Latest / Frightmares / Ep. 149 - The Mist (2007)

Transcript

Ep. 149 - The Mist (2007) · Frightmares

• 0:45
  Speaker 1: Have you have you seen what Devin looks like recently?
• 0:48
  Speaker 2: Yeah?
• 0:49
  Speaker 1: Yeah, someone posted this in the groups that it's a
• 0:51
  Speaker 1: picture of him guy from Final Destination. If you don't
• 0:54
  Speaker 1: know in the picture of that, So I commented, I
• 0:57
  Speaker 1: was like, Devin s more like Daddy's So for real,
• 1:01
  Speaker 1: it's like, holy shit, he's fucking ripped. Now, good for him.
• 1:05
  Speaker 1: I will I will never look like that. And I'm, uh,
• 1:07
  Speaker 1: you know, what are you gonna do? Just live with it,
• 1:10
  Speaker 1: you know, just live in sadness. I am healthy, that's good.
• 1:14
  Speaker 1: Doctor said I was healthy. It did blood work recently
• 1:17
  Speaker 1: and she said, you're doing good. I'm like, kwo, is
• 1:18
  Speaker 1: my liver not failing? But okay, didn't. But I haven't
• 1:22
  Speaker 1: drink in twenty one days today, so boom, nice, feel
• 1:26
  Speaker 1: a lot better. Let me tell you feel a lot better.
• 1:29
  Speaker 1: It's funny because I used to drink, you know, because
• 1:32
  Speaker 1: of stress and stuff like that. But the thing you
• 1:33
  Speaker 1: don't realize is that drinking makes you more stress because
• 1:36
  Speaker 1: once I'm done drinking and I don't have any alcohol,
• 1:38
  Speaker 1: then I get stressed that I don't have alcohol. So
• 1:40
  Speaker 1: it's like a repetitive cycle. So now I don't have
• 1:42
  Speaker 1: that stress and life is much simpler. Let me tell
• 1:44
  Speaker 1: you what.
• 1:45
  Speaker 2: You're saving some money for for Blu rays you don't.
• 1:47
  Speaker 1: Need, That's true, spend more money on Blu rays like
• 1:50
  Speaker 1: I did today. Oh my god, I bought so I'm
• 1:52
  Speaker 1: finally caught up with the pre orders for Screen Factory.
• 1:55
  Speaker 1: I have Funhouse and Cat People, Yeah, Funhouse, Cat People, Oh,
• 2:00
  Speaker 1: Army of Darkness on through Amazon because I'm like, I
• 2:02
  Speaker 1: don't need the posters for those.
• 2:03
  Speaker 2: Yeah.
• 2:03
  Speaker 1: But then I have Evil Dead through them because I
• 2:06
  Speaker 1: want the Evil Dead because you know, well, it's not
• 2:07
  Speaker 1: gonna be that size, but I'll put it somewhere over here.
• 2:11
  Speaker 1: And then I and then I bought what did I
• 2:13
  Speaker 1: buy today? On top of Evil Dead?
• 2:15
  Speaker 2: It was oh, like, oh U Autopsy of Jane Doe
• 2:18
  Speaker 2: because I.
• 2:18
  Speaker 1: Thought I had that. I could have sworn I bought that, dude.
• 2:21
  Speaker 1: I thought I bought it on the last like sale
• 2:24
  Speaker 1: that they had, but I did. And I came in
• 2:25
  Speaker 1: here and checked and I checked all my orders and
• 2:27
  Speaker 1: I'm like, maybe it was in my cart and I
• 2:28
  Speaker 1: just said no. So I was like, I got that.
• 2:30
  Speaker 1: And then I got a Dark Song because I saw
• 2:32
  Speaker 1: that ages ago and hated it for some reason but
• 2:35
  Speaker 1: it's got like a three four, So I'm like, I
• 2:36
  Speaker 1: gotta try that again. So that's what I bought today,
• 2:39
  Speaker 1: and then I have so much stuff pre ordered. And
• 2:41
  Speaker 1: then today actually speaking of shot Factory, species came the
• 2:44
  Speaker 1: four thousand. Looks very nice. I see they seem to
• 2:48
  Speaker 1: be doing the like original art on their four k's
• 2:52
  Speaker 1: as of late, like Candy Man Escape from New York,
• 2:55
  Speaker 1: the Craft, it's all like the it looks like it's
• 2:57
  Speaker 1: the does this have reversible? Oh? Just throw that fucking
• 3:02
  Speaker 1: thing out at me, rude? Oh good? The fourth Authan's
• 3:05
  Speaker 1: up front. I hate when they put the Blu Ray
• 3:07
  Speaker 1: up front. It always like makes me mad. It's fucking annoying.
• 3:10
  Speaker 1: All right, do you have a backwards side here?
• 3:12
  Speaker 2: They do?
• 3:13
  Speaker 1: Oh you do? Okay, So I guess that's the I
• 3:16
  Speaker 1: guess that's the original artwork.
• 3:18
  Speaker 2: I've never seen that artwork before in my life.
• 3:21
  Speaker 1: Or maybe this is I don't know. I feel like
• 3:22
  Speaker 1: they're using because I know the Candy Man one for
• 3:24
  Speaker 1: sure that was definitely like original art. So this came
• 3:29
  Speaker 1: in today, three discs set. We've got four yeah, four
• 3:33
  Speaker 1: k UHD. Then we've got the Blu Ray and then
• 3:36
  Speaker 1: we've got special features, and I really dig the artwork
• 3:40
  Speaker 1: on the uh on the four K, the blue rays
• 3:43
  Speaker 1: and four K is themselves. You got the main check
• 3:44
  Speaker 1: I can't remember her name, and then you've just got
• 3:46
  Speaker 1: some just nice, very simple art on the other two,
• 3:49
  Speaker 1: some blues and some greens. So I'm excited to watch this.
• 3:52
  Speaker 1: It's not a good movie by any means, but it's
• 3:54
  Speaker 1: a lot of fun. And of course you have the
• 3:57
  Speaker 1: babe what's her fucking name? I don't even.
• 3:59
  Speaker 2: Know this on the top of my head.
• 4:02
  Speaker 1: Is it Natasha? Yeah Stritch? Yeah, this was her first movie.
• 4:05
  Speaker 1: But yeah, it's it's just a fun movie. You got
• 4:07
  Speaker 1: Alfred Molina and this Forrest Whittaker, Ben Kingsley, so you've
• 4:10
  Speaker 1: got like a good cast, and you know, you just
• 4:12
  Speaker 1: really what this suffers from is just god awful to
• 4:16
  Speaker 1: CG because.
• 4:17
  Speaker 2: It's from uh eart.
• 4:18
  Speaker 1: Yeah it's ninety five, so yeah that's when CG was,
• 4:21
  Speaker 1: you know, I mean Mortal Kombat. I think Annihilation was
• 4:24
  Speaker 1: around ninety five ninety seven. We don't talk about that,
• 4:27
  Speaker 1: I know, And yeah, we don't talk about Bruno or that.
• 4:30
  Speaker 1: So yeah, this movie, like I said, it's not like
• 4:32
  Speaker 1: a great movie, but it's a lot of fun.
• 4:34
  Speaker 2: I enjoy it.
• 4:35
  Speaker 1: I definitely want to rewatch it. I'm glad to have
• 4:36
  Speaker 1: the four K. I still haven't seen two, three or four,
• 4:40
  Speaker 1: but I know for sure, like those are just not
• 4:42
  Speaker 1: good on Prime.
• 4:44
  Speaker 2: Oh it was at least a month ago when I
• 4:46
  Speaker 2: watched it.
• 4:47
  Speaker 1: Or for seventy eight dollars for the Scream Factory out
• 4:50
  Speaker 1: of the Friends.
• 4:50
  Speaker 2: Now one, now the o.
• 4:54
  Speaker 1: It.
• 4:54
  Speaker 2: It's just easier to say it is. But uh, what
• 4:58
  Speaker 2: you watch. I've not seen three or four either. I
• 5:00
  Speaker 2: have only I didn't even know three and four exists
• 5:02
  Speaker 2: until maybe five years ago. But uh, when you watch two,
• 5:07
  Speaker 2: you realize one is a goddamn masterpiece.
• 5:09
  Speaker 1: Right, Yeah, you're just like wow.
• 5:10
  Speaker 2: Two is literally like a romance movie done completely wrong.
• 5:16
  Speaker 2: Like it's like no one watched knows what romance means.
• 5:19
  Speaker 2: Like they looked up the definition of romance in addiction
• 5:21
  Speaker 2: and they're like, Nope, this is not what we're doing,
• 5:23
  Speaker 2: but we'll add kissing.
• 5:24
  Speaker 1: Let's yeah, let's go the opposite way.
• 5:26
  Speaker 2: Yeah. No, it's it's on Prime. And if it's still
• 5:28
  Speaker 2: on Prime, I highly recommend just watch it. It's like
• 5:30
  Speaker 2: an hour and a half, so.
• 5:31
  Speaker 1: You've got the first Species two point seven. I gave
• 5:34
  Speaker 1: it a three. You've got Species two two point two,
• 5:38
  Speaker 1: you've got Species three one point eight, and then Species
• 5:42
  Speaker 1: the Awakening one point six.
• 5:45
  Speaker 2: Apparently Awakenings better than the like the fourth ones better
• 5:47
  Speaker 2: than the third though.
• 5:48
  Speaker 1: Somehow I don't know.
• 5:49
  Speaker 2: We'll see, but yeah, they're straight, they're they're both The
• 5:53
  Speaker 2: last two is three and four are both like straight
• 5:55
  Speaker 2: to like like video, So yeah, what do you expect?
• 5:58
  Speaker 1: It's true? And I know Natasha it's in the second one,
• 6:01
  Speaker 1: but she's not in three or or four. She's just
• 6:04
  Speaker 1: in one and two. So yeah, those are definitely movies.
• 6:07
  Speaker 1: Check them out again, the first one being you know
• 6:10
  Speaker 1: the best.
• 6:11
  Speaker 2: It's just interested me. How it's just interested me? How
• 6:14
  Speaker 2: like saying with like a sleep Away Camp and slebber
• 6:17
  Speaker 2: Party Massacre. The sequels are harder to find than the originals. Yeah,
• 6:22
  Speaker 2: I know, we've Away Camp, the first one you can
• 6:23
  Speaker 2: get anywhere for like ten bucks.
• 6:25
  Speaker 1: There's yeah, there's multiple versions.
• 6:27
  Speaker 2: But sleep Away Camp too, Go fuck yourself.
• 6:29
  Speaker 1: You're not finding Yeah, two and three you can get
• 6:31
  Speaker 1: them on like DVD, which is still even hard to find,
• 6:33
  Speaker 1: or the Blu rays, which you know I paid I
• 6:36
  Speaker 1: think I paid like one fifty for the deuce for
• 6:38
  Speaker 1: two and three or something. I think I might have
• 6:40
  Speaker 1: even paid one hundred a piece for them, because like
• 6:41
  Speaker 1: it's it's ridiculous, But yeah, I don't. It's weird, really
• 6:44
  Speaker 1: weird how they just once they're out, they're out in
• 6:47
  Speaker 1: people in one insane amount of.
• 6:49
  Speaker 2: But like I said, it's weird how how the like
• 6:51
  Speaker 2: even before they did did the shout, did the four
• 6:54
  Speaker 2: K or even the regular blu ray you can still
• 6:56
  Speaker 2: find species anywhere the first one, yeah, but the other
• 7:00
  Speaker 2: ones are just like nope, you're out of luck, which
• 7:03
  Speaker 2: it just doesn't make sense to me.
• 7:05
  Speaker 1: I'm trying to find the double feature.
• 7:10
  Speaker 2: Of what species.
• 7:13
  Speaker 1: Of Yeah, so this one? So yeah, they had Sleepway
• 7:17
  Speaker 1: Camp one, two and three all had their own separate
• 7:20
  Speaker 1: collectors edition, and then Summer Party Massacre was in a
• 7:23
  Speaker 1: collector's edition, which I'm kind of curious as to why
• 7:25
  Speaker 1: they didn't do that as a collectors I feel like
• 7:26
  Speaker 1: they should have. But then they have Summer Party Masker
• 7:28
  Speaker 1: two and three. Uh, it's like a double feature, which
• 7:31
  Speaker 1: is something you know. I also paid like another seventy
• 7:32
  Speaker 1: five or eighty bucks for this, but yeah, it's so
• 7:34
  Speaker 1: funny how most of these sequels and even Species too,
• 7:37
  Speaker 1: that's a there's two, and then there's three and four
• 7:39
  Speaker 1: on a double feature, and those are just as hard
• 7:41
  Speaker 1: to find. It's like just weird. It's weird because it's
• 7:43
  Speaker 1: like I anticipated Alligator two going out of print so fast,
• 7:47
  Speaker 1: so I bought a double a copy of it so
• 7:49
  Speaker 1: I could, I know, I sell it for a little
• 7:51
  Speaker 1: bit more whatever. Nothing, nothing that crazy that people are asking.
• 7:54
  Speaker 1: But I was like, you know, so if someone will
• 7:55
  Speaker 1: want this one, it's out of print and I'll have
• 7:57
  Speaker 1: it and whatever. But it did. Still it's I don't
• 8:00
  Speaker 1: think that one's going out of print. You know. It's
• 8:02
  Speaker 1: so it's hard to know which sequels are gonna fucking
• 8:04
  Speaker 1: fly off the shell.
• 8:05
  Speaker 2: I think that's just with anything too. I mean back, uh,
• 8:08
  Speaker 2: you know, I know last time, you know, last time,
• 8:09
  Speaker 2: we talked a little bit about steel books and stuff.
• 8:11
  Speaker 2: But uh, sometimes you know, I'll pre order my steel
• 8:14
  Speaker 2: books like months in advance, or sometimes I'll just wait
• 8:16
  Speaker 2: it out. But like certain ones that I think are
• 8:19
  Speaker 2: gonna go like quick don't, and then they even go
• 8:22
  Speaker 2: cheaper like ye later after I buy it, I'm like,
• 8:24
  Speaker 2: fuck yeah.
• 8:25
  Speaker 1: So it's so hard to know. And that's why every
• 8:27
  Speaker 1: time I see you a second like a sequel, because
• 8:29
  Speaker 1: I think Alligator too, that's the first time it's ever
• 8:31
  Speaker 1: been on Blue Rais, so I was like, oh, this
• 8:33
  Speaker 1: is gonna go fucking quick.
• 8:34
  Speaker 2: Well I think, well, that one's also on shutter, like
• 8:36
  Speaker 2: it just got on shutter, So maybe that's why it's
• 8:38
  Speaker 2: not going as quick as people are are.
• 8:39
  Speaker 1: Just and Alligator, Yeah, yeah, maybe.
• 8:44
  Speaker 2: Maybe it's because it's on a streaming service. You know,
• 8:46
  Speaker 2: a lot of horror fans pay for or whatever probably
• 8:48
  Speaker 2: are just washing it there and getting their fills. So like, yeah,
• 8:51
  Speaker 2: I'm not gonna buy this, or if I do, I'll
• 8:54
  Speaker 2: wait till it leaves shutterer or they wash it and
• 8:56
  Speaker 2: realized they don't like it and don't want to pay,
• 8:58
  Speaker 2: you know, those prices, which standable. I do that with
• 9:00
  Speaker 2: some movies, not necessarily horror, just like uh so there's
• 9:04
  Speaker 2: some movies that I that I that don't come to theaters,
• 9:06
  Speaker 2: that come straight to like video and demand that I
• 9:08
  Speaker 2: still wanted to check out now to RENTI on Amazon
• 9:11
  Speaker 2: or Voodo. You're looking at like four sixty nine, right,
• 9:14
  Speaker 2: But sometimes red Box will have them on Blu Ray
• 9:17
  Speaker 2: for like a dollar, and would I prefer to spend
• 9:20
  Speaker 2: that dollar, yes, because because if it's good, okay, like
• 9:24
  Speaker 2: odds ar, I'm gonna pending the extra like nineteen twenty
• 9:26
  Speaker 2: to White later on Life. If it's bad, I feel less.
• 9:29
  Speaker 2: I feel like, Okay, I wasted a dollar instead of seven,
• 9:31
  Speaker 2: that's fair like so so it I think it just
• 9:34
  Speaker 2: goes like the same way with I mean, not necessarily
• 9:38
  Speaker 2: with Species or you know, Slummer Party, but maybe with
• 9:41
  Speaker 2: the Alligator ones.
• 9:42
  Speaker 1: Maybe yeah, because I'm I'm pretty sure Sleeveway Camp two
• 9:45
  Speaker 1: and three. That was their first time on Blue Ray,
• 9:47
  Speaker 1: I believe, and it was really hard to find stream.
• 9:50
  Speaker 2: They had DVD releases before, and the Alligators did not.
• 9:53
  Speaker 1: I mean I think Alligator, well, the.
• 9:55
  Speaker 2: First one did, but the second one did not.
• 9:56
  Speaker 1: Yeah, so I don't know. It's just so hard to
• 9:58
  Speaker 1: know these days. But whatever, I have an extra copy
• 10:01
  Speaker 1: of Alligator and Alligator too then trying to sell, so
• 10:04
  Speaker 1: hit me up. No, I'm just kidding. I did. I
• 10:06
  Speaker 1: did make a sale post though, in the screen factory
• 10:08
  Speaker 1: groop because I'm like, take the ship and no one
• 10:09
  Speaker 1: bit on anything. I'm like, come on, somebody, take this shit.
• 10:13
  Speaker 1: I'm gonna start giving it away here. I don't need it.
• 10:15
  Speaker 1: I have so many fucking extras. So yeah, that's what's
• 10:19
  Speaker 1: going on in the world of Screen Factory. I'm surprised
• 10:21
  Speaker 1: they didn't renounce anything at SDCC, but whatever. It's fine.
• 10:25
  Speaker 1: I'm not crying on the inside, but I'm also happy.
• 10:27
  Speaker 2: Probably for a good time. Month they just here's this,
• 10:33
  Speaker 2: here's this, and you're like.
• 10:34
  Speaker 1: Well, I'm done. Yeah, I'm Next month, We've got hopefully
• 10:38
  Speaker 1: cap Eople, fun House, Child's Play, and then September I
• 10:43
  Speaker 1: think is Evil Dead Army of Darkness? Yeah, so Dog Soldiers, Oh,
• 10:48
  Speaker 1: Dog Soldiers, that's right. I think that's supposed to be
• 10:50
  Speaker 1: August as well.
• 10:51
  Speaker 2: Yeah.
• 10:51
  Speaker 1: It's funny because I pre ordered that on shout and
• 10:53
  Speaker 1: I forgot about it and then I was like, oh,
• 10:55
  Speaker 1: I didn't pre order that, so I preordered it on Amazon,
• 10:57
  Speaker 1: and then I found out last night. I was like,
• 10:59
  Speaker 1: I was like, oh shit, delete on Amazon. I didn't
• 11:01
  Speaker 1: realize I bought it from Shout. I guess I did.
• 11:04
  Speaker 1: So let's get to I got a fucking some shit
• 11:06
  Speaker 1: to talk about, do we? Oh boy, First and foremost,
• 11:10
  Speaker 1: we hit ten thousand follow or likes on Facebook whoo,
• 11:14
  Speaker 1: which is fucking a huge milestone. We started the page
• 11:18
  Speaker 1: January of twenty or no January of twenty nineteen, so
• 11:22
  Speaker 1: in just over three years, ten thousand. I I was
• 11:24
  Speaker 1: pretty good. I'm happy with where the page is at,
• 11:26
  Speaker 1: getting a lot of likes, sharing a bunch of good stuff,
• 11:28
  Speaker 1: so that's pretty awesome. Second thing, last week, I did
• 11:31
  Speaker 1: say Corey was going to be here and we were
• 11:33
  Speaker 1: going to be doing a ty West joint, but unfortunately
• 11:35
  Speaker 1: he got COVID, So we're doing a you know, a
• 11:38
  Speaker 1: two week of what do you want to call it,
• 11:41
  Speaker 1: not fucking whatever. Yeah, so you know, so he'll be
• 11:44
  Speaker 1: here on the next episode. Actually no, it'll be me
• 11:46
  Speaker 1: and Gabby on the next episode, and then we'll be
• 11:48
  Speaker 1: doing our ty West movie. So he's doing better. I
• 11:51
  Speaker 1: don't think he's contagious anymore. But yeah, it was like,
• 11:53
  Speaker 1: let's just make sure we don't pass out on to anybody.
• 11:55
  Speaker 1: So he will be here in a couple of weeks.
• 11:58
  Speaker 1: Next up, we got Spirit Halloween releasing little locations. Be
• 12:00
  Speaker 1: sure to check the website and search your city. There's
• 12:04
  Speaker 1: some schedule to be opening by me here in Lake Mary, Florida,
• 12:07
  Speaker 1: like eight four, so that's like two weeks, three weeks
• 12:11
  Speaker 1: until we have we know, two weeks, like two and
• 12:14
  Speaker 1: a half weeks. Yeah, until we get spirit Halloweens. I'm
• 12:16
  Speaker 1: super fucking stoked. I usually frequent that store like once
• 12:20
  Speaker 1: a week during spooky time, just because I have problems.
• 12:22
  Speaker 1: You know, we all got problems. My problems is buying
• 12:26
  Speaker 1: Halloween shit all the time. So that's fun. Go check
• 12:29
  Speaker 1: the website and our year, zip code or your city
• 12:31
  Speaker 1: or whatever, and I'll show you everything in your vicinity.
• 12:34
  Speaker 1: Next up, did you see this today? Yeah? So two things.
• 12:38
  Speaker 1: One HHN finally dropped their fucking Frequent Fear passes and
• 12:43
  Speaker 1: they're just they're even more expensive than they were last year.
• 12:46
  Speaker 1: It makes me cry. It's gonna it's gonna get to
• 12:49
  Speaker 1: a point where I just am not. I'm like, I'm done,
• 12:52
  Speaker 1: because you know, I want to get the Frequent Fear
• 12:54
  Speaker 1: with Fridays, so it's got I can go Wednesday, Thursday, Friday,
• 12:57
  Speaker 1: or Sunday. I don't need to go Saturdays because I
• 12:58
  Speaker 1: need one break, one day break. But we get the
• 13:02
  Speaker 1: express and last year it was like five hundred. This
• 13:04
  Speaker 1: year it's like six fifteen. I'm like, dude, it's just
• 13:07
  Speaker 1: gonna get to the point where I'm like, ah, Plus,
• 13:09
  Speaker 1: if we have a kid, then that's never gonna happen. Ever,
• 13:11
  Speaker 1: so we're gonna take advantage of this year, which will
• 13:13
  Speaker 1: probably be probably our last year going like super heavy
• 13:16
  Speaker 1: because like I'm getting old, too manly hot. Yeah, I
• 13:20
  Speaker 1: don't like being out late. I get cranky and grumpy
• 13:24
  Speaker 1: fucking so But anyways, they've they finally released their multi
• 13:27
  Speaker 1: night tickets and then they finally also announced another house.
• 13:30
  Speaker 1: It's the fourth House and it is the Weekend. And
• 13:34
  Speaker 1: this has been causing a lot of uh uh people,
• 13:40
  Speaker 1: how do I say this like nicely? People have just gontroverse. Yeah,
• 13:44
  Speaker 1: people have been losing their minds over this.
• 13:47
  Speaker 2: I didn't lose my mind, but I'm like, this is
• 13:49
  Speaker 2: probably the most interesting thing I've ever heard of around horror.
• 13:52
  Speaker 1: Yeah, so if you don't know anything about The Weekend,
• 13:55
  Speaker 1: he you've definitely heard the song Blinding Lights. It was
• 13:59
  Speaker 1: a TikTok fat or you know whatever you call those
• 14:02
  Speaker 1: were those things TikTok trends. Yes, it's a huge song,
• 14:05
  Speaker 1: but if you actually watch some of his music videos
• 14:08
  Speaker 1: and shit, they're very creepy and very horror esque. So
• 14:12
  Speaker 1: I think people are jumping the gun a little too
• 14:14
  Speaker 1: quickly on this and just putting it in their head
• 14:17
  Speaker 1: that it's gonna be shit because they're no, sorry, not
• 14:20
  Speaker 1: to everyone. A lot of people were like, oh, this
• 14:22
  Speaker 1: is stupid, I'm skipping this house, and I'm like, cool,
• 14:24
  Speaker 1: fucking shorter lines whatever, But yeah, people are just it's
• 14:29
  Speaker 1: it just drives me crazy how quickly people can judge
• 14:31
  Speaker 1: things before even giving it a chance. They're like, no,
• 14:35
  Speaker 1: that's gonna be shit, and you're like, you have no
• 14:37
  Speaker 1: fucking clue. I know. But like it's really bad in
• 14:40
  Speaker 1: the h agent community because people just I swear to god,
• 14:43
  Speaker 1: people just love to complain.
• 14:44
  Speaker 2: Well that and also a lot of people don't associate
• 14:47
  Speaker 2: horror with rap or R and B or usually when
• 14:51
  Speaker 2: you think horror, if you think any time of music,
• 14:53
  Speaker 2: it's it's metal. I know.
• 14:54
  Speaker 1: But but it's like we've had you know, we had Ghostbusters,
• 14:57
  Speaker 1: which that's not a horror movie. That's a comedy, fantasy,
• 14:59
  Speaker 1: sci fi. It's not a horror movie. And Beatles Juices.
• 15:02
  Speaker 1: I mean, yes, they're like horror esque, but they're not
• 15:05
  Speaker 1: actually listed as horror movies. So it's like we've had
• 15:08
  Speaker 1: things on art.
• 15:09
  Speaker 2: But that's also for some people that's debatable. I mean,
• 15:11
  Speaker 2: obviously whatever it says online, sure, but like you know,
• 15:14
  Speaker 2: we to something else, be like no go switches to
• 15:17
  Speaker 2: a horror film.
• 15:18
  Speaker 1: I mean, it's it is what it's listed as, you
• 15:20
  Speaker 1: know what I mean, Like, if a genre's not listed
• 15:22
  Speaker 1: as horror, I don't care if you fucking tell me
• 15:24
  Speaker 1: it's horror, it's not. I mean, yes, for sure, just
• 15:26
  Speaker 1: definitely it's horror vibes and elements. But yeah, I mean
• 15:29
  Speaker 1: at the end of the day, you know, and I
• 15:31
  Speaker 1: mean we've had houses at HHN that were just like
• 15:34
  Speaker 1: three D houses that weren't anything like horrific, you know
• 15:37
  Speaker 1: what I mean. I don't know. I just feel people
• 15:38
  Speaker 1: are quick to judge because it's something different and it's
• 15:40
  Speaker 1: not the norm, and people are just like, oh, it's
• 15:42
  Speaker 1: not horror, Okay, cool. Have you seen these music videos
• 15:45
  Speaker 1: because they're creepy. It's like they're seriously creepy. There's some
• 15:47
  Speaker 1: of them that are like stuff of nightmares. So like,
• 15:50
  Speaker 1: give it a chance. I mean, I mean, just give
• 15:51
  Speaker 1: it a chance before you're like it's gonna suck, Like,
• 15:53
  Speaker 1: least try it one.
• 15:54
  Speaker 2: We're all just like just like, for all we know,
• 15:57
  Speaker 2: you know, I had no idea until Spiral came out.
• 15:59
  Speaker 2: The Chris Rock was a huge Sow fan. Yeah, so
• 16:01
  Speaker 2: for all we know, the Weekend is a huge horror fan.
• 16:04
  Speaker 1: Yeah, and we even even if the house isn't good,
• 16:07
  Speaker 1: at least the music will be good. I mean, I
• 16:09
  Speaker 1: like his music. It's a little too poppy for me,
• 16:11
  Speaker 1: but it's still catchy as fuck.
• 16:12
  Speaker 2: I don't think I've listened to anything other than that.
• 16:15
  Speaker 1: Yeah, I know everywhere, I know. I know I've heard
• 16:17
  Speaker 1: other songs, but I just couldn't tell you like the
• 16:19
  Speaker 1: names of them or how they go. But I know
• 16:21
  Speaker 1: I've heard because you know, Gabby will play him every
• 16:23
  Speaker 1: now and again. Yeah, So I'm in the I'm in
• 16:26
  Speaker 1: the on the side that's like, hey, it's something new,
• 16:29
  Speaker 1: it's something different. I'm gonna give it a try, even
• 16:31
  Speaker 1: if I don't like it, Okay, Yeah, I don't know.
• 16:34
  Speaker 1: I just people just love to It's very it's like
• 16:36
  Speaker 1: a very elitist thing to want to give an opinion
• 16:40
  Speaker 1: on something that they haven't experiences, Like you can't, you can't.
• 16:44
  Speaker 1: That's like me going to this restaurant, Like this restaurant's
• 16:47
  Speaker 1: gonna suck before I have any food, Like, okay, you
• 16:48
  Speaker 1: gotta you gotta taste dest at first, So don't be
• 16:51
  Speaker 1: quick to judge people. Just try it out. If it's
• 16:53
  Speaker 1: not for you, don't go into that house. You know, shorter,
• 16:57
  Speaker 1: shorter lines for me, that's fine. You know, it's a
• 16:59
  Speaker 1: win win for me, So that'll be interesting. We still
• 17:02
  Speaker 1: have six houses to announce, because there's ten houses and
• 17:06
  Speaker 1: we're like, uh, it's September second is when it starts.
• 17:09
  Speaker 1: We're like six weeks away, so schippity chip chop universal
• 17:14
  Speaker 1: because the people are waiting because we've got four We've
• 17:17
  Speaker 1: got Halloween, we've got the monsters one, we've got the
• 17:23
  Speaker 1: one I just said the weekend, and one other one
• 17:26
  Speaker 1: I can't remember. I don't know why, but we've got
• 17:28
  Speaker 1: four houses. So we got six houses and five scare
• 17:30
  Speaker 1: zones and two shows to announce. They're slacking this year, slack,
• 17:34
  Speaker 1: And I don't know what the hold up is too,
• 17:36
  Speaker 1: because usually we've got most of the ship by now,
• 17:38
  Speaker 1: but for some reason this year, it's.
• 17:39
  Speaker 2: Like maybe they're short staff.
• 17:41
  Speaker 1: What do they have to do with announcements though?
• 17:43
  Speaker 2: Getting stuff ready? Like why would you want to announce
• 17:46
  Speaker 2: something prematurely.
• 17:47
  Speaker 1: They know what they're they know what they're doing, though
• 17:49
  Speaker 1: at this point they like, if.
• 17:51
  Speaker 2: You don't have but you know, you could know what
• 17:53
  Speaker 2: you're doing. But if you have unexpected uh you know,
• 17:56
  Speaker 2: people dropping out or leaving, you can't. You're you're kind
• 17:59
  Speaker 2: of between the rock and a harp place at that point.
• 18:01
  Speaker 1: Maybe, but I feel like they should be prepared for that.
• 18:04
  Speaker 1: They've been doing this for thirty something years, so I
• 18:07
  Speaker 1: don't know if it's just a matter of I don't
• 18:09
  Speaker 1: know what it is, but yeah, they need to start
• 18:10
  Speaker 1: releasing stuff because it's it's to the point where I'm
• 18:13
  Speaker 1: getting antsy, and I don't usually get antsy because I'm like,
• 18:15
  Speaker 1: it'll come, guys, it'll come. And then now I'm like, Okay,
• 18:17
  Speaker 1: we're like getting real close and we have so much
• 18:19
  Speaker 1: left to announce, so I don't know what you're doing.
• 18:21
  Speaker 1: Universal it's time to wake up Chibbity chap Chip. And
• 18:24
  Speaker 1: then other than that, h a chance Spirit. Oh, and
• 18:26
  Speaker 1: then the trailer for Pearl Drop today, even though we
• 18:29
  Speaker 1: all saw it at the end of X.
• 18:31
  Speaker 2: Not this guy, because I had no idea you left. Yeah,
• 18:35
  Speaker 2: oh no, oh no, I don't know, Like nine times
• 18:39
  Speaker 2: out of ten. Marvel movies are really the only thing
• 18:42
  Speaker 2: to have end credits. Horrors usually don't. If they have anything,
• 18:45
  Speaker 2: it's mid credits, and I, you know, I'm not used
• 18:48
  Speaker 2: to I don't stay to all my credits for everything.
• 18:50
  Speaker 1: Oh, I just I don't know. I didn't just do
• 18:53
  Speaker 1: it on a whim. I think someone mentioned it somewhere.
• 18:55
  Speaker 1: They were like, hey, I didn't say what it was,
• 18:57
  Speaker 1: but they're like, make sure you stay. And I think
• 18:59
  Speaker 1: I think I must have slid after you because that's
• 19:01
  Speaker 1: it for my birthday. So yeah, I just stayed and
• 19:03
  Speaker 1: I was like, Oh, it's a trailer for a prequel?
• 19:05
  Speaker 2: What so that actually, Like I knew about the prequel
• 19:09
  Speaker 2: before I saw X, but I know they were going
• 19:11
  Speaker 2: to show the trailer at the end of that where
• 19:13
  Speaker 2: I would have stayed of course.
• 19:14
  Speaker 1: Yeah, so what did you watch it?
• 19:16
  Speaker 2: Yeah? Yeah, to me, it looks better than X.
• 19:19
  Speaker 1: I mean, yeah, X was pretty solid and this looks awesome.
• 19:22
  Speaker 1: So if you don't know what this is about, it's
• 19:24
  Speaker 1: literally about Pearl, who is an ex. She's an older
• 19:27
  Speaker 1: lady and X and this is her come up and
• 19:30
  Speaker 1: to who she became who she is now or you know, and.
• 19:33
  Speaker 2: The cool thing is Mia Goth who plays Pearl and
• 19:37
  Speaker 2: both movies wrote this movie. Yeah, Like like I thought, see,
• 19:42
  Speaker 2: I didn't know that part until later today. I thought
• 19:44
  Speaker 2: ty West wrote both of them.
• 19:45
  Speaker 1: But then when I looked, well, I think he and
• 19:46
  Speaker 1: he and she did.
• 19:48
  Speaker 2: Just on IMDb, it's just listed her. He directed it,
• 19:51
  Speaker 2: but she wrote it.
• 19:52
  Speaker 1: Hmm, all right, yeah, so it's just yeah, it's a
• 19:57
  Speaker 1: prequel about her, which should be pretty awesome. There's the
• 20:00
  Speaker 1: trailer looks explosive, no pun intended by any means, but
• 20:04
  Speaker 1: it looks pretty interesting and we're definitely gonna see some
• 20:06
  Speaker 1: more alligator kills and I'm totally okay with that's awesome. Yeah.
• 20:09
  Speaker 1: So yeah, so that's exciting. And it's also coming out
• 20:14
  Speaker 1: this year nine to sixteen, Yeah, which is crazy because
• 20:17
  Speaker 1: we just had we had a new horror movie from
• 20:20
  Speaker 1: TYA West since I think The Sacrament, which is like
• 20:22
  Speaker 1: twenty thirteen or twenty fourteen, so that was like eight
• 20:25
  Speaker 1: years that we hadn't had a horror movie from him.
• 20:27
  Speaker 1: He was doing other stuff, and now he drops this
• 20:30
  Speaker 1: on our ass letue. Now we get two in a year,
• 20:32
  Speaker 1: and then I know it's also discussed that either he
• 20:35
  Speaker 1: plans to make this a trilogy or already has plans to.
• 20:39
  Speaker 1: I know that the second one was involved, and I'm
• 20:41
  Speaker 1: pretty sure he mentioned a third one, so I'm like,
• 20:43
  Speaker 1: fucking okay, I'm on board with that. So I'm very excited.
• 20:46
  Speaker 1: And we also have a couple other horror movies coming
• 20:48
  Speaker 1: in September, which are gonna be awesome. It's gonna be
• 20:50
  Speaker 1: a good rest of the year for horror movies, honestly, probably. Yeah, yeah,
• 20:54
  Speaker 1: I mean, we got some good shit. Then there's also
• 20:56
  Speaker 1: that one, the Invitation with like the vampires and shit
• 20:59
  Speaker 1: that looked pretty cool. Oh my god, I'm so excited
• 21:02
  Speaker 1: for all these movies. I don't even know what's the
• 21:04
  Speaker 1: next thing we're seeing. Do we even have plans to
• 21:06
  Speaker 1: see it? Like this, this last couple of months has
• 21:08
  Speaker 1: been so sporadic with going to see movies. It makes
• 21:10
  Speaker 1: me so well, I mean, I.
• 21:11
  Speaker 2: Mean, I guess we're talking about it now. I was
• 21:12
  Speaker 2: gonna ask you after the pod, but uh, this weekend
• 21:15
  Speaker 2: is that movie Vegance the oh my god, what's his name?
• 21:19
  Speaker 2: The fuck.
• 21:23
  Speaker 1: Vengeance?
• 21:24
  Speaker 2: He was he was on the dude from the office,
• 21:26
  Speaker 2: wrote it and directed it.
• 21:27
  Speaker 1: O bj Novak his movie.
• 21:31
  Speaker 2: This weekend.
• 21:32
  Speaker 1: Oh yeah, that actually does look pretty good. Okay, but
• 21:36
  Speaker 1: that's real.
• 21:36
  Speaker 2: That's really all of note this weekend.
• 21:38
  Speaker 1: Yeah, next week in his Body's Body's Bodies.
• 21:40
  Speaker 2: And Bullet Train Believe, and then yeah.
• 21:42
  Speaker 1: Two weeks after dude. Oh yeah, we haven't even We
• 21:44
  Speaker 1: got to talk about this real quick actually, because there's
• 21:46
  Speaker 1: a movie coming out called Beast, uh yeah, with Interests
• 21:50
  Speaker 1: Elba and they're like in the African safari and they
• 21:53
  Speaker 1: get trapped by a lion and I'm like, fucking I
• 21:55
  Speaker 1: don't think I've ever seen a killer lion movie before.
• 21:59
  Speaker 2: And the Ghost of the Darkness from you know, the
• 22:01
  Speaker 2: shot just did it reminds me a lot like that?
• 22:03
  Speaker 1: Oh is that a? Is it?
• 22:05
  Speaker 2: Yeah? Well yeah, it's a. Yeah. The val Kilmer goes
• 22:09
  Speaker 2: to the African jungle to hunt lines that are killing
• 22:14
  Speaker 2: the people that live there. It's based on a true story,
• 22:16
  Speaker 2: not be Beast. Isn't the Ghost of Darknesses?
• 22:19
  Speaker 1: Okay? Uh? And this is listed on IMDb as a
• 22:22
  Speaker 1: horror movie, so I'm fucking super excited. And that's coming
• 22:26
  Speaker 1: out August nineteenth.
• 22:27
  Speaker 2: I'll see it.
• 22:27
  Speaker 1: I'll see it. Yeah, I mean it just Elbaw's awesome
• 22:30
  Speaker 1: and it doesn't say how long it is.
• 22:33
  Speaker 2: It's probably gonna be not very much. Oh, hour thirty three,
• 22:36
  Speaker 2: I was gonna say an hour and thirty six.
• 22:38
  Speaker 1: I was gonna say, if it's pushing like one fifty
• 22:40
  Speaker 1: two hours, I'm not out all the way. Yeah one
• 22:43
  Speaker 1: thirty three though, Hell yeah, So that's coming out. I'm
• 22:45
  Speaker 1: I'm excited to see that one. And then oh smile,
• 22:48
  Speaker 1: September thirtieth. That's right, that's gonna be creepy at ship
• 22:51
  Speaker 1: it is, and then fall is coming at some Oh
• 22:54
  Speaker 1: ship bodies, Bodies Bodies. Tickets are out. Oh shit, we're
• 22:59
  Speaker 1: gonna have to go see that. That's an A twenty
• 23:01
  Speaker 1: four joint coming out with Pete Davidson. And it looks hilarious.
• 23:04
  Speaker 1: I don't know. I like a good comedy horror, and
• 23:07
  Speaker 1: this looks like it's gonna be a lot of fun.
• 23:08
  Speaker 1: Plus it's eight twenty four, So you got a good
• 23:10
  Speaker 1: recipe for a movie? Sure, you know? So, Yeah, anything
• 23:15
  Speaker 1: you've been watching recently you want to share with the class.
• 23:18
  Speaker 1: My friend, I watched what did you watch? What is it?
• 23:23
  Speaker 2: Last night? I watched Moloch, which which I know you,
• 23:26
  Speaker 2: Oh you did? Yeah, I watch it? Yeah, I loved it. Yeah,
• 23:29
  Speaker 2: it was great.
• 23:31
  Speaker 1: That's anybody who's interested that as a judge folklore horror
• 23:35
  Speaker 1: movie on shutter and it was awesome. It came out
• 23:38
  Speaker 1: of nowhere. I just looked it up and I was like,
• 23:40
  Speaker 1: ooh three point four and it's Dutch. Ooh. It was like, yeah,
• 23:43
  Speaker 1: I've never seen a Dutch horror movie.
• 23:45
  Speaker 2: Yeah, it was well done. I'm for it was quite
• 23:49
  Speaker 2: slow burn a little very slow. Yeah, I mean luckily
• 23:52
  Speaker 2: it was. It was only like like ninety three minutes, so.
• 23:54
  Speaker 1: Like, yeah, it was. It was pretty quick.
• 23:56
  Speaker 2: So so well, you know, half the movie was slow
• 23:58
  Speaker 2: than the other half started to build up a sode
• 24:00
  Speaker 2: by the end of.
• 24:00
  Speaker 1: Yeah, oh shit, okay, and that last shot that was
• 24:03
  Speaker 1: spooky like good yeah, like good, was eerie, but like
• 24:06
  Speaker 1: a good ear.
• 24:07
  Speaker 2: I would have loved to experience that in the theaters.
• 24:09
  Speaker 1: I remember sitting there. I'm like, is is it? Is this?
• 24:11
  Speaker 1: What's going on? And then it happened. I was like,
• 24:13
  Speaker 1: oh shit. I was like, dude. So they go through
• 24:16
  Speaker 1: this whole folk like folklore tale from like inception and
• 24:20
  Speaker 1: they play it out. It's not like most movies where
• 24:22
  Speaker 1: that you know, someone gets away, you know what I
• 24:24
  Speaker 1: mean in the sense it is fucking it is very
• 24:26
  Speaker 1: well done. That last scene is what it made me
• 24:30
  Speaker 1: give it the rating. Yeah, half an extra star for
• 24:32
  Speaker 1: that because I was like, hmm, that was solid. So
• 24:36
  Speaker 1: then what else have you seen today?
• 24:37
  Speaker 2: I watched today. This is fresh well because there's two
• 24:41
  Speaker 2: of them. I watched the nineteen seventy eight Toolblox massacre.
• 24:45
  Speaker 1: Tool Box Murders Murders. Yeah, there's two of them. Uh.
• 24:49
  Speaker 2: Tob Hooper did the Tobey Hooper did the first remake,
• 24:53
  Speaker 2: the one that came out.
• 24:54
  Speaker 1: He did the remake.
• 24:55
  Speaker 2: Yes, and it's got about the same same, the same
• 24:59
  Speaker 2: u same ratings. I did not see that one though,
• 25:01
  Speaker 2: because it was on shutter. But I watched the nineteen
• 25:03
  Speaker 2: seventy eight one for the first time today. It was
• 25:05
  Speaker 2: pretty decent, man, was it. It was way hoarnier than
• 25:09
  Speaker 2: I expected, like like, like for no reason, Like there's
• 25:14
  Speaker 2: a whole scene of gens you know, a woman in
• 25:18
  Speaker 2: the tub, which which whatever, that's fine, sled spoiler, but
• 25:22
  Speaker 2: like I'm not gonna go super into detail, but uh,
• 25:24
  Speaker 2: she's just the.
• 25:25
  Speaker 1: Same hub slight slut spoiler whoa slight slight.
• 25:32
  Speaker 2: Slight, just like whoa.
• 25:35
  Speaker 1: That was a bit harsh there, Okay, slight spoilers.
• 25:39
  Speaker 2: Slice spoilers. So she's in the tub. You know, obviously
• 25:43
  Speaker 2: you're naked. Once you're in the tub, that's what you do.
• 25:46
  Speaker 2: And then for like out of nowhere, like there's there's
• 25:49
  Speaker 2: no build up, there's no like candles, there's nothing, like
• 25:52
  Speaker 2: all of a sudden, she just starts master being in
• 25:53
  Speaker 2: the tub and you watch the thing do complete show,
• 25:56
  Speaker 2: oh boy, and almost like I'm sitting there, I'm like
• 25:59
  Speaker 2: what that's so unnecessary, Like like why, like I mean whatever,
• 26:04
  Speaker 2: but like why did I have to spend two and
• 26:06
  Speaker 2: a half minutes watching that just for just for what
• 26:08
  Speaker 2: happens after?
• 26:09
  Speaker 1: That's really no need.
• 26:11
  Speaker 2: For that, Like I'm feeling awkward, Like I mean, I mean,
• 26:14
  Speaker 2: I get it, sex scenes of stuff, you know, people
• 26:15
  Speaker 2: are all beyond the camera anyways, but like when you're
• 26:18
  Speaker 2: literally watching this girl, no one around, unprovoked me, unprovoked whatever,
• 26:22
  Speaker 2: Like you're not really provoked when you when you want,
• 26:24
  Speaker 2: when you got it, you got it. But she's in
• 26:27
  Speaker 2: a bowl path but there's no candles, there's no indication
• 26:30
  Speaker 2: she's doing anything but relaxing in the tub. She relaxed
• 26:33
  Speaker 2: a little bit too much, And there was like three
• 26:37
  Speaker 2: or four different like far away and close ups through
• 26:39
  Speaker 2: this whole two minute ordeal. And I'm like, I'm just like,
• 26:43
  Speaker 2: how do you approach this with permission? And be like, Okay,
• 26:46
  Speaker 2: you clearly can see this is in the script that
• 26:48
  Speaker 2: you masturbate, But lady, how close can I get to
• 26:50
  Speaker 2: you with your hand down and down you're down in
• 26:52
  Speaker 2: there because like and there was a lot of times
• 26:56
  Speaker 2: where you can clearly tell they made sure that soap
• 26:59
  Speaker 2: was in specific areas well. Yeah, which is funny because
• 27:02
  Speaker 2: after that, when she got out of the tub, you
• 27:03
  Speaker 2: saw everything, so like, what's really what.
• 27:08
  Speaker 1: This?
• 27:10
  Speaker 2: First of all, there's no imagination in there. You know
• 27:12
  Speaker 2: where he hands are, you know what she's doing, but
• 27:14
  Speaker 2: then you don't see any and then when you get up,
• 27:16
  Speaker 2: it's full seventies bush for like a good minute. I'm like,
• 27:19
  Speaker 2: I'm like, I get why you suched it, I guess
• 27:21
  Speaker 2: for modesty, but at the end of the day, why
• 27:23
  Speaker 2: the fuck, Like, if you're going to such your part
• 27:24
  Speaker 2: of that but not all of it, the fuck?
• 27:27
  Speaker 1: I mean, they guess they just really went for it
• 27:28
  Speaker 1: in that one.
• 27:29
  Speaker 2: But it was, like I said, is.
• 27:30
  Speaker 1: That a reoccurring theme in the remake.
• 27:32
  Speaker 2: I've not seen the remake. Oh, this was my I
• 27:35
  Speaker 2: want to see the remake after this, because this was
• 27:37
  Speaker 2: my first time seeing this and I've always wanted to.
• 27:39
  Speaker 1: Oh well, now I got a watch, so now I
• 27:41
  Speaker 1: want it. It's on shutter Oh well that makes it easier.
• 27:44
  Speaker 2: Yeah. The remake, it just looks like it needs to
• 27:46
  Speaker 2: be rented. But now that I saw the original, I
• 27:48
  Speaker 2: want to see the remake and compare because honestly, they're
• 27:51
  Speaker 2: both on IMDb and letterbox. They're both like point like
• 27:55
  Speaker 2: one difference.
• 27:55
  Speaker 1: Yeah. The so the original from nineteen seventy eight, directed
• 27:59
  Speaker 1: by Dennis Donnelly. He only did this movie and probably
• 28:02
  Speaker 1: because of reasons that we just discussed, and it was
• 28:05
  Speaker 1: two point eight, and then the remake from two thousand
• 28:08
  Speaker 1: and four, Toby Hooper two point nine. So this one
• 28:11
  Speaker 1: actually has.
• 28:11
  Speaker 2: A better rating, but not by much.
• 28:14
  Speaker 1: Yeah.
• 28:14
  Speaker 2: Yeah, even on IMDb. I think it's like, uh, the
• 28:17
  Speaker 2: seventy has like a five to two and then this
• 28:19
  Speaker 2: has like five to four on IMDb or something.
• 28:22
  Speaker 1: I feel like I feel like Shout did a Toolbox Murder?
• 28:25
  Speaker 2: No, No, I looked that up. It's the Blue Underground
• 28:28
  Speaker 2: did that? Oh, Doues. They have actually funny enough, they
• 28:31
  Speaker 2: have a four K of this movie and at most
• 28:34
  Speaker 2: what what Apellion does really well?
• 28:39
  Speaker 1: That most wow interesting.
• 28:42
  Speaker 2: Like like the Blu Rays and seven to one.
• 28:44
  Speaker 1: Oh they did this one? Sorry, they did Toolbox Murders
• 28:47
  Speaker 1: to Screen Factory did Oh?
• 28:49
  Speaker 2: I don't even know what that must be a sequel
• 28:51
  Speaker 2: to the remake?
• 28:52
  Speaker 1: Wait?
• 28:52
  Speaker 2: When is that?
• 28:53
  Speaker 1: I'm confused? Hold on a second, Hold on a second.
• 28:55
  Speaker 1: I don't even see uh, I don't even see that
• 28:58
  Speaker 1: on IMDb? Is it is the what what's happening? Hold
• 29:04
  Speaker 1: on it? Hold the phone?
• 29:05
  Speaker 2: What are we looking up?
• 29:06
  Speaker 1: So there's Toolbox Murders from nineteen seventy eight and then
• 29:09
  Speaker 1: Toolbox Murders from two thousand and four. This is saying
• 29:11
  Speaker 1: Toolbox Murders two. I'm confused what year I'm looking I'm
• 29:16
  Speaker 1: trying to two thousand and four? Wait? No, hold on
• 29:19
  Speaker 1: a terrifying sequel to Toby Hooper's two thousand and four
• 29:22
  Speaker 1: reimagining of the seventy eight cult movie.
• 29:24
  Speaker 2: Okay, but I don't see that on letterbox anywhere?
• 29:28
  Speaker 1: All this is it?
• 29:29
  Speaker 2: Is there a different title?
• 29:30
  Speaker 1: No? This is some fucking Twilight Zone shit right here?
• 29:33
  Speaker 1: Toolbox murders too. There it is. It's on IMDb. What
• 29:37
  Speaker 1: the fuck is happening? Oh this is from twenty thirteen, Okay,
• 29:40
  Speaker 1: and it has really bad ratings. This is a three
• 29:42
  Speaker 1: point two out of ten on IMDb. Yeah, so never mind, Ye,
• 29:46
  Speaker 1: not gonna bother with that.
• 29:47
  Speaker 2: But I do want to see the Toby Hooper one.
• 29:49
  Speaker 1: Yeah, I do too now, but I have to watch
• 29:51
  Speaker 1: the original.
• 29:52
  Speaker 2: First first, just because also without just just more four
• 29:57
  Speaker 2: Like I'm not saying that one that I just described
• 29:59
  Speaker 2: with weird. It just felt super out of place and unnecessary,
• 30:02
  Speaker 2: like maybe like a thirty second shot of that, not
• 30:04
  Speaker 2: the whole shebang, Like there's no reason for like no point.
• 30:08
  Speaker 1: No, I'm with yeah, yeah, I understand, Like, yeah, it
• 30:10
  Speaker 1: is very odd.
• 30:12
  Speaker 2: And honestly, my score for this movie was reflected because
• 30:16
  Speaker 2: like the last two and a half minutes of this movie. Yeah,
• 30:20
  Speaker 2: so it was to me, I was gonna give it
• 30:22
  Speaker 2: a three and a half, but I gave it.
• 30:23
  Speaker 1: A three just because it didn't stick the landing.
• 30:25
  Speaker 2: No, it stucked the landing, and it just really super
• 30:30
  Speaker 2: weird way And there is one line of dialogue. If
• 30:33
  Speaker 2: they cut out of the movie but still kept this scene,
• 30:36
  Speaker 2: it would have been more okay, but the fact that
• 30:39
  Speaker 2: that line of dialogue was said and you knew that,
• 30:41
  Speaker 2: and then later on the things happened that happened, You're like,
• 30:44
  Speaker 2: you know what a no thank you? Interesting? Well, the
• 30:47
  Speaker 2: movie was like I enjoyed that. It was seventies, it
• 30:50
  Speaker 2: was you know what you would expect from it, But
• 30:52
  Speaker 2: the last two minutes was was it was just super
• 30:55
  Speaker 2: weird and like, I don't know why anybody would have
• 30:58
  Speaker 2: written it like that.
• 31:00
  Speaker 1: It makes sense because that guy didn't do anything else.
• 31:03
  Speaker 2: So maybe if it wasn't the end of the movie,
• 31:05
  Speaker 2: I would have spoiled it. But since it's the end
• 31:07
  Speaker 2: of the movie, I'm not gonna say anything. Okay, you'll
• 31:09
  Speaker 2: you'll know exactly what we're talk about when you watch it.
• 31:11
  Speaker 1: All right, fair enough. Yeah, I'm gonna have to check
• 31:15
  Speaker 1: that out tonight then because I needed something to watch anyway.
• 31:18
  Speaker 1: So I can't find Toolbox Murders Blu Ray anywhere, the
• 31:23
  Speaker 1: two thousand and four one. I guess that will have
• 31:24
  Speaker 1: to be rented, And that's annoying see that.
• 31:27
  Speaker 2: Maybe it's just it was like a VOD but only
• 31:29
  Speaker 2: went to like DVD.
• 31:30
  Speaker 1: Maybe I can't find it anywhere that sucks. Whatever, we'll
• 31:32
  Speaker 1: rent it. We'll have to feed the virtual of that
• 31:34
  Speaker 1: one day. Umm, what have I been watching? Oh? Speaking
• 31:38
  Speaker 1: of horny things? Because you said this movie was so horny,
• 31:41
  Speaker 1: you know else is really fucking horny? Season five of
• 31:43
  Speaker 1: American Horror Story. Holy shit everyone is hotel. Yeah, well yeah,
• 31:49
  Speaker 1: oh my god, Gaga is just fucking everything and yeah,
• 31:55
  Speaker 1: like wow, it's like, holy shit.
• 31:58
  Speaker 2: Yeah, the first couple of steps a SuperH.
• 32:01
  Speaker 1: We were just because I haven't seen it all the
• 32:03
  Speaker 1: way through. I literally this is back when it first
• 32:07
  Speaker 1: came out. When episode of season five came out, I know,
• 32:10
  Speaker 1: well I saw it and I saw the first when
• 32:12
  Speaker 1: she when they like tore into people in the first episode,
• 32:14
  Speaker 1: I was like, I'm done. This is too much for me.
• 32:16
  Speaker 1: I was like, this is weird. They're drinking.
• 32:18
  Speaker 2: I love that.
• 32:19
  Speaker 1: I didn't realize they were vampires and it was that Yeah.
• 32:23
  Speaker 1: So watching it now, I'm like, oh, if I would
• 32:25
  Speaker 1: have known that when I first saw it, I would
• 32:26
  Speaker 1: have been like, Okay, but if you don't think they're vampires,
• 32:29
  Speaker 1: I'm like, yeah, that's too I was like, nope, that's
• 32:31
  Speaker 1: that's just. It wasn't that it was too much. It
• 32:34
  Speaker 1: was just too weird. I was like, that's a little
• 32:36
  Speaker 1: weird for me. But now that I know the vampires,
• 32:37
  Speaker 1: I'm like, okay, but yeah, this season is so fucking horny,
• 32:40
  Speaker 1: so bloody.
• 32:41
  Speaker 2: There's there's also more to this season than just that.
• 32:44
  Speaker 1: Yeah, oh yeah, no, it's it's very good. So I'm
• 32:46
  Speaker 1: really enjoying it, but it is very horny. And some
• 32:48
  Speaker 1: of the scenes when people are having sex, I don't
• 32:50
  Speaker 1: know how they're covering everything, because it's like there was
• 32:53
  Speaker 1: one scene where some chick is just getting nailed from
• 32:55
  Speaker 1: behind him. All that's covering her boobs or hands and
• 32:57
  Speaker 1: even the hands are like so, I'm like, that was.
• 33:00
  Speaker 2: What is happening here?
• 33:01
  Speaker 1: We getting away?
• 33:03
  Speaker 2: Honestly, even on the FX now you can it's just
• 33:06
  Speaker 2: crazy to me. The last three or four years they've
• 33:09
  Speaker 2: gotten they're allowed the F bomb.
• 33:12
  Speaker 1: I know. It's just weird. It's like, I didn't realize
• 33:14
  Speaker 1: that TV was that expd listen.
• 33:17
  Speaker 2: I mean, I mean it's because the time it come on,
• 33:19
  Speaker 2: come on like ten or eleven o'clock. It comes on, yea,
• 33:22
  Speaker 2: and it is, but the people that are watching it
• 33:24
  Speaker 2: can handle that type of language well.
• 33:26
  Speaker 1: And I think it's also I think it's more. I'm
• 33:28
  Speaker 1: pretty sure it's our premium channel two FX. I'm pretty sure, yes,
• 33:32
  Speaker 1: But like every cable.
• 33:33
  Speaker 2: Thing is funny. Now, you know, Disney owned it, but
• 33:35
  Speaker 2: they're still out well well Disney owned it now. They
• 33:37
  Speaker 2: didn't own it when Hotel came up. But but even before,
• 33:40
  Speaker 2: like even before like when Hotel came out and stuff,
• 33:42
  Speaker 2: like the last like three or four seasons of American
• 33:46
  Speaker 2: Horror Story is where it started with like dropping the
• 33:49
  Speaker 2: F bob, like all sounder anarchy, all of the show
• 33:51
  Speaker 2: justified all that. Like I still have the rating with
• 33:54
  Speaker 2: with with like the strong dialogue and language and and
• 33:58
  Speaker 2: the sex and the violence, but like no f bombs.
• 34:01
  Speaker 2: If there was nudity, it was only male butts and
• 34:03
  Speaker 2: like basically you imagine a like left to the imagination
• 34:07
  Speaker 2: with with the women. Yeah, and the violence was like
• 34:09
  Speaker 2: they didn't really care about the violence.
• 34:11
  Speaker 1: Now it's like hold oh yeah, yeah, yeah, they don't
• 34:13
  Speaker 1: care anymore. So yeah, that season's pretty interesting and we're
• 34:17
  Speaker 1: gonna we're gonna rock it all the way.
• 34:18
  Speaker 2: I can't wait till you watch nineteen eighty four. I
• 34:21
  Speaker 2: believe it's cult.
• 34:21
  Speaker 1: Yeah, I'm excited for that.
• 34:23
  Speaker 2: So good.
• 34:24
  Speaker 1: I remember because I also started I didn't watch five,
• 34:26
  Speaker 1: but I started six, and there was a point in
• 34:28
  Speaker 1: six where they just take a weird tonal shift and
• 34:30
  Speaker 1: I was like, fuck this, I'm done with this too.
• 34:32
  Speaker 1: So five and six I just need to power through
• 34:34
  Speaker 1: because I've heard seven and eight are actually pretty solid.
• 34:36
  Speaker 2: See I see, I loved uh. I think I loved
• 34:39
  Speaker 2: the only one I didn't like after five, I loved five.
• 34:42
  Speaker 2: Actually I loved Toto, but the one Hotel's great. But
• 34:44
  Speaker 2: the one after five I didn't like was I think
• 34:47
  Speaker 2: it was seven, which is the one where it's political
• 34:50
  Speaker 2: or it was around the time was president and they
• 34:54
  Speaker 2: just Apocalypse I think was fantastic.
• 34:57
  Speaker 1: Cult cult Okay, yeah, cult was just too political.
• 35:01
  Speaker 2: It had its moments, but like it went too political
• 35:03
  Speaker 2: and you're just like, because the Colts, it's a political cult.
• 35:06
  Speaker 2: Yeah yeah, just like but the acting was good. Evan
• 35:09
  Speaker 2: Peters killed.
• 35:10
  Speaker 1: Like, oh yeah, he's the best. It's like, seriously the
• 35:12
  Speaker 1: cool I said.
• 35:13
  Speaker 2: They brought it back with Apocalypse, and Apocalypse was awesome.
• 35:17
  Speaker 1: All right, So I just gotta yeah, I just got
• 35:18
  Speaker 1: to get through it, and actually, you know, see it
• 35:20
  Speaker 1: with fresh eyes because.
• 35:21
  Speaker 2: Something definitely just power through Okay, I'll power.
• 35:24
  Speaker 1: Through, all right, So let's get onto this movie we've got.
• 35:28
  Speaker 1: We've got some time left here, but yeah, I'll keep
• 35:30
  Speaker 1: you updated on how ah just is going, because yeah,
• 35:35
  Speaker 1: I just need to catch up. Oh one more thing
• 35:37
  Speaker 1: real quick. Sorry, I just remember this is talking about
• 35:39
  Speaker 1: long agoing TV shows. You hear the Walking Dad's getting
• 35:42
  Speaker 1: like another spin off or something like that. It's like
• 35:44
  Speaker 1: Shone and Rick. I'm like, fucking jump, let it die,
• 35:47
  Speaker 1: Let it die.
• 35:49
  Speaker 2: Going to know, which is funny because because it has
• 35:53
  Speaker 2: it hasn't had many viewers in the last like seven seas.
• 35:55
  Speaker 1: Yeah, we had Walking Dead, and then we had few
• 35:57
  Speaker 1: of the Walking Dead, and now we got a ricking
• 35:58
  Speaker 1: ma Shone show.
• 35:59
  Speaker 2: It's like, well, well, the Rick and ma Shoon thing
• 36:02
  Speaker 2: was actually just supposed to be movies, which is why Rick. So,
• 36:07
  Speaker 2: I mean, I'm not keeping up. I'm keeping up with
• 36:08
  Speaker 2: the news just because I'm I look at all this
• 36:10
  Speaker 2: news and stuff. But Rick left the show like a
• 36:14
  Speaker 2: season and a half or two seasons ago quote unquote dead.
• 36:19
  Speaker 2: I mean even the viewers said quote unquote, because there
• 36:21
  Speaker 2: were supposed to be two movies about the rest of
• 36:23
  Speaker 2: Rick's journey, and I guess they all saw it somehow.
• 36:28
  Speaker 2: AMC is like, you know what, let's just do a
• 36:30
  Speaker 2: TV show instead of instead of movies. I guess because
• 36:32
  Speaker 2: Rick and Ma show and I guess we're we're two
• 36:35
  Speaker 2: characters they shipped hard through when they were in there,
• 36:38
  Speaker 2: so they're like, let's just give them their own show,
• 36:40
  Speaker 2: because you know now that uh that the original Walking
• 36:43
  Speaker 2: Dead is. It's literally on his last twelve episodes, thank god,
• 36:47
  Speaker 2: part three of the final season, by the way.
• 36:49
  Speaker 1: Fuck off they did they have to drag.
• 36:52
  Speaker 2: They did like thirty six episodes of the last season
• 36:55
  Speaker 2: and like different parts. So I guess finally because they
• 36:58
  Speaker 2: that's written and everything looks they know exactly who survives
• 37:00
  Speaker 2: and who doesn't, and now they can go they could
• 37:02
  Speaker 2: do some spoiler like oh yeah, by the way, I
• 37:05
  Speaker 2: just let it die. I mean, I don't really give
• 37:07
  Speaker 2: a ship. I stopped the season two.
• 37:08
  Speaker 1: Uh yeah, I stopped at when Nagan fucks everybody up.
• 37:12
  Speaker 2: I think that season yeah, seven, five or six or seven?
• 37:15
  Speaker 1: Well, yeah, I'm pretty sure. Yeah. And I remember watching
• 37:18
  Speaker 1: the first episode and getting halfway through the second episode,
• 37:20
  Speaker 1: I'm like, I can't do it anymore. I'm dying.
• 37:23
  Speaker 2: That's what the show start. That's when the show started
• 37:26
  Speaker 2: falling off. She was like, we just renanted for three
• 37:28
  Speaker 2: seasons because we like spending money and not having people watch.
• 37:31
  Speaker 1: It just needs to die. I'm sorry. I'm sorry. If
• 37:33
  Speaker 1: you are a Walking Dead fan, I'm not. I don't,
• 37:35
  Speaker 1: I don't, I don't care, you know what I mean,
• 37:37
  Speaker 1: Like you can like whatever you want. I just I
• 37:38
  Speaker 1: just need to die.
• 37:39
  Speaker 2: Like the first season had so much promise, especially when
• 37:43
  Speaker 2: it had to do with the Colic books, but they
• 37:44
  Speaker 2: just went off the rails and did what the fuck
• 37:46
  Speaker 2: they wanted.
• 37:46
  Speaker 1: One, two, and three I thought were great, and then
• 37:48
  Speaker 1: four I was like eh, and then fine, I was
• 37:49
  Speaker 1: like six. I was like, anyways, uh, let's do this movie.
• 37:55
  Speaker 1: We're talking about The Mist today. Released from two thousand
• 37:58
  Speaker 1: and seven. I can't believe this movie fifteen years old.
• 38:01
  Speaker 1: Released on November twenty first of that year in the US.
• 38:04
  Speaker 1: Rated are four no sex and nudity, severe violence and gore,
• 38:09
  Speaker 1: moderate profanity apparently moderate profanity is fourteen fucks, one sexual reference,
• 38:15
  Speaker 1: twenty nine scatological term, twelve anatomical terms, fourteen mild ofvicinities,
• 38:20
  Speaker 1: name calling, six religious profanities, and thirty regal religious exclamations. Also,
• 38:25
  Speaker 1: a man calls his chainsaw cockshucker, and a woman it's
• 38:27
  Speaker 1: called a horse several times it happens. I'm kidding, angry, breathe,
• 38:32
  Speaker 1: I'm angry now. I just I wrote all that down
• 38:35
  Speaker 1: again like I did last episode, because it's it's such
• 38:37
  Speaker 1: a fucking huge description of all the profanities, mild alcohol,
• 38:43
  Speaker 1: drugs and smoking and severe frightening and intense scenes. I
• 38:47
  Speaker 1: agree with that because that CG was very horrific. Let's
• 38:52
  Speaker 1: talk about that in a minutes. We'll have to talk
• 38:54
  Speaker 1: about that.
• 38:55
  Speaker 2: Well.
• 38:55
  Speaker 1: We got two hours and six minute runtime listed as
• 38:58
  Speaker 1: a horror sci fi and directed by Frank Darabant, who
• 39:02
  Speaker 1: has eleven directing credits. Also did The Green Mile, which
• 39:05
  Speaker 1: is fucking phenomenal, and The Majestic, which I've.
• 39:07
  Speaker 2: Never seen, and he also directed the whole first He's
• 39:09
  Speaker 2: a Walking Dead? Oh yeah, Like he was a producer
• 39:11
  Speaker 2: for like the first few seasons then just went away.
• 39:14
  Speaker 1: What is the what is what is the Walking Dead?
• 39:17
  Speaker 1: I know that is? What is the Majestic? Have you
• 39:19
  Speaker 1: seen that? Do you know?
• 39:19
  Speaker 2: Yeah? It's wi It's another drama with Jim Carrey. Has
• 39:23
  Speaker 2: to do with a Jim Carrey. What has to do
• 39:26
  Speaker 2: with I think John Goodman's also in it and its
• 39:29
  Speaker 2: majestics about a movie theater. I believe he's an owner
• 39:32
  Speaker 2: of a movie theater.
• 39:34
  Speaker 1: Set nineteen fifty one, a black listed Hollywood rider gets
• 39:37
  Speaker 1: into a car accident, loses his memory, and settles down
• 39:39
  Speaker 1: in a small town where he is mistaken for a
• 39:41
  Speaker 1: long lost son. Jim Carrey, Bob Balladin, h Lori Holden,
• 39:48
  Speaker 1: Ronald Rifkin, No, No, John Goodman, No, John Goodman.
• 39:53
  Speaker 2: Lori Holden. That's funny.
• 39:54
  Speaker 1: Who's Campbell?
• 39:55
  Speaker 2: What? What?
• 39:57
  Speaker 1: Carl Reiner, Rob Reiner, Matt Damon. Wow, that's going on
• 40:02
  Speaker 1: the list. How the fuck? I've never heard of that
• 40:04
  Speaker 1: move until I wrote this up. But how do I
• 40:07
  Speaker 1: not it's Jim Carrey? Excuse me?
• 40:09
  Speaker 2: Well, I mean because most people think Jim Carrey just
• 40:11
  Speaker 2: like like Will Ferrell, you don't think anything other than comedy.
• 40:15
  Speaker 2: But Will Ferrell has done some drabas, and so is
• 40:16
  Speaker 2: Jim Carrey. Jim Carrey's even done a horror Well.
• 40:18
  Speaker 1: I mean, like you know, I know Truman Show, I
• 40:20
  Speaker 1: know Eternal Sunshine, A Spot is Mine. I know those
• 40:22
  Speaker 1: are more of a serious roles.
• 40:23
  Speaker 2: I've just never heard of the Flown under the Radar,
• 40:26
  Speaker 2: but it must have been. Yeah, I saw it one
• 40:28
  Speaker 2: time of years ago. I remember enjoying it.
• 40:30
  Speaker 1: Okay, that's on the list now to watch. Let's see
• 40:32
  Speaker 1: is it streaming anywhere? Please be streaming somewhere, Nah, Amazon,
• 40:35
  Speaker 1: that's fine. Also written by Frank Drabant, who has twenty
• 40:39
  Speaker 1: two writing credits. Also did a Nightmare on Elm Street, three,
• 40:43
  Speaker 1: Dream Warriors, The Blob, the Fly to the Shaw Shank, Redemption,
• 40:47
  Speaker 1: Menley Sherry's Meley Sherry, Shelley's Frankenstein, the Green Mile, and
• 40:51
  Speaker 1: the twenty fourteen Godzilla. So man is fucking well established
• 40:55
  Speaker 1: in writing goddamn masterpieces. I mean, maybe not the Godzilla
• 40:59
  Speaker 1: from twenty four but Dream Warriors, the Blob, fucking Shawshank, Frankenstein,
• 41:04
  Speaker 1: like Green Mile, solid, solid, like writing career there, Buddy,
• 41:09
  Speaker 1: composed by a man named Mark Isham. Aisham who has
• 41:12
  Speaker 1: one hundred and ninety four composing credits, so he's been
• 41:15
  Speaker 1: around the block. Also did the hitcher Blade Hardball, which
• 41:19
  Speaker 1: is a fucking super underrated Keanu Reeves movie or Keanu
• 41:24
  Speaker 1: Reeves whatever. Also composed the Majestic Crash, not the David
• 41:28
  Speaker 1: Cronenberg one The Crazies and Bill and Ted Face the
• 41:31
  Speaker 1: music The Crazies from twenty ten as well, So very
• 41:35
  Speaker 1: solid composer in this movie. And then we've got cinematography
• 41:40
  Speaker 1: by Ron Schmidt, who has fifty five credits for cinematography.
• 41:43
  Speaker 1: Also did Brain Dead, but not The Dead Alive. We're
• 41:47
  Speaker 1: talking the one with Paxson and Pullman. That Screen Factory
• 41:50
  Speaker 1: did that Brain Dead, Lord of Illusions and twenty five
• 41:54
  Speaker 1: episodes of Walking Dead. So, I mean, what do you
• 41:58
  Speaker 1: think about all those people behind this movie?
• 42:01
  Speaker 2: I mean it makes sense of what kind of movie
• 42:02
  Speaker 2: it was.
• 42:03
  Speaker 1: Fair, it's just very very good, uh solid like credits.
• 42:07
  Speaker 2: For one issue with Frank Bear it has to do
• 42:12
  Speaker 2: with this movie.
• 42:13
  Speaker 1: Okay, well we'll get into it.
• 42:14
  Speaker 2: Yeah we will, all right.
• 42:16
  Speaker 1: So we've got starring Thomas Jane as David Drayton was
• 42:20
  Speaker 1: eighty nine acting credits. It was also in Face Off
• 42:22
  Speaker 1: as Berkie Hicks, Boogie Knights as Todd Parker, and Deep
• 42:25
  Speaker 1: Blue Sea as Carter Blake.
• 42:27
  Speaker 2: I can't believe you didn't put this in there.
• 42:28
  Speaker 1: He was he was in then, Yeah, that one that
• 42:33
  Speaker 1: was kind of me wow, No, right, the one that
• 42:36
  Speaker 1: was kind.
• 42:37
  Speaker 2: Of me the one Josh Volta was.
• 42:40
  Speaker 1: Did we watch that one?
• 42:41
  Speaker 2: And I did? Multiple times?
• 42:42
  Speaker 1: Well? No, didn't we watch The Punisher at some point?
• 42:45
  Speaker 2: Didn't we not together?
• 42:46
  Speaker 1: No? Yes, we don't. You lie to me. We did.
• 42:49
  Speaker 2: No, me and you never did together.
• 42:52
  Speaker 1: I don't know. Let's see, I have one that I
• 42:55
  Speaker 1: raided and.
• 42:55
  Speaker 2: Doesn't mean we watched it together.
• 42:57
  Speaker 1: Yes, it does, because you remember you got it and
• 43:00
  Speaker 1: then you I.
• 43:00
  Speaker 2: Gave a copy to you, But I was, but we
• 43:03
  Speaker 2: didn't watch it together.
• 43:05
  Speaker 1: I feel like you're lying.
• 43:06
  Speaker 2: Uh?
• 43:06
  Speaker 1: Is it this one?
• 43:07
  Speaker 2: It's the one with John Travolta, Thomas Jane, Ben Foster.
• 43:12
  Speaker 1: Oh, okay, I gave that a three and a half. Okay,
• 43:14
  Speaker 1: maybe I'm thinking of another thing. I don't know. Umm, yeah,
• 43:17
  Speaker 1: well I just I don't know. I did his top credits.
• 43:19
  Speaker 1: That wasn't on his top credits.
• 43:20
  Speaker 2: That's interesting because he did that right before this movie.
• 43:23
  Speaker 1: I don't know. So he's in this. We've got Marci
• 43:25
  Speaker 1: Marcia gay Holden is Missus Carmody one hundred and twenty
• 43:29
  Speaker 1: one acting credits, also known for Flubber's doctor Sarah Jean Reynolds,
• 43:32
  Speaker 1: Mystic River as Celeste Boyle, and all three fifty Shades
• 43:36
  Speaker 1: of Gray Movies is Missus Gray slash Grace, Great Grace,
• 43:40
  Speaker 1: great Geg's y'all geegee's. Yeah, she is the bitchiest bitch
• 43:44
  Speaker 1: in this movie. God, not her as a person, her character. Sorry, Yeah,
• 43:48
  Speaker 1: she's a fucking Karen in this movie. God. Lorie Holden
• 43:52
  Speaker 1: as a Man to Dunfree, who has forty seven acting credits.
• 43:55
  Speaker 1: Also in Fantastic Four as Debbie mcavans, Silent Hill as
• 43:58
  Speaker 1: Sybil Bennett and the Lost Boys. Oh sorry, the Boys
• 44:02
  Speaker 1: as Crimson Countess, not the Lost Boys.
• 44:05
  Speaker 2: Walking Dead for a few seasons.
• 44:06
  Speaker 1: Yeah, that that chick. What was her name in that
• 44:09
  Speaker 1: movie show?
• 44:10
  Speaker 2: I forgot? There's actually a few walking dead walking dead?
• 44:14
  Speaker 1: Ye, get out of me. I was gonna say, lumps,
• 44:16
  Speaker 1: get out of my head. We got Andre Brower as
• 44:19
  Speaker 1: Brent Norton, who has sixty six acting credits. Was also
• 44:22
  Speaker 1: in Frequency, another fucking underrated movie as Satch Daily, on
• 44:27
  Speaker 1: Salem's Lot mini series as someone I forgot to write
• 44:30
  Speaker 1: down and Poseidon as Captain Bradford.
• 44:32
  Speaker 2: It was also a Captain and Brooklyn n TV show.
• 44:36
  Speaker 1: There You Go, More facts from Spencer. We've got Toby
• 44:40
  Speaker 1: Jones as Olie Weeks, who was one hundred and thirty
• 44:42
  Speaker 1: three acting credits, was also in the Rights as Father Matthew,
• 44:45
  Speaker 1: The Hunger Game Saga as Cloudy as Temple Smith and
• 44:48
  Speaker 1: Captain America one and two, so that would be the
• 44:50
  Speaker 1: first Avenger and Winter Soldier as doctor Arnhem Zola.
• 44:54
  Speaker 2: He pops up everywhere.
• 44:56
  Speaker 1: Just yeah, I had to. I had to. I had
• 44:58
  Speaker 1: to like narrow this down. I had I'm surprised he
• 45:02
  Speaker 1: wasn't in the Lord of the Rings he's so small,
• 45:05
  Speaker 1: but yeah, I had to. I had to pair this
• 45:06
  Speaker 1: down because it's like you're in fucking everything, dude, Jesus.
• 45:09
  Speaker 1: And then we have one of my personal favorite actors,
• 45:12
  Speaker 1: underrated actor William Sadler as Jim, who has astonishing one
• 45:15
  Speaker 1: hundred and seventy eight acting credits. Was also in Bill
• 45:18
  Speaker 1: and Ted's Bogus Journey is the Grim Reaper, Shawshank Redemption
• 45:21
  Speaker 1: as Heywood and Tails from the Crypt Demon Knight as Breaker.
• 45:26
  Speaker 2: Rocket Man Rock No Genius movie.
• 45:33
  Speaker 1: The nineties, fucking goddamn cinematic Master Williams Toolbox Murders. I'm
• 45:40
  Speaker 1: watching that ship tonight. Oh my god, No, that was Julie, dude.
• 45:45
  Speaker 2: That movie still still holds up. It's so funny.
• 45:50
  Speaker 1: The guy next to him, William Tylers.
• 45:53
  Speaker 2: Oh my god, whatever they go out to people, I
• 46:00
  Speaker 2: love that movie.
• 46:01
  Speaker 1: B that movie. I haven't I don't know if I've
• 46:03
  Speaker 1: rated that, But if I haven't rated it, next time
• 46:05
  Speaker 1: I watch, it's gonna be a very easy four and
• 46:07
  Speaker 1: a half star.
• 46:08
  Speaker 2: So good.
• 46:09
  Speaker 1: It's a masterpiece. I will fight anyone on this fucking planet.
• 46:13
  Speaker 1: That's not it's.
• 46:14
  Speaker 2: All it holds off.
• 46:16
  Speaker 1: It's stupid, ridous. Harlan Williams fucking bunks with the chimpanzee.
• 46:22
  Speaker 1: How do you writes itself.
• 46:24
  Speaker 2: How do you not get himself on a crowd sheet
• 46:27
  Speaker 2: for like a year and he just keeps you so
• 46:28
  Speaker 2: busy for a year. It doesn't what's all the food?
• 46:32
  Speaker 2: And it makes herself like that past some of the
• 46:35
  Speaker 2: chip and he blamed it on Julie as she's been
• 46:38
  Speaker 2: asleep for a year.
• 46:42
  Speaker 1: Oh my god, love it. Oh that's a movie. That's
• 46:46
  Speaker 1: a movie. That is I don't know if I have
• 46:48
  Speaker 1: the Blu ray of it. I think it's I think
• 46:49
  Speaker 1: it's only on DVD, but I remember me and my
• 46:52
  Speaker 1: dad were looking for that movie for years. Oh I'm crying,
• 46:55
  Speaker 1: I know, and you bought it for five buy So
• 47:00
  Speaker 1: it's nineteen ninety seven rocket Man with Harlean with Harlan Williams. Yeah,
• 47:05
  Speaker 1: you also have William Saltherer. And you have Jessica Lundy
• 47:07
  Speaker 1: as Julie Ford. She's fucking hilarious. It's so goddamn funny,
• 47:11
  Speaker 1: very very physical comedy on that one. Getting back to
• 47:17
  Speaker 1: this had an estimated budget of eighteen million, which is
• 47:19
  Speaker 1: fucking shocking. I really thought it would cost more with
• 47:22
  Speaker 1: a worldwide box office gross a fifty seven point five
• 47:25
  Speaker 1: million dollars. Filmed in Minden and Shreveport, Louisiana. Tom's Market
• 47:30
  Speaker 1: at two twelve North Pine Street, Vivian, Louisiana, and Atlanta, Texas. Yes,
• 47:35
  Speaker 1: that is right, you heard me. Atlanta, Texas, which is
• 47:37
  Speaker 1: just outside Fort Worth, Texas.
• 47:39
  Speaker 2: I mean there's a bunch of different Hollywoods, Like there's
• 47:41
  Speaker 2: a Hollywood Florida.
• 47:42
  Speaker 1: I didn't know there was another. Yeah, I knew that,
• 47:44
  Speaker 1: I didn't know there was another Atlanta. You can watch
• 47:46
  Speaker 1: this on fucking Netflix, bro. This came to Netflix because
• 47:50
  Speaker 1: like getting the fucking Blu Ray is a chore. You
• 47:53
  Speaker 1: just got it for like thirty two or twenty.
• 47:55
  Speaker 2: Two, right, I got it, so it's funny. This is
• 47:57
  Speaker 2: also an oop op movie that like has been op
• 48:02
  Speaker 2: for like since this came out pretty much mainly because
• 48:05
  Speaker 2: of it was under Weinstein's.
• 48:08
  Speaker 1: Name, yeah dimension Yeah.
• 48:10
  Speaker 2: Yeah, so so on a murcary there was a bunch
• 48:15
  Speaker 2: of them something for thirty something for forty, but I
• 48:17
  Speaker 2: found it as little as twenty and I happened to
• 48:19
  Speaker 2: look and it was twenty two lars plus tax, so
• 48:21
  Speaker 2: all together cost me twenty six dollars. Yeah, for out
• 48:24
  Speaker 2: of print movie, which and to be quite honesome. I
• 48:27
  Speaker 2: have the VHS or the VHS. Wow, I have the
• 48:31
  Speaker 2: I have the DVD, and I have it on a
• 48:33
  Speaker 2: digital copy. The only really reason why I wanted this
• 48:37
  Speaker 2: on Blu ray is because the Blue ray has which
• 48:40
  Speaker 2: is the intended director's version of it, being in black
• 48:43
  Speaker 2: and white, and I I can't see it anywhere else
• 48:45
  Speaker 2: on the Blu Ray.
• 48:46
  Speaker 1: So I think the black and white would have held
• 48:48
  Speaker 1: the CG. Next time I watch it, I'm gonna watch.
• 48:50
  Speaker 2: Well, as soon as it comes in, I'm just gonna
• 48:51
  Speaker 2: rewatch it in black and white.
• 48:52
  Speaker 1: Yeah, well, yeah, I'm gonna rewatch it here soon too,
• 48:54
  Speaker 1: in black and white, because yeah, I definitely want.
• 48:56
  Speaker 2: And that was the intended then the directors intended version,
• 49:00
  Speaker 2: but for theatrical purposes, they they shot it in black
• 49:04
  Speaker 2: and white, but then rendered it in color for theatrical
• 49:06
  Speaker 2: So it was actually shot in black and white.
• 49:07
  Speaker 1: Yeah.
• 49:08
  Speaker 2: Yeah, so I feel like the black and white might
• 49:09
  Speaker 2: actually look better.
• 49:10
  Speaker 1: Well yeah, it's gonna help the CG for sure.
• 49:12
  Speaker 2: That and all the misty.
• 49:14
  Speaker 1: Yeah all right, so let's get it. Oh, real quick.
• 49:18
  Speaker 1: Movies that came out around the same time. We've got
• 49:19
  Speaker 1: Dan in Real Life, Soft for American Gangster, No Country
• 49:23
  Speaker 1: for Old Men, P Two, Mao, Wolf, hit Man, Juno,
• 49:26
  Speaker 1: I Am Legend, National Trailer, Treasure, Book of Secret, and
• 49:31
  Speaker 1: Sweeney Todds. So I don't think some solids. I don't
• 49:34
  Speaker 1: think there's a there's a single bad movie that I
• 49:37
  Speaker 1: just named. Even Dan in Real Life is fucking funny.
• 49:39
  Speaker 2: I actually didn't like the National Treasure.
• 49:42
  Speaker 1: Oh well, okay, that one wasn't that great. But I mean, really,
• 49:44
  Speaker 1: there's a lot.
• 49:44
  Speaker 2: Of rest the rest, like two Swing Todd is one
• 49:48
  Speaker 2: of my favorites.
• 49:48
  Speaker 1: Yeah, that's a great one. Okay. Specific horror moments, did
• 49:52
  Speaker 1: you have any I do? Okay, what do you got do?
• 49:55
  Speaker 1: What do you got.
• 49:56
  Speaker 2: I'm not gonna give it all away because it is
• 49:58
  Speaker 2: kind of spoirly, but I'll just sort of do it.
• 50:01
  Speaker 2: So a guy wants to go and tries to get
• 50:04
  Speaker 2: a shotgun from from a truck. Okay, yeah, so on
• 50:10
  Speaker 2: one of the characters you know said, you know, they're like,
• 50:13
  Speaker 2: does any might have any weapons to try to fight
• 50:15
  Speaker 2: off whatever's in dismist or whatever. And the guy's like,
• 50:18
  Speaker 2: I have a shotgun in my truck. So one of
• 50:19
  Speaker 2: the guys is like, I know what truck yours? I
• 50:20
  Speaker 2: saw you pull in. I'll go out and to do it.
• 50:22
  Speaker 2: So they get this rope tie him up so they
• 50:24
  Speaker 2: can you know, keep a hold of them or whatever,
• 50:26
  Speaker 2: just in case whatever's out there gets them. And he
• 50:28
  Speaker 2: goes out there, and you know, he disappears in the
• 50:31
  Speaker 2: mist and all of a sudden, like the rope goes
• 50:33
  Speaker 2: limp and then it go Honestly, it goes hard again.
• 50:38
  Speaker 2: Yeah I said what it said. And then he starts
• 50:40
  Speaker 2: pulling it back and you slowly start seeing red like
• 50:43
  Speaker 2: obviously blood and and and the way they shot it
• 50:47
  Speaker 2: was like it was like a track shot but of
• 50:49
  Speaker 2: just the just the rope all blood, and he keeps
• 50:53
  Speaker 2: going and going, and then you go to the outside
• 50:55
  Speaker 2: and you just see half his body being like they're
• 50:58
  Speaker 2: draggon half of his like his legs, bottom half body
• 51:01
  Speaker 2: just drowed walking it. And I'm like, that is horrified
• 51:03
  Speaker 2: as the fuck. But honestly, out of that whole scene,
• 51:06
  Speaker 2: what really got me was was the whole they keep
• 51:10
  Speaker 2: doing it. They see the blood clearly that keeps going in,
• 51:12
  Speaker 2: and they just get just get blood everywhere and just
• 51:14
  Speaker 2: get more and more blood. I'm like, that is horrifying
• 51:16
  Speaker 2: because you really don't know what's on the other end.
• 51:17
  Speaker 1: Of that, especially because it was like the rope was
• 51:20
  Speaker 1: being pulled out at one point too, like severely.
• 51:22
  Speaker 2: So you're like, there's actually a few horrifying moments, but
• 51:25
  Speaker 2: that's the one I think that Gabe got me the
• 51:27
  Speaker 2: most on this rewatch the most reaction.
• 51:29
  Speaker 1: Well spoiler alert, well so.
• 51:33
  Speaker 2: Insides a specific one.
• 51:36
  Speaker 1: Well yeah, uh spoiler alert like not not that we're
• 51:39
  Speaker 1: surprised here, but that was mine as well. It got
• 51:41
  Speaker 1: an audible oh from me. I was like, yeah, I
• 51:45
  Speaker 1: was like, I literally gasped, but I was like.
• 51:47
  Speaker 2: Oh, hello, okay, because I saw the blood. I'm like,
• 51:50
  Speaker 2: because because it's been awesos. I've seen this. I remember
• 51:52
  Speaker 2: most of it, but obviously some pieces you always forget about. Yeah,
• 51:54
  Speaker 2: and I'm like, oh shit, that's right. I'm like, oh.
• 51:59
  Speaker 1: Yeah, that one. I mean, this is my first time watching.
• 52:01
  Speaker 1: This was your couplet. So yeah, this was my first
• 52:05
  Speaker 1: time watching and I and I knew this would be
• 52:06
  Speaker 1: a good one because of the rating experience for you.
• 52:09
  Speaker 1: I loved it. Yeah, I loved it. Yeah, it was
• 52:10
  Speaker 1: fucking solid. Favorite kill I have a specific one that
• 52:15
  Speaker 1: it could have counted as my horror moment, but I
• 52:17
  Speaker 1: was like, nah, he died. I was like, I'm gonna
• 52:18
  Speaker 1: use this one.
• 52:20
  Speaker 2: My favorite kill was that's the religious bitch, just right
• 52:27
  Speaker 2: in the head. You're well, first she gets hitting the stomach. Honestly,
• 52:31
  Speaker 2: that but that was my favorite killer because honestly.
• 52:35
  Speaker 1: Shut yeah she was the worst.
• 52:38
  Speaker 2: But but my but outside of like, I guess, my
• 52:40
  Speaker 2: favorite horror kill would be in the what would be
• 52:43
  Speaker 2: that basically the whole thing in the pharmacy.
• 52:46
  Speaker 1: Okay, yeah, yeah, my oh yeah, so yeah that would
• 52:49
  Speaker 1: be that was mine. I wrote down spider Guy, That's where.
• 52:51
  Speaker 2: I'll leave it. Yeah, the pharmacy.
• 52:53
  Speaker 1: Oh yeah, I'll leave it there. But I just I
• 52:54
  Speaker 1: call it spider Guy because that was fucking crazy.
• 52:58
  Speaker 2: Definitely the Religious Bitch.
• 53:00
  Speaker 1: Favorite character.
• 53:02
  Speaker 2: I'm gonna go with, uh the uh go with the
• 53:06
  Speaker 2: Toby Jones, the cashier that note that that was a
• 53:09
  Speaker 2: gun champion.
• 53:10
  Speaker 1: Oh yeah, okay, yeah, yeah, yeah yeah.
• 53:12
  Speaker 2: Because honestly manager well he was, he was. I don't
• 53:16
  Speaker 2: think was it the no the guy Toby Jones.
• 53:19
  Speaker 1: Toby Jones. Yeah, And the only reason why I liked
• 53:24
  Speaker 1: him the best.
• 53:25
  Speaker 2: I mean, there's a couple of really fun characters that
• 53:27
  Speaker 2: I liked, but like, weirdly, out of all that, he's
• 53:30
  Speaker 2: the only one that like character developed throughout the whole
• 53:33
  Speaker 2: movie because Thomas J. Lweren hold like their characters were
• 53:36
  Speaker 2: already established. MRSA the Religious Lady like her characters already established,
• 53:40
  Speaker 2: and there was no uphill or downhill.
• 53:42
  Speaker 1: They were always they were just their beliefs.
• 53:44
  Speaker 2: The moment where everyone was like this, then we know
• 53:46
  Speaker 2: how to shoot, and he goes, I do, and then
• 53:48
  Speaker 2: you're like, oh, but but then he goes, yeah, I was,
• 53:51
  Speaker 2: I did some Olympics or whatever that I'm like, okay,
• 53:53
  Speaker 2: fucking hold it.
• 53:55
  Speaker 1: No. It was like, can you rewind that you did?
• 53:58
  Speaker 2: What? Like out of all the care is his character
• 54:00
  Speaker 2: developed in that two hours of the best. So yeah,
• 54:02
  Speaker 2: he's my favorite character.
• 54:03
  Speaker 1: Same yeah, same, not surprising at all. Least favorite character. Obviously.
• 54:09
  Speaker 1: She's almost as bad as what's her face from Harry Potter.
• 54:13
  Speaker 1: I can't remember her name. Oh yeah, she's almost as
• 54:15
  Speaker 1: bad as her, if not worse.
• 54:17
  Speaker 2: I have one more horrifying moment, but it wasn't wasn't
• 54:20
  Speaker 2: it was more emotionally horrifying. Okay, it was towards the end.
• 54:24
  Speaker 2: It wasn't what you think I'm gonna say. But when
• 54:28
  Speaker 2: Thomas Chance's character finally sees what happened to his wife,
• 54:32
  Speaker 2: Oh yeah, I was like I wasn't I really because
• 54:37
  Speaker 2: I forgot about that specific thing and the way they
• 54:39
  Speaker 2: were going about it, and I was like, oh god,
• 54:42
  Speaker 2: why is this movie giving me emotions?
• 54:44
  Speaker 1: Yeah, don't make me feel like how dare you? Uh?
• 54:48
  Speaker 1: Favorite line? Did you have one?
• 54:50
  Speaker 2: I had one favorite? I don't. I mean, honestly, I
• 54:53
  Speaker 2: liked when Andre Bower in the beginning it was calling
• 54:55
  Speaker 2: his chancellor Cox.
• 54:56
  Speaker 1: Yeah, that was pretty fun for no reason, he did you? Yeah,
• 55:00
  Speaker 1: that was great.
• 55:01
  Speaker 2: But I don't have a specific line.
• 55:03
  Speaker 1: There was one line. I think it was said by
• 55:07
  Speaker 1: the main guy, David Yeah, when he was explaining something
• 55:11
  Speaker 1: to someone and he was like, are you guys being
• 55:13
  Speaker 1: wilfully dense? I was like, oh yeah, that was a
• 55:16
  Speaker 1: nice way to say, are you being fucking dumb?
• 55:18
  Speaker 2: Right?
• 55:19
  Speaker 1: So that was that was my favorite line. Uh. So
• 55:22
  Speaker 1: let's get into this. Uh we'll do this quickly because
• 55:26
  Speaker 1: there's a lot of stuff we can talk about, but
• 55:28
  Speaker 1: also a lot of stuff I want to leave. But
• 55:29
  Speaker 1: we'll get into some good ship here. So it's just
• 55:33
  Speaker 1: funny how quickly this movie starts, because it's immediate, you know.
• 55:39
  Speaker 1: It begins with David Drayton. There, he's hand painting a
• 55:42
  Speaker 1: poster for an upcoming film of his, which actually I
• 55:45
  Speaker 1: believe is something from the Dark Tower.
• 55:47
  Speaker 2: I think, yeah, yeah, Dark Tower.
• 55:50
  Speaker 1: And and then after that, that night, a massive storm
• 55:52
  Speaker 1: strikes the house, a tree goes goose through the window
• 55:55
  Speaker 1: and just destroys his latest painting, and then they go
• 55:58
  Speaker 1: out and assess the damage the next day clean up ship.
• 56:01
  Speaker 1: Then they they noticed the mist approaching and I'm like,
• 56:04
  Speaker 1: we are four minutes. I was like, holy shit. So
• 56:09
  Speaker 1: I'm like, okay, it's just happening now, no build up,
• 56:11
  Speaker 1: it's just missed. I'm like, all right, cool beans. And
• 56:15
  Speaker 1: then they noticed that their their boat house has been
• 56:17
  Speaker 1: just obliterates fucking gone by a tree. And then they
• 56:22
  Speaker 1: noticed it's the neighbor's tree. Who is the fucking guy? Yeah,
• 56:28
  Speaker 1: what's his hold on? I have the names here. I
• 56:30
  Speaker 1: don't know why I'm trying to Brent. His name is Brent.
• 56:34
  Speaker 1: So he goes to talk to Brent and exchange information,
• 56:36
  Speaker 1: you know, get this insurance blah blah blah. And then
• 56:38
  Speaker 1: he notices the Mercedes got crushed, and you can tell
• 56:41
  Speaker 1: you can sense like kind of like uh tension between
• 56:46
  Speaker 1: them and Brent's like you go into the store and
• 56:49
  Speaker 1: they didn't even have to show him asking. They just
• 56:51
  Speaker 1: the next thing is them getting in the car, and
• 56:53
  Speaker 1: I was like, nice. So it's just David, Billy and Brent.
• 56:57
  Speaker 1: Wife stayed at home. She didn't want to go. Bad
• 57:00
  Speaker 1: move on her part. So they go down to the
• 57:02
  Speaker 1: grocery store and notice like, uh, what was it? Like
• 57:04
  Speaker 1: electric company trucks going by, and then like the military
• 57:08
  Speaker 1: going by. So they're going towards town, all those you know,
• 57:11
  Speaker 1: all those cars are going the opposite way, and they're
• 57:13
  Speaker 1: like that seems a bit odd. But you know, I
• 57:14
  Speaker 1: guess there's going to fix the power because the power
• 57:16
  Speaker 1: was out. Then they arrived at the supermarket and it's
• 57:19
  Speaker 1: like super fucking pack It's like the equivalent of Florida
• 57:22
  Speaker 1: when hurricanes. Yeah, when hurricanes come, everyone's fucking packing up.
• 57:25
  Speaker 1: They don't seem to have cell service either, and even
• 57:27
  Speaker 1: the landlands aren't working because yes, they still had landlines,
• 57:30
  Speaker 1: you know, like like phone booths. You might not know
• 57:32
  Speaker 1: what that is if you're younger than.
• 57:34
  Speaker 2: Check out the movie film check Out You'll fake us
• 57:37
  Speaker 2: for both doing and.
• 57:39
  Speaker 1: One of the most thrilling movies with Colin Farrell. Oh
• 57:43
  Speaker 1: my god. So yeah, no no cell service. Everyone seems
• 57:47
  Speaker 1: to be in a frenzy, just buying a whole bunch
• 57:50
  Speaker 1: of shit. And then at this point when they're in
• 57:52
  Speaker 1: the checkout line, they hear what I would call like
• 57:56
  Speaker 1: it's similar to tornado warning horns or sirens, like a spearweather. Yeah,
• 58:02
  Speaker 1: so they hear that, and then as soon right after that,
• 58:07
  Speaker 1: some guy comes fucking flying into the grocery store talking
• 58:12
  Speaker 1: about he's all bloody and frantic and he's like, something's
• 58:15
  Speaker 1: in the mist. Something's in the mist. It's killing people
• 58:17
  Speaker 1: and you're like, okay, and I think at this point
• 58:19
  Speaker 1: we're maybe fifteen minutes in and so you're like, this
• 58:22
  Speaker 1: is just happening now, And now it does. It does
• 58:25
  Speaker 1: slow down a little bit and pick back up. So
• 58:27
  Speaker 1: it is a pretty it has pretty good pacing, but
• 58:29
  Speaker 1: it does just kind of start just like right off
• 58:32
  Speaker 1: the bat. And this is when everyone looks outside and
• 58:35
  Speaker 1: notice that the mist is like completely surrounded the store.
• 58:37
  Speaker 1: You can't fucking see anything. And Jeff is like, hey,
• 58:41
  Speaker 1: we need to steal the doors. We need to remain inside.
• 58:43
  Speaker 1: But then one of the Walking Dead alums, Carol. Her
• 58:46
  Speaker 1: name is Melissa Susan McBride, and she's worried about her
• 58:51
  Speaker 1: two kids at home, so she's like, anybody want to
• 58:54
  Speaker 1: come with me?
• 58:54
  Speaker 2: And no one.
• 58:56
  Speaker 1: Everyone's just like looking at the ground. She's like, you're
• 58:58
  Speaker 1: gonna let a lady go out there by? Yeah? Bye,
• 59:01
  Speaker 1: I don't know what's out there, He's saying.
• 59:02
  Speaker 2: People probably one of the like realist like experiences for
• 59:06
  Speaker 2: for a movie, Like in real life, people would probably
• 59:08
  Speaker 2: have been the same.
• 59:09
  Speaker 1: Yeah, I would have been like, no, a lady, if
• 59:11
  Speaker 1: people are dying, I'm no offense.
• 59:12
  Speaker 2: Like somebody just came running in bleeding, looks like they
• 59:14
  Speaker 2: got a fight, yelling there's something in the.
• 59:16
  Speaker 1: Myst like just not risking my life for a stranger.
• 59:18
  Speaker 1: I'm sorry if you were a family member or a friend, sure,
• 59:21
  Speaker 1: but I don't know you don't know you and as
• 59:22
  Speaker 1: that selfish of me, probably, but I don't want to
• 59:27
  Speaker 1: life exactly. So no one volunteers, and she leaves the supermarket,
• 59:31
  Speaker 1: and I have to say, I won't say what happens
• 59:33
  Speaker 1: to her, but I love the fate, yes, that that
• 59:36
  Speaker 1: transpires in her life. Honestly, it was awesome. Uh So,
• 59:41
  Speaker 1: after she just you know, leaves and goes out alone
• 59:44
  Speaker 1: into the mist, David finds that generator in the back,
• 59:47
  Speaker 1: trying to you know, just trying to like assess how
• 59:49
  Speaker 1: much fuel they have and whatnot, because you know, if
• 59:52
  Speaker 1: the power goes out, it's gonna be bad news. Bears.
• 59:55
  Speaker 1: This is when he hears something on the door, just
• 59:57
  Speaker 1: like fucking bag ye banging at the door, and he's like, hmm,
• 1:00:02
  Speaker 1: I'm gonna go tell people, and everyone's just thinking he's
• 1:00:04
  Speaker 1: pulling their leg, like no, there's nothing out there, and
• 1:00:07
  Speaker 1: he's like, okay, well we gotta go fix that generator.
• 1:00:10
  Speaker 1: So why don't we go back there to fix it.
• 1:00:12
  Speaker 1: You know, we gotta go fix this because something is
• 1:00:14
  Speaker 1: like clogged and they have to go to the outside
• 1:00:17
  Speaker 1: unclog it because of whatever is going on in there.
• 1:00:21
  Speaker 1: But you know, uh, there's things out there that you know,
• 1:00:23
  Speaker 1: pep are killing people apparently, and that David clearly heard,
• 1:00:26
  Speaker 1: and the bag was like, I'll go do it, and
• 1:00:29
  Speaker 1: fucking oops. His name is norm and David's like, yeah,
• 1:00:33
  Speaker 1: don't don't do that. It's a bad idea. And wouldn't
• 1:00:36
  Speaker 1: you know it, less than two seconds after they open
• 1:00:39
  Speaker 1: the fucking door, the thick or the thick the mist
• 1:00:42
  Speaker 1: is super thick and just like comes like darting into
• 1:00:45
  Speaker 1: the little crack that they've made. But then tentacles come
• 1:00:47
  Speaker 1: out of the misk and just snatch this boy up,
• 1:00:49
  Speaker 1: and he's like yay, Like yeah, well, first of all,
• 1:00:53
  Speaker 1: told the second of all, fucking tough shit, you're on
• 1:00:55
  Speaker 1: your own. No, I'm kidding. He does try to help,
• 1:00:57
  Speaker 1: but there's you know, there's a power struggle. Everyone's freaking out,
• 1:00:59
  Speaker 1: like I don't know what's happening. Why are their tentacles
• 1:01:01
  Speaker 1: grabbing this boy? Homie does not make it though.
• 1:01:03
  Speaker 2: Also the tents have teeth.
• 1:01:05
  Speaker 1: Yeah, they have teeth, and they and the siege uses.
• 1:01:08
  Speaker 1: Oh so it did not age well. And I was
• 1:01:12
  Speaker 1: thinking for two thousand and seven, I was like, Okay,
• 1:01:14
  Speaker 1: it's either gonna be really good, you know that, like
• 1:01:16
  Speaker 1: the Host from two thousand and six. I think Bong
• 1:01:19
  Speaker 1: June Hos movie is that fucking held up pretty damn well.
• 1:01:22
  Speaker 1: But this I was like, it's not good. So the
• 1:01:25
  Speaker 1: cig's so if you think it was eighteen million, that's
• 1:01:28
  Speaker 1: what I'm saying, that's probably why it wasn't that good.
• 1:01:30
  Speaker 2: I mean a lot of a lot of that budget.
• 1:01:32
  Speaker 2: Like I'm not saying there was big names attached, like
• 1:01:35
  Speaker 2: character like actor wise.
• 1:01:37
  Speaker 1: But uh, it definitely went to the cast.
• 1:01:39
  Speaker 2: But mostly a lot of it did go to the cast.
• 1:01:41
  Speaker 2: I do want to like. I mean, if you think
• 1:01:43
  Speaker 2: about it too, it's all and basically the movies in
• 1:01:45
  Speaker 2: one location.
• 1:01:47
  Speaker 1: Yeah, And that's what I really like about this movie
• 1:01:49
  Speaker 1: is how contained it is. Yet it's still like you
• 1:01:53
  Speaker 1: almost feel like you're out in the open because they're
• 1:01:55
  Speaker 1: in public, but it's so contained because they literally are
• 1:01:58
  Speaker 1: in the store for ninety percent of them.
• 1:02:00
  Speaker 2: Yeah, and since it's a small the town's in there.
• 1:02:02
  Speaker 1: Yeah, half the town's in there. So Homie doesn't make it.
• 1:02:05
  Speaker 1: David does chop off one of the limbs though, of
• 1:02:09
  Speaker 1: the tentacle monster, as I'm gonna call it. Uh, they
• 1:02:12
  Speaker 1: close the you know, the the little roll down door
• 1:02:15
  Speaker 1: and the you know, the generator still clogged that's still
• 1:02:17
  Speaker 1: not fixed because the tentacle monster decided to be a dick.
• 1:02:22
  Speaker 1: So then he goes to tell Brent what they've discovered, like, hey, dude,
• 1:02:26
  Speaker 1: neighbor friend, uh, there's like a tentacal monster back there.
• 1:02:28
  Speaker 1: You should come check it out. And fucking Brent gets
• 1:02:32
  Speaker 1: like he's a lawyer, by the way, but he gets
• 1:02:34
  Speaker 1: like super uh harsh on him and like lashes out immediately.
• 1:02:38
  Speaker 1: He's like, you're playing a joke on me because I
• 1:02:40
  Speaker 1: was a lawyer who represented the people who sued this
• 1:02:42
  Speaker 1: grocery store and lost, so like, I don't believe you.
• 1:02:45
  Speaker 1: And he's been kind of a dick about it. And
• 1:02:47
  Speaker 1: then he's like, okay, fine, once you just go back
• 1:02:49
  Speaker 1: there and look, like, just go check it out. So
• 1:02:51
  Speaker 1: a couple of people from the store go back there
• 1:02:53
  Speaker 1: and check it out, and as soon as they like
• 1:02:54
  Speaker 1: poke it or touch it, it like melts or something. Yeah,
• 1:02:57
  Speaker 1: it's like cool, the evidence is gone. Uh uh, but
• 1:03:00
  Speaker 1: no he shows the people they believe they believe him.
• 1:03:03
  Speaker 1: Now there's a fucking tentacle. What do you I can't
• 1:03:06
  Speaker 1: just plant that there. I just what I had that
• 1:03:07
  Speaker 1: in my back pocket. No, I don't think so. So
• 1:03:09
  Speaker 1: people believe him. Now everyone's like, Okay, something weird is
• 1:03:13
  Speaker 1: going on, and yeah, something weird is definitely going on.
• 1:03:16
  Speaker 1: But at this point, Brent, Uh. I just love the
• 1:03:18
  Speaker 1: divide between Brent and David because Brent's like, all right,
• 1:03:21
  Speaker 1: I'm going to organize some people. We're gonna get the
• 1:03:23
  Speaker 1: fuck out of here. Uh, nothing's gonna happen to you
• 1:03:26
  Speaker 1: in the mist, like reassuring these people. And I'm like,
• 1:03:28
  Speaker 1: you don't know that, right, Stop giving these people fucking
• 1:03:31
  Speaker 1: fucking falls home. And I love when, uh, someone Amanda
• 1:03:37
  Speaker 1: just pulls the handgun from her perch. She's like, I
• 1:03:39
  Speaker 1: have this. My husband makes me, uh carried around because
• 1:03:42
  Speaker 1: I'm I'm alone a lot. And I'm like, that is
• 1:03:43
  Speaker 1: a huge gun for a small woman to have. That
• 1:03:46
  Speaker 1: is that is like a this is a giant gun.
• 1:03:48
  Speaker 1: Looked like a I don't know, looked like a three
• 1:03:49
  Speaker 1: ft the seven. It probably wasn't though, but it looked
• 1:03:51
  Speaker 1: like a pretty hefty gun. Yeah. I was like, that's
• 1:03:54
  Speaker 1: a pretty hefty gun for for for a lady. I'm
• 1:03:56
  Speaker 1: just saying, like, that's that's got some kick back, dude.
• 1:03:59
  Speaker 1: I've I've shot Doug has a thirty eight. I think
• 1:04:02
  Speaker 1: a thirty eight snub nose, and that thing fucking kicks, dude.
• 1:04:04
  Speaker 1: For that's what I'm saying. I can't think it kicks
• 1:04:07
  Speaker 1: like some of the bits more than it's weird. So
• 1:04:11
  Speaker 1: I just was surprised that she had such a large
• 1:04:13
  Speaker 1: caliber gun. But I was also like, badass dude.
• 1:04:15
  Speaker 2: Well probably know when if if I were to quote
• 1:04:18
  Speaker 2: unquote mug her and I saw her whip that thing out, like,
• 1:04:22
  Speaker 2: you know what my decisions made off?
• 1:04:24
  Speaker 1: Do you need any money? I've got a twenty.
• 1:04:26
  Speaker 2: Right, you want my Are you robbing? You wouldn't run me?
• 1:04:29
  Speaker 1: Well that makes us Let's make make the situation. Which
• 1:04:31
  Speaker 1: situation better? I'll I'll help out it anyway I can.
• 1:04:34
  Speaker 1: I'm just saying, let me get the car door for you.
• 1:04:35
  Speaker 1: Miss here you go see you have a nice day exactly.
• 1:04:39
  Speaker 1: So Allie is he kind of takes a gun and
• 1:04:41
  Speaker 1: like loads it up or whatever. And then that's when
• 1:04:42
  Speaker 1: you have the other guy saying I've got a shotgun.
• 1:04:44
  Speaker 1: We have that whole interaction, you know, you have the
• 1:04:48
  Speaker 1: guy coming back cut in half. It was pretty fucking awesome.
• 1:04:51
  Speaker 1: It was so cool. Yeah again, I literally was like, oh,
• 1:04:55
  Speaker 1: it was not expecting that. And then night begins to fall,
• 1:04:59
  Speaker 1: and at this point, I believe they've put up a
• 1:05:01
  Speaker 1: bunch of dog food in the windows. I think to like,
• 1:05:05
  Speaker 1: you know.
• 1:05:06
  Speaker 2: Because clearly they're well they did that after the technacal
• 1:05:11
  Speaker 2: monster kind of like showed itself a little bit more
• 1:05:14
  Speaker 2: on the windows.
• 1:05:14
  Speaker 1: Yeah, because and so yeah, they're they're putting all this
• 1:05:17
  Speaker 1: dog food up, and I'm like, this store doesn't have
• 1:05:19
  Speaker 1: this much dog food. There's like, what is this this.
• 1:05:21
  Speaker 2: There was actually there's actually a ship of dog food
• 1:05:23
  Speaker 2: in the base and in the back where they were.
• 1:05:25
  Speaker 1: I know, but I'm like, this is a lot of
• 1:05:26
  Speaker 1: dog food. Why do they have so much?
• 1:05:28
  Speaker 2: And you don't even see one dog in the whole movie.
• 1:05:30
  Speaker 1: I know, And I'm like, this is fucking very convenient.
• 1:05:33
  Speaker 1: So the as night begins to follow, these giant like
• 1:05:35
  Speaker 1: mosquito bugs are landing on the windows, seemingly attracted to
• 1:05:39
  Speaker 1: the light and the lanterns, and then other giant like
• 1:05:42
  Speaker 1: terodactyl fucking looking things are coming and attacking those. Yeah,
• 1:05:47
  Speaker 1: that was a super cool seed. But the problem with
• 1:05:49
  Speaker 1: the pterodactyal birds is they're crashing into the windows trying
• 1:05:51
  Speaker 1: to get the little mosquito bugs.
• 1:05:53
  Speaker 2: They break through the window.
• 1:05:54
  Speaker 1: They break through the window, and then we have like
• 1:05:56
  Speaker 1: a it's like it was like it was a contamination.
• 1:05:58
  Speaker 1: You know. We have a twenty three nineteen all the
• 1:06:00
  Speaker 1: it and it got this one girl real good in
• 1:06:03
  Speaker 1: the face and then she just like puffed.
• 1:06:05
  Speaker 2: Up and showed that effect of like what would happen?
• 1:06:08
  Speaker 1: Yeah, that was really cool.
• 1:06:10
  Speaker 2: Uh.
• 1:06:10
  Speaker 1: So chaos ensues, Like I said, one of the insects
• 1:06:13
  Speaker 1: kills a young girl. All the people in there are
• 1:06:15
  Speaker 1: using rakes and shovels and just beat the living piss
• 1:06:17
  Speaker 1: out of these things. The first bird is killed by
• 1:06:20
  Speaker 1: a man who sets it on fire, and then Ali
• 1:06:23
  Speaker 1: shoots the other one or two I think, with the
• 1:06:25
  Speaker 1: six shooter or whatever there was. So Ali's a badass.
• 1:06:29
  Speaker 1: And then one of these guys that actually got set
• 1:06:32
  Speaker 1: on fire during in the midst of all this, and
• 1:06:34
  Speaker 1: he's so badly burned. When they go check on him
• 1:06:36
  Speaker 1: in the basement, he's like begging to be killed. And
• 1:06:38
  Speaker 1: I was like, oh man, I was like, this is
• 1:06:40
  Speaker 1: a rep scene. I was like, and they're like, no, dude,
• 1:06:44
  Speaker 1: come on, just wait a little bit longer. But I
• 1:06:46
  Speaker 1: like the pain. He's like, he's like, I've never felt
• 1:06:47
  Speaker 1: pain this bad because he was probably had like thirty Yeah,
• 1:06:50
  Speaker 1: he was wrecked. Yeah, he was wrecked. So it was
• 1:06:54
  Speaker 1: just so I was like, it was like gut wrenching.
• 1:06:56
  Speaker 1: I was like, oh god, a lot of unnecessary Oh yeah, dude,
• 1:07:01
  Speaker 1: it was. It was insane. So that happens. At this
• 1:07:04
  Speaker 1: point though, they're like, Okay, we've got injured people. We've
• 1:07:07
  Speaker 1: got people that need medicine. So David gets her group
• 1:07:10
  Speaker 1: together to go to the pharmacy and the nearby shopping
• 1:07:13
  Speaker 1: plaza pretty yeah, like right across the street or like
• 1:07:16
  Speaker 1: Caddy corner or whatever. So they need to get like
• 1:07:18
  Speaker 1: you know, bernoimann, antibiotics, painkillers, all this, all sorts of stuff,
• 1:07:22
  Speaker 1: you know, and the people like don't want them to go.
• 1:07:23
  Speaker 1: And this is where you get this huge divide in
• 1:07:26
  Speaker 1: the crowd because they've kind of been separated before this,
• 1:07:29
  Speaker 1: but this at this scene when they're about to leave,
• 1:07:30
  Speaker 1: you get this huge divide you have. Shockingly, you have
• 1:07:34
  Speaker 1: people on Missus Carmode's side, the religious nut, which I
• 1:07:37
  Speaker 1: was like both shocked and not shocked at the same time.
• 1:07:40
  Speaker 1: I get it because like you're like, you're listening to her,
• 1:07:43
  Speaker 1: but like people listen to that now, so you're like,
• 1:07:45
  Speaker 1: but it's just funny because she was batshit insane, Like
• 1:07:49
  Speaker 1: this is what we get. You know, God is punishing us,
• 1:07:51
  Speaker 1: and you've got people behind her like, yeah, we're.
• 1:07:55
  Speaker 2: Movie.
• 1:07:55
  Speaker 1: She was the huge villain of this whole movie, and
• 1:07:59
  Speaker 1: it's just so I need to see all. Like I said,
• 1:08:01
  Speaker 1: I was shocked that people were on her side, but
• 1:08:02
  Speaker 1: I'm like, well, that actually tracks like there would be
• 1:08:05
  Speaker 1: a fucking like Christianity whatever you gonna call it, divide.
• 1:08:10
  Speaker 2: During any type of disaster. Religion definitely like is always
• 1:08:15
  Speaker 2: playing some type of division.
• 1:08:17
  Speaker 1: Yeah, And it's like I get I know, I get why.
• 1:08:20
  Speaker 1: But she was like, it's just so funny because like
• 1:08:23
  Speaker 1: in those situations, those people are typically the most judgmental,
• 1:08:26
  Speaker 1: and she was so judgmental. I mean, shit, someone died
• 1:08:30
  Speaker 1: in like someone got stabbed and thrown out because they
• 1:08:33
  Speaker 1: went against her and like everyone was chanting about it.
• 1:08:36
  Speaker 1: I'm like, why are you? And then when she got
• 1:08:40
  Speaker 1: shot miss Carmonti, everyone was in an uproar. Was like,
• 1:08:42
  Speaker 1: that bitch let someone die earlier by getting stabbed multiple
• 1:08:45
  Speaker 1: times by someone on her side? How was that okay?
• 1:08:49
  Speaker 2: Girl? The well, she was the cashier of the store
• 1:08:52
  Speaker 2: who got us stung, yeah and died. She's like she
• 1:08:55
  Speaker 2: basically was like, that's what horror get.
• 1:08:56
  Speaker 1: Oh yeah, And I'm essentially if you're if you're using
• 1:09:01
  Speaker 1: that stuff with religion behind you, it's okay, But if
• 1:09:04
  Speaker 1: you don't have God on your side, it's not okay.
• 1:09:06
  Speaker 1: To act like that, right doesn't make any sense? Uh
• 1:09:09
  Speaker 1: So yeah, I thought that was just so funny. So
• 1:09:11
  Speaker 1: you've got everyone on missus Carmody's side, you got everyone
• 1:09:13
  Speaker 1: on David's side, and they're, you know, they're like, what
• 1:09:15
  Speaker 1: do you want us to? Like, do you want help
• 1:09:18
  Speaker 1: for all the people that are suffering? Because we've got
• 1:09:19
  Speaker 1: to go do this. So eventually they just go do
• 1:09:22
  Speaker 1: this and they head out into the missed single file line.
• 1:09:25
  Speaker 1: Very bold move, but also I get it. And that's
• 1:09:28
  Speaker 1: when they get to the pharmacy and it just kind
• 1:09:31
  Speaker 1: of goes chaotic immediately because they're grabbing a whole bunch
• 1:09:34
  Speaker 1: of stuff, grabbing a whole bunch of stuff, and they
• 1:09:36
  Speaker 1: see all these spider webs and they see these tiny,
• 1:09:38
  Speaker 1: little fucking spiders everywhere. And then we have the spider
• 1:09:41
  Speaker 1: guy coming in and it's the MP from earlier in
• 1:09:44
  Speaker 1: the film.
• 1:09:45
  Speaker 2: And then you see the guy that dies and falls
• 1:09:48
  Speaker 2: on the ground. All the baby's fires come out of
• 1:09:50
  Speaker 2: him of the cane body.
• 1:09:51
  Speaker 1: Yeah, yeah, I love it. Yeah, it was insane. So yeah,
• 1:09:55
  Speaker 1: that happens. And then you see bigger spiders, which are
• 1:09:58
  Speaker 1: the sources of the little spiders. It's like, you know,
• 1:10:01
  Speaker 1: Mama spider.
• 1:10:01
  Speaker 2: So then they have no, you have like four different
• 1:10:04
  Speaker 2: type of.
• 1:10:05
  Speaker 1: Yeah, oh my god, it's ridiculous. And the larger spiders
• 1:10:09
  Speaker 1: have claws and things and shoot aesthetic s pacific webbing.
• 1:10:14
  Speaker 1: This one guy got shot with legging around his webbing
• 1:10:17
  Speaker 1: around his legs and it burned through his jeans and
• 1:10:22
  Speaker 1: then I think he ended up dying from it or
• 1:10:24
  Speaker 1: something like that. So they lost a few people and
• 1:10:26
  Speaker 1: then they just frantically pack up all They just fucking
• 1:10:29
  Speaker 1: run back to the store. And that's where I'll end
• 1:10:31
  Speaker 1: it there, because After that, it just kind of goes
• 1:10:33
  Speaker 1: downhill and then be prepared for one of the most
• 1:10:36
  Speaker 1: bleakest fucking endings you've ever experienced. You think you've seen
• 1:10:39
  Speaker 1: bleak ship, you haven't seen. No, shit, you haven't seen ship. No,
• 1:10:43
  Speaker 1: it's really bleak. All I have to say about it
• 1:10:46
  Speaker 1: is just hold on a little longer. That's all I
• 1:10:48
  Speaker 1: gotta say. Just just a little bit longer. So yeah, yeah,
• 1:10:54
  Speaker 1: just hold on, just hold up and like breathe for
• 1:10:58
  Speaker 1: a second. So yeah, My thoughts on this movie one,
• 1:11:02
  Speaker 1: the CG was very rough and really my biggest complaint
• 1:11:06
  Speaker 1: other than the frantically annoying quick zoom ins. There were
• 1:11:12
  Speaker 1: so many times where the camera was tracking in, zoom
• 1:11:14
  Speaker 1: in and then zoom in. I'm just like, ah, like
• 1:11:16
  Speaker 1: why so many fast little zoom ins and zoom ounts.
• 1:11:19
  Speaker 1: It was very jarring.
• 1:11:20
  Speaker 2: Funny that we said that, because that's actually, uh, that
• 1:11:22
  Speaker 2: actually goes back to my thing with the with the
• 1:11:25
  Speaker 2: Toolbox murders. That's how that quote unquote scene was going.
• 1:11:28
  Speaker 2: With that masturbation scene.
• 1:11:29
  Speaker 1: Oh Jesus, quick in, quickout, quick and cookout.
• 1:11:31
  Speaker 2: You're like, yeah, yeah, I was like like, like what's going,
• 1:11:33
  Speaker 2: Like why, why is this happening, Like, why were we
• 1:11:36
  Speaker 2: even focus on this for so long?
• 1:11:37
  Speaker 1: It's too much? So CG was rough. There's no way
• 1:11:40
  Speaker 1: that fucking the little store had damage. Dog food. The
• 1:11:42
  Speaker 1: Christian Lady was the wast the wast great jump scare
• 1:11:46
  Speaker 1: in the pharmacy. So many fade outs. I don't know
• 1:11:50
  Speaker 1: why there were so many fade outs. Main, dude, not
• 1:11:53
  Speaker 1: that great time as James. Sorry, kind of flat for me,
• 1:11:55
  Speaker 1: just kind of just felt like he has.
• 1:11:57
  Speaker 2: Never been a great actor, but I've always.
• 1:11:59
  Speaker 1: I've always belie especially the yelling at the end, he
• 1:12:02
  Speaker 1: was like.
• 1:12:04
  Speaker 2: Super super force.
• 1:12:06
  Speaker 1: I was like, are you gonna are about to turn
• 1:12:07
  Speaker 1: into the weird Hulk or something? What's going on? Yeah?
• 1:12:10
  Speaker 2: Of course.
• 1:12:11
  Speaker 1: But then there was one point right after that and
• 1:12:13
  Speaker 1: when he started like slamming his hands and really screaming.
• 1:12:15
  Speaker 1: I was like, Okay, there we go. But that first
• 1:12:17
  Speaker 1: two screams, I was like, oh, buddy, But.
• 1:12:20
  Speaker 2: To be fair, that particular thing that happened, it's hard
• 1:12:24
  Speaker 2: to it's hard to imagine what your emotions are going
• 1:12:28
  Speaker 2: to be from there.
• 1:12:29
  Speaker 1: That that was so Yeah, it was really just he
• 1:12:31
  Speaker 1: wasn't that that great. I just he was kind of
• 1:12:33
  Speaker 1: flat and just kind of felt like he was phoning
• 1:12:35
  Speaker 1: it in and the uh, the CG for me. So
• 1:12:38
  Speaker 1: that's really my only two big complaints. Luckily there wasn't
• 1:12:41
  Speaker 1: like a ship ton of CG, but when it was there,
• 1:12:43
  Speaker 1: you were like, that's rough. So that's why I want
• 1:12:45
  Speaker 1: to watch it in black and white and see if
• 1:12:47
  Speaker 1: there's see if that black and white kind of hides
• 1:12:50
  Speaker 1: the CG because it probably just like three D, probably
• 1:12:53
  Speaker 1: just like three D movies, if there's hitty CG in
• 1:12:55
  Speaker 1: a three D movie, you'll you'll be able to hide
• 1:12:58
  Speaker 1: it with that three D. So I'm hoping the black
• 1:12:59
  Speaker 1: and white kind of, you know, like softens it a
• 1:13:02
  Speaker 1: little bit because it's it stood out pretty bad, but
• 1:13:04
  Speaker 1: there was also some really good practical effects.
• 1:13:07
  Speaker 2: Yeah, so.
• 1:13:09
  Speaker 1: What about you, thoughts, feelings?
• 1:13:12
  Speaker 2: The whole movie I love and I will forever not
• 1:13:15
  Speaker 2: like that ending.
• 1:13:16
  Speaker 1: Yeah.
• 1:13:16
  Speaker 2: Ever, I know, like every time I watched that movie,
• 1:13:20
  Speaker 2: I always tell myself and I know that it end's
• 1:13:21
  Speaker 2: happened bout one like fuck that ending. And this is
• 1:13:24
  Speaker 2: why I don't like fake Darbou And it's in the trivia.
• 1:13:27
  Speaker 2: But I'm just gonna say because we're talking about it now.
• 1:13:30
  Speaker 2: He he signed on to do this movie, but he
• 1:13:34
  Speaker 2: told the producers my ending stays he's supposed to be rook.
• 1:13:39
  Speaker 2: Fuck him for that ending, respectfully, Fuck you for that ending, sir.
• 1:13:45
  Speaker 2: I understand the ending, but like every time I see that,
• 1:13:49
  Speaker 2: I have flashbacks to when I first saw it in
• 1:13:51
  Speaker 2: the theaters, and I think it was the only one
• 1:13:52
  Speaker 2: that literally yelled out in the theater. Fuck that ending.
• 1:13:56
  Speaker 2: And I worked there at the time and I didn't
• 1:13:57
  Speaker 2: even care.
• 1:13:58
  Speaker 1: I'm saying and I don't care.
• 1:14:00
  Speaker 2: But other than that, I thought the movie is honestly
• 1:14:02
  Speaker 2: like it's a it's a masterpiece of horror.
• 1:14:04
  Speaker 1: Yeah, I'll do the ratings real quick, then we'll do
• 1:14:07
  Speaker 1: trivia and goove seven point one out of ten on IMDb,
• 1:14:10
  Speaker 1: three point four out of five one latter Box. I
• 1:14:11
  Speaker 1: gave it a four because my two issues, but again
• 1:14:15
  Speaker 1: that that might change in future ratings.
• 1:14:17
  Speaker 2: I also gave it a four because of the ending.
• 1:14:19
  Speaker 2: It'll never sorry. That fed me.
• 1:14:22
  Speaker 1: The ending was that was almost gonna get a four
• 1:14:24
  Speaker 1: to five out of me.
• 1:14:25
  Speaker 2: No, I it was a four or five, and I
• 1:14:28
  Speaker 2: knew going in already about that anything. But I'm like,
• 1:14:30
  Speaker 2: I can't do the four five because the last like
• 1:14:32
  Speaker 2: four and a half minutes of this movie. You go
• 1:14:33
  Speaker 2: fuck itself.
• 1:14:34
  Speaker 1: Oh see, I loved it so.
• 1:14:35
  Speaker 2: I mean I loved it. I understood why, but I
• 1:14:37
  Speaker 2: hate it so much because God damn it.
• 1:14:41
  Speaker 1: Yeah that's fair, that's fair. All right, some trivia real quick,
• 1:14:44
  Speaker 1: so we've got sorry. Sorry. First of all, I didn't
• 1:14:46
  Speaker 1: even read the IMDb summary. A freak Storm unleash is
• 1:14:49
  Speaker 1: a species of bloodthirsty creatures on a small town where
• 1:14:51
  Speaker 1: a small band of citizens hold up in a supermarket
• 1:14:53
  Speaker 1: and fight for their lives.
• 1:14:54
  Speaker 2: I feel like we should do that before we talk
• 1:14:56
  Speaker 2: about the movie.
• 1:14:56
  Speaker 1: I know, I'm supposed to. I said, I forgot to
• 1:14:58
  Speaker 1: drop the ball. I know, prop taglines, belief divides them,
• 1:15:02
  Speaker 1: mystery surrounds them, but fear changes everything.
• 1:15:06
  Speaker 2: As brilliant I love it trivia.
• 1:15:10
  Speaker 1: Stephen King says that he was genuinely frightened by this
• 1:15:12
  Speaker 1: adaptation of his novella. Frank Derebon described that as the
• 1:15:16
  Speaker 1: happiest moment of his career.
• 1:15:19
  Speaker 2: Yeah, same if. If if the King of Horror literally
• 1:15:22
  Speaker 2: tells you that he's frightened by adaptation of his own doing, yep,
• 1:15:26
  Speaker 2: you fucking win.
• 1:15:29
  Speaker 1: During an action seeing the film, a man runs into
• 1:15:31
  Speaker 1: a wire rotating bookshelf in the grocery store. Uh. If
• 1:15:34
  Speaker 1: you look carefully, you can clearly see that all the
• 1:15:36
  Speaker 1: books in the shelf are written by Stephen King. Frank
• 1:15:38
  Speaker 1: Darbon agreed to make the film. Oh yeah, the wouldn't
• 1:15:41
  Speaker 1: change the ending. They agreed the um oh yeah. The
• 1:15:45
  Speaker 1: flamethrow at the end was constructed by the effects apartment
• 1:15:49
  Speaker 1: out of parts purchase at home Depot, which frightened Frank
• 1:15:51
  Speaker 1: Darrebon on all kinds of levels. But I mean, if
• 1:15:53
  Speaker 1: you're not getting scared, then you're not doing right or something.
• 1:15:55
  Speaker 2: Uh.
• 1:15:56
  Speaker 1: Norm is wearing a T shirt from wk I T
• 1:15:59
  Speaker 1: Radio and bangor Remains. This is one of the three
• 1:16:00
  Speaker 1: radio stations owned by Stephen King. The artwork on his
• 1:16:03
  Speaker 1: T shirt is by Stephen King's artist, Glenn Chadbourne from Maine,
• 1:16:07
  Speaker 1: who has produced art for many of his novels and
• 1:16:10
  Speaker 1: collections by Stephen King. Shot in thirty seven days, which
• 1:16:13
  Speaker 1: is impressing but also makes sense because of the locality.
• 1:16:16
  Speaker 1: There's just dialogue, the locality of everything goofs. Maine has counties,
• 1:16:21
  Speaker 1: not parishes. Parishes are the term for county is mostly
• 1:16:24
  Speaker 1: in Louisiana, but that's where this was filmed, so that
• 1:16:26
  Speaker 1: makes sense throughout the movie, but prominently in one scene
• 1:16:29
  Speaker 1: where David is standing with from shells behind him, the
• 1:16:31
  Speaker 1: shelves are stacked with Zapps potato chips. Zapps are not
• 1:16:34
  Speaker 1: sold in Maine. Zapps Potato Chips are a company based
• 1:16:37
  Speaker 1: out of Louisiana and they market their products largely in
• 1:16:39
  Speaker 1: the South. Zaps are sold in Streeport, where the movie
• 1:16:43
  Speaker 1: was filmed. When they're leaving the market, all of those
• 1:16:45
  Speaker 1: headlights on the trucks would produce a blind or a
• 1:16:48
  Speaker 1: bright blinding wall of light in the mist. They would
• 1:16:50
  Speaker 1: not be able to see anything in front of the truck.
• 1:16:52
  Speaker 1: Jim Morales or Jim Morales, Sorry, Jim refers to Morales
• 1:16:56
  Speaker 1: and Donaldson as Peckerwoods. But Morales is Latino and Donald's
• 1:17:00
  Speaker 1: Donaldson is African American. The dictionary definition pecker was is
• 1:17:03
  Speaker 1: a Southern slang for poor whites. And he said that too,
• 1:17:06
  Speaker 1: because I did this after I watched the movie, and
• 1:17:08
  Speaker 1: I'm like, pecker Woods is a thing for white people?
• 1:17:11
  Speaker 2: Yeah? What hello?
• 1:17:13
  Speaker 1: And then when the first flying critter smashes through the
• 1:17:16
  Speaker 1: store window, it leaves a perfectly round circle instead of
• 1:17:18
  Speaker 1: shatter Glass, which I thought was pretty funny. Ha ha,
• 1:17:23
  Speaker 1: So that is the Miss. You can catch this again
• 1:17:25
  Speaker 1: on Netflix or if you want to pay. I think
• 1:17:27
  Speaker 1: I paid like thirty two online for mine on eBay,
• 1:17:31
  Speaker 1: but that's still a good deal because it goes upwards
• 1:17:33
  Speaker 1: of sixty seventy bucks.
• 1:17:35
  Speaker 2: For a movie. Yeah, Like, so do you say anything
• 1:17:39
  Speaker 2: under forty is fucking good?
• 1:17:41
  Speaker 1: Yeah? Anything under forty is fantastic. So yeah, that's a
• 1:17:44
  Speaker 1: great one. I recommend that I'm definitely gonna watch that
• 1:17:47
  Speaker 1: again in black and white. Oh yeah, asap as possible.
• 1:17:50
  Speaker 1: So yes, hopefully you enjoyed this episode. If you haven't
• 1:17:53
  Speaker 1: seen The Miss, go check it out. Very bleak, ending
• 1:17:55
  Speaker 1: a lot of fun, good pacing. Follow us on Facebook
• 1:17:58
  Speaker 1: at Frightmares and that like button if you haven't tried
• 1:18:01
  Speaker 1: to get us up to eleven thousand, that'd be tight
• 1:18:05
  Speaker 1: slash wrap and Instagram at fright Maar's podcast, Twitter at
• 1:18:08
  Speaker 1: fright Mare's Underscore Pod. I'm gonna burp, excuse me, that
• 1:18:11
  Speaker 1: was pathetic. H I'm doctor Procter on Letterbox. You are
• 1:18:15
  Speaker 1: Slackerman and next week is gonna be a double feature.
• 1:18:19
  Speaker 1: Don't don't say what it is. I haven't told anybody yet.
• 1:18:23
  Speaker 1: A double okay, true, A double feature of some seriously
• 1:18:27
  Speaker 1: probably probably good movies. No, we're doing a double feature,
• 1:18:32
  Speaker 1: me and Gabby. We're doing two movies, so we're gonna
• 1:18:34
  Speaker 1: have to just jump right into the movies next week
• 1:18:36
  Speaker 1: because we're gonna have a lot to talk about. And then,
• 1:18:38
  Speaker 1: if all goes according to plan, my buddy Michael Vyers
• 1:18:42
  Speaker 1: will be joining me to do another movie that is
• 1:18:46
  Speaker 1: in the same vein as the movies that me and
• 1:18:49
  Speaker 1: Gabby are doing. And it's gonna be it's it's both. Yeah,
• 1:18:52
  Speaker 1: it's both a part of our Shameless because his podcast
• 1:18:55
  Speaker 1: is the Shameless Picture Show. He has a shameless of
• 1:18:57
  Speaker 1: movies that he should have seen by now but hasn't.
• 1:18:59
  Speaker 1: And and this is on both of ours. I haven't
• 1:19:02
  Speaker 1: seen it, he hasn't seen it, So it's gonna be
• 1:19:03
  Speaker 1: like a crossover episode. We're kind of doing a little
• 1:19:05
  Speaker 1: bit of his format, a little bit of my format,
• 1:19:08
  Speaker 1: as long as it all goes according to plan. You know,
• 1:19:10
  Speaker 1: we're very busy, the both of us, but we're gonna
• 1:19:11
  Speaker 1: try and record an episode next week, so you're gonna
• 1:19:13
  Speaker 1: get essentially two episodes next week, and you're actually gonna
• 1:19:17
  Speaker 1: get two more bonus episodes in October, and I know
• 1:19:22
  Speaker 1: I'm trying to make up for like the six weeks
• 1:19:23
  Speaker 1: we were gone, so ideally we should have three quote
• 1:19:26
  Speaker 1: unquote bonus episodes so that way we only really missed
• 1:19:29
  Speaker 1: three weeks this year instead of six. So yeah, we're
• 1:19:31
  Speaker 1: gonna get We're gonna double down. Me and you are
• 1:19:33
  Speaker 1: doing one. It's gonna be a bonus episode in October.
• 1:19:36
  Speaker 1: Oh yeah, Halloween theme movie, and then me and Corey
• 1:19:39
  Speaker 1: are gonna be doing a bonus episode and December it's
• 1:19:42
  Speaker 1: gonna be a New Year's Eve horror movie. So yes,
• 1:19:46
  Speaker 1: it's good shit. So until next week, guys, stay tuned and.
• 1:19:50
  Speaker 2: Stay spooky crisp.
• 1:19:53
  Speaker 1: Yeah, okay, that was new alright
• 1:20:01
  Speaker 2: Behind