Latest / Just Julia / Stop Erasing Yourself from the Picture
Transcript
- 0:00SPEAKER_00: I want you to take a second right now and just mentally pull up the camera roll on your phone.
- 0:05SPEAKER_01: Oh, that is always a dangerous game.
- 0:07SPEAKER_00: Right.
- 0:08SPEAKER_00: But if you were to scroll back through,
- 0:09SPEAKER_00: I don't know, say the last year, think about the visual record you've created.
- 0:13SPEAKER_00: You're going to find,
- 0:15SPEAKER_00: you know,
- 0:15SPEAKER_00: dozens of photos of beautiful scenery,
- 0:17SPEAKER_00: your pets doing something ridiculous, your kids, your partner.
- 0:19SPEAKER_01: Of course.
- 0:20SPEAKER_00: But here's the real question.
- 0:22SPEAKER_00: How many of those photos actually include you?
- 0:25SPEAKER_01: Yeah.
- 0:25SPEAKER_01: And for a staggering number of people,
- 0:28SPEAKER_01: particularly women, That number hevers uncomfortably close to zero.
- 0:32SPEAKER_00: Exactly.
- 0:33SPEAKER_00: It's like zero.
- 0:34SPEAKER_01: We act as these like meticulous documentarians of everyone else's lives,
- 0:40SPEAKER_01: but we somehow engineer our own vanishing act from the visual record.
- 0:44SPEAKER_00: And that vanishing act is exactly what we're getting into in today's deep dive.
- 0:48SPEAKER_00: We're unpacking a really beautiful, emotionally resonant article by Julia Callas.
- 0:54SPEAKER_01: It really is a fantastic piece of writing.
- 0:56SPEAKER_00: It is.
- 0:57SPEAKER_00: It's called I Was There Too.
- 0:59SPEAKER_00: And she wrote it for her platform, Just Julia.
- 1:02SPEAKER_00: And our mission today is to explore this dangerous habit we have of Well,
- 1:08SPEAKER_00: postponing our presence in our own lives.
- 1:10SPEAKER_01: Right.
- 1:10SPEAKER_01: This idea that we have to wait until we feel, quote unquote, ready to actually be seen.
- 1:15SPEAKER_00: Exactly.
- 1:16SPEAKER_00: Because this isn't just an article about, you know, taking more selfies on vacation.
- 1:19SPEAKER_00: It's a really profound look at body image,
- 1:22SPEAKER_00: motherhood, aging and making these impossible deals with our future selves.
- 1:27SPEAKER_01: Yeah.
- 1:28SPEAKER_01: And the psychology behind that wait is fascinating.
- 1:31SPEAKER_01: Because it exposes how we falsely linked confidence with perfection.
- 1:35SPEAKER_00: Wait, say more about that.
- 1:36SPEAKER_00: How do we link them?
- 1:37SPEAKER_01: Well, we operate under this illusion that until we've, say,
- 1:41SPEAKER_01: lost the weight or finalized a career transition or cured our anxiety,
- 1:44SPEAKER_01: we just aren't fully baked yet.
- 1:46SPEAKER_00: Oh, like we're just a rough draft.
- 1:48SPEAKER_01: Exactly.
- 1:48SPEAKER_01: We view our current self as a rough draft.
- 1:51SPEAKER_01: And by waiting for this flawless future state to arrive,
- 1:54SPEAKER_01: we quietly just erase ourselves from our own presence.
- 1:56SPEAKER_00: And that erasure becomes so painfully obvious
- 1:59SPEAKER_00: when our phones serve up those digital time capsules, right?
- 2:02SPEAKER_01: Oh, the dreaded memories feature.
- 2:03SPEAKER_00: Yes.
- 2:04SPEAKER_00: You know that feeling.
- 2:05SPEAKER_00: You're pouring a cup of coffee and suddenly you get hit with
- 2:08SPEAKER_00: an on-this-day photo compilation from five years ago.
- 2:11SPEAKER_01: Yeah.
- 2:12SPEAKER_01: It completely derails your morning.
- 2:13SPEAKER_00: It does.
- 2:14SPEAKER_00: And Julia Callas,
- 2:16SPEAKER_00: she lives in Italy,
- 2:17SPEAKER_00: and she describes how the arrival of the Italian August kind of triggers this.
- 2:23SPEAKER_01: Right, because the whole country essentially shuts down.
- 2:25SPEAKER_00: Exactly.
- 2:25SPEAKER_00: Everyone heads to the sea,
- 2:27SPEAKER_00: she goes to Sardinia,
- 2:28SPEAKER_00: and suddenly life slows down enough that these Facebook memories start flooding in.
- 2:33SPEAKER_01: It's the perfect incubator for reflection, honestly.
- 2:36SPEAKER_01: The machinery of daily life stops.
- 2:38SPEAKER_01: And you're just sitting on a beach staring at these concentrated doses of your past selves.
- 2:42SPEAKER_00: And what I found so compelling is her reaction to those photos.
- 2:46SPEAKER_00: Because initially, you know, you look at an old picture and you go straight to the superficial.
- 2:50SPEAKER_01: Sure.
- 2:50SPEAKER_01: You judge your hair or you zoom in on your stomach.
- 2:53SPEAKER_00: Right.
- 2:53SPEAKER_00: But she points out this secondary, much deeper layer of remembering.
- 2:58SPEAKER_00: When she looks at those photos now, the physical body is just a shell.
- 3:02SPEAKER_00: She remembers the mind that was trapped inside it.
- 3:05SPEAKER_01: Oh, that is such a powerful distinction.
- 3:08SPEAKER_01: Because a photograph is, well, it's basically a massive exercise in cognitive dissonance.
- 3:14SPEAKER_00: How so?
- 3:15SPEAKER_01: Well, the visual evidence shows blue water, a smiling face, sunshine.
- 3:19SPEAKER_01: It broadcasts pure, uncomplicated joy.
- 3:23SPEAKER_01: But the internal reality of the person in that frame was completely different.
- 3:27SPEAKER_01: Callas looks at a smiling past version of herself
- 3:30SPEAKER_01: and remembers exactly what was keeping her awake at night that summer.
- 3:33SPEAKER_00: Yes.
- 3:34SPEAKER_00: Yes.
- 3:35SPEAKER_00: This suffocating professional insecurity or the profound disorientation of being
- 3:40SPEAKER_00: a brand new mother.
- 3:41SPEAKER_00: She writes that everybody was carrying a completely different life.
- 3:45SPEAKER_01: And looking back at those past versions evokes this fierce, almost maternal tenderness.
- 3:50SPEAKER_00: Because you have the ultimate spoiler.
- 3:52SPEAKER_00: You know how the story turns out.
- 3:53SPEAKER_00: You just want to reach through the phone and tell that exhausted younger woman that
- 3:56SPEAKER_00: the terrifying thing actually works itself out.
- 3:58SPEAKER_01: But the heartbreak is that almost every version of herself she observes
- 4:02SPEAKER_01: in those archives believed she was broken.
- 4:05SPEAKER_01: She was perpetually waiting for a fix before she could relax.
- 4:08SPEAKER_00: To really map this out,
- 4:09SPEAKER_00: she deconstructs three consecutive summers in Sardinia,
- 4:13SPEAKER_00: and the evolution is just incredible.
- 4:15SPEAKER_00: Let's talk about
- 4:16SPEAKER_01: year one.
- 4:16SPEAKER_00: Okay, so year one, her son had just turned one.
- 4:19SPEAKER_00: She's navigating the massive shockwaves of new motherhood.
- 4:23SPEAKER_00: Her body is completely different.
- 4:25SPEAKER_01: But the irony is that first summer, her physical form barely registered on her radar.
- 4:30SPEAKER_00: Right.
- 4:31SPEAKER_00: Her cognitive load was entirely consumed by keeping this tiny human alive.
- 4:36SPEAKER_00: She just didn't have the bandwidth for her own insecurities.
- 4:41SPEAKER_01: The bandwidth returns, and the hyper-awareness sets in.
- 4:44SPEAKER_00: She's nearly two years postpartum,
- 4:46SPEAKER_00: the panic of early motherhood has subsided,
- 4:49SPEAKER_00: and suddenly there's room for this creeping alienation.
- 4:51SPEAKER_01: She just didn't feel at home in her own skin,
- 4:53SPEAKER_01: and she was carrying other anxieties,
- 4:55SPEAKER_01: and that immediately manifested in how she interacted with the camera.
- 4:58SPEAKER_00: Yes.
- 4:59SPEAKER_00: She starts policing the lens,
- 5:00SPEAKER_00: she's on this gorgeous beach,
- 5:02SPEAKER_00: and her refrain becomes, don't take a picture of me, get one of our sons.
- 5:05SPEAKER_01: We're definitely not in this bikini.
- 5:07SPEAKER_01: Delete that one.
- 5:08SPEAKER_00: Exactly.
- 5:09SPEAKER_00: And the outcome is...
- 5:11SPEAKER_00: Thousands of stunning high definition photos of her son's first years,
- 5:16SPEAKER_00: him laughing, splashing with his dad, a beautiful archive of their family.
- 5:20SPEAKER_01: And she is a ghost.
- 5:22SPEAKER_01: She is entirely missing.
- 5:23SPEAKER_00: It's so sad, but she articulates it so well.
- 5:26SPEAKER_00: She says, I just didn't think the version of me who is there was ready to be remembered.
- 5:32SPEAKER_01: Wow.
- 5:33SPEAKER_01: Not ready to be remembered.
- 5:35SPEAKER_01: It's like treating your life as a perpetual dress rehearsal.
- 5:37SPEAKER_00: Yes, I was just thinking that.
- 5:39SPEAKER_00: It's like a director who builds this beautiful,
- 5:41SPEAKER_00: elaborate movie set,
- 5:43SPEAKER_00: but refuses to ever step in front of the lens because their makeup isn't done yet.
- 5:47SPEAKER_01: That's a perfect analogy.
- 5:48SPEAKER_01: We hold out for opening night.
- 5:50SPEAKER_01: We think, when the lighting hits me just right, then I'll step on stage.
- 5:53SPEAKER_00: But we completely forget that the theater is already full and the play is already happening.
- 5:57SPEAKER_00: We are creating the memories, but refusing to inhabit them.
- 6:00SPEAKER_01: And we do it as a psychological safety net.
- 6:02SPEAKER_01: If you don't step into the frame, you can't be criticized.
- 6:06SPEAKER_01: You can't look back and cringe.
- 6:07SPEAKER_00: She genuinely believed she was just hitting pause.
- 6:09SPEAKER_00: Like, when I feel confident enough to put on the swimsuit, then I'll show up.
- 6:13SPEAKER_01: But life does not pause while we get our wardrobe sorted out.
- 6:17SPEAKER_01: Which brings us to the collision with reality in year three.
- 6:20SPEAKER_00: Right, because we jump forward to this current summer and she actually achieves the goal.
- 6:24SPEAKER_00: The thing she was waiting for happens.
- 6:27SPEAKER_01: She spent years training, building strength, and she finally feels good in her body.
- 6:32SPEAKER_01: She can put on the bikini and just exist.
- 6:34SPEAKER_00: But the twist is,
- 6:35SPEAKER_00: and this is what's so fascinating,
- 6:37SPEAKER_00: life didn't just stop and applaud her for fixing the body issue.
- 6:41SPEAKER_01: No, it just handed her a completely new anxiety.
- 6:44SPEAKER_01: It's the classic arrival fallacy.
- 6:46SPEAKER_00: Right, because she's going through this massive professional crisis.
- 6:50SPEAKER_00: A chapter closed, she's questioning her identity, worrying about people who hurt her.
- 6:54SPEAKER_01: So she's on the beach, the bikini fits, but mentally she is thousands of miles away.
- 7:00SPEAKER_00: And a few days before they leave,
- 7:02SPEAKER_00: she looks at her phone and realizes she still isn't taking photos of herself.
- 7:05SPEAKER_01: Because the goalpost moved.
- 7:07SPEAKER_00: Yeah.
- 7:07SPEAKER_01: She spent years waiting for her body to change before enjoying the photo.
- 7:11SPEAKER_01: Now she was waiting for her life circumstances to change.
- 7:14SPEAKER_00: Wait, I should push back here, though,
- 7:16SPEAKER_00: because reading that,
- 7:17SPEAKER_00: I wondered,
- 7:18SPEAKER_00: did getting strong and feeling good in a bikini just not matter at all then?
- 7:22SPEAKER_00: Did she waste years on it?
- 7:24SPEAKER_01: No.
- 7:24SPEAKER_01: And Callis is very nuanced about this.
- 7:27SPEAKER_01: She rejects that toxic positivity that says physical reality doesn't matter.
- 7:33SPEAKER_01: It mattered deeply.
- 7:34SPEAKER_00: So what was the point of it if it didn't cure the anxiety?
- 7:37SPEAKER_01: Evidence.
- 7:38SPEAKER_01: The purpose was evidence.
- 7:40SPEAKER_01: By doing something grueling,
- 7:42SPEAKER_01: like training her body, she built a tangible ledger of her own resilience.
- 7:46SPEAKER_00: Oh, I see.
- 7:47SPEAKER_00: She proved to herself that she can survive discomfort and force a transformation.
- 7:50SPEAKER_01: Exactly.
- 7:52SPEAKER_01: So, standing on the edge of this terrifying career transition,
- 7:56SPEAKER_01: she desperately needs that psychological muscle she built.
- 7:59SPEAKER_00: Okay, that makes sense.
- 8:00SPEAKER_00: But the camera revelation is still devastating.
- 8:02SPEAKER_00: Her body was ready, but because her career was messy, she still excluded herself.
- 8:06SPEAKER_01: It exposes the uncomfortable truth.
- 8:09SPEAKER_01: The problem was never the wait or the swimsuit.
- 8:11SPEAKER_01: The problem was the cognitive habit of waiting.
- 8:14SPEAKER_00: That habit is so universal for highly accomplished women.
- 8:17SPEAKER_00: We are constantly making these ironclad deals with our future selves.
- 8:21SPEAKER_01: The endless list of whens.
- 8:23SPEAKER_01: When the debt is paid off, when the kids sleep through the night, when I get the promotion.
- 8:27SPEAKER_00: Then I'll enjoy this.
- 8:28SPEAKER_00: Then I'll get in the picture.
- 8:29SPEAKER_00: We project all our hopes onto this phantom future woman.
- 8:34SPEAKER_01: I love that term, the phantom future woman.
- 8:36SPEAKER_01: She has the perfect body, a frictionless relationship, a thriving career.
- 8:41SPEAKER_00: And a perfectly peaceful mind.
- 8:43SPEAKER_00: Right.
- 8:43SPEAKER_00: She finally has permission to relax.
- 8:45SPEAKER_01: But she's a complete fabrication.
- 8:46SPEAKER_01: She doesn't exist.
- 8:48SPEAKER_01: She can't exist because human experience is asymmetrical.
- 8:51SPEAKER_00: Yeah, life does not resolve all its plot lines at the same time.
- 8:54SPEAKER_01: You can secure the exact body you wanted only to discover your career is imploding.
- 8:59SPEAKER_01: You fix the career and realize your marriage needs attention.
- 9:02SPEAKER_00: There's this one quote in the piece that just stops you in your tracks.
- 9:05SPEAKER_00: She writes,
- 9:06SPEAKER_00: you can finally reach something that once felt like the answer only to discover
- 9:10SPEAKER_00: that life has quietly moved the question somewhere else.
- 9:14SPEAKER_01: And if your prerequisite for participating in your own life is that
- 9:17SPEAKER_01: the question stops moving, you will remain on the sidelines forever.
- 9:21SPEAKER_00: You really will.
- 9:23SPEAKER_00: And she traces this back to something so vulnerable from her past.
- 9:26SPEAKER_00: She talks about growing up as the girl who never made the list.
- 9:30SPEAKER_01: Yeah,
- 9:30SPEAKER_01: wondering if she was beautiful enough or interesting enough to be chosen by the boys
- 9:34SPEAKER_01: in her class.
- 9:35SPEAKER_00: She learned that feeling of exclusion so early.
- 9:38SPEAKER_00: And it's just a tragic irony to me.
- 9:40SPEAKER_00: She grew up.
- 9:41SPEAKER_00: She became successful.
- 9:42SPEAKER_00: She traveled the world.
- 9:43SPEAKER_00: She had a family.
- 9:44SPEAKER_01: The bullies are long gone.
- 9:45SPEAKER_00: Right.
- 9:46SPEAKER_00: But she just absorbed their role.
- 9:48SPEAKER_00: She started doing their job for them, leaving herself out of the picture.
- 9:52SPEAKER_01: It's a profound observation on how early social conditioning hardwires us.
- 9:57SPEAKER_01: The external threats disappear in adulthood,
- 10:00SPEAKER_01: but the brain doesn't turn off the scanning software.
- 10:02SPEAKER_00: It just turns inward.
- 10:04SPEAKER_01: Exactly.
- 10:04SPEAKER_01: It needs a threat to monitor.
- 10:06SPEAKER_01: So we internalize the exclusion.
- 10:07SPEAKER_01: The playground disappears, but the brain says, I must still be flawed.
- 10:12SPEAKER_00: So we decide we aren't thin enough or settled enough to be in the visual record.
- 10:17SPEAKER_00: We do the bully's job with ruthless efficiency.
- 10:20SPEAKER_01: So the question is,
- 10:21SPEAKER_01: if life is guaranteed to always have some unresolved mess,
- 10:25SPEAKER_01: how do we break this habit of self-exclusion?
- 10:27SPEAKER_00: Callas argues we have to completely redefine what confidence actually means.
- 10:32SPEAKER_01: And we desperately need to because
- 10:34SPEAKER_01: the self-help industry sells us this weaponized version of confidence.
- 10:38SPEAKER_00: Right.
- 10:38SPEAKER_00: Like it's this feeling of total invincibility,
- 10:40SPEAKER_00: looking in the mirror and genuinely believing you are flawless.
- 10:44SPEAKER_01: The eradication of all insecurity.
- 10:46SPEAKER_01: But Callas pivots away from that.
- 10:50SPEAKER_01: She redefines confidence not as a feeling, but as a decision.
- 10:54SPEAKER_00: She says it is deciding that your life is worth appearing in before you have perfected it.
- 10:59SPEAKER_01: Deciding it's worth appearing in before it's perfect.
- 11:01SPEAKER_01: It removes physical appearance from the equation entirely.
- 11:04SPEAKER_00: It's just a fundamental assertion of your right to exist.
- 11:08SPEAKER_00: And the emotional climax of the essay is how she applies this.
- 11:11SPEAKER_00: She shifts her perspective to her son.
- 11:13SPEAKER_01: Right.
- 11:13SPEAKER_01: She imagines him decades from now looking through these digital archives of his childhood.
- 11:17SPEAKER_00: And when a child looks at a photo of their mother from 20 years ago,
- 11:21SPEAKER_00: they are not inspecting her jawline.
- 11:22SPEAKER_01: No, they don't care about the five pounds you were agonizing over or the wrinkles.
- 11:26SPEAKER_01: They are utilizing a completely different set of metrics.
- 11:29SPEAKER_00: They just want to see their mother.
- 11:31SPEAKER_00: They are looking for proof of love, proof of presence.
- 11:34SPEAKER_01: And Callus admits this stings because she was physically present for all of it.
- 11:39SPEAKER_01: She was there when he first touched the ocean.
- 11:41SPEAKER_00: She was there for the quiet, magical mornings.
- 11:44SPEAKER_00: She just denied the camera permission to document it because of her own self-critique.
- 11:49SPEAKER_01: We hold ourselves to an aesthetic standard that our loved ones would never, ever apply to us.
- 11:54SPEAKER_01: And recognizing that shifts how we understand gratitude.
- 11:58SPEAKER_00: I'm so glad you brought that up because gratitude is a tricky word right now.
- 12:02SPEAKER_00: It often feels like toxic positivity, you know, like pretend the hard things aren't happening.
- 12:06SPEAKER_01: Right.
- 12:07SPEAKER_01: But that's not what she's advocating.
- 12:09SPEAKER_01: Authentic gratitude doesn't ask you to ignore the career panic or the body dysmorphia.
- 12:14SPEAKER_00: No, it's the refusal to let one difficult thing become the whole picture.
- 12:17SPEAKER_01: Exactly.
- 12:18SPEAKER_01: She can hold both truths.
- 12:20SPEAKER_01: Her professional life was a source of massive anxiety.
- 12:23SPEAKER_01: That was true.
- 12:24SPEAKER_00: But inside that same frame, her son was thriving.
- 12:27SPEAKER_00: She had built physical strength.
- 12:28SPEAKER_00: The water was warm.
- 12:29SPEAKER_01: There will perpetually be something hovering just outside the frame
- 12:33SPEAKER_01: that we are desperately trying to fix.
- 12:35SPEAKER_01: But that doesn't negate the beauty in the center of the picture.
- 12:39SPEAKER_00: So practically speaking,
- 12:41SPEAKER_00: if someone is listening to this and realizing they've been dodging the camera
- 12:44SPEAKER_00: for years, what do they do?
- 12:46SPEAKER_00: Is it just take more selfies?
- 12:49SPEAKER_01: It's an active, uncomfortable practice of reclaiming your presence.
- 12:53SPEAKER_01: It means asking someone to take the picture when you're a month postpartum
- 12:58SPEAKER_01: and operating on two hours of sleep.
- 13:00SPEAKER_00: We're taking it at 45 when your career makes absolutely no sense.
- 13:04SPEAKER_01: Yes.
- 13:04SPEAKER_01: You take it when you feel radiant and you force yourself to take it when you feel invisible.
- 13:09SPEAKER_01: And crucially, you disconnect this from social media entirely.
- 13:12SPEAKER_00: You're not taking these for an audience.
- 13:14SPEAKER_01: You're taking them for your future self.
- 13:16SPEAKER_01: Because a decade from now,
- 13:17SPEAKER_01: you'll stumble across that photograph and the perceived flaw
- 13:20SPEAKER_01: that consumed you will have evaporated.
- 13:23SPEAKER_00: You won't see the messy hair.
- 13:24SPEAKER_00: You'll see the tiny hand of the baby you were holding.
- 13:26SPEAKER_01: You'll look at the image and just think, look at that life.
- 13:29SPEAKER_01: And you will wish you had been kinder to the woman who was brave enough to live it.
- 13:33SPEAKER_00: Be kinder to the woman living it.
- 13:35SPEAKER_00: That really is the central thesis here.
- 13:37SPEAKER_00: The woman you keep waiting to become,
- 13:39SPEAKER_00: that frictionless future version, she doesn't deserve the picture.
- 13:43SPEAKER_01: No, she doesn't.
- 13:44SPEAKER_00: The woman who is already in the arena, navigating the mess of reality, she is the one.
- 13:50SPEAKER_00: Who deserves to be remembered.
- 13:51SPEAKER_00: She's earned the right to exist in the visual record of her own life.
- 13:54SPEAKER_01: Absolutely.
- 13:55SPEAKER_00: Well, a huge thank you to everyone tuning in for this deep dive.
- 13:59SPEAKER_00: The beautiful essay we explore today is I Was There Too,
- 14:03SPEAKER_00: written by Julia Callas for her platform, Just Julia.
- 14:07SPEAKER_01: It is definitely worth reading in its entirety.
- 14:10SPEAKER_00: It really is.
- 14:10SPEAKER_00: And if you want to explore more of her writing on identity,
- 14:13SPEAKER_00: motherhood,
- 14:13SPEAKER_00: and confidence,
- 14:14SPEAKER_00: the Just Julia podcast is also available right now on Substack,
- 14:18SPEAKER_00: Spotify, and Apple Podcasts.
- 14:20SPEAKER_01: As you head out into your week, we want to leave you with a final thought to mull over.
- 14:24SPEAKER_01: The next time you find yourself shrinking away from a camera lens or holding back
- 14:28SPEAKER_01: from a milestone because you aren't quote unquote ready yet, pause.
- 14:33SPEAKER_01: Ask yourself,
- 14:34SPEAKER_01: if this exact moment were a memory I was looking back on 10 years from now,
- 14:38SPEAKER_01: what beautiful thing would I realize I completely missed simply
- 14:41SPEAKER_01: because I was too busy criticizing the frame?