Latest / Frightmares / Ep. 157 - White Noise (2005)

Transcript

Ep. 157 - White Noise (2005) · Frightmares

• 0:43
  Speaker 1: Where's the chapstick? I found the chick. Sorry, I had
• 0:49
  Speaker 1: to get chapstick before we went. My lips have been
• 0:52
  Speaker 1: so chopped lately.
• 0:53
  Speaker 2: Oh my god, I didn't even tell you that.
• 0:55
  Speaker 3: When I went to Joanne's last night, the woman who
• 1:00
  Speaker 3: help me do my return cut my fabric and check
• 1:03
  Speaker 3: me out, which is why I didn't leave there for
• 1:04
  Speaker 3: almost go out. This woman the whole time, every time
• 1:09
  Speaker 3: I looked over at her, she was doing this, just
• 1:12
  Speaker 3: aggressively licking her lips, and like, do you need fucking
• 1:15
  Speaker 3: chapstick or something? Because you've been doing this for at
• 1:17
  Speaker 3: least forty minutes.
• 1:18
  Speaker 1: We should have played the chapstick song.
• 1:21
  Speaker 3: Just like, Oh god, it was. It was hard to
• 1:22
  Speaker 3: look at her because she wouldn't. Every time she looked.
• 1:25
  Speaker 1: Down, she go, well, you know what's really great? Doing
• 1:28
  Speaker 1: that in someone's ear? ASMR? Gross? Addition, you know what's funny?
• 1:34
  Speaker 1: Spencer says he listens to ASMR too to like go
• 1:37
  Speaker 1: to sleep, and I'm like, what the fuck is I
• 1:39
  Speaker 1: can't do it? I can't.
• 1:41
  Speaker 3: You don't like when people talk with the mouth when
• 1:44
  Speaker 3: you can hear the saliva in their mouth but not already?
• 1:46
  Speaker 2: Does that?
• 1:47
  Speaker 1: Can I scroll past that ship all the time on
• 1:49
  Speaker 1: TikTok where they're just like doing ASMR and I'm like,
• 1:52
  Speaker 1: fuck this, I want to scream and yell.
• 1:54
  Speaker 2: Yeah, well, some people don't do that. Some people just
• 1:58
  Speaker 2: talk quieter and you just kind of talk at this fallow.
• 2:01
  Speaker 3: No, I know they don't talk with as much spit.
• 2:03
  Speaker 3: I don't think you like when you can hear the saliva.
• 2:05
  Speaker 1: One of the guy, one of the ladies that he watches,
• 2:08
  Speaker 1: can't like speak anymore because apparently whispering is bad for
• 2:11
  Speaker 1: your vocal cords. She's whispered so much that like it
• 2:14
  Speaker 1: is permanently fucked up her voice. And I was like,
• 2:16
  Speaker 1: that is very weird. That doesn't That's what Spencer said.
• 2:20
  Speaker 1: Don't quote me. I don't know enough about whispering to
• 2:23
  Speaker 1: know how detrimental it is. But apparently she did ASMR
• 2:26
  Speaker 1: too much and it is permanently messed up her vocal cords.
• 2:29
  Speaker 3: Yeah, most people just speak at a low tone. A
• 2:32
  Speaker 3: lot of them don't actually full on whisper the whole time.
• 2:35
  Speaker 1: On the contrary, there is this other guy that I
• 2:37
  Speaker 1: love coming across on TikTok because he does ASMR, but
• 2:41
  Speaker 1: he's as loud as possible, and he is the like
• 2:45
  Speaker 1: blue yetti microphone that he'll take a soup can and
• 2:47
  Speaker 1: just like and he'll just bang on. Shit. I'm like,
• 2:50
  Speaker 1: this is the greatest thing ever. It's fucking hilarious. I
• 2:54
  Speaker 1: could watch that all day. Oh shit, but yeah, ASMR
• 2:58
  Speaker 1: just I don't know. It skeeves me out. That's weird.
• 3:00
  Speaker 1: But hey, if that's what you need to go to sleep,
• 3:02
  Speaker 1: I mean that's fine. I usually go ahead. Oh no,
• 3:06
  Speaker 1: go ahead, no no, I I couldn't think of anything.
• 3:08
  Speaker 1: I was going to go somewhere and then my brain
• 3:09
  Speaker 1: just totally farted.
• 3:10
  Speaker 3: So well, the only reason I found that was super
• 3:13
  Speaker 3: weird because it was when that Millie Bobby Brown Mills
• 3:19
  Speaker 3: lined scandal thing happened where she did a face cleansing routine,
• 3:23
  Speaker 3: except she didn't actually put any products on her hand,
• 3:28
  Speaker 3: and she explained that she was just trying to simulate
• 3:31
  Speaker 3: the whole thing, and everyone's like, your hands are like this,
• 3:36
  Speaker 3: which does not sound like you have product on your hand,
• 3:39
  Speaker 3: and she got called out for that. But I was like,
• 3:41
  Speaker 3: what is this video? So we went and looked it up,
• 3:43
  Speaker 3: and then I saw a video next to it.
• 3:44
  Speaker 2: I'm like, what is that? And then it just kind
• 3:46
  Speaker 2: of spirals.
• 3:46
  Speaker 1: From there and then you go into YouTube holes. That's
• 3:48
  Speaker 1: how it happens. Yeah, yeah, yeah, well, hello, greetings and
• 3:53
  Speaker 1: salutations everyone. This is episode one fifty seven. I'm your host,
• 3:56
  Speaker 1: Austin Proctor, and that is your other host, Gabrielle. Sure no, no,
• 4:05
  Speaker 1: we were supposed to do the happening, but.
• 4:08
  Speaker 2: It's not happening.
• 4:09
  Speaker 1: It's not happening. Uh didn't because it is not list
• 4:14
  Speaker 1: it as horror, even though I really feel like it
• 4:16
  Speaker 1: should be. Did was that a Shamalama ding dong? Yes,
• 4:19
  Speaker 1: it was a perfect segue real quick though, I'm gonna
• 4:24
  Speaker 1: seg We're gonna go back to the segue, So think
• 4:26
  Speaker 1: about Shamalama ding dong and we're gonna segue back because uh,
• 4:30
  Speaker 1: this is a This episode is a day late and
• 4:32
  Speaker 1: a dollar short because I fucking got COVID, which I
• 4:38
  Speaker 1: do not recommend. I had the first two. I had
• 4:43
  Speaker 1: the first two shots or whatever, the one and then
• 4:47
  Speaker 1: the is it raining the one in the follow up
• 4:50
  Speaker 1: for the vaccine. But I must have gotten some sort
• 4:53
  Speaker 1: of fucking variant of COVID because and I know how
• 4:57
  Speaker 1: I got it too, and I've told everyone we were
• 5:00
  Speaker 1: Achen going through the Legends Collide house and they have
• 5:05
  Speaker 1: all that stringy dangly bits that you know, hang down
• 5:08
  Speaker 1: from the ceiling. It's like literally pieces of string. And
• 5:11
  Speaker 1: one of those pieces of string got caught in my eyeball,
• 5:14
  Speaker 1: and I mean like I had to pull it out forcibly,
• 5:17
  Speaker 1: like it got so caught in my eye, and walking
• 5:20
  Speaker 1: out of the house, I was like, this is how
• 5:22
  Speaker 1: I get COVID. Six days later, bam kicked in the nuts.
• 5:26
  Speaker 1: COVID not fun. You miraculously didn't get it, fucking lucky
• 5:30
  Speaker 1: son of a bitch, which is surprising because we were
• 5:34
  Speaker 1: making out the night before, so yeah, you were definitely
• 5:39
  Speaker 1: kissing my face.
• 5:40
  Speaker 2: I mean we tend to kiss every day, not cough.
• 5:44
  Speaker 1: Uh So somehow you didn't get it. So I was
• 5:46
  Speaker 1: quarantined in my office. I made a fort pretty much essentially.
• 5:51
  Speaker 1: I took two autumns, scooted those like they're big giant automans.
• 5:54
  Speaker 1: I pushed those up against my couch, made a whole
• 5:56
  Speaker 1: bed situation, and I camped out in there for a
• 5:59
  Speaker 1: week and I'm still sleeping in there now because it's
• 6:01
  Speaker 1: just home now at this point.
• 6:03
  Speaker 2: You know, how nice to share it with everybody.
• 6:07
  Speaker 1: It's just so cozy. So I'm gonna ride out the
• 6:10
  Speaker 1: rest of the week there tonight and tomorrow, then go
• 6:11
  Speaker 1: back to the regular bed now that I'm testing negative.
• 6:14
  Speaker 1: So we barely scraped together an episode because I was
• 6:19
  Speaker 1: feeling like, I mean, I still kind of feel like
• 6:20
  Speaker 1: shit and I'm still pretty tired. But COVID is no joke.
• 6:23
  Speaker 1: That shit will wipe you out. I mean, the first
• 6:25
  Speaker 1: three days were fucking hell. I thought I was dying,
• 6:29
  Speaker 1: wrote down a will and everything. No, I'm just kidding,
• 6:32
  Speaker 1: but yeah, it was terrible. And then as the days
• 6:35
  Speaker 1: go As the days went on, I felt like I
• 6:37
  Speaker 1: was getting better, and then it'd be like, Nope, you're not.
• 6:39
  Speaker 1: And then I was like, oh, I'm getting better. No,
• 6:41
  Speaker 1: COVID is the weirdest sickness. Don't recommend it. Gonna be
• 6:44
  Speaker 1: wearing goggles next time I go through any of the
• 6:46
  Speaker 1: fucking haunted houses. So that's fun. That was a great time.
• 6:50
  Speaker 1: Thank you for taking care of me. She went to
• 6:52
  Speaker 1: the store like multiple times because I couldn't go anywhere,
• 6:55
  Speaker 1: and you gave me all the medicine. They're aflu for
• 6:58
  Speaker 1: the wind. Yeah, well just go had and plug theraflu
• 7:01
  Speaker 1: because holy shit.
• 7:02
  Speaker 2: We're accepting sponsorships.
• 7:04
  Speaker 1: Oh my god, that stuff. I don't know what's in Okay, no,
• 7:06
  Speaker 1: it's in there, but like they must put something else
• 7:08
  Speaker 1: in there, because it is a miracle fucking tea that
• 7:11
  Speaker 1: you drink because it fixes everything, sore throat, running, nose, headache, pain,
• 7:16
  Speaker 1: everything is amazing. So that was what I lived off
• 7:20
  Speaker 1: of for a while. We have a lot of leftover
• 7:21
  Speaker 1: of that too, actually, I know I put it away. Yeah,
• 7:25
  Speaker 1: so that was a fun time. Not going to recommend COVID,
• 7:27
  Speaker 1: but we're doing We're doing the episode. So now let's
• 7:30
  Speaker 1: segue into the facier making. First of all, into the
• 7:35
  Speaker 1: new Shama Lama Ding Dong movie. It's called Knock at
• 7:38
  Speaker 1: the Cabin. Yep.
• 7:40
  Speaker 2: Yeah, yeah, they just dropped the trailer for it. It's pretty.
• 7:45
  Speaker 3: It doesn't show a lot, but the whole premise seems
• 7:51
  Speaker 3: to be something about the fact of this family two
• 7:54
  Speaker 3: men and their daughter are invaded by some other people
• 7:59
  Speaker 3: who are who have tied them up and are forcing
• 8:03
  Speaker 3: them to make a decision to save the world.
• 8:06
  Speaker 2: And that's pretty much all we have.
• 8:07
  Speaker 1: Yeah, it says on the on the poster here, it's
• 8:10
  Speaker 1: a save your family or save humanity. Make the choice.
• 8:13
  Speaker 1: And it's got a little picture. It's a picture of
• 8:15
  Speaker 1: the little tiny adorable agent girl and a bear onesie
• 8:19
  Speaker 1: or something. I don't know, but this is a I
• 8:22
  Speaker 1: think they said it's a something about it's like lgbt
• 8:26
  Speaker 1: Q I A plus what the friendly Jesus yea parents
• 8:32
  Speaker 1: are Yeah, you have a gay couple and then they
• 8:35
  Speaker 1: have an adopted daughter, excuse me. And then Dave Bautista
• 8:41
  Speaker 1: is also in this, and he looks like he's playing
• 8:42
  Speaker 1: the villain, which is interesting. He's got a bunch of grint,
• 8:45
  Speaker 1: got a bunch of yeah and fucking yeah rupert grin.
• 8:48
  Speaker 1: If you don't know the name, you might know him
• 8:49
  Speaker 1: as Ron Weasley from Harry Potter. I don't think I've
• 8:52
  Speaker 1: seen him in anything since those movies. I'm sure he's
• 8:56
  Speaker 1: been in shit, but like, I haven't seen him in
• 8:58
  Speaker 1: anything since the last Harry Potters.
• 9:00
  Speaker 2: Oh no, I haven't. I can't think of anything off
• 9:03
  Speaker 2: the top of my head.
• 9:04
  Speaker 1: I mean, like, I know he's been in shit. Yeah, yeah,
• 9:06
  Speaker 1: he's been in stuff. I'm looking. Oh yeah, he was
• 9:08
  Speaker 1: in them that TV show Sick Note. I never saw that.
• 9:11
  Speaker 1: But that's like a Netflix original, I think. But the
• 9:14
  Speaker 1: interesting thing about Don't Knock at the Cabin is that
• 9:17
  Speaker 1: Shyamalan is directing it, but there's like spot four or
• 9:20
  Speaker 1: five writers involved, which usually he writes his own shit,
• 9:24
  Speaker 1: so it's interesting to see him working with I've seen
• 9:28
  Speaker 1: three other writers here or two writers and then one
• 9:30
  Speaker 1: did that because I guess this is also based on
• 9:32
  Speaker 1: a novel, which is unlike him. Unlike him as well,
• 9:35
  Speaker 1: he usually does writing, directing and the original ideas, so
• 9:39
  Speaker 1: now he's doing something based off of a book and
• 9:41
  Speaker 1: has multiple writers. So that's kind of interesting for Shamalan.
• 9:45
  Speaker 2: God help the source material.
• 9:47
  Speaker 3: Last time he did something with source material, he just
• 9:49
  Speaker 3: destroyed it.
• 9:51
  Speaker 1: What did he do with source material?
• 9:52
  Speaker 2: Avatar?
• 9:53
  Speaker 1: Uh? He did that? Yeah?
• 9:56
  Speaker 2: Ooh that's oh nothing, says I. I have no idea
• 10:00
  Speaker 2: what the source material is.
• 10:01
  Speaker 3: Quite like whitewashing all of your cast, taking away all
• 10:05
  Speaker 3: of the humor and completely changing the point of the story,
• 10:09
  Speaker 3: which is.
• 10:09
  Speaker 1: Weird because he's not white. You think he would. Maybe
• 10:12
  Speaker 1: it was Hollywood doing it was Probably it was probably
• 10:15
  Speaker 1: Hollywood doing the whitewashing.
• 10:17
  Speaker 3: But I hear the new show that they're gonna do
• 10:19
  Speaker 3: is not whitewashed, So we got that going.
• 10:21
  Speaker 1: That's good. Yeah, I forget he did do the Last
• 10:24
  Speaker 1: Airbender that has like a one point one on letterbox.
• 10:27
  Speaker 3: It's because it was offensive the show. I've seen the show.
• 10:31
  Speaker 3: The show is great. That was offensive.
• 10:35
  Speaker 1: Yeah, and this comes from the same man who did
• 10:37
  Speaker 1: you know, like sixth cents Unbreakable Signs. Even though that
• 10:41
  Speaker 1: those aliens in the twist was pretty dumb, He's done
• 10:44
  Speaker 1: a lot of good shit also, the Happening, like we
• 10:46
  Speaker 1: said earlier, so's he's got a very mixed bag when
• 10:50
  Speaker 1: it comes to movies because he also did you know,
• 10:54
  Speaker 1: Split and stuff like that. But then the last thing
• 10:56
  Speaker 1: he did, which is only two years or which only
• 10:59
  Speaker 1: last year, which called old. I don't know. I wasn't
• 11:01
  Speaker 1: huge on that one. I thought the twist wasn't that great.
• 11:05
  Speaker 1: Had a star studed performance, and it had an interesting plot.
• 11:08
  Speaker 1: But you know that twist, you're like, that was kind
• 11:10
  Speaker 1: of stupid.
• 11:12
  Speaker 2: It was a wild.
• 11:14
  Speaker 1: Yeah, it was not great. So here's hoping that this
• 11:17
  Speaker 1: is something that's gonna be worthwhile. No offense to Like
• 11:21
  Speaker 1: I said, he's just kind of a mixed bag. But
• 11:23
  Speaker 1: this is slated to release February third of next year,
• 11:27
  Speaker 1: and it is a horror mystery thriller, so it's something
• 11:30
  Speaker 1: that we will obviously talk about when we watch it.
• 11:33
  Speaker 1: But yeah, that's something to look forward to next year. Yes,
• 11:36
  Speaker 1: very excited.
• 11:37
  Speaker 2: You know.
• 11:37
  Speaker 3: We can also mention that even though we were unable
• 11:40
  Speaker 3: to get to Pearl, which we will get to because
• 11:43
  Speaker 3: of the na we did, however, get to see good
• 11:47
  Speaker 3: Night Mommy, the.
• 11:49
  Speaker 2: Thing, the remake with.
• 11:53
  Speaker 3: Naomi Wats Naomi Watts, and Wow, that was a movie
• 11:56
  Speaker 3: where I got through it and went what was the.
• 11:59
  Speaker 2: Point of it?
• 12:01
  Speaker 1: Yes, this is one of the no I would I
• 12:03
  Speaker 1: would say a few times, but it's definitely a very
• 12:06
  Speaker 1: like common occurrence when America decides to remake a movie,
• 12:10
  Speaker 1: they either try to do something different and fail or
• 12:13
  Speaker 1: they do the same fucking movie. And I'll just go
• 12:16
  Speaker 1: ahead and tell you it's the same movie. If you've
• 12:20
  Speaker 1: seen the original good Night Mommy, there is nothing new
• 12:23
  Speaker 1: in the way of story, same twist, same reveal. It's like,
• 12:28
  Speaker 1: what the fuck is the point of that? When you
• 12:30
  Speaker 1: have a movie that relies on a very like huge
• 12:34
  Speaker 1: plot twist, why would you do that the same way?
• 12:37
  Speaker 1: Like that? What's the what's the point of making a movie. Yeah,
• 12:41
  Speaker 1: you bring nothing new to the table. I don't understand
• 12:44
  Speaker 1: why you're why you're spending the money. You know, that
• 12:47
  Speaker 1: one went straight to Amazon. That was an Amazon Studios production,
• 12:50
  Speaker 1: and I mean like, great, you know I like Naomi Want.
• 12:53
  Speaker 1: It was a.
• 12:54
  Speaker 2: Very that's her seventh remake that.
• 12:56
  Speaker 1: She's been seventh remake.
• 12:58
  Speaker 2: Yeah, sixth or seventh? Well the yeah, no, I'm not
• 13:01
  Speaker 2: going to try to name them all.
• 13:02
  Speaker 1: Oh. I was like, the Ring is a one ring
• 13:04
  Speaker 1: King Kong.
• 13:06
  Speaker 3: Oh yeah, good night, mommy, Okay, I'd have to look
• 13:09
  Speaker 3: at the others.
• 13:10
  Speaker 1: Yeah, so that was a swing and a miss. I
• 13:13
  Speaker 1: was really excited because I wasn't too huge on the original.
• 13:17
  Speaker 1: I don't know, I just wasn't really into it. So
• 13:19
  Speaker 1: I was like, oh, maybe this is an opportunity for
• 13:23
  Speaker 1: you know something them to bring something new to the story.
• 13:26
  Speaker 1: Oh that was a really sharp fucking ass. Sorry about that,
• 13:29
  Speaker 1: but no, sadly, no, I think we gave I think
• 13:32
  Speaker 1: we both gave that a too. I'm pretty sure. Yeah.
• 13:36
  Speaker 3: Yeah, Unfortunately it didn't bring anything different to the table,
• 13:40
  Speaker 3: which is really what you need to do with the remake.
• 13:42
  Speaker 2: You really need.
• 13:43
  Speaker 3: To show why you need to justify your remake. If
• 13:48
  Speaker 3: you're going to do a remake, you need to justify
• 13:50
  Speaker 3: it by doing something new and different and innovative with it,
• 13:55
  Speaker 3: not just changing the scenery and the language and calling
• 13:59
  Speaker 3: it a day. Yeah, but it lacked that whole, that
• 14:06
  Speaker 3: whole atmosphere with the mom where she's like, is she
• 14:09
  Speaker 3: just off or is she off? Like midway through the movie,
• 14:14
  Speaker 3: you're like, oh, man, a lot of these problems could
• 14:16
  Speaker 3: be solved if the mom wasn't so unhinged in response.
• 14:20
  Speaker 2: To everything her kids were doing.
• 14:23
  Speaker 3: And so it's like, it makes it kind of hard
• 14:26
  Speaker 3: to be like, oh, she's totally fine or she's.
• 14:30
  Speaker 2: Not fine, Like you're just like, why is she acting crazy?
• 14:33
  Speaker 1: And why are you crazy? Crazy pants?
• 14:35
  Speaker 3: All of the stuff in the original they did a
• 14:37
  Speaker 3: lot of effort, I remember, because again I didn't really
• 14:40
  Speaker 3: particularly care that much about that movie either. I remember
• 14:44
  Speaker 3: that they went through a lot of pains to make
• 14:46
  Speaker 3: sure the reveal was not super obvious. However, watching this
• 14:51
  Speaker 3: one and knowing what the reveal is, holy crap, is
• 14:56
  Speaker 3: it like, is it super obvious the whole time? Because
• 15:01
  Speaker 3: of the way they just did the camera work and
• 15:03
  Speaker 3: the details they didn't bother putting into it. They're just like, Okay,
• 15:07
  Speaker 3: so I don't know why you did this. You didn't
• 15:09
  Speaker 3: even do it.
• 15:10
  Speaker 2: You didn't do it better, you didn't do it different enough,
• 15:13
  Speaker 2: you just kind of did it lazier.
• 15:16
  Speaker 1: Yeah, pretty much, pretty much at the end of the day. Yeah,
• 15:21
  Speaker 1: I sat there wondering, and I remember looking to you
• 15:24
  Speaker 1: and saying, because I didn't remember the twist of the
• 15:27
  Speaker 1: first one, so it's like, this will be interesting. And
• 15:28
  Speaker 1: then right, you know, about twenty minutes before it happened,
• 15:31
  Speaker 1: I was like, I feel like, this is what's gonna happen,
• 15:33
  Speaker 1: and I feel like that was the twist on the original,
• 15:35
  Speaker 1: and I was right. Two times over. It's like, oh boy,
• 15:38
  Speaker 1: that's just dynamite.
• 15:40
  Speaker 3: Yeah.
• 15:40
  Speaker 2: I knew what the twist was, so that made it
• 15:42
  Speaker 2: way more obvious.
• 15:43
  Speaker 3: There was point because you couldn't remember, so I couldn't
• 15:45
  Speaker 3: say anything when there were points where like conversations were happening,
• 15:48
  Speaker 3: and like, this makes it super obvious.
• 15:51
  Speaker 1: Do you notice something like yet now I noticed something? Yeah,
• 15:55
  Speaker 1: So yeah, not great. I'm not gonna recommend that one. Obviously,
• 16:00
  Speaker 1: watch it and make up your own mind. I'm not
• 16:01
  Speaker 1: gonna ever tell I'm not gonna ever say don't watch something.
• 16:04
  Speaker 1: I always want people to check things out and formulate
• 16:07
  Speaker 1: their own their own opinion, because I mean, there's people
• 16:09
  Speaker 1: out there that like Firestarters, so you know, so yeah, swinging.
• 16:14
  Speaker 2: A miss who likes Firestarter?
• 16:17
  Speaker 1: Dude. When that movie first got released, I was seeing
• 16:21
  Speaker 1: so many things in horror groups that were like, oh,
• 16:23
  Speaker 1: I love Firestarter, I don't understand the hate and you
• 16:26
  Speaker 1: haven't read the book. I'm not there to start fights.
• 16:29
  Speaker 1: I scroll past because I'm like, I don't even want
• 16:32
  Speaker 1: to get involved with all the problems with that movie
• 16:34
  Speaker 1: with you, because I will, I will fight about it forever.
• 16:36
  Speaker 1: So I just have to scroll on by with a
• 16:38
  Speaker 1: lot of stuff on Facebook.
• 16:40
  Speaker 2: You know what, even if he hadn't read the book,
• 16:41
  Speaker 2: that movie made no sense.
• 16:43
  Speaker 1: Yeah, we're not gonna go down that road again. We
• 16:45
  Speaker 1: already everyone everyone knows how. We spent an entire episode
• 16:48
  Speaker 1: shitting all over that, which usually we don't do.
• 16:52
  Speaker 3: But uh, shout out to straw Hot Goofy because he
• 16:56
  Speaker 3: also dislikes that film and he's talking about his like
• 16:58
  Speaker 3: bottom films.
• 16:59
  Speaker 2: He's like, you know, like Fire's Charter. See yeah, now
• 17:03
  Speaker 2: I know you're a smart man.
• 17:04
  Speaker 1: We would be friends. I was gonna mention something else
• 17:09
  Speaker 1: after that, not good movie good Night Mommy, but if
• 17:12
  Speaker 1: you if you care to check that out, that is
• 17:14
  Speaker 1: on Amazon, and like I said, it is an Amazon original.
• 17:19
  Speaker 1: There was something that we watched recently that I wanted
• 17:23
  Speaker 1: to mention. Oh yeah, a Little Nikki because that actually
• 17:26
  Speaker 1: is listed as horror on letterbox. Let's talk about that
• 17:29
  Speaker 1: real quick, because I'd never seen it before. Yep, which
• 17:33
  Speaker 1: is weird because I love Adam Sandler. But we watched that.
• 17:37
  Speaker 1: Spencer actually was saying the other day, we were playing
• 17:40
  Speaker 1: Call of Duty and he's over they were talking about
• 17:41
  Speaker 1: Little Nikki and it's like, I haven't seen that. He's like,
• 17:43
  Speaker 1: you gotta watch it. I'm like, well, where is it.
• 17:45
  Speaker 1: It's on Netflix. So we watched it, and boy is
• 17:47
  Speaker 1: that movie ridiculous but also fucking hysterical. I thought, yeah,
• 17:54
  Speaker 1: I really enjoyed that. It's not you know, it's not
• 17:57
  Speaker 1: like it's a quality film, but it's just so stupid
• 18:00
  Speaker 1: and ridiculous that I'm like, Okay, I enjoyed it.
• 18:04
  Speaker 3: Special effects a lot of the time don't hold up,
• 18:08
  Speaker 3: and some of the jokes obviously are.
• 18:12
  Speaker 2: A little on the rough.
• 18:13
  Speaker 3: Side, with a lot of two thousands humor, Like a
• 18:15
  Speaker 3: lot of jokes were like ooh, that joke did in
• 18:17
  Speaker 3: age well, but surprisingly not as many as you think
• 18:21
  Speaker 3: for an Adam Sandler film about the Sun of the Devil.
• 18:25
  Speaker 1: I was gonna say it didn't like heavily rely on
• 18:27
  Speaker 1: the you know, homophobic except for the roommate.
• 18:31
  Speaker 2: The roommates with the hair.
• 18:34
  Speaker 1: Was he gay?
• 18:35
  Speaker 3: Yeah, they made a lot of homophobic remarks towards him.
• 18:38
  Speaker 1: Well, I'm saying it's I'm saying like it didn't rely
• 18:40
  Speaker 1: on it because there's a lot of movies, you know,
• 18:42
  Speaker 1: like remember Club Dread when we were like, yesh, this
• 18:45
  Speaker 1: movie is really laying into that that humor from the.
• 18:48
  Speaker 3: Surprisingly low on the UH scale for those jokes compared
• 18:54
  Speaker 3: to other two thousands.
• 18:55
  Speaker 1: Yeah, compared That's what I'm saying, compared to others. So
• 18:57
  Speaker 1: it doesn't make it as hard to watch. But that
• 19:00
  Speaker 1: was a lot of fun. And then you didn't watch
• 19:02
  Speaker 1: these with me. But while I was laying in bed
• 19:05
  Speaker 1: with nothing to do, having COVID, I watched a shit
• 19:07
  Speaker 1: ton of movies and I actually watched all the Fantasm movies.
• 19:11
  Speaker 1: I tried watching Fantasm or the original Ages Ago and
• 19:14
  Speaker 1: just couldn't get into it for some reason. But I
• 19:16
  Speaker 1: watched all of them, and I have to say, as
• 19:18
  Speaker 1: of now, huge fan of that series. It's a lot
• 19:20
  Speaker 1: of fun. It was about something completely different than what
• 19:23
  Speaker 1: I thought it was. But that's what happens when you
• 19:26
  Speaker 1: watch a movie and you're younger and you think you
• 19:29
  Speaker 1: have to be entertained in the first ten minutes or
• 19:31
  Speaker 1: the movie's gonna suck so other Getting Phantasm two is
• 19:35
  Speaker 1: definitely my favorite. I give that one four stars. I
• 19:37
  Speaker 1: think you'd actually liked them. They're pretty like the one
• 19:38
  Speaker 1: in two. You'd like three, four and five, Like three
• 19:41
  Speaker 1: and four are good, but they you know, obviously they
• 19:43
  Speaker 1: kind of go down in quality, and then five was
• 19:46
  Speaker 1: a little silly because that's when they started using a
• 19:48
  Speaker 1: lot of CG. Yeah, and when you have a you know,
• 19:51
  Speaker 1: a movie where you don't use any CG at all
• 19:53
  Speaker 1: on the originals and then what did you do to them?
• 19:56
  Speaker 1: What did you do? What'd you do to that? Oh? Please?
• 20:00
  Speaker 1: I thought you just I was like, how did you
• 20:01
  Speaker 1: shrink that?
• 20:03
  Speaker 2: I shrunk it? Anyways, imagine.
• 20:05
  Speaker 1: No, Uh so, fantousand movies are a lot of fun.
• 20:08
  Speaker 1: I'll probably show them to you at some point.
• 20:10
  Speaker 2: Okay, well I'll probably show you Queen of the Damned
• 20:12
  Speaker 2: at some point.
• 20:12
  Speaker 1: But well we were supposed to. Could you fucking stop
• 20:15
  Speaker 1: leave it alone? Fucking stop it, leave it Okay. You
• 20:22
  Speaker 1: said you wanted there was something else you wanted to
• 20:23
  Speaker 1: talk about.
• 20:24
  Speaker 3: Oh, we were going to talk about the Marvel horror
• 20:28
  Speaker 3: thing that's coming out in October.
• 20:30
  Speaker 1: Yeah. I don't know anything about this. You got to
• 20:32
  Speaker 1: explain this because I know nothing.
• 20:34
  Speaker 3: So I guess this got announced it d twenty three,
• 20:37
  Speaker 3: and let me pull up the name of it. It
• 20:39
  Speaker 3: is called Werewolf by Night.
• 20:41
  Speaker 2: It is a.
• 20:45
  Speaker 3: It's a TV series. It's a one hour TV special. Okay,
• 20:49
  Speaker 3: that's what it is.
• 20:51
  Speaker 1: Oh, it's just a wait, a one out, So just
• 20:53
  Speaker 1: an hour, that's it.
• 20:54
  Speaker 2: Yeah, it's it.
• 20:56
  Speaker 3: Yeah, and it's going to be on October seventh on
• 20:58
  Speaker 3: Disney Plus. It is an original thing. So I guess
• 21:01
  Speaker 3: it doesn't relate to.
• 21:02
  Speaker 1: Anything, like, what's the deal.
• 21:06
  Speaker 2: No, it's just it's just a one off, random story.
• 21:09
  Speaker 1: Oh it doesn't relate to anything. Oh I thought you said. Sorry,
• 21:12
  Speaker 1: I'm here.
• 21:14
  Speaker 3: It is a follows a lichen thrope werewolf superhero who
• 21:18
  Speaker 3: fights evil by using his abilities given to him. By
• 21:21
  Speaker 3: a curse brought on by his bloodline. So interesting. This
• 21:26
  Speaker 3: appears that it will be all in black and white,
• 21:28
  Speaker 3: and the guy who composed such things as up Ratitui,
• 21:34
  Speaker 3: Star Trek and Rogue One is actually making his directorial
• 21:37
  Speaker 3: debut with this.
• 21:38
  Speaker 1: Oh wow.
• 21:39
  Speaker 2: And it will.
• 21:40
  Speaker 3: Be starring Gail Garcia, who is the father in Old
• 21:45
  Speaker 3: Fun Fact and has been in a lot of stuff.
• 21:49
  Speaker 3: He's one of those guys where you see his face
• 21:50
  Speaker 3: you're like, oh, yeah, I know that guy. And he
• 21:52
  Speaker 3: voiced Hector in Coco. But yeah, so that should be
• 21:57
  Speaker 3: pretty interesting.
• 22:00
  Speaker 2: A lot of people are excited.
• 22:01
  Speaker 3: But yeah, it does appear that it's going to be
• 22:03
  Speaker 3: black and white, so it's going to do a classic
• 22:04
  Speaker 3: core vibe thing.
• 22:07
  Speaker 1: Interesting. October seventh. Is it like you have to catch
• 22:11
  Speaker 1: it then or it's gone forever?
• 22:12
  Speaker 2: No, I think that's just when it starts streaming. That's
• 22:14
  Speaker 2: fun post for it.
• 22:15
  Speaker 1: That's pretty cool night mar So who's in it?
• 22:21
  Speaker 2: I just said Gail Garcia. It's also got Let's see.
• 22:25
  Speaker 1: Is there any I'm saying like recognizable?
• 22:27
  Speaker 3: Then Laura Donnelly who was in the show The Nevers.
• 22:31
  Speaker 3: She's an outlander a lot of TV things.
• 22:35
  Speaker 2: Let's see. I'm trying to see if there's anyone. Doesn't
• 22:37
  Speaker 2: have anyone big listed right.
• 22:38
  Speaker 1: Now, I say, they might be keeping it under wraps.
• 22:41
  Speaker 2: It's entirely it's entirely possible.
• 22:45
  Speaker 1: Yeah, as anyway.
• 22:50
  Speaker 2: Oh okay, well, that's fun.
• 22:52
  Speaker 3: The lady who played the occultist in the Conjuring the
• 22:56
  Speaker 3: Devil made Me do it is going to be in it.
• 22:58
  Speaker 2: I hope that helps.
• 23:00
  Speaker 1: How could I forget the occultists from a movie I
• 23:02
  Speaker 1: saw one time?
• 23:03
  Speaker 2: Lady?
• 23:04
  Speaker 3: Okay, yeah, if you look up the picture and see
• 23:08
  Speaker 3: it'll be like, okay, yeah, but yeah, not like big stars,
• 23:13
  Speaker 3: but stars where if you saw what they were in,
• 23:16
  Speaker 3: you'd be like, oh yeah.
• 23:17
  Speaker 2: I recognize it.
• 23:17
  Speaker 1: I know you. Well. Speaking of sequels aka Conjuring three,
• 23:21
  Speaker 1: we're getting a new sequel to a movie that's like
• 23:24
  Speaker 1: twenty something years old and is gonna be amazing because
• 23:27
  Speaker 1: I just watched it for the first time.
• 23:29
  Speaker 2: Constantine, Oh yeah, that was the other thing.
• 23:32
  Speaker 1: Ye, we just recently watched that for me for the
• 23:36
  Speaker 1: first time. You've seen it before.
• 23:38
  Speaker 3: But he was like one of ten movies I have
• 23:40
  Speaker 3: on my computer so that I can watch it anytime.
• 23:43
  Speaker 1: Well, and there's always been talks about I keep hearing,
• 23:45
  Speaker 1: you know, for a while, for years they were like, man,
• 23:48
  Speaker 1: people will be like, wouldn't it be cool if we
• 23:50
  Speaker 1: got Constantine too, and like people had made I'd seen like,
• 23:53
  Speaker 1: you know, fake posters that people made. And then he
• 23:55
  Speaker 1: came out and was like, yeah, we're doing oh shit,
• 23:57
  Speaker 1: all right? Cool?
• 23:59
  Speaker 3: Keanu ree in an interview, I can't remember who it
• 24:02
  Speaker 3: was with. It might have been Stephen Colbert or Jimmy Fallon,
• 24:05
  Speaker 3: one of those two. He said he was asked if
• 24:09
  Speaker 3: there was any film or any character he could play again,
• 24:11
  Speaker 3: who would it be, And he said, well, you know,
• 24:13
  Speaker 3: I'd love to play John Constantine again.
• 24:15
  Speaker 2: And that was a few years ago.
• 24:16
  Speaker 1: And he's like, yeah, like we're doing it. Oh okay,
• 24:20
  Speaker 1: I guess ask and you shall receive. I guess that's
• 24:23
  Speaker 1: how that works. Now.
• 24:24
  Speaker 3: I would be really happy because Tilda Swinton is it
• 24:26
  Speaker 3: even bigger star and I would be really cool if
• 24:28
  Speaker 3: she came back again.
• 24:29
  Speaker 1: Well, Peter storm Meer better fucking come back to play
• 24:31
  Speaker 1: the devil.
• 24:32
  Speaker 3: Yeah, and Rachel why is like all the actors are
• 24:36
  Speaker 3: still real big actors.
• 24:39
  Speaker 1: I really hoped they all come back for that.
• 24:41
  Speaker 3: Yeah, because the only one I could think of who
• 24:42
  Speaker 3: probably wouldn't is shy La Booth because he's uh, he
• 24:47
  Speaker 3: was his little cabby driver, remember oh yeah, right. One
• 24:51
  Speaker 3: because of how things turned out for him in that film,
• 24:55
  Speaker 3: so that would be weird.
• 24:56
  Speaker 2: And two because he is just riddled with scandal right now.
• 24:59
  Speaker 1: So I'm not surprised though. He's always been that weirdo
• 25:03
  Speaker 1: that's every now every couple of years, like the whole
• 25:05
  Speaker 1: bag on the head at the Emmys or whatever whatever
• 25:08
  Speaker 1: he did that one time he literally showed up with
• 25:10
  Speaker 1: like a bag on his head, like a paper bag
• 25:12
  Speaker 1: with two eyeshole, yeah.
• 25:15
  Speaker 3: Crying about your dad abusing you the lake after you
• 25:18
  Speaker 3: made a whole film.
• 25:19
  Speaker 1: About Yeah, the latest being what you just said, Honeyboy apparently,
• 25:22
  Speaker 1: which was a masterpiece of a movie. Apparently none of
• 25:25
  Speaker 1: that shit happened and darkens, and no one fucking asked
• 25:29
  Speaker 1: him to say. He just came out and was like, yeah,
• 25:31
  Speaker 1: I know that happened. It's like, what's his face saying
• 25:33
  Speaker 1: he doesn't use homophobic slurs anymore, Matt damone, I just
• 25:36
  Speaker 1: stopped using the f wort recently, Like, no one fucking
• 25:39
  Speaker 1: asked you to tell us that.
• 25:40
  Speaker 2: No one wanted to know that information.
• 25:43
  Speaker 3: Uh, you're like you're saying too much, You're you're oversharing.
• 25:46
  Speaker 1: Yeah, but it's like it doesn't surprise me because now
• 25:49
  Speaker 1: and it's like, what do you believe at this point?
• 25:51
  Speaker 1: Because he does cause a lot of shit, you know,
• 25:53
  Speaker 1: and he's caused a lot of shit in Hollywood, so.
• 25:55
  Speaker 2: Part of that whole don't worry Darling drama.
• 25:57
  Speaker 1: So is is he like what is he doing this
• 26:01
  Speaker 1: for publicity? Like is he just saying it didn't happen
• 26:04
  Speaker 1: when it Like I don't know what to believe anymore.
• 26:06
  Speaker 1: Like he's so unreliable as like a as a human being.
• 26:10
  Speaker 1: It's like did it happen and you're lying? Or did
• 26:13
  Speaker 1: it not? And you're telling the truth?
• 26:15
  Speaker 2: Will never know and it's best just to leave them alone.
• 26:19
  Speaker 1: No, I know, it's just weird.
• 26:21
  Speaker 2: Like, buddy, why don't you take a time out?
• 26:23
  Speaker 1: No one asked for that information. It's not like someone
• 26:25
  Speaker 1: came up to me was like, hey, dude, was honey
• 26:26
  Speaker 1: Boy based on real events? Not I He just came
• 26:29
  Speaker 1: out and said it. You're like things I didn't need
• 26:31
  Speaker 1: to know for two hundred Alex, I don't like kind.
• 26:34
  Speaker 3: Of feels like bullshit now though, because you were like,
• 26:35
  Speaker 3: oh honey Boy, like wow, what a tragic thing that
• 26:37
  Speaker 3: happened to him. And now you're like, and now this
• 26:40
  Speaker 3: kind of feels, this kind of ruins this whole film.
• 26:43
  Speaker 3: And it went from Oh wow, that's crazy, Oh wow,
• 26:47
  Speaker 3: what the fuck is wrong with you that you'd make
• 26:48
  Speaker 3: a whole film about someone who didn't do anything?
• 26:51
  Speaker 2: Do you like?
• 26:51
  Speaker 1: What? Yeah?
• 26:52
  Speaker 3: What?
• 26:52
  Speaker 1: Why? Why?
• 26:54
  Speaker 2: Like that goes from being a really good film to a.
• 26:58
  Speaker 1: Very why, very bold move there, because, like I've I was.
• 27:02
  Speaker 2: An ultimate dick move.
• 27:03
  Speaker 1: I was really happy when he started to, like, you know,
• 27:06
  Speaker 1: because honey Boy and Peanut Butter Falcon were like his
• 27:08
  Speaker 1: first two movies, like you know, like back and Peanut
• 27:11
  Speaker 1: Butter Falcons like one of the one of the greatest
• 27:13
  Speaker 1: movies ever made. Uh, hopefully there's no scandals there. Hopefully
• 27:16
  Speaker 1: doesn't come out and I don't know, say it says
• 27:19
  Speaker 1: he hates I don't know, you never know, just don't
• 27:21
  Speaker 1: ruin that movie. But like, I was excited for him
• 27:23
  Speaker 1: to come back because he is a great actor. I
• 27:26
  Speaker 1: always watched even Stevens as a kid, so it was nice.
• 27:29
  Speaker 1: And now you're like, I don't know how to feel
• 27:32
  Speaker 1: about you anymore.
• 27:33
  Speaker 2: Man, you're like, he needs to take time.
• 27:35
  Speaker 1: Yeah, too much chaos. So it's yeah, apparently so so
• 27:39
  Speaker 1: that's that's I don't even know how we got to
• 27:40
  Speaker 1: child Oh Constantine. Sorry, yeah, there we go. So going
• 27:43
  Speaker 1: back to Constantine that should be fun. I don't know
• 27:45
  Speaker 1: when it's supposed to come out, sometime next year, maybe
• 27:48
  Speaker 1: the year after, but either way, it's on the way
• 27:51
  Speaker 1: and that's very exciting. I did not have to wait
• 27:53
  Speaker 1: that long for the sequel, which is awesome.
• 27:55
  Speaker 2: Ye.
• 27:56
  Speaker 1: I watched it and it was like sequel, oh sweet.
• 27:58
  Speaker 2: Yeah, that was always one of those I'm like, I'd
• 28:00
  Speaker 2: like to see more of this.
• 28:02
  Speaker 1: And that was two thousand and something. It was like
• 28:06
  Speaker 1: two thousand and seven, I want to say, two thousand
• 28:09
  Speaker 1: and five Constantine. So it's been seventeen years. Talk about
• 28:12
  Speaker 1: a slow play, but that movie was freaking awesome.
• 28:16
  Speaker 2: Do you think he'll be re riddled with cancer at
• 28:18
  Speaker 2: this point?
• 28:20
  Speaker 1: Maybe it's possible. Oh he did go to Helen back, Yeah,
• 28:25
  Speaker 1: but maybe that cured the cancer.
• 28:27
  Speaker 2: No, the devil cured the cancer.
• 28:29
  Speaker 1: I don't remember most of this. Okay, well you know,
• 28:31
  Speaker 1: I don't remember everything. Okay, sorry, funny enough though, this
• 28:35
  Speaker 1: is the I didn't realize that the director of Constantine
• 28:37
  Speaker 1: also did I am Legend and all of the Hunger Games.
• 28:41
  Speaker 1: That's cool.
• 28:42
  Speaker 2: Oh one of those that the lady who was in
• 28:44
  Speaker 2: the conjuring was in the Hunger Games.
• 28:47
  Speaker 1: Lady that was in the conjury. Yeah, uh oh yeah nice,
• 28:51
  Speaker 1: So that should be exciting. We'll keep you posted on that.
• 28:55
  Speaker 1: The only thing I have to say before we go
• 28:56
  Speaker 1: into the movie is I got this new Evil Dead
• 28:59
  Speaker 1: four K from Shot Factory. Isn't it pretty? M It's
• 29:03
  Speaker 1: so beautiful. It's the twenty thirteen re make requel whatever
• 29:10
  Speaker 1: it comes with both cuts and four K unrayed are
• 29:12
  Speaker 1: the director's cut and the theatrical along with not much else,
• 29:17
  Speaker 1: just pretty much the new four K. I wish it
• 29:18
  Speaker 1: came with an ATMOS track, but it doesn't. Sadly, but
• 29:22
  Speaker 1: isn't it pretty? Did you see?
• 29:23
  Speaker 2: I said? Yeah?
• 29:25
  Speaker 1: They also this month or actually, well it's shipping soon.
• 29:29
  Speaker 1: We should be getting at the beginning of next month
• 29:31
  Speaker 1: Army of Darkness four K, which is on the way soon.
• 29:34
  Speaker 1: And then the Halloween six seven and eight on four Kow. Yeah,
• 29:40
  Speaker 1: they did six seven and eight in a bundle because
• 29:43
  Speaker 1: I what I assume, because no one would want to
• 29:45
  Speaker 1: buy six and eight by themselves. I really only wanted
• 29:48
  Speaker 1: Age two. Oh, but I had to get all three
• 29:50
  Speaker 1: of them because they sold them in a bundle due
• 29:52
  Speaker 1: to licensing rights. I'm like, sure, yeah, that makes sense.
• 29:56
  Speaker 1: I wouldn't have sold six and eight because Curse and
• 29:57
  Speaker 1: Resurrection or dog I'm sorry, they're just dog shit. What
• 30:01
  Speaker 1: are you throwing over? There? Was that kicking things? You're
• 30:04
  Speaker 1: kicking fucking the goddamn skeleton? Man? What's his name? Sulliosis?
• 30:10
  Speaker 2: Sculliosis, sulliosis. It's sculliosis, Scully.
• 30:13
  Speaker 1: Scully's not a name though, it's skull.
• 30:15
  Speaker 2: It's skull like Scully and Molder.
• 30:18
  Speaker 1: It's Sully, and it's.
• 30:19
  Speaker 3: Sculliosis because it's scoliosis. I like, he's got a skull.
• 30:24
  Speaker 1: Okay, he's got a big skully. Speaking of skulls, let's
• 30:28
  Speaker 1: talk about this movie that didn't make it. I know
• 30:31
  Speaker 1: it's a terrible segue. I didn't say it was going
• 30:33
  Speaker 1: to be a good segue.
• 30:34
  Speaker 2: I think we should talk about what's important here is.
• 30:37
  Speaker 3: That by the end of this film, we were like,
• 30:41
  Speaker 3: oh man, they made a second one of these.
• 30:43
  Speaker 1: Oh don't. I thought you're gonna say that at the
• 30:44
  Speaker 1: end ah, fine, say it. Yeah, save it at the end.
• 30:48
  Speaker 1: Hold that thought. Oh, by the way, we'll be going
• 30:50
  Speaker 1: full spoiler on this movie because it was not that
• 30:52
  Speaker 1: great and it's fun to ruin bad movies. Yeah you
• 30:56
  Speaker 1: want to put that? Really? You want that on right now?
• 30:59
  Speaker 3: Yep?
• 30:59
  Speaker 2: Okay, I want you to light these two.
• 31:02
  Speaker 1: No, the fucking wax would drip all over the table.
• 31:05
  Speaker 2: Yeah, they would drip on the stand. That's the point.
• 31:07
  Speaker 2: Why would you buy candles you're never gonna light.
• 31:10
  Speaker 1: I don't know for aesthetics, man, just showkay you Yeah,
• 31:14
  Speaker 1: you're great, but let me, let's do this. Just go
• 31:23
  Speaker 1: all right. We're talking about White Noise from two thousand
• 31:26
  Speaker 1: and five, released on January seventh of that year in
• 31:30
  Speaker 1: the US of A rated PG. Thirteen. And I know
• 31:34
  Speaker 1: this is PG thirteen because I saw this in theaters. Yeah,
• 31:37
  Speaker 1: that's why I was wondering why you wanted that on?
• 31:39
  Speaker 2: I didn't know it flickered.
• 31:40
  Speaker 1: Yeah. PG thirteen for no sex and nudity, moderate violence
• 31:43
  Speaker 1: and gore, mild profanity. They said, one fuck, I must
• 31:46
  Speaker 1: have missed that. No alcohol, drugged and smoking, and moderate
• 31:49
  Speaker 1: frightening and intense scenes. I think they're referring to the
• 31:52
  Speaker 1: moderately bad CG because that was absolutely frightening.
• 31:57
  Speaker 2: Yeah, that was if there were moments where it felt like.
• 32:03
  Speaker 3: When you have an image and you just stick the
• 32:06
  Speaker 3: image on top of another image you don't like, do
• 32:09
  Speaker 3: the little lasso tool and cut out around the edges
• 32:11
  Speaker 3: to make it more seamless. It felt like there were
• 32:13
  Speaker 3: several scenes like the shot in the doorway where they
• 32:17
  Speaker 3: just stuck it in the doorway, filled it to the
• 32:19
  Speaker 3: edge of the doorway and called it a day, Like
• 32:22
  Speaker 3: was the entire budget spent on Michael Keaton or.
• 32:26
  Speaker 1: I think so? Yeah, yeah, so that was definitely very
• 32:29
  Speaker 1: intense and frightening. That's frighteningly bad CG runtime of an
• 32:34
  Speaker 1: hour and forty one minutes listed as a drama horror
• 32:37
  Speaker 1: mystery thriller directed by Jeffrey Sachs, who has forty directing credits.
• 32:42
  Speaker 1: Also did The Doctor Sorry, Doctor Who the movie and
• 32:46
  Speaker 1: as well as a bunch of other TV shows written
• 32:48
  Speaker 1: by Neil Neil Neil Neil is that just a weird
• 32:54
  Speaker 1: way to spell Neil Nile Nile Johnson ten riding credits.
• 32:59
  Speaker 1: Also did Keeping Mum and Aces and Aces No idea
• 33:03
  Speaker 1: what that is, but somebody might composed by Claude Foise
• 33:07
  Speaker 1: eighty one composing credits. Also did Pontypool Wrong Turn three
• 33:12
  Speaker 1: through five and Lake Placid versus Anaconda, which I own
• 33:16
  Speaker 1: and have not seen yet. Sounds like it's going to
• 33:19
  Speaker 1: be a dumpster fire, but it'll probably have a good
• 33:22
  Speaker 1: score because this had a great score. Cinematography by Chris Seeger,
• 33:27
  Speaker 1: who has eighty eight cinematographer credits. Also did Fever Pitch
• 33:30
  Speaker 1: as well as a bunch of TV shows Yeah you
• 33:33
  Speaker 1: heard me, Fever Picky starring the Man himself, Michael Keaton
• 33:39
  Speaker 1: as Jonathan Rivers who has ninety one acting credits, also
• 33:43
  Speaker 1: in Batman as Batman, Birdman as Reagan, and Beetlejuice is Beetlejuice.
• 33:50
  Speaker 1: He really likes taking that title name, yeh, in the movies.
• 33:54
  Speaker 1: So few small things here. We actually just watched Birdman recently.
• 33:58
  Speaker 1: My god, that was a brilliant movie.
• 34:00
  Speaker 2: And we watch Batman returns every year Christmas, of course
• 34:02
  Speaker 2: we do.
• 34:03
  Speaker 1: Beatlejuice is a Halloween time movie, so.
• 34:06
  Speaker 2: We'll be getting rid of that soon.
• 34:07
  Speaker 1: Very soon. Actually. We then have Chandra West as Anna Rivers,
• 34:12
  Speaker 1: who has seventy one acting credits, was also in I
• 34:15
  Speaker 1: now pronounce you Chuck and Larry as I said that,
• 34:18
  Speaker 1: right right, I now pronounce you Chuck and Larry as
• 34:20
  Speaker 1: doctor Honey, puppet Master four through five as Susie and
• 34:25
  Speaker 1: Zee as Georgia z As a movie me and Corey
• 34:28
  Speaker 1: reviewed on the show as a Shutter original. I believe
• 34:31
  Speaker 1: we've got Deborah Kara Unger as Sarah Sate sixty seven
• 34:35
  Speaker 1: acting credits, also in the game as Christine Crash as
• 34:40
  Speaker 1: Catherine Ballard the Cronenberg one, not the other weird one
• 34:44
  Speaker 1: and thirteen as brook Lalane.
• 34:48
  Speaker 2: Yeah.
• 34:48
  Speaker 1: Yeah, the game is also the one with Michael Douglas.
• 34:51
  Speaker 1: I think I showed you that one a while back
• 34:53
  Speaker 1: where he gets like this all inclusive.
• 34:54
  Speaker 2: Yeah, you told me that that movie existed. We never
• 34:57
  Speaker 2: actually watched it.
• 34:58
  Speaker 1: What oh back, gotta put the on the list. Michael
• 35:01
  Speaker 1: Douglas many crazy mind? Fuck movie? Are you dying? Oh god?
• 35:05
  Speaker 1: What happened? Did you step on something?
• 35:09
  Speaker 2: No?
• 35:10
  Speaker 1: Going okay? All right, anyways, moving on and last, but
• 35:15
  Speaker 1: absolutely certainly not least, we have that face made by
• 35:18
  Speaker 1: my wife. Are you bleeding or something was going on?
• 35:22
  Speaker 2: Mytonil ripped off. I'll be right back, keep talking.
• 35:26
  Speaker 1: What we'll hurry up. I'm probably gonna have to pause,
• 35:32
  Speaker 1: but I will do my best to keep talking anyways. Last,
• 35:36
  Speaker 1: but not least, we have Ian McNeice as Raymond Price,
• 35:40
  Speaker 1: who has a whopping one hundred and forty two acting credits.
• 35:43
  Speaker 1: Was also in probably most notably at least for me
• 35:46
  Speaker 1: Ace Ventura when Nature Calls as Fulton Greenwall. He was
• 35:52
  Speaker 1: in Doc Martin as Bert Large, and he was in
• 35:56
  Speaker 1: Doctor Who as church Hill slash Emperor Emperor Winton Churchill
• 36:00
  Speaker 1: slash Winston Churchhill. I will I'm assuming Gabby will have
• 36:06
  Speaker 1: something to say about that, as she likes Doctor Who,
• 36:08
  Speaker 1: so put a pin in that. We'll be right back
• 36:10
  Speaker 1: to that here whenever she comes back with her toe nail.
• 36:15
  Speaker 1: Oh shit, all right. We have an estimated budget of
• 36:18
  Speaker 1: ten million dollars, which I am assuming most of that
• 36:21
  Speaker 1: went probably to Michael Keaton as he is a huge name.
• 36:25
  Speaker 1: But it surprisingly brought in ninety one point two million dollars,
• 36:30
  Speaker 1: which is what I would call a fucking smash, a
• 36:33
  Speaker 1: home run, because that's a real thing in real life.
• 36:37
  Speaker 1: That's almost ten times what they spent, so i'd call that.
• 36:40
  Speaker 1: I'd call that a hit. This movie was filmed in Vancouver,
• 36:43
  Speaker 1: British Columbia, Canada, and you can currently watch this on Stars.
• 36:48
  Speaker 1: We have the add on with Hulu, so it's just
• 36:51
  Speaker 1: in our regular scrolling. Sometimes it's hard to differentiate, but
• 36:55
  Speaker 1: you do have to have these Stars add on, which
• 36:58
  Speaker 1: actually comes in clutch a lot lot of the times
• 37:00
  Speaker 1: because for some reason, Stars has a pretty fucking solid
• 37:04
  Speaker 1: lineup of movies. I said, you'd probably want to say
• 37:07
  Speaker 1: something about Doctor Who because you're a big fan of that.
• 37:10
  Speaker 3: Oh yeah, because that guy's in uh doctor Doctor Who
• 37:13
  Speaker 3: is uh said Churchhill, and he's really great. That's a
• 37:16
  Speaker 3: great season because that's the one with Matt Smith and
• 37:19
  Speaker 3: Karen Gillian and he's the church Hill gets to have
• 37:24
  Speaker 3: his iron sides, his iron sides, which are the Wow.
• 37:30
  Speaker 2: The names totally left my head.
• 37:31
  Speaker 1: Wow. Michael Ironside, Yes.
• 37:34
  Speaker 2: Michael Ironside, Now they totally left my head. Just keep going.
• 37:37
  Speaker 1: Did you find your toenail?
• 37:40
  Speaker 2: It was still attached on one corner.
• 37:43
  Speaker 1: Is that the toenail that rubbed off at AJHN? This
• 37:47
  Speaker 1: is the.
• 37:47
  Speaker 3: Goblin toe that I smashed twice and bruised the toe
• 37:51
  Speaker 3: and then probably and then had the blood blister under
• 37:54
  Speaker 3: the toe at one point and then when we went
• 37:55
  Speaker 3: to ajh in one night, I took my sock off
• 37:57
  Speaker 3: and there was just blood.
• 37:58
  Speaker 1: That's the same toe.
• 37:59
  Speaker 2: Then that's all the same toe.
• 38:01
  Speaker 1: Okay, then that's yeah, makes sense, that's true.
• 38:03
  Speaker 3: The good thing is is it's not bleeding and the
• 38:06
  Speaker 3: toe itself has not fallen off.
• 38:08
  Speaker 1: Well that's good. I mean, you don't really need a
• 38:10
  Speaker 1: pinky toe. But whatever, uh you missed me say really
• 38:13
  Speaker 1: really funny words earlier. What are you gonna be doing
• 38:16
  Speaker 1: that the whole time? No no, I called uh, making
• 38:19
  Speaker 1: ninety one million dollars.
• 38:21
  Speaker 2: Alex sorry colexod.
• 38:24
  Speaker 1: I called making that much money a smash home run
• 38:27
  Speaker 1: because those are real words that exist. Those are words
• 38:30
  Speaker 1: I meant to say. I couldn't decide between box office
• 38:33
  Speaker 1: smash and home run, so I said smash home run.
• 38:35
  Speaker 2: Good good good words.
• 38:37
  Speaker 1: Uh okay. Movies that came out around the same time,
• 38:39
  Speaker 1: We've got Blade Trinity, The Life Aquatic with Steve Zazu,
• 38:43
  Speaker 1: Ocean's twelve Million Dollar Baby, The Avatar, Lemony Snickets, a
• 38:48
  Speaker 1: series of.
• 38:49
  Speaker 2: The Aviator whatever. That's a different fucking movie.
• 38:53
  Speaker 1: They have sex with their tails. Lemony Snickets a series
• 38:56
  Speaker 1: of unfortunate events Spanglish, Hotel, Rwanda, The Fuckers Electra, and
• 39:01
  Speaker 1: are We There Yet? You know that? You know that
• 39:04
  Speaker 1: franchise that spawned movies such as Where Are We Yet?
• 39:08
  Speaker 1: Or something? There's like multiple sequels though for some reason, Yeah,
• 39:10
  Speaker 1: are we there yet? We're still not there yet? Why
• 39:13
  Speaker 1: the fuck aren't we there yet? Yeah, there's like three
• 39:15
  Speaker 1: of those movies for no reason at all, and it
• 39:17
  Speaker 1: has ice Cube in it, I think, Yeah, moving on,
• 39:22
  Speaker 1: Did you have any specific horror mementos because there wasn't
• 39:26
  Speaker 1: really many. No. I had one, and it was Raymond's death,
• 39:31
  Speaker 1: just because I didn't see him on the ground and
• 39:33
  Speaker 1: then I saw him and I was like, ah, scared. Yeah, uh,
• 39:37
  Speaker 1: favorite kill. There really wasn't many kills.
• 39:41
  Speaker 2: No.
• 39:41
  Speaker 1: I thought that one lady was gonna get like tagged
• 39:44
  Speaker 1: by a car at the end of the movie, and
• 39:46
  Speaker 1: I'm still not sure if she did or not. That
• 39:49
  Speaker 1: would have been a great kill. There's also a point
• 39:51
  Speaker 1: in time where someone jumps off a building that would
• 39:53
  Speaker 1: have been a great kill, but she survived. So yeah,
• 39:56
  Speaker 1: not really any kills in this, I guess. Besides the
• 40:00
  Speaker 1: lady in the car. Did she like death by transformer
• 40:04
  Speaker 1: because it fell in the car, I'll say that. I'll
• 40:07
  Speaker 1: say that, did you have a favorite line? Because I did.
• 40:11
  Speaker 2: Nope.
• 40:13
  Speaker 1: When the kid who is in very little of this movie, like,
• 40:16
  Speaker 1: what was the point of.
• 40:17
  Speaker 2: I was just thinking, what was the point of having
• 40:18
  Speaker 2: that kid?
• 40:19
  Speaker 3: By the way, his son is the kid who plays Ben,
• 40:23
  Speaker 3: the quasi son of a.
• 40:28
  Speaker 2: Why do I keep you doing this?
• 40:30
  Speaker 3: My brain just keeps doing ten in Supernatural, like the
• 40:34
  Speaker 3: kid that he thinks is his kid.
• 40:35
  Speaker 1: At one point, I think that toenail is imperative to
• 40:37
  Speaker 1: your thinking ability. Uh yeah, there was no reason to
• 40:42
  Speaker 1: have Jonathan Rivers have a son or an ex wife.
• 40:46
  Speaker 1: They contributed fucking nothing to the story.
• 40:49
  Speaker 3: And I like that his ex wife is so high
• 40:51
  Speaker 3: up on the list two for barely being in that film.
• 40:56
  Speaker 1: Yeah well she was in the TV.
• 41:00
  Speaker 2: Oh no, no, no, not that wife, the ex wife.
• 41:02
  Speaker 1: Oh yeah yeah, yeah, yeah, I don't know.
• 41:05
  Speaker 3: Uh.
• 41:05
  Speaker 1: My favorite line was Dad, are you gonna be okay?
• 41:09
  Speaker 3: Dad?
• 41:09
  Speaker 2: You seem Manwell?
• 41:11
  Speaker 1: That was yeah. That was the kid's way of saying, uh, dude,
• 41:15
  Speaker 1: you're fucking falling off the deep end here. Bro.
• 41:18
  Speaker 2: I mean, I'm also such a weird thing for a
• 41:21
  Speaker 2: kid to say.
• 41:22
  Speaker 3: I might as well have said Dad, should you maybe
• 41:25
  Speaker 3: go to therapy.
• 41:26
  Speaker 1: Maybe you should try someone who's not a medium. Maybe, yeah,
• 41:29
  Speaker 1: maybe go to therapy. Favorite character did you have one
• 41:34
  Speaker 1: of those? Man, you don't have anything. I liked Raymond,
• 41:39
  Speaker 1: but ray I think it's the actor behind Raymond, because
• 41:42
  Speaker 1: he's awesome. He's been a you know, very large one.
• 41:44
  Speaker 2: Yeah. I always like him and stuff.
• 41:45
  Speaker 1: Oh yeah, you know, he's he's an aventure and I
• 41:48
  Speaker 1: watched the shit out of that movie as a kid,
• 41:49
  Speaker 1: so I always loved watching him and Jim Carrey get
• 41:52
  Speaker 1: into Shenanigan. So I'd say he's my favorite character. Least
• 41:55
  Speaker 1: favorite character for me is definitely the dad of the
• 41:57
  Speaker 1: kid that uh Michael Keaton's character saves. He was kind
• 42:02
  Speaker 1: of a dick and I did not like the energy
• 42:04
  Speaker 1: he was bringing to the situation. If Michael Keaton was
• 42:08
  Speaker 1: not there aka Jonathan Rivers to save that child, that
• 42:11
  Speaker 1: kid would be so dead and you'd have no wife
• 42:14
  Speaker 1: and no kids. So maybe don't be a dick to
• 42:16
  Speaker 1: the guy that saved your baby. I'm just saying. Yeah,
• 42:19
  Speaker 1: I'm just saying, did not like his fucking energy, especially
• 42:23
  Speaker 1: when he was like straight the fuck away from my family.
• 42:26
  Speaker 1: Whoa dude? Oh? That was the that was where the
• 42:28
  Speaker 1: fuck was That's that's where the one fuck was.
• 42:32
  Speaker 2: Apparently I did.
• 42:33
  Speaker 1: Remember, all right. So IMDb summary, an architect's desire to
• 42:38
  Speaker 1: speak with his wife from beyond the grave becomes an
• 42:41
  Speaker 1: obsession with supernatural repercussions. Also, they completely like negate his
• 42:47
  Speaker 1: job at a certain point, like if she just fucking
• 42:49
  Speaker 1: quit his architecture job does study the supernatural god.
• 42:53
  Speaker 3: So this is a misleading summary considering he didn't want
• 42:57
  Speaker 3: to do anything someone else coached him.
• 43:01
  Speaker 1: That's true, but I mean it is accurate in a sense,
• 43:05
  Speaker 1: just kind of misleading. So go ahead and take it
• 43:08
  Speaker 1: with the review. I'm sure we won't have anything to
• 43:10
  Speaker 1: say about this one at all.
• 43:12
  Speaker 3: I have to say that I told you multiple times
• 43:15
  Speaker 3: through this movie, Wow, I love Michael Keaton, but I
• 43:20
  Speaker 3: don't care about anything that's happening in this And not
• 43:23
  Speaker 3: only do I not care, I keep losing focus on
• 43:27
  Speaker 3: watching the film in the first place. And if it
• 43:30
  Speaker 3: wasn't Michael Keaton, I probably wouldn't have watched any of it.
• 43:36
  Speaker 1: You keep distracting me too, because she would start talking
• 43:38
  Speaker 1: about stuff, and then we'd start talking, and fuck we
• 43:40
  Speaker 1: missed it. We got we had to rewind like six
• 43:42
  Speaker 1: or so. See, I told you I can't pay attention now.
• 43:46
  Speaker 3: I was like, wait, what happened? And you're like you
• 43:48
  Speaker 3: weren't watching him? Like well, then tell me, and you're
• 43:50
  Speaker 3: like I don't know either.
• 43:53
  Speaker 1: So yeah, apparently we both have.
• 43:56
  Speaker 3: This is a very forgettable film, So pray for me
• 43:59
  Speaker 3: getting through the story.
• 44:02
  Speaker 1: Well, don't worry. IMDD has a great synopsis of it.
• 44:06
  Speaker 1: I can also help out because we did just watch it,
• 44:08
  Speaker 1: so it's pretty fresh in my head.
• 44:10
  Speaker 3: Yes, okay, So we got this guy who is Michael
• 44:14
  Speaker 3: Keaton Jonathan Rivers.
• 44:17
  Speaker 2: Yeah, Joan Rivers.
• 44:21
  Speaker 3: So Joan Rivers is married to Anna Rivers and he
• 44:25
  Speaker 3: has a son with an ex wife for reasons again
• 44:29
  Speaker 3: don't seem really relevant. I'm not even gonna bring up
• 44:31
  Speaker 3: the kid the rest of this because he does nothing
• 44:33
  Speaker 3: for this film.
• 44:34
  Speaker 1: He does absolutely zero percent in forwarding the blot besides
• 44:38
  Speaker 1: asking his dad if he's okay at a certain point.
• 44:41
  Speaker 3: The most he contributes is that his dad has to
• 44:44
  Speaker 3: check with his ex wife if she can watch him
• 44:46
  Speaker 3: and like take him for a while, and she's like, yeah,
• 44:48
  Speaker 3: sure it goes Yeah, that's fine.
• 44:51
  Speaker 2: I'll take him as long as you need like forever
• 44:53
  Speaker 2: because I'm done raising him.
• 44:55
  Speaker 1: Yeah.
• 44:55
  Speaker 2: Uh So.
• 44:58
  Speaker 3: One beautiful sunny morning, Joan and his wife are like
• 45:04
  Speaker 3: getting ready for the day, the kids getting ready, and
• 45:09
  Speaker 3: this radio. They have a whole ass boom box on
• 45:13
  Speaker 3: their kitchen island.
• 45:14
  Speaker 2: Which is too weird.
• 45:17
  Speaker 3: Okay, but why would you have it just on the
• 45:20
  Speaker 3: corner of your kitchen island.
• 45:21
  Speaker 2: It's not like off against the wall. It's just sitting
• 45:24
  Speaker 2: in the middle of your main.
• 45:25
  Speaker 1: Counterspace accessible for what for radio listening, I don't know what.
• 45:31
  Speaker 3: Anyway, Well, the kids getting ready to go to school
• 45:35
  Speaker 3: and they're talking about who's gonna take the kid. He
• 45:39
  Speaker 3: is talking to his wife and finds out that she's pregnant.
• 45:42
  Speaker 3: It's very exciting, so he's like, oh yeah, awesome. And
• 45:45
  Speaker 3: then she takes his son to school and then he's like, okay, well,
• 45:52
  Speaker 3: i'll see you tonight, and he decides to order her
• 45:55
  Speaker 3: flowers and he's gonna surprise her when he gets home
• 45:58
  Speaker 3: because he's so excited for uh, for this new baby.
• 46:02
  Speaker 3: And then she never comes home and she leaves a
• 46:07
  Speaker 3: voicemail that she's going to be at her friend's house
• 46:10
  Speaker 3: for an indeterminate amount of time because of reasons I
• 46:15
  Speaker 3: don't recall at this point, but she's hanging out.
• 46:17
  Speaker 1: She was she was going to her publisher to show
• 46:20
  Speaker 1: her that they were going to show her the cover
• 46:22
  Speaker 1: of the book. And then I think she Yeah, she
• 46:23
  Speaker 1: was going out with a friend or something. It's really
• 46:24
  Speaker 1: not that important.
• 46:26
  Speaker 3: So but then it's like midnight, she's still not back.
• 46:29
  Speaker 3: And by two thirty in the morning, we know because the.
• 46:31
  Speaker 2: Clock has mysteriously stuffed.
• 46:34
  Speaker 1: Bom bom bomb. I have notes on that too. What oh, No,
• 46:39
  Speaker 1: the clock stops at two thirty. He gets awoken at
• 46:41
  Speaker 1: two thirty. He gets a message from his wife at
• 46:44
  Speaker 1: two thirty. Another clock stops at two thirty, and then
• 46:46
  Speaker 1: the car radio kicks on at two thirty for no
• 46:49
  Speaker 1: fucking reason.
• 46:50
  Speaker 2: Why two thirty?
• 46:51
  Speaker 1: No fucking reason. Yep, that was never explained. I mean,
• 46:54
  Speaker 1: I know two to three or either. I think it's
• 46:56
  Speaker 1: three to four as the witching hour, so I don't Yeah,
• 46:58
  Speaker 1: I don't know two thirty. They're trying to do some
• 47:01
  Speaker 1: conjuring shit. I'm fucking up.
• 47:02
  Speaker 2: Yeah, So she never shows up.
• 47:06
  Speaker 3: But then they find her car with a pop tire
• 47:10
  Speaker 3: and uh, the door's open and it's by uh and
• 47:17
  Speaker 3: it's by the like this river, and she's like just gone.
• 47:23
  Speaker 3: So now weeks are going by and.
• 47:28
  Speaker 2: She's just missing, and he's just struggling with this. And
• 47:33
  Speaker 2: then one day, at like.
• 47:37
  Speaker 3: One day, he's like leaving his home and he sees
• 47:41
  Speaker 3: this guy follow him who.
• 47:42
  Speaker 1: Is Raymond Yeah Ian McNeice, yes, yeah.
• 47:48
  Speaker 3: And sees him following from his house, and then when
• 47:52
  Speaker 3: he gets to his job, he sees him sitting outside
• 47:56
  Speaker 3: of his office. So he goes and like approaches him
• 47:58
  Speaker 3: and he's like, what the hell are you doing? And
• 48:01
  Speaker 3: Ian tells him like sorry, Raymond tells him that he's like, look,
• 48:08
  Speaker 3: your wife is dead. She's been trying to contact me.
• 48:11
  Speaker 3: I didn't believe it when I and it happened to me,
• 48:13
  Speaker 3: but now I do. Here's my card.
• 48:15
  Speaker 2: If you ever need anything, let me know.
• 48:17
  Speaker 1: Which is a really weird way to approach someone. What
• 48:20
  Speaker 1: were you just hoping he'd notice so you can confront him?
• 48:22
  Speaker 1: Where you gonna ever plan on talking to him? What
• 48:24
  Speaker 1: was your plan? There?
• 48:25
  Speaker 3: No shit, he's literally sitting outside this guy's job with
• 48:29
  Speaker 3: a fucking newspaper on a bench, just like, what was
• 48:31
  Speaker 3: the plan?
• 48:32
  Speaker 1: What would have really sold it for me is if
• 48:34
  Speaker 1: he had two little eyehole cutouts so he could see him.
• 48:36
  Speaker 1: That would have fucking really just sold for me.
• 48:39
  Speaker 3: But it's a shock on his face when Michael Keaton
• 48:41
  Speaker 3: goes up to him and he's like.
• 48:42
  Speaker 1: Oh, I didn't expect this. Well, what were you doing?
• 48:46
  Speaker 1: What was the point of following like first weird choice
• 48:49
  Speaker 1: of a character. Why are you pohonowing this guy? Man?
• 48:51
  Speaker 2: Yeah.
• 48:52
  Speaker 3: So, eventually, unfortunately the cops do show up and let
• 48:57
  Speaker 3: them know, or let him know that they found her.
• 49:00
  Speaker 3: She is dead, and he found thirty at two thirty
• 49:05
  Speaker 3: in the morning in the morning, and it appears she
• 49:09
  Speaker 3: hit her head on the rocks by the water and
• 49:12
  Speaker 3: broke her arm in the most hilariously like weird shot
• 49:17
  Speaker 3: for an arm break.
• 49:18
  Speaker 1: It's like, I think they reversed the shot. It looks
• 49:21
  Speaker 1: it looked like her arm was there and she snapped
• 49:23
  Speaker 1: it up because it like it like flicks really quick.
• 49:25
  Speaker 1: So I think I think they shot it like use
• 49:27
  Speaker 1: it in reverse or something.
• 49:29
  Speaker 2: Yeah.
• 49:29
  Speaker 3: And also, honestly, the head hitting the rock would have
• 49:31
  Speaker 3: been enough. There was no reason to also show broken arm.
• 49:34
  Speaker 1: Thing, broken neck, broken arm dead.
• 49:36
  Speaker 2: Yeah.
• 49:37
  Speaker 3: So and then they're like, oh, she would have been
• 49:39
  Speaker 3: powerless to do anything. So she probably just got swept
• 49:41
  Speaker 3: away by the river, which is why we couldn't find
• 49:43
  Speaker 3: her body right away.
• 49:44
  Speaker 1: I think they said something about finding her body three
• 49:47
  Speaker 1: miles downstream or some shit.
• 49:48
  Speaker 2: Yeah, in front of some industrial building.
• 49:50
  Speaker 3: Yeah, so so uh cool, they have the funeral and
• 49:55
  Speaker 3: all that. Well, he's like trying to work and stuff
• 49:58
  Speaker 3: and trying to just with everything. He gets a mysterious
• 50:04
  Speaker 3: phone call after the detectives give him her bag of
• 50:08
  Speaker 3: like personal items.
• 50:10
  Speaker 2: He gets a.
• 50:10
  Speaker 3: Phone call from her phone while he's in the elevator
• 50:14
  Speaker 3: with this other guy, and uh, like, the elevator lights
• 50:18
  Speaker 3: go off, the elevator stops, and he gets a random
• 50:21
  Speaker 3: phone call from her phone, and he starts and he's
• 50:24
  Speaker 3: like freaking out, and then suddenly the elevator jolts and
• 50:27
  Speaker 3: a construction worker lets him and the other guy out
• 50:31
  Speaker 3: of the elevator, like, what do you guys doing?
• 50:32
  Speaker 2: You good?
• 50:33
  Speaker 1: Who was very crucial to the story, and will tell
• 50:35
  Speaker 1: you why I was gonna get there? I know we're
• 50:38
  Speaker 1: going to tell you why it's important.
• 50:40
  Speaker 2: Yeah.
• 50:41
  Speaker 3: So he's a little freaked out by everything that's going on.
• 50:45
  Speaker 3: He decides to go talk to Raymond, and uh, when
• 50:50
  Speaker 3: he's there he sees Sarah, right.
• 50:53
  Speaker 1: Sarah Tate, Yes, Deborah Kara Unger.
• 50:56
  Speaker 3: Who is weeping a lot because I guess her fiance
• 51:00
  Speaker 3: had died and this guy was helping her get into contact.
• 51:04
  Speaker 2: This guy looks like a pack rat.
• 51:06
  Speaker 3: There's TVs everywhere, recording equipment, VHS tapes everywhere, which.
• 51:11
  Speaker 1: I really didn't think VHS was still that popular in
• 51:13
  Speaker 1: two thousand and five. It absolutely was, but I guess
• 51:16
  Speaker 1: it was, yeah, because the ring was two thousand and two.
• 51:18
  Speaker 2: So I don't we put it this way.
• 51:20
  Speaker 3: The first time I saw practical magic was in two
• 51:24
  Speaker 3: thousand and eight with Heather on VHS.
• 51:31
  Speaker 1: Interesting. Yeah, I guess that that that physical media.
• 51:35
  Speaker 2: Was that held out for a while.
• 51:37
  Speaker 1: I was gonna say that must have held out way
• 51:38
  Speaker 1: longer than I fucking recall. Sorry, continue, So Raymond he's
• 51:42
  Speaker 1: a hoarder.
• 51:43
  Speaker 2: Yeah, No, he's not a hoarder. He just keeps a
• 51:45
  Speaker 2: lot of.
• 51:45
  Speaker 1: He's a pack rat, that's what you said.
• 51:46
  Speaker 2: He looks like a packrat.
• 51:48
  Speaker 1: Yeah.
• 51:48
  Speaker 2: So he explains that he is not a medium, he
• 51:51
  Speaker 2: is not a psychic.
• 51:52
  Speaker 3: He does this al through EVP.
• 51:58
  Speaker 1: And of course you know he's like, do you know
• 52:00
  Speaker 1: what EVP is? And he's like no, because he fucking
• 52:02
  Speaker 1: lives under a rock. And then they explain EVP like
• 52:05
  Speaker 1: in every ghost show and ghost movie ever, fucking we
• 52:08
  Speaker 1: know yeah.
• 52:08
  Speaker 2: Because everyone doesn't know, so they always have to explain.
• 52:11
  Speaker 1: It's so funny though, because in everything involving EVPs, it's like,
• 52:14
  Speaker 1: we have to explain this, like, God, we know by now.
• 52:17
  Speaker 3: Dude, And if I'm watching Supernatural, where they we explain
• 52:20
  Speaker 3: this stuff over and over again, and then eventually they're like,
• 52:23
  Speaker 3: you fucking know you're in season ten, yeah.
• 52:26
  Speaker 1: Like we get it when an EVP is so yeah,
• 52:27
  Speaker 1: he communicates through these things specifically with.
• 52:30
  Speaker 3: EVPs, and he talks about sometimes it's just audio, and
• 52:33
  Speaker 3: then eventually there are these visuals on the TV which
• 52:36
  Speaker 3: are the faintest visuals ever, so.
• 52:38
  Speaker 2: Like, dude, it really feels like the whole thing screams.
• 52:42
  Speaker 3: This is a case of you see what you want
• 52:44
  Speaker 3: to see, well yeah, and you hear what you want
• 52:46
  Speaker 3: to hear.
• 52:46
  Speaker 1: It looked like when you know you're trying to get
• 52:48
  Speaker 1: the dirty channel spice and you're trying to like move
• 52:50
  Speaker 1: your antenna. That's what it looked like was going.
• 52:52
  Speaker 2: On, except with less sex.
• 52:54
  Speaker 1: I guess that was probably more a guy thing than
• 52:56
  Speaker 1: a girl thing.
• 52:57
  Speaker 2: Yeah.
• 52:57
  Speaker 3: I wasn't trying to get porn channels, but for sharing
• 53:00
  Speaker 3: that with everybody, I think that's just.
• 53:02
  Speaker 1: A guy thing. When you know you're like, oh this,
• 53:04
  Speaker 1: everyone remembers the spice channel. If you got it at
• 53:06
  Speaker 1: the right angle with your rabbit ears, you can get
• 53:08
  Speaker 1: it to come in pretty clear. I'm just saying, I
• 53:12
  Speaker 1: have no shame. Okay, I can hear that. So what
• 53:16
  Speaker 1: do you allow me?
• 53:17
  Speaker 2: More information?
• 53:18
  Speaker 3: By the minute a second.
• 53:22
  Speaker 2: We talked about not needing to share everything.
• 53:25
  Speaker 1: No one asked for that, just like, that's.
• 53:26
  Speaker 2: Right, nobody asked for that information.
• 53:28
  Speaker 1: So anyway, damn something about me?
• 53:37
  Speaker 2: Boy?
• 53:37
  Speaker 1: Do I shame? No regrets?
• 53:41
  Speaker 3: Yeah, that's why you're bright red right nowts Oh.
• 53:46
  Speaker 2: So yeah.
• 53:47
  Speaker 3: Raymond is trying to convince Michael Keaton of what's going on,
• 53:50
  Speaker 3: and Michael Keaton's got his ride. This sounds like bullshit
• 53:54
  Speaker 3: face on, which is great because Michael Keaton has a
• 53:57
  Speaker 3: great This is kind of bull This sounds like bullshit.
• 53:59
  Speaker 1: Face, but he gets pretty conn It's pretty fucking quick.
• 54:02
  Speaker 1: I was getting that. I'm sorry.
• 54:04
  Speaker 3: Uh so he's like, well, do you want to hear
• 54:07
  Speaker 3: your wife? And he kind of thinks about and he's like, yes.
• 54:10
  Speaker 3: So then he hears someone saying his name that sounds
• 54:13
  Speaker 3: like his.
• 54:14
  Speaker 1: Wife, but could be anybody.
• 54:18
  Speaker 2: What movie was that that I'm thinking of?
• 54:19
  Speaker 3: It was like Conjuring two or or something where it's like, oh,
• 54:22
  Speaker 3: oh no, it was WEEGI Origin of Evil. Like, you
• 54:26
  Speaker 3: hear a woman's voice, you don't stop to think if
• 54:28
  Speaker 3: it's her.
• 54:29
  Speaker 1: Oh yeah, yeah, that's yeah, that's that's what I was thinking.
• 54:31
  Speaker 1: I was like, wait, what are you talking? Yeah? I
• 54:32
  Speaker 1: had to say that. That's this.
• 54:33
  Speaker 3: That's what I was thinking of, Like, oh, you see something,
• 54:36
  Speaker 3: you don't stop to think if it's really what you're
• 54:38
  Speaker 3: trying to see.
• 54:39
  Speaker 2: You just want it to be.
• 54:40
  Speaker 1: Yeah, the mind sees what it wants to see you.
• 54:43
  Speaker 3: So he hears his wife saying his name and he
• 54:48
  Speaker 3: thinks that's like, it's crazy. So he starts trying to
• 54:52
  Speaker 3: do this on his own like a lot. What I
• 54:56
  Speaker 3: think is weird is after his second visit with Raymond,
• 54:59
  Speaker 3: they have like a whole discussion.
• 55:00
  Speaker 2: There's a whole weird incident that happens.
• 55:03
  Speaker 3: Like he's trying to listen to this recording that Raymond
• 55:08
  Speaker 3: has got of his wife at his house.
• 55:10
  Speaker 2: He's like trying to get the.
• 55:11
  Speaker 3: Recording, and then all these other violent, angry voices come
• 55:16
  Speaker 3: in and he and Raymond's like, yeah, not all spirits
• 55:18
  Speaker 3: are could some of them are bad.
• 55:20
  Speaker 1: Yeah. Then he like hands him a shot of something
• 55:23
  Speaker 1: in like a wine glass, and he's just like gulp.
• 55:25
  Speaker 1: I'm like that's We're just not going to talk about
• 55:27
  Speaker 1: that anymore. Sometimes they're bad, you know, they say mean
• 55:30
  Speaker 1: things and swear whatever, But that's fine.
• 55:33
  Speaker 3: Yeah, And so he like gives him a recording thing
• 55:36
  Speaker 3: to listen to at home, and a lot of these
• 55:39
  Speaker 3: events are just broken up with cuts of Michael Keaton
• 55:41
  Speaker 3: listening to static trying to hear stuff.
• 55:44
  Speaker 1: It's more static than I ever wanted to see in
• 55:46
  Speaker 1: my life.
• 55:46
  Speaker 2: It was an aggressive amount a lot of light flickering.
• 55:49
  Speaker 1: Especially at the beginning of the movie. We were like, ah,
• 55:51
  Speaker 1: I'm not looking at this. This is a very aggressive
• 55:54
  Speaker 1: like intro scene. Yeah, no, thank you. So I'm fine,
• 56:01
  Speaker 1: Oh okay, I'm fine.
• 56:02
  Speaker 3: So he leaves Raymond's house after this, and seriously, less
• 56:07
  Speaker 3: than a minute later into the film he gets told
• 56:10
  Speaker 3: to come back to his house.
• 56:11
  Speaker 2: You're like, well, then, what was the point of him
• 56:12
  Speaker 2: leaving it?
• 56:13
  Speaker 1: All well to do what happened.
• 56:15
  Speaker 3: I know, but I'm saying it was just like, I
• 56:18
  Speaker 3: feel like you needed to split those scenes up a
• 56:20
  Speaker 3: little more aggressively, because then this just seems really fit funny,
• 56:23
  Speaker 3: like he left and turned around to come back, like
• 56:25
  Speaker 3: what and in that time, in that time, Raymond got
• 56:30
  Speaker 3: got and like hardcore everything.
• 56:33
  Speaker 1: This house is fucking messed up, trashed.
• 56:36
  Speaker 3: Like stuff's thrown on top of him. His arm is
• 56:39
  Speaker 3: laying in a very odd manner, which makes you question
• 56:41
  Speaker 3: how he died. You can only see his head in
• 56:43
  Speaker 3: his hand on top of a computer, and you're just like,
• 56:46
  Speaker 3: what happens with.
• 56:47
  Speaker 1: The hands in this movie?
• 56:48
  Speaker 3: And the uh all the windows smashed, so it's super odd.
• 56:54
  Speaker 2: Joan calls the cops.
• 56:56
  Speaker 1: Really just calling him Joan Rivers the whole time.
• 56:58
  Speaker 3: Yeah, Ah calls the cops and the detective who.
• 57:04
  Speaker 1: Uh detective losing his hair.
• 57:07
  Speaker 2: Yeah, that was a weird hairstyle. His hair looked really odd.
• 57:12
  Speaker 1: I think he dyed it. It looked like he had
• 57:14
  Speaker 1: like frosted tips, like he was trying to.
• 57:16
  Speaker 2: Like but it was jumped down.
• 57:17
  Speaker 1: Yeah, he's trying to hang on to what he had left.
• 57:21
  Speaker 2: Your hair looks like a midlife crisis. Just cut it off, buddy.
• 57:24
  Speaker 1: There we go. That's what I was trying to say.
• 57:26
  Speaker 3: Uh, though, to be fair, in real life, he's not
• 57:28
  Speaker 3: balding it. He's just a really terrible hair I think that.
• 57:31
  Speaker 1: Yeah, that must have been a terrible haircut slash color
• 57:33
  Speaker 1: combo because he looked like because it was also really
• 57:35
  Speaker 1: short on the sides, so it gave the illusion that
• 57:38
  Speaker 1: he looked like the fucking robber guy from Spider Man,
• 57:41
  Speaker 1: the one that kills Uncle Ben. Yeah, he looked like
• 57:43
  Speaker 1: that guy with the weird the weird tips.
• 57:46
  Speaker 2: Yeah, yeah, that seems accurate.
• 57:48
  Speaker 1: Is it the same guy that'd be fucking hilarious?
• 57:50
  Speaker 2: No, but he wasn't the predator, so do what you will.
• 57:54
  Speaker 2: He was not the predator.
• 57:57
  Speaker 3: So anyway, so yeah, Raymond got got Jones very confused.
• 58:03
  Speaker 3: He goes to see Sarah Tate, who is so indebted
• 58:09
  Speaker 3: to Raymond helping her figure out what her significant other wanted.
• 58:14
  Speaker 3: Uh was trying to communicate to her that she let
• 58:17
  Speaker 3: him keep a bunch.
• 58:18
  Speaker 2: Of his crap in her.
• 58:21
  Speaker 1: Bookstore.
• 58:22
  Speaker 3: Bookstore, which is odd because like, you had a whole
• 58:24
  Speaker 3: ass house and you still needed to use storage space.
• 58:27
  Speaker 1: Uh.
• 58:28
  Speaker 3: Side note, I like that there were two characters who
• 58:32
  Speaker 3: wanted to make contact with two different ghosts who promised
• 58:35
  Speaker 3: both of these characters that if.
• 58:37
  Speaker 2: They got to the other side, they'd send him a message.
• 58:40
  Speaker 1: And you're like, how convenient for the story?
• 58:43
  Speaker 3: Did nobody want to strain themselves thinking up two separate
• 58:46
  Speaker 3: stories or because like, no shit, the other.
• 58:49
  Speaker 2: Person just said the same thing I did.
• 58:52
  Speaker 3: Then let Austin know that I wasn't going to bother
• 58:54
  Speaker 3: him from the others in side unless I'd been murdered,
• 58:56
  Speaker 3: in which case he is required to personally solve my murder. Yes,
• 59:00
  Speaker 3: but again, other than that, I will not be bothering
• 59:04
  Speaker 3: him from the other side.
• 59:06
  Speaker 2: Just move on after an appropriate amount of time.
• 59:09
  Speaker 1: I will.
• 59:09
  Speaker 2: That's fine, I will, Okay. So he goes to see Sarah.
• 59:16
  Speaker 3: They start going through some of Raymond's books because he's
• 59:20
  Speaker 3: concerned about these angry messages, and when he gets them,
• 59:25
  Speaker 3: he sees like every time Raymond got a message, he
• 59:29
  Speaker 3: would write it down and whatnot and log it basically,
• 59:35
  Speaker 3: And there were a lot of these aggressive angry notes
• 59:39
  Speaker 3: which I now realize really never came to anything at all. Nope,
• 59:46
  Speaker 3: Like they didn't make sense in context with what happens
• 59:49
  Speaker 3: in the rest of this film.
• 59:50
  Speaker 1: Just remember though, you know, one out of twelve or bad. Yeah,
• 59:55
  Speaker 1: one out of twelve evps's that's the fact that was
• 59:57
  Speaker 1: listed at the end of the movie. And there's no
• 59:59
  Speaker 1: fucking way to even prove that. So yeah, so unless
• 1:00:03
  Speaker 1: unless I'm wrong, please shoot me an email if I'm wrong.
• 1:00:06
  Speaker 3: So he starts getting messages because he's doing all this
• 1:00:08
  Speaker 3: stuff on his own. At one point, he goes to
• 1:00:10
  Speaker 3: talk to a medium who, weirdly enough, is the lady
• 1:00:13
  Speaker 3: who plays the Blue Fairy and once upon a time,
• 1:00:17
  Speaker 3: such a random spot for her to be in, but sure.
• 1:00:20
  Speaker 1: Who was also blind for reasons they are why.
• 1:00:25
  Speaker 3: I like, it was even out right that she was blind.
• 1:00:27
  Speaker 3: You just kind of figured it out by the fact
• 1:00:29
  Speaker 3: that she never.
• 1:00:29
  Speaker 1: Lets well, she was feeling the walls, and I was like, okay,
• 1:00:32
  Speaker 1: she's I guess she's blind. Why is she blind?
• 1:00:34
  Speaker 2: Is it just a there was no reason to make
• 1:00:35
  Speaker 2: her blind?
• 1:00:36
  Speaker 1: Guess it's adding to the esthetic of being a medium.
• 1:00:39
  Speaker 1: I don't I don't know.
• 1:00:40
  Speaker 2: Yeah, pretty much, that's kind of what.
• 1:00:41
  Speaker 1: They fell like tune with their senses, you know, it's
• 1:00:44
  Speaker 1: just a weird blind stereotype. Yeah, it's kind of weird. Yeah,
• 1:00:47
  Speaker 1: and it's kind of weirdly stereotyping that, but all right.
• 1:00:50
  Speaker 3: Uh so she basically tells him that much like creating
• 1:00:55
  Speaker 3: an at home Ouija board or creating or doing seances,
• 1:01:02
  Speaker 3: it's EVPs are just as bad. And you're like, what, Yeah,
• 1:01:07
  Speaker 3: what are you talking about.
• 1:01:08
  Speaker 1: She's saying you should stop meddling in this. Don't meddle
• 1:01:11
  Speaker 1: in this. If you meddle in this metal Yeah. So
• 1:01:16
  Speaker 1: didn't really understand that because EVPs are not really ever
• 1:01:19
  Speaker 1: dangerous from what I know about EVPs. It's just it's
• 1:01:22
  Speaker 1: a voice that's there that you can't hear with your
• 1:01:25
  Speaker 1: regular ears. It's it happens on a recording. I mean,
• 1:01:28
  Speaker 1: they can be malicious, but they're not dangerous, I don't think. So.
• 1:01:33
  Speaker 1: That was weird of her to say this is as
• 1:01:34
  Speaker 1: dangerous as a seance. I'm not a conjuring.
• 1:01:37
  Speaker 3: This also because ev are extremely questionable anyway, because.
• 1:01:43
  Speaker 2: Again, you can hear whatever you want to hear exactly.
• 1:01:46
  Speaker 3: So at the time you listen to those and you're like, oh,
• 1:01:49
  Speaker 3: here's like, oh he said, I'm the old ghost who
• 1:01:53
  Speaker 3: lives here.
• 1:01:54
  Speaker 1: Get out, O, this is my ghost.
• 1:01:57
  Speaker 3: Get out Okay, I guess that's what he said, because
• 1:02:00
  Speaker 3: that's what they're saying, Like you throw subtitles at the
• 1:02:01
  Speaker 3: bottom of whatever the EVP sound is, and great, that's
• 1:02:04
  Speaker 3: what they said.
• 1:02:04
  Speaker 1: That's what they said because you can.
• 1:02:06
  Speaker 3: Yeah, so it doesn't seem as nefarious as trying to
• 1:02:09
  Speaker 3: channel spirits.
• 1:02:10
  Speaker 2: You're just listening in well.
• 1:02:12
  Speaker 1: Yeah, and I guess in this case, because he is
• 1:02:14
  Speaker 1: actively trying to like prompt the EVPs or whatever, I
• 1:02:18
  Speaker 1: guess that can be dangerous because you don't know what
• 1:02:20
  Speaker 1: you're getting into. But again, you're just sitting there listening.
• 1:02:23
  Speaker 1: You're not like performing a seance or you know, opening
• 1:02:27
  Speaker 1: up a wija board in a fucking graveyard and playing
• 1:02:29
  Speaker 1: by yourself and not saying goodbye, not doing any of that.
• 1:02:33
  Speaker 1: This feels pretty harmless, but apparently it's not. And she's like,
• 1:02:37
  Speaker 1: don't meddle.
• 1:02:37
  Speaker 3: It's like saying that Harry Potter is inviting the evils witchcraft.
• 1:02:42
  Speaker 2: Into your life. You're like, that's that makes no sense.
• 1:02:46
  Speaker 1: So yeah, she tries to see her.
• 1:02:49
  Speaker 3: She's like, I can help you, but then like freaks
• 1:02:52
  Speaker 3: out at him instead, and then we never see her again.
• 1:02:54
  Speaker 2: So I guess she couldn't.
• 1:02:56
  Speaker 3: Help him, and then uh yeah, he gets a message
• 1:03:02
  Speaker 3: sort of that just says go now from his wife,
• 1:03:09
  Speaker 3: and again it's just more scenes of him listening to
• 1:03:12
  Speaker 3: audio and like trying to get messages. He finally gets
• 1:03:15
  Speaker 3: one that says go now, and there's this scary face
• 1:03:19
  Speaker 3: that like flashes onto the screen, and he got this
• 1:03:23
  Speaker 3: message about a street name and oh.
• 1:03:26
  Speaker 1: Yeah, Willow, and which is the same street that the
• 1:03:30
  Speaker 1: psychic mentioned earlier. You know, they were like and he
• 1:03:33
  Speaker 1: was like, no, no mention of that street, none of.
• 1:03:34
  Speaker 2: That, none of that relates to me.
• 1:03:36
  Speaker 1: Yeah, but then then he did get that message about Willow,
• 1:03:39
  Speaker 1: so that's how those are connected. And then he goes
• 1:03:42
  Speaker 1: to Willow Avenue and fucking car and you're like, okay,
• 1:03:47
  Speaker 1: what do you want to talk to help?
• 1:03:51
  Speaker 2: I got there soon, so well then let me do it.
• 1:03:55
  Speaker 1: I was just trying to help, how, you know.
• 1:04:01
  Speaker 3: So he goes there and he saves this woman who,
• 1:04:07
  Speaker 3: even though she was one of these ghost echo things
• 1:04:09
  Speaker 3: on the screen, hasn't actually dives yet, hasn't actually died yet.
• 1:04:13
  Speaker 3: So he tries to save her, but he saves her
• 1:04:15
  Speaker 3: baby instead, and he also speaks to this other woman
• 1:04:19
  Speaker 3: who is like, oh, thank you, for giving me this message.
• 1:04:21
  Speaker 2: From my grandmother that he found.
• 1:04:24
  Speaker 3: But it turned out that he got this message like
• 1:04:26
  Speaker 3: a week ago and her grandma died two days ago.
• 1:04:29
  Speaker 2: So it's like he's getting heads up on these things.
• 1:04:33
  Speaker 1: Which is weird because he got into this to try
• 1:04:35
  Speaker 1: to speak to his dead wife and get closure or whatever,
• 1:04:40
  Speaker 1: and now he's fucking like off on these Scooby Doo
• 1:04:42
  Speaker 1: wild adventures, solving crimes and shit before they happen, and
• 1:04:45
  Speaker 1: you're like, what did the fuck it? What did this
• 1:04:48
  Speaker 1: movie turn into?
• 1:04:49
  Speaker 3: And then we find out that the white the woman
• 1:04:51
  Speaker 3: whose baby he saved, uh, was also someone who visited Raymond.
• 1:04:56
  Speaker 2: The grandmother of the girl who got.
• 1:04:57
  Speaker 1: The message black yeah, was also.
• 1:05:01
  Speaker 2: A person who visited Raymond.
• 1:05:03
  Speaker 3: So it's like people who visited him died, excepting like,
• 1:05:06
  Speaker 3: what does that have to do with his wife because
• 1:05:08
  Speaker 3: she didn't.
• 1:05:09
  Speaker 2: They never said she did. She had nothing to do
• 1:05:11
  Speaker 2: with it.
• 1:05:12
  Speaker 1: Yeah, she never went to Raymond. So now it's yeah,
• 1:05:14
  Speaker 1: people that have visited Raymond. Raymond's now dead, and now
• 1:05:18
  Speaker 1: those people that visited Raymond are now speaking through Jonathan's
• 1:05:23
  Speaker 1: dead wife to Jonathan to help save them, and you're
• 1:05:26
  Speaker 1: like what. And then he gets something.
• 1:05:31
  Speaker 3: He gets some sort of thing about some woman whose
• 1:05:35
  Speaker 3: name I'm fairly confident was Morgan Freeman.
• 1:05:38
  Speaker 1: Uh No, but okay, let's just.
• 1:05:43
  Speaker 3: This missing woman Morgan Freeman. Uh and she.
• 1:05:49
  Speaker 2: He finally is like he's trying to get his wife
• 1:05:52
  Speaker 2: to tell.
• 1:05:53
  Speaker 3: Him where or where this woman is. And while he's
• 1:05:56
  Speaker 3: doing that, Sarah Tit is also like, ah, this is
• 1:05:59
  Speaker 3: kind of scene.
• 1:06:00
  Speaker 2: I mean weird. I don't think any of this is
• 1:06:01
  Speaker 2: really happening until.
• 1:06:03
  Speaker 3: These weird three spirits that he keeps seeing sporadically throughout
• 1:06:07
  Speaker 3: this film, which are the worst cgi ghosts ever. He
• 1:06:13
  Speaker 3: keeps seeing them or they keep popping up behind him.
• 1:06:16
  Speaker 3: They get hurt, jump off of her balcony. So she's
• 1:06:20
  Speaker 3: in the hospital.
• 1:06:22
  Speaker 1: Oh well, because she also she sees herself on the tape.
• 1:06:26
  Speaker 1: Oh yeah before that, and they're like, oh god. So
• 1:06:28
  Speaker 1: they go to a hotel to try to circumnavigate her dying.
• 1:06:32
  Speaker 2: No, No, they're at her apartment.
• 1:06:33
  Speaker 1: That's her apartment. Yeah, that look like a fucking hotel room.
• 1:06:36
  Speaker 2: We'll think about how he got into the medicine cabinet
• 1:06:38
  Speaker 2: and stuff.
• 1:06:38
  Speaker 1: Okay, yeah, okay, yeah, so yeah, she they go there
• 1:06:41
  Speaker 1: to you know.
• 1:06:41
  Speaker 3: Circums there's a really sad apartment that looks like a hotel.
• 1:06:44
  Speaker 1: Looks like a hotel. So yeah, that the whole thing happens.
• 1:06:47
  Speaker 1: She's on this so she jumps and now she's in
• 1:06:48
  Speaker 1: the hospital. I thought she died.
• 1:06:51
  Speaker 3: Yeah, no she did somehow, even though she landed on
• 1:06:54
  Speaker 3: the awning. And so he goes because he finally gets
• 1:06:59
  Speaker 3: the message. She figures out where exactly Morgan Freeman is
• 1:07:03
  Speaker 3: and it turns out the abandoned warehouse that his White's
• 1:07:07
  Speaker 3: body was found next to, that's where she is. And
• 1:07:10
  Speaker 3: there's the keep out sign. He's been seeing some of
• 1:07:13
  Speaker 3: the letters of throughout the field. Yeah, and so he's like, oh,
• 1:07:20
  Speaker 3: there it is.
• 1:07:20
  Speaker 2: You're like again, what does this have to do with
• 1:07:22
  Speaker 2: his wife?
• 1:07:23
  Speaker 1: Yeah?
• 1:07:24
  Speaker 2: Nothing, The answer is nothing. He gets in there.
• 1:07:28
  Speaker 1: Oh by the way, if you don't want spoilers, don't
• 1:07:30
  Speaker 1: listen to like the next five minutes.
• 1:07:32
  Speaker 3: Yeah, So he finally gets into this building. He runs
• 1:07:36
  Speaker 3: in there, he says, I think I know where this
• 1:07:37
  Speaker 3: woman is. At this point, this detective, Oh, he goes
• 1:07:39
  Speaker 3: to his house first. I apologize after the hospital and
• 1:07:42
  Speaker 3: his house has.
• 1:07:43
  Speaker 1: Been ye, just like Raymond's ransacked. All the windows are
• 1:07:48
  Speaker 1: you know, destroy, there's feathers falling from the ceiling.
• 1:07:51
  Speaker 3: And then for some cgi feathers that only appear behind him.
• 1:07:55
  Speaker 1: Must got really angry with those pillows man for real.
• 1:07:58
  Speaker 3: But the detective had told me he was going to
• 1:08:00
  Speaker 3: meet him at his house, so obviously he runs off
• 1:08:02
  Speaker 3: when he gets the message about where Morgan Freeman is,
• 1:08:05
  Speaker 3: and so Jone calls and tells the detective that he's
• 1:08:12
  Speaker 3: at this pier.
• 1:08:13
  Speaker 1: Pier sixteen. I think I solved the mystery.
• 1:08:15
  Speaker 3: Yeah, and you're like, bro, you're just making yourself like
• 1:08:18
  Speaker 3: the prime suspect.
• 1:08:19
  Speaker 2: Why are you at all these incidents?
• 1:08:20
  Speaker 1: Yeah, it's not good.
• 1:08:22
  Speaker 3: So he runs in there, uh notices a bunch of
• 1:08:26
  Speaker 3: tools and a hard hat, which I first thought was extremely.
• 1:08:29
  Speaker 2: Funny, and then I realized why that was there? Tools
• 1:08:32
  Speaker 2: and my tools.
• 1:08:33
  Speaker 3: And then he finds all these all this equipment set
• 1:08:36
  Speaker 3: up like he had with TVs and you know TV
• 1:08:40
  Speaker 3: screens everywhere, it's static cars. Someone drifts behind him and
• 1:08:44
  Speaker 3: it's very weird. Yeah, and then he can hear Morgan
• 1:08:48
  Speaker 3: Freeman's screaming, except he's like hello, like he is yelling
• 1:08:54
  Speaker 3: at He sees the ghost of his wife in the
• 1:08:57
  Speaker 3: faintest way possible, like they could have toned that just
• 1:09:00
  Speaker 3: a scooch because she was like barely visible, and he's like,
• 1:09:05
  Speaker 3: help they find her, and she and his ghost wife
• 1:09:08
  Speaker 3: is just like, go now now what she keeps saying
• 1:09:10
  Speaker 3: every time he runs into danger, go now, And she
• 1:09:14
  Speaker 3: keeps saying go now, go now.
• 1:09:16
  Speaker 2: And I mean Morgan Freeman's screaming. You could go towards
• 1:09:19
  Speaker 2: the screaming and then you might find her. So he
• 1:09:22
  Speaker 2: does find her.
• 1:09:25
  Speaker 3: With the construction worker from the elevator like an hour.
• 1:09:30
  Speaker 1: Earlier, who asked them if they were okay when they
• 1:09:33
  Speaker 1: got out after the power cut.
• 1:09:35
  Speaker 2: Honest to god, though you and I are both like
• 1:09:38
  Speaker 2: that guy, do we see that guy earlier?
• 1:09:40
  Speaker 3: We could not remember if we had seen him until
• 1:09:43
  Speaker 3: they cut back to that scene, Like, bro, if his
• 1:09:45
  Speaker 3: presence was so minimal, what was the fucking point of that?
• 1:09:49
  Speaker 1: Oh? So, what the fuck does he have to do
• 1:09:51
  Speaker 1: with anything? Who is this?
• 1:09:54
  Speaker 3: He then reveals he has also been hearing from these
• 1:09:57
  Speaker 3: three evil spirits we don't know.
• 1:10:01
  Speaker 1: Why, no, no, why don't explain.
• 1:10:03
  Speaker 2: And out of nowhere.
• 1:10:04
  Speaker 3: When he runs to go try to set Morgan Freeman free,
• 1:10:08
  Speaker 3: these three spirits swarm him.
• 1:10:11
  Speaker 1: In the most miraculous bout of CG you've ever seen.
• 1:10:14
  Speaker 3: It looked like a really rough rock and roll music
• 1:10:17
  Speaker 3: video like that, like when everything got really grungy and
• 1:10:20
  Speaker 3: blue green tinted, and I mean they all surrounded Joan,
• 1:10:24
  Speaker 3: not the construction guy. The construction guy just kind of
• 1:10:27
  Speaker 3: for a second wanders off somewhere and yeah, so Joan
• 1:10:31
  Speaker 3: gets like swarmed a lot and does a lot of
• 1:10:34
  Speaker 3: flailing that.
• 1:10:35
  Speaker 2: Clearly has nothing to do with the CGI. So that
• 1:10:37
  Speaker 2: was really special.
• 1:10:40
  Speaker 3: Oh and it is revealed that this construction guy kidnapped
• 1:10:44
  Speaker 3: his wife and actually killed her because they told him
• 1:10:48
  Speaker 3: to the Three Evil Spirits, the three Yeah.
• 1:10:53
  Speaker 2: And so they killed Joan, which was so weird.
• 1:11:00
  Speaker 1: Was whatever reason?
• 1:11:01
  Speaker 2: Why did he need to die?
• 1:11:03
  Speaker 3: And then at the last second, the detective shows up,
• 1:11:06
  Speaker 3: kills the construction.
• 1:11:07
  Speaker 2: Guy and saves the girl.
• 1:11:09
  Speaker 3: And then like after the funeral, they get the ex
• 1:11:14
  Speaker 3: wife gets a message from Michael Keaton that he's sorry
• 1:11:19
  Speaker 3: on the radio at two thirty, and then the the
• 1:11:23
  Speaker 3: Sarah Tate kind of looks around like she's hearing something
• 1:11:26
  Speaker 3: at the cemetery, but then like nothing happens.
• 1:11:29
  Speaker 1: Yeah, she looks to the right and I'm like car
• 1:11:31
  Speaker 1: and then it just cuts the black and they're like, oh,
• 1:11:35
  Speaker 1: it's so weird.
• 1:11:36
  Speaker 3: Like they never explain who these three spirits are. They
• 1:11:39
  Speaker 3: never explain why they want to kill people. They never
• 1:11:42
  Speaker 3: explain what those messages mean. Why Raymond didn't do anything
• 1:11:45
  Speaker 3: about this.
• 1:11:46
  Speaker 2: Because if he had all those logs, he would have
• 1:11:48
  Speaker 2: noticed that shit.
• 1:11:49
  Speaker 3: And like they don't explain anything, and a lot of
• 1:11:53
  Speaker 3: the stuff feels pointless.
• 1:11:56
  Speaker 1: Yeah, it's like they it's like they wanted to have
• 1:12:00
  Speaker 1: this giant, awesome, just massive reveal, and then they decided
• 1:12:04
  Speaker 1: to do this instead.
• 1:12:06
  Speaker 2: They forgot what they were doing.
• 1:12:08
  Speaker 1: Yeah, it's like they tried to do a twist, but
• 1:12:09
  Speaker 1: then for it's like they had an original draft that
• 1:12:12
  Speaker 1: they lost and they had to make something up because
• 1:12:14
  Speaker 1: they couldn't remember what they originally had planned out. Because yeah,
• 1:12:17
  Speaker 1: who were the three people? Why are they telling people
• 1:12:20
  Speaker 1: to kill people? Also, now it's like a real person
• 1:12:23
  Speaker 1: killing people.
• 1:12:24
  Speaker 2: What's the wife got to do with the wife?
• 1:12:26
  Speaker 1: Is it just random people? Are you sacrificing them for
• 1:12:29
  Speaker 1: what's going on? Like what's happening.
• 1:12:31
  Speaker 3: As this point of making the wife pregnant just another
• 1:12:34
  Speaker 3: impact on that another fuck you?
• 1:12:37
  Speaker 1: Yeah, because you lost a kid earlier than you saved
• 1:12:39
  Speaker 1: a kid, and even what's going.
• 1:12:40
  Speaker 2: On in this movie, Like what was the point of
• 1:12:42
  Speaker 2: even having the son in there?
• 1:12:44
  Speaker 1: It made no sense, Like there was a.
• 1:12:46
  Speaker 2: Lot of what was the point of that and what
• 1:12:48
  Speaker 2: was that about?
• 1:12:49
  Speaker 3: And I looked at the blurb, there's no explanation for
• 1:12:52
  Speaker 3: what those three guys are.
• 1:12:53
  Speaker 1: They had a perfect fucking opportunity to make the kid
• 1:12:56
  Speaker 1: a creepy kid speaking to ghosts and shit, and like
• 1:12:59
  Speaker 1: he could have been the interactive medium or something and
• 1:13:02
  Speaker 1: they could have had fun with the story. But the
• 1:13:04
  Speaker 1: kid was a fucking rite off character. So was the
• 1:13:06
  Speaker 1: ex wife, And they don't explain fucking anything. But then
• 1:13:08
  Speaker 1: they try to give you this big twist like it's
• 1:13:10
  Speaker 1: gonna solve all your issues or story.
• 1:13:13
  Speaker 3: The spirit could have been someone who felt like they
• 1:13:15
  Speaker 3: had been wrong, so they were attacking other people.
• 1:13:18
  Speaker 1: But one miscall it's a stupid reason for why people
• 1:13:20
  Speaker 1: are dying, But it's a reason people are dying. Yeah,
• 1:13:23
  Speaker 1: you know, it's stupid, but at least there's some point,
• 1:13:26
  Speaker 1: so it's like.
• 1:13:27
  Speaker 3: Yeah, Like and the fact that all these people had
• 1:13:29
  Speaker 3: a connection, Like midway through all the several people had
• 1:13:32
  Speaker 3: a connection except his wife, but somehow she's a part
• 1:13:37
  Speaker 3: of this, but it doesn't line up with anybody else's,
• 1:13:39
  Speaker 3: like the one that's.
• 1:13:40
  Speaker 1: The point why, So this is a kind of a
• 1:13:42
  Speaker 1: major fail. In the third act, I was quite enjoying it,
• 1:13:46
  Speaker 1: uh and when we were paying attention despite the silly
• 1:13:49
  Speaker 1: cg but I mean because like it looks great. The
• 1:13:52
  Speaker 1: cinematography is actually very well done. It shot nicely, It
• 1:13:56
  Speaker 1: had a good score, although it could be a little
• 1:13:58
  Speaker 1: overwhelming at times, and it was a very I had
• 1:14:01
  Speaker 1: like four or five jump scares, you know, like it's
• 1:14:03
  Speaker 1: so like it was all decent, but then it just
• 1:14:04
  Speaker 1: fucking crumbled to bits at the you know, at the
• 1:14:08
  Speaker 1: third act.
• 1:14:09
  Speaker 2: I mean to kill him for absolutely no reason.
• 1:14:12
  Speaker 1: There was nothing, yeah, everything to lose.
• 1:14:16
  Speaker 3: Apparently he like the bad guys technically still win because
• 1:14:21
  Speaker 3: nothing happens with those spirits.
• 1:14:23
  Speaker 2: They just disappear, like.
• 1:14:24
  Speaker 1: Yeah, okay, I mean, yeah, the guy that was killing
• 1:14:27
  Speaker 1: is now dead. But I'm sure those three people, us
• 1:14:29
  Speaker 1: mystery people can find someone else to do their bidding.
• 1:14:32
  Speaker 1: So it was just kind of a fail in the
• 1:14:34
  Speaker 1: plot department. It's just it doesn't you know, a lot
• 1:14:37
  Speaker 1: of unanswered questions. But I will let you talk about
• 1:14:41
  Speaker 1: what we're gonna do right after this, and I'm very
• 1:14:43
  Speaker 1: excited about that because they're not related in any capacity
• 1:14:47
  Speaker 1: and that makes me so happy. When they do, you're
• 1:14:50
  Speaker 1: gonna go I'm.
• 1:14:51
  Speaker 2: Waiting for you to finish a sentence.
• 1:14:52
  Speaker 1: Ah.
• 1:14:54
  Speaker 3: So we noticed that there was a second movie to this,
• 1:14:58
  Speaker 3: and we're like, well, this one's supposed to be terrible,
• 1:15:00
  Speaker 3: So like, like, who's gonna even watch the second one? And
• 1:15:03
  Speaker 3: then I just opened the IMDb. I'm like, oh, well, shit,
• 1:15:07
  Speaker 3: we've got to watch the second one because the lead
• 1:15:09
  Speaker 3: actor is Nathan Fillion and there's no way I'm not
• 1:15:13
  Speaker 3: watching that.
• 1:15:14
  Speaker 1: And it has a better rating only by point one
• 1:15:17
  Speaker 1: on letterbox, but it has a better rating than this one,
• 1:15:20
  Speaker 1: so maybe we'll like it more.
• 1:15:21
  Speaker 3: Yeah, and Katie, I think you say, Sackoff, Yeah, is
• 1:15:25
  Speaker 3: in it.
• 1:15:25
  Speaker 2: And she you know, she's in Battlestar Galactica.
• 1:15:29
  Speaker 3: She's an Oculus, she's Boca Tan and the Mandalorian like.
• 1:15:33
  Speaker 1: Yeah, So I'm gonna read all these fun facts about
• 1:15:36
  Speaker 1: the movie and then we're gonna go watch White Noise two?
• 1:15:38
  Speaker 1: What is it? White Noise two? Here comes the Fire?
• 1:15:42
  Speaker 1: What is it?
• 1:15:42
  Speaker 2: The Light?
• 1:15:43
  Speaker 1: The Light?
• 1:15:44
  Speaker 3: Yeah, and it's pretty much just like a reworking of
• 1:15:47
  Speaker 3: the plot, but like the same basic setup of pre
• 1:15:50
  Speaker 3: predicting deaths.
• 1:15:51
  Speaker 1: Yeah, so here, I did not watch to the end
• 1:15:56
  Speaker 1: for mid post credit scene. I hope there's not one.
• 1:15:59
  Speaker 1: I could not take the song that popped on, and
• 1:16:01
  Speaker 1: I was also done with that movie. Taglines. There's fucking
• 1:16:04
  Speaker 1: ten taglines. I'm not gonna read all of them, but
• 1:16:06
  Speaker 1: I did write down some pretty comical ones. I'll read
• 1:16:09
  Speaker 1: real quick. Oh boy, the line separating the living from
• 1:16:12
  Speaker 1: the dead has been crossed. Great. This image was recorded
• 1:16:17
  Speaker 1: from static television in two thousand and four, But this
• 1:16:19
  Speaker 1: woman died twenty years ago. That has nothing to do
• 1:16:23
  Speaker 1: with the story. That's why I put that one in there.
• 1:16:25
  Speaker 1: There are nearly seven billion audio and video recording devices
• 1:16:28
  Speaker 1: and homes around the world. Every one of them is
• 1:16:30
  Speaker 1: a portal, yeah, TV, radio, even telephone. New doors for
• 1:16:35
  Speaker 1: the new door of the spirits what they make contact.
• 1:16:39
  Speaker 1: Beware there is no dead spot for the dead. Yay
• 1:16:43
  Speaker 1: oh trivia. The recording us in the trailer that has
• 1:16:47
  Speaker 1: attributed to Stanley Searless I Love You is thought to
• 1:16:50
  Speaker 1: be the ghostly voice of Searles, a former politician who
• 1:16:52
  Speaker 1: died in two thousand and two. The recording was said
• 1:16:55
  Speaker 1: to have been made by Searle's daughter, a well known
• 1:16:58
  Speaker 1: EVP researcher named Cari Mossee there you go. On the
• 1:17:02
  Speaker 1: DVD commentary, Michael Keaton admitted to phoning in some of
• 1:17:05
  Speaker 1: his scenes and apologized to the director, Jeffrey Sachs, which
• 1:17:08
  Speaker 1: is hilarious. Uh. EVP is claimed, by adherence to the paranormal,
• 1:17:13
  Speaker 1: to be of other worldly origins and was not invented
• 1:17:16
  Speaker 1: by the filmmakers. Just so you know, the EVPs were
• 1:17:19
  Speaker 1: around before this movie.
• 1:17:21
  Speaker 2: Wow, Holy crap.
• 1:17:26
  Speaker 1: Goofs uh. Though the story is set in Washington, the
• 1:17:29
  Speaker 1: filmmakers make no attempt to conceal British Columbia license plates.
• 1:17:33
  Speaker 2: Hilarious.
• 1:17:35
  Speaker 3: Oh there's the They're like, here's the iconic building of
• 1:17:38
  Speaker 3: this town.
• 1:17:39
  Speaker 2: Don't give a ship.
• 1:17:40
  Speaker 1: Yeah. And then this one, which is also great. When
• 1:17:42
  Speaker 1: the news crew reports about finding Anna's body, they say
• 1:17:45
  Speaker 1: it was found upstream. Upstream would mean that their body
• 1:17:48
  Speaker 1: floated against the current. Oh shit, yeah, yeah, so that's dumb.
• 1:17:55
  Speaker 1: Rated five.
• 1:17:56
  Speaker 2: She was paddling for her not yeah.
• 1:17:58
  Speaker 1: So. Rated five five out of ten on IMDb, dB,
• 1:18:03
  Speaker 1: two point three out of five on Letter box. I
• 1:18:05
  Speaker 1: gave it a tow no heart.
• 1:18:08
  Speaker 2: Yeah that seems fair.
• 1:18:08
  Speaker 1: Yeah, it was just bad.
• 1:18:10
  Speaker 2: I will say this is tech.
• 1:18:12
  Speaker 3: This is technically White Noise to Trivia, But the movie's predecessor,
• 1:18:16
  Speaker 3: White Light, was critically panned by critics. Yeah, but wow
• 1:18:22
  Speaker 3: what it was a box office success. The sequel ironically
• 1:18:25
  Speaker 3: was well received by critics but failed to recuperate at
• 1:18:29
  Speaker 3: the box office.
• 1:18:29
  Speaker 1: Yeah, so we're gonna find out. We'll report back next
• 1:18:33
  Speaker 1: time you're on the show. So that's White Noise again.
• 1:18:37
  Speaker 1: If you would like to check this out, you can
• 1:18:38
  Speaker 1: check it out on the Stars app or you know,
• 1:18:42
  Speaker 1: if you have Hulu to Stars, you can check it
• 1:18:43
  Speaker 1: out there. Me and Corey will be back next week.
• 1:18:46
  Speaker 1: We are going to be doing our thirty one days
• 1:18:49
  Speaker 1: of Horror, which is the fourth year in a row
• 1:18:51
  Speaker 1: we've done this, I think. And then you're also going
• 1:18:54
  Speaker 1: to be getting a bonus episode of me with Me
• 1:18:57
  Speaker 1: and Spencer next week. So you're gonna get two Rush
• 1:19:00
  Speaker 1: episodes next week, one to make you know, one to
• 1:19:02
  Speaker 1: make up for the stuff we've missed, but also because
• 1:19:05
  Speaker 1: it is kicking off October, which we're doing Slash Tober again,
• 1:19:09
  Speaker 1: there's gonna be a lot of fun. So yeah, if
• 1:19:12
  Speaker 1: you haven't already, follow us on Facebook at Frightmares, and
• 1:19:15
  Speaker 1: then we have an Instagram and slash your app Frightmares Podcast,
• 1:19:19
  Speaker 1: and then Twitter at fright Maar's Underscore pod. Stay Spooky.
• 1:19:23
  Speaker 1: Outlook dot com is our email. I am doctor Procter
• 1:19:26
  Speaker 1: on letterboxed.
• 1:19:27
  Speaker 2: You are Watson l n P.
• 1:19:29
  Speaker 1: Ninety oooh yeah, so until next week, I stay tuned.
• 1:19:32
  Speaker 2: And stay spooky.
• 1:19:35
  Speaker 1: There you go, mail, I was waiting for you to
• 1:19:37
  Speaker 1: say it.
• 1:19:37
  Speaker 2: I forgot.
• 1:19:38
  Speaker 1: Stay tuned and do something. Stay spooky, Manu