Latest / What's Your (Least) Favorite Scary Movie? / #264: Unhinged (2020)

Transcript

#264: Unhinged (2020) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  I'm sorry, but I don't think you know what a really bad day is.
• 0:14
  But you'll fucking learn. Welcome.
• 0:17
  What's your least favorite scary movie?
• 0:19
  The podcast where we talk about the goods, about the ugly and
• 0:21
  the absurd in all of our favorite.
• 0:23
  And least favorite? Scary movies.
• 0:25
  Because we believe every horror movie rightfully has its fan
• 0:27
  base even. If we don't always get it, my
• 0:29
  name is Travis, my name is Jesse, and welcome to March.
• 0:34
  And we're starting off rule on him.
• 0:36
  Yeah. But first, I have no
• 0:41
  announcements at this time. We do have poll results though.
• 0:45
  We do. So we talked about Texas
• 0:47
  Chainsaw Massacre last week, the first one, and we just wanted to
• 0:51
  know of all the characters there who would win a marathon.
• 0:54
  So you have the Leatherface, the Sally.
• 0:59
  The Sally. And the truck driver?
• 1:00
  The truck driver. So the poll results, 53% say
• 1:04
  Sally, 7% say Leatherface OK, 40% truck driver.
• 1:13
  OK. So, you know, I'm kind of
• 1:16
  surprised that Weather Face only got 7% considering we discussed
• 1:20
  how his stamina is. That guy is built to like last.
• 1:24
  I think he could do pretty well in a marathon.
• 1:26
  The the question isn't who can finish a marathon as who would
• 1:30
  win the marathon. He kept up with Sally pretty
• 1:32
  good. Yeah, but Sally got away in the
• 1:34
  end, didn't she? So we know for a fact she can
• 1:36
  beat him. Oh no, he was gaining an honor
• 1:39
  there. Until she got to the gas
• 1:41
  station, he was right on her heels.
• 1:42
  But still, she still got away. She did, yeah, that's true.
• 1:46
  She she hit the finish line first, I guess you could say.
• 1:49
  And the truck driver, I mean that's TBD.
• 1:52
  We we never saw what happened to him.
• 1:53
  I hope he just like I hope we see him pop up randomly.
• 1:58
  Yeah. I would like like just in the
• 1:59
  background, just running. That would be amazing.
• 2:02
  I wouldn't put it past that one either.
• 2:03
  All right, my pick. I'm going to say Weatherface
• 2:06
  because I think Weatherface has the stamina to do it, and I
• 2:09
  think that he's got the speed to do it too.
• 2:11
  I think he could do it. I think you're biased.
• 2:13
  I don't know. I mean, I almost, it's really
• 2:16
  close, honestly. It's going to be, it's going to
• 2:19
  be a photo finish between these three people here, I think.
• 2:22
  Yeah, I obviously I'm team truck driver.
• 2:26
  OK, yeah, I'm glad the truck driver got a lot of votes for
• 2:29
  that. Honestly, I was kind of shocked
• 2:31
  about that. But thank you, guys.
• 2:33
  Yeah, I appreciate that. All right, so that's it for the
• 2:35
  poll. OK all.
• 2:37
  Right. Oh no.
• 2:38
  Oh no. Oh, no, I forgot to do.
• 2:40
  I forgot to because I wrote down all of my notes through this
• 2:43
  last night. The last night was the end of
• 2:45
  the month, so I didn't write down.
• 2:47
  Oh. Where to watch it?
• 2:48
  Where to watch it? OK, so Unhinged, are we ready?
• 2:53
  Let's do it. Let's do it.
• 2:54
  Unhinged released August 21st, 2020.
• 2:58
  We watched it on our DVD, but as of March you can watch it on
• 3:01
  Netflix or you can rent it from Prime, YouTube, Google Play,
• 3:04
  Redbox, or Fandango at home. Do it.
• 3:08
  Watch this movie. I think this is the first time
• 3:10
  I've seen it actually on a streaming service, because when
• 3:12
  we watched it the first time we had to rinse it.
• 3:14
  Yeah, yeah. And it's it's so God, if you
• 3:18
  haven't watched this movie, watch it.
• 3:20
  It's so which fun? Written Written by Carl
• 3:24
  Ellsworth, directed by Derek Bort.
• 3:27
  Music Bortles. It's what?
• 3:29
  I thought too, whenever I saw that last night.
• 3:32
  Music by David Buckley, who also did the music for another
• 3:36
  Russell Crowe movie, which we did a double feature with The
• 3:39
  Nice Guys. Gonna recommend that double
• 3:41
  feature. It's a fantastic double feature.
• 3:43
  It is. It's really, really good.
• 3:45
  With a pause in the middle to listen to Russell Crowe's
• 3:49
  rendition of Stars Hot Take. If you wanted to take it to the
• 3:52
  next level. If you wanna take it to the next
• 3:53
  level. And he also did the music for
• 3:56
  nobody. He did, yeah.
• 3:58
  This guys got some pretty good. Stuff on David Buckley is hard
• 4:01
  to have a good time is what I'm learning.
• 4:03
  Okay? Special effects makeup by Stacy
• 4:05
  Perry, starring Russell Crowe as Man, Karen Pistorius as Rachel,
• 4:13
  Gabriel Bateman as Kyle, Jimmy Simpson as Andy, and Austin P
• 4:17
  McKenzie as Fred Travis. Yeah, time for our favorite
• 4:21
  game. OK, Budget or Buckhead, I can't
• 4:25
  rely on you for anything. Yep, this isn't.
• 4:30
  Even this isn't even a it's too here not to be.
• 4:33
  And you know what? We're not going to redo it, and
• 4:35
  the people need to know. Hey what's up y'all?
• 4:37
  You all know me at this point. This isn't a surprise to
• 4:40
  anybody. And you drop your pop filter,
• 4:43
  which is a surprise to nobody also.
• 4:45
  These pop filters suck. I'm just going.
• 4:46
  To say mine never has a problem. Just going to say.
• 4:49
  Mine's always OK. OK.
• 4:51
  Are you going to guess? Budget.
• 4:54
  Absolutely. Yeah, it's for sure budget.
• 4:56
  I think, yeah, I feel like Russell Crowe.
• 4:58
  He's not going to be cheap, I don't think.
• 5:00
  But also the like, filming most of this shit on the road's gonna
• 5:03
  take money. Yeah, yeah, yeah, yeah.
• 5:06
  So $33 million. Whoa, that's way higher than
• 5:09
  expected. Actually, box office opening
• 5:12
  weekend was 601,000. Remember we were coming out of
• 5:15
  COVID at this time. Yeah, well, not coming out of
• 5:18
  COVID, but things were in the. Opening in the Thrones of COVID
• 5:22
  at this time. Worldwide gross of 44 million.
• 5:26
  That's pretty good for COVID. IMDb score 6 point O out of 10.
• 5:31
  Nice. OK, I'm surprised.
• 5:33
  Pleasantly surprised. Yeah, yeah, yeah.
• 5:35
  I'm glad that it it's got got some love online.
• 5:39
  I pulled some other movies from 2020, OK.
• 5:42
  And the theme is why are you so obsessed with me?
• 5:46
  I like this. OK, here's to know what hits
• 5:49
  that in 2020. So the first one is scare me.
• 5:53
  OK, that's. That's a really good one.
• 5:55
  That's. A fun one.
• 5:55
  If you haven't watched that, that's a Shutter original,
• 5:58
  right? Yeah, it's on Shutter.
• 6:00
  Yep. Shutter original.
• 6:01
  Yeah. I mean, it was like it's like an
• 6:02
  exclusive streaming thing there for them.
• 6:04
  Yeah. Yeah, that one's a real fun one,
• 6:07
  but obviously like the authors are kinda playing off of each
• 6:11
  other. So that's how it ties into the
• 6:12
  theme That released October 1st, 2020.
• 6:17
  Because it is like a streaming movie.
• 6:19
  I don't have a budget or a gross but I can tell you it's got a
• 6:23
  5.7 out of 10 on IMDb. Only a 5.7?
• 6:26
  That's surprising. 5.7 They What they were able to accomplish
• 6:29
  with so little in that movie was really impressive.
• 6:32
  It's it. I didn't know how the movie was
• 6:35
  going to go down, but when I started watching it I was like,
• 6:37
  wow, this is a lot of fun. Yeah, and I like the.
• 6:40
  It's only three people, but it's good.
• 6:41
  Josh Rubin. Fuck, I can't remember her name
• 6:44
  but yeah it's the girl from. She's Storm.
• 6:49
  The boys storm, I almost said. Stormtrooper.
• 6:52
  I almost said storm chaser. I can't remember.
• 6:56
  Yeah, no, we're doing a bad job. She's the Nazi.
• 6:59
  Yeah, yeah, the Nazi superhero. And Chris Redd is Chris Redd.
• 7:02
  Yeah. Second movie babysitter, Killer
• 7:06
  Queen. Because.
• 7:08
  They just won't leave the poor little nerd boy alone.
• 7:10
  Yeah, he's too pure. They gotta they gotta try and
• 7:14
  steal his innocence so they can make deals with the devil or
• 7:16
  whatever. That's a fun one too.
• 7:18
  Yeah, that released September 10th, 2020.
• 7:21
  Again, streaming. That's a Netflix 1 so I don't
• 7:24
  have budget or gross, but I can tell you that it has a 5.8 out
• 7:28
  of 10 on IMDb. That's a pretty solid sequel.
• 7:33
  Right, this next one, I guess it's probably more of a why
• 7:37
  aren't you more obsessed with me?
• 7:40
  OK, cuz it's Spree, yeah. OK.
• 7:45
  That one's a fun one that's got Joe.
• 7:48
  What's his face from Stranger Things?
• 7:50
  Nope. His band is called Joe.
• 7:52
  No, his actual first name is Joe Joe Carey.
• 7:54
  Joe Carey, Yes, Thank you. OK.
• 7:57
  That's why it's funny his band name is Joe DJO, but his actual
• 8:00
  name is Joe. OK, OK.
• 8:02
  It's just when you say it out loud versus like reading it on
• 8:05
  on paper. OK, cool.
• 8:07
  That released August 14th, 2020. I have a budget but it may have
• 8:12
  51K. That's a surprisingly fun movie.
• 8:15
  You bought that like a $1.00 DVD?
• 8:17
  Buy at. It was a dollar trade.
• 8:19
  It was one of those random like here's a horror movie that
• 8:22
  you're actually interested in, and I bought it and we had a
• 8:25
  really good time with it. Also David Arquette.
• 8:27
  'S I was going to say yeah, surprise.
• 8:29
  David Arquette never mad about. That no, never, ever.
• 8:33
  Wish she was in this movie. Right, that would be fun.
• 8:36
  Yeah, 5.9 out of 10. I was OK.
• 8:39
  That's good. I will say, if we don't, if
• 8:42
  we're not getting a David Arquette, at least we get a
• 8:44
  Jimmy Simpson. That's true.
• 8:46
  That is true. It's worth it all right.
• 8:49
  Sadly, tagline. Tagline.
• 8:52
  OK, I like it. It's funny.
• 8:54
  That's a good one. He can happen to anyone.
• 9:00
  No, I mean he, he can have it everyone for anyone.
• 9:05
  Dude, road rage incidents are scary.
• 9:08
  There is like that story of the one guy who followed the person
• 9:11
  and attacked him with a machete. That's the one that I always
• 9:13
  think of because like, there's a lot.
• 9:15
  They're just driving around with a machete in the suburbs.
• 9:18
  Yeah, I, I love to go to that area, that little corner of
• 9:23
  Reddit, and it's, I watch a lot of videos of that stuff and it's
• 9:27
  always, it's reminding me that it's never worth it.
• 9:30
  Just don't like if somebody pisses you off, whatever, man.
• 9:33
  Just like fucking go on. It's worth not dealing with that
• 9:36
  shit. I very rarely do my horn and
• 9:39
  it's only when it's like you almost killed me paid the fuck
• 9:43
  attention. Yeah, I think that there are
• 9:46
  moments it's justified, but like if you know, if somebody did
• 9:49
  like a slight little thing that it's whatever, it's not cool.
• 9:54
  But is it worth like laying on the horn and getting into a life
• 9:57
  altering confrontation? And am I worried that this
• 9:59
  person might murder me? Yeah, I'm always worried about
• 10:02
  that. People are crazy.
• 10:03
  Yeah. OK, I don't have a lot of fun
• 10:05
  facts. No, very sadly.
• 10:08
  That's OK. We'll bring the fun to this,
• 10:09
  yeah? We're the fun.
• 10:12
  Probably not the facts, but we're the fun.
• 10:14
  We are a fact, fun. We are, in fact, fun.
• 10:17
  OK. Do you feel good?
• 10:18
  We are. You feel good about that?
• 10:19
  Yeah. I'm leaving all of this in.
• 10:21
  Yeah, you all know who I am. OK, so this was shot in summer
• 10:26
  of 2019 in Kenner and New Orleans, LA, So.
• 10:32
  OK, that that raises more questions.
• 10:34
  Yes. You were very concerned because
• 10:35
  you're like, how was this done in COVID?
• 10:37
  And I was like, it was probably filmed before COVID and you're
• 10:39
  like, I don't know about that. It was.
• 10:42
  In fact, it was filmed in 2019. They had the editing and stuff
• 10:45
  ready to go by the end of the year.
• 10:47
  It was supposed to premiere early in 2020.
• 10:51
  And the like, premiere date just kept getting pushed back.
• 10:54
  It was pushed back at least five times.
• 10:56
  Oh wow, yeah, that either happens if they don't have faith
• 11:00
  in the movie or if they feel like it is like a better match
• 11:03
  for something else. I think that they, from what I
• 11:06
  was from like context and reading between the lines, it
• 11:10
  seems like they were hoping to get it like when the theater
• 11:14
  crowds were going back up again, they wanted it to have a good
• 11:18
  solid opening weekend. OK, yeah.
• 11:20
  I can't even remember when theaters reopened.
• 11:23
  May because we went in so spiral. 2021 though, right?
• 11:26
  That was 21. Is it?
• 11:28
  Yeah, I don't even know how people would have been able to
• 11:32
  like in 2020. It would have had to have been
• 11:34
  like virtual screenings or some shit.
• 11:36
  I don't know. Yeah.
• 11:37
  Or like the yeah, I don't know. I don't know.
• 11:40
  I can't remember. Yeah.
• 11:42
  So yeah, that's where that was. Okay, like I said, I don't have
• 11:47
  a lot of fun facts. I tried to look up some
• 11:49
  interviews and they're all with Russell Crowe.
• 11:51
  And here's the thing, I love him.
• 11:53
  I think he's perfect for a movie called Unhinged.
• 11:56
  But this interview was all just him talking about getting into
• 12:00
  character. Interesting stuff on its own,
• 12:02
  but it doesn't tell you a whole lot about the movie.
• 12:04
  I think the biggest thing that I got from that interview was that
• 12:08
  the script initially had a lot more back story for the
• 12:11
  character, OK, And they ended up taking it away.
• 12:15
  So that way it's like a little bit more shrouded in mystery,
• 12:18
  and really all you're getting is the story of him being mad.
• 12:21
  That's this woman like. That's some good fun facts right
• 12:24
  there. Yeah, I didn't.
• 12:25
  I was wondering about that. I was confused about giving him
• 12:29
  the title as man as the credit because.
• 12:32
  I called him Tom once, he said That was his name.
• 12:35
  I and I'm inclined to believe him because he he's basically
• 12:38
  going on like a scorched earth. Yeah, he has nothing to.
• 12:41
  Lose. Yeah, he said.
• 12:42
  He is perfectly fine with suicide by cops.
• 12:45
  Yeah, I have no reason to think that he just came up with an
• 12:47
  alias. He's ending it that day, Yeah.
• 12:49
  It's going to be over with. I don't think he, yeah, he's,
• 12:52
  it's interesting. I mean, his face is everywhere.
• 12:54
  Yeah, people know that guy. The people are talking.
• 12:57
  People are saying like that woman on the news that was
• 13:00
  talking about there we get, we do get a little like snippets of
• 13:03
  his past where they like, oh, she had a restraining order on
• 13:06
  him. Yeah.
• 13:07
  And I like the way they did that and they said, you know, part of
• 13:10
  it was that way, like you're kind of along for the ride with
• 13:13
  everything, but also it keeps the pace going a lot faster
• 13:16
  instead of getting a bunch of like exposition and stuff.
• 13:19
  So yeah, I think it's, I think it's pretty effective.
• 13:22
  It's funny that you say that they filmed it in New Orleans
• 13:25
  too, because that makes me think, was he trying for a New
• 13:27
  Orleans accent and accidentally did kind of Texas or?
• 13:31
  Yeah, I think. I think he was going for like a
• 13:34
  gnaw. I think he was trying to go for
• 13:37
  a generic Midwest and because he's Kiwi and then he's
• 13:41
  surrounded by all of these Louis Indians.
• 13:46
  I don't know what a person from Louisiana it's called.
• 13:49
  I think that he was doing that thing where, you know, sometimes
• 13:52
  you kind of pick up the accent around you, but it was very
• 13:55
  shaky at best. I mean, especially on a movie
• 13:58
  set, Yeah. Like there's people from all
• 14:00
  over the like, is he country? Is he?
• 14:02
  Kiwi or Australian? I think he's Kiwi.
• 14:04
  I'm pretty sure he's New Zealand.
• 14:06
  OK, I get most of my Russell Crowe knowledge from that South
• 14:10
  Park episode where he is on a buck boat and he like has his
• 14:16
  own reality show where he goes around the world fighting
• 14:18
  people. Oh yeah, I forgot about that
• 14:21
  bit. And I believe it, his journey
• 14:22
  begins in New Zealand, if I remember correctly.
• 14:24
  It's been a while since I've watched that episode.
• 14:26
  But I think the whole point is he's like a, he's a Kiwi and he
• 14:29
  goes around the world and just punches people, which he keeps
• 14:32
  that true in this movie. Yeah, I am fine with paying many
• 14:36
  to watch Russell Crowe punch people.
• 14:38
  I mean that you're you're, you're guaranteed at least one
• 14:41
  in every single movie. At least in yes.
• 14:44
  OK, so bare bones, but we're gonna make our own fun, so let's
• 14:51
  go ahead and go into our good, bad, ugly and absurd.
• 14:53
  OK, cool. So this movie is I like his
• 15:00
  character. He's not like a super in depth
• 15:02
  character or like unique, but I think it's usually it's just
• 15:06
  Russell Crowe and really this movie needed that and it made it
• 15:11
  a lot of fun. I like the whole on the road
• 15:15
  type thing. I love on the road type movies,
• 15:17
  you know, fast and furious obviously love that joyride love
• 15:20
  that The whole thing about that is 1 long chase scene.
• 15:23
  This movie is the exact same thing.
• 15:24
  He's chasing her in a truck the entire time and I chase scenes
• 15:28
  are great. I love chase scenes.
• 15:29
  It's a lot of fun, so. That was that was another thing
• 15:32
  that they talked that he talked about what the character is.
• 15:34
  He kind of envisioned them like the shark in Jaws.
• 15:37
  Yeah, I can see that actually. Yeah, I thought everybody did a
• 15:40
  pretty good job acting wise, other than maybe like Freddie.
• 15:44
  I was fine with Freddie. I thought Karen Pistorius, I
• 15:48
  think she can't cry. Is that that mom, Rachel?
• 15:52
  Yeah, she. Did really good at like the
• 15:54
  anger, frustration, disbelief. But like when she thought
• 16:00
  Freddie was dead, she was like, oh.
• 16:05
  She did a good part when she he threatens Kyle and she's like,
• 16:11
  don't you touch my son? Yeah, that's what I'm saying.
• 16:13
  She's really good at the anger. Yeah, that's true.
• 16:15
  Yeah, you're right. She know that I like Jimmy
• 16:19
  Simpson being in more things and I like purely just this is just
• 16:24
  like we get to talk about him. So this makes this movie good.
• 16:27
  This like adds points to the movie because I like talking
• 16:29
  about Jimmy Simpson. I like that Jimmy Simpson just
• 16:31
  gets to play a normal dude. It's so weird, right?
• 16:35
  Yeah, I don't like, Why are you in a suit, Jimmy?
• 16:37
  I've like, I think the only other thing that I've seen where
• 16:41
  he's like the straight man is like that Black Mirror episode.
• 16:44
  Oh shit, I forgot he's in. That because he's like, he has
• 16:47
  to play it cool, but even that's some weird situation.
• 16:49
  So you know, right here he just gets space smashed by Russell
• 16:52
  Crowe. Yeah, he's just a lawyer who
• 16:54
  gets beat up with a coffee mug. Yeah, Yeah.
• 16:56
  But it's, you know, it's fun. I love that guy.
• 16:59
  Yeah. Yeah.
• 17:01
  I mean, like the set pieces too, the stunts and like all the
• 17:04
  stuff that goes on with like how they film all of like all the
• 17:09
  stuff involving cars. Like I can only imagine how
• 17:11
  difficult it is. So like get sets rolling for
• 17:14
  something like that. And they nailed it.
• 17:16
  They did a great job. And I don't know, I had a lot of
• 17:18
  fun with this movie. OK, I, I, I'm going to be candid
• 17:25
  with you. OK, please.
• 17:26
  For the longest time I don't know what got this into my head,
• 17:32
  but I thought Unhinged was about a car that eats people through
• 17:35
  the trunk. Oh my God.
• 17:37
  Like it's grill gets unhinged. Yeah, like a mouse.
• 17:41
  Yeah. Yeah, and I don't know where
• 17:44
  that came from. You actually thought that about
• 17:46
  this movie, did you? Were you aware of Russell Crowe
• 17:48
  at that point? No.
• 17:51
  And so like we start when we started watching the movie for
• 17:53
  the first time. So I was like, I really want to
• 17:55
  watch this so. Wait, you thought that going
• 17:57
  back then you didn't know what you signed up for?
• 18:00
  And I was like, let's watch Unhinge.
• 18:01
  I thought I knew what I signed up for, I just was very quickly
• 18:05
  proven wrong. Why did you never share this
• 18:07
  with me until now? I would have loved to have known
• 18:10
  that going into that, Yeah. Cuz I don't know, I was like, it
• 18:14
  was kind of a shock. Can I ask how long until you
• 18:18
  realize we're not getting a killer car?
• 18:22
  I think it was when Russell Crowe pulled up beside them and
• 18:26
  said you're supposed to give a little toot toot instead of lay
• 18:29
  on the horn you. Gave up too soon.
• 18:31
  And I was like, I think maybe Russell Crowe's the bad guy and
• 18:35
  not the car. I think if I were you seeing
• 18:38
  Russell Crowe in that truck, I'm like, I think Russell Crowe has
• 18:40
  a car that's gonna eat people. I think he's going to eat pee.
• 18:44
  I think he may be part of that car.
• 18:46
  Well, like, cuz like he lights the house on fire, right?
• 18:48
  And I'm like, OK, clearly he's upset, he's having a hard time,
• 18:51
  but maybe he's on this medication because like, he's
• 18:53
  been chased by this car that was trying to eat him.
• 19:00
  I can't. Believe you actually thought
• 19:01
  this about like 15 minutes in where I was like, I'm thinking
• 19:06
  maybe it's just Russell Crowe. Is that even a movie?
• 19:09
  Are we just thinking of like a horrified Herbie?
• 19:13
  I don't know, it's like I combined this Herbie rubber and
• 19:19
  Maximum OverDrive. In my head, wow, so.
• 19:22
  If anybody wants to make that movie, please hire me on as a
• 19:25
  consultant. I've got ideas.
• 19:27
  So were you disappointed or pleasantly surprised to see what
• 19:30
  you got instead? Well, like I said, when I saw
• 19:32
  it, I realized Russell Crowe was the killer.
• 19:34
  I was fully on board with it. OK, And you didn't even know
• 19:37
  Russell Crowe was there. Yeah, I swear to God.
• 19:39
  I thought, like I told you in advance, like this is a Russell
• 19:42
  Crowe movie. He's in the car.
• 19:43
  He's angry. He's unhinged.
• 19:45
  Let's watch this. You said killer car, so yeah.
• 19:50
  So. It's fine.
• 19:51
  I the movie is really, really fun.
• 19:53
  It's non-stop. It doesn't waste too much time.
• 19:57
  And I love, I love it when shit just happens in public because
• 20:01
  it's one of those things that like as human beings, we're
• 20:04
  like, we're safe as long as we're around other people.
• 20:06
  But like, we've seen time and time again that that's just
• 20:08
  honestly not fucking true. And the fact that we see like we
• 20:12
  have this moment of goodness, you know, where the guy in the
• 20:15
  gas station who unbelievably gets a name, his name is Leo.
• 20:18
  No shit. Yeah, he gets one.
• 20:20
  But Russell? Even though Russell Crowe had a
• 20:23
  name, yes. Yeah, yeah, we're not gonna.
• 20:26
  That's just that is the facts of this.
• 20:29
  But he goes out there and he's like doing the nice guy thing
• 20:33
  and he still gets just ran over in broad daylight.
• 20:36
  Not even like, I mean, yeah, he gets hit by Russell Crowe, but
• 20:39
  he also gets hit by another car. It's like insult to injury.
• 20:41
  Yeah, I feel like, yeah, this movie does a good job with that.
• 20:44
  I think they keep tension. Yeah.
• 20:47
  But also like things, unexpected things happen.
• 20:50
  Yeah, because you go to the diner and you're like, well,
• 20:53
  Jimmy Simpson, Shirley will make it out of this because he's in a
• 20:56
  crowded diner and everybody just watch him get hit multiple times
• 21:00
  and then stabbed in the throat as Tom.
• 21:04
  I'm going to call him Tom Cooper because that's what he says his
• 21:07
  name is. I'm not going to call him man.
• 21:09
  That's deranged. Yeah, he is on speaker and he's
• 21:13
  like loudly, cuz he's Russell Crowe.
• 21:16
  He's like, Rachel, what would your last words to your
• 21:19
  childhood friend be? And everybody's just in there
• 21:21
  watching and they're like, I had no way of knowing that he was
• 21:24
  going to kill that man. I mean he broadcasted his
• 21:26
  intentions and he already bloodied up his face.
• 21:29
  I thought that that was interesting because like some
• 21:33
  people probably wouldn't jump in, but I think there would be
• 21:35
  at least like a couple people stepping.
• 21:37
  You think that, but that's The thing is that that time and time
• 21:41
  again, shit like that has happened.
• 21:42
  That's what the bystander effect is all about, you know?
• 21:45
  And so I like when movies like play on that because in our
• 21:49
  minds we think it's safer to be in public, but in reality it
• 21:52
  isn't. So I like it when a movie like
• 21:55
  preys on that like sense of security we have.
• 21:57
  And they're like. But actually, no.
• 21:59
  Man, that's true. That's a good point, yeah.
• 22:03
  Yeah. OK, so bad stuff.
• 22:05
  Bad stuff. All right, yeah, Like I said
• 22:07
  before, I didn't think I thought Freddie was just basically like
• 22:10
  a nothing character. Like he's just like fat on this
• 22:13
  movie. Like you can cut it, you don't
• 22:15
  need it. Oh, I thought you were calling
• 22:17
  him fat, and I was. Like, no, he's not fat like this
• 22:20
  movie is. Meat is like a chunk of meat,
• 22:22
  but it's got that fat. And I don't want to eat fat.
• 22:25
  I want my meat. So cut that fat.
• 22:28
  Just cut that. Cut it out.
• 22:32
  He ends up being kind of like but.
• 22:36
  He's only used as like a device for Rachel to have steaks.
• 22:39
  Really, it's all in. It that that way Rachel knows
• 22:41
  that like he is going to come for her and her family.
• 22:45
  It's just it could have been, he could have been built up better.
• 22:48
  Really. Like, I mean, I just didn't
• 22:50
  really care honestly. When he like goes to his house,
• 22:52
  like oh, like, no, go, go for it, dude, you got it.
• 22:57
  It's not that big of a deal. I kind of like the Russell Crowe
• 22:59
  made him kill his fiance. I like how he did that.
• 23:03
  That was really cool. Just pushing him and like, what
• 23:05
  are you? What are you stabbing her for?
• 23:06
  What are you stabbing for? It's like it's like the.
• 23:08
  Stop stabbing your fiance. Stop stabbing your fiance.
• 23:10
  It's the, dare I say, unhinged version of why are you touching
• 23:13
  yourself? Why are you punching yourself?
• 23:15
  And she's like, why are you stabbing her?
• 23:16
  Why are you stabbing? That would be the type of thing
• 23:20
  that Russell Crowe would do. Yeah.
• 23:22
  And he did. And he did.
• 23:23
  Yeah, like I said before, my bad Is that I think Karen Pistorius
• 23:27
  does overall, like a really good job.
• 23:30
  But those moments where she has to be emotional, like I don't
• 23:32
  feel like she's really sad Andy died.
• 23:34
  Part of me was like, maybe she's looking for a way out of this
• 23:37
  friendship after her divorce is done.
• 23:39
  She's got, yeah, she's got a lot going on, but she, she, she
• 23:43
  didn't really react. Yeah, like, and when she, she's
• 23:47
  just like, because I get her disbelief when he's like, what
• 23:49
  would be the last words you would say to your childhood
• 23:51
  friend? She's like, wait, what are you
• 23:52
  even on about? You know, I get that.
• 23:55
  But she doesn't seem upset at all at even the possibility that
• 24:01
  Jimmy Simpson's dead. Yeah.
• 24:04
  So that just it it takes it out for me or like when Freddie is
• 24:09
  set on fire and she fully thinks he's dead, she like gets out of
• 24:14
  the car and throws up. And I think that was honestly
• 24:16
  probably their way of being like, we need you to look more
• 24:19
  sad you. Gotta do something.
• 24:20
  You gotta be like, if you're not going to be upset, at least get
• 24:23
  your stomach upset. But I think she hits all of the
• 24:25
  other emotional points in the movie just well.
• 24:28
  I just think maybe she's not a crier.
• 24:30
  Or maybe theory Russell Crowe made fun of her every time she
• 24:34
  cried on set. I could see it, yeah.
• 24:38
  And. She's like, I can't cry in front
• 24:40
  of him anymore. I don't know Russell Crowe
• 24:42
  personally, I don't either, but he he could either be a boy.
• 24:44
  He's either one the biggest fucking boy on the planet or he
• 24:48
  is the nicest guy ever. I love him.
• 24:50
  I don't know what he's like as a person.
• 24:52
  I just love watching him on screen, so I'm gonna come up
• 24:55
  with wild theories like that. Yeah, yeah, we're, we're.
• 24:57
  Just, you know, the other end. Maybe he's not making fun of her
• 25:01
  when he cries. Maybe he's like overly
• 25:03
  comforting her and it makes her uncomfortable.
• 25:05
  I just imagine that he's giving her a look and she can't read
• 25:09
  it, but she's afraid it's bad. Yeah, and she's getting very
• 25:12
  self-conscious. So the guy I'll just sad, Yeah,
• 25:18
  sad, sad. He doesn't even realize he's
• 25:20
  doing it either. Yeah, OK, OK.
• 25:23
  What's your ugly? Ugly stuff, I guess like seeing
• 25:31
  the whole thing of like that kid having to put up with this, like
• 25:35
  mom and dad, like quarreling on the phone in front of him and
• 25:38
  like just like put that shit aside like for the kids sake and
• 25:41
  don't like air out your grievances.
• 25:43
  Like separate privately and not in front of like people that are
• 25:47
  just kind of caught in the middle of it all.
• 25:49
  I'm gonna gently disagree with you on that.
• 25:52
  Yeah, I think that's ugly. I think that it is more on the
• 25:58
  yeah, because this is clearly not the first time that he's had
• 26:01
  plans with Kyle. And I'm not last minute, I'm not
• 26:04
  blaming her, I'm just saying like that whole thing is ugly.
• 26:06
  I think she was Kyle is old enough to be recognizing this as
• 26:10
  a pattern and trying to tell a child like, no, it's fine.
• 26:14
  Your your dad isn't being a shit to you.
• 26:16
  Like that's you don't need to lie to a child about that.
• 26:19
  But I think like her kind of stepping in and being like, hey,
• 26:22
  maybe your next plan should just be spur of the moment.
• 26:24
  Yeah. Like I think she handled it.
• 26:27
  OK. I think she handled it about as
• 26:30
  well as you can handle that kind of a situation.
• 26:32
  I think for her to ignore it or to pretend that it's like not as
• 26:36
  shitty as it is in front of Kyle.
• 26:38
  Like I think that's kind of, it's kind of patronizing to him
• 26:43
  cuz even though he is a kid, he's, he can see those patterns.
• 26:46
  I think you know what I mean. I think you're agreeing with me.
• 26:48
  I think you might misunderstand what I'm saying.
• 26:50
  It's an ugly thing. I think that it's shitty that
• 26:52
  they are all having to experience that.
• 26:54
  OK, I'm at the green is shitty. I'm not saying they handled it
• 26:57
  poorly or anything. It's just like the fact that it
• 26:59
  happened sucks, OK? It's ugly.
• 27:01
  OK, So yeah, that's all I'm saying.
• 27:04
  I'm not picking size or anything.
• 27:06
  I think beyond that, my other ugly would be like Tom or man or
• 27:13
  whatever you want to call him his like instantly rant about
• 27:16
  like, oh, obviously if you know Rachel's divorcing her ex, then
• 27:23
  she must be sleeping with her lawyer and she's going to take
• 27:26
  everything the ex worked so hard for.
• 27:29
  He's obviously projecting hard everything there.
• 27:32
  But it also makes you wonder, like, their circumstances have
• 27:37
  to be completely different. We get the sense that he was
• 27:39
  like affected by layoffs, you know, just reading in the
• 27:42
  context and everything. I get the impression that he's I
• 27:46
  don't necessarily think that this guy is telling the truth
• 27:49
  either. I feel like he's blowing shit on
• 27:51
  his personal life up far more than what it ever was.
• 27:54
  I doubt it. Like he probably like accused
• 27:56
  his wife of like doing shit and she was like no, that's not what
• 27:58
  I'm doing. What the fuck are you doing?
• 27:59
  She's like, fine, I'm getting a fucking restraining where you're
• 28:01
  being weirder. Yeah, and that's what I was
• 28:03
  gonna say is that like, I get the sense that his circumstances
• 28:06
  were different, but I also don't think that it is.
• 28:09
  He is not the good guy in his story.
• 28:11
  Either No, no, I mean, yeah, he's a bad.
• 28:14
  Guy, even before today, he I wasn't the good guy in the
• 28:17
  story. Yeah, this movie is almost like
• 28:20
  Falling Down, but with cars. And instead of Michael Douglas,
• 28:27
  it's Russell Crowe. It's basically a bad guy.
• 28:29
  It just snaps. It just starts fucking up
• 28:31
  society. I have no clue what you're
• 28:33
  talking. About Falling Down's a fun
• 28:35
  movie, we should watch it sometime.
• 28:36
  OK, OK. Absurd stuff.
• 28:42
  So I think the whole ending of the movie being like Russell
• 28:50
  Crowe being thwarted by a Fortnite game plan is kind of,
• 28:54
  it's a little bit funny. It's funny that that is what
• 28:58
  took him down. The fact that like this Fortnite
• 29:01
  plan that Kyle was talking about earlier is like, Oh yeah, we're
• 29:05
  going to do that. We're going to do that in real
• 29:06
  life. And then they actually do it.
• 29:07
  It's all because of Fortnite. Fortnite save the day.
• 29:11
  Yeah, but I mean it. I don't know but I feel mad
• 29:18
  about the Fortnite thing. What do you mean?
• 29:21
  Like, I don't feel like we needed that because the whole
• 29:27
  idea goes somewhere where you're familiar.
• 29:29
  Like, that's just a common tactic and like, survival, you
• 29:33
  know? Yeah, I just think it's funny
• 29:34
  that it's like way, but that's like the Fortnite thing.
• 29:36
  Yeah. It's like, is it almost like
• 29:39
  product placement? Kyle saying that him and Freddie
• 29:41
  came up with that. I want to be like, you didn't
• 29:44
  really, though. Like there's nothing innovative
• 29:45
  about this approach. But you're a child, so I won't
• 29:48
  call you out for that, Freddie. I'm gonna call you out for it
• 29:51
  behind closed doors. Yeah.
• 29:53
  Oh, I don't know. I How old is this kid?
• 29:57
  Well, OK, this was right around the time that he did Child's
• 30:00
  Play. It's the same actor.
• 30:02
  Yeah. And he was supposed to be like
• 30:03
  13 and that I think. So I think like around 13 ish
• 30:07
  was. He supposed to be younger but
• 30:09
  they like cast some older. Well no, cuz he's talking about
• 30:13
  detention. I don't feel like they give
• 30:14
  elementary schoolers detention. I feel like that's middle school
• 30:16
  and high school. I had what they call AE in
• 30:20
  elementary school, which is basically detention but you're
• 30:23
  separated from the school all day.
• 30:26
  It's like a lockdown. Like you, like you, they take
• 30:30
  like the people that got in bad trouble and like you guys are
• 30:32
  doing everything in this room today together.
• 30:36
  We're going to your class and getting your assignments and
• 30:38
  you're doing it here. You're not going to see people
• 30:40
  today. Travis, what did you do?
• 30:42
  I made fun of a kid and he told on me and.
• 30:46
  What did you say? It's the dumbest fucking thing
• 30:50
  there is. This I, I remember this story.
• 30:53
  If anybody knows this story, please tell me 'cause I want to
• 30:55
  look up this book. But it's this these two old
• 30:58
  people find this giant egg and they, they take the egg in and
• 31:04
  the egg hatches and it's a boy inside of it.
• 31:07
  But the boy is naked and you can see like his butt from the
• 31:11
  drawing. And like I took that page.
• 31:13
  It's like, ha ha, this is you. And then the kid got so fucking
• 31:17
  sad about it and told on me and I don't know why, but they like
• 31:23
  this like Travis, this is the worst fucking thing you could
• 31:26
  ever do. So I got in big, big trouble and
• 31:29
  I had to do AE. Wow, you're a.
• 31:31
  Bully. I don't even know what AE
• 31:33
  alternative education. What the fuck was it supposed to
• 31:36
  mean? It it was bad news though, so
• 31:39
  yeah. And I was there with the bad
• 31:40
  boys that day. I was, I was AI was a really
• 31:44
  dude. Well, I'm just learning a lot of
• 31:47
  things about you. You had to evaluate some stuff.
• 31:50
  It is what it is, man. You married me now it's too
• 31:53
  late. I'm Russell Crowe and it up.
• 31:56
  I was Russell Crowe and I was Russell Crowe back in elementary
• 31:59
  school. Don't tell me he wouldn't do
• 32:02
  that shit. My God.
• 32:03
  OK, my absurd. Yeah, seeing Brussel Crowe, that
• 32:06
  accent man, he. Does like four or three
• 32:11
  different accents in this movie. It's just we're slipping in and
• 32:14
  out. We're all over the place.
• 32:17
  It's a lot to take in. Also, Rachel, as a professional
• 32:23
  hair stylist, is not upset enough about Mary, her
• 32:27
  sister-in-law, using her hair cutting scissors to clip
• 32:31
  coupons. That's war.
• 32:34
  Yeah, that is war. I've threatened divorce when you
• 32:38
  like, picked up a pair of my sewing scissors and I was like,
• 32:40
  don't you dare cut anything with those.
• 32:42
  Yeah, I won't. My mom did that as a living too,
• 32:45
  so I know how important. Those scissors.
• 32:47
  Are, yeah. Yeah, she's not nearly upset
• 32:49
  enough. No, I mean she she even uses
• 32:52
  them at the end of the movie as like a stabbing weapon justified
• 32:55
  them. That's justified, but like.
• 32:57
  She was fully. Going to go to her best client's
• 32:59
  house with these duly duly these dull ass scissors like.
• 33:04
  No, yeah, she's gonna get fired regardless.
• 33:06
  Yeah, like Deborah was gonna be like, what the fuck is happening
• 33:09
  with my hair right now? OK.
• 33:12
  OK. All right, so let's do a rating.
• 33:15
  OK, Mari, this movie's good. I like this movie.
• 33:18
  It's a lot of fun. I think I'm gonna give it a 7
• 33:21
  1/2. 7 1/2 I'm giving it an 8. Oh OK.
• 33:24
  I just, I just think it's neat. Yeah, I mean, that's like that's
• 33:29
  a good way to just wrap this one up.
• 33:30
  It's it's just an E movie. It's fun.
• 33:33
  Yeah. So 7.75 starting average and now
• 33:35
  we can talk at that. Yeah, yeah, yeah.
• 33:38
  It's starting off. It's raining.
• 33:40
  There's a truck outside of the house.
• 33:42
  We see the driver. He takes some pills.
• 33:45
  We see that the house is for sale.
• 33:47
  Maybe this is his old house, I don't know, but he looks bound
• 33:50
  to determine. He walks up to the house with a
• 33:52
  match. Oh, he takes off his wedding
• 33:53
  band too, right after the fact, Yeah.
• 33:56
  He walks up to the house with a can of gasoline, a match and a
• 34:01
  hammer, and he goes into the He bursts his way into the house.
• 34:05
  He. Hammers down the door and then
• 34:07
  hammers down two people. Yep, and they're shouting at him
• 34:10
  and he doesn't care. He lights the house on fire.
• 34:14
  And then we cut to the radio. Just talking about road rage,
• 34:17
  talking about society's general anger, talking about mental
• 34:20
  health crises, talking about layoffs.
• 34:22
  I mean, it's just not good. It's not a good Newsday.
• 34:25
  It's overweight with like all kinds of real clips too of shit.
• 34:27
  I mean, like, like I said, I I go to that, I see a lot of that
• 34:31
  shit online. I feel like I've seen a lot of
• 34:32
  those clips before. Like it?
• 34:34
  It's some bad shit. We got to a phone ringing next
• 34:38
  to a man who's falling asleep on the couch while reading How to
• 34:41
  Help Your Child Cope With Divorce.
• 34:44
  So yeah, we're we're getting her side of this as well.
• 34:47
  They're really laying down the groundwork here, like so, yeah,
• 34:50
  yeah. She's depressed.
• 34:51
  She's sleeping in. She didn't have her alarm.
• 34:53
  And this is her house, which we find out because for a minute I
• 34:56
  thought maybe she was staying with Freddie and Mary.
• 34:57
  But no, Freddie and Mary are staying with her, and they're
• 35:01
  trying to sell their mom's house because she's got to go to
• 35:03
  assisted living. So she's living on the couch in
• 35:04
  her own house. Isn't this her mom's house?
• 35:07
  No. Yeah, I thought it was her mom's
• 35:09
  house. No, that's what they go to at
• 35:10
  the end. OK, I thought it was the same
• 35:13
  place. No Gotcha.
• 35:14
  So she is getting a call from Andy, that's her friend and also
• 35:18
  her lawyer. And he's saying hey, your soon
• 35:21
  to be ex filed a motion. He wants to keep the house.
• 35:24
  And she's like, are you kidding? And he's like, I know you worked
• 35:27
  hard for it. All you have to do is say to
• 35:29
  file the motion and I will counter this.
• 35:31
  And she's like, I need to think about it.
• 35:33
  And he goes, you worked hard for this.
• 35:35
  Richard can't even hold down a job.
• 35:37
  Yeah, she's I I understand her take though, where she's like, I
• 35:40
  just wanted to be over with, which is exactly what happened
• 35:43
  to me. Whenever I got like rear-ended
• 35:45
  and like I just had like insurance calling me over and
• 35:47
  over again. I was like, fuck it.
• 35:48
  I don't like people are like Sue, Sue.
• 35:49
  I'm like, I don't want to fucking do like I just want this
• 35:51
  to be over with. I don't want to deal with shit
• 35:53
  anymore. Yeah, and I think the thing with
• 35:55
  her though, like it wouldn't be fair to displace her.
• 35:58
  And then that's also going to suck for her son.
• 36:00
  And, yeah, just just a lot. And she, you know, that's what
• 36:06
  she woke up to. Kyle comes downstairs and he's
• 36:08
  like, aren't you gonna get dressed?
• 36:10
  She was like, oh, is this not good enough to be your personal
• 36:12
  chauffeur? And he's like, you've got a
• 36:13
  client. She goes, no, I don't.
• 36:14
  He goes. And she's like, oh shit, yeah, I
• 36:17
  do. You know what else sucks for her
• 36:18
  son? The fact that she is not ready
• 36:20
  to take him to school on time. Yeah.
• 36:22
  This kid is suffering because of her, because he, he like, he
• 36:26
  warns her in a little bit, like three to 10 or three tardies as
• 36:28
  an automatic detention. This kid has to like suffer
• 36:30
  because of like her actions. Like, I get that the schools
• 36:33
  have to address tardies and truancy.
• 36:37
  They have to do it. But situations like this,
• 36:40
  they're punishing the wrong person.
• 36:41
  Yeah, I mean, the kid can't drive themselves to work or not
• 36:44
  work to school. Yeah, it's stupid.
• 36:47
  I mean, you could do a bus, but some places, I mean they're in
• 36:50
  the city. They don't always have buses
• 36:52
  that will drive you. Can be out of the city limits,
• 36:55
  Yeah. I mean, yeah.
• 36:56
  So yeah, I feel really bad for him that he's being punished
• 36:59
  because his mom is running late. Yeah, so they're there, and
• 37:05
  Freddie is watching a news report.
• 37:07
  No, Freddie is trying to FaceTime his mom and his mom
• 37:11
  does not know how to use the FaceTime or Zoom.
• 37:14
  Or whatever it is hard to wait. Yeah, it just had this happen to
• 37:18
  me earlier. Yeah, and that's really fun
• 37:20
  because I was listening to you have this conversation.
• 37:22
  You're like, no, no, no, but why are you doing it?
• 37:25
  No, you have to hit. Yeah.
• 37:27
  And that's that's exactly what Freddie is doing with his mom.
• 37:30
  And he's you know, this is where we kind of get he's like, I know
• 37:33
  you don't want to be an assisted living, but it's going to be
• 37:35
  better for you, safer. That's.
• 37:37
  Another ugly thing that's sad. Yeah.
• 37:38
  Some sad stuff that's just kind of swept away right there.
• 37:41
  Yeah. And then, like, you could see
• 37:44
  there's the TV on and there's a news report of the house that
• 37:47
  burned down. And then there's a neighbor that
• 37:49
  gets interviewed and she's like, yeah, I don't know.
• 37:51
  Like he, he wasn't a great guy. She had a restraining order
• 37:54
  against him. Yeah, we, we, we're not talking
• 37:57
  about this enough. You know, seems like maybe the
• 38:00
  restraining order didn't do shit.
• 38:02
  No. So the sister-in-law, like I
• 38:05
  said, Mary Shady, use the scissors for coupons.
• 38:08
  Not cool. Not cool, not at all.
• 38:10
  Not cool. A bunch of freeloaders in this
• 38:13
  house, I tell you. I get what she was doing.
• 38:15
  She was like, hey, I'm helping. I'm cutting coupons, but just
• 38:18
  not the right way. It's just, yeah.
• 38:21
  This is the type of shit that would be like on Am I the
• 38:23
  asshole? Like am I the asshole for
• 38:25
  blowing up at my sister-in-law for using my scissors to cut
• 38:28
  coupons? It would.
• 38:29
  Be a nobody's the asshole. No, this would be a no.
• 38:32
  This would end up being a not the asshole because like stuff
• 38:34
  would come out in the comments where like, OK, so they're
• 38:37
  staying with you rent free. He's trying to start his
• 38:39
  business, but he's failed starting it multiple times.
• 38:41
  And you're having to support your mom's medical bills and
• 38:46
  you're in the middle of a divorce.
• 38:47
  Girl, this is just this is the child that broke the camel's
• 38:50
  back. It's not about the coupons.
• 38:51
  It's about you having no support.
• 38:53
  That's what would end up happening.
• 38:54
  Oh. Probably.
• 38:55
  Yeah. Yeah.
• 38:56
  All right. So they're going to go to school
• 38:57
  now. And she goes outside, and
• 38:58
  they're loading up the car. She talks to her neighbor,
• 39:02
  Rosie, and she's like, oh, you got a new car.
• 39:04
  This will be important later. And she sees her drive off with
• 39:07
  a license plate that says Rosie on it.
• 39:08
  Yeah, Rosie one. Rosie one.
• 39:10
  Yeah, the OG. No, the original Rosie probably
• 39:14
  got just Rosie. It's like a gamertag on like
• 39:17
  consoles, yeah. Yeah, no, I get one on mine all
• 39:20
  the time because my first and now last name are incredibly
• 39:24
  fucking common. You're welcome.
• 39:26
  They are driving, they're on the road now and they're practicing.
• 39:29
  Fucking sucks. They're practicing vocabulary
• 39:32
  slash spelling. He's probably got a test that
• 39:34
  day. And yeah.
• 39:36
  And she has him check the traffic on her phone.
• 39:39
  And he's like, I like, don't do it.
• 39:42
  And she's like, we're going to do the freeway, it'll be fine.
• 39:44
  He goes, we were late the last two times we took the freeway.
• 39:46
  And she goes, you just said it's clear.
• 39:49
  And then get on the freeway and it is bumper to bumper.
• 39:52
  Yep and she gets a call. It is from the her ex, his dad.
• 39:58
  Yeah, Richard. Yeah, and like, he wasn't
• 40:01
  expecting Kyle to answer, but Kyle was like, hey, I got this
• 40:04
  new Fortnite strategy. Me and Freddie thought it up all
• 40:06
  by ourselves. Never before done in the history
• 40:09
  of time. And he's like, that's cool.
• 40:11
  I'm going to have to cancel my plans, though, buddy.
• 40:14
  And then Fred's like, oh, we're not Freddie.
• 40:17
  Kyle's like, oh, OK. And Rachel chimes in.
• 40:20
  And it's. Like cuz he's like, we'll plan
• 40:22
  something again soon. And she was like maybe just do
• 40:25
  spur of the moment cuz you can tell from his reaction and from
• 40:28
  her reaction that this is not the first, second or probably
• 40:32
  even third time that he's cancelled on plans that he's had
• 40:35
  with Kyle. Definitely not the last.
• 40:37
  And guys like, I just gotta make sure my boss is happy.
• 40:40
  Yep, Yep. OK.
• 40:41
  And I mean, maybe it's true, but also there's only so many times
• 40:45
  you can use that excuse, yeah. We're given enough context here
• 40:48
  to know that this is just a pattern.
• 40:50
  Yeah, with him, yeah, for sure. So they hang up and they hit
• 40:56
  traffic and she gets another call.
• 40:58
  This time it's from Deborah. This is one of her clients.
• 41:01
  She is a hairdresser, as we have pieced together.
• 41:04
  Here, she used to have a salon, but now she doesn't.
• 41:07
  And Deborah says, you know, ever since you lost your salon, I
• 41:11
  just, you're not reliable. And I hate to say this, but if
• 41:15
  you're going to be late, I just can't do this with you anymore.
• 41:17
  Yeah, She's like, hey, I got to be there at 9.
• 41:20
  Like I got a thing this morning. I need you there on time.
• 41:22
  Can you make it? She's like, yeah, I can make it,
• 41:25
  but I'm gonna be like 5 to 10 minutes late.
• 41:28
  Maybe 15 or. 20 Yeah. And she's like, are you fucking
• 41:30
  kidding? Me.
• 41:31
  And she's like, no, no, look, traffic's moving.
• 41:33
  And she's like, I don't believe you.
• 41:35
  You're a bad actress. Yeah.
• 41:37
  Yeah. And yeah, she just gets fired on
• 41:40
  the spot right there. And then she's upset.
• 41:44
  And then her and Kyle kind of have a boot and rally moment
• 41:48
  because they're both feeling real bad.
• 41:50
  And she's like what you say we take surface streets and get out
• 41:55
  of here and she pulls a real Dick move and just drives down
• 41:59
  the shoulder. Everybody's honking at her too,
• 42:02
  yeah. I agree.
• 42:03
  Yeah, yeah. I mean, not cool, man.
• 42:06
  So she gets on the exit ramp and she's stopped at a red light
• 42:10
  behind the truck. I just wanna say I thought it
• 42:13
  was really funny that the girl on the front of the truck covers
• 42:16
  the logo. Yeah, that was intentional.
• 42:19
  Yeah, very Hallmark right there. Yeah.
• 42:21
  And yeah, we see the light turn green and the truck just doesn't
• 42:25
  go. And she gives them a few
• 42:27
  seconds, but then when they don't go, she lays on the horn.
• 42:30
  And then she also swerves around, but you know what, like
• 42:34
  I'm not I'm not a person that will honk when the lights great
• 42:37
  like I will wait a decent amount of.
• 42:39
  Time. Same.
• 42:40
  Yeah. But there's a point in time
• 42:41
  where, like she did, she did it right here.
• 42:44
  But the thing about living in Lexington is that it's like a
• 42:48
  5050 that you'll be out of red light, and if you're the first
• 42:51
  one there, that the person behind you will honk like a
• 42:55
  millisecond before the light turns green because they know
• 42:57
  it's about to turn green and they want you to go.
• 42:59
  And it's fucking infuriating. Well, not only that, just air on
• 43:03
  the side of caution. I like to let it be green for a
• 43:06
  second before I go because there's people that run red
• 43:08
  lights like bitches crazy. Yeah, it's it happens all the
• 43:11
  time, especially here. I don't know about where you all
• 43:13
  live, but it's a. Real problem.
• 43:15
  It is a big problem. You can't just go through a
• 43:17
  light as soon as it turns green here, because you are likely to
• 43:20
  get T bound. Yeah, so.
• 43:22
  But she did, right? Yeah, well, she weighted on
• 43:25
  pretty thick with the horn, but whatever.
• 43:26
  He was gonna be an asshole. They were both having bad
• 43:30
  mornings. Yeah, she drives past him in the
• 43:33
  red, the white turns red, and then she stopped by traffic and
• 43:37
  he pulls up next door, meaning he ran a red light.
• 43:40
  Fucking asshole. He he was one of those people
• 43:44
  that waited until the light turned red and then he just ran
• 43:46
  through it. I fucking hate those people.
• 43:49
  So he pulls up right beside them and then he motions in the roll
• 43:53
  down the window. Yeah.
• 43:53
  Kyle in the backseat. And Kyle fucking does it.
• 43:56
  She's like, Kyle don't do that. And he's like, I want to talk to
• 43:58
  him. Yeah, Russell.
• 43:59
  Crowe, come on, man. Yeah, how many chances am I
• 44:02
  gonna get to talk to Russell Crowe?
• 44:03
  And so he rolls down the. He's like, did your mom ever
• 44:07
  teach you about a courtesy tap? And Kyle's like, what the fuck
• 44:10
  is this? And he goes, it's where you see
• 44:12
  somebody and you need him to go. And you give a polite little
• 44:16
  toot. Toot.
• 44:17
  Yeah. She's like, I'm sure that's what
• 44:20
  your mom meant to do, right? And.
• 44:21
  She goes, no, I meant what I did, yeah, which I kind of
• 44:25
  respect. I love this She stood her ground
• 44:27
  and she is justified in doing so.
• 44:29
  There's and he's like, oh man, I'm sure your mom meant to
• 44:33
  apologize though, right You know, I'm sorry I was a little
• 44:36
  bit spaced out back there. You know I'm having a rough
• 44:39
  morning. You are too, right?
• 44:41
  You're sorry, right? And then?
• 44:42
  She's like, I'm not sorry. I have nothing to be sorry
• 44:45
  about. And then she's like, he's like,
• 44:48
  I'm sorry, I've been having a bad day and she's like, join the
• 44:50
  fucking club. And he's like, all right, well,
• 44:54
  son, your, your mom needs to learn today what a real bad day
• 44:58
  is. And.
• 44:59
  Then from behind them, we hear a.
• 45:03
  It's so fucking good. I I love the editor that did
• 45:08
  that. Whoever edited this movie, thank
• 45:10
  you so much. This is so fucking funny that
• 45:12
  he's pissed about this and then he immediately gets honked and
• 45:16
  she drives. Yeah.
• 45:18
  And then yeah, he. He comes and he cuts them off
• 45:21
  and Rachel and Kyle talking. I know it makes no sense.
• 45:26
  Rachel and Kyle talk. Fortnite family place
• 45:29
  distraction crash. I don't know what the fuck I
• 45:32
  don't. Know what are you talking about?
• 45:34
  I think she is trying to talk to him.
• 45:36
  She's like, hey, what's that? That's later, though.
• 45:39
  No, OK, OK, I know what it is. I know what it is.
• 45:42
  So he cuts them off and she like has kind of a swerving moment.
• 45:46
  And then Rachel, cuz Kyle is freaked out by all of this.
• 45:50
  And so Rachel is trying to distract him and starts talking
• 45:52
  to him about the Fortnite strategy.
• 45:54
  And he's like, you don't even care about Fortnite.
• 45:55
  She goes I care about you, it's fine.
• 45:58
  And then as they're like driving, she gets a little bit
• 46:06
  distracted and has like a little poop.
• 46:08
  And so and they arrive at school, she drops them off and.
• 46:13
  She promises to pick him up with a Butterfinger Blizzard after
• 46:16
  detention. And he's like, I just really
• 46:19
  want you to pick me up on time, that's all.
• 46:21
  That's. All I ask, that's all I care
• 46:22
  about. So Rachel then calls Andy.
• 46:25
  She's like hey, so I am having a fucking crazy morning.
• 46:30
  Had an asshole that's chasing me around you want to meet for
• 46:35
  breakfast instead of lunch cuz they had lunch plans.
• 46:37
  Yeah he's like OK fine. They set a restaurant to go to
• 46:40
  and. Then Darrow's in 20 minutes.
• 46:41
  Yeah, but then she walks down and she notices that her
• 46:44
  gaslight's on, so she's gotta get some gas.
• 46:47
  She's this woman. Like it's so realistic, but also
• 46:50
  like you want her to get her shit together a little bit.
• 46:55
  It's bad, man. She's in a bad.
• 46:56
  Place I get why her shit is not together, I don't.
• 46:58
  Know if you noticed, but when she turned on the car at first
• 47:01
  she had like, check engine lights on and everything.
• 47:03
  Yeah, her dashboards lit up like a Christmas tree.
• 47:05
  Yeah, so she stops and she gets gas and she gets some cash in
• 47:09
  the ATM and five lottery tickets.
• 47:13
  Yep, 5 Yep. She's she's really hoping that
• 47:16
  what Lady Luck's gonna be on her side.
• 47:18
  In a bottle of the fancy water. Yeah.
• 47:20
  Oh God, yeah. Yeah, that which honestly
• 47:23
  though, $3 for the fancy water, not a bad price.
• 47:27
  Now, yeah. Yeah, now.
• 47:29
  It's hard to say cuz water is also free so.
• 47:33
  Yeah, but it's the fancy water, yeah.
• 47:35
  So it's made. From melted snow from the Andes
• 47:38
  mountains or whatever shit I don't know.
• 47:39
  So I've heard from clouds. So she starts to walk outside,
• 47:43
  and she sees the truck pulled up at the pump behind her, and she
• 47:47
  freezes. And then the cashier's like, are
• 47:49
  you OK? And she's like, yeah, no.
• 47:52
  Yeah, and she explains what's going on.
• 47:54
  And the cashier's like you've been Rd. raged.
• 47:57
  And raged like what? And she's like Wayne, like,
• 48:01
  you've never heard of this before.
• 48:02
  Yeah, he a road rage and. So she's like, I'll call the
• 48:06
  cops. And she was like, I don't want
• 48:08
  to do that. I just don't want to go out
• 48:10
  there and Leo, I only got his name from IMDb.
• 48:14
  We do not get a name from him in the movie, but his name is Leo.
• 48:16
  I feel like he went on to the IMDb and put that name on there
• 48:18
  himself. I wonder if there was something
• 48:22
  cut. We're like, yeah, like
• 48:24
  introduces himself or something. My name is Lee.
• 48:26
  So yeah, he's like, what I'll do I I'll walk out with you.
• 48:29
  And she's like, you don't have to do that.
• 48:30
  He goes, I'm walking out anyway. I don't live in the gas station.
• 48:33
  And she's like, OK, that makes sense.
• 48:34
  So he's like, I'll go out there, I'll get the license plate for
• 48:37
  you. So that way you at least you
• 48:38
  have the license plates in case he starts getting weird again.
• 48:41
  So he goes out there. He walks around the truck, makes
• 48:45
  it known that he's walking around the truck.
• 48:47
  The license plate is 711 TPX. And Rachel starts to drive away.
• 48:53
  And he tells the man in the truck, Tom Cooper, perhaps,
• 48:57
  Yeah, tells him that you just need to chill out, dude.
• 48:59
  Yeah. Ain't worth it.
• 49:00
  You need to chill. Ain't worth it.
• 49:01
  Yeah, exactly what we were saying at the beginning of this
• 49:03
  episode. It's just not worth it man.
• 49:05
  Yeah, and then you know what? Tom Cooper says nothing.
• 49:08
  He just chases him with his truck, hits him and then throws
• 49:12
  him into the path of another car.
• 49:13
  Yep. So he gets really dead.
• 49:16
  Yeah, that's the thing, man. This movie, like I like that it
• 49:18
  does that. Like cuz I'm like OK, he got ran
• 49:20
  over. Like that's gonna be the last
• 49:21
  thing. Oh shit.
• 49:22
  Like he gets hit by another car. Just oh man, it catches you off
• 49:26
  guard. And so he follows her and she's
• 49:29
  in bumper to bumper traffic. And again, it's the sense of
• 49:32
  like, I'm in public so I should be safe.
• 49:33
  But no, he's just like going up and he's just nudging her.
• 49:38
  It's not just even a nudge. She's like, actually like
• 49:41
  ramming her with this truck and nobody is noticing.
• 49:43
  Well OK, so the person in the car next to her is on her phone
• 49:46
  texting. That's the thing, yeah, they're
• 49:48
  they're hammering on people being distracted drivers in
• 49:50
  this. Movie there's like 1 scene, I
• 49:52
  forget where it is. I didn't make the note of it,
• 49:54
  but a woman is doing her makeup. Yeah, she's like.
• 49:57
  Do a mascara. We'll get there.
• 49:59
  Exit RAM, Yeah. She dies.
• 50:02
  Let this movie be a lesson to everybody here.
• 50:04
  Don't road rage. Don't be on your phone.
• 50:06
  Pretty lashes aren't worth it. Yeah, it's not worth your life.
• 50:10
  People or Russell Crowe will kill.
• 50:12
  You. Yeah.
• 50:13
  He'll teach you, yeah. It'll happen.
• 50:15
  So she, it kind of makes her frantic.
• 50:19
  She's trying to drive away and she ends up like she's trying to
• 50:23
  find her phone, can't find her phone.
• 50:24
  And while she's like searching for her phone, trying not to be
• 50:27
  hit by him, she ends up going the wrong way down to one way
• 50:29
  St. and this woman yells at her and she's like, I'm sorry, I'm
• 50:33
  sorry. Yep, and she whizzes him there
• 50:37
  so. We cut to Darrow's.
• 50:39
  Yes, this is the restaurant that they were gonna meet at.
• 50:41
  Jimmy Simpson. Yeah.
• 50:43
  Andy, the lawyer, he's sitting there and he's like looking at
• 50:47
  his watch. He's getting impatient.
• 50:48
  I really wish this movie would tell us what time it is instead
• 50:51
  of just like hinting that she's. I want to know how late she is.
• 50:54
  It'd be nice. Yeah.
• 50:55
  Like they were supposed to be at 9.
• 50:57
  I think it was, is what they said before.
• 51:00
  But. Whatever.
• 51:00
  No, but because that's when she was supposed to go see Deborah.
• 51:03
  So that's there's no way it could have been 9.
• 51:05
  Yeah, I don't know. And when?
• 51:07
  Because when Tom comes in there and he is like, oh, are you
• 51:10
  Andy? I'm Rachel's friend.
• 51:12
  I'm new in town and he's like, well my 11:00 is about to be
• 51:16
  very angry so it's got to be close to 11.
• 51:19
  OK, Yeah, it's before lunch, we know that much.
• 51:21
  It's Christmas. That Kyle has to be really
• 51:23
  fucking late to school because most schools starts at like 7:30
• 51:25
  or 8:00. Yeah, 8:00.
• 51:27
  So. Yeah, she's really, really
• 51:30
  fucking bad at being a parent right now, OK.
• 51:33
  Like, I mean, I know she's got a lot going on in personal life.
• 51:35
  But yeah. You gotta prioritize certain
• 51:37
  things here. You gotta get your kids to
• 51:38
  school. I'm stressed because I don't
• 51:40
  know what time it is. I don't know how so late she is.
• 51:42
  I just knew she's late. She's.
• 51:43
  Stressful. I know.
• 51:46
  You should be stressed about Russell Crowe walking in on this
• 51:49
  restaurant and being like, I know Rachel.
• 51:51
  Hey, I'm old friend. Yeah, yeah, yeah.
• 51:53
  And he's like, it's. Like, well, since you've spoken
• 51:56
  to her, let her know I have to leave.
• 51:58
  And he's like, what if I call her and I'm able to get a hold
• 52:01
  of her? Would you buy me a cup of
• 52:03
  coffee? And he's like, all right.
• 52:08
  Is that what he says? I thought he.
• 52:09
  Says. You will call her.
• 52:15
  Been waiting the entire time to do that.
• 52:17
  It's so fucking good. So he rings up Rachel on his
• 52:23
  Andy's phone, and she's like, yeah, he uses Andy.
• 52:26
  'S phone to call Rachel, except he's not dialing Rachel's number
• 52:30
  because he's got Rachel's phone. Yeah, he waggled it through the
• 52:34
  window at one point. So she shows that he's got her
• 52:37
  phone. He has left a little flip phone
• 52:40
  in her glove compartment. I think it's his because he
• 52:42
  seems like the type of dude that'd be like fucking modern
• 52:44
  smartphone bullshit flip phones for me.
• 52:47
  So he calls her, and she's all confused and at first like, he's
• 52:52
  letting Andy talk to Rachel. And she's like, wait, no, what?
• 52:55
  What's happening? No, wait.
• 52:57
  And he's like, I'm just, I'm with your new friend Tom Cooper.
• 52:59
  He's got a sweet beard. And she's like, no, Andy, listen
• 53:02
  to me. And by that point, Tom has taken
• 53:04
  the phone and she can't warn Andy effectively.
• 53:10
  Just telling Russell Crowe like, hey, he's a psycho.
• 53:12
  He's the, I saw him kill a man. He's like.
• 53:14
  Yep, he said. Yep, and sure, sure enough, that
• 53:17
  was me. So he is like.
• 53:20
  She asked. She asked like, OK, what do you
• 53:23
  want from me? She says it's not what I want,
• 53:25
  it's what I need from you and. But OK, what is that?
• 53:29
  So he needs her to know what a bad day really is, is how he
• 53:33
  follows up. So he takes Jimmy Simpson, I
• 53:37
  keep one in just calling that takes Andy by the tie and just
• 53:40
  like slams his face onto the table and basically.
• 53:45
  His face up. Yeah, threatening.
• 53:47
  And then he takes a coffee mug and smashes him across the face
• 53:50
  with it and he is fully concussed and dazed and he was
• 53:53
  like, Rachel, any last words to your best friend?
• 53:55
  And she's like, what are you even on about?
• 53:56
  And then he stabs him with a butter.
• 53:58
  Knife. Oh my God.
• 53:59
  Through the back of the head, Yeah.
• 54:01
  In the neck. OK, well, either way, the amount
• 54:04
  of force to do that, holy fucking shit.
• 54:06
  Yeah, Yep. So he just like nobody there's
• 54:10
  I'm calling bullshit on one thing.
• 54:12
  I've seen enough of these videos.
• 54:14
  I keep saying that, but like somebody would have continued
• 54:16
  eating their meal. Somebody would have been totally
• 54:20
  unfazed by this in that restaurant.
• 54:21
  I've seen it too many times. It never fails.
• 54:25
  Maybe like you must be new to Daryl's.
• 54:27
  Yeah, shit happens here all the time.
• 54:29
  Yeah. And he just, like, gets up and
• 54:32
  then he's like, well, yeah, She's like, put Andy back on the
• 54:35
  phone. She's like, or he's like, I
• 54:37
  can't do that. She's dead.
• 54:38
  Why can't you do that? Yeah, he's dead.
• 54:40
  So he starts sending Rachel contact information from her
• 54:45
  phone to the cell phone he has. And he was like, so listen, we,
• 54:50
  I am fine, both dying by suicide by cops.
• 54:54
  So go ahead and call them if you want.
• 54:55
  But I'm going to do some stuff first.
• 54:57
  So you can either give me a name and I'll go kill them or I'll
• 55:01
  play Russian roulette with your phone.
• 55:02
  I see we've got Kyle's school information in here.
• 55:05
  We've got your brother Freddie. Oh, here's where your mom lives.
• 55:09
  And eventually, she says, Deborah.
• 55:11
  Yeah, and it's so funny that Deborah, like the person that
• 55:14
  fired her. Yeah.
• 55:15
  And he's like, what did Deborah do to you?
• 55:17
  And she goes, fired me this morning.
• 55:20
  And he goes and I'm sure it was no fault of your own, dude.
• 55:26
  Do you not think anything that has happened to you has been
• 55:28
  your fault so far? No, no, he He's justified in
• 55:31
  every lack. Of self-awareness, yeah.
• 55:33
  So he. He's like, OK, I'm gonna do it.
• 55:38
  And she hangs up, She goes, and she makes it to Kyle.
• 55:43
  Well, she, she makes several calls to the cops.
• 55:47
  First she's like, she's like, I'm gonna need you to dispatch
• 55:49
  several people. Yeah, she calls 901.
• 55:52
  And so they arrive outside Deborah's house and the cops get
• 55:57
  to her in time. Yeah, she's just very confused.
• 56:00
  The news back at Rachel's house, Freddie sees the news talking
• 56:04
  about somebody dying at Darrow's.
• 56:06
  And Freddie is just like, hey, babe, have you seen this?
• 56:09
  And then he hears them say something about the suspect
• 56:11
  driving a Gray truck. And he looks outside and he sees
• 56:14
  a Gray truck, and he's like, babe, and we're just hearing
• 56:16
  banging around. So he grabs a knife to be safe
• 56:19
  and he goes into the next room and Russell go pops up right?
• 56:23
  With the bloody girlfriend. Yeah, he's got fiance.
• 56:26
  Fiance. Yeah, he's got married and he's
• 56:28
  like, my God, please let her go. And then Russell Crowe just.
• 56:31
  To be fair, though, it's something like Freddie wasn't
• 56:33
  quite sure. Yeah, it kind of sounds like he
• 56:34
  proposed in that moment. Like girlfriend, fiance.
• 56:37
  Yeah. Like they just got engaged over
• 56:40
  a bowl of cereal this morning or something.
• 56:42
  Yeah, like he popped the question, but she never gave an
• 56:45
  answer. Yeah, like, I don't know,
• 56:46
  girlfriend, fiance, like. The end of the Strangers.
• 56:53
  He's holding her hostage and then he's got the knife.
• 56:56
  He's backed up to the wall and he basically just like, forces
• 56:59
  her onto his knife over and over again.
• 57:02
  Yeah. Why are you stabbing her?
• 57:03
  Why are you stabbing her? Yeah, so Rachel gets to the
• 57:06
  school and she gets a text from Tom with a picture of Freddie,
• 57:11
  and he calls and says she has three minutes, so she better go
• 57:14
  really fast. So she goes inside.
• 57:16
  She's freaking out. She's like, you need to get Kyle
• 57:17
  now. And the principal's like, the
• 57:19
  school's on lockdown. And Rich was like, yeah, that's
• 57:21
  because of me. I need my son like my brother's
• 57:24
  gonna die. Please just get Kyle out here.
• 57:26
  Thankfully they got the news on and they got pictures of that
• 57:29
  guy. She's like, well, here's him,
• 57:30
  this is me, this is my brother. Right there and then.
• 57:33
  I love it cuz this it's not even lunchtime yet, right?
• 57:36
  And so she has come and picked up Kyle, and Kyle was like, do
• 57:38
  you have my Butterfinger Blizzard?
• 57:41
  Like priorities, kid. Yeah, like mom is freaking out.
• 57:45
  It's the middle of the day, the school's on lockdown and you're
• 57:47
  asking about read the room. Also, while all that's been
• 57:50
  happening, we've gotten shots of of Russell Crowe making Freddie
• 57:53
  write a suicide note, basically. Yeah, saying like Rachel, I hate
• 57:58
  you. This is all your fault.
• 58:00
  Yeah, you should feel bad. He's also dousing him with a
• 58:03
  lighter fluid. Yeah, and Freddie Peas himself.
• 58:06
  So we're just not respecting Fred.
• 58:07
  Any time that happens in the movie, I always am like, why?
• 58:10
  Like you you do we really need to do this to this character.
• 58:14
  Did we? Yeah.
• 58:14
  Did we need a long shot of his pee falling from?
• 58:17
  The was it that important? Like, we got to get this shot,
• 58:20
  folks. So he calls back as they're in
• 58:24
  the car and he makes Freddie read like he makes Rachel put
• 58:28
  the phone on speakers that way. Kyle listens to all of this and
• 58:32
  he makes Freddie read the note out loud.
• 58:35
  And I wrote because his his accent, his real accent came out
• 58:40
  because he goes write the letter.
• 58:45
  So he starts to read the letter, but as he's reading it, cops
• 58:48
  show up. Yeah, hold the gun to him.
• 58:50
  And Freddie. Tom lights Freddie and pushes
• 58:55
  him in the wheelchair. Door.
• 58:56
  Oh my God, yeah. Which is it's fucked up, but
• 58:59
  also like what a wild human weapon.
• 59:02
  It's really funny because he glides him on fire and rolls him
• 59:04
  in. Fred's like, yeah.
• 59:06
  And the cops shoot at him and he just kind of like, tumbles
• 59:08
  through the door. Yeah, it gets him right in the
• 59:10
  shoulder. And he calls back.
• 59:13
  He is driving away from the house and he says Fred's dead,
• 59:17
  babe, Fred's dead. So he's like, all right, She's
• 59:21
  like, don't, he's like, all right.
• 59:24
  So I got my next target now. How's Kyle doing?
• 59:28
  And she's like, don't you fucking do it?
• 59:30
  Don't you talk to Kyle. And she destroys the phone, and
• 59:33
  Kyle is like, hey, didn't you have your tablet in here?
• 59:36
  And she's like, yeah, somewhere. And so he's looking around for
• 59:39
  it, finds it taped to the underside of the seat.
• 59:41
  Did she do that? No, he did that.
• 59:44
  Which is kind of wild because I don't.
• 59:46
  She didn't even remember she had her.
• 59:47
  Tablet. It seemed like she was lying at
• 59:49
  first because he's like, hey, can I call dad?
• 59:51
  And she's like Oh no, no, we don't have anything.
• 59:53
  He took my phone and she's like, Oh well, you can make calls with
• 59:55
  your tablet and she's like, oh, it might be in here still.
• 59:59
  Maybe you look around I. Didn't want to, No, I think she
• 1:00:01
  really didn't remember that she had the tablet.
• 1:00:04
  So he finds it and he's like using the Find my phone to try
• 1:00:08
  and track him. Like they're doing a reverse Uno
• 1:00:11
  and oh man, guess what? That's the neighbor's minivan.
• 1:00:15
  But that's not Rosie and the driver's seat.
• 1:00:18
  Yeah, I think I like, it's kind of funny seeing this because
• 1:00:21
  they see a cop ahead too. And like, OK, speed up just a
• 1:00:25
  little bit. Don't draw attention, Bill,
• 1:00:26
  let's flag down that cop. Yeah.
• 1:00:27
  And like they like slowly go past him and I like that shot of
• 1:00:30
  him just like he's like rubbing his shoulder.
• 1:00:32
  And then he like, sees him, he kind of like hunkers down and
• 1:00:34
  just like it's like, it's like aerodynamic posture.
• 1:00:39
  So they get up to the cop, they roll down the window and they
• 1:00:43
  flag him down and like, hey guy, that you looking forward right
• 1:00:45
  behind you. And then before the cop can
• 1:00:48
  really process what's happening, Tom comes up and hits him with a
• 1:00:52
  minivan and the cop just like, explodes.
• 1:00:55
  The cop wrecks, OK, Like he spins out and then he stops, and
• 1:00:59
  then out of nowhere, fucking truck just demolishes him.
• 1:01:03
  Cool boy. Yeah, so now there's another
• 1:01:06
  chase going. So they're trying to use the
• 1:01:07
  tablet to call the cops, but the cops are like, we're too busy,
• 1:01:10
  like we've got too much shit happening.
• 1:01:12
  I don't know if you heard the news this morning, but we're all
• 1:01:15
  time record low staffing of cops.
• 1:01:17
  It's bad. There's a guy that's just
• 1:01:19
  killing people. Don't know if you're aware about
• 1:01:21
  that. Maybe, maybe pay attention to
• 1:01:23
  other people, ma'am. It'd be funny if they're like,
• 1:01:25
  and there's a guy following me in the truck, he's mad at me,
• 1:01:27
  like, oh, he's Rd. raging. It'd be funny if everybody's
• 1:01:30
  just like, Oh yeah, he's Rd. raging.
• 1:01:32
  Yeah, but then the tablet dies because it was very dead.
• 1:01:36
  So they. So this is, by the way, where we
• 1:01:39
  get the woman doing her makeup, they're chasing, they're on the
• 1:01:41
  freeway, she's just doing that. And then like, he's over there,
• 1:01:45
  He's doing anything he can get to, like, keep up with him.
• 1:01:48
  So he's running into people left and right and he runs into them.
• 1:01:51
  She slams into like the medium railing and it just like
• 1:01:54
  obliterates her. Yeah, yeah.
• 1:01:57
  So they make a plan. They're going to go to grandma's
• 1:01:59
  house because the streets are very confusing.
• 1:02:01
  So they think, first of all, they can get lost, and then they
• 1:02:03
  can use the alarm there to call the police.
• 1:02:06
  So that's what their current plan is.
• 1:02:08
  And they're going to use the Fortnite strategy.
• 1:02:10
  So they go, and they end up losing them at a turn, so we
• 1:02:14
  can't keep following them. They get to grandma's house.
• 1:02:18
  We don't hear the full plan, but she's like OK, just stick to the
• 1:02:21
  plan. And so Kyle runs inside, hits
• 1:02:23
  the panic button, waits to see that it connected and it's
• 1:02:25
  calling the cops. And then he goes and hides and
• 1:02:27
  grandma's sweet like secret closet room.
• 1:02:30
  So we. Were talking we want one of
• 1:02:32
  these. Yeah, I wish we had like the
• 1:02:34
  space in our house to have a secret room like that.
• 1:02:36
  What if we find one one day? Like Oh my God, what is this?
• 1:02:40
  We would be bending the laws of physics because there's no space
• 1:02:44
  to have a secret space in here. Jesse that's generally how
• 1:02:47
  secret rooms work. They exist beyond.
• 1:02:52
  Physical, boy. Yeah, OK, OK.
• 1:02:56
  The physical. Realm so OK, he's been searching
• 1:03:00
  around the entire neighborhood and.
• 1:03:01
  He's Rachel's car cuz she's in a maroon station wagon field that.
• 1:03:04
  She pulls in and then part of her plan is that she gets, she's
• 1:03:09
  like waiting for him and she floors it and runs into him as
• 1:03:12
  he pulls into the driveway. Yeah, except what he does is he
• 1:03:16
  survives that, gets up and he goes over to the driver side
• 1:03:19
  door and just slams her into the fucking.
• 1:03:21
  Trash. Oh my God.
• 1:03:21
  Yep, beating the shit off her and she somehow manages to get
• 1:03:24
  free and run inside the house. Yeah.
• 1:03:26
  And so he has like, done this, walked into the house and he's
• 1:03:29
  looking around for Kyle. Rachel has managed to sneak past
• 1:03:33
  him and get to the attic first, but not not sneaky enough
• 1:03:37
  because Tom has found her and immediately follows into the
• 1:03:41
  closet so. He's doing the fake cop thing to
• 1:03:43
  try and wear out Kyle's like son, he's doing another accent
• 1:03:47
  here. Yeah, he's like, I recognize
• 1:03:49
  that nonspecific accent anywhere.
• 1:03:53
  Yep. So Yep, they get into a little
• 1:03:55
  struggle in the secret room getting Rachel and him and then
• 1:03:58
  she finds like some old weapons there and is able to fight back
• 1:04:02
  pretty pretty well. Yeah, except then he ends up
• 1:04:05
  hitting her and throws her onto the bed and while she's knocked
• 1:04:07
  out he grabs a lamp cord and he is starts choking out Kyle.
• 1:04:13
  Rachel wakes up and says oh hell no.
• 1:04:15
  Days. She's got the candy cane
• 1:04:17
  scissors. Candy cane scissors.
• 1:04:19
  She jumps up and stabs him in the eye and he's just kind of
• 1:04:21
  looking in disbelief. And she goes.
• 1:04:22
  Here's your courtesy tap. Boom.
• 1:04:25
  Hell yeah, it's so good. It's so it's, yeah.
• 1:04:29
  And that's it. They just, they like, ride off
• 1:04:31
  into the sunset. Boom.
• 1:04:33
  It's great. They don't really ride off into
• 1:04:35
  the sunset. The cops arrive.
• 1:04:36
  Yeah, the cops arrive and then like, they pull her to the side.
• 1:04:40
  We stick with Kyle here, and it's just like, nothing.
• 1:04:43
  You think it's bad news, but then she comes over and she's
• 1:04:45
  like, oh, Freddy's alive. I want to say props to the
• 1:04:48
  makeup department because he's got like a nice little line of
• 1:04:51
  bruise around his neck. Yeah.
• 1:04:53
  So they did a really good job. Yeah, they did.
• 1:04:55
  So they are gonna go say hi to Freddie at the hospital and
• 1:04:59
  they're driving down the road and then they stop at a red
• 1:05:02
  light and then the light turns green.
• 1:05:04
  They started to go and just like we were talking about before,
• 1:05:07
  somebody runs, a red light almost hits them.
• 1:05:10
  Audacity to ask them what's wrong with them.
• 1:05:12
  I know, I hope that they looked up and saw that and they felt
• 1:05:15
  like an asshole afterwards. And she had almost honked the
• 1:05:19
  horn and she didn't. And Kyle goes.
• 1:05:21
  Good call. Yep.
• 1:05:22
  And then they ride off into the sunset.
• 1:05:24
  Yeah, Yep. God, I love this movie.
• 1:05:28
  I think it's just I'm gonna keep it in eight.
• 1:05:29
  I'll put months in eight also. Yeah, this is a really fun
• 1:05:32
  movie. I get it.
• 1:05:34
  Keeps the action to pace. It's just fun, man.
• 1:05:36
  It's a good ride. Yeah, you don't think about it
• 1:05:40
  too hard, but it's fun. It's a good time.
• 1:05:42
  Yeah, again. I would cut the Freddy stuff
• 1:05:45
  though. I'll get my bat side started
• 1:05:47
  with the World War One. But you know, I feel like
• 1:05:49
  cutting that stuff was just, it didn't really, it wasn't really
• 1:05:52
  sufficient. There are so many opportunities
• 1:05:54
  for us to see the time, like between being inside the car and
• 1:05:57
  her using the phone. I wish we had a better idea of
• 1:05:59
  the time. I can't believe that's your
• 1:06:01
  actual like this annoyed the hell on me.
• 1:06:03
  Stresses me out Travis IF. You were like an actual
• 1:06:05
  legitimate movie critic. I would be afraid whenever I
• 1:06:09
  would see your name come up on a review.
• 1:06:10
  Like what the fuck did I do that would?
• 1:06:12
  What is she? Annoyed during this time?
• 1:06:14
  Yeah, yeah, OK. Talia.
• 1:06:17
  She's pretty sleepy during this. She's not afraid of Russell
• 1:06:21
  Crowe. No, she loves Russell.
• 1:06:22
  Crowe she she loves Russell Crowe, but she was worried you
• 1:06:25
  were afraid, so she tucked. You in?
• 1:06:27
  She did. She tucked me in with a little
• 1:06:29
  fuck word dog toy. It was really sweet because we
• 1:06:32
  do that to her and she returned to favorite.
• 1:06:34
  It's like, I know you're afraid of Russell Crowe.
• 1:06:36
  It's OK. So I think Talia would also give
• 1:06:38
  this an 8. Yeah.
• 1:06:40
  Because it's great. Yeah.
• 1:06:42
  Zoe's ultimate warrior. I mean, obviously Russell Crowe,
• 1:06:47
  obviously Russell Crowe I. Mean he starts out right off the
• 1:06:50
  bat, kicking down the door, so he kicks down doors all the time
• 1:06:53
  around here. He makes the diner his bitch.
• 1:06:57
  Yeah, yeah, like. Yeah, OK.
• 1:07:04
  Did you relate to? Oh yeah.
• 1:07:06
  Who did you relate? To who did I relate to?
• 1:07:16
  I guess I related to to Andy there, like getting fed up with
• 1:07:22
  people, like not taking time seriously.
• 1:07:25
  He was like, he was kind of making, like, old jabs at
• 1:07:28
  Rachel's tardiness. Yeah, which was fun.
• 1:07:32
  But like, you know, it's fair. Like, OK, like he got his dig in
• 1:07:36
  when she's like, all right, meet you there at whatever time.
• 1:07:38
  He's like, all right, Is that like, what's that?
• 1:07:40
  Rooney real minutes or 20 Rachel minutes?
• 1:07:42
  Yeah, yeah. And I could sense a little bit
• 1:07:44
  of like annoyedness there. Yeah, no, I'm going to agree
• 1:07:47
  with Andy is who I relate to too.
• 1:07:50
  There's a fantastic bit by Mark Birbiglia in one of his stand
• 1:07:54
  up. Specials.
• 1:07:55
  Yeah, the tardy people. Yeah, he talks about late
• 1:07:57
  people. Yeah, he's like, I'm not a late.
• 1:07:58
  I'm an all time person. My wife, he's a late person.
• 1:08:01
  He's got a great, great bit about it, yeah.
• 1:08:04
  They always show up like a mess, like all right, this is how I
• 1:08:06
  am. Sorry about that.
• 1:08:08
  I really took out on that since too, because I've been there.
• 1:08:10
  I've waited for like people to come pick me up for hours at a
• 1:08:13
  time. OK, I think instead of doing
• 1:08:17
  Dream Sequel, I want to do your suggestion that you came up with
• 1:08:19
  last night. Yes, our ideal playlist for
• 1:08:22
  Russell Crowe's character. We can't do a sequel without
• 1:08:25
  Russell Crowe, so we're gonna do what is Russell Crowe's
• 1:08:28
  playlist. And I cuz it started because
• 1:08:31
  when he lit the fire I started singing that Rihanna and Eminem.
• 1:08:36
  Yeah, I, I is that the one that's like, I'm not afraid.
• 1:08:41
  No, I want that on this playlist.
• 1:08:43
  You want that one? Too.
• 1:08:44
  You know he's got at least one Kid Rock song.
• 1:08:47
  Oh my God. Yeah, which one?
• 1:08:55
  Yeah, let's see. I think he's got sticks selling
• 1:09:03
  away on there. No.
• 1:09:06
  He's he knows this is his last one.
• 1:09:08
  He's like I'm selling away y'all?
• 1:09:09
  No, he would definitely do Hangman.
• 1:09:13
  Hangman. Yeah.
• 1:09:14
  How's Hangman go? The jig is up the news.
• 1:09:17
  Is out, they finally found. Yeah, OK.
• 1:09:21
  Yeah, he's got that. I think he would have the what's
• 1:09:24
  that one? I was a bartender.
• 1:09:27
  I really did it. This time, Britney Spears.
• 1:09:31
  Oops, I did it again. I didn't start the fire.
• 1:09:38
  He's got some Billy Joel in there.
• 1:09:40
  Yeah, let's see. We didn't start the fire.
• 1:09:45
  That's what it is. Yeah, Yeah.
• 1:09:46
  It is trying to think would be another good one.
• 1:09:51
  Man, yeah, what would be a good one for him?
• 1:09:53
  I feel like he would just have some ACDC like.
• 1:09:55
  Just I was thinking of some ACDC.
• 1:09:57
  Yeah, because of maximum OverDrive.
• 1:09:59
  You got the car. He appreciates the carness of
• 1:10:02
  this. Yeah, which this might make you
• 1:10:07
  laugh, but I started reading Shawshank Redemption and well, I
• 1:10:11
  started bringing Different Seasons, which has Shawshank
• 1:10:14
  Redemption, and it's the first one, but like, he put quotes at
• 1:10:17
  the beginning of it and one of the quotes was just Dirty D It's
• 1:10:20
  done dirt cheap, really. TDC, yeah.
• 1:10:24
  I like that, yeah. But I think it would, I think it
• 1:10:27
  would be Thunderstruck would be his song because that's like
• 1:10:30
  that's a good like, like that's a good like hype song.
• 1:10:36
  Or no, I think he's dynamite cuz I'm TNT.
• 1:10:41
  I'm dynamite cuz he's ready to explode.
• 1:10:45
  Yeah, that's true. Yeah, that's a good point.
• 1:10:48
  I think he would also have a 7 nation army.
• 1:10:52
  Yeah, cuz he feels like he's an army.
• 1:10:54
  Yeah, right now he's a 7 nation army all on his own here.
• 1:10:56
  Yeah, this is really just kind of a generic playlist, generic
• 1:11:00
  angry white man playlist, but that's.
• 1:11:02
  Exactly. The man that we're dealing with
• 1:11:04
  here. Yeah, all.
• 1:11:05
  Right. Some bangers.
• 1:11:07
  Yeah, let us know. Maybe that can be our open-ended
• 1:11:10
  poll, like instead of the traditional poll like.
• 1:11:13
  What songs would you add to Tom Cooper's playlist?
• 1:11:16
  I kind of want to actually put. Yeah, no, I was gonna say we
• 1:11:20
  will make the playlist once we have everybody's suggestions.
• 1:11:23
  Yeah, this week's poll not gonna be a poll.
• 1:11:26
  I'm gonna do a question. I want you all to put what his
• 1:11:29
  playlist? Yeah.
• 1:11:30
  What song you think would be in his playlist?
• 1:11:32
  Just one song, just one song, and we're gonna put the playlist
• 1:11:34
  together. And you know what we're gonna
• 1:11:35
  do? I want this to please do this,
• 1:11:38
  because I want to actually make a Spotify playlist with all
• 1:11:41
  these songs and share with everybody.
• 1:11:42
  Yeah, yeah, yeah. OK, cool.
• 1:11:44
  Please do this, people. This will be on Fridays.
• 1:11:46
  This will be on Friday. We'll look for this on our
• 1:11:48
  Instagram, yes, Or I'll post it on Blue Sky also.
• 1:11:52
  OK. All right.
• 1:11:54
  OK, new tagline. OK, so the original he can
• 1:11:59
  happen to anyone. He can happen to anyone.
• 1:12:01
  OK, so I think it would be funny to do like a bumper sticker.
• 1:12:05
  The first one that came to mind to me is Honk if you're sorry.
• 1:12:09
  Oh my God, I love that. But then this also made me want
• 1:12:13
  to look up like honk bumper stickers and there's one that I
• 1:12:17
  I found that just made me like bust out laugh.
• 1:12:19
  It just says don't honk, I'll come.
• 1:12:21
  Oh my God, I'm sorry. Also, honk if you honk with the
• 1:12:26
  goose. I like Honk if you're sorry.
• 1:12:30
  OK, Honk. Yeah.
• 1:12:31
  OK. Cool.
• 1:12:34
  All right, cool. So I guess it's time for
• 1:12:37
  reviews. Yes, yeah.
• 1:12:39
  So I've got 2 because you didn't believe that this was the
• 1:12:42
  extended review. I read this to you last night
• 1:12:45
  and you're like, no, read no more, I want to hear the rest
• 1:12:48
  tomorrow. And I was like, no, that's the
• 1:12:49
  only sentence in the review. That was so disappointing,
• 1:12:53
  please let the people know. 4 out of 10 Dumb.
• 1:12:57
  That's it. The No, that's the title.
• 1:12:59
  The woman in the movie tried her best to avoid calling a police.
• 1:13:03
  She called the police so many times dude.
• 1:13:05
  That's it, right? Yeah, that's the entire view.
• 1:13:08
  What the fuck? OK, here's an actual like more
• 1:13:11
  thought out reveal. OK this is a one out of 10.
• 1:13:15
  This movie deserves to catch COVID.
• 1:13:17
  What the fuck? OK, this is definitely during
• 1:13:19
  COVID. Since it really is October 22nd,
• 1:13:21
  Yeah. OK.
• 1:13:23
  Please ignore any reviews above the five Russell Crowe bodysuit.
• 1:13:27
  Or just fat. That's rude.
• 1:13:29
  Oh, come on. Either way, it looks like he's
• 1:13:30
  given up on life. Yeah, that's his fucking
• 1:13:32
  character. Shame he didn't give up with
• 1:13:34
  this movie. It's plain awful.
• 1:13:37
  A simple plot choice which had to be wildly exaggerated, yet
• 1:13:39
  still follow the same predictability and mundane tone.
• 1:13:42
  So many bloopers, so many unnecessary predictable moments.
• 1:13:46
  No characterization at all, no in depth background of any
• 1:13:48
  character. Just a silly boardroom idea I
• 1:13:50
  brought to the big screen, which I imagine 90% of the budget was
• 1:13:53
  spent on casting Crow. Let's face it, his acting skill
• 1:13:56
  makes movie but not even this one was salvageable with 10A
• 1:13:59
  listers dialogue, terrible plot, predictable acting, all but crow
• 1:14:05
  atrocious point none. Glad I streamed this movie for
• 1:14:09
  free because I would have been fuming if I paid to watch it.
• 1:14:12
  Avoid like COVID-19. Damn scathing.
• 1:14:16
  Yeah, I. Who are the other A listers?
• 1:14:18
  The only I don't even I wouldn't even call Russell Crowe really
• 1:14:21
  an A Lister if I'm being real. I I don't know, I don't know who
• 1:14:26
  they're referring to or if they're saying like if they
• 1:14:28
  cast. 10A Listers, yeah. Like, I don't listen.
• 1:14:33
  It's not. This isn't meant to be an Oscar
• 1:14:36
  winning movie. This is like, yeah.
• 1:14:39
  Man. This is like this is junk food.
• 1:14:42
  This is a person that's like, I just don't think wrestling's
• 1:14:45
  real, y'all? I just.
• 1:14:47
  Don't believe it's real? You can see they're not really
• 1:14:49
  hitting each other. Yeah, like, I mean, I get it.
• 1:14:53
  Like, I mean, if like if you want something with a little bit
• 1:14:56
  more substance to it, this isn't gonna be that movie.
• 1:14:59
  This is gonna be a movie that it's there for the people that
• 1:15:02
  just want to turn their brain off and have a fun ride.
• 1:15:04
  Sometimes you just. Want to watch Russell Crowe be a
• 1:15:07
  menace? That's all I wanted, yeah.
• 1:15:10
  I always acknowledge he did a good performance.
• 1:15:13
  And we need to start with body shaving in general, but
• 1:15:17
  especially celebrities like. It happens, man.
• 1:15:20
  You know, I actually find it refreshing this year.
• 1:15:22
  So he's like slipping the real bodies.
• 1:15:24
  He's 56 years old. He's done gladiator.
• 1:15:27
  He doesn't have to keep keep that shit.
• 1:15:29
  Up would you rather see that or see them all plastic surgeried
• 1:15:31
  up and like you know? No, because people are fucking
• 1:15:34
  brutal to Millie Bobby Brown right now.
• 1:15:36
  She has surgery. Yeah, she's done, like, a lot of
• 1:15:38
  fillers and stuff in her face and like, they're just being
• 1:15:40
  like, she's 21 and she looks 57. Yeah.
• 1:15:44
  Like, she's probably doing all this because you guys have been
• 1:15:47
  objectifying her in the media since she was, like, 15.
• 1:15:50
  Yeah. Get it?
• 1:15:54
  Yeah, yeah. So it's just I don't like, we
• 1:15:56
  don't need to do. Yeah, he's a bigger guy, but
• 1:15:58
  also that kind of makes it intimidating.
• 1:16:00
  Like he's just barreling at them.
• 1:16:01
  I I like it. I like seeing realness in
• 1:16:04
  Hollywood. Yeah, personally, you know, but
• 1:16:06
  I mean, everybody's inclined to make themselves look however
• 1:16:09
  they want to be. They're their own people.
• 1:16:10
  So yeah, stop, stop doing that. Don't do that.
• 1:16:12
  Don't be like Emma Stone and Zombieland.
• 1:16:15
  Like and there was, yeah, exactly.
• 1:16:17
  But like there is no need to put that in the review.
• 1:16:19
  Like cheap shot? Yeah.
• 1:16:22
  So OK. Do we have any listener reviews?
• 1:16:24
  We don't. No, I'm.
• 1:16:26
  Sorry. Yeah, Look, if it's because you
• 1:16:28
  guys haven't watched it, please change that because it's a fun
• 1:16:31
  movie. We recommend it, and it's on
• 1:16:33
  Netflix now. You don't have to actually pay
• 1:16:35
  unless you have to pay for that, but you can do a free trial.
• 1:16:38
  Yeah, yeah, I guess it's a good time.
• 1:16:42
  Absolutely recommend it. So that brings us to the next
• 1:16:47
  movie. Have you decided?
• 1:16:49
  I believe I have. OK.
• 1:16:50
  Is it my pick? No.
• 1:16:51
  Yes. OK.
• 1:16:52
  So I can't. I feel like we've watched this
• 1:16:55
  one, but I can't remember if we did.
• 1:16:57
  So it might be it's gonna be one that we really remember or we
• 1:17:00
  know for sure, but I'm gonna pick the Howling.
• 1:17:04
  Oh, we have watched it once together.
• 1:17:06
  That's what we're. Excited about this?
• 1:17:08
  That's a fun movie. Joe Dante, man, we get some Joe
• 1:17:11
  Dante up in here. I fucking love that guy.
• 1:17:13
  He's an amazing director, so I'm really excited for it.
• 1:17:16
  It's I wanted to get werewolves because we haven't talked about
• 1:17:20
  werewolves on here yet, and I'm wanting to try and get some
• 1:17:22
  variety here with the this month's lineup.
• 1:17:25
  Yeah, we went really, really dark and sad last month and I'm
• 1:17:28
  wanting to like shake it up and have some fun this month.
• 1:17:31
  Yeah, that's what I wanted to do on him.
• 1:17:32
  Yeah, exactly. I was like, this is gonna be
• 1:17:34
  fun. And I knew that we were already
• 1:17:35
  doing insanely canopy with Texas Chainsaw Massacre too, so let's
• 1:17:39
  get some like, creature feature. Let's get some werewolves up in
• 1:17:41
  here. So where can people watch that?
• 1:17:44
  They can rent it on well. I'm sorry, this could be one
• 1:17:49
  that people have too, on DVD and Blu-ray.
• 1:17:51
  Yeah, so we have it on Blu-ray. Yeah, so I'm excited.
• 1:17:55
  I'm excited to watch that again. Yeah, it's a, it's a good.
• 1:17:58
  It's a fun werewolf movie. OK.
• 1:18:00
  So in the meantime, we would like to thank our bubbies over
• 1:18:03
  at the Patreon. We've got Joe Freakatron, as is
• 1:18:06
  his name, Amber, Michael, Lord, Zombie, Tyler, Chad and Johnny.
• 1:18:11
  Yeah, Thank you guys so much for being supporters of the show.
• 1:18:14
  It means so, so much to us. It helps us keep the lights on
• 1:18:17
  here and it helps us get more equipment and be able to improve
• 1:18:21
  the show. Yep.
• 1:18:22
  If you want to show support in other ways, you can do so by
• 1:18:25
  rating and reviewing to the podcast wherever you're
• 1:18:27
  listening to it, following us on that same platform, sharing our
• 1:18:31
  episodes and just generally showing the love.
• 1:18:34
  You can also follow us on our social media.
• 1:18:36
  We're on Instagram and threads at least favorite scary movie
• 1:18:38
  podcast and we're on blue Sky at least fav pod.
• 1:18:41
  We have a website what you least favorite scary movie.com and you
• 1:18:43
  can always reach out to us via e-mail at least favorite
• 1:18:46
  scarymovie@gmail.com. Don't forget on Friday to go
• 1:18:49
  onto our Instagram and all of our social media really.
• 1:18:52
  Yep. And like, give us your playlist
• 1:18:54
  and anybody that's listening in the future, hit us up.
• 1:18:57
  Go for that, go for that. We'll send you.
• 1:19:00
  If you want that playlist, we'll send it to you.
• 1:19:01
  We'll put it together, we'll make it public.
• 1:19:03
  Exactly. Yeah.
• 1:19:04
  So, all right, thanks everybody for being here.
• 1:19:06
  Been good time. So let's keep the good times
• 1:19:09
  rolling this month and we'll see y'all next week.
• 1:19:11
  Until then. Bye.