Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Phantom Chase Matter, Parts Three and Four (EP1235)

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Yours Truly Johnny Dollar: The Phantom Chase Matter, Parts Three and Four (EP1235) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
• 0:34
  is your host, Adam Graham. If you have a comment, send it
• 0:36
  to me Box thirteen at Great Detectives dot net, follow us on Twitter at
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  Radio Detactors, and become one of our friends on Facebook, Facebook dot com,
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  slash Radio Detectives. Well, before we do get started, I want
• 0:49
  to let you know that today's program is brought to you by the financial support
• 0:53
  of our listeners, and I specially want to thank Teresa who actually mailed in
• 1:00
  a donation. Uh, Sandy, Gary and Robert, thank you so much
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  for your support. We'll send along access to the premium side, as we
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  do with all donations of seven dollars or more, and if you'd like to
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  support the show by paypal'll go to support dot Great Detectives dot nett. If
• 1:17
  you'd like to support by mail and send a check, email me at box
• 1:22
  thirteen at Great Detectives dot net. Well, now we continue on with Part
• 1:26
  three and Part four of the Phantom Chase matter from Hollywood. It's time now
• 1:33
  for Johnny Diller, bradydyl Where you've been, Quintana, You were supposed to
• 1:41
  contact me again later last night is a complicated deal, nex time. What's
• 1:45
  complicated about it? I'm looking for a guy named Tom Chase. You claim
• 1:48
  he's here in New Orleans under the name Tom James. Five hundred bucks.
• 1:52
  You'll tell me where he's hiding. Sure, sure, but the problem is
• 1:55
  he is hiding. Do good? Right now? I think it's starling.
• 1:57
  You saw that his last night. Yeah, it's Chase's handwriting. All right,
• 2:01
  I'll find him again by tonight. You know how, Barb we met
• 2:05
  in Asus Castle. Be there at ten o'clock tonight with a do okay,
• 2:08
  but you'd better produce Quintana. I don't have much time you Chase finds out,
• 2:13
  I'm trying to put the finger on him, neither will I. Tonight
• 2:23
  and every weekday Night Bob Bailey and the Transcribed Adventures of the Man with the
• 2:28
  Action Packed Expense Account. America's Fabulous Freelance insurance Investigator is truly Johnny Dollar.
• 2:46
  From Special Investigator Johnny Dolly, location, New Orleans to the Home Office Universal
• 2:51
  Adjustment Bureau, Hertford, Connecticut assignment, The Phantom Chase matter expense account continues.
• 2:59
  I'm a four to twenty five long distance called at pat McCracken at Universal
• 3:02
  Adjustment Bureau in Hartford. Pat agreed that five hundred was a small price to
• 3:07
  pay if it got us a man who'd have bazzled one hundred and twenty thousand
• 3:09
  from a New York investment outfit. I'dem nine three seventy phone called at George
• 3:14
  Everson, senior partner of the investment outfit in New York. It was Everson
• 3:19
  who'd spotted a newspaper picture of a New Orleans bar with a man in the
• 3:22
  background who looked to him like Chase. Everson had been afraid he was sending
• 3:25
  me on a wild goose chase, and he was happy to hear his wild
• 3:28
  goose that just laid a golden egg. It had him ten two dollars a
• 3:35
  sort of newspapers in magazine, just to kill time. Yeah, there was
• 3:38
  nothing I could do until I met Freddy quintanat Ace's Castle at ten PM.
• 3:43
  Pop's Harker, the trumpet player at Asy's Castle, that told me Freddy was
• 3:45
  a bad one, but right now he was my only lead. The day
• 3:50
  Draggone finally had got dark and I was just starting to think about dinner.
• 4:00
  Hello, Johnny, Lola Chase may I come in? Well, yeah,
• 4:05
  sure, come on. Well what are you doing here, Lola? I
• 4:11
  thought you were in New York. George Everson told me about your phone call
• 4:14
  to him this morning, that you think Tom is here in New Orleans.
• 4:17
  Well, yeah, Everson said he hadn't told you about the newspaper picture before
• 4:21
  because he didn't want to get your hopes up. I know, he explained,
• 4:26
  I got a plane down here right away. Yeah, I'm not sure
• 4:29
  there was a good idea, Lolla. I dot very much. If there's
• 4:32
  anything you could do, I thought, if you do find Tom, if
• 4:36
  I could just talk to him, maybe I could get him to see that
• 4:41
  the only thing for him to do is give himself up and return the money.
• 4:43
  Oh. I wouldn't count on that, Johnny. I had to come.
• 4:47
  He's still my husband. Yeah. George Everson didn't go into details about
• 4:53
  the newspaper picture. Oh. There was an article on New Orleans Jazz,
• 4:56
  one of the New York papers a few days back. It showed a bar
• 4:59
  scene a place called a his Castle, and in the background, sitting at
• 5:01
  the bar with his face turned away was a man George thought might be your
• 5:04
  husband. So I came down here. Now you have proof he's here,
• 5:09
  I think, so what kind of proof? Johnny? Please tell me?
• 5:15
  Okay, but I'm not sure you want to see it though. Go ahead.
• 5:21
  Well. Last night in ASA's Castle, a character named Freddy Quintana contacted
• 5:25
  me. Told me he thought he had Tom Peg, that he was going
• 5:28
  under the name of Tom James James that's his middle name. Yeah, the
• 5:31
  kind of alias a lot of people use. That's not proof of anything.
• 5:36
  Oh, I know. Then Quintana showed me a letter he'd stolen from Tom's
• 5:41
  room, an unfinished letter. I checked it against the sample of Tom's writing
• 5:46
  I'd brought with me. It books pretty genuine. What kind of letter do
• 5:51
  you know? Oh? Please? May I see it? Are Lola?
• 6:03
  When you get this, I'll be far away. Don't try to find me.
• 6:10
  It's better that way. Don't know how to explain. I'm sorry,
• 6:17
  that's Tom's riding, Johnny. Yeah, what happens now? Oh? I'm
• 6:26
  supposed to meet Freddy Quintana AS's Castle down on the quarter at ten o'clock tonight.
• 6:29
  I want to come with you, please, Johnny, expense account Out'm
• 6:35
  eleven eight twenty dinner for lollanbe. She didn't say much during the meal.
• 6:41
  I guess there wasn't much for her to say. Afterwards, we started walking
• 6:46
  through the quarter toward ASA's castle. It's interesting around here, Johnny. Oh,
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  yeah, the quarter hasn't changed much. You've been here before a couple
• 6:54
  of years ago. Funny, what is you in a job? Like?
• 7:00
  Why you? Well, I don't know. You just don't look like a
• 7:04
  person who spends most of his time looking for a fugitives and criminals. It
• 7:10
  seems like such a strange job for you. That's a job. Do you
• 7:14
  like it? Oh? I don't know. Sometimes I like it a lot.
• 7:18
  Sometimes I don't like it at all, like now, like not.
• 7:24
  Thanks Johnny for what for feeling that way? Well, I guess is my
• 7:30
  turn to say, funny, what about you're asking about? Well, Pop's
• 7:34
  Harker seemed to think I was in the wrong job too. Pop's Harker,
• 7:38
  an old fellow, places trumpet Todaysa's castle. You'll hear him he's blind.
• 7:42
  Oh yeah, that horn of his has to make up for a lot.
• 7:46
  But why did he think You're in the wrong job? Mostly because of the
• 7:49
  company I sometimes have to keep like Freddy Quintana, Oh, I hate to
• 7:57
  see things work out like this. What's that mean? I mean finding Tom
• 8:03
  this way through a cheap information peddler like this, Quintana, If you don't
• 8:09
  turn himself in, I'm afraid that's a pretty remote possibility. I know,
• 8:16
  he seems to have forgotten what sort of a person he was after his arrest.
• 8:22
  He wouldn't even talk to me about it. I guess he's forgotten a
• 8:26
  lot of other things too. All right, come on, Lola, that's
• 8:31
  saysis castle right ahead? You think Tom will be there? I doubt it,
• 8:35
  Probably just Quintana. But are he's supposed to tell me where your husband
• 8:39
  is hiding? Here? We are? That must be Pop Tarker over there
• 8:46
  in the band with the dark glass. That's him. Come on that corner
• 8:50
  table. This is the place in the newspaper picture. Yeah, yes,
• 9:00
  I can believe Tom's been here. He loved this kind of music. Real
• 9:20
  nice, Pops, Thank you? How you doing? Oh? Pretty good,
• 9:26
  Charny. I thought you said he was. He recognized my voice.
• 9:28
  You still mess around a mean one, daddy, Freddy, Quintana, fred
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  I have to Pops, I'm not enjoying it particularly. You stick to the
• 9:37
  good ones, Daddy. Don't mess with the bad ones goship being about me,
• 9:41
  pops. Oh, Quintina, Oh why do you keep your face in
• 9:43
  that horn and out of other people's business? Quintina, that's all right,
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  Miss Dunna will still be blowing away this year hard law after some folks could
• 9:52
  breathe me. Yeah, yeah, yeah, sure, who's the dame on?
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  Don't worry about it, Freddy, Let's just say she's with me.
• 10:00
  Don't be so touchy, Okay, talk, that's all said. Oh yeah,
• 10:03
  I got this Chase on the ice for you. He thinks I'm arranging
• 10:07
  passage for him on a boat out of here with no questions asked. That's
• 10:09
  crazy. Business is business. Where is he now? Let's not get noses,
• 10:15
  Sweetie, got the smart talk, Freddy, Mine, my, you
• 10:16
  are in a pretty nasty mood tonight. Dollar. Yeah, so just stick
• 10:20
  to business. Okay, okay, yeah, I here's the address of my
• 10:24
  room in the house. Chase gonna meet me in my room at midnight.
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  You be there in a few minutes before and Dollar be sure you bring a
• 10:31
  doll. You'll be sure you bring Chase eating a bike see at midnight?
• 10:35
  Oh what a horrible person. Yeah, he's sure not the best Johnny,
• 10:41
  let me go with you at midnight. I don't think that'd be a very
• 10:43
  good idea, Lolan, Please, why just say I'm pretty foolish. I
• 10:48
  guess I just want to see him once more. I know it won't do
• 10:54
  any good, But after you take him, I probably won't see him again.
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  He wouldn't see me before, he probably won't afterwards. But just to
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  see him once more, I don't know what I'd like to go back to
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  my hotel and rest now. Please pick me up before you go to Quintana's
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  room, Johnny. Okay, this is the address lell Quintana's rooming house.
• 11:28
  It's an awfully shabby places, perfect spot for Quintana. What time is it?
• 11:33
  Five minutes to twelve? Alright, that's going i'mber right, so here
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  it is? Yeah, okay, we want not there's nobody here, Johnny.
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  Well we're a little early. Okay, we'll wait. So we waited
• 12:07
  fifteen minutes, half an hour. Do you think he was just playing some
• 12:13
  sort of beendish joke on his journey. I've been stood up on deals like
• 12:16
  this before, but all I wasn't used to it. Pretty soon the string
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  got a little too much for him. Please Johnny, I can't stand this
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  anymore. Take me back to my hotel. So I did. Now I
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  was right back where I started from. What no lea is? I decided
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  to go back to Waste's Castle, and that's where the trailers starting. I
• 12:35
  sat there for a few minutes, nursing and drink. Then somebody slid into
• 12:39
  the chair across from me. You Janet Dollar, And that's right. How
• 12:45
  are you, Lieutenant Lafair, New Orleans? Please? Ah, what can
• 12:50
  I do for you? Lieutenant? How long have you been here, sir?
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  A few minutes? Weren't you in here earlier? Yeah? What time
• 12:58
  you leave? Little after ten? Why where did you go to see somebody
• 13:01
  who didn't show up? Look, lieutenant, what's this all about? You
• 13:03
  don't mind? Just answer the questions? Who was this? Somebody went to
• 13:07
  see a character named Quintana. I was supposed to meet him in his room.
• 13:11
  Well you won't see him back. Well, well that's a sort of
• 13:13
  a long story. Look, here's my card, Lieutenant m Joan's investigating.
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  You might come with me, miss why two out back? There was a
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  woman with you earlier, Yes, missus Lola Chase. I took her back
• 13:30
  to a hotel before I came back here again. I see into the alley.
• 13:35
  What's this all about, Lieutenant? Go ahead, Donna, take look.
• 13:41
  There were two policemen and a photographer in the alley over her a doorway.
• 13:43
  I moved in close. A man was sprawled their face up Freddy Quintana.
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  And he didn't look me in a nasty anymore, just real, tired,
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  real dead. Johnny Dellar is Lieutenant la fav No Orleans. Please morning,
• 14:16
  lieutenant, anything new on the Freddy Quintana murder? Yeah? Oh you
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  what you sent you with Quintana last night? I'm business, lieutenant, what
• 14:24
  kind of business down? Well, it's a long story, I'm sure.
• 14:28
  I think you better tell it to me. Okay, I'll be right over.
• 14:41
  From Special Investigator Johnny Deller Location, New orleanss to the Home Office Universal
• 14:46
  Adjustment Bureau, Hertford, Connecticut assignment the Phantom Chase matter Expenser count continued it.
• 14:58
  I'm twelve a dollar twenty keV from my hotel to police headquarters, where
• 15:01
  a detective Lieutenant Lefevre was waiting for me. All Right, I don't know
• 15:05
  what's it all about, Welleutenant. It's mainly about Tom Chase, alias Tom
• 15:09
  James Chase James, who's he? Former junior partner in the investment firm of
• 15:13
  Everson and Chase in New York City. Chase and vessel one hundred and twenty
• 15:18
  thousand dollars from the firm. It's not very easy to do, I know,
• 15:20
  but he was real smart about it. George Everson, the senior partner,
• 15:24
  explained how Chase had done it. You see, he specialized in long
• 15:28
  term investments. Oh, people at buying hold on. Uh, yeah,
• 15:31
  that's right. Chase juggled the accounts and over what must have been a period
• 15:35
  of many months, he signed off a total of one hundred and twenty thousand
• 15:37
  hot Everson find out about it. Oh, one of their clients suddenly decided
• 15:41
  to sell out. His count wasn't as fat as it should have been,
• 15:43
  now, that's right. Everson immediately ordered an audit. The total shortage was
• 15:48
  discovered in the DA's office moved in. Did Chase make any kind of statement,
• 15:52
  No, no, none at all. He just clammed up. Everson
• 15:56
  tried to get him to explain, and so did Chase his wife, Lola,
• 16:00
  but he wouldn't say anything. Everson raised bail for him and Chase promptly
• 16:03
  jumped bail and disappeared. You know I've heard stars like this before. Yeah,
• 16:08
  sure, open and shut embezzlement. Anybody find a moodia, Well,
• 16:12
  we're just guessing at that could be any one of the standard ones. I
• 16:15
  guess gambling days. Maybe. Oh, I don't know. As far as
• 16:18
  we can determine, Chase didn't do any gambling, cause you never really know
• 16:25
  what about a woman, and that's probably closer to it. Although I'm like
• 16:29
  George Everson, if it was a woman, I don't get it. Why
• 16:33
  you should see Chase's wife, Lola, Oh black manny like that. Still,
• 16:40
  woods are full of men who've run out on good wife. Well,
• 16:44
  there was something wrong in the happy home, all right, but I guess
• 16:47
  it was all on Chase's part. Was Ola told me he'd been moody intense
• 16:51
  for some time before the investment became gnawn. He was away from home a
• 16:55
  lot at night, told her he'd been working late. That too, sounds
• 16:59
  for me. She asked George Jeffson about it, and George told her wasn't
• 17:00
  so. Then there was the matter of the vacation. Vacation, Yeah,
• 17:06
  the last moment Tom Chase told lowly. He couldn't get away, but insisted
• 17:08
  she go anyway, So she went to Martha's venue alone. Well, certainly
• 17:12
  has all of you marks another woman, I know, I asked George Jefferson
• 17:18
  if he knew of any other woman. He said, no, I haven't
• 17:22
  had the heart to ask a little of Chase that yet, but I got
• 17:25
  a hunch that's what she's afraid it is. Too. Well, it's all
• 17:29
  very interesting, donnad. But what's he got to do with Freddy Quintana's murder
• 17:32
  here in nor Lens. Yeah, here's a New York newspaper last week.
• 17:37
  Take a look at it, article on New Orleans jet. Yeah, that's
• 17:45
  a picture of Asis Castle down on the quarter. George Jefferson spotted this picture.
• 17:48
  The fellow in the background sitting at the bar looked at him like Tom
• 17:52
  Chase. And Chase was crazy about jazz, and that's why you come down
• 17:56
  here to no Lane. Yep. Freddy Quintana contacted me night before last.
• 18:00
  He told me Tom Chase was in New Orleans under the name of Tom James.
• 18:03
  Do you have any proof to show you? A letter? Chase had
• 18:04
  started to Lola, then threw away. Quintana stole it from Chase's Roman handwriting
• 18:10
  genuine. Mm hmmm. I checked it against the sample of Chases writing that
• 18:12
  I'd brought with me. Yeah, it says all right. Well, Quintana
• 18:18
  told me to meet him in his room at midnight. He'd have Chase there.
• 18:22
  Apparently he was pretending to negotiate with Chase for pass each out of the
• 18:25
  country. Oh, so, Lola and I went to Quintana's room at midnight,
• 18:27
  but he didn't show, and I took her back to a hotel that
• 18:32
  I met you, and you showed me Freddy Quintana's body in the alley.
• 18:37
  It sure looks like Tom Chase didn't want to get fund. So now if
• 18:41
  we get Tom Chase, we got Freddy Quintana's killer. That's about the size
• 18:45
  of it. Lieutenant, I don't know what do you mean. Dolla Quarter
• 18:49
  has been my bait for a long time. So Freddy Quintana was a real
• 18:53
  bad boy. That's what I'm in. When a bad boy gets himself killed,
• 18:59
  he isn't always easy to take the man who did it, meaning there
• 19:02
  are a lot of them would like to have done it. Huh, Freddy's
• 19:06
  case along line him. I don't tell it, but we give it wor
• 19:10
  Tom chasead is Tom James. I get out bullet on him. He's the
• 19:15
  one, though he probably skipped time by now. It could be what's your
• 19:18
  next movie, Jenny, one that I don't look forward to. Believe me,
• 19:21
  well, breaking the news to Lulla Chase, I just won't believe it.
• 19:32
  Johnny. I know it was hard enough to think that Tom was an
• 19:36
  embezzler, But he isn't a killer, Johnny. He couldn't be a nice
• 19:41
  guy. I can get twisted up. Then when he's on the Runny sometimes
• 19:45
  acts like an animal. He'll destroy anything or anyone who's between him and his
• 19:48
  freedom. But what kind of freedom can a man have? Who's I guess
• 19:55
  you were right, Johnny what you said. I shouldn't have come down here
• 19:59
  from New York, that there was nothing I could do except get hurt.
• 20:03
  Oh. I can understand your feeling you had to come. But wow,
• 20:08
  Johnny, I wish you were working for me right now. This investigation,
• 20:14
  I mean, I just call it off. Pray. Isn't that simple?
• 20:18
  Your husband's still a fugitive. He's got to be found. That one hundred
• 20:22
  and twenty thousand dollars or what's left of it has to be recovered, and
• 20:25
  if he is responsible for Quintanna's murder, I know it was just a wish.
• 20:30
  Excuse me. Hello, Oh, yes, just a moment you Johnny.
• 20:40
  Oh, thanks Johnny Dollar. Thought I m i'd find you there.
• 20:45
  Anything, Yes, Tom James Alice, he gave us Tom Chase paid off.
• 20:51
  Oh, just located his room. Where in a room and house in
• 20:53
  the quarter, a couple of dozen where Quintanna live. I'll meet you there
• 20:56
  in ten minutes. Expenser con Adam thirteen three dollars cab fare from Lola's Hotel
• 21:07
  to the rooming house in the quarter. Two dollars for the fair, a
• 21:10
  dollar extra for speed the driver earned it. Eight minutes later, I met
• 21:14
  Lieutenant Lefevre at the roomming house, a dilapidated two story building. He took
• 21:18
  me to a room at the end of the hall in the first floor.
• 21:22
  There's it. I'll sign a chasing No, I'm keeping a steak out on
• 21:29
  the room just in case, but I doubt if he'd be back. It's
• 21:32
  closed. Ago, looks like he left in a hurry. Yeah. Take
• 21:36
  a look over here on some sharp pieces of paper with fisherman of the waste
• 21:41
  basket had some mistake. Images usually make burning stuff in a wastebasket no draft,
• 21:48
  right, some it's not completely burnt. Se if any of it makes
• 21:51
  sense to you, Well, this one looks like part of a letter that
• 21:53
  one. Yeah, yeah, this one pigs Chase. All right, it's
• 22:00
  like a little piece of an envelope. Could be he brought part of the
• 22:03
  money down here. And you see you can still read part of the letter
• 22:07
  head in the upper corner. Everson and the full name is Everson and Chase.
• 22:11
  That's the name of the firm. Chase was the junior partner. Yeah,
• 22:15
  well that makes it pretty clear that Tom James and Tom Chase are one
• 22:18
  the same. Did he rent the Rome under the name of Tom James?
• 22:22
  It's right, haven't got any of the details yet. There's no manager here.
• 22:25
  Vacancies are handled by a rental agent down the street. I see,
• 22:29
  here's not a child fragment. I can't forget here. Take look that's right
• 22:33
  in here. And there's some numbers. Looks like a twelve and twenty three
• 22:40
  mean anything to you? Twelve twenty three an address? Maybe possibly isn't that
• 22:48
  much? Hell what a dress? Oh well, if I get any bright
• 22:51
  ideas, I'll call you. I'm going to pay a visit to that rental
• 22:53
  agent. Yes, what can I do for you? Are you the Asian
• 23:08
  for that rumming house down the street? And that's right, said Collus,
• 23:11
  is the main Moraga? Collis you'd like a room? Maybe? No?
• 23:15
  Thanks? I want some information. What about while you rented a room sometime
• 23:18
  ago to a man named Tom James? I believe. Well, let me
• 23:22
  see. I have to look it up to keep all the rentals in this
• 23:26
  year book. And he'd doted, Yeah, here it is. Oh yeah,
• 23:32
  what do you mean? Oh yeah? Was there something special about that
• 23:36
  rattle? Oh indeed there was my friends a little over a week ago?
• 23:41
  It was yeah that what figure? And the months fade in advance? Is
• 23:45
  that what was so special about it? Oh no, no, that's happened
• 23:48
  before. It was who rented it was so special? Well, I thought
• 23:52
  Tom James. It was rented for mister James by a friend of his.
• 23:56
  Oh I sure wish I had a friend like that. Oh man, what
• 24:00
  a woman moded? But Tom chases investments. It was a woman, after
• 24:10
  all. He probably stayed under cover while she rented the room for him.
• 24:15
  I thought of his wife, Lola. I didn't want to see her get
• 24:17
  hurt anymore. Expenser con Item fourteen. Care for all this hotel? Is
• 24:22
  it something new? Johnny? You left in such a Hurrylla, do yourself
• 24:26
  in me a favor. What is it? Go back to New York now?
• 24:32
  Why? Well, I just think it'd be better all around. That's
• 24:34
  all. Something's happened. You found out something, Johnny. Please don't hold
• 24:42
  anything back from me. It is. I have a right to know.
• 24:48
  Yeah, I guess you do. Okay, I'm sorry to tell you this,
• 24:55
  but it looks like Tom doesn't trampl alone. Oh. I guess I
• 25:06
  always knew that was it. It had to be. I'm sorry. You're
• 25:12
  right, Johnny. The only thing for me to do now is go back
• 25:17
  to New York and forget. Try to forget. Thanks for everything, Johnny.
• 25:26
  I had him fifteen three dollars, even drinks for me, but they
• 25:30
  didn't take the bad taste out of my mouth. Alowline heading back to New
• 25:34
  York, Alawn and Chase hitting who knew where with one hundred and twenty grand
• 25:38
  and not alone. I thought of that scrap of charred paper with the numbers
• 25:42
  on it, the one we'd found in this room twelve twenty three. They
• 25:48
  could mean anything or nothing. Finally I gave up trying to make sense out
• 25:52
  of it and pick up the evening paper news section not much of interest,
• 25:56
  sports, the comics, the weather, Ibnos, Harbord News, Ship Arrivals
• 26:03
  and Departures twelve twenty three. Could that be the time of departure of a
• 26:10
  ship and the peer number from peer twenty three to twelve? Maybe? Sure,
• 26:15
  it sounded like a long shut, but I had a strong haunts the
• 26:18
  trail might not be as cold as I'd thought. Now here's our star to
• 26:36
  tell you about the next intriguing episode of this story. It's about a trail
• 26:40
  that heats up and a girl who doesn't exactly help to cool things off.
• 26:45
  Join us, won't you? Yours Trullie Johnny Dollar? Yours Truly Johnny Dollar
• 27:06
  is starrying Bob Bailey is transcribed in Hollywood, written by Robert Rice, It
• 27:10
  is produced and directed by Jack Johnstone. Be sure to join us tomorrow night
• 27:15
  at same time and station for the next exciting episode of Yours Truly Johnny Dollar.
• 27:21
  Roy Rowan speaking welcome back. The clue with the number seemed to be
• 28:21
  a forced clue, because the combination of numbers could have meant other things,
• 28:26
  such as a time of departure of an airplane and the gate number. But
• 28:32
  perhaps they didn't have that many gates at the New Orleans airporn in nineteen fifty
• 28:36
  six. At any rate, we'll find out if Johnny is on the right
• 28:40
  track on Friday, or start to I should mention that this is actually the
• 28:45
  longest yours, truly, Johnny Dollar Cereal. It's a nine parter, so
• 28:48
  we won't finish it this week well, which brings me to a note about
• 28:52
  next week's programming. Next Wednesday, we will bring you Dick Powell in Murder
• 28:57
  My Suite the Lux Radio Theater as a precarsor to our Philip Marlowe story.
• 29:03
  So join us back here next Wednesday for Murder My Sweet and coming up tomorrow,
• 29:08
  of course, it's Nick Carter. In the meantime, send your comments
• 29:12
  to Box thirteen at Great Detectives dot net, follow us on Twitter Radio Detectives,
• 29:18
  and become one of our friends on Facebook, Facebook, dot com.
• 29:21
  Slash Radio Detectives from Boiseidaho. This is your host, Adam Grahamson and off