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Classic Interviews for Labor Day · The Breakfast Club

• 0:00
  Speaker 1: That was needed me Rihanna Morning. Everybody's DJ M v
• 0:04
  Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast club.
• 0:07
  Speaker 1: We got a special guest in the building. My man.
• 0:09
  Speaker 1: They sat Rocket signing, Man a sap. You've been taking
• 0:13
  Speaker 1: a lot of heat lately. Man, Let's get right to it.
• 0:15
  Speaker 1: It's a it's an interview floating around and basically it
• 0:18
  Speaker 1: looked like you don't care about the Black Lives Matter movement,
• 0:20
  Speaker 1: like you don't care about black people. Said, you're not
• 0:22
  Speaker 1: out Shopton, you are a side Rocky. It's really messed up.
• 0:25
  Speaker 1: I want to say, you know, come here today and
• 0:27
  Speaker 1: clear the airways for the simple fact the whole interview
• 0:31
  Speaker 1: was taking out of context. As far as but I said,
• 0:34
  Speaker 1: I feel like I felt terrible as a black man,
• 0:37
  Speaker 1: as an American. Crazy like this, speak freely, my brother.
• 0:43
  Speaker 1: I just don't understand how they keep saying a dull skin,
• 0:45
  Speaker 1: they don't like black people, you know what I'm saying, Like,
• 0:48
  Speaker 1: and it's because you do these interviews with these European reporters,
• 0:52
  Speaker 1: who journalists who want to make a name for themselves,
• 0:54
  Speaker 1: and they take out of context. You know what I mean?
• 0:56
  Speaker 1: If you read the most people who read that interview,
• 0:59
  Speaker 1: they only read that section, you know, and see what
• 1:01
  Speaker 1: they saw floating around on the blogs. I feel like,
• 1:03
  Speaker 1: for the most part, people didn't really dissect that interview.
• 1:06
  Speaker 1: You can see that that's not my context. I don't say,
• 1:09
  Speaker 1: my mates. This is the same guy that was reaching
• 1:12
  Speaker 1: asking me, yo, how many people you slept with? How
• 1:14
  Speaker 1: many girls you slept with? To get more reviews? Who knows?
• 1:20
  Speaker 1: So what are you trying to say? You got your
• 1:23
  Speaker 1: modern rappers like your favor rappers today. I don't know
• 1:26
  Speaker 1: if it's the future Drake. Anybody like you don't always
• 1:30
  Speaker 1: hear their content being about, you know, the political going
• 1:33
  Speaker 1: on all. I feel like, why put me on the
• 1:35
  Speaker 1: pedestal for that, especially when I'm not asking for that.
• 1:38
  Speaker 1: I want to make music. I want to inspire. I
• 1:40
  Speaker 1: want to promote peace because at a time like this,
• 1:43
  Speaker 1: I don't have all answers. I'm not trying to run
• 1:45
  Speaker 1: for congress. I'm not trying to run for office. I
• 1:47
  Speaker 1: don't have all answers. You know what I'm saying. I
• 1:49
  Speaker 1: want to promote prosperity, especially for black people, especially for
• 1:53
  Speaker 1: just young people, ambitious people under privilege. I'm not here
• 1:57
  Speaker 1: to talk about supremacy. I'm not here to talk about
• 1:59
  Speaker 1: who's dim and you know, I'm just I'm being in
• 2:02
  Speaker 1: London and looking at it from a different perspective. Man.
• 2:04
  Speaker 1: It's it's it's really sad because you come over here
• 2:08
  Speaker 1: and you feel it. Like before, I thought they were
• 2:10
  Speaker 1: just trying to gas it for the world to make
• 2:12
  Speaker 1: it look like America's a bunch of idiots, and this racism,
• 2:15
  Speaker 1: you know, really big, and you know, coming back here,
• 2:18
  Speaker 1: it's the truth. You could feel it energy, you could
• 2:21
  Speaker 1: feel at tension, you could feel the separation. It's why,
• 2:24
  Speaker 1: you know, a lot a lot of kids and a
• 2:26
  Speaker 1: lot of people look up to you. So I guess
• 2:27
  Speaker 1: they expect you, not just you, but the celebrities to
• 2:31
  Speaker 1: react and to say something into stand up, you know
• 2:34
  Speaker 1: for sure. And that's why I'm here today because when
• 2:37
  Speaker 1: it comes to stuff like this, I usually try to
• 2:40
  Speaker 1: you know, save it for the music or you know
• 2:42
  Speaker 1: what I mean, and or try to you know, speak
• 2:44
  Speaker 1: about it when I'm asked about it. But I think
• 2:46
  Speaker 1: I need to speak out, to speak up right now,
• 2:49
  Speaker 1: and especially coming back and seeing that that video, that
• 2:52
  Speaker 1: video with the you know the cop which one the
• 2:57
  Speaker 1: sterling one that really touched me the most because I
• 2:59
  Speaker 1: was just saying myself, you know what I mean, Like
• 3:01
  Speaker 1: we all know, I hope people don't think that I
• 3:04
  Speaker 1: feel like I'm invincible because you fitted the scripture. Now,
• 3:13
  Speaker 1: let me answer this. Do you think in that article
• 3:14
  Speaker 1: in Time Out in New York that you were misquoted
• 3:17
  Speaker 1: or you think you misspoke? I think it was a
• 3:19
  Speaker 1: mixture of both, because what I was really trying to
• 3:22
  Speaker 1: say is what I was just saying prior, like, I
• 3:24
  Speaker 1: just feel like most artists don't speak about that. And
• 3:26
  Speaker 1: when you got the journalists asking you, you know, so, well,
• 3:30
  Speaker 1: how come you didn't speak about the Baltimore riots or
• 3:33
  Speaker 1: how come you didn't speak about you know, the your
• 3:36
  Speaker 1: Fergus and stuff and all this other stuff. And it's continuous,
• 3:39
  Speaker 1: you know, question at the question you get agitated. At
• 3:42
  Speaker 1: the time, I was dealing with my best friend dying.
• 3:45
  Speaker 1: Like if if y'all noticed, every time I put out
• 3:47
  Speaker 1: an album, it's like I lose somebody, Like I lost
• 3:52
  Speaker 1: my pops with my first album. I lost Answer my
• 3:55
  Speaker 1: second album. And that's what That's what I was going
• 3:58
  Speaker 1: through at this time. That's what I was thinking about.
• 3:59
  Speaker 1: And I'm just saying like the same day that Sterling died,
• 4:03
  Speaker 1: it was like three hundred people and quote quote me
• 4:06
  Speaker 1: if I'm wrong, like that died in Siburi the same day,
• 4:08
  Speaker 1: so I bury the same day, right, And it's just
• 4:10
  Speaker 1: like perception because we could look at that day. People
• 4:13
  Speaker 1: could look at my situation and only a few people
• 4:16
  Speaker 1: that can relate. They could be like, yeah, I did
• 4:17
  Speaker 1: lose the best friend. I know what that's like to
• 4:19
  Speaker 1: have to start an establishment with somebody lose them. Blah
• 4:22
  Speaker 1: blah blah. Some people can't relate. If people hear my story,
• 4:25
  Speaker 1: they might go, oh that feel you know, really bad,
• 4:28
  Speaker 1: you know what I mean, and do make them insensitive
• 4:30
  Speaker 1: because they can't relate one hundred thousand percent. Look at
• 4:33
  Speaker 1: the people in Sibury, they probably looking at the situation
• 4:35
  Speaker 1: here like well we just lost three hundred. Yeah. It
• 4:38
  Speaker 1: basically about people's self interest, that's all. And I just
• 4:41
  Speaker 1: I just get upset. And what I was really trying
• 4:43
  Speaker 1: to say that it was like, yo, I just I
• 4:45
  Speaker 1: hate when the bandwagon stuff start. I mean, how come
• 4:49
  Speaker 1: black lives only matter when a police take them? You know,
• 4:52
  Speaker 1: a police officer takes it, and it should be like
• 4:54
  Speaker 1: black lives shit, it should matter when the when the
• 4:57
  Speaker 1: black lives take it, you know what I mean, it
• 4:58
  Speaker 1: should but you're always matter. The long lives matter. Those
• 5:01
  Speaker 1: are those are two separate issues though because of imagine
• 5:04
  Speaker 1: like you know somebody saying we can't complain about ices
• 5:06
  Speaker 1: killing Americans because Americans kill each other all the time,
• 5:09
  Speaker 1: or nobody ever says it's two different extremes, but it's
• 5:12
  Speaker 1: still didn't stay. It's hand in hand, no bro, you
• 5:14
  Speaker 1: know one one life is ingraded than the other. We
• 5:18
  Speaker 1: got more with Asap Rocky when we come back keeping locked.
• 5:20
  Speaker 1: It's the breakfast Club, Good Morning, the breakfast club that
• 5:27
  Speaker 1: was Asap Rocky fan problems Morning. Everybody's DJ m vy
• 5:31
  Speaker 1: Angela Yee. Charlomagne, the guy we all the breakfast Club
• 5:34
  Speaker 1: Asap Rocky is in the building of Charalomagne. You said
• 5:37
  Speaker 1: that every time you put out an album, you lose
• 5:38
  Speaker 1: somebody and plus you was on drugs. Do you feel
• 5:41
  Speaker 1: like you're in a very dark place when you're doing
• 5:43
  Speaker 1: these interviews so sometimes you just agree at the end
• 5:46
  Speaker 1: of the day, I kind of felt like it was
• 5:47
  Speaker 1: just a pick on me situation, and I understand why
• 5:51
  Speaker 1: people was upset, but for the most part, I think
• 5:53
  Speaker 1: people are well are knowledgeable enough to know at this
• 5:56
  Speaker 1: day and age that you can't really depict what you
• 5:58
  Speaker 1: you can't really judge more for what you see or
• 6:01
  Speaker 1: something like that, especially judging my character with me. You
• 6:03
  Speaker 1: know what I'm saying. I hate to have to be
• 6:05
  Speaker 1: on the stand, especially man. Y'all need to be proud
• 6:08
  Speaker 1: of me. Man, Like i'd have a domestic case since
• 6:11
  Speaker 1: twenty twelve. One last time you heard about me busting
• 6:13
  Speaker 1: somebody heading the bottle. I'm chilling. I don't fight nobody,
• 6:16
  Speaker 1: No more lawsuits. No, I'm trying to show another way.
• 6:19
  Speaker 1: Like the best thing that I could do is show
• 6:21
  Speaker 1: y'all how I did it and what my state of
• 6:23
  Speaker 1: mind was like in my my my mentality and my
• 6:26
  Speaker 1: train of thought. You know what I'm saying. I'm at
• 6:28
  Speaker 1: a loss for words, and I'm overwhelmed at this point.
• 6:31
  Speaker 1: But I'm not upset. I'm just really more hurt. And
• 6:35
  Speaker 1: it's not about the comments and none of that. I'm
• 6:38
  Speaker 1: just talking about like this country, how we look, how
• 6:41
  Speaker 1: we perceive this trash man. Did you didn't you lose
• 6:44
  Speaker 1: a brother that gonna violence? I did, Yes, I did.
• 6:46
  Speaker 1: My brother died on the same block. I was born
• 6:48
  Speaker 1: on one hundred and sixteenth tree in the one inside.
• 6:51
  Speaker 1: You know what I'm saying, It's like, so I understand
• 6:52
  Speaker 1: why you say, you know, why why don't we talk
• 6:54
  Speaker 1: about black on black crime. My brother was a blood
• 6:57
  Speaker 1: you know what I'm saying, Like you know, four point
• 6:59
  Speaker 1: star General Easy Ricky. That man was nothing like me,
• 7:02
  Speaker 1: but at the same time was a victim to the
• 7:04
  Speaker 1: streets because that's the path that he chose. And I
• 7:06
  Speaker 1: learned from my brother mistakes, learned from my pops, mistakes, hustling,
• 7:09
  Speaker 1: going to jail, falling off, trying to get back on,
• 7:12
  Speaker 1: take care of all his kids. I don't have no
• 7:14
  Speaker 1: kids yet. I'm trying to show you. You're so many columns, bro.
• 7:23
  Speaker 1: I just feel like at this damn age, man, the
• 7:27
  Speaker 1: mentality everybody is just they don't want to think. It's individuals.
• 7:31
  Speaker 1: And that's what I'm trying to encourage because it's that
• 7:34
  Speaker 1: individual thought process that could bring us together as a unit.
• 7:37
  Speaker 1: People got to think like individuals to come together as
• 7:40
  Speaker 1: a group. I agree with that. You did the joint
• 7:43
  Speaker 1: with Alicia Keys, the twenty three Joints twenty three Ways
• 7:46
  Speaker 1: for a Black man to dying the matter, so that
• 7:48
  Speaker 1: shows you can't show what was your way to die.
• 7:50
  Speaker 1: You said in that it's about just asking for some help,
• 7:53
  Speaker 1: man help, Yeah, qualified help. I think it was just
• 7:57
  Speaker 1: funny and coincidental that, like, you know, as soon as
• 8:00
  Speaker 1: I get back to the stage, I'm dealing with all
• 8:01
  Speaker 1: this and I see what's going on, I feel attention.
• 8:04
  Speaker 1: I decided to get involved. As soon as I decided
• 8:06
  Speaker 1: to get involved. It's like Schmian campaign. So you feel
• 8:09
  Speaker 1: like they saw you in a Elisha Keys video and
• 8:11
  Speaker 1: here like, okay, let's put this up. I don't know
• 8:13
  Speaker 1: what happened. I can only you know. Now. What about
• 8:15
  Speaker 1: the will I Am song? I see they're remaking Where
• 8:17
  Speaker 1: is the Love, like a new version of it? And
• 8:20
  Speaker 1: who so, who's on a year on it? I don't know.
• 8:22
  Speaker 1: If I don't want, I don't want to speak out
• 8:24
  Speaker 1: of the line, okay, because I was trying to get
• 8:25
  Speaker 1: some insight in from this about it, but I didn't
• 8:27
  Speaker 1: know for sure who was on it. Yeah, it's a
• 8:30
  Speaker 1: few people, I'm gonna say. Uh. I was just really
• 8:33
  Speaker 1: really honored to be on that track. We all wish that,
• 8:36
  Speaker 1: like it's like being an artist and being a lot
• 8:39
  Speaker 1: for when they made the like stevee one of Michael Jackson,
• 8:42
  Speaker 1: we all the world, we all the like, like, you know,
• 8:45
  Speaker 1: how could you not be a part of that? And
• 8:47
  Speaker 1: not just because of those names, but just because of
• 8:49
  Speaker 1: that time and with that message still for So that's
• 8:51
  Speaker 1: what I really wanted to manifest with that, Like I
• 8:53
  Speaker 1: just wanted to kind of you know, that was my contribution.
• 8:56
  Speaker 1: And like I said, you damned if you do, you
• 8:58
  Speaker 1: damnly be don't And I don't say nothing. Oh he
• 9:00
  Speaker 1: ain't on. He don't give a about nick. When I
• 9:02
  Speaker 1: do say something off, he don't really love it. So
• 9:04
  Speaker 1: it's just like you damn you do if you damned
• 9:06
  Speaker 1: if you don't. So it is what it is, you know,
• 9:08
  Speaker 1: it's back of one canceled out the other, like they
• 9:10
  Speaker 1: forget you. It was on the twenty three with Alicia
• 9:12
  Speaker 1: Keys or they don't know you're doing the empowerment song
• 9:14
  Speaker 1: and what I am? You need to stop doing print interviews. Man,
• 9:17
  Speaker 1: that was a year ago, year ago that you can see.
• 9:21
  Speaker 1: But I mean, I'm on, damn that every year your
• 9:23
  Speaker 1: favorite magazine cover, I gotta do print saying I'm a
• 9:26
  Speaker 1: model now, but you love black people. You love everybody,
• 9:28
  Speaker 1: but you do love black. I hate your black man.
• 9:36
  Speaker 1: I love my people man the death I do. I
• 9:39
  Speaker 1: love old people. It's about people, man. We gotta stop
• 9:42
  Speaker 1: suffering each other with color. Man. But at the end
• 9:44
  Speaker 1: of the day, the issues in the neighborhoods of urban
• 9:47
  Speaker 1: communities is those issues, suburban issues, suburbman issues. And they
• 9:51
  Speaker 1: might be different in extremes. I'm just saying, man, across
• 9:53
  Speaker 1: the board, it's really all about this love. Man, It's
• 9:56
  Speaker 1: all about us coming together and in tranquility and harmon.
• 10:00
  Speaker 1: It sound cliche, but man, I was just walking the
• 10:03
  Speaker 1: other day and I felt bad about this stuff I'm hearing,
• 10:05
  Speaker 1: and some girl came up to me and she I
• 10:07
  Speaker 1: thought she was psychic and she rubbed my face and
• 10:09
  Speaker 1: he was just like, don't feel bad, baby, they got
• 10:12
  Speaker 1: you all wrong, young chick. And you know what I mean,
• 10:14
  Speaker 1: gave me a hug. I was like, thank you so much.
• 10:17
  Speaker 1: You know what I'm saying. You know how much A
• 10:18
  Speaker 1: smile writing up somebody there and a hug a little
• 10:21
  Speaker 1: bit of love, so you know, special love man. I mean,
• 10:23
  Speaker 1: the one thing you want people to get from this interview,
• 10:25
  Speaker 1: what would it be? I want I want peace and
• 10:27
  Speaker 1: love man. Yeah, I said, just love man. Honestly sat
• 10:32
  Speaker 1: rocking that Rocky. It's the Breakfast Club. Good Morning, the
• 10:35
  Speaker 1: Breakfast Club that was Bryson Tiller would exchange morning. Everybody's
• 10:42
  Speaker 1: DJ mvy Angela Yee, Charlomagne the guy. We are the
• 10:45
  Speaker 1: Breakfast Club. We had a special guest and this is
• 10:48
  Speaker 1: the only guest in Breakfast club history that has ever
• 10:51
  Speaker 1: smoked up him and you kere not gonna tell Snoop Dogg. No,
• 10:57
  Speaker 1: did we get in trouble for that? No, no, no,
• 11:00
  Speaker 1: you go hey, we just had a healthy debate with drama.
• 11:04
  Speaker 1: It's Snooped the most famous rapper in the world. I said, globally.
• 11:08
  Speaker 1: He said, no, matter where you go in this world,
• 11:10
  Speaker 1: no matter who it is, race age, everybody. I said,
• 11:15
  Speaker 1: it was between you a whole. He said, you are
• 11:16
  Speaker 1: the biggest brand. I don't know, it's kind of it's
• 11:19
  Speaker 1: like an out of body experience for me. It's hard
• 11:21
  Speaker 1: for me to say because I live with me every day,
• 11:24
  Speaker 1: so I don't know who the you know, the biggest
• 11:26
  Speaker 1: rapper is globally, but I do know that when I
• 11:28
  Speaker 1: do go certain places, like it's hard to try to
• 11:31
  Speaker 1: like camouflage, the scott whatever, even baby girl up the
• 11:34
  Speaker 1: front desk. I just gave her another picture. What's her name?
• 11:41
  Speaker 1: A little something? When's the last time you've been somewhere
• 11:46
  Speaker 1: and haven't been recognized? Has that happened? See, it doesn't
• 11:50
  Speaker 1: happen on some real talk. I'm being honest with you.
• 11:52
  Speaker 1: I don't even remember the last time it's been like that.
• 11:55
  Speaker 1: I'd have been the grocery stores, churches underwater, but I
• 12:00
  Speaker 1: didn't even look this. It's a crazy it's the crazy part.
• 12:04
  Speaker 1: I didn't been and done some you know, homeless work
• 12:06
  Speaker 1: where you go down their feet, the homeless, and the
• 12:08
  Speaker 1: homeless be like snoop dog, what's happening? Dog? Like? Man,
• 12:11
  Speaker 1: how do you know me? You ain't got no TV,
• 12:12
  Speaker 1: you ain't gonna what. I don't know. I can't figure
• 12:16
  Speaker 1: it out. And you just have adjusted to this social
• 12:18
  Speaker 1: media era so well, like it's a famous meme, but
• 12:21
  Speaker 1: it got you with your head scoff on. I look
• 12:23
  Speaker 1: like somebody unto man, I don't care though one thing
• 12:27
  Speaker 1: about believe you posted. You don't when people make fun
• 12:30
  Speaker 1: of me, when they claim me and when they put
• 12:31
  Speaker 1: me in a girl body with my head on it
• 12:33
  Speaker 1: or with a rabbit. So I see it, I throw
• 12:36
  Speaker 1: it up and I like, who did this to me?
• 12:37
  Speaker 1: And I go right in a joke. So I don't
• 12:39
  Speaker 1: understand when people get offended when I do that to them.
• 12:41
  Speaker 1: When I do it to myself, it's like, it's all
• 12:43
  Speaker 1: funny games, and it's funny. It should want it should
• 12:46
  Speaker 1: be about. You know, when I got into the social
• 12:48
  Speaker 1: media game, I don't really understand it because I was like,
• 12:50
  Speaker 1: I don't really want people in my business like that,
• 12:52
  Speaker 1: because I was like, damn, I'm the type of person
• 12:53
  Speaker 1: that always go up to the fans and always do
• 12:56
  Speaker 1: this anyway, So I might as well just open up
• 12:58
  Speaker 1: and you know, let them be a part of my
• 12:59
  Speaker 1: world every day. Now, we've seen a video of you
• 13:01
  Speaker 1: and Game walking to the precinct in La. What was
• 13:03
  Speaker 1: that all about? Explaining that? Why why did you guys
• 13:06
  Speaker 1: have to felt like you had to do it? Well,
• 13:08
  Speaker 1: the morning before it happened, Game, it hit me and
• 13:10
  Speaker 1: he was like on a hundred and he was hot
• 13:13
  Speaker 1: and I was hot. We was just mad at all
• 13:15
  Speaker 1: of the violence that was happening to these innocent people
• 13:18
  Speaker 1: by the police. So you know, I was ready to
• 13:20
  Speaker 1: do whatever. So I was basically following his league because
• 13:22
  Speaker 1: I felt like it's a young man's game and he's
• 13:24
  Speaker 1: younger than me, and he's gonna take the league. I'm
• 13:26
  Speaker 1: gonna follow this soldier. When he hit me back, I
• 13:29
  Speaker 1: told him, I said, look, I don't want you to overreact.
• 13:32
  Speaker 1: I want you to think about everything that you're gonna
• 13:33
  Speaker 1: do and put a real plan together and hit me
• 13:36
  Speaker 1: when you get your plan together, and I'm with you.
• 13:38
  Speaker 1: So then he went and made a call to ferra
• 13:40
  Speaker 1: Con for three hours and did all the things he
• 13:42
  Speaker 1: had to do to prepare himself. Then he hit me
• 13:44
  Speaker 1: back at about three in the morning, was like, meet
• 13:46
  Speaker 1: me here at five in the morning. He didn't say
• 13:49
  Speaker 1: nothing else. So I'm like, I don't know what's going on.
• 13:52
  Speaker 1: So I got dressed to go to war. You look
• 13:54
  Speaker 1: like he was ready to think about this. When you
• 14:02
  Speaker 1: get the back call, Charlotte, man, you just show up.
• 14:05
  Speaker 1: He's just someone. When we be putting my shoes off
• 14:07
  Speaker 1: to I'm gonna hold on, I'll be there. I was there,
• 14:08
  Speaker 1: so when I get there, I'm fully loaded and ready
• 14:11
  Speaker 1: to go, and I'm looking around they passing our shirts
• 14:13
  Speaker 1: and everybody on piece and he got us all in
• 14:15
  Speaker 1: the circle, and he said, he said something that was
• 14:17
  Speaker 1: so deep. It's like, you know, I didn't even know
• 14:20
  Speaker 1: what I was gonna do when I came here, But
• 14:21
  Speaker 1: now and I'm looking at the spirit of everything. This
• 14:23
  Speaker 1: is what I want to do, and I want y'all
• 14:25
  Speaker 1: to follow me on this. I want us to walk
• 14:27
  Speaker 1: down to the precinct, to the precinct and reintroduce ourselves
• 14:31
  Speaker 1: to the police department and let them reach reintroduce themselves
• 14:34
  Speaker 1: to us so we can get some sort of dialogue going.
• 14:36
  Speaker 1: And we listened to him and was like, man, that
• 14:38
  Speaker 1: is that's kind of dope because we never talked to
• 14:40
  Speaker 1: the police unless it's too late. Let's get that understanding
• 14:42
  Speaker 1: right now. So while we're walking down there, police escort
• 14:45
  Speaker 1: us there. Then when we get there, come to find
• 14:48
  Speaker 1: out the new recruise a graduating right now about to
• 14:52
  Speaker 1: go hit the streets, and the matter of twenty four
• 14:53
  Speaker 1: hours and we standing outside and the Chief of Police
• 14:57
  Speaker 1: is there and the marriage there. So they hear that
• 14:59
  Speaker 1: we outside marching peacefully with the Nation of Islam orders.
• 15:03
  Speaker 1: So they send the word that the chief would love
• 15:05
  Speaker 1: to meet with me game and two other of our
• 15:07
  Speaker 1: people with the mayor behind closed doors. So we went
• 15:10
  Speaker 1: up there and talk when of them chopped it up,
• 15:12
  Speaker 1: got some understanding. Wasn't arguing, wasn't talking bad, wasn't you know,
• 15:16
  Speaker 1: down planning. We was trying to get some understanding and
• 15:19
  Speaker 1: some dialogue. They had a couple of meetings since then,
• 15:21
  Speaker 1: and it's looking like it's gonna be a great situation
• 15:23
  Speaker 1: in LA with the police in the communities because were
• 15:26
  Speaker 1: second tired of talking after the fact when we could
• 15:29
  Speaker 1: talk before the fact. But it's been going on forever,
• 15:31
  Speaker 1: especially in that later part time that police bobles with
• 15:34
  Speaker 1: the Rodney King take. But it's never been communication. And
• 15:37
  Speaker 1: one thing about LA. We have sheriffs and we have
• 15:40
  Speaker 1: police department. The Sheriff's department have minor incidents because they
• 15:46
  Speaker 1: are sent to the county jail for eighteen months as
• 15:49
  Speaker 1: a part of their training before they hit the streets.
• 15:51
  Speaker 1: The lap D don't get no communication with the streets
• 15:55
  Speaker 1: until they hit the streets, so there's a miscommunication off
• 15:57
  Speaker 1: the jump. If you're scared, you never dealt with nobody
• 15:59
  Speaker 1: from the hood. You don't know what he looked like. Hi.
• 16:01
  Speaker 1: Now you already got a different perception on you. But
• 16:03
  Speaker 1: if you've been in the county gym, You've been around him.
• 16:05
  Speaker 1: You know they laying go, they know you. It's a
• 16:07
  Speaker 1: different perspective when the sheriffs pull up. All the sheriffs
• 16:10
  Speaker 1: won't doping guns. If you ain't gotten on dope and
• 16:12
  Speaker 1: no guns, they're letting you go. They're not gonna shoot
• 16:14
  Speaker 1: you when they don't shoot you that much. When they're
• 16:16
  Speaker 1: not gonna shoot you. On GPR, the LAPD, they got
• 16:19
  Speaker 1: a different agenda. So we were trying to get that
• 16:21
  Speaker 1: understanding on let's get some different protocols so they could
• 16:24
  Speaker 1: be around these people in the community before they start
• 16:27
  Speaker 1: policing this community. All right, we got moreen stoop when
• 16:30
  Speaker 1: we come back. Snoop's in the building. The breakfast club
• 16:37
  Speaker 1: that was Drake with Controller Morning, Everybody's DJ M v
• 16:40
  Speaker 1: Angela Yee, Charlemagne the guy we are the breakfast club
• 16:44
  Speaker 1: Snoop Dog is in the building. Did you learn how
• 16:46
  Speaker 1: to de escalating stuff? Like? Probably during Like do you
• 16:49
  Speaker 1: wish you had that same mentality during the whole East
• 16:51
  Speaker 1: Coast West Coast fiasco? I think I did. At the
• 16:54
  Speaker 1: Source Award that was a perfect example of de escalation
• 16:58
  Speaker 1: because Suge Knight had an escal too. I've seen people
• 17:01
  Speaker 1: reaching for pistols and I've seen pistols in There was
• 17:04
  Speaker 1: no police security. It was all hood security. It was
• 17:07
  Speaker 1: New York versus Death Row Records at that point, and
• 17:09
  Speaker 1: my conversation on that stage brought New York to a
• 17:13
  Speaker 1: point to what they said, you know what, We're gonna
• 17:15
  Speaker 1: let y'all get out of here. To us, that looked
• 17:17
  Speaker 1: hostile when it was very hostile because it was me
• 17:20
  Speaker 1: saying that I know where I'm at. But at the
• 17:22
  Speaker 1: same time, y'all know this is a gangster rap that
• 17:25
  Speaker 1: we do. We don't just talk it, we live it.
• 17:29
  Speaker 1: So if you're really really in the mix, this is
• 17:31
  Speaker 1: what takes place in the mix. And at that time,
• 17:34
  Speaker 1: Puffy wasn't with it like that. He was making his music.
• 17:37
  Speaker 1: He wasn't what the you know, I ain't with the
• 17:39
  Speaker 1: raw rock. I'm with the music. Should was with the
• 17:41
  Speaker 1: raw rock. And it's like, you know, it was a
• 17:43
  Speaker 1: fine line because Puffy and then was my friends, but
• 17:46
  Speaker 1: I'm riding with Death Row and at the same time
• 17:48
  Speaker 1: I'm in New York's was like, if I don't say
• 17:50
  Speaker 1: the right words, we all gonna get killed. Damn. So
• 17:54
  Speaker 1: I come back and kick the buildings over because something happened,
• 17:59
  Speaker 1: because something that I ain't gonna speak on that. We
• 18:03
  Speaker 1: took that on the chin and said we'd just getting
• 18:05
  Speaker 1: back on this side, you know what I'm saying. Like,
• 18:06
  Speaker 1: when you involved into the art of war, certain losses
• 18:10
  Speaker 1: you take, certain you know, sacrifices you make. It come
• 18:14
  Speaker 1: with the territory. And we knew where it came from.
• 18:15
  Speaker 1: We knew who sent the shot, and we never had
• 18:17
  Speaker 1: a problem with him. We allowed that to happen because
• 18:20
  Speaker 1: we knew in the art of war that's what happens
• 18:22
  Speaker 1: when you you're getting busy. You gotta get, you gotta
• 18:25
  Speaker 1: take what you get, you know what I'm saying. So
• 18:26
  Speaker 1: it's like we lived through it. We survived it, We forgave,
• 18:29
  Speaker 1: and we forgot, and we moved forward. The parties that
• 18:32
  Speaker 1: was involved, we met behind closed doors and we got
• 18:35
  Speaker 1: an understand it. Yeah, I know you sent that at me.
• 18:37
  Speaker 1: That was a good shot. You missed though. I forgive you.
• 18:40
  Speaker 1: We're gonna move forward. I ain't gonna send nothing at you.
• 18:42
  Speaker 1: When you're on my side. We're gravy, We're gravy. We're good.
• 18:45
  Speaker 1: Can you tell the story about Nags man, that was
• 18:47
  Speaker 1: the first time you met Knowledge. You said, yeah, the
• 18:49
  Speaker 1: first time I met Nasty Nash. I was in a
• 18:52
  Speaker 1: gardena on a hundred and I think it was thirty
• 18:55
  Speaker 1: six thirty fifth, one of those threts and that's a
• 18:57
  Speaker 1: crip neighborhood. Yeah, shot guns. And I was out there
• 19:00
  Speaker 1: hanging tough for my own boys. And a white van
• 19:03
  Speaker 1: pulls up and it got like a bot fifteen sixteen
• 19:06
  Speaker 1: people in it. All of a sudden, door some dude
• 19:09
  Speaker 1: jump out and sweatpants is lifted up to his knee
• 19:12
  Speaker 1: with some boots on. He got on all ready running
• 19:18
  Speaker 1: right towards me. Homies is like they all drawn, they
• 19:22
  Speaker 1: from the draw down on him. I'm like, hold on, cut,
• 19:23
  Speaker 1: that's the rapper from New York. That's Nasty Nas comes.
• 19:27
  Speaker 1: So he come over to hi and he shaked my hand.
• 19:29
  Speaker 1: I'm like, h it's a pleasure to meet you, but
• 19:32
  Speaker 1: let me let you know, and you ever in La,
• 19:35
  Speaker 1: don't ever jump out with no red or no blue
• 19:37
  Speaker 1: on because you don't know what neighborhoods you in. Love one.
• 19:40
  Speaker 1: Take my number down so I'll high let you next
• 19:42
  Speaker 1: time you come to this crazy because I tell you
• 19:43
  Speaker 1: the time Nas pulled out a gun on me. I
• 19:45
  Speaker 1: rand up on nas like that. I read up on Nas.
• 19:48
  Speaker 1: I had had mixtapes in the bag. I read a
• 19:50
  Speaker 1: more him just like that. Your nos I got something
• 19:52
  Speaker 1: for you, and I was going in my bag to
• 19:54
  Speaker 1: pull it out. Not a good idea for me, I said,
• 19:58
  Speaker 1: it's a CD. Mighty guy, I said, what you got?
• 20:03
  Speaker 1: What you got for me? You used a role like
• 20:05
  Speaker 1: that at one point used had a briefcase. Yeah, all
• 20:07
  Speaker 1: that old stuff, man, Charlotta Magne. I'm peace now. What
• 20:10
  Speaker 1: I understood about about moving with the piece. When I
• 20:13
  Speaker 1: had the gun and have gun problems will travel. You
• 20:16
  Speaker 1: know what I'm saying. They say, have gun will travel,
• 20:18
  Speaker 1: have gun problems will travel. When I removed the gun
• 20:21
  Speaker 1: from my game, I had less issues because I was
• 20:23
  Speaker 1: able to finesse and able to be more strategic with
• 20:25
  Speaker 1: my conversation. When I had the gun with me, I was,
• 20:28
  Speaker 1: you know, reckless, because I had that thing, and I
• 20:30
  Speaker 1: thought that thing was, you know, just like everybody else
• 20:33
  Speaker 1: was one of them things they conversation. It is more
• 20:34
  Speaker 1: reckless when you ain't got one. You're more understanding. And
• 20:37
  Speaker 1: that's where I wanted to be. I wanted to be
• 20:39
  Speaker 1: about peace as opposed to pushing violence. And you said
• 20:42
  Speaker 1: you first smoke we with your son, right, my oldest son. Yeah, yeah, yeah,
• 20:45
  Speaker 1: we did that question there on the Breakfay Club. I think,
• 20:47
  Speaker 1: would you smoke we with the child to keep it
• 20:49
  Speaker 1: from doing it in the stream, because like I say,
• 20:51
  Speaker 1: you know, what I'm gonna give him is the righteous way.
• 20:53
  Speaker 1: I don't know what y'all gonna put in there. You
• 20:54
  Speaker 1: may lace it, you know, it may be. I don't know,
• 20:57
  Speaker 1: because it happened to me before. I've been laced with
• 20:59
  Speaker 1: some things, so I don't trust the game. So I
• 21:01
  Speaker 1: would rather get him, you know, school for me personally
• 21:04
  Speaker 1: on the understand on what is and whatnot and what
• 21:07
  Speaker 1: to do and what not to do. I think they
• 21:09
  Speaker 1: did that to you on purpose because they knew you
• 21:11
  Speaker 1: snoop and everybody want to out smoke. Let me place
• 21:13
  Speaker 1: this blood real quick, just to say I don't even
• 21:16
  Speaker 1: take blunts from people no more. You know, it used
• 21:18
  Speaker 1: to be I used to be in the crowd. I
• 21:19
  Speaker 1: used to be reckless. Man, I be in the crowd
• 21:21
  Speaker 1: and the ammy I'd be like, oh when then I
• 21:23
  Speaker 1: started looking at these people like, I don't know, I'm
• 21:28
  Speaker 1: cool I'm gonna tell you how you influenced me. Recently,
• 21:31
  Speaker 1: we were having a cookout and I was gonna make
• 21:32
  Speaker 1: some turkey franks. Oh and then my family was like,
• 21:36
  Speaker 1: you gotta see Snoop finding out what is in these
• 21:40
  Speaker 1: hot dogs? And you're not gonna eat that again. You know,
• 21:42
  Speaker 1: we threw the pack of franks out. Give me so
• 21:47
  Speaker 1: it ain't. That's the same. It's the same machine man.
• 21:50
  Speaker 1: It's nasty, man. Did you see that? You have to
• 21:54
  Speaker 1: see it. It'll make you never eat it again. I'm
• 21:55
  Speaker 1: telling you list horrible man. It's and I don't I
• 21:58
  Speaker 1: can't get in. I used to come to New or
• 22:00
  Speaker 1: my hotel. He got a hot dog man that right
• 22:03
  Speaker 1: on the corner. Me and cub Bean cool for twenty years.
• 22:06
  Speaker 1: I don't even look at him no more. I just
• 22:08
  Speaker 1: brought right past him like he like, Snoop, My hot
• 22:11
  Speaker 1: dogs are waiting for you. No. I'm good because I've
• 22:14
  Speaker 1: seen what y'all doing. I'm cool on you. DMX was
• 22:17
  Speaker 1: a few weeks ago. He ate four of them right
• 22:23
  Speaker 1: on the corner. He drink a whole bottle of Henny
• 22:27
  Speaker 1: and he was hungry that he had four hot dogs
• 22:29
  Speaker 1: to up all over the street. That's my dog right.
• 22:31
  Speaker 1: He's the only person that ever got me to drink
• 22:33
  Speaker 1: Hennessy at an award show. And I mean at an
• 22:35
  Speaker 1: award show that's on TV. Like we was at the
• 22:37
  Speaker 1: Grammys or something. He was sitting like two seats down
• 22:40
  Speaker 1: and he had a Hennessy bottle. He was just big doll.
• 22:43
  Speaker 1: You wos them. I couldn't even say no. I was like, yeah,
• 22:46
  Speaker 1: get here cuz I'm like, we're sitting up in there
• 22:48
  Speaker 1: getting drunk in the Grammys in front of all these
• 22:51
  Speaker 1: white folks with real Hennessy, no cups straight out the bottom.
• 22:54
  Speaker 1: Shout out to DMX for keeping the hood. Snoop, you
• 22:56
  Speaker 1: ain't never cared about your image in front of white folks.
• 23:01
  Speaker 1: Crazy Snoop joining us Man, Thank y'all for having me. Man.
• 23:05
  Speaker 1: It's one of my favorite shows to do, just because
• 23:07
  Speaker 1: y'all always keeping one hunting, y'all, keep it real, y'all
• 23:10
  Speaker 1: solid with me. I've done interviews with y'all individually and together,
• 23:14
  Speaker 1: and I love with y'all. Stand for a team success.
• 23:16
  Speaker 1: From glad to see y'all on a real TV network too.
• 23:19
  Speaker 1: The Breakfast Club, The Snoop Girl. Hello, that was Tory
• 23:22
  Speaker 1: Lanz with Love Morning. Everybody's DJ m vy Angela Yee,
• 23:26
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got
• 23:29
  Speaker 1: a special guest in the building. Who are I seen
• 23:31
  Speaker 1: in the hall? I said, you're coming for war? You
• 23:32
  Speaker 1: got that's that's not what you're saying. That's you and likesical.
• 23:40
  Speaker 1: He just came off the train, he said, are on
• 23:43
  Speaker 1: the champion hoodie and some Timberland. Look he about to stick.
• 23:46
  Speaker 1: Somebody said he got that. That's that's a that's a
• 23:50
  Speaker 1: that's a fair assessment. Yeah, I came out of a cab.
• 23:54
  Speaker 1: But uh so, what's been up with you? Man? On
• 23:57
  Speaker 1: the grind? Baby, just just just trying to stay relevant.
• 23:59
  Speaker 1: I've been to airy spells. Like I told him before
• 24:01
  Speaker 1: you walking out was like Airy was on everything growing buys,
• 24:06
  Speaker 1: TV shows. He was all over New York. Can find
• 24:08
  Speaker 1: him in the club. You didn't want to sacrifice to go? No, no, no,
• 24:12
  Speaker 1: it ain't got nothing to do. But I'm just kidd
• 24:13
  Speaker 1: when you say what happened? Why you why you say
• 24:15
  Speaker 1: what happened? As much as we used to. He's saying
• 24:18
  Speaker 1: you fell off airy to off an you know, it's
• 24:24
  Speaker 1: funny to me I know that's not what he's trying
• 24:26
  Speaker 1: to say, but you know, it's funny to me. It
• 24:27
  Speaker 1: ain't like cats don't say that. You know, I read
• 24:29
  Speaker 1: the Twitter. I hear what people say. But you know,
• 24:31
  Speaker 1: people lose perspective. You know, if falling off me it's
• 24:34
  Speaker 1: going on Abu Dhabi and doing one show for eighty
• 24:36
  Speaker 1: grand you know, then you wish to fall off. If
• 24:39
  Speaker 1: falling off me, he's traveling all around the country, you know,
• 24:42
  Speaker 1: going to Europe, going you know, Australia, going to Africa,
• 24:45
  Speaker 1: doing shows with a fan base, then yeah, you wish
• 24:48
  Speaker 1: it was me. You know what I'm saying. You know,
• 24:50
  Speaker 1: it's like I do my job. You know, I eat
• 24:52
  Speaker 1: for free, drink for free, I travel, damn it for free.
• 24:54
  Speaker 1: You know, go anywhere I want, get love, you know. Yeah, yeah, yeah.
• 24:59
  Speaker 1: Being famous for dude, it's like being a beautiful woman.
• 25:01
  Speaker 1: A beautiful woman. So people's people's perspective is hilarious to
• 25:05
  Speaker 1: me when they say fall off, because it's like, look,
• 25:07
  Speaker 1: if you could have my life based on what you do,
• 25:10
  Speaker 1: and it ain't about trying to be braggadocious or nothing,
• 25:12
  Speaker 1: but it's like, look, I can make it one weekend
• 25:14
  Speaker 1: with you're making a year, you know what I'm saying.
• 25:16
  Speaker 1: So when people say, yo, you're falling off, it's like
• 25:18
  Speaker 1: if I fell often where you at? Do you think
• 25:20
  Speaker 1: times have changed as far as being able to be
• 25:23
  Speaker 1: the Paul Mooney type? I guess being able to speak
• 25:25
  Speaker 1: your mind because of social media and uh, you know what.
• 25:28
  Speaker 1: Not really you would think that it has, but not really. Uh,
• 25:32
  Speaker 1: you know, And and I'm trying to I'm trying to
• 25:34
  Speaker 1: learn a little bit and hold back a little bit
• 25:36
  Speaker 1: more because I know some of the things I say
• 25:37
  Speaker 1: can sometimes be off putting or shocking. Uh, But you know,
• 25:42
  Speaker 1: I'm trying to figure it out. You know, people think
• 25:44
  Speaker 1: that me and Kevin Hart really had a beef. There
• 25:46
  Speaker 1: is no beef. How you gonna be for somebody that huge?
• 25:48
  Speaker 1: You know, I never had a beef. I had an opinion,
• 25:52
  Speaker 1: you know, I was just simply saying that. You know.
• 25:54
  Speaker 1: It's almost like every comedian we always have the intention
• 25:57
  Speaker 1: of when we come out with a new joke, we
• 25:59
  Speaker 1: want that to be a home run out of the
• 26:01
  Speaker 1: park grand slam. That's your intention, But it don't always
• 26:04
  Speaker 1: work out like that. Sometimes it do, sometimes it don't.
• 26:07
  Speaker 1: So if your intention is to be up here and
• 26:09
  Speaker 1: you somewhere in here. You gotta part me. You gotta
• 26:12
  Speaker 1: work it and craft it till you get it to
• 26:14
  Speaker 1: that point. And sometimes all it takes is a word,
• 26:17
  Speaker 1: a phrase, a physical movement, a little something extra to
• 26:22
  Speaker 1: take you from here to hear. And if somebody gives
• 26:24
  Speaker 1: you the ingredient whatever that is to go from here
• 26:28
  Speaker 1: to hear, how do you claim genius? Because if your
• 26:31
  Speaker 1: bitch starts out like this, knowing you wanted to be here,
• 26:34
  Speaker 1: then you get it here to go. Yo, that's genius.
• 26:36
  Speaker 1: It was brilliant, okay, but before it was brilliant, where
• 26:39
  Speaker 1: did you get that to take it to the top.
• 26:40
  Speaker 1: So basically I'm just saying, yeah, you got you. You
• 26:43
  Speaker 1: know when you got somebody that can help give you
• 26:45
  Speaker 1: that last you make a gumbo and you go something's missing.
• 26:48
  Speaker 1: Doesn't every comedian to have a writer or no, every
• 26:51
  Speaker 1: commedian doesn't. You might have writers for TV show or movie,
• 26:54
  Speaker 1: but no, not every comic for stand up. Same thing
• 27:00
  Speaker 1: it stand up. It's stand up, so many of it.
• 27:02
  Speaker 1: If you look at a lot of comedy specials, at
• 27:04
  Speaker 1: the end of it, when you look at the credits,
• 27:05
  Speaker 1: it says written and produced by and nine times out
• 27:08
  Speaker 1: of ten is one name every nine and then year
• 27:11
  Speaker 1: you might get somebody would a written by two people,
• 27:13
  Speaker 1: or usually it's one name, one author. That's it. It's
• 27:17
  Speaker 1: my thing with comedians, right like every comedian has to
• 27:19
  Speaker 1: mention Kevin Hard in some way and it's never like
• 27:21
  Speaker 1: a flattering thing. And I always wonder why, Well, first,
• 27:24
  Speaker 1: I've always started off immediately by going, yo, Kevin Hard
• 27:28
  Speaker 1: is so legit as a talent, nooys, you know what
• 27:32
  Speaker 1: I mean. So I never said he wasn't funny. The
• 27:34
  Speaker 1: boy is the truth. I'm just saying, as far as
• 27:38
  Speaker 1: stand up goes, it's real hard to come out with
• 27:41
  Speaker 1: a banging hour that consistently. And I understand, you know,
• 27:45
  Speaker 1: he says I work hard and all that, and I
• 27:47
  Speaker 1: get that and I respected. But again, if you got
• 27:49
  Speaker 1: somebody telling you, hey, man, that joke you just did
• 27:53
  Speaker 1: say this instead, and that that's the difference between one
• 27:56
  Speaker 1: and ten, maybe Kevin's just that good. You're getting one
• 27:59
  Speaker 1: sense as far as being able to deliver an hour
• 28:02
  Speaker 1: every year written by himself or him Yeah, maybe because
• 28:06
  Speaker 1: you got to thinkink about how much he's on the
• 28:07
  Speaker 1: road and how much he travels all the different place
• 28:09
  Speaker 1: he goes. He's got a lot of material to draw
• 28:10
  Speaker 1: and a lot of that saff It's from his own
• 28:12
  Speaker 1: life too, like his family and his kids. Like he said,
• 28:14
  Speaker 1: he doesn't really get into politics, right and things like
• 28:16
  Speaker 1: that too much. He talks more about his family. God
• 28:20
  Speaker 1: bless him, God bless him. I just it was my opinion.
• 28:23
  Speaker 1: You said you would, you would, Cap have no problems
• 28:24
  Speaker 1: and he's launching is a comic network. Would you do
• 28:27
  Speaker 1: something on this coming? He said it specifically, he would,
• 28:29
  Speaker 1: he would have you absolutely listen, Man, if the money right,
• 28:32
  Speaker 1: I'm there, you know, And like I said, there never
• 28:35
  Speaker 1: was any beast. It's a shame now that you can't
• 28:38
  Speaker 1: say something about somebody an opinion and people run with it,
• 28:42
  Speaker 1: like you know, it's blasphemy. You know what I think
• 28:44
  Speaker 1: it is because your respective comic also and it gets
• 28:47
  Speaker 1: it holds more weight, anything holds more weight when you
• 28:49
  Speaker 1: said then when somebody on Twitter says something right, I
• 28:51
  Speaker 1: think people just look for drama. We got more with
• 28:54
  Speaker 1: Arie Spears. When we come back. Now he's kind of
• 28:56
  Speaker 1: been blackballed in the industry. We'll talk about it when
• 28:58
  Speaker 1: we come back. Don't go any where. It's a Breakfast
• 29:01
  Speaker 1: Local Morning. That was for free. DJ Kalett Drake Morning.
• 29:05
  Speaker 1: Everybody is DJ m vy Angela Yee, Charlemagne the God.
• 29:09
  Speaker 1: We are the breakfast Club. Now we have comedian from
• 29:12
  Speaker 1: Mad TV Airy Spears in the building. Why do most
• 29:15
  Speaker 1: comedians have such a dark There's this perception of comics
• 29:19
  Speaker 1: being happy and telling jokes on stage, but in real
• 29:21
  Speaker 1: life they're like, you know, you know what makes me
• 29:23
  Speaker 1: miserable and depresses this business because it's not what it
• 29:26
  Speaker 1: should be. You know, I got into this thinking it
• 29:29
  Speaker 1: was it was about your talent. You did your thing
• 29:31
  Speaker 1: and the next thing boom. This stuff is so political,
• 29:34
  Speaker 1: it's so political, it's so racist like this, this this
• 29:37
  Speaker 1: business is dirty. Yeah, you was in a different world.
• 29:40
  Speaker 1: You didn't Mad TVA many special def Comedy Jym, you
• 29:43
  Speaker 1: weren't there. I don't you know what it's that That
• 29:46
  Speaker 1: might be easy to say from the outside looking in,
• 29:48
  Speaker 1: but I'm telling you it's it's so many pitfalls and
• 29:52
  Speaker 1: dirtiness to this. It's unreal. What happened? Did they did
• 29:55
  Speaker 1: you invite you to Illuminati meeting? Or did you not imed? Somebody?
• 29:58
  Speaker 1: You in a room? And I'm gonna get example, like
• 30:01
  Speaker 1: the girl that does the mother on Family Guy. Alex Bornstein,
• 30:05
  Speaker 1: she was on Mad TV. She did miss Swan, one
• 30:08
  Speaker 1: of the most racist c words I've ever been around. Like, yeah,
• 30:12
  Speaker 1: me and Debor was in the makeup room one day,
• 30:14
  Speaker 1: and you know, me and deborl like brother and sister.
• 30:16
  Speaker 1: Well our chemistry was there. And one day we're just
• 30:19
  Speaker 1: sitting around waiting to shoot. So Alex just starts looking
• 30:22
  Speaker 1: at her fingernails and she keeps rubbing her fingernails and
• 30:25
  Speaker 1: and uh, Debor used to date Pat Hillbay, the white
• 30:27
  Speaker 1: boy on the show. So she goes, oh my god, Pat,
• 30:31
  Speaker 1: I got all this black dirt under my fingernails, Like
• 30:33
  Speaker 1: I was raped by an N word, and I got
• 30:35
  Speaker 1: the evidence to prove it. So me and Debora took
• 30:37
  Speaker 1: offense to that, so you know, we complained to the right.
• 30:41
  Speaker 1: So yeah, so we complained to the producers about it,
• 30:44
  Speaker 1: and turn out the producers was like Arias and Deborah
• 30:47
  Speaker 1: making trouble and we got singled out for being troublemakers.
• 30:51
  Speaker 1: We was troublemakers for being insulted. Then somebody said that,
• 30:55
  Speaker 1: I mean, how do you you know what I'm saying? Like,
• 30:56
  Speaker 1: how you blame the victim how you blame the rape,
• 31:00
  Speaker 1: you know what I mean? And and so it's like,
• 31:01
  Speaker 1: and that's the kind of thing, this kind of thing
• 31:03
  Speaker 1: Hollywood is. You gotta it's so political and so racial.
• 31:06
  Speaker 1: You gotta watch where you step, you gotta watch what
• 31:08
  Speaker 1: you say, because all of it it's crazy. At one
• 31:10
  Speaker 1: point there had to be at least one moment where
• 31:12
  Speaker 1: you knew, all right, they ain't rocking with me, like
• 31:16
  Speaker 1: whether there's something in a meeting or something you're talking to.
• 31:19
  Speaker 1: I just to be honest, man, I felt like that
• 31:21
  Speaker 1: for the last couple of years. I truly believe to
• 31:23
  Speaker 1: some extent, whether it's true or not, or whether I
• 31:26
  Speaker 1: have I don't have any actual evidence of it, but
• 31:28
  Speaker 1: I just something I believe. I'm black ball, man. But
• 31:30
  Speaker 1: what I just just because there's a stigma. You know,
• 31:34
  Speaker 1: my managers even told me he goes well, you know,
• 31:36
  Speaker 1: people would go, yeah, he's talented, but it ain't worth
• 31:38
  Speaker 1: the trouble. We heard he's this, we heard he's that.
• 31:40
  Speaker 1: That's true to people always say you have a bad attitude.
• 31:42
  Speaker 1: So I wonder, do you think is there anything that
• 31:44
  Speaker 1: makes you say it could be me? Uh? Yeah, I
• 31:47
  Speaker 1: just just I should smile more you know I shouldn't interact.
• 31:50
  Speaker 1: I look like the Mahosia Dean. If I don't smile,
• 31:53
  Speaker 1: it looks serious smiling that hoodie, I'm walking another way. Well, listen, man,
• 31:57
  Speaker 1: I'm gonna be honestly, I was. I ain't gonna gonna lie.
• 32:00
  Speaker 1: I was slightly intimidated coming here because I again perception
• 32:04
  Speaker 1: from what I heard about Charlemagne and the way he
• 32:06
  Speaker 1: people say he is. I didn't know if I'm gonna
• 32:09
  Speaker 1: come to the studio, He's gonna try and test me.
• 32:11
  Speaker 1: That's terrible. That's a terrible perception. I've never been never
• 32:15
  Speaker 1: heard that. Oh no, I hear that all the time,
• 32:16
  Speaker 1: but I never do that before you watch any city
• 32:18
  Speaker 1: want to make you cry today, No, I'm just kidding now,
• 32:22
  Speaker 1: Kem Peel, because you talked about Mad TV only being
• 32:24
  Speaker 1: like the Farm League or whatever. But Kim Bill went
• 32:27
  Speaker 1: on the tremendous success. And it's funny because you, to me,
• 32:29
  Speaker 1: was the face of that show more than CAMPI well
• 32:31
  Speaker 1: one Key and Peel got on when the Titanic was sinking,
• 32:33
  Speaker 1: when the show was at the apex of its success
• 32:36
  Speaker 1: and its popularity. They weren't on once Will left, Mo
• 32:39
  Speaker 1: left Deborah and a lot of the people that helped
• 32:41
  Speaker 1: define the show. During that time period, the Titanic was sinking.
• 32:44
  Speaker 1: The writing, wasn't it strong? The cast wasn't it strong? Uh?
• 32:48
  Speaker 1: And I think more than popularity came from their own
• 32:50
  Speaker 1: sketch show, Kim Peel Show, than it did Mad TV.
• 32:54
  Speaker 1: And again God bless him. But and again that's another
• 32:56
  Speaker 1: thing I caught flat four. Uh, you said that can
• 32:59
  Speaker 1: Peel were chosen by the black community. Black people like
• 33:02
  Speaker 1: to go, well, what's being black? Well, I gotta talk
• 33:05
  Speaker 1: with ghetto and slang and act ignorant essence. There's a vibe.
• 33:08
  Speaker 1: Black people have a natural cool, a natural swagger. When
• 33:11
  Speaker 1: a dog come in the room, smell another dog. You
• 33:14
  Speaker 1: know what I'm saying. It's like brothers that are black
• 33:16
  Speaker 1: on the outside, but you could you could tell you
• 33:18
  Speaker 1: could you smell something ain't right? They ain't got that.
• 33:22
  Speaker 1: Something's missing in the gumboat. I don't know if you
• 33:24
  Speaker 1: articulated well enough for people don't understand. But I get
• 33:26
  Speaker 1: exactly what you're saying when you say that. What I'm
• 33:28
  Speaker 1: saying like like like you said, exactly what you mean
• 33:30
  Speaker 1: when you say they seem like people. I went to
• 33:33
  Speaker 1: college with you know what I'm saying, it's just a
• 33:35
  Speaker 1: different type of Listen, will will Smith is educated and
• 33:39
  Speaker 1: as articulate and as bright as any congressman or president
• 33:44
  Speaker 1: or scholar. But he's but he's a brother, DMX. But
• 33:49
  Speaker 1: but DMX, it's gutta gully razor in the mouth while
• 33:53
  Speaker 1: he talked to you, and he's a brother. Now they
• 33:55
  Speaker 1: two different kind of I'm saying, one's the Huckstables, one's
• 33:59
  Speaker 1: good Times. But they both legitimately black camp people don't
• 34:02
  Speaker 1: have no they don't black core. They don't like you know,
• 34:05
  Speaker 1: like even I got a black core. Dave Chappelle had
• 34:09
  Speaker 1: a black core right right, Listen, I'm not saying just
• 34:11
  Speaker 1: because you black dude with a white woman, uh you
• 34:15
  Speaker 1: not black, but most black dudes with white women don't
• 34:20
  Speaker 1: tend to be in touch with who they are, and
• 34:22
  Speaker 1: the ones that are usually have white women that want
• 34:25
  Speaker 1: to be nick. Nate Parker would disagree with you, right.
• 34:27
  Speaker 1: He made a movie about that. Turner and he has
• 34:29
  Speaker 1: a white wife. Were making a movie and being who
• 34:32
  Speaker 1: you really are two different things. We just talked about
• 34:34
  Speaker 1: that I could make a movie being a semi homosexual
• 34:36
  Speaker 1: that don't mean, I'm homosexual. So just because you make
• 34:39
  Speaker 1: a movie on racism, don't mean you send my homosexual.
• 34:44
  Speaker 1: We're gonna leave it there. What is this all? What
• 34:51
  Speaker 1: is this? Yeah? Yeah, you know what I mean? Man,
• 34:58
  Speaker 1: the spend Breakfast Club, thank you. That was Bryson until
• 35:04
  Speaker 1: it with Dope Morning. Everybody is DJ Envy, Angela, Ye,
• 35:07
  Speaker 1: Charlemagne the guy. We are the breakfast tapping battles. We
• 35:11
  Speaker 1: got a special gust in the building who left Angela
• 35:14
  Speaker 1: and nice little love letter the other day. You're shooting
• 35:16
  Speaker 1: your shot, bro. He was just saying something nice, something
• 35:19
  Speaker 1: that y'all men need to learn from. So cool. It
• 35:21
  Speaker 1: was like, hey, babe, you look beautiful. Just made you
• 35:24
  Speaker 1: wear what you wore the other night. You know your baby.
• 35:30
  Speaker 1: It was it was like, yo, you a sexual mother.
• 35:31
  Speaker 1: Just want you to know that I'm get a loan
• 35:33
  Speaker 1: those sweet Yeah when you wake up in the morning,
• 35:36
  Speaker 1: y'all stuck it to a computer, which you mean mine
• 35:38
  Speaker 1: was better when he left you a not too talking
• 35:40
  Speaker 1: about talking about George better and I got him a gift,
• 35:45
  Speaker 1: you know, because it's new. You don't play in the show.
• 35:48
  Speaker 1: I was nobody wanted to take the shot. I was
• 35:50
  Speaker 1: like y y'all gonna take I'm like, y y'all gonna
• 35:52
  Speaker 1: take a shot of me. Everybody stays silent except Angela.
• 35:54
  Speaker 1: She was the only one that was ready to party. Said, yeah,
• 35:57
  Speaker 1: I went on the cup. You was just taking. Okay,
• 35:59
  Speaker 1: he needs congrats. When I told you, thank you so much. Now,
• 36:02
  Speaker 1: I was calling you Drake like you know for a minute,
• 36:05
  Speaker 1: and you were calling him. Well, I didn't. I still
• 36:09
  Speaker 1: don't know the difference sometimes, but the album is good.
• 36:13
  Speaker 1: But it sounds like you ain't developed your own sound yet. Bro.
• 36:16
  Speaker 1: You feel that like you sound like Trade. Sometimes you
• 36:18
  Speaker 1: sound like Fatty Wop on some records like well you
• 36:21
  Speaker 1: think that is who else? Probably just Fretti, Fattie Trade,
• 36:25
  Speaker 1: Freddie Trade. And I think there was a one song
• 36:28
  Speaker 1: that people were saying, this sounds reminiscent of Fatty Wapp. Okay,
• 36:32
  Speaker 1: but I don't know about the whole album, Nicole hard Love,
• 36:34
  Speaker 1: I like it. It sounds like Trade though. Okay, No,
• 36:41
  Speaker 1: but the album has gotten a really great reception. I
• 36:43
  Speaker 1: know I was jamming to it as well. So thank
• 36:46
  Speaker 1: you so much, and think and thank you to everybody
• 36:48
  Speaker 1: who purchased the album, whether or not it was like
• 36:51
  Speaker 1: you know, hard copy or online or streaming. Yeah, you know,
• 36:55
  Speaker 1: I'm just thankful to be at this point of my
• 36:57
  Speaker 1: life in my career. I've always wanted to drop an album.
• 36:59
  Speaker 1: So the fact that anybody has anything to say about it,
• 37:02
  Speaker 1: it just makes me happy, you know. And you have
• 37:05
  Speaker 1: three songs that are pretty big from off the album already,
• 37:07
  Speaker 1: which a lot of artists will never see, you know,
• 37:09
  Speaker 1: too successful at least. I would like to say the
• 37:11
  Speaker 1: second one is you know, on waited, you know success.
• 37:14
  Speaker 1: I like to say I have two successful singles right
• 37:16
  Speaker 1: now that I personally I'm proud of, and you know,
• 37:18
  Speaker 1: I'm just happy, like you said that they came from
• 37:20
  Speaker 1: the album and that you know, this pushes the album
• 37:23
  Speaker 1: and things of that nature that I have been a
• 37:24
  Speaker 1: fan of nineties music of course, could just say it.
• 37:27
  Speaker 1: And then the everybody fall in Love some time definitely, yeah,
• 37:30
  Speaker 1: definitely everything. And that's that Toronto influence too, for sure,
• 37:33
  Speaker 1: that we're sending that Beijing. You know, we go to
• 37:36
  Speaker 1: the because like you know, we we we grew up
• 37:37
  Speaker 1: in like the culture of going to the basement jam,
• 37:41
  Speaker 1: you know what I mean, all the parties. Why we
• 37:44
  Speaker 1: like the well, I don't know how it was. Yeah,
• 37:47
  Speaker 1: we was like the we was like the we felt
• 37:49
  Speaker 1: like we liked the home of that, like you know,
• 37:50
  Speaker 1: because like that's where Yeah, like that's how how it
• 37:52
  Speaker 1: always went in the North. It's like you always had
• 37:54
  Speaker 1: a basement in your house or something like that, and
• 37:56
  Speaker 1: that's where all the parties would be inside the house. So,
• 37:58
  Speaker 1: um no, definitely round a lot. You were in Texas.
• 38:04
  Speaker 1: You were in a lot of different places in the
• 38:05
  Speaker 1: US as well. Yeah, yeah, definitely, But I was in
• 38:07
  Speaker 1: Texas like a little bit later, Like I'm talking about
• 38:10
  Speaker 1: when I was like in high school and stuff like that.
• 38:12
  Speaker 1: That's when we were going to the jams and like,
• 38:14
  Speaker 1: you know, because my wife heard the love joint and
• 38:16
  Speaker 1: controller joint and she was like that west Ending he
• 38:19
  Speaker 1: was like he could pull that off without being true
• 38:22
  Speaker 1: west In. He's like, she's Jamaica's He was like, he
• 38:25
  Speaker 1: has to be true Weston because somebody that's not west
• 38:28
  Speaker 1: Ending and tried to do that pass but never said definitely.
• 38:30
  Speaker 1: Now I'm I'm I'm actually Besian. I'm just Jamaican by association,
• 38:34
  Speaker 1: and he's Besian to like, you know, oh, he's just
• 38:41
  Speaker 1: now I'm Besian, Like um uh, like my dad is
• 38:45
  Speaker 1: is Besian and my mom is technically from Guyana, but
• 38:48
  Speaker 1: she she's from a Dutch country, So I'm Dutch. Uh
• 38:51
  Speaker 1: carousales from out whatever? Now, how to say it blow?
• 38:54
  Speaker 1: Because you know, say it was a record that caught
• 38:56
  Speaker 1: fast nationally. It seemed like there was a lot of
• 38:58
  Speaker 1: money behind him because before we knew your name and
• 39:00
  Speaker 1: before we knew your face, the record came in. The
• 39:03
  Speaker 1: thing about that record was that was just the first
• 39:05
  Speaker 1: time that I finally had got to push from like
• 39:09
  Speaker 1: from like a major standpoint, like I was putting out
• 39:12
  Speaker 1: records like this from time. I want to say, like
• 39:15
  Speaker 1: if you go back into the old records, like you
• 39:18
  Speaker 1: go back to records like TLC that I had on
• 39:20
  Speaker 1: the Chicks tape too, it's the same effect, you know
• 39:23
  Speaker 1: what I mean. It's just like the records just kind
• 39:26
  Speaker 1: of went over people's head because nobody knew me, but
• 39:28
  Speaker 1: that that baldy, because they knew your record, but not
• 39:30
  Speaker 1: your face or your name, maybe saying nobody knows what
• 39:32
  Speaker 1: you look like. No he's but no, no, no, before
• 39:35
  Speaker 1: they but honestly, his record bigger than his face. We'll see.
• 39:39
  Speaker 1: Now it's a little different, I guess because I guess
• 39:43
  Speaker 1: he's not lying though, because before, before this moment, now
• 39:47
  Speaker 1: it was exactly like that. Now it's like, I go anyway,
• 39:49
  Speaker 1: if you're blackie, you just knew me, like or if
• 39:52
  Speaker 1: you're like, uh, some type of somebody who looks like
• 39:54
  Speaker 1: you listen to hip hop or music or some sort
• 39:56
  Speaker 1: you you know me randomly. Um, But it's like beforehand,
• 40:00
  Speaker 1: it was that exact problem. But I think my problem
• 40:03
  Speaker 1: was I would never shot videos for the right songs,
• 40:05
  Speaker 1: or I never was consistent with my visual base because
• 40:09
  Speaker 1: I'm such a picky guy. I take more into the
• 40:12
  Speaker 1: pride of it, so I can't just do videos like
• 40:14
  Speaker 1: this in post and standing in the corner, because that's
• 40:16
  Speaker 1: just not my way. You know, I care more so.
• 40:19
  Speaker 1: I think that was the problem back then, But now
• 40:20
  Speaker 1: you know, I'm on my Oh the girls think I'm
• 40:23
  Speaker 1: pretty all right. We got more with Tory Lanz when
• 40:25
  Speaker 1: we come back. We'll also find out why he did
• 40:27
  Speaker 1: Drake controller record over keep it lock this Brekfast Club,
• 40:30
  Speaker 1: Good Morning. That was Drake One Dance Morning Everybody. It's
• 40:34
  Speaker 1: DJ M v Angela Yee, Charlomagne the God. We all
• 40:37
  Speaker 1: the Breakfast Club. Tory Lanes is in the building. His
• 40:40
  Speaker 1: new albums out right now? What made you do Drake's
• 40:43
  Speaker 1: Controller over? I like the song We're you surprised at
• 40:46
  Speaker 1: Jack Move. We're surprised at the feedback of Controller because
• 40:50
  Speaker 1: it's it's one of the biggest records in the club.
• 40:53
  Speaker 1: But they like it better than the original version. Oh wow,
• 40:57
  Speaker 1: that's great man, not man for me personally, Like, you know,
• 40:59
  Speaker 1: we treat the Beast like it's like it's like a
• 41:01
  Speaker 1: y'all thing. Like you treat the Beast like rhythms, like
• 41:04
  Speaker 1: you know, you hop on them and if you do
• 41:06
  Speaker 1: your thing. But I know at one point you wasn't
• 41:08
  Speaker 1: trying to talk hop on. I got the keys that
• 41:09
  Speaker 1: day too, and I bodied that too. But it's just
• 41:11
  Speaker 1: I guess people just reacted to them. But you said
• 41:14
  Speaker 1: you didn't want to talk about Drake because you want
• 41:16
  Speaker 1: to do. I mean, I just feel like I feel
• 41:18
  Speaker 1: like the media kind of makes it such a thing
• 41:21
  Speaker 1: to the point where it's like they just want me
• 41:23
  Speaker 1: to feed into it at every point and it's just
• 41:24
  Speaker 1: not what it is. You know, I kind of do
• 41:26
  Speaker 1: it on your own. I mean, I feel you have
• 41:28
  Speaker 1: a video when we're really out here in Philly, real Toronto.
• 41:34
  Speaker 1: Did you get out here in Philly the other guys?
• 41:36
  Speaker 1: You know what I'm saying. I need know what we
• 41:37
  Speaker 1: really be out here. You were like you, I'm gonna Philly.
• 41:40
  Speaker 1: You're nice. Try buddies, you did that nice try If
• 41:45
  Speaker 1: you did it? No, No, but I know what we're
• 41:48
  Speaker 1: doing it. We're trying to sleek into this subject. We're
• 41:50
  Speaker 1: not gonna do that. We had to talk about that.
• 41:52
  Speaker 1: I told you that's out now. Would never bring it
• 41:54
  Speaker 1: up if you didn't do stuff like that. And I
• 41:56
  Speaker 1: feel you, but I told you it's out now. You
• 41:57
  Speaker 1: have a lot of artists support too. On your side.
• 42:00
  Speaker 1: I saw a lot of artists, um, you know, promoting
• 42:02
  Speaker 1: the album like I saw Rick Ross, Meek Mel, I
• 42:05
  Speaker 1: saw I push your t a lot of other artists.
• 42:07
  Speaker 1: Are these people that you have personal relationships friendships with
• 42:10
  Speaker 1: or is it just honestly yeah, I mean no, honestly, Um,
• 42:14
  Speaker 1: I try to send music to everybody. I make hooks
• 42:17
  Speaker 1: and stuff and I write you know, so you know,
• 42:19
  Speaker 1: people have heard about me either through those weird ways
• 42:22
  Speaker 1: or we've met each other in person, and it's always
• 42:24
  Speaker 1: been loved. I'm just happy for anybody who did you
• 42:27
  Speaker 1: know post the album, and you know, especially all MMG guys, yeah, radomly,
• 42:31
  Speaker 1: they all just did it. The reason why they did that,
• 42:34
  Speaker 1: I don't think so. I mean, while I know personally
• 42:36
  Speaker 1: toward him beforehand, and he saw me before all, this
• 42:40
  Speaker 1: has just been my man's from long time. I've been
• 42:43
  Speaker 1: making music with me since the Swavy mixtape, which is
• 42:46
  Speaker 1: like seven mixtapes ago and ross. I just met him randomly,
• 42:50
  Speaker 1: and I think the reason why he may have posted
• 42:51
  Speaker 1: my album was because randomly, like the first time I
• 42:54
  Speaker 1: really actually met him, we was in Miami. I don't
• 42:57
  Speaker 1: know how. I randomly had the album in the car
• 43:00
  Speaker 1: that I was just in, so I was randomly listening
• 43:02
  Speaker 1: to him when he walked out of studio between three
• 43:04
  Speaker 1: women and someone was like, yo, this story just rows.
• 43:06
  Speaker 1: And we met each other and he was like, anything
• 43:08
  Speaker 1: you need, I got you. But I think it was
• 43:10
  Speaker 1: off the level of you had mine and support choice.
• 43:13
  Speaker 1: You know, I don't think it was a calculation or
• 43:15
  Speaker 1: something like that. Let's talk about your goon days because
• 43:18
  Speaker 1: I'm listening to the album you used to be going
• 43:20
  Speaker 1: and you broke into somebody's house. I mean, when I
• 43:24
  Speaker 1: don't want to sit there and talk about exacting details,
• 43:27
  Speaker 1: but you did on that album. Yeah. But see that's
• 43:29
  Speaker 1: the thing. That's why you should cop the album because
• 43:31
  Speaker 1: the album has, you know, stories that I wouldn't necessarily
• 43:35
  Speaker 1: come in an interview and just talk about, because here's
• 43:37
  Speaker 1: not things to gloat about, you know. My whole thing
• 43:39
  Speaker 1: of course, and that's that's the change, and that's the
• 43:42
  Speaker 1: whole point of the album, you know, ums is to
• 43:46
  Speaker 1: show people from where we came. And that's the thing
• 43:49
  Speaker 1: like a lot of people have and I think that
• 43:51
  Speaker 1: I think that's about like, you know, even a lot
• 43:53
  Speaker 1: of my other interviews, a lot of people had this
• 43:55
  Speaker 1: misconception about Canada and about Toronto. Like it's just like
• 43:58
  Speaker 1: what you mean, misconception because people and I do soon,
• 44:02
  Speaker 1: you know what I mean. But I think people have
• 44:04
  Speaker 1: a misconception of how rough it is out there for
• 44:07
  Speaker 1: us when we grow up, and the things in the
• 44:09
  Speaker 1: politics that we still deal with that people don't think
• 44:11
  Speaker 1: we deal with, you know. But I'm not here to
• 44:14
  Speaker 1: you know, greasy up Canada. No, it's not what I'm
• 44:17
  Speaker 1: here to do. But I am here to tell the
• 44:19
  Speaker 1: real stories and to talk the stories that we go
• 44:22
  Speaker 1: through as young men in Canada, you know, most men
• 44:25
  Speaker 1: I know love Toronto, especially because of the women. That's
• 44:28
  Speaker 1: because they're going downtown. They're having a great time. They're
• 44:31
  Speaker 1: going outtown party and at nice clubs and doing great things.
• 44:34
  Speaker 1: But when we're growing up, we're not doing that. Like
• 44:36
  Speaker 1: we're not in any of those clubs, and we're definitely
• 44:38
  Speaker 1: not downtown in the inner city. That's just not what
• 44:41
  Speaker 1: we're doing. Like, you know what I mean, you're in
• 44:43
  Speaker 1: your own neighborhood and you're pushing back and you're in
• 44:46
  Speaker 1: you know what I mean, and you go through what
• 44:48
  Speaker 1: you go through in the city so small that there's
• 44:50
  Speaker 1: just no escaping anything. So at this point, it's like
• 44:53
  Speaker 1: all the young young kids, I'm who they look up to,
• 44:57
  Speaker 1: you know, I'm the person that they look up to
• 44:58
  Speaker 1: say to yo, I see him. I was out there
• 45:01
  Speaker 1: and saw him. I remember when you didn't have that rain,
• 45:03
  Speaker 1: that watch that bracelet, you know. But but for real,
• 45:07
  Speaker 1: people feel like that, like I remember when he was
• 45:10
  Speaker 1: sleeping on my couch. A lot of couches, A lot
• 45:16
  Speaker 1: of couches, man, a lot of back seats, a lot
• 45:18
  Speaker 1: of like yo, now I really talk like like I
• 45:21
  Speaker 1: lived in a lot of cars and I sucked on
• 45:23
  Speaker 1: a lot of couches. Bro I was at a lot
• 45:25
  Speaker 1: of people's houses, and I told a lot of people
• 45:27
  Speaker 1: to believe in this, and and you know, a lot
• 45:29
  Speaker 1: of people didn't believe in it. A lot of people
• 45:31
  Speaker 1: just looked at me and it was like, I can't
• 45:33
  Speaker 1: foresee this thing that you see, you know, and that's
• 45:36
  Speaker 1: why we're here at this point. And I told you
• 45:38
  Speaker 1: it's out. And that's what that I told you. It's
• 45:39
  Speaker 1: for us. For all the doubts that they say, is
• 45:41
  Speaker 1: do you guys get along in your Toronto ortist? Get along?
• 45:43
  Speaker 1: I get along with everybody. I don't actually like that's
• 45:46
  Speaker 1: the thing people think I have a you gotta stop drinking.
• 45:48
  Speaker 1: He even in Philly telling people they can't come there,
• 45:52
  Speaker 1: but didn't come into the best club and saying, you
• 45:53
  Speaker 1: get along with everybody, nice, dry budding, every artist, whether
• 45:59
  Speaker 1: it's the Bee, but whether is Belly, whether it's whoever.
• 46:02
  Speaker 1: Maybe we can no, No, I mean that's what I'm saying, Like,
• 46:05
  Speaker 1: I get along with everybody. I don't have a problem
• 46:08
  Speaker 1: with anybody in Toronto. Somebody has a problem with me,
• 46:11
  Speaker 1: that's different. But for me, I personally don't have a
• 46:16
  Speaker 1: like beef with me. If you're gonna know when I
• 46:18
  Speaker 1: have beef with somebody because one of us is just
• 46:21
  Speaker 1: falling out the cruise, you're gonna start seeing people missing
• 46:26
  Speaker 1: from either mine crew or his crew. That's just you're
• 46:28
  Speaker 1: gonna know when I have a beef with somebody. I
• 46:30
  Speaker 1: don't have a beef with nobody. You know. I want
• 46:33
  Speaker 1: to make people disappear. I guess not what I said.
• 46:38
  Speaker 1: I'm just saying that's that's just how it is. Like
• 46:40
  Speaker 1: if it was beef, we would be It feels like
• 46:42
  Speaker 1: how New York used to be, where nobody got along
• 46:44
  Speaker 1: and everybody did that. Don't get me wrong, everybody does
• 46:46
  Speaker 1: do the own thing. But that's why I'm saying, like,
• 46:49
  Speaker 1: if it was beef, you you know when it's beef,
• 46:51
  Speaker 1: because then we just start playing scoreboard, and nobody wants
• 46:54
  Speaker 1: to play scoreboard. Who wants to do that. We want
• 46:57
  Speaker 1: to get money. You want to get money. Came out
• 46:59
  Speaker 1: here to get money to be young. You know what
• 47:01
  Speaker 1: I'm saying, Live all life, that's all all right, there
• 47:04
  Speaker 1: you have it. Let get his name right, they start
• 47:12
  Speaker 1: good morning. I was born to Donkey. It's the Donkey
• 47:17
  Speaker 1: of the Death that Devil Breakfast Club. Hey, Hey, hey,
• 47:35
  Speaker 1: don't you The day goes to all you idiots who
• 47:37
  Speaker 1: believe that bird Man really bought the Breakfast Club for
• 47:40
  Speaker 1: five million dollars. Now, I know some of y'all are
• 47:42
  Speaker 1: out there wondering what the hell I'm talking about, but
• 47:44
  Speaker 1: it was a rumor going around on Facebook courtesy of
• 47:47
  Speaker 1: this website that Chill remained nameless because they make up
• 47:51
  Speaker 1: the most ridiculous stories. And I used to wonder why
• 47:54
  Speaker 1: people believe anything this website reports because it's all BS.
• 47:57
  Speaker 1: But you can't knock the hustler. You're knocked the dumb
• 48:00
  Speaker 1: ass consumer who buys into this BS, because y'are the
• 48:03
  Speaker 1: ones that make this malarkey spread. Okay, So for the
• 48:07
  Speaker 1: past five days, my timeline has been filled with people saying, Charlomagne,
• 48:10
  Speaker 1: make yourself dunkey today for being fired, or I knew Karma,
• 48:13
  Speaker 1: or I knew Karma was gonna come back to Charlemagne,
• 48:15
  Speaker 1: but not like this. Let me tell you something. All
• 48:18
  Speaker 1: this is funny at first until you realize people actually
• 48:21
  Speaker 1: believe this nonsense. Like I'm watching people London and Africa
• 48:25
  Speaker 1: discuss this story like it's real. Okay, I can understand
• 48:29
  Speaker 1: if I was on vacation and hadn't been on air.
• 48:32
  Speaker 1: But that hasn't been the case. So therefore, all you
• 48:33
  Speaker 1: idiots have no reason to be stupid other than the
• 48:36
  Speaker 1: fact you actually may be stupid. Now I'm gonna read
• 48:38
  Speaker 1: this article. It's real short. The headline is birdman buys
• 48:43
  Speaker 1: radio station, fired Charlomagne. Are you fired? Are you terminated? Okay, man,
• 48:49
  Speaker 1: you're good, We're good. I told that man. I told
• 48:53
  Speaker 1: that man to put some respect on my name. But
• 48:55
  Speaker 1: he thought I was playing. But he thought I was playing.
• 49:01
  Speaker 1: Now he can work for me and be my personal
• 49:05
  Speaker 1: blunt roller said it charged up Birdman after buying Power
• 49:08
  Speaker 1: one or five one radio station for five million cash
• 49:12
  Speaker 1: and firing Breakfast Club Holds Charlomagne and gone Charlomagne. Charlomagne
• 49:16
  Speaker 1: was giving his walking papers after Birdman decided to let
• 49:18
  Speaker 1: him go after disrespecting his name repeatedly for years on
• 49:21
  Speaker 1: the radio. He sent Charlomagne his pink slip and wrote
• 49:24
  Speaker 1: a small note on it that said, are you fired?
• 49:26
  Speaker 1: Are you terminated? Rich king bitch? He should have actually
• 49:29
  Speaker 1: just kept you in your contract. Then he said that
• 49:31
  Speaker 1: would be small business. Then he said. Charlomagne is said
• 49:33
  Speaker 1: to be back in South Carolina blowing up Wendy Williams
• 49:35
  Speaker 1: phone begging or for a job because she has yet
• 49:38
  Speaker 1: to respond. Okay, you should got a number. No, okay,
• 49:41
  Speaker 1: Number one. If the Breakfast Club could be bought for
• 49:43
  Speaker 1: five million dollars, DJ and v Angeli yet and myself
• 49:46
  Speaker 1: collectively would have bought The Breakfast Club a long time ago. Facts, Okay,
• 49:50
  Speaker 1: all right. Number two, I wouldn't be back in South Carolina,
• 49:53
  Speaker 1: big and nobody for a job because I don't know
• 49:55
  Speaker 1: if you noticed or not, but when it comes to jobs,
• 49:57
  Speaker 1: I have several Now. The only reason people will leave
• 49:59
  Speaker 1: this is because they want to believe this rumor. They
• 50:02
  Speaker 1: would love for me to get fired. Biggie told us
• 50:04
  Speaker 1: on Life After Death this two track ten. People will
• 50:07
  Speaker 1: pray and pray for your downfall. And that's fine. I
• 50:10
  Speaker 1: get it. It comes with the territory. Just let the
• 50:12
  Speaker 1: bs y'all choose to believe be believable. If The Breakfast Club,
• 50:16
  Speaker 1: a nationally syndicated radio show on iHeartMedia broadcasting over sixty
• 50:20
  Speaker 1: plus markets, could be bought for five million dollars, we
• 50:23
  Speaker 1: wouldn't be at to rest your radio show. We would
• 50:26
  Speaker 1: be a podcast because that's the only way doing this
• 50:28
  Speaker 1: show would make sense for all parties involved. Now, the
• 50:30
  Speaker 1: funny thing is, I said ten minutes ago I was
• 50:32
  Speaker 1: gonna give everybody who believes this rumor a birdman buying
• 50:36
  Speaker 1: the radio station donkey today, and people started tweeting Charlomagne
• 50:39
  Speaker 1: about to talk about Charlomagne about to talk about being
• 50:42
  Speaker 1: fired and Birdman behind the station. If I was fired,
• 50:47
  Speaker 1: why would I be here to you know what? Why
• 50:49
  Speaker 1: you keep going? I don't know why. Please give all
• 50:52
  Speaker 1: these idiots who believe that bird Man bought the station
• 50:54
  Speaker 1: and fired me the biggest heathall. Please listen, guys. I
• 51:00
  Speaker 1: know y'all believe everything you see online nowadays, but please remember,
• 51:03
  Speaker 1: when you need something to believe in, start with yourself.
• 51:06
  Speaker 1: If you believe in yourself more, you won't be so
• 51:08
  Speaker 1: quick to believe the b as you see on the internet.
• 51:10
  Speaker 1: And thank young escort Charlomagne out of here. When Birdman
• 51:14
  Speaker 1: catches winto this, right, you want to talk tough? Bird
• 51:18
  Speaker 1: Man last name and Pittman. He don't have no type
• 51:20
  Speaker 1: of power to do anything like that. Okay, his name
• 51:23
  Speaker 1: is Birdman Pittman. Yeah right, all right, I wish my
• 51:30
  Speaker 1: last name was Pittman. Somethday both you're taking out another
• 51:33
  Speaker 1: last name, all right when it comes to Winfrey knows
• 51:36
  Speaker 1: called a Pittman got a nice ring to its breakfast
• 51:43
  Speaker 1: club that was Tony Lane's morning. Everybody is DJ M
• 51:48
  Speaker 1: v Angela, Ye, Charlomagne the guy, we are the breakfast club.
• 51:51
  Speaker 1: We got a special guest in the building. The dogs return.
• 51:55
  Speaker 1: Yeah yeah, yeah, yeah yeah. I know you're not a
• 52:01
  Speaker 1: morning pray at all at all, But um, starting my
• 52:04
  Speaker 1: day off with um little with words of thanks and praise,
• 52:08
  Speaker 1: I meant God. So however, it's gonna be better than
• 52:11
  Speaker 1: it would have been if I didn't start my day off,
• 52:13
  Speaker 1: you know, talking to God first. So you know, I'm
• 52:15
  Speaker 1: just grateful that, um, I'm alive this morning, because not
• 52:17
  Speaker 1: everybody that wanted to sleep woke up this morning. I'm
• 52:20
  Speaker 1: surprised you have not turned the full fledged past it yet.
• 52:23
  Speaker 1: He kind of is right right right, you know, but
• 52:26
  Speaker 1: I get what you're saying, like like maybe I am already.
• 52:29
  Speaker 1: I don't know, but that's definitely the final destination or
• 52:33
  Speaker 1: a destination you never know where how far God is gonna,
• 52:37
  Speaker 1: you know, allow me to get out how much it's
• 52:39
  Speaker 1: gonna let me do what how many people are gonna
• 52:40
  Speaker 1: allow me to reach before? If I'm gonna stage, I mean,
• 52:43
  Speaker 1: I pray that I'm able to just touch one person?
• 52:45
  Speaker 1: Does that badly? That people don't see that side of X,
• 52:47
  Speaker 1: that the spiritual side is much They'll talk about everything else,
• 52:50
  Speaker 1: all right? Put that spiritual side? Does it bother me? Um?
• 52:53
  Speaker 1: Not really? Not really, not really, because I really don't
• 52:57
  Speaker 1: focus on what people think about me or what people
• 52:59
  Speaker 1: say about me. We realized that a long time ago.
• 53:03
  Speaker 1: And the reason why is if you accept the praises,
• 53:07
  Speaker 1: you mean, then you got to accept the bullet too. Me.
• 53:10
  Speaker 1: So you know, I appreciate the compliments, but um, I
• 53:14
  Speaker 1: stand on what I believe about myself, you know what
• 53:16
  Speaker 1: I'm saying it, And at the end of the day,
• 53:17
  Speaker 1: that's what's gonna determine the next move I make. I'm saying,
• 53:20
  Speaker 1: all right. We also saw a Switch just recently posted
• 53:22
  Speaker 1: that album's almost done and they just went in on
• 53:25
  Speaker 1: Dre and Kanye. If Swiss waiting on Dre Kanye, I'm
• 53:30
  Speaker 1: banging the music out, you know what I'm saying. I'm
• 53:32
  Speaker 1: not really not waiting on anybody, you know what I'm
• 53:33
  Speaker 1: saying like like like I still get inspired bye bye.
• 53:37
  Speaker 1: You know what I'm saying by music? So um, you
• 53:39
  Speaker 1: know when the songs come, it's like yollo, it don't
• 53:41
  Speaker 1: really matter who did the beat. And I'm saying, um,
• 53:43
  Speaker 1: it's a dope beat. I'm gonna write to the drean
• 53:45
  Speaker 1: Kanye have even sing beat. So you know that's what
• 53:49
  Speaker 1: I don't get quarter f into token And this person
• 53:51
  Speaker 1: said this Berson sound like if the person didn't say
• 53:53
  Speaker 1: it to me. And you know, we all know how
• 53:54
  Speaker 1: there's an industry. Anybody can get in touch with anybody
• 53:58
  Speaker 1: I haven't heard. He's like, yo, I got something for
• 54:01
  Speaker 1: you whatever. So actually a great idea. I would love
• 54:05
  Speaker 1: to have a dra beat. I mean I've never had
• 54:07
  Speaker 1: a drab. I would love to have a dra bat.
• 54:08
  Speaker 1: What I'm saying um um. I had a couple of
• 54:10
  Speaker 1: jobs form Kanye on the fifth album. You know what
• 54:12
  Speaker 1: I'm saying, Um, I would love to know what I'm saying.
• 54:14
  Speaker 1: You know, gets more music from them. But um, when
• 54:16
  Speaker 1: you stopping your process, whatever I got in front of me,
• 54:18
  Speaker 1: that's that's what I'm banging on. Are you talking about inspiration?
• 54:20
  Speaker 1: She said? Music still inspires you? What inspires you now
• 54:24
  Speaker 1: beats beat you Yeah, nothing out now. Just when you
• 54:27
  Speaker 1: hear that no artists out now, they are artists, um um.
• 54:31
  Speaker 1: I like songs from I mean, I'm not gonna act
• 54:34
  Speaker 1: like you know, like like like people stop being talented
• 54:37
  Speaker 1: what I'm saying. You know once once I came up whatever,
• 54:39
  Speaker 1: But I'm no, no, no offense. I don't listen to
• 54:41
  Speaker 1: the radio that much. Did you guys to be t awards? No.
• 54:50
  Speaker 1: I stopped wing to award shows a long time ago.
• 54:52
  Speaker 1: It's like, you know, you just sit there and just
• 54:54
  Speaker 1: sit there and sit there, like and when it turns
• 54:57
  Speaker 1: into it's just I'm gonna just saying what it is.
• 55:00
  Speaker 1: It turns into it's like like like like like a
• 55:01
  Speaker 1: sucking contact. I mean, it's like that's all, oh yo,
• 55:06
  Speaker 1: what up? Yo? What up? Like money? If you really
• 55:08
  Speaker 1: wanted to get in touch with me, you're how to
• 55:09
  Speaker 1: get in touch. Everybody can get in touch with anybody.
• 55:11
  Speaker 1: I'm saying. And you know that that one situation I
• 55:15
  Speaker 1: might have spoken to you at the war show where
• 55:17
  Speaker 1: somebody you know, walk pels like y'all let's do some music,
• 55:19
  Speaker 1: And I'm like, you know what I mean, you only
• 55:21
  Speaker 1: saying that because you just happened to pass me in
• 55:22
  Speaker 1: all ways, right, you know, And I said, you know, yeah, yeah,
• 55:25
  Speaker 1: cool cool, and like no, I mean some hot like
• 55:29
  Speaker 1: stop willing? What do you mean? Like like like I
• 55:31
  Speaker 1: never be know how but you know the lights almost
• 55:33
  Speaker 1: went out. So I tend to stay away from those
• 55:37
  Speaker 1: because for me, you know, we're all artists here. We
• 55:40
  Speaker 1: can give each other awards all day, but what does
• 55:42
  Speaker 1: it really mean? What does it really mean? I mean
• 55:44
  Speaker 1: to me, the real award is when you're able to
• 55:48
  Speaker 1: walk wherever or just just just come in contact with
• 55:51
  Speaker 1: with with with real fans. I mean, not at an event,
• 55:54
  Speaker 1: but just and you know, doing that every day living
• 55:56
  Speaker 1: type thing. And they tell you, yo, this song you
• 55:59
  Speaker 1: did saved my life. This song you did motivates me
• 56:02
  Speaker 1: to work out or you know, inspired me to get
• 56:04
  Speaker 1: out of bed in the morning. You know what I'm saying.
• 56:06
  Speaker 1: I've done my TV show Solo Man long time ago,
• 56:09
  Speaker 1: and this lady read about me and she was like,
• 56:11
  Speaker 1: you know, she was crying. I had I don't seen
• 56:12
  Speaker 1: Jack's cry before. He was saying, but this is a
• 56:14
  Speaker 1: different type of cry. It's like the snot bubble like.
• 56:22
  Speaker 1: So I held her, I mean like like it wasn't like, oh,
• 56:26
  Speaker 1: I'm talking a type of hog. It was like, down,
• 56:30
  Speaker 1: let me see what's going on here. And when she
• 56:33
  Speaker 1: was able to talk, she was like, since she had
• 56:35
  Speaker 1: five children, so she lost three and one of my
• 56:39
  Speaker 1: songs it was the only thing that motivvated already got
• 56:43
  Speaker 1: her any more. I didn't even ask somebody put someone
• 56:47
  Speaker 1: you that heavy. It's like whoa. And I'm not one
• 56:51
  Speaker 1: of the question God, but I had a question for
• 56:54
  Speaker 1: God at that moment. It was the question, how do
• 56:58
  Speaker 1: you expect me to deal with this? That's huge responsibility.
• 57:01
  Speaker 1: That's a huge responsibility to mean you would think that
• 57:06
  Speaker 1: remaining children would it be motivation enough? I mean because
• 57:09
  Speaker 1: the worst says the shepherd will leave a flock of
• 57:11
  Speaker 1: ninety nine to find the one. If you got one
• 57:14
  Speaker 1: hundred one dollar bills and you lose one, you got
• 57:18
  Speaker 1: ninety nine sitting right hither, But you're gonna tear that
• 57:20
  Speaker 1: room up looking for that one, and when you find
• 57:23
  Speaker 1: that one, it will mean more to you than the
• 57:26
  Speaker 1: ninety nine, because the ninety nine was never lost. It
• 57:29
  Speaker 1: was like it's almost like like the particle sound like
• 57:32
  Speaker 1: he who his dad is now alive? He was lost.
• 57:34
  Speaker 1: What was lost now found? Like when you find what
• 57:37
  Speaker 1: you lost, like yes, yes, and you'll have a party
• 57:40
  Speaker 1: for that one dollar bill that was lost, but now
• 57:43
  Speaker 1: it's found because it completes everything that you have. Now
• 57:46
  Speaker 1: when you're motivating so many people and inspiring so many people,
• 57:48
  Speaker 1: why so long to make music because people like you
• 57:51
  Speaker 1: said live for that. It don't take me long to
• 57:53
  Speaker 1: make music. People don't know to look for it. And
• 57:57
  Speaker 1: then it's like like this this song's that, that that
• 58:00
  Speaker 1: that that's on YouTube and things stones got leaked, you know,
• 58:04
  Speaker 1: stolen music and all that that's out saying that. But
• 58:07
  Speaker 1: if people don't know that they're there, I didn't hear
• 58:09
  Speaker 1: about it, so so a lot of it is it's
• 58:12
  Speaker 1: not being heard because it was supposed to be put out,
• 58:14
  Speaker 1: but a lot of people don't know it's then because
• 58:16
  Speaker 1: like all right, oh low dmx And even if even
• 58:19
  Speaker 1: if they typed that, the stones still wouldn't pop up.
• 58:22
  Speaker 1: I'm kind of stuck in my way speak like like
• 58:25
  Speaker 1: like it's like like they ain't broke, don't fix it
• 58:28
  Speaker 1: type they probably want you to tweet and instagram. I
• 58:32
  Speaker 1: got a problem with saying the word tweets, like so
• 58:35
  Speaker 1: I'm gonna tweet you later. I mean, like you can't
• 58:38
  Speaker 1: really say that with what a hard voy was like
• 58:41
  Speaker 1: what yo yo yo? Tweet me later when somebody tried
• 58:45
  Speaker 1: to do the face swap with you, you was like,
• 58:47
  Speaker 1: oh oh my daughter, But that was that was funny
• 58:54
  Speaker 1: because then you see something like that was a little weird.
• 58:58
  Speaker 1: It's just it's just different forms of communication. Man. It's like,
• 59:02
  Speaker 1: all right, you know, when my phone is on, if
• 59:04
  Speaker 1: the name comes up and I feel like being bothered,
• 59:07
  Speaker 1: than I'll answering just say, you know, like like I'm
• 59:10
  Speaker 1: so glad you don't gotta flip phone my brother. No,
• 59:14
  Speaker 1: they's to cuz I got I got my first I phone,
• 59:16
  Speaker 1: Like like I just kett on a touchcreen. She's on
• 59:18
  Speaker 1: my blackberries. You know. A couple of times like I
• 59:20
  Speaker 1: got arrested and I was able to text because they
• 59:22
  Speaker 1: left my phone on my head, like because I could
• 59:23
  Speaker 1: feel the buttons right, like it's a rap with this
• 59:26
  Speaker 1: this this flat You've just been a hope somebody saw it.
• 59:30
  Speaker 1: I mean, like, hold somebody so because you're doing the
• 59:33
  Speaker 1: jail and let's just show you like two thousand, two
• 59:36
  Speaker 1: hundred and eighty six unread emails unread crazy those those texts,
• 59:41
  Speaker 1: even those texts. Okay, get the emails. That's that's a
• 59:44
  Speaker 1: whole other text if you text, because earlier you said
• 59:48
  Speaker 1: people can get in touch with you what they want to,
• 59:50
  Speaker 1: but you don't even have the text messages. Well, I try,
• 59:56
  Speaker 1: I am. I've gotten better better, We got more with
• 1:00:00
  Speaker 1: DM mix when we come back, keeping locked this to
• 1:00:02
  Speaker 1: Breakfast Club Good Morning. That was Bryce until it would
• 1:00:06
  Speaker 1: exchange morning. Everybody is DJ m vy angela ye, Charlomagne
• 1:00:10
  Speaker 1: the guy, we are the breakfast Club. DAMEX is in
• 1:00:12
  Speaker 1: the building now. Charlomagne Swiss also said, you want you
• 1:00:15
  Speaker 1: want to make sure you was good before y'all like
• 1:00:17
  Speaker 1: really got deep into the music. Yeah, you had like
• 1:00:19
  Speaker 1: a health scare earlier this year they found you unconscious.
• 1:00:22
  Speaker 1: You're good enough, Hart stop damn minutes right, And I
• 1:00:26
  Speaker 1: have asked him, and you know, I'm playing this week
• 1:00:28
  Speaker 1: because you know when you different climates, a little place
• 1:00:30
  Speaker 1: and I'm coming outside with the tea sirt on and
• 1:00:32
  Speaker 1: but I remember what happened. I know I walked out
• 1:00:35
  Speaker 1: called said, he said, I just like sing stuff and
• 1:00:38
  Speaker 1: just drop right flew him along. As you're saying that
• 1:00:41
  Speaker 1: no joke. You can die from asthma. You know, it's
• 1:00:45
  Speaker 1: not something player. I've had it so long that you know,
• 1:00:46
  Speaker 1: I pretty much suck it out most of I'm good,
• 1:00:50
  Speaker 1: you know, like we's a little bit better. My grandmother
• 1:00:54
  Speaker 1: died from as attack. I'm so sorry. That bothered me
• 1:00:57
  Speaker 1: a lot because I called when I heard and they
• 1:01:00
  Speaker 1: told me your you know, ex had an asthma attack
• 1:01:02
  Speaker 1: and he's doing fun. And then the media was like,
• 1:01:05
  Speaker 1: oh he old. This was that that bothered the issue
• 1:01:08
  Speaker 1: out of me. Like I said, people would have sayything
• 1:01:11
  Speaker 1: gonna saying, I'm not worried about that, but the blessing
• 1:01:14
  Speaker 1: and that was that a lot of things did change it.
• 1:01:17
  Speaker 1: Right at that point, it made me realize, no, in movies,
• 1:01:21
  Speaker 1: you know, death is sexy, and you know you get that.
• 1:01:25
  Speaker 1: Just be sure you take out the garbage. Always get
• 1:01:31
  Speaker 1: that that one last sense. You know. I'm like, whatever
• 1:01:35
  Speaker 1: you do, you always get that one last But just
• 1:01:41
  Speaker 1: show me that you know what potentially that by the
• 1:01:44
  Speaker 1: time you realize that you were in the situation, it's
• 1:01:48
  Speaker 1: too late to come back from him. It's too late
• 1:01:50
  Speaker 1: to come back from him. Not that I didn't appreciate
• 1:01:54
  Speaker 1: life or or the blessing I gave me, but I
• 1:01:57
  Speaker 1: didn't always do what I was supposed to do with it.
• 1:02:01
  Speaker 1: Have you always spoke to God in those moments? That's
• 1:02:03
  Speaker 1: that's what I talk from the most. That's what people
• 1:02:05
  Speaker 1: understand that you need him more. You know, some people
• 1:02:09
  Speaker 1: look at its being a hypocritical or a contradiction. I know,
• 1:02:13
  Speaker 1: under the influence or whatever. I mean like, that's when
• 1:02:17
  Speaker 1: you need God more than ever, So why not talk
• 1:02:20
  Speaker 1: to him it? God knows my heart. He knows my heart,
• 1:02:24
  Speaker 1: so he knows that. You know, a certain times that's
• 1:02:26
  Speaker 1: when I need him, and he was there. He's always
• 1:02:30
  Speaker 1: been there. He's always been there. I didn't know when
• 1:02:35
  Speaker 1: I need him. We all know what God is capable
• 1:02:41
  Speaker 1: of doing. We know what God is able to do,
• 1:02:44
  Speaker 1: or we don't know what we what he's willing to
• 1:02:46
  Speaker 1: do until we're in the situation where we need him
• 1:02:48
  Speaker 1: to do it. Now, you think your your your career
• 1:02:50
  Speaker 1: would have been different for you to sign with Diddy
• 1:02:52
  Speaker 1: because I heard that you're supposed to sign with Diddy
• 1:02:54
  Speaker 1: or noticed he um after the interest was there, then
• 1:02:57
  Speaker 1: he came back and he bought me for him first. Okay,
• 1:03:00
  Speaker 1: you know he was you know, like I brought the
• 1:03:02
  Speaker 1: locks to the arm he brought the locks the bad boy.
• 1:03:04
  Speaker 1: You know what I'm saying to it was like so
• 1:03:06
  Speaker 1: he was like, Yo, if you like the locks, you
• 1:03:08
  Speaker 1: gonna love that. And one thing I respected about Daddy,
• 1:03:11
  Speaker 1: I'm stand the need to see with the whooping. I
• 1:03:13
  Speaker 1: got a good relationship with that man, and I respected me.
• 1:03:16
  Speaker 1: I respect him a lot more than I respect a
• 1:03:18
  Speaker 1: lot of these so called hard class rappers. You know
• 1:03:20
  Speaker 1: I'm saying he's like fronting. I'm saying, but one thing
• 1:03:23
  Speaker 1: I respect him, honest. He told me right to my face, said, well, um,
• 1:03:26
  Speaker 1: their voices too rough, and I don't think you're marketable. Damn.
• 1:03:31
  Speaker 1: I mean, but that's your opinion, right. I mean, I
• 1:03:35
  Speaker 1: love macs because you you know you don't like me
• 1:03:38
  Speaker 1: that what do you mean? All right? Cool? But it
• 1:03:44
  Speaker 1: had to feel good to sell a few million and
• 1:03:45
  Speaker 1: then come back to me like he was wrong. Oh yeah,
• 1:03:47
  Speaker 1: Well before I sold the record, he's like, yo, I'll
• 1:03:51
  Speaker 1: double what they gave you at all Asha Pockets And
• 1:03:53
  Speaker 1: I'm like, respectfully, thank you. They feel good to just
• 1:03:56
  Speaker 1: know that, I mean this opinion to change, right, That
• 1:03:59
  Speaker 1: was good enough for me. You know I'm saying no,
• 1:04:01
  Speaker 1: but just if you didn't see it, then what changed?
• 1:04:04
  Speaker 1: We speaking of opinions changing, I wanted to ask you
• 1:04:07
  Speaker 1: Drake sampled you on his album. Did y'all have a conversation?
• 1:04:10
  Speaker 1: So happen that? Right? Yeah? So what happened? The other
• 1:04:17
  Speaker 1: white guy in the room is saying, yeah, it's better. Well,
• 1:04:22
  Speaker 1: the only white guy saying yes, said, because you were.
• 1:04:26
  Speaker 1: You weren't a fan of Drake at first? You like Drake? No,
• 1:04:30
  Speaker 1: I don't like anything about Drake. I don't like his voice.
• 1:04:33
  Speaker 1: I don't like he talks about I don't I don't see.
• 1:04:35
  Speaker 1: I'll be trying to. I don't like he walks like nothing.
• 1:04:41
  Speaker 1: I might just let me shut out. I'm gonna stop
• 1:04:44
  Speaker 1: right there. Yeah he was um I did always say
• 1:04:47
  Speaker 1: that he was a chunge lyrics, but I was not
• 1:04:48
  Speaker 1: a fan. You're right, I was not. And um man
• 1:04:53
  Speaker 1: another homely experience because we were like, yo, like you
• 1:04:57
  Speaker 1: didn't like to do for all the wrong reasons. And
• 1:05:00
  Speaker 1: I say, were the kind of lyrics out I'll tell
• 1:05:01
  Speaker 1: the j Yeah, yeah, money to lyrics. But for him
• 1:05:04
  Speaker 1: to take the effort first to want to use the song,
• 1:05:07
  Speaker 1: min know what I'm saying, and then to be man
• 1:05:09
  Speaker 1: enough to reach out and make the calls like I
• 1:05:13
  Speaker 1: I mean hot soft man, and then that was a
• 1:05:16
  Speaker 1: real That was a real move. Real is real? Right?
• 1:05:18
  Speaker 1: Is right? Wrong? Rowing? Dude, that was a real move.
• 1:05:21
  Speaker 1: I'm saying. I saluted for that. The claim. It was like,
• 1:05:25
  Speaker 1: um yo mean uh. He was like, Yo, man, you
• 1:05:30
  Speaker 1: raise this man. I'm like, wow, you are feeling this
• 1:05:35
  Speaker 1: way knowing that that that that I love you sound
• 1:05:38
  Speaker 1: like like like too big And I was like, damn, yo,
• 1:05:43
  Speaker 1: I appreciate it. But it's crazy because before I went
• 1:05:46
  Speaker 1: to prison, m my manage at the time, she hit
• 1:05:49
  Speaker 1: me with the last hope Pat you know what I'm saying.
• 1:05:52
  Speaker 1: For the final it was his beat. So it was like,
• 1:05:55
  Speaker 1: you know what, everything coming full circle. I said, Yo,
• 1:05:58
  Speaker 1: I happen to use one of your choice. That mean
• 1:06:00
  Speaker 1: you put out a long time ago too, So you
• 1:06:01
  Speaker 1: know what I'm saying, I'm glad to be able to
• 1:06:03
  Speaker 1: return the favor. I'm glad to be so yeah, you know,
• 1:06:10
  Speaker 1: and it must be great. You got your crew with
• 1:06:12
  Speaker 1: you from back in the rough ride of this day.
• 1:06:14
  Speaker 1: I saw with Ule hanging out. Yeah, we had to
• 1:06:16
  Speaker 1: show together. Yeah, that um, that was good. I didn't
• 1:06:20
  Speaker 1: watch a perform no personal reason. I just I don't
• 1:06:22
  Speaker 1: watch other people perform. I don't want to see it
• 1:06:25
  Speaker 1: that way. I know that whatever I do on stage,
• 1:06:28
  Speaker 1: I came up with. I just I just stick to
• 1:06:30
  Speaker 1: my I'll stay in my lane. You talk, you talk
• 1:06:32
  Speaker 1: about asthma so much and how it affects you, But
• 1:06:35
  Speaker 1: watching you perform, you perform over hours with no problem.
• 1:06:39
  Speaker 1: It's grace of God. Man. It's like it's almost like magic.
• 1:06:43
  Speaker 1: It's like when I touched that stage, like I still
• 1:06:45
  Speaker 1: get nervous. I think butterflies of my stuffing before I
• 1:06:48
  Speaker 1: go on stage, like nausious a little bit. You're saying
• 1:06:51
  Speaker 1: I took like two pups a singlette put out didn't
• 1:06:53
  Speaker 1: go time, Noah, But but it was because even before
• 1:06:56
  Speaker 1: you perform, right, X will make if you backstage, everybody
• 1:06:58
  Speaker 1: holds hand. We're gonna pray before you. He don't care
• 1:07:00
  Speaker 1: if you the security with you, the grounds keep, but
• 1:07:03
  Speaker 1: the maintenance man whoever you backstage, everybody whole hand, turn
• 1:07:06
  Speaker 1: the cameras off. We're gonna pray exactly. That's that's I
• 1:07:10
  Speaker 1: asked for. You know about a touch a touch point
• 1:07:11
  Speaker 1: person I'm saying. That's why I, you know, I take
• 1:07:13
  Speaker 1: him on a journey. You know. I started with the
• 1:07:16
  Speaker 1: YO women one of some go do all that with
• 1:07:20
  Speaker 1: the note you end them on Yo, That's that's what
• 1:07:22
  Speaker 1: they want away with. I'm saying, they partied and and drunk,
• 1:07:26
  Speaker 1: and they did all that. At the end of the day,
• 1:07:27
  Speaker 1: we ain't him with a prayer and with the prayer.
• 1:07:30
  Speaker 1: So I start with a prayer backstage, I mean, give
• 1:07:34
  Speaker 1: me the strength to do this. But you man, I prayer.
• 1:07:36
  Speaker 1: There's no fighting stabbings. What I'm saying, I remind people
• 1:07:39
  Speaker 1: what's important. It's like in praying, you don't always have
• 1:07:41
  Speaker 1: to ask for something. I mean, like like like sometimes
• 1:07:44
  Speaker 1: prayersure we just show thanks guy for what she already
• 1:07:47
  Speaker 1: gave me. You mean, And I'm not not holding nobody
• 1:07:49
  Speaker 1: to do but but but like I know, guys, I'll
• 1:07:51
  Speaker 1: be like, yo, really you again, you shouldn't ask you
• 1:07:53
  Speaker 1: for this like that. That's all right. Then people take
• 1:07:58
  Speaker 1: things for granted. I try not to sick an think
• 1:08:00
  Speaker 1: for branding. All right. We got more with DMX when
• 1:08:02
  Speaker 1: we come back. Keeping locked this to Breakfast Club. Good
• 1:08:04
  Speaker 1: Morning the Breakfast Club head dm X, dj M v Angela.
• 1:08:14
  Speaker 1: Ye Charlomagne the God now Charlomagne. We mentioned you saw
• 1:08:17
  Speaker 1: y'all route, but that the first time y'all talking. Y'all
• 1:08:19
  Speaker 1: had the issues, no okay from Stilence that on Hip
• 1:08:22
  Speaker 1: Hop Honors, And I didn't realize he was sitting right
• 1:08:25
  Speaker 1: behind me. You only leave during intermissions when they when
• 1:08:28
  Speaker 1: they stop feeling all right, you know, people around the
• 1:08:31
  Speaker 1: movie up the seat fellers. I'm like, oh, that's my cue,
• 1:08:34
  Speaker 1: and I get up. I've already seen his wife and
• 1:08:37
  Speaker 1: you know, me beings a person, I was like, if
• 1:08:39
  Speaker 1: I got a problem with you, it's not gonna spill
• 1:08:42
  Speaker 1: over into I mean, I'm not gonna act different torture.
• 1:08:44
  Speaker 1: I mean drawing the lines and keep the lines. Respect
• 1:08:47
  Speaker 1: the lines. So rough the lines, keep the lines, respect
• 1:08:51
  Speaker 1: the lines. Some balls, I get it, go the lines,
• 1:08:54
  Speaker 1: keep the lines, expect them bam. So you know I
• 1:08:56
  Speaker 1: already spoke how you doing lives from the like wow,
• 1:08:59
  Speaker 1: up passing, and so then when the admission came, I
• 1:09:02
  Speaker 1: got up to leave or turn around. It was like
• 1:09:06
  Speaker 1: and silence, like like I've never once I heard that
• 1:09:10
  Speaker 1: many people wipe. But that's a different story. But I'm
• 1:09:12
  Speaker 1: it was like, oh quiet, I was like whatever, man,
• 1:09:15
  Speaker 1: I don't know who extended their hand first, but it
• 1:09:18
  Speaker 1: was mutual. I mean, man, actually, like it's easy to
• 1:09:23
  Speaker 1: be ignorant, but a stupid you know, be ignorant and
• 1:09:26
  Speaker 1: get ignorant and do some dumps, but you know, it's
• 1:09:30
  Speaker 1: a person of character or substance to like, you know what,
• 1:09:33
  Speaker 1: even though it's easy to do this, do this, you
• 1:09:37
  Speaker 1: mean and he shook cash Man and hug and like
• 1:09:40
  Speaker 1: everybody must have been watching, like yo, he don't know
• 1:09:42
  Speaker 1: he behind them. You're like, yo, it was about to
• 1:09:43
  Speaker 1: be something like shook cash man what I'm saying, and
• 1:09:47
  Speaker 1: the old crowd like flapping everything. You know. So y'all
• 1:09:49
  Speaker 1: got so much history with Earth, the story about y'all
• 1:09:52
  Speaker 1: hitch hiking one time together? Yeah yeah, yeah, what were
• 1:09:57
  Speaker 1: films using some tours? Um? I think it was a
• 1:09:59
  Speaker 1: whole life toy. Um um. Mike kind gave me the
• 1:10:02
  Speaker 1: rental car. You don't tell like yo, soo me job,
• 1:10:06
  Speaker 1: I think milf mentally yeah yeah, and the lights can
• 1:10:10
  Speaker 1: dude that beat with him find getting the police pull
• 1:10:12
  Speaker 1: us over and I'm saying, you know what I say,
• 1:10:15
  Speaker 1: but your name in on the car back, so what
• 1:10:17
  Speaker 1: like like I got a license all on the highway. Hell,
• 1:10:20
  Speaker 1: so we're walking up the rim. I said, I got this.
• 1:10:24
  Speaker 1: She fullowing and she gave us whatever, Oh my god,
• 1:10:27
  Speaker 1: I did. I love you. I'm coming to your showers.
• 1:10:29
  Speaker 1: Thank you. And she was like, yo, what's up? That
• 1:10:31
  Speaker 1: sound too? But it gave validity to me because because
• 1:10:46
  Speaker 1: Irvian set us down and we we had had a
• 1:10:48
  Speaker 1: couple of conversations about um, you know, similar sounds and
• 1:10:52
  Speaker 1: things that I don't sound like friends, like like, well,
• 1:10:55
  Speaker 1: I mean, you know, I walked amongst the fans. I'm
• 1:10:58
  Speaker 1: hands on with my fans, I'm saying. Dad was like, see,
• 1:11:02
  Speaker 1: but see I'm not just fresh out of here hot me.
• 1:11:06
  Speaker 1: What I'm saying the world of the street is that
• 1:11:10
  Speaker 1: one God in a way though, because because y'all say
• 1:11:12
  Speaker 1: that's why he developed a singing style so he wouldn't
• 1:11:14
  Speaker 1: have similarity, maybe that might have been the moment, right
• 1:11:17
  Speaker 1: It was like like like you never know how God's
• 1:11:20
  Speaker 1: gonna do what he's gonna do. You and Jay threw
• 1:11:23
  Speaker 1: shots to each other before, have y'all seen each other
• 1:11:25
  Speaker 1: and adapted out and spoke you buried a lot of hatches.
• 1:11:29
  Speaker 1: Though it could happen. Of course, of course happened. I mean, uh,
• 1:11:33
  Speaker 1: as strong as I am to walk around holding anger,
• 1:11:40
  Speaker 1: where's you down? I don't got time to be mad
• 1:11:43
  Speaker 1: at nobody. Man, Max, it's the Breakfast Club. Good morning, Jill.
• 1:11:49
  Speaker 1: You can't roll to this one. You gotta go, You
• 1:11:54
  Speaker 1: gotta one.