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THROWBACK: GHOSTBUSTERS BREAKDOWN! · Cosmic Peach

• 0:00
  Speaker 1: Baby, you're a gangstera too.
• 0:02
  Speaker 2: It takes a lot of tangle.
• 0:04
  Speaker 1: You don't mess with me. Mess with me, baby, I'm
• 0:08
  a gangster.
• 0:09
  Speaker 2: Touch baby, you're.
• 0:15
  Speaker 3: A gamestera too.
• 0:23
  Speaker 1: For the warning, this podcast is designed to take you
• 0:26
  outside of your comfort zone and make you question reality.
• 0:30
  Speaker 2: Listener Discretion is a vibe.
• 0:38
  Speaker 3: Talk with me, fellas, this ain't my first time at
• 0:43
  the rodeos.
• 0:47
  Speaker 4: All right, all right, everyone, welcome back to another episode
• 1:10
  of Cosmic Beach Podcast Tonight. It is the month when
• 1:15
  break Down Shakedown and I didn't plan this, but it's
• 1:21
  Colby yet again.
• 1:23
  Speaker 1: We're having back to back Colby. So what's that Colby hip?
• 1:28
  Speaker 3: Back to back? All right, that's a special I'm doing.
• 1:31
  All right, it's a early afternoon where I'm at. So
• 1:35
  my drink is an acceptable daytime drink. I'm ready to go.
• 1:42
  Speaker 1: What are you drinking over there?
• 1:44
  Speaker 3: It's a mangmosa, A mangmosa, mangmosa.
• 1:51
  Speaker 1: Okay, so I'm just gonna guess it's mango juice and
• 1:55
  champagne or wine or something, ding.
• 1:57
  Speaker 3: Ding ding Yeah, and I got the thick mango pirae
• 2:03
  so it's kind of like ect.
• 2:08
  Speaker 1: How fitting for our episode?
• 2:11
  Speaker 3: Yeah?
• 2:13
  Speaker 1: All right. So I'm having wood freud reserve meat and
• 2:20
  I'm chasing it with this new thing I discovered. It's
• 2:23
  called Ollipop, and it's classic Rutier flavor. But get this shit, Colby.
• 2:30
  It's thirty five calories. It literally it's water, but it
• 2:35
  tastes just like freakin' rut beer. And it says, our
• 2:40
  old fashioned rupier melds just the right mix of classic
• 2:44
  bite and creamy sweetness with extracts of sweet birch, smooth
• 2:49
  vanilla bean, and real birdock root. This is water, mind you.
• 2:57
  It doesn't say so. It says thirty five calories zero
• 3:02
  on everything. And it says total sugar's two grams, which isn't.
• 3:07
  Speaker 3: Too bad, Oh, not at all. And I see it's
• 3:09
  got probiotics and plant fun.
• 3:11
  Speaker 1: Yeah, it has probiotics and mechanical yep. It says a
• 3:17
  new kind of soda. I'm not shitting you. This tastes
• 3:20
  just like barks, And really I don't feel guilty drinking it.
• 3:25
  Speaker 3: Yeah, soda is horrible for you. I drink it in
• 3:31
  high school and I played sports and I'd be really
• 3:33
  thirsty and I'd go slam them out and do and
• 3:35
  then wonder if I was having like heart palpitations at night.
• 3:40
  Speaker 1: Oh my god, that is so hilarious. I used to
• 3:44
  drink I well, I'm a Coca Cola kind of person,
• 3:48
  but I used to drink Cokes all the time, and
• 3:52
  it's really just sugar with bubbles. So I cut that out.
• 3:57
  But it's cool to be able to like drink this
• 4:00
  with alcohol because they totally cancel each other out right.
• 4:04
  I got my free biotics and my straight whiskey.
• 4:08
  Speaker 3: There you go.
• 4:10
  Speaker 1: But you know, Kolby, there's there's been like something strange
• 4:16
  going on in my neighborhood, and I was wondering if
• 4:19
  you knew anyone I could call.
• 4:23
  Speaker 3: Yeah, I would call Melissa McCarthy, Kate McKinnon. I hear there.
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  They're the new boss bitches in town. They are the
• 4:36
  feminized ghost Busters, Galsbusters. I hope we don't even talk
• 4:43
  about that movie, aside from the little slame joke I
• 4:46
  just made because I got like halfway through that and
• 4:49
  then I broke it over my knee and ended up
• 4:51
  paying thirteen dollars to red Box. I thought it was
• 4:53
  totally worth it to shatter that thing, So no one.
• 4:56
  Speaker 1: Yeah, I hated that one. But we are talking about
• 5:01
  the classic nineteen eighty four Ghostbusters for our breakdown Shakedown.
• 5:16
  Speaker 5: Ghosts.
• 5:19
  Speaker 1: Hello, Ghostbusters, they're real. You do.
• 5:26
  Speaker 5: You have? They're here? Ghostbusters?
• 5:42
  Speaker 3: Hey, I see a glass.
• 5:43
  Speaker 5: They catch the ghost that woes stay dead. They're armed,
• 5:55
  They're dangerous.
• 5:56
  Speaker 1: Try to imagine all life as you know.
• 5:58
  Speaker 6: It's stopping instantaneously and every mincle in your body exploding
• 6:01
  at the speed of light.
• 6:02
  Speaker 1: Right.
• 6:02
  Speaker 3: That's bad, Okay, our important safety tip.
• 6:05
  Speaker 1: Thanks Eger.
• 6:06
  Speaker 5: They are professionals.
• 6:08
  Speaker 6: I'm the chairman of the largest paranormal removal company in America.
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  Speaker 5: They're all that stands between you and the end of
• 6:18
  the world.
• 6:20
  Speaker 7: The city is headed for a disaster of biblical proportion.
• 6:23
  Speaker 8: Real wrath of God type stuff, fire and brimstone coming.
• 6:27
  Speaker 7: Down from the sky, human sacrifice, dogs and cats living together, Massistaria.
• 6:32
  Speaker 8: Your girlfriend lives in the corner penthouse of Spooks Central.
• 6:38
  Speaker 2: You want this body?
• 6:40
  Speaker 3: Is this a trick question?
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  Speaker 5: Stick?
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  Speaker 9: Oh, smoke, make him hard?
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  Speaker 5: Ghostbusters starring Bill Murray, Dana Lloyd, Sigourney Weaver had a ramis.
• 7:09
  Rick moranis coming to save the world. Ghostbusters.
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  Speaker 1: I'm really excited about this. We're going to be actually
• 7:21
  talking about Ghostbusters one and two, and I have a
• 7:25
  surprise for you.
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  Speaker 3: Chloby got and let me.
• 7:31
  Speaker 1: I'm pulling it up right now. Okay, here we go.
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  I want to do this in the beginning because I
• 7:40
  do not want you to have any help. Is it
• 7:45
  a quiz, It's a quiz of sorts. Yes, we're going
• 7:53
  to play Ghostbusters Jeopardy to start off our episode.
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  Speaker 3: All right, and now this.
• 8:01
  Speaker 1: Is just for part one.
• 8:02
  Speaker 3: Okay, so I'm ready.
• 8:04
  Speaker 1: Yeah, okay, all right, your I'm team one and your
• 8:07
  team No, you your team one and I'm team two. Okay,
• 8:10
  so what is your first category?
• 8:14
  Speaker 3: I'll take quotes for three hundred.
• 8:18
  Speaker 1: Quotes for three Lewis Tully, even though you do your
• 8:24
  own taxes? Finish the quote?
• 8:27
  Speaker 3: What is even though you really shouldn't.
• 8:33
  Speaker 1: I can't believe you remembered.
• 8:35
  Speaker 3: I watched it two nights ago and I love in
• 8:39
  this movie.
• 8:40
  Speaker 1: I'm going to answer it as well. Could we play
• 8:44
  the same questions or no? No, I'll just let you
• 8:47
  have this because I think it's like you do your
• 8:50
  own taxes, which I highly recommend you don't, or something
• 8:54
  like that. Let's see, let's see which you shouldn't do?
• 8:59
  Speaker 3: You know? Yeah, I was half right. Because I didn't
• 9:03
  say do you know.
• 9:04
  Speaker 1: Okay, so you're getting a point.
• 9:06
  Speaker 3: You're very lenient, thank you, mm hm, oh my god.
• 9:12
  Speaker 1: Okay, so I'm gonna do the technology for four hundred.
• 9:19
  What does Egon advise the other Ghostbusters to not do
• 9:25
  to the trap? Let me read that again. What does
• 9:30
  Egon advise the other Ghostbusters to not do to the trap?
• 9:36
  To the trap? Don't look inside of it?
• 9:40
  Speaker 3: Yeah? I agree, but I think they asked it wrong
• 9:42
  because it's Ray that says it, and Egon says, oh,
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  I looked in the trap, right this question.
• 9:48
  Speaker 1: It's not to look in the trap though, Yeah, but
• 9:50
  it's okay. Can you hear that don't look directly into
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  the trap?
• 9:55
  Speaker 3: Well, this is see we're already correcting the game because
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  I guarantee you that's Ray that says that.
• 9:59
  Speaker 1: I I promise you it is. And he's like, oh shit,
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  I looked into the trap.
• 10:04
  Speaker 3: Yeah, and he's making this real like crazy ass face.
• 10:07
  Speaker 1: Okay, what is your next category?
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  Speaker 3: Let's do cast for three hundred this one, yeah, or
• 10:17
  supporting cast?
• 10:17
  Speaker 1: I guess Okay, what is the name of the actress
• 10:22
  who played Lewis Tully's dance partner at the party at
• 10:26
  his apartment. If you know this, I'm gonna freak the
• 10:30
  fuck out.
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  Speaker 3: But you know what's funny is I listened to a
• 10:32
  podcast yesterday and the guy actually said it. But I
• 10:34
  have no fucking idea, no memory.
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  Speaker 1: I had never seen that actress before that movie and
• 10:41
  never again.
• 10:41
  Speaker 3: Since she's probably a supermodelism, I guess she's something.
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  Speaker 1: Are you taking an L on this one or you
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  wanna guess?
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  Speaker 3: Okay, I gotta take the L. I mean, I'm sure
• 10:52
  if I guess it's like Suzanne Jones or something and
• 10:54
  I'm wrong, I get the loss anyway. So Suzanne Jones,
• 10:58
  why not?
• 10:59
  Speaker 1: Okay? Jeane Kasey, Shit.
• 11:03
  Speaker 3: I didn't know that because that's Casey Caysem's wife. And
• 11:05
  he's also in the movie.
• 11:07
  Speaker 1: Oh well yeah, because he does the radio intro thing
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  and he's like the Boys in Blues Look Get Out
• 11:14
  Pesky Poltergeist. Yeah, and then.
• 11:17
  Speaker 3: Larry King all right after him, before he was even
• 11:19
  on TV. He was strictly radio back then, King smoking
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  a stig. Hopefully that's not a question.
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  Speaker 1: I'm going to do the ghost for five hundred. The
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  ghosts in the Library performed what type of book stacking
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  vertical so easy. Oh, no, symmetrical, I lost so much
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  for my memory? Are metrical book stacking?
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  Speaker 3: Shouldn't you have minus three hundred on the last one
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  for me?
• 11:53
  Speaker 1: No, it's just zero. This is cosmic peach.
• 11:58
  Speaker 3: Okay, I'll play by yearrules. I was just curious, okay.
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  Speaker 1: Because if we get it wrong, we get zero points
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  and our score stays the same. If we get it right,
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  we get extra points.
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  Speaker 3: Perfect, so I'm.
• 12:10
  Speaker 1: Not subtracting anybody's points.
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  Speaker 3: In the movie, during that symmetrical bookstacking scene, Ray says,
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  it's like the mass, the Philadelphia mass turbulence of nineteen
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  forty seven, And I wrote to look into that because
• 12:23
  I wanted to see if that was a real thing.
• 12:24
  I'm sure it is. But anyway, little side.
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  Speaker 1: Note, that's interesting. What's your category?
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  Speaker 3: Let's do the men for five hundred.
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  Speaker 1: Okay, what degree or degrees does Peter Vankman hold? What's
• 12:42
  the fuck question is this?
• 12:43
  Speaker 3: He holds two degrees. He holds a degree in parapsychology
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  and psychology.
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  Speaker 2: That's hard.
• 12:50
  Speaker 1: Let's see if you're right, you get five hundred points.
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  Speaker 3: Do you remember that scene when the Walter Peck character asked,
• 13:00
  where are you a doctor of He said, what kind
• 13:02
  of doctor are psychology? And psychology? I said it in
• 13:05
  the reverse order. But oh, well, that's.
• 13:08
  Speaker 1: Awesome that you remember that. Okay, the quotes for five
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  hundred let me see, Okay, Peter Rnkman, Alice, I'm going
• 13:16
  to ask you a couple of standard questions. Okay, have
• 13:19
  you or any of your family ever been diagnosed schizophrenic
• 13:23
  or middlely incompetent? And she says, my uncle thought he
• 13:28
  was Saint Jerome, nice, perfect, And then he's like, I
• 13:32
  call that a yes.
• 13:34
  Speaker 3: Yeah. I say that's a big yes. Oh you said,
• 13:37
  you said it right? Okay, this is fun. I like
• 13:39
  it because these are there's no quote too small or
• 13:43
  fact too small? And Ghostbusters right supper Casey Case's fucking wife,
• 13:48
  which I should remember.
• 13:50
  Speaker 1: All right, So you're eight hundred and I'm nine hundred,
• 13:53
  so we're going.
• 13:53
  Speaker 3: To to neck baby WHOA.
• 13:55
  Speaker 1: All right, what's your category?
• 13:58
  Speaker 3: Let's do the ghosts for four hundred, goes.
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  Speaker 1: For four hundred. Okay, what was the ultimate form of
• 14:05
  the destructor.
• 14:07
  Speaker 3: The ultimate form?
• 14:09
  Speaker 1: I guess the ultimate.
• 14:11
  Speaker 3: I guess I'm gonna have to say it was the
• 14:14
  stay puffedmmersal Man.
• 14:15
  Speaker 1: Because is that your final answer?
• 14:19
  Speaker 5: Yeah?
• 14:19
  Speaker 1: Because okay, here we go. Yeah, all right, four hundred
• 14:26
  points Team one. I need to catch up. Okay, let's see.
• 14:32
  I should do the technology for five. I don't know.
• 14:34
  That's risky, that's risky. M I'm gonna go for it.
• 14:40
  Oh easy. What happens when you cross the streams? Total
• 14:45
  protonic reversal? Am I close?
• 14:53
  Speaker 3: No matter what answer they give, because.
• 14:54
  Speaker 1: Yeah, total some protonic nucleo reversal.
• 15:00
  Speaker 3: Yeah, either one work? Oh I would he didn't? You
• 15:04
  got you said more than that, so i'd broton.
• 15:08
  Speaker 1: Ya I'm winning. Okay, what's your category?
• 15:14
  Speaker 3: Hm hmmm. Let's do the men for four hundred?
• 15:18
  Speaker 1: The Men for four hundred? Okay, what did Peter stop
• 15:21
  Egon from doing? That? He was sure would work if
• 15:25
  Egon hadn't been stopped? Oh, this is easy.
• 15:28
  Speaker 3: What is Deulian? A hole in his own head?
• 15:30
  Speaker 1: Ab so fucking lutely troll through his own head?
• 15:34
  Speaker 3: Have you seen the movie Pie?
• 15:37
  Speaker 1: No?
• 15:37
  Speaker 3: You know who Darren Aronofsky is Requien?
• 15:41
  Speaker 1: Oh I do know that movie. Yeah?
• 15:42
  Speaker 3: In his movie before that was a sixteen millimeters black
• 15:45
  and white experimental cerebral journey called pie p I no spoilers,
• 15:52
  but it has something to do with that. You should
• 15:54
  watch it. Mm hmm pretty fascinating. I think you dig it.
• 15:57
  I was just listening to you and Davey talk about
• 15:58
  skin and myrank, and if you like that, you would
• 16:01
  probably definitely like pie.
• 16:03
  Speaker 1: I just like things that are unusual.
• 16:06
  Speaker 3: I guess.
• 16:07
  Speaker 1: So it's my turn, right, I'm gonna do quotes for
• 16:10
  four hundred. Janine Melnitz do you believe in UFO's actual projections,
• 16:17
  mental telepathy, esp clairvoyant spirit, photography, telekinetic movement, full trance, medium,
• 16:23
  silocnus monster, in the theory of Atlantis. As long as
• 16:27
  there's a steady paychecked involved, I'll believe anything you say.
• 16:33
  Speaker 3: Boom, Wow, that was a verbatim.
• 16:37
  Speaker 1: Okay, let's go back to the old drawing board here.
• 16:43
  Speaker 3: All right, I'm gonna go back to trade and true.
• 16:46
  Let's do the men for three hundred.
• 16:48
  Speaker 1: Okay, these four actors played the original Ghostbusters. Wow, this
• 16:53
  should be a one hundred point question.
• 16:55
  Speaker 3: No shit, I'd hate to see what the one hundred
• 16:57
  point is. I'm gonna go with Ernie Hudson, Harold Rams,
• 17:04
  and Dan Ackroyd.
• 17:06
  Speaker 1: You started with the least likely one that surprised me. Okay, yes, I.
• 17:12
  Speaker 3: Said it in the exact opposite of that.
• 17:14
  Speaker 1: Yeah, I thought you were gonna say, like Bill Murray,
• 17:16
  dan ackroyd.
• 17:17
  Speaker 3: Yes, A point for you on the in the casting.
• 17:21
  In the bill credits, it says Bill Murray's name first
• 17:23
  and then Dana, because I think Bill Murray was the
• 17:26
  bigger start at that point.
• 17:29
  Speaker 1: I'm going with the technology for three hundred. What is
• 17:33
  the license plate of the Ghostbuster's car? ECDO one?
• 17:37
  Speaker 3: I didn't know? Yes, good job, yep mm hmm.
• 17:42
  Speaker 1: All right, Colby eure up. You know what scares me
• 17:45
  the most out of all these the supporting cast for
• 17:48
  five hundreds.
• 17:51
  Speaker 3: That's what I'm gonna do.
• 17:52
  Speaker 1: Got all right, you're a trooper. How did Peter describe
• 17:57
  Dana when he saw her after her symphony rehearsal?
• 18:01
  Speaker 3: How the fuck is that supporting cast?
• 18:03
  Speaker 1: I don't I don't know Peter described Dana when he
• 18:07
  saw her after her symphony.
• 18:09
  Speaker 3: I'm gonna have to guess because I don't remember. You
• 18:11
  remember this.
• 18:13
  Speaker 1: I remember how he described the guy she was with.
• 18:19
  Speaker 3: He said something about being able to hear her, and
• 18:21
  she's like one of them.
• 18:22
  Speaker 1: The best one in her row. Maybe that's maybe that's
• 18:27
  the answer.
• 18:27
  Speaker 3: You get the points if that's the case, because I
• 18:29
  was just going to.
• 18:29
  Speaker 1: Guess, like Elector the best one in her row. Good job, thanks,
• 18:35
  I will gladly take the point.
• 18:37
  Speaker 3: Oh wow, I'm getting kicked.
• 18:40
  Speaker 1: It's all right. I'll let you have supporting cast for
• 18:42
  four hundred. I'm going with the Ghosts for three hundred.
• 18:46
  When Lewis Totley was possessed, what it was his full
• 18:50
  name entitle Vince or though keeper keep Vince? Am I close? Vince?
• 19:10
  Key master? Key master? Oh yeah, key master. I'm giving
• 19:17
  myself that point.
• 19:18
  Speaker 3: Because it was very close though you were.
• 19:21
  Speaker 1: Okay, what is your category?
• 19:24
  Speaker 3: I'm down a swift thousand here, I'm gonna go. Let's
• 19:26
  do supporting cast for four hundred?
• 19:29
  Speaker 1: Are you sure?
• 19:31
  Speaker 3: Yeah?
• 19:32
  Speaker 1: Okay. What was the name of the EPA enforcement agent
• 19:36
  that came to inspect the Ghostbusters firehouse?
• 19:39
  Speaker 3: Walter Peck.
• 19:41
  Speaker 1: I don't even have to click it. Yes that is correct.
• 19:45
  Speaker 3: Yes, yes, it's true. This man has no dick. You know.
• 19:50
  Speaker 1: I love how he portrayed that character, by the way,
• 19:53
  because it's like the proverbial I'm being polite but also
• 19:58
  fuck you kind of character. What do you do, mister Venkman.
• 20:02
  Speaker 3: You know what he reminds me of what he is,
• 20:05
  the Yen to Bill Murray's yang. They're both fucking conceited
• 20:09
  assholes and.
• 20:10
  Speaker 1: Their first pretentious.
• 20:12
  Speaker 3: If let's pretend Egon would have ran into him, the
• 20:15
  entire movie would have gone down a different path.
• 20:18
  Speaker 1: Right, because he would have been like more I don't know.
• 20:23
  It was like a standoff of egos when those two met.
• 20:26
  Speaker 3: Yeah, exactly. And that actor says, to this day, people
• 20:29
  call him dickless on the sidewalk and so, uh or
• 20:34
  three years after this movie came out, he was in
• 20:37
  Diehard and he was like the TMZ esque report news
• 20:41
  reporter and his name, his name was Dick something. It
• 20:46
  was yeah, I shit, you know wow.
• 20:49
  Speaker 1: So he just plays a dick in every movie he's.
• 20:51
  Speaker 3: I guess he'd been typecasted after that encounter.
• 20:57
  Speaker 1: I'm gonna go with the quotes for two hundred, Peter Rankman. Wait, wait,
• 21:03
  I've always wanted to try this. I mean, he pulled
• 21:08
  and the flowers are still standing.
• 21:11
  Speaker 3: That's what they're looking for.
• 21:12
  Speaker 1: Yeah, okay, Colby, Let's do the Men for two The
• 21:21
  Men for two hundred. Okay, Egon collects these strange things.
• 21:24
  You have to know.
• 21:25
  Speaker 3: This mucus spores and fungus or something like that.
• 21:29
  Speaker 1: You you're right on mold, yes, yes, there you go,
• 21:35
  mold sports and fungus.
• 21:37
  Speaker 3: Mucus, your your.
• 21:41
  Speaker 1: Mucus.
• 21:43
  Speaker 3: Someone blows your nose and you want to keep.
• 21:45
  Speaker 1: It all right? So the technology for two hundred? What
• 21:51
  kind of meter does Egon use in the library? Now?
• 21:58
  Ev P? What is? Do you know what this one is?
• 22:02
  Because you can have the points on it if you know.
• 22:04
  Speaker 3: I don't know it at the top of my head.
• 22:07
  Speaker 1: Because you know, he has this.
• 22:09
  Speaker 3: Little thing with the little Is it the same thing
• 22:12
  he uses in the hotel when he like pokes that dude. Yes,
• 22:15
  that's one of my favorite Egon scenes. That the little
• 22:18
  things that these characters do just tell I mean, and
• 22:22
  I know that a lot of this ship was improvised,
• 22:24
  which I appreciate it.
• 22:26
  Speaker 1: I love that. I don't even think he goes up
• 22:28
  the guy and then he like, yep, it's true.
• 22:32
  Speaker 3: I don't even think Rick Marietta's did anything that wasn't
• 22:35
  improvised as far as like you know that scene where
• 22:37
  he's walking down and he's like explaining the price of
• 22:40
  the salmon, but he'd attack right off. That was a
• 22:43
  really long shot. Really, he's the camera's panning down the
• 22:45
  table following him. He did that all improvised in one take.
• 22:50
  Speaker 1: What a genius. I'm an actor, honestly he is.
• 22:54
  Speaker 3: And I mean he's one of those underrated guys. I
• 22:56
  believe his wife died and he got out of the
• 22:59
  game to raise his kid.
• 23:00
  Speaker 1: I know that's ri ip to his career because he
• 23:04
  was great and super funny. Right, I don't know what
• 23:10
  this is. I guess I'll just take it l p
• 23:12
  K E.
• 23:13
  Speaker 3: I know never but you said like KG or something.
• 23:17
  Speaker 1: Yeah, but that's like what monitors your heart?
• 23:20
  Speaker 3: Right, So let's PK. I don't even know what that is.
• 23:23
  I don't know.
• 23:23
  Speaker 1: I missed that one. What are you going with?
• 23:27
  Speaker 3: Let's do ghosts for two?
• 23:29
  Speaker 1: Okay, what's what was Ray's big plan to capture the
• 23:34
  ghost in the library? Yeah, all right, you get the
• 23:42
  points on that. I'm gonna go with the quotes for
• 23:48
  one hundred. Peter Venkman, we came, we saw, we kicked
• 23:56
  its ass, right.
• 23:58
  Speaker 3: Right, Okay, all caps kicked its ass.
• 24:04
  Speaker 1: What's your category?
• 24:06
  Speaker 3: Let's do supporting cast for two. Let's see what kind
• 24:09
  of interesting questions.
• 24:11
  Speaker 1: How many feet above the covers since stay asleep?
• 24:14
  Speaker 3: I think it's four.
• 24:16
  Speaker 1: You're saying, no, I'm not gonna say the answer, but
• 24:21
  that's not it.
• 24:22
  Speaker 3: Okay, well that was use your.
• 24:24
  Speaker 1: Best conspiracy mind to think about what it might Okay,
• 24:27
  thank you. Oh oh my gosh, you're getting a point
• 24:34
  for sure. But that just goes to show you how
• 24:37
  bad my memory is.
• 24:38
  Speaker 3: I just watched this and I thought, why didn't he
• 24:41
  say six?
• 24:42
  Speaker 1: You know, six six feet above the covers?
• 24:47
  Speaker 3: But now you I just could see blimmery four feet
• 24:50
  above the covers.
• 24:53
  Speaker 1: All right, I'm going with the ghosts for one hundred.
• 24:58
  What did the first ghost that the Ghostbusters caught due
• 25:02
  to Peter? The first ghost that they caught, Oh, the
• 25:07
  slimer he's got slined right, yep, slind.
• 25:12
  Speaker 3: It's funny how underwhelming that delivery is on Bill Murray's part,
• 25:15
  Even though this is an iconic line in the movie.
• 25:19
  Speaker 1: I think I would have had the same reaction.
• 25:24
  Speaker 3: I think that the feel funky.
• 25:27
  Speaker 1: Yeah, I think the funniness of that scene comes from
• 25:29
  him just being totally underwhelmed.
• 25:32
  Speaker 3: Yeah, honestly, I love how in the beginning in the
• 25:35
  library he's the most skeptical lot of the three of them,
• 25:38
  but when they see the ghost for the first time,
• 25:39
  he's the one who's not even based by it. He's like,
• 25:42
  so what do we do? Egon shows the most emotion
• 25:46
  in the entire movie in that scene when they see
• 25:48
  the ghost for the first time.
• 25:49
  Speaker 1: And then like almost nothing for the rest of society.
• 25:52
  Speaker 3: From in the mayor's office where he goes your mother like,
• 25:56
  so not a character for him in such a diss
• 25:59
  your mother.
• 26:01
  Speaker 1: I watched this interview of his daughter and she was like,
• 26:05
  I just want everyone to know that my dad was
• 26:07
  nothing like Egone. Yeah, he was actually really funny and supercive.
• 26:12
  Speaker 3: Are some of the best comedies of the last thirty years.
• 26:15
  Speaker 1: Yeah, for some reason people see him as being like this.
• 26:18
  Speaker 3: Real It was this role that did it to him.
• 26:21
  Speaker 1: Yeah, exactly, what's your category?
• 26:24
  Speaker 3: Let's do men for a hundred?
• 26:28
  Speaker 1: Okay, Peter is this doctor's first name?
• 26:34
  Speaker 3: Are they just going for a rankman?
• 26:36
  Speaker 1: Is that really what they're going for?
• 26:38
  Speaker 3: I mean I'm saying I don't know what else they could?
• 26:41
  Speaker 1: Oh my god, is that even a question that.
• 26:44
  Speaker 3: It was like, you know, what is it? Wants to
• 26:48
  be a millionaire? The first question, it's always the throwaway.
• 26:52
  Speaker 1: Geez, I'm going with the technology for one hundred in
• 26:58
  the elevator at the hotel. What do the Ghostbusters have
• 27:01
  strapped to their back? An unlicensed nuclear accelerator?
• 27:08
  Speaker 4: Right?
• 27:09
  Speaker 3: I was going to say pro ten pack, but that's
• 27:11
  what you call it in that scene. Yeah.
• 27:13
  Speaker 1: Okay, even if you get this one, I still win.
• 27:18
  Speaker 3: You know. I like how you didn't get stuck on
• 27:20
  thirty three? Got off of that number, now if I
• 27:23
  can get off three thousand?
• 27:25
  Speaker 1: Supporting cast Lewis Tully's day job was this? Yes, so
• 27:33
  we were close three hundred point differences.
• 27:38
  Speaker 3: You know what fucked me? Was it the Casey Casem's wife. Yeah,
• 27:42
  and that was the hardest question on the whole board.
• 27:44
  Isn't that weird?
• 27:46
  Speaker 1: You went for throats though you were like supporting cast
• 27:49
  for five hundred.
• 27:50
  Speaker 3: I was like, oh shit, I think that one was
• 27:52
  the four hundred.
• 27:54
  Speaker 1: No, let's see, Oh that was the five hundred a day.
• 28:00
  Speaker 3: And you got that one.
• 28:02
  Speaker 1: No, that's because I've watched the three movie a thousand times.
• 28:08
  Speaker 3: What. Yeah, that's crazy. What question should have been four
• 28:12
  or five?
• 28:14
  Speaker 7: Five?
• 28:14
  Speaker 1: For sure?
• 28:15
  Speaker 3: Okay, what good job, Julia? If I was gonna lose you.
• 28:23
  Speaker 1: Okay, We'll have to do another one of horror movies
• 28:28
  or like Stanley Kubrick Jeopardy Stanley Kubrick.
• 28:31
  Speaker 3: I'm not a huge horror guy, but I do love
• 28:34
  everything Kubrick and Ridley Scott.
• 28:37
  Speaker 1: Well, I'll try to find one and then we can
• 28:39
  play that next time.
• 28:40
  Speaker 3: We still need to do our little h I know,
• 28:43
  round Table with Davy and maybe another person even but
• 28:46
  at least US three doing Kubrick.
• 28:48
  Speaker 1: We could definitely all three play Jeopardy too, So I'll
• 28:52
  look for one and we'll have to get that in
• 28:54
  the works. But tonight we are going all Ghostbusters. I'm
• 28:59
  talking those Busters one and two. I have so many notes.
• 29:03
  I'm really excited to get into this, but if you're
• 29:06
  okay with it, I'm just gonna read off for the listeners,
• 29:10
  a little bit of the stuff that everybody knows. Ghostbusters
• 29:14
  is a nineteen eighty four American supernatural comedy film directed
• 29:18
  and produced by Ivan Raitman and written by Dan Ackroyd
• 29:22
  and Harold Ramis. It stars Bill Murray, Dan Ackroyd, Harold
• 29:28
  Ramis and Let's See Sigourney Weaver, Rick Moranis and Annie
• 29:35
  Potts and it's based on dan Ackroyd's own fascination with spirituality.
• 29:44
  Do you have any extra bits you want to add?
• 29:48
  Speaker 3: Just as far as dan ackroid goes, I think it's
• 29:51
  intriguing that his great grand grandfather in the nineteen hundreds
• 29:55
  was a paranormal investigator.
• 29:58
  Speaker 1: I believe dude, when I looked into it, said he
• 30:02
  was a spiritualist, quote unquote like that. That's how they
• 30:05
  describe Marina Abramovich is a spiritualist. That's literally the term.
• 30:12
  Speaker 3: That they describe her as. An That's just me. Uh,
• 30:16
  she's a performance artist, right, I.
• 30:19
  Speaker 1: Don't know what she was, but they called her a spiritualists.
• 30:23
  Speaker 3: So that's crazy that they put those two in the
• 30:25
  same basket.
• 30:27
  Speaker 1: Well, and the thing is is like dan Ackroyd had
• 30:32
  to rewrite everything because yeah, it wasn't supposed to be
• 30:39
  a comedy at first.
• 30:41
  Speaker 3: I said that before Epic. Yeah, like there was going
• 30:45
  to be dimension jumping, there was gonna be like the
• 30:49
  original State Puff was like one of many sequences of
• 30:53
  them fighting like huge monstrosities and shit. I mean, he
• 30:57
  was ahead of his time. If he had like the
• 30:58
  budget of Disney and mar he could have made the
• 31:01
  thing that he wrote.
• 31:02
  Speaker 1: Yeah, he could have, and so he actually so when
• 31:09
  they told him it was never going to work as
• 31:11
  a sci fi film, and he was like, Okay, it's
• 31:13
  got to be a comedy. He actually was writing a
• 31:17
  role for John Belushi because of the Blues Brothers, and
• 31:23
  he wanted to do this with him, but he died.
• 31:31
  John Belushi died in nineteen eighty two and the script
• 31:36
  had to be rewritten again. And I have some more
• 31:41
  interesting about Slimer was that a.
• 31:46
  Speaker 3: Rewrite Slimer was an homage to John Belushi. They were
• 31:49
  trying to make like a John Belushi esque from Animal
• 31:52
  House type character. So that is, Oh wow, that's the
• 31:56
  tip of the hat to John Belushi.
• 31:59
  Speaker 1: Oh well, that's freaking awesome because like I researched this
• 32:02
  thing up and down and that I did not know
• 32:04
  it also really good find.
• 32:06
  Speaker 3: In the video game apparently there was a video game. Uh,
• 32:10
  they did like a digital version of John Belushi as
• 32:14
  his spiritual advisor. He's a ghost and he comes back
• 32:17
  and talks to dan Ak right and gives him advice and.
• 32:19
  Speaker 1: Shit, that's really cool. Yeah, I'm not gonna lie. That's
• 32:24
  really cool. So I have some weird stuff that I
• 32:29
  found about John Belushi's death that I'll get into in
• 32:33
  just a second. But so Ghostbusters was released on June eighth,
• 32:39
  and people were really skeptical that this was even going
• 32:42
  to be a good movie, but it, you know, obviously
• 32:45
  became like a cultural phenomenon.
• 32:47
  Speaker 3: I think that what's crazy grossing comedy Untelhome alone came out.
• 32:52
  Speaker 1: It was, but like when you compare it to the
• 32:55
  other movies that came out that year, it's like, what
• 32:58
  a year to be a lot? Like, dude, Ghostbusters dropped
• 33:02
  and then it was Grimlins, The Karate Kid, The Terminator,
• 33:05
  A Nightmare on Elm Street, the First One, and The
• 33:09
  Never Ending Story all came out this year, and Ghostbusters
• 33:13
  like topped them all. But when you think cultural standards,
• 33:17
  like what's a cult classic, they're all cult classics and
• 33:21
  they as Terminator, Yeah that's crazy.
• 33:25
  Speaker 3: They're all the original movies and franchises right right?
• 33:29
  Speaker 4: Yes?
• 33:31
  Speaker 1: So I mean, like, damn, I would have loved to
• 33:34
  be alive in nineteen eighty five.
• 33:36
  Speaker 3: I was, but I was one years old, so I
• 33:38
  wasn't really watching movies yet.
• 33:41
  Speaker 1: I wouldn't be born for another ten years. But I
• 33:46
  love all those movies, like The Never ending story come
• 33:50
  on Falcore. But so Ghostbusters, like I said, was inspired
• 33:56
  by dan Ackroyd's fascination with ann to belief in the paranormal,
• 34:03
  and let's see he inherited which he inherited this interest
• 34:09
  from his father, who later wrote a book called A
• 34:12
  History of Ghosts. His mother claimed to have paranormal experiences,
• 34:18
  his grandfather experimented with radios to contact the dead and
• 34:24
  was a renowned spiritualist. And then it says in nineteen
• 34:29
  eighty one, dan Aykroyd read an article on quantum physics
• 34:33
  and parapsychology and it gave him the idea of actually
• 34:38
  trapping ghosts. And so the idea of Ghostbusters was born.
• 34:45
  And he actually the original script after he decided it
• 34:50
  was going to be a comedy, was going to star
• 34:52
  John Belushi and Eddie Murphy, like can you imagine, Well.
• 34:57
  Speaker 3: You know, I feel like Ernie Hudson got the show
• 35:00
  aft in a lot of ways on this he did.
• 35:02
  They really shrunk his part down after Eddie Murphy was
• 35:05
  tied up with shooting Beverly Hills Cop.
• 35:07
  Speaker 1: Which is a great movie by also.
• 35:09
  Speaker 3: A great movie, and he just it took too long
• 35:12
  for Akroyd to get this off the ground. But do
• 35:14
  you do you realize that when he finally was given
• 35:17
  the green light, they were giving him the release date
• 35:22
  from the day he got the stamp of approval of
• 35:24
  fourteen months to theaters. So this was shot and eden
• 35:29
  especially cool, like they some of the coolest shit, Like
• 35:33
  I hate CGI, I don't watch it. It like that, like
• 35:35
  the newer stuff. But like the opening scene with the cards,
• 35:39
  they just pushed the drawers out and they had a
• 35:41
  vacuum and they were blowing those cards up like real
• 35:45
  low bud shit. And they have like the ghosts, which
• 35:49
  is green screen technology, and then they have the stop
• 35:52
  start with the dogs, you know, the Gatekeeper key Master.
• 35:58
  Speaker 1: The worst graphics in that movie are the dogs are
• 36:01
  Everything else looks pretty pretty dope.
• 36:04
  Speaker 3: Apparently if you get the four K updated high def shit,
• 36:08
  the dogs look pretty cool. But I kind of like
• 36:12
  the nostalgic, like shitty stopster animation for nineteen eighty four.
• 36:16
  It looked pretty fucking good. It looked. Okay, they're the
• 36:19
  worst thing. You're right, they are the worst things in
• 36:21
  the movie. Everything else that fucking creepy ass taxi driver
• 36:24
  dude Colby.
• 36:26
  Speaker 1: They look like dog turns look so bad.
• 36:31
  Speaker 3: My friend had a boxer pit mix that looked just
• 36:34
  like those fucking things without their dolls.
• 36:38
  Speaker 1: They were nuralists. They literally looked like walking piles of shit.
• 36:44
  Speaker 3: I mean they were, But so is this dog?
• 36:50
  Speaker 2: Uh?
• 36:51
  Speaker 1: But no, Okay, So I want to I want to
• 36:54
  give the listeners a little background on the death of
• 36:57
  John Belushi because and I hope this is even impressive
• 37:02
  to you, because I did a kind of a deep
• 37:06
  dive on that. And so, John Belushi had an accidental
• 37:11
  quote unquote death in March of nineteen eighty two, and
• 37:14
  it says that he died from a combination of bad
• 37:19
  drugs by a drug dealer named Kathy Smith. And it
• 37:23
  says that he was injected with a mixture of heroin
• 37:27
  cocaine and it was like a deadly amount. And it
• 37:32
  was at the Chateau Marmont's hotel in West Hollywood, California.
• 37:37
  So I know you've heard me talk about the Chateau
• 37:41
  Marmont before, and this is the hotel that was the
• 37:46
  inspiration for Hotel California. But it's also been referred to
• 37:51
  in songs by like Miley Cyrus Panic at the Disco,
• 37:57
  The Grateful dead wanna Delay. They all talk about the
• 38:01
  Chateau Marmont and Tuesday Weld Anton Levey. They all talked
• 38:08
  about the Chateau Marmont, and I think that it's interesting
• 38:18
  that he would have died there. Now do you think
• 38:19
  that he was murdered?
• 38:22
  Speaker 3: Uh, there's some stuff around his death that I recently
• 38:27
  heard that really tripped me the fuck out. But I
• 38:30
  don't know what the reason for murdering him. Of course,
• 38:34
  he did Diet thirty three, which like Chris Farley and
• 38:41
  how old was John Candy when he died?
• 38:43
  Speaker 1: I can google it?
• 38:44
  Speaker 3: Really cool, But do you know the connection between all
• 38:47
  those three that I just named and Phil Hartman and
• 38:49
  a few other dead comedians what they looked at this
• 38:54
  script and it was about a Canadian. It was a
• 38:58
  Canadian thing, and it was a Eskimo. It was a
• 39:01
  comedy and anybody who like read this role ended up dying.
• 39:07
  Ye're shitting So I heard this last week. It was
• 39:11
  this guy named Thomas or Thomas and he's a stand
• 39:14
  up comedian that Davey Wavey used to work with and
• 39:17
  this was the second time he had him on. And
• 39:19
  this guy's pretty like straight and narrow. When it comes
• 39:21
  to conspiracies. But he brought this to Davey's attention. Davy
• 39:24
  hadn't heard of it. I haven't heard of it. Apparently
• 39:26
  you haven't. I'll get the title of the movie and
• 39:29
  send it to you. You're gonna do a whole episode
• 39:31
  on it. I can already tell.
• 39:32
  Speaker 1: Oh, shut the front door. Is that real?
• 39:37
  Speaker 3: Google what movie did and list some of those actors.
• 39:41
  I just named what script did they cursed? Script? That Blushi,
• 39:47
  Candy Barley Hartman? What script did they look at?
• 39:53
  Speaker 1: Okay, let's see if it.
• 39:55
  Speaker 3: Comes up, because Davy was able to bring it up
• 39:58
  when they were talking about it.
• 40:02
  Speaker 1: Uh ah tuk, what's it? That's the name? Hollywood script
• 40:11
  that killed six actors. It's right here. What the wait
• 40:18
  a second, Wait a second. It says a uh Hollywood
• 40:22
  script that has killed six actors. And the story is
• 40:30
  about an Inuit poem something something Toronto mhm. But the
• 40:39
  movie he lives in Alaska, Jesus Christ. A woman visits
• 40:43
  his town in Alaska. John Belushi two months later, Catherine
• 40:52
  Evelyn Smith. Oh, that's the that's who killed him. The
• 40:58
  script went back to the market and Sam.
• 41:01
  Speaker 3: Kennison, Oh, he read for it too.
• 41:04
  Speaker 1: Yep dead, John Candy dead, Chris Farley dead. I must
• 41:15
  have missed someone.
• 41:16
  Speaker 3: Did anybody look at it? Did you say Phil.
• 41:18
  Speaker 1: Hartman, Phil Hartman dead?
• 41:21
  Speaker 3: Did you Does it say anything about anybody reading it
• 41:25
  that didn't die or is it just everybody who fucking
• 41:27
  and they probably can do this thing? After six people
• 41:30
  were killed.
• 41:30
  Speaker 1: By I would say you got to close the movie down.
• 41:37
  I mean, so three a m. Someone entered the bedroom
• 41:43
  of Phil Hartman and shot him twice in the head.
• 41:48
  That so we have a three there. And then Chris
• 41:51
  Farley was thirty three, John Candy was on his he
• 41:59
  was forty three ooh three. And then this guy Sam Kinnison,
• 42:10
  you know who.
• 42:11
  Speaker 3: He is, stand up comedian. He had like long curly
• 42:15
  hair and he always wore a beret. He was a
• 42:16
  big dude and he'd always be like I after his jokes.
• 42:20
  He had the scream. He was a preacher. He was
• 42:22
  came from a religious background and he was going to
• 42:24
  be a preacher, but he became this coked up stand
• 42:26
  up you'd like him. You should check him out, Sam Kinison.
• 42:30
  Speaker 1: That's I'll have to look into it. It just says
• 42:33
  in nineteen eighty eight managed eight days of filming before
• 42:38
  they halted the production. So eight, the Big eight person, right,
• 42:46
  John Belushi was thirty three, Wow, what a rabbit hole.
• 42:50
  Let me not just tie right off into that for
• 42:53
  too long. But so the whole hotel, the Chateau Marmont thing,
• 42:58
  I think is also a connection with that, because like
• 43:00
  a cursed place and actually there was something yeah right here.
• 43:07
  So I found an interview of dan Aykroyd and it
• 43:11
  was someone talking to him and asking him if he
• 43:15
  ever had any like real life paranormal experiences, and he
• 43:19
  said so. The interviewer says, as an actor and musician,
• 43:23
  you've traveled the world and stayed in many hotels. What
• 43:27
  have what have been your own paranormal hotel experiences? And
• 43:32
  he said, I have not had many hotel experiences. The
• 43:38
  Chateau Marma has a lot of stuff going on, though,
• 43:41
  and I've stayed there a lot. Things have come off
• 43:44
  the wall, and I had an out of body experience
• 43:48
  there once and I was flying around the dining room
• 43:55
  and it says, I guess so, and then it says
• 44:00
  the lamp broke after my friend said he saw the
• 44:07
  lamp above him start to shake, and he says that
• 44:12
  was just before John Blue. She died two weeks later.
• 44:16
  Speaker 3: Okay, I was going to ask if this interview was
• 44:18
  post Blue death. Apparently it is.
• 44:21
  Speaker 1: Right, and it says actually I had a friend who
• 44:24
  was a sensitive and went to the place where John died,
• 44:29
  and he said he saw him. John appeared to him
• 44:33
  at the Chateau Marmont.
• 44:34
  Speaker 3: He was a green slimmer.
• 44:39
  Speaker 1: So interesting, right, Yeah, especially with this curse script, which
• 44:45
  I'm just gonna have to look into that I don't
• 44:47
  know yet, mind blowing. I wonder if they finished making
• 44:54
  the movie.
• 44:55
  Speaker 3: I'm not gonna look at the movie is sitting. It's
• 44:58
  still available, but no one wants to touch it. Apparently
• 45:01
  I'm not.
• 45:02
  Speaker 1: I'm not watching it.
• 45:04
  Speaker 3: It's like playing Superman. So yeah, they will never film
• 45:08
  this movie. I don't think there's unless there's like some
• 45:10
  actor who's suicidal and he's like, let's just try to
• 45:13
  make this movie before I write.
• 45:15
  Speaker 1: Why don't they pick like Jared Leto or somebody nobody
• 45:18
  cares about.
• 45:21
  Speaker 3: Some weight Jared, You're gonna be a fat esquehim out right,
• 45:26
  let me get off my cross, okay man, or like who's.
• 45:31
  Speaker 1: The actor who was in he's just not that into
• 45:35
  you and the Tusk justin long. You don't like him, yeah,
• 45:39
  he can be in that movie. I fucking hate him
• 45:42
  as an actor and his face annoys every cell in
• 45:46
  my body.
• 45:46
  Speaker 3: He did do a really good George Harrison and Dewey Cox.
• 45:49
  Speaker 1: I don't give a shit. So I want to break
• 45:54
  down the storyline here. Are you ready?
• 45:57
  Speaker 3: Yeah?
• 45:58
  Speaker 1: All right? So we got the Liey opening, iconic as ever,
• 46:03
  just like you said before, it's kind of low budget effects,
• 46:08
  but absolutely iconic. The cards are flying out of the
• 46:14
  little things and we have our first sighting of the
• 46:20
  old Lady Librarian ghost. And the next scene that it
• 46:26
  cuts to after that is one of my favorite scenes
• 46:28
  in the entire movie. I don't know why, but when
• 46:33
  Peter Vankman is giving electro shock, fucking.
• 46:37
  Speaker 3: Well think it's a misunderstood scene too, do you, Yeah,
• 46:43
  because everybody I've ever heard talk about it says this
• 46:46
  is the scene where you can really tell that Peter
• 46:49
  is not really into the studies, that he's just a
• 46:51
  sleez bag and he's just interested in hooking up with
• 46:53
  the scroll. But no, he he is doing negative reinforcement
• 46:59
  of yes piece. So he's proving that if somebody's angry
• 47:03
  that they'll start being esp andy. Yeah, and so he's
• 47:08
  like letting the girl get all the right answers, even
• 47:10
  though she gets none of him right. And as it
• 47:12
  goes on, he starts getting the cards right.
• 47:14
  Speaker 1: He does because he's like a couple wavy lines.
• 47:17
  Speaker 3: Yeah, and he's just like, this is just not your day.
• 47:22
  Speaker 1: He like reaches towards as the button and he's like no, no,
• 47:28
  he zaps the ship out of him in the little
• 47:30
  gum flock.
• 47:31
  Speaker 3: Yeah, this has really started to piss me off.
• 47:35
  Speaker 1: You could keep the five bucks.
• 47:37
  Speaker 3: But to say what I was going to say, he
• 47:38
  definitely does not miss the opportunity to slide in and
• 47:42
  try to hit on the girl. But he was doing
• 47:43
  his serious study, I thought, and.
• 47:46
  Speaker 1: Actress Elizabeth sho no, it was somebody that didn't do
• 47:52
  a lot.
• 47:52
  Speaker 3: But I just heard this in something I was listening
• 47:55
  to yesterday. But I've gotten my notes that how much
• 47:58
  I love the cardious he studies, and I have in
• 48:01
  parentheses in k Ultra like what kind of shit are
• 48:04
  they doing at this school? Because do you remember when
• 48:06
  they lose their funding? Acroid's pissed or not pissed, but
• 48:11
  he's distraught, he's like, stand Ford, Mit, forget about it.
• 48:14
  They want touch us with a ten foot pole now,
• 48:16
  And he's like, I love that seat. Also because he's
• 48:18
  telling him like, you've never been out of the university
• 48:21
  field like private sector, they expect results.
• 48:24
  Speaker 1: They expect results, see me.
• 48:26
  Speaker 3: That was almost an homage to trading places with him,
• 48:31
  because there's a line about that in there too.
• 48:34
  Speaker 1: So if I was going to rate scenes by the way,
• 48:37
  and I don't know why, but the scene where he's
• 48:40
  electro shocking that guy is like probably one of my
• 48:44
  top three favorite scenes in the entire movie.
• 48:48
  Speaker 2: Nervous.
• 48:49
  Speaker 5: Yes, I don't like this.
• 48:52
  Speaker 10: You only have seventy five more to go? Okay, what's
• 48:56
  this one?
• 49:01
  Speaker 3: A couple of wavy lines. Sorry, this isn't your lucky day.
• 49:08
  Well yeah, get a little tired of this.
• 49:15
  Speaker 7: You volunteered, didn't you.
• 49:16
  Speaker 10: We're paying you aren't.
• 49:17
  Speaker 3: Well, yeah, but I don't know you're going to be
• 49:18
  given the electric shocks. What are you trying to approve her? Anyway?
• 49:22
  I'm studying the effect of negative reinforcement on esp ability.
• 49:26
  The effect I'll tell you what the effect is.
• 49:28
  Speaker 2: It's pissing me off.
• 49:30
  Speaker 3: Well, then maybe my theory is correct.
• 49:31
  Speaker 2: Okay, kick the five bucks, I.
• 49:33
  Speaker 3: Will, mister.
• 49:35
  Speaker 1: And it's like the character Bill Murray is portraying is
• 49:42
  such a pretentious asshole, but he's like so smart and
• 49:47
  funny that you almost don't care if he's as into
• 49:51
  it as Egon and Ray. So you have that aspect
• 49:56
  in all three of the characters. Egon is like the brain,
• 49:59
  and Ray is like the really excited one that just
• 50:02
  believes in everything, and then you have Vankman who's skeptical
• 50:06
  of everything.
• 50:07
  Speaker 3: I'd say that Ray and Peter are actually very much
• 50:12
  like the actors portraying them, where Harold Ramis, like you
• 50:15
  established earlier, is pretty much the pullar opposite. But I
• 50:18
  do feel like Bill Murray this was the role for
• 50:21
  him because I think they'd already done stripes. But if
• 50:24
  you look at everything that Bill Murray's done since he
• 50:27
  is Peter Vankman, and I think that that is Bill Murray.
• 50:31
  I think Bill Murray did a lot of improvisation with
• 50:33
  this role.
• 50:35
  Speaker 1: And you know what I would what I would compare
• 50:37
  it to is if you've seen one Vince Vaughn movie,
• 50:41
  you've seen all Vince Vaughn movies. Bill Murray is that guys,
• 50:46
  He's Peter Vankman in almost every role he plays, except
• 50:49
  for what about Bob?
• 50:51
  Speaker 3: What about Bob's different? Yeah, groundhog Days Peter Vankman, right,
• 50:56
  except there's a courage. There's a character arc with Groundhog Day.
• 51:01
  I love that. Fucking Ghostbusters breaks that rule. There is
• 51:04
  not a character arc for a single fucking person in
• 51:07
  this movie.
• 51:08
  Speaker 1: Oh, not even carrying on into the second movie.
• 51:11
  Speaker 3: Even at the end when Rick moranis is like, you know,
• 51:15
  just getting left at the dust. It's just like, right,
• 51:20
  wasn't until Ghostbusters too where he has his day, which I.
• 51:24
  Speaker 1: Just love him as an actor. I used to be
• 51:26
  really obsessed with Honey, I blew up the kid, not shrunk,
• 51:30
  but blew up. It was my favorite one. So after
• 51:34
  they get kicked out of the university, they find the
• 51:37
  firehouse and one of my most favorite quotes from the
• 51:40
  movie comes from Spangler.
• 51:43
  Speaker 6: It just seems a little pricey for a unique fixer
• 51:45
  upper opportunity, that's all.
• 51:48
  Speaker 3: What do you think?
• 51:48
  Speaker 1: He uh?
• 51:50
  Speaker 3: I think this building should be condemned.
• 51:52
  Speaker 9: There's serious metal fatigue and all the load bearing members.
• 51:55
  Speaker 1: The wiring is substandard, It's completely inadequate for our power needs,
• 51:59
  and the neighborhood.
• 51:59
  Speaker 5: Is like at the militarized zone.
• 52:02
  Speaker 8: Hey, does this pole still work?
• 52:08
  Speaker 3: Wow?
• 52:08
  Speaker 8: This place is great?
• 52:10
  Speaker 1: When can we move in?
• 52:12
  Speaker 2: You've gotta try this pole.
• 52:14
  Speaker 1: I'm gonna get my stuff that is, And then he goes,
• 52:17
  I think we'll take it.
• 52:19
  Speaker 3: Well, no, because right after he says all that, Ray
• 52:22
  comes running. He's like, this pole still work? Guys did?
• 52:26
  Like Bill Murray and him look at each other because
• 52:27
  he's all excited about it, like, let's sleep here tonight,
• 52:32
  let's try it out. He's like a little seenager.
• 52:35
  Speaker 1: Right, he's like nineteen percent. You didn't even bargain with
• 52:39
  the guy totally took out a second mortgage on his
• 52:41
  house and like so they're going full fledge into it.
• 52:46
  But right after that we see the first scene with
• 52:49
  Sigourney Weaver and Lewis Tolley, and that's another iconic scene.
• 52:57
  I mean, when he runs out of his apartment, he's like,
• 52:59
  you know, always keep like a lot of nutritious snacks
• 53:02
  in the house, little sodium, mineral water or like wherever
• 53:05
  the little thing is. He says, well, Dan.
• 53:08
  Speaker 6: It's you.
• 53:09
  Speaker 2: Oh hi, yes, I thought it was a drug store.
• 53:12
  Speaker 7: Oh are you sick?
• 53:13
  Speaker 3: Oh no, no, I'm fine, I feel great.
• 53:15
  Speaker 7: Just order some more vitamins and stuff.
• 53:17
  Speaker 3: I was just exercising.
• 53:18
  Speaker 7: I take twenty minute workout of my machine and played
• 53:20
  it back at high speed, so it only took ten minutes.
• 53:22
  Speaker 3: I got a great workout.
• 53:23
  Speaker 1: Good.
• 53:23
  Speaker 10: Do you want to commit for mineral waters?
• 53:25
  Speaker 6: Oh?
• 53:25
  Speaker 3: I'd really like to Lewis, but I have to go
• 53:27
  to rehearsal.
• 53:28
  Speaker 7: Now, excuse me, no sweat, I'll take a rain check
• 53:31
  on that.
• 53:31
  Speaker 3: I always have plenty of low sodium mineral water and
• 53:33
  other nutritious foods in the house.
• 53:35
  Speaker 8: But you already know that.
• 53:35
  Speaker 7: Yeah, I know that.
• 53:37
  Speaker 1: But did you catch the Easter egg when the groceries
• 53:40
  start exploding on the countertop.
• 53:42
  Speaker 3: Yeah, there's the little foreshadowing of the state puffed marshmallow
• 53:46
  man there.
• 53:47
  Speaker 1: Yeah. Yeah. And then like Dana meets the Ghostbusters and
• 53:54
  in that scene, there's like a mention of He's like, oh, well,
• 53:58
  Venkman's like, I'll go back to her apartment. I'll check
• 54:01
  her out. I mean I'll check her apartment out. And
• 54:04
  Egan says, well, we'll check all the normal literature. You know,
• 54:07
  the Tobin Spirit Guide, And I googled it and that's
• 54:12
  it's not a real thing. I wanted it to be
• 54:14
  a real thing. It's not.
• 54:16
  Speaker 3: What about like Zuel and Gozer and these Sumerian things.
• 54:19
  Is this a real thing? Because I was gonna also
• 54:21
  look into that and I never did. Are those real?
• 54:23
  Speaker 1: Yeah, it's real, it's real. So the only thing that
• 54:26
  wasn't real in that aspect was like this Tobin spirit
• 54:30
  guide or whatever, it doesn't exist.
• 54:33
  Speaker 3: I really am curious about that Philadelphia mass turbulence of
• 54:36
  nineteen forty seven when he's talking about the books being stuffed.
• 54:39
  I wonder if that's real.
• 54:40
  Speaker 1: You should look it up, because when I hear Philadelphia,
• 54:43
  I think of like the Philadelphia the Experiment experiment, right,
• 54:46
  it was that?
• 54:48
  Speaker 3: Do you know it was.
• 54:49
  Speaker 1: In the twenties? Okay, the Philadelphia Experiment was in the twenties.
• 54:55
  If i'm if it wasn't in the twenties, it was
• 54:57
  like in the forties, because like it was super old.
• 55:00
  Speaker 3: I do want to say at the beginning of this movie,
• 55:04
  it presents itself as is either a horror movie or
• 55:07
  a drama. It doesn't open up like a comedy. And
• 55:10
  I think the music is really key in this movie.
• 55:12
  It's like this sounds like horror, like it's really good.
• 55:19
  It reminds me of like Rosemary's Baby and shit like that.
• 55:22
  Speaker 1: Like even in the second one, the song it's different guys, right,
• 55:28
  it's different guys. But the soundtrack of the first Ghostbusters,
• 55:34
  who Are You Gonna Call? Like that, that's iconic forever.
• 55:39
  Speaker 3: But I always thought that was very in the news too,
• 55:41
  and it's not. It's Ray Perker Junior.
• 55:44
  Speaker 1: Right. There's another song though, when it's the dream sequence
• 55:50
  and Rays having a dream, there's like a ghost taking
• 55:54
  his pants off or something.
• 55:55
  Speaker 3: And that's based on something real. What, Yeah, that happens,
• 56:03
  So dan Ackroyd, it implies he's gonna get a blowjob
• 56:07
  and from a ghost. But that's like a dream.
• 56:09
  Speaker 5: Right.
• 56:09
  Speaker 3: But he went on Joe Rogan's podcast like fucking five
• 56:13
  or six years ago, and I fucking love dan Akright.
• 56:16
  I love everything he's done. I love all every character
• 56:19
  he's ever played, even like the stupider roles. But he
• 56:24
  told Joe Rogan that when he and his family bought
• 56:27
  a house in northern California that he was it was
• 56:31
  one of the first nights he was sleeping there. That part,
• 56:33
  I'm not exactly clear, and I'm pretty sure it was
• 56:35
  pretty fresh. How the house purchase, and he said that
• 56:38
  he felt a presence start to spoon him and that
• 56:44
  he was fucking petrified and paralyzed. And Joe's like, wow, man,
• 56:50
  was it was it like a like a masculine or
• 56:52
  a feminine presence? And dan Ackroy, without even breaking his
• 56:56
  breaking his expression, just goes, well, it felt like it
• 56:58
  could have been masculine. So Rogan's asking him, is that
• 57:03
  what that scene in Ghostbusters came from? He's like, yeah,
• 57:06
  that's what inspired that.
• 57:08
  Speaker 1: WHOA damn, that's fucking crazy. So he really does have
• 57:18
  like he could do a paranormal podcast, like he's totally
• 57:21
  into it.
• 57:22
  Speaker 3: I prey sure he was talking about it at one point.
• 57:25
  I don't know if he ever did, but he has
• 57:26
  that Crystal Skull vodka. He's really into UFOs too, and
• 57:32
  Bickfront Like he's known for believing everything paranormal, Like there's
• 57:37
  not anything he's really skeptical about as far as.
• 57:40
  Speaker 1: So I guess, like you, I don't think he's crazy,
• 57:45
  but I mean, like in the second movie, he owns
• 57:48
  a bookstore, right raise a cult, so I guess like
• 57:52
  it really is him, Like he's almost playing himself in
• 57:56
  the movie.
• 57:57
  Speaker 3: He's played probably what he would have tried to do
• 57:59
  if he didn't become a comedian slash actor.
• 58:02
  Speaker 1: Wow, that's kind of cool. So Data meets the Ghostbusters.
• 58:10
  They go back to her hotel, or they go back
• 58:13
  to her apartment. Then they get their first call, Hello Ghostbusters. Yes,
• 58:23
  of course this series.
• 58:27
  Speaker 2: You do, you have.
• 58:31
  Speaker 1: No kidding, Uh huh, Well just just give me the address.
• 58:38
  Yes of course. Oh they'll be totally discreet. Thank you.
• 58:45
  Speaker 2: We get one.
• 59:04
  Speaker 1: We got one, And they meet the Slimer and the
• 59:09
  accelerator packs on their back Da da da, flowers are
• 59:12
  still standing.
• 59:13
  Speaker 3: I love when they're in the elevator and he has
• 59:16
  Egon flips right on and then he this is just
• 59:18
  another one of those great things Harold Raims does. He
• 59:20
  kind of just scoots back really cautiously, and.
• 59:25
  Speaker 1: They're kind of like nudging closer.
• 59:27
  Speaker 3: They have not tested this ship out at all. That's
• 59:31
  implied heavily. This is the test.
• 59:47
  Speaker 1: What the hell are you doing?
• 59:51
  Speaker 5: Sorry?
• 59:52
  Speaker 6: Sorry, I'm sorry, we thought you were someone else.
• 59:56
  Speaker 1: The when they're breaking down the prices too, you can
• 59:59
  see Egon just like yep, yep, I'm gonna ask you
• 1:00:03
  for the big ones for.
• 1:00:05
  Speaker 3: That and then the thousand dollars containing fee too. So
• 1:00:09
  we could just put it right back in there, can't we, right,
• 1:00:12
  We most certainly can. Yeah, they haven't thought any of
• 1:00:16
  this through.
• 1:00:18
  Speaker 1: No, but if you think about it, the whole them
• 1:00:22
  making money on this being Ghostbusters or whatever, I can
• 1:00:28
  see how the story progressed into the second movie because
• 1:00:32
  they were so successful and there was such a surge
• 1:00:36
  because of this Goser thing, and then like what happens
• 1:00:39
  after that, after they've.
• 1:00:41
  Speaker 3: Destroyed they put him on the side.
• 1:00:45
  Speaker 1: You would imagine that it went like way down hill
• 1:00:48
  after that, and then that kind of enters us into
• 1:00:51
  the second movie because like nobody even cares about the
• 1:00:52
  Ghostbusters anymore.
• 1:00:54
  Speaker 3: But like it's five year gap, correct.
• 1:00:56
  Speaker 1: Five years, Yes.
• 1:00:58
  Speaker 3: I could still I have the opening scene memorized five
• 1:01:02
  years later, and then the crack and the sidewalk and
• 1:01:04
  the baby carriage and the pink slime that's etched into
• 1:01:08
  my memory because as a kid, like I said, I
• 1:01:10
  was one when the first one came out. But then
• 1:01:12
  my brother and I started watching the Saturday Morning Cartoon
• 1:01:15
  and my Mom's like, you know, that's a movie, so
• 1:01:16
  she rented it for us. So by the time the
• 1:01:18
  second one came out, we were like waiting for it,
• 1:01:21
  and we liked it more as kids. We thought it
• 1:01:24
  was better, even though it's clearly not better. It was
• 1:01:27
  so cood. Oh.
• 1:01:27
  Speaker 1: I was gonna ask you if you still stand by that,
• 1:01:29
  if you think the second one, do you do you
• 1:01:31
  think it's just as good or do you think it's worse.
• 1:01:35
  Speaker 3: I think it's just as good. But I think the
• 1:01:37
  third first third of the movie, so Act one is
• 1:01:42
  original as fuck, and then the second two acts are
• 1:01:45
  just the first movie made over me again with different
• 1:01:49
  different characters, but the scenario is the exact same.
• 1:01:52
  Speaker 1: I agree with you. I think the first half of
• 1:01:55
  the movie's really good, and then it kind of was like, ah,
• 1:01:58
  we all knew this was gonna happen in right.
• 1:02:01
  Speaker 3: But before we jump in, let's finish before.
• 1:02:05
  Speaker 1: Yeah, before we jump into that one, I have to say.
• 1:02:08
  We meet Winston in the iconic like do you Believe in?
• 1:02:13
  Then we meet Walter Peck and then they go to
• 1:02:18
  prison or jail and Dana gets possessed, and there's this
• 1:02:24
  song that plays after they release all the ghosts back,
• 1:02:28
  they shut the containment facility down, there's this song, and yes,
• 1:02:33
  do you believe in magic. Magic.
• 1:02:36
  Speaker 3: That whole entire scene.
• 1:02:42
  Speaker 1: That's I think where dan Ackroyd got to have a
• 1:02:44
  little bit of creative freedom, because that's the creepiest scene
• 1:02:48
  in the entire movie, when all the ghosts are getting
• 1:02:50
  let loose on the city and it's like magic magic.
• 1:02:54
  That song was perfection. You know what, I'm gonna google
• 1:02:59
  it because I just put it in my notes, like
• 1:03:01
  I love that song, but it's perfect see Ghostbusters magic song. Alright,
• 1:03:21
  So the song is magic by make Smiley. Never fucking
• 1:03:32
  heard of that guy.
• 1:03:33
  Speaker 3: It's a creepy name. Hey, it's Smiley, kids.
• 1:03:39
  Speaker 1: It's not do you believe in magic? It says, I
• 1:03:41
  believe it's magic magic. Yeah, I believe it's magic.
• 1:03:48
  Speaker 3: I wonder like that song was already a thing then
• 1:03:51
  it wasn't written for the movie.
• 1:03:53
  Speaker 1: I guess while they're in jail they talk about some
• 1:03:58
  moldy Babylon me and God is going to come back
• 1:04:02
  and death. It's very thank you.
• 1:04:05
  Speaker 3: I love that. I love It's like it's such a
• 1:04:08
  dickish thing to do in that moment, but he's so
• 1:04:10
  matter of fact that he can't let it slide. Right.
• 1:04:14
  Speaker 1: I looked into the story it's all made up. I
• 1:04:18
  really wish that it would have been true.
• 1:04:20
  Speaker 3: But there was the architect.
• 1:04:22
  Speaker 1: Yeah, the architect, Yeah.
• 1:04:23
  Speaker 3: He's got he's got a cult of like a thousand followers,
• 1:04:26
  and they yeah.
• 1:04:29
  Speaker 1: He built that building to.
• 1:04:32
  Speaker 3: Is that for the first twenty floors of that building
• 1:04:35
  are real? And then they did like a matte special
• 1:04:37
  effects matte painting for the top part. I thought it
• 1:04:39
  looked great.
• 1:04:41
  Speaker 1: I thought it looked great. It looked terrific. But I just,
• 1:04:44
  you know, I was like, Dan, the story wasn't real.
• 1:04:47
  Speaker 3: So do you think it's weird that they had the
• 1:04:49
  plans with him in print? In jail?
• 1:04:53
  Speaker 1: Yeah, they wouldn't have been able to get in there.
• 1:04:54
  Speaker 3: That's so I have another plot hole from the beginning
• 1:04:58
  where they get canned from the university. They just filmed
• 1:05:02
  an encounter with a ghost. Why doesn't he just show
• 1:05:06
  him that and say, hey, look we're making headway. Look
• 1:05:08
  at this, we just filmed a fucking ghost.
• 1:05:11
  Speaker 1: That's interesting.
• 1:05:13
  Speaker 3: But did the film it he has the camera. I
• 1:05:15
  don't know if it actually shows him filming it. I
• 1:05:17
  think he's yeah, because.
• 1:05:18
  Speaker 1: He's like taking a million pictures of it, remember, and
• 1:05:21
  he's like clicking the camera over and over again.
• 1:05:23
  Speaker 3: But he's got that in the lamera with the special filter.
• 1:05:25
  It just showed up in the mill that day, like
• 1:05:27
  right before they went, so he was able to film it.
• 1:05:29
  But I don't know if he did. I know he
• 1:05:31
  was snapping pictures of stuff. But anyway, I just thought
• 1:05:34
  they just like had their first encounter and they didn't
• 1:05:36
  even like try to save their jobs by telling the
• 1:05:38
  guy that, yeah, that.
• 1:05:40
  Speaker 1: Well, they had to get kicked out for the rest
• 1:05:41
  of the movie to make this. But the thing is
• 1:05:43
  the short amount of time they had to pull this off.
• 1:05:47
  You have to ignore the potholes.
• 1:05:50
  Speaker 3: I can't I forgive Ghostbusters for having two or three,
• 1:05:54
  but they're not that big. So what they had plans
• 1:05:57
  in jail that you know, maybe he snuck them in somehow.
• 1:06:04
  Speaker 1: Yeah, they were able to have this whole blueprint in jail.
• 1:06:08
  Speaker 3: And is everyone getting this? I love when Billberry says
• 1:06:11
  that because everybody's kind of like watching.
• 1:06:15
  Speaker 1: What what's that thing? He said?
• 1:06:17
  Speaker 3: He said, you better better someone, you better be good
• 1:06:24
  for goodness sake, someone's coming. Someone's coming, almost like he's
• 1:06:30
  going to break into It's Christmas song.
• 1:06:35
  Speaker 1: Yeah. H They go meet the mayor after that, and
• 1:06:41
  there's the iconic dickless scene.
• 1:06:45
  Speaker 3: Those busters.
• 1:06:45
  Speaker 8: Hey, mister Mayo, but it's okay the ghost But hey,
• 1:06:50
  where's this Peck?
• 1:06:52
  Speaker 6: I am Walter Peck, sir, and I'm prepared to make
• 1:06:54
  a full report. These men are consummate snowball artists. They
• 1:06:58
  you sense the nerve gases to hallucinations. People think they're
• 1:07:02
  seeing ghosts, and they call these bozos, who conveniently show
• 1:07:05
  up to deal with the problem with the fake electronic
• 1:07:08
  light show.
• 1:07:09
  Speaker 10: Everything was fine with our system until the power grid
• 1:07:11
  was shut off by dicklas here.
• 1:07:13
  Speaker 6: They caused an explosion. Is this true? Yes, it's true.
• 1:07:19
  Speaker 3: This man has no Dick Jesus. All right, all right, all.
• 1:07:27
  Speaker 2: Right, Well that's what I heard at city Hall.
• 1:07:30
  Speaker 6: Now what am I gonna do here?
• 1:07:31
  Speaker 5: John?
• 1:07:32
  Speaker 8: What is this? Well, I'm not gonna call a press
• 1:07:35
  conference and tell everyone to start praying.
• 1:07:38
  Speaker 6: Oh I'm Winston's Atimore, Yanna. But I've only been with
• 1:07:44
  the company for a couple of weeks.
• 1:07:45
  Speaker 5: I gotta tell you these things are real.
• 1:07:48
  Speaker 3: Since I joined these men, I have seen ship that
• 1:07:51
  will turn you white.
• 1:07:53
  Speaker 7: Well you can believe mister Pecker my name is Peck,
• 1:07:56
  or you could accept the fact that the city is
• 1:07:59
  headed for a disaster of biblical proportion.
• 1:08:01
  Speaker 10: What do you mean biblical?
• 1:08:03
  Speaker 8: What he means this Old Testament, real wrath of God
• 1:08:06
  type stocks, fire and brimstone coming down from the skies,
• 1:08:10
  rivers and seas boiling.
• 1:08:11
  Speaker 3: Forty years of darkness, earthquakes, volcanoes, a bid rising.
• 1:08:14
  Speaker 7: From the green, human sacrifice, dogs and cats living together
• 1:08:18
  massispario it ughs, I get the point.
• 1:08:21
  Speaker 1: And cats and dogs.
• 1:08:24
  Speaker 3: Masshisteria, mass hysteria is Do you think that that dickless
• 1:08:29
  scene was improvised or do you think that was written
• 1:08:32
  because it's so perfect it.
• 1:08:33
  Speaker 1: Is too good not to be written.
• 1:08:35
  Speaker 3: Dicklas hair shut off our power grid.
• 1:08:38
  Speaker 1: It's true, this man has dick.
• 1:08:42
  Speaker 3: I also think it's interesting that the priest dude comes
• 1:08:45
  in and he has some kind of dominion over the
• 1:08:47
  mayor mmm.
• 1:08:49
  Speaker 1: And he gives him a kiss and he's like hello,
• 1:08:52
  Lenny or whatever he says, yeah.
• 1:08:55
  Speaker 3: And then there's rabbis jumping up and down when they're
• 1:08:57
  outside the building a little later called the religions are
• 1:09:01
  backing them.
• 1:09:03
  Speaker 1: And you can tell how each character kind of is
• 1:09:08
  portrayed in the entire movie by their reaction to the
• 1:09:11
  crowd scene because Egon and Ray are totally like, oh
• 1:09:15
  my god, like what is going on? But Peter's like
• 1:09:18
  shaking hands and.
• 1:09:20
  Speaker 3: The day carpet. Yeah, it's like what do you want
• 1:09:26
  me to do?
• 1:09:26
  Speaker 1: Kiss your baby? Like, it's like the whole you know,
• 1:09:29
  egotistical thing. They end up saving the day, right, they
• 1:09:34
  go to the apartment. There's this whole standoff. It's whatever,
• 1:09:40
  they save the day. But what's interesting to me, what
• 1:09:42
  I wrote down notes for is that once the Ghostbusters
• 1:09:48
  vanquished Gozer the Gozarian right, and they're all covered in
• 1:09:53
  the marshmallow ooze.
• 1:09:56
  Speaker 3: Which is just shaving cream.
• 1:09:57
  Speaker 1: I think it looks so real to me, though it does.
• 1:10:01
  Speaker 3: It looks like Bute, who's dick to Bill Murray suck
• 1:10:07
  could be like, I just want a little bit on
• 1:10:09
  my cheeks, the other.
• 1:10:11
  Speaker 1: Little little on my head, that's all. Don't get it
• 1:10:14
  on my face. Don't get it on my face.
• 1:10:16
  Speaker 3: It's a good representation of his character though he can
• 1:10:18
  step and ship and come away clean every time. He's
• 1:10:21
  like Steflon Don.
• 1:10:24
  Speaker 1: But there's a scene after that where dan Aykroyd tells
• 1:10:30
  Tully after they break him out of the dog thing
• 1:10:33
  he goes, you were an unwilling participant in the biggest
• 1:10:39
  inter dimensional cross rips since the Tunguska Blast of nineteen
• 1:10:44
  oh nine. And it turns out there was a huge
• 1:10:50
  explosion in Central Russia in nineteen oh eight, what they
• 1:10:54
  call the result of a meteorite impact, and according to
• 1:10:59
  wikiped okay, it flattened eighty million trees and caused a
• 1:11:05
  shock wave that registered on the Richter scale. And so
• 1:11:10
  my question to you is, do you think the og
• 1:11:15
  Tunguska blast really was an inter dimensional cross rip?
• 1:11:22
  Speaker 3: Well, I'm gonna have to side with dan akright on
• 1:11:26
  this because I also he would have looked into it
• 1:11:30
  extensively if he was going to make a reference to it.
• 1:11:33
  Speaker 1: I'll put that in the script. That's big.
• 1:11:36
  Speaker 3: But here's the thing that I pulled up from earlier. Sadly,
• 1:11:39
  the Philadelphia mass turbulence of nineteen forty seven is not
• 1:11:43
  a thing that has happened, and it's this article about
• 1:11:45
  the Ghostbuster scene. So he just made that shit up possible.
• 1:11:51
  Speaker 1: That fucking sucks.
• 1:11:52
  Speaker 3: I like that, though, I totally forgot about that one.
• 1:11:55
  I was kind of falling asleep near the end of
• 1:11:57
  the movie. Oh I love the uh, the whole scene
• 1:12:03
  with that. I think she's a Hungarian actress with the
• 1:12:07
  flat top and for the flat top. But yeah, are
• 1:12:11
  you a God?
• 1:12:13
  Speaker 1: Yeah?
• 1:12:13
  Speaker 3: And Winston's great line when someone asks you if you're
• 1:12:17
  here God.
• 1:12:18
  Speaker 2: You say yes.
• 1:12:20
  Speaker 1: Damn it, you say yes.
• 1:12:22
  Speaker 3: He's got some good one liners that just kind of
• 1:12:24
  come out of nowhere. I think they're like they knew
• 1:12:26
  that they shafted the part. He was just happy to
• 1:12:29
  be a part of the movie. And he also did
• 1:12:31
  get a bigger part in the second one, So.
• 1:12:33
  Speaker 1: He did get a bigger part in the second one.
• 1:12:36
  But what people discount, which is one of the best
• 1:12:38
  scenes in Ghostbusters, is when Winston and Ray are in the.
• 1:12:43
  Speaker 3: Call I got notes about that, Yes, and.
• 1:12:46
  Speaker 1: He says something about do you believe in God? And
• 1:12:52
  dan Aykroyd says something and he was like, I love
• 1:12:55
  Jesus's style. And they talk about the end times.
• 1:13:00
  Speaker 3: And talk about the revelations in this revelation here, do
• 1:13:07
  you believe in God?
• 1:13:09
  Speaker 10: Never met him?
• 1:13:10
  Speaker 1: What I do?
• 1:13:11
  Speaker 3: And I love Jesus' style.
• 1:13:13
  Speaker 1: You know, it's roof.
• 1:13:15
  Speaker 10: Cut, it's made of a magnesium touched an alloy.
• 1:13:18
  Speaker 5: What are you so involved with that?
• 1:13:21
  Speaker 10: These are the blueprints for the structural iron work in
• 1:13:23
  Dana Barrett's apartment building, and they're very, very strange.
• 1:13:27
  Speaker 5: Irie.
• 1:13:29
  Speaker 3: Do you remember something in the Bible about the last
• 1:13:32
  days when the dead would rise from the grave?
• 1:13:35
  Speaker 10: I remember Revelation seven twelve, and I looked as he
• 1:13:40
  opened the sixth Seal, and behold there was a great earthquake,
• 1:13:43
  and the sun became as black as sackcloth, and the
• 1:13:46
  moon became his.
• 1:13:47
  Speaker 5: Blood, and the seas boiled.
• 1:13:49
  Speaker 10: In the Sky's film Judgment Day, Judgment Day, every ancient
• 1:13:56
  religion has its own myth about the end of the world.
• 1:13:58
  Speaker 3: Myth, Ray hasn't ever occurred to you.
• 1:14:02
  Speaker 6: And maybe the reason we've been so busy lately, it's
• 1:14:05
  because it did have been.
• 1:14:06
  Speaker 3: Rising from the rain.
• 1:14:13
  Speaker 10: How about little music?
• 1:14:22
  Speaker 1: That's Winston, which people don't give him credit for having
• 1:14:26
  a cooler part, because he's literally brought the one that brought.
• 1:14:29
  Speaker 3: It up, I know. And then Ray like mentions this
• 1:14:32
  passage and Winston finishes it and it's the sixth Seal.
• 1:14:38
  And to me that I ever since because I'm a
• 1:14:41
  huge Waco guy and this is the thirtieth anniversary of Waco.
• 1:14:44
  Whenever you hear anything about the Seven Seals. I can't
• 1:14:47
  not think about David Koresh because his whole fucking shtick
• 1:14:52
  was him interpreting the seven Seals of the Revelations in
• 1:14:55
  a way that no one ever had. That's why he
• 1:14:57
  had that cult. I'm sure you know.
• 1:15:00
  Speaker 1: Can you read it? Can you read us the scripture
• 1:15:03
  that they.
• 1:15:04
  Speaker 3: Were revelation sixth still, because I do think that it's
• 1:15:18
  kind of interesting to me that this is a movie
• 1:15:23
  where they mix paranormal religion and science and they do
• 1:15:27
  it quite well.
• 1:15:29
  Speaker 1: Oh phenomenal yep.
• 1:15:31
  Speaker 3: So here is what is the sixth Seal and revelation
• 1:15:34
  I looked when he opened the sixth Seal, and behold
• 1:15:37
  there was a great earthquake, and the sun became black
• 1:15:39
  as sackcloth of hair, and the moon became like blood,
• 1:15:42
  and the stars of heaven fell to the earth as
• 1:15:45
  a fig tree drops its late figs when it is
• 1:15:47
  shaken by a mighty wind.
• 1:15:49
  Speaker 1: Yep, that's the one they read, and then they go
• 1:15:52
  Judgment Day Judgement.
• 1:15:54
  Speaker 3: I love how they're like, it's all creepy and silent.
• 1:15:56
  They're like, let's turn on the radio, like let's.
• 1:16:01
  Speaker 1: Right, but so like as far as that goes, I
• 1:16:05
  think it's an interesting tie in with Zuel. And they're
• 1:16:10
  talking about the Sumerian god and blah blah blah, and
• 1:16:13
  Zuel is a real creature that existed billions of years ago,
• 1:16:17
  and it says, did you say billions millions of years ago?
• 1:16:23
  According to this article I found in it says, but
• 1:16:26
  in reality, the dog like creature represented in Ghostbusters is
• 1:16:31
  a representation of the hounds of Hell guarding the Demi
• 1:16:36
  god Goeser as she is summoned in the end times.
• 1:16:42
  And what's interesting, right, So what I've been harping on
• 1:16:47
  people is that I think the Antichrist in real life
• 1:16:51
  will be female, whether that be a born female or otherwise.
• 1:16:58
  Speaker 3: So Elon Musk is going to have a trend position.
• 1:17:01
  Speaker 1: I swear, think about it.
• 1:17:03
  Speaker 3: Colby, Hey, I'm all about it. I mean transgender, transhuman
• 1:17:09
  I think transhumanism is the anti Christ personified myself.
• 1:17:13
  Speaker 1: But everyone's looking for this male, this anti Christ being
• 1:17:19
  a man, But I think it's going to be a female.
• 1:17:24
  Speaker 3: I'm just you have anybody in mind, not at the moment,
• 1:17:27
  but I maybe they haven't presented themselves yet.
• 1:17:30
  Speaker 1: I don't think so. No, I don't think so. Be
• 1:17:34
  On the Lookout and just know Colby look into my eyes.
• 1:17:37
  You heard it on the Cosmic Peach podcast. First, do
• 1:17:43
  you want to jump into Ghostbusters too real quick?
• 1:17:46
  Speaker 3: Yeah? I did want to. Before we do that, can
• 1:17:48
  I mention some things about the cartoon that I find interesting?
• 1:17:51
  Speaker 2: Yeah?
• 1:17:51
  Speaker 1: Go ahead.
• 1:17:52
  Speaker 3: So the cartoon ran for fuck It was a few seasons.
• 1:17:58
  It was one of my favorite Saturday Morning cartoons. Slimmer
• 1:18:00
  is actually like a pet in that show, you know,
• 1:18:03
  he talks and shit. Did you ever watch any of it?
• 1:18:07
  Speaker 1: No? I think it was before my time.
• 1:18:09
  Speaker 3: So Peter is like redheaded. And you know who does
• 1:18:13
  his voice at first is the guy that voiced Garfield really,
• 1:18:18
  which is also weird because years later.
• 1:18:20
  Speaker 1: It later on to voice Garfield.
• 1:18:22
  Speaker 3: Yes, Bill Murray. So they must have some kind of
• 1:18:25
  sound alike, because later Bill Murray does. I think after
• 1:18:29
  the actor died. The voice actor died, I don't remember
• 1:18:32
  his name off the top of my head, but I
• 1:18:33
  do believe Bill Murray was like given a handsome sum
• 1:18:37
  to voice Garfield in the real movie, and then Bill
• 1:18:41
  Murray said that guy sounds nothing like me. And so
• 1:18:46
  after that was and this might just be circumstantial, I
• 1:18:49
  don't know. But after that comment was made by Bill Murray,
• 1:18:52
  they fired him and they got Dave Cooeier, who played
• 1:18:55
  Joey on Full House. He voiced the guy for the
• 1:18:59
  but he sounds more like him, but the other guy
• 1:19:02
  had like better timing. I think just from what I remember,
• 1:19:05
  you can't tell a difference. But also this is you
• 1:19:10
  know how I said, Uh, Ernie Hudson got the shaft.
• 1:19:14
  He auditioned. He must have been hurting for workouts. He
• 1:19:18
  auditioned to do his own fucking voice, and they turned
• 1:19:21
  him down. Wow, gave it to Arcinio Hall.
• 1:19:26
  Speaker 1: I love Arsenial Hall.
• 1:19:28
  Speaker 3: Yeah, so that was our Senial Hall was hot at
• 1:19:30
  the time. He'd just gotten his own show. He was
• 1:19:32
  fresh up coming to America and he'd gotten his own Lady.
• 1:19:35
  Speaker 1: Dude, I had a crush on Oursenial Hall for the
• 1:19:39
  longest time. It's super random, but like, I just loved
• 1:19:42
  coming to America. I loved the character he played.
• 1:19:46
  Speaker 3: He's cute, but I mean, yeah, he.
• 1:19:48
  Speaker 1: Was so hilarious. If you can make me laugh, that's it.
• 1:19:51
  I love you. I don't know why that is, but
• 1:19:53
  like some people it's laughter, some people it's food. You know,
• 1:19:59
  who knows, But I did also read something about the
• 1:20:05
  cartoon version of Janine Melnitz was completely different than the
• 1:20:13
  real life how they portrayed her in the first Ghostbusters,
• 1:20:16
  and everybody was like, you should read her.
• 1:20:19
  Speaker 3: Look, she had the rimmed glasses and the horn rim glasses,
• 1:20:26
  and they actually changed them and they sexed her up
• 1:20:30
  a little bit.
• 1:20:30
  Speaker 1: I think, yeah, they did. They definitely did, because in
• 1:20:35
  the first one she has that real short haircut, real
• 1:20:39
  plane Jane. And then in Ghostbusters too she gets this
• 1:20:43
  makeover where she has this blunt cut bob. It's super orange,
• 1:20:48
  coppery red, and she's wearing bright red lipstick. Everything about
• 1:20:53
  her she looks like if you mixed Daphanie and Velma
• 1:20:58
  into the same character. That's Jenny Melmots right.
• 1:21:03
  Speaker 3: From the second one though.
• 1:21:04
  Speaker 1: Mm hmmm, yeah in the second one. Yeah.
• 1:21:08
  Speaker 11: And then uh.
• 1:21:09
  Speaker 1: Something else interesting that I learned about Ghostbusters too is
• 1:21:13
  that the scene where they're in the courthouse, the Scullari
• 1:21:16
  brothers are modeled after the Blues Brothers.
• 1:21:20
  Speaker 3: Mm hmmm, I could see that. I didn't know that,
• 1:21:22
  but as soon as you said it, it makes perfect sense.
• 1:21:26
  Speaker 1: You know. Something else that is like a weird tie
• 1:21:29
  in is the little bastard kid from the birthday party
• 1:21:33
  that they go to at the beginning. Yeah, dude, that
• 1:21:39
  little asshole shit fuck went on to be the director
• 1:21:45
  of Ghostbusters After Life.
• 1:21:48
  Speaker 3: Oh that's because that's Ivan Rymond's son. Yeah, Jason Raymond, right,
• 1:21:54
  I don't know, so he just used his real kid
• 1:21:56
  for that role.
• 1:21:58
  Speaker 1: Yep.
• 1:21:58
  Speaker 3: I wondered if we're gonna talk about After Life. I
• 1:22:00
  already showed you how much I hated the twenty sixteen
• 1:22:04
  I didn't hate after No. I hated the reboot in
• 1:22:07
  twenty sixteen. But email cast, I thought Afterlife was good.
• 1:22:12
  I wasn't expecting to like it.
• 1:22:15
  Speaker 1: It was like, you bought it.
• 1:22:16
  Speaker 3: It's good and it's dude, I don't care what you say.
• 1:22:19
  You have to love Paul Rudd like.
• 1:22:25
  Speaker 1: Like I wish I would have. I wish I would
• 1:22:27
  have cast someone else to play the mom.
• 1:22:30
  Speaker 3: I think I don't even know who she is.
• 1:22:31
  Speaker 1: It perfectly they were.
• 1:22:33
  Speaker 3: Yeah, and it's funny too because the kid from Stranger
• 1:22:35
  Things they had a Ghostbusters I don't remember what she's
• 1:22:38
  in a Stranger Things where he's where they're doing the
• 1:22:40
  Ghostbusters Halloween costume. Right then he gets to be in
• 1:22:43
  the movie goes the sequel. It's technically a sequel, right, yeah,
• 1:22:48
  it is. The other ones are the other ones are
• 1:22:49
  reboot because there there's no original Ghostbusters in that universe.
• 1:22:53
  They're the first, and they get Chris Himsworth to be
• 1:22:56
  the secretary.
• 1:22:57
  Speaker 1: It's stupid. It's too stupid to be an enjoyable movie.
• 1:23:01
  Speaker 3: It's the example of instead of us making our own ship,
• 1:23:05
  let's just redo stuff men did, even though we think
• 1:23:07
  we're better, Like that's what.
• 1:23:08
  Speaker 1: I and it wasn't better at all. It was garbage.
• 1:23:11
  Speaker 3: It wasn't worth finishing as far as I'm concerned. Like
• 1:23:13
  everybody's like, oh, it's okay anyway. Sorry. So Afterlife though, yeah,
• 1:23:19
  I think.
• 1:23:20
  Speaker 1: So for me, it goes Ghostbusters. Ghostbusters to after Life
• 1:23:25
  is the third installment of this timeline, right that it's great? Yeah,
• 1:23:31
  I hope so, I hope fucking so.
• 1:23:33
  Speaker 3: I love the stay puffed in the grocery store scene
• 1:23:38
  over there. I love.
• 1:23:44
  Speaker 1: It's set in Oklahoma.
• 1:23:47
  Speaker 3: Oh is that where it's at?
• 1:23:49
  Speaker 1: And being an Oklahoma I think that's extremely interesting because
• 1:23:56
  they find these caves and right, I was so sad.
• 1:24:03
  I'm not gonna even pretend that I didn't cry at
• 1:24:07
  the end when they brought the ghost of he Gone back. Oh,
• 1:24:13
  I was like.
• 1:24:14
  Speaker 3: Because when did he die? Like a year was that
• 1:24:18
  movie made?
• 1:24:19
  Speaker 1: Ye years ago? Two or three years ago? Maybe?
• 1:24:22
  Speaker 3: Do you know if that movie was filmed before he died,
• 1:24:25
  because I think it's pretty close.
• 1:24:27
  Speaker 1: I think that he was supposed to be in it,
• 1:24:30
  but then he died, so.
• 1:24:32
  Speaker 3: They just did a hologram. They brought the other three
• 1:24:35
  back for that last scene.
• 1:24:37
  Speaker 1: So fucking fantastic. Would a blowout?
• 1:24:40
  Speaker 3: Oh my god? I always thought in the they would
• 1:24:43
  bring Oscar back as an adult in the in whatever
• 1:24:47
  sequel happens.
• 1:24:48
  Speaker 1: So I got some stuff on that, but don't let
• 1:24:52
  me get ahead of myself here, so let's go on.
• 1:24:57
  Speaker 10: Uh.
• 1:24:57
  Speaker 1: The guy who played Yanu sh was this The character
• 1:25:03
  was originally written as like this straight laced character named Jason,
• 1:25:08
  but after.
• 1:25:09
  Speaker 3: The actor this is the museum guy.
• 1:25:12
  Speaker 1: Yes, yeah, the curator guy. So like after he read
• 1:25:15
  the script, he actually was the one who said that
• 1:25:19
  he thinks that Yanush should be like this flamboyant Eastern
• 1:25:23
  European curator guy. And so he he came up with
• 1:25:28
  this whole character that he he thought it should be.
• 1:25:32
  And after they heard him out on that they loved it,
• 1:25:37
  and he was like, you know what, actually Yanush should
• 1:25:40
  be like of Carpathian origin, which would add like a
• 1:25:44
  whole nother connection to him and Vigo.
• 1:25:47
  Speaker 3: Yeah, because he's definitely got a connection with.
• 1:25:49
  Speaker 1: That thing, right, and so they were like, go for it,
• 1:25:54
  do it all.
• 1:25:55
  Speaker 3: And imagine like he he's memorable in that role the
• 1:25:59
  way it is.
• 1:26:00
  Speaker 1: I think some of the funniest parts in that movie
• 1:26:04
  came from Jannis.
• 1:26:05
  Speaker 3: You know, my favorite line is I don't remember which
• 1:26:08
  character asks him where he's from me. He's like the
• 1:26:10
  other of us side of us, my sister says that
• 1:26:17
  lie to this day, the upper US side. Actually, he's
• 1:26:21
  like asking what the fucking accident's all about, basically, and
• 1:26:24
  it's like.
• 1:26:26
  Speaker 1: Where are you from anyways, Johnny, And he's like, upper
• 1:26:29
  US side?
• 1:26:35
  Speaker 3: Aren't you going to introduce me to your friends?
• 1:26:37
  Speaker 10: Sure, Peter Venkman, this is a doctor Yannishpoha, the head
• 1:26:42
  of our department.
• 1:26:43
  Speaker 6: If I have, of course, have seen you on detailiation
• 1:26:46
  quite enjoy and.
• 1:26:47
  Speaker 3: Not your own business, I hope, Well it's top secret.
• 1:26:51
  If everything you're doing is bad, I want you to
• 1:26:54
  know this. You'll be careful there all right know when
• 1:26:59
  this issfully.
• 1:27:01
  Speaker 6: Well, I'll give you a rain sick.
• 1:27:05
  Speaker 7: See Johnny, you gotta go again too.
• 1:27:07
  Speaker 6: No, actually, I'm preparing a this port for the New
• 1:27:11
  Romantic Exhibition.
• 1:27:13
  Speaker 3: This is Prince Rigo the roller carpet.
• 1:27:16
  Speaker 6: Inda a bit of a sissy, any it was.
• 1:27:19
  Speaker 3: A very powerful magician, Doctor Rinkman, and they're a genius
• 1:27:24
  in many ways. He was also a lunatic and a
• 1:27:27
  genocidal madman.
• 1:27:29
  Speaker 5: I hate this painting.
• 1:27:30
  Speaker 10: I felt uncomfortable ever since it came up from storage.
• 1:27:33
  Speaker 7: Well, you're probably feeling with Vigo is feeling Carpathian kitten loss.
• 1:27:37
  Speaker 1: He's missed his kitten.
• 1:27:39
  Speaker 3: We'll just put one in here by the cats, don't
• 1:27:43
  Doctor Rinkling Goal?
• 1:27:44
  Speaker 5: Yes?
• 1:27:44
  Speaker 3: I think goal?
• 1:27:45
  Speaker 1: Yes?
• 1:27:45
  Speaker 6: Did?
• 1:27:45
  Speaker 3: The joyful miss is over.
• 1:27:46
  Speaker 1: He's kidding.
• 1:27:47
  Speaker 3: Well, you're not going to get a green curve with
• 1:27:49
  that attitude.
• 1:27:49
  Speaker 5: Pal.
• 1:27:51
  Speaker 2: I wait, they were the vego.
• 1:27:54
  Speaker 5: Ah vegle the sculpture of Oh you've told me this
• 1:27:59
  disc a short girls, I've heard all of this.
• 1:28:04
  Speaker 3: You command me lord wow, lhip to me? What who
• 1:28:21
  this is a surprise?
• 1:28:22
  Speaker 7: Oh?
• 1:28:23
  Speaker 3: Hello, yes, oh I happen to be here in this neighborhood.
• 1:28:29
  And I thought that I would so body to see
• 1:28:31
  how it was, you know, because of all this blackness.
• 1:28:36
  We're fine, thank you? Okay, how's the A B B?
• 1:28:40
  Speaker 7: Oh, he's he's okay, he's sleeping.
• 1:28:45
  Speaker 3: Oh but I would okay, no, please go.
• 1:28:49
  Speaker 10: You misler, he's yours.
• 1:28:51
  Speaker 5: Race.
• 1:28:51
  Speaker 8: Second, I have discussed from the Ghostbusters.
• 1:28:55
  Speaker 7: I tell you, we're just doing Doctor RAYMONDE.
• 1:29:01
  Speaker 3: We know that, Johnny, So why are you king?
• 1:29:03
  Speaker 6: Well, we got to report there was a major creep
• 1:29:05
  in the area. We checked our list, and you were
• 1:29:07
  right on the top.
• 1:29:08
  Speaker 7: Johnny, Where the hell are you from?
• 1:29:10
  Speaker 3: Anyway? They best side. You know, I've only seen that
• 1:29:15
  actor in one other movie.
• 1:29:17
  Speaker 1: And it's I've seen him in a couple movies.
• 1:29:22
  Speaker 3: Some choice one I could I could think of that,
• 1:29:25
  I've seen him.
• 1:29:26
  Speaker 1: Man, have you been keeping up with my show at all? Yeah?
• 1:29:29
  Speaker 3: I listened to so it's I listened to it sporadically.
• 1:29:33
  I try to keep up with so many.
• 1:29:34
  Speaker 1: I no, no, no, I was just curious because I
• 1:29:38
  recently did an episode with my cousin and my brother
• 1:29:43
  and we went to the Franklin Castle.
• 1:29:45
  Speaker 3: This super hot. That one's on my cue right now.
• 1:29:48
  So your brother the musician, Yes, So.
• 1:29:52
  Speaker 1: Oh you'll love it, Colby. So like, my brother and
• 1:29:55
  my cousin and I went to this super hanted place
• 1:29:58
  and yeah, uh we did a tour of it, but
• 1:30:03
  our tour guide was fucking Yanush.
• 1:30:07
  Speaker 3: Did everything about him, yes.
• 1:30:10
  Speaker 1: And it was like if if the kid from the
• 1:30:14
  Burbs that said it came with the frame and Yanush
• 1:30:18
  had a baby. This is the guy that was taking
• 1:30:21
  us on a tour, right. But like, there was so
• 1:30:28
  many scenes at the beginning with Dana where he's he says,
• 1:30:32
  do I have a bad breast or something.
• 1:30:35
  Speaker 3: Or like yeah, he might be Like one of the
• 1:30:41
  funniest parts of that movie.
• 1:30:42
  Speaker 1: Oh he is, for sure. And he goes to check
• 1:30:45
  on Dana after this big power outage and he's like
• 1:30:49
  you and she's like, I will be quiet the baby sleeping,
• 1:30:52
  and he's like, oh, I'm sorry, I would just everything
• 1:30:55
  about his character is hilarious. Now here's where it's a
• 1:31:00
  sinister turn? Are you ready, Colby?
• 1:31:03
  Speaker 3: Always ready for a sinister turn?
• 1:31:05
  Speaker 1: Now? The role of Dana's son, Oscar was played by
• 1:31:12
  newborn twins.
• 1:31:14
  Speaker 3: Of course, that's common because of the laws with how
• 1:31:17
  how long they can be Mary.
• 1:31:19
  Speaker 1: Kate Nashley and Full house kind of thing.
• 1:31:21
  Speaker 3: Right, the big daddy kid.
• 1:31:23
  Speaker 1: He's twins now, are you ready? It was played by
• 1:31:31
  Hank and William Duchendorphin.
• 1:31:36
  Speaker 3: No fucking way. So this is John Denver's relatives.
• 1:31:39
  Speaker 1: The nephews of folk singer John.
• 1:31:43
  Speaker 3: I only know about John Dukesendorphin from the fucking episode
• 1:31:47
  we did about Laurel Canyon together. I didn't know that
• 1:31:49
  was his fucking surname. Boom, that is John, So is
• 1:31:54
  it his It's got to be his brother's kids then, yes,
• 1:31:58
  his brothers, and they named Hank and William Hank.
• 1:32:03
  Speaker 1: And William Dutchendorphin.
• 1:32:05
  Speaker 3: That is a find. That is a fine right.
• 1:32:07
  Speaker 1: There, listen to this shit. Tragically, Hank struggled with severe
• 1:32:15
  mental illness. He was diagnosed with DD schizophrenic disorder, bipolar
• 1:32:24
  and anxiety attacks, which ultimately led to him taking his
• 1:32:29
  own life at age twenty nine in twoenty seventeen. And
• 1:32:35
  since his brother's death, William Dutchendorphin has worked extensively to
• 1:32:41
  promote awareness of mental health issues and suicide prevention. First off,
• 1:32:46
  we got twins, John Denver, like the whole connection d D.
• 1:32:52
  So we're talking about MK ultra on.
• 1:32:54
  Speaker 3: These hits, gimme the fucking family is enough for me
• 1:33:00
  to even like entertain that idea. But the fact that
• 1:33:04
  he's disassociating, he's schizophrenic, and he was in the movies
• 1:33:10
  when he was fucking not even old enough to walk.
• 1:33:13
  Speaker 1: Ghostbusters Part two, Oh, I.
• 1:33:17
  Speaker 3: Didn't think they're gonna get dark Ghostbusters?
• 1:33:21
  Speaker 1: Oh shit like that is absolutely mind blowing.
• 1:33:26
  Speaker 3: So did Ivan Rightman produce the second Ghostbusters? I know
• 1:33:29
  he produced the first one. He yes, he did the
• 1:33:33
  Pet Hank Show production. Mm hmm, that's that's too bad.
• 1:33:38
  I didn't want this to have any of that kind
• 1:33:40
  of stuff in it, But apparently you can't fucking touch
• 1:33:42
  a mainstream movie without some kind of twisted little thing
• 1:33:46
  like this or this was Hank or William.
• 1:33:53
  Speaker 1: So Hank and William started the movie, but Hank was
• 1:33:56
  the one who killed himself.
• 1:33:58
  Speaker 3: Pour one out for Hank right now.
• 1:34:00
  Speaker 1: Yeah, let's take a cheers right here, clinky clink, cheers.
• 1:34:08
  Speaker 3: You will not be forgotten, Hank.
• 1:34:12
  Speaker 1: Duchendorphin. So, along with the more sinister ties, I've done
• 1:34:19
  a lot of research on the nepheline.
• 1:34:22
  Speaker 3: Yeah, and.
• 1:34:24
  Speaker 1: A lot of the fairy folklore comes from nepheline and
• 1:34:31
  like they were really real and they're considered fairies. But
• 1:34:35
  that was just like a bloodline of nepheline. Yes, same thing,
• 1:34:40
  same thing. And Dan Aykroyd actually wrote the script for
• 1:34:45
  Ghostbusters Too to take place in Scotland and he wanted
• 1:34:51
  them to be hunting subterranean fairy folk.
• 1:34:55
  Speaker 3: You know, he never gets his way. His first was like, hey,
• 1:35:00
  back when you got two hundred million dollars, Dan, I know, right?
• 1:35:04
  Speaker 1: Do you remember the soundtrack for Ghostbusters Too?
• 1:35:09
  Speaker 3: Is it as iconic as the first one?
• 1:35:11
  Speaker 2: Yeah?
• 1:35:11
  Speaker 1: Because there's that song by Bobby Brown and it's on
• 1:35:16
  Our Way or something like that, or like on Our
• 1:35:19
  on Our Ow. I'm like trying to remember the title
• 1:35:22
  and I just can't. But it's it's the song that says,
• 1:35:26
  wake up, wake up, wake up. You know that song.
• 1:35:29
  I really wanted to actually put that as part of
• 1:35:35
  my intro. I was gonna make a new intro and
• 1:35:37
  include that song as part of it, but it just
• 1:35:41
  was really long and I couldn't find the perfect segment
• 1:35:44
  to include it into the intro. But that song is
• 1:35:47
  like a conspiracy theorist in a nutshell, and I love
• 1:35:54
  that song. It was actually on number one outside of
• 1:35:57
  the movie for a couple of weeks because it was
• 1:36:00
  just such a catchy song, but along the same kind
• 1:36:06
  of like Sinister Taste in Our Mouth, which I don't
• 1:36:12
  want to spend too much time on it. But we've
• 1:36:14
  got to talk about everything. The Vigo the Carpathian in
• 1:36:20
  the painting, Uh.
• 1:36:24
  Speaker 3: He was.
• 1:36:26
  Speaker 1: The full name of the character in the movie was
• 1:36:29
  Vigo von Homburg Duchendorphin. What they included What the fuck
• 1:36:39
  they included the louse name wow, into the characters name.
• 1:36:44
  Speaker 3: That's weird.
• 1:36:46
  Speaker 1: You can google it.
• 1:36:47
  Speaker 3: I believe it. I just think it's weird.
• 1:36:50
  Speaker 1: Yeah, So Vigo the Carpathian, like, the full name is
• 1:36:54
  Vigo von Homberg Duchendorphin.
• 1:36:57
  Speaker 3: So does John Denver, besides having nephews in this movie,
• 1:37:00
  have anything to do with the movie.
• 1:37:03
  Speaker 1: No, not really, other than his last name and his nephews.
• 1:37:06
  Speaker 3: But it's just that's not like a common name. Maybe
• 1:37:10
  it is in Germany. Yeah, but what if it's like
• 1:37:13
  Anderson in Germany or some shit.
• 1:37:16
  Speaker 1: No, come on, dude, I've.
• 1:37:18
  Speaker 3: Never heard it. Yeah, that's pretty I've never been to
• 1:37:23
  Germany either, but you know, but so this.
• 1:37:27
  Speaker 1: Is the Scourge of Carpathia, the Sorrow of Maldavia, and
• 1:37:33
  this character in the movie history would remember as a
• 1:37:37
  powerful magician, an intelligent genius, but also an oppressive tyrant
• 1:37:42
  and egotistical aristocrat, a psychopathic lunatic, a genocidal madman, and
• 1:37:52
  his titles also included Vigo the Crew we Go, The
• 1:37:56
  Torturer we Go, The Despise we Go, the Unholy Right. Uh,
• 1:38:03
  bankman says, wasn't. He also remembered as Vigo the Butcher.
• 1:38:10
  Speaker 3: I know that far, it's I can't. I can't. I
• 1:38:13
  can't wrap my mind around this duchendorphin thing because he's
• 1:38:17
  literally trying to put himself into the body of this
• 1:38:21
  kid the twins.
• 1:38:25
  Speaker 1: And then one goes on to murder himself later in life.
• 1:38:29
  Speaker 12: Okay, Colby, now this this Vigo the Carpathian character was
• 1:38:38
  the final boss in the video games that were based
• 1:38:41
  on The Ghostbusters two and he was like the main
• 1:38:46
  antagonist in the adventure and in the game.
• 1:38:51
  Speaker 1: To defeat his defenses and approach him, the players had
• 1:38:57
  to utilize effigies of the tin Man, Scarecrow, and Cowardly
• 1:39:03
  Lyon from The Wizard of Oz and in the original
• 1:39:07
  cut of Ghostbusters two, when Vigo's painting melts, the Ghostbusters
• 1:39:15
  are shown as the Wizard of Oz characters.
• 1:39:18
  Speaker 3: That's interesting, a little Wizard of Oz ty in.
• 1:39:22
  Speaker 1: So now we have in the original script then being
• 1:39:25
  in Scotland defeating fairy folk with John Denver's nephews and
• 1:39:32
  turning into Wizard of Oz characters and the goddamn Ghostbusters two.
• 1:39:39
  Can I get a holl.
• 1:39:43
  Speaker 3: H I was gonna watch this epe because so I
• 1:39:46
  told Julia before we started recording that I thought I
• 1:39:49
  was gonna have time because I watched Ghostbusters one two
• 1:39:52
  nights ago. I was gonna watch Ghostbusters two right before
• 1:39:55
  we recorded, but it ended up getting my time wrong.
• 1:39:58
  So I haven't watched this movie like five years at least.
• 1:40:01
  So now that you've told me all this shit, I'm
• 1:40:04
  gonna watch this tonight and I might get possessed. I
• 1:40:08
  don't fucking know.
• 1:40:09
  Speaker 1: If you do. Just text me so I can say
• 1:40:12
  some prayers.
• 1:40:12
  Speaker 3: For you, Okay, I will thank you.
• 1:40:16
  Speaker 1: What do you think about all that? Though?
• 1:40:18
  Speaker 3: Like I mean, I didn't think that this episode was
• 1:40:21
  going to go down that path because I didn't know
• 1:40:23
  any of this stuff. And that's it's tripping me out,
• 1:40:26
  like I. You know, a lot of people that do
• 1:40:28
  conspiracy kind of stay away from the fantastical stuff and
• 1:40:32
  they just want. But I love the paranormal ethereal elements
• 1:40:37
  of it, and Hollywood has become one of my because
• 1:40:40
  I used to want. Like I moved to Hollywood right
• 1:40:42
  after I graduated high school. I was going to be
• 1:40:44
  a screenwriter, and I ended up going to film school
• 1:40:47
  in Arizona instead because it didn't work out in la
• 1:40:50
  And that place creeped me the fuck out. And if
• 1:40:54
  I would have known back then everything I owned now,
• 1:40:56
  I wouldn't even gone there. But having been there and
• 1:41:00
  having walked Hollywood Boulevard and Vine and all that stuff,
• 1:41:04
  I never did go to Laurel Canyon. I wish I
• 1:41:06
  would have, But uh, there's something about that place. And
• 1:41:10
  now every fucking innocent movie from Ghostbusters two on has
• 1:41:15
  some kind of weird ass tie to this shit.
• 1:41:18
  Speaker 1: And it's only for like those who have the eyes
• 1:41:21
  to see, because on surface level, it's just a comedy.
• 1:41:26
  But then you dig a little deeper and it's like,
• 1:41:28
  why are John Denver's nephews in this movie? Like, of
• 1:41:31
  all the kids you could have chosen why.
• 1:41:34
  Speaker 3: Them and it just needed some twins.
• 1:41:38
  Speaker 1: Yeah, Well, if I'm gonna rate one to ten slimers,
• 1:41:45
  Ghostbusters Part one gets ten slimers, Ghostbusters Part two gets
• 1:41:50
  eight slimers, and Ghostbusters Afterlife gets ten slimers.
• 1:41:55
  Speaker 3: Oh wow, you liked the third one that much? Okay,
• 1:41:58
  I'm gonna go ten slammers for the original. I'm gonna
• 1:42:04
  go I'm gonna give you a davy wavy number, and
• 1:42:07
  I'm gonna go six and a half on Ghostbusters.
• 1:42:10
  Speaker 1: Two and zero point five slid six.
• 1:42:13
  Speaker 3: Point three three, and I'm gonna give After Life eight
• 1:42:18
  because I was expecting a four. And it blew my
• 1:42:22
  mind because they who wrote that script? Do you know?
• 1:42:27
  Speaker 1: Off the top of your head, I can google it.
• 1:42:30
  Speaker 3: It wasn't dan Akrod, I don't know, but whoever did it?
• 1:42:34
  They focused on this little girl who is the clearly
• 1:42:39
  on the spectrum grandchild of Egon, and she did such
• 1:42:44
  a good job. And I love that they have a
• 1:42:46
  character named podcast.
• 1:42:49
  Speaker 1: You know that that is the best edition they could
• 1:42:53
  have possibly done, is include a podcast.
• 1:42:56
  Speaker 3: I was watching this with a group of friends when
• 1:42:58
  it first came out and they said podcast. They called that,
• 1:43:03
  and everybody just looked at me like because I'm the
• 1:43:07
  podcaster in my friend group, and I'm like, yeah, that's me.
• 1:43:11
  Speaker 1: Would you know what Colby, just to tie in, like
• 1:43:14
  with what you were saying earlier, he was a conspiracy theorist.
• 1:43:19
  He was a paranormal.
• 1:43:21
  Speaker 3: He was me like, that's why everybody looked at me
• 1:43:24
  like that because and he's always recording.
• 1:43:26
  Speaker 5: Mm hmmm.
• 1:43:27
  Speaker 1: He was like say that into the microphone, and he
• 1:43:31
  talked about what lizard people beyonceay like all. I was like,
• 1:43:36
  how did they even? How is this even in this movie?
• 1:43:40
  Speaker 3: It's such a pros it held true. I mean, if
• 1:43:43
  they would have, like, let Kate McKinnon and Melissa McCarthy
• 1:43:47
  write it.
• 1:43:49
  Speaker 1: Jason Reitman, he wrote it, yep.
• 1:43:52
  Speaker 3: So he's a little punk ass bitch from this oh man.
• 1:44:01
  Speaker 1: Mm hmm.
• 1:44:03
  Speaker 3: I love that scene because you can tell, like we
• 1:44:06
  to harken back to that scene in the car where
• 1:44:08
  they're discussing the end times, you can tell that Ray
• 1:44:11
  and Winston kind of had bonded throughout the five years.
• 1:44:13
  They're like best buds, I know.
• 1:44:16
  Speaker 1: And then it picks back up with that in Ghostbusters. Dude,
• 1:44:20
  do you remember the scene? Do you remember the scene
• 1:44:26
  where they're like in the underground tunnels under New York
• 1:44:30
  and they're like calling out names or whatever, and then
• 1:44:34
  the train, the ghost train comes and it passes through
• 1:44:38
  Winston and he's.
• 1:44:39
  Speaker 3: Like, it reminds me of the Slammer scene from the
• 1:44:42
  first one, where.
• 1:44:43
  Speaker 1: He's like, ah, Winston got better scenes and ghost Yeah.
• 1:44:49
  Speaker 3: I think they really made up for shafting him in
• 1:44:51
  the first one.
• 1:44:53
  Speaker 1: Yeah, for sure.
• 1:44:54
  Speaker 3: And Ernie Hudson's gone on to do such great things too.
• 1:44:58
  Speaker 1: I loved his character because he was like the proverbial
• 1:45:02
  like whatever you say, uh kind of you know, go
• 1:45:07
  with the flow, but also like fuck you white guys,
• 1:45:10
  like I'm not doing that. But at the same time
• 1:45:12
  he's like, I'll do it.
• 1:45:13
  Speaker 3: Oh when what you just reminded me of one of
• 1:45:15
  my favorite lines that he says in the first one
• 1:45:18
  when they're talking to the mayor and he's like, since
• 1:45:20
  I joined these guys, I've seen ship that will turn
• 1:45:22
  you white.
• 1:45:27
  Speaker 1: That's right.
• 1:45:29
  Speaker 3: It's just like and as a little kid, I thought
• 1:45:31
  it meant that the blood left your face, But you know,
• 1:45:34
  I think I messed right.
• 1:45:38
  Speaker 1: There was a scene in the second one. I talked
• 1:45:41
  about this a little bit on my Patreon because something
• 1:45:44
  really weird happened to me, like a couple weeks ago.
• 1:45:48
  But there's a scene in Ghostbusters Too where they're trying
• 1:45:52
  to drill down to the river of slime and Egon's
• 1:45:56
  like with.
• 1:45:56
  Speaker 3: The cuts where they're wearing the hard hats and the
• 1:45:59
  construction yeah.
• 1:46:00
  Speaker 1: And the cops stopping him and they're like, why are
• 1:46:02
  you cutting? And he's like, oh, I don't know. Yeah,
• 1:46:11
  He's like, what do you mean what I'm my cut?
• 1:46:15
  And so, like a couple of weeks ago, and I
• 1:46:19
  told Davey Wavy about this. I don't know if he
• 1:46:21
  told you or not, but like, I had this weird
• 1:46:23
  thing happen to me where I was watching Ghostbusters Too,
• 1:46:30
  and it was right at that scene where they're doing
• 1:46:32
  the cutting, and I was like laughing. And you know,
• 1:46:35
  when you watch something that you've watched a million times
• 1:46:38
  for some reason, it's easier for you to like go
• 1:46:40
  to sleep one the other night. Yeah, it's just it's
• 1:46:46
  just relaxing and you're just kind of going along with
• 1:46:49
  the flow. And it was right at that scene and
• 1:46:51
  I fell asleep and then I remember I woke up
• 1:46:56
  and the TV was off and it was completely dark
• 1:46:58
  in my room, and I swear to God, like I
• 1:47:02
  had like this whole conversation with my husband, and then
• 1:47:06
  I kind of rolled over and I saw him come
• 1:47:10
  in from the hallway into the bedroom, into the bathroom,
• 1:47:14
  and I clicked on my lamp on the side of
• 1:47:16
  my bed, and it turned out that he was in
• 1:47:19
  the bathroom the whole time. And he swears to God
• 1:47:23
  that I was super high and I imagined the whole thing.
• 1:47:27
  But I'm telling you, a five milligram weed gummy does
• 1:47:31
  not cause hallucinations like I had.
• 1:47:34
  Speaker 3: No, You're no like stranger to the edibles, right.
• 1:47:39
  Speaker 1: No, that's the thing. Koby is, Like I had a
• 1:47:42
  whole conversation with him and he and then I saw
• 1:47:47
  him come in and I was like, are you trying
• 1:47:49
  to scare me? And then I look over in the
• 1:47:51
  bed and like the blanket is perfectly straight, and like
• 1:47:55
  nobody's been in the bed on his side. And he
• 1:47:59
  told me that I was so high. I was imagining it.
• 1:48:03
  And I said, I've taken weed gummies every night for
• 1:48:06
  the last like six months, and I wasn't hallucinating. I
• 1:48:11
  promise you, I wasn't so high that I imagined it,
• 1:48:14
  and he thinks I was dreaming or sleeping or whatever.
• 1:48:18
  But it was during Ghostbusters too, and I fell asleep
• 1:48:21
  during that scene where they were like doing the cutting
• 1:48:23
  or whatever. And now that I know all the shit
• 1:48:26
  about it's a cursed movie, right, like the freaking that
• 1:48:36
  one that killed John Candy. Maybe it's cursed.
• 1:48:40
  Speaker 2: I don't know.
• 1:48:42
  Speaker 3: Well, yeah, I'm gonna watch it tonight and see if
• 1:48:44
  anything weird happens to me, because you have to look
• 1:48:47
  for this watch it. Yeah, I'll take notes as if
• 1:48:51
  we haven't done this yet and tell you if I've
• 1:48:54
  noticed anything we didn't talk about. But I just I
• 1:48:57
  really it just takes me back to my childhood. But
• 1:49:00
  now that I know Ghostbusters two has this element to it,
• 1:49:02
  it's kind of creepy.
• 1:49:05
  Speaker 1: And something else that I wanted to mention that I
• 1:49:08
  didn't even put in my notes. I don't know why
• 1:49:12
  I didn't put it in my notes. But do you
• 1:49:16
  remember the beginning of Ghostbusters too? Peter Vankman's is now
• 1:49:20
  the host of a time.
• 1:49:22
  Speaker 3: I actually watched that scene last night because they I
• 1:49:26
  was just scrolling through YouTube and they have the first
• 1:49:28
  ten minutes for free. That is to me equally as
• 1:49:32
  good as the cards the esp experiment from the first
• 1:49:37
  one because when he's like talking to the guy, he's
• 1:49:40
  like giving them shit, like, well, your book sales are
• 1:49:41
  really going to suffer if the fucking world ends this
• 1:49:44
  New Year's dick. When he's talking to her, she's like, well,
• 1:49:48
  she's such a cool little carrict like she's so mousey,
• 1:49:50
  and just like yeah, this alien in a bar took
• 1:49:53
  me to his hotel room and he said, it's Valentine's Day?
• 1:49:56
  What was it twenty sixteen?
• 1:49:58
  Speaker 1: That's when he told you at the end of the
• 1:50:01
  World's Day, bummer. So you're you're alien had a room
• 1:50:10
  at the holiday inn paramus. I don't know if it
• 1:50:14
  was a room or if it was a room on
• 1:50:17
  the spaceship mates look like a room at the holiday
• 1:50:21
  but and it's like so it's just like so iconic.
• 1:50:25
  He's just like shit talking like right to their faces,
• 1:50:28
  like okay, yeah.
• 1:50:30
  Speaker 3: Yeah, I'd say it's it's safe to say Peter found
• 1:50:32
  his niche little paranormal fucking talk show where he can
• 1:50:36
  just talk shit to the guests.
• 1:50:38
  Speaker 1: But it goes back to the first one because when
• 1:50:42
  he's in Dana's apartment, she goes, you don't remind me
• 1:50:46
  of a scientist. You're more like you're more like.
• 1:50:50
  Speaker 3: A talk show game she says, game.
• 1:50:53
  Speaker 1: Show, game show host.
• 1:50:55
  Speaker 3: Yeah, I mean that is a good connection. I never
• 1:50:59
  thought of that.
• 1:51:00
  Speaker 1: But think of like this speech he gives at the end,
• 1:51:03
  like when he's wrapping up his episode, he said, yeah,
• 1:51:07
  that's the thing with aliens. You know, you need a
• 1:51:10
  nice one every now and again, et starman, But most
• 1:51:15
  of the time they turn out just to be a
• 1:51:16
  big lizard.
• 1:51:19
  Speaker 3: That's right.
• 1:51:21
  Speaker 1: He included a lizard person like right there at the end.
• 1:51:26
  Speaker 3: You know. And they're so ahead of their time with
• 1:51:28
  these references. There's something that I took a note on
• 1:51:31
  from the first one that we didn't talk about, where
• 1:51:34
  h Dana's reading a magazine and she's like, yeah, you know,
• 1:51:39
  you should really look into this, and he's like, print
• 1:51:42
  is dead. He said that in nineteen eighty four. Print
• 1:51:46
  is dead. This is before the fucking internet. E Egan
• 1:51:50
  was ahead of his time.
• 1:51:52
  Speaker 1: And that's when she was like, Oh, I do racketball,
• 1:51:55
  and it's like, what are you into it? I collect
• 1:51:58
  mold spores and funning.
• 1:52:00
  Speaker 3: Or four hundred in quotes on.
• 1:52:06
  Speaker 1: I mean, there's so many scenes that it's like impossible
• 1:52:11
  to cover everything just in one episode. I think that
• 1:52:16
  we killed it though. I mean, that's that's the basis
• 1:52:20
  of Ghostbusters.
• 1:52:21
  Speaker 3: I would ask you something about the second Yeah, yeah, yeah,
• 1:52:24
  what is your theory on the pink slime? What do
• 1:52:28
  you think about it? Is that like a reference to something.
• 1:52:32
  Speaker 1: Because it reacts to the emotions. I think that it
• 1:52:37
  could be based in something real because it's a psychoactive slime,
• 1:52:41
  is what they say? Yeah, and think about that. They
• 1:52:45
  win in the end because they positively charge the slime,
• 1:52:50
  which there's this whole Lady Liberty connection back to, like
• 1:52:55
  why the fuck did they choose to do that? But
• 1:52:59
  I don't know.
• 1:53:00
  Speaker 3: I forgot about that. They get the statue of Liberty
• 1:53:02
  to walk that is. Yes, I'm just I'm definitely gonna
• 1:53:05
  watch this movie tonight. Duschendorfin come and get me.
• 1:53:09
  Speaker 2: Yeah.
• 1:53:10
  Speaker 1: They put it into a toaster and then they play
• 1:53:13
  music and it like pops all around the table.
• 1:53:17
  Speaker 3: You remember that. I'm just remembering how much I loved
• 1:53:20
  the second movie. I said six ' five. If I
• 1:53:23
  change my answer on that, I'll let you. I said
• 1:53:24
  six point three to three. In the end, but I'll
• 1:53:26
  let you know if I change it, because that fucking
• 1:53:29
  toaster scene where they put the music on and it
• 1:53:31
  starts dancing.
• 1:53:33
  Speaker 1: I think he will. I think You're gonna change your
• 1:53:36
  rating because there's that courtroom scene I was talking about
• 1:53:40
  earlier with the brothers and uh, he said some really
• 1:53:45
  iconic stuff, and I'll probably include some quotes from that
• 1:53:48
  scene in this episode.
• 1:53:50
  Speaker 9: I'll ask you again, doctor Bankman, why were you digging
• 1:53:52
  the hall? And please remember your under oath.
• 1:53:56
  Speaker 6: There are some things in this world that go way
• 1:53:59
  beyond and understanding, things that cannot be explained, things.
• 1:54:03
  Speaker 10: That most people don't want to know about.
• 1:54:06
  Speaker 7: That is where we come in.
• 1:54:08
  Speaker 9: So what you're saying is that the world of the
• 1:54:10
  supernatural is your exclusive province, Kitten.
• 1:54:14
  Speaker 7: I think what I'm saying is that sometimes shit happens,
• 1:54:19
  someone has to deal with it, and who are you
• 1:54:21
  gonna call?
• 1:54:22
  Speaker 5: Yeah, but.
• 1:54:29
  Speaker 1: When they turn on their accelerator packs for the first
• 1:54:32
  time in five years, they click him on individually, right,
• 1:54:36
  and he's like.
• 1:54:37
  Speaker 3: H Ray, yeah, because Ray gets like a smile on
• 1:54:45
  his face when he gets to say his own name.
• 1:54:47
  I forgot about that too, But as.
• 1:54:49
  Speaker 1: Soon as you think about it, goal eight slimers.
• 1:54:52
  Speaker 3: At least give me, Julia. I will get back to
• 1:54:57
  you on my revised rating if there is one after
• 1:55:00
  I watch it again, because I'm remembering now all these
• 1:55:04
  references you're making that it is not exactly a remake
• 1:55:08
  of the first one in the second and third act,
• 1:55:11
  It's definitely got some yeah, but that's okay. Sequels are
• 1:55:14
  kind of like that sometimes, right. I mean it was
• 1:55:17
  supposed to be set in Scotland.
• 1:55:21
  Speaker 1: Yeah, which I think would have been really interesting.
• 1:55:23
  Speaker 3: You know, Ivan, rightman, This is another little trivia fact.
• 1:55:28
  When Dana is possessed, which is also so the cards
• 1:55:32
  in the beginning is my favorite scene in that movie.
• 1:55:34
  But the scene where he is walked into her apartment
• 1:55:38
  when she's possessed, the whole interaction is like, She's like,
• 1:55:41
  I want you inside of me. He's like, well, you know,
• 1:55:43
  there's already at least two people in there. I don't
• 1:55:45
  know if there's room. And uh so everybody thinks Veigman
• 1:55:50
  is so creepy, and it's like, dude, he had a
• 1:55:52
  chance to quote unquote date rape this chick, But why
• 1:55:56
  did he have Thorsian on him?
• 1:55:58
  Speaker 1: Because he's a psychonic truth straight.
• 1:56:00
  Speaker 3: No, he's a psychologist. If he was a psychiatrist, I
• 1:56:03
  would get that. Oh, like a lot of people are like.
• 1:56:07
  So I did listen to some podcasts to see what
• 1:56:10
  other people had to say about it, and one guy
• 1:56:11
  was like, you'd only bring Thorizine on a date if
• 1:56:14
  you had ill intentions. Like yeah, but he had the chance,
• 1:56:18
  and I love it. You know, he's not even freaked
• 1:56:21
  out with when uh there is no Dana. There is
• 1:56:24
  as like, what a lovely singing voice you must have,
• 1:56:28
  but you know whose voice that is? Of possessed Dana.
• 1:56:33
  Oh that's Ivan rightman doing that? Dude.
• 1:56:36
  Speaker 1: Yeah, see, it's like I get it. It was low budget,
• 1:56:42
  so they only had so much to work.
• 1:56:43
  Speaker 3: With, but he knew what he wanted to, Like, he
• 1:56:46
  kind of probably just had it and he probably had
• 1:56:48
  some kind of like one of those things you talking too,
• 1:56:51
  and he made it. It sounds fucking great.
• 1:56:53
  Speaker 1: Yep, there is no Dana, only.
• 1:56:56
  Speaker 3: Zoo you know. Oh here's another tidbit about that part.
• 1:56:59
  So to Gourney Weaver, when she auditioned for what's her name.
• 1:57:05
  Speaker 1: Dana?
• 1:57:06
  Speaker 3: Oh yeah, I called the wrong person Dana earlier when
• 1:57:10
  I was talking about Janine. Anyway, Dana. So when she
• 1:57:13
  auditioned for Dana, she went in there, she didn't say
• 1:57:16
  any words, she didn't read the audition that they gave her.
• 1:57:19
  She just fucking got on her hands and knees and
• 1:57:21
  started acting like a dog. She wanted this role so
• 1:57:24
  bad that she was like, how can I stand out?
• 1:57:27
  She and she's fresh off Alien at this point, because
• 1:57:29
  I think the original Alien was seventy nine. I think,
• 1:57:33
  so that's fiber.
• 1:57:34
  Speaker 1: But that ties back to my last breakdown where we
• 1:57:37
  talked about Sigourney Weaver and all the Alien movies, and
• 1:57:42
  it's like she always gets involved in like.
• 1:57:45
  Speaker 3: The one you did with Drew.
• 1:57:47
  Speaker 1: Yeah, yeah, yeah, yeah, this part so bad like a dog.
• 1:57:54
  Speaker 3: Yeah, And I bet you I haven't just I could do.
• 1:57:56
  Let's just give her the role. Shit, she went beyond
• 1:57:59
  and that's kind of the reaction she was going for. Probably,
• 1:58:01
  But but so Colby, Julia.
• 1:58:08
  Speaker 1: Can you tell the listeners where they can find more
• 1:58:12
  of your content? What it is you cover on your
• 1:58:15
  show and what it is that you have going on.
• 1:58:20
  Speaker 3: You know, for the main show is conspiracy Playtime And
• 1:58:24
  if you just do that all one word conspiracy playtime
• 1:58:27
  dot com, that'll take you to our website where if
• 1:58:29
  our episodes have been removed from YouTube, you'll get directed
• 1:58:32
  to Rumble and that show. What we always said from
• 1:58:37
  the beginning was we cover anything conspiratorial, paranormal, metaphysical. We
• 1:58:42
  even edge into true crime at times. One of our
• 1:58:45
  best episodes is the Franklin Scandal episode that got taken
• 1:58:48
  down on YouTube a year and a half after we
• 1:58:50
  posted it, oddly enough. I also have a show called Disinfobation,
• 1:58:56
  which is just a weekly show where a friend of
• 1:58:58
  Dusty at you truth ca on Twitter. He and I
• 1:59:01
  get together and just talk shit about current events and
• 1:59:05
  we talk as much nasty shit about politicians, Hollywood, just
• 1:59:10
  all the bullshit. You know. It's just like we're court
• 1:59:12
  gesters who are usually I'm pretty drunk in that one,
• 1:59:17
  and he's he's a veteran, he's jaded, he knows what's
• 1:59:21
  going on, he's seen it firsthand. So yeah, those are
• 1:59:25
  where you can find me. And I would also, since
• 1:59:27
  I'm going to post this as a bonus on my feed,
• 1:59:30
  if you could like plug your shit too.
• 1:59:32
  Speaker 1: Yeah, thank you for that. So of course, I'm Julia.
• 1:59:36
  I'm the host of the Cosmic Peach podcast and I
• 1:59:40
  cover pretty much what Colby said, like, you know, we
• 1:59:42
  do conspiracy, paranormal, supernatural stuff, mysteries, and I dabble into
• 1:59:48
  the true crime, but only if there's a conspiracy involved,
• 1:59:53
  like the Franklin cover up, which actually goes hand in
• 1:59:57
  hand with Johnny Gosh.
• 1:59:59
  Speaker 3: And that episode of Yours made me decide that I'm
• 2:00:05
  going to do your Patreon because I have to listen
• 2:00:07
  to the rest of that.
• 2:00:08
  Speaker 1: Man. I found some shit with that Johnny Gosh stuff
• 2:00:12
  that will just change the all.
• 2:00:14
  Speaker 3: For the patriot part too, because I have to. I know,
• 2:00:18
  I know it's it's genius. And you know what, I
• 2:00:20
  quit Patreon. I used to have three people I subscribed to,
• 2:00:23
  but after they kicked off James Corbett and Whitney Webb,
• 2:00:27
  I did a boycott. But you're gonna bring me back
• 2:00:29
  into the Patreon fold.
• 2:00:30
  Speaker 1: Well, I'll tell you what, man, I got to take
• 2:00:35
  care of the patrons first, because they're what helps me
• 2:00:40
  get new equipment.
• 2:00:41
  Speaker 3: Do all the things really awesome that you do, that
• 2:00:43
  two three seven thing, that's a good hook, Like if
• 2:00:48
  I didn't have access to you as a fellow podcaster,
• 2:00:51
  I'd be intrigued enough to do it. So that's what
• 2:00:54
  let me tell.
• 2:00:55
  Speaker 1: You something, Colby. If you sign up for the Patreon
• 2:00:58
  right now, there's free gift that you will want to
• 2:01:01
  have you So if you were ever gonna do it,
• 2:01:05
  now's the time because.
• 2:01:06
  Speaker 3: I got a free How long is this deal? Because
• 2:01:08
  I get paid in two weeks.
• 2:01:10
  Speaker 1: While supplies last, but I will put one aside risk it.
• 2:01:15
  Speaker 3: I'll wait until it's gonna be the first week of July.
• 2:01:20
  Speaker 1: Since well, since you helped me with this episode, I'll
• 2:01:24
  put one aside for you and I'll give you more
• 2:01:26
  details after we're done recording. But it is a Patreon
• 2:01:29
  exclusive gift, just to say thank you for everyone who's
• 2:01:33
  supporting the show. And the Patreon is really just so
• 2:01:38
  I don't get full episodes removed. If I can put
• 2:01:41
  half of the episode on and save the rest for Patreon,
• 2:01:44
  I know nothing will ever happen to it. And that's
• 2:01:48
  that's just, you know, one of the pluses. But thank
• 2:01:52
  you for joining me.
• 2:01:53
  Speaker 3: Thank you for inviting me when you told me because
• 2:01:56
  I know you're a big horror movie fan. When you
• 2:01:58
  told me it was Ghostbusters you want to cover, I
• 2:02:01
  was elated, just because it's one of my favorite movies
• 2:02:04
  of all time.
• 2:02:04
  Speaker 1: Oh me to talk about an eighties classic. But as
• 2:02:09
  a concluding question, Colby, if there's something strange in your neighborhood,
• 2:02:17
  who are you gonna call Bill Murray?
• 2:02:21
  Speaker 3: Here's my top two? Of course, it's The Ghostbusters Goes Bust.
• 2:02:27
  Bill Murray is my spirit animal, though after rewatching it recently,
• 2:02:31
  I just keep coming back.
• 2:02:32
  Speaker 1: To that, like mine is Jennine Melman.
• 2:02:35
  Speaker 3: Oh you go see you and I would have some
• 2:02:37
  odd interactions then like hey, right, Julia type something, Well,
• 2:02:42
  you were paying you for this, But he is such
• 2:02:46
  He's so dry and sarcastic, and I feel like maybe
• 2:02:50
  he had some kind of influence on me after watching
• 2:02:52
  it so many times as a kid.
• 2:02:54
  Speaker 1: That's okay because he's iconic, and uh, as long as
• 2:02:57
  it's not the character from What About Bob, I'm cool
• 2:03:00
  with us.
• 2:03:02
  Speaker 11: But thank you so much, and to all my listeners,
• 2:03:06
  thank you, and we will catch you on the next one.
• 2:04:01
  Speaker 3: On