Latest / What's Your (Least) Favorite Scary Movie? / #119: Black Christmas (1974)

Transcript

#119: Black Christmas (1974) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? No Claire.
• 0:11
  It's the Mormon Tabernacle Choir.
• 0:12
  Making their annual obscene phone call.
• 0:15
  Welcome to, what's your least favorite scary movie, the
• 0:18
  podcast, where we talked about the good, the bad, the ugly, and
• 0:21
  the downright absurd in all of our favorite and least favorite
• 0:24
  scary movie. Is because we believe every
• 0:26
  horror movie rightfully, has its fanbase, even if we don't always
• 0:29
  get It it my name is Travis. My name is Jessie and today we
• 0:34
  are talking about Black Christmas.
• 0:37
  Yeah, I was really expecting some kind of like Agnes type
• 0:42
  wine to open this thing up. Oh you're the one that's
• 0:44
  obsessed with Agnes is see? Yeah, I'm going to say that a
• 0:48
  lot during this episode. I don't know why you would
• 0:50
  assume I wouldn't go with a barbed line.
• 0:54
  It's good not saying it's bad. I liked it was a surprise it's
• 0:58
  just not what I was expecting. This movie has some.
• 1:02
  I don't know if I would say quotable lines, but I will say,
• 1:06
  it's got some good dialogue. All right.
• 1:09
  Yeah. We're talking about by a black
• 1:10
  Christmas. So, it's a Christmas episode in
• 1:12
  1974. A rich.
• 1:14
  Yeah. 96. Yeah, we're not doing the
• 1:16
  Remake. We did like Xmas last year, so
• 1:20
  we're kind of like, tackling each black Christmas movie, one
• 1:24
  year at a time. So, guess what?
• 1:25
  Next year's Christmas me, you'll be by the way.
• 1:29
  Merry Christmas. - yeah. Merry Christmas.
• 1:31
  Yeah. Depending on when you're
• 1:32
  listening to this what day will this come out on 22nd?
• 1:36
  We second okay, yes. So there's a couple of days.
• 1:39
  Yeah so yeah you know hope people watch this movie because
• 1:44
  I think that this is a great Christmas movie.
• 1:47
  Yeah. It's one fuck of a bummer.
• 1:50
  Yeah. It doesn't put you in like the
• 1:52
  Christmas spirit but like there's I don't know.
• 1:55
  It's lights and caroling Christmas movies are too high on
• 1:58
  being jolly. We need like a little bit of
• 2:01
  bombers out there too. Because like, not, everybody has
• 2:04
  a good Christmas. Like, sometimes last shit
• 2:06
  happens cooking dinner, you literally rattled off like 15
• 2:10
  Christmas horror movies and you're sitting here saying that
• 2:12
  they don't all need to be jolly. Whoa, we've watched so many
• 2:15
  cheesy Christmas movies, though. Like this right here is adding
• 2:18
  some of the anti Jolly to the mix, you know, Christmas is
• 2:23
  like, or if you're my mom, the Jolly boots of Doom.
• 2:26
  Joe, that's from Invader. Zim.
• 2:27
  It is. Yeah, she loves it.
• 2:29
  Yeah. It's It's a good good special.
• 2:31
  I like that too. Yeah.
• 2:33
  Christmas sweaters. Like some of the best shit like
• 2:36
  I think that there are more Christmas horror movies and
• 2:38
  Halloween horror movies, which is saying something, it's just a
• 2:42
  good time to do, like, said at Christmas like movie, a horror
• 2:46
  movie, anyways, whatever do we have any announcements, so we
• 2:52
  don't fully ifyou're a, a budget level Patron.
• 2:58
  We should hopefully have our This episode out sometime within
• 3:01
  the next week. This week, probably, like, by
• 3:03
  this yankin because we have, I don't want to, I don't want to
• 3:06
  say by this weekend. I don't want to give a hard
• 3:08
  deadline. Okay.
• 3:09
  No hard deadlines but it's coming up soon.
• 3:12
  Yes, you know, and we gave you the option to say, if you don't
• 3:16
  want us to talk about cheesy Christmas movies and nobody
• 3:19
  spoke out against that. So I'm not saying we're
• 3:22
  definitely talking about Archie favorite, cheesy Christmas
• 3:25
  movies but I'm not not saying that.
• 3:27
  Yeah, we'll see. Yeah, so other than that,
• 3:31
  anything? Okay, well let's do some poses
• 3:33
  real quick so we talked about Jack Frost last week we did and
• 3:38
  we wanted to know what, everybody's favorite holiday
• 3:40
  tradition is. So we have, let's start off on
• 3:44
  Twitter this week. 0% makes special.
• 3:50
  No, no, special is being made by anybody.
• 3:54
  It's disgraceful, it is 57% is decorating.
• 3:59
  The Christmas tree. 14% building a killer snowman 29% being
• 4:05
  jailed for public urination, okay, over on Instagram again,
• 4:13
  zero percent on making special. Why do you guys hate special so
• 4:17
  much special? Save the day in Jack Frost
• 4:21
  without special. They wouldn't have figured out
• 4:23
  how to kill him. Yeah.
• 4:24
  But imagine if Sam was like an indulgent father and had
• 4:28
  actually taken a bite I love it. He would have died to the movie
• 4:32
  would have ended in a different different type of wave would
• 4:34
  have went into a whole different territory.
• 4:37
  There 18% would decorate the Christmas tree or that's their
• 4:42
  favorite tradition. 45% building, a killer snowman and
• 4:46
  36% arrested for public urination so it's good to know.
• 4:52
  Yeah, I think everybody needs to know not just because he's sad
• 4:56
  that it's zero percent but we were at One of our nephews
• 5:01
  birthday parties, this weekend and they have a little Melissa
• 5:04
  and Doug play cupcake set and he got various nieces and nephews
• 5:08
  to decorate cupcakes and bring them to me saying that they made
• 5:11
  special for me. Yeah.
• 5:13
  They didn't say it the way the like they're like and Jesse I
• 5:15
  made you something special like no, that's not it.
• 5:18
  It's me. I made you special is special.
• 5:22
  Not something special. They blew it, they blew it.
• 5:28
  And I had to like described for them like, know they made you
• 5:31
  special so I hope you didn't either Well, I didn't eat it
• 5:36
  because it was actually blocks of wood but, you know, that's
• 5:41
  fine, that's their special, you know, it's not antifreeze.
• 5:44
  It's what I would take that over the antifreeze, honestly, you
• 5:48
  kind of got lucky, really okay. For this right here, I'm going
• 5:52
  to go with decorating the Christmas tree because yeah,
• 5:56
  it's fun. I probably honestly would have
• 5:59
  to go with that to snowman. I get cold so easily.
• 6:03
  Yeah, that's not for you might. Yeah, my hands go completely
• 6:06
  numb. Public urination is a whole
• 6:10
  different Beast for women anyway.
• 6:12
  That's true. Yeah, I guess I could also say
• 6:16
  made special because I love to make gingerbread men even though
• 6:19
  I am allergic to Cinnamon, you make special all the time.
• 6:22
  Yeah, that's something that is deadly to you and you eat it, I
• 6:25
  stop when my mouth starts to itch.
• 6:27
  Cool. That's great.
• 6:28
  I love hearing that Travis is Travis gets very stressed out
• 6:32
  when I bake things, cinnamon, it's just not fair because you
• 6:36
  are so against me, eating anything strawberry or like a
• 6:39
  hint of pumpkin spice and you're out here.
• 6:43
  Just haven't seen them in all willy-nilly.
• 6:44
  Think it was strawberry is that you break out in hives.
• 6:47
  I haven't had hives. I just started breaking out in
• 6:50
  something and read with us. Pumpkin.
• 6:53
  You only need like a hint of it before you get to the mouth.
• 6:56
  Itchy face. Phase.
• 6:57
  Whereas I can have like three or four gingerbread cookies before
• 7:01
  my mouth gets itchy. I'm just saying it's not fair.
• 7:04
  I'm just saying I'm gonna enjoy it before.
• 7:05
  It becomes an anaphylactic type of allergy, okay, until it
• 7:10
  actually becomes antifreeze. Yes, exactly.
• 7:13
  Okay, cool. Alright, that's it for a pose.
• 7:16
  So I got a lot of information on our little movie here today, you
• 7:20
  do? Yeah.
• 7:21
  Couldn't tell if it was because you were excited or because I
• 7:23
  said, I would get started on cleaning the house while you got
• 7:25
  the background information. No.
• 7:27
  Okay, I'm excited because there's no secret.
• 7:30
  I love this movie. I really wanted to watch the
• 7:33
  special features that we got. We have the we watch this, by
• 7:36
  the way, on Ice Cream Factory 4K, which just came out like a
• 7:39
  week ago. Yeah.
• 7:40
  There are about 500 places of that.
• 7:43
  This is available to watch. Yeah.
• 7:44
  But I really wanted to watch the special feature stuff because
• 7:47
  it's really interesting. They have like a shit ton of
• 7:49
  commentaries. So I'll dig into that at some
• 7:53
  point soon but unfortunately I can't pass that information on
• 7:57
  You guys today, but I still got stuff.
• 8:00
  So this movie came out. December 20th, 1974 as of today,
• 8:07
  December 18th 2022. You can watch this on a shit ton
• 8:11
  of places. Like Jesse said, you can watch
• 8:13
  it on shutter YouTube to be peacock, crackle, crackle,
• 8:19
  Amazon, Fubu, You can also rent it from Google Play and Voodoo.
• 8:27
  Yeah, there's just it it's everywhere.
• 8:30
  Yeah, it's not a hidden film, it's so easy to find.
• 8:34
  Yeah, go go look for it. Please.
• 8:37
  It was written by Roy. Moore directed by Bob Clark with
• 8:41
  music by Carl's. Is it true visitor?
• 8:45
  Zi T TR TR it's rare. It's a tray, I don't know.
• 8:49
  This is a Canadian film. So there could be some French
• 8:52
  people, you know? And a special effects makeup by
• 8:55
  Warren killer. What it's spelled Kei, Lor.
• 9:01
  Oh killer, right? I don't know these people, you
• 9:04
  said killer and I was going to say that is an amazing name for
• 9:07
  a special effects. What if they pronounce it killer
• 9:09
  right? Maybe maybe that's why they got
• 9:11
  into special effects makeup. Maybe see those the bad fake
• 9:16
  blood in this movie. Yeah.
• 9:19
  I mean there's not a ton of special effects to be had.
• 9:22
  Anyway. Yeah.
• 9:23
  One of the kill. Our off-screen on this, which is
• 9:26
  a okay in my book. Normally, I like to see you in
• 9:28
  like full display, but this movie is so, well made that
• 9:32
  doing it off screen, and keeping the mystery there.
• 9:35
  I like it and we kind of glossed over Bob Clark director of A
• 9:40
  Christmas Story. Yeah, and I feel like we're
• 9:42
  coming full circle because we just did my side of the family's
• 9:45
  Christmas today and my mom. Got you.
• 9:48
  Pink bunny rabbit pajamas because she looked like he said
• 9:51
  that I give off the A kid who was given those by their parents
• 9:57
  and forced to wear them. Yeah, which not true but also
• 10:03
  I'm wrong. Yeah, like five is correct.
• 10:06
  Ya know, I think had, I think if, if pink bunny suit had been
• 10:12
  readily available to your mom, she would have bought it and
• 10:16
  forget it. My mom has the leg lamp from
• 10:19
  that. Yeah, so it's a classic, my nana
• 10:21
  watches Christmas. It was A Christmas Story.
• 10:25
  Yes, every single year, it's like a tradition.
• 10:28
  Which is why last year I wanted to show this movie to them
• 10:31
  because I was like, hey, I got another Christmas movie by the
• 10:34
  guy that did Christmas Story. Come on, guys, it's a good time.
• 10:38
  And yeah, Jesse reminded me that it's not exactly a good idea to
• 10:43
  show my grandma a movie that has such vulgar language.
• 10:47
  Yeah. However, I think she would
• 10:49
  appreciate the humor in this movie.
• 10:52
  Yeah, I think this movie has some pretty good humor, too.
• 10:54
  Yeah, it's got some good moments.
• 10:56
  Yeah. Alright, the cast we have Olivia
• 10:59
  Hussey, who plays Jess? Yes, funny thing about her.
• 11:04
  She played this part because she did a fortune telling, and they
• 11:10
  told her that in the future, she will be a part of a very
• 11:14
  successful Canadian film, huh? And she was offered this, and
• 11:19
  she's like, holy shit, I gotta take it that.
• 11:22
  The film and it's very successful.
• 11:24
  It is while it wasn't immediately successful in this
• 11:27
  movie. Yeah, absolutely.
• 11:29
  Cult classic. It has legs cured.
• 11:33
  Julia plays Peter. Or as Jesse has requested me to
• 11:39
  call him fighter. I fight Joe Swanson.
• 11:44
  I asked him to do the entire episode.
• 11:47
  We will see if he keeps up with anybody.
• 11:48
  I can't. If you, if you have me do that I
• 11:50
  get stuck. It's like you.
• 11:52
  It's also like you with the Seth Rogen laughs.
• 11:54
  Yeah, I don't know. God damn it.
• 12:02
  Okay. Margot Kidder plays Barb.
• 12:05
  James Edmund plays mr. Stir Harrison Andrea Martin
• 12:09
  please. Fill Marion Waldman plays Miss
• 12:12
  Mack. John Saxon plays Lieutenant Ken
• 12:15
  Fuller and I got a slew of people here for Billy, so all
• 12:22
  the various Billy voices. Yes.
• 12:24
  So there is many people who did the voice of Billy.
• 12:26
  So we have Bob Clark himself. He did some of the voices Nick
• 12:31
  Mancuso is also one of the caller voices and and Sweeney.
• 12:37
  Which Billy kind of switches into like a female voice a
• 12:40
  couple of times part of this movie is like he switches voices
• 12:44
  all the time and it's really confusing to everybody.
• 12:47
  Yeah, but I have one person that is nobody can.
• 12:51
  Remember, who did the famous shot with the eye in the door
• 12:56
  way? Nobody knows what that guy was
• 12:59
  but they think it might have been the camera.
• 13:01
  Operator Albert J dunk who kind of did most of his Scenes.
• 13:07
  Anyways, we don't really see Billy a lot in this movie but
• 13:10
  you see is like feet his hands stuff like that.
• 13:13
  So yeah, this is like the camera operator.
• 13:15
  So he just named the I used. Basically he's also the guy that
• 13:19
  he did like the first person shots to of Billy.
• 13:21
  So he's like Billy as he's walking around.
• 13:25
  Yeah, he had like a harness so he tied everything like, around
• 13:29
  his arms. Oh yeah, this is nice and sunny
• 13:33
  for, I guess if you did this nowadays, just like, fucking go.
• 13:36
  H. Yeah, and this is like a 40
• 13:40
  years before Halloween, which they had a native technology of
• 13:44
  the panic. Why'd?
• 13:45
  Ya? Which don't have that here.
• 13:47
  They had to like. And the crazy thing about this
• 13:49
  is he did all that shit and he climbed up the side of a fucking
• 13:53
  building two in one of the scenes cameras are fucking
• 13:55
  heavy. Yeah, like, it's impressive that
• 13:58
  they were able to pull this off. I like picturing in the third
• 14:02
  Hunger Games, it's I've only seen the movies one time, so I
• 14:06
  can't tell. Tell you how it was portrayed in
• 14:08
  the movies, but the way I always read it in the book, the third
• 14:10
  book, they're shooting like a bunch of propaganda videos and
• 14:17
  she describes the camera operators as having on like a
• 14:20
  full body camera suit and they do like all of the physical
• 14:23
  activities with her and they're always, like running after her
• 14:25
  and climbing, shit, too. Yeah, that's kind of what I'm
• 14:27
  picturing. I've not seen the movie but I
• 14:30
  can kind of Envision that to okay.
• 14:34
  So yeah, that's all the cast are Jesse, but everybody said I'm
• 14:39
  gonna get this bug. Ted?
• 14:40
  Okay, you're correct. This is a bug Ted movie way more
• 14:45
  bug to than I expected. This is a bug Ted of 620,000.
• 14:49
  Wow. Yeah.
• 14:50
  And even a mill skis. Hmm.
• 14:52
  Which I don't know, like inflation.
• 14:55
  That might be like around that seems like a moderate inflation
• 15:00
  math. That's why I like pulling the
• 15:02
  other movies of the time. Okay, well, I do have Okay.
• 15:06
  So, so, How much is? How much money did this movie?
• 15:10
  First off? Let's finish that.
• 15:11
  Okay, so I don't have the opening for it but it grossed
• 15:15
  4.1 million. Okay and on IMDb it's a seven
• 15:18
  point one tragic, that's good. I mean, I know it's good for
• 15:22
  IMDb but it shouldn't be. Yes.
• 15:25
  The Shining was in the eights. This should be in the 8th.
• 15:27
  Yes, absolutely. So.
• 15:30
  All right, so the three movies for 1974.
• 15:35
  Exactly a big year for horror movies.
• 15:38
  That are recognizable today, there is one big movie that we
• 15:43
  all know and love. It's Texas, Chainsaw, Texas,
• 15:47
  Chainsaw Massacre came out this year too.
• 15:49
  Who will survive and what will be left of them?
• 15:51
  Yes, you got it. So I was with somebody who's
• 15:56
  like mildly obsessed with that movie.
• 15:58
  Look man. This is 1974 was a good year for
• 16:03
  slashers and Travis, even if these are the only In two movies
• 16:08
  that I really care about from 1974 like they shape the
• 16:11
  landscape of slashers yeah or ever.
• 16:15
  It's kind of crazy that both of these movies how in like
• 16:17
  Innovative they are and they live in the same year.
• 16:20
  I feel like they're both very representative of your taste and
• 16:23
  movies too. Yeah.
• 16:24
  They are. They're very different takes on
• 16:28
  it. So you have one which is like
• 16:30
  the seasonal. This is the first like seasonal
• 16:32
  horror movie really, where you don't really see the killer.
• 16:37
  Everything's Mysterious. And then you have the other one
• 16:39
  where it's like. So in your face and just
• 16:42
  Relentless weather faces a fucking scary man to look at.
• 16:47
  But both of them also, leave a lot of the kills off screen.
• 16:50
  That's true. Yeah, and originally, this movie
• 16:52
  was supposed to have a lot more of that Gore on screen, but Bob
• 16:55
  Clark was like, let's tone it back a little bit and the rider
• 16:58
  was kind of like Nick. I don't want to do that but
• 17:00
  after he watched the movies like yeah.
• 17:02
  Right cool. Yeah.
• 17:04
  So it really, let's the writing shine, though.
• 17:07
  By not putting all of the core on screen.
• 17:10
  Yeah, not that. I have a problem with core being
• 17:12
  on screen but really letting that tension just seep in.
• 17:17
  Yeah, it is more about atmosphere intention and like,
• 17:21
  just building that anxiety, instead of grossing you out or
• 17:25
  like, freaking you out from seeing people get eviscerated?
• 17:29
  Yeah, yeah. I mean, some of the best ones
• 17:32
  are like, they like how means the same way, which was super
• 17:34
  inspired by black Christmas. Actually, I think I was reading
• 17:40
  John Carpenter was inspired by Halloween, are by black.
• 17:43
  Miss to make a lloween because apparently Bob Clark was
• 17:49
  describing. Like if you were to do a black
• 17:52
  Christmas equal, what it would be and then John Carpenter's.
• 17:55
  Like I'll make it so he made it his fucking Halloween.
• 17:59
  So alright. Texas, Chainsaw Massacre came
• 18:01
  out October 11th with a budget of 300,000.
• 18:06
  However, this is always disputed because the man who knows the
• 18:12
  most about Texas, Chainsaw Massacre.
• 18:14
  Joe Bob. Yes, has described that the
• 18:17
  mafia was heavily involved in the production?
• 18:20
  Did you not know that? I don't remember that.
• 18:23
  Yeah, the mafia funded, this like that movie and the figures
• 18:28
  are a why, it's so muddy. Nobody knows the true budget for
• 18:31
  that, but it's more than 300,000, what is Tobe Hooper's
• 18:35
  life? I know, right?
• 18:37
  Like it gets even weirder. Weirder later on, but it grows
• 18:42
  30 million dollars and IMDb score of 7.4 again, bump it up
• 18:48
  to eight, man. Yeah, like That's a classic.
• 18:52
  There's nothing bad about the movie.
• 18:53
  It's fucking amazing. All right, so I'm having to go
• 18:57
  into some Uncharted territories with these.
• 18:59
  Next two movies are not movies that we're familiar with, but I
• 19:03
  originally wanted to do a theme of scary posters, they just
• 19:11
  didn't really have anything good.
• 19:13
  Like, I couldn't get any information from most of them,
• 19:15
  so I don't have the budgets for the following two movies.
• 19:17
  But I got some information. So this one right here is called
• 19:21
  madhouse. It has Vincent Price.
• 19:25
  So we know that it probably has some of it.
• 19:27
  Yeah, it probably has some money behind it.
• 19:31
  I would say maybe around black Christmas if I were to guess
• 19:37
  it'd be in between that and the stated budget of Texas chainsaw
• 19:41
  if I were to guess without having seen this movie at all.
• 19:46
  That movie made, I don't know. I don't have the gross on it but
• 19:50
  as a 6.2 on IMDb, okay. And the next one I just thought
• 19:55
  Was a fun title and it's from what I was reading.
• 19:59
  One of the sleaziest shallow movies, it's called nude for
• 20:03
  Satan. Oh my God and that came out on
• 20:08
  October 23rd, no budget. But apparently I made 56
• 20:12
  million. I don't fucking know if that's
• 20:15
  accurate or not. I like if that were the case I
• 20:17
  feel like we would all know about this movie but yeah has a
• 20:21
  four point to an imdb. Oh boy.
• 20:23
  Yeah I know. Good movie.
• 20:25
  Okay, I might want to watch it though.
• 20:28
  Just the name and like the fact that it's just yellow.
• 20:32
  Yeah, so easy. Jolla, you know, those are fun.
• 20:35
  Always, I don't care how bad they are.
• 20:37
  We're going to be fun. All right, so I've got quite a
• 20:40
  few taglines for this actually. Okay, so first one, this is on
• 20:44
  the poster. If this movie doesn't make your
• 20:47
  skin crawl, it's on too tight. I resent that tagline for
• 20:52
  implying that my skin is too tight.
• 20:55
  And now you're making everybody self-conscious about their skin.
• 20:57
  Yeah. Like why you gotta do that?
• 20:59
  Because my skin too tight. My skin did crawl a little bit
• 21:02
  during this? Maybe not.
• 21:03
  Maybe I could skin. I don't know.
• 21:05
  Maybe you just don't have good skin.
• 21:08
  I don't have good skin, which is why I resent this tag line,
• 21:11
  okay? Yeah.
• 21:12
  It's making people think about their bad skin, okay?
• 21:15
  Next, Christmas is coming early this year and it's murder.
• 21:21
  I don't get that. Like, that one's just kind of,
• 21:24
  doesn't it? Feels like they had a thought
• 21:26
  and then like somebody's like and it's murder whatever they
• 21:29
  wrote it down while they were drunk and they couldn't remember
• 21:33
  what the thought was behind it. They're like, fuck it, use it
• 21:36
  anyway murder. Okay it's murder, whatever.
• 21:40
  All right. Next one, the sort of Christmas
• 21:45
  you don't dream of Okay, no. Have yourself a scary little
• 21:51
  Christmas, not at all like the ones you used to know.
• 21:56
  Is the the black Christmas. The I'm not the type you dream
• 22:01
  of that makes sense because of White Christmas.
• 22:02
  Yeah. That is going into a completely
• 22:05
  different Christmas song know. These like kind of just go more
• 22:09
  into just like it's Christmas. Let's make a spooky.
• 22:12
  You know that's pretty much it. The next one is he knows when
• 22:16
  you're sleeping, he knows if you're awake, he knows.
• 22:20
  Actually it's all in caps. Like he knows, he does either.
• 22:27
  He's just hanging on the attic. Making phone calls half the
• 22:30
  time. Yeah.
• 22:30
  He's really just looking for the opportune moment.
• 22:33
  I got to keep necessarily cares if you're awake or asleep.
• 22:35
  Sometimes he does kind of linger around you.
• 22:39
  Get, you can kind of see him going around and some of the
• 22:41
  background shots. Occasionally.
• 22:44
  And then I've got some other ones here that okay, these are
• 22:48
  weird because they're almost like Like little Christmas
• 22:53
  stories, they're really long so I'm pulling.
• 22:56
  I'm DB back up to read them. Okay.
• 22:58
  So the first one is Twas the night before Christmas and all
• 23:02
  through the house, not a creature was stirring.
• 23:04
  The stockings were hung by the chimney with care.
• 23:07
  But it was hard to say that Saint Nick would be there this
• 23:10
  year at Christmas of another color.
• 23:12
  Brings a killer on the loose. Okay, this doesn't sound like a
• 23:14
  tagline. That sounds like the voice over
• 23:16
  for a trailer. Maybe I've got another one.
• 23:20
  Do you want to hear? I guess.
• 23:22
  Okay, it's beginning to look a lot like Bloodshed Christmas Is
• 23:27
  Almost Here and an axe-wielding psycho is terrorizing a
• 23:31
  sorority. He doesn't have an axe.
• 23:33
  Also, like you could have just thought it's beginning to look a
• 23:35
  lot like Bloodshed, okay? As it happens.
• 23:39
  The mad murderer also makes obscene, phone calls, and he
• 23:42
  lives right above the girls. I mean, he doesn't live.
• 23:45
  There is this kind of Watering their, he hasn't been there long
• 23:50
  enough for squatter's rights to even kick in.
• 23:52
  We would. Okay.
• 23:53
  Yeah, we don't really know in this one.
• 23:55
  I think that it's implied, that that is his old house.
• 23:59
  That's definitely the thing in the remake.
• 24:01
  They kind of explored that more but I think that that was kind
• 24:04
  of revealed by Bob Clark, at some point.
• 24:07
  I'm not entirely sure, I could be wrong.
• 24:09
  So don't quote me on that. You just quoted yourself on
• 24:13
  that. So you Travis 2022.
• 24:16
  Don't believe me. Ever.
• 24:19
  I don't. So with that.
• 24:21
  Let's get into the fun facts for you.
• 24:23
  Maybe I'm lying. Maybe, I'm not.
• 24:25
  Let's find out. So the first one is Warner Bros
• 24:31
  and initially wanted to change the title of this when they were
• 24:34
  first released to Silent Night evil night, they did this
• 24:39
  because they thought that the title black Christmas might make
• 24:42
  others think that it's a blaxploitation movie.
• 24:46
  So which I can kind of get that because that was like a big
• 24:49
  genre at the time but you know, I guess like nothing wrong with
• 24:53
  that by. You probably don't want to
• 24:54
  mislead people with that like it.
• 24:57
  I mean, if you're watching the trailer, you should know.
• 24:59
  Like, it's definitely not one of those.
• 25:01
  I don't think there's a single black person in this movie.
• 25:05
  Also, not great. But yeah, it's not gray.
• 25:08
  Like I'm not saying that's a good thing.
• 25:09
  I'm just saying like, yeah, it's just kind of what it is.
• 25:11
  This is a very white movie. Yeah.
• 25:15
  So they changed it back after like the first showing and I,
• 25:19
  yeah, but Christmas is a good title.
• 25:21
  See, and I'm glad they did because silent and I evil night
• 25:26
  and this is, of course, It's from a 2022 lens, but all I can
• 25:29
  think of a silent night deadly night.
• 25:31
  I know, and those movies have a very different kind of tone to
• 25:33
  this. Yes, own identity.
• 25:35
  And I think it's Reservoir itself straight again.
• 25:38
  We've never seen the first one, all the way through.
• 25:39
  We just watched to, which I think kind of like stains the
• 25:43
  what they're trying to do with their first one because 2 is
• 25:46
  just not serious at all. I don't think I could ever watch
• 25:50
  and enjoy the first one. Now though, I know I don't I
• 25:53
  want to at some point but like any time that It's come up.
• 25:58
  It's like let's just watch 2 because 2 is so fun.
• 26:01
  Yes. And and it half of it is part
• 26:05
  one. Yeah.
• 26:06
  Exactly. Like you're watching 1 through 2
• 26:08
  so we don't really feel like we need to watch it.
• 26:10
  Yeah. Plus garbage day garbage day
• 26:15
  naughty punish can't wait to watch that.
• 26:20
  We're going to be watching it really, really?
• 26:21
  Yeah. Okay.
• 26:24
  Had a couple of other names too when it was being written.
• 26:27
  Init script phase it was called stop me.
• 26:30
  Hmm. Yeah and then they were going to
• 26:33
  release a like the TV version was going to have his Premiere
• 26:37
  in, I believe. 1976. It was going to be on the NBC
• 26:44
  through their weekly segment Saturday night at the movies.
• 26:48
  It was going to be called, stranger in the house, not
• 26:52
  incorrect. No, it's pretty on the nose.
• 26:56
  I mean, that's exactly what it is.
• 26:58
  Two weeks though, before, that was going to Premiere.
• 27:01
  There happened to be a incident at the Chi.
• 27:04
  Omega sorority house, where somebody broke in killed two
• 27:08
  sorority sisters. Oh, God and attacked two others
• 27:13
  in Florida. This happened to be serial
• 27:16
  killer Ted Bundy and as a result of that, the governor of Florida
• 27:21
  called NBC and requested that they not play it.
• 27:24
  So Embassy gave them the options like, okay, well you guys Guys
• 27:28
  can play this if you want to or you can play this movie called
• 27:31
  Doc Savage, the man of bronze. I don't know what the fuck that
• 27:35
  is, but that's when they went with, I don't know, I don't
• 27:40
  know. Okay.
• 27:41
  I don't know what they want with.
• 27:42
  I don't know what the decision was.
• 27:44
  They gave it like, they gave stations in Florida, Georgia,
• 27:48
  Alabama, like surrounding states, the option.
• 27:51
  So I think it was based on like the local broadcast what they
• 27:57
  wanted to do. So I'm sure some people saw
• 27:58
  black Christmas and some saw Doc Savage, the man of bronze.
• 28:04
  Okay. The execs initially, one of the
• 28:08
  change the ending, to this movie, they didn't like the
• 28:11
  uncertainty of it. So, what they suggested the Bob
• 28:14
  Clark was they wanted Chris, you know, Claire's boyfriend to be
• 28:20
  the last one there with Jess, after the cops leave and just
• 28:24
  wakes up and Chris's. Don't Agnes, don't tell them
• 28:30
  what we did where it implies that it's been Chris this whole
• 28:33
  time. But Bob Clark was like um, he's
• 28:36
  with the cops, like the entire movie that would be a major plot
• 28:39
  hole also and I'm sure we'll get to this.
• 28:42
  I don't feel like the ending. Is that ambiguous?
• 28:45
  No, it's not. But okay, your interpretation
• 28:50
  though, she died. Yes.
• 28:52
  Okay. Because he likes to do the phone
• 28:53
  call. After he's killed somebody, they
• 28:55
  man. Chris never went back.
• 28:57
  Inside, he helped get mr. Harrison outside and then he was
• 29:00
  just taking a breather because as far as he knows everything
• 29:04
  safe, he staying there, waiting for jessa's parents.
• 29:06
  It's not like he thought he had to be up there watching her, so
• 29:09
  you see him on the front porch? Yeah, it's quiet long enough for
• 29:12
  Billy to have gone down there and killed her and then he makes
• 29:15
  a phone call. I agree.
• 29:17
  If you were to ask me, I would say that she dies in this.
• 29:20
  Yes, it's fucking dark and I've got chills talking about it.
• 29:23
  The ending is like one of the most bummer endings of orbits,
• 29:26
  amazing. It's yeah.
• 29:27
  Yeah, no, it's really well done. It just it.
• 29:30
  So is tragic all the way through.
• 29:32
  Here's the thing, we talked about this last year on our
• 29:35
  whack Xmas episode, but Bob Clark was in the process of
• 29:41
  working on a sequel, he did die in a car crash, drunk driver
• 29:47
  kind of a bummer there but um the plan for that was so Olivia,
• 29:53
  Hussey and John Saxon were both going to reprise their roles
• 29:56
  which Tells me that Jesus was going to survive because well I
• 30:01
  mean it's tribe says here. She was going to be the house
• 30:03
  mother of the sorority in that movie so which is kind of funny
• 30:08
  because in the 2006 black Xmas it's Margot Kidder.
• 30:12
  That comes back as necessary. Yeah, that's cool too.
• 30:15
  Yeah. So okay yeah.
• 30:18
  So I think that's kind of like revisionist right there because
• 30:21
  I don't think that that I think it's pretty it's unclear but it
• 30:25
  gets pretty clear. Yeah she dies in this.
• 30:27
  Movie. Yeah, yeah.
• 30:30
  I mean there is no reason to believe that.
• 30:31
  He wouldn't have gone down there and straight up murdered her.
• 30:35
  Yeah. Right.
• 30:35
  Because he was murdering people, when the house was full.
• 30:39
  Yeah, he was not afraid to, like, fuck around with people in
• 30:42
  that house. There's down there and said, at
• 30:44
  least she was sedated. Yeah, that's true.
• 30:47
  Yeah, she probably Joey Ramone would be proud.
• 30:49
  Yeah. Okay.
• 30:52
  That's, that's my fun facts. Okay.
• 30:54
  So it's time to talk about the movie, okay?
• 30:57
  All right, so give me a good bad, ugly absurd.
• 31:00
  Wait on me. Okay, the good.
• 31:03
  It's a very tense movie. I feel like it's really well
• 31:08
  grounded. There's a lot of like it doesn't
• 31:11
  mean under it tells the story in a way that feels mostly
• 31:15
  realistic and it touches on some very serious topics.
• 31:22
  And treats them in a way. They would happen in real life.
• 31:27
  So like with the crank caller that's a very real thing and the
• 31:31
  cops brushing it off again very real.
• 31:34
  Yeah. The.
• 31:39
  You know, the whole like oh well maybe she's with her boyfriend,
• 31:42
  maybe this maybe that like that happens all the time.
• 31:44
  Even with the little girl, it isn't until they find a murdered
• 31:47
  body that they're like, oh shit. Yeah, we need to take this
• 31:49
  seriously and by then it's too late for a lot of reasons, the
• 31:52
  whole storyline with Jess and Peter to where she like, 100%
• 32:00
  knows what she wants. She knows her life path and she
• 32:02
  knows that Peter is not part of her life path.
• 32:05
  Yeah. This movie gets really dark with
• 32:07
  like, some of its subject matter And it treats it pretty
• 32:10
  matter-of-factly. Yeah it's not it doesn't feel
• 32:13
  very after school special. It's just like hey this is shit
• 32:17
  that people that specifically women have to deal with.
• 32:21
  Yeah it's real life. Yeah and it's just presented as
• 32:25
  Not necessarily like oh this is happening because women blah
• 32:30
  blah. But like it's integral to the
• 32:35
  heart of the story. It's like good key.
• 32:37
  Part of the plan. Yes.
• 32:39
  Like nobody taking shit seriously.
• 32:41
  Yes. The police would have actually
• 32:43
  acted on this shit. Like nobody would have mean
• 32:46
  somebody would have died obviously but like not as many
• 32:49
  people yeah, it could have been stopped.
• 32:51
  Yeah. So it's just it's great and like
• 32:55
  I I already said the ending is just so chilling, the bad.
• 33:03
  I really don't have that much bad.
• 33:06
  Alright, this hard. It's hard to pick anything bad
• 33:08
  about this movie. I would love more Barb.
• 33:11
  Yeah. Barney such a good care.
• 33:12
  Yes. And even more mrs.
• 33:16
  Mac. But I don't think we need both
• 33:17
  Barb and mrs. Mac, I feel like they both Serve
• 33:22
  kind of similar roles just aged apart.
• 33:26
  Yeah, kind of they're very similar.
• 33:28
  Barb is more like unashamed of like she will tell you how she
• 33:33
  thinks. Meanwhile Miss Mack will kind of
• 33:36
  like under her breath and then when she's alone, drinking show
• 33:39
  like air grievances. But like here's the brilliant
• 33:42
  thing about Margot, Kidder being mrs.
• 33:44
  Mac in the 2006 remake is the fact that mrs.
• 33:47
  Mac is very likely, a version of who Barb could have grown up
• 33:50
  into. Because she also speaks her
• 33:53
  mind, but she doesn't do it as directly.
• 33:55
  She does it. And the adults, I understand
• 33:58
  that I have to play a socio-political kind of game
• 34:01
  type of way, like, she's like I'm a house mother.
• 34:04
  I'm responsible for these people.
• 34:05
  I can't say, 100% what's on my mind?
• 34:07
  So, I've got to say it in a way that is socially acceptable.
• 34:10
  And gets me what I want. Yeah, I will do this by hiding
• 34:14
  all kinds of alcohol throughout the house and getting fucked up.
• 34:17
  Yes. Yeah, that's how she deals with
• 34:18
  it. The ugly.
• 34:22
  Peter and Billy. Yeah, they're both very ugly
• 34:26
  parts of women. It's like how they are treated.
• 34:31
  So the the crank calls are really really hard for me to
• 34:35
  listen to you because for a long time and I know you do this for
• 34:42
  listeners with the show for a long time.
• 34:44
  I was a volunteer Rape Crisis Center like call answer.
• 34:51
  There's no that with the title is of call answer, but yeah.
• 34:56
  Like I would, I would staff the line so many shifts per month
• 35:00
  and you know, if somebody called in and reported you know that
• 35:05
  they had been assaulted or that they were like, you know, in
• 35:09
  some form of like acute crisis about it, you know, like a talk
• 35:14
  them through and figure out what their options could be or just,
• 35:17
  you know, get them to a place where they could be, you know,
• 35:19
  safe. Yeah.
• 35:22
  In unfortunately. Those are lines that are often
• 35:26
  targeted for. Calls.
• 35:31
  Like what you hear in the movie and it's already very
• 35:37
  emotionally and psychologically difficult work and adding that
• 35:43
  in on top of it. Was disheartening because of
• 35:51
  just having to listen to that stuff and they weren't always
• 35:54
  out, right? Like what he was saying?
• 35:56
  Yeah, you know, that kind of stuff, but like, sometimes it
• 35:59
  would start off, somebody that said that they, you know, we're
• 36:02
  having flashbacks, but then, they would want to go into
• 36:04
  excruciating detail. And then you could hear like, I
• 36:09
  don't want you to hear sounds. I can't.
• 36:12
  Yeah, and that's that sucks and A lot of those people probably
• 36:18
  did have trauma themselves. Also is the thing, it just like,
• 36:22
  it's awful all around. Terrible.
• 36:24
  No good. And hearing these calls, just
• 36:28
  fucking sucks in the movie. I mean, it adds to the grounding
• 36:34
  of it, you know, making it feel very real but also like it is
• 36:38
  just it's a heavy watch all around.
• 36:41
  This is not like a light-hearted movie to just have on in the
• 36:43
  background. No.
• 36:44
  If it makes you feel better during the Of those scenes.
• 36:49
  They put those lines in in post, like, when they were actually
• 36:55
  filming. It was Bob Clark there on the
• 36:57
  side, like, giving like, like very mildly intimidating lines,
• 37:02
  and they would react to that. But yeah, they didn't like, get
• 37:05
  the full effect of everything being said.
• 37:07
  Yeah. So it and you know and when
• 37:09
  she's telling the cop, she's like these are difficult calls
• 37:12
  for me to listen to like that's fucking real.
• 37:15
  Like I get that she's supposed to be He trying to keep this guy
• 37:18
  on the line but those it's not it's not an easy thing to sit
• 37:22
  there and listen to that and like being a target of abuse in
• 37:25
  that way, just putting yourself in that perspective just I'm
• 37:29
  trying to think of what that would be like my skin would be
• 37:32
  fucking crawling like the poster like I would have like hairs
• 37:35
  standing up straight like I would be panicking.
• 37:38
  Yeah I mean I've got Goose Bumps underneath my sweatshirt right
• 37:41
  now. We're just talking about, looks
• 37:42
  it's awful, it's awful. Yeah.
• 37:46
  So I mean it's ugly. I'm in that like it is an ugly
• 37:49
  reality. Yeah.
• 37:52
  Much like Peter is I will talk more about Peter as we go
• 37:55
  through the movie. But yeah yeah, yeah.
• 37:58
  And then the Absurd. Mrs. Max toilet Sherry.
• 38:06
  Yeah, that one is so bad. Okay, listen, here's the thing.
• 38:11
  Fucking John Kramer at least wraps the hacksaw in a garbage
• 38:15
  bag before he puts it in the toilet tank.
• 38:17
  She's put her lips to this bottle.
• 38:19
  That's in the toilet tank. Yeah, dirty-ass toileting, it's
• 38:23
  not in the actual toilet, which would be worse.
• 38:26
  The toilet tank. Still not exactly the a good
• 38:28
  place and it's a dirty toilet tank.
• 38:30
  Yeah, gross. Nasty.
• 38:32
  Yeah, yeah. So that's my absurd.
• 38:35
  Okay. So what do you rate this 9.5
• 38:38
  9.5? Yes boy.
• 38:41
  Okay. So yeah, I fucking love this
• 38:45
  movie. This is a staple here in the
• 38:48
  house. We watch this every year.
• 38:50
  I've been in love with this since first time watching, it
• 38:54
  blew me away. The good.
• 38:56
  Is that it does such a good job of building, that atmosphere.
• 39:01
  It gets started. It away.
• 39:02
  Like the very first thing that we see is him stalking them from
• 39:06
  outside and approaching the house in first person and then
• 39:08
  climbing up the side of the house into the attic.
• 39:11
  And we gonna kill like, when like the first 10 minutes and
• 39:15
  it's not like cheap. None of the stuff in this movie
• 39:17
  is cheap. Everything is earned.
• 39:18
  Yeah. And like they lay the groundwork
• 39:20
  there to make it creepy and effective and it just is so
• 39:24
  good. Like I just feel so tense.
• 39:26
  I don't care how many times I watch this movie, they just it's
• 39:29
  just shot. Well, it's don't know.
• 39:31
  It's amazing. Being the bad.
• 39:34
  I mean, kind of like what you were saying.
• 39:35
  I don't think that there's any bad thing about this movie.
• 39:39
  I can't think of a single negative thing to say about it.
• 39:44
  The ugly, obviously the ugly people and the treatment that
• 39:53
  the women experience in this movie, is very bad.
• 39:55
  But on the way, hearted side, I'll just say the bad fake blood
• 39:59
  in this, it's ugly to look at It's so bright, it's just not
• 40:04
  good, they night. Yeah, they didn't really, they
• 40:08
  didn't emphasize the special effects in this movie, like,
• 40:11
  even when I was pulling up the stuff, they're the special
• 40:14
  effects. Person was uncredited, like they
• 40:16
  just didn't emphasize it. Yeah, it is what it is.
• 40:22
  And the Absurd for me, the way Jessica answers, the phone every
• 40:27
  single time. She's always like full blast
• 40:29
  volume. Hello.
• 40:30
  Hello. Yes, who is this?
• 40:34
  Like, you know, like he imagined I calling a place like that and
• 40:36
  then having her, like, screaming in your ear hole, like that?
• 40:39
  Like, Jesus Christ. Like, I'm just calling.
• 40:41
  And I know, I don't be afraid to call like, oh my God, I hope
• 40:45
  just doesn't come to be bar. So, yeah, I'm giving this at in.
• 40:52
  Okay, this is a fucking perfect horror movie for me.
• 40:55
  All right, so we're starting off with an average 9.75.
• 40:58
  All right, beautiful, beautiful. Okey-dokey ready to get started.
• 41:04
  I am so ready. All right, so we start off with
• 41:09
  the shot of the sorority house and the coolest fucking title
• 41:13
  card ever. It's just black Christmas super
• 41:16
  effective and you get it, this, we're hearing silent night, but
• 41:22
  it's not lyrics that are recognized.
• 41:25
  Well, I got was starting the question at first as like do
• 41:27
  these people even know Silent Night like, but I feel like it's
• 41:30
  just not the Isabel lyrics that you usually hear.
• 41:34
  Yeah. I feel like it's when you are
• 41:37
  like it's the church version. So like there's like the
• 41:41
  Caroling version and then there's the church version which
• 41:44
  is like where you've got the coda and you go back to the top
• 41:47
  and there's oh there's three more lines here.
• 41:50
  That is so true because like singing shit and boys choir
• 41:54
  growing up like when we would do it for like church services and
• 41:58
  be like, oh okay, we're talking about like Jesus is extended
• 42:01
  War. Yeah, the jce.
• 42:05
  You okay. So we see Jess, she's coming
• 42:13
  into the house, there's a gathering.
• 42:15
  They're doing like a whole party.
• 42:16
  Their friends are over. They were boyfriend's over and
• 42:19
  then we also see Billy approach. I just want to say fill in her
• 42:23
  boyfriend, they look alike, right?
• 42:25
  They kind of make me think of Chuck and chili.
• 42:28
  Yeah holy shit except they look age-appropriate.
• 42:32
  Idiot. Yeah, they don't look like, you
• 42:34
  know, Mom and Dad hanging around the group of kids.
• 42:36
  Her boyfriend looks like well, the boyfriend looks old the
• 42:39
  boyfriend. What's the fucking toy were?
• 42:41
  You can like give guys like the really fuzzy head because he
• 42:44
  will lie. Yeah, he's a fuzzy woolly.
• 42:47
  Like I feel like that's not what he looks like.
• 42:49
  He just went to her. No, it's Willie.
• 42:51
  Willie fuzzy Woolly and just that's just who I was really.
• 42:55
  Okay. Willie Willie Willie Willie.
• 42:57
  Yeah, he's Wooly Willy. I feel like they just like he
• 43:00
  showed up on set, he doesn't That actual here, they're like,
• 43:03
  but this big on your girlfriend's going to have curly
• 43:07
  hair? You should to just roll with it.
• 43:10
  So yeah. Bill he's there, he's stalking
• 43:11
  them from outside. Get the cold shot of him
• 43:14
  climbing up the side of the house into the attic.
• 43:16
  Yes, this like movies like this. Make me really never want to
• 43:21
  Trellis but there's also a house down the street from us that has
• 43:26
  a trellis that sounds like he's climbing up.
• 43:28
  Yeah, I'm like that looks real nice and I'm like, I watch
• 43:32
  Videos like this one. Like we don't need a trellis and
• 43:34
  then I remember that we're a ranch.
• 43:36
  Anyway. So where are they going to climb
• 43:38
  to? Well that would just take the
• 43:41
  route that the raccoon did you know, recommends find their way
• 43:44
  into your a person can't do. They want to go?
• 43:46
  Yeah, that's true. So there's a phone call, it's
• 43:51
  long distance and it's Barb's mom who like really fucking
• 43:56
  sucks and is abandoning Barb the day before she supposed to come
• 44:00
  visit for dick basically. Yeah.
• 44:04
  And cabin somewhere to go skiing.
• 44:07
  Yeah. And so Barb's.
• 44:07
  Like, all right. Well, I guess I'll go see, who
• 44:10
  wants to go skiing with me? So, she's inviting some of the
• 44:12
  people that are still left. I can't imagine how she's not
• 44:15
  invited. Like her mom thinks that this is
• 44:16
  a getaway and then she's like, yeah.
• 44:18
  I'm going to fucking crashes. Know the way it's yeah.
• 44:21
  Like her mom is basically like, oh, don't worry about coming in
• 44:25
  for Christmas. I'm gonna be with my new
• 44:27
  boyfriend. Yeah, she's okay.
• 44:28
  Well, I'm going to come there, too, and we're going to ruin
• 44:31
  we're gonna cock block you hard. And then there's another phone
• 44:34
  call on. Just says it's him again, the
• 44:36
  moaner Barb answers and she kind of like pokes back at him and
• 44:42
  she just is over him. She hangs up and Claire's like
• 44:46
  hey you know there was An assault downtown, like not that
• 44:51
  long ago and Barbs like I'm not worried about it.
• 44:54
  This one right here, I think is the creepiest call to me because
• 44:57
  it starts off with him. Like it's very sexual stuff and
• 45:01
  then it kind of goes into like gibberish territory and then
• 45:04
  like he's like very like matter of fact I'm going to kill you
• 45:09
  and then yeah like he's pulls it together for that moment like
• 45:12
  I'm gonna fucking kill you. Yeah it reminds me of the dude
• 45:15
  that I thought was going to kill me on New Year's Eve the one and
• 45:17
  only time we went out. On New Year's Eve, remember
• 45:20
  that? No, I haven't I I definitely
• 45:22
  told you about this. I know you did but I was so
• 45:25
  fucking drunk then I. So it's right after the toast
• 45:29
  and everybody's like cheering, it's loud, it's fun.
• 45:32
  And this random dude, who's just like at the table next to us,
• 45:36
  like he just loves me. Was like, I could kill you right
• 45:38
  now. I was like, oh, what?
• 45:41
  What the fuck? Yeah, like just very like, in
• 45:43
  the phone call, like, just like I could kill you right now and I
• 45:45
  was like, cool. Travis, we need To leave and
• 45:49
  you're like, all lubbers are a hundred dollars right now and I
• 45:52
  was like, I'm not staying in this bar where there have been
• 45:56
  murders before, with the guy who said he could kill me.
• 46:01
  Yeah, we needed to get out of there.
• 46:04
  Yeah. It was bad.
• 46:05
  It was worth it. You know, is worth 100 bucks.
• 46:08
  It was 5000. But I remember very vividly
• 46:12
  because I'm like, 50 fucking dollars for an Uber, but it was
• 46:14
  New Year's Eve and it was snowing.
• 46:16
  So it was kind of dangerous road.
• 46:18
  Yeah. It was going to be a premium.
• 46:20
  Anyway, we were kind of mentally prepared for that.
• 46:23
  I was not willing to wait until the bar is closed and the
• 46:26
  premium would have gone down. I wasn't willing to wait at that
• 46:29
  point that night. Yeah, people threatening to kill
• 46:33
  you and then expensive drinks and rides.
• 46:36
  It's not how I want to spend. That was the night that we were
• 46:38
  doing the three dollar specials that they had, which was a Bud
• 46:42
  Light and a shot of Benchmark. We have a dude, that's why I'm
• 46:44
  saying I was so it was so bad. It was so bad.
• 46:49
  Oh yeah, I regret that entire night.
• 46:53
  Okay, so yeah. So Claire decides to head
• 46:59
  upstairs. Also Miss Mack arrives.
• 47:03
  And the girls swarm her because they have her a Christmas
• 47:06
  present. Yeah.
• 47:07
  So I Claire's going upstairs, she's packing because her dad's
• 47:09
  picking her up the next day and while they have all been
• 47:14
  downstairs, it's shown like it panned up to the access panel.
• 47:18
  And do is climb down wearing for Dad or no.
• 47:22
  Glad that you appreciate. So, proud of you.
• 47:24
  Thank you. I was showing off and you right
• 47:26
  there. So.
• 47:29
  Yeah, he climbs out and you can see him kind of like walking
• 47:33
  around upstairs and Claire's in her room.
• 47:37
  Claude the house cat big fucking cat.
• 47:41
  I don't think I've seen a cat this big listen.
• 47:44
  I they I don't know what they did to get.
• 47:48
  Get the recording of a cat meowing and then angry growling.
• 47:54
  Yeah, but it was effective because Scout every single time
• 47:58
  claude's vocals came up like zoned in on the TV.
• 48:03
  Like she was like, she was like, I am ready to fight you.
• 48:09
  So Scout had a very severe reaction to this movie, right?
• 48:12
  She was very sucked in at this point but she got creeped out
• 48:14
  later. Yes after this kill.
• 48:16
  She like Turned so that way she could like kind of be hidden by
• 48:20
  the pillow. She could still see the screen.
• 48:22
  If you'd like turn her head away, she didn't like she was
• 48:26
  into this. I'm thinking that the
• 48:27
  involvement of quad is like a whole way or like they made like
• 48:31
  they inserted a cat or a movie to for like all the cats out
• 48:35
  there like, hey, by the way, guys, you guys can watch this
• 48:37
  and enjoy. The cat is like saying obscene
• 48:39
  things too like and the phone like in the phone call.
• 48:43
  So, Scouts of what. Now, what it's like I'm going to
• 48:47
  kill you. She's like, y'all need to be a
• 48:49
  little bit more alarmed by this. I mean not only that the the cat
• 48:53
  gets trapped up in the attic with him.
• 48:54
  Like, that's terrifying. Yeah.
• 48:56
  So okay, you can kind of see like, the camera zooms into the
• 49:01
  closet. He's hiding behind one of the
• 49:03
  cellophane bags and she goes back there and she's kind of
• 49:07
  like see something. So she goes to investigate and
• 49:10
  then he grabs her wraps the bag around her and suffocates her.
• 49:14
  Yes, Very good cool. Yes.
• 49:18
  So while this is having nobody notices downstairs because Miss
• 49:21
  Mack got her a Christmas present and everybody's like having the
• 49:25
  time of their fucking alive. Yes.
• 49:26
  Absolutely. Got her an outfit like a
• 49:29
  housecoat? Yeah.
• 49:30
  I don't want. I feel like they had a reason
• 49:32
  behind it. But yeah.
• 49:35
  Miss Mack is not into it. She, she does not like the, she
• 49:39
  seems offended that they thought she would like that, but I'm
• 49:42
  like, girl, have you seen the hats?
• 49:44
  You were going to wear for the rest of this movie?
• 49:46
  You You have bad taste? Yeah, yeah.
• 49:49
  They're doing you a favor. So yeah, Billy goes back up into
• 49:54
  the attic and Miss Mack. Sneaks bookshelf booze.
• 49:59
  Yeah. Be from books.
• 50:01
  Be for booze. And she says, this is what she
• 50:05
  said for books. Okay, we got a call from Peter
• 50:13
  to Jess. She's like, I really need to
• 50:17
  talk to you. He was like, well, we can talk
• 50:19
  she's like, no it needs to be face-to-face and He was like,
• 50:21
  well, I've been rehearsing non-stop for the past three
• 50:24
  days. So I'm pretty fucking tired by.
• 50:27
  Yeah, he didn't come to the party because, yeah, he's been
• 50:31
  practicing for a recital and then he's like, I love you and
• 50:33
  she says, I know, and then, you know, shits bad.
• 50:38
  If that's the response you get. So mrs.
• 50:41
  Mac is brushing her teeth. Midway through brushing decides.
• 50:47
  She needs more Sherry. And this is where she pulls out.
• 50:50
  Her toilet bottle little drinky-poo.
• 50:52
  There's so much about this. This upsetting.
• 50:55
  Yeah. Well for one the in the middle
• 50:58
  brushing her fucking teeth. She's using it as mouthwash.
• 51:02
  She like puts it in her mouth and that's not the type of
• 51:05
  alcohol that you're going for here.
• 51:07
  Like that's not yeah. So she swishes it around.
• 51:10
  Yeah and we get the shot of Cuervo.
• 51:15
  Are upstairs with the bag around here in the rocking chair and
• 51:20
  you can kind of see from the attic because everybody's
• 51:22
  leaving the parties disbanding. Yeah, we cut to the next day and
• 51:27
  Claire's dad is just waiting by waiting for her sad.
• 51:30
  Dad and sad Dad. Yeah, I just like, I feel so sad
• 51:34
  for him and then he like, berates a college kid because he
• 51:38
  hit him in the face with a snowball.
• 51:41
  Did you miss that? It wasn't the guy that he was
• 51:44
  talking to that. Hit him in the face.
• 51:45
  He's like sorry. I guess I should have been
• 51:46
  paying more attention to them because yeah, well, I should
• 51:49
  say. So she, they got some fucking
• 51:51
  sense. Sorry.
• 51:52
  I mean like storms off. Well no, before before he does
• 51:56
  mr. Harrison's.
• 51:57
  Like hey, do you happen to know my daughter?
• 51:59
  Claire Harrison and somehow this kids like, oh, actually yeah,
• 52:04
  yeah, she was in the sorority isn't impressive that they
• 52:08
  actually use real sorority and fraternity.
• 52:11
  Any names in this movie. Yeah.
• 52:13
  Like you are not supposed. Maybe it was before they made
• 52:15
  that rule, but I know that you can't use actual names anymore.
• 52:20
  Yeah, I remember them. Specifically, like Lambda Chi
• 52:22
  was the one that I really am shocked.
• 52:24
  Because yes is during the call with Billy before and she said
• 52:27
  you should call the lamb, the guys all of this shit.
• 52:32
  So He gets to the house and he talks to mrs.
• 52:36
  Mac, there's a poster in her bedroom of like this old lady.
• 52:42
  Like it's a bunch of shots of this older lady and at the very
• 52:45
  end is her just like flipping off the camera.
• 52:47
  Oh my God. It's so I want to know more
• 52:49
  about this poster. I love it.
• 52:51
  This right here is where they injected some of the humor.
• 52:54
  Yes. Because it's like a there's also
• 52:56
  like a free love poster. Yeah, it's in Claire's room in
• 53:00
  like first of all, her dad is not happy.
• 53:03
  Be with the house anyways because while this is happening
• 53:07
  they're having like a little event.
• 53:09
  I guess I could share anything where Phil's boyfriends dressed
• 53:12
  as Santa and they have kids coming over to like he's
• 53:15
  swearing a lot in front of them. Yeah Barbra sneaking booze to
• 53:18
  the Head. Yeah and it's just like a lot of
• 53:22
  vulgar shit happening in his. He's just not happy that his
• 53:25
  daughters in this environment and then she's got there like
• 53:28
  investigating her room, there's like nude pictures, and like
• 53:32
  posters and stuff on there. Max tried to cover it up.
• 53:35
  Yeah. She's trying to say like, you
• 53:38
  know, your daughter's. A very good girl, which is true
• 53:40
  of Claire but like she like she has a minute because she's like,
• 53:47
  oh, hey drop me off at the event.
• 53:49
  And you can go to the police station, filing a report in.
• 53:53
  While she was in her room, getting her stuff.
• 53:55
  She's like, I can't control these girls.
• 53:58
  What what, what do you want me to do there weren't any?
• 54:00
  I can't help that. They're also there.
• 54:03
  V. Yeah, they're adults in their
• 54:07
  life but he overhears her like at one point and this is where
• 54:11
  we get into mad sad that territory because he's mad.
• 54:14
  Yeah, got to Jess. She tells Peter that she's
• 54:18
  pregnant and she's got an abortion and he's like, you
• 54:20
  can't kill our baby. Let's get married.
• 54:22
  And she's like, yes and no. How could you fucking say this
• 54:27
  to me? I have my recital tonight and to
• 54:30
  be fair, probably could have waited Other day to tell Peter
• 54:35
  this I think is a bad move on her part to tell him on the day
• 54:38
  of his big recital. All I can think of is that maybe
• 54:42
  she was going to be leaving town.
• 54:44
  It doesn't sound like it though. Well she was going to go to the
• 54:48
  ski lodge. We're going in like this are
• 54:50
  he's so I don't know, I don't know.
• 54:53
  I don't know if it's because she has difficulty getting ahold of
• 54:56
  him even when he's not rehearsing like I wish I knew
• 55:00
  her rationale behind it but it could just be that she's very
• 55:02
  anxious about it. And needed to tell him.
• 55:05
  Yeah, that's true. I just kind of, I will generally
• 55:07
  do feel bad for him in this part.
• 55:09
  Not because like he's very adamant about her not getting an
• 55:12
  abortion just because like hey like that's a really stressful
• 55:15
  thing. The way on me before I'm already
• 55:17
  having the stressful event later today.
• 55:19
  Yeah, but they make plans to meet at 9:00 after the recital
• 55:23
  and the old talk about it more. Yeah.
• 55:26
  So at the police station. They reporting Claire missing.
• 55:30
  So it's mr. Harrison Barb and Phil.
• 55:33
  All there. The cops are not at all phases.
• 55:37
  Are like yeah, maybe she ran off with her boyfriend, her
• 55:39
  boyfriend's, a hockey practice right now.
• 55:40
  Yeah. Because Canada.
• 55:44
  You can hear some of the Canadian Accents in this movie,
• 55:46
  too. Yeah, I miss my go a, at one
• 55:48
  point. It's like, oh yeah, this is
• 55:49
  Canada. Yeah, the house we say that
• 55:51
  there's issues with the door getting stuck, which never
• 55:54
  really comes up again. I thought it was going to be a
• 55:56
  lot more important. You would think like they were
• 55:59
  planning something there but not it doesn't.
• 56:01
  Yeah, and also Billy is called again at this point and He's
• 56:05
  we're kind of getting fed like very vague lines about his past.
• 56:09
  Like you know the whole point of this is we're like piecing it
• 56:13
  together but you know, something bad has happened.
• 56:15
  Yeah. I'm like his mind here.
• 56:16
  Is what your mother and I must know, is what did you do with
• 56:21
  the baby? Yeah.
• 56:22
  So Billy did something bad. Yeah, yeah, so this is where
• 56:27
  mrs. Mac tells just that Claire's
• 56:29
  missing. So just decided she's going to
• 56:31
  go see if Chris knows Chris. And so he ends up joining them
• 56:35
  in the search. He is pissed that they are not
• 56:37
  taking this seriously, too. Yeah.
• 56:39
  I like his anger. Yeah.
• 56:40
  He, I love it. He storms in, and he like goes
• 56:43
  right past Nash. The doofus surgeon at the front
• 56:46
  desk. He's like the epitome of shitty
• 56:48
  cop. Yeah, he sucks.
• 56:50
  And he goes straight to the lieutenant and the lieutenant
• 56:53
  was in the middle of talking to a mom.
• 56:54
  Who's 13 year old went missing? Yeah, her name was Janice.
• 56:58
  Yeah. And so they're like, okay cool.
• 57:00
  We're going to do a search party, then also Nash is like
• 57:05
  well, when we at least get the phone number at the sorority
• 57:08
  house and this is where Barb tells them that the exchange is
• 57:12
  fellatio. Yeah.
• 57:14
  It's a new one. Fe, yeah, I love the scene.
• 57:17
  It's so good and he buys it. He writes it down.
• 57:21
  Meanwhile, Peter has his recital, he was very sweaty and
• 57:25
  Talia hated this piano music. I can't.
• 57:28
  I okay, every time I listen to this, I'm like, is this what he
• 57:31
  was trying to play or is he just Wildly out of control because I
• 57:36
  had some points. It feels like this could be like
• 57:38
  an actually good composition for a horror movie, you know,
• 57:43
  because it's kind of got some weird creepiness.
• 57:44
  Ooh, it feels very like Zsa. Lowest maybe like it has
• 57:48
  structure Goblin. Shalom.
• 57:50
  No, it has structure but it also is going against what music
• 57:55
  should be. You know, like wetters.
• 57:57
  Huh, Jazz. Yeah, kind of.
• 58:00
  Yeah, but, you know, I kind of get a sense they could.
• 58:03
  It'd be good, but it also like you can sail from Peter.
• 58:06
  This is not going well and the people that are judging him are
• 58:10
  like bewildered. They don't know what the fuck
• 58:13
  they're listening to. Yeah, back at the house.
• 58:17
  Barb is really drunk and she talks to mr.
• 58:20
  Harrison about turtle sex a lot? Fucking love Barb scenes, man.
• 58:24
  This is so funny. And then she's like, she
• 58:27
  eventually has his outbursts or she's like I know you guys all
• 58:30
  blaming me because I wasn't making Claire.
• 58:32
  Phil, Phil are Welcome and feels like you're drunk.
• 58:36
  Go to bed. Phil was the dose of reality.
• 58:39
  That wasn't even the moment. Yeah.
• 58:40
  Sometimes somebody needs like, you're being an asshole, which I
• 58:45
  guess we forgot to mention before when Claire did go
• 58:47
  upstairs before it was kind of because Barb's kind of be
• 58:51
  enough. This is she wasn't taking the
• 58:53
  call seriously and she was kind of given queer a hard time about
• 58:55
  it Square was actually Claire was taking the call seriously
• 58:58
  and because bar wasn't taking the call.
• 58:59
  Seriously she also didn't take Claire serious.
• 59:01
  Yeah. And yeah they just kind of rub.
• 59:03
  Everybody the wrong way. Yeah, people probably are
• 59:06
  thinking she's responsible. We cut back to Peter destroying
• 59:11
  a piano that definitely isn't his no, there's no fucking way.
• 59:15
  Yeah, he's sticking to the mic. Stand to it and just bash in the
• 59:18
  shit. Yeah.
• 59:20
  Is not looking good, Peter know, you don't want to do that shit.
• 59:24
  Shit, pianos are expensive as fuck.
• 59:26
  You're in college, you can't afford that unless you have like
• 59:28
  a rich dad as they're heading to the search party mrs.
• 59:33
  Mac says, It'll probably be gone by the time they get back.
• 59:35
  She's headed to your sisters. I feel like she should probably
• 59:42
  wait until queer. The yeah yeah either the house
• 59:46
  mother like you are responsible for this girl like and you're
• 59:50
  just you're going to your sisters.
• 59:51
  I get that that's plans. But also like unless you're
• 59:53
  trying to catch a plane is she she's sickening taxi so it could
• 59:57
  be in town. It could be to the airport.
• 59:59
  I don't know. I guess that's true.
• 1:00:01
  So yeah she hears Claude. Add and this week, she's been
• 1:00:05
  trying to find him and she speaks.
• 1:00:08
  Like, who's the writer of this Roy Moore?
• 1:00:11
  Is that his name? Something like that?
• 1:00:13
  Yeah, he definitely owns a cat. Oh, yeah.
• 1:00:17
  Because where she's like, you little bastard.
• 1:00:19
  I'm going to find you. I'm gonna strangle you.
• 1:00:21
  Do you want some food laughs? Yeah.
• 1:00:24
  As how we are with our cats. All the time.
• 1:00:26
  Everybody that has a cat talks to their cat.
• 1:00:29
  Yeah. Which is again why?
• 1:00:32
  I think Scout thought this Real dialogue right here, guys, she
• 1:00:39
  goes up into the attic and when she's up their cars on Claire's
• 1:00:44
  lap. Yes.
• 1:00:45
  You know what? At least quad doesn't get killed
• 1:00:47
  but it was still nice enough to the cat, but she's also like,
• 1:00:52
  how did you even get up here? Which made me think can cats
• 1:00:56
  climb ladders like, is that a thing that can actually happen?
• 1:01:01
  Remember that time Scout claims my shoe rack.
• 1:01:03
  Wreck like she can climb up but she can't climb down.
• 1:01:06
  Yeah, but a lot of Ensure X2 different things.
• 1:01:08
  She had mesh to like call into. Yeah.
• 1:01:11
  But wait cons also like twice Scout sighs.
• 1:01:13
  That's also true. Okay.
• 1:01:16
  But yeah, so she sees Claire's body and she is frozen and
• 1:01:21
  that's all it takes for Billy to get her turns around.
• 1:01:24
  He's holding a hook and it swings down and gets her right
• 1:01:26
  in the face. The search party they've found
• 1:01:32
  Janice. Yeah, unfortunately she's 13
• 1:01:35
  years old, she has been murdered.
• 1:01:36
  So do you think that it's Billy, that killed her?
• 1:01:40
  I think. So.
• 1:01:40
  I think so too. I think he murdered her on his
• 1:01:43
  way to the house, and then he gets there and he makes that
• 1:01:46
  phone call. Oh, shit.
• 1:01:47
  You're right. Yeah, the phone call because he
• 1:01:49
  just made the murder. Yeah, yep.
• 1:01:51
  You're right. Just gets back to the house.
• 1:01:55
  The phone is ringing. She answers it.
• 1:01:57
  And it's It's doing like baby cries and he's just killed.
• 1:02:00
  Mrs. Mac, I Know What You Did, filthy Billy.
• 1:02:03
  So she calls to report the obscene call Peters.
• 1:02:08
  There, he sneaks up right behind her, he does not give a fuck
• 1:02:12
  about the fact that Claire is missing instead he wants to just
• 1:02:15
  shout at Jess for like Everything that we've already
• 1:02:21
  talked about. He's the recitals behind him
• 1:02:25
  right now. He's like, very much.
• 1:02:26
  Like you were not killing the baby.
• 1:02:29
  Looks like I'm quitting. No way.
• 1:02:31
  This is this is later. Yeah, no wait.
• 1:02:35
  Now, this is my guess is. No.
• 1:02:37
  Yeah, because he's got the storm out.
• 1:02:38
  Yeah. She's trying to talk to her and
• 1:02:39
  she's like, can we please talk like adults and she's also at
• 1:02:42
  the same time, trying to make this report to this cop.
• 1:02:44
  And the cop is like this. Probably just one of your
• 1:02:46
  boyfriend's playing a joke, which if your boyfriend plays a
• 1:02:49
  joke, like this breakup, With him.
• 1:02:50
  Yeah, give me a new boyfriend. Absolutely, although I can see
• 1:02:53
  like her boyfriend. Kind of sucks.
• 1:02:55
  He might actually think this is a joke.
• 1:02:57
  So, so here's the funny thing. So we're supposed to like you're
• 1:03:01
  supposed to think, maybe it is Peter because one, like he just
• 1:03:04
  came from down, I go upstairs which is sketchy, you know
• 1:03:09
  because like Billy's been hanging out there, we got like
• 1:03:12
  POV shots of daily like Peep and down like he's acting like Billy
• 1:03:17
  right now. Um and I read also when I was
• 1:03:20
  Information for this. Apparently for some of his lines
• 1:03:24
  to kind of further reinforce that they had the guy, one of
• 1:03:28
  the guys that did Billy's voice on the phone actually dub at
• 1:03:32
  least six lines of dialogue. Oh wow!
• 1:03:35
  Yeah, so we do hear him through Peter occasionally.
• 1:03:39
  Okay. But you know it's not Peter but
• 1:03:42
  still like we're trying to plant that in there, so yeah, yeah.
• 1:03:46
  It's freaking out about it. You says, I'm leaving the
• 1:03:49
  conservatory. Yeah.
• 1:03:50
  And she's like, wow and he goes and we're getting married and
• 1:03:52
  she says no. Yeah.
• 1:03:55
  And she's like, do you remember when we first met and you said
• 1:03:57
  you wanted to be a concert pianist and I told you all the
• 1:03:59
  things I wanted to do. I still want to do those things?
• 1:04:04
  Yeah, and then he's like, well, you can still do everything and
• 1:04:06
  she's like, Peter, I'm not marrying.
• 1:04:08
  You like you're not the right person for me?
• 1:04:10
  Yes. Like I feel like she was
• 1:04:14
  probably gonna break up with him at some point anyway.
• 1:04:20
  He was not gonna last. And then like this was the nail
• 1:04:22
  in the coffin, like, oh fuck. We've taken it too far.
• 1:04:24
  I'm actually pregnant. I mean, and she told, she told
• 1:04:27
  him. She was like, Hey, I'm pregnant
• 1:04:28
  also. I'm not keeping it.
• 1:04:30
  Like she I mean she could have not told him.
• 1:04:32
  Yeah. And I said that's why I'm
• 1:04:34
  getting like she told him. Yeah, she let him know.
• 1:04:37
  Yeah. Because I mean it's her body,
• 1:04:40
  it's her choice but you know as like the father to like it is
• 1:04:43
  like it's not your choice per se but like you know it is nice to
• 1:04:47
  be in you deserve it. Now I think there's there are
• 1:04:51
  certain instances where I think it's absolutely Justified and
• 1:04:54
  not telling and I think the way Peter reacts I would have been,
• 1:04:58
  I would have thought it would have been Justified for just to
• 1:05:00
  have not told him Tina. Well, I don't think that she
• 1:05:02
  expected him to react this way. I don't know, we don't have any
• 1:05:05
  idea how he was before I am beforehand.
• 1:05:07
  The only conversation we had was he was frustrated, because,
• 1:05:10
  like, he was tired from practicing.
• 1:05:12
  Yeah, so, yeah, I mean, after how he does behave, definitely
• 1:05:17
  don't tell him. Yeah.
• 1:05:20
  So, back at the station, the lieutenant learns, that all of
• 1:05:25
  these, obscene phone calls are happening at the sorority house
• 1:05:28
  that the missing person is from on the same night that a
• 1:05:31
  murdered girl has been found in the park.
• 1:05:33
  He's like mash, why don't you fucking say anything?
• 1:05:35
  Because I didn't want to bother you and he goes you didn't see a
• 1:05:37
  connection between any of this. Yeah.
• 1:05:39
  At all because she she just has on the phone with him before.
• 1:05:43
  So yeah, we're kind of busy here.
• 1:05:44
  There's a girl that was killed in the park.
• 1:05:46
  We're not really going to follow through with this and she hung
• 1:05:48
  up. Up and that shook just a little
• 1:05:50
  bit. But at the same time like
• 1:05:54
  Lieutenant Ken's like hey maybe we can connect the dots here a
• 1:05:58
  little bit probably need to look into this.
• 1:06:01
  Yeah they they go over to the sorority house to kind of do
• 1:06:07
  some research but they're also going to put like phone taps on
• 1:06:10
  their phone. I was there arriving Peter is
• 1:06:12
  leaving because Jesse's kicked him out because he is threatened
• 1:06:15
  her Yeah, and he's like I want to put a tap on the phone,
• 1:06:22
  please take me up to Claire's room.
• 1:06:23
  So there you know, doing all this stuff and there's going to
• 1:06:27
  be a cop stationed outside and also, Peter is still hanging
• 1:06:32
  around outside. Well, everybody's like, showing
• 1:06:34
  up at the house, he's just kind of off to the side.
• 1:06:36
  Just staring looking kind of menacing.
• 1:06:39
  Yeah. After they've all left with
• 1:06:42
  instructions to try and keep him on the line as long as possible.
• 1:06:46
  Possible. Next time he calls Phil tells
• 1:06:47
  clear that are tells just that she just feels that Clara's dead
• 1:06:53
  and she's like, I need to go to bed.
• 1:06:54
  I'm on these cold meds that have me completely knocked out.
• 1:06:59
  So Jess is just left downstairs alone.
• 1:07:02
  Waiting for the phone to ring, this is like, I can't I could
• 1:07:06
  not do this. No fucking way.
• 1:07:08
  I would be, like, when I get this level of anxious, I'm like,
• 1:07:11
  I need to either do something to distract me, or, I need to
• 1:07:14
  immediately, be like a Leap and unconscious to the world.
• 1:07:17
  Yeah. Because what do you do?
• 1:07:18
  So you gotta be there because Barbara's upstairs like she's
• 1:07:21
  drunk and passed out and then you have Phil who's also
• 1:07:24
  upstairs asleep. Like somebody has to be there.
• 1:07:27
  Yeah, so she's just sitting down there alone in the dark and
• 1:07:30
  quiet waiting for the phone to ring.
• 1:07:31
  She hears Barb upstairs, gasping and she goes up there and she
• 1:07:37
  gets Barber inhaler and Barbs. Like I had a nightmare, I
• 1:07:40
  thought there was a man in my room spoiler alert.
• 1:07:42
  There was a man in the room. He saw Billy Creep into her
• 1:07:46
  room. Yeah, I get the the glass
• 1:07:48
  unicorn. Yeah, so just helps her.
• 1:07:51
  And then she, you know, she leaves because some carolers
• 1:07:57
  have arrived and Jess is giving off all of the body language of
• 1:08:03
  somebody who does not want to listen to 10 year olds sing to
• 1:08:06
  her, okay? Like listen, man, this is a
• 1:08:11
  whole little group of kids, right?
• 1:08:15
  Where the fuck are their parents?
• 1:08:16
  There was a 13 year old found dead.
• 1:08:19
  I get small town vibes from this place.
• 1:08:21
  Like, absolutely everybody knows about the say I've search
• 1:08:24
  parties like this is public knowledge.
• 1:08:26
  Now this is like breaking news. Everybody knows it don't let
• 1:08:29
  your fucking kids wander around, caroling A stranger's house and
• 1:08:31
  here's the thing, I think the news broke as they were out
• 1:08:33
  caroling because what happens is the other adult supervisor tells
• 1:08:37
  the one that's with them. Like we need to get them all in
• 1:08:39
  the van and leave now. Okay.
• 1:08:40
  Yeah. And then the phone's ringing and
• 1:08:43
  she's like, hey going through your phone.
• 1:08:45
  Meanwhile, while all of those noises been happening, Barb has
• 1:08:48
  been stabbed with her glass unicorn.
• 1:08:50
  Yeah, yeah. So they're trying to trace the
• 1:08:54
  call as it comes through the collar repeats.
• 1:08:57
  Something that Peter said to Jess how she you know referred
• 1:09:01
  to getting the abortion was you know, he said that it was very
• 1:09:05
  cold. It was like she was talking
• 1:09:06
  about getting a were removed. Yeah.
• 1:09:08
  And Billy is a sign like getting a wart removed and that freaks
• 1:09:11
  her out and she hangs up. And then Lieutenant the
• 1:09:14
  lieutenant cross back and He's like what did he say?
• 1:09:16
  Anything that alarmed you and she's like no and I'm screaming
• 1:09:21
  at the TV you need to say that because most likely scenario
• 1:09:26
  would be that it's Peter. Yeah, it's signs are pointing to
• 1:09:28
  Peter here but even if it's not peter than it is the actual
• 1:09:33
  scenario of its somebody that is within hearing distance of your
• 1:09:38
  conversations, it's fucking creepy.
• 1:09:41
  Yes. Is a really chilling wine.
• 1:09:43
  Yes. So yeah, they tell them like her
• 1:09:48
  to tell her. You got to keep him on the line
• 1:09:50
  longer like you. I don't know how long it's got
• 1:09:52
  to be, but he's got to be on the line for a long time because
• 1:09:55
  like these scenes of the guy that's tracking it down, I don't
• 1:09:58
  know what the fuck he's doing. He's running around to like all
• 1:10:01
  kinds of different computers. So like flip switches, I'd how
• 1:10:04
  is this really? What goes into tracking a phone
• 1:10:07
  call? I don't think so anymore.
• 1:10:09
  I don't know what a switchboard looked like, I don't, it's a
• 1:10:12
  lot. Wow.
• 1:10:12
  I mean it's intense. Yeah.
• 1:10:15
  It seems like back in the day tracing a call was a or gout,
• 1:10:19
  they did not go into this with When a Stranger Calls, know,
• 1:10:22
  when a stranger calls. She's like keeps him on the line
• 1:10:25
  for 30 seconds. And that's enough.
• 1:10:26
  Is this, before When a Stranger Calls?
• 1:10:28
  Yes. I like five years.
• 1:10:29
  I looked it up. Okay.
• 1:10:31
  Yeah. They're based on the same.
• 1:10:33
  Yeah, yeah, yeah. So Phil is awake and just voices
• 1:10:39
  are concerns. That she thinks it might be
• 1:10:41
  Peter because, you know, he repeated that line from before.
• 1:10:45
  And he's also being super aggressive about her decision
• 1:10:48
  and feels like nah. It's not Peter.
• 1:10:50
  Yeah. And then Peter actually calls
• 1:10:52
  and they decide that they're going to trace this call to
• 1:10:55
  which means that they heard the whole conversation flow
• 1:10:58
  tentacles back and is asking like why is Peter being so
• 1:11:00
  morbid? And then more unhinged here.
• 1:11:03
  Like yes, like full-on shouting. He's kind of becoming
• 1:11:06
  incoherent. Yes, it's getting kind of creepy
• 1:11:09
  and now Jesse's in a position where she has to disclose like
• 1:11:14
  some incredibly We personal information to the stranger and
• 1:11:18
  she has to do it in front of her friend.
• 1:11:19
  Who doesn't know anything? Yes, I get the impression.
• 1:11:22
  She hasn't told, anybody know, I kind of felt secondhand
• 1:11:25
  embarrassment for her yourself. This is so awful.
• 1:11:28
  And again, it comes back to issues like this are so
• 1:11:32
  violating not just because you're getting dismissed by the
• 1:11:36
  people that are supposed to be helping.
• 1:11:38
  You, you're being violated by the person that is violating
• 1:11:42
  you, but then you also have to Go into these intimate details
• 1:11:48
  of your life to people. You don't even really know.
• 1:11:51
  Yeah. And then people that you do know
• 1:11:52
  really well. These types of harassment and
• 1:11:57
  assaults are just continually violating yeah.
• 1:12:01
  For all of those reasons and it's it is super helpful
• 1:12:04
  information for them here because like they're starting to
• 1:12:07
  connect the dots, the Peter here.
• 1:12:09
  Yeah, so after he gets off the phone with just he decides to
• 1:12:13
  have them look into Peter. Yes, to see.
• 1:12:16
  You know, if there's anything fishy about this guy, a search
• 1:12:20
  party is still out and about, and they come by the back door
• 1:12:24
  in the kitchen. Scare the bejesus out of Phil
• 1:12:27
  and Jess and then like, as they're trying to close the door
• 1:12:30
  on these two strange, men, these two strange men continue to say,
• 1:12:33
  keep your doors locked, keep your windows locked and it's
• 1:12:35
  like, can you leave? You are giving off serial killer
• 1:12:38
  Vibes right now? Yeah, but for them, it gives
• 1:12:42
  them like a little bit of a moment of like it kind of gives
• 1:12:45
  In like a break attention because they laugh about it
• 1:12:47
  because he's there to guys are trying to impress, like to
• 1:12:50
  college girls. Yeah.
• 1:12:51
  You know. So they laugh about it.
• 1:12:56
  Phil goes upstairs. She decides to check on Barb,
• 1:12:59
  unfortunately, Billy is there. And he gets her.
• 1:13:01
  Yeah. Meanwhile Jesse's locking all
• 1:13:04
  the doors in the house. She gets another call.
• 1:13:06
  This, they do manage to trace this one, it's group 140
• 1:13:10
  terminal 55. I don't know how I managed to
• 1:13:12
  write all that down, but I did. So, When he calls that in, they
• 1:13:16
  learned, that that means the call is coming from six Belmont
• 1:13:19
  Street and the Lieutenant's like, no, that's where the calls
• 1:13:22
  are going to. And then he's like, yeah, that's
• 1:13:24
  where they're going to, but that's also where they're coming
• 1:13:26
  from. Ooh, I got chills saying that.
• 1:13:29
  It's, yeah. It's so fucking creepy and then
• 1:13:34
  so what he does is because he's like on the other side of Campus
• 1:13:39
  like figuring out, we're trying to figure out where Peter.
• 1:13:41
  Yeah, he's found the trashed piano.
• 1:13:44
  Yes. Which Each, you know, it's funny
• 1:13:46
  that Peter makes it sound like leaving the conservatory is his
• 1:13:49
  choice because there's no way. He would have an option about it
• 1:13:52
  once, that's fans. Yeah.
• 1:13:54
  So he calls lieutenant or Sergeant Nash and he's like, I
• 1:13:59
  need you to tell Jess To leave the house.
• 1:14:03
  Without alarming her do not tell her that the call is coming from
• 1:14:07
  inside just tell her to wait out front.
• 1:14:09
  Yeah and I will be there in 5 minutes.
• 1:14:11
  Tell her to put the phone down, walk outside the house, no
• 1:14:14
  questions asked. And I will be there in 5 minutes
• 1:14:17
  and by the way, Mash if you fuck this up, I will kill you and he
• 1:14:21
  has no confidence in that. Yes.
• 1:14:23
  So Nash calls just answers and he says, are you alone in the
• 1:14:27
  house? Which what, why did you, why did
• 1:14:30
  you start with this? Why not just say, Say hey, this
• 1:14:33
  is Sergeant Nash. I need you to go wait out front.
• 1:14:36
  All this really China is going to be there in five minutes?
• 1:14:38
  Just say that. Yeah, because instead she's like
• 1:14:41
  no I've got filling Barber here. Why what's happening?
• 1:14:44
  And he goes on, no, just go out front and she goes.
• 1:14:46
  No. But wait.
• 1:14:47
  Do I need to go get them? Because loosen the caller's
• 1:14:49
  inside the house? Yeah, the call is coming from
• 1:14:52
  inside the house. Yes.
• 1:14:53
  And that freaks her out, obviously, because she feels
• 1:14:57
  like she has to go upstairs to check on everybody which Yeah,
• 1:15:02
  that's probably like well and she starts out like, she's just
• 1:15:06
  really trying to get them to come down.
• 1:15:07
  Seriously she is. This is like one of the most
• 1:15:10
  effective movie screams like she's like, please answer me
• 1:15:13
  shouting or me up. Yes, yeah.
• 1:15:15
  Nobody's answering the so she goes and grabs the fire poker to
• 1:15:17
  go. Yes.
• 1:15:18
  And then she finds their body is and Billy still in that room and
• 1:15:24
  she slams the door in his hand and she goes and hides in the
• 1:15:29
  basement Peter like Like a creep is just like looking in the
• 1:15:35
  basement window. This is a really creepy shot of
• 1:15:37
  him because like how does he know why would you look in the
• 1:15:41
  basement? Right?
• 1:15:42
  Here is the thing. If there was not a spree
• 1:15:45
  murderer in the attic, I still 100% believe Jesse's life was in
• 1:15:51
  danger because Mortality rate for pregnant Folk.
• 1:15:58
  Is really like the mortality rate for domestic abuse is
• 1:16:02
  really high for pregnant. Folk that is your even more
• 1:16:05
  likely to die at the hands of your partner when you are
• 1:16:07
  pregnant and even like very creepy.
• 1:16:10
  He's very unhinged, he breaks the basement window.
• 1:16:14
  And is like, yes, it like there is he had no good intentions.
• 1:16:19
  Yeah. And the way that he's
• 1:16:20
  approaching her to like, she's very much, she's like in a
• 1:16:23
  self-defense, Stan. She's a board and she's like,
• 1:16:27
  holding the fire pit. She has kicked him out of this
• 1:16:29
  house already wants tonight and he's kind of like he's trying to
• 1:16:33
  approach her as a, hey, just like, what's the matter?
• 1:16:36
  What are you doing? Like very, he's staying in a way
• 1:16:40
  that like, very Jack. Torrance.
• 1:16:42
  I'm not gonna hurt you. I'm just gonna kill you, like,
• 1:16:44
  it's very like menacing. Yes.
• 1:16:48
  So will the cops arrive? They find Jess on the basement.
• 1:16:51
  She is in a State of Shock. And Peter is dead.
• 1:16:54
  Like I said, self-defense, 100%. I have no doubt that.
• 1:16:58
  That none of the rest of this happened.
• 1:16:59
  Peter still would have tried to kill her.
• 1:17:00
  Ya know, he would have, there's like two killers in this movie.
• 1:17:05
  Yes. So we got to upstairs in Jesse's
• 1:17:08
  room. The doctor has sedated her, her
• 1:17:10
  parents are on the way. They will be there in a couple
• 1:17:12
  hours. Chris is going to stay with her
• 1:17:14
  because all of their friends are dead.
• 1:17:18
  Yeah. And all of a sudden while
• 1:17:20
  everybody is there, Claire's dad starts to like go into shock or
• 1:17:25
  something. Yes.
• 1:17:26
  And they have to rush him to the hospital.
• 1:17:28
  So, The cops, they're like, let's follow him.
• 1:17:30
  Yeah, everybody leaves the house and they turn off all the
• 1:17:34
  lights, close the doors. Nobody has checked the attic.
• 1:17:39
  No, nobody has checked, the attic like shit happened in the
• 1:17:43
  basement. Go to the top too.
• 1:17:45
  So we pan through the house. It's all quiet.
• 1:17:47
  It's all dark. It's all silent.
• 1:17:48
  And we see upstairs in the Attic that they haven't checked it.
• 1:17:51
  The bodies are still up there. And in that way, pan, we zoom
• 1:17:55
  out from the house. All the cars have driven.
• 1:17:58
  Away Chris is still out front. Like I said at the beginning of
• 1:18:01
  the episode he thinks he's doing like he's just waiting for just
• 1:18:03
  as parents he doesn't need to sit in the room with her.
• 1:18:05
  Yeah, you know he's thinking he's doing the right thing and
• 1:18:09
  honestly they should have left a cop with her, I know, right?
• 1:18:12
  So, It's silent for like it's a solid 60 seconds and then we
• 1:18:18
  hear the phone ring. Yep.
• 1:18:20
  And then the credits roll, then the credits roll, and it's the
• 1:18:23
  entire credits, the phone's just ringing the entire time.
• 1:18:26
  There's no music, it's just that shot of the house.
• 1:18:29
  It's so fucking creepy. It's one of the best Innings, so
• 1:18:32
  horror movie like that and like I think about like Mia Goths
• 1:18:40
  unhinged smile at the end of pearl.
• 1:18:42
  That's good too. Yeah.
• 1:18:45
  By a fucking 10-minute mile monologue.
• 1:18:48
  That monologue has a lot of things that I got.
• 1:18:51
  So fucking bored during that monologue.
• 1:18:54
  I like, I just it was such an amazing performance.
• 1:18:57
  There's a good performance but maybe not the 10 minutes of
• 1:19:02
  that. Okay?
• 1:19:03
  But yeah, that's that's the movie.
• 1:19:05
  I'm changing one time point seven five.
• 1:19:08
  Okay. So what's keeping you from going
• 1:19:09
  full-blown 10? It's just this to me is like a
• 1:19:14
  As close to perfect as you can get for a movie.
• 1:19:17
  I'm just going with my gut here man.
• 1:19:19
  Okay that's fair. I'm just saying, I think.
• 1:19:21
  Okay so like Halloween, I give a 10.
• 1:19:23
  No, I think it's not nearly as heavy a watch for me.
• 1:19:27
  Like this is a fantastic movie but it's not something that I
• 1:19:30
  can just like casually him in when watch Black Christmas like
• 1:19:35
  yeah, it's heavy. Yeah, but it's like a good
• 1:19:38
  heavy. I feel like yeah.
• 1:19:39
  So these are subjective ratings and this.
• 1:19:42
  Yeah, I got says is the right rating for me.
• 1:19:44
  It's not like, We were how we were talking about The Shining
• 1:19:46
  last episode where like we can watch that for a while black
• 1:19:50
  Christmas. I'm ready to watch that again
• 1:19:52
  next year, you know. Yeah, it's just, I love it so
• 1:19:56
  much. Okay, I'm guessing you're
• 1:19:58
  leaving years at a 10. Yeah, this is like yeah, that's
• 1:20:01
  close to a perfect horror movies.
• 1:20:02
  Like I said, I don't have a change for the movie
• 1:20:05
  necessarily. It's just it's a really heavy
• 1:20:07
  topic. Are a lot of really heavy
• 1:20:09
  topics. Are I guess in there?
• 1:20:10
  It's all from filament. I get a 9.75 though.
• 1:20:13
  That's that's a high score. I'll get it.
• 1:20:16
  Greetings is that to a nine? Eight?
• 1:20:18
  Seven five. How did Talia feel about this
• 1:20:22
  one? So she was very sleepy at the
• 1:20:25
  beginning. And she wandered around the
• 1:20:28
  kitchen, she had to go out at 2925.
• 1:20:30
  To be fair. She's on medication.
• 1:20:31
  That makes her need to go potty a lot.
• 1:20:33
  Yeah, she did not like the piano recital at all.
• 1:20:38
  She knew she knew Peters Vibes. She understood him.
• 1:20:43
  And then when Barbra is getting murdered, she is like, having
• 1:20:46
  like a lot of like sleep dreams. She's like barking.
• 1:20:50
  Yeah, yeah. So she was really into it.
• 1:20:51
  I think Talia gives us a nine. All right, and so he's somebody
• 1:20:55
  who was kind of in and out. Yeah, she was, she went from the
• 1:21:00
  kitchen to my lad, to the kitchen, to the lab.
• 1:21:02
  She made sure that she watched the end, she ran in right at the
• 1:21:04
  end. I think she was shot.
• 1:21:05
  There was going to be an explosion, so I think she
• 1:21:07
  watched at least half of it. Yeah.
• 1:21:09
  Well, count it okay. Okay, who did you relate to?
• 1:21:14
  Oh, 100% Barb. I think I know why.
• 1:21:17
  I think, drunk, Jesse, and drunk bar would either be best of
• 1:21:21
  friends or Arch nemeses and there's no in-between.
• 1:21:24
  Okay? The reason why I think that you
• 1:21:26
  would go for her is the Whole waking up with asthma attack.
• 1:21:28
  Seen also that your inhaler. Yeah for me I don't know, man.
• 1:21:47
  I don't fucking know. It's hard to pick somebody in
• 1:21:49
  this movie. Let's just go with Let's go with
• 1:21:57
  Phil, all right, because I feel like Phil was kind of like
• 1:22:03
  you've had those moments where you've told your overlay drunk,
• 1:22:05
  friends. Hey, you're being an asshole
• 1:22:07
  right now, you need to go to bed.
• 1:22:08
  I have done that. Yeah, true.
• 1:22:10
  Yeah. And not to say, like, I don't
• 1:22:12
  want to like, say that I'm like, the type of guy to do that, but
• 1:22:15
  like, I don't know. I feel like feels just a good
• 1:22:17
  person. Yeah.
• 1:22:18
  And I think that I'm, that type of person like, you're a good
• 1:22:21
  guy. Thank you.
• 1:22:23
  Yeah, right. Yeah, although she did bail on
• 1:22:26
  Has to go sleep, which don't like that, but she was on
• 1:22:29
  medication, so, yeah, yeah. Well, it is what it is.
• 1:22:33
  Okay. So we have dream sequel.
• 1:22:37
  How do you think a sequel for this?
• 1:22:40
  So let's go with the layout that Bob Clark had.
• 1:22:42
  We have, I don't want to go that way.
• 1:22:45
  Okay, so let's do where you're like, just actually died.
• 1:22:49
  I would want. It would wanted to almost be
• 1:22:53
  like Anthology type SQL. So like similar kind of premise.
• 1:22:58
  But like a whole different cast, like not even Billy still really
• 1:23:02
  like. Yeah, I don't like that.
• 1:23:05
  I would like for it to I don't want to dive into Billy's back
• 1:23:09
  swear. I feel like one of the things
• 1:23:11
  that makes us so effective is that we know nothing about him.
• 1:23:14
  Yeah. Which is how it would be in real
• 1:23:15
  life. Yeah, exactly.
• 1:23:17
  Like he's just a guy that showed up and decided to pick on this
• 1:23:20
  group of kids. Yeah.
• 1:23:22
  And it's just kind of tragic maybe well.
• 1:23:28
  Okay, no because like I don't want to touch on Billy anymore
• 1:23:30
  either. I guess.
• 1:23:31
  So. Maybe the Anthology thing would
• 1:23:32
  be right. Okay.
• 1:23:35
  We'll go with Anthology same town.
• 1:23:39
  Yeah. So same town that like the one
• 1:23:41
  connecting character is the lieutenant.
• 1:23:43
  Yeah, the Lieutenant's are because he would reprise his
• 1:23:46
  role. Yeah and it's another Slasher.
• 1:23:51
  Yeah. Do you know this laughter?
• 1:23:53
  Okay, I don't want it to go the way that some sequels do where
• 1:23:56
  it becomes more procedural just because our wine connecting
• 1:23:58
  character is the cop. I don't want it to be too.
• 1:24:01
  I love a procedural TV show. Yeah, don't necessarily love
• 1:24:04
  that in a movie. That's why I only ever watch the
• 1:24:06
  first 10 minutes of When a Stranger Calls because the
• 1:24:08
  middle is a snoozer. Okay.
• 1:24:12
  How about we do like a copycat killer type of thing?
• 1:24:15
  Okay. Like, okay.
• 1:24:16
  And we don't know anything about this person either but like
• 1:24:18
  somebody was like reading up about this thing that happened.
• 1:24:21
  Like 50 years ago and they want to like they're also unhinged
• 1:24:26
  maybe they're recycled and go well you know so they're like
• 1:24:29
  all right I got to go alone and killing spree, okay?
• 1:24:32
  Okay. Alright so we have interviews,
• 1:24:37
  okay so oh wait we have a tagline for this.
• 1:24:43
  Oh okay let's make a tag line. Alright tagline Hmm, fuck the
• 1:25:03
  patriarchy. Fuck the patriarchy.
• 1:25:07
  Imagine black Christmas. Fuck the patriarchy like, oh,
• 1:25:10
  what kind of movie is this? The 2019 one?
• 1:25:13
  That people said they hate it. Yeah, I think people hated that
• 1:25:17
  because like, it's not really black Christmas now.
• 1:25:20
  Well, visit only by name. Yes.
• 1:25:22
  And there's, I know a whole lot about that.
• 1:25:25
  We got to unhear, okay. Okay, I'm here.
• 1:25:28
  All right let's see. The fuck the patriarchy.
• 1:25:29
  All right, cool. Yeah because I mean that it is
• 1:25:31
  kind of like one of the main messages of this.
• 1:25:33
  Yeah. This movie could have gone
• 1:25:35
  completely differently if they'd call the guys and like, Hey,
• 1:25:37
  we're getting obscene phone calls in the class went, oh
• 1:25:39
  shit, that's a crime. Yeah, yeah, alright, okay, so
• 1:25:49
  internet review. I got a one star from imdb.
• 1:25:54
  Oh boy, it's titled, whoop of call.
• 1:25:59
  This is a real letdown the movie goes on and on, but it really
• 1:26:02
  doesn't say much. It does have a good cast and
• 1:26:04
  that helps, but it makes you wonder what the hell were they
• 1:26:07
  thinking when they agreed to star in the snooze, it's long,
• 1:26:10
  it's boring. We never worn the identity of
• 1:26:13
  the killer of his, for his motive near the end of the
• 1:26:16
  movie, the guy who was nothing, but a saint is kid.
• 1:26:19
  Oh, what the fuck? It is nothing but a say is
• 1:26:23
  killed and takes the fall for the killings.
• 1:26:25
  But the real killer is still working about the house and they
• 1:26:28
  never found the one girl who was killed with the plastic bag who
• 1:26:32
  still sits in the Attic? Is this all a single sentence?
• 1:26:35
  Yeah, I was trying to make it sound run on, good thing.
• 1:26:39
  The police did such an intense search of the house.
• 1:26:42
  This is a stupid bad ending, I just pray, the Remake fixes, the
• 1:26:46
  stupid ending of this crapper and I hope the stars are moving
• 1:26:49
  from the resume. I give it the lump of coal.
• 1:26:53
  Okay, so this is a guy who doesn't like needs resolution.
• 1:26:57
  This is somebody who likes the procedural aspects.
• 1:27:00
  This is a nice guy. This is yeah, this is an insult.
• 1:27:03
  Yeah, this is somebody who is like top, contributor to the
• 1:27:08
  nice guy subreddit. But not like like unironically.
• 1:27:12
  Yeah, yeah, like he's not the contributor.
• 1:27:16
  Like it's like his shit is what gets crossed over there.
• 1:27:19
  I'm just baffled at some I could walk away from seeing Peter and
• 1:27:22
  be like, he was such a nice guy. He was a fucking Saint.
• 1:27:25
  Yeah, I got you. Kidding me, huh?
• 1:27:29
  Yeah. Fuck is wrong with this girl,
• 1:27:30
  like that taste aside. That's, that's a bad take.
• 1:27:34
  Like, I'm gonna let people take whatever opinion thing to take
• 1:27:37
  from a horror movie. Yeah.
• 1:27:38
  Never whole thing here but that's a bad take.
• 1:27:40
  If you I will not enforce that take.
• 1:27:42
  Yeah, yeah, definitely there's nothing valid about that.
• 1:27:46
  All right, let's move on to our see, ya, friends and listeners.
• 1:27:50
  I just want to thank everybody for contributing to this one
• 1:27:53
  because this has been one of the biggest turnouts for reviews for
• 1:27:57
  a movie that we've had. I've got a shit ton of reviews
• 1:28:00
  and go through here. Okay, so let's start off on
• 1:28:03
  Twitter, okay? So first off, we have Eric with
• 1:28:06
  shaken, not scared. It says what?
• 1:28:08
  Drove Miss Mack to hide a bottle in the toilet.
• 1:28:11
  Those being responsible for teen, Like Teenage / early adult
• 1:28:18
  and horny girls yeah, doing with people like Claire's dead too.
• 1:28:23
  Yeah. Why does the Caroling lady cares
• 1:28:25
  so much about the phone ringing inside their house because Jess
• 1:28:28
  is giving all the body language of somebody that doesn't want to
• 1:28:31
  be out there. Listening to carolers right now
• 1:28:33
  and she's like, I'm giving you an out.
• 1:28:35
  I need an out. We'll both get a now.
• 1:28:36
  Together questions will never have answered one black
• 1:28:39
  Christmas though. Haha.
• 1:28:40
  I think I just answered those questions there, we got answers
• 1:28:45
  for you. Chad says, I can't say enough
• 1:28:48
  good things about this film and 240 characters, I watch it every
• 1:28:52
  year, sometimes two or three times.
• 1:28:54
  So have a crush on Olivia. Hussey Chad.
• 1:28:57
  I feel like we need to actually talk about this movie next time.
• 1:28:59
  We're all together. So I feel like we tend to talk
• 1:29:01
  about movies that we all have different opinions on.
• 1:29:04
  Yeah we do that. We need to like we finally found
• 1:29:06
  our Common Ground. All right.
• 1:29:08
  Yeah yeah sure over black Christmas with anybody Jennifer
• 1:29:12
  says it drives me crazy. How the young woman simply
• 1:29:14
  doesn't bite through the Plastic bag teeth teeth.
• 1:29:17
  I don't know if she could have been through.
• 1:29:19
  I don't know if she would have had like the right amount of
• 1:29:21
  tension there, to actually rip their expense, dry-cleaning
• 1:29:24
  plastic. Yeah, it's tough material.
• 1:29:26
  Also, you're panicking. Yeah, you know, it's hard to
• 1:29:28
  react like rationally in a situation like that.
• 1:29:32
  We need MythBusters to do it. Yeah, yeah.
• 1:29:35
  Okay, because I really don't know if it would be possible or
• 1:29:39
  not. If you have like that adrenaline
• 1:29:43
  rush you might be able to do something, you might fuck up.
• 1:29:46
  Teeth and John process, but I think you can maybe do it maybe.
• 1:29:51
  All right. Joey.
• 1:29:52
  And because the first time I saw this movie, it blew my mind and
• 1:29:55
  I watched it again. The next day, the entire
• 1:29:57
  atmosphere of the movie is amazingly disturbing.
• 1:30:00
  I agree. Is fucking disturbing, sell
• 1:30:04
  movies for days. So ahead of its time master.
• 1:30:08
  So ahead of its time masterfully made and was a linchpin featured
• 1:30:13
  in the inspiration of the great slasher genre.
• 1:30:15
  Absolutely. Great female character variety.
• 1:30:18
  Great, variety of kills, still, so heartbreakingly relevant.
• 1:30:21
  Yes, absolutely 100% agree. This is a Timeless movie
• 1:30:24
  honestly. Sadly super Progressive for the
• 1:30:27
  70s. Yeah, I would say, I think the
• 1:30:29
  only thing that really aged it our landlines and the, the way
• 1:30:33
  they trace the calls. Yeah, that's probably really the
• 1:30:37
  only things you're right. David Kay says, I won't started
• 1:30:42
  a holiday conversation with. I love that.
• 1:30:44
  Bob Court Christmas film. With my family and they thought
• 1:30:47
  it was a Christmas story about five minutes later, I was not
• 1:30:49
  allowed to bring up Christmas movies except for die-hard.
• 1:30:55
  I wanted to do the same. Yeah.
• 1:30:56
  That almost became you'll ask me.
• 1:30:58
  Yeah. Yeah.
• 1:31:00
  They would like Travis you don't get to pick movies.
• 1:31:02
  Yeah. But then we watch Christmas
• 1:31:04
  crush with your nana and she loved that.
• 1:31:05
  Yeah so much better outcome than if we tried to watch this with
• 1:31:08
  her I've got. And now do I look man, I've got
• 1:31:11
  the good suggestions. I've got you covered.
• 1:31:14
  Bob Clark, classic here. All right.
• 1:31:16
  Now we're over to Instagram. Okay.
• 1:31:19
  First off we have creepy girly. She says.
• 1:31:21
  But Christmas is the mother of slashers everyone shows true
• 1:31:24
  fear in this. Yes absolutely.
• 1:31:27
  Kind of like what you were saying about Jess at the end
• 1:31:29
  there. Like that was true for you.
• 1:31:30
  Yes. Attack of the 20th.
• 1:31:33
  Century says proper creepy, freak me out a bit.
• 1:31:36
  The phone call is in particular. Yes, that's like one more Loop
• 1:31:40
  showing parts of this movie is the phone calls.
• 1:31:41
  Yeah. Taxidermy potatoes says really
• 1:31:44
  good movie. Thumbs up.
• 1:31:45
  Up cool or if a 1992 says, classic 70s film.
• 1:31:50
  Definitely one. I watch around the time of the
• 1:31:51
  year. Same.
• 1:31:54
  Keep safe, says, people need to stop calling this the first
• 1:31:57
  slasher it is, but it's no Halloween.
• 1:32:02
  Well, if we're being fair Texas, Chainsaw came out like, two
• 1:32:06
  months before this. I also feel like, you know, like
• 1:32:09
  you said before, John Carpenter got a lot of inspiration from
• 1:32:12
  this for Halloween, but I think it shares a lot of similarities
• 1:32:15
  to Halloween. In the way the tension is built.
• 1:32:18
  Whenever I was thinking to myself, like a cool Halloween
• 1:32:22
  movie, She would be like, what if they did one on Christmas and
• 1:32:25
  then I'm like, we have fucking black Christmas so I guess
• 1:32:27
  that's good enough for me. It's no Michael Myers.
• 1:32:30
  I I cannot endorse a movie called Halloween that set on
• 1:32:35
  Chris us. Yeah.
• 1:32:37
  It can fuckin happen. After all the other shit that
• 1:32:39
  we've had in this series also when we were buckling up, one
• 1:32:45
  set of niece and nephews today before leaving, we said Merry
• 1:32:48
  Christmas and the nephew goes happy Halloween.
• 1:32:52
  Yeah. I was like, okay how about Merry
• 1:32:53
  Christmas music? Happy Halloween.
• 1:32:55
  Okay, you know what? You're going to be trying to be
• 1:32:59
  good? Yes, uture.
• 1:33:00
  Can't wait to watch movies with you.
• 1:33:04
  All right. And there's like also shit ton
• 1:33:07
  of other horror movies that can be so ashes, like psycho
• 1:33:12
  Peeping. Tom Peeping Tom?
• 1:33:13
  Yeah, yeah. I would say it original /, your
• 1:33:16
  that put the audience and they're Killers pob.
• 1:33:19
  Yeah, I would say that black Christmas though.
• 1:33:22
  Oh, is kind of like it's where most people got the bones for
• 1:33:26
  slasher movies and the outline? Yeah.
• 1:33:29
  People kind of followed suit with that mostly.
• 1:33:31
  Because John Carpenter did, and then everybody's like, well, I'm
• 1:33:34
  making Halloween like everybody. Just want to make help me and
• 1:33:37
  after that. Okay, two more Michael Lee
• 1:33:41
  Howard says, is one of the original slashers black
• 1:33:44
  Christmas is a work in suspense and paranoia from the start of
• 1:33:49
  the film. The creepiness factor is set
• 1:33:51
  High. The It is perfect.
• 1:33:53
  The writing is up there the, with the women are powerful.
• 1:33:56
  Miss Mack has plenty of booze, seriously, this woman has a
• 1:33:59
  stockpile everywhere, A Perfect Christmas horror movie or I'm
• 1:34:03
  sorry Christmas horror ride 9 out of 10.
• 1:34:06
  All right. A little bit below us but not
• 1:34:09
  far off and then we have Tucker says a movie.
• 1:34:13
  So good. It warranted to abysmal remakes
• 1:34:18
  Tucker. I actually like black Christmas,
• 1:34:20
  the Remake and Don't think that the newest ones really a bad
• 1:34:25
  movie. It's not a bad news.
• 1:34:27
  Yeah, it's a victim of Studio interference.
• 1:34:31
  Yeah. So alright, that's it for a
• 1:34:34
  review. So, thanks everybody for
• 1:34:36
  participating this weekend and next week who we're getting in
• 1:34:41
  the New Year Spirit. Yeah.
• 1:34:44
  We're going to watch new year new.
• 1:34:45
  You, it's one that Travis and I have mentioned a few times.
• 1:34:48
  It's one of our favorite into the dark movies so you can find
• 1:34:51
  it on Hulu. Ooh.
• 1:34:52
  Yeah. That's the only place.
• 1:34:53
  Yeah. So it's called New Year New You.
• 1:34:56
  It's a fun. It's dead.
• 1:34:57
  It's definitely a Jesse type of movie.
• 1:34:59
  Yeah, it's a fun movie though. I recommend like New Year's
• 1:35:05
  doesn't really get a lot of love.
• 1:35:06
  Now, for whore, watch this one, like especially if you're
• 1:35:09
  looking for something because like, everybody's always looking
• 1:35:12
  for an excuse to watch a horror movie.
• 1:35:13
  So watch or New Year's one. Yeah.
• 1:35:15
  And if you want to see more New Year's themed of horror movies,
• 1:35:20
  you could go over to India. Go go and contribute to if your
• 1:35:25
  new fears Eve, which will be filming next month, not going to
• 1:35:29
  say how I know that, but I know that we are a field.
• 1:35:33
  What it is. I mean Jesse's going to be in
• 1:35:36
  it. Yeah yeah he did.
• 1:35:40
  So yeah. So go contribute to that and I'm
• 1:35:43
  sure we will talk about that once that's available for public
• 1:35:45
  consumption. Absolutely.
• 1:35:47
  Maybe next year December movie. So yeah, go watch this movie.
• 1:35:51
  It's a lot of fun. It's we were very excited that
• 1:35:54
  we were going to be able to squeeze it in this month.
• 1:35:56
  Yeah and then you know, if you want bonus content, you can
• 1:36:00
  always go, subscribe to our patreon.
• 1:36:03
  You could be like, or some of our cool patrons like Eric and
• 1:36:06
  BB Joe, or Amber. Yeah.
• 1:36:09
  And we get episodes out pretty early.
• 1:36:12
  Sometimes I got Jack Frost out on fucking Monday.
• 1:36:15
  Yeah, we've been doing pretty good lately.
• 1:36:17
  Yeah, I think I know I didn't get out.
• 1:36:19
  I'm gonna be recording on Monday on Tuesday, so yeah, yeah, yeah.
• 1:36:24
  Got bonus content, show notes. Drawings bonus episodes.
• 1:36:29
  You can vote for next month's movie.
• 1:36:31
  Let's get that podcast. Came about yeah we'll probably
• 1:36:34
  have that pole out around that time that we do the New Year's
• 1:36:38
  when so yeah that's where we're going to have to figure out next
• 1:36:42
  month schedule up in the next week or so.
• 1:36:44
  So I'm going to have an episode patreon episode coming out soon
• 1:36:46
  too. So be a little gonna be on the
• 1:36:48
  lookout for that and you can always follow us on social
• 1:36:50
  media. So we got a Facebook page or
• 1:36:52
  Instagrams. Least favorite scary movie,
• 1:36:53
  podcast Twitter for now, is least fav pod.
• 1:36:57
  Leave a tick. Tock, you can email us at least
• 1:36:58
  favorite scary movie at gmail.com, or you can find us on
• 1:37:01
  our website at what you lose face.
• 1:37:03
  Scary movie that can owe you that I forgot only people from
• 1:37:10
  this area. Are you going to get that?
• 1:37:12
  And well, I know some of our listeners are in this area.
• 1:37:14
  That's true. I have an irrational know it's
• 1:37:17
  irrational. Hatred for that fucking hate
• 1:37:20
  that commercial. Okay, okay.
• 1:37:23
  Until next time, I