Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "King Solomons Mines" (Old Time Radio, 1952)
Transcript
- 0:00Speaker 1: Stuart Granger and Deborah Kerr returned to their 1950 screen
- 0:04Speaker 1: roles as Alan Quatermain and Elizabeth Curtis in Lux Radio
- 0:08Speaker 1: Theatre's adaptation of King Solomon's Mines. First heard on CBS
- 0:14Speaker 1: on December 1st, 1952, this one-hour broadcast is episode 805
- 0:20Speaker 1: of Lux Radio Theatre, sponsored by Lever Brothers for Lux
- 0:24Speaker 1: Toilet Soap. Adapted from the Metro-Goldwyn-Mayer film, itself based on H.
- 0:29Speaker 1: Ryder Haggard's novel, the drama follows Quatermain, an experienced hunter
- 0:34Speaker 1: and expedition guide. Persuaded to lead Elizabeth and her brother,
- 0:39Speaker 1: John Good, into the African interior, he joins their search
- 0:43Speaker 1: for Elizabeth's missing husband, who vanished while pursuing the legendary
- 0:47Speaker 1: mines of King Solomon. And now, we return to the
- 0:52Speaker 1: original broadcast.
- 0:54Speaker 2: Lux presents Hollywood. Lever Brothers Company, the makers of Lux
- 1:07Speaker 2: Toilet Soap, bring you the Lux Radio Theater, starring Deborah
- 1:11Speaker 2: Carr and Stuart Granger in King Solomon's Mines. Ladies and gentlemen,
- 1:16Speaker 2: your producer, Mr.
- 1:17Speaker 3: Irving Cummings.
- 1:18Speaker 4: Thank you.
- 1:24Speaker 5: Greetings from Hollywood, ladies and gentlemen. Many years ago, a
- 1:28Speaker 5: legend existed that deep in unexplored Africa were the fabulous
- 1:32Speaker 5: King Solomon's mines. That a man would be willing to
- 1:35Speaker 5: gamble his life to find them was understandable. But for
- 1:39Speaker 5: a woman to undertake such a perilous journey into an
- 1:42Speaker 5: unknown land was unbelievable. But that is the basis for
- 1:46Speaker 5: one of Metro-Goldwyn-Mayer's greatest screen successes. And recreating their original roles,
- 1:52Speaker 5: we have two of Hollywood's foremost stars, Stuart Granger and
- 1:56Speaker 5: Deborah Carr. And whenever you see a star on a
- 2:00Speaker 5: dressing room door in our motion picture studios, you can
- 2:04Speaker 5: rest assured in these dressing rooms of glamorous screen beauties,
- 2:08Speaker 5: the favorite beauty care is Luxe Toilet Soap. Refreshing Luxe
- 2:12Speaker 5: facials bring such quick new beauty to skin. It's no
- 2:16Speaker 5: wonder that our loveliest Hollywood stars are devoted to luck
- 2:20Speaker 5: soap for their daily beauty care. Now, King Solomon's Minds,
- 2:26Speaker 5: starring Deborah Carr as Beth Curtis and Stuart Granger as
- 2:31Speaker 5: Alan Quatermain. We reached Africa in March of 1897.
- 2:47Speaker 6: My sister Elizabeth and I, we journeyed at once to
- 2:49Speaker 6: the Kenya Protective and there solicited the help of a
- 2:51Speaker 6: government official to find the guide we were looking for,
- 2:54Speaker 6: a man named Alan Quartermain.
- 2:58Speaker 3: Yes, it seems they've heard about you, Alan. And they're
- 3:00Speaker 3: willing to pay almost anything. Thanks, Eric, but I've taken
- 3:03Speaker 3: out my last safari. I've about made up my mind
- 3:06Speaker 3: to send for my son. He's seven years old now,
- 3:08Speaker 3: and I.
- 3:08Speaker 7: Taking the boy out of here?
- 3:09Speaker 3: But this is no life for a child. Well, I've
- 3:12Speaker 3: thought about that, too. And if I don't send for him, well,
- 3:14Speaker 3: then I'll just go back to England. And what would
- 3:16Speaker 3: you do there? Become a shopkeeper?
- 3:19Speaker 8: You've built a career here, Alan. You've attained the happiest
- 3:22Speaker 8: fate a man can have in this world. To be
- 3:25Speaker 8: the best at something.
- 3:27Speaker 3: Here, have another drink. No, no, no, I mean it.
- 3:30Speaker 8: This man and his sister, they've heard about you in London. Alan,
- 3:34Speaker 8: did you ever meet a man named Henry Curtis?
- 3:37Speaker 3: Curtis? Yes, there was a fellow named Curtis, about a
- 3:40Speaker 3: year and a half ago. He wanted to go through
- 3:42Speaker 3: unexplored country, some wild notion about a lost diamond mine. Well? Well,
- 3:47Speaker 3: I turned him down, of course. That's the last I
- 3:49Speaker 3: saw of him. Why?
- 3:51Speaker 8: Because he disappeared. It's his wife who wants to hire
- 3:54Speaker 8: you to lead a searching party. His wife and her brother.
- 3:57Speaker 8: A woman on a safari?
- 3:59Speaker 3: Oh, thank you. Besides, I meant what I said. Well,
- 4:04Speaker 3: I can't force you to go, can I?
- 4:06Speaker 8: And if you're serious about going back to England, well,
- 4:09Speaker 8: perhaps I can be of some help.
- 4:10Speaker 3: Thanks, Eric. Well, I'll stop by your office in the morning.
- 4:17Speaker 6: I was in Eric Master's office that following day when
- 4:19Speaker 6: Quartermain came in.
- 4:21Speaker 3: I had insisted on waiting there to see him. I
- 4:25Speaker 3: told him it was useless, Alan, but he's a most
- 4:27Speaker 3: persistent fellow. I came all the way from England, Mr. Quatermain.
- 4:31Speaker 3: The least you can do is to give me information.
- 4:33Speaker 3: If I can, I'll be glad to.
- 4:35Speaker 6: The last word we had from my brother-in-law was the
- 4:36Speaker 6: letter which he sent from here. He said he was
- 4:39Speaker 6: heading west into unexplored territory.
- 4:41Speaker 3: Mr. Masters tells me that you refuse to guide him.
- 4:43Speaker 3: I most certainly refuse.
- 4:45Speaker 9: Why?
- 4:45Speaker 3: Because when I die, Mr. Good, I hope it will
- 4:47Speaker 3: be doing something slightly more sensible than trying to run
- 4:50Speaker 3: down a legend about a lost diamond mine. You mean
- 4:53Speaker 3: the country's dangerous? I don't know if any white men
- 4:55Speaker 3: have ever been in that region before, but I do
- 4:57Speaker 3: know that none ever return to tell about it. Yes, Mr. Good,
- 5:00Speaker 3: it's dangerous.
- 5:01Speaker 8: But you must admit, Alan, that as far as we know...
- 5:04Speaker 8: Henry Curtis could still be alive.
- 5:06Speaker 6: Well, as a captive, perhaps, but the chances are very slim.
- 5:10Speaker 6: My sister feels if there's any chance at all, she
- 5:12Speaker 6: must pursue it. She's had a bad time lately. She
- 5:14Speaker 6: can't sleep nights, wakes up screaming, dreams about him wandering
- 5:17Speaker 6: in the jungle. Surely you've made other inquiries about him, Mr.
- 5:20Speaker 3: Good.
- 5:20Speaker 6: All we've been able to learn is that Henry was
- 5:22Speaker 6: headed through the Kalawana country.
- 5:23Speaker 3: Kalawana country? Well, what about it? Thousands of square miles, Mr. Good.
- 5:28Speaker 3: Even the natives are afraid to go near it. And
- 5:30Speaker 3: how would you proceed to get there? We have a map.
- 5:34Speaker 6: Henry sent us a copy of the map he planned
- 5:35Speaker 6: to follow, here.
- 5:36Speaker 3: I tell you, there are no maps. There isn't a
- 5:39Speaker 3: native village or river recorded beyond the Kalawana region. These
- 5:43Speaker 3: sort of maps are constantly being peddled to greenhorns from
- 5:45Speaker 3: Timbuktu to Johannesburg. You may be right, of course.
- 5:49Speaker 6: Henry said he bought the original map to King Solomon's
- 5:51Speaker 6: mines from an Arab trader who claimed it was 400
- 5:54Speaker 6: years old.
- 5:54Speaker 3: The Flying Dutchman, Mr.
- 5:55Speaker 9: Good.
- 5:56Speaker 3: Captain Kidd's treasure.
- 5:58Speaker 6: All right, there is no diamond mine. But at least
- 6:00Speaker 6: the map tells us where to look for Henry. And
- 6:03Speaker 6: with your help, we'll follow him.
- 6:04Speaker 3: Mr. Good, I assure you, you have absolutely no idea
- 6:07Speaker 3: of the dangers of such a trip. Neither have I.
- 6:10Speaker 3: But at least I can guess. My advice to you
- 6:12Speaker 3: is to take your overwrought sister back to London as
- 6:15Speaker 3: quickly as possible. I'm sorry, I can't be.
- 6:24Speaker 6: I told Elizabeth about my meeting with Quartermain.
- 6:27Speaker 3: She left at once to see him herself.
- 6:31Speaker 7: My brother told me your reasons for turning us down, Mr. Quatermain,
- 6:35Speaker 7: but there was one argument he neglected to use.
- 6:38Speaker 3: What was that?
- 6:39Speaker 7: Money.
- 6:39Speaker 3: Oh, well, that's a very good argument, Mrs. Curtis.
- 6:42Speaker 7: I'm willing to pay almost anything.
- 6:44Speaker 3: I can't understand your determination to go on with this foolishness.
- 6:48Speaker 7: Well, for one thing, it's quite possible that you're exaggerating
- 6:51Speaker 7: the dangers. With proper equipment and your services, we should
- 6:55Speaker 7: be able to manage. I'm not afraid.
- 6:57Speaker 3: Your courage does you no credit, Mrs. Curtis. It's the
- 7:00Speaker 3: result of ignorance.
- 7:01Speaker 7: What is your usual fee for a safari?
- 7:04Speaker 3: Oh, 200 pounds on all expenses. I wouldn't undertake this
- 7:06Speaker 3: one for 500.
- 7:08Speaker 7: Would you for 5,000?
- 7:10Speaker 3: 5,000? That's a great deal of money.
- 7:13Speaker 7: I mean it.
- 7:14Speaker 3: It's more than I could save in a lifetime. Would
- 7:17Speaker 3: you pay it win or lose?
- 7:18Speaker 7: Yes.
- 7:19Speaker 3: Even if you backed out before we got a tenth
- 7:20Speaker 3: of the way?
- 7:21Speaker 7: You expect me to back out, don't you?
- 7:24Speaker 3: Oh, I'm counting on it.
- 7:25Speaker 7: I'll pay you 5,000 in advance and a bonus of
- 7:27Speaker 7: 500 at the end, whether I back out or not.
- 7:31Speaker 7: You're weakening, aren't you? You've half decided to accept.
- 7:35Speaker 3: Oh, I've fully decided to accept. I'd try almost anything
- 7:38Speaker 3: for that much cash.
- 7:39Speaker 7: Then you're not so certain after all that we'd never return.
- 7:42Speaker 3: I'm just as certain as ever.
- 7:43Speaker 7: And yet you'd go?
- 7:44Speaker 3: Mrs. Curtis, the average life of a man in my
- 7:47Speaker 3: profession is eight or nine years. I've been at it
- 7:49Speaker 3: now for 15. So you see, I'm living on borrowed time.
- 7:53Speaker 3: My wife died here six years ago. Sooner or later,
- 7:56Speaker 3: an animal, a native, or some sort of disease will
- 7:59Speaker 3: get me. But I have a son in England. Now,
- 8:03Speaker 3: the money you're offering would provide for him very nicely
- 8:05Speaker 3: until he's old enough to take care of himself.
- 8:07Speaker 7: I see.
- 8:08Speaker 3: So I'll take your safari. But before we leave, I'd
- 8:12Speaker 3: like to send the money to England. You can pay
- 8:15Speaker 3: the bonus when we return.
- 8:17Speaker 7: You mean if we return?
- 8:19Speaker 3: No, no, no, no. From now on, we'll say when
- 8:22Speaker 3: we return. What I privately think must never darken the
- 8:25Speaker 3: spirit of this fine safari.
- 8:28Speaker 7: Mr. Quatermain, there's something else on your mind. What is it?
- 8:31Speaker 3: I simply don't understand your motives.
- 8:34Speaker 7: You don't understand? Or you don't believe them?
- 8:37Speaker 3: Well, frankly, I don't. But it's wiser if we don't
- 8:40Speaker 3: discuss it, Mrs. Curtis.
- 8:42Speaker 9: Why?
- 8:42Speaker 3: Well, because on a safari, it's better to travel with
- 8:44Speaker 3: people one likes.
- 8:45Speaker 7: Oh, in that case, you better tell me now and
- 8:48Speaker 7: give me time to recover. Now, what about my motives?
- 8:52Speaker 3: Well, it's occurred to me that since your husband's body
- 8:55Speaker 3: was never found... You can't inherit his money until you
- 8:59Speaker 3: prove that he's dead.
- 9:02Speaker 7: One of the reasons my husband went looking for that
- 9:04Speaker 7: diamond mine was the possibly foolish hope of finding a
- 9:08Speaker 7: fortune of his own. You see, I hold all the
- 9:11Speaker 7: wealth there is in the family.
- 9:12Speaker 3: Oh, I still don't understand.
- 9:14Speaker 7: That I'd be willing to risk my life for my husband.
- 9:16Speaker 3: That you propose to throw it away. That's not normal.
- 9:19Speaker 3: It has a smell of sickness about it.
- 9:21Speaker 7: I happen to love my husband. Or is that something
- 9:24Speaker 7: else you can't understand?
- 9:26Speaker 6: Perhaps.
- 9:27Speaker 3: But I have known people to make elaborate sacrifices for
- 9:29Speaker 3: reasons they themselves don't quite understand. Sometimes to expiate a
- 9:34Speaker 3: feeling of guilt.
- 9:36Speaker 7: If I were you, I'd examine my own motives, Mr. Quatermain.
- 9:39Speaker 7: A man who doesn't care whether he lives or dies
- 9:41Speaker 7: is not exactly a wholesome specimen. I'm risking my life
- 9:45Speaker 7: for a man I love. You're doing it for money.
- 9:48Speaker 3: I told you that I had a son in New England.
- 9:49Speaker 7: No, no, it's not your son. There are things you
- 9:52Speaker 7: can do for him other than toss your life away.
- 9:56Speaker 7: What's your sickness, Mr. Quatermain? Just nothing? to live for?
- 10:02Speaker 7: I'll meet you in Mr. Master's office at 10 o'clock
- 10:03Speaker 7: tomorrow morning. Good night, Mr. Quatermain.
- 10:12Speaker 6: A few days later, we began our safari. But not
- 10:15Speaker 6: until we were well underway did it occur to me
- 10:17Speaker 6: that I had failed to thank our guide.
- 10:22Speaker 6: It's quite all right, Jack. You don't have to thank me.
- 10:25Speaker 6: I must say, Elizabeth surprised me. I never knew she
- 10:27Speaker 6: could be so persuasive.
- 10:29Speaker 3: There's something very persuasive about 5,000 pounds.
- 10:32Speaker 6: She's quite a nice girl, really. Definite ideas of her own,
- 10:35Speaker 6: of course. Well, like those clothes she's wearing. I gather
- 10:38Speaker 6: that you didn't quite approve.
- 10:39Speaker 3: A tailored suit isn't exactly what I recommended. Well, why
- 10:43Speaker 3: don't you tell her? Because she'll find out for herself
- 10:45Speaker 3: any moment now.
- 10:53Speaker 6: In charge of the natives was Quatermain's personal servant, Keeper.
- 10:56Speaker 6: A few minutes later, he reported our first minor difficulty. Water!
- 11:00Speaker 7: Water!
- 11:01Speaker 3: Water! Lady, sick water. Lady, an ox wagon. Oh, very sick, sick.
- 11:05Speaker 3: Something wrong, Mrs. Curtis? No, of course not. I just
- 11:09Speaker 3: think I prefer to walk.
- 11:10Speaker 7: For a while.
- 11:11Speaker 3: You sure you're all right, Beth?
- 11:12Speaker 7: Oh, that old wagon. It's not very comfortable. And the trail,
- 11:17Speaker 7: it's nothing but rocks and holes and.
- 11:19Speaker 3: She's seasick.
- 11:21Speaker 7: I'm perfectly all right. Now, let's go on. In a moment...
- 11:26Speaker 7: Just what do you think you're doing?
- 11:28Speaker 3: Well, for one thing, I'm going to loosen your jacket
- 11:29Speaker 3: and unfasten that collar.
- 11:31Speaker 7: Really, Mr. Quatermain, just because you're... Mrs.
- 11:33Speaker 3: Curtis, out here, perspiration has got to evaporate or you
- 11:36Speaker 3: won't last two hours. You're sealed up like a tin
- 11:38Speaker 3: of pears. Kiva, get the lady's box. Now, this may
- 11:42Speaker 3: be just the costume for shooting pheasant in Sussex, but
- 11:44Speaker 3: it won't do out here, so get behind those bushes
- 11:46Speaker 3: and change your clothes. And take off those corsets. You.
- 11:50Speaker 7: you wretched man. Oh, you impertinent, unbearable.
- 11:55Speaker 6: Hurry up, please. We'll wait here till you're ready. Yes,
- 12:03Speaker 6: with each plodding mile of our journey... our complete dependence
- 12:06Speaker 6: upon Alan Quartermain became increasingly evident. But a dozen times
- 12:10Speaker 6: a day we'd forget the violence of the heat... and
- 12:12Speaker 6: the ferocity of the insects... in some new and awesome
- 12:15Speaker 6: sight of nature... Beautiful and terrifying. The elephants that almost
- 12:20Speaker 6: charged us. The hippopotamia and the crocodiles in the steaming swamp.
- 12:24Speaker 6: The frightened zebra, the streaking deer. And the lions that
- 12:28Speaker 6: rose up in the trail not 40 feet.
- 12:29Speaker 3: Ahead of us. Stand still. No, don't shoot.
- 12:38Speaker 7: We can't just stand here.
- 12:40Speaker 3: Keep quiet. You see? They're walking off. I don't believe
- 12:48Speaker 3: I could move if I wanted to. Why didn't they
- 12:50Speaker 3: attack us? Because they're not hungry. They're not dangerous unless
- 12:53Speaker 3: they're hungry.
- 12:54Speaker 7: Well, how do you know when they're hungry?
- 12:56Speaker 3: Well, if they eat you, Mrs. Curtis, then they're hungry. Now,
- 13:01Speaker 3: look behind those rocks. Ooh. Zebra? Yeah, a fresh kill.
- 13:06Speaker 3: In a moment, the vultures will come. Then the lions
- 13:09Speaker 3: will return. After the lions, the jackals. Come on. Mardi Gras, 20.
- 13:23Speaker 6: The days went by, and we became a little more accustomed,
- 13:26Speaker 6: Elizabeth and I, to the endless walking, to a diet
- 13:29Speaker 6: of freshly killed meat, and to the ever-present perils that
- 13:32Speaker 6: beset strangers in a land where they do not belong.
- 13:36Speaker 3: One night after supper....
- 13:39Speaker 7: I see that you're looking at the map, Mr. Quatermain. Well,
- 13:42Speaker 7: how far have we come?
- 13:44Speaker 3: Well, this is where we started from, and now we're
- 13:48Speaker 3: somewhere about here.
- 13:49Speaker 7: That took us seven days.
- 13:50Speaker 3: We have to head for the Kalawana village, which lies
- 13:53Speaker 3: about here. Now, here's the other map, the one Curtis
- 13:56Speaker 3: sent you, Jack.
- 13:56Speaker 6: It seems to start where your government map ends.
- 13:58Speaker 3: That's right. His map starts at the Kalawana village. Well,
- 14:01Speaker 3: we know where that is, but we know very little
- 14:03Speaker 3: else about them.
- 14:04Speaker 7: You've never been among them.
- 14:06Speaker 3: I'm a hunter, Mrs. Curtis, not an explorer. No white
- 14:10Speaker 3: man has been near the Kalawanas in years. They're feared
- 14:13Speaker 3: as much by the natives as they are by the whites.
- 14:15Speaker 3: You mean our own natives, too? Yes, we'll probably have
- 14:17Speaker 3: trouble persuading them to go much further.
- 14:19Speaker 7: We can't even be sure that my husband reached the Kalawanas.
- 14:22Speaker 3: No, but we'll inquire of other tribes on the way.
- 14:25Speaker 7: How long will it take us?
- 14:26Speaker 9: Weeks?
- 14:27Speaker 3: Months? I don't know. I've never taken a woman on
- 14:30Speaker 3: safari before.
- 14:31Speaker 7: Have I been such a handicap?
- 14:33Speaker 3: No, Mrs. Curtis, but the fun hasn't started yet.
- 14:37Speaker 7: When it does, I'm sure we'll all enjoy it.
- 14:40Speaker 3: This veldt is the easy part, but we've got jungle
- 14:42Speaker 3: and rivers ahead of us.
- 14:44Speaker 7: Those natives, what are they chattering about?
- 14:46Speaker 3: Probably about deserting us. No, no, no, they're talking about
- 14:49Speaker 3: their work. All the money they've earned, about their wives
- 14:53Speaker 3: and sweethearts, all the things they're going to do when
- 14:55Speaker 3: they get back home. Once in a while, they talk
- 14:58Speaker 3: about you.
- 14:59Speaker 7: Really?
- 14:59Speaker 3: Yes. They call you Memsaib Nuali Nikunda. That means the
- 15:04Speaker 3: lady with the flaming hair. You see, they've never seen
- 15:08Speaker 3: a redhead before. Oh.
- 15:10Speaker 7: And what else?
- 15:11Speaker 3: Well, a moment ago, they were saying that you're very
- 15:13Speaker 3: fortunate because Bwana Elani, that's me, will protect you from lions, leopards, elephants,
- 15:19Speaker 3: all the terrors of the jungle.
- 15:22Speaker 7: And what are they saying now? I mean, right now?
- 15:24Speaker 3: Well, they, um... They're saying that I'm very fortunate, too. Father!
- 15:30Speaker 3: Grab Keeva. Cloth house is ready, Father.
- 15:34Speaker 7: Time to sleep.
- 15:35Speaker 6: I'd say he's got the right idea.
- 15:36Speaker 3: I've never been so tired in my life. Good night, Alan.
- 15:39Speaker 3: Sleep under the netting and keep your rifle handy.
- 15:42Speaker 7: Oh, you tell us that every night.
- 15:43Speaker 3: And you wake up every morning reasonably intact.
- 15:47Speaker 7: Good night, Mr. Courtenay.
- 15:51Speaker 6: Some hours later, I was awakened by screaming. The sort
- 15:55Speaker 6: of scream I had heard before all too many times.
- 15:57Speaker 6: I saw Quatermain rushing to Elizabeth's tent.
- 16:00Speaker 3: What is it? What's wrong?
- 16:03Speaker 7: I'm sorry. I couldn't help it.
- 16:06Speaker 3: A dream?
- 16:07Speaker 7: Yes. I've had the same dream many times. I'm sorry.
- 16:13Speaker 7: I truly am.
- 16:15Speaker 3: Get back to sleep. We've two hours yet before daylight.
- 16:29Speaker 6: We were at breakfast the next morning when Kiva told
- 16:31Speaker 6: Quatermain that some of the native bearers were leaving.
- 16:33Speaker 7: Well, isn't there something you can do about it, Mr.
- 16:36Speaker 3: Quatermain? No, nothing. So we may just as well finish
- 16:40Speaker 3: our breakfast. What's that going to do to us, Alan?
- 16:42Speaker 3: Nothing I hadn't planned on or warned you about.
- 16:45Speaker 6: By the way, did you hear anything last night? I
- 16:47Speaker 6: thought I heard someone scream.
- 16:49Speaker 3: I didn't hear anything. You must have been dreaming. Excuse me,
- 16:55Speaker 3: I have to pay the native. Beth.
- 16:59Speaker 7: Yes.
- 17:00Speaker 3: He's quite a decent sort, isn't he? I said he... Yes.
- 17:05Speaker 7: I heard you.
- 17:06Speaker 6: Look, about the natives. Are you sure you don't want
- 17:08Speaker 6: to go back with the ones.
- 17:09Speaker 3: Who are leaving?
- 17:10Speaker 7: Eat your breakfast, Jack. It's getting cold.
- 17:25Speaker 2: We'll continue shortly with Act Two of King Solomon's Minds. Meanwhile,
- 17:30Speaker 2: here's your Lux Hollywood reporter, Libby Collins.
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- 19:22Speaker 2: definitely smoother, definitely fresher. Now our producer, Mr.
- 19:27Speaker 3: Irving Cummings.
- 19:28Speaker 5: Act II of King Solomon's Mind, starring Stuart Granger as
- 19:31Speaker 5: Alan Quatermain and Deborah Carr as Beth Curtis.
- 19:47Speaker 3: The following week, we reached the jungle.
- 19:50Speaker 6: It was as different from the veldt as the veldt
- 19:51Speaker 6: had been from Mombasa, but just as overpowering, a dark
- 19:55Speaker 6: place filled with secrets. I suppose you had your reasons
- 20:01Speaker 6: for warning us, Mr. Quatermain, but if this is jungle,
- 20:04Speaker 6: it certainly seems peaceful enough.
- 20:05Speaker 3: Well, stop for a moment, and I'll show you what
- 20:07Speaker 3: I mean. Now, here's one small area, this little clearing.
- 20:13Speaker 3: Not half as large, probably, as your own garden at home. Well,
- 20:16Speaker 3: right here, there are a thousand creatures. Living, reproducing, killing,
- 20:21Speaker 3: being killed, eating, being eaten. There's not a square inch
- 20:24Speaker 3: that isn't at war if you look for it. You
- 20:26Speaker 3: see that log? Now watch it when I roll it over.
- 20:28Speaker 7: Oh, horrible.
- 20:30Speaker 3: Slugs, white slugs, six inches long. And centipedes and crabs
- 20:34Speaker 3: and termites. Now look over there.
- 20:36Speaker 7: I don't see anything.
- 20:37Speaker 3: Under that bush. It'll move in a moment. Snake. A
- 20:40Speaker 3: green snake. Yes, it's a mamba. One dip from her
- 20:43Speaker 3: and you'd stay here. Now look up in the trees.
- 20:47Speaker 3: Half the forest lives up there. The apes, monkeys, baboons,
- 20:50Speaker 3: a hundred different birds.
- 20:51Speaker 7: The vines are so dense you can't even see the sky.
- 20:54Speaker 3: In some places those vines shut out the sun so
- 20:56Speaker 3: completely that nothing will ever grow beneath them. Well, let's
- 21:00Speaker 3: get moving again. Only... Just don't step on that mound
- 21:03Speaker 3: up there.
- 21:04Speaker 7: Oh, ants!
- 21:05Speaker 3: Safari ants. They attack in thousands, giving half the chance
- 21:09Speaker 3: they'd eat you, too. Look off there, Jack. Ant eater? Yes,
- 21:13Speaker 3: you'll find them as soon as we've gone.
- 21:14Speaker 7: Eating and being eaten.
- 21:16Speaker 3: There's not a creature in the forest that isn't hunted
- 21:18Speaker 3: by something else. You watch the cycle of life and death.
- 21:22Speaker 3: It seems pointless and endless. But one simple pattern always emerges.
- 21:28Speaker 3: One is born, one lives for a time... and then dies.
- 21:32Speaker 3: And all the rest is Yuyatsava.
- 21:34Speaker 7: Is what?
- 21:35Speaker 3: Yuyatsava. It's a game that the natives play. It doesn't
- 21:39Speaker 3: make a bit of sense. A chases B, B chases C,
- 21:43Speaker 3: C chases A. And they turn around and go the
- 21:45Speaker 3: other way. Make a great fuss about trying to get
- 21:48Speaker 3: things away from each other. Bits of nothing. Twigs. Leaves.
- 21:52Speaker 3: It's quite pointless, except that the fellow who is here
- 21:54Speaker 3: has satisfied his desire to be over there, and everybody's
- 21:58Speaker 3: had the fun of running after something that they wanted,
- 22:01Speaker 3: only because everybody else wanted it. And, well, it's endless.
- 22:06Speaker 3: It's a very silly game, Yuri Otsovich.
- 22:08Speaker 7: I'm sorry.
- 22:09Speaker 3: Sorry?
- 22:10Speaker 7: You are sick of life, aren't you?
- 22:13Speaker 3: What are you talking about?
- 22:14Speaker 7: Motives.
- 22:15Speaker 3: Well, you're being very enigmatic about it. No, she's not.
- 22:19Speaker 3: She's making very good sense.
- 22:28Speaker 6: I suppose I puzzled over motives for most of the
- 22:30Speaker 6: day as we struggled on through the jungle. But then
- 22:33Speaker 6: something happened that made me forget completely about it.
- 22:39Speaker 3: All right. Kiva just shot an antelope. It's not proper
- 22:41Speaker 3: for visitors to call without bringing meat.
- 22:43Speaker 7: Visitors?
- 22:44Speaker 3: Yeah, we've been watched for more than an hour. These
- 22:47Speaker 3: people are the Zahambaris. Now, don't start screaming. Oh, there.
- 22:51Speaker 7: There in the bushes. There's a face over there watching us.
- 22:54Speaker 3: That's right.
- 22:56Speaker 7: Look, there's another. What do they want? Are they surrounding us?
- 22:59Speaker 3: No.
- 23:00Speaker 7: Then why are they being so quiet? Why don't they
- 23:02Speaker 7: say something?
- 23:03Speaker 3: There's nothing to say. They know who I am. They're
- 23:07Speaker 3: just checking. Alan, we'd better stop. Don't you see those
- 23:10Speaker 3: fellas staring at us?
- 23:11Speaker 7: Don't worry, Jack. They're acquaintances of Mr. Quatermain with nothing
- 23:15Speaker 7: to say, just checking.
- 23:16Speaker 3: Kiva, leave a bag of salt with the antelope.
- 23:19Speaker 7: I always thought it was beads they wanted.
- 23:21Speaker 3: If you had to live here, you'd find a bag
- 23:23Speaker 3: of salt worth a hundred times its weight in beads.
- 23:26Speaker 3: They're not stupid, you know.
- 23:27Speaker 7: But I am. If that's what you mean, why don't
- 23:30Speaker 7: you just come out and say so?
- 23:31Speaker 3: Mrs. Curtis, I thought we had an understanding that when... Look,
- 23:36Speaker 3: I apologize.
- 23:37Speaker 7: Oh, you're so gracious, Mr.
- 23:38Speaker 9: Quatermain.
- 23:39Speaker 7: Thank you.
- 23:40Speaker 3: Um, well, do we go on? Yes, to the village.
- 23:44Speaker 3: Can't be far from here. And beyond the village is
- 23:47Speaker 3: the Zambari River. I'll try to drive a bargain for
- 23:49Speaker 3: the use of their boats. Just follow me and stay close.
- 23:56Speaker 6: They swarmed about us as we walked into their compound,
- 23:59Speaker 6: curious and unsmiling, but friendly enough. Alan left us with
- 24:03Speaker 6: Kiva and proceeded to start the bargaining with the chief.
- 24:06Speaker 3: Almost an hour passed before he retired. Well, they've got
- 24:11Speaker 3: boats all right, and they'll help us cross the river,
- 24:14Speaker 3: but not till tomorrow. Our coming is a big event.
- 24:18Speaker 3: There'll be a feast of sorts and a great deal
- 24:19Speaker 3: of caterwauling and dancing. If we behave properly and are
- 24:23Speaker 3: duly impressed, they'll take us across in the morning. All
- 24:25Speaker 3: of us. And our bearers, too.
- 24:27Speaker 7: Is that all you talked about? Getting across the river?
- 24:31Speaker 3: I asked about your husband. The chief claims he remembers him. Well?
- 24:34Speaker 3: He says there was another white man with him. A
- 24:36Speaker 3: chap with one eye and a scar on his cheek.
- 24:38Speaker 3: I hope he's right. I know that fellow. He's tough
- 24:41Speaker 3: and he knows the country. Now come. The chief's invited
- 24:44Speaker 3: us to eat. Eat?
- 24:45Speaker 7: What?
- 24:46Speaker 3: I wouldn't inquire if I were you. Just eat it.
- 24:49Speaker 7: It's amazing, really. Your charm, your courtesy, they never fail you,
- 24:54Speaker 7: do they?
- 24:55Speaker 3: When will you realize where we are and what we're doing?
- 24:58Speaker 7: I'd rather not discuss it, do you mind?
- 25:00Speaker 3: THE END.
- 25:15Speaker 6: Once across the river, Alan drove us harder than he
- 25:17Speaker 6: ever had before. It was a desperate trek through knee-deep
- 25:20Speaker 6: swamps teeming with crocodiles and water snakes. Nor would he
- 25:23Speaker 6: halt even when we reached higher ground. We made camp
- 25:26Speaker 6: only when it was too dark to go any farther.
- 25:31Speaker 7: Just look at me. I'm nothing but cuts and scratches
- 25:35Speaker 7: and bites.
- 25:36Speaker 3: Well, just hold still, dear. This ointment will take the
- 25:38Speaker 3: sting out of them anyway. Beth, I've been thinking. What
- 25:42Speaker 3: would you say?
- 25:43Speaker 7: Oh, if there's one thing that bothers me more than
- 25:45Speaker 7: anything else, it's those horrible centipedes. I've counted 40 varieties.
- 25:50Speaker 7: Have you noticed the one that leaves that slimy trail?
- 25:53Speaker 7: It's that long, Jack. It's that long.
- 25:56Speaker 3: Yes, dear, I know.
- 25:58Speaker 7: I think I'll have one stuffed and mounted. It'll make
- 26:01Speaker 7: a far more interesting trophy than the usual lions or panthers.
- 26:04Speaker 3: Yes, I'll take a panther any day.
- 26:05Speaker 7: Or Alan Quatermain.
- 26:07Speaker 3: No, he's not a bad sort, Beth. What's wrong between
- 26:11Speaker 3: you two?
- 26:12Speaker 7: Does something seem wrong?
- 26:13Speaker 6: Well, you keep watching each other. Each of you seems
- 26:15Speaker 6: to be hoping the other will fall on his face. Beth,
- 26:19Speaker 6: I've made a decision. I think we should turn back.
- 26:21Speaker 6: I just mentioned it to Alan. He's willing if you are.
- 26:23Speaker 7: He'd like nothing better than to see me give up.
- 26:26Speaker 7: That swamp. I'm sure he took us through it deliberately. Oh,
- 26:29Speaker 7: that dreadful man.
- 26:30Speaker 3: That's not true, Beth. He asked me this morning if
- 26:32Speaker 3: I thought you were up to it. You're being unfair.
- 26:34Speaker 7: Nevertheless, we made a poor choice in our selection of
- 26:37Speaker 7: a guide. His heart's not in it.
- 26:39Speaker 3: I wonder.
- 26:40Speaker 7: Oh, look at my hair. I've lost all my hairpins.
- 26:43Speaker 7: It's nothing but a trap for every fly, every mosquito,
- 26:46Speaker 7: and every ant in the forest. And they... and they bite.
- 26:51Speaker 3: Did you ever think of trying pigtails? I remember when
- 26:53Speaker 3: you wore them and very attractive they were.
- 26:55Speaker 7: I'm a grown woman, Jack.
- 26:57Speaker 6: Sometimes I wonder about that, too. Beth, I think you
- 27:00Speaker 6: owe that man an apology and some gesture of friendliness. Well,
- 27:06Speaker 6: he says we'll be eating in 15 minutes.
- 27:08Speaker 7: I never want to eat again. Do you know what
- 27:10Speaker 7: they served us yesterday in that wretched village? I asked Kiva. Snake.
- 27:15Speaker 7: We ate snake.
- 27:17Speaker 3: Yes, dear.
- 27:18Speaker 6: And rather good, I think. There was no further talk
- 27:28Speaker 6: of turning back. Elizabeth didn't even mention it, and her
- 27:31Speaker 6: determination to continue was expressed perfectly in her hair. Her
- 27:35Speaker 6: beautiful hair, of which she was so proud. She cut
- 27:38Speaker 6: it off. We were now at the start of the
- 27:41Speaker 6: hill country. We stopped at a stream, a waterfall. Well,
- 27:47Speaker 6: how was your bath?
- 27:48Speaker 7: Very pleasant, thank you. I never thought I'd ever be
- 27:51Speaker 7: clean again. Oh, this terrible country.
- 27:54Speaker 3: Oh, it's beautiful here. You can stop to look around.
- 27:57Speaker 7: Yes, I suppose it is.
- 27:59Speaker 3: What have you done to your hair?
- 28:01Speaker 7: I cut it off.
- 28:03Speaker 3: Good idea. It must be coming.
- 28:06Speaker 7: Oh, I'm sure it is. I don't dare look in
- 28:08Speaker 7: a mirror.
- 28:08Speaker 3: Tell me something. If we should find your husband, if
- 28:12Speaker 3: you go back to England again, what... Kiva. Give me
- 28:19Speaker 3: your hand. Hurry.
- 28:22Speaker 6: A stranger had come upon our camp. He stood on
- 28:24Speaker 6: a rock some distance away. Stood like a statue, staring
- 28:28Speaker 6: into space. He was dressed like no other native I
- 28:30Speaker 6: had ever seen. Bright-colored cloth, almost like a robe. And
- 28:33Speaker 6: in his hand, he carried a spear.
- 28:35Speaker 7: Good heavens, what a strange-looking creature.
- 28:38Speaker 3: Alan, who the devil is that? I don't know. He
- 28:41Speaker 3: wants to know if he can.
- 28:43Speaker 7: Speak to me in Swahili.
- 28:43Speaker 9: He doesn't.
- 28:48Speaker 7: He must be seven feet tall and so thin.
- 28:52Speaker 3: I've heard of men like this, but far to the north,
- 28:54Speaker 3: beyond Ethiopia. His face, his features, why, they're almost European.
- 28:58Speaker 3: He wants to join us. He's been following us. He
- 29:13Speaker 3: has no rifle and there are many wild animals here.
- 29:16Speaker 3: How did he get this far alone? I don't know,
- 29:18Speaker 3: but he needs our help to get through the dark country.
- 29:20Speaker 3: He can't make it alone.
- 29:22Speaker 7: But why would he want to go into the dark country?
- 29:24Speaker 3: He says he doesn't ask questions. Why should I? Well,
- 29:35Speaker 3: I don't like him.
- 29:36Speaker 7: Why not?
- 29:37Speaker 3: Look at him. He's too arrogant.
- 29:39Speaker 7: Perhaps you've grown too accustomed to subservience. I like him.
- 29:43Speaker 3: You going to turn him down? Oh, no. I'd sooner
- 29:46Speaker 3: have him with us than tracking us.
- 29:49Speaker 7: Are you sure he said he wanted to go to
- 29:51Speaker 7: the dark country? Perhaps he meant he was willing to go.
- 29:54Speaker 3: He said he wanted to go. And I'd like to
- 29:57Speaker 3: know why.
- 30:04Speaker 6: His name was Mbopa. Alan assigned him to me as
- 30:07Speaker 6: a gun bearer, and we pushed on. But the passing
- 30:10Speaker 6: days gave us but little more knowledge about the newcomer.
- 30:15Speaker 7: Look at him. I wish we knew what was on
- 30:18Speaker 7: that fellow's mind. Every time we make camp, he goes
- 30:21Speaker 7: off by himself and stands alone, brooding. He never joins
- 30:25Speaker 7: the other natives.
- 30:26Speaker 3: Still, he seems to like them. They like him. Have
- 30:29Speaker 3: you found out any more about him? Where he's from?
- 30:31Speaker 3: He grew up in the Karabi village. That's hundreds of
- 30:34Speaker 3: miles from where we found him. He doesn't say he
- 30:36Speaker 3: was born there, just that he lived there with his mother.
- 30:39Speaker 3: When she died, he left. He made her a promise
- 30:42Speaker 3: or something to visit the dark country.
- 30:44Speaker 7: Have you ever noticed the shape of his eyes?
- 30:46Speaker 9: Yes.
- 30:47Speaker 3: Yes, they're strange, aren't they?
- 30:49Speaker 7: The only other place I ever saw eyes like that
- 30:52Speaker 7: was in a museum... He's like the ghost of an
- 30:56Speaker 7: ancient Egyptian king.
- 31:05Speaker 6: That night, our first real disaster occurred. Our native bearers disappeared.
- 31:09Speaker 6: They'd run away.
- 31:10Speaker 7: They're not only gone, but look, they've stolen half our supply.
- 31:15Speaker 3: Well, we couldn't carry them anyway. They took very little
- 31:17Speaker 3: more than what they'd earned. Alan, why did they disappear?
- 31:20Speaker 3: Because we've entered the Kalawana country. Well... There are just
- 31:24Speaker 3: the five of us now. The three of us, Kiva
- 31:27Speaker 3: and Mbopa, which means we must make a decision. Shall
- 31:30Speaker 3: we go on or not? Oh, I don't know. What
- 31:33Speaker 3: do you think? Oh, I'm being paid. I haven't finished
- 31:35Speaker 3: my job yet.
- 31:36Speaker 7: Well, that's scarcely the right answer.
- 31:38Speaker 3: Beth, please. We've got to weigh our chances.
- 31:41Speaker 7: Exactly. And from now on, the conditions of travel will
- 31:44Speaker 7: be the same whether we continue or turn back, won't they?
- 31:47Speaker 3: But if we turn back and head south, we may
- 31:49Speaker 3: be able to pick up some bearers from the friendly tribe.
- 31:51Speaker 7: Well, we've come all this way just to get to
- 31:54Speaker 7: the Calhounas. You said yourself that among them we might
- 31:57Speaker 7: get the first accurate news of Henry, good or bad.
- 32:00Speaker 3: Uh-huh. How about you, Jack? Well, we haven't done too badly.
- 32:05Speaker 3: No one likes to give up before he's beaten. Well,
- 32:07Speaker 3: then we'll go on. You two wait here. I'll help
- 32:09Speaker 3: Kiva remake our pack.
- 32:12Speaker 7: I pray we're doing the right thing, Jack.
- 32:14Speaker 3: Alan doesn't want to turn back either.
- 32:17Speaker 7: Did you ever dream that you were in some dreadful trouble?
- 32:21Speaker 7: You're crying for help and people are going by, but
- 32:24Speaker 7: nobody hears and no one cares. That's how I think
- 32:28Speaker 7: about Henry.
- 32:29Speaker 11: Henry?
- 32:30Speaker 7: That he's alive somewhere, hoping help will come, but forsaken.
- 32:35Speaker 6: That last year, Beth, before Henry left for Africa, I
- 32:40Speaker 6: used to feel very sorry.
- 32:41Speaker 3: For him sometimes.
- 32:42Speaker 7: Sorry for him? Whatever for?
- 32:45Speaker 6: Someday I'll tell you. Or perhaps someday you'll tell me.
- 32:54Speaker 6: Any doubt we may have had of being in the
- 32:56Speaker 6: Kalawana country vanished the following day. Far off through the jungle,
- 32:59Speaker 6: we heard a sound. A horn of some kind, and
- 33:06Speaker 6: its meaning was clear enough. The Kalawanas had found us.
- 33:09Speaker 4: The End.
- 33:17Speaker 6: These indeed were savages, painted, befeathered, wild and menacing. In
- 33:21Speaker 6: the center of their village was the largest hut, obviously
- 33:23Speaker 6: the house of their chief. And then a man appeared
- 33:26Speaker 6: in the doorway, a white man.
- 33:30Speaker 3: You speak English?
- 33:32Speaker 9: I speak English.
- 33:33Speaker 3: My name's Quartermain. This is Mrs. Curtis and her brother.
- 33:38Speaker 3: Just the three of you and the two bears? For
- 33:41Speaker 3: the moment, yes. Lost your other bears, huh?
- 33:44Speaker 9: Too bad.
- 33:46Speaker 3: Well, come in, won't you?
- 34:03Speaker 2: Before we continue with Act Three of King Solomon's Mines,
- 34:06Speaker 2: here's Mr. Cummings to introduce that popular Hollywood commentator, Francis Scully.
- 34:10Speaker 3: Hello, Francis. So nice to see you again.
- 34:12Speaker 7: Oh, it's always a pleasure to be here, Irving.
- 34:15Speaker 5: Last time we met, it was at the preview of
- 34:16Speaker 5: the Metro-Goldwyn-Mayer's latest Technicolor epic, Plymouth Adventure. produced and directed
- 34:21Speaker 5: by my good friends Dory Sherry and Clarence Brown.
- 34:24Speaker 12: Yes, with those four wonderful, unforgettable stars, Spencer Tracy, Gene Tierney,
- 34:30Speaker 12: Van Johnson, and Leo Ginn.
- 34:32Speaker 5: And a magnificent story, the exciting adventure of the pilgrims
- 34:36Speaker 5: aboard the Mayflower on their heroic voyage to the New World.
- 34:39Speaker 12: And highlighted by two great and compelling romances. First, the
- 34:44Speaker 12: emotional conflict between Spencer Tracy, the Mayflower's captain, and Gene Tierney,
- 34:49Speaker 12: a pilgrim. Then, of course, there's the charming love story
- 34:52Speaker 12: between Van Johnson, who plays John Alden, and Dawn Adams
- 34:56Speaker 12: as Priscilla.
- 34:57Speaker 5: What a treat moviegoers will have in one of the
- 34:59Speaker 5: most adventurous sea stories of all times, Plymouth Adventure.
- 35:03Speaker 12: Yes, and what a treat it is to look at
- 35:05Speaker 12: beautiful Jean Tierney. One glance at her lovely fresh complexion
- 35:10Speaker 12: tells you that Jean is faithful, day in and day out,
- 35:13Speaker 12: to luxe soap facials.
- 35:15Speaker 2: Jean knows that a glamorous complexion needs the very finest care.
- 35:19Speaker 2: And that's where Lux Toilet Soap comes in. Daily Lux
- 35:23Speaker 2: Care has skin tonic action that gives your complexion new
- 35:28Speaker 2: dewy freshness, romantic softness.
- 35:30Speaker 12: Ken, I know so many Hollywood stars who are grateful
- 35:33Speaker 12: for the smoothing benefits of Lux Care. And these glamorous
- 35:37Speaker 12: stars love Lux in their bath, too, for all over loveliness.
- 35:41Speaker 2: Yes, Lux makes your daily bath a delightful beauty treatment.
- 35:45Speaker 2: Its creamy, rich lather leaves your skin sweet, fresh, satiny.
- 35:50Speaker 2: And even in hardest water, Lux lathers abundantly.
- 35:53Speaker 12: Well, I've heard compliments galore about that flower-fresh perfume of Lux.
- 35:58Speaker 12: It clings and clings, so you're sure of daintiness.
- 36:01Speaker 2: Try Hollywood's favorite beauty pickup. Get the big bath-size Lux
- 36:06Speaker 2: toilet soap tomorrow. You'll find life's lovely when you're Lux lovely.
- 36:12Speaker 2: We pause now for station identifications. This is the CBS
- 36:17Speaker 2: Radio Network.
- 36:42Speaker 5: The curtain rises on Act Three of King Solomon's Mind,
- 36:45Speaker 5: starring Deborah Carr as Beth Curtis and Stuart Granger as
- 36:50Speaker 5: Alan Quatermain.
- 37:04Speaker 6: It was incredible. A white man living with the Kaluanas.
- 37:08Speaker 6: He stared at us for a moment and then he
- 37:09Speaker 6: started to smile.
- 37:12Speaker 9: Forgive me. I have not seen a white face for
- 37:15Speaker 9: five years.
- 37:16Speaker 6: You've been here for five years, Mr.
- 37:19Speaker 3: Smith, Mr. Goodsmith.
- 37:21Speaker 9: Yes, I rather like it here. Now, what are you
- 37:26Speaker 9: doing in these parts?
- 37:27Speaker 3: We're looking for a man named Curtis. Curtis? Henry Curtis?
- 37:31Speaker 3: He was here?
- 37:32Speaker 9: Oh, yes. He passed through here about a year ago.
- 37:35Speaker 9: Curtis and another man. One eye, a scar across his cheek.
- 37:39Speaker 7: Where is Henry Curtis now? Please, if there's anything you
- 37:43Speaker 7: can tell him.
- 37:43Speaker 9: I wish I could, ma'am. I wish I could.
- 37:45Speaker 3: Mr.
- 37:45Speaker 9: Curtis had a notion that there was a desert to
- 37:47Speaker 9: the northwest. His bones are probably moldering in the jungle
- 37:52Speaker 9: by now.
- 37:53Speaker 3: Is there a desert out there?
- 37:56Speaker 9: Who knows that, Mr. Quartz of Maine? Nobody ever goes
- 38:01Speaker 9: as far as that.
- 38:02Speaker 3: Why not? Taboo, legends. What about?
- 38:06Speaker 9: Oh, monstrous gods and terrible animals.
- 38:11Speaker 3: But not about the desert? No.
- 38:16Speaker 9: Not even about diamond mines. I know, I know. Curtis
- 38:22Speaker 9: was after the mines.
- 38:24Speaker 3: Crazy fool.
- 38:26Speaker 9: I knew he couldn't last long out there. So I
- 38:30Speaker 9: let him go.
- 38:31Speaker 3: Are you saying you let Curtis go because you were
- 38:33Speaker 3: sure he would die?
- 38:35Speaker 9: It was not my business.
- 38:36Speaker 3: You've been here for five years, Mr. Smith. You must
- 38:40Speaker 3: know these Caloanas rather well. Are these stories of murder true?
- 38:44Speaker 9: Murder? Oh, that is such an unpleasant word. I will
- 38:48Speaker 9: tell you this. They are by nature... Very warlike.
- 38:53Speaker 3: Have you heard any rumors about Curtis? From the natives,
- 38:56Speaker 3: I mean.
- 38:57Speaker 9: Nothing, unless you believe what one eye said when he
- 38:59Speaker 9: came back.
- 39:00Speaker 3: Came back?
- 39:01Speaker 9: Oh, yes, he came back.
- 39:03Speaker 3: Alone.
- 39:04Speaker 7: Well, what did he say?
- 39:05Speaker 9: The natives found him. He was dying. He lasted three
- 39:08Speaker 9: or four hours. He died right here in my hut.
- 39:11Speaker 9: And they buried him. That is, I think they buried him.
- 39:17Speaker 3: What did he die of, Mr. Smith?
- 39:19Speaker 9: Exhaustion, maybe.
- 39:21Speaker 3: Starvation. He said nothing before he died?
- 39:23Speaker 9: He was out of his head. Kept talking about burning
- 39:26Speaker 9: sun and burning earth.
- 39:28Speaker 7: But what did he say about Henry Kirk?
- 39:30Speaker 9: Not one word, ma'am. If you ask me, he deserted
- 39:33Speaker 9: Curtis and tried to come back. Well, he almost made it.
- 39:38Speaker 9: To these natives, he died because he broke taboo. And
- 39:42Speaker 9: sometimes I am not so sure that What are you doing, Mr.
- 39:49Speaker 3: Quatermain?
- 39:51Speaker 9: If you mean to point that revolver at me, then
- 39:54Speaker 9: I advise you that you.
- 39:55Speaker 3: Just listen carefully, Mr. Smith. We're getting out of here,
- 39:59Speaker 3: and you are taking us. Am I? Well, maybe so.
- 40:04Speaker 3: You had no intention of letting us leave here alive.
- 40:06Speaker 3: Your name's Van Bruen. I've had your description for years.
- 40:09Speaker 7: You know this man?
- 40:10Speaker 3: He's wanted for murder in Nairobi.
- 40:12Speaker 7: And he said he had let Henry go because he
- 40:14Speaker 7: was sure to die.
- 40:15Speaker 3: But you're not so sure about us, are you? So
- 40:17Speaker 3: you're going to get us out of here before those
- 40:20Speaker 3: Kalawanas start carrying out your orders?
- 40:22Speaker 9: I am not so sure that I am able to
- 40:23Speaker 9: control them, Mr.
- 40:24Speaker 3: Quaterman. You walk out first. We'll be right behind you. Elizabeth,
- 40:30Speaker 3: you know what this means. Are you ready?
- 40:32Speaker 7: Yes, I'm... I'm ready.
- 40:34Speaker 3: All right, Mr. Smith, start walking.
- 40:44Speaker 6: The Kalawanas watched us, but they made no move to
- 40:46Speaker 6: attack or follow. But once we were in the jungle again,
- 40:50Speaker 6: the beat of their drums and the weird sound of
- 40:52Speaker 6: their war cries were all too clear in the distance.
- 40:55Speaker 6: They wanted the sport of pursuit before they ran us
- 40:57Speaker 6: down and killed us. We ran as long as we could,
- 41:00Speaker 6: with Alan still keeping Smith covered, and then.
- 41:02Speaker 3: Get up here with us. You've got to keep up
- 41:04Speaker 3: with us.
- 41:04Speaker 7: I can't keep up. I just can't.
- 41:06Speaker 3: Hey, Kiefer, take my rifle. Keep him covered. Please, Elizabeth.
- 41:10Speaker 3: You've got to try. If we can shake them off
- 41:12Speaker 3: for just a few minutes.
- 41:16Speaker 6: Somehow, Smith had wrested the rifle away from Kiefer and
- 41:19Speaker 6: killed him. But Mbopa, too, had fired, and Smith's brief
- 41:21Speaker 6: grasp of freedom was over. And then Yumbubu was saying
- 41:25Speaker 6: something to Alan.
- 41:29Speaker 3: He's going off to make a false trail. He's going
- 41:31Speaker 3: to lead them the other way. I've still got to
- 41:33Speaker 3: run for it, isn't it? All right, then I'll carry you.
- 41:36Speaker 3: Straight ahead, Jack. Bear to your left and hurry.
- 41:47Speaker 6: When we were able to go no farther, we struggled
- 41:49Speaker 6: up the vines into the dense covering of a giant tree.
- 41:52Speaker 6: For hours we could hear the Kalawanas combing the jungle
- 41:55Speaker 6: for us. But gradually their cries grew fainter and fainter,
- 42:00Speaker 6: and we had escaped.
- 42:09Speaker 3: Elizabeth, it's all right. It's all right.
- 42:13Speaker 7: Oh, Alan. Alan.
- 42:15Speaker 3: We're safe now. Rest. Just try to rest.
- 42:19Speaker 7: You're not leaving me?
- 42:21Speaker 5: No.
- 42:22Speaker 7: When you're close to me like this, I.
- 42:25Speaker 3: Just shut your eyes.
- 42:26Speaker 7: I've behaved so.
- 42:28Speaker 12: Badly, Alan.
- 42:29Speaker 3: Have you? No. Not really. If I've seemed angry with you,
- 42:35Speaker 3: it's only because you matter so much to me. Nothing
- 42:39Speaker 3: must happen to you.
- 42:51Speaker 6: With the coming of daylight, I saw that we were
- 42:53Speaker 6: not alone. Mbopa had returned. He was standing motionless, quite
- 42:58Speaker 6: as we had first seen him staring off into the distance.
- 43:02Speaker 6: It's difficult to recall in detail our escape from the
- 43:04Speaker 6: jungle or the number of days that passed before we
- 43:07Speaker 6: were done with it. But the moment came when we
- 43:10Speaker 6: stood at its edge and caught our first sight of
- 43:12Speaker 6: what next lay before us.
- 43:14Speaker 7: It's the desert. Look, it's the desert. The map was right.
- 43:20Speaker 3: But where does it end? The map doesn't say that,
- 43:21Speaker 3: does it? Oh, we'll have to cross it somehow. And
- 43:24Speaker 3: we'll stay here until dark and go by night. It'd
- 43:27Speaker 3: be too hot out there to travel by day.
- 43:29Speaker 7: There may even be a diamond mine out there. If
- 43:32Speaker 7: the map was right about the desert, it may be
- 43:34Speaker 7: right about the mine.
- 43:35Speaker 3: I'll be happy if it's right about the waterhole. We'll
- 43:38Speaker 3: need water more than diamonds.
- 43:40Speaker 6: Alan, have you ever thought about the problem of getting back?
- 43:44Speaker 3: I was hoping no one would ever mention that. But
- 43:47Speaker 3: we can always sprout wings and fly back to England.
- 43:50Speaker 7: You're being awfully cheerful about it.
- 43:52Speaker 3: Well, for one thing, I don't care. I want to
- 43:55Speaker 3: see what's out there. And I have a feeling that
- 43:57Speaker 3: when the mist's clear, we're going to see mountains. Well,
- 44:01Speaker 3: they're clearly marked on the map. Smith said that one
- 44:05Speaker 3: eye talked about burning earth and burning sand. That means
- 44:08Speaker 3: that Henry Curtis reached this desert. And if the waterhole
- 44:12Speaker 3: is where the map says it is, he may have
- 44:14Speaker 3: reached that too.
- 44:15Speaker 7: Then you do have a hope that Henry may still.
- 44:18Speaker 3: I didn't say that. It's been more than a year.
- 44:21Speaker 7: Well, I shall never give up hope.
- 44:24Speaker 4: Never.
- 44:32Speaker 6: Yes, we could see the mountains far across the desert.
- 44:35Speaker 3: They were five days away.
- 44:37Speaker 6: But it was not the will of Providence to bring
- 44:39Speaker 6: us safely through the Velton jungle, only that we should
- 44:41Speaker 6: perish now. We reached the waterhole, rested there for two days,
- 44:45Speaker 6: and at long last arrived at the plateau at the
- 44:47Speaker 6: foot of the mountains. And there, once again, this strange,
- 44:51Speaker 6: wild country brought into view a sight that left us
- 44:54Speaker 6: all but speechless.
- 44:58Speaker 7: Good heavens. It's a valley. Miles and miles of valley. Alan, look. Why,
- 45:07Speaker 7: it's just like the English countryside. Temperate country in the
- 45:11Speaker 7: heart of Africa.
- 45:11Speaker 3: Oh, we've been climbing ever since we left that waterhole.
- 45:15Speaker 3: This plateau must be much higher than the desert.
- 45:18Speaker 7: Even Umbopa seems impressed.
- 45:22Speaker 3: He's found something. Yes, he's pointing to that mound of rocks.
- 45:26Speaker 3: Some natives bury their dead that way.
- 45:30Speaker 7: Bury their dead?
- 45:32Speaker 3: There's a marker on the rocks, a rifle. Take it down.
- 45:36Speaker 3: See what it looks like. It's his. It's Henry's rifle.
- 45:41Speaker 3: What makes you so sure?
- 45:42Speaker 6: There's a message scratched on the stock.
- 45:44Speaker 3: Here, read it. Ammunition gun. Heading northwest. Inform my wife.
- 45:50Speaker 3: 73 Grosvenor Square, London. Henry Curtis. He's alive out there somewhere. Elizabeth,
- 45:57Speaker 3: you wait here with Jack. I'll take him, Boper, and
- 45:59Speaker 3: look around a bit. Beth.
- 46:03Speaker 7: Yes?
- 46:04Speaker 3: You said someday you'd tell me.
- 46:06Speaker 7: You said you'd tell me.
- 46:08Speaker 3: You weren't in love with Henry. You treated him badly.
- 46:11Speaker 3: That's why he left England.
- 46:12Speaker 7: That's about it.
- 46:14Speaker 3: Hasn't this trip been penance enough?
- 46:16Speaker 7: More than enough. In more ways than you can guess.
- 46:20Speaker 3: But I think I can guess. It's Alan, isn't it?
- 46:23Speaker 3: He loves you both and you.
- 46:24Speaker 7: The human heart's a strange thing. When I started on
- 46:28Speaker 7: this trip, I was very confused. I thought my motives
- 46:32Speaker 7: were so noble. But Alan guessed the truth the first
- 46:36Speaker 7: time I met him. It was guilt. I know it now,
- 46:40Speaker 7: and I'm better for knowing it. The nightmares are over.
- 46:45Speaker 7: But another sort of nightmare seems to be beginning. What
- 46:50Speaker 7: are we to do?
- 46:51Speaker 3: Can't we face that when we come to it?
- 46:53Speaker 7: I have a feeling we'll be facing it sooner than... Oh, look.
- 46:57Speaker 7: Alan's waving at us. He's calling us. Come, quickly.
- 47:00Speaker 9: Come.
- 47:05Speaker 6: As we reached Alan, he was pointing down the mountain trail. There,
- 47:09Speaker 6: a hundred yards away, at the mouth of a small canyon,
- 47:11Speaker 6: stood Mbopa. And around him were half a dozen men.
- 47:14Speaker 6: Like Mbopa, they were very tall and thin. Their faces
- 47:17Speaker 6: bore the same almost Semitic features. And again, like Mbopa,
- 47:21Speaker 6: they wore brightly colored toga-like garments. But strangest of all
- 47:26Speaker 6: was their conduct. They were touching their hands to the
- 47:28Speaker 6: ground and then to their foreheads. Bewildered, we looked at Alan.
- 47:34Speaker 3: These are his people. Ambopa's come home.
- 47:37Speaker 7: They're bowing their heads. They're saluting him. Yes.
- 47:41Speaker 3: It appears we've been traveling with a king. He just
- 47:44Speaker 3: told me. These people are the Watutsu. When he was
- 47:47Speaker 3: a boy, his throne was taken away from him by
- 47:49Speaker 3: his cousin. Well, he's come back to claim it.
- 47:52Speaker 6: You mean those men recognize him? But if he's been
- 47:54Speaker 6: gone for years... There's a mark on his body, the
- 47:56Speaker 6: figure of a snake. Every time a king is born,
- 47:58Speaker 6: they carve that snake on him. He wants me to
- 48:03Speaker 6: join them.
- 48:04Speaker 3: Diego!
- 48:04Speaker 7: Alan, about... About Henry.
- 48:07Speaker 3: Yes, of course. I'll find out whatever I can.
- 48:16Speaker 6: Alan was with the Watootsie for several moments. When he returned,
- 48:20Speaker 6: he had much to tell us.
- 48:22Speaker 3: Well, for one thing, a couple of the men have
- 48:23Speaker 3: agreed to lead us to the village. I think we
- 48:26Speaker 3: should go.
- 48:26Speaker 7: Think we should go? Isn't Mbopa going?
- 48:29Speaker 3: No, no. He says there's trouble there. Why didn't the
- 48:32Speaker 3: men talk to you? They speak a dialect I've never
- 48:34Speaker 3: heard before. If we go to the village, we'll have
- 48:37Speaker 3: difficulty making ourselves understood. You said there was trouble. Well,
- 48:40Speaker 3: it seems the present king is not a very nice fellow.
- 48:44Speaker 3: One of them, the old man, says there's a civil
- 48:46Speaker 3: war brewing. And with Mbopa returning? Exactly. It can very
- 48:49Speaker 3: easily come to a head. Almost half the village is
- 48:52Speaker 3: scattered now among these hills. The rebels. Mbopa wants to
- 48:56Speaker 3: talk to them first. Well, then why don't we stay
- 48:58Speaker 3: here with him? Because one of the men told Mbopa
- 49:00Speaker 3: that a white man had come to their village before. Alan. Yes. Yes.
- 49:05Speaker 3: Your husband. It's almost a certainty.
- 49:08Speaker 7: Then I want to go to the village. Now.
- 49:11Speaker 3: Well, it promises to be quite exciting.
- 49:14Speaker 7: Exciting?
- 49:16Speaker 3: I'm sorry. Well, let's get ready.
- 49:24Speaker 6: From the first moment of our meeting with King Tuala
- 49:26Speaker 6: and his followers, their arrogance left little doubt that we
- 49:29Speaker 6: were in unfriendly hands. True, it was impossible to know
- 49:32Speaker 6: what they were talking about, but it was uncomfortably clear
- 49:35Speaker 6: that they regarded us with scorn and amusement.
- 49:39Speaker 3: Well, at least we know if we're ever going to
- 49:41Speaker 3: find Henry Curtis, we'll find him here. How can you
- 49:43Speaker 3: still be so certain? Did you look at the headpiece
- 49:45Speaker 3: the king is wearing? And the witch doctors? Those stones
- 49:49Speaker 3: are diamonds. Uncut diamonds.
- 49:51Speaker 7: King Solomon's mind. But we also know what their intentions are.
- 49:57Speaker 3: Well, they seem to respect the power of our rifles.
- 49:59Speaker 3: We'll be safe for a while.
- 50:00Speaker 7: But you said our ammunition's almost gone.
- 50:02Speaker 3: That's something they don't know.
- 50:03Speaker 7: Alan, you kept repeating Henry's name. You kept asking them.
- 50:07Speaker 3: Yes, and they recognized it. And as near as I
- 50:09Speaker 3: can tell, they mean to take us to him.
- 50:12Speaker 7: They're calling to us. They want us to follow them.
- 50:14Speaker 3: Then we'd better go. It's just one more chance we'll
- 50:17Speaker 3: have to take.
- 50:18Speaker 7: At least it will soon be over, one way or another. Alan,
- 50:23Speaker 7: there's something I want to tell you. I must tell you.
- 50:25Speaker 3: It's all right, Beth. There's nothing to say that I
- 50:29Speaker 3: don't know.
- 50:30Speaker 7: Thank you.
- 50:38Speaker 6: A dozen Watutsi led us out of the village. About
- 50:41Speaker 6: a mile away, at the base of a rocky crest,
- 50:43Speaker 6: was an entrance to a cave. They lighted torches and
- 50:45Speaker 6: gave them to us. But only one of them came
- 50:48Speaker 6: with us. It was a labyrinth inside, dark, twisting channels
- 50:51Speaker 6: and lurching shadows. At almost every turn, there was a
- 50:54Speaker 6: choice of passageways, but our leader never hesitated. And then, suddenly,
- 50:58Speaker 6: a vast chamber opened before us. A low-vaulted room filled
- 51:01Speaker 6: with weirdly-shaped stalagmites and a constant sound of dripping water.
- 51:05Speaker 3: And here, our leader paused. I come upon my last name.
- 51:10Speaker 7: He's... He's pointing at something.
- 51:15Speaker 3: Just keep your rifle ready.
- 51:16Speaker 6: Alan, there are chests, stone chests, filled with diamonds, diamonds.
- 51:27Speaker 6: There on the floor of the cave was a human skeleton.
- 51:32Speaker 6: Alan put his arm around Beth and led her away.
- 51:34Speaker 6: On one of the fingers was a ring. Yes, we
- 51:37Speaker 6: had found Henry Curtis. When I looked up, we were alone.
- 51:41Speaker 6: The Watootsie had disappeared. And then we knew what had
- 51:43Speaker 6: been planned for us. He had loosened the rocks and
- 51:51Speaker 6: sealed the entrance of the cavern.
- 51:52Speaker 4: It's hopeless.
- 52:03Speaker 3: We'll never dig our way out of here. The only
- 52:05Speaker 3: end of this is suffocation. Alan, Alan, wait. Our torches.
- 52:09Speaker 3: Look at the torches. Where? They're burning as brightly as ever.
- 52:13Speaker 3: We've been in here for hours.
- 52:14Speaker 6: The torches should be going out from lack of oxygen.
- 52:17Speaker 3: Well, then there's air coming in from somewhere. Give me
- 52:19Speaker 3: that torch.
- 52:20Speaker 6: Slowly, carefully, he crept around the walls of the cavern.
- 52:23Speaker 6: And then abruptly he stopped. For the flame of the
- 52:25Speaker 6: torch was reacting to a draft of air.
- 52:28Speaker 3: There's a crevice in the rocks.
- 52:29Speaker 7: The rocks are loose.
- 52:31Speaker 3: Come on, give me a hand.
- 52:32Speaker 7: I can hear something. Water. Running water.
- 52:38Speaker 3: Hold on a minute. It's a stream. A stream. And
- 52:45Speaker 3: streams have to lead somewhere. Then we've still got a chance.
- 52:47Speaker 3: All right, Jack.
- 52:48Speaker 9: Come on.
- 52:49Speaker 3: Lift her with the rocks.
- 52:55Speaker 6: An hour later, we stumbled out of the stream into
- 52:57Speaker 6: the bright sunlight of the mountainside. We were close to
- 53:00Speaker 6: the village again, but hidden from their sight. There was
- 53:02Speaker 6: great activity below us. Something of vital importance was taking place.
- 53:09Speaker 3: They're celebrating our death, probably. Elizabeth, can you go on?
- 53:14Speaker 3: The sooner we get out of here, the better.
- 53:15Speaker 7: But where could we go?
- 53:17Speaker 3: Anywhere. Perhaps we'll find Mbopa. Mbopa's in the village, look.
- 53:20Speaker 3: They're in the compound. They're fighting Mbopa and the king.
- 53:23Speaker 7: But how could he have come near the village? If
- 53:25Speaker 7: the king found Mbopa, why wasn't he killed?
- 53:27Speaker 3: It seems to me I've read about this sort of
- 53:28Speaker 3: thing somewhere. Yes, perhaps they're not quite the ignorant savages
- 53:32Speaker 3: we so often think they are. What are you talking about?
- 53:34Speaker 3: An ancient custom. When there are two claimants to a throne,
- 53:38Speaker 3: they must settle it by hand-to-hand combat. They discover that
- 53:41Speaker 3: it saves war and bloodshed. And if I were you, Beth,
- 53:46Speaker 3: I'd turn my head and look the other way.
- 54:01Speaker 6: When the awful struggle was over, the Watutsi had a
- 54:04Speaker 6: new king, the rightful king, Mbopa. And the simple kindnesses
- 54:10Speaker 6: we may have shown to him were now returned to
- 54:12Speaker 6: us a thousandfold. No, not with the diamonds of King
- 54:15Speaker 6: Solomon's mines, but with all that we might need in
- 54:18Speaker 6: men and supplies to see us safely back to civilization.
- 54:22Speaker 6: Once again, we started on safari. Beth, I'm... I'm not
- 54:29Speaker 6: much good at apologies.
- 54:30Speaker 7: You owe me no apologies, Alan.
- 54:33Speaker 3: For what I said the night of our first meeting.
- 54:35Speaker 7: But you were right.
- 54:37Speaker 3: You were right, too. You said I was sick of living.
- 54:40Speaker 3: But suddenly life never looked so good to me. In
- 54:57Speaker 3: a moment, our stars will return.
- 55:00Speaker 10: How you hate to hear this question. Do you know
- 55:03Speaker 10: you have a run in your stocking? When you hear
- 55:05Speaker 10: those words, it's too late to do anything about the run.
- 55:08Speaker 10: But you can cut future stocking runs in half. It's
- 55:12Speaker 10: so simple. Just never let harsh washings with strong wash
- 55:16Speaker 10: day products wear out your stockings in the wash.
- 55:19Speaker 2: Delicate nylons need delicate care. So give your nylons the
- 55:24Speaker 2: best care in the world. Always wash them gently in
- 55:28Speaker 2: Luxe Flakes. Safe Luxe Flakes melt completely into a silky
- 55:32Speaker 2: cleansing foam. And each washing in Luxe Flakes has a
- 55:35Speaker 2: special action that keeps nylon threads strong as new, washing
- 55:40Speaker 2: after washing, wearing after wearing. Stockings washed in pure Luxe
- 55:45Speaker 2: Flakes stay lovely twice as long. In fact, 95% of
- 55:49Speaker 2: stocking manufacturers recommend Luxe Flakes. So save money, save stockings.
- 55:56Speaker 2: Start Luxe Flakes stocking care tomorrow. Safe Luxe Flakes are
- 56:00Speaker 2: guaranteed by Lever Brothers Company. Now here's Mr. Cummings with
- 56:04Speaker 2: our stars.
- 56:05Speaker 5: And our heartiest congratulations to Stuart Granger and Deborah Cox.
- 56:15Speaker 5: That was quite an experience, accompanying you two on a safari.
- 56:18Speaker 7: If you think that was an experience, you should have
- 56:20Speaker 7: been there when we made the picture. Stuart actually is
- 56:23Speaker 7: a big game hunter, you know.
- 56:24Speaker 5: Yes, I believe he shot five wild buffalo and two
- 56:26Speaker 5: rhinoceros on the trip. Wasn't that rather dangerous, Stuart? Well,
- 56:30Speaker 5: it's more dangerous if you don't shoot them.
- 56:33Speaker 3: Big game hunting is a thrilling experience, but somehow I
- 56:36Speaker 3: couldn't interest Debra in it.
- 56:37Speaker 7: No, indeed. I was just grateful for plenty of Lux soap.
- 56:40Speaker 7: We all got incredibly dirty. And besides, Lux toilet soap
- 56:44Speaker 7: is a wonderful complexion care.
- 56:45Speaker 5: And after seeing you in Prisoner of Zander, in which
- 56:48Speaker 5: two are just some sensational dueling, and you, Debra, are
- 56:51Speaker 5: gorgeous in Technicolor, I think you both know what's best
- 56:54Speaker 5: for you.
- 56:55Speaker 3: Well, Debra doesn't mind a little exercise like tramping through
- 56:58Speaker 3: a jungle. But nothing strenuous, mind you.
- 57:01Speaker 7: Like all the swimming Esther Williams does in her new
- 57:03Speaker 7: Technicolor picture, Million Dollar Mermaid.
- 57:06Speaker 3: She doesn't swim through a swamp, Deborah. She does some
- 57:09Speaker 3: wonderful aquatic routines and co-stars with Walter Pidgeon. Vic Mateo
- 57:13Speaker 3: for romance. Ah, romance. That's what everyone likes.
- 57:17Speaker 5: So for next week, we've chosen another fine Metro-Goldwyn-Mayer picture
- 57:21Speaker 5: filled with romantic comedy. It's the charming screen hit, Strictly Dishonorable.
- 57:26Speaker 5: And in her original role, we have one of the
- 57:29Speaker 5: most fascinating actresses in Hollywood, Janet Leigh. And as our co-star,
- 57:34Speaker 5: a handsome actor who has soared to stardom, Fernando Lamas.
- 57:39Speaker 7: It was a delightful picture. Good night.
- 57:42Speaker 3: Good night, and all good wishes.
- 57:49Speaker 5: Now here is Ken Carpenter with news about Mouth Heads.
- 57:53Speaker 3: Dan?
- 57:54Speaker 2: Millions of Americans have found that chlorodent toothpaste does more
- 57:58Speaker 2: to give you a clean, fresh mouth than any other dentifrice.
- 58:02Speaker 2: And now here is proof that chlorodent gives a healthier mouth, too.
- 58:06Speaker 2: Chlorodent was tested under the supervision of dentists at Father
- 58:09Speaker 2: Flanagan's famous boys' town in Nebraska. In this test, chlorodent
- 58:14Speaker 2: and the fine white toothpaste were used regularly by different
- 58:18Speaker 2: groups of youngsters. And in just 60 days, three-quarters of
- 58:23Speaker 2: the boys using Chlorodent showed dramatic improvement in mouth health.
- 58:28Speaker 2: Chlorodent was actually proved twice as effective for quickly reducing
- 58:32Speaker 2: acute gingivitis as the fine white toothpaste that did not
- 58:36Speaker 2: contain chlorophyll. And that's another reason why Lever Brothers Company
- 58:41Speaker 2: unconditionally guarantees that Chlorodent does more for you than any
- 58:45Speaker 2: other dentifrice, white, ammoniated, or chlorophyll, to give you a clean, fresh,
- 58:51Speaker 2: healthy mouth. Yes, a clean, fresh, healthy mouth. Make sure
- 58:56Speaker 2: you get the toothpaste used in this test.
- 58:59Speaker 3: Chlorodent.
- 59:03Speaker 5: Lever Brothers Company, the makers of Luxe Toilet Soap, I
- 59:07Speaker 5: invite you to be with us again next Monday evening.
- 59:09Speaker 5: when the Lux Radio Theater presents Janet Leigh and Fernando
- 59:13Speaker 5: Llamas in Strictly Dishonorable. This is Irving Cummings saying goodnight
- 59:18Speaker 5: to you from Hollywood.
- 59:29Speaker 2: Heard in our cast tonight were Michael Pate as John,
- 59:32Speaker 2: Leo Britt as Eric, Bob Griffin as Mbopa, William Conrad
- 59:36Speaker 2: as Smith, and Eddie Marr as Kiva. Our radio player
- 59:39Speaker 2: was adapted by S.H. Barnett from the Metro-Goldwyn-Mayer picture King
- 59:42Speaker 2: Solomon's Mind, screenplay by Helen Deutsch, based on the novel
- 59:46Speaker 2: by H.
- 59:47Speaker 3: Ryder Haggard. Our music was directed by Rudy Schrager. Trust Silverdust.
- 59:54Speaker 3: Trust Silverdust.
- 59:56Speaker 11: Trust Silverdust to give you more for your money with
- 59:58Speaker 11: a goodwill offer that's really a honey.
- 1:00:00Speaker 3: Trust Silverdust.
- 1:00:03Speaker 2: New improved Silverdust Wonder Bubble Suds for laundry and dishes
- 1:00:07Speaker 2: now makes you this amazing goodwill offer. Inside every large
- 1:00:11Speaker 2: size Silverdust, you get, as an extra, a genuine cannon
- 1:00:15Speaker 2: face cloth. It's big, soft, fluffy. Lovely pastel colors, worth
- 1:00:21Speaker 2: up to 15 cents. Remember, in large size silver dust,
- 1:00:25Speaker 2: you get this genuine cannon face cloth as an extra.
- 1:00:29Speaker 2: Try silver dust. See how it safely digs out dirt,
- 1:00:32Speaker 2: gets clothes cleaner, speeds dishwashing. Kind to your hands. Yes,
- 1:00:37Speaker 2: Silver Dust, a great washing product with a cannon face
- 1:00:40Speaker 2: cloth inside, gives you more for your money than any
- 1:00:43Speaker 2: other washing product. That's guaranteed.
- 1:00:46Speaker 11: Get the large size box of Silver Dust with the
- 1:00:48Speaker 11: big cannon face cloth as an extra today.
- 1:00:55Speaker 2: Lever Brothers Company unconditionally guarantees the quality and performance of
- 1:01:00Speaker 2: Luxe Toilet Soap, Luxe Flakes, Chlorodent Toothpaste, and Silver Dust,
- 1:01:05Speaker 2: all your money refunded. This is your announcer, Ken Carpenter,
- 1:01:08Speaker 2: reminding you to join us again next Monday night to
- 1:01:10Speaker 2: hear Strictly Dishonorable, starring Janet Leigh and Fernando Lamas.
- 1:01:26Speaker 3: This is the CBS Radio Network.
- 1:01:30Speaker 6: And KNX Los Angeles, where the KNX Mystery Voice Contest
- 1:01:34Speaker 6: is now in progress.
- 1:01:36Speaker 3: It's light. It's golden clear. It's a truly fine pale beer.
- 1:01:42Speaker 6: Burgermeister, Burgermeister, it's so light and golden clear.
- 1:01:47Speaker 2: Burgermeister, Burgermeister, it's a truly fine pale beer.
- 1:01:53Speaker 3: San Francisco Brewing Corporation, San Francisco.
- 1:01:56Speaker 1: Thank you for joining us for Lux Radio Theater's King
- 1:01:59Speaker 1: Solomon's Mines. Follow Lux Radio Theater for more classic broadcasts.