Latest / Aaron Mahnke's Cabinet of Curiosities / Scent of a Traitor
Transcript
- 0:04Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of
- 0:07Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of
- 0:14Speaker 1: the unexplainable, and if history is an open book, all
- 0:18Speaker 1: of these amazing tales are right there on display, just
- 0:22Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.
- 0:36Speaker 1: Gabrielle was born in eighteen eighty three in western France.
- 0:40Speaker 1: Her childhood was destined to be a difficult one. Her
- 0:42Speaker 1: mother died when she was twelve, and her father wasn't
- 0:45Speaker 1: willing to look after her and her siblings, so he
- 0:47Speaker 1: left them in the care of nuns and never came back.
- 0:51Speaker 1: The nuns impact on Gabrielle would be unexpected. She hated
- 0:55Speaker 1: how strict and chase they were. She saw the glamour
- 0:57Speaker 1: and the riches of nearby Paris, and and to understand
- 1:00Speaker 1: why anyone would intentionally live a life of poverty. However,
- 1:04Speaker 1: the nuns did teach her the important skills she needed.
- 1:07Speaker 1: They taught her how to sew and clean. She developed
- 1:10Speaker 1: a preference for a clean home and immaculate hygiene, and
- 1:13Speaker 1: these skills and traits would define her life and even
- 1:16Speaker 1: lead her to change the world. By the time Gabrielle
- 1:20Speaker 1: was twenty, she was living in Paris and pursuing that
- 1:23Speaker 1: glamorous life. She used her sewing skills to open up
- 1:26Speaker 1: a hat shop in nineteen ten, which immediately became a success.
- 1:30Speaker 1: Some of the local cabaret performers took to wearing her hats,
- 1:34Speaker 1: making them even more popular throughout the country. She soon
- 1:37Speaker 1: began designing dresses as well. Gabrielle's preference for immaculate hygiene
- 1:42Speaker 1: led her to notice that some of her rich clients
- 1:45Speaker 1: were actually less hygienic than her. She thought many of
- 1:48Speaker 1: them even smelled. She learned more about the world of perfumes,
- 1:52Speaker 1: which up until this point was still not widely used.
- 1:55Speaker 1: They had existed for millennia, but the advent of modern
- 1:57Speaker 1: chemistry meant that safe synthetic fragrance says could be developed
- 2:01Speaker 1: that were affordable and would last on the skin for
- 2:03Speaker 1: a long time, and so Gabrielle immediately commissioned a whole
- 2:07Speaker 1: variety of perfumes, and she eventually settled on a scent
- 2:10Speaker 1: that she wanted to sell. Not only would it make
- 2:13Speaker 1: her money, but it would keep her from having to
- 2:15Speaker 1: smell the bo of her clients as she fitted them
- 2:18Speaker 1: for hats and dresses. All throughout the nineteen twenties, Gabrielle
- 2:22Speaker 1: became a Paris fashion icon. In addition to her popular perfume,
- 2:26Speaker 1: she also invented the first little black dress, which is
- 2:29Speaker 1: a simple and slim dress in contrast to the big
- 2:32Speaker 1: gowns of previous decades. She had liberated women's fashion, but
- 2:37Speaker 1: she wasn't exactly a feminist. More than anything, she just
- 2:40Speaker 1: wanted success and the money and power that came with it.
- 2:43Speaker 1: She wanted to be a part of high society to
- 2:45Speaker 1: show that she was more than just an orphan raised
- 2:48Speaker 1: by nuns, and so all throughout the nineteen thirties, Gabrielle
- 2:52Speaker 1: became known for having affairs with powerful men. At first
- 2:56Speaker 1: this was members of high society in France, but soon
- 2:59Speaker 1: she was even in English royalty and friendly with the
- 3:02Speaker 1: likes of people like Winston Churchill. And because of all
- 3:06Speaker 1: of this, you would think that she would have sided
- 3:08Speaker 1: with the Allies when World War II darkened over Europe,
- 3:11Speaker 1: But again, all Gabrielle cared about was her own success.
- 3:15Speaker 1: When the Nazis conquered France, Gabrielle quickly struck up an
- 3:18Speaker 1: affair with German officer Hans Gunter von Dinklich. In addition
- 3:21Speaker 1: to having the most German name imaginable, he was also
- 3:24Speaker 1: a spy tasked with infiltrating the French resistance. This seems
- 3:29Speaker 1: to have been Gabrielle's most long lived and passionate affair.
- 3:32Speaker 1: The fact that the Nazis were conquerors and anti Semites
- 3:35Speaker 1: didn't seem to bother her. The reality is that most
- 3:38Speaker 1: of the Western world was pretty anti Semitic at the time.
- 3:41Speaker 1: It was a matter of degrees to her. The English, French,
- 3:44Speaker 1: and Americans tended to segregate Jews and keep them from
- 3:47Speaker 1: positions of power, but they drew the line systematically murdering
- 3:51Speaker 1: them like the Germans did. Gabrielle, however, took full advantage
- 3:55Speaker 1: of the Nazis' anti Semitic laws. She had a few
- 3:57Speaker 1: Jewish business partners with a stake in her business, and
- 4:00Speaker 1: she tried to essentially steal their stake from them under
- 4:03Speaker 1: Nazi laws that stated Jews couldn't own their own businesses.
- 4:07Speaker 1: This ultimately failed when those Jewish partners smartly sold their
- 4:10Speaker 1: stake to a different French industrialist before fleeing to the
- 4:14Speaker 1: United States. Toward the end of the war, as the
- 4:17Speaker 1: Nazis continued to lose ground, Gabrielle and Hans tried to
- 4:20Speaker 1: save face by negotiating a truce behind Hitler's back with
- 4:24Speaker 1: Winston Churchill, but the Allies weren't interested. They continued their
- 4:28Speaker 1: advance and retook Paris, arresting Gabrielle in nineteen forty four.
- 4:33Speaker 1: Hans fled to Switzerland while Gabrielle was a Nazi collaborator.
- 4:37Speaker 1: It seems that the Allies felt that she wasn't responsible
- 4:40Speaker 1: for any crimes, and she was released. Some believe her
- 4:43Speaker 1: connections with English high society just might have had a
- 4:46Speaker 1: hand in that, but her time as a collaborator remained
- 4:49Speaker 1: a stain on her legacy. She never again had the
- 4:52Speaker 1: same prominence in the fashion world and died bitter and
- 4:55Speaker 1: alone in nineteen seventy one. Today, gabriel Coco Chanel, as
- 5:00Speaker 1: she was better known, is respected for her contributions to
- 5:03Speaker 1: the fashion world. Her perfume Chanelle number five is still
- 5:07Speaker 1: in use, and of course, the Black Little Dress is
- 5:10Speaker 1: practically its own genre of clothing. Naturally, the extent of
- 5:13Speaker 1: her anti Semitism and collaboration with the Nazis will always
- 5:17Speaker 1: be debated. Curiously, her insatiable desire for power actually undermined
- 5:22Speaker 1: her success in the long run. If she had remained
- 5:25Speaker 1: loyal to France, she would be remembered today as the
- 5:27Speaker 1: saintly godmother of all modern fashion. Maybe she should have
- 5:31Speaker 1: listened to those nuns, after all. Paris, one of the
- 5:48Speaker 1: most beautiful cities in the world, is famous for many things,
- 5:51Speaker 1: the Eiffel Tower, of course, Notre Dame Cathedral, the River Senn.
- 5:55Speaker 1: It's also famous for its mysterious and macab network of
- 5:58Speaker 1: underground tunnels metcones, which pass beneath every part of the
- 6:02Speaker 1: city and are estimated to hold the remains of over
- 6:04Speaker 1: six million people. Those tunnels were built from old quarries
- 6:08Speaker 1: left over from the Roman Empire and span over one
- 6:11Speaker 1: hundred and seventy miles. When Parisian cemeteries began to overflow
- 6:15Speaker 1: in the seventeen hundreds, millions of bodies were transferred from
- 6:19Speaker 1: where they had been laid to rest in cemeteries to
- 6:21Speaker 1: the underground tunnels. There are so many bodies down there
- 6:24Speaker 1: that one sign above a public entrance reads, stop the
- 6:28Speaker 1: Empire of Death lies here. Now. It must be said
- 6:31Speaker 1: that only a very small section is open for tourists
- 6:34Speaker 1: to explore, while other areas are used for municipal purposes
- 6:37Speaker 1: like sewer maintenance and in some cases training exercises for
- 6:41Speaker 1: law enforcement. And in two thousand and four, a branch
- 6:44Speaker 1: of the Paris Police Department set out to do exactly that,
- 6:47Speaker 1: odd as it may seem. Officers use the unusual environment
- 6:50Speaker 1: to practice traversing difficult terrain and to check for anyone
- 6:54Speaker 1: illegally visiting. On this occasion, officers entered through a sewer
- 6:58Speaker 1: drain beside the Trocadero, not far from the Eiffel Tower.
- 7:01Speaker 1: Almost immediately they discovered something unusual, a large tarp blocking
- 7:05Speaker 1: a previously uncharted passage with a sign saying building site
- 7:10Speaker 1: no access. Thinking that it may be part of the
- 7:13Speaker 1: training exercise, the police pulled back the tarp to reveal
- 7:16Speaker 1: a desk and a closed circuit TV camera, which recorded
- 7:20Speaker 1: anyone who passed by the tarp, including the officers themselves.
- 7:24Speaker 1: When someone passed in front of the camera, a box
- 7:27Speaker 1: on the desk played a recording of snarling and barking dogs.
- 7:31Speaker 1: The police quickly realized that this was no exercise, and
- 7:34Speaker 1: the advanced security and camera equipment made it clear these
- 7:38Speaker 1: were no teenagers exploring the creepy underground on a dare.
- 7:41Speaker 1: This was something more sinister. They had no choice but
- 7:45Speaker 1: to push forward. Further down the tunnel opened into a
- 7:48Speaker 1: huge cavern, and inside the rock had been carved into
- 7:51Speaker 1: seats and benches for people to sit in. Investigators found an
- 7:55Speaker 1: enormous movie screen and projection equipment, along with a collection
- 7:59Speaker 1: of mood movies. None of the films were offensive and
- 8:02Speaker 1: none of them had been banned. On the far side
- 8:05Speaker 1: of the cavern was another room with a makeshift bar
- 8:07Speaker 1: and a restaurant, nice bottles of spirits, tables and chairs,
- 8:12Speaker 1: even a pressure cooker, even strangers. Still, the restaurant and
- 8:16Speaker 1: bar were clearly running on electricity and impossibility in the catacombs,
- 8:20Speaker 1: given that they were carved out centuries ago. One police
- 8:23Speaker 1: officer said there were at least three phone lines down there.
- 8:27Speaker 1: So who was responsible for the clandestine and I must
- 8:31Speaker 1: say illegal cinema tucked inside Paris's deadliest tunnels. Well it
- 8:36Speaker 1: didn't take long for one group to take the credit.
- 8:39Speaker 1: Lay UX short for Urban Experiment, is a secret organization
- 8:44Speaker 1: taking on urban renewal projects all over Paris, which the
- 8:47Speaker 1: French government lacks funding for or chooses not to pursue.
- 8:51Speaker 1: In the nineteen nineties, lay Ux restored several medieval crips
- 8:55Speaker 1: beneath the city by creating underground workshops and accessing them
- 8:58Speaker 1: after hours. Two thousand and seven, they secretly restored the
- 9:02Speaker 1: Pantheon's clock with the help of expert clockmaker Jean Baptiste Void.
- 9:06Speaker 1: The clock was originally made in eighteen fifty one and
- 9:09Speaker 1: had stopped working in the early nineteen sixties. Restoration took
- 9:13Speaker 1: over a year and was mostly done at nights in
- 9:16Speaker 1: secret in a workshop set up by LAYUX members. When
- 9:19Speaker 1: the clock was fully repaired and Layux took public responsibility,
- 9:24Speaker 1: the Center for National Monuments in France attempted to bring
- 9:27Speaker 1: charges against the group, but ultimately they failed. The spokesman
- 9:31Speaker 1: for this otherwise secret society, Lazar Kunzmann, explained that in
- 9:35Speaker 1: September of nineteen eighty one, Layux stole comprehensive maps of
- 9:39Speaker 1: the catacombs from the city planning office, and these maps
- 9:42Speaker 1: are instrumental to the planning and success of the group's
- 9:45Speaker 1: projects and a key reason that its members are able
- 9:49Speaker 1: to keep their identity secret. As far as the cinema goes.
- 9:52Speaker 1: Police returned the next day with members of the French
- 9:54Speaker 1: Electrical Board. They wanted help finding out where the power
- 9:58Speaker 1: had been routed from, but when they arrived at the
- 10:00Speaker 1: entrance of the cavern, the tarp, the sign and the
- 10:03Speaker 1: camera were all gone. In fact, the entire theater had
- 10:05Speaker 1: been emptied. No pressure cooker, no phone lines, no movie
- 10:09Speaker 1: screens or liquor. The only sign that something had been
- 10:12Speaker 1: in the cavern at all was a scrap of paper
- 10:15Speaker 1: left in the center of the room. Addressed to the
- 10:17Speaker 1: Parisian police. The note said simply, do not come searching
- 10:22Speaker 1: for us. I hope you've enjoyed today's guided tour of
- 10:28Speaker 1: the Cabinet of Curiosities. Subscribe for free on Apple Podcasts,
- 10:32Speaker 1: or learn more about the show by visiting Curiosities podcast
- 10:36Speaker 1: dot com. The show was created by me Aaron Manky
- 10:40Speaker 1: in partnership with how Stuff Works. I make another award
- 10:44Speaker 1: winning show called Lore, which is a podcast, book series,
- 10:47Speaker 1: and television show, and you can learn all about it
- 10:50Speaker 1: over at the Worldoflore dot com. And until next time,
- 10:55Speaker 1: stay curious.