Latest / Presented by Speaking Human / Best Action Movie One-Liners
Transcript
- 0:02Speaker 1: In a world where movies rely on marketing more than
- 0:06Speaker 1: ever to connect with audiences, one podcast aims to make
- 0:11Speaker 1: sense of it all. This is movies and marketing. Next
- 0:16Speaker 1: Saturday Night, where's sending that to the future? Go ahead,
- 0:22Speaker 1: make my day? How about now you're crazy Dutch bastard.
- 0:26Speaker 2: What we've got here is failure Milgate. Take them around
- 0:32Speaker 2: where the fresh all of pout for we might be
- 0:34Speaker 2: as well with them. I am an a f I agent.
- 0:43Speaker 1: What do you think Shad classifies an action movie? I
- 0:47Speaker 1: should ask you that first.
- 0:49Speaker 2: That's a good question. What classifies as an action movie?
- 0:54Speaker 2: That could be chases, that could be fights. I would
- 0:57Speaker 2: just say bodies in motion a lot of the time
- 1:01Speaker 2: trying to do something something that would signify action. I
- 1:04Speaker 2: would say a good chunk of the movie has to
- 1:07Speaker 2: be that, probably at least thirty percent of it.
- 1:10Speaker 1: And you know, there are some in history that are
- 1:14Speaker 1: very well known as action movies which will always be
- 1:18Speaker 1: that way. I think there are some newer ones that
- 1:20Speaker 1: would it hold up to that scrutiny of like the
- 1:23Speaker 1: old school action one liner movies, you know, with like
- 1:26Speaker 1: Arnold or Stallone. Sometimes I think they're writing a fine
- 1:31Speaker 1: line between action, sometimes thriller, sometimes horror, sometimes you know,
- 1:37Speaker 1: comedy even sometimes.
- 1:39Speaker 2: Yeah, I was even thinking, you know, some of the
- 1:42Speaker 2: like the First Rambo before they got like super action.
- 1:45Speaker 2: The First Rambo is kind of like a little bit
- 1:48Speaker 2: of a drama with some action like built in there.
- 1:52Speaker 2: Do we still you know, consider those action movies. It's
- 1:54Speaker 2: kind of like a lot of movies are walking the line,
- 1:56Speaker 2: you know, other than these pure action movies like we
- 2:00Speaker 2: got in the eighties, nineties or even now, you'll get
- 2:03Speaker 2: some movies where you're like, oh man, that movie was
- 2:05Speaker 2: like non stop action. It was just the whole movie
- 2:08Speaker 2: was like you're going from a fight scene to a
- 2:10Speaker 2: chase scene. You know, it's always like constant motion or
- 2:13Speaker 2: something is always happening. There's a lot of other movies,
- 2:16Speaker 2: especially throughout history, that kind of just walk that line
- 2:20Speaker 2: a little more and would just have more like, oh,
- 2:22Speaker 2: there's an action sequence in this movie. Yeah.
- 2:25Speaker 1: So that brings me to the trivia for today. I
- 2:30Speaker 1: have one for you, and I think you're gonna really
- 2:33Speaker 1: like this one. Okay, so dramatic pause In what nineteen
- 2:39Speaker 1: eighty seven action film did Arnold Schwarzenegger ad lib the
- 2:45Speaker 1: now iconic line i'll be back after already using it
- 2:50Speaker 1: in another movie. Hmm ah, this is the key.
- 2:54Speaker 2: Right, that's the twist, right, yeah, because I know, you know,
- 3:00Speaker 2: the original movie has to be The Terminator, so that
- 3:03Speaker 2: has to be where it started. So that's not the answer. Yeah,
- 3:07Speaker 2: So what was the one where he said it again?
- 3:11Speaker 2: Nineteen eighty seven movie. Don't think it's Predator, but that
- 3:15Speaker 2: was around that time, so I'm thinking it's like The
- 3:19Speaker 2: Running Man or Red Heat. I'm thinking you're in that vicinity.
- 3:23Speaker 2: I'll go, I'll go Running Man, the Running Man.
- 3:26Speaker 1: You got it? That's good, that's it. Yeah, he says
- 3:29Speaker 1: it literally before he runs someone over with a giant vehicle.
- 3:33Speaker 1: Subtlety wasn't really his vibe obviously.
- 3:36Speaker 2: No, nor the Running Man's vibe.
- 3:38Speaker 1: Yeah, but that's good. I didn't know if you would
- 3:41Speaker 1: get that right, you know, because it's hard because Terminators
- 3:45Speaker 1: obviously comes to mind, right, because that's what you think
- 3:47Speaker 1: is the iconic I'll be back. But there's another movie
- 3:53Speaker 1: he used it in. So the fact that he reused
- 3:56Speaker 1: that one liner should tell you something how good that
- 3:58Speaker 1: one was and how it really traversed the cultural moment.
- 4:05Speaker 2: That's surprising, I assume it was an intentional right, I.
- 4:09Speaker 1: Mean it was ad libbed apparently, so I don't know
- 4:12Speaker 1: what that looks like in a script, but I mean
- 4:15Speaker 1: I'm sure they were probably pleased with that because you know,
- 4:19Speaker 1: they knew how important that one liner was, you know,
- 4:23Speaker 1: and back then it was like, let's get all the
- 4:26Speaker 1: juice from these one liners as we can. I'll be back.
- 4:31Speaker 1: You did not going to say that video, that's what
- 4:34Speaker 1: you always say.
- 4:35Speaker 2: I wonder if James Cameron was pissed.
- 4:38Speaker 1: Well, you like, maybe you know, anybody could say that.
- 4:41Speaker 1: It's not like, it's not very specific, you know, yeah,
- 4:45Speaker 1: it's not super unique. Yeah, it's like, yeah, I say
- 4:48Speaker 1: I'll be back all the time. But he says it
- 4:50Speaker 1: in the way he says it. You know what he's
- 4:53Speaker 1: talking about.
- 4:54Speaker 2: A classic, A double used How often does that happen?
- 4:57Speaker 2: A double used line in two separate movies, not even
- 5:00Speaker 2: part of the same franchise. So on today's episode, this
- 5:05Speaker 2: is a big one. This is Some would say it's epic,
- 5:08Speaker 2: action packed. We're talking about action movie one liners. What
- 5:14Speaker 2: do we mean by that, Well, we mean those quick quips,
- 5:19Speaker 2: clever puns, or witty remarks our heroes make in the
- 5:24Speaker 2: middle of a tense situation, sometimes even as their life
- 5:29Speaker 2: is on the line, where they're about to or have
- 5:33Speaker 2: just finished disposing of a fearsome foe. The history of
- 5:38Speaker 2: action one liners goes back decades, maybe even centuries. One
- 5:43Speaker 2: online writer references precedents to action one liners in ancient
- 5:48Speaker 2: epic poetry. But the action one liners that we're talking
- 5:52Speaker 2: about today really took off at the movies in the
- 5:55Speaker 2: nineteen sixties with pun loving James Bond, picked up steam
- 6:01Speaker 2: in the nineteen seventies, and then reached a fever pitch
- 6:05Speaker 2: during the action movie apex of the eighties and nineties.
- 6:10Speaker 2: Why did so many action movies include one liners? Because
- 6:13Speaker 2: the only thing sweeter than vanquishing your sworn enemy is
- 6:17Speaker 2: pausing to deliver a cool bit of dialogue to make
- 6:20Speaker 2: them think about how cool you are before sending them
- 6:24Speaker 2: to hell with a bullet. So, Patrick, why don't we we,
- 6:29Speaker 2: being the audience, love these one liners so much in
- 6:33Speaker 2: action movies? What is it about them?
- 6:36Speaker 1: You know, it's funny. I was reading somewhere that you know,
- 6:39Speaker 1: and they sort of alluded to the fact that one
- 6:42Speaker 1: liners give personalities to the heroes of the movie. It
- 6:48Speaker 1: turns some would say like a generic shootout like you
- 6:51Speaker 1: know between Arnold or whoever, into like a very cinematic
- 6:56Speaker 1: moment where the hero is really you know, giving us
- 7:00Speaker 1: something extra, something unique, you know what I mean. So
- 7:05Speaker 1: that personality that you need to really cheer for that
- 7:08Speaker 1: hero I think comes through in the one liners.
- 7:11Speaker 2: Yeah. I think that's key, you know, that humanity, you know,
- 7:15Speaker 2: injecting them in it makes them a little like us. Yeah,
- 7:18Speaker 2: they're more than just these kind of unstoppable muscle machines.
- 7:22Speaker 2: You're like, ah, like like one of my buddies. The
- 7:25Speaker 2: other thing I think that's kind of key, is it?
- 7:27Speaker 2: You know, breaks the tension a little bit. As an audience,
- 7:30Speaker 2: we need a little relief, relief or release in some
- 7:33Speaker 2: of these moments, or reminder that this isn't too real,
- 7:38Speaker 2: you know, or in some cases, removing us from the
- 7:41Speaker 2: the violence of what's going on. If you have a
- 7:43Speaker 2: lot of blood being spilled or guns being shot or
- 7:46Speaker 2: explosions going off, sometimes it's nice to just kind of
- 7:50Speaker 2: have someone remind you, hey, this is actually fun. We're
- 7:54Speaker 2: having a good time here. It's all, you know, just
- 7:56Speaker 2: an illusion we're putting on for you.
- 7:58Speaker 1: There's something to it because you and I were talking
- 8:00Speaker 1: about this when we were talking about the cast, you know,
- 8:02Speaker 1: doing this episode, and something about like our childhood and
- 8:07Speaker 1: growing up in the eighties and the nineties and having
- 8:10Speaker 1: all of these historic, maybe iconic action movies from these
- 8:15Speaker 1: guys who will be probably forgotten in another thirty forty
- 8:19Speaker 1: fifty years. There'll be like the old you know Westerns
- 8:23Speaker 1: or the you know movies from the thirties and forties.
- 8:26Speaker 1: I mean, nobody really thinks about those guys. Like they
- 8:28Speaker 1: hear the name and they go, oh, yeah, they've never
- 8:31Speaker 1: seen a movie maybe by them, you know, that kind
- 8:33Speaker 1: of thing. And I think that eventually happened. But we
- 8:36Speaker 1: grew up in this time, and I think right now
- 8:38Speaker 1: these guys are all still alive. So you know, when
- 8:42Speaker 1: we think of action movies and one liners, we have
- 8:46Speaker 1: a lot to pull from from our youth. Especially.
- 8:49Speaker 2: That's a really good point, especially when you compare it
- 8:52Speaker 2: to like Westerns, that's probably what it was. It'll look
- 8:55Speaker 2: like even now probably to young people. It's like this curiosity. Yeah,
- 8:59Speaker 2: that's weird that these were some of the biggest movies
- 9:02Speaker 2: you know, in the world for this ten or fifteen
- 9:06Speaker 2: year period where some of these action movies with these big,
- 9:09Speaker 2: muscle bound guys, you know, delivering these lines, these joke
- 9:12Speaker 2: lines as they're like blowing people away. But this was
- 9:15Speaker 2: like a huge thing. People are going to look back
- 9:18Speaker 2: on that and be like, yeah, that's odd, and we
- 9:20Speaker 2: don't really do that as much anymore. You know, maybe
- 9:22Speaker 2: they pop up here and there once in a while,
- 9:24Speaker 2: but it's not like this whole segment, and they definitely
- 9:26Speaker 2: don't own the box office like they did at one
- 9:29Speaker 2: point in time.
- 9:30Speaker 1: Yeah, but you know, like all good movies, we relive
- 9:35Speaker 1: them through storytelling, like we're doing in the podcast right now. Yeah,
- 9:40Speaker 1: so what are we doing, Patrick, What are we doing
- 9:42Speaker 1: here today? What's the exercise? The assignment, Ladies and gentlemen, listeners,
- 9:47Speaker 1: boys and girls, if you will, if you will, we're
- 9:51Speaker 1: each going to share favorite action movie one liners. And
- 9:55Speaker 1: also we're going to share a potential This is the.
- 10:00Speaker 2: Best part, by the way, this is the this is
- 10:02Speaker 2: the wrinkle.
- 10:02Speaker 1: This is the wrinkle. So not only are you getting
- 10:06Speaker 1: an action one liner reminder like this existed, but you're
- 10:09Speaker 1: also getting we're going to give you another actor pastor
- 10:14Speaker 1: present that we think could also pull off this one
- 10:17Speaker 1: liner or you know, baby be in that movie in
- 10:21Speaker 1: place of that actor. So that's the wrinkle or the
- 10:26Speaker 1: hard part, the challenge, really would you say?
- 10:29Speaker 2: Yeah, I think it's the fun part, and I think
- 10:31Speaker 2: it definitely adds a unique way of thinking about some
- 10:35Speaker 2: of these, you know, taking a different lens or trying
- 10:37Speaker 2: to look at them, especially when you're thinking like this
- 10:40Speaker 2: could be a person at any point in time. It
- 10:42Speaker 2: could be somebody now, it could have been somebody fifty
- 10:46Speaker 2: years before the movie was made. It could be any time,
- 10:48Speaker 2: any point in time.
- 10:50Speaker 1: Yeah, it's the challenge. It's also you know, when the
- 10:53Speaker 1: door is wide open, you almost become paralyzed in a way, like,
- 10:58Speaker 1: oh my, how do I an answer this question? You
- 11:01Speaker 1: know what I mean? Because there's just the infinite possibilities,
- 11:04Speaker 1: and when you have infinite possibilities, as you're like, you
- 11:07Speaker 1: just can't become crippled.
- 11:09Speaker 2: Yeah, it's hard. It's like you're you're casting, you're the
- 11:13Speaker 2: central casting office, and you're throwing around some ideas and
- 11:16Speaker 2: you're like does this work? Does this work?
- 11:18Speaker 1: And they're like, you have an unlimited budget, you can
- 11:19Speaker 1: get anyone. You're like, no, don't say that, I can't
- 11:22Speaker 1: do that.
- 11:23Speaker 2: You want to go first you want me to go first.
- 11:25Speaker 1: Ye, I'll go first. This time, I'll go first. Do
- 11:27Speaker 1: it all right? So I was just telling you off air.
- 11:30Speaker 1: I watched The Newest Captain America recently, and in the
- 11:35Speaker 1: Newest Captain America, you may or may not, I believe
- 11:38Speaker 1: you're choosing.
- 11:40Speaker 2: For your first one a one liner from Captain America
- 11:43Speaker 2: Brave New World. That's super exciting.
- 11:45Speaker 1: No, no, no, I'm not choosing something from that movie.
- 11:48Speaker 1: But this is I'm leading into the story and how
- 11:50Speaker 1: I chose my first one. Oh, okay, okay, So listeners,
- 11:55Speaker 1: you may or may not know. In the movie, Harrison
- 11:58Speaker 1: Ford plays the President in the United States. Who is
- 12:01Speaker 1: you know in comic book form? Blah blah blah. Right,
- 12:04Speaker 1: it's not important. But what I thought was funny was
- 12:07Speaker 1: when I was watching it, I was going, it's weird
- 12:10Speaker 1: that he's playing the president. And I thought to myself
- 12:13Speaker 1: because he was on Air Force one in the movie
- 12:17Speaker 1: Captain America movie, and I was like, ah, there's something there, right,
- 12:23Speaker 1: lo and behold there's a great action one liner from
- 12:26Speaker 1: the movie Air Force One from nineteen ninety seven with
- 12:30Speaker 1: Harrison Ford. He plays President Marshall. He says in the
- 12:35Speaker 1: movie Get Off My Plane, Right, Harrison Ford says it
- 12:41Speaker 1: like he's been the president forever and personally wrestles with
- 12:44Speaker 1: terroris daily and it's calm rage, which is what's great
- 12:49Speaker 1: about it because he's the president in the movie. At
- 12:52Speaker 1: the time, that was a big deal and he was
- 12:54Speaker 1: a big star, and that one liner was kind of
- 12:58Speaker 1: like kind of quippi. After the fact, people were saying
- 13:01Speaker 1: stuff like that in you know, common everyday discussions or
- 13:07Speaker 1: whatever conversations. They'd they'd say it jokingly, kind of like,
- 13:11Speaker 1: you know, get to the Choppa from Arnold's Days. So
- 13:16Speaker 1: I had a really hard time with the alternate actor
- 13:19Speaker 1: for this, but I chose something kind of safe because
- 13:24Speaker 1: I was like, who else could I see? And I
- 13:27Speaker 1: was sort of stuck with someone maybe in that time
- 13:30Speaker 1: period in my mind. So I went with Tommy Lee Jones.
- 13:34Speaker 2: Okay, yeah, presidential, very presidential.
- 13:37Speaker 1: I read this thing where like about actors who have
- 13:40Speaker 1: a certain kind of jenes sequa, this moral authority they
- 13:46Speaker 1: called it, which I thought that that was a great example,
- 13:50Speaker 1: gruff moral authority, you know, this like energy to them.
- 13:56Speaker 1: Harrison Ford and Tommy Lee Jones kind of have that,
- 13:58Speaker 1: And coincidentally they were in a movie together, a good one.
- 14:02Speaker 2: Yeah, what was that movie called The Fugitive?
- 14:05Speaker 1: The Fugitive? Yeah, that's right. Yeah, so maybe that was
- 14:08Speaker 1: a cop out that I chose him, being that they're
- 14:11Speaker 1: kind of the same uh, same guy in different forms.
- 14:14Speaker 2: No, No, I think that's a good I think that's
- 14:16Speaker 2: well cast. That's a good pick because you can easily
- 14:19Speaker 2: picture it. So he's another guy who's you know, it's
- 14:22Speaker 2: hard to find somebody who can pull off a president Yeah,
- 14:26Speaker 2: where like, oh, okay, I respect this guy. He's a
- 14:29Speaker 2: good that's a good presidential choice. That's a good pick.
- 14:32Speaker 2: This one very close to making my lists, like an
- 14:36Speaker 2: honorable just off the list. Now, this is one of
- 14:39Speaker 2: these cases where you know, we don't know what the
- 14:41Speaker 2: other person's gonna pick. I think there's a strong chance
- 14:45Speaker 2: we're gonna have some overlap here. I'd be surprised if
- 14:48Speaker 2: we didn't at some point.
- 14:50Speaker 1: Though.
- 14:50Speaker 2: There's a lot of choices, you know, there's just some
- 14:53Speaker 2: that are just so good. I'd be surprised if there
- 14:55Speaker 2: wasn't at least one that overlapped. So this one was
- 14:59Speaker 2: pretty close, but a great one. And Harrison Ford, this
- 15:03Speaker 2: guy knows his way around a Quippie one Liner, did
- 15:06Speaker 2: him in Star Wars, he did him in Indiana Jones's
- 15:10Speaker 2: He's Got Skills. But I think that's the one that really,
- 15:13Speaker 2: you know, in the nineties hit and I think he
- 15:16Speaker 2: says it, and doesn't he like throw someone off the
- 15:19Speaker 2: plane right after he says it?
- 15:20Speaker 1: Yeah?
- 15:20Speaker 2: Yeah, If I'm gonna nitpick it in any way, I'd
- 15:23Speaker 2: probably say, shouldn't he say get off our plane? Isn't
- 15:26Speaker 2: it America's plane?
- 15:27Speaker 1: Yeah? Well, that's kind of the beauty of it, right,
- 15:29Speaker 1: is like this this is his plane. He's been the
- 15:32Speaker 1: president forever and there's never gonna be another president.
- 15:36Speaker 2: So that's a great pick. So my first one, you know,
- 15:40Speaker 2: I'm gonna go right to the goat. Okay, the greatest
- 15:45Speaker 2: of all time. We've mentioned him, the king of the
- 15:48Speaker 2: action one liner, mister Arnold Schwarzenegger, And I'm gonna go
- 15:52Speaker 2: with one of our favorite, probably the movie that is
- 15:56Speaker 2: stuffed with more one line than any other action movie,
- 16:01Speaker 2: or at least it's in the running. That is Commando,
- 16:05Speaker 2: where he plays John Matrix, and the line is little
- 16:10Speaker 2: some steam Bennett and this is when he, you know,
- 16:15Speaker 2: stabs a man in the torso with a pipe that
- 16:19Speaker 2: then is as a result, is shooting steam out of it,
- 16:23Speaker 2: and then he delivers this line, you know, right after it.
- 16:27Speaker 2: This is a certain type of one liner that plays
- 16:31Speaker 2: when a person is killed and you deliver a pun,
- 16:35Speaker 2: you know, to explain how you're killing them, you know,
- 16:39Speaker 2: or it kind of works like that. So there's a
- 16:41Speaker 2: lot there's quite a few one liners like this where
- 16:44Speaker 2: you're like, I'm I guess, get off my plane. Even
- 16:46Speaker 2: works at a certain that way as well, when you're
- 16:49Speaker 2: kicking them off the plane, you know, as that's happening.
- 16:53Speaker 2: So there's a lot like this, not to step on
- 16:56Speaker 2: toes of other picks, but Arnold has a few other
- 16:59Speaker 2: ones in the you know, like in Predator he stabs
- 17:02Speaker 2: someone with a knife I think, into a tree and
- 17:05Speaker 2: then says stick around. These almost always work for me,
- 17:08Speaker 2: so I like these every time. So this is, you know,
- 17:11Speaker 2: just a classic one from Schwarzenegger, from a movie filled
- 17:15Speaker 2: with them. Who else could have done it? It's tough
- 17:19Speaker 2: with Schwarzenegger. I thought of a few though. I thought
- 17:21Speaker 2: of a few, and then I'll tell you where I landed. First.
- 17:24Speaker 2: I went to interestingly in rip Val Kilmer, like an
- 17:29Speaker 2: early Val Kilmer doing this. You know, he's got kind
- 17:32Speaker 2: of his top gun haircut, which is similar to Arnold's
- 17:36Speaker 2: Commando haircut. You know, I could see him pulling it off.
- 17:41Speaker 2: Then I was like, maybe we do something different, you know,
- 17:44Speaker 2: maybe we modernize Commando a little bit. What if we
- 17:47Speaker 2: get Charlie's thrown in here. She's done a few action movies.
- 17:52Speaker 2: I could see her, you know, doing some stabbing and
- 17:55Speaker 2: doing like let off some steam. She could probably deliver
- 17:58Speaker 2: it pretty well. What if we take this in a
- 18:02Speaker 2: even different direction and it's kind of like even more
- 18:05Speaker 2: of an action comedy, and then we go with Jack Black.
- 18:12Speaker 1: Okay, I see what you're doing there.
- 18:14Speaker 2: Yeah, and then it's just gushing. The stave is just
- 18:17Speaker 2: really flying out.
- 18:19Speaker 1: Yeah. Those are interesting choices though, because, like I see
- 18:22Speaker 1: Charlie's there own because of like Atomic Blonde. You know,
- 18:26Speaker 1: she was big in that.
- 18:27Speaker 2: Yeah, like because Fury Rode Atomic Blonde. You know, she
- 18:31Speaker 2: was in one of the Fast and Furious movies. She's
- 18:33Speaker 2: done some action stuff.
- 18:35Speaker 1: Yeah. Interesting thing about that is that is a very
- 18:39Speaker 1: action movie. The one liners almost make them super cheesy
- 18:42Speaker 1: to the point where like they're funny, you know, like
- 18:45Speaker 1: there's some funniness to them that you just can't get
- 18:48Speaker 1: away from. It's a hidden comedy in a lot of ways.
- 18:52Speaker 1: You know, like I love Diehard, but Diehard has so
- 18:57Speaker 1: much comedy in it that you're kind of like, yeah,
- 19:00Speaker 1: a lot of Bruce Willis brings a lot of comedy too. Yeah, borderline,
- 19:04Speaker 1: this is a comedy, right, It's not a romantic comedy,
- 19:08Speaker 1: but it's a comedy nonetheless, And you know, a little
- 19:10Speaker 1: bit of a holiday flick, which is why, which is why, Chad,
- 19:17Speaker 1: I have to have one from die Hard. And this
- 19:22Speaker 1: is where I struggled. I really struggled because the one
- 19:25Speaker 1: that almost everybody in the world knows is Yippie kaya Mother.
- 19:33Speaker 1: But that's the one, right that everybody knows. But I
- 19:36Speaker 1: was like, what about the unsung hero of that movie?
- 19:40Speaker 1: And there's multiple but I like.
- 19:43Speaker 2: Welcome in a body pout.
- 19:46Speaker 1: I mean so good, right, John McClain nineteen eighty eight,
- 19:52Speaker 1: die Hard. You got this guy, he's, you know, shouting
- 19:58Speaker 1: from the roof to after he you know, is tossing
- 20:02Speaker 1: a dead body onto a police car. I don't know
- 20:05Speaker 1: if he was really on the roof or he's in
- 20:06Speaker 1: the in the window. It's like part celebration part cry
- 20:10Speaker 1: for help. You know, hero gold right there, you know
- 20:14Speaker 1: what I mean. And he's got that sarcasm. And to
- 20:17Speaker 1: your point, Bruce Willis was great at action and great
- 20:21Speaker 1: at comedy. Like the fusion of that was so good,
- 20:25Speaker 1: so good it can't be understated, like he was. He
- 20:28Speaker 1: was great at that. So I really struggled though with
- 20:32Speaker 1: this idea of who could it be? Who could that
- 20:36Speaker 1: alternate actor be? So I came back to these two
- 20:39Speaker 1: individuals who have.
- 20:41Speaker 2: Some of it.
- 20:42Speaker 1: One of us is the questionable, but I think, you know,
- 20:45Speaker 1: you could see it one of them a little bit.
- 20:49Speaker 1: Ryan Reynolds Okay, yeah, easily brings the same sarcastic smirk,
- 20:54Speaker 1: slightly better skincare. The other would be Paul Rudd. Yeah,
- 20:59Speaker 1: that would be pretty interesting, right, Like it's unexpected. Like
- 21:05Speaker 1: Ryan Reynolds, I think you could see him maybe a
- 21:07Speaker 1: little bit more in that role because of some of
- 21:09Speaker 1: the other things he's done recently. But Paul Rudd is
- 21:11Speaker 1: like he's got that though too. Where like Bruce Willis
- 21:15Speaker 1: was known for comedy first then kind of came into
- 21:19Speaker 1: the action, I think, and that's kind of Paul Rudd.
- 21:21Speaker 1: Paul Rudd, I feel like, I know him comedy first,
- 21:25Speaker 1: and then you know he's done some action stuff too.
- 21:28Speaker 2: You know, you've never seen him in anything like that
- 21:30Speaker 2: because he gets so a little edge to him mm hmm.
- 21:34Speaker 2: But I'd love to see him try to pull it off.
- 21:37Speaker 1: Yeah, like this mix of desperation and comic timing, you
- 21:41Speaker 1: know what I mean, Like just you could kind of
- 21:43Speaker 1: see him being in this situation like that. This is
- 21:46Speaker 1: one of the reasons why he gets on those lists
- 21:49Speaker 1: of like sexiest man alive or like most interesting person.
- 21:53Speaker 1: You know, it's just because he's got this charm to him,
- 21:55Speaker 1: which I think Bruce Willis had, you know.
- 21:58Speaker 2: Yeah, and he can the like I'm by myself kind
- 22:02Speaker 2: of talking through, making jokes through the whole thing. Yeah,
- 22:05Speaker 2: you know, going through it. Could he pull off some
- 22:07Speaker 2: of the action stuff. I kind of think he could
- 22:10Speaker 2: and be interesting to see him try, because again he's
- 22:12Speaker 2: never like done anything like that.
- 22:14Speaker 1: I could totally see him crawling through the events, you
- 22:18Speaker 1: know what I mean, like talking to him.
- 22:20Speaker 2: Come out, come out to the coasts. We'll get together,
- 22:23Speaker 2: have a few laughs. Yeah, you know, yeah, you're right,
- 22:27Speaker 2: the diehard filled with comedy, you know, Welcome to the party, pal,
- 22:31Speaker 2: was one of the ones I considered for this definitely
- 22:34Speaker 2: honorable for me. There's a lot though, I was even
- 22:36Speaker 2: just going through a lot of the Diehard quotes. There's
- 22:40Speaker 2: the one where he calls the police line and the
- 22:43Speaker 2: lady tells him this channel is reserved for emergency calls only,
- 22:46Speaker 2: and he says, no, lady, does it sound like a
- 22:49Speaker 2: mortar and a pizza? Just stuff like that throughout. You know,
- 22:52Speaker 2: it's almost like non stop throughout that movie. But I
- 22:56Speaker 2: will skip ahead. You mentioned it. I couldn't leave it off.
- 23:00Speaker 2: I just thought it was too good.
- 23:02Speaker 1: I had to go with.
- 23:06Speaker 2: Yeah, I had to, you know, why did I have
- 23:09Speaker 2: to do that? Mother is like gold when it comes
- 23:13Speaker 2: to action movie one liners, and this I think is
- 23:18Speaker 2: the peak of it. No movie or actor employed it
- 23:21Speaker 2: better than Bruce Willis and die Hard. This line takes
- 23:25Speaker 2: the crown in the Mother one liner Hall of Fame,
- 23:29Speaker 2: beating out Arnold in Predator.
- 23:32Speaker 1: Oh Yeah, you are one ugly mother and Samuel L.
- 23:38Speaker 2: Jackson in Snakes on a Plane saying I've had it
- 23:41Speaker 2: with these mother snakes on this mother plane. It's also
- 23:45Speaker 2: just such a kind of unique and odd line. There's
- 23:48Speaker 2: like this whole conversation about cowboys he's having with with Hans,
- 23:54Speaker 2: And they could have easily gone with something like get
- 23:56Speaker 2: a long little doggie or something like that, you know
- 23:58Speaker 2: what I mean, But they instaid. They went with the
- 24:00Speaker 2: like yiffy kaye thing, which is just so memorable. Yeah,
- 24:03Speaker 2: and then you pair it with mother.
- 24:06Speaker 1: Yeah.
- 24:07Speaker 2: And it's just the way Bruce Willis delivers it with
- 24:10Speaker 2: that kind of like smart ass way he does. It
- 24:13Speaker 2: is just it's just chef's kiss. I was trying to
- 24:18Speaker 2: think who could replace Bruce Willis in this movie is
- 24:20Speaker 2: kind of like a unicorn. I was trying to look
- 24:23Speaker 2: up who else did they consider for this role? Pretty interesting?
- 24:27Speaker 2: Some of them were the standards of the time, but
- 24:29Speaker 2: the people they were first thought of for the role
- 24:33Speaker 2: Frank Sinatra weird. Then you got Schwarzenegger, Stallone, Mel Gibson,
- 24:40Speaker 2: Burt Reynolds, Richard Gear and Harrison Ford. All of them
- 24:44Speaker 2: basically turned it down. Who is the third on the
- 24:47Speaker 2: list alone after Smell Gibson. Oh, mel Gibson, He's about
- 24:51Speaker 2: the only one I could kind of see because you
- 24:54Speaker 2: you want that guy to be like kind of an
- 24:55Speaker 2: everyday normal, Yeah, but not Stallone and Schwarzenegger. THO would
- 25:00Speaker 2: have been awful picks for this. I don't think it
- 25:02Speaker 2: would have done the same. Now they were two bulky,
- 25:05Speaker 2: big dudes.
- 25:05Speaker 1: How could they fit in those events? That's why, in fact, you.
- 25:10Speaker 2: Know, that's why I was trying to think, you need
- 25:12Speaker 2: that right level of that kind of balance of every
- 25:15Speaker 2: man in cockiness. So where I landed was another actor
- 25:19Speaker 2: from this time period, someone I really like Kurt Russell.
- 25:22Speaker 2: Oh okay, I think Kurt Russell could have probably, you know,
- 25:26Speaker 2: pulled this off. I don't know if he's as good
- 25:28Speaker 2: as Bruce Willis, but I think he could have done
- 25:30Speaker 2: pretty well. I also, we want to go back a
- 25:32Speaker 2: little farther, a young Paul Newman, you know, like the
- 25:35Speaker 2: hustler Paul Newman. He's got the cockiness. He could have
- 25:39Speaker 2: probably done this too.
- 25:41Speaker 1: Yeah, that's a that's an interesting one. I don't know.
- 25:43Speaker 1: I can't picture him, but I can't picture him doing it.
- 25:47Speaker 1: But if he was like fast forward and he was
- 25:50Speaker 1: the younger version at that time, yeah, I like the
- 25:52Speaker 1: cross time machine.
- 25:53Speaker 2: Kurt Russell, I think was you know, if you couldn't
- 25:56Speaker 2: get Bruce Willis, he'd be a good second guy.
- 25:58Speaker 1: He had a lot of that in the days of
- 26:01Speaker 1: Escape from New York. He had one liners in that
- 26:04Speaker 1: Escape from La Tango and Cash Big Trouble in Little China,
- 26:09Speaker 1: full of one liners, you know what I mean.
- 26:11Speaker 2: He's he's kind of doing the same thing where he's
- 26:13Speaker 2: just commenting on the action the whole time.
- 26:15Speaker 1: Right, Yeah, double die hard tough to recast. What do
- 26:19Speaker 1: you got next? So I was telling you that again,
- 26:23Speaker 1: kind of the things that happened to you in life.
- 26:25Speaker 1: At the moment when we're podcasting, we're gonna look back
- 26:28Speaker 1: as a time capsule and go, these were things that
- 26:31Speaker 1: were happening in our lives, right, And so I was
- 26:33Speaker 1: just telling you off air. I was watching the john
- 26:35Speaker 1: Wick series, all kind of confined because we were gonna
- 26:38Speaker 1: go see Ballerina. So I was like, you know, I
- 26:41Speaker 1: was picking all these movies from then, right, and I
- 26:45Speaker 1: was like, there's got to be something here, And of
- 26:47Speaker 1: course there are there's newer movies. There's newer movies that
- 26:51Speaker 1: have one liners. So I've picked one from John Wick.
- 26:55Speaker 1: So John Wick in john Wick twenty fourteen, at one
- 26:59Speaker 1: point he says, yeah, I'm thinking on back kind of
- 27:04Speaker 1: goes plays a little bit off of I'll be back.
- 27:07Speaker 1: You know, it's got that element. It's calm, collected, somewhat chilling,
- 27:12Speaker 1: you know, in Keanu's chilling way, if you want to
- 27:16Speaker 1: say that. He delivers it like a man who didn't
- 27:18Speaker 1: want to return to violence, but now that he's here,
- 27:21Speaker 1: everyone else is doomed. That kind of thing. And it
- 27:24Speaker 1: became the unofficial mission statement of the entire franchise. So
- 27:30Speaker 1: who's an alternate for this?
- 27:35Speaker 2: I'm interested to hear what you got for this one.
- 27:37Speaker 1: Okay, this is tough. I'm trying to think outside the box, unconventional,
- 27:43Speaker 1: keeping it kind of real. Hear me out. What do
- 27:45Speaker 1: you think of Oscar Isaac?
- 27:48Speaker 2: Yeah? Yeah, I really like that. I don't know if
- 27:51Speaker 2: he has the physicality of a Keanu Reeves, but who does,
- 27:56Speaker 2: but probably to some extent, could pull a lot of
- 27:58Speaker 2: that off. I mean, I think the dialogue, especially which
- 28:02Speaker 2: you know, limited dialogue with John Wick. Yeah, yeah, but
- 28:06Speaker 2: I think he could definitely bring the way to a
- 28:08Speaker 2: line like that. Yeah.
- 28:10Speaker 1: When I think of Keanu, I think of quiet intensity.
- 28:14Speaker 1: M h right, And I think that's how I think
- 28:17Speaker 1: of Oscar Isaac.
- 28:18Speaker 2: Is this.
- 28:19Speaker 1: I think he's a good actor, you know, a good,
- 28:22Speaker 1: great actor. I would just kind of smash those two
- 28:24Speaker 1: words together. But really, like, I think he could pull
- 28:28Speaker 1: that off. And again, I you know, like Keanu and
- 28:31Speaker 1: the physicality, I think he kind of moved into that.
- 28:34Speaker 1: I don't think he was ever meant to be that.
- 28:37Speaker 1: I think he took it on. He was like, I'm
- 28:39Speaker 1: going to do this. You know, maybe the Matrix movies
- 28:42Speaker 1: prepared him for that. I don't know, you know what
- 28:44Speaker 1: I mean. But yeah, prior to Matrix, I don't know
- 28:47Speaker 1: if I would have ever thought he would be that guy,
- 28:49Speaker 1: but John Wick really made him into that.
- 28:51Speaker 2: Yeah, No, it's true. And Oscar Isaac, he's one of
- 28:54Speaker 2: those guys I've always thought about. He's like been steadily working.
- 28:57Speaker 2: But there was a point I was like, oh, this
- 28:59Speaker 2: guy's at some point going to become like a larger
- 29:02Speaker 2: star than he actually has become.
- 29:04Speaker 1: Yeah, John Wick is very close to a lot of
- 29:06Speaker 1: people's hearts.
- 29:07Speaker 2: I know.
- 29:08Speaker 1: So they're going to be people hating on the fact
- 29:10Speaker 1: that I just picked Poscar Isaac, or maybe people who
- 29:12Speaker 1: love that choice.
- 29:13Speaker 2: I don't know, you had to recast somebody.
- 29:15Speaker 1: Yeah, I like to pick though.
- 29:16Speaker 2: I like getting a more modern movie in there, and
- 29:20Speaker 2: I like getting a Kanu in there. You know, I
- 29:22Speaker 2: was looking around at some Kanu movies and you're right.
- 29:25Speaker 2: He does have more of a you know, quiet, calmer presence.
- 29:29Speaker 2: So he wasn't like a Schwarzenegger where he's like just
- 29:32Speaker 2: throwing out these lines ten times a movie. That just
- 29:35Speaker 2: wasn't who he was, even though he's in some of
- 29:38Speaker 2: the most significant action movies of the last thirty years. Yeah,
- 29:42Speaker 2: so going in a semi different direction. You know, this
- 29:46Speaker 2: individual also known maybe kind of for martial arts. Someone
- 29:51Speaker 2: questioned his capabilities, but not me. I'm talking about mister
- 29:56Speaker 2: Steven Segal in the movie Hard to Kill where he
- 30:00Speaker 2: plays Mason Storm. But yeah, that's the one where he's
- 30:06Speaker 2: you know, goes into the coma he's kind of left
- 30:08Speaker 2: for dead, and then he goes back for revenge. So
- 30:11Speaker 2: his line in that there's a senator he wants to
- 30:15Speaker 2: get revenge on. This guy has like commercials on TV
- 30:19Speaker 2: where his kind of catch phrases and you can take
- 30:22Speaker 2: that to the bank, and Steven Sagal kind of keeps
- 30:25Speaker 2: thinking about this over and over and then he delivers
- 30:28Speaker 2: the line, I want to take you to.
- 30:30Speaker 1: The bank, Senator Trent to the blood bank.
- 30:35Speaker 2: To the blood bank. So the pause is key here.
- 30:39Speaker 2: This is why it's great, you know, this is where
- 30:42Speaker 2: the comedy has made though it's not meant to be
- 30:45Speaker 2: funny at all. This is dead serious, you know, especially
- 30:48Speaker 2: with Sigal's delivery. So this is another type of you know,
- 30:54Speaker 2: one liner. We get a lot where it's like you
- 30:57Speaker 2: have the line, you have kind of an ellipsis, and
- 31:00Speaker 2: then you have the rest of the line that like,
- 31:02Speaker 2: you know, twist it on its head a little bit.
- 31:04Speaker 2: Another example of this that I thought about was a
- 31:07Speaker 2: stallone and Demolition Man where he says You're gonna regret
- 31:11Speaker 2: this the rest of your life, both seconds of it.
- 31:15Speaker 2: So Steven Seagal not the best line delivery Man. Everything's
- 31:20Speaker 2: kind of the same. It's nush tone, it's very much
- 31:23Speaker 2: like this, but I think it really works with this line.
- 31:27Speaker 2: The calm, quiet, almost whisper makes the second part of
- 31:30Speaker 2: the line come as kind of an added surprise. And
- 31:33Speaker 2: then you also get this in the movie, this kind
- 31:35Speaker 2: of tuned up music that's like the dung, you know,
- 31:38Speaker 2: so it makes it more exciting. So who else could
- 31:41Speaker 2: have delivered this line? You know, it's tough to match
- 31:44Speaker 2: Segal's delivery, So maybe we need to take it in
- 31:48Speaker 2: a different direction. Can I give you one, mister Nicholas Cage.
- 31:53Speaker 2: Can't even begin to think what exactly he would do
- 31:56Speaker 2: with it, but I know he would do something off
- 31:58Speaker 2: the wall. I'm thinking there would be more or maybe
- 32:00Speaker 2: a little more yelling, or you know, a raising and
- 32:03Speaker 2: then a lowering of the voice. I'm gonna take you
- 32:06Speaker 2: to the blood bank, Senator Trent to the blood bank.
- 32:10Speaker 2: I don't know. I can't really do a Nick Cage.
- 32:13Speaker 1: That's a good change up, But for the rest of
- 32:16Speaker 1: the movie, could he hold up? Like I don't know
- 32:20Speaker 1: what his martial arts skills are. He could slap people, probably.
- 32:24Speaker 2: He could. He could throw people around a little bit.
- 32:27Speaker 2: Sometimes you want somebody who's doing the same. You know,
- 32:30Speaker 2: when you're casting, you're like, I want somebody who captures
- 32:33Speaker 2: this energy. And sometimes you're like, I just can't. Nobody
- 32:36Speaker 2: else can do it. I've gotta go complete opposite.
- 32:38Speaker 1: Yeah, yeah, yeah, okay, I think you're gonna really appreciate this.
- 32:44Speaker 1: I picked two thousand ones, The Fast and the Furious
- 32:48Speaker 1: Dominic Toretto.
- 32:50Speaker 2: I live my life a quarter a mile at a time.
- 32:53Speaker 1: It's melodramatic, it's oddly poetic. I thought, what if I
- 32:58Speaker 1: take that question and I give it to chatupt alternate
- 33:03Speaker 1: for Vin Diesel Timothy shallomet No, I was a little rolling.
- 33:08Speaker 2: Well, let's not dismiss this. What if he's like, I
- 33:12Speaker 2: want to like completely change perception of me. He like
- 33:16Speaker 2: shaves his head, balks up. You know, he's like just
- 33:20Speaker 2: this huge dude. He's trying to you know, he's like
- 33:23Speaker 2: reborn as something different. He's got some acting chops he
- 33:27Speaker 2: could probably you know, you could pull off the line.
- 33:30Speaker 2: So if he could change his physical appearance, I think
- 33:33Speaker 2: he could do it, grow some sort of crazy goateee.
- 33:37Speaker 1: What you're saying is if he could change everything about himself,
- 33:40Speaker 1: which you can do.
- 33:41Speaker 2: Actors can you know, physically transform themselves.
- 33:44Speaker 1: I mean that's the goal, right, Like, isn't that what
- 33:46Speaker 1: acting is? So I yeah, okay, I'll give you that,
- 33:50Speaker 1: but it's a stretch. He's not the first name that
- 33:52Speaker 1: would come to my mind at all. No, I don't
- 33:54Speaker 1: even know how Timothy Shallomey talks, baby like I live
- 33:57Speaker 1: my life a quarter mile at a time. It's like
- 34:00Speaker 1: a little bit of Timothy Shallomey slash Mark Wahlberg. If
- 34:03Speaker 1: he was a mouse.
- 34:05Speaker 2: This is a good pick, though. I like the incorporation
- 34:08Speaker 2: of the fast and furious in here. You know, you
- 34:10Speaker 2: don't necessarily think of the two thousands for action.
- 34:13Speaker 1: Movies, Yeah, for sure. And we're picking favorites, and you know,
- 34:18Speaker 1: there's a zillion favorites. I mean, I really there's so
- 34:20Speaker 1: many that I could pick from from our youth even
- 34:24Speaker 1: and I was trying to be a little bit fair
- 34:26Speaker 1: to the decades. Part of me was like, there's more
- 34:30Speaker 1: than just what we grew up with. And I know
- 34:32Speaker 1: listeners talk about that probably all the time, Like Patrick
- 34:35Speaker 1: shad Get, you pick something else, any sort of list making.
- 34:39Speaker 2: The process you go through sometimes like how am I
- 34:42Speaker 2: going to spread it out? How do these picks look
- 34:45Speaker 2: next to each other? And then sometimes you're just like,
- 34:48Speaker 2: I'm just picking my favorites. To hell with it all,
- 34:51Speaker 2: you know. It's kind of like the different processes you
- 34:54Speaker 2: go through each time you do this. Yeah, for my
- 34:56Speaker 2: last one, I went to what I think is the
- 34:59Speaker 2: top the mountain. Of course, I'm talking about the film
- 35:04Speaker 2: Passenger fifty seven, where Wesley Snipes played John Cutter and
- 35:11Speaker 2: uttered always bet on black. It's quick, it's kind of
- 35:15Speaker 2: off the wall and out of nowhere. But the delivery
- 35:18Speaker 2: is just great. And even in the movie, if you
- 35:21Speaker 2: watch it, the filmmakers go way over the top with
- 35:24Speaker 2: like spotlighting it. They whip the camera on Snipes. This
- 35:29Speaker 2: is it. This is the peak of the one liner.
- 35:31Speaker 2: This is like the moment of realization, like we're doing
- 35:35Speaker 2: a one liner. Hey, everybody, look at us. Here it is.
- 35:39Speaker 2: The marketing for this movie was basically built around this line.
- 35:43Speaker 1: Yeah, I do remember that.
- 35:45Speaker 2: So it's also just great. It's fun and Snipes, you know,
- 35:49Speaker 2: he just kills it. So who else could do it?
- 35:52Speaker 2: Thinking about Denzel, Denzel could probably do this. I don't
- 35:56Speaker 2: think Denzel's doing Passenger fifty seven.
- 35:58Speaker 1: No, younger Denzel. I could hear him in his toe,
- 36:02Speaker 1: like the way he talks.
- 36:04Speaker 2: Yeah, I can hear him in his voice doing it.
- 36:06Speaker 2: I just don't think he would do it. Oh, He's like,
- 36:09Speaker 2: this is a diehard rip off. I'm not doing this today.
- 36:11Speaker 2: I also went to Michael B. Jordan. I'm like, hey,
- 36:13Speaker 2: you could probably do this. I have a tough time
- 36:16Speaker 2: like him getting the delivery just right. I'm not sure
- 36:19Speaker 2: about For a minute, I went to Will Smith. Not
- 36:24Speaker 2: necessarily Will Smith. Now you know the post slap Will Smith,
- 36:27Speaker 2: but the I Am legend Will Smith. I'm like, okay, maybe,
- 36:32Speaker 2: but then I got it and the answer is I
- 36:35Speaker 2: think the actor with one of the greatest voices around
- 36:38Speaker 2: today who almost every line he delivers, you're like, oh,
- 36:43Speaker 2: this guy is just really adding some weight to this
- 36:46Speaker 2: this like I'm feeling this, and that's Sterling K. Brown.
- 36:50Speaker 2: Do you know this guy Sterling K. Brown? If he
- 36:52Speaker 2: was on This is Us? He was on the show
- 36:54Speaker 2: what was the show we just watched on Hulu with
- 36:56Speaker 2: the President Paradise Just can't think of the name of
- 36:59Speaker 2: it now, Paradise. Yeah, he was just on the show Paradise.
- 37:02Speaker 2: But he can like deliver a kind of a dumb
- 37:05Speaker 2: line but give way to him. So I think he's
- 37:08Speaker 2: my guy. He's who I would get with.
- 37:11Speaker 1: Hmmm, that's a good choice. I think he had a
- 37:13Speaker 1: charisma to him, and, like a lot of those guys
- 37:15Speaker 1: of the time period, a charm that was on screen
- 37:18Speaker 1: you kind of miss it when it's gone.
- 37:21Speaker 2: Yeah, definitely one of my favorites. There's a few. I'm
- 37:24Speaker 2: shocked you didn't include. One of them is I'm the
- 37:27Speaker 2: Law from Judge Dread Because you do it all the time.
- 37:31Speaker 1: I am the law, that's.
- 37:33Speaker 2: Your go to stallone. I was like, oh, Patrick's definitely
- 37:36Speaker 2: going to include it.
- 37:37Speaker 1: I was, like I said, I was trying to like
- 37:39Speaker 1: bury it up because there's so much more than what
- 37:41Speaker 1: we've just been repeating ourselves.
- 37:45Speaker 2: I mean there is, but you know these are still gems.
- 37:47Speaker 2: Just you know, that's an every day or for you.
- 37:49Speaker 2: I thought of the stallone one in Cobra.
- 37:52Speaker 1: He says, you're the disease the cure, You're the disease
- 37:58Speaker 1: of the cue.
- 38:00Speaker 2: I mentioned, you know, the inter Force one one that
- 38:03Speaker 2: was a good one. What about you know, going back
- 38:05Speaker 2: a little further Clint East with Dirty Harry, go ahead,
- 38:09Speaker 2: make my Day or do you Feel Lucky Punk? Both
- 38:14Speaker 2: of those were huge.
- 38:16Speaker 1: Yeah, if you go by decades, there's some in every
- 38:18Speaker 1: decade that are so great and there was no limit.
- 38:22Speaker 1: You know, I really wanted to include He's not coming back,
- 38:26Speaker 1: you know from point break he got Johnny Utah.
- 38:30Speaker 2: One of my faves that would have been a good one.
- 38:33Speaker 1: It's so good and it's one of those things I
- 38:36Speaker 1: really like one liners. Not all of them that we
- 38:39Speaker 1: choose are like this, but the ones that you can
- 38:41Speaker 1: use in everyday life. Like I say that all the time, Like, yeah,
- 38:45Speaker 1: my daughter's like, you know, I'm gonna go to the
- 38:47Speaker 1: grocery store and then I'll be home after. I'm like,
- 38:49Speaker 1: she's not coming back, you know, she's not because she's
- 38:53Speaker 1: gonna go see her friends. She's not gonna come back.
- 38:55Speaker 2: Okay, fair, Yeah, it's going to wrap up here today,
- 39:00Speaker 2: Patrick action one liners. They're kind of lost digging. We
- 39:05Speaker 2: could probably find a few nuggets of gold, but mostly gone.
- 39:10Speaker 2: Do we need to bring them back or has their
- 39:13Speaker 2: day just passed by?
- 39:15Speaker 1: I think there should be room for one liners. It
- 39:18Speaker 1: brings levity to something that is sometimes serious. So one
- 39:22Speaker 1: liners kind of give us a moment. You know, not
- 39:25Speaker 1: everything has to be super serious. You need that comedic relief,
- 39:30Speaker 1: you know what I mean, Just give us a nugget.
- 39:33Speaker 2: A slightly different take. I think they'll always exist in
- 39:37Speaker 2: some you know form and some like isolated form. But
- 39:41Speaker 2: I think as this like cultural force, as like you know,
- 39:45Speaker 2: a commando where they're just like loaded with them. I
- 39:47Speaker 2: think that's over. People are too self aware.
- 39:50Speaker 1: Now.
- 39:51Speaker 2: What made them great in the past were the fact
- 39:55Speaker 2: that actors delivered them like they thought they were super cool. Yeah, no,
- 39:59Speaker 2: I saying, like a lot of them, you can't do
- 40:02Speaker 2: what Schwarzenegger did anymore without it being like winking or
- 40:06Speaker 2: intentionally cheesy, or without it being like a parody, you know,
- 40:10Speaker 2: like I was talking about, like kind of the Jack
- 40:12Speaker 2: Black version. Yeah, it becomes something different. So I think
- 40:17Speaker 2: that's kind of over. I know exactly when it was over,
- 40:20Speaker 2: and it was Arnold Batman and Robin in nineteen ninety seven,
- 40:23Speaker 2: I think killed it. I think that was what kind
- 40:26Speaker 2: of put the final nail in the coffin of the
- 40:28Speaker 2: action movie one liner as that, you know, we're just
- 40:31Speaker 2: gonna we're just gonna fill fill up the bag with
- 40:34Speaker 2: these things. You can't have that kind of like self
- 40:37Speaker 2: seriousness that we had in that in the past. And
- 40:39Speaker 2: if you're saying, like, can we ever go back to that,
- 40:43Speaker 2: I don't think we can. The world has changed. The
- 40:46Speaker 2: world has changed. Killing people with puns, I don't know.
- 40:50Speaker 2: I don't know how well that's going over anymore.
- 40:52Speaker 1: Yeah, as a wise man once said, the one liners
- 40:56Speaker 1: they remind us the heroes aren't just surviving, they're styling.
- 41:02Speaker 1: It's my one liner for the episode.
- 41:04Speaker 2: You're not just surviving, you're styling.
- 41:07Speaker 1: Anyway, we hope you like the one liners in this episode.
- 41:11Speaker 1: Maybe the next episode will have more. We don't know,
- 41:14Speaker 1: we'll try it. Well, that's it for this episode of
- 41:17Speaker 1: Movies and Marketing. Until next time, let's fade to black.
- 41:23Speaker 1: I'll be back. He's not coming back.