Latest / Deprogrammed Music Podcast / Cap'n Jazz

Transcript

Cap'n Jazz · Deprogrammed Music Podcast

0:32
It's Deprogram, the podcast where we try to get you into a
0:36
band. That's right.
0:37
We've done all the work for you. All you have to do is press play
0:40
and listen. My name is Justin and you call
0:42
me band curious because I am indeed curious about bands.
0:47
I like to gather my friends together and talk about an
0:50
artist and together we will come and bring a top 10 starter kit
0:54
list for you to get into said band.
0:57
And today we're going to be going from the Little League to
1:01
the big league. And I mean, John, you put him on
1:05
the board here. And I think there's several
1:09
reasons I feel like that, that they kind of got projected up
1:13
the board. But I'll, I'll let you tell me.
1:14
Talk to me about cap and jazz. Yeah, so Cap and Jazz is one
1:20
that I've another one that I've wanted to do for a long time.
1:23
But they only have really one record and some singles.
1:28
They they put out a discography back in the late 90s that kind
1:31
of covers everything. So it's it's not a lot of songs.
1:35
We'll talk about that in a minute.
1:36
But Captain Jazz is one of like those Seminole bands when you
1:43
talk about, you know, again, everyone in their grandma is emo
1:47
now. But it used to mean something.
1:51
And Captain Jazz is one of the bands that is considered like
1:56
one of the formative bands of like, kind of the second wave,
2:01
that of the early 90s when it kind of got brought back.
2:05
And I finally got to see them last year for the first time.
2:10
They were there touring the anniversary of of their record
2:15
and it was really incredible to see them like they still like
2:19
they've all been active in other bands as we'll talk about.
2:23
But it was great to, to see them play these songs, you know, even
2:28
as, as 50 year olds, because there's something about this
2:32
record and like, I'll, I'll, you know, disclaimer up front, you
2:35
can play devil's advocate. A lot of people aren't into
2:38
this. They, it can come off as
2:40
pretentious, it can come off as art school, it can come off as
2:44
blah, blah, blah. It's not every nobody is into
2:46
it, But there's something about their music.
2:51
And like, remember, these are kids when they're doing this.
2:55
They, they probably started this band when they were 1617 years
2:59
old. And there's something about the
3:05
like the naivete, the like they play with reckless abandoned,
3:11
like you can that you can only get when you're that age, right?
3:15
There's like there's a there's like an unbridled kind of
3:21
excitement and like adrenaline to it that like you only get
3:27
from music. And I'm gonna I'm gonna go off
3:29
on a weird engineer, so buckle up.
3:31
But like music like this, like the their record, they made this
3:36
record. It's got a really long title.
3:38
Did they just call it Schmatten Schmatz now?
3:41
But it was made by them and like, they didn't really expect
3:46
anyone to hear it. It wasn't made with like
3:50
capitalism in mind. It wasn't like a product.
3:52
They had these songs. They played because they love
3:56
making music and they had these songs and like super talented.
4:00
It's this the Kinsella Brothers, which we've talked about many
4:04
times doing the other bands, but Captain Jazz is where it all
4:09
started. And like you see clips of them
4:12
playing in like 949596 and yeah, they're just kids.
4:17
And there's something about like being 18/19/20 years old that
4:23
like you get like, you get this rawness and this like really
4:28
pure, like, I don't know. But like there's a, there's a
4:34
purity to it that you, you don't get from, you know, 30 year olds
4:39
or music on major labels where it's a product and it has to be
4:43
sold. And like, I like a lot of that
4:45
music. Nothing against it, but this
4:47
kind of like DIY do it yourself music like it always resonates
4:55
with me more than than that several because you're, you
4:59
know, people always, you know, when I listen to music, I want
5:02
to get to like get me as close to the original idea as
5:06
possible. Like I want to give me the first
5:10
pressing, give me the I want to hear the demos.
5:12
I want to hear as close to the original germ of the idea that
5:17
that you get. And with music like this where
5:21
it it wasn't, you know, they they didn't over produce it.
5:24
It's not, you know, they went in and recorded probably in a day
5:27
or two and put out this record for their friends and they had
5:31
no idea that it was going to turn into this whole thing.
5:34
And like, all these bands came out of it, like The Promise
5:36
Ring, American Football, Joan of Arc, Owls and the list list goes
5:42
on and on and on and on and on. But I, I was excited to talk
5:46
about them because, yeah, when I saw them last year, it brought
5:49
back a lot of those, like, feelings I had when I was, you
5:52
know, 1718 years old. And you, you listen this music
5:56
and you're like, man, like they, they get it.
5:59
There's there's something intangible about it that really
6:02
connects with people and a lot of people haven't heard now.
6:05
That's what gets me excited about.
6:08
You brought up, you brought up people not being on board.
6:12
We used our free throw panel chat for this and Joe was on
6:16
that show and Joe was like, not for me.
6:18
So like, yeah, it's possible, but somebody who is on board
6:24
cord use. Firstly, welcome back.
6:27
It's been a while friend, but talk to me about what it is
6:31
about cap and Jazz for you. So for me, this was a band that
6:37
like, obviously if you are into emo at all and you sort of
6:45
consider yourself an emo kid, you want to explore that world.
6:49
This is a band that is going to come your way because of how
6:53
influential they were. And I had listened to this
6:58
compilation record like, maybe once or twice back in the day.
7:01
And it was one of those things where, like, you listen through
7:04
it, and then you pick a couple of songs and throw them on your
7:07
e-mail playlist, and then you forget about the record as a
7:09
whole. And it's been really cool, like
7:13
revisiting the whole thing and kind of finding new gems and
7:19
like, even old stuff that like, Oh, yeah, I remember this song,
7:23
but didn't, you know, it didn't stick enough back in the day to
7:27
be put on a playlist or something.
7:29
But now I'm like, oh, wow, I love this.
7:32
Yeah. So much of this band is.
7:36
I know a lot of it for me is like knowing the historical
7:39
significance. And I think a lot of what sort
7:43
of makes me excited about it and, and gets me into this band
7:49
is hearing things that I'm like, man, my band is doing this kind
7:53
of thing 30 years later, you know, or like, you know, bands
7:59
that have come out in the past 10 years are still taking cues
8:05
from this thing that these high school kids wrote in the mid
8:09
90s, you know, And so it's just, it's kind of like AI don't know.
8:14
It's a, it's a testament to I, I think what John said about the,
8:19
the sort of unbridled naivety of just a bunch of kids who want to
8:26
write music for fun. Like that being deeply inset
8:31
into the DNA of, of emo as a genre is something that, you
8:37
know, cap and jazz left like a lasting impact.
8:40
A lot of this is like really weird.
8:43
They're just like writing whatever the hell they want to
8:45
write, and they're not doing it. You would think, like, a bunch
8:51
of, like, 17 to 21 year olds are doing it just to, like, be funny
8:57
and aren't that talented. But like, everyone in this band
9:01
is like, really great at what they do.
9:02
I think that Mike Kinsella actually learned how to play
9:06
drums to be in this band, and his drums kick ass on this
9:10
record. Like, it's kind of crazy.
9:13
So, yeah, it's been really fun to like, go back and explore
9:19
this again and just think of like, oh, man, that kind of
9:22
guitar part is something I hear like this band use all the time
9:25
still, you know, or, you know, that like drum rhythm is
9:29
something that gets carried on into newer emo bands.
9:33
It's just like a it's definitely, it gets talked about
9:36
for a reason. I it's crazy because I feel like
9:42
this is a this is a band that I've to your point there.
9:45
I feel like this is a band that the name has been bandied about,
9:48
but like nobody's ever until I feel like we had a conversation
9:52
about it on an after the fact or something.
9:54
John, I feel like Captain Jazz has come up a couple times, but
9:57
like, I don't know how I wasn't aware.
10:02
You know what I mean? I guess maybe maybe I'm I don't
10:06
maybe I'm somewhere like in between what it what was punk
10:10
and what is emo like I maybe I just was too and bridled in my
10:15
you know, I'm listening to my 90s all you know, at the time.
10:18
I mean, obviously I don't think Captain Jazz would have found me
10:21
at the time, like, as it was happening, like 90 if we're
10:26
talking 96, like, yeah, the chances of it finding me then
10:33
are slim, right? But yeah, I mean, they're think
10:35
about sorry, their their LP, like they made what, 300 copies,
10:40
500 copies never went on tour, just broke up.
10:43
And then of course, like the promise ring starts, Joan of Arc
10:47
starts, they start these other bands, but Captain Jazz, like
10:51
it's and then we talked about this on another episode.
10:53
I can't remember which one, but like before the Internet, this
10:57
stuff all went you had to just go by word of mouth, right?
11:01
So you had to know someone who had the record or who had seen
11:07
them and would would they would tell a friend and be like, well,
11:10
you got to get this record. But like, no one had really
11:14
like, it was just like this, this legend until I think it was
11:18
98 or 99 when Jade Tree put out the an alphabet apology, like
11:26
which cover everything. And then it was like, oh, now
11:28
you have access to this stuff. And they had a big kind of
11:33
resurgence then, like the promise ring was getting big.
11:35
So, you know, more, more people were interested.
11:38
And then, yeah. And then it kind of went away.
11:41
Like that was hard to find for a while.
11:43
But then just last year for the 30th anniversary, they released
11:47
the the LP and I think that that kind of brought them back a
11:50
little bit. So yeah, I'm not surprised that
11:53
you had not heard like they're not a very well known band, even
11:56
though they were very Seminole and influential.
11:59
And I mean it, it it's it's apparent when when you listen to
12:02
the record. I mean, the the first thing I
12:06
thought of was was at the drive in specifically like acrobatic
12:11
tenement, like it's in that same wheelhouse, even though drive at
12:16
the drive and has more of like a Texas thing going on.
12:19
Like it, it lives in that same space, which is the say like
12:24
emo, which is to say I am kind of shocked.
12:28
I mean, I get I sort listening to the record, I sort of get why
12:32
Joe dipped out, but the heart of it being emo is what was like.
12:36
Oh man, I I am shocked that he was, he was completely like, no,
12:39
I don't just not for me. I don't know man.
12:43
You know, maybe this is for you, Joe.
12:45
And if if you're listening, I love you brother.
12:48
So talk to like this is 1 record or you know, it's presented as
12:52
one record. I should say it's like 33
12:54
tracks, John, like you get half of the thing.
12:57
But does that make it easier? A little bit.
13:01
I mean, it's, it's, it's the LP. It starts off with their with
13:05
their record and then you get into some singles and
13:08
compilation tracks and and things like that.
13:11
And some of that stuff is really good.
13:13
They the the original LP is like, I think the classic
13:17
material they they added Davey von Bolen, who was in went on to
13:23
be the singer in the promise ring.
13:25
I think later in like thin the late last year of their
13:28
existence a SEC as a second guitar player.
13:30
So the later stuff gets a little more experimental.
13:35
They add like there's a there's a trumpet on some of it and it
13:40
gets a little like the the couple of the covers on there
13:43
are probably not the best choice that they made.
13:48
I think the I think I read, I'd read something one time that
13:53
their cover of Winter Wonderland was was voted like the most
13:56
pretentious song ever in Chicago or something around that.
13:59
That time is like people, people were not into it.
14:03
But some of that later stuff I think is is great.
14:06
But you you kind of have to be a little I, I mean, I'm, I'm
14:10
heavily front loaded on the on the LP like as, as you would
14:14
expect. But yeah, I mean, getting,
14:17
getting almost half the songs definitely helps.
14:19
But I think as you if it's, it's harder at 1st and then as you
14:23
get on, you're like, OK, I can pick and choose.
14:25
You know what of what of the later stuff I'm going to go with
14:29
made it a little bit easier. What do you think Cord like this
14:31
is, you know, your first time back in a while, we're kind of
14:35
throwing you in into the the deep end, but it's it's 15.
14:39
Is is picking a 15 here for for the comeback show easier than a
14:44
pick 20? I think in this case it was and
14:48
I didn't really have the context of like when I was listening
14:52
through it. I didn't, I mean there's like a
14:55
a few clues of like, Oh, this probably wasn't on like a full
14:59
length record, but like I wasn't really looking at it, knowing
15:03
the perspective of like what songs were on the the LP and
15:08
what were just like random singles things.
15:12
But it it was honestly, I think my first pass was like 16 and I
15:17
only had to chop 1. So like wasn't, wasn't that bad
15:21
and it wasn't that like I kind of just went the route of I'm
15:26
going to listen to it in passing while I'm doing other stuff and
15:29
like if it sticks out to me that I'm going to put it on my 15
15:33
playlist, you know, so. Yeah, it yeah, I, I feel like I
15:40
was almost exactly except for my first pass netted me 19 as
15:45
opposed to 16. So I did have a couple, couple
15:48
cuts. I, I try not to overthink them.
15:51
I didn't get a lot of Internet response, which kind of goes
15:55
back to what we were talking about before, like who has heard
15:59
of them? So it, that does bring a little
16:02
excitement to me, the fact that this is hopefully we're shining
16:06
a light here on a, on a band that clearly was influential.
16:12
Yeah, I, I don't know, man, I, I kind of weighed, weighed what I
16:16
got on my first pass versus like what their top 10 songs were on
16:21
Spotify. And I was like, OK, like I'm all
16:23
those have made my pass, so I'm on the right track.
16:27
And you know, you just kind of nothing, nothing seemed weak.
16:31
You know, nothing was like easy toss aways except for coverage
16:34
maybe possibly. And then, you know, then it's
16:38
like 2 two others that got to kind of hit the.
16:41
And I didn't overthink it. And I was like, all right, like,
16:44
hopefully. And that gets us to the next
16:46
part. Hopefully the math works in our
16:48
favor here, John. Based on everything we've talked
16:51
about so far, it's 33 tracks. There's only three of us.
16:54
I mean, it seems like, it seems like they should go pretty well.
16:58
Yeah. Yeah, I'm going to be fairly
17:04
optimistic. I'm going to say I'm debating
17:09
between 2:00. I'm going to say 7.
17:11
OK, Yeah, I can see that first time back chord.
17:16
What do you think? Tough.
17:21
I'm going to say 5. OK, that makes my choice a
17:29
little easier. I'm going to just split the
17:31
difference there with six. My thought was, my thought
17:36
initially was 8, but I'll I'll fight the instinct and I'll take
17:40
the six just in case. Just in case there's a little
17:43
separation between us. All right, we're going to take a
17:47
quick pause and on the other side, we're going to play the
17:49
game. It's the program, Jack.
17:57
And with that, the name of the game is deprogrammed.
18:01
The three of us have combed through, I say, the discography
18:04
of Cabin Jazz. I guess it's still a discography
18:07
because it's a compilation and plucked out 15 songs that we're
18:10
now going to match together in an attempt to create a top 10
18:13
surrogate for you. In case you are like me and have
18:16
never given Cabin Jazz the time of day.
18:20
No better place to start than the front.
18:23
It is one of the few answers that I got when I listened to it
18:26
today. I was like, yes, because I like
18:29
when a band does the thing and Little League does the thing.
18:32
I'm starting with Little League. Absolutely.
18:37
Yep. Yeah, I feel like that's one of
18:40
the the few no brainers. I feel like we'll have a couple
18:44
that'll be like, yeah, that belongs.
18:46
But I feel like that one's a no brainer.
18:49
Probably have another one here. Little League boom is in John.
18:59
All right, I'm going to go with one that really stuck out when
19:04
they when they played it last year and they played a bunch of
19:07
stuff like a lot of stuff you you wouldn't think they would
19:10
have, but how about yes, I am talking to you.
19:13
Yeah, I got it. Yes, I am having it on my list.
19:19
Yeah, hold on. I think I'm going to play a clip
19:23
here underneath this. Yeah, this is the one that I was
19:28
listening to the record earlier today and I was like, do I have
19:30
this one? Oh, yeah.
19:33
Good. Yeah, you mentioned at the drive
19:35
in earlier, this one was the most at the drive in to me with
19:38
like those like super rhythmic like kind of dissonant chords.
19:42
For sure, for sure. As a matter of fact, I think
19:45
that's what kind of brought it back to my to the front of my
19:49
brain when I said it earlier was like, that was the one I was
19:52
thinking of. So.
19:53
They were both listening to a lot of Fugazi.
19:56
Also makes sense, yeah. That tracks, yeah.
19:58
Yeah, for sure there's. There's, I feel like there's
20:01
that's the joke that like Fugazi is not an emo band, but they are
20:05
your favorite band, your favorite emo band, favorite
20:08
band. Yes.
20:10
I guess, yeah, I get that. All right.
20:13
Boom. Yes, I am talking to you is in
20:16
chord. Well, I'm going to throw out one
20:21
that I'm going to try to get my trash out of the way because I
20:25
think it sounds like I like the covers more than you guys do.
20:29
I'm going to be real with you, I've never heard the actual
20:33
9-O21-O theme, but I'm a sucker for anything like that chill lo
20:37
fi vibe so I definitely had the theme to 9 O 21-O on my list.
20:44
No, I did not. Look, I mean, it's the one that
20:48
the one of the covers that I actually considered, but I
20:51
figured I've got, you know, 32 other songs I can I can take
20:55
instead of theme to 90210 so. Real.
21:01
Understandable. The little clips are hilarious.
21:04
Though for sure, yeah. Yeah.
21:07
All right, back to me. This one is possibly a Homer.
21:13
I guess we'll find out. How about O messy life?
21:17
Absolutely. Yeah, no doubt.
21:20
Yeah. That's the only other answer I
21:23
got when I asked about this band.
21:25
I got Little League, I got Oh, messy Life, and that's it.
21:31
And again, of course, that tells me that we are doing something
21:34
good here. And I also should say funny punk
21:39
band, I think they're called Worthington's Law from North
21:43
Carolina is one of the bands that are one of the people that
21:46
answered. So that's right, Omaci, life is
21:52
in John. All right, how about this is the
21:56
first song they played at the show?
21:59
How about Basil's kite? Yeah.
22:03
I did not have that one. Surprising.
22:05
OK, I'll. Take it to there.
22:08
They can't all be home runs, can they?
22:13
All right, Court. I'm gonna go.
22:19
I'm gonna keep with the trend of the front half of the record.
22:23
How about in the clear? Yes.
22:26
Yep. Yeah.
22:29
There's just like the the energy at the beginning of this song is
22:33
crazy. Like Mike's drumming is just so
22:38
good and like just drives so hard.
22:43
Like, yeah, I'm glad you pointed that out.
22:45
Listening to the clip right now, it's like, it it, I mean, like
22:52
you can kind of tell their kids because the way his voice sounds
22:55
like. But like when you listen to that
23:00
those drums, especially in that song, and then you think these
23:05
are just these are kids, these are these are teenagers.
23:08
And it's like, oh, man. Like to know out of the gate
23:12
that's what you want to do. That's crazy, man.
23:16
Yeah. I, I think Mike was Mike's
23:19
younger than Tim. And I'm pretty sure when that
23:22
record dropped, Tim was like 21 and Mike was like 8 or
23:27
something. And I saw this video of them
23:30
playing from the year the record came out and like a Knights of
23:34
Columbus somewhere in, in Illinois.
23:37
And it was just like, you could, you could tell they're young
23:41
because they're just like, absolutely going wild.
23:44
And the room is packed too. So they were like, you could
23:47
tell they were like regionally popular at least.
23:50
But yeah, I wish. It was my region.
23:52
I wish it was my region back around to me.
23:57
I'm a baseball guy. I have to presume this is a
24:02
baseball reference. I don't know what the song is
24:03
about. I didn't look into it.
24:05
This one I can understand if nobody else has, but I could not
24:09
not take Ola Rude. I do not have that one.
24:16
I've got it. Hey, I'll take a two there.
24:20
That's cool with me. He of the of the helmet, Yeah,
24:25
wearing first baseman. For sure.
24:27
I loved me some John Olrood. I grew up technically a Blue
24:32
Jays fan before I was a Mets fan.
24:34
And then they won the World Series twice and I was like,
24:36
well, I can't be seen as a front runner.
24:38
I've oh boy, am I not. You cannot call me a front
24:43
runner now, being a Mets man, but then he went to play for the
24:47
Mets and my love for John Olrood even grew even more.
24:50
So I'll take a 2 with a John Olrood.
24:54
All right, John all. Right, I love a long song title.
25:01
How about no use for a piano player when you got to play your
25:04
piano? Oh no.
25:07
That's a miss for me as well. OK.
25:09
Something's got to go in the bin, I presume.
25:11
Can't hit them all. All right, Chord.
25:18
I guess I'll also go with a long song title.
25:21
How about hey Ma, do I have to choke on the?
25:25
No. No.
25:29
Figured that might have been a miss.
25:30
I think my I was partially biased on this one cuz I'm like
25:33
this has got to be the first time that Mike Kinsella sings
25:35
I'm recording right? Probably.
25:38
That song, yes, is very kind of weird.
25:43
OK. Shout out to American Football,
25:47
who just announced a new record. Oh, yeah, Yeah, they did.
25:50
I think they're coming out of Richmond.
25:53
I think, yeah. I think the the last stop of
25:56
tour is Minneapolis. I would love to go to that.
26:00
Yeah. All right, on the radar.
26:02
Let's see American football. If you listen to this, hit your
26:05
boys up. All right, How?
26:11
I'll go back to the top of my list.
26:12
How about puddle splashers? I did not have that one.
26:18
I do. OK, boom 2.
26:21
Thanks for picking up my message.
26:25
We take them twos and we take them twos.
26:28
All right, John. Troubled by insects?
26:33
Yes. Now I think this was like a late
26:37
cut for me. I think that might have been 11
26:40
all. Right, so that all right chord.
26:49
How about planet? Yes.
26:54
Yep. Yeah.
26:57
That just that one. The vocal line in the chorus is
27:00
so fun. That's like, I don't know.
27:08
One of the one of the things that I love about Tim Kinsella
27:11
is she's just like, unafraid to be extremely weird.
27:15
I don't know what half of his lyrics mean, but I like them.
27:20
I like that. All right, planet.
27:23
That was the one I was actually going to go to next, so I got to
27:28
recalculate here. How about que suet de?
27:37
Nope. Yes.
27:39
Hey, all right. I think we may have just exited
27:46
NTP territory and with a good handful of songs left to play,
27:53
we'll come to that bridge here in a SEC.
27:55
Yes, we did. All right, John.
27:59
All right, you mentioned his lyrics and this is 1 when they
28:02
played it, he talked about, you know, going back and listening
28:06
to the record to try and figure out some of the, the lyrics and
28:09
just make, you know, going back and kind of getting a refresher
28:12
on it. And he mentioned this one
28:15
especially like the third verse. He's like that's, he's like
28:17
people come up and, and sing it for me and it, I'm like, it's
28:20
just nonsense. I it's just like some of a Neil
28:23
Young blah, blah, blah. He just made it up.
28:27
And if you listen to it, you can hear it.
28:28
It's The sands have turned purple.
28:30
I got it. Yep.
28:32
Got it. That's a cool story kind of
28:37
that. All right, let me get that cued
28:46
and scoot it on up, boys. We're going to actually have to
28:50
make a cut because we've got 6 through and five twos, I think.
29:00
All right, Chord. How about we are scientists?
29:11
No. That was #16.
29:15
Oh. Yeah.
29:17
I want to say that was like 16 or 17 as well, not that that
29:21
helps in this instance. I have exclusively threes or
29:25
ones on an average right now all.
29:30
Right, I only have 4 left boys. Maybe we do just one more and
29:36
then dump out next round. Yeah, and we got and we got 3.
29:39
Yeah, I'll start at the top of my list.
29:42
How about precious? Nope.
29:47
No. Binner in the in my last throw
29:52
out. OK.
29:53
All right, John. This one is so good they put it
30:00
on the record twice, both as a full band and an acoustic
30:03
version. How about Who Do I Love you?
30:05
Yes. Yep.
30:07
Hey. Nice.
30:10
Yeah, boom and boom. Do we want to talk about which
30:15
one we want to take or? I'd say the full band will
30:20
probably, yeah. OK.
30:21
Just I almost, I almost put both on my list and then I was like,
30:25
I'm just. Gonna they're both good.
30:26
Yeah, yeah, yeah, all. Right, let me just scroll this
30:32
one on up. All right, Do I love you is in
30:41
and chord. But you know what?
30:48
I'm going to go with bluegrass ish.
30:54
No. Yes.
30:57
Good. OK.
30:59
I was like come on, someone else please.
31:01
Boys kissing boys. I was listening to that one.
31:06
Oh, go ahead. I was, I was listening to that
31:07
one right before he went on. I was like, oh man, do I want to
31:11
do the work to find a spot for it?
31:13
I was like this. I don't know what it was that
31:15
didn't hit with me the first time, but.
31:19
He's he's Virginia. That's your state you got to go
31:21
with. It, yeah, but I'm really.
31:23
But I'm really New York. I mean, I've lived here longer
31:26
than I lived in New York. But All right, that brings me
31:30
back to my last two here. First one, Soria.
31:37
Nope. No.
31:39
Oh, and last but not least, Sergio Valente.
31:45
Nope. Yes, that's my last one as well.
31:49
Yeah, right. So we'll take that two there and
31:53
John is out, so we don't have to bin or we don't have to empty
31:57
out for him. And Cord, what do you got left?
32:01
I had Tokyo. Tokyo's very good scary kids
32:06
scaring kids. Did a band take their name from
32:09
that or was that band before that?
32:13
No, they got their name from the cap and jazz song.
32:15
Thought so, yeah. Yeah, easy driver.
32:21
And then my last one, I again with the covers, I had to take
32:26
the take on me. It's just fun.
32:29
It is. It is super fun.
32:30
It is very fun and honestly, if I hadn't, I'm just a sucker for
32:36
the real big fish one I know. Well, that one's terrible.
32:40
This one's way. Better.
32:41
Oh wow, oh wow, how dare you? Yeah, Oh please, don't even,
32:47
don't even start. All right, let's see.
32:51
There we go. What are we at 7, John?
32:55
Yeah. Hey, 7's going to win, so let's
32:58
do that So the seven that are in I'll run these down and then we
33:02
can start working on these twos. Little League.
33:04
Yes, I am talking to you. Oh, messy life in the clear
33:07
planet. The sands have turned purple.
33:10
If I could type. Oh, do I love you.
33:12
All right, so these twos, Basil's kite, Olarud puddle
33:18
splashers, troubled by insects, Quesuerte, Bluegrass Ish, Sergio
33:23
Valente. I mean, I was willing, if I
33:29
would have been willing to do the work, Like if we were doing
33:32
this show tomorrow, I probably would have had bluegrass ish, if
33:37
that means anything to you guys. Well, here's the thing we have,
33:42
all the ones we have so far are from the the record, the 1st 12
33:48
I think. So I want to get at least one,
33:53
maybe two of the later stuff that kind of gets a little more
33:56
experimental. So I'm looking at Sergio Valente
34:01
or maybe Ola Rude, maybe troubled by insects.
34:06
Neither one or two of those before we get into going back to
34:11
what's on the actual record. Are any of those jumping out at
34:15
you? Cord Ola?
34:17
Rude trouble by insects. Sergio Valente.
34:20
I'm down for trouble by insects for sure.
34:24
And then I could do Ola Rude. Yeah, that makes sense to me.
34:32
So take them. What do you think?
34:33
Take them both, John. I mean, if that's what we want
34:38
to do, I mean we're we're definitely front loaded.
34:40
So I feel like getting something some couple things off the back
34:43
half would would balance it out. All right, so old trouble bite
34:46
insects. And that leaves John's final
34:48
say, I believe, 7:00 to 9:00. Yeah.
34:53
OK, so I'm going to go way out to left field on this because
35:01
why not? It's only it's basically 1
35:05
double CD discography. This band.
35:08
I mean, like you got to go and then chord.
35:11
You mentioned the song and I'm glad that you did.
35:15
They closed the show with it both nights when I saw them.
35:19
It's super fun. It's, I don't think it should be
35:22
the number one on the list, but I think it should be on there.
35:25
I'm going to, I'm going to go take on me as the as the number
35:29
10. Heck yeah.
35:36
Say. OK, why not?
35:41
All right, let's shift that or up and run this down.
35:48
Little League. Yes, I am talking to you.
35:49
Oh, messy life in the clear planet.
35:52
The sands have turned purple. Oh, do I love you, Ola Rude,
35:56
troubled by insects and take on me.
35:58
So I read those 10 down to you. John.
36:01
Is there one that's jumping out at you as the number one?
36:06
I think it's in the clear. Oh, oh, What do you think, Cord
36:11
I. Think that's, I think that's a
36:14
good call to me. It's between, honestly, it's
36:21
between like it's either in the clear or a Little League for me.
36:32
And I'm I'm cool within the clear.
36:33
I think actually, yeah. I feel like we're all in lock.
36:36
Just the way it starts out. Yeah, I think we're all in
36:39
lockstep. Like those were the two.
36:40
I was going to say it's either Little League or in the clear.
36:44
I always like when a band does the thing, but since we've it's
36:47
only one record, we don't need them to do the thing.
36:51
The that is the thing that I I like, you know, so I feel like
36:56
we jumping a few tracks ahead is cool and we should note a minute
37:03
57 so. Hell yeah.
37:06
I mean, I think we've got a winner.
37:09
I think it's clear. Hey.
37:15
Oh, I'm so clever. All right, so in the clear is
37:17
going to be our number one. I'll run this down One last go
37:19
and we'll get on out of here in the clear.
37:24
Little League. Yes, I am talking to you.
37:26
Oh, messy life planet. The sands of turn purple.
37:30
Oh, do I love you All the rude trouble by insects take on me.
37:34
Let's let in the clear. Get a moment in the sun.
37:45
Look at that. We have done it.
37:47
If you have never gotten into cap and jazz, there's no excuse
37:51
anymore. We talked about them for almost
37:54
40 minutes at this point and it's what, an hour 37 of your
37:59
time, 33 tracks, something like that.
38:00
It's not. Yeah, hour 37.
38:03
Just saying. I mean, yes, start with this 10,
38:07
but also you really could probably just listen to the
38:10
collection and just take the little extra time and do it.
38:13
If that ain't your GM, I'm willing to bet that this 10
38:18
comes out that maybe 30 minutes. Like, it's not going to take a
38:22
lot of your time. Do it.
38:23
If you like emo, just do it. Hey, maybe you have an argument
38:29
against which 10 songs we picked.
38:31
I doubt it. I think I think we did rather
38:33
we'll hear well here as proven by 7 through unanimously.
38:38
But if it is that is the case, you can leave a comment on
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39:01
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40:41
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40:54
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