Latest / The Breakfast Club / The Breakfast Club Talks Uncle Johnny, Today's Topics, And Chance The Rappee

Transcript

The Breakfast Club Talks Uncle Johnny, Today's Topics, And Chance The Rappee · The Breakfast Club

• 0:07
  Speaker 1: Yola, good morning. Whoa, whoa, whoa whoa. Clear your throat, king,
• 0:15
  Speaker 1: Clear your throat king, So you got something in your throat?
• 0:18
  Speaker 1: Good morning, Usa yo yo yo yo yo yo yo
• 0:21
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:23
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:25
  Speaker 1: yo yo yo yo yo. Good morning. A good money
• 0:28
  Speaker 1: dam then, Charlomagne the guy piece of the plane. It
• 0:31
  Speaker 1: is Tuesday, Yes, it's tuesday. Good morning. Oh uncle Johnny
• 0:37
  Speaker 1: made mine dress? That chep spending deck ship looks a mess.
• 0:40
  Speaker 1: What's happening? How y'all feeling I'm feeling great. I ain't
• 0:43
  Speaker 1: blessed black and highly favored. Man, it's a beautiful day
• 0:45
  Speaker 1: in the neighborhood. Man, I got I got smack with
• 0:48
  Speaker 1: inflation this morning. Something crazy. That's his name, that's his name.
• 0:54
  Speaker 1: That was his name, kay okay. I pulled up to
• 0:56
  Speaker 1: the gas station and I said, let me get thirty
• 0:58
  Speaker 1: on on on pump two. He put thirty on pump
• 1:01
  Speaker 1: two and it was still a quarter tank. I would
• 1:03
  Speaker 1: there was no way I would have been able to
• 1:04
  Speaker 1: get the working back. I thought gas price has been
• 1:06
  Speaker 1: dropping a little bit. And listen, that thirty dollars did
• 1:08
  Speaker 1: nothing so then I had to put another forty dollars
• 1:10
  Speaker 1: And what kind of car is this? This is a
• 1:12
  Speaker 1: it's a two thousand g wagon. Didn't feel sorry for you? Yeah,
• 1:17
  Speaker 1: at two years old? So what did I put forty
• 1:21
  Speaker 1: dollars more? And I just got over half tank? And
• 1:23
  Speaker 1: I'm like, why didn't you just feel your take up?
• 1:25
  Speaker 1: I didn't have time. I just I'm just sound like
• 1:28
  Speaker 1: that took more time. I'm from the school. Or I
• 1:30
  Speaker 1: just put forty dollars and keep it moving. That's the
• 1:31
  Speaker 1: stupidest thing I've heard in my life. You're driving around
• 1:33
  Speaker 1: in a g Wagon, which I'm sure costs a lot
• 1:35
  Speaker 1: of money, and you only putting forty dollars in your tank.
• 1:38
  Speaker 1: Sounds to me like you can't afford the gwagon. I
• 1:40
  Speaker 1: only put four dollars in any tank, drib. That's so stupid.
• 1:42
  Speaker 1: It is so that's why I drive a test I
• 1:44
  Speaker 1: love I love my Testla. I plug it in, keep
• 1:46
  Speaker 1: it moving right. Inflation this morning, I'm just saying you
• 1:50
  Speaker 1: just inflacing. Price is expensive as hell. I thought gas
• 1:53
  Speaker 1: was going down though I don't know, but it's still expensive. Yes,
• 1:56
  Speaker 1: very definitely is goodness, gracious, it's been expensive goodness, gracious,
• 2:01
  Speaker 1: But how you guys, famm I'm not bad. Yeah, I've
• 2:05
  Speaker 1: just been Listen, Uncle Johnny made my dress that chief spend.
• 2:10
  Speaker 1: She looks up, mess. What's wrong with you? Man? That
• 2:13
  Speaker 1: record slap Bro, that's heated? Right? Ain't that heated? Off?
• 2:17
  Speaker 1: That record? Slaps? That's my favorite song off that album?
• 2:20
  Speaker 1: Thus far? Goodness, A lot of them. I like that.
• 2:23
  Speaker 1: I like I like that album a lot. All right, Well,
• 2:24
  Speaker 1: we got a special guests joining us. Is it Uncle Johnny?
• 2:27
  Speaker 1: Is he making dresses? No, it's it's Chance to Rapper. Okay, close,
• 2:33
  Speaker 1: Chance to Rapper made my dress that cheap three hat.
• 2:36
  Speaker 1: He looks up mess. No, he does it. He's a
• 2:38
  Speaker 1: good guy. He'll be here, uh this day. I like Chance.
• 2:41
  Speaker 1: I like Chance a lot man. Yeah, we're gonna talk
• 2:43
  Speaker 1: to hour. And also we got front page news what
• 2:45
  Speaker 1: we're talking about. Yes, and let's talk about the world's
• 2:47
  Speaker 1: biggest four day work week trial run. Let's see how
• 2:51
  Speaker 1: people were affected by having just a four day work week.
• 2:54
  Speaker 1: When did that happen? They ain't put me in the trial.
• 2:56
  Speaker 1: Are you in the UK? That's in the UK? Okay,
• 2:58
  Speaker 1: he said the world. I don't know. Yeah, in the world.
• 3:00
  Speaker 1: This is the biggest time, this is the biggest world.
• 3:02
  Speaker 1: We are in the world. Are we were part of
• 3:05
  Speaker 1: the world? Basic when they've ever had in the world.
• 3:07
  Speaker 1: Oh okay, all right, should try that here, man. I
• 3:10
  Speaker 1: agree we needed a five days working It makes no
• 3:13
  Speaker 1: sense pointless. I feel like we kind of do that
• 3:15
  Speaker 1: at time because nobody work on Friday. No way, really
• 3:18
  Speaker 1: your coast Monday, you just kind of like you're here.
• 3:21
  Speaker 1: You're really only working tuoday. Win there in third than anyway.
• 3:23
  Speaker 1: All right, bro, let's get the show cracking front page.
• 3:26
  Speaker 1: Oh go, Johnny made my dress that chief Spendex. She
• 3:29
  Speaker 1: looks at and I guarantee you're not playing the movie.
• 3:31
  Speaker 1: I'll there always No, but we got Jack Harlow all
• 3:33
  Speaker 1: right for the million time. No right, it's the breakfast
• 3:37
  Speaker 1: radio everybody, DJ mvy Angela Yee, Scholomie the guy. We
• 3:42
  Speaker 1: are to breakfast clubs. Happening on page news. Well, the
• 3:48
  Speaker 1: UK people have tested out a four day work week schedule.
• 3:51
  Speaker 1: They had no no pay cuts, and they're saying that
• 3:54
  Speaker 1: people felt happy or healthier and are doing better in
• 3:57
  Speaker 1: their jobs. So this could be something eventually that could
• 4:01
  Speaker 1: be the norm. So they said, I find that same
• 4:04
  Speaker 1: I'm saying yes we can, as opposed to know, sorry
• 4:08
  Speaker 1: we can't. That's what Lisa Gilbert had to say, and
• 4:10
  Speaker 1: she says her new routine is phenomenal. I can really
• 4:13
  Speaker 1: enjoy my weekend now because I've got my Friday for
• 4:15
  Speaker 1: my chores and my other bits and pieces, or if
• 4:18
  Speaker 1: I just want to take my mom out for a walk,
• 4:19
  Speaker 1: I can do that now without feeling guilty. How that
• 4:23
  Speaker 1: would work like, because you know, businesses still pay you,
• 4:25
  Speaker 1: so you don't get paid for the fifth day, and
• 4:27
  Speaker 1: most people need the money now. They said no pay cut,
• 4:29
  Speaker 1: no pay cut. Yeah, the only work four days a
• 4:32
  Speaker 1: week in the same time slot, only eight hours. You know,
• 4:35
  Speaker 1: just imagine if people could be more productive during that
• 4:37
  Speaker 1: time too, because think about the amount of time that
• 4:40
  Speaker 1: you're feeling burnt out and you're sitting there doing nothing
• 4:42
  Speaker 1: because you're exhausted, and you're just like, oh, I don't
• 4:44
  Speaker 1: feel like doing this. You're handling personal business while you're
• 4:47
  Speaker 1: at work. So maybe there's a chance that if you
• 4:49
  Speaker 1: know you have to get the same amount of work
• 4:51
  Speaker 1: done in a shorter amount of time, you could potentially
• 4:54
  Speaker 1: be more productive. Wow, who knew days off from work
• 4:57
  Speaker 1: made people happy who knew days off from work makes
• 4:59
  Speaker 1: you more mentally, emotionally and physically happy. Wow. Think about
• 5:03
  Speaker 1: people who just did at work with nothing to do
• 5:05
  Speaker 1: because they finish everything they have to do, but they
• 5:07
  Speaker 1: have a certain amount of hours they have to be there. Yeah,
• 5:09
  Speaker 1: but then you got to do five days worth of
• 5:12
  Speaker 1: work in four days. Man, why are you fighting days
• 5:14
  Speaker 1: off from work? Shut up? I bet you if you
• 5:17
  Speaker 1: ask people, would you rather work five days or would
• 5:20
  Speaker 1: you rather work more for those four days? Yeah? An
• 5:24
  Speaker 1: extra day off? Yeah, but you're doing the same amount
• 5:26
  Speaker 1: of work, which is the less time. Man. All we
• 5:28
  Speaker 1: want is the day off. We don't even be knowing
• 5:30
  Speaker 1: what ninety five percentities holidays are about. But if they
• 5:33
  Speaker 1: tell us we got a day off, we're taking it right. Okay,
• 5:35
  Speaker 1: it's racist out there. That'll take June team off, all right.
• 5:38
  Speaker 1: They don't give a damn with the holidays. Just give
• 5:40
  Speaker 1: us the day off. Now. Twenty eight year old man
• 5:43
  Speaker 1: in Ohio is leaving his job as a teacher because
• 5:46
  Speaker 1: he's getting paid more as a manager at Walmart. He
• 5:49
  Speaker 1: announced this in the video that is now viral. Seth
• 5:52
  Speaker 1: gosh Goshorn is his name. He worked as a reading
• 5:55
  Speaker 1: tutor and second grade teacher for six years. He said.
• 5:58
  Speaker 1: The chief reason that he did that is because of pay.
• 6:01
  Speaker 1: It's far more money to be a manager at Walmart
• 6:04
  Speaker 1: than it is to be a teacher. I would never
• 6:06
  Speaker 1: understand how dirty America does his veterans and his teachers. Bro.
• 6:10
  Speaker 1: Our teachers, Bro. We take our kids to school and
• 6:13
  Speaker 1: leave them with these individuals and the hopes that they
• 6:16
  Speaker 1: pour into them and make them better people. Teachers should
• 6:19
  Speaker 1: be some of the highest paid people in this on
• 6:21
  Speaker 1: this planet, Okay, especially in this country. Ye yeah, come on, man,
• 6:25
  Speaker 1: think about it. You walk here when you work at Walmart,
• 6:27
  Speaker 1: you ain't got to deal with them crazy ass kids.
• 6:30
  Speaker 1: Then you get about thirty twenty five thirty percent off
• 6:32
  Speaker 1: as an employee at Walmart. You do, yes, Well, that's
• 6:35
  Speaker 1: that's the beauty of being a teacher. Most people that
• 6:37
  Speaker 1: are teachers are teachers because they just love pouring into
• 6:39
  Speaker 1: these students, correct, which is all the more reason that
• 6:41
  Speaker 1: they should be getting paid. I agree, you know what
• 6:43
  Speaker 1: I mean, they should be like making six figures salaries easily. Teachers. Teachers, Bro.
• 6:48
  Speaker 1: Not only are teachers teachers, their baby says essentially, they
• 6:51
  Speaker 1: are you know what I mean the kids and make
• 6:55
  Speaker 1: sure the kids are People can't wait to send their
• 6:57
  Speaker 1: kids to school. What other adults spends is much time
• 7:00
  Speaker 1: with your children other than the parents, than teachers, nobody
• 7:03
  Speaker 1: during the school year. It's a it's a travelsy the
• 7:05
  Speaker 1: way they tree teachers out here, bro all right. In
• 7:07
  Speaker 1: California and Illinois have declared health emergencies yesterday in their
• 7:11
  Speaker 1: states regarding monkey Box. So the governor's proclamation will accelerate
• 7:16
  Speaker 1: the administration of vaccines and then the work of contact
• 7:19
  Speaker 1: tracing and also prevention efforts. So it is now a
• 7:24
  Speaker 1: state of emergency, all right, and that is your front
• 7:28
  Speaker 1: page news, all right. Get it off your chest eight
• 7:31
  Speaker 1: five eight five one oh five one. If you're upset,
• 7:33
  Speaker 1: you need to vent hit us up right now. Phone
• 7:35
  Speaker 1: lines are wide open again eight five eight five one
• 7:39
  Speaker 1: five one. It's the Breakfast Club. Good morning. I'm telling
• 7:47
  Speaker 1: you if this is your time to get it off
• 7:49
  Speaker 1: your chest, whether you're mad or blessed. Eight hundred five
• 7:52
  Speaker 1: eight five one five one, we want to hear from
• 7:54
  Speaker 1: you on the Breakfast Club. Hello. Who's this? Hey, I'm
• 7:59
  Speaker 1: block to the tool on. We were just talking about you.
• 8:03
  Speaker 1: Can I get some more my chest rou suicide opposition.
• 8:08
  Speaker 1: The number is nine eight eight. So I'm just gonna
• 8:10
  Speaker 1: get some chest Rood puck suicide of thoughts going through
• 8:14
  Speaker 1: my mind? Who's gonna restre me with these thoughts of mind?
• 8:17
  Speaker 1: I keep on searching it, but I just can't find
• 8:20
  Speaker 1: pick him, the devil lurking with all these land mines.
• 8:23
  Speaker 1: He can't show a quick here's the take and make
• 8:24
  Speaker 1: up your damn mind. I'm at the cross slow. I
• 8:27
  Speaker 1: need a lifeline. I hear my Stun's voice in the
• 8:29
  Speaker 1: back of my mind. Daddy, it's okay, You're gonna be
• 8:32
  Speaker 1: all right. Black half black family can't come out of
• 8:34
  Speaker 1: Pop of day Let's talk about and come out of
• 8:39
  Speaker 1: pop of daylight. Alrightybody calmed down. Everybody came down. He's
• 8:50
  Speaker 1: going crazy. Everybody real? Hello? Who this? How do you
• 8:57
  Speaker 1: come down? Thanks? Hide our breakfast club, particularly you Charlomagne,
• 9:09
  Speaker 1: because I heard Miss Bards saying she gave you her
• 9:12
  Speaker 1: personal phone number. She's the secretary of HUD. I want
• 9:15
  Speaker 1: to know what is she going to do and if
• 9:17
  Speaker 1: they admitted it in the National Housing Law Projects Survey
• 9:21
  Speaker 1: that we had rising music and in her assistant house.
• 9:24
  Speaker 1: But that's people that live in housing like Niger Ruk
• 9:27
  Speaker 1: Housing Authority. And I know people personals that have been
• 9:30
  Speaker 1: put out, and they've been put out for the very
• 9:32
  Speaker 1: reason that they admitted, because HUD guys did not follow
• 9:36
  Speaker 1: their own rules and they did not send out proper notice.
• 9:40
  Speaker 1: Because these residents about court, Charlom Ankers, please call her
• 9:45
  Speaker 1: and ask her what are we gonna do? How are
• 9:47
  Speaker 1: we gonna revolve it? Are we gonna reach out to
• 9:49
  Speaker 1: these people and put them back in their houses because
• 9:53
  Speaker 1: they admitted they can did something wrongly, or we're gonna
• 9:56
  Speaker 1: let them continue to walk around homely? Wh And again
• 10:02
  Speaker 1: I said, why have they been invicted? People who but
• 10:05
  Speaker 1: invicted them because you know, because the moratorium is up now,
• 10:10
  Speaker 1: so they could bring people into court. Correct, So they
• 10:12
  Speaker 1: bring it into court first, you got to send the
• 10:14
  Speaker 1: person to notice. So if the person don't get to notice,
• 10:17
  Speaker 1: they can't not come to court. And I know people personally,
• 10:22
  Speaker 1: but because they did not make it to court, Nework
• 10:26
  Speaker 1: House and Authority put them out of their housing. And
• 10:29
  Speaker 1: we were just on a call with our Stein judge
• 10:32
  Speaker 1: and it's visible last week. So they have this pilate program.
• 10:36
  Speaker 1: But you a year and a half late because these
• 10:38
  Speaker 1: people are walking around holds now. So if you admit
• 10:41
  Speaker 1: that it's wrong, how are we gonna think it? I'm
• 10:45
  Speaker 1: gonna find out. But you know, they did just announce
• 10:47
  Speaker 1: they announced yesterday that HOOD is doing two point eight
• 10:51
  Speaker 1: billion dollars in grants for homeless services. So so it's
• 10:54
  Speaker 1: two point eight billion in fresh funding for homeless services
• 10:56
  Speaker 1: and organizations across the country. Though I don't but they
• 10:58
  Speaker 1: finally opened up the course because people are a lot
• 11:01
  Speaker 1: of people haven't been paying their rent, and not because
• 11:03
  Speaker 1: they can't afford it. It's just because it's been a
• 11:05
  Speaker 1: loophole where they didn't have to pay their rent and
• 11:07
  Speaker 1: they haven't been able to get out because the court
• 11:08
  Speaker 1: hasn't been open. So I know a lot of people
• 11:10
  Speaker 1: that are landlords have been actually losing their buildings because
• 11:13
  Speaker 1: they can't pay the mortgage on them because people haven't
• 11:15
  Speaker 1: been paying the rents and people haven't been evicted. So
• 11:17
  Speaker 1: I know, like even a couple of my buildings, sixty
• 11:19
  Speaker 1: percent of the people weren't paying rent. And it wasn't
• 11:21
  Speaker 1: because they weren't working, because they weren't working, but there
• 11:23
  Speaker 1: was a loophole where they didn't have to pay and
• 11:25
  Speaker 1: they just started opening up the courts with making people pay,
• 11:28
  Speaker 1: which is which is the crazy part. But a lot
• 11:29
  Speaker 1: of people have been losing their their homes and you know,
• 11:32
  Speaker 1: and their properties because tenants haven't been paying. But I
• 11:35
  Speaker 1: hope hard to fix it that and because I had
• 11:37
  Speaker 1: got the money for grants and to make sure that
• 11:39
  Speaker 1: both the tenants and the mortgage owners can you know,
• 11:42
  Speaker 1: be okay. They just granted two points they're doing it,
• 11:44
  Speaker 1: and grants for homeless services. Yesterday I saw that. I
• 11:48
  Speaker 1: don't know what that means, but all right, get it
• 11:50
  Speaker 1: off your chest. Eight hundred five eight five, one oh
• 11:52
  Speaker 1: five one. If you need to vent, hit this up now.
• 11:54
  Speaker 1: It's the breakfast club. Good morning, the breakfast club. This
• 12:00
  Speaker 1: is your time to get it off your chest. Whether
• 12:02
  Speaker 1: you're man from you on the breakfast clubs, you got
• 12:07
  Speaker 1: something on your mind? Hello, who's this ron from? Look
• 12:13
  Speaker 1: what get her off her chests? Bro? Yeah? Man? Right now.
• 12:17
  Speaker 1: So I'm seventeen, I'm from nort New Jersey. Um, come
• 12:21
  Speaker 1: from single mama five and I was supposed to be
• 12:23
  Speaker 1: going on a more house for about two weeks coming firstmood,
• 12:27
  Speaker 1: thank you so much, and um right now they told
• 12:30
  Speaker 1: my mom she didn't get approved for the like parent
• 12:32
  Speaker 1: plus loan or whatnot. A lot of minutes she didn't
• 12:35
  Speaker 1: go through because her credit. And so you know how
• 12:38
  Speaker 1: we is in the black community, because I find nobody
• 12:40
  Speaker 1: in the films that will go through. So right now,
• 12:43
  Speaker 1: I was at all the sorts of two issues. Damn,
• 12:45
  Speaker 1: that's crazy. You know. Um, I could definitely help your
• 12:47
  Speaker 1: mama her credit. So, um, if you're gold on the line,
• 12:50
  Speaker 1: I'll get jose to fix her credit. That's gonna be
• 12:52
  Speaker 1: in time for him to be able to go up.
• 12:54
  Speaker 1: But I mean that's a start where you know, I
• 12:55
  Speaker 1: can definitely help your mom with her credit. King, Yeah no,
• 12:58
  Speaker 1: because I mean it's it's a start when least she
• 13:00
  Speaker 1: can you know, if they have another issue, a problem,
• 13:02
  Speaker 1: if she tries to buy something off, there's an issue
• 13:04
  Speaker 1: for next year, we can definitely make sure that that
• 13:06
  Speaker 1: never happens again. So we'll I'll definitely get Jose got
• 13:08
  Speaker 1: credit to fix her credit on me. Now, let me
• 13:10
  Speaker 1: ask you a question. You gotta go fund me, brother,
• 13:12
  Speaker 1: give him to go fund me just so I'll just
• 13:14
  Speaker 1: help Rockquad on his journey to the house. You gotta
• 13:17
  Speaker 1: spell that for people, brother, not to help but spell
• 13:19
  Speaker 1: your name a journ to the house, all right, help
• 13:28
  Speaker 1: rock kwon Jersey to the house. Okay, brother, you have
• 13:32
  Speaker 1: a good day and good luck. Man. Hello, who's this?
• 13:35
  Speaker 1: Good morning? My guy? My guy, sign them numbers for me?
• 13:41
  Speaker 1: Can do three? Now? I have a new single I'll
• 13:46
  Speaker 1: just called Isabella. I just wanted to give it a
• 13:48
  Speaker 1: shout out if you guys get check it out. Man,
• 13:50
  Speaker 1: I don't just shout it out. I don't want to
• 13:52
  Speaker 1: hear it. Give me a little acapella virsion bro Okay,
• 13:55
  Speaker 1: so it's more frenchly and Gota English. So you wind
• 13:59
  Speaker 1: it on in the middle, you know, on the trust
• 14:03
  Speaker 1: Betty fool rable, my job. You're feeling driving my body.
• 14:11
  Speaker 1: I can't even explain, Naya. I want you by master
• 14:17
  Speaker 1: Oh forty five, forty seven, forty a forty nine. Can
• 14:26
  Speaker 1: I see something like quick? Yes, sir, Yes, he is
• 14:28
  Speaker 1: the envy. I'm begging right now and listen right now
• 14:32
  Speaker 1: if you can. Yeah, yeah, yeah, yeah, yeah yeah, Oh John,
• 14:36
  Speaker 1: email my draft that chief band. She looks up mess.
• 14:39
  Speaker 1: We hear what you said, brother, but email Racardion, tell
• 14:44
  Speaker 1: what's your email? Yeah, the vy. I've been sending you
• 14:46
  Speaker 1: a bunch of emails and I know you're a busy guy.
• 14:49
  Speaker 1: He can't wait for yamb right now. I just want
• 14:51
  Speaker 1: to make my chat the artist or ultimate pastor. Blessings Brother,
• 14:55
  Speaker 1: blessings Brother. All right, get it all. If your chests
• 14:58
  Speaker 1: eight hundred five eight five on five one, if you
• 15:00
  Speaker 1: need to vent, you can hit it up. We got
• 15:02
  Speaker 1: rumors on the way, Yes, Beyonce. She is confirming that
• 15:05
  Speaker 1: she's gonna be removing a lyric from her new album
• 15:08
  Speaker 1: after some criticism that it's ablest and deeply offensive. Same
• 15:11
  Speaker 1: thing Lizzo did. People gotta stop. All right, Well, we'll
• 15:14
  Speaker 1: get to that next. It's the Breakfast Club. Good morning,
• 15:17
  Speaker 1: the Breakfast Club. More. Everybody is DJ Envy angela Ye,
• 15:26
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. Let's get
• 15:28
  Speaker 1: to the rumors. Let's tale Beyonce. Listen, just oh got
• 15:36
  Speaker 1: its Club? Well. One of the tracks on Beyonce's out
• 15:43
  Speaker 1: renaissance album heated. They had to make a change to
• 15:46
  Speaker 1: it because of some issues. And this is the same
• 15:50
  Speaker 1: thing that Lizzo went through for using a language on
• 15:53
  Speaker 1: her song girls. That's my favorite record on the album,
• 15:55
  Speaker 1: by the way, and she updated the track after receiving
• 15:57
  Speaker 1: criticism on which album Beyonce, I'm heated. Oh Cole, y'all,
• 16:01
  Speaker 1: he made my dress that cheap spanned She looked up,
• 16:04
  Speaker 1: all right, So here is the song heated. No no, no,
• 16:14
  Speaker 1: at got time? Yu ya, I need my glass? She
• 16:24
  Speaker 1: was definitely spass, So the word spass and so back
• 16:27
  Speaker 1: in June, Lizzo faced backlash for using that word as well,
• 16:30
  Speaker 1: and reps for Beyonce said in a statement to CNN,
• 16:33
  Speaker 1: the word not used intentionally in a harmful way will
• 16:36
  Speaker 1: be replaced. So we don't know when the new version
• 16:39
  Speaker 1: of heated will become available, but she is changing that.
• 16:43
  Speaker 1: We really have to stop backing, like words don't have
• 16:45
  Speaker 1: more than one definition, Like words matter, definitions matter, and
• 16:48
  Speaker 1: as long as the word is being used in the
• 16:50
  Speaker 1: proper context, it should not be offensive. Like y'all mad
• 16:53
  Speaker 1: at everybody with the dictionary and at the source. Yeah,
• 16:56
  Speaker 1: and I saw a lot of the bee Hive where
• 16:57
  Speaker 1: going crazy on social media that Beyonce actually is going
• 17:02
  Speaker 1: to remove that word, and they're backlashing against the backlash
• 17:06
  Speaker 1: and come and coming at Beyonce and Lizzo. That's easy,
• 17:09
  Speaker 1: Like don't ask Beyonce and Lizzle to remove the word.
• 17:11
  Speaker 1: Go ask Websters as in the dictionary. You know you
• 17:14
  Speaker 1: can't do that because it wouldn't make any logical sense.
• 17:16
  Speaker 1: Like where's your outrage for the people who actually created
• 17:18
  Speaker 1: the English language now? A disability advocate Hannah Diviney wrote
• 17:22
  Speaker 1: in an opinion article in The Guardian, I'm so tired.
• 17:26
  Speaker 1: Disabled people deserve better. I don't want to have this
• 17:28
  Speaker 1: conversation again. And Warren Kerwin, who was a media manager
• 17:32
  Speaker 1: at the UK disability equality charity Scope, told Insider that
• 17:35
  Speaker 1: removing the word matters because the use of the word
• 17:38
  Speaker 1: can reinforce negative attitudes towards people with disabilities. So when
• 17:42
  Speaker 1: y'all going to attack the dictionary, then when y'all gonna
• 17:44
  Speaker 1: go after Webster's when you're gonna go after the sources
• 17:46
  Speaker 1: for having the word SPADs and the SPADs is the
• 17:48
  Speaker 1: word that has multiple meanings and now all of those meanings.
• 17:51
  Speaker 1: I never knew it was considered a slur until y'all
• 17:53
  Speaker 1: went after Lizzle. Yeah I don't know, but once again,
• 17:56
  Speaker 1: it has multiple meanings. And if Beyonce and Lizzle are
• 17:58
  Speaker 1: using it in the proper context, what's the problem. Well,
• 18:02
  Speaker 1: people are offended, I think in the UK. It's just
• 18:04
  Speaker 1: different than the United States too. That word is a
• 18:07
  Speaker 1: slur there, but here it's not. That's true. And guess
• 18:09
  Speaker 1: what In the UK, guess what a cigarette is exactly?
• 18:15
  Speaker 1: You wouldn't say that. I'm gonna go over there and say, hey,
• 18:19
  Speaker 1: stop calling cigarettes that word. No, they still do regardless
• 18:22
  Speaker 1: moment all right now, The dream speaking of Beyonce, has
• 18:26
  Speaker 1: given Diane Warren a lesson after she questioned all of
• 18:29
  Speaker 1: the songwriting credits on Beyonce's Renaissance project. She tweeted, how
• 18:33
  Speaker 1: can there be twenty four writers on a song? This
• 18:36
  Speaker 1: isn't meant a shade, I'm just curious, And then she said, okay,
• 18:39
  Speaker 1: it's probably samples that add up the amount of writers. Now,
• 18:42
  Speaker 1: The Dreamers responded to that, and he contributed to a
• 18:46
  Speaker 1: lot of the album, by the way, and he went
• 18:48
  Speaker 1: and said, you mean, how does our black culture have
• 18:50
  Speaker 1: so many writers? Well, it started because we couldn't afford
• 18:53
  Speaker 1: certain things starting out, so we started sampling and it
• 18:56
  Speaker 1: became an art farmer major part of the black culture.
• 18:58
  Speaker 1: Hip hop in America had era not happen. Who knows
• 19:01
  Speaker 1: you good? By the way, I know it's not a
• 19:03
  Speaker 1: one on one writing contest. You're looking for from no
• 19:06
  Speaker 1: one over here. You don't want that smoke, and you
• 19:08
  Speaker 1: know I love you, But come on step acting like
• 19:11
  Speaker 1: your records haven't been sampled. And then she responded, I
• 19:14
  Speaker 1: don't mean that as an attacked or as disrespect. I
• 19:16
  Speaker 1: didn't know this. Thank you for making me aware of it.
• 19:18
  Speaker 1: Non't need to be mean about it. How was she
• 19:20
  Speaker 1: such a big songwriter but didn't know that? My dumb
• 19:22
  Speaker 1: ass knew that. We said that yesterday when we talked
• 19:25
  Speaker 1: about the twenty four writers. It's probably a sample, right, Yeah,
• 19:29
  Speaker 1: I mean, I don't know what her situation is. I
• 19:31
  Speaker 1: guess he's saying. In hip hop and that art form,
• 19:35
  Speaker 1: a lot more sampling goes on. That's why there's so
• 19:38
  Speaker 1: many writers that contribute to that. Okay. Now, Iced Tea
• 19:42
  Speaker 1: has gotten the okay to open a recreational cannabis dispensary
• 19:45
  Speaker 1: in Jersey City. So it's going to be called The
• 19:48
  Speaker 1: Medicine Woman. It's lated to open later this year in
• 19:51
  Speaker 1: a five thousand square foot retail space. It's just a
• 19:54
  Speaker 1: few miles from Midtome, Manhattan. It'll have the best of
• 19:56
  Speaker 1: New Jersey canna miss brands. According to the company, in
• 19:59
  Speaker 1: a new release, drops Iced Tea and shout out to
• 20:03
  Speaker 1: his us. He's actually a partner in that business. And
• 20:07
  Speaker 1: I met uh, the woman who he partnered with this weekend.
• 20:12
  Speaker 1: She actually came to the real estate seminar. I'm looking
• 20:14
  Speaker 1: for her name. She was telling me the grind that
• 20:16
  Speaker 1: she had to do so just just so you know,
• 20:19
  Speaker 1: she had to rent out that building for like two
• 20:21
  Speaker 1: years because you have to have a building before you
• 20:24
  Speaker 1: can actually get the licensed. Cherespy that's what her name is.
• 20:26
  Speaker 1: And she was telling me that she had to struggle
• 20:28
  Speaker 1: because for two years she had to pay that rent
• 20:30
  Speaker 1: and not knowing if she could possibly get the license.
• 20:33
  Speaker 1: And now that she got the license, now she has
• 20:35
  Speaker 1: to go through, you know, buying a whole bunch of
• 20:37
  Speaker 1: cannabis and supplies and all this other stuff. So it's
• 20:41
  Speaker 1: it's a fight. It's a lot. But congratulations to Iced
• 20:43
  Speaker 1: Tea and that young lady. I support them. I'm gonna
• 20:45
  Speaker 1: support them so much. Man. I know. There's literally right
• 20:48
  Speaker 1: through there's a tunnel that goes to Jersey City from Manhattan.
• 20:52
  Speaker 1: It's the first place you hit when you leave Manhattan
• 20:54
  Speaker 1: when you go through the Holland Tunnel. What's her name
• 20:56
  Speaker 1: of you, it's called the medicine woman. No, what's what's
• 20:58
  Speaker 1: the What's charisby Shari speed as the name Shars Corning. Well,
• 21:02
  Speaker 1: I'm Angela Yee and that is your rumor report. Yeah,
• 21:06
  Speaker 1: she texts me on. All right, anyway from pais news.
• 21:08
  Speaker 1: Next what we're talking about? All right? Well, President Joe
• 21:10
  Speaker 1: Biden announced yesterday that the US has killed an al
• 21:14
  Speaker 1: Qaeda leader. Will tell you who that person is and
• 21:16
  Speaker 1: what happened. All right, we'll get into that next. It's
• 21:18
  Speaker 1: the Breakfast Club morning. So breakfast Club, your morning's will
• 21:25
  Speaker 1: never be the same. Leaving a child in a hot
• 21:28
  Speaker 1: vehicle can lead to their death. Very quickly said, cell
• 21:31
  Speaker 1: phone reminders or play something you'll need in the back
• 21:33
  Speaker 1: seat so you don't forget your child is in the car.
• 21:36
  Speaker 1: Look for your baby before you lock paid for it
• 21:38
  Speaker 1: by Nitza Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 21:44
  Speaker 1: the guy we are to breakfast Club. Let's get some
• 21:46
  Speaker 1: front page news where we're starting easy. All right, Well,
• 21:50
  Speaker 1: Joe Biden announced yesterday that the US has killed an
• 21:53
  Speaker 1: al Qaeda leader, Amen al Zawari, and a drone strike
• 21:56
  Speaker 1: in Cabo Afghanistan over the weekend. Here's what he had
• 21:59
  Speaker 1: to say. United States successfully concluded an air strike in Kabul,
• 22:03
  Speaker 1: Afghanistan that killed the Emir of al Qaida, Amon El Zawirie.
• 22:08
  Speaker 1: You know, Zawari was Ben Lauden's leader. He was his
• 22:11
  Speaker 1: number two man, who his deputy at the time of
• 22:13
  Speaker 1: terrorists Attack nine to eleven. One of the most responsible
• 22:16
  Speaker 1: for the attacks that murdered two thousand, nine hundred and
• 22:19
  Speaker 1: seventy seven people on American soil. For decades, he was
• 22:23
  Speaker 1: a mastermind behind attacks against Americans, including the bombing of
• 22:27
  Speaker 1: the USS coal in two thousand, which killed seventeen American
• 22:31
  Speaker 1: sailors and wounded dozens more. He played a key role
• 22:35
  Speaker 1: a key role in the bombing the US embassies in
• 22:37
  Speaker 1: Kenya and Tanzania, killing two hundred and twenty four and
• 22:41
  Speaker 1: wounding over four thousand, five hundred others. Why does it
• 22:45
  Speaker 1: always feel like they're killing an al Qaeda leader? It
• 22:47
  Speaker 1: feels like they always killing They always assassinating an al
• 22:50
  Speaker 1: Qaeda leader. How many Alcaida leaders do it? A lot? Yeah,
• 22:55
  Speaker 1: I have to know the benefits of ability the ranks
• 22:57
  Speaker 1: when somebody gets killed, clearly, I have to know the
• 22:59
  Speaker 1: benefits because the scenes me the only benefit of death,
• 23:01
  Speaker 1: Like you know you're gonna die once you get that job. Yeah.
• 23:04
  Speaker 1: So he also continued to say, we continue to mourn
• 23:07
  Speaker 1: every innocent life that was stolen on nine to eleven
• 23:09
  Speaker 1: and honor their memory. To the families who lost fathers
• 23:11
  Speaker 1: and mothers, husband's wife, sons and daughters, brothers and sisters,
• 23:15
  Speaker 1: friends and co workers. It is my hope that this
• 23:17
  Speaker 1: decisive action will bring one more measure of closure. All
• 23:22
  Speaker 1: right now, Cleveland Brown's quarterback to Shaun Watson has been
• 23:25
  Speaker 1: suspended for six games, and that is for violating the
• 23:28
  Speaker 1: NFL's Personal conduct policy, that is, following accusations of sexual misconduct.
• 23:34
  Speaker 1: So the judge the disciplinary Officers, Sue Robinson, made that
• 23:38
  Speaker 1: ruling on Monday, and a comprehensive sixteen page report. She
• 23:43
  Speaker 1: wrote that the NFL recommended Watson be suspended for the
• 23:46
  Speaker 1: entire regular season and postseason, but they did make that
• 23:49
  Speaker 1: decision for six games, So that ruling did rely on
• 23:53
  Speaker 1: thirty two previous suspensions under the league's Personal Conduct policy
• 23:56
  Speaker 1: since twenty fifteen, and in twenty one of those thirty
• 24:00
  Speaker 1: two instances, the league suspended the player for six games
• 24:03
  Speaker 1: and so that's how they came to that decision. So
• 24:08
  Speaker 1: I saw people arguing about whether that was enough time,
• 24:12
  Speaker 1: talking about the NFL having issues with a violence against
• 24:16
  Speaker 1: women and also not taking things like this seriously. But
• 24:20
  Speaker 1: then I saw the people pointing out that this was
• 24:22
  Speaker 1: not the NFL that gave this ruling. So he does
• 24:25
  Speaker 1: have time to appeal if he chooses to. They have
• 24:28
  Speaker 1: time until Thursday at nine am to follow written appeal
• 24:31
  Speaker 1: of that ruling. Alright. A twenty three year old man
• 24:34
  Speaker 1: was recovered in Wake County, North Carolina last week after
• 24:38
  Speaker 1: local authorities say that he exited a plane in mid
• 24:41
  Speaker 1: air yes, and that was prior to an emergency landing.
• 24:47
  Speaker 1: Per report from the Associated Press, the individual has been
• 24:51
  Speaker 1: identified as copilot Charles who Crooks. He died as a
• 24:54
  Speaker 1: result of the exit, according to multiple reports. They're saying
• 24:58
  Speaker 1: it was either a fall or a jump, but exact
• 25:00
  Speaker 1: details remained under investigation. He did not have on a
• 25:03
  Speaker 1: parachute at the time of his exit, they said. One
• 25:06
  Speaker 1: pilot is heard telling an air traffic controller that the
• 25:08
  Speaker 1: plane had lost its right wheel after a prior landing attempt. Elsewhere,
• 25:12
  Speaker 1: the pilot has heard requesting permission to proceed to rally
• 25:15
  Speaker 1: with the controller asking how they intended to land at
• 25:17
  Speaker 1: the airport, they said, get as low as we can,
• 25:19
  Speaker 1: and I guess we're gonna put it on the belly.
• 25:21
  Speaker 1: So they said just one pilot was aboard the plane.
• 25:24
  Speaker 1: Once it made an emergency landing, that pilot was treated
• 25:26
  Speaker 1: from minor injuries. The body of the copilot was ultimately
• 25:29
  Speaker 1: discovered hours later, about twenty miles from the airplane. I
• 25:32
  Speaker 1: wonder if he was like afraid because he thought the
• 25:34
  Speaker 1: plane was going to crash, so he decided, man, let
• 25:36
  Speaker 1: me just jump. Oh let me take much chances to jumping.
• 25:39
  Speaker 1: You don't want to die in a plane crash, would like? Right? Well,
• 25:46
  Speaker 1: they said they are still investigating to find out what
• 25:49
  Speaker 1: it is. Jesus Christ, God bless man. And you know
• 25:53
  Speaker 1: how they found the body. Local authorities were alerted to
• 25:55
  Speaker 1: a resident who heard a loud noise near their backyard.
• 25:58
  Speaker 1: So I guess that was when he fell. Yeah, lord,
• 26:03
  Speaker 1: it's gracious, all right, Well that is your front page news. Gee,
• 26:09
  Speaker 1: all right, all right, when we come back, chance the
• 26:13
  Speaker 1: rapper will be joining us. We're gonna kick it with
• 26:15
  Speaker 1: a chance when we come back, So don't move It's
• 26:16
  Speaker 1: the Breakfast Club, Good Morning, The Breakfast Club, Power one
• 26:23
  Speaker 1: O five one, The Breakfast Club, Envy Angela Ye and
• 26:28
  Speaker 1: Charlemagne the God Morning. Everybody's DJ. Envy Angela Yee, Charlomagne
• 26:34
  Speaker 1: the Guy. We are the Breakfast Club. We got a
• 26:35
  Speaker 1: special guests in the ballot, Chance the Rapper. Yeah, what's up?
• 26:42
  Speaker 1: I feel I ain't seen you for a long time.
• 26:45
  Speaker 1: I spent a minute. I felt like since before the pandemic,
• 26:48
  Speaker 1: you known leaned out luck any I was hoping I
• 26:50
  Speaker 1: didn't look anybody. Yeah, how you been the man, what's
• 26:54
  Speaker 1: your energy? Like? I've been good, y'all. I've been. I've
• 26:57
  Speaker 1: been traveling a lot. I just got back from Ghana.
• 27:00
  Speaker 1: I went to Switzzoda, we went to Venice, Italy, shot
• 27:04
  Speaker 1: a video with Joey Badass. But yeah, a lot of traveling.
• 27:07
  Speaker 1: We just got back from Atlanta. Tell me about Ghana
• 27:08
  Speaker 1: because I ne y'all took some kids. Yeah right, yeah, yeah, okay, okay,
• 27:13
  Speaker 1: So Vic took me. My first time to Ghana was
• 27:18
  Speaker 1: in January, and basically I just came out there to
• 27:22
  Speaker 1: kind of like decompressing, just like kind of like kick it.
• 27:25
  Speaker 1: But I ended up so much happened, like I got
• 27:28
  Speaker 1: introduced to the arts scene at some of the biggest
• 27:30
  Speaker 1: artists in the world out there because Ghana's got it
• 27:32
  Speaker 1: on like the contemporary arts team right now, and ended up,
• 27:37
  Speaker 1: you know, having a lot of fun because the clubs
• 27:38
  Speaker 1: out there are insane. I keep hearing that I'm going
• 27:40
  Speaker 1: to December. The super important part was like I did
• 27:43
  Speaker 1: a lot of the education out there. You went to
• 27:44
  Speaker 1: the door no return. I didn't go to Cape Coast.
• 27:47
  Speaker 1: I didn't get to check out Elmina Castle, which I'm
• 27:49
  Speaker 1: gonna do when I go back in December and in January.
• 27:52
  Speaker 1: But I learned a lot about Kwamee and Crema who's
• 27:56
  Speaker 1: the first president of Ghana right, And what I didn't
• 27:59
  Speaker 1: know when I got there it is Ghana's the first
• 28:01
  Speaker 1: African country to gain its independence from colonialism. And this
• 28:05
  Speaker 1: is like in fifty seven. So after that is when
• 28:08
  Speaker 1: all the countries started being like, all right, English, get out,
• 28:12
  Speaker 1: French get out or whatever, we've become in our own country.
• 28:14
  Speaker 1: So they renamed themselves from the Gold Coast to Ghana.
• 28:16
  Speaker 1: But all that happened because Kwamee and Kruma came to
• 28:20
  Speaker 1: the States and went to an HBCU and learned about
• 28:22
  Speaker 1: Marcus Garvey and Garveyism and global blackness and the identity
• 28:26
  Speaker 1: of being black people around the world. And he came
• 28:29
  Speaker 1: and like instituted that into the nation, into the framework
• 28:32
  Speaker 1: of like how everything was gonna go, and it changed
• 28:35
  Speaker 1: the whole world. Like after that, you see the civil
• 28:37
  Speaker 1: rights movement in the States, you see the Black Panthers,
• 28:40
  Speaker 1: you see all these things that are coming out of
• 28:42
  Speaker 1: like this self realized new identity. To this day when
• 28:46
  Speaker 1: you go to Ghana, like you still feel that, like
• 28:48
  Speaker 1: they're the only African country with the Office of Diasporan
• 28:50
  Speaker 1: Affairs and like it's the fastest pathway to citizenship. So
• 28:54
  Speaker 1: you learn all this stuff and you realize how much
• 28:56
  Speaker 1: it made an impact on the world, and it just
• 28:59
  Speaker 1: makes you be like, okay, like we wouldn't have a euro,
• 29:02
  Speaker 1: like you know how like they have Like you know,
• 29:04
  Speaker 1: I mean, I don't want to start talking to crazy,
• 29:06
  Speaker 1: but you know how people been. We've been trying to
• 29:07
  Speaker 1: get like a decentralized dollar on the continent forever. And
• 29:11
  Speaker 1: he wrote the book on that, and then after he
• 29:14
  Speaker 1: was condemned and called the communist on it. Now you
• 29:16
  Speaker 1: got one dollar in Europe like one singular form of currency.
• 29:19
  Speaker 1: So it's just like he was trying to do too. Yes,
• 29:23
  Speaker 1: thank you for saying. Did he go to you know,
• 29:26
  Speaker 1: I heard what it was. I don't remember what it was,
• 29:28
  Speaker 1: but I know it was in the States. It was
• 29:29
  Speaker 1: a historically black college, but it gave him an understanding
• 29:34
  Speaker 1: of like, like his whole swag was like, we need
• 29:36
  Speaker 1: a free Africa, and we need a global network where
• 29:39
  Speaker 1: everybody in any country is connected. You know what I'm saying.
• 29:43
  Speaker 1: So you decided to bring a bunch of kids out
• 29:44
  Speaker 1: there to learn to give it. How many kids did
• 29:46
  Speaker 1: you bring in? And it was nine kids? So it
• 29:48
  Speaker 1: was in collaboration with this other program. It was it
• 29:50
  Speaker 1: was through Vic's uh, Save Money, Saved Lives Foundation, which
• 29:53
  Speaker 1: does a lot of great work in Chicago and abroad.
• 29:56
  Speaker 1: But basically, yeah, we brought out nine kids. They were
• 29:58
  Speaker 1: all either seniors in high school or a freshman in college,
• 30:01
  Speaker 1: and they were all in like different art backgrounds, but
• 30:04
  Speaker 1: they were like something that like we're rappers, something that
• 30:07
  Speaker 1: we're producers, something that we're visual artists, and that were
• 30:09
  Speaker 1: designers and that changed their lives to that opportunity. Yeah,
• 30:12
  Speaker 1: we all need that overall, we just we just all
• 30:15
  Speaker 1: need to go. And me and Vic had a bunch
• 30:18
  Speaker 1: of conversations about that the first trip, and that's how
• 30:20
  Speaker 1: we ended up getting to making our own festival out there,
• 30:23
  Speaker 1: the Black Star Festival that's Garving inspired. So so yeah,
• 30:32
  Speaker 1: so me and Vic basically had a conversation and we
• 30:34
  Speaker 1: just started to recognize, like me and him been doing
• 30:37
  Speaker 1: this together since the beginning. We did our first show,
• 30:39
  Speaker 1: first two were together in twenty thirteen, and right after
• 30:42
  Speaker 1: that like blew up for both of us. We start traveling,
• 30:45
  Speaker 1: you know, going around the country, going to other countries,
• 30:47
  Speaker 1: and we end Europe and Asia and Australia and that
• 30:52
  Speaker 1: I that I am small markets, doing like every possible space,
• 30:55
  Speaker 1: but Africa, you know what I'm saying. And then you
• 30:57
  Speaker 1: get out there and you realize how appetite for it exists,
• 31:01
  Speaker 1: you know what I'm saying, And the infrastructure exists, but
• 31:04
  Speaker 1: they just don't send us there. So it's really like
• 31:07
  Speaker 1: we gotta bring ourselves there. I want you to expound
• 31:09
  Speaker 1: on why it's important to have a connection with Mother
• 31:11
  Speaker 1: Africa outside of the arts. Just why should black Americans
• 31:14
  Speaker 1: have a connection with Mother Africa? All Right, So that's
• 31:16
  Speaker 1: that's a deep thing, right. The connection that I'm talking
• 31:19
  Speaker 1: about is not very much so land base. It's not
• 31:24
  Speaker 1: even specifically just about having a connection to Africa. It's
• 31:28
  Speaker 1: about us having a connection globally. So obviously Africa is
• 31:33
  Speaker 1: the beginning of everything, but at this point we're everywhere
• 31:38
  Speaker 1: and we need connectivity not just with Africa but amongst ourselves.
• 31:42
  Speaker 1: But to me, it's like when you start thinking about
• 31:44
  Speaker 1: it as like we need to go back to Africa,
• 31:47
  Speaker 1: like physically, there's just so many things wrong with that
• 31:51
  Speaker 1: that I can't even explain all of them. But it's
• 31:53
  Speaker 1: like it's really about just having the connection you can have,
• 31:57
  Speaker 1: like a connection that's deeper than us, like knowing of
• 32:01
  Speaker 1: culture and other places. Like it's not just about knowing
• 32:03
  Speaker 1: the dances other places or like visiting, it's about like
• 32:07
  Speaker 1: knowing that we are each other. So yeah, January six,
• 32:10
  Speaker 1: Black Star Square, Ghana, West Africa and the City of
• 32:13
  Speaker 1: Our Cry. We're gonna do the Black Star Line Festival.
• 32:16
  Speaker 1: Have you done your ancestry tests? I don't be trying
• 32:18
  Speaker 1: to give people my DNA, but I know I'm black.
• 32:23
  Speaker 1: You know? Now, why do you have two Afro picks?
• 32:25
  Speaker 1: Chance Here's not that I'm so black, it is it's
• 32:27
  Speaker 1: getting long. It's like not too afro pick worthy. It's
• 32:31
  Speaker 1: really just because I'm so black, Like I gotta have
• 32:35
  Speaker 1: one in the side of my cabin and then one
• 32:37
  Speaker 1: in my hand when I talked to him. Now, I
• 32:39
  Speaker 1: ask you real, if you stop smoking, so you completely
• 32:41
  Speaker 1: stop smoking, I stop. I'm stocking up on these illegal
• 32:45
  Speaker 1: jewel pods because they illegal. Now, So if anybody has
• 32:49
  Speaker 1: some boy, let me know. Is that an active protest
• 32:52
  Speaker 1: for Britney Grinder? Is that what you're doing? Is it is? No,
• 32:54
  Speaker 1: this isn't weird. But yeah, I'm always actively like protesting
• 32:57
  Speaker 1: for Britney Griner, and the US just needs to I've
• 33:00
  Speaker 1: ben get this over with because it's ridiculous. Yeah, I
• 33:05
  Speaker 1: was talking to you. I'm listening. I'm just listening, not
• 33:10
  Speaker 1: straight up. Okay, all right, we got more with a
• 33:12
  Speaker 1: chance to wrapple when we come back, don't move. It's
• 33:14
  Speaker 1: to Breakfast Club. Good morning morning. Everybody is cj Envy
• 33:18
  Speaker 1: Angela Yee, Scholomie the god we are the Breakfast Club
• 33:21
  Speaker 1: were still kicking it a chance to wrapper ye. All right,
• 33:23
  Speaker 1: So let's talk about the highs and the lows. That's
• 33:25
  Speaker 1: the song that you have a joey badass and how
• 33:28
  Speaker 1: you're actually rolling out. I guess an album is on
• 33:30
  Speaker 1: the way, yes, all right, along with this project. I
• 33:34
  Speaker 1: don't think it wasn't smoking hair chance. I didn't see
• 33:36
  Speaker 1: him do nothing. I ain't sEH, I adn't see him
• 33:40
  Speaker 1: do it as though dumb and I can't smoke. All right, Look,
• 33:47
  Speaker 1: so the highs and the Lows, that was a crazy joint.
• 33:50
  Speaker 1: I was just saying. We went to Venice, Italy and
• 33:51
  Speaker 1: shot the video. But yeah, that song just like child
• 33:54
  Speaker 1: of God and just like a bar about a bar.
• 33:56
  Speaker 1: I've been trying to like make my art a little
• 33:59
  Speaker 1: more or easy to or like layered in the ways
• 34:03
  Speaker 1: that you could take it in, you know what I'm saying.
• 34:05
  Speaker 1: I know that you're big on contemporary, all right. Like
• 34:06
  Speaker 1: I've been working with these different, you know, fine artists
• 34:10
  Speaker 1: to try and like translate my music outside of just
• 34:13
  Speaker 1: like you know, like people typically do cover art. It's
• 34:17
  Speaker 1: one piece for like sixteen songs, twenty songs, and it's
• 34:21
  Speaker 1: like hard to like create a visual language like in
• 34:23
  Speaker 1: that space for all these different ideas. So now I'm
• 34:26
  Speaker 1: trying to do them one by one, So each song
• 34:28
  Speaker 1: will have an accompanying visual, accompanying piece that's birthed out
• 34:32
  Speaker 1: of conversations that I have with these artists. So you
• 34:34
  Speaker 1: ain't just rapping the rack. When I heard a ball
• 34:36
  Speaker 1: by the bar, I'm like, okay, it's dope. He just
• 34:38
  Speaker 1: but he seemed like he just flexing his lyrical that's
• 34:40
  Speaker 1: my that's my artistry. You know, there's blacksmiths and locksmith's
• 34:44
  Speaker 1: and I'm a wordsmith, like I am the rapper. You practice,
• 34:48
  Speaker 1: you study the crap there. You hear some of the
• 34:50
  Speaker 1: music that you hear, Now do you just get disgusted
• 34:52
  Speaker 1: in because you could tell artists are not studying and practicing.
• 34:55
  Speaker 1: Oh no, I don't get discussed it. So I'm an artist, right,
• 34:58
  Speaker 1: I'm one of many artists in there's so many different
• 35:00
  Speaker 1: kinds and so many different mediums and genres. But I
• 35:04
  Speaker 1: am the rapper. So when it comes to like music
• 35:09
  Speaker 1: and I listen to stuff like, I can enjoy music
• 35:11
  Speaker 1: for a million different reasons, I don't get I definitely
• 35:13
  Speaker 1: don't get disgusted by it. And also like I'm in
• 35:16
  Speaker 1: a very like good space to be about to drop.
• 35:18
  Speaker 1: I'm about to drop because Kendrick just dropped, So it's
• 35:20
  Speaker 1: like he's kind of like prepping the culture to like
• 35:25
  Speaker 1: listen and dig in. And that's vulnerable. I don't think
• 35:29
  Speaker 1: that that's my that's my swag like versetly, like I
• 35:33
  Speaker 1: think like everybody is their own artists, and I think
• 35:37
  Speaker 1: Kendrick since day one has been like extremely open. My
• 35:41
  Speaker 1: thing is like I can find a subject matter and
• 35:44
  Speaker 1: attack it from multiple different points and really dissect it
• 35:49
  Speaker 1: and really learn about it and about myself and like
• 35:51
  Speaker 1: the process of doing it, and I can speak to
• 35:54
  Speaker 1: it in enough ways that's going to reach people that
• 35:57
  Speaker 1: I grew up with, people that found me along the way,
• 36:00
  Speaker 1: and people that have never heard them. So like where
• 36:02
  Speaker 1: it does like help me out is that Kendrick is
• 36:05
  Speaker 1: a word smith. Kendrick is ill with lows, Kendrick is
• 36:09
  Speaker 1: super black, and Kendrick is somebody that transcends age and
• 36:15
  Speaker 1: race and all that stuff. So like in those spaces
• 36:18
  Speaker 1: we have similarities and we're both the Other thing that
• 36:23
  Speaker 1: I almost forgot is we're both disruptors. Like when we
• 36:26
  Speaker 1: come in a space, it has to mold around us
• 36:29
  Speaker 1: more than we have to mold around it. Now, and
• 36:31
  Speaker 1: I like to learn you see in highs and lows.
• 36:33
  Speaker 1: You say you gave all your vices a call, let's
• 36:35
  Speaker 1: get together. What did you learn from that meeting of
• 36:37
  Speaker 1: your vices? You learn it's okay, especially when you're like
• 36:41
  Speaker 1: trying to like live within doctrines of like your morals,
• 36:45
  Speaker 1: your religion. You know who you are in your community
• 36:49
  Speaker 1: or in your household or whatever. It's easy to like
• 36:53
  Speaker 1: come to a low space and only be able to
• 36:55
  Speaker 1: focus on the lows. Sometimes go outside. If you're gonna cry,
• 37:00
  Speaker 1: you might as well cry at the club. No, I
• 37:04
  Speaker 1: don't feel me on that one, all right. I was
• 37:07
  Speaker 1: like I was going on a riff. I thought I
• 37:08
  Speaker 1: was gonna take off, but y'all didn't feel me on
• 37:10
  Speaker 1: that another one, like nobody's perfect and you can succeed,
• 37:18
  Speaker 1: and like getting how's the best way to put this?
• 37:22
  Speaker 1: Have you gotten caught it up in your image? Chains?
• 37:24
  Speaker 1: Did you? Did you feel like you had to squeak? Yeah,
• 37:26
  Speaker 1: Like I gotta make it out of this image because
• 37:28
  Speaker 1: I'm not No, I'm not nobody but a rapper, Like
• 37:31
  Speaker 1: that's really who I am. And like even though I
• 37:33
  Speaker 1: do good stuff, ye did y'all purposely put this water
• 37:36
  Speaker 1: that says positivity in front of them. Oh yeah, No,
• 37:40
  Speaker 1: I take this water every day. No, no, I got
• 37:43
  Speaker 1: I'm not feel like you have to slap another rapper
• 37:46
  Speaker 1: at an award show to get rid of the good
• 37:47
  Speaker 1: guy image or radio personality. No I'm not. I'm not
• 37:50
  Speaker 1: really fighting any image. I guess like I'm just trying
• 37:53
  Speaker 1: to be myself. But it is difficult. I feel like
• 37:56
  Speaker 1: y'all got to feel it too, because y'all are personalities.
• 37:59
  Speaker 1: All are important people that people run up to and
• 38:01
  Speaker 1: probably a pictures and think of a certain way and
• 38:04
  Speaker 1: talk about when you're not talking. I think the difference
• 38:06
  Speaker 1: is I've I've clearly, I've never had the image of
• 38:09
  Speaker 1: being perfect. You know what I'm saying. You have had
• 38:11
  Speaker 1: the image of being like squeaky clean, good guy. I
• 38:15
  Speaker 1: don't know about squeaky clean compared to other rappers. Compared
• 38:24
  Speaker 1: to other rappers, maybe, but that might not be the
• 38:28
  Speaker 1: totality of you. No, No, nobody will ever understand the totality,
• 38:32
  Speaker 1: not even my mother. I think I do get a
• 38:35
  Speaker 1: little bit frustrated sometimes when I understand other people's perception
• 38:40
  Speaker 1: of me and it doesn't line up with how I
• 38:41
  Speaker 1: see myself. Well, how do you see yourself. I see
• 38:44
  Speaker 1: myself as a great father. I see myself as I
• 38:48
  Speaker 1: don't want to say a good rapper because I keep
• 38:50
  Speaker 1: saying I'm dull rapper, But I see myself as the
• 38:52
  Speaker 1: dude that was purpose to do what I do. Yeah,
• 38:56
  Speaker 1: I see myself as a black man, and I see
• 38:58
  Speaker 1: myself as a person that loves God. You know what
• 39:00
  Speaker 1: I'm saying. But you also know your shadows. Yeah, I'm
• 39:04
  Speaker 1: aware of everything that I've done, But like, what's cool
• 39:07
  Speaker 1: is that I'm gonna walk out of this interview when
• 39:09
  Speaker 1: this video cuts off and I'm gonna still be me.
• 39:11
  Speaker 1: That's what And your dad, if you do, damn if
• 39:13
  Speaker 1: you do, because you're like the first They gave you
• 39:15
  Speaker 1: flex for saying you love your wife. Bro. You know,
• 39:18
  Speaker 1: think about you came a joke on the internet because
• 39:22
  Speaker 1: you expressed love for your queen. I think that was
• 39:25
  Speaker 1: the angle that they took, But I don't think that
• 39:27
  Speaker 1: was the issue. And I think, like I think, at
• 39:29
  Speaker 1: the end of the day, that'll be something that like
• 39:33
  Speaker 1: I will always carry as like a cool thing. So
• 39:38
  Speaker 1: I think I'm grateful that I am who I am
• 39:41
  Speaker 1: and that every day that I learned more about who
• 39:44
  Speaker 1: I am, and I'm grateful that I can always lean
• 39:48
  Speaker 1: on my pen because that's unquestionable. What was the issue
• 39:52
  Speaker 1: you said that, you know, you didn't think it was
• 39:53
  Speaker 1: people mad at you because you said you love your wife.
• 39:55
  Speaker 1: You said you don't think that was the issue. What
• 39:57
  Speaker 1: what do you think this you was? No? I think
• 39:58
  Speaker 1: it was just a culmination that for one, I did
• 40:01
  Speaker 1: not do the project. I think that people thought I
• 40:05
  Speaker 1: was gonna make expected something different. And I think also
• 40:09
  Speaker 1: the last projects that I put out it was a
• 40:11
  Speaker 1: different space. Right, Like I've never had an album come
• 40:14
  Speaker 1: out that nobody didn't hate on. People hate it on app.
• 40:19
  Speaker 1: Folks sat in this chain and called me a weirdo
• 40:21
  Speaker 1: on this show before, like when I was when I
• 40:23
  Speaker 1: first dropped Aster App, Like none of my projects have
• 40:26
  Speaker 1: been other than the Little b Project. That's the only
• 40:28
  Speaker 1: project that I got out there. I never saw anybody
• 40:30
  Speaker 1: hate on, but they probably will now that they know existed.
• 40:34
  Speaker 1: But like there was no troll community at the time,
• 40:37
  Speaker 1: But that's just one part of it. Also, like I've
• 40:40
  Speaker 1: told y'all how I feel about spiritual warfare and what
• 40:43
  Speaker 1: I say, and I've watched that I put out that
• 40:45
  Speaker 1: was not necessarily of it do well and things that
• 40:49
  Speaker 1: I put out that was more in line what I
• 40:51
  Speaker 1: believe in and not do well. There's so many things
• 40:54
  Speaker 1: that were at play. But also I still have to
• 40:57
  Speaker 1: like chalk it up to like that is my life,
• 41:00
  Speaker 1: Like I don't run from it at all. Like Dave
• 41:04
  Speaker 1: Chappelle said something to me that was so important around
• 41:06
  Speaker 1: that time. I came and saw him and he said,
• 41:09
  Speaker 1: comedy specials, albums, things like that, these are your book photos.
• 41:14
  Speaker 1: It doesn't define who you are. You take one and
• 41:18
  Speaker 1: then next year you come back and you take another one.
• 41:20
  Speaker 1: You know what I'm saying. It just records who you
• 41:22
  Speaker 1: are at that moment and the culmination at the end
• 41:23
  Speaker 1: of your life, all these things together, it will be
• 41:25
  Speaker 1: who you are. But it's just a moment in time.
• 41:27
  Speaker 1: And so I recognize that moment and I look at
• 41:30
  Speaker 1: that picture and I can remember the joy that I
• 41:32
  Speaker 1: had him making it, and I remember everything that I
• 41:34
  Speaker 1: felt after I put it out too. And without those
• 41:37
  Speaker 1: things together, you can't make the highs and the loads.
• 41:42
  Speaker 1: I'm sorry, I just smack that at the end and
• 41:48
  Speaker 1: the Los jeyas out right now, all we got more
• 41:51
  Speaker 1: with a chance to Wrapple. When we come back, it's
• 41:53
  Speaker 1: the Breakfast Club. Good morning Angela Yee Sholomne, the guy
• 41:58
  Speaker 1: we are the Breakfast Club was still kicking it with
• 42:00
  Speaker 1: Chance to rap up Charlomagne. How hard is it to
• 42:02
  Speaker 1: not feed into criticism? You may see yourself online because
• 42:05
  Speaker 1: there there's a lot of chatter online that they'd like
• 42:07
  Speaker 1: to say Chance the rapper fell off. That's their that's
• 42:10
  Speaker 1: their language. Man. To me, it's like I could either
• 42:14
  Speaker 1: agree with it or I could live my life right.
• 42:17
  Speaker 1: If I agree with it, then that means the Breakfast
• 42:20
  Speaker 1: Club fell off because y'all don't have people that fell off.
• 42:22
  Speaker 1: I don't think usually, And so I feel like I
• 42:25
  Speaker 1: gotta state on my path because we're saying I fell
• 42:28
  Speaker 1: off when I was in high school. Four mixtapes high school,
• 42:34
  Speaker 1: your blast table is better. I'm like, I'm fifteen. Everyone
• 42:40
  Speaker 1: can joke about it, but it's yeah, but it is.
• 42:41
  Speaker 1: It is tough. But it's like, what can I tell
• 42:44
  Speaker 1: people that I don't know? It's like I could The
• 42:49
  Speaker 1: best thing I could do is like, man, when I
• 42:52
  Speaker 1: get up with Veg and we just go and we
• 42:54
  Speaker 1: just right and we just make it's so undeniable I'm
• 42:58
  Speaker 1: so good at rapping. I'm sorry I keep saying that,
• 43:00
  Speaker 1: but it's just like at this point, i gotta put
• 43:03
  Speaker 1: the words on the screen because I'm really loving that
• 43:06
  Speaker 1: it gives people goose bumps. So I'm like, I could
• 43:09
  Speaker 1: listen to people that think about artists like they're Pokemon cards,
• 43:15
  Speaker 1: like these commodified trading cards. It's like, oh, you're two
• 43:19
  Speaker 1: k ratings just went down like them, because these as
• 43:22
  Speaker 1: lame as hell, like they've never been on. If I
• 43:25
  Speaker 1: fell off, at least I was on. You know what
• 43:27
  Speaker 1: I'm saying. Sorry, like I'm getting into my bag now.
• 43:30
  Speaker 1: But like once I start to think about it's like, man,
• 43:33
  Speaker 1: this life is amazing. Like I'm still friends with all
• 43:35
  Speaker 1: the people that I grew up with, and they are
• 43:37
  Speaker 1: very very proud of me, and there's always something wrong
• 43:40
  Speaker 1: going on. Even when I'm not rapping, I'm doing something cool.
• 43:43
  Speaker 1: We just celebrate it one year of Books and Breakfast.
• 43:47
  Speaker 1: We do a program every other Saturday in the summer
• 43:50
  Speaker 1: where we have families come in and we just do
• 43:52
  Speaker 1: like a family day for them. But it's all based
• 43:54
  Speaker 1: on reading. So we give them some free books. I
• 43:56
  Speaker 1: read like two stories to the kid, but It's all
• 43:59
  Speaker 1: based off of free breakfast on lunch program at the
• 44:01
  Speaker 1: back of the Black Panthers in Chicago. My mom was
• 44:03
  Speaker 1: in that program, she was a little girl. I can
• 44:05
  Speaker 1: talk about that forever, but just saying like that's some
• 44:07
  Speaker 1: raw ash like on the internet that's telling me I
• 44:11
  Speaker 1: could never even think to do that, Yeah, alone pull
• 44:14
  Speaker 1: it off for a whole year, Like, Yeah, there's nothing
• 44:17
  Speaker 1: more satisfying than when you're able to do things that
• 44:20
  Speaker 1: really matter, that impact people's lives, and not just music,
• 44:24
  Speaker 1: but just really tangible things for people. Yeah. No, I'm trying.
• 44:28
  Speaker 1: I'm That's what me and Reese always talk about. It
• 44:30
  Speaker 1: is like we're trying to do and we're trying to
• 44:31
  Speaker 1: be sustainable. Like I'm making the pieces that I'm making
• 44:35
  Speaker 1: right now, they are physical art pieces. They're gonna last
• 44:39
  Speaker 1: for however long the art last are also, No, that's
• 44:45
  Speaker 1: what stands for nigga. I'm talking about a real piece
• 44:51
  Speaker 1: of art that could live in a museum on somebody's
• 44:54
  Speaker 1: wall forever. By those pieces, they could buy a poster.
• 44:59
  Speaker 1: The artist owns the these pieces and everything that I've done,
• 45:02
  Speaker 1: I don't own the physical artwork at all. I actually
• 45:04
  Speaker 1: don't even own a copyright to the piece. I just
• 45:06
  Speaker 1: license it from my music. But I'm trying to also
• 45:08
  Speaker 1: empower these artists so that when they go back to
• 45:10
  Speaker 1: Venice being a lacaus got to talk to them like
• 45:12
  Speaker 1: they chance to wrap it. But I was saying the
• 45:14
  Speaker 1: thing about the physical art piece because like our songs
• 45:17
  Speaker 1: are important, Like I'm speaking for all artists right now,
• 45:20
  Speaker 1: for most artists, when we go in and we make
• 45:22
  Speaker 1: something and then we decide to put it out for
• 45:24
  Speaker 1: people to listen to, to have and create memories too,
• 45:26
  Speaker 1: like that, that means something to us. And at this
• 45:28
  Speaker 1: point that the only lives in Apple, that the only
• 45:31
  Speaker 1: lives on Spotify. So I'm trying to create things that
• 45:34
  Speaker 1: people can have. I'm talking to I fell off there
• 45:37
  Speaker 1: you go. What do you think that? What do you
• 45:38
  Speaker 1: think that rhetoric derives from them? I don't know. I'm
• 45:41
  Speaker 1: not good, Joe. Is there any artists because nobody says
• 45:45
  Speaker 1: that about do you never I was calling Joe Budden.
• 45:52
  Speaker 1: I hadn't know I'm saying I'm that good. Joe as
• 45:56
  Speaker 1: saying like, who do you know that didn't like this?
• 45:59
  Speaker 1: You know what I'm saying. I don't even got to
• 46:00
  Speaker 1: talk about what I did or how I did it.
• 46:02
  Speaker 1: I'm just saying, I can you think it's backlash to that?
• 46:05
  Speaker 1: Though backlash too, there's always backlash. There's always gonna be
• 46:10
  Speaker 1: backlash to that independent. Hey man, he's not really independent.
• 46:14
  Speaker 1: He's got a major backing on the lower, on the low,
• 46:18
  Speaker 1: on the super low. It's gotta be so low. I'm
• 46:21
  Speaker 1: not on nobody's roster. Everybody's on my roster, how about it?
• 46:24
  Speaker 1: And and the crazy thing is I began one that's
• 46:28
  Speaker 1: just one of my favorite little ways lines. I just
• 46:30
  Speaker 1: had to say that. But I just gotta say, I
• 46:32
  Speaker 1: love the energy that you're giving me. I was pumping
• 46:34
  Speaker 1: me up because it's like, man, I come from open
• 46:38
  Speaker 1: mics at libraries, Like I printed my own tickets. I
• 46:42
  Speaker 1: made fake tickets before where I rented out a venue
• 46:45
  Speaker 1: and there was no ticketing service and I just printed
• 46:48
  Speaker 1: tickets out and sold them for ten dollars a piece,
• 46:51
  Speaker 1: sold out my own show, like I really made the materialize.
• 46:56
  Speaker 1: And so it's like falling off has to be based
• 46:59
  Speaker 1: off somebody else's perspective and I can't. I can't make
• 47:02
  Speaker 1: nobody feel how they want to feel, like how I
• 47:05
  Speaker 1: want them to feel like, not only have I done it,
• 47:08
  Speaker 1: not only am I the first? Sometimes I'm the only,
• 47:13
  Speaker 1: and every time I'm the best. So if you've got
• 47:16
  Speaker 1: to be either the first, only a best and a
• 47:18
  Speaker 1: lot of times I'm all three My last three pieces
• 47:21
  Speaker 1: five stars. I ain't seen nobody not like the high
• 47:24
  Speaker 1: not one person. Find me a person and I smack that.
• 47:27
  Speaker 1: As you said, I need to smack somebody find me.
• 47:29
  Speaker 1: I don't like the highs and the lows sah. And
• 47:32
  Speaker 1: also Child of God, bro, that's that art expos like.
• 47:36
  Speaker 1: Nobody doesn't like Child a God. Nobody doesn't like a
• 47:39
  Speaker 1: bar about a bar because it's artistry. We know that's
• 47:41
  Speaker 1: not true. Who you don't like a barout? It's not true.
• 47:47
  Speaker 1: It's of course there's somebody that doesn't like it. No,
• 47:49
  Speaker 1: that's what I'm saying. That's what I'm saying. That's that's
• 47:52
  Speaker 1: what I'm saying. The song is called a bar about
• 47:55
  Speaker 1: a bar. Check out the video cinematography and direction that
• 47:58
  Speaker 1: child I'm not and I've don't ever get loud here.
• 48:01
  Speaker 1: I'm sorry you got to see this, but your social
• 48:05
  Speaker 1: media for failure with this. I know my sol I
• 48:08
  Speaker 1: don't even if they really like it. To look. You
• 48:12
  Speaker 1: know what's gonna happening on what was the first thing
• 48:13
  Speaker 1: you said? Even if they what, even if they like it,
• 48:16
  Speaker 1: even if really like because that's what's gonna happen, because
• 48:19
  Speaker 1: it's art. Man. I'm a word smith. That's what I
• 48:23
  Speaker 1: do for a living and I and I'm very good
• 48:26
  Speaker 1: at it, to the point that I've played everywhere and
• 48:29
  Speaker 1: now I'm bringing everybody to Ghana because I can. I
• 48:32
  Speaker 1: know how to talk. That talk. My dad calls it
• 48:34
  Speaker 1: the gift of gab. Have you ever heard that before? Yes? Yes, yeah,
• 48:39
  Speaker 1: that's where That's how I ended up in this chair today.
• 48:44
  Speaker 1: My relationship with Ya is I love ya. I'm just
• 48:46
  Speaker 1: like everybody else. We all love ya like he yes, yes, yes,
• 48:52
  Speaker 1: if he's your friend, your most of your friends are
• 48:55
  Speaker 1: exhausting and obviously without it needing to be said, my
• 48:58
  Speaker 1: friend has mental wellness issues, just like I do, just
• 49:02
  Speaker 1: like a lot of people do. And something happened where
• 49:06
  Speaker 1: when I went to go check on him and he
• 49:08
  Speaker 1: was going through an episode, somebody filmed it and dropped
• 49:11
  Speaker 1: it and then crazy than that, somebody changed the words
• 49:14
  Speaker 1: from saying what do you say? He said, I'm your elder.
• 49:18
  Speaker 1: You pulled the same at All Star. Sit your ass
• 49:22
  Speaker 1: down and listen to the album or leave, and they
• 49:26
  Speaker 1: changed it to say your mother album fucked. That's the
• 49:32
  Speaker 1: Internet for you. But not even but a dove. They
• 49:37
  Speaker 1: just put like you just put a little subtitles subtitles right,
• 49:42
  Speaker 1: But it doesn't matter. Guys could do what they want.
• 49:45
  Speaker 1: I'm chanced the rapper. I know you heard. I mean,
• 49:47
  Speaker 1: come on, I just sounded like Kanye. Yeah. No, I'm
• 49:53
  Speaker 1: from I'm I'm really from Chicago. I'm really from seventy ninth.
• 49:57
  Speaker 1: I really beat in the city consistently, and when i'm
• 50:00
  Speaker 1: I'm making an impact. And whatever picture people want to
• 50:04
  Speaker 1: painting me is fine. They're not as good at painting
• 50:06
  Speaker 1: pictures as I am. Was there ever a moment where
• 50:09
  Speaker 1: you regretted thing like independent? You like, maybe I should
• 50:12
  Speaker 1: that time all the time because I'm spending my own
• 50:14
  Speaker 1: money all the time, a lot more than you would.
• 50:17
  Speaker 1: I'm making a lot more, I'm keeping a lot more.
• 50:20
  Speaker 1: And I'm also like completely in control of my destiny.
• 50:23
  Speaker 1: So there's nobody that I could be upset with other
• 50:25
  Speaker 1: than me if things don't work out. And I love
• 50:27
  Speaker 1: that too. So it's the album coming out. I don't.
• 50:30
  Speaker 1: I don't have a I don't have a date for
• 50:31
  Speaker 1: it that I'm gonna say right now? Is it? Hell? No?
• 50:34
  Speaker 1: You have the title? Yes, I can't say you're gonna
• 50:37
  Speaker 1: tell us. I was gonna say it I'm fouling, but
• 50:40
  Speaker 1: I say it on the Breakfast Club. Now I'm not
• 50:42
  Speaker 1: gonna say yeah, all right, hey yah the new album
• 50:48
  Speaker 1: it's coming out soon. Chance the Rappers star line Gallery.
• 50:53
  Speaker 1: I don't like how I was gonna say it on
• 50:54
  Speaker 1: The White Man Show first, But you see how it start,
• 51:02
  Speaker 1: Like I already saw that with the whole track listing
• 51:05
  Speaker 1: you did, I just never announced it like on a
• 51:06
  Speaker 1: show before. Is that could be the name of a
• 51:08
  Speaker 1: gallery in Chicago you open the art gallery. I'm anti galleries,
• 51:11
  Speaker 1: but I am going to do a show. I'm gonna
• 51:12
  Speaker 1: do exhibition. Okay, I'm anti gallery, just like I'm anti labels.
• 51:16
  Speaker 1: Y'all find out. Man, it's a lot of crazy parallels
• 51:18
  Speaker 1: between the art world and how they do a rap
• 51:21
  Speaker 1: like very very Deep Joe. They'd be getting over on them.
• 51:25
  Speaker 1: But it's all coming to an am about to help
• 51:26
  Speaker 1: everybody commercialize and capitalize without having to be capitalists. So
• 51:30
  Speaker 1: let's go Oh I like that. There you having this
• 51:32
  Speaker 1: chance the wrapper, It's the Breakfast Club. Good morning. This
• 51:38
  Speaker 1: is the rule of report with Angela. Yet no man. Unfortunately,
• 51:48
  Speaker 1: Drake has tested positive for COVID and do to that,
• 51:51
  Speaker 1: he has to reschedule his show with Little Wayne and
• 51:53
  Speaker 1: Nicki Minaj. He posted, I am truly devastated to say
• 51:56
  Speaker 1: that I tested positive for COVID and the Young Money
• 51:58
  Speaker 1: Reunion show schedule for tonight is being rescheduled to the
• 52:02
  Speaker 1: soonest date possible. I will keep the city posted and
• 52:05
  Speaker 1: share the new date whenever we have it locked. Until then,
• 52:07
  Speaker 1: I help everyone stay safe and healthy and I love
• 52:10
  Speaker 1: you all. Am so sorry for letting you down on
• 52:13
  Speaker 1: our weekend together and the moment I test negative, I
• 52:15
  Speaker 1: will give you everything I got on stage except the COVID.
• 52:18
  Speaker 1: Well that's honest to him, because I'm sure you know,
• 52:21
  Speaker 1: Drake could have got a fake, fake COVID test if
• 52:24
  Speaker 1: he wanted to, and he still went on that stage
• 52:26
  Speaker 1: and do this thing. I mean, it isn't Toronto, right
• 52:29
  Speaker 1: unless he was feeling a little under the weather, true,
• 52:32
  Speaker 1: you know, in which case he couldn't perform. As you
• 52:35
  Speaker 1: also have to be responsible, but like I was, I
• 52:37
  Speaker 1: was telling Charloma any other day, I've been sick the
• 52:39
  Speaker 1: last four or five days. I keep testing myself because
• 52:41
  Speaker 1: I'm thinking this COVID. But you forget that. People just
• 52:43
  Speaker 1: get the coal like nobody talks about just I don't
• 52:46
  Speaker 1: get a coal anymore. Yeah, I felt the same. We
• 52:49
  Speaker 1: haven't dealing with bronchitis. But I don't trust. I don't
• 52:51
  Speaker 1: trust testing yourself. You know, people can test theirself, but
• 52:54
  Speaker 1: your stuff and if it comes back positive, then you go.
• 52:57
  Speaker 1: I don't trust me because I don't go up that deep.
• 53:00
  Speaker 1: We don't believe it. Don't look at me all right now.
• 53:03
  Speaker 1: Drake also reunited with his first girlfriend, Keisha Chante at
• 53:08
  Speaker 1: the October World Weekend. You know Kiki. Everybody was saying
• 53:12
  Speaker 1: that was Keiki in the song, and he actually brought
• 53:14
  Speaker 1: her on stage. I used to get in my mom's car.
• 53:17
  Speaker 1: I used to drive all the way to the west
• 53:19
  Speaker 1: of the sale. So I have to personally intr this
• 53:24
  Speaker 1: is my first girlfriend I ever had in my life,
• 53:27
  Speaker 1: A real legend, somebody. I love her all my heart
• 53:30
  Speaker 1: based some knowledge her all right. She also was able
• 53:38
  Speaker 1: to perform some of her songs. She said that she
• 53:40
  Speaker 1: dropped in her teen years, and so it made her
• 53:43
  Speaker 1: soul very happy to be on that stage, and she
• 53:45
  Speaker 1: said it was the most heartfelt and meaningful introduction she's
• 53:48
  Speaker 1: ever had. Remember she was also a host on one
• 53:51
  Speaker 1: or six and Part. I did see the picture yesterday.
• 53:54
  Speaker 1: I don't remember her as a host, but yeah, I
• 53:56
  Speaker 1: heard that all right. Now. Nicki Minaj went on live
• 53:59
  Speaker 1: to address some allegations that were happening. Somebody who was
• 54:02
  Speaker 1: claiming to be an ex assistant named Kate Miller went
• 54:05
  Speaker 1: on social media and was talking about her tax refunds
• 54:08
  Speaker 1: and says that she owed the IRS one hundred and
• 54:11
  Speaker 1: seventy three million dollars since twenty sixteen. People were, of
• 54:15
  Speaker 1: course saying, she would have gone to jail if that
• 54:18
  Speaker 1: was true. If she owed that much money to the IRS,
• 54:20
  Speaker 1: that's a lot of damn money. I didn't believe that
• 54:22
  Speaker 1: when I saw that either. As soon as I saw that,
• 54:24
  Speaker 1: actually was like, that's not true. Right. There was all
• 54:27
  Speaker 1: kinds of things that they posted regarding Arianna Grande and
• 54:31
  Speaker 1: Rihanna and Beyonce and jay Z. Well, here's Nicki Minaj's
• 54:35
  Speaker 1: going live to respond to some of these things. My
• 54:38
  Speaker 1: assisting y'all. They went and told everybody that it is true,
• 54:42
  Speaker 1: how one hundred and seventy three million dollars to the irs,
• 54:46
  Speaker 1: And I hoped up take Tay is so uncomfortable around
• 54:53
  Speaker 1: many because he's um, and Tay don't I would like
• 54:57
  Speaker 1: to be around him. And Tay was calling dollars, saying,
• 55:00
  Speaker 1: beating the existance to stop y'all. Every day. I learned
• 55:05
  Speaker 1: that y'all getting dumber and dumber. I have to agree
• 55:10
  Speaker 1: with her on that, because I'm gonna tell you something.
• 55:11
  Speaker 1: Ain't no way in hell they're letting anybody owe them
• 55:15
  Speaker 1: one hundred and seventy three million dollars the IRS for
• 55:18
  Speaker 1: sixty years. Y'all, y'all got them now as fire as
• 55:21
  Speaker 1: this woman Kate Miller. The picture that was used in
• 55:24
  Speaker 1: the profile picture. Kate Miller is not a real person,
• 55:27
  Speaker 1: but they said that picture belongs to Megan Feldman Bettencourt,
• 55:31
  Speaker 1: who is a senior director of Digital Strategy and Content
• 55:33
  Speaker 1: at Ground Floor Media and Center Table. So that's the
• 55:36
  Speaker 1: picture they use along with a fake name. I don't
• 55:39
  Speaker 1: think people understand money, man, I really don't, because there's
• 55:42
  Speaker 1: no way in hell you would have actually believed that
• 55:44
  Speaker 1: any human on this planet, anybody with all one hundred
• 55:47
  Speaker 1: and seventy three million dollars to the irs for six years,
• 55:50
  Speaker 1: and the irs wouldn't have them under the jails. Yeah,
• 55:52
  Speaker 1: but the bigger problem is somebody can make up a
• 55:54
  Speaker 1: story and that's what just goes with That's right. We
• 55:57
  Speaker 1: don't know who this person, doesn't thing, my guys, we
• 56:01
  Speaker 1: just report the story, which is stupid. No, why because
• 56:03
  Speaker 1: what did your uncle y'all always tell y'all nobody cares
• 56:06
  Speaker 1: about the truth when the lie is more entertaining. I'm
• 56:10
  Speaker 1: not a woman Megan whose picture was being used. I'm
• 56:12
  Speaker 1: sure they were probably attacking her, but she had nothing
• 56:15
  Speaker 1: to do with anything. Imagine you wake up your pictures
• 56:17
  Speaker 1: just being used all over social media. I'm not clearing
• 56:20
  Speaker 1: up no rumors unless people say I don't like cold Slaw,
• 56:24
  Speaker 1: Like it doesn't have mayonnaise In't it a little bit?
• 56:27
  Speaker 1: Just enough? You like interesting, so you have mayonnaise. No,
• 56:30
  Speaker 1: I've told y'all a million times that it's not about mayonnaise.
• 56:34
  Speaker 1: It's about the amount of mannaids just to write amount
• 56:38
  Speaker 1: had a bit, you know, like cold Slaw. No. I hate, really,
• 56:41
  Speaker 1: it's disgusting. I hate when they I don't even want
• 56:43
  Speaker 1: to touching. I'm not going I'm not going for it.
• 56:47
  Speaker 1: I'm not running up to the cold slaw, like, oh,
• 56:48
  Speaker 1: give me some cold slus. But if it's someone that
• 56:51
  Speaker 1: you know, if it's someone the plate, I'll eat it mayonnaise, No,
• 56:55
  Speaker 1: not at manaid cold. All right, just to write around
• 56:58
  Speaker 1: the cold slaw, I lost a little bit of respect
• 57:01
  Speaker 1: for you. I gained you earlier when you said deep,
• 57:03
  Speaker 1: but now take it away when you say cold. Well,
• 57:06
  Speaker 1: you know, when I give you an annal swab later
• 57:08
  Speaker 1: for a COVID test, you'll you'll get that. You'll give
• 57:10
  Speaker 1: me that respect. Back't king, No, I'm king, No king.
• 57:13
  Speaker 1: Who are you giving your dog? Hey? No? Who are
• 57:15
  Speaker 1: giving your donkey? Too? Four after the hour, let's talk methaddics.
• 57:18
  Speaker 1: Why don't we? Okay, people out there have problems, and
• 57:21
  Speaker 1: you know what, when you don't deal with your problems,
• 57:23
  Speaker 1: the universe will make you deal with your problems. Okay.
• 57:26
  Speaker 1: You cannot run from your issues. And this is a
• 57:29
  Speaker 1: prime example. We'll talk about it for after the hour,
• 57:32
  Speaker 1: all right, we'll get to that next. It's the breakfast club.
• 57:33
  Speaker 1: Come on it, so breakfast Club. Your mornings will never
• 57:37
  Speaker 1: be the same when it's time to get with someone special.
• 57:40
  Speaker 1: The best way to do it is with Magnum large
• 57:42
  Speaker 1: size condoms. That gold foil wrapper is a badge of
• 57:46
  Speaker 1: honor and it means you're protected and you take care
• 57:48
  Speaker 1: of things with comfort. Accept no substitute. So bring the
• 57:51
  Speaker 1: pleasure with the gold standard Magnum large sized condoms. It's
• 57:56
  Speaker 1: time for Donkey of the Day. I'm a big boy.
• 57:58
  Speaker 1: I could take it if you feel deserve it. Gotta
• 58:04
  Speaker 1: say something you may not agree with that he's getting
• 58:06
  Speaker 1: that donkey, that donkey that don't don't don't, don't don't donkey.
• 58:10
  Speaker 1: Other day right here the breakfast club. Bitches, you can
• 58:14
  Speaker 1: call me the donkey of the day, But like I
• 58:16
  Speaker 1: need no hard yeah stock here to day for Tuesday,
• 58:19
  Speaker 1: August second goes to a fifty eight year old man
• 58:21
  Speaker 1: named Brian Gilgrit. Brian is from Camille, Idaho, and he
• 58:25
  Speaker 1: was arrested for possession of meth, attempted destruction of evidence, UH,
• 58:30
  Speaker 1: driving in possession of an open container of alcohol, resisting
• 58:33
  Speaker 1: and obstructing an officer, and possession of paraphernalia. Basically, he
• 58:36
  Speaker 1: was effed up, zooted, blasted, blitched bombed, loaded, high space,
• 58:42
  Speaker 1: dot plastered, high is an unidentified flying hypersonic drone from
• 58:47
  Speaker 1: China Russia. Now we all know people don't make good
• 58:49
  Speaker 1: decisions when they are on drugs, okay, in the reality
• 58:52
  Speaker 1: of the situation is there is no good ending for
• 58:54
  Speaker 1: people that do drugs. Okay, those stories never in well
• 58:58
  Speaker 1: unless they go get the help they actually need. When
• 59:00
  Speaker 1: I say never, I mean never. It's the story as
• 59:04
  Speaker 1: old as Morgan Freeman. You use your lose period, and
• 59:08
  Speaker 1: this guy, Brian lost. See Brian was out in the
• 59:11
  Speaker 1: screech okain't trying to enjoy his COOKI is his cotton candid,
• 59:15
  Speaker 1: his scoober snacks. When a deputy on a routine patrol
• 59:19
  Speaker 1: stopped his vehicle for a traffic violation. Now, when you're
• 59:22
  Speaker 1: getting fry, okay, when you're tweaking, nothing blows your high
• 59:25
  Speaker 1: like those blue lights of the law behind you. Well,
• 59:28
  Speaker 1: Brian did when any self respecting drug user would do
• 59:31
  Speaker 1: when they're pulled over by the police. He tried to
• 59:34
  Speaker 1: toss the stash. He got out of his vehicle and
• 59:36
  Speaker 1: walked towards a river bank, and he tried to throw
• 59:39
  Speaker 1: his white cross into the river. And now we've heard
• 59:41
  Speaker 1: of people making offerings to nature Okay, we've heard of
• 59:44
  Speaker 1: people making offerings to the sea. I've given offerings to nature,
• 59:47
  Speaker 1: especially to the ocean. Flew to the good Sister, need
• 59:49
  Speaker 1: a copack, drop on a clues bonds for need to
• 59:51
  Speaker 1: co packs. Offer of the great book Shallow Water's a
• 59:54
  Speaker 1: love letter to Jimmy, y'all, go get that wherever you
• 59:56
  Speaker 1: buy books. Amazon is a great place to start. Jemmy
• 59:59
  Speaker 1: y'all is often represented as a mermaid, but she's you know,
• 1:00:02
  Speaker 1: the great mother of us all and represents Mother Earth
• 1:00:04
  Speaker 1: to life give us. So one time we were in
• 1:00:06
  Speaker 1: Miami and Anita had us giving offerings to yami Ya,
• 1:00:08
  Speaker 1: you know, seashells, lighting candles and sends flowers. There's a
• 1:00:11
  Speaker 1: lot of ways to give offerings to the sea. I
• 1:00:13
  Speaker 1: guess Brian Gilgrit was trying to make an offering to
• 1:00:16
  Speaker 1: the river because he attempted to toss his meth into
• 1:00:20
  Speaker 1: the river. Well, Mother Nature said, f that, you buck
• 1:00:24
  Speaker 1: We bucked back, because when Brian attempted to throw that
• 1:00:28
  Speaker 1: meth into the river, the meth bounced off a tree
• 1:00:31
  Speaker 1: and did not go into the water, and bounced her
• 1:00:33
  Speaker 1: right back to his ass's right. That's right. This might
• 1:00:38
  Speaker 1: be the second greatest bounce back this year, right after
• 1:00:41
  Speaker 1: Clay Thompson. Okay, can you imagine the horror that Brian
• 1:00:46
  Speaker 1: Pooky Gilgrit must have felt when he went to toss
• 1:00:49
  Speaker 1: his meth into the river and Mother Nature said returned
• 1:00:52
  Speaker 1: the sender. Mother Nature said no, no, no, you can
• 1:00:55
  Speaker 1: keep that We good and swatted that meth back like Janis.
• 1:00:59
  Speaker 1: If this isn't a sign from God to change your life,
• 1:01:03
  Speaker 1: we all ask for signs. We ask for signs all
• 1:01:05
  Speaker 1: the time. This is clearly one of them. Brian, Okay,
• 1:01:08
  Speaker 1: God said, nope, you can't run from your problems anymore.
• 1:01:12
  Speaker 1: You're gonna deal with your issues all right. This is
• 1:01:16
  Speaker 1: a prime example that running away from your problems is
• 1:01:19
  Speaker 1: a race you'll never win. Please give Brian Gilgurt the
• 1:01:24
  Speaker 1: biggest he hall. Now, can we talk coslaw? No, you
• 1:01:34
  Speaker 1: can't talk. I can't be the only person that just
• 1:01:37
  Speaker 1: likes a little bit of cos I ain't and I
• 1:01:38
  Speaker 1: don't want no play to colds law, but just a
• 1:01:41
  Speaker 1: little bit of cold slaw when it's nice and crunch
• 1:01:43
  Speaker 1: you on your PLA don't like cool slaw at all.
• 1:01:44
  Speaker 1: I can't believe you have the nerve to this chicken salad?
• 1:01:49
  Speaker 1: What the chicken salad? This trans what you say? Now,
• 1:01:51
  Speaker 1: what's the thing Caucasian people eat a barbecues? No besides
• 1:01:55
  Speaker 1: coast law? Ass, what cocas? You don't like potatu? What
• 1:02:01
  Speaker 1: do you mean called Cajun people? The potato salad? Black
• 1:02:04
  Speaker 1: people do we eat? What are you saying, mister Dominican man?
• 1:02:08
  Speaker 1: Potato salad is amazing? It got to be Macaronians were
• 1:02:11
  Speaker 1: talking about. I don't even put salad. I don't eat
• 1:02:13
  Speaker 1: cold slaw. You don't like potato salad? No, y'all, that's
• 1:02:18
  Speaker 1: the whole point. You don't put a lot of mayonnaise
• 1:02:20
  Speaker 1: in it. You need just the right amount. Is that
• 1:02:24
  Speaker 1: you do like mayonnaise? And you do eat ass? I said,
• 1:02:26
  Speaker 1: what is the one thing called Caajun people eat at
• 1:02:28
  Speaker 1: the barbecue? Say asked, what what barbecue are you going to?
• 1:02:31
  Speaker 1: We like what barbecue was like? Where is this barbecue?
• 1:02:34
  Speaker 1: Let's stay on topic, to stay on top. I ask
• 1:02:37
  Speaker 1: you question, you say yes, I say, where's the barbecue?
• 1:02:39
  Speaker 1: That's all I want to know. All I'm saying is
• 1:02:41
  Speaker 1: there's nothing wrong with a little bit of cold slaw
• 1:02:43
  Speaker 1: just enough eight hundred five eight five one on five one. Yes,
• 1:02:48
  Speaker 1: we ask people do to eat cold slaw? Yes, I
• 1:02:50
  Speaker 1: can't be the only person I hate when they put
• 1:02:51
  Speaker 1: cold slaw on mine. I don't think you've ever tried it.
• 1:02:53
  Speaker 1: I think that's the thing that we all felt at
• 1:02:55
  Speaker 1: some point. But there was a point in my life
• 1:02:57
  Speaker 1: where I was like, why do I avoid this? And
• 1:02:59
  Speaker 1: then I ate it and I actually like, oh this
• 1:03:01
  Speaker 1: is I don't even like it near my food. Man
• 1:03:04
  Speaker 1: really like that somebody burglimes, I know cold burglar. Yeah,
• 1:03:13
  Speaker 1: they put it next to your burger, your French fire.
• 1:03:15
  Speaker 1: Now it's all discussing, and I'm always like, does anybody
• 1:03:16
  Speaker 1: want my co sla? And no one ever went. Most
• 1:03:19
  Speaker 1: barbecue places give you just the right amount of cold slot.
• 1:03:22
  Speaker 1: That's when I usually enjoy it. When it's like with
• 1:03:24
  Speaker 1: some brisket or like um, some pulled chicken, pull barbecue chicken,
• 1:03:28
  Speaker 1: or some pulled h what's the other thing they poured? No,
• 1:03:32
  Speaker 1: I don't eat pork. Something something else they pulled another
• 1:03:39
  Speaker 1: meat they pulled. I don't know. I don't know what
• 1:03:41
  Speaker 1: GLIZZI you are on this morning, but I don't eat that.
• 1:03:44
  Speaker 1: You know what else else I don't have with? I
• 1:03:49
  Speaker 1: don't f with cabbage. I don't like cabbage either, man,
• 1:03:51
  Speaker 1: you are crazy cabbage. Yes, especially when you go to
• 1:03:53
  Speaker 1: Jamaica Jamaica spot, they put a whole lot of cabs.
• 1:03:59
  Speaker 1: At my whole point, I don't like a lot of
• 1:04:00
  Speaker 1: cabbage either. But just the right amount of caba with
• 1:04:04
  Speaker 1: the food s. Give me more jerk chicken, white rice
• 1:04:06
  Speaker 1: and jerk chicken rice and pieces. Just the right amount
• 1:04:08
  Speaker 1: of cabbage with your er chicken in the oxtails is right,
• 1:04:11
  Speaker 1: just like with cold saw. Just to write amount the
• 1:04:13
  Speaker 1: coach slaw with your barbecue. And Mamma want to put
• 1:04:15
  Speaker 1: more cabbage, No, no more cabbage. Just said, no cabbage.
• 1:04:19
  Speaker 1: That's a good example you use, because cabbage is to
• 1:04:21
  Speaker 1: Jamaican food what cold slaw is to barbecue. I don't
• 1:04:25
  Speaker 1: like it. Talk about it. Eight hundred five eight five
• 1:04:27
  Speaker 1: one on five one. Let's discuss talk about the club.
• 1:04:29
  Speaker 1: Good morning, the breakfast Club power one on five one.
• 1:04:38
  Speaker 1: It's topic times the phone called eight hundred five eight
• 1:04:46
  Speaker 1: five one oh five want to join it to the
• 1:04:47
  Speaker 1: discussion with the breakfast club. Talk about it morning. Everybody
• 1:04:51
  Speaker 1: is DJ Envy Angela Yee, Charlomagne, the guy we are
• 1:04:55
  Speaker 1: the breakfast club. Now if he just joined us, Charlomagne
• 1:04:58
  Speaker 1: gave Donkey of the day to a No, how do
• 1:05:00
  Speaker 1: we get talking about it? This all started because I
• 1:05:03
  Speaker 1: said I'm not clearing up no rumors unless someone says
• 1:05:06
  Speaker 1: I don't like cold slaw because cold slaw gets a
• 1:05:09
  Speaker 1: lot of unnecessary slander. Cold slaws not trash, and cold
• 1:05:13
  Speaker 1: slaw is an amazing compliment to barbecue. I stand on that.
• 1:05:17
  Speaker 1: When you get the cold slaw and put it on
• 1:05:20
  Speaker 1: a pull barbecue chicken sandwich, oh my god, Niyah, you
• 1:05:27
  Speaker 1: ain't had each like that ever in your life. I
• 1:05:31
  Speaker 1: don't do cold slaw. I feel like colaw is there.
• 1:05:36
  Speaker 1: It's not true. I'm telling you. It's a great garnish,
• 1:05:39
  Speaker 1: and it is a good compliment, especially to barbecue. Cole.
• 1:05:41
  Speaker 1: That's when cold slaw takes the best, when it's own barbecue.
• 1:05:43
  Speaker 1: I promise y'all go out there, find you a restaurant
• 1:05:46
  Speaker 1: that serves good pull chicken sandwiches, and put that cold
• 1:05:50
  Speaker 1: slaw on that pull chicken sandwich and bite into that
• 1:05:53
  Speaker 1: and tell me what happens to your mouth. No, no,
• 1:05:56
  Speaker 1: I'll put anything in that side beside a bunch. I'll
• 1:05:59
  Speaker 1: put it anythink about give me plantings, give me French fries,
• 1:06:04
  Speaker 1: give me rice, give me Extramaican cheese, extra at what
• 1:06:10
  Speaker 1: you made a good example of, laughed out and you
• 1:06:13
  Speaker 1: said that, you know, cabbage. You don't like cabbagees though,
• 1:06:16
  Speaker 1: But but when you order something from a Jamaican restaurant,
• 1:06:20
  Speaker 1: was his oxtail, jerk chicken carry gold. I like the
• 1:06:23
  Speaker 1: cabbage with the rice and peace. Just just tell them
• 1:06:25
  Speaker 1: no vegetables. But sometimes they overdo it. They put away
• 1:06:28
  Speaker 1: too much. I think it's just cheap and they just
• 1:06:30
  Speaker 1: you know, a lot of places would just throw that
• 1:06:32
  Speaker 1: stuff on there. You gotta tell them no vegetables. And
• 1:06:34
  Speaker 1: that's what and that's what cold slaw is to barbecue,
• 1:06:37
  Speaker 1: what cabbage is to Jamaican dishes. Cold slaw is to barbecue,
• 1:06:41
  Speaker 1: especially poor chicken man. No one necessary? Hello, who's this?
• 1:06:45
  Speaker 1: This is Jamaica. Your name is Jamaica? Yea, Jamaica, Jamaica, Jamaica. Good,
• 1:06:55
  Speaker 1: what's happened in Jamaica? Talk to me? Okay, so y'all
• 1:06:58
  Speaker 1: talking about this whole um play of salad and all
• 1:07:01
  Speaker 1: that crap. Cole slaw, salad, cold slaw, colaw. How don't
• 1:07:05
  Speaker 1: we eat cabbage? Sim he ams, I was with you.
• 1:07:10
  Speaker 1: Tell you said that you never try y am, you
• 1:07:13
  Speaker 1: never try and potato salad? How you don't eat potato salad?
• 1:07:16
  Speaker 1: Good chicken salad? Chicken salad is trans tune up. I
• 1:07:24
  Speaker 1: like chicken. I like I do like a little chicken salad. Now,
• 1:07:27
  Speaker 1: none of that stuff I can't. I can't eat it.
• 1:07:30
  Speaker 1: Laws just disgusting to me. Yeah, that's disgusting. Cold law
• 1:07:33
  Speaker 1: is not discussing. I'm gona tell you what else. Cold
• 1:07:35
  Speaker 1: slaw used to be good back in the day at
• 1:07:37
  Speaker 1: Captain Dean's, remember Captain D's when they always serve cold slaw.
• 1:07:41
  Speaker 1: Captain Devers. Hello, who's this? This is from Jersey? Hey,
• 1:07:47
  Speaker 1: he's Bridget Good morning. Um, I'm gonna take your black
• 1:07:52
  Speaker 1: park because how you don't eat potato salad? You heard him?
• 1:07:56
  Speaker 1: Potato salad. I don't eat cabbage. I don't. I don't.
• 1:08:00
  Speaker 1: He's not black, though, man, I am black, but ahead,
• 1:08:03
  Speaker 1: you know, but you don't have no family from the South.
• 1:08:06
  Speaker 1: Every family, remember from the South, grew up eating ghosts
• 1:08:08
  Speaker 1: for all, potato salad, macaroni salad, all that. What happened? Now,
• 1:08:12
  Speaker 1: No I got from the South, but we just I
• 1:08:14
  Speaker 1: just don't eat that stuff. I don't have any family
• 1:08:16
  Speaker 1: from the South. Yeah, we definitely don't. And I'll tell
• 1:08:18
  Speaker 1: you one thing. Growing up, my family from the South
• 1:08:20
  Speaker 1: never ate Caribbean food, but we ate heavy Caribbean food
• 1:08:23
  Speaker 1: because we're from New York. But I just don't You said,
• 1:08:26
  Speaker 1: you said Herby's chicken and white, right, all right? Some
• 1:08:29
  Speaker 1: peas or writ some peas? I said, rights either, Ah,
• 1:08:34
  Speaker 1: but I don't put cabin on it saying you don't
• 1:08:36
  Speaker 1: eat potato salad as wild potato salad. And that's like
• 1:08:41
  Speaker 1: real heavy, like it make you go to the bathroom
• 1:08:43
  Speaker 1: right away. It's not. But what are y'all? So what
• 1:08:45
  Speaker 1: are y'all do that? Bar's what's in potato salad? When
• 1:08:47
  Speaker 1: y'all go to a cookout? Potato salad is a primary
• 1:08:50
  Speaker 1: dish the cookout? Sir, how do you make potato salad?
• 1:08:54
  Speaker 1: The calary in it? I don't like it with the
• 1:08:56
  Speaker 1: calary in it, thought, So what's in it? And potato salad?
• 1:08:59
  Speaker 1: Potato us mayonnaise, a little bit of male mustard. Yeah
• 1:09:05
  Speaker 1: that sounds nurse. Doesn't sound appealing, y'all. Bugging potato salad
• 1:09:10
  Speaker 1: is banging. Sorry, don't sound appealing extra salary. Please, So
• 1:09:13
  Speaker 1: what are you eating? A barbecue? You eat barbecue chicken,
• 1:09:16
  Speaker 1: barbecue chicken potato salad. No, yes, I eat a glzzie.
• 1:09:24
  Speaker 1: You don't eat a hot dog. I love a good grizzie.
• 1:09:27
  Speaker 1: You know I love me a good all beef all
• 1:09:29
  Speaker 1: turkey glizzie. Ye, a nice veggie burger. Yeah, so that's
• 1:09:32
  Speaker 1: what I eat that ball because I just don't do
• 1:09:34
  Speaker 1: the whole boil, boiled eggs and potato sala. She missed
• 1:09:36
  Speaker 1: the bog. I hate boiled eggs. You don't like boiled eggs? No,
• 1:09:39
  Speaker 1: Jesus Christ, what are you smell like? Fire? One on
• 1:09:45
  Speaker 1: five one, we're asking, do you eat cold, slow boil eggs?
• 1:09:49
  Speaker 1: Down sting to you? Yes, they do stick. I can't
• 1:09:51
  Speaker 1: eat that eggs eat boil. If you eat, ask you
• 1:09:53
  Speaker 1: eat boiled eggs. You can't say that they boiled. Ain't
• 1:09:55
  Speaker 1: smell like far, but you eat ass I its like,
• 1:09:58
  Speaker 1: But those are all a quick This is my parents
• 1:10:00
  Speaker 1: used to make as a kid. You know, you boyle
• 1:10:02
  Speaker 1: for some salt pepper on the boiled eggs every morning.
• 1:10:04
  Speaker 1: That's part of my breakfast, every single morning. Eight hundred
• 1:10:07
  Speaker 1: five eight five one oh five one. Do you eat
• 1:10:08
  Speaker 1: cold Slaw? Let's talk about it. I don't even know
• 1:10:10
  Speaker 1: how we got here, but we're here. It's the breakfast Club.
• 1:10:12
  Speaker 1: Good morning, call and your opinions to the breakfast Club
• 1:10:24
  Speaker 1: Top five five one five one morning. Everybody is DJ Envy,
• 1:10:31
  Speaker 1: Angela Yee, Charlomagne the God. We are the breakfast Club.
• 1:10:34
  Speaker 1: We're asking do you eat cold Slaw? Now where did
• 1:10:37
  Speaker 1: this conversation come from? It came from the fact that
• 1:10:39
  Speaker 1: we were talking about gossip and rumors, and I said,
• 1:10:42
  Speaker 1: I'm not cleaning up no rumors unless someone says I
• 1:10:44
  Speaker 1: don't like cold slaw, because I feel like cold Slaw gets,
• 1:10:47
  Speaker 1: you know, such an unnecessary bad rap that if somebody
• 1:10:50
  Speaker 1: was to say that to me, I'll be like, no,
• 1:10:52
  Speaker 1: Mayonnai's over here. Apparently East Coastlaw Angelie clearly doesn't listen
• 1:10:56
  Speaker 1: to me, because whenever I talk about man, they always
• 1:10:58
  Speaker 1: say it's just it's always say it's the right amount.
• 1:11:01
  Speaker 1: Too much. Goddamn mayonnaids is what ruins the dish. You
• 1:11:04
  Speaker 1: gotta have just the right amount of maynaid. You gotta
• 1:11:06
  Speaker 1: have the right amount of manaise and your potato salad.
• 1:11:08
  Speaker 1: You gotta have the right amount of mayonnaise and your tuna,
• 1:11:10
  Speaker 1: and you gotta have the right amount of mayonnaise and
• 1:11:12
  Speaker 1: your cold slaw. Cole slaw is not trash. It actually
• 1:11:14
  Speaker 1: is an amazing compliment to barbecue. And if you are
• 1:11:18
  Speaker 1: from anywhere downside, when you're eating barbecue, especially like pull chicken.
• 1:11:22
  Speaker 1: I don't do poll pork, but any pull dish with
• 1:11:25
  Speaker 1: the cole slaw. Yummy, yummy, yummy, yummy. Get you a
• 1:11:28
  Speaker 1: pull chicken sandwich and put cole slaw on it and
• 1:11:30
  Speaker 1: watch what happened. Nope, cole slaw on a pickle blows this. Hey,
• 1:11:38
  Speaker 1: what's up? Brother? What's going on? Are you sleeping? Dja?
• 1:11:44
  Speaker 1: It's all right, it's not all that. I don't eat
• 1:11:47
  Speaker 1: a lot, but either on a hot dog, not poor
• 1:11:50
  Speaker 1: through so not sala kroud. You eat co slat. I
• 1:11:52
  Speaker 1: see people do that on a beat hot dog yet
• 1:11:57
  Speaker 1: and so it's it's cold and raw. You put it
• 1:11:59
  Speaker 1: on there like that? No, I hell no, I mean
• 1:12:01
  Speaker 1: you mean I like it a little warm. Buff. I
• 1:12:03
  Speaker 1: put it in the microwave just a little bit. Because
• 1:12:06
  Speaker 1: you take the hot dogs off and put it on
• 1:12:08
  Speaker 1: the bun, it gets kind of hot. So I like
• 1:12:11
  Speaker 1: a little bit warm. Yeah, cold slaw and the Glizzie
• 1:12:13
  Speaker 1: all coaslaw is is cabbage and carrots and mayonnaise. Yeah,
• 1:12:17
  Speaker 1: and in vinegar coldslaw is cabbage, mayonnaise, vinegar and carrots. Oh. Hello,
• 1:12:24
  Speaker 1: who's this? Hey, it's Tissia from Texas. Hey, Ti from
• 1:12:28
  Speaker 1: Tissia from that. I know you know about cold slaw
• 1:12:30
  Speaker 1: with that barbecue? I do? I do it is? I
• 1:12:33
  Speaker 1: hav a mesic actually, and it's originated in an Adams,
• 1:12:37
  Speaker 1: North Carolina. You put just the mining amount of mayonnaise.
• 1:12:41
  Speaker 1: Do you have that crunch? It's on a barbecue sandwich.
• 1:12:44
  Speaker 1: It's really really good. Yes, I'm trying to tell them
• 1:12:47
  Speaker 1: about a pull chicken barbecue sandwich with just the right
• 1:12:49
  Speaker 1: amount of cold slaw, Like you said, when you bite
• 1:12:51
  Speaker 1: into it and you hear that crunch, Oh my god, no,
• 1:12:54
  Speaker 1: And it's so in it has that tanky almost speaks.
• 1:12:57
  Speaker 1: You have the barbecue and the bun is saw. Oh yeah,
• 1:13:00
  Speaker 1: you're in heaven. That's right, heaven. You hear what she said?
• 1:13:03
  Speaker 1: You ain't in heaven? Pass Hello? Who's this? Hello? Hello?
• 1:13:11
  Speaker 1: Ain't burning dad? What are you calling from? Oh? I
• 1:13:14
  Speaker 1: know you know about cole slaw and barbecue. Could you
• 1:13:18
  Speaker 1: tell them what they're missing? Please? Man, the cold slaw
• 1:13:21
  Speaker 1: is eat. I'm telling you, it's what makes the barbecue.
• 1:13:25
  Speaker 1: That's all it is. That's it. I'm telling you. It
• 1:13:28
  Speaker 1: makes the barbecue. No, I don't. I don't eat. But
• 1:13:31
  Speaker 1: I don't eat cold slaw. I don't eat potato salad.
• 1:13:33
  Speaker 1: I don't eat. I don't know what they're talking about.
• 1:13:41
  Speaker 1: It makes the barbecue. These cities flickers different, man, I
• 1:13:45
  Speaker 1: don't understand these Yankees. Man. No, I don't eat none
• 1:13:47
  Speaker 1: of that. I don't. And I agree with Charlomagne. I
• 1:13:50
  Speaker 1: agree with Charlemagne. That's why he's my dude. I agree
• 1:13:53
  Speaker 1: with him. You don't add too much name. If you
• 1:13:56
  Speaker 1: put too much man names, just kill it. That's right.
• 1:13:58
  Speaker 1: You ruined the whole dish. No, it just looked like
• 1:14:02
  Speaker 1: mayonnaise with some salad sticking out. Right amount of the name,
• 1:14:05
  Speaker 1: the right amount of the white amount of wailers. I don't.
• 1:14:12
  Speaker 1: I don't even realist either, or a sound crowd. But
• 1:14:14
  Speaker 1: I like manonnais. Oh, I don't eat sound crow. I
• 1:14:19
  Speaker 1: don't eat crow and cheese like the same thing chickens
• 1:14:22
  Speaker 1: with some man name. I don't like too much manna.
• 1:14:24
  Speaker 1: You just got to have the right amount, just enough.
• 1:14:27
  Speaker 1: Y'all also eat spam. What the hell is spamas? No,
• 1:14:32
  Speaker 1: I never know, ain't never that. We ain't. Life ain't
• 1:14:35
  Speaker 1: never been that, man. I grew up in a single
• 1:14:39
  Speaker 1: wide trailer in most corner, South Carolina. But life ain't
• 1:14:42
  Speaker 1: never been that. No, we had beers, Okay, I love
• 1:14:48
  Speaker 1: fry blog bologna on some white braid. You what you're
• 1:14:51
  Speaker 1: talking about when you put that damn bologna in that
• 1:14:53
  Speaker 1: pan and it bubbles up? Absolutely now you talking? But
• 1:14:57
  Speaker 1: I promise y'all man, cold slaw with bab a cue
• 1:15:00
  Speaker 1: is it? I ain't talking about no large amount of
• 1:15:03
  Speaker 1: cold So I'm just talking about just enough. And if
• 1:15:05
  Speaker 1: you get you a pull barbecue chicken sandwich and you
• 1:15:08
  Speaker 1: put that cold slaw and the pull barbecue chicken sandwich,
• 1:15:11
  Speaker 1: you're gonna know what life is about. I bet you
• 1:15:12
  Speaker 1: ain't never felt nothing like that in your mouth, That
• 1:15:15
  Speaker 1: felt that good envy. It's a little man in your mouth.
• 1:15:22
  Speaker 1: This guy's crazy, all right. We got littles on the way, yes,
• 1:15:27
  Speaker 1: And let's tell you who turned down seven hundred to
• 1:15:29
  Speaker 1: eight hundred million dollars can't wait till you get to
• 1:15:32
  Speaker 1: that point where you could do that. All right, we'll
• 1:15:34
  Speaker 1: talk about the next It's the Breakfast Club. Good morning,
• 1:15:36
  Speaker 1: the Breakfast Club. Swerving eye Baby, you should come, You
• 1:15:44
  Speaker 1: should come. Uncle Johnny made my dress. That's bandex you
• 1:15:50
  Speaker 1: got on look like a mask. But I don't remember
• 1:15:53
  Speaker 1: whatever Beyonce, they said, I love that part though. All right, well,
• 1:15:56
  Speaker 1: let's get to the room as a sou Whiskifa? Okay,
• 1:16:06
  Speaker 1: Angela yee on the Breakfast Club anyway, Yes, so let's
• 1:16:11
  Speaker 1: talk whis Khalifa. So Ki Kaprie has called that whis
• 1:16:14
  Speaker 1: Khalifa because Whis Khalifa was not happy with a pair
• 1:16:18
  Speaker 1: of DJs during a recent performance at Poppy Nightclub in
• 1:16:21
  Speaker 1: La Here is what Wiz had to say at that time.
• 1:16:24
  Speaker 1: I'm not going to sit here sleeping app but basically
• 1:16:55
  Speaker 1: he was just calling them stupid when we play order,
• 1:17:00
  Speaker 1: he said it was unacceptable. He said, my album came
• 1:17:02
  Speaker 1: out playing my new ish, he said, y'all are horrible DJs.
• 1:17:07
  Speaker 1: And so all of those things happened. And here's what,
• 1:17:10
  Speaker 1: Kid Capri, you know, renowned DJ, legendary, legendary kid, about
• 1:17:15
  Speaker 1: that your wist Khalifa little supplies. Man, you're a big
• 1:17:19
  Speaker 1: You're a cool dude. Man. When I mess you was
• 1:17:20
  Speaker 1: a cool dude. Man, I'm a little surprised why you
• 1:17:23
  Speaker 1: would disrespect those DJs like that. Man. These kids as
• 1:17:25
  Speaker 1: young dudes, probably scared and nervous that they're playing for you,
• 1:17:29
  Speaker 1: happy that they're playing for you. Probably not as professional
• 1:17:32
  Speaker 1: went on point as you are. And it's the things
• 1:17:35
  Speaker 1: I was talking about on the Breakfast Club, Like the
• 1:17:36
  Speaker 1: DJ goes through it, it'd be stuff like this that
• 1:17:40
  Speaker 1: minimizes what what the DJ is like. You know, I
• 1:17:44
  Speaker 1: don't know if you was little drunk or whatever the
• 1:17:45
  Speaker 1: case may be, but if that was me you spoke
• 1:17:47
  Speaker 1: to me like that, I'll just swung on you right
• 1:17:49
  Speaker 1: away immediately and we would have dealt with it how
• 1:17:52
  Speaker 1: we have to deal with it afterwards. But I want
• 1:17:54
  Speaker 1: to when for that, you know what I'm saying. But
• 1:17:56
  Speaker 1: they're young kids, and I get it, But they get
• 1:17:58
  Speaker 1: in front of that crowd and disrespect them like dad
• 1:18:00
  Speaker 1: just didn't that. Yeah, I love the camaraderie that the
• 1:18:04
  Speaker 1: DJ community has. Um. You know, if it's beef with
• 1:18:07
  Speaker 1: if it's beef is with one, it's clearly beef at all.
• 1:18:09
  Speaker 1: Because I guess so many of y'all can see ourselves
• 1:18:11
  Speaker 1: in that situation. And yeah, I mean that's how it is.
• 1:18:14
  Speaker 1: I think the DJ community is a community that a
• 1:18:16
  Speaker 1: lot of time people it's easy to take your pick on.
• 1:18:19
  Speaker 1: So if the if the artist plays a record or
• 1:18:21
  Speaker 1: DJ plays a record, it's easy to get at the
• 1:18:22
  Speaker 1: DJ and the other artists. So it usually is. But
• 1:18:25
  Speaker 1: the only thing with with with this situation, Whiz was
• 1:18:27
  Speaker 1: absolutely completely wrong, I think. But I would also say
• 1:18:30
  Speaker 1: that Whiz is not that guy, you know what I mean?
• 1:18:32
  Speaker 1: So like we've on't no whisness industry for a long time.
• 1:18:37
  Speaker 1: I would love to hear why, what, what happened? What
• 1:18:40
  Speaker 1: prompted that? But I actually know, but he's mean, he's
• 1:18:42
  Speaker 1: gonna explain it. He's gonna explain I guess, and you know,
• 1:18:44
  Speaker 1: so yeah, but um, but was he wrong? And based
• 1:18:48
  Speaker 1: off what you know? Was he wrong? I mean it's
• 1:18:50
  Speaker 1: all how you how you feel like when somebody disrespects
• 1:18:52
  Speaker 1: you when you say that the album came out playing
• 1:18:55
  Speaker 1: my music, which I did not know. Tell Yeah, so
• 1:18:58
  Speaker 1: they were saying that that that they were playing music
• 1:19:00
  Speaker 1: and there was like two songs playing on top of
• 1:19:02
  Speaker 1: each other. So it was making his music sound bad
• 1:19:04
  Speaker 1: and how he got it out of NBC season Now
• 1:19:07
  Speaker 1: it was a lot more. But you know, asked him
• 1:19:09
  Speaker 1: to play his new single and then he played old
• 1:19:10
  Speaker 1: stuff and he was just like, yo, just respect him,
• 1:19:12
  Speaker 1: just asking you. And it just kind of gets that
• 1:19:14
  Speaker 1: man that I've said it a thousand times, but I
• 1:19:17
  Speaker 1: think he's gonna explain. I mean, he's still wrong for
• 1:19:19
  Speaker 1: approaching the DJ. Could have been handled differently, but he
• 1:19:22
  Speaker 1: got upset. It's his party, you know what I mean,
• 1:19:24
  Speaker 1: And when they played the stuff the wrong way and
• 1:19:26
  Speaker 1: his issues sounding crazy, he got up probably like what
• 1:19:29
  Speaker 1: the hell going on? Correct? True, let's ask the real questions.
• 1:19:31
  Speaker 1: So how many of y'all DJs really think y'all could
• 1:19:33
  Speaker 1: beat with in the fist fight? Though y'all see was
• 1:19:34
  Speaker 1: getting out that man made training on wiz in shape.
• 1:19:37
  Speaker 1: A lot of y'all DJ's fat looked down. I can't
• 1:19:39
  Speaker 1: see your penises because your stomach. They're gonna tell you
• 1:19:42
  Speaker 1: how the DJ up here messed up just now, right
• 1:19:44
  Speaker 1: before we went into rumors. Really, yeah, we got DJs.
• 1:19:47
  Speaker 1: You know DJ up in the morning. I should have
• 1:19:51
  Speaker 1: screamed on him. I'm not gonna lie, but I let
• 1:19:53
  Speaker 1: it go. DJs maybe don't DJ no, but I mean,
• 1:19:57
  Speaker 1: it doesn't matter about who wins and who loses. But
• 1:19:59
  Speaker 1: just because if you talk to somebody disrespectfully and you
• 1:20:02
  Speaker 1: do that, any DJ is gonna try to put hands
• 1:20:05
  Speaker 1: on you like like you know, I love Whizz Love
• 1:20:08
  Speaker 1: Wizard Death and Wizards A good dude. But if any
• 1:20:10
  Speaker 1: artist spoke to me like that, whether they know boxing
• 1:20:14
  Speaker 1: or anything, you're fighting. And if Charlotmagne you w with me,
• 1:20:16
  Speaker 1: you might fight too. I'm not gonna be in the club.
• 1:20:18
  Speaker 1: So are you on your You know this already? All right?
• 1:20:22
  Speaker 1: You know I'm not gonna be in no club. But
• 1:20:23
  Speaker 1: you know what, if it was Floyd Mayweather, you would
• 1:20:25
  Speaker 1: have thought him. I don't care Mike Tyson respect. What
• 1:20:27
  Speaker 1: if you and Mike Tyson got into why are you following? Respect? Respects?
• 1:20:33
  Speaker 1: Like any right, bless a little miss in little miss
• 1:20:36
  Speaker 1: want a fighter? But you know what I'm gonna do
• 1:20:38
  Speaker 1: a little miss little miss? I mean it is you
• 1:20:49
  Speaker 1: don't know what I do? All right? My pronoun is
• 1:20:52
  Speaker 1: this and my wife front out of that. All right,
• 1:20:55
  Speaker 1: Well you're this and if if this and that, that's right,
• 1:20:58
  Speaker 1: it comes up to me who identify as a car
• 1:21:01
  Speaker 1: room you can transform just threatened his way, all right,
• 1:21:11
  Speaker 1: let me move on. Alright. So Live Golf has offered
• 1:21:22
  Speaker 1: between seven hundred million and eight hundred million dollars to
• 1:21:25
  Speaker 1: Tiger Woods trying to get him away from the PGA Tour.
• 1:21:29
  Speaker 1: And this is what Greg Norman, who was a Live
• 1:21:34
  Speaker 1: Golf CEO, had to say on Tucker Carlson tonight. She
• 1:21:37
  Speaker 1: keep reading that you want for Tiger Woods seven eight
• 1:21:40
  Speaker 1: hundred billion dollars a no number to join Live Is
• 1:21:44
  Speaker 1: that true? That number was out there before I became CEO,
• 1:21:48
  Speaker 1: So that number's being out there, yes, yeah, here's a
• 1:21:53
  Speaker 1: needle move all right. Yeah, so of course you got
• 1:21:55
  Speaker 1: to look at the best of the best, you know,
• 1:21:57
  Speaker 1: sou they had originally a before like became So yes,
• 1:22:02
  Speaker 1: that number somewhere in that neighborhood number. Yeah it is.
• 1:22:10
  Speaker 1: I would say, woof, that's a lot. But Tiger Woods
• 1:22:14
  Speaker 1: has been openly against Live Golf and so it is controversial.
• 1:22:18
  Speaker 1: You know. They also offered Charles Barkley a deal. Hoody
• 1:22:21
  Speaker 1: turned it down. He said He's going to stay at
• 1:22:23
  Speaker 1: Turning for the rest of his TV career. How musty
• 1:22:28
  Speaker 1: Tiger hundred millions. I'll take half of that. Now, if Charles,
• 1:22:33
  Speaker 1: if they would have asked Charles to do basketball, I
• 1:22:35
  Speaker 1: bet you Charles would have mounce at live golf. Yes,
• 1:22:39
  Speaker 1: that's what I'm saying. If if I'm saying if it
• 1:22:41
  Speaker 1: was if it was basketball, I bet you he would
• 1:22:43
  Speaker 1: have bounced. He loves basketball that much. I don't think
• 1:22:46
  Speaker 1: he wants to spend the rest of his life, you know,
• 1:22:48
  Speaker 1: covering golf for goals and how much money. I also
• 1:22:50
  Speaker 1: think part of it is the controversy too from the
• 1:22:52
  Speaker 1: lib Golf series. It's a new golf league, but they
• 1:22:54
  Speaker 1: get funding from Saudi Arabian government. Yeah, but like Charles
• 1:22:57
  Speaker 1: Barkley said, it's all blood money. Like, name a country
• 1:23:02
  Speaker 1: that don't have dirty money and dirty money attached to it.
• 1:23:04
  Speaker 1: We live in one. Well, Look, Tiger Woods definitely has
• 1:23:09
  Speaker 1: been against it, and so yes, so I guess that's
• 1:23:12
  Speaker 1: I'm sure that's why he actually supported the decision to
• 1:23:15
  Speaker 1: disinvite to Greg Norman from the Celebration of Champions exhibition,
• 1:23:18
  Speaker 1: and he lashed out against the golfers who who deflected
• 1:23:21
  Speaker 1: to join the liver ranks as well. He said he
• 1:23:24
  Speaker 1: disagrees with it and said, the players who have chosen
• 1:23:26
  Speaker 1: to go to live and to play there, I think
• 1:23:28
  Speaker 1: that what they've done is turned their backs on what
• 1:23:29
  Speaker 1: has allowed them to get to this position. All right,
• 1:23:32
  Speaker 1: well I'm Angela Yee and that is your rumor reporters.
• 1:23:34
  Speaker 1: All right, thank you, miss see what you got from
• 1:23:37
  Speaker 1: oh Man. Listen right now. If you text Keyword Podcast
• 1:23:40
  Speaker 1: the three seven nine one one, you will get a
• 1:23:43
  Speaker 1: chance to win an all expense paid trip to New
• 1:23:45
  Speaker 1: York for the twenty twenty two Black Effect Podcast Festival.
• 1:23:48
  Speaker 1: We'll pay for your airfare, hotel, accommodations, ground transfers, all
• 1:23:53
  Speaker 1: that is happening at the Brooklyn Mirage Sunday, August twenty eighth.
• 1:23:56
  Speaker 1: So text Keyword Podcast the three seven nine one one
• 1:24:00
  Speaker 1: right now and you'll get a chance to win a
• 1:24:01
  Speaker 1: trip to the twenty twenty two Black Effect Podcast Festival.
• 1:24:04
  Speaker 1: You can see the eighty five South Show live. You
• 1:24:06
  Speaker 1: get to see Just Hilarious live, you get to see
• 1:24:08
  Speaker 1: Mandy and Wheezy, Horrible Decisions, just to name a few.
• 1:24:11
  Speaker 1: Text podcasts to three seven nine one one right now.
• 1:24:15
  Speaker 1: For inform and rules. Go to the Breakfast Club dot
• 1:24:18
  Speaker 1: iHeart dot com. A confirmation text will be sent in
• 1:24:20
  Speaker 1: standard message and data rage may apply, and if you
• 1:24:23
  Speaker 1: don't want to wait to win tickets, you can go
• 1:24:26
  Speaker 1: get them at Black Effect dot Com Slash Podcast Festival.
• 1:24:29
  Speaker 1: All right, the mix this up next, Let's go so
• 1:24:31
  Speaker 1: Breakfast Club. Your mornings will never be the same. Leaving
• 1:24:35
  Speaker 1: a child in a hot vehicle can lead to their death,
• 1:24:37
  Speaker 1: very quickly said, cell phone reminders or play something you'll
• 1:24:40
  Speaker 1: need in the backseat so you don't forget your child
• 1:24:43
  Speaker 1: is in the car. Look for your baby before you
• 1:24:45
  Speaker 1: lock paid for it by nitza Morning. Everybody is DJ
• 1:24:49
  Speaker 1: Envy angela Ye, Charlemagne, the guy we are the Breakfast Club. Hey,
• 1:24:54
  Speaker 1: I want to say happy born day to my guy
• 1:24:56
  Speaker 1: E class Man. Salute the E class my guy down
• 1:24:59
  Speaker 1: in the three oh five Man, mister fingerlicking man, salute
• 1:25:02
  Speaker 1: to you E class. We are glad you exist, super
• 1:25:04
  Speaker 1: super super super solid black man. That brother is man,
• 1:25:08
  Speaker 1: So salute to E class all of those down in
• 1:25:11
  Speaker 1: the three h five. There. Now you got a positive note.
• 1:25:14
  Speaker 1: I do man the positive notice simply this. It comes
• 1:25:17
  Speaker 1: from Healing Black Trauma, one of my favorite Instagram pages.
• 1:25:19
  Speaker 1: That's another thing too, man. You know, if you complain
• 1:25:21
  Speaker 1: about what's going on on social media, you know. Just
• 1:25:24
  Speaker 1: make sure that you're following the right pages to get
• 1:25:26
  Speaker 1: things like this, to get jewels like this. You can
• 1:25:29
  Speaker 1: be healing and feel broken at the same time. Healing
• 1:25:31
  Speaker 1: isn't a destination we reach where we are perfect and
• 1:25:34
  Speaker 1: at peace at all times. Healing is a journey that
• 1:25:37
  Speaker 1: involves accepting and embracing ourselves as we break, as we heal,
• 1:25:40
  Speaker 1: and as we reconstruct. Breakfast Club, you know, I'm finish
• 1:25:44
  Speaker 1: for y'all, dumb