Lazar, who did live broadcast
- 20:52Speaker 1: of his show inside this restaurant. But curiously, there were
- 20:55Speaker 1: two witnesses, like one of them said that they saw
- 20:58Speaker 1: Jene with only one man, whereas Al the Sheikh Lazaar
- 21:01Speaker 1: said that he saw Gene at the table with two men.
- 21:04Speaker 1: And I think this goes how unreliable eyewitness sightings can be.
- 21:07Speaker 1: That you have two people in the same location and
- 21:09Speaker 1: they can't have a consistent story about whether or not
- 21:12Speaker 1: one or two men were with Gene. But according to
- 21:15Speaker 1: the Sheik, he approached the table with a microphone to
- 21:18Speaker 1: interview them, but one of the men signaled that they
- 21:20Speaker 1: wanted him to go away.
- 21:22Speaker 2: I think that it could come down to both eyewitnesses
- 21:25Speaker 2: could be correct. There might have been only one man
- 21:28Speaker 2: at the table when the other eyewitness saw Gene with
- 21:32Speaker 2: the man. Maybe the other man was in the bathroom,
- 21:34Speaker 2: and so that's why they believed that there was only
- 21:37Speaker 2: one man at the table. And then when the Sheik
- 21:39Speaker 2: went over there to approach the table, there was both
- 21:42Speaker 2: men there. So they may have both been correct. Or
- 21:45Speaker 2: it could just be that we are awful at remembering
- 21:48Speaker 2: details of what we've seen and what we've witnessed, and
- 21:52Speaker 2: it's been replicated over and over and over again in
- 21:55Speaker 2: eyewitness studies, where people miss the most crucial details, and
- 22:00Speaker 2: we think that our memories are infallible, but we are
- 22:03Speaker 2: incredibly fallible, and very infrequently do we come up with
- 22:08Speaker 2: the perfect details of what actually happened. It's better when
- 22:12Speaker 2: you have like can I witnesses. You put all of
- 22:14Speaker 2: the details together and then you can see the commonalities.
- 22:18Speaker 1: Oh yeah, Like, I've seen other cases where a crime
- 22:21Speaker 1: took place in a location where there was something like
- 22:23Speaker 1: between five and ten witnesses, and you look at their
- 22:25Speaker 1: accounts and they provide completely different details each time because
- 22:29Speaker 1: they just have different memories. And of course, from the
- 22:33Speaker 1: point of view of these witnesses, this is an unremarkable
- 22:35Speaker 1: event because Gene has not been reported missing yet and
- 22:38Speaker 1: they only, after seeing your photo in the newspaper a
- 22:41Speaker 1: couple days later, come forward and say, oh, I thought
- 22:43Speaker 1: I saw but they may have just seen another completely
- 22:47Speaker 1: different woman who looked like her. And I know that
- 22:49Speaker 1: the employee at the supermarket personally knew Gene, but for
- 22:54Speaker 1: all we know, maybe they remembering a completely different night
- 22:56Speaker 1: that they saw Gene there on a previous occasion. So
- 22:59Speaker 1: your memories are always going to be fallible. And we
- 23:02Speaker 1: had one more eyewitness sighting which took place in the
- 23:04Speaker 1: early morning hours of October the eighth, where a gas
- 23:07Speaker 1: station attendant reported that a man driving a blue gray
- 23:10Speaker 1: convertible pulled in and asked him to fill up the
- 23:13Speaker 1: tank because he was going to Fresno. The attendant was
- 23:16Speaker 1: certain that he saw Jean slump down in the front seat,
- 23:19Speaker 1: but as the convertible was pulling away, she turned and
- 23:22Speaker 1: yelled out, have the police follow this car, And the
- 23:25Speaker 1: attendant did immediately call the police, but they were unable
- 23:28Speaker 1: to track down the convertible and it was only a
- 23:30Speaker 1: couple days later when he saw Gene Spangler's photo that
- 23:34Speaker 1: he became convinced that this was the woman he saw
- 23:36Speaker 1: in the car. And of course this could also be
- 23:38Speaker 1: a faulty eyewitness sighting, but he did report it immediately.
- 23:41Speaker 1: So if it wasn't Jean, who was this woman and
- 23:44Speaker 1: what was going on with her?
- 23:46Speaker 4: Yeah?
- 23:46Speaker 2: Okay, so it's dark outside and it would be really
- 23:49Speaker 2: difficult to positively identify a woman. But what does Land
- 23:54Speaker 2: cretens or credibility to the story is the fact that
- 23:57Speaker 2: he did call the police. Like you said, said, if
- 24:00Speaker 2: it wasn't Gene, then who was it? I mean, it
- 24:03Speaker 2: could have been somebody who maybe was taken out somewhere
- 24:07Speaker 2: and something was done to them and then they were
- 24:09Speaker 2: returned home alive, and they didn't report it to police.
- 24:12Speaker 2: Because reporting something like a sexual assault in the nineteen
- 24:16Speaker 2: forties to a police department like the LAPD, I can
- 24:20Speaker 2: only imagine what you would face. So I would assume
- 24:24Speaker 2: that a lot of situations like that could go unreported.
- 24:28Speaker 2: So maybe it's a coincidence, maybe it was Gene. I
- 24:31Speaker 2: really wish that we knew more about doctor Scotty and Kirk,
- 24:36Speaker 2: because if we did, then potentially we could tie this convertible,
- 24:40Speaker 2: this blue gray convertible, to one of them.
- 24:43Speaker 1: Well, now that we're on the subject, like I mentioned,
- 24:46Speaker 1: I know that Jean's family and friends said they didn't
- 24:48Speaker 1: know anyone in her life named Kirk or doctor scott
- 24:51Speaker 1: but her mother, Florence, said that there were two separate
- 24:53Speaker 1: incidents where Jane told her that someone named Kirk was
- 24:57Speaker 1: going to pick her up at their apartment, and I'm
- 24:59Speaker 1: both a ca Florence said that Kirk remained in the
- 25:02Speaker 1: car when he showed up, and he never went to
- 25:04Speaker 1: the front door, so Florence never actually saw who this was.
- 25:07Speaker 1: But I don't think she remembered any details about the car,
- 25:11Speaker 1: so I don't know if he might have shown up
- 25:12Speaker 1: there any blue gray convertible. But either way, the fact
- 25:16Speaker 1: that she didn't take the time to meet Jean's family
- 25:19Speaker 1: could be a sign that maybe this person was carrying
- 25:21Speaker 1: on an extramarital affair, that he didn't want people to
- 25:24Speaker 1: find out about And as we're going to talk about,
- 25:26Speaker 1: there's a very famous Kirk who will be tied into
- 25:29Speaker 1: this story and probably knew that if I go and
- 25:32Speaker 1: meet Jean's mother, she's instantly going to recognize me, and
- 25:34Speaker 1: I don't want anyone to see me.
- 25:37Speaker 3: Not Kirk Douglas.
- 25:38Speaker 1: Yes, that's who it is.
- 25:39Speaker 2: Okay, Well that would check out in the sense that
- 25:44Speaker 2: if you got this older, more established man who is
- 25:48Speaker 2: carrying on an extramarital affair, they might not want to
- 25:52Speaker 2: meet the family for multiple reasons. One, they don't want
- 25:55Speaker 2: to be identified, and they've likely told the person that
- 25:57Speaker 2: they're having the affair with. In this case, Gene, don't
- 26:01Speaker 2: tell your family who I am and that you know
- 26:04Speaker 2: I'm famous because I'm married. This could be a problem
- 26:06Speaker 2: for us. Who knows what they're saying. Maybe they're saying
- 26:10Speaker 2: later down the line, when I leave my wife, then
- 26:12Speaker 2: you can say you know who I am. But as
- 26:15Speaker 2: it is right now, keep it a secret. And I
- 26:17Speaker 2: feel like if it was a convertible, maybe she didn't
- 26:20Speaker 2: peek out the window, but I would if I was
- 26:23Speaker 2: Florence be peeking out that window trying to get a
- 26:26Speaker 2: good look and see to see who was picking up
- 26:28Speaker 2: my daughter, because she was obviously being evasive when giving details.
- 26:34Speaker 1: I'm asking if it was a convertible, it probably had
- 26:36Speaker 1: the top up on that particular night, because otherwise it
- 26:39Speaker 1: would be easier to see his face. But to confirm,
- 26:42Speaker 1: g never actually said this was a boyfriend or it
- 26:44Speaker 1: was a date. She just says, I'm being picked up
- 26:46Speaker 1: by someone named Kirk. So for all we know, maybe
- 26:49Speaker 1: it was just a friend or a casual acquaintance. But
- 26:51Speaker 1: once again, no one of her friends and families knew
- 26:53Speaker 1: of her having an association with anyone named Kirk.
- 26:57Speaker 2: But if you just have a friend and their name
- 26:59Speaker 2: is Kirk, you would think that, like you would share
- 27:02Speaker 2: details of this friendship. Right when somebody is completely evasive
- 27:06Speaker 2: or they're being cagey about details like that, and it's
- 27:09Speaker 2: a completely platonic relationship, you would think that you would
- 27:12Speaker 2: tell your mother about like, oh, yeah, I met this guy,
- 27:17Speaker 2: we met on set. We just really connected. It's purely platonic.
- 27:20Speaker 2: There's like no love connection there, but we don't see that.
- 27:24Speaker 2: So maybe I'm reading too much into it, But my
- 27:27Speaker 2: gut just tells me that when you're giving such minimal
- 27:30Speaker 2: details and this person doesn't come to the door, it
- 27:33Speaker 2: just screams extramarital.
- 27:35Speaker 1: Affair, definitely. And Kirk Douglas was married at this point
- 27:39Speaker 1: to his first wife, Diana Dell. He already had two sons,
- 27:42Speaker 1: including Michael Douglas, who went on to become a very
- 27:45Speaker 1: famous actor on his own. And Kirk and Diana got
- 27:48Speaker 1: divorced a few years later because, surprise the Rise, it
- 27:50Speaker 1: turned out he was a major womanizer and there was
- 27:52Speaker 1: a lot of infidelity during the marriage. So I can
- 27:55Speaker 1: definitely see him not wanting to introduce himself to Jean's
- 27:58Speaker 1: family if this affair was secret, And this wasn't really
- 28:02Speaker 1: a stretch because there was a connection between Kirk Douglas
- 28:05Speaker 1: and Jean because a few months earlier, she had had
- 28:08Speaker 1: a bit part as a hula dancer in a film
- 28:11Speaker 1: called A Young Man with a Horn in which Douglas
- 28:14Speaker 1: was the lead actor. And this is where it gets
- 28:17Speaker 1: very strange, because Kirk Douglas wound up inserting himself into
- 28:20Speaker 1: the investigation into Jane's disappearance before the police even made
- 28:24Speaker 1: the connection. At in the night she went missing, he
- 28:27Speaker 1: was supposedly vacationing in Palm Springs, which was about one
- 28:29Speaker 1: hundred miles away. But after learning about Jane's disappearance in
- 28:32Speaker 1: the newspaper and the report about the discovery of the
- 28:36Speaker 1: note in her purse which mentioned someone named Kirk, Douglas
- 28:39Speaker 1: took it upon himself to call the LAPD Deputy Chief
- 28:42Speaker 1: and confirm that I do not know this woman. I
- 28:45Speaker 1: am most definitely not the mysterious Kirk in the note,
- 28:47Speaker 1: even though no one had asked him so. A short
- 28:50Speaker 1: time later he came in to be formally interviewed by
- 28:53Speaker 1: the Deputy Chief, but this time he claimed, oh, a
- 28:56Speaker 1: friend of mine reminded me that Jane was a tall
- 28:59Speaker 1: girl with a green dress who was a background extra
- 29:02Speaker 1: on Young Man with the Horn. And now I recall
- 29:05Speaker 1: that I briefly talked and kidded with her on the set,
- 29:07Speaker 1: but I never actually learned her name, and I had
- 29:10Speaker 1: no other actions with her outside the production. And he
- 29:13Speaker 1: even went so far as to hold a formal press
- 29:15Speaker 1: conference in order to deny any knowledge of Jeane's disappearance.
- 29:19Speaker 1: But obviously, alarm bells are going off because he's taking
- 29:22Speaker 1: a lot of steps to insert himself into the investigation
- 29:25Speaker 1: before anyone has even asked do you happen to be
- 29:27Speaker 1: the Kirk in the note?
- 29:29Speaker 2: Oh, okay, there's a lot here. So Kirk is doing
- 29:35Speaker 2: way too much. And I'm sure some of you remember
- 29:40Speaker 2: Robin and I have done a statement analysis episode, and
- 29:42Speaker 2: I've been trained in statement analysis, and I can't go
- 29:45Speaker 2: through the whole statement that Robin's just said, but just
- 29:48Speaker 2: in cherry picking little bits, there's a lot of deception
- 29:51Speaker 2: going on here. He's volunteering information without being asked, which
- 29:55Speaker 2: is a major major red flag. Even just the use
- 29:58Speaker 2: of the word actually didn't know her name, that is
- 30:01Speaker 2: a red flag for deception. I think that Kirk Doff
- 30:05Speaker 2: protests too much. There's just a lot happening. It sounds
- 30:10Speaker 2: like a guilty conscience, whether or not he had something
- 30:13Speaker 2: to do with it, or he's guilty because of the
- 30:16Speaker 2: affair and he thinks somehow somebody is going to connect
- 30:19Speaker 2: him to it. I'm not saying he had anything to
- 30:21Speaker 2: do with her disappearance, but the guilt may stem from
- 30:25Speaker 2: a potential extramarital affair, all allegedly. But it's a little
- 30:31Speaker 2: weird when you read about this and you're scurrying to
- 30:35Speaker 2: give a statement and a statement publicly and it's like
- 30:39Speaker 2: no one's even connected Kirk Douglas. You were connected, she
- 30:44Speaker 2: had a bit part in one of the movies that
- 30:46Speaker 2: you were on. Would anybody have made that connection before
- 30:49Speaker 2: the Internet. I really doubt it.
- 30:52Speaker 1: Yeah, because it's not like she's credited in there, Like
- 30:54Speaker 1: you would have to do a lot of research looking
- 30:56Speaker 1: into like a background extra records just to see if
- 30:59Speaker 1: Gene were on that set, And a lot of the
- 31:01Speaker 1: time the extras don't interact with the big stars, so
- 31:04Speaker 1: there was no reason to believe that she personally knew
- 31:07Speaker 1: Kirk Douglas. But if you've seen photos of Gene, she's
- 31:10Speaker 1: a very good looking woman, and I could definitely see
- 31:12Speaker 1: someone like Kirk being interested on her if they started
- 31:16Speaker 1: flirting on the set and made a connection and started
- 31:18Speaker 1: secretly going out together, even though he was married at
- 31:21Speaker 1: the time. And there's also the fact that Kurt is
- 31:24Speaker 1: a very unique name, because theoretically, if she had been
- 31:27Speaker 1: a background extra on a John Wayne movie and the
- 31:30Speaker 1: note said, dear John, you're not automatically gonna think John Wayne,
- 31:34Speaker 1: but when you think Kirk, you're like, how many other
- 31:36Speaker 1: big movie stars are around at the time named Kirk.
- 31:40Speaker 2: That's clearly what Kirk was thinking when the note said,
- 31:43Speaker 2: you know to Kirk, but it seems bizarre to me
- 31:46Speaker 2: that he would go out of his way after supposedly
- 31:49Speaker 2: vacationing in Palm Springs to like insert himself into this investigation.
- 31:54Speaker 2: We see it time and time again and again. I'm
- 31:57Speaker 2: not saying the guilty conscience means that he murdered Gene
- 32:00Speaker 2: or he made her disappear, but I'm not saying that
- 32:03Speaker 2: he didn't either. We just don't know those details or
- 32:06Speaker 2: where this potential guilty conscience could stem from. But his
- 32:10Speaker 2: behavior is indicative of somebody who's engaging in deception, that
- 32:14Speaker 2: is for sure.
- 32:16Speaker 1: And the big thing is that Kirk Douglas is an
- 32:18Speaker 1: actor who is known for potentially having a lot of
- 32:21Speaker 1: skeletons in his closet. Have you heard the rumor about
- 32:23Speaker 1: him and Natalie Wood?
- 32:25Speaker 2: Kirk Douglas. Was he the one who was married to
- 32:28Speaker 2: Natalie Wood? That was John Boyight?
- 32:31Speaker 1: It was actually Robert Wagner when she died.
- 32:34Speaker 2: Yeah, Okay, okay, And so he's the one who may
- 32:36Speaker 2: have allegedly murdered Natalie Wood.
- 32:39Speaker 1: Yeah, because she died and what was ruled to be
- 32:41Speaker 1: a drowning accident in nineteen eighty one, and to this
- 32:43Speaker 1: day there's suspicions because Robert Wagner was on the boat,
- 32:46Speaker 1: that he may have had something to do with it.
- 32:48Speaker 3: Well, he was jealous of Christopher Walkin, yeah.
- 32:51Speaker 1: Because he was on the boat that night too, But
- 32:52Speaker 1: he has always denied any knowledge or involvement of what
- 32:55Speaker 1: happened to her.
- 32:56Speaker 2: I always get Christopher Walkin and John boyight mixed up.
- 32:58Speaker 2: I knew somehow with somebody look similar to that was
- 33:01Speaker 2: involved in this. Okay, So Howard Kirk Douglas and Natalie
- 33:05Speaker 2: Wood connected.
- 33:07Speaker 1: Well, this is a pretty horrible story. But Natalie Wood
- 33:10Speaker 1: started out as a famous child actress during the forties
- 33:13Speaker 1: and in the nineteen fifties she was just a teen
- 33:16Speaker 1: And in two thousand and once, many years after Natalie
- 33:19Speaker 1: Wood was dead, someone wrote a biography about her life
- 33:21Speaker 1: and said that in the nineteen fifties, when she was
- 33:24Speaker 1: only sixteen years old, her mother, who was a major
- 33:27Speaker 1: stage mom, brought her to a hotel suite with a
- 33:29Speaker 1: for an audition with a major Hollywood star. But Natalie
- 33:33Speaker 1: wound up supposedly being raped so badly that she was
- 33:37Speaker 1: seriously injured, and the story goes that her mother didn't
- 33:40Speaker 1: want to derail Natalie's career and knew that if she
- 33:43Speaker 1: spoke up and accused this actor of rape, her career
- 33:45Speaker 1: would be done. And of course, when this book came
- 33:48Speaker 1: out in two thousand and one, it didn't name who
- 33:50Speaker 1: the alleged actor was, but shortly thereafter Natalie's younger sister
- 33:55Speaker 1: Lana Wood, who was only eight years old at the
- 33:57Speaker 1: time and went on to become a Hollywood actress herself. Yeah,
- 34:00Speaker 1: it was someone pretty big, but I'm not going to
- 34:02Speaker 1: say his name while he's still alive. And as the
- 34:05Speaker 1: years went on, Kirk Douglas lived to the age of
- 34:08Speaker 1: one hundred and threes, so people, by process of elimination,
- 34:12Speaker 1: were starting to wonder, hmm, could it potentially be him,
- 34:14Speaker 1: because she's still not saying anything and he's still alive.
- 34:18Speaker 1: And then in twenty twelve or so, there was this
- 34:20Speaker 1: Hollywood this blog about Hollywood gossip where someone left the
- 34:24Speaker 1: very lengthy comments confirming that this story was true, saying
- 34:28Speaker 1: that I worked with Natalie Wood's daughter, Natasha Gregson Wagner
- 34:32Speaker 1: in a movie in the nineteen nineties, and she told
- 34:35Speaker 1: me the story about her mother was raped and stayed
- 34:38Speaker 1: silent about it because the assailant was a big Hollywood star,
- 34:42Speaker 1: and this commentar flat out said that yes, it is
- 34:44Speaker 1: Kirk Douglas. And was even crazier about this story is
- 34:47Speaker 1: that there were rumors that this anonymous commentor was Robert
- 34:50Speaker 1: Downey Junior because he had worked with Natasha Gregson Wagner
- 34:55Speaker 1: on a film in the nineteen nineties called Two Girls
- 34:58Speaker 1: and the Guy, and they did become good friends. So
- 35:01Speaker 1: people started speculating that down you wanted to speak out
- 35:03Speaker 1: about the whole thing and left this anonymous, anonymous comment
- 35:06Speaker 1: but of course his publicist denied the whole thing. But
- 35:09Speaker 1: to this day, the identity of this commenter is still
- 35:12Speaker 1: a big mystery.
- 35:14Speaker 2: Wow, iron Man comes in to save the day and
- 35:18Speaker 2: really come in with the disclosure. It sounds like, even
- 35:22Speaker 2: though it's alleged that there's some credence to this, obviously
- 35:27Speaker 2: and if true, absolutely disgusting. Who would do this to
- 35:32Speaker 2: a child and who would subject innocence to this so
- 35:37Speaker 2: far as to like injure this child. It's I have
- 35:42Speaker 2: no words for somebody that would do something like that.
- 35:46Speaker 2: And so if we're to believe that that is true,
- 35:49Speaker 2: and I'm more inclined to believe even though it's alleged. Personally,
- 35:52Speaker 2: I'm more inclined to believe that it is based on
- 35:55Speaker 2: all of the information that you shared. And then is
- 36:00Speaker 2: it that big of a stretch to believe that somebody
- 36:03Speaker 2: who could do something like that potentially to a child
- 36:06Speaker 2: allegedly would then go on and impregnate somebody during an
- 36:11Speaker 2: extramarital affair and then potentially murder them or have them
- 36:16Speaker 2: murdered or make them disappear in some capacity. Like I
- 36:19Speaker 2: believe if you can do that to a child, that
- 36:21Speaker 2: you are literally capable of anything.
- 36:24Speaker 1: Yeah. Like, that's why I had to bring this up,
- 36:26Speaker 1: because I covered this on the Trail and Cold six
- 36:28Speaker 1: years ago, and I thought, well, if I don't bring
- 36:30Speaker 1: it up, a lot of people are going to mention
- 36:32Speaker 1: it to me, because obviously, if he's capable of raping
- 36:35Speaker 1: a child, he might have some skeletons in his closet
- 36:38Speaker 1: about Gene Spangler. And this whole rumor has picked up
- 36:41Speaker 1: a lot of momentum in recent years because I know
- 36:43Speaker 1: that Kirk, when he was over one hundred years old,
- 36:46Speaker 1: was honored at the twenty eighteen Golden Globes and there
- 36:49Speaker 1: was a lot of people speaking out about it on
- 36:51Speaker 1: social media, saying that we've just started the me too
- 36:54Speaker 1: movement because that's when it was gaining a lot of traction.
- 36:56Speaker 1: And here you are honoring a man who supposedly raped
- 36:59Speaker 1: a sixteen year old back during the nineteen fifties. This
- 37:03Speaker 1: is a really bad image. And of course, Kirk died
- 37:06Speaker 1: in twenty twenty at the age of one hundred and three,
- 37:09Speaker 1: and in the following year, Lana Wood, who has always
- 37:11Speaker 1: been convinced that her sister was murdered, published a memoir
- 37:15Speaker 1: about the investigation into Natalie Would's suspicious death, and she
- 37:18Speaker 1: finally confirmed in print that yes, the actor who raped
- 37:22Speaker 1: my sister all those years ago was Kirk Douglas, and
- 37:25Speaker 1: our mother told us to keep silent about it in
- 37:28Speaker 1: order to not destroy our own careers. And with the
- 37:31Speaker 1: ass Michael Douglas for comments, he simply had his publicist
- 37:34Speaker 1: sent out this quote, May they both rest in peace.
- 37:37Speaker 1: So he never actually denied it or attempted to defend
- 37:40Speaker 1: his father. So I have to wonder if this rumor
- 37:42Speaker 1: does have a lot of clarity and a lot of legs.
- 37:45Speaker 2: To it personally, if Lanna Wood is confirming it, and
- 37:49Speaker 2: then we bought all the other information. I'm personally inclined
- 37:52Speaker 2: to believe that it's true and to believe that this
- 37:54Speaker 2: did happen to Natalie, which is so tragic because she
- 37:58Speaker 2: had such a tragic life with a very overbearing mother
- 38:02Speaker 2: and then being in a marriage with Robert Wagner that
- 38:05Speaker 2: seemed very tumultuous. But if she had to endure this
- 38:09Speaker 2: at the hands of Kirk Douglas, it is absolutely disgusting
- 38:13Speaker 2: and I can't imagine the trauma and the impact that
- 38:16Speaker 2: that had on her throughout her life. And it's not
- 38:19Speaker 2: something that just goes away or that somebody gets over.
- 38:23Speaker 2: A sexual assault like that, which basically her mother offering
- 38:26Speaker 2: her up like that she can't consent. It's vile, it's predatory.
- 38:31Speaker 2: And the fact that Michael Douglas just says may they
- 38:34Speaker 2: both rest in peace. From a publicists standpoint, you're probably
- 38:39Speaker 2: better to say the least amount possible, because if you
- 38:43Speaker 2: defend your father, people are going to jump down your throat.
- 38:46Speaker 2: If you say that you think that he did it,
- 38:49Speaker 2: then people are going to jump down your throat. So
- 38:51Speaker 2: saying the least in the most respectful way, which is
- 38:55Speaker 2: what he did, is probably what he was advised to do.
- 38:58Speaker 1: Yeah, that makes sense to me, and who knows, Like
- 39:01Speaker 1: he probably has complicated feelings, he probably loves his father,
- 39:04Speaker 1: But at the same time, it's very difficult to finally
- 39:06Speaker 1: have these horrible things he did come out into the open.
- 39:09Speaker 1: And Michael Douglas is getting up there in years himself,
- 39:12Speaker 1: he's in his early eighties, so it's just probably not
- 39:14Speaker 1: something he wants to talk about at this stage in
- 39:17Speaker 1: his life. But like I said, this incident isn't connected
- 39:20Speaker 1: to Jean Spangler's disappearance directly, but the fact if he
- 39:23Speaker 1: was capable of doing this could show that, even if
- 39:26Speaker 1: he didn't personally cause Jeane's disappearance, that he could have
- 39:29Speaker 1: had some dark secret, like having a child with her
- 39:32Speaker 1: that he wanted to cover up. Because back in the
- 39:34Speaker 1: nineteen forties and fifties it was a lot easier for
- 39:36Speaker 1: big Hollywood stars to cover up all the terrible things
- 39:39Speaker 1: they did.
- 39:40Speaker 2: I think it's essential that you share this information because
- 39:44Speaker 2: it goes to motive, right, like what type of motive
- 39:48Speaker 2: would somebody have to cover something up like that, and
- 39:51Speaker 2: what type of personality would it take to do something
- 39:55Speaker 2: like that to Natalie Wood and then with that same
- 39:59Speaker 2: person type make a woman disappear if they had an
- 40:02Speaker 2: inconvenient pregnancy. Well, in my personal opinion, yes, but if
- 40:07Speaker 2: you didn't share that information about Natalie Wood, there would
- 40:11Speaker 2: still be more question marks for me. But I'm seeing
- 40:15Speaker 2: that it is entirely possible for him to be the
- 40:18Speaker 2: kirk mentioned based on his very strange reaction to the
- 40:23Speaker 2: media putting out that there was a note about a
- 40:26Speaker 2: Kirk and he just jumps in there and it just
- 40:29Speaker 2: sounds so much like a guilty conscience.
- 40:31Speaker 1: Oh definitely. And I can only imagine what would happen
- 40:34Speaker 1: if the incident happened like this today, where an aspiring
- 40:37Speaker 1: actress went missing and they found a note containing the
- 40:40Speaker 1: same first name as a big Hollywood actor and they
- 40:42Speaker 1: found out that they work together on a film, and
- 40:45Speaker 1: the actor starts doing suspicious things. I think they might
- 40:48Speaker 1: even get to the bottom of what happened, because you
- 40:50Speaker 1: just know that places like TMZ would be all over
- 40:53Speaker 1: this and trying to dig up whatever dirt they could.
- 40:56Speaker 1: So that about brings an end to part one of
- 40:57Speaker 1: our series about the disappearance of Gene Span So join
- 41:00Speaker 1: us again next week for part two.
- 41:03Speaker 3: Robin, do you want to tell us a little bit
- 41:05Speaker 3: about the Trail Went Cold Patreon.
- 41:07Speaker 1: Yes, the Trail Cold Patreon has been around for three
- 41:09Speaker 1: years now, and we offer these standard bonus features like
- 41:13Speaker 1: early ad free episodes, and I also send out stickers
- 41:16Speaker 1: and sign thank you cards to anyone who signs up
- 41:19Speaker 1: with us on Patreon. If you join our five dollars
- 41:22Speaker 1: tier tier two, we also offer monthly bonus episodes in
- 41:26Speaker 1: which I talk about cases which are not featured on
- 41:29Speaker 1: the Trail Went Cold's original feed, so they're exclusive to Patreon,
- 41:33Speaker 1: and if you join our highest tier tier three, the
- 41:35Speaker 1: ten dollars tier. One of the features we offer is
- 41:38Speaker 1: a audio commentary track over classic episodes of Unsolved Mysteries,
- 41:43Speaker 1: where you can download an audio file and then boot
- 41:46Speaker 1: up the original Unsolved Mysteries episode on Amazon Prime or
- 41:49Speaker 1: YouTube and play it with my audio commentary playing in
- 41:53Speaker 1: the background, where I just provide trivia and factoids about
- 41:56Speaker 1: the cases featured in this episode. And incidentally, the very
- 41:59Speaker 1: first episode that I did a commentary track over was
- 42:02Speaker 1: the episode featuring this case. So if you want to
- 42:05Speaker 1: download a commentary track in which I make more smart
- 42:08Speaker 1: ass remarks about Jewel Kaylor, then be sure to join
- 42:11Speaker 1: Tier three, so I.
- 42:12Speaker 4: Want to let you know a little bit about the
- 42:14Speaker 4: Jewles and n Ashy patreons. So there's early ad free episodes
- 42:17Speaker 4: of The Path Went Chili. We've got our Pathwent Chili mini's,
- 42:20Speaker 4: which are always over an hour, so they're not very mini,
- 42:23Speaker 4: but they're just too short to turn into a series,
- 42:26Speaker 4: and we're really enjoying doing those, so we hope you'll
- 42:28Speaker 4: check out those patreons.
- 42:29Speaker 3: We'll link them in the show notes.
- 42:31Speaker 1: So I want to thank you all for listening, and
- 42:33Speaker 1: any chance you have to share us on social media
- 42:36Speaker 1: with a friend or to rate and review is greatly appreciated.
- 42:39Speaker 1: You can email us at The Pathwentchili at gmail dot com.
- 42:42Speaker 1: You can reach us on Twitter at the Pathwin. So
- 42:45Speaker 1: until next time, be sure to bundle up because cold
- 42:48Speaker 1: trails and Chili pass call for warm clothing.
- 42:50Speaker 3: Music by Paul Rich from the podcast Cold Callers Comedy