Latest / New Worlder / Episode #129: Christian Puglisi
Transcript
- 0:00[music]
- 0:43SPEAKER_02: Hey everybody, it's Nicholas Gill and this is the New Worlder podcast.
- 0:46SPEAKER_02: Co-host Juliana Duque will be joining shortly.
- 0:50SPEAKER_02: We're speaking with Christian Puglisi today.
- 0:52SPEAKER_02: He's a Copenhagen-based chef and restaurateur that closed and sold all
- 0:56SPEAKER_02: of his restaurants in recent years to spend time with his family,
- 0:59SPEAKER_02: but he's gradually transitioned into being a writer with a memoir in the works and
- 1:04SPEAKER_02: an active Substack newsletter called A Chef's Perspective.
- 1:08SPEAKER_02: He's also active on social media and on YouTube and
- 1:11SPEAKER_02: Where he has been posting these kind of long stream of consciousness thoughts
- 1:16SPEAKER_02: about different topics in the restaurant industry.
- 1:19SPEAKER_02: Giving his unique perspective as someone who was on the inside of some of
- 1:22SPEAKER_02: the world's top fine dining restaurants.
- 1:25SPEAKER_02: Including El Bulli where he was a stage and Noma where he was the sous chef
- 1:29SPEAKER_02: for two years during its earliest period.
- 1:32SPEAKER_02: He's not afraid to speak his mind or say something even if it is
- 1:35SPEAKER_02: a little bit uncomfortable or controversial.
- 1:38SPEAKER_02: Whether you agree with every argument he makes or not,
- 1:40SPEAKER_02: he's genuinely trying to create dialogue and real conversation with some room
- 1:45SPEAKER_02: for nuance, and he is engaging a wide swath of the industry.
- 1:50SPEAKER_02: I do think we need more of that.
- 1:52SPEAKER_02: I went to a few of his restaurants when they were open, and I enjoyed them quite a bit.
- 1:56SPEAKER_02: For one, I could afford them, but they were also ahead of their time.
- 1:59SPEAKER_02: As Noma and other Copenhagen fine dining restaurants were becoming more luxurious
- 2:03SPEAKER_02: and exclusive,
- 2:04SPEAKER_02: he opened Relay with the idea that people working there Would be able to eat there.
- 2:09SPEAKER_02: He did things to minimize costs to make the restaurant more efficient.
- 2:13SPEAKER_02: He opened in a gritty neighborhood and did things like putting the silverware
- 2:16SPEAKER_02: in drawers and banning tweezers in the kitchen,
- 2:19SPEAKER_02: which we get into more in our conversation.
- 2:22SPEAKER_02: I still see the impact of his restaurants, whether we realize it or not.
- 2:25SPEAKER_02: Still, he has many questions about the state of the industry today
- 2:29SPEAKER_02: and why some things just don't work anymore.
- 2:32SPEAKER_02: I really don't know what is going to happen in the world of fine dining.
- 2:35SPEAKER_02: It will never disappear.
- 2:37SPEAKER_02: I know Bruno Verjuice,
- 2:38SPEAKER_02: who is closing his renowned restaurant Taub in Paris later this year,
- 2:42SPEAKER_02: suggested that.
- 2:43SPEAKER_02: But people are always going to want a meal for special occasions.
- 2:48SPEAKER_02: However,
- 2:49SPEAKER_02: we do seem to be hitting a breaking point
- 2:52SPEAKER_02: into how economically functional these kinds of ultra-luxurious restaurants
- 2:56SPEAKER_02: that depend more on visibility than cooking truly are.
- 3:00SPEAKER_02: As a reminder,
- 3:02SPEAKER_02: my forthcoming book,
- 3:03SPEAKER_02: Eating the Amazon, is available for pre-order, It comes out in April.
- 3:07SPEAKER_02: You can find it on Amazon and Bookshop.
- 3:10SPEAKER_02: Pre-order sales are really important for getting a book like Eating the Amazon out
- 3:15SPEAKER_02: into the world.
- 3:15SPEAKER_02: If you were going to buy it anyway,
- 3:18SPEAKER_02: please pre-order it and subscribe to my newsletter,
- 3:21SPEAKER_02: New Worlder on Substack, or just go to neworder.com.
- 3:24SPEAKER_02: And if you like this episode, like us, share us, it's all connected.
- 3:28SPEAKER_01: So you closed Relay in 2020 and sold off your
- 3:32SPEAKER_02: restaurants, what, a
- 3:33SPEAKER_01: few years ago?
- 3:34SPEAKER_01: Yeah, well, 25 last year.
- 3:36SPEAKER_02: You could just be chilling and staying out of it.
- 3:40SPEAKER_02: But, you know, like be with your family, walk your dog, catch butterflies.
- 3:44SPEAKER_02: I don't know what you do in your free time, but whatever.
- 3:47SPEAKER_02: But instead,
- 3:48SPEAKER_02: over the past year or so,
- 3:49SPEAKER_02: you've been out there and you've been engaging on sometimes sensitive topics in
- 3:54SPEAKER_02: the restaurant industry on Substack, social media, YouTube.
- 3:58SPEAKER_02: What kind of made you come out and get involved?
- 4:04SPEAKER_01: Well, there's, of course...
- 4:07SPEAKER_01: A little sense of restlessness that comes from catching butterflies for a year or so.
- 4:13SPEAKER_01: I had a great privilege in being able to sell a business in my mid-40s where my kids are small.
- 4:22SPEAKER_01: And this is a privilege that is for the very few.
- 4:27SPEAKER_01: But even for the few that have the privilege,
- 4:29SPEAKER_01: mostly it's when you're in the 50s or so and your kids don't want you
- 4:33SPEAKER_01: to bother them anymore.
- 4:36SPEAKER_01: So having that, I really wanted it to be something that I invested time in.
- 4:42SPEAKER_01: So I spent a lot of time with my kids and I have three kids.
- 4:46SPEAKER_01: But, you know,
- 4:48SPEAKER_01: I'm just interested in,
- 4:50SPEAKER_01: you know,
- 4:51SPEAKER_01: it's not like you can spend 25 years in a world and then just not have any interest
- 4:58SPEAKER_01: in it anymore.
- 4:59SPEAKER_01: Admittedly,
- 5:00SPEAKER_01: my interest is different than it was,
- 5:03SPEAKER_01: but I am very interested in what's going on and particularly
- 5:07SPEAKER_01: when things become sensitive because sometimes I think that they are misunderstood
- 5:14SPEAKER_01: and I feel that having the position that I've acquired,
- 5:20SPEAKER_01: I can say things that many people are afraid to say because they are so afraid
- 5:26SPEAKER_01: of being misunderstood and it will have much greater consequences for them than
- 5:30SPEAKER_01: for me because the butterflies They don't, they don't care.
- 5:34SPEAKER_01: So, so at that point, that's it.
- 5:37SPEAKER_01: So, so yeah,
- 5:38SPEAKER_01: I've been following everything going on and yeah,
- 5:43SPEAKER_01: I find, I find it very interesting.
- 5:45SPEAKER_01: I cannot bug out of it.
- 5:47SPEAKER_02: And you've been pretty honest,
- 5:49SPEAKER_02: I think about your experiences in the restaurant industry, which,
- 5:52SPEAKER_02: you know,
- 5:52SPEAKER_02: few people are willing to be kind of that open and invulnerable about things.
- 5:58SPEAKER_02: And your videos are like on YouTube,
- 6:00SPEAKER_02: they're very, I mean,
- 6:02SPEAKER_02: at least it seems very stream of conscious,
- 6:04SPEAKER_02: you know,
- 6:04SPEAKER_02: just kind of exploring ideas,
- 6:06SPEAKER_02: thinking out loud and just kind of riffing and,
- 6:09SPEAKER_02: and they're long, but I give you credit.
- 6:11SPEAKER_02: You stay kind of on track through them.
- 6:14SPEAKER_02: Are they edited at all?
- 6:15SPEAKER_02: Or is it just like, Oh,
- 6:17SPEAKER_01: there's,
- 6:18SPEAKER_01: there's many different ways I've been,
- 6:19SPEAKER_01: I've been trying to do them, you know, and I'm, I'm, I'm dabbling.
- 6:25SPEAKER_01: I'm, I'm,
- 6:26SPEAKER_01: I'm trying to sort out what is the best way because At first I was like,
- 6:30SPEAKER_01: I just want to just talk and then I'll take it from there.
- 6:33SPEAKER_01: And then when you have a video like that in the editor and you're like,
- 6:38SPEAKER_01: what am I... What am I intending to say?
- 6:43SPEAKER_01: And then you start creating some structure and then I go a little far the other way
- 6:48SPEAKER_01: and I try and have it really structured and then I'm not feeling it.
- 6:52SPEAKER_01: So I go back and forth.
- 6:54SPEAKER_02: Honestly, I appreciate that.
- 6:55SPEAKER_02: I appreciate that it's not this...
- 6:58SPEAKER_02: This fucking like TikTok video where it's just laying out point by point.
- 7:02SPEAKER_02: Yeah.
- 7:02SPEAKER_02: It's, it's exploring and sometimes contrasting,
- 7:05SPEAKER_02: you know,
- 7:06SPEAKER_02: you're sometimes you can contrast yourself a little bit
- 7:08SPEAKER_02: because I think we all are right now.
- 7:10SPEAKER_01: We're all trying to kind of figure
- 7:11SPEAKER_02: things out.
- 7:13SPEAKER_02: Yeah.
- 7:13SPEAKER_02: And I appreciate that.
- 7:15SPEAKER_02: Thank you.
- 7:16SPEAKER_02: Well, I think,
- 7:16SPEAKER_01: I think it's,
- 7:17SPEAKER_01: there's, um,
- 7:20SPEAKER_01: on, on one hand, everybody is on, on social media, people are so Up for a game now.
- 7:29SPEAKER_01: People are so qualified.
- 7:31SPEAKER_01: The people that you see on social media are so qualified on social media
- 7:36SPEAKER_01: because they study it so much in detail.
- 7:41SPEAKER_01: They're so particular with everything and you can just get really into the nitty gritty of it.
- 7:47SPEAKER_01: What happens then is that everything becomes kind of the same
- 7:51SPEAKER_01: because everybody studied the same stuff and whatever works,
- 7:54SPEAKER_01: everybody, everybody studies and they, they try and repeat it.
- 7:57SPEAKER_01: And, you know, to,
- 7:59SPEAKER_01: to find some sort of nuke in there where you can just express yourself
- 8:05SPEAKER_01: and get enough feedback for it to be interesting for yourself.
- 8:09SPEAKER_01: I think that that's the true art and that's,
- 8:11SPEAKER_01: that's the true way of dealing with social media today,
- 8:14SPEAKER_01: because This whole thing of trying to make it on social media,
- 8:18SPEAKER_01: I mean, it's just...
- 8:20SPEAKER_02: No, it's pointless because it's always going to change.
- 8:23SPEAKER_02: The algorithms are never going to, you know, let you run away with it.
- 8:27SPEAKER_02: They're always going to push engagement above all else.
- 8:31SPEAKER_02: It's not about, you know, voice.
- 8:33SPEAKER_01: Yeah, but then... And it's...
- 8:35SPEAKER_01: In one of the videos, I actually talk about it.
- 8:36SPEAKER_01: Like, you can spend so much time on everything, which is kind of the circumstances, no?
- 8:42SPEAKER_01: The technicalities...
- 8:44SPEAKER_01: Which doesn't have to be about camera or gear,
- 8:46SPEAKER_01: stuff like that,
- 8:47SPEAKER_01: but more in how you approach the hook and the storytelling, the this and the that.
- 8:53SPEAKER_01: And it's like a full-time job.
- 8:56SPEAKER_01: And then what happened to what you wanted to say?
- 8:58SPEAKER_01: You will somehow put more time and effort into stuff
- 9:04SPEAKER_01: that is not really what was your initial desire, what you needed to get out there.
- 9:10SPEAKER_01: And I think that's unfortunate.
- 9:11SPEAKER_01: And I think to balance it is really important.
- 9:15SPEAKER_02: It's really difficult,
- 9:16SPEAKER_02: you know,
- 9:16SPEAKER_02: to kind of get your voice out there when there's all this kind of avalanche
- 9:22SPEAKER_02: of shit all around, you know, just drowning your voice out.
- 9:27SPEAKER_02: So it's hard to break through.
- 9:28SPEAKER_02: I give you credit because it seems like you are.
- 9:30SPEAKER_02: What are the ideas of what you're kind of exploring in these videos and writings
- 9:37SPEAKER_02: of Are this related to figuring out the book you're writing?
- 9:43SPEAKER_01: Well, I'm trying to connect the various, because I have like three things going on.
- 9:48SPEAKER_01: I have the book, then I have the YouTube videos, and then I have the Substack.
- 9:54SPEAKER_01: And to some extent, I'm trying to connect the three.
- 9:57SPEAKER_01: So when I'm wondering about some things and I'm thinking
- 9:59SPEAKER_01: about it primarily should be for the book,
- 10:03SPEAKER_01: then I can sometimes Make that into a video where I discuss it a little bit
- 10:09SPEAKER_01: with myself and then that hopefully ends up being some sort of written piece.
- 10:17SPEAKER_01: The trick or the tricky bit is that people have different expectations
- 10:25SPEAKER_01: on different platforms and it's hard to sort out what is The best return
- 10:31SPEAKER_01: of investment as in watch,
- 10:33SPEAKER_01: you know,
- 10:33SPEAKER_01: how long,
- 10:34SPEAKER_01: because if I, if I,
- 10:35SPEAKER_01: if I make a soft stack piece that is like a stream of thought video,
- 10:41SPEAKER_01: it's going to be like,
- 10:42SPEAKER_01: nobody's going to read it because you, you,
- 10:44SPEAKER_01: if you don't have the energy of someone saying these things,
- 10:49SPEAKER_01: because a monologue can have a lot of energy, right?
- 10:51SPEAKER_01: And you can,
- 10:52SPEAKER_01: you can still people,
- 10:54SPEAKER_01: you know,
- 10:55SPEAKER_01: the retention is also difficult there,
- 10:57SPEAKER_01: but, But in writing, you have to have some structure.
- 11:00SPEAKER_01: So my current way of dealing with it is that I start with the video and
- 11:07SPEAKER_01: then I end up in Substack because I hope that by somehow building some sort
- 11:15SPEAKER_01: of audience on Substack,
- 11:18SPEAKER_01: that will be an audience that is interested in a book one day.
- 11:24SPEAKER_01: That's sort of the strategy if there is.
- 11:27SPEAKER_02: Right.
- 11:27SPEAKER_02: But are you also like refining these ideas with,
- 11:31SPEAKER_02: with the, for the book of, you know, of like the videos and the subset?
- 11:36SPEAKER_01: They're more, they're more like, you know, flares.
- 11:40SPEAKER_01: I just shoot them up in the air and see, and see what happens.
- 11:42SPEAKER_02: Yeah.
- 11:43SPEAKER_01: It's just things that,
- 11:45SPEAKER_01: and what I find that the video gives me,
- 11:48SPEAKER_01: it gives me conversation,
- 11:51SPEAKER_01: even though I'm with myself,
- 11:53SPEAKER_01: when I talk about things, I go to places because it goes much faster.
- 11:57SPEAKER_01: And when I write, when I write, I can just, I just sit there.
- 12:00SPEAKER_01: But in conversation,
- 12:02SPEAKER_01: I kind of fill out all the silence and then I go to places and that's interesting.
- 12:08SPEAKER_01: So I can sort of,
- 12:10SPEAKER_01: it's kind of like an exercise where I come to think of something that
- 12:15SPEAKER_01: then can become useful for me.
- 12:16SPEAKER_01: So it's not like, oh, I have this thing, I want to talk about it.
- 12:19SPEAKER_01: It's more, it starts somewhere.
- 12:21SPEAKER_01: I start talking about it and sometimes I can benefit from it.
- 12:24SPEAKER_01: That said, the book is more personal.
- 12:27SPEAKER_01: And I'm a little uncertain with how much I can reveal from it in a YouTube scenario,
- 12:36SPEAKER_01: in terms of what makes sense in relation to where I'm at in the process now,
- 12:42SPEAKER_01: because I still don't have a signed deal.
- 12:44SPEAKER_01: And I'm kind of leaving it a little bit undefined when I talk about it
- 12:51SPEAKER_01: on social media,
- 12:52SPEAKER_01: because since I started the process,
- 12:54SPEAKER_01: which is now, well, We got one and a half year ago.
- 12:58SPEAKER_01: It's it's already changed.
- 12:59SPEAKER_01: Like it's morphed.
- 13:00SPEAKER_01: It's completely different than what I started with.
- 13:02SPEAKER_01: So I'm not going to be there saying I'm doing this and then no, no, I'm not doing that.
- 13:06SPEAKER_01: Do something else and so on and so on.
- 13:08SPEAKER_02: I finished the book that was also very personal and it's very different,
- 13:13SPEAKER_02: you know, two years later from when I started.
- 13:16SPEAKER_02: Like, it's totally different.
- 13:17SPEAKER_02: Like the ideas in it are, you know, They didn't exist two years ago.
- 13:23SPEAKER_02: Is that a memoir?
- 13:25SPEAKER_02: It's not a memoir,
- 13:27SPEAKER_02: but there are a lot of personal details in it,
- 13:29SPEAKER_02: and it is me telling a story rather than writing a cookbook.
- 13:36SPEAKER_02: Sure.
- 13:36SPEAKER_00: Well, there is also a reason why there are different formats, right?
- 13:42SPEAKER_00: They connect with audiences in different ways,
- 13:44SPEAKER_00: so to do the same thing in different formats doesn't make sense either, right?
- 13:49SPEAKER_00: Or to try to.
- 13:51SPEAKER_00: So I have a question about
- 13:56SPEAKER_00: what's your experience of being so active in
- 14:00SPEAKER_00: the hospitality and restaurant industry,
- 14:02SPEAKER_00: hands-on for so long,
- 14:05SPEAKER_00: and now theorizing about it,
- 14:08SPEAKER_00: reflecting about it, the potential gap in between theory and practice, because...
- 14:16SPEAKER_00: So the theory reflects about what's happening, right?
- 14:20SPEAKER_00: In the real world.
- 14:21SPEAKER_00: But then when it goes back to the practice, somehow something happens.
- 14:26SPEAKER_00: It doesn't reach back or it doesn't have an impact.
- 14:28SPEAKER_00: And that's a constant frustration, for example, in academia, right?
- 14:33SPEAKER_00: That reflects about the world.
- 14:34SPEAKER_00: And then what happens with all that work that is produced?
- 14:38SPEAKER_00: Does it have an impact?
- 14:40SPEAKER_00: And I mean,
- 14:42SPEAKER_00: obviously,
- 14:44SPEAKER_00: what you're doing is Well,
- 14:47SPEAKER_00: addressing the philosophy of hospitality and the restaurant industry,
- 14:51SPEAKER_00: the economics, the politics, the culture, I mean, all of it.
- 14:56SPEAKER_00: How do you feel about that connection or disconnection?
- 15:00SPEAKER_00: Is it frustrating?
- 15:01SPEAKER_00: Is it motivating?
- 15:04SPEAKER_00: It's all of it.
- 15:05SPEAKER_00: Have you wondered about it?
- 15:07SPEAKER_01: Well, I think the point is very valid.
- 15:13SPEAKER_01: The problem,
- 15:14SPEAKER_01: so to say,
- 15:15SPEAKER_01: for a person like me,
- 15:17SPEAKER_01: Is that when I live the hands-on life, there's barely any more time to think.
- 15:26SPEAKER_01: So you have to kind of take your career in bits and say, now I'm practical and now I'm thinking.
- 15:34SPEAKER_01: Because doing both things at the same time is almost not possible.
- 15:41SPEAKER_01: That said,
- 15:41SPEAKER_01: I've always been,
- 15:44SPEAKER_01: I think, reflecting more About what am I doing and why than most of my peers.
- 15:52SPEAKER_01: And that's not to say that that's a good thing because that's the same thing
- 15:56SPEAKER_01: that has,
- 15:57SPEAKER_01: you know,
- 15:57SPEAKER_01: borderline driven me crazy over the years because I spent too much time thinking
- 16:01SPEAKER_01: about it.
- 16:02SPEAKER_01: Overthinking is also a thing, right?
- 16:06SPEAKER_01: So I have always been very interested in being capable of Connecting the hand and
- 16:16SPEAKER_01: the mind,
- 16:17SPEAKER_01: which I think is both extremely valid in terms of philosophy,
- 16:22SPEAKER_01: you know,
- 16:23SPEAKER_01: like practicing a philosophy instead of just theorizing about philosophy to
- 16:27SPEAKER_01: the point where no one can have any use out of it.
- 16:31SPEAKER_01: The same way, how do I inhabit the world that I'm in?
- 16:36SPEAKER_01: Like physically, what am I doing here?
- 16:38SPEAKER_01: And how does that connect to The philosophy I want to represent or the culture
- 16:43SPEAKER_01: that I feel I represent and so on and so on.
- 16:45SPEAKER_01: And I've done that for many years,
- 16:47SPEAKER_01: but now I'm just tipping the scale in a way where,
- 16:51SPEAKER_01: well, yeah, I'm not there anymore, but I have been for many, many, many years.
- 17:00SPEAKER_01: And I really like this idea of if I'm speaking to anyone,
- 17:06SPEAKER_01: I'm just speaking to who I was just a moment ago.
- 17:10SPEAKER_01: Because that's useful for someone.
- 17:12SPEAKER_01: Someone is there where I was a day ago, a year ago, five years ago.
- 17:17SPEAKER_01: Because I've learned many lessons.
- 17:19SPEAKER_01: And those are based on both theory and practice.
- 17:23SPEAKER_01: And someone might benefit from it.
- 17:25SPEAKER_01: And that is, I think, the beauty of the social media landscape.
- 17:30SPEAKER_01: Now, there's many ugly sides.
- 17:32SPEAKER_01: But the beauty is that someone can find use for whatever experience you want to share.
- 17:39SPEAKER_01: That's a guarantee.
- 17:40SPEAKER_01: And the algorithm,
- 17:41SPEAKER_01: you can even see it as something that can help you in that and then in
- 17:47SPEAKER_01: the other way.
- 17:49SPEAKER_01: So I am tipping the scale in a different proportion than I have been,
- 17:56SPEAKER_01: but I also find a longing towards having my hands in it.
- 18:04SPEAKER_01: Because as I was saying before,
- 18:07SPEAKER_01: conversation makes me go to places And being in things inevitably makes me go
- 18:13SPEAKER_01: to places and think about it, right?
- 18:16SPEAKER_01: So ideally, what I do now would have maybe 10 hours a week
- 18:28SPEAKER_01: cooking professionally somewhere.
- 18:31SPEAKER_01: But the reality is I don't even have those 10 hours.
- 18:35SPEAKER_01: So, you know, but I 100%
- 18:39SPEAKER_01: Agree that staying connected is, is, is key.
- 18:43SPEAKER_01: And I've thought about,
- 18:44SPEAKER_01: you know,
- 18:45SPEAKER_01: I've thought about staging actually,
- 18:46SPEAKER_01: you know, just go, go places I like and say, Hey man, do you mind just two days?
- 18:55SPEAKER_01: I just want to hang out and just, I don't know, make pasta on the back or whatever.
- 18:58SPEAKER_01: I just, I love the being bottom, bottom rank, like just going out with the trash.
- 19:07SPEAKER_01: I I'm not saying, I want to do that for five years.
- 19:12SPEAKER_01: But being in that situation, just getting that vibe, I love it.
- 19:19SPEAKER_01: I feel extremely competent in that situation.
- 19:22SPEAKER_01: So I thought about it, yeah.
- 19:26SPEAKER_00: But also by talking to other people and serving as a voice of other people,
- 19:32SPEAKER_00: seems to me that you have an additional challenge now,
- 19:35SPEAKER_00: which is not only How do you connect practice and theory for yourself
- 19:40SPEAKER_00: that apparently is kind of natural for you or easier than for other people,
- 19:45SPEAKER_00: but how people cross that bridge with whatever reflection you are doing.
- 19:54SPEAKER_00: That's what is challenging for a scholar or a thinker, in this case, you.
- 20:00SPEAKER_00: As you say,
- 20:01SPEAKER_00: you are,
- 20:01SPEAKER_00: you know, So I don't know,
- 20:04SPEAKER_00: in the feedback you get,
- 20:07SPEAKER_00: what is your sense of how people are absorbing those reflections?
- 20:14SPEAKER_01: I think I'm completely overwhelmed with the response I get from
- 20:22SPEAKER_01: everything I do.
- 20:23SPEAKER_01: Of course,
- 20:23SPEAKER_01: there's some people trolling and hating,
- 20:26SPEAKER_01: and I'm like, I don't understand why you spend your energy there.
- 20:32SPEAKER_01: But people,
- 20:34SPEAKER_01: and I think particularly that this really gives me,
- 20:38SPEAKER_01: you know, I rank YouTube and Softack much higher than Instagram.
- 20:45SPEAKER_01: And I can just do so by the interactions that I get.
- 20:48SPEAKER_01: People on YouTube write me comments that I'm like, shit, man, this took you 20 minutes.
- 20:52SPEAKER_01: Like, this is, like,
- 20:54SPEAKER_01: you're really,
- 20:56SPEAKER_01: first of all,
- 20:56SPEAKER_01: you spent 20 minutes watching the video,
- 20:58SPEAKER_01: clearly, because you've seen all of it, how you refer to it, I can tell.
- 21:02SPEAKER_01: And then you wrote a super long, like five paragraph long comment.
- 21:07SPEAKER_01: Like, whoa, this meant something to someone.
- 21:11SPEAKER_01: And I so appreciate it.
- 21:13SPEAKER_01: And getting 10 of those comments,
- 21:15SPEAKER_01: 10 of those comments on a video, it's like, well, it's worth the time spent.
- 21:20SPEAKER_01: So there's that.
- 21:23SPEAKER_01: And then to me,
- 21:27SPEAKER_01: I'm sometimes thinking, again,
- 21:28SPEAKER_01: if I look at what people tell you to do On social media,
- 21:34SPEAKER_01: everybody tries to say, well,
- 21:36SPEAKER_01: speak like you're in fifth grade so everybody understands and tell people what
- 21:41SPEAKER_01: to do.
- 21:43SPEAKER_01: Exactly.
- 21:44SPEAKER_01: You have to be very concise.
- 21:45SPEAKER_01: You have to be very precise, make practical tips for people to learn things.
- 21:53SPEAKER_01: But I'm like, that's your job.
- 21:57SPEAKER_01: I mean, if I...
- 22:00SPEAKER_01: I don't get anything from trying to have you do things.
- 22:05SPEAKER_01: I don't think that that's my role.
- 22:08SPEAKER_01: If you say that I'm a thinker, I can think.
- 22:13SPEAKER_01: And if I can express myself better, then it's your job to listen to what I say.
- 22:20SPEAKER_01: If you find it interesting, how do you put it into practice?
- 22:25SPEAKER_01: Because if you don't put it into practice,
- 22:26SPEAKER_01: if it doesn't move anything, Then you wasted your time.
- 22:31SPEAKER_01: You probably would have wasted your time on something else, on the scroll, whatever.
- 22:35SPEAKER_01: But it's just to say that I don't find that I have any responsibility for people
- 22:42SPEAKER_01: to take action on what I say.
- 22:44SPEAKER_01: I did a post about it the other day because It's really what you're told all the time.
- 22:51SPEAKER_01: It's like you have to give people...
- 22:54SPEAKER_01: I don't like telling people what to do.
- 22:56SPEAKER_00: No, no, because you are posing questions.
- 22:59SPEAKER_00: Exactly, you're posing questions.
- 23:00SPEAKER_01: I don't have the answers because everyone is in a different situation.
- 23:03SPEAKER_00: That's the point, right?
- 23:05SPEAKER_00: But I'm just curious of...
- 23:07SPEAKER_00: It's not that you need to solve it.
- 23:10SPEAKER_00: I mean, you can't solve it for people to start with.
- 23:13SPEAKER_00: And second, the point is to ask good questions, right?
- 23:16SPEAKER_00: That's...
- 23:18SPEAKER_00: But my question is more, how have you seen people observe that and use it in their life?
- 23:27SPEAKER_00: Not that you have to do that for them.
- 23:29SPEAKER_00: If you have seen examples of that,
- 23:32SPEAKER_00: I guess you see it in the comments, which is, you know, it's a barometer.
- 23:37SPEAKER_00: You can tell people are engaged and they are telling you something back.
- 23:43SPEAKER_00: I'm just curious because these are reflections that are meaningful.
- 23:47SPEAKER_00: You know, I mean, I have a background in philosophy, so I can tell.
- 23:53SPEAKER_00: And I'm just curious how people use those questions.
- 23:58SPEAKER_00: It's a curiosity I have.
- 23:59SPEAKER_00: So I don't know.
- 24:02SPEAKER_00: If you see it, let me know.
- 24:04SPEAKER_01: Well, the engagement that you have is,
- 24:07SPEAKER_01: you know, it is parasocial, you know, it's not like, it's not there.
- 24:10SPEAKER_01: I don't see people on Monday and see how it's going.
- 24:14SPEAKER_01: I have to say that I have been receiving quite a few requests
- 24:20SPEAKER_01: on like one-on-one sessions and people want to talk to me and asking
- 24:25SPEAKER_01: for more specific advice.
- 24:27SPEAKER_01: So I think, yeah,
- 24:29SPEAKER_01: I think,
- 24:29SPEAKER_01: I think what's going on is like people, Again,
- 24:33SPEAKER_01: the social media way is to give people the sense that you have something
- 24:40SPEAKER_01: that you can sell them.
- 24:41SPEAKER_01: And it's much easier to sell them an answer than a question, right?
- 24:47SPEAKER_01: And that's how it is.
- 24:48SPEAKER_01: But if you ever go to therapy, you realize you have to come up with all of it.
- 24:55SPEAKER_01: The therapist is saying, the better the therapist is.
- 24:58SPEAKER_01: You just go at it, right?
- 25:00SPEAKER_01: And they make you think the right things.
- 25:03SPEAKER_01: And I have a hard time saying,
- 25:08SPEAKER_01: these are the five things you should do when you open a restaurant or some shit like
- 25:12SPEAKER_01: that.
- 25:14SPEAKER_01: I'm not saying I will never do it,
- 25:15SPEAKER_01: but I just think it's very difficult to be so certain about things.
- 25:22SPEAKER_01: Also, because when you
- 25:25SPEAKER_01: Like if you give me a restaurant situation or problem,
- 25:30SPEAKER_01: I would have immediately thought on what I think, right?
- 25:34SPEAKER_01: But here you are speaking on YouTube to who knows what people think a restaurant is,
- 25:40SPEAKER_01: first of all, which is very varied.
- 25:42SPEAKER_01: And giving very particular advice I find becomes
- 25:49SPEAKER_01: kind of useless for most people.
- 25:51SPEAKER_01: And more than anything, for me.
- 25:52SPEAKER_01: So my video that did the absolutely best,
- 25:57SPEAKER_01: 100% better than anything else,
- 25:58SPEAKER_01: is like 500,000 views, is me saying why I think fine dining is dead.
- 26:03SPEAKER_01: And it's because I make a list of seven things that I claim are
- 26:08SPEAKER_01: the reasons why fine dining is dead.
- 26:09SPEAKER_01: And this is stuff that I make up in half an hour.
- 26:12SPEAKER_01: This is just my thoughts.
- 26:13SPEAKER_01: This is what I think.
- 26:15SPEAKER_01: But it becomes that, right?
- 26:18SPEAKER_01: It becomes the answers.
- 26:19SPEAKER_01: These are the answers.
- 26:21SPEAKER_01: To why fine dining is that?
- 26:23SPEAKER_01: Which is, they're not the answers.
- 26:24SPEAKER_01: It's what I think, right?
- 26:27SPEAKER_01: But I don't know.
- 26:29SPEAKER_01: Again, this is another balance to find.
- 26:31SPEAKER_00: I mean, to give close to that topic,
- 26:33SPEAKER_00: I'm not pointing to what is your role in the end,
- 26:38SPEAKER_00: but it's more a curiosity of how people build that bridge in between theory
- 26:44SPEAKER_00: and practice.
- 26:45SPEAKER_00: Because I think one of the risks of social media itself Is this back
- 26:52SPEAKER_00: and forth conversation stays in a meta level or superficial level,
- 26:59SPEAKER_00: abstract level, depending on what.
- 27:03SPEAKER_00: And you can see that in the comments and the feedback.
- 27:06SPEAKER_00: And the reflections back are really interesting, meaningful, deep in depth, insightful.
- 27:13SPEAKER_00: Do people go and apply that to practice?
- 27:16SPEAKER_00: That is my, you know, and I'm not, Asking you to solve it right now is just a curiosity I have.
- 27:22SPEAKER_00: And one of the risks of these different levels in which we are interacting,
- 27:28SPEAKER_00: which is social media, right?
- 27:29SPEAKER_01: Yeah, yeah, yeah.
- 27:32SPEAKER_00: Anyway.
- 27:33SPEAKER_02: All right.
- 27:37SPEAKER_02: Since you brought up,
- 27:37SPEAKER_02: you know, fine dining being dead, you say fine dining isn't dead, but the fun is.
- 27:44SPEAKER_02: What do you mean by that?
- 27:46SPEAKER_01: Because I think if you say fine dining is dead,
- 27:52SPEAKER_01: then we must assume that you mean also that it's not financially viable.
- 27:57SPEAKER_01: And I think that that's wrong.
- 27:59SPEAKER_01: I think financially it's great.
- 28:01SPEAKER_01: It's doing great.
- 28:03SPEAKER_01: But it's more and more at the top that the cream has risen to the very top.
- 28:12SPEAKER_01: So it is the most expensive.
- 28:16SPEAKER_01: That can do very well.
- 28:18SPEAKER_01: And that layer underneath that, where I think the fun is, has a very hard time.
- 28:25SPEAKER_01: And I think this is just going more and more in that direction, as with everything else.
- 28:33SPEAKER_01: It's just concentrating.
- 28:35SPEAKER_01: And within that process,
- 28:37SPEAKER_01: I think restaurants appeal at the very top to a very limited elite that Honestly,
- 28:45SPEAKER_01: are not the ones that have the best taste or the greatest interest or
- 28:51SPEAKER_01: the deep understanding of gastronomy and therefore require less interesting food.
- 28:59SPEAKER_01: And that's where things become either to me boring or completely out there.
- 29:05SPEAKER_01: Like all the stuff in between, I find it more difficult to find.
- 29:11SPEAKER_01: That doesn't mean that you cannot find some people say, oh, but you haven't tried that.
- 29:15SPEAKER_01: No, no, you don't understand.
- 29:17SPEAKER_01: I'm not saying that you cannot go and have a great culinary experience,
- 29:20SPEAKER_01: that you can have a great gastronomic experience,
- 29:23SPEAKER_01: but I find it to be much more probable in a level of restaurant that is not
- 29:32SPEAKER_01: a fine dining restaurant as such.
- 29:35SPEAKER_01: Because I think within the fine dining restaurant term, there's a level of luxury.
- 29:41SPEAKER_01: And I think that has taken over the gastronomic part.
- 29:45SPEAKER_01: You have the two sides of it, really.
- 29:48SPEAKER_01: And I think there was a period of time between maybe 2015 and 2020
- 29:56SPEAKER_01: where those two things were merged very well.
- 30:01SPEAKER_01: And you had a spectacular restaurant that balanced the two.
- 30:06SPEAKER_01: And I find that it's tipping towards being More and more expensive,
- 30:10SPEAKER_01: therefore more and more focused on luxury,
- 30:12SPEAKER_01: therefore more and more richer clientele, therefore more and more boring.
- 30:17SPEAKER_01: And like out of reach.
- 30:20SPEAKER_01: Like Alchemist, which is like an example of a restaurant that is not luxurious based.
- 30:29SPEAKER_01: It's like, yeah, but I can't go.
- 30:31SPEAKER_01: And I'm rich.
- 30:32SPEAKER_01: Like I'm wealthy.
- 30:34SPEAKER_01: I'm not going to go spend 1,500 euros for me and my wife.
- 30:38SPEAKER_01: I'm just not.
- 30:39SPEAKER_01: You know
- 30:40SPEAKER_02: what I mean?
- 30:41SPEAKER_02: It's an insane amount of money.
- 30:44SPEAKER_01: And that's why I was actually in a debate.
- 30:49SPEAKER_01: Speaking of putting things into practice,
- 30:54SPEAKER_01: the video that I made became the Substack that I wrote,
- 31:00SPEAKER_01: then became a debate on Danish national radio for one and a half hour
- 31:07SPEAKER_01: with Rasmus Kofod from Geranium,
- 31:12SPEAKER_01: and Søren Frank,
- 31:13SPEAKER_01: a reviewer, and another Danish reviewer, and two foodies that travel.
- 31:22SPEAKER_01: So we had one and a half hour debate on this topic, on whether fine dining is dead or not.
- 31:29SPEAKER_01: And my point more than anything, is it culturally relevant?
- 31:36SPEAKER_01: Because it has been,
- 31:37SPEAKER_01: and in You have to consider that this discussion is very particular in Copenhagen,
- 31:44SPEAKER_01: where there was a before and after.
- 31:47SPEAKER_01: Gastronomy all of a sudden became a thing.
- 31:50SPEAKER_01: So once this really became something that defined this country,
- 31:58SPEAKER_01: and now I believe that it's much less so.
- 32:02SPEAKER_01: And I think that that is a problem.
- 32:04SPEAKER_01: Culturally, because I think people should have access to culture to some extent.
- 32:12SPEAKER_01: Therefore, gastronomy should be considered something that people should have access to.
- 32:18SPEAKER_01: And the fine dining restaurant is no longer a gastronomic cultural institution
- 32:23SPEAKER_01: if no one can afford it.
- 32:26SPEAKER_01: Then it's not.
- 32:29SPEAKER_00: I think you're right.
- 32:30SPEAKER_00: I think this points more to the accessibility of it and how frustrated people are
- 32:35SPEAKER_00: with it, more than if fine dining is dead or not.
- 32:37SPEAKER_00: Because since it's attached with luxury,
- 32:41SPEAKER_00: there is always going to be something like luxury and fine dining in that sense,
- 32:45SPEAKER_00: always.
- 32:46SPEAKER_02: People are always going to want a special meal.
- 32:49SPEAKER_00: Exactly.
- 32:49SPEAKER_00: There is always going to be a more refined, expensive, exclusive, right?
- 32:56SPEAKER_00: But I think that's the point.
- 32:58SPEAKER_00: It's expressing a question, again, of accessibility.
- 33:03SPEAKER_00: What is this for?
- 33:04SPEAKER_00: What is the point?
- 33:05SPEAKER_00: Who can access it or not?
- 33:07SPEAKER_00: Is that the point of gastronomy?
- 33:08SPEAKER_00: Why or why not?
- 33:10SPEAKER_00: So, yeah, it's just like trying to see what is the question underlying.
- 33:16SPEAKER_00: And that's the real discussion, right?
- 33:19SPEAKER_01: And this is another thing that a lot of A lot of the commentary on my video is
- 33:25SPEAKER_01: about, yeah, fine dining is shit and who wants, you know, stuffy environments.
- 33:30SPEAKER_01: But like, I'm not, I don't hate fine dining.
- 33:33SPEAKER_01: I love the fine dining.
- 33:36SPEAKER_01: I spent decades in it.
- 33:39SPEAKER_01: But that's why I say it's not that, but the fun is, it's not as it used to be.
- 33:43SPEAKER_01: Like to me,
- 33:45SPEAKER_01: I always have this thing,
- 33:47SPEAKER_01: I think it was Henry Ford saying that,
- 33:50SPEAKER_01: You know, you wanted to make cars that people could buy.
- 33:53SPEAKER_01: People that worked in the factory could buy the car, right?
- 33:55SPEAKER_01: The Model T. That was my same thing with Relay.
- 33:58SPEAKER_01: I wanted people that work in the kitchen to be able to go out and come in,
- 34:02SPEAKER_01: both financially, but also culturally.
- 34:04SPEAKER_01: Like you should be able to feel that this is for you.
- 34:06SPEAKER_01: And it was for you because we wanted to make a restaurant with an environment
- 34:12SPEAKER_01: that was for the people in it.
- 34:15SPEAKER_01: And that was the good thing about it, right?
- 34:18SPEAKER_01: That was the special.
- 34:20SPEAKER_01: Vibe that it created.
- 34:23SPEAKER_01: And I'm not saying that all restaurants used to be like that.
- 34:27SPEAKER_01: Now they're not.
- 34:28SPEAKER_01: But that's what I think could, like, that's to me the optimal.
- 34:31SPEAKER_01: This is the ideal that the restaurant should strive for.
- 34:36SPEAKER_01: And I just think that it's tipped to the point where it's,
- 34:42SPEAKER_01: you know, just a bunch of people working for free, doing idiotic things.
- 34:49SPEAKER_01: Like that are pointless because this is another thing that happened was when I was
- 34:54SPEAKER_01: a little bully in 2005, we worked for free and we did idiotic things, okay?
- 35:01SPEAKER_01: When I arrived at Noma in 2007, the kitchen was like seven, eight, nine people, right?
- 35:09SPEAKER_01: But by the end and like the year after, boom, it exploded into 50 people.
- 35:13SPEAKER_01: Why?
- 35:13SPEAKER_01: Because the restaurant becomes extremely popular.
- 35:17SPEAKER_01: Everybody wants to go check it out.
- 35:19SPEAKER_01: So people want to go work for free.
- 35:21SPEAKER_01: They come and they work for three months and two months and one month.
- 35:23SPEAKER_01: And I saw the beginning of that when I was a sous shifter.
- 35:28SPEAKER_01: What happens at one point is that,
- 35:31SPEAKER_01: you know, well,
- 35:32SPEAKER_01: you have 10,
- 35:33SPEAKER_01: 10 stagiaires,
- 35:35SPEAKER_01: but whenever you have 10 stagiaires,
- 35:37SPEAKER_01: three of them are no good because that's just how it is.
- 35:42SPEAKER_01: So you start taking in 13 stagiaires just in case.
- 35:47SPEAKER_01: Then some of them don't show up.
- 35:49SPEAKER_01: So we need to get to 15.
- 35:51SPEAKER_01: All of a sudden you change the menu.
- 35:54SPEAKER_01: You no longer have raw shrimps or peeling of walnuts to be done.
- 36:02SPEAKER_01: So then what are you going to do with these 15 people?
- 36:03SPEAKER_01: Because this time the three bad ones are not that bad and everybody showed up.
- 36:08SPEAKER_01: You have a bunch of people and you start making things because you don't change
- 36:12SPEAKER_01: the menu into something more simple.
- 36:14SPEAKER_01: That's never going to happen.
- 36:17SPEAKER_01: Everything just becomes more complicated and more manipulated because you have the hands.
- 36:23SPEAKER_01: If you have 30 hands, you need to occupy them.
- 36:28SPEAKER_01: And this is how things became more and more and more and more intricate to the point
- 36:35SPEAKER_01: where it's a little, I don't know, like, what is it really?
- 36:42SPEAKER_01: Like, are people making
- 36:44SPEAKER_00: things or?
- 36:46SPEAKER_01: And I'm not saying it cannot be a great meal.
- 36:48SPEAKER_01: It can be a great meal.
- 36:50SPEAKER_01: But just looking at it,
- 36:52SPEAKER_01: both from the inside and from the outside, I think, what the hell is going on?
- 36:56SPEAKER_02: But Noma's one place.
- 36:59SPEAKER_02: What happened to everywhere else?
- 37:03SPEAKER_02: How did everywhere lose their way?
- 37:06SPEAKER_01: Well, in the sense that I think that Noma has been leading as a
- 37:15SPEAKER_01: As a bully did before.
- 37:18SPEAKER_01: But I think that what has been leading more than anything was not them as
- 37:21SPEAKER_01: a restaurant, as much as it was what they have broadcasted as a type of food.
- 37:30SPEAKER_01: So when 108 opened,
- 37:33SPEAKER_01: a little second restaurant with Christian Baumann,
- 37:37SPEAKER_01: it was supposed to be a casual restaurant.
- 37:40SPEAKER_01: You should look at the dishes that they did back then,
- 37:43SPEAKER_01: where putting You know, petals or flowers in certain ways like that.
- 37:49SPEAKER_01: The intricacy with the visual side of things goes well together with a lot of hands
- 37:57SPEAKER_01: and Instagram.
- 37:59SPEAKER_01: And it just makes everything extremely geared towards a visual experience much more
- 38:09SPEAKER_01: than a lived experience.
- 38:11SPEAKER_01: Because It's fine.
- 38:13SPEAKER_01: You can make dishes, cold dishes that are beautiful, fantastic, with all sorts of shit going on.
- 38:21SPEAKER_01: But what happens is that sometimes the food just becomes completely void of any soul
- 38:28SPEAKER_01: because there's none of that energy that food also requires,
- 38:33SPEAKER_01: particularly when it's cooked foods.
- 38:35SPEAKER_01: There's a timeliness to it.
- 38:37SPEAKER_01: There's a heat.
- 38:38SPEAKER_01: There's an element of fire.
- 38:40SPEAKER_01: That shit, you cannot be 50 people for 40 minutes on a dish and get that.
- 38:47SPEAKER_01: So that is necessarily lost somewhere if everybody wants to make petals or flowers
- 38:53SPEAKER_01: that looks good on Instagram.
- 38:55SPEAKER_01: And I think that that energy is,
- 38:59SPEAKER_01: you know,
- 39:00SPEAKER_01: also because it's just not, Appreciate it as much because that's the other side.
- 39:05SPEAKER_01: The guests that come have expectations based on what has been broadcasted,
- 39:09SPEAKER_01: what they have seen around,
- 39:11SPEAKER_01: and they want to sit there and take pictures and say, oh, look at what we got.
- 39:16SPEAKER_01: But you lose this part.
- 39:19SPEAKER_01: The mouth became this.
- 39:21SPEAKER_01: The palate became this.
- 39:23SPEAKER_01: And you have less and less nuance here and more and more nuance on
- 39:27SPEAKER_01: the superficial side because it's very hard for us to discuss
- 39:32SPEAKER_01: How things taste, even when you are an expert on it, it's difficult.
- 39:38SPEAKER_01: Imagine people that are not just, you know, broadly sort of interested in it.
- 39:45SPEAKER_02: Did you ban tweezers at Drillet?
- 39:49SPEAKER_02: Yeah.
- 39:49SPEAKER_02: Is that true?
- 39:50SPEAKER_02: Okay.
- 39:50SPEAKER_02: Yeah.
- 39:51SPEAKER_02: Why?
- 39:51SPEAKER_01: There was never a tweezer.
- 39:53SPEAKER_01: I had that, and people say, oh, you fucking idiot.
- 39:58SPEAKER_01: You did this your whole life.
- 39:59SPEAKER_01: What do you mean?
- 40:00SPEAKER_01: No, never, never, never.
- 40:02SPEAKER_01: I hated them from the very first moment.
- 40:06SPEAKER_01: It was not a thing when I was a little bully.
- 40:09SPEAKER_01: I don't know when this came,
- 40:11SPEAKER_01: but it must have been in probably like Well,
- 40:16SPEAKER_01: Relay opened in 10, maybe like 11, 12, 13, the tweezer started showing up, right?
- 40:20SPEAKER_01: It's a surgeon's tool, right?
- 40:22SPEAKER_01: That's where it's from.
- 40:26SPEAKER_01: But it was not a thing at Noma either when I was there in those years.
- 40:31SPEAKER_01: So it must have come in the years after.
- 40:33SPEAKER_01: And I was like, no, I don't want this.
- 40:35SPEAKER_01: Because again,
- 40:36SPEAKER_01: it's a little bit like with the 15 stages,
- 40:41SPEAKER_01: then you start doing things in a certain way.
- 40:43SPEAKER_01: If you start using the tweezer, Then you start doing things in a certain way.
- 40:48SPEAKER_01: And all of a sudden it becomes to me more limitation that is not good.
- 40:54SPEAKER_01: Then it becomes something that improves things.
- 40:58SPEAKER_01: Because for me,
- 41:00SPEAKER_01: I loved being capable of using both hands,
- 41:05SPEAKER_01: putting your hands in stuff and plating it.
- 41:08SPEAKER_01: Rene, for example,
- 41:10SPEAKER_01: like when I started at Noma and I saw Rene plating dishes,
- 41:14SPEAKER_01: I was like, What the fuck?
- 41:17SPEAKER_01: How does he do that?
- 41:19SPEAKER_01: And it was hands.
- 41:22SPEAKER_01: To me, if you put the tweezer between you and the dish,
- 41:26SPEAKER_01: you detach from it and you create a distance that does not benefit nor the dish nor
- 41:32SPEAKER_01: the guest.
- 41:33SPEAKER_01: I think getting in there requires you to get the hands.
- 41:36SPEAKER_01: No, it doesn't mean you cannot take something from the pan with a set of thongs
- 41:41SPEAKER_01: and stuff like this.
- 41:41SPEAKER_01: It is the plating carefully.
- 41:44SPEAKER_01: Because why do you want to play things that require you to use tweezers
- 41:49SPEAKER_01: that you cannot do with your hands?
- 41:51SPEAKER_01: That's a choice, right?
- 41:53SPEAKER_01: And the way that they just become everything, I think it's a very bad choice.
- 42:01SPEAKER_01: For me, it's something that, it's a red flag.
- 42:02SPEAKER_01: That's what they call it.
- 42:03SPEAKER_01: It's like, no, it's no good.
- 42:05SPEAKER_02: But it also adds cost, right?
- 42:08SPEAKER_02: Like having somebody on your staff takes so much time to plate something.
- 42:15SPEAKER_02: That adds cost to fine dining.
- 42:17SPEAKER_02: And especially when you have 20 courses and every plate is like that, it drives up the price.
- 42:22SPEAKER_02: Like I saw this video the other day.
- 42:25SPEAKER_02: I'm like 50 best Instagram or something
- 42:28SPEAKER_02: and it was announcing some restaurant winning whatever award
- 42:32SPEAKER_02: or I don't know what it was,
- 42:34SPEAKER_02: but it was this extreme close up of,
- 42:37SPEAKER_02: you know,
- 42:37SPEAKER_02: of tweezers putting this like little twirl of green onion on some kind
- 42:41SPEAKER_02: of like maki something there wasn't maki and it was like.
- 42:44SPEAKER_02: Eight seconds or 10 seconds of trying to place this little sliver of onion
- 42:49SPEAKER_02: that really had nothing to do with the taste of what was underneath it
- 42:52SPEAKER_02: and all this dramatic music behind it.
- 42:54SPEAKER_02: They were fucking planting a flag on Mount Everest.
- 42:58SPEAKER_02: It was absurd.
- 42:59SPEAKER_02: I'm just watching it.
- 43:01SPEAKER_02: That's why my fucking food costs so much money.
- 43:03SPEAKER_00: It becomes nonsense.
- 43:04SPEAKER_01: To me, what one has to consider is that the very top
- 43:15SPEAKER_01: It's always looking for perfection
- 43:22SPEAKER_01: also based on the insecurities.
- 43:25SPEAKER_01: As the more insecure you are,
- 43:29SPEAKER_01: the better off you are just making everything so fucking square
- 43:32SPEAKER_01: that there's no doubt about anything.
- 43:35SPEAKER_01: That's when the tape gets cut.
- 43:37SPEAKER_01: You know, I was never a tape cutter or cutting tape.
- 43:40SPEAKER_01: Okay.
- 43:41SPEAKER_01: It's like, it's a lot of time and I get it.
- 43:43SPEAKER_01: I was never Thomas Keller guy,
- 43:47SPEAKER_01: you know,
- 43:47SPEAKER_01: and I have respect for people saying that this is something that,
- 43:50SPEAKER_01: you know, it's a ritual for us.
- 43:52SPEAKER_01: Okay, but you know, they cut the tape all nicely.
- 43:54SPEAKER_01: That also takes time, right?
- 43:57SPEAKER_01: And is it, how much does it do?
- 44:00SPEAKER_01: Just to say, when you are insecure, you want to remove any potential risk of making a mistake.
- 44:12SPEAKER_01: Well,
- 44:13SPEAKER_01: what I like is whenever you are in that moment where there's a potential for you
- 44:17SPEAKER_01: to make a mistake, we're vibing.
- 44:21SPEAKER_01: This is when we do great shit because it's dangerous and you are completely in it
- 44:28SPEAKER_01: and you're focused and you create something special that is difficult to replicate.
- 44:33SPEAKER_01: All the other stuff becomes very sort of compartmentalized, very square.
- 44:39SPEAKER_01: Very easy to replicate.
- 44:41SPEAKER_01: Again, you need a lot of stages and the stages have things
- 44:44SPEAKER_01: that they are shown exactly how they do and they can repeat.
- 44:50SPEAKER_01: You cannot take a person like that and put them in a restaurant
- 44:53SPEAKER_01: where they're just fucking and everything just going crazy like this.
- 44:57SPEAKER_01: Just do it.
- 44:58SPEAKER_01: No.
- 44:58SPEAKER_01: How do I do it?
- 44:59SPEAKER_01: It takes a lot of time.
- 45:01SPEAKER_01: And I think that that is lost because it's not valued as being high level.
- 45:09SPEAKER_01: Because it doesn't have the tweezers with shit on top.
- 45:11SPEAKER_01: Makes no sense.
- 45:12SPEAKER_01: To me, it makes no sense.
- 45:14SPEAKER_00: Yeah, but the nonsense, I never thought about it in this way.
- 45:19SPEAKER_00: I mean, we see it in social media, it's clear.
- 45:22SPEAKER_00: When there is demand for it, people start to do silly things in order to respond to the demand.
- 45:31SPEAKER_00: Like, now what are you going to come up with, right?
- 45:33SPEAKER_00: Like, what are you going to do?
- 45:34SPEAKER_00: And people start Because they have to come up with content, right?
- 45:39SPEAKER_00: We see that clearly in social media.
- 45:42SPEAKER_00: But it seems to me that to some extent that has happened to restaurants.
- 45:46SPEAKER_00: There is demand.
- 45:48SPEAKER_00: And then chefs feel that pressure.
- 45:51SPEAKER_00: How are we going to differentiate?
- 45:53SPEAKER_00: So you either become mainstream or you try
- 45:57SPEAKER_00: to differentiate using this creative outlet at the level that it becomes nonsense.
- 46:05SPEAKER_00: Or...
- 46:06SPEAKER_00: Increasing the price or both because they are connected.
- 46:10SPEAKER_00: So it seems to me that it's not,
- 46:12SPEAKER_00: I always thought for some reason that it was the eccentricity of chefs just using
- 46:17SPEAKER_00: that creative outlet to a point that it becomes a bit silly, right?
- 46:21SPEAKER_00: And performative.
- 46:23SPEAKER_00: But it might be the demand to, and then they respond to this pressure.
- 46:29SPEAKER_00: And that's when the,
- 46:31SPEAKER_00: The thinking muscle of chefs and restaurateurs and all the actors in
- 46:35SPEAKER_00: the hospitality has to start to be active and put some boundaries.
- 46:38SPEAKER_00: I was like, no, okay, enough.
- 46:40SPEAKER_00: Let's recalibrate this thing.
- 46:45SPEAKER_00: But it's a response to the demand, I think.
- 46:48SPEAKER_00: I mean, I never thought about it.
- 46:50SPEAKER_00: It's so clear in social media, so clear.
- 46:54SPEAKER_00: But that might be part of it.
- 46:57SPEAKER_00: And then it's always good to revisit and, you know, revise.
- 47:01SPEAKER_00: And why is it, where is it that we become, you know, we came to use Twizzers and whatever.
- 47:06SPEAKER_01: But it's simple.
- 47:08SPEAKER_01: Everything is content.
- 47:10SPEAKER_00: Yeah, exactly.
- 47:11SPEAKER_00: Yeah.
- 47:12SPEAKER_01: Everything is content.
- 47:13SPEAKER_00: Yeah.
- 47:14SPEAKER_01: Even I read something where that's how they talked about politics in America.
- 47:21SPEAKER_01: Like literally it is.
- 47:24SPEAKER_01: Whatever, you know, it was ice raids and stuff like this.
- 47:27SPEAKER_01: It was like it was content.
- 47:28SPEAKER_01: Like it's made to create something that then can go out online and get people riled up.
- 47:38SPEAKER_02: Yeah.
- 47:39SPEAKER_02: No, but what's scary is that there's people controlling that content.
- 47:43SPEAKER_02: They're directing it in a certain way and they're fucking all over,
- 47:48SPEAKER_02: you know, like everywhere in the world.
- 47:50SPEAKER_02: Like you saw what happened in Brazil, you know.
- 47:52SPEAKER_01: Yeah.
- 47:53SPEAKER_02: Bolsonaro almost won, like nearly did because content.
- 47:58SPEAKER_01: Yeah.
- 48:00SPEAKER_02: Scary.
- 48:01SPEAKER_02: All right.
- 48:01SPEAKER_02: I mean, we could talk all day about how fucking like annoying some things
- 48:07SPEAKER_02: and fine dining are, but you know, what can change?
- 48:10SPEAKER_02: Like how, how do we all make it better?
- 48:13SPEAKER_02: How can it be changed for the better?
- 48:15SPEAKER_01: Well, I think,
- 48:16SPEAKER_01: I think that I also tried in my soft tech piece about that to say,
- 48:20SPEAKER_01: you know, it's,
- 48:22SPEAKER_01: It's about supporting those that are mad enough to make restaurants that have
- 48:29SPEAKER_01: the right balance between doing something that they are really precious about,
- 48:36SPEAKER_01: but they also have maybe a little creative Voice.
- 48:41SPEAKER_01: They have particular ideas they want to share.
- 48:44SPEAKER_01: They have some particular traditional way of cooking things
- 48:48SPEAKER_01: that they find interesting and they want to share that.
- 48:51SPEAKER_01: And I think that there is plenty of that.
- 48:53SPEAKER_01: It's just so far from fine dining.
- 48:56SPEAKER_01: And I just think that the spotlight should move on.
- 49:00SPEAKER_01: And I think
- 49:03SPEAKER_01: that that has been particularly bad in Denmark as in I see Denmark as
- 49:11SPEAKER_01: a sort of a young gastronomic nation, despite the great success.
- 49:16SPEAKER_01: It was kind of new culturally, of course.
- 49:21SPEAKER_01: There's a lot of great chefs.
- 49:23SPEAKER_01: Nobody cared.
- 49:24SPEAKER_01: I mean, normal people, nobody knew anything about anything.
- 49:28SPEAKER_01: So in that sense,
- 49:30SPEAKER_01: I don't think it has matured to the point of understanding that you don't need to be
- 49:35SPEAKER_01: a Michelin-starred restaurant to do
- 49:38SPEAKER_01: Like the best, whatever.
- 49:40SPEAKER_01: I find that to be a little more
- 49:45SPEAKER_01: in a different place, both in France and in the States.
- 49:49SPEAKER_01: Like you can see like Estella being a popular restaurant as it is,
- 49:54SPEAKER_01: which you could discuss whether that's a fine dining restaurant or not.
- 49:57SPEAKER_01: I think having some of these people
- 50:04SPEAKER_01: Like Repo from Satim also, rest in peace.
- 50:07SPEAKER_01: Like, you know,
- 50:08SPEAKER_01: some of these people that do restaurants a little less stuffy with a little more of
- 50:14SPEAKER_01: a analog feel to them, authentic feel.
- 50:18SPEAKER_01: And I think that like everything else, there's a counter.
- 50:24SPEAKER_01: There's like the pendulum just swings the other way.
- 50:28SPEAKER_01: It is what it is also in social media.
- 50:30SPEAKER_01: As you talked about authenticity, there's a huge demand.
- 50:34SPEAKER_01: But there's people doing videos that is in the shittiest lighting,
- 50:37SPEAKER_01: worse than I have here,
- 50:38SPEAKER_01: are just talking for hours,
- 50:40SPEAKER_01: saying whatever comes to their mind with enormous following.
- 50:44SPEAKER_01: Because people are just burning with desire for connection to real human beings.
- 50:51SPEAKER_01: And what I find gastronomy has that nothing else has is that to really live it,
- 51:00SPEAKER_01: you cannot not be there.
- 51:03SPEAKER_01: You have to put things in your mouth and you have to engage with food and food has
- 51:09SPEAKER_01: to come from somewhere.
- 51:10SPEAKER_01: So within its limitations is also its uniqueness.
- 51:16SPEAKER_01: And I think that that is in the end something that probably because
- 51:22SPEAKER_01: of everything else culturally will be requested more and more and needed more
- 51:27SPEAKER_01: and more to have like real, real life experience.
- 51:32SPEAKER_01: With as many of your senses as possible in a colloquial setting with other people
- 51:37SPEAKER_01: that is social and just incredible.
- 51:39SPEAKER_01: And I think that that is what gastronomy is supposed to do, right?
- 51:43SPEAKER_01: It's supposed to have you have an experience where all your senses just get fucked up.
- 51:49SPEAKER_01: And it might be forgotten at a certain level,
- 51:53SPEAKER_01: but I'm certain that that can happen in many different places.
- 51:56SPEAKER_01: And it's not that I never go out and have a good meal.
- 52:00SPEAKER_01: A hundred percent I do.
- 52:02SPEAKER_01: That happens all the time,
- 52:03SPEAKER_01: but it's just not a scene as I think it was at one point when it comes to
- 52:10SPEAKER_01: the creative, innovative side.
- 52:13SPEAKER_01: I think now it's innovation is probably being more cut to the bone,
- 52:20SPEAKER_01: actually having the courage to serve you things that are not Instagram worthy.
- 52:26SPEAKER_01: I mean, that would be the most courageous menu, right?
- 52:32SPEAKER_02: Do you think if 50 best and,
- 52:36SPEAKER_02: you know,
- 52:36SPEAKER_02: all these other awards and ranking things just went away,
- 52:40SPEAKER_02: it would solve a lot of the problems?
- 52:44SPEAKER_01: It's a, it's a very hypothetical question and I don't know.
- 52:49SPEAKER_01: No, but there's, I, I just, I think it's fine.
- 52:53SPEAKER_01: I just think it's, uh, what I, what I don't like is, is if people are not
- 53:01SPEAKER_01: Clear about what it is.
- 53:02SPEAKER_01: I think the same with the Michelin Guide.
- 53:07SPEAKER_01: I mean, I think,
- 53:09SPEAKER_01: you know,
- 53:11SPEAKER_01: the Americans,
- 53:12SPEAKER_01: they just print money, you know, when there's a debt, they just print money.
- 53:17SPEAKER_01: And it seems like the Michelin Guide just prints out more Michelin stars.
- 53:20SPEAKER_01: You know, it's just devaluated just everywhere.
- 53:23SPEAKER_01: And I was, because Michelin was so...
- 53:29SPEAKER_01: Representing the conservative old school sort of French gastronomic restaurant.
- 53:37SPEAKER_01: And, you know,
- 53:37SPEAKER_01: everybody was scared to shit of them and you never knew when they came and what
- 53:42SPEAKER_01: and whatever.
- 53:42SPEAKER_01: It was always about the toilets or the cutlery or the shit like this.
- 53:46SPEAKER_01: Everybody hated them.
- 53:48SPEAKER_01: When I was just about to open my restaurant, everybody feared the Michelin Guide.
- 53:53SPEAKER_01: But now I'm like, oh, man, I wish they would be like they used to be.
- 53:57SPEAKER_01: Because now it's just clearly such a marketing machine.
- 54:03SPEAKER_01: And people will forget that they are put in the world not to help the culinary community.
- 54:11SPEAKER_01: They are there to sell tires.
- 54:14SPEAKER_01: And that's fine.
- 54:15SPEAKER_01: But just know it.
- 54:17SPEAKER_01: Just be aware of what is going on.
- 54:19SPEAKER_01: Relay was on the 50 Best
- 54:25SPEAKER_01: Three years and the top hundred a couple of times before that.
- 54:30SPEAKER_01: When I was around the Noma world, I got to go to London when it was in London.
- 54:38SPEAKER_01: I got to go to London when it was, and those were boring.
- 54:42SPEAKER_01: Like back then it was boring.
- 54:44SPEAKER_01: And also for coming,
- 54:44SPEAKER_01: you just went,
- 54:47SPEAKER_01: had lunch, went for the gala, went for a party, went home the day after.
- 54:53SPEAKER_01: Then when Relay was in the 50, it was in New York.
- 55:00SPEAKER_01: And I was like, we're going to go and we're going to burn down the city.
- 55:05SPEAKER_01: We're just going to enjoy this as much as humanly possible and realize
- 55:11SPEAKER_01: that it probably never happens again because this is completely out of our control.
- 55:16SPEAKER_01: It is complete nonsense.
- 55:19SPEAKER_01: But if everybody wants to celebrate with us and we're going to be there with Ferran
- 55:24SPEAKER_01: and Alain Ducasse and EMP and I don't know what, let's go.
- 55:29SPEAKER_01: Go to the party, but know who's paying for it.
- 55:32SPEAKER_01: I mean, that's the thing.
- 55:34SPEAKER_01: Don't tell yourself that it's something else than it is.
- 55:36SPEAKER_01: I think that that's the issue that a lot of people have and that's
- 55:40SPEAKER_01: when they get disappointed and that's when they fuck up.
- 55:43SPEAKER_01: And that's what I saw also with the 50 best.
- 55:45SPEAKER_01: You have people that go to the top 30 and they're like, oh,
- 55:49SPEAKER_01: let's just invest 2 million euros in the restaurant and then we'll get to
- 55:52SPEAKER_01: the top 10.
- 55:54SPEAKER_02: Who knows?
- 55:55SPEAKER_02: And then you don't.
- 55:56SPEAKER_01: And then what happened?
- 55:57SPEAKER_01: It's politics.
- 55:59SPEAKER_01: It's so many other things.
- 56:00SPEAKER_01: Just don't.
- 56:02SPEAKER_01: Take it for what it is.
- 56:04SPEAKER_00: Yeah.
- 56:05SPEAKER_00: Also, I mean, again, Nick,
- 56:06SPEAKER_00: the question about this is interesting
- 56:09SPEAKER_00: because I think that's how our brain is wired.
- 56:12SPEAKER_00: Just counting.
- 56:13SPEAKER_00: You know, listing is natural to us, but then it comes to critical thinking again.
- 56:20SPEAKER_00: It's like,
- 56:20SPEAKER_00: be aware of what that list means,
- 56:22SPEAKER_00: where it's coming from,
- 56:23SPEAKER_00: what is the context, what a Michelin is, who is, you know, founding that list.
- 56:29SPEAKER_00: I mean, a sort of, it's information, right?
- 56:32SPEAKER_00: So, but listing in itself, I think it's unavoidable.
- 56:36SPEAKER_02: But it's like, I feel like those lists are so powerful now.
- 56:40SPEAKER_02: Like, they're so widespread that It becomes such a great percentage of
- 56:47SPEAKER_02: the information that's getting to us.
- 56:49SPEAKER_02: It fills all of our channels with information about these 50, 100 restaurants, whatever.
- 56:55SPEAKER_02: And it's just like nonstop.
- 56:57SPEAKER_02: There's like 700 awards at this point.
- 57:01SPEAKER_02: It just becomes that in everything else.
- 57:04SPEAKER_01: Asia and back and forth.
- 57:06SPEAKER_01: And there's also pizza, 50 best pizza and 50 best chefs.
- 57:15SPEAKER_01: But again,
- 57:16SPEAKER_01: the people that do it,
- 57:19SPEAKER_01: they see the opportunity to have fun with this and get a lot of sponsors doing it.
- 57:25SPEAKER_01: And the sponsors see that it has great exposure and the media has
- 57:30SPEAKER_01: an easy time saying this is the world's best restaurant or this
- 57:32SPEAKER_01: the world's best pizza.
- 57:34SPEAKER_01: And it just works.
- 57:36SPEAKER_01: I've sent out a lot of press releases from the restaurants and I just know That
- 57:41SPEAKER_01: if you could say,
- 57:42SPEAKER_01: you know,
- 57:43SPEAKER_01: now base this among the top 10 in the world or whatever,
- 57:48SPEAKER_01: it would just get out there immediately.
- 57:50SPEAKER_01: And people are going to go.
- 57:53SPEAKER_01: And this is, again, the critical thinking.
- 57:55SPEAKER_01: I think the world just seems so incredibly complex.
- 58:00SPEAKER_01: Seems because we are completely overwhelmed with information
- 58:04SPEAKER_01: that we can barely digest anything that is not structured on a list
- 58:08SPEAKER_01: because there's no time.
- 58:11SPEAKER_02: Yeah.
- 58:11SPEAKER_01: So that's how they win.
- 58:13SPEAKER_01: And I think that it is what it is.
- 58:14SPEAKER_01: But if you're an expert in the field, you know it's bullshit.
- 58:18SPEAKER_01: If you don't know it's bullshit, you cannot call yourself an expert on the field because it is.
- 58:22SPEAKER_01: Of course it is.
- 58:24SPEAKER_02: If these lists suddenly go away,
- 58:26SPEAKER_02: you know,
- 58:26SPEAKER_02: you already see like Anna Ross and like Bruno pulling out kind of and,
- 58:33SPEAKER_02: you know, saying they're not interested anymore or whatever.
- 58:37SPEAKER_02: Do and suddenly it all collapses.
- 58:41SPEAKER_02: Do a lot of restaurants close because of that?
- 58:45SPEAKER_01: Oh, I don't think so.
- 58:46SPEAKER_01: You don't think so?
- 58:47SPEAKER_01: No,
- 58:47SPEAKER_01: I think it's just one way of gathering attention and the lists are just gatekeepers
- 58:54SPEAKER_01: for that attention.
- 58:55SPEAKER_01: I think honestly,
- 59:01SPEAKER_01: YouTube is a way for a restaurant to go.
- 59:03SPEAKER_01: You can see Fallow in In London that has like 2 million subscribers on YouTube,
- 59:08SPEAKER_01: a restaurant I had no idea existed within my gastronomic sort of circle.
- 59:14SPEAKER_01: And then I realized that it has an enormous following on YouTube and it has created
- 59:20SPEAKER_01: an enormous business for the restaurant.
- 59:23SPEAKER_01: There's another example of a person that does that in Denmark that has a big YouTube channel.
- 59:27SPEAKER_01: That's one way.
- 59:29SPEAKER_01: You have the chef's table, Netflix, TV shows, TV series.
- 59:34SPEAKER_01: I mean, when you're at the top,
- 59:38SPEAKER_01: whether you invest your money on a marketing team that just runs after
- 59:43SPEAKER_01: the 50 best voters or a production team that makes your own TV show, same thing.
- 59:51SPEAKER_01: It's just about getting it out there.
- 59:53SPEAKER_01: And the more you can invest, the more you can reach a lot of people.
- 59:56SPEAKER_01: And that's how you get The attention of the people that will travel for you.
- 1:00:02SPEAKER_01: And there you go.
- 1:00:03SPEAKER_01: I think there's just a natural way of that hierarchy to shape itself.
- 1:00:09SPEAKER_01: But again, I just don't think it's very interesting.
- 1:00:14SPEAKER_01: The whole premise of saying when it collapses, I think it collapsed.
- 1:00:18SPEAKER_01: I don't know who's on the top 10 on the 50 best list today.
- 1:00:22SPEAKER_01: I don't know, personally.
- 1:00:23SPEAKER_01: Because I just lost interest.
- 1:00:25SPEAKER_01: From when they started...
- 1:00:28SPEAKER_01: Pushing the restaurants out after they won,
- 1:00:32SPEAKER_01: once they became number one,
- 1:00:34SPEAKER_01: then it's just because it was clear that the list had come to
- 1:00:37SPEAKER_01: a certain point was like, so now what?
- 1:00:41SPEAKER_01: You can't just keep having the same restaurants out there all the time.
- 1:00:44SPEAKER_01: I understand I had to renew,
- 1:00:46SPEAKER_01: but to me,
- 1:00:46SPEAKER_01: that was the end of it because then it just started getting all sorts of restaurants
- 1:00:51SPEAKER_01: and all the best restaurants in the world.
- 1:00:52SPEAKER_01: And it's like, it just, There's a time and place for everything.
- 1:00:57SPEAKER_01: And I think the time for the list, they have played it out.
- 1:01:00SPEAKER_01: Because like the Michelin guy,
- 1:01:03SPEAKER_01: they are just devaluating their stuff with more and more wards,
- 1:01:09SPEAKER_01: more and more and more.
- 1:01:10SPEAKER_01: Because again, they have to create enough interest for their sponsors.
- 1:01:17SPEAKER_01: That makes sense.
- 1:01:19SPEAKER_01: That's what they're there for.
- 1:01:20SPEAKER_01: And that's what we need to keep in mind.
- 1:01:23SPEAKER_02: Do you feel kitchens are better now than they used to be, fine dining kitchens?
- 1:01:28SPEAKER_01: In what way?
- 1:01:30SPEAKER_02: Just, you know, less, they're better workplaces.
- 1:01:34SPEAKER_01: Well, yeah, for sure.
- 1:01:35SPEAKER_01: For sure.
- 1:01:37SPEAKER_01: I think one thing that has changed dramatically is that there used
- 1:01:42SPEAKER_01: to be this strange
- 1:01:47SPEAKER_01: way where the higher the level, the lesser the workplace.
- 1:01:52SPEAKER_01: Like, The higher the level,
- 1:01:53SPEAKER_01: the more you would be ready to do whatever and get as little pay as whatever
- 1:01:58SPEAKER_01: and get treated as dirt.
- 1:02:00SPEAKER_01: And I think now the reputational cost is just so high at the top
- 1:02:07SPEAKER_01: that no one can afford at the very top not to be very conscious
- 1:02:14SPEAKER_01: about what they're doing and how they treat people because everybody has
- 1:02:18SPEAKER_01: a potential voice in this day and age.
- 1:02:22SPEAKER_01: I think that that has changed a lot.
- 1:02:26SPEAKER_01: I do think that the mid-level suffers from that much more than the top
- 1:02:34SPEAKER_01: because I think a lot of this comes from, to me,
- 1:02:38SPEAKER_01: an Americanized human resource culture where everything has to be safe spaces.
- 1:02:47SPEAKER_01: The guy that wants us to be in the heat of things without tweezers
- 1:02:52SPEAKER_01: With potential burn marks is not the guy that thinks that the kitchen should be
- 1:02:56SPEAKER_01: a safe space, right?
- 1:02:59SPEAKER_01: To me, there's some inconsistencies there that makes very little sense.
- 1:03:06SPEAKER_01: There used to be a time culturally where the people that were in a kitchen,
- 1:03:10SPEAKER_01: where people that were kind of out there because of what the kitchen required of you
- 1:03:15SPEAKER_01: to do.
- 1:03:16SPEAKER_01: So the people that were kind of out there had actually a place they could Do well,
- 1:03:22SPEAKER_01: where they could excel.
- 1:03:24SPEAKER_01: And I think that my worry is that those people have no access to the top
- 1:03:32SPEAKER_01: because you have to be politically correct, not nice.
- 1:03:38SPEAKER_01: Because what you have to remember is you cannot remove the assholes of the world.
- 1:03:42SPEAKER_01: The assholes of the world are there.
- 1:03:44SPEAKER_01: The question is, are they aggressive and jerks or are they passive aggressive and jerks?
- 1:03:50SPEAKER_01: They will still be there,
- 1:03:51SPEAKER_01: no matter whether the human resource department is well-funded or not.
- 1:03:57SPEAKER_01: And I just think that people that would
- 1:04:02SPEAKER_01: need a place where you could really be in
- 1:04:07SPEAKER_01: the heat of things,
- 1:04:09SPEAKER_01: they probably won't do well in restaurant at a certain level where you have
- 1:04:16SPEAKER_01: to be much more scrutinized in how you act and
- 1:04:19SPEAKER_02: how you talk and how you
- 1:04:21SPEAKER_01: Yeah,
- 1:04:22SPEAKER_01: how you behave, so to say.
- 1:04:24SPEAKER_01: I'm not saying that you shouldn't behave well,
- 1:04:27SPEAKER_01: but I just think that some people,
- 1:04:31SPEAKER_01: you know,
- 1:04:31SPEAKER_01: we should tolerate everybody, including the ones that are a little out
- 1:04:36SPEAKER_00: there.
- 1:04:38SPEAKER_00: There is another level of this.
- 1:04:40SPEAKER_00: It's like we are constantly negotiating what is our public and private life.
- 1:04:45SPEAKER_00: And restaurants are part of this constant, you know, moving along the spectrum of that.
- 1:04:53SPEAKER_00: How performative, how public, how genuine, how spontaneous, how familiar, how.
- 1:04:59SPEAKER_00: So it's part of it.
- 1:05:00SPEAKER_00: You know, it's part of our nature.
- 1:05:04SPEAKER_00: It's just like what it's allowed to do and what it's not.
- 1:05:07SPEAKER_00: As you say, do you behave?
- 1:05:09SPEAKER_00: You don't.
- 1:05:10SPEAKER_00: And that creates tension, relaxation, or connection, or disconnection, or alienation.
- 1:05:15SPEAKER_00: So it's complex.
- 1:05:19SPEAKER_01: I think the one thing that is sometimes lost in the discussion, pressure is not inherently bad.
- 1:05:26SPEAKER_01: You have to accept some level of discomfort to be capable to work under pressure.
- 1:05:34SPEAKER_01: Now today,
- 1:05:35SPEAKER_01: it's kind of become this goal That we need to remove all sort of discomfort
- 1:05:43SPEAKER_01: from any type of relation or position or workplace.
- 1:05:48SPEAKER_01: In a kitchen,
- 1:05:49SPEAKER_01: if you remove the discomfort,
- 1:05:53SPEAKER_01: you also remove the potential of having the great working experience
- 1:06:00SPEAKER_01: that it lies sort of at the end of it or on the other side of it.
- 1:06:06SPEAKER_01: Because my greatest experience As a chef in a kitchen has always been to get through
- 1:06:14SPEAKER_01: a night that seemed fucking impossible.
- 1:06:18SPEAKER_01: But you know, we just made it.
- 1:06:22SPEAKER_01: We just made it.
- 1:06:24SPEAKER_01: The way the beer tastes that night is different, but something has to be before it.
- 1:06:31SPEAKER_01: You have to go through something.
- 1:06:33SPEAKER_01: The great thing about this is that you can only achieve
- 1:06:41SPEAKER_01: This fully as a group.
- 1:06:45SPEAKER_01: It's not something you can do on your own.
- 1:06:48SPEAKER_01: When you as a group confront something that seems like a bigger challenge
- 1:06:52SPEAKER_01: that you have faced before or that you are capable of facing,
- 1:06:56SPEAKER_01: and you overcome it as a group, it is the greatest feeling ever.
- 1:07:02SPEAKER_01: To do so, everyone needs to be ready to sacrifice for that group.
- 1:07:08SPEAKER_01: That mentality is deemed toxic.
- 1:07:12SPEAKER_01: Today, which means there's no end of the rainbow for you if you cannot get there, you know?
- 1:07:21SPEAKER_01: So kitchen life used to suck, but at the end of the rainbow, sometimes the beer tasted good.
- 1:07:29SPEAKER_01: Now kitchen life just sucks without you being able to get to the other side of the rainbow.
- 1:07:37SPEAKER_00: Yeah, when the challenge becomes toxic, do you think?
- 1:07:41SPEAKER_00: Because there is a part of the challenge that is.
- 1:07:44SPEAKER_01: I don't think that the challenge is toxic at all.
- 1:07:47SPEAKER_01: I don't think the challenge can be toxic.
- 1:07:50SPEAKER_01: I don't think that.
- 1:07:52SPEAKER_01: I think that the whole world of things be like,
- 1:07:56SPEAKER_01: I suppose that what people try to say is that some people are behaving
- 1:08:02SPEAKER_01: in toxic ways.
- 1:08:05SPEAKER_01: But that's not creating the team that gets you to the other side of that rainbow.
- 1:08:12SPEAKER_01: That's misunderstood.
- 1:08:13SPEAKER_01: They fucked it up.
- 1:08:15SPEAKER_01: I mean, that's not that's not good.
- 1:08:16SPEAKER_01: No one wants that.
- 1:08:18SPEAKER_01: Why is that?
- 1:08:19SPEAKER_01: But if what is on the other side of it is that.
- 1:08:24SPEAKER_01: You cannot if you cannot rally a team.
- 1:08:27SPEAKER_01: Because they are grown suspicious.
- 1:08:32SPEAKER_01: A priori before anything,
- 1:08:34SPEAKER_01: just as a fact, if I require of you now tonight, we just have to fucking go.
- 1:08:41SPEAKER_01: If that is toxic, I cannot rally a team.
- 1:08:46SPEAKER_01: If I cannot rally a team, we cannot win the big games.
- 1:08:50SPEAKER_01: If you want to be with the trophy, you'd have to want to win the big games.
- 1:08:56SPEAKER_01: You know what I mean?
- 1:08:58SPEAKER_01: Tell the people walking into the Champions League final in the corridor
- 1:09:06SPEAKER_01: that what it's about is not to be toxic.
- 1:09:09SPEAKER_01: They don't give a fuck.
- 1:09:10SPEAKER_01: Who's toxic.
- 1:09:12SPEAKER_01: They are dialed in because they are a team.
- 1:09:15SPEAKER_01: And you know, there's a lot of conflicts in a team like that.
- 1:09:19SPEAKER_01: They are not useful for the team.
- 1:09:21SPEAKER_01: That's why you have a coach that sometimes as an authority breaks down whoever is being toxic.
- 1:09:30SPEAKER_01: You know,
- 1:09:30SPEAKER_01: the times that I have been the most aggressive in my kitchen has been to people
- 1:09:39SPEAKER_01: That have been abusive to other people.
- 1:09:45SPEAKER_01: But you could... Well, there was an example of someone that...
- 1:09:53SPEAKER_01: There was a female waitress that came to me and said,
- 1:09:56SPEAKER_01: you know, this guy, I'm standing in the dish pit, really was very small.
- 1:10:01SPEAKER_01: So the dish pit... And, you know, he had sort of snuck up behind her.
- 1:10:08SPEAKER_01: Which you could have to do, but there's ways of doing it, right?
- 1:10:14SPEAKER_01: And she said to me, listen, he literally, it was not okay.
- 1:10:19SPEAKER_01: I lost my shit.
- 1:10:21SPEAKER_01: I grabbed him, brought him outside.
- 1:10:23SPEAKER_01: I said, if you ever do this again, you're done.
- 1:10:26SPEAKER_01: Never again.
- 1:10:29SPEAKER_01: Was I toxic towards him?
- 1:10:32SPEAKER_01: You decide.
- 1:10:34SPEAKER_01: But you have to have,
- 1:10:36SPEAKER_01: if the pressure's high,
- 1:10:38SPEAKER_01: You have to have some level of authority that can discipline the group
- 1:10:45SPEAKER_01: so they're not toxic.
- 1:10:47SPEAKER_01: What happens with the human resource-based American thing where everybody is kind
- 1:10:53SPEAKER_01: of uncertain,
- 1:10:54SPEAKER_01: nobody wants to sacrifice themselves because they're a little suspicious
- 1:10:58SPEAKER_01: about everybody and nobody dares to say anything to anybody
- 1:11:03SPEAKER_01: because it could be misunderstood.
- 1:11:06SPEAKER_01: What happens if It becomes extremely toxic because no one says anything truthfully.
- 1:11:15SPEAKER_01: So no one has the courage to sacrifice themselves for the group and they don't go anywhere.
- 1:11:23SPEAKER_01: It becomes like you're afraid of what's going on.
- 1:11:30SPEAKER_01: That's not healthy either.
- 1:11:31SPEAKER_01: That's just passive aggressive.
- 1:11:33SPEAKER_01: So in my and I'm, I know I'm old school.
- 1:11:36SPEAKER_01: I'm not saying anybody should be yelled at,
- 1:11:38SPEAKER_01: but I prefer one guy with the capability of yelling at people
- 1:11:43SPEAKER_01: that keeps everything peachy and in order and everybody dealing
- 1:11:48SPEAKER_01: with each other nicely than no place of authority,
- 1:11:53SPEAKER_01: nobody capable, and everybody bitching.
- 1:11:57SPEAKER_01: That is horrible.
- 1:12:00SPEAKER_01: I've seen that too.
- 1:12:01SPEAKER_02: That is horrible.
- 1:12:03SPEAKER_02: I agree that like a lack of kind of Structure and authority can just lead
- 1:12:10SPEAKER_02: to more chaos in a kitchen.
- 1:12:13SPEAKER_02: But aren't there better ways sometimes of doing things,
- 1:12:17SPEAKER_02: of making it less about yelling and frightening people?
- 1:12:23SPEAKER_02: Sure.
- 1:12:24SPEAKER_02: Sure.
- 1:12:26SPEAKER_01: But there are better ways.
- 1:12:27SPEAKER_01: But you can also say, well, you can play football or you can be messy.
- 1:12:34SPEAKER_01: So from playing football to being messy, there's a long way up there.
- 1:12:39SPEAKER_01: And I wish for everybody to be messy, but not everybody is.
- 1:12:43SPEAKER_01: And at one point, we have to ask ourselves, how much can you ask of people?
- 1:12:49SPEAKER_01: I mean, they have to be good cooks.
- 1:12:50SPEAKER_01: They have to be gentle.
- 1:12:53SPEAKER_01: They have to be kind.
- 1:12:54SPEAKER_01: They have to be...
- 1:12:57SPEAKER_01: Empathic.
- 1:12:57SPEAKER_01: And they also have to be creative.
- 1:12:58SPEAKER_01: And they also have to be in social media.
- 1:13:00SPEAKER_01: And they have to, there's so much shit required of you.
- 1:13:05SPEAKER_01: And the last person in the door has,
- 1:13:08SPEAKER_01: you know, maybe a little wrong sense of entitlement of, you know, what am I?
- 1:13:15SPEAKER_01: I'm just the newest.
- 1:13:16SPEAKER_01: I'm the apprentice here, you know, facing a head chef that has been there for 20 years.
- 1:13:21SPEAKER_01: And in his or hers apprenticeship had to,
- 1:13:24SPEAKER_01: you know,
- 1:13:25SPEAKER_01: peel potatoes,
- 1:13:26SPEAKER_01: For the first two years,
- 1:13:27SPEAKER_01: and then the last appendage that comes in says,
- 1:13:30SPEAKER_01: I don't want a few potatoes because I came here to cook.
- 1:13:32SPEAKER_01: That's not cooking.
- 1:13:35SPEAKER_01: It's a lot to require from this head chef to deal with this situation in a way
- 1:13:39SPEAKER_01: that this person does not feel offended.
- 1:13:42SPEAKER_01: It's very difficult.
- 1:13:44SPEAKER_01: And I do think that there's better ways,
- 1:13:47SPEAKER_01: but there's also an assumption that we're making when we say that,
- 1:13:51SPEAKER_01: is that everybody requires those better ways.
- 1:13:54SPEAKER_01: My point from before was that some people are left out because they require other ways.
- 1:14:00SPEAKER_01: Now, I do martial arts three times a week,
- 1:14:04SPEAKER_01: and it's quite close here, but the neighborhood is kind of near, you know?
- 1:14:08SPEAKER_01: And you see people in the martial arts club,
- 1:14:10SPEAKER_01: in the gym,
- 1:14:12SPEAKER_01: that I know that the reason why they are so well within that environment,
- 1:14:20SPEAKER_01: they're doing,
- 1:14:20SPEAKER_01: they're chilled, is because there's a level of aggression around them.
- 1:14:25SPEAKER_01: There's a clear, authoritative structure that they feel confident.
- 1:14:31SPEAKER_01: Those people,
- 1:14:32SPEAKER_01: if you put them in that nice workplace,
- 1:14:35SPEAKER_01: they would fail immediately because not all of us have
- 1:14:42SPEAKER_01: these sort of the same needs.
- 1:14:46SPEAKER_01: And also not all of us can then perform under a certain level of pressure.
- 1:14:53SPEAKER_01: And those two things,
- 1:14:54SPEAKER_01: I think,
- 1:14:54SPEAKER_01: go along because a high level of pressure,
- 1:14:58SPEAKER_01: I believe, often requires a certain type of people to really do well.
- 1:15:04SPEAKER_01: And they not only do well, but they benefit from the level of pressure.
- 1:15:08SPEAKER_01: And those kind of people,
- 1:15:09SPEAKER_01: if you put them in the passive-aggressive environment,
- 1:15:12SPEAKER_01: they fail badly because they cannot play the social game.
- 1:15:18SPEAKER_01: And I think that that's a shame because where are they going to go?
- 1:15:21SPEAKER_01: And are we getting better kitchens out of it?
- 1:15:23SPEAKER_01: I don't know.
- 1:15:24SPEAKER_01: I think we're displacing some people in favor of others
- 1:15:28SPEAKER_01: that honestly do not necessarily earn that place.
- 1:15:33SPEAKER_01: I think it's fine to want things better, but you need to earn that place and better it.
- 1:15:40SPEAKER_01: You know what I mean?
- 1:15:40SPEAKER_01: I saw things during my apprenticeship,
- 1:15:44SPEAKER_01: during my stages,
- 1:15:45SPEAKER_01: during my career that I very,
- 1:15:49SPEAKER_01: very, very clearly told myself, I was not going to repeat.
- 1:15:53SPEAKER_01: And I did not.
- 1:15:55SPEAKER_01: And that's how kitchens improved.
- 1:15:58SPEAKER_01: Step by step, they've become better.
- 1:16:00SPEAKER_01: But we have to ask ourselves sometimes, is there a trade-off?
- 1:16:05SPEAKER_01: And who pays that cost?
- 1:16:09SPEAKER_01: There has to be a
- 1:16:10SPEAKER_02: limit, though.
- 1:16:11SPEAKER_02: You know what I mean?
- 1:16:12SPEAKER_02: There has to be a limit.
- 1:16:14SPEAKER_01: Aggression of this.
- 1:16:17SPEAKER_01: Of course.
- 1:16:18SPEAKER_01: There's a limit to anything.
- 1:16:19SPEAKER_01: I'm not for aggression.
- 1:16:23SPEAKER_01: I'm just saying that if you remove it entirely,
- 1:16:27SPEAKER_01: 110%, what you get is just a different structure.
- 1:16:32SPEAKER_01: And it's not necessarily better.
- 1:16:34SPEAKER_01: I think when you have an authoritative structure...
- 1:16:37SPEAKER_01: It is there to create some level of order.
- 1:16:40SPEAKER_01: And what I find people always need much more or what I would say
- 1:16:46SPEAKER_01: that will always define a good working environment for the vast majority of
- 1:16:52SPEAKER_01: the people I've ever worked with is that the communication is very clear and
- 1:16:58SPEAKER_01: that you know what is expected of you.
- 1:17:01SPEAKER_01: But see, that in itself can create conflicts with some people.
- 1:17:06SPEAKER_01: This is where we are at.
- 1:17:08SPEAKER_01: So in the same way that aggression, of course, there has to be a limit.
- 1:17:12SPEAKER_01: There has to be a limit to the other side, to its opposite as well.
- 1:17:16SPEAKER_01: Because if you cannot demand anything of people without it being,
- 1:17:21SPEAKER_01: or I cannot deal with this, then how are people expected to get a job done?
- 1:17:31SPEAKER_02: Do you find that this is something with younger generations
- 1:17:35SPEAKER_02: or is this something that's always existed, younger generations?
- 1:17:39SPEAKER_01: I think it has always existed for sure,
- 1:17:40SPEAKER_01: but I think the young generation has,
- 1:17:43SPEAKER_01: the Gen Zs have, like,
- 1:17:48SPEAKER_01: they more than anything have a very,
- 1:17:52SPEAKER_01: very difficult time managing themselves because I've had Gen Zs having
- 1:17:58SPEAKER_01: to manage Gen Zs and good luck with that.
- 1:18:01SPEAKER_01: Because that's impossible.
- 1:18:06SPEAKER_01: There's some sort of expectations toward the circumstances that is very heightened.
- 1:18:14SPEAKER_01: And there's very, very little intention to sacrifice yourself for those circumstances.
- 1:18:22SPEAKER_01: So everybody would love the flexibility of getting the day off,
- 1:18:26SPEAKER_01: but no one wants to take the shift.
- 1:18:30SPEAKER_01: So how are we going to do?
- 1:18:32SPEAKER_01: You don't like it when we're understaffed, but you demand to go on vacation next week.
- 1:18:40SPEAKER_00: How am I supposed to do it?
- 1:18:42SPEAKER_01: And when you have a Gen Z that feels that,
- 1:18:47SPEAKER_01: yes, I'm a manager, but if you want vacation next week, I should give it to you.
- 1:18:52SPEAKER_01: And then comes to the owner or the whatever general manager and says,
- 1:18:59SPEAKER_01: we're understaffed next week.
- 1:19:00SPEAKER_01: What do we do?
- 1:19:02SPEAKER_01: They're like, whoa.
- 1:19:07SPEAKER_01: I think the Gen Zs have been brought up with an idea
- 1:19:10SPEAKER_01: that they should be very skeptical and very suspicious and really take care
- 1:19:17SPEAKER_01: of not ever being exploited.
- 1:19:19SPEAKER_01: But I think they suffer from it more than they benefit, to be honest.
- 1:19:25SPEAKER_02: You wrote about Bourdain recently, like a month ago or something.
- 1:19:31SPEAKER_02: You said It gave chefs a voice, you know?
- 1:19:39SPEAKER_02: Can you talk about that a little bit?
- 1:19:42SPEAKER_02: Why did it give chefs a voice?
- 1:19:45SPEAKER_01: Because it was a subculture that nobody cared about.
- 1:19:49SPEAKER_01: And I think that Bodane was a big part in making it cool.
- 1:19:54SPEAKER_01: Like you had at the same time sort of chefs started to appear on TV.
- 1:20:02SPEAKER_01: But they just had this polished look to them,
- 1:20:05SPEAKER_01: all of them,
- 1:20:06SPEAKER_01: like the Jamie Olivers,
- 1:20:07SPEAKER_01: but also if you looked at Joël Robuchon on French TV and stuff like this,
- 1:20:13SPEAKER_01: it was just a completely different world.
- 1:20:16SPEAKER_01: And you could maybe make the case that that was more like fine dining chefs,
- 1:20:20SPEAKER_01: actually, while the vast majority don't work in those polished restaurants.
- 1:20:27SPEAKER_01: And I think that the way that
- 1:20:32SPEAKER_01: He described the hard work and the life and the culture behind it was
- 1:20:44SPEAKER_01: I think of
- 1:20:44SPEAKER_01: a great importance for people that worked in kitchen
- 1:20:48SPEAKER_01: to feel like seeing like this is actually how I live my life and nobody has put that
- 1:20:53SPEAKER_01: into words before.
- 1:20:55SPEAKER_01: And I think that that's what made the success and that's what made it You know,
- 1:21:02SPEAKER_01: like the whole pirate chef,
- 1:21:03SPEAKER_01: the whole rock and roll,
- 1:21:05SPEAKER_01: that just became a thing and much because of that, for sure.
- 1:21:10SPEAKER_02: But you say he was often misinterpreted.
- 1:21:14SPEAKER_01: I think there's this idea today that is more and more common that he is kind
- 1:21:21SPEAKER_01: of praising some sort of toxic.
- 1:21:27SPEAKER_01: Again, it's the toxic.
- 1:21:30SPEAKER_01: And I don't think that that makes much sense because first of all,
- 1:21:37SPEAKER_01: to judge people with 20 years of relay
- 1:21:42SPEAKER_01: is a little off and that you can describe
- 1:21:46SPEAKER_01: a life.
- 1:21:48SPEAKER_01: Well, you know,
- 1:21:49SPEAKER_01: as a writer,
- 1:21:51SPEAKER_01: how difficult that is to make people at all interested in what you're writing.
- 1:21:55SPEAKER_01: But if you can describe it in a way that is so lively,
- 1:22:00SPEAKER_01: Is in itself such a feat that saying that that is somehow potentially problematic,
- 1:22:08SPEAKER_01: I find it completely misunderstood.
- 1:22:10SPEAKER_01: Because to give some people a voice,
- 1:22:12SPEAKER_01: to tell someone's story, I literally cannot see how that is a problem.
- 1:22:19SPEAKER_01: I mean, it's like saying, well,
- 1:22:20SPEAKER_01: you shouldn't write about the Second World War
- 1:22:22SPEAKER_01: because that's not good what happened.
- 1:22:25SPEAKER_01: I mean, to me, it's just a very modern...
- 1:22:29SPEAKER_01: Way of wanting to misunderstand things or more than anything,
- 1:22:33SPEAKER_01: just morally positioning yourself by saying,
- 1:22:36SPEAKER_01: oh, this is not good without engaging with it.
- 1:22:39SPEAKER_01: That's essentially what I think happens more.
- 1:22:41SPEAKER_01: Because you see a lot of stuff, again, on Instagram, or Anthony Boudin was praising the toxic.
- 1:22:47SPEAKER_01: It's like, what do you mean?
- 1:22:48SPEAKER_01: Like, it's just, it's, they also talk about the brigade.
- 1:22:53SPEAKER_01: It's a military system and Escoffier did this because he wanted to exploit it.
- 1:22:57SPEAKER_01: You don't, like, it's,
- 1:23:00SPEAKER_00: Also, no one is multidimensional.
- 1:23:03SPEAKER_00: Yeah, I agree.
- 1:23:06SPEAKER_00: He was
- 1:23:10SPEAKER_00: experiencing contradictions in himself while he was living through them,
- 1:23:14SPEAKER_00: and that's what he shows in what he says about it.
- 1:23:17SPEAKER_01: It has to be nuanced.
- 1:23:20SPEAKER_01: It's like saying, train spotting, does that make people do drugs?
- 1:23:23SPEAKER_00: Yeah, exactly.
- 1:23:24SPEAKER_00: I hope not.
- 1:23:26SPEAKER_01: You know what I mean?
- 1:23:26SPEAKER_01: So why...
- 1:23:28SPEAKER_01: Yeah, I think it's just, I don't know.
- 1:23:31SPEAKER_01: I find that we are in a place now
- 1:23:35SPEAKER_01: where whenever people can get some cheap moral points by positioning themselves
- 1:23:45SPEAKER_01: against something that seems like it's an old school vibe,
- 1:23:52SPEAKER_01: then people run for it without thinking about it.
- 1:23:56SPEAKER_01: And again, I don't really care about that.
- 1:23:58SPEAKER_01: I was like, to me, I was never a big Anthony Boudin as in the No Reservations and the TV shows.
- 1:24:07SPEAKER_01: I didn't follow him that much.
- 1:24:08SPEAKER_01: I watched some of it more like around the bull years, like 2005, six, that kind of stuff.
- 1:24:17SPEAKER_01: But to me,
- 1:24:18SPEAKER_01: Kitchen Confidential,
- 1:24:19SPEAKER_01: like that's my thing because I read it in Maybe 2001 or some of this.
- 1:24:26SPEAKER_01: I read in Danish and it meant a lot to me.
- 1:24:27SPEAKER_01: And I just reread it a couple of months ago.
- 1:24:30SPEAKER_01: That's when I wrote it.
- 1:24:32SPEAKER_01: I wrote the thing.
- 1:24:34SPEAKER_01: And it was just like, whoa.
- 1:24:36SPEAKER_01: And I realized how it sat in me.
- 1:24:40SPEAKER_01: Like, without knowing.
- 1:24:42SPEAKER_01: Like, there was things in me that had lived that I remember through this book.
- 1:24:48SPEAKER_01: For example, the Bigfoot character.
- 1:24:53SPEAKER_01: That he describes as this head chef that was just omnipresent.
- 1:24:58SPEAKER_01: He was like everywhere.
- 1:24:59SPEAKER_01: He could do it.
- 1:25:01SPEAKER_01: I have had that as a sort of ideal I worked towards
- 1:25:08SPEAKER_01: because he seemed like he just had his shit together.
- 1:25:12SPEAKER_01: Like he was so good and he knew everything.
- 1:25:16SPEAKER_01: And I was like, this is subconsciously what I wanted to do.
- 1:25:20SPEAKER_01: Get to at one point, you know, that's what I've worked towards getting to.
- 1:25:24SPEAKER_01: Now he has also,
- 1:25:26SPEAKER_01: apparently,
- 1:25:26SPEAKER_01: because I looked through some Reddit posts on the Kitchen Conference,
- 1:25:33SPEAKER_01: you can find a lot of interesting things and anecdotes and also discussing,
- 1:25:38SPEAKER_01: and I can't remember his name, but he was an actual character, obviously.
- 1:25:42SPEAKER_01: And he was also accused of being quite a dick sometimes.
- 1:25:46SPEAKER_01: So again,
- 1:25:47SPEAKER_01: you have,
- 1:25:48SPEAKER_01: you know,
- 1:25:50SPEAKER_01: But again,
- 1:25:50SPEAKER_01: people were actually portraying on Reddit,
- 1:25:53SPEAKER_01: saying I knew him and this and that,
- 1:25:55SPEAKER_01: and saying that he was a fantastic person that would be there if I needed rent
- 1:26:01SPEAKER_01: for my apartment, but he was also a dick.
- 1:26:04SPEAKER_01: He could be really rough.
- 1:26:06SPEAKER_01: And I think that this is something that is lost.
- 1:26:09SPEAKER_01: And I think that this is the beauty of the restaurant industry is
- 1:26:12SPEAKER_01: that there are just so many wildly interesting people.
- 1:26:17SPEAKER_01: And I think that that's a That is what makes it unique.
- 1:26:22SPEAKER_01: It's not something that needs to get washed out.
- 1:26:24SPEAKER_01: I wouldn't want it to be like that.
- 1:26:26SPEAKER_01: And I think that no one should put up with abuse.
- 1:26:29SPEAKER_01: No one should put up with bullshit.
- 1:26:32SPEAKER_01: But I think we should try and tolerate as many people as possible and make sure
- 1:26:36SPEAKER_01: that there's a space for everybody.
- 1:26:37SPEAKER_01: There's a place for everyone.
- 1:26:39SPEAKER_02: Thanks, everyone, for listening.
- 1:26:40SPEAKER_02: That was Christian Puglisi.
- 1:26:43SPEAKER_02: Check him out on...
- 1:26:44SPEAKER_02: On Substack, A Chef's Perspective.
- 1:26:46SPEAKER_02: Keep an eye out for his memoir, which will come eventually.
- 1:26:51SPEAKER_02: And check out his YouTube channel with a lot of interesting videos there.
- 1:26:59SPEAKER_02: Again, pre-order, Eating the Amazon.
- 1:27:02SPEAKER_02: Subscribe to New Order on Substack.
- 1:27:04SPEAKER_02: And that's it.
- 1:27:05SPEAKER_02: Thanks for listening.
- 1:27:06SPEAKER_02: Big thank you to my friend Pat Buzzard for providing the music to the show.
- 1:27:11SPEAKER_02: And see you soon.
- 1:27:14SPEAKER_02: Bye.
- 1:27:15[music]