Latest / The Lone Ranger | Old Time Radio / The Lone Ranger - "Ghost Canyon" (Old Time Radio, 1942)
Transcript
- 0:00Speaker 1: January 12th, 1942 brought The Lone Ranger to episode 1,400,
- 0:06Speaker 1: Ghost Canyon. This broadcast continues the Legion of the Black
- 0:10Speaker 1: Arrow storyline as Jim Hamilton appears to be fleeing the
- 0:14Speaker 1: law and The Lone Ranger is drawn into the case.
- 0:17Speaker 1: Brace Beamer stars as The Lone Ranger with John Todd
- 0:21Speaker 1: as Tonto. Fran Stryker wrote the script for producer George W.
- 0:26Speaker 2: Trendle.
- 0:27Speaker 1: Now, from the radio trails of the early 1940s, here
- 0:31Speaker 1: is Ghost Canyon. And now, we return to the original broadcast.
- 0:41Speaker 3: Ghost Canyon.
- 0:56Speaker 4: A fiery horse with the speed of light, the cloud
- 0:58Speaker 4: of dust, and a hearty hi-yo silver, the Lone Ranger.
- 1:02Speaker 3: © BF-WATCH TV 2021 © BF-WATCH TV 2021.
- 2:40Speaker 4: During the years of unrest that followed the Civil War,
- 2:43Speaker 4: a powerful secret organization called the Legion of the Black
- 2:45Speaker 4: Arrow sprang up in the western United States. Its members
- 2:48Speaker 4: were to be found everywhere, defying the law or using
- 2:51Speaker 4: the law for their own purposes. working toward the ultimate
- 2:54Speaker 4: goal of revolt and the foundation of a despotic empire.
- 2:58Speaker 4: It was the masked rider of the plains who led
- 2:59Speaker 4: the fight against this band of outlaws and traitors, and
- 3:02Speaker 4: for once his great strength and courage, his daring and
- 3:05Speaker 4: resourcefulness were taxed to the utmost in the cause of democracy.
- 3:09Speaker 4: Return with us now to those thrilling days when the
- 3:10Speaker 4: West was young. From out of the past come the
- 3:12Speaker 4: thundering hoofbeats of a great horse, Silver. The Lone Ranger
- 3:16Speaker 4: rides again.
- 3:16Speaker 5: Come on, Silver.
- 3:18Speaker 2: We're on the trail of the Black Owl.
- 3:20Speaker 6: Come on, Silver.
- 3:22Speaker 7: Hooray!
- 3:24Speaker 3: Mary Hamilton was the postmistress at Painted Bend.
- 3:36Speaker 4: One morning, just as she had finished sorting the mail,
- 3:38Speaker 4: someone knocked at the general delivery window.
- 3:40Speaker 8: Wendy, open up here.
- 3:42Speaker 6: Oh, right away. What was it you wanted?
- 3:49Speaker 2: I was wondering if you had some mail for me.
- 3:51Speaker 6: What's the name?
- 3:52Speaker 2: Jim Hamilton.
- 3:53Speaker 6: Jim Hamilton? Oh, my goodness, it is you, Jim.
- 3:56Speaker 2: Hello, sis.
- 3:57Speaker 6: Oh, your face is so dirty, I didn't recognize you.
- 4:00Speaker 6: And your clothes. Come around and back so I can
- 4:02Speaker 6: get a good look at you.
- 4:04Speaker 2: I can't climb through this window.
- 4:05Speaker 6: The door's over to your left. I'll unlock it. Come
- 4:12Speaker 6: on in. You can sit down in that chair.
- 4:13Speaker 5: No, thanks.
- 4:14Speaker 2: I'll just as soon stand. I can't stay long.
- 4:17Speaker 6: You can't stay long.
- 4:18Speaker 2: You're looking fine, Mary.
- 4:20Speaker 6: Well, I can't say the same for you. Where have
- 4:24Speaker 6: you been? What have you been doing? Why haven't you
- 4:27Speaker 6: let me hear from you?
- 4:28Speaker 2: Oh, I'm no hand for writing letters.
- 4:30Speaker 6: Well, you used to be a pretty fair hand at washing.
- 4:33Speaker 6: You look like an outlaw, Jim.
- 4:35Speaker 7: Do I?
- 4:35Speaker 6: I'll give you the key to my cabin. You go
- 4:37Speaker 6: over there and get cleaned up. You must have some
- 4:39Speaker 6: better clothes with you.
- 4:40Speaker 2: I'm sorry, Mary. That don't fit into my plans. You see,
- 4:44Speaker 2: I just assumed folks didn't recognize me.
- 4:46Speaker 6: You what?
- 4:46Speaker 2: And I guess I can get by all right. Even
- 4:49Speaker 2: you didn't know it was me for a minute.
- 4:50Speaker 6: Jim, is something wrong?
- 4:52Speaker 7: Plenty.
- 4:52Speaker 6: What? What have you done? I... Are you mixed up
- 4:55Speaker 6: with the law some way?
- 4:56Speaker 2: I can't tell you much, sis, but I guess the
- 4:58Speaker 2: answer to that is yes.
- 4:59Speaker 7: Oh, Jim.
- 5:00Speaker 2: There's no need to get excited about it. I'm not
- 5:02Speaker 2: going to stay in town.
- 5:03Speaker 6: Well, if you've done something, it won't do any good
- 5:05Speaker 6: to keep running away. You've got to stand up and
- 5:07Speaker 6: face the music.
- 5:08Speaker 2: You let me handle it my own way, sis. I'm
- 5:10Speaker 2: heading for Ghost Canyon.
- 5:11Speaker 6: Why Ghost Canyon?
- 5:13Speaker 2: Oh, it's a nice, quiet place.
- 5:14Speaker 6: They say there's outlaws there.
- 5:16Speaker 2: Do they?
- 5:17Speaker 6: And things happen. Do you remember the big house up
- 5:20Speaker 6: on the side of the canyon?
- 5:21Speaker 2: Ned Rockwell's place? Where he used to live when the
- 5:23Speaker 2: mine was going?
- 5:24Speaker 5: Yes.
- 5:24Speaker 2: Yeah, I remember. What about it?
- 5:26Speaker 6: Well, Harry Starr was riding along the South Trail the
- 5:29Speaker 6: other night, and when he was passing the opening of
- 5:31Speaker 6: the canyon, he could see the house. There was a
- 5:34Speaker 6: funny blue light in one of the windows. Well, it's
- 5:37Speaker 6: no laughing matter.
- 5:38Speaker 2: Those old Indian stories are coming back to.
- 5:39Speaker 7: Life, huh?
- 5:40Speaker 6: Harry isn't one to imagine things.
- 5:42Speaker 7: Maybe not.
- 5:43Speaker 6: And he heard a cry, like a wolf, only there
- 5:46Speaker 6: was something human in it.
- 5:47Speaker 2: Has the story gone around yet?
- 5:50Speaker 6: Well, naturally, everybody in town has heard it. They believe it, too,
- 5:53Speaker 6: after what happened last week.
- 5:55Speaker 2: What happened then?
- 5:56Speaker 6: The sheriff found a dead man at the opening of
- 5:58Speaker 6: the canyon. Not a mark on him. And no papers either.
- 6:01Speaker 6: Nothing to tell who he was. Doctor said it was
- 6:04Speaker 6: heart failure. And the folks that saw him said there
- 6:06Speaker 6: was an awful look on his face. Like he'd seen
- 6:09Speaker 6: something horrible.
- 6:10Speaker 2: So they're all steering clear of the canyon.
- 6:12Speaker 6: Naturally.
- 6:12Speaker 2: Well, what about the outlaws?
- 6:15Speaker 6: Oh, that was a while back. Jed Hawkins saw a
- 6:17Speaker 6: band of men with bandanas over their faces. It was
- 6:20Speaker 6: up by the old mine.
- 6:21Speaker 2: Near the house?
- 6:22Speaker 6: Yes, but when the sheriff got up a posse and
- 6:24Speaker 6: went after them, they were gone.
- 6:25Speaker 2: Well, I ought to find it mighty peaceful in the canyon.
- 6:28Speaker 6: You can't go there.
- 6:29Speaker 2: I've got to.
- 6:30Speaker 6: Oh, no, you haven't. I wouldn't care if the canyon
- 6:33Speaker 6: was safe and the best place to hide out in
- 6:34Speaker 6: the whole country.
- 6:36Speaker 2: You aren't, uh, aiming to turn me over to the sheriff.
- 6:38Speaker 7: Are you, Mary?
- 6:38Speaker 6: I couldn't do that. You're my brother. But if you've
- 6:43Speaker 6: done something wrong, you have to pay for it, Jim.
- 6:45Speaker 6: You can't run away.
- 6:46Speaker 2: You won't tell anybody about my coming here, will you?
- 6:48Speaker 6: Not if you say I shouldn't.
- 6:50Speaker 2: Then don't. I wouldn't have tried it if I didn't
- 6:52Speaker 2: think I could trust you.
- 6:53Speaker 6: Oh, Jim, at least tell me what.
- 6:55Speaker 2: I'll tell you this. If you should happen to see
- 6:57Speaker 2: me in town, pretend you don't know me. That's important.
- 7:00Speaker 2: And don't worry too much. I hope it won't be
- 7:02Speaker 2: long before I get... Anybody here?
- 7:03Speaker 6: Somebody at the window.
- 7:04Speaker 2: I'll look myself out the back door. Is anybody here?
- 7:07Speaker 5: I'm coming.
- 7:12Speaker 2: Good morning, miss. Or should it be ma'am?
- 7:14Speaker 6: Miss is right. What can I do for you?
- 7:17Speaker 2: Well, I just rode into town and... Ah, there it is.
- 7:22Speaker 2: Postmistress Mary Hamilton. How do you do, Miss Hamilton?
- 7:27Speaker 6: How do you do?
- 7:28Speaker 2: I wonder if you can give me some information.
- 7:30Speaker 6: I'll try.
- 7:31Speaker 2: How do you get to a place called Ghost Canyon?
- 7:33Speaker 8: You are.
- 7:34Speaker 2: I mean, you're... Don't tell me a sensible-looking girl like
- 7:38Speaker 2: you believes in those stories.
- 7:39Speaker 6: What made you say that?
- 7:40Speaker 2: Your face. You seem to be afraid.
- 7:42Speaker 6: Oh, not at all. But there is something to the
- 7:46Speaker 6: stories they tell, and don't fool yourself about it. I
- 7:49Speaker 6: wouldn't go near Ghost Canyon.
- 7:50Speaker 2: Well, I've got to, Miss Hamilton. This is business.
- 7:53Speaker 6: I don't see how that can be. There's nothing there
- 7:55Speaker 6: but trees and rocks, a tumbledown old house and an
- 7:58Speaker 6: old mine.
- 7:59Speaker 2: That's it.
- 8:00Speaker 4: What?
- 8:00Speaker 2: The mine. I'm an engineer, and I've got to take
- 8:03Speaker 2: a look at it.
- 8:04Speaker 1: What for?
- 8:04Speaker 6: That mine hasn't been worked for five years.
- 8:07Speaker 2: Four years and eleven months, to be exact. Well, here's
- 8:09Speaker 2: the situation.
- 8:11Speaker 9: Ned Rockwell held that claim under the old law. If
- 8:13Speaker 9: five years pass without any work being done on it,
- 8:15Speaker 9: the claim goes back to the government.
- 8:17Speaker 2: And it's open for prospecting once more.
- 8:19Speaker 6: Ned Rockwell's dead?
- 8:20Speaker 7: Yes.
- 8:21Speaker 9: Right now it's his nephew that holds the title.
- 8:24Speaker 2: Oh.
- 8:25Speaker 6: He sent you to find out if the mine was
- 8:27Speaker 6: really worked out?
- 8:28Speaker 2: I sent myself.
- 8:29Speaker 7: I'm the nephew.
- 8:30Speaker 2: My name's Ned Rockwell, too.
- 8:32Speaker 6: Oh, I see.
- 8:33Speaker 2: There's no point in letting the mine go if it's
- 8:34Speaker 2: worth anything. How do you get to the canyon?
- 8:38Speaker 6: You're a stranger around here. You might lose your way.
- 8:41Speaker 2: You think I ought to get the sheriff to take
- 8:42Speaker 2: me there?
- 8:42Speaker 10: Oh, no.
- 8:43Speaker 6: No, I guess it isn't as hard as all that.
- 8:47Speaker 6: Just take the south trail out of town. The trees
- 8:49Speaker 6: are pretty thick at the opening of the canyon, but
- 8:51Speaker 6: if you look sharp, you can find it.
- 8:53Speaker 2: Thanks a lot. I suppose it's a waste of time.
- 8:55Speaker 6: Oh, I'm sure of it.
- 8:57Speaker 9: It wasn't any waste of time coming to a painted bend.
- 9:00Speaker 9: Even if the mine don't amount to anything, I'm going
- 9:02Speaker 9: to do some prospecting around here. I, uh, aim.
- 9:05Speaker 2: To stay for a long time.
- 9:07Speaker 7: Really?
- 9:07Speaker 2: Say, did anyone ever tell you you were the prettiest
- 9:10Speaker 2: girl in the whole United States?
- 9:12Speaker 6: Well, if anyone ever did, I'd put him down for loco.
- 9:14Speaker 9: Well, you can add my name to the list, Miss Hamilton.
- 9:16Speaker 9: And it won't be the last time I'll say it.
- 9:19Speaker 6: Is that all, Mr.
- 9:20Speaker 2: Rockwell? That's all for today. See you tomorrow.
- 9:29Speaker 6: Jim must be on his way there. I'll have to
- 9:32Speaker 6: warn him not to go near the mine. The post
- 9:35Speaker 6: office is closed for the next two hours.
- 9:36Speaker 3: The Lone Ranger and Tonto had received a note from
- 9:41Speaker 3: the mysterious girl.
- 9:55Speaker 4: The Lone Ranger and Tonto had received a note from
- 9:58Speaker 4: the mysterious girl, and in it were two words, Ghost Canyon.
- 10:02Speaker 4: Without question, they had headed north to investigate, and they
- 10:05Speaker 4: reached the canyon that night. Beyond the tangle opening near
- 10:08Speaker 4: the south trail, the trees and undergrowth disappeared, but the
- 10:11Speaker 4: walls rose sheer on either side.
- 10:13Speaker 2: Dark and forbidding.
- 10:15Speaker 4: Then farther on, the rocky ground sloped more gradually toward
- 10:18Speaker 4: the top of the ridge, and And it was here
- 10:20Speaker 4: that Ned Rockwell's mine was located. The Lone Ranger and
- 10:23Speaker 4: Tonto reined up below it.
- 10:24Speaker 7: Steady, Silver.
- 10:24Speaker 2: Steady, fella. Close down.
- 10:26Speaker 7: Close canyon, Tonto. Hit plenty dark.
- 10:29Speaker 2: Was that a coyote or a wolf?
- 10:34Speaker 7: It did not sound like either one.
- 10:36Speaker 2: You're right. There was something strange about that cry.
- 10:40Speaker 7: Indian tell many story about this canyon.
- 10:42Speaker 2: Yes, I've heard them, Tonto. We aren't interested in spirits.
- 10:46Speaker 2: We're looking for men.
- 10:47Speaker 7: Maybe Black Arrow used this place for hideout.
- 10:49Speaker 11: The girl wouldn't have sent us here without a good reason.
- 10:52Speaker 11: We've got to find out what it was.
- 10:54Speaker 7: Kimo Sabe, you look.
- 10:55Speaker 2: What?
- 10:56Speaker 5: They're light.
- 10:57Speaker 8: Yes.
- 10:57Speaker 2: Someone's inside the house.
- 10:58Speaker 10: What's that?
- 11:00Speaker 2: Sounds like a cry for help.
- 11:01Speaker 7: They come from house?
- 11:02Speaker 2: We're near it.
- 11:02Speaker 7: Let's go.
- 11:03Speaker 5: Get them up.
- 11:03Speaker 2: Up the hill, Silver. Watch your step, Tonto. Some of
- 11:26Speaker 2: these boards may be rotten. The door's open.
- 11:28Speaker 7: That's right.
- 11:29Speaker 2: Can't see any light now.
- 11:31Speaker 7: Plenty dark. Yes.
- 11:32Speaker 2: Much darker inside here. I'll let them at you.
- 11:37Speaker 7: Nobody used this room for a long time.
- 11:40Speaker 2: Kitchen must be that way.
- 11:41Speaker 7: Why do you want to go to kitchen?
- 11:43Speaker 2: The other can smell cooking. Oh. Wait a minute now.
- 11:48Speaker 2: I'll light another match. Ah.
- 11:52Speaker 7: They have lantern on table.
- 11:53Speaker 3: Yes.
- 11:54Speaker 2: Now we'll be able to see what's here.
- 12:00Speaker 3: Ah.
- 12:01Speaker 7: This is kitchen. There's stove.
- 12:03Speaker 2: Still warm. There's a skillet. What's used tonight?
- 12:07Speaker 7: Marks and dust and flour. Plenty fresh, too.
- 12:10Speaker 2: Someone cook supper here tonight. And then, listen. On the
- 12:15Speaker 2: back porch. Man, Kimo Sabe. He's unconscious.
- 12:20Speaker 7: There water in here. Counter get it.
- 12:23Speaker 11: He hasn't been wounded. At least there's no... Oh, here's
- 12:27Speaker 11: a nasty cut. Someone hit him over the head.
- 12:29Speaker 7: Here, water.
- 12:30Speaker 2: You take bandana, wash cut.
- 12:33Speaker 7: Yes.
- 12:34Speaker 2: He's coming around. Don't. This might have been made by
- 12:37Speaker 2: a gun butt.
- 12:37Speaker 7: Maybe so.
- 12:38Speaker 2: See if you can find any tracks, horses or men. No,
- 12:40Speaker 2: time to do that. What happened? Someone hit you. Your mask.
- 12:45Speaker 7: You're an outlaw.
- 12:46Speaker 2: Never mind that.
- 12:47Speaker 11: We were down below and we heard you cry out.
- 12:50Speaker 11: Haven't you any idea what happened?
- 12:51Speaker 7: It was a wolf.
- 12:52Speaker 2: Yes, we heard that too.
- 12:53Speaker 12: I went out on the porch. It sounded awful close,
- 12:56Speaker 12: but when I stepped through that door, something jumped on me.
- 12:59Speaker 2: Something? You mean someone. I can only tell you what
- 13:01Speaker 2: I thought.
- 13:02Speaker 9: Of course, I'd just heard the wolf and I had
- 13:04Speaker 9: a feeling it was an animal.
- 13:06Speaker 2: I tried to free myself. That's all. Everything went black.
- 13:11Speaker 2: And you were hit by a man. Who are you?
- 13:15Speaker 2: Ned Rockwell. This mine belongs to me. How long have
- 13:18Speaker 2: you been here? Since noon today.
- 13:21Speaker 7: I wonder.
- 13:22Speaker 2: I wonder if there is something to those stories after all.
- 13:25Speaker 7: He was hiding.
- 13:26Speaker 2: Did you find anything, Tyler?
- 13:27Speaker 7: A place where a horse was tied.
- 13:29Speaker 2: Over there by the big pine?
- 13:30Speaker 5: That's right.
- 13:31Speaker 2: Well, that's where my horse was. Isn't he still there? No. No.
- 13:34Speaker 7: Horse not there.
- 13:35Speaker 2: Was there any tracks?
- 13:36Speaker 7: No. Ground plenty high.
- 13:38Speaker 2: Oh, wait a minute. A mask man and an engine.
- 13:41Speaker 2: Maybe you've been using this place for a hideout. You
- 13:43Speaker 2: didn't like me coming back here, so you tried to
- 13:45Speaker 2: scare me out. That isn't true, Rockwell.
- 13:47Speaker 7: No. Mask man helped you. Bandage him. Sure, after he
- 13:51Speaker 7: hit me.
- 13:52Speaker 2: Just so as I'd hightail it back to town and
- 13:53Speaker 2: stay out of the canyon.
- 13:54Speaker 11: You're making a mistake about us. But as for the
- 13:57Speaker 11: rest of it, well, you may be right.
- 13:59Speaker 7: Huh?
- 14:00Speaker 2: You understand, Tulloch? Uh-huh.
- 14:01Speaker 7: And what do we do?
- 14:02Speaker 11: It starts a canyon. We can leave Rockwell here and.
- 14:06Speaker 2: Yes, I heard it. You heard what? Quick, Tonto. Put
- 14:09Speaker 2: the lantern out.
- 14:11Speaker 7: You heard what?
- 14:12Speaker 2: A noise inside the house. There's someone in there. I
- 14:16Speaker 2: didn't hear anything and I still think this is a trick.
- 14:18Speaker 2: It may be, but we didn't plan it. Now you
- 14:21Speaker 2: stay here and try not to make any noise. Let's go, Tonto.
- 14:25Speaker 2: You have been ready. Did you locate the sound? Any
- 14:29Speaker 2: idea where it came from?
- 14:31Speaker 7: Maybe.
- 14:31Speaker 2: front room. That's the way it seemed to me.
- 14:33Speaker 7: Door closed.
- 14:39Speaker 2: We didn't close it. That's what we heard. You think wind?
- 14:43Speaker 2: There is no wind. Well, here goes.
- 14:50Speaker 8: There's a little light behind you, mister. One more step
- 14:54Speaker 8: and I shoot.
- 15:06Speaker 4: The curtain falls on the first act of our Lone
- 15:08Speaker 4: Ranger story. Before the next exciting scenes, please permit us
- 15:11Speaker 4: to pause for just a few moments.
- 15:27Speaker 2: THE END.
- 15:57Speaker 3: Now to continue our story.
- 16:21Speaker 4: As the lone ranger opened the door from the kitchen
- 16:23Speaker 4: to the front room, he stood outlined by the moonlight,
- 16:26Speaker 4: and a voice from the darkness ordered him to stand
- 16:28Speaker 4: where he was.
- 16:28Speaker 8: Don't reach for your guns. Just unhitch your belt.
- 16:31Speaker 2: What if I refuse?
- 16:33Speaker 8: I'll have to let you have it.
- 16:34Speaker 2: I know where you are now. Yeah? You're close to
- 16:37Speaker 2: the front door. Maybe.
- 16:40Speaker 8: You'd still have to guess a little. And me, I
- 16:42Speaker 8: can see you. Don't forget my gun is drawn. It's
- 16:45Speaker 8: leveled straight at you.
- 16:47Speaker 11: So you don't think it would be a good idea
- 16:49Speaker 11: to try and draw?
- 16:50Speaker 8: It would be the easiest way to commit suicide I
- 16:53Speaker 8: ever heard of.
- 16:54Speaker 2: Why are you here?
- 16:55Speaker 8: You answer that question.
- 16:58Speaker 2: We heard someone call for help. We? Who's with you?
- 17:02Speaker 2: No one. Not now.
- 17:05Speaker 8: So you got a partner somewhere around?
- 17:07Speaker 2: Somewhere.
- 17:08Speaker 7: Go on.
- 17:09Speaker 9: I'm not saying I'll believe this, but I'll listen.
- 17:11Speaker 8: You heard a cry for help when you rode up here.
- 17:13Speaker 2: That's right. We found a man out on the back porch.
- 17:17Speaker 2: He was unconscious. Hit over the head with a gun butt.
- 17:20Speaker 8: Ned Rockwell.
- 17:22Speaker 2: Oh, so you know him. I knew he was here.
- 17:23Speaker 8: Hey, where do you keep your matches?
- 17:27Speaker 2: My shirt pocket.
- 17:29Speaker 8: Reach for one. I'll light it. Slow, mister. Hold it
- 17:36Speaker 8: closer to your face.
- 17:38Speaker 2: This way?
- 17:39Speaker 10: Yeah.
- 17:41Speaker 2: A masked man, huh?
- 17:42Speaker 7: Yes.
- 17:43Speaker 8: Let's get rid of that belt.
- 17:45Speaker 2: I've heard your voice before.
- 17:47Speaker 8: Seems to me I've heard yours. Hey, that white horse outside,
- 17:53Speaker 8: what do you call him?
- 17:54Speaker 7: I call him.
- 17:55Speaker 2: Get him, Tonto. He's right in front of you.
- 17:56Speaker 5: I'll get his gun.
- 17:58Speaker 2: You can let him go now, Tonto. Well, I guess
- 18:02Speaker 2: that proves what I wanted to know. What's that? You're smart.
- 18:05Speaker 2: Your partner was in back of you when you opened
- 18:07Speaker 2: that door. You kept me talking so he could slip
- 18:09Speaker 2: around the front door and grab me.
- 18:11Speaker 7: Yes.
- 18:12Speaker 2: Now it's your turn to answer questions. You mind if
- 18:15Speaker 2: I line a match? No. I hope my disguise isn't
- 18:18Speaker 2: too good. Hello, Jim. I came pretty close to messing
- 18:23Speaker 2: things up, didn't I?
- 18:24Speaker 7: Howdy.
- 18:24Speaker 2: Howdy, Tano. Why are you here in Ghost Canyon? The
- 18:27Speaker 2: same reason you are, I guess. The Black Arrow? What's that?
- 18:30Speaker 2: If you don't know, never mind. The sheriff reported there
- 18:34Speaker 2: were outlaws seen here about a month ago. And then
- 18:36Speaker 2: just last week, he found a dead man at the
- 18:38Speaker 2: entrance of the canyon. The doc reported the death was
- 18:41Speaker 2: from natural causes. But some of the details made me suspicious,
- 18:44Speaker 2: so I decided to investigate. Well, that's the reason for
- 18:46Speaker 2: your clothes. Yeah. If there were outlaws hanging around, I
- 18:50Speaker 2: figured I might join up with them and find out
- 18:52Speaker 2: what they've been up to. There are outlaws, all right.
- 18:54Speaker 11: One of them hit young Ned Rockwell over the head.
- 18:57Speaker 11: I believe it has something to do with the mine.
- 18:59Speaker 2: That's possible. The mine belongs to him, you know. Yes.
- 19:02Speaker 2: He came here to see if it was worth holding
- 19:04Speaker 2: on to. The land's open to new prospectors if the
- 19:07Speaker 2: mine isn't worked within the next month. They may be
- 19:09Speaker 2: trying to keep everybody away from it. Yeah. We'd better
- 19:12Speaker 2: take a look at the mine first.
- 19:13Speaker 7: Kimotami.
- 19:13Speaker 2: What's the matter, Tano? Night in kitchen. It's Ned. He's
- 19:16Speaker 2: got that linen. Where are you, nice man? Right in here.
- 19:20Speaker 2: I can't help it myself. I can hardly stand up.
- 19:24Speaker 2: But even if you are a crook, you've got to
- 19:25Speaker 2: do something.
- 19:25Speaker 7: Help whom?
- 19:26Speaker 2: What are you talking about? There was a girl outside
- 19:28Speaker 2: just a minute ago.
- 19:30Speaker 7: Take the linen, Tano.
- 19:31Speaker 2: Here, sit down in this chair. Go on, now. There's
- 19:35Speaker 2: a girl named Mary Hamilton. She runs the post office
- 19:38Speaker 2: in town. That's my sister. Are you Jim?
- 19:41Speaker 7: Yeah.
- 19:42Speaker 2: Was Mary outside? No, another girl. I couldn't see her face.
- 19:46Speaker 7: She kept in the shadows, but she.
- 19:48Speaker 2: Called me by name. What about Mary?
- 19:49Speaker 12: This girl said she was waiting at your camp. But
- 19:52Speaker 12: there were outlaws near there, and they might take her prisoner.
- 19:54Speaker 2: Where's your camp, Jim? Not far. On the other slope
- 19:56Speaker 2: of the canyon.
- 19:57Speaker 7: Come on.
- 19:57Speaker 2: You rode over here, didn't you?
- 19:58Speaker 7: Yes.
- 19:59Speaker 2: Who could this girl be, the one who brought the message?
- 20:01Speaker 2: We don't know, but she's helped us before. It was
- 20:03Speaker 2: her note that brought us here. Steady, Silver. Lead the way. Right.
- 20:08Speaker 5: Well, we ought to be hitting the.
- 20:10Speaker 3: Main tunnel pretty soon now.
- 20:14Speaker 7: Yeah. And where?
- 20:16Speaker 5: To the left.
- 20:32Speaker 2: That's heading for the main entrance, isn't it?
- 20:34Speaker 7: Yeah.
- 20:34Speaker 5: There's a place where the tunnel broadens out. That's where
- 20:37Speaker 5: the boys are.
- 20:38Speaker 6: Are we in the mine now?
- 20:40Speaker 2: Never mind the talk, sister.
- 20:41Speaker 5: Just keep moving.
- 20:42Speaker 6: Does my brother belong to your gang?
- 20:44Speaker 5: You're the postmistress, aren't you?
- 20:46Speaker 6: Yes, but from the way Jim talked, of course he
- 20:49Speaker 6: may not be using his right name.
- 20:50Speaker 5: I thought you said that was your brother's camp where
- 20:53Speaker 5: we found you.
- 20:53Speaker 6: That's where he was camped today.
- 20:55Speaker 7: No, sister.
- 20:56Speaker 5: We saw that, Omri. He isn't a member of the gang.
- 20:58Speaker 6: Oh, thank goodness.
- 21:00Speaker 5: He'd be better off if he was.
- 21:01Speaker 2: To the left here, huh?
- 21:03Speaker 7: Yeah.
- 21:04Speaker 6: What are you going to do with me?
- 21:06Speaker 5: It depends on how nice you act. Maybe we'll let
- 21:09Speaker 5: you pay us a nice long visit.
- 21:12Speaker 2: Hey, there's a light.
- 21:13Speaker 5: Sing out to them so they'll know who you are.
- 21:14Speaker 5: Don't shoot, boys. It's Jake and Mark. We've got a prisoner.
- 21:17Speaker 6: Young Ray, you in there?
- 21:19Speaker 5: His sister. That's almost as good.
- 21:21Speaker 8: His sister? Let's have a look at it.
- 21:23Speaker 5: You can look while you're tying her up. Hands and feet.
- 21:26Speaker 2: Keno, how about the man in the house?
- 21:28Speaker 5: Knocked him out like you said.
- 21:30Speaker 2: That was right, huh, Matt? Yeah.
- 21:32Speaker 10: We'll scare him out if we can. If he's still
- 21:34Speaker 10: around tomorrow morning, we'll let him have it.
- 21:36Speaker 5: Then leave him outside the canyon.
- 21:38Speaker 6: Do you have to tie those ropes so tight?
- 21:40Speaker 5: Shut up. Don't kick while I'm tying your feet.
- 21:44Speaker 10: You said it was almost as good getting the girl
- 21:46Speaker 10: as the man.
- 21:47Speaker 5: I don't savvy.
- 21:48Speaker 10: We left our horse at the camp on a trail
- 21:50Speaker 10: that anybody can follow from there to here.
- 21:52Speaker 5: He'll come after her.
- 21:53Speaker 2: Well, you're a moco.
- 21:54Speaker 10: We'll be waiting for him, Sam. In about five minutes,
- 21:57Speaker 10: these lanterns go out, and.
- 21:58Speaker 5: Then we'll... I hear somebody now. They made it fast.
- 22:02Speaker 5: Out with the lights and quiet everybody.
- 22:03Speaker 2: Don't let the girl make any noise.
- 22:05Speaker 5: I got it.
- 22:07Speaker 3: He's carrying the lantern.
- 22:12Speaker 7: Yeah, the fool.
- 22:13Speaker 5: Keep back to the side. Up with him, mister. He's gone, Jake.
- 22:21Speaker 7: I got it. The lantern, Sam.
- 22:24Speaker 6: That isn't my brother.
- 22:24Speaker 5: It's the hombre from the house, the one we knocked out.
- 22:27Speaker 6: What made you come in here?
- 22:28Speaker 7: I saw a light.
- 22:29Speaker 5: You had to find out what was going on, huh?
- 22:30Speaker 5: I found out plenty.
- 22:32Speaker 2: You've been working this mine. You've hit a vein of
- 22:34Speaker 2: pure gold.
- 22:34Speaker 5: That cook's your goose.
- 22:36Speaker 2: The mine belongs to me.
- 22:37Speaker 5: You're Ned Rockwell?
- 22:38Speaker 2: Yes.
- 22:39Speaker 5: It won't be yours in another month. Oh, yes, it will.
- 22:41Speaker 2: You've done some work here.
- 22:42Speaker 5: That saves it for me. Who's going to know we've
- 22:44Speaker 5: done any work?
- 22:45Speaker 2: I saw it with my own eyes.
- 22:46Speaker 5: We'll close him for you. Close him for good.
- 22:48Speaker 6: You can't. You can't murder him.
- 22:50Speaker 7: It's easy.
- 22:51Speaker 5: Just one bullet.
- 22:52Speaker 2: Go ahead.
- 22:53Speaker 5: After we get the girl's brother. I don't want any
- 22:55Speaker 5: shooting to warn him off. Tie up Mr.
- 22:57Speaker 10: Rockwell, boys, and then put out the light. We'll wait
- 23:01Speaker 10: for our other visitors.
- 23:13Speaker 2: Well, the chair's led us right back to the mine.
- 23:15Speaker 2: But this isn't the entrance by the house. It's a
- 23:18Speaker 2: new one. Lots of fresh gravel around. Mine's being worked.
- 23:21Speaker 2: They've been using this tunnel instead of the old one.
- 23:23Speaker 7: Tunnel not like it. Trail too easy to follow.
- 23:26Speaker 2: We aren't stopping here, Kimo Sabe.
- 23:27Speaker 7: Crook wait for you inside mine.
- 23:29Speaker 2: We'll have to have some kind of a light to
- 23:30Speaker 2: go in there. We'll pick up a few pine branches.
- 23:32Speaker 7: Ah, here. Here one.
- 23:34Speaker 11: Yes, here's some more. We won't use these until we
- 23:37Speaker 11: have to. I'm worried about the other entrance.
- 23:39Speaker 2: What do you mean? They can escape by it. You
- 23:42Speaker 2: better go around there and stand guard, Tonto. Ah. How
- 23:44Speaker 2: to do it? Come along, Jim. Just a second while
- 23:46Speaker 2: I get this lit. Not yet. We can follow the
- 23:48Speaker 2: tunnel without a light for a while.
- 23:49Speaker 11: Come on.
- 24:02Speaker 2: What's the matter? Healing the walls.
- 24:04Speaker 5: Well?
- 24:05Speaker 2: We've hit another tunnel at right angles to this one.
- 24:07Speaker 2: Which way do we turn?
- 24:09Speaker 11: The front entrance would be to the left. Let's try that.
- 24:12Speaker 11: This must be the way.
- 24:13Speaker 2: Yes, but be quiet. Hold it. You all right? I
- 24:16Speaker 2: just stumbled. I ought to learn to pick up my feet.
- 24:19Speaker 2: You suppose anybody heard that? Masked man, that was a woman.
- 24:22Speaker 2: My sister. Steady. She isn't far away. We'll go on.
- 24:27Speaker 2: A bird? Inside the mine? That was Tonto. About a
- 24:30Speaker 2: hundred feet up ahead. There between us and him. Yeah.
- 24:33Speaker 11: Now's the time to light our torches. They'll start shooting then.
- 24:36Speaker 11: I'm going to light it fast and throw it up ahead.
- 24:39Speaker 11: It may show us where they are.
- 24:40Speaker 2: If it doesn't go out too fast, the woods dry.
- 24:43Speaker 2: And over this way a little, so they won't be
- 24:44Speaker 2: able to see the match. Right. It's catching. Throw it.
- 24:49Speaker 7: There.
- 24:54Speaker 4: As the torch flared through the darkness, the outlaws opened fire.
- 24:56Speaker 4: But almost at once, they lost their momentary targets. The
- 24:59Speaker 4: torch continued to burn where it had fallen. And the
- 25:01Speaker 4: figures of the gunmen became more distinct. The leader moved quickly.
- 25:04Speaker 2: Don't shoot.
- 25:05Speaker 5: I'm using the girl as a shield.
- 25:06Speaker 2: No.
- 25:07Speaker 5: Stay right where you are. But go out the front way.
- 25:10Speaker 5: All right. Get moving. You can see her back there,
- 25:12Speaker 5: can't you? If you shoot, you'll hit her.
- 25:15Speaker 6: Mark.
- 25:16Speaker 7: What's the matter?
- 25:17Speaker 8: Something happened to Sam. I can't see, but I heard
- 25:19Speaker 8: him get out.
- 25:20Speaker 5: What's going on there? You let go, girl.
- 25:22Speaker 8: Good night, Tullow.
- 25:23Speaker 7: Come on, Jim.
- 25:24Speaker 5: Are you all right, Mary?
- 25:25Speaker 8: Are you hurt?
- 25:26Speaker 7: You stand still.
- 25:27Speaker 5: Can't he get away and try to hit you like others?
- 25:29Speaker 2: Stand back, Tullow.
- 25:30Speaker 5: He's got a gun. Oh, not good.
- 25:33Speaker 7: You shoot gun out of hand.
- 25:34Speaker 5: Now you can talk, Mary.
- 25:35Speaker 7: Are you hurt?
- 25:36Speaker 2: No. No.
- 25:37Speaker 6: Ned Rockwell's over there.
- 25:38Speaker 7: Ah, time to cut rope. Take off, Jack.
- 25:40Speaker 6: I guess you saved my life, Jim. But I don't
- 25:43Speaker 6: know whether I'm grateful or not.
- 25:44Speaker 2: What do you mean by that?
- 25:46Speaker 6: I can see what your friends are like now.
- 25:47Speaker 5: A masked man and an Indian.
- 25:49Speaker 2: You are an outlaw. Don't judge your brother by the
- 25:52Speaker 2: company he keeps, Miss Hamilton.
- 25:53Speaker 11: He's a United States Marshal.
- 25:56Speaker 7: A what?
- 25:57Speaker 2: You can handle the prisoners, can't you, Jim? Sure thing.
- 25:59Speaker 2: There are no condition to make trouble. Then, Tonto, I'll
- 26:01Speaker 2: be on our way.
- 26:02Speaker 5: Oh, Rockwell, all right.
- 26:03Speaker 7: I sure am.
- 26:04Speaker 5: Adios.
- 26:04Speaker 2: So long, Masked Man. Financials, Tonto. Did I hear right?
- 26:07Speaker 2: Are you really a marshal, Jim? Yeah. Then I guess
- 26:09Speaker 2: you're the one to tell.
- 26:11Speaker 9: Those crooks are trying to keep folks away from the
- 26:13Speaker 9: canyon because they found a new vein of gold and
- 26:15Speaker 9: they wanted the mine for themselves.
- 26:16Speaker 2: Still belongs to you, doesn't it? Sure does. Won't be
- 26:19Speaker 2: long before I can think of getting married.
- 26:21Speaker 6: Never mind that.
- 26:23Speaker 2: Give me a hand here, Ned. We've got to get
- 26:25Speaker 2: these crooks tied up. It's a pleasure.
- 26:28Speaker 6: I still can't understand it. How can a United States
- 26:31Speaker 6: Marshal be friends with a masked man?
- 26:33Speaker 5: I wish he hadn't been, that's all. Maybe you can
- 26:35Speaker 5: tell her who he is. I've got an idea.
- 26:37Speaker 2: There isn't a crook in the West who likes to
- 26:38Speaker 2: meet that particular masked man, sis. Liz Omri's right. It
- 26:42Speaker 2: was he and Tano who saved your life, not me.
- 26:44Speaker 4: All I did was take orders and help as much
- 26:46Speaker 4: as I could.
- 26:46Speaker 5: Well, who is he?
- 26:47Speaker 6: There.
- 26:48Speaker 2: Well, leave your feet untied.
- 26:50Speaker 5: You've got a long walk ahead of you, mister.
- 26:51Speaker 6: Who is he, Jim?
- 26:52Speaker 5: Why, I'm almost ashamed of you, Mary, that a sister
- 26:55Speaker 5: of mine could be so plum ignorant.
- 26:56Speaker 6: Well, how should I know?
- 26:57Speaker 2: That was the Lone Ranger.
- 26:58Speaker 7: Oh, Jim!
- 27:00Speaker 2: Oh, Jim!
- 27:11Speaker 3: THE END THE END The story you have just heard
- 28:22Speaker 3: is a copyrighted feature of.
- 28:30Speaker 5: The Lone Ranger Incorporated.
- 28:46Speaker 1: This concludes The Lone Ranger in Ghost Canyon. Follow The
- 28:50Speaker 1: Lone Ranger for more classic Western broadcasts