Latest / Skip or Scream / Hellcat ft. Grimly

Transcript

Hellcat ft. Grimly · Skip or Scream

• 0:18
  Welcome back to Skip or Scream, a scary movie
• 0:20
  recap podcast. We are your sisters and your hosts,
• 0:24
  Maggie and Cassie, and we're here to answer the
• 0:25
  question, is the scream worth the stream? And
• 0:28
  eek, I'm just so excited. I'm flying high. James
• 0:32
  made me dinner. I have a crisp but diet Coke
• 0:35
  with cherry, which I just newly got into. And
• 0:39
  we have two lovely, hilarious ladies here with
• 0:43
  us. We have Megan Missy from Grimley. Hello.
• 0:48
  Hi. Thank you for calling us hilarious. Hey.
• 0:50
  You're welcome. You're welcome. Credit where
• 0:53
  credit is due. I appreciate it. Thanks for joining
• 0:56
  us. Thanks for hanging out with us and talking
• 0:58
  about scary movies. Thank you for having us.
• 1:00
  It's a great way to spend a Sunday afternoon.
• 1:01
  Yeah. I know. I know. It is. We haven't recorded.
• 1:04
  We usually record on Wednesdays, so it's kind
• 1:05
  of like... a nice little change up in our normal
• 1:10
  rut. Yeah, to record on the Lord's Day. So this
• 1:15
  one's for you, Jesus. Yeah, we call him Sky Daddy
• 1:17
  over here. Sky Daddy, that's a great name. I'll
• 1:21
  hail the Sky Daddy. I'll hail. Well, ladies,
• 1:25
  let's just start off right off the bat. Let's
• 1:27
  do a little a Grimley corner here. Tell our listeners,
• 1:31
  our skippers and screamers a little bit about
• 1:33
  Grimley, what your podcast is about and how you
• 1:35
  got into it. Do you want me to do, or you want
• 1:37
  to do it? I'd love if you would do it. I feel
• 1:42
  like this is the moment of like, tell us something
• 1:44
  interesting about yourself. Something like, I
• 1:47
  sometimes ship my pants on accident. Mine wasn't
• 1:51
  going to be. I still have baby teeth, but whatever.
• 1:53
  OK, that's crazy. So Brimley, I always say that
• 1:56
  we're two unserious people that talk about seriously
• 2:00
  creepy shit. I think it's the best way to describe
• 2:03
  kind of what we do. We have been friends for,
• 2:06
  20 years? Long time, yeah, really long time.
• 2:09
  Half of our lives. And we've always really loved
• 2:12
  a good conspiracy theory, a good crypt. you know,
• 2:16
  cryptid, a good, you know, UFO chain. Sort of
• 2:19
  the metaphysical. Yeah. Spooky. I'm definitely
• 2:22
  more the paranormal girly. I like a good ghost
• 2:25
  story. I love ghost adventures. There's a dash
• 2:27
  of true crime. Yeah. We try to like not do super
• 2:30
  true crimey stuff just because we would like
• 2:32
  to. It's heavy. Sensitive subjects. Yeah. It's
• 2:35
  hard to talk about really serious stuff when
• 2:37
  you are idiots. Yeah. Oh, we feel that. Sometimes
• 2:41
  the subject matter of the movies we cover, we're
• 2:43
  just like, good God. We are not capable to do
• 2:46
  this. And we call ourselves dumb all the time.
• 2:48
  We're like, maybe we didn't get it, but like.
• 2:52
  It was funny because someone tried to look us
• 2:54
  up using chat GPT and it called us liberal idiots.
• 2:59
  So you must have gotten like a review at one
• 3:01
  point. Oh yeah. No, we've also been called a
• 3:03
  lot of annoying, loud and annoying. So. Well,
• 3:07
  I mean, I feel like you haven't truly made it
• 3:09
  until you, yeah, get some haters calling you
• 3:11
  loud and annoying and - Totally. Literally. Yeah,
• 3:14
  but like, yeah, every week we try to do like
• 3:16
  another dive into something, you know, kind of
• 3:18
  spooky, kind of creepy. I like to say it's like
• 3:21
  Unsolved Mysteries mixed with dick jokes and
• 3:24
  a deep hatred toward Donald Trump and the patriarchy.
• 3:26
  Same. Love that. Okay. Yeah. Wow. We are really
• 3:30
  - Unfortunately. Yeah. Two birds of a - One feather?
• 3:33
  What's the expression? Same. Same. I think you're
• 3:37
  mixing up like three different sayings. You know
• 3:39
  what? That's why I said we're not smart here,
• 3:42
  but that's okay. That doesn't matter. So we're
• 3:44
  here for a good time, not for a long time. Really,
• 3:47
  truly. Well, with all of your love of just general
• 3:50
  creepy and unknown mystery. thriller, suspense
• 3:55
  -y type things in the world. How are you feeling
• 3:58
  about, like, liminal space stuff and, like, the
• 4:00
  liminal space, like, back rooms type stuff, horror
• 4:04
  movies? Like, do you guys ever talk about anything
• 4:05
  like that? Yeah, she watched back rooms. I watched
• 4:08
  back rooms recently. I haven't yet, yeah. And
• 4:10
  I have, um, obviously... I was interested in
• 4:14
  the movie, obviously, because I'm, like, a Reddit
• 4:15
  fan, so I was aware. We haven't talked about
• 4:18
  it as an episode, but, like, yes, as a... As
• 4:23
  a thought, yes, we have discussed it. I think
• 4:27
  it's fascinating. Yeah, I always think creepypasta
• 4:30
  sort of. Yeah, creepypasta. I also think of when
• 4:32
  it comes to paranormal stories, I often wonder
• 4:34
  if it is a liminal space that we're actually
• 4:38
  experiencing and witnessing when it comes to
• 4:40
  ghosts. As opposed to is actually a ghost energy,
• 4:43
  it's actually something we've seen. like a different
• 4:46
  timeline almost or like because time doesn't
• 4:49
  work in the way that we think it is it's not
• 4:50
  linear it's all kind of happening around us and
• 4:53
  like maybe there's a bit of like you know i think
• 4:55
  some physics there that yeah you know it makes
• 4:58
  it I don't know. It's plausible. Right. And that's
• 5:01
  philosophically, it's like bigger than all of
• 5:03
  us too. It's like, I'm more of an agnostic and
• 5:05
  just thinking like, there's something going on
• 5:07
  around us that we can never acknowledge and never
• 5:10
  see. And that's where I kind of think of it.
• 5:12
  I think of like liminal space for sure. Yeah.
• 5:15
  Yeah. Yeah. Yeah. Well, transitioning into obviously
• 5:20
  your guys' subject matter of your podcast is
• 5:23
  very hand -in -hand, closely related to what
• 5:26
  we talk about, which is horror movies, scary
• 5:27
  movies. Yes. Totally. We're fans. Yes. Of scary
• 5:31
  movies. Yes. Same. Obviously. I would hope so.
• 5:36
  Yeah, I mean, we kind of like them. They're fine.
• 5:39
  They're fine. So a question that we like to ask
• 5:43
  our guests when we have them on, are there origins?
• 5:46
  Are there origins with horror movies? So do you
• 5:48
  guys have a favorite horror movie? Sometimes
• 5:51
  if you don't have a favorite, we have one that
• 5:52
  you think about a lot. Maybe you watched it when
• 5:54
  you were too young and it scarred you for life.
• 5:56
  Do you have any movies like that? Or one you've
• 5:58
  seen recently that you really enjoyed? Do you
• 6:01
  want me to go first? I will go first because
• 6:03
  I'm one of those kids that absorbs a lot of horror
• 6:08
  because my dad was a fan and he had three daughters.
• 6:12
  And I was also raised in like a hyper religious
• 6:15
  household. But my dad was like, I'm still gonna
• 6:18
  do what I want to. And so I feel like I caught,
• 6:22
  I overheard. The soundtracks to a lot of the
• 6:26
  movies I would see them like sneaking out of
• 6:29
  the you know the corner of the bed room door
• 6:31
  every now and then. He worked night shifts for
• 6:35
  many years, so sometimes he's watching this stuff
• 6:37
  in the middle of the day. It's really so deeply
• 6:40
  inappropriate. And a lot of vampire lore. I still
• 6:44
  to this day am unreasonably freaked out about
• 6:49
  vampires. I know they don't exist, but I just
• 6:51
  can't chill about it. She's worried that they
• 6:54
  might exist. If anything exists, please let it
• 6:58
  not be that. So yeah, a lot of like interview
• 7:03
  with the vampire, all of the Westgraven stuff,
• 7:05
  like Nosferatu. I've seen it all and I hate it
• 7:08
  every second of it. But then you have to watch
• 7:10
  it. Yeah, and now I do appreciate a horror movie,
• 7:12
  but it did, I feel like, yeah, it took me quite
• 7:15
  a few years to get, to like be able to sleep
• 7:17
  at night in the dark. Sure, yeah. Yeah, I had
• 7:21
  like, I have three older sisters and one of my
• 7:23
  oldest, one of my older sisters growing up, she
• 7:25
  watched a lot of horror movies and she watched
• 7:27
  the classics. Halloween. Nightmare on Elm Street,
• 7:31
  Friday the 13th. I don't know what they hold
• 7:34
  up now, but the one that I always think of when
• 7:36
  I think of what kind of changed my brain chemistry
• 7:39
  when it comes to horror is the Blair Witch Project.
• 7:42
  Because I saw that in theaters when everyone
• 7:45
  thought it was real. I think I did too. And I
• 7:47
  think I was like 10. Like, it was a big deal,
• 7:52
  and that freaked me out. That's interesting.
• 7:53
  Yeah, we've had a lot of people come on here
• 7:55
  and say, like, Blair Witch Project was really
• 7:57
  impactful, especially on their childhood, because
• 7:59
  a lot of the people that we have on are, like,
• 8:02
  in our age range, which is, like, the people
• 8:04
  who are watching Blair Witch Project a little
• 8:06
  too early, probably. Oh, yeah. But you're one
• 8:09
  of the first people that we've had on that have
• 8:10
  said they saw it in theaters, so that's pretty
• 8:13
  sick. It was weird. It's not rated R, right?
• 8:17
  It can't be, because there's no gore. I think
• 8:18
  it's PG -13. I have no idea. I really do think
• 8:21
  it's PG -13. But I also saw it in theater, and
• 8:23
  it's terrifying. I never remember it was a big
• 8:25
  deal when they walked the carpet, like the MTV
• 8:28
  Movie Awards or something, because everyone was
• 8:29
  like, wait a minute, you guys are alive? Like
• 8:32
  everyone thought that movie was a real, it was
• 8:34
  like the original. It's the first found footage
• 8:36
  movie. Yeah. Yeah. Yeah. I don't like that. Right.
• 8:39
  Big screen. And I do still like have a deep love
• 8:41
  for found footage. I know you guys do too. Love
• 8:43
  found footage. And like that's, that was kind
• 8:45
  of the origin of our episode with Brandon was
• 8:48
  I love Grave Encounters. Grave Encounters. Yeah.
• 8:50
  And I also love Ghost Adventures. And I'm like,
• 8:53
  this is a hundred percent making for the Ghost
• 8:55
  Adventures. And you know, Brandon is Brandon.
• 8:57
  I was like, we should probably do this. I think
• 8:59
  it'd be very funny. And then we talked about
• 9:02
  Ghost Jizz, so. Yeah, trust me, that episode
• 9:04
  is lower on this pod, because I, on a previous
• 9:08
  episode, talked about you guys having the conversation
• 9:10
  about eating a tunnel rat. And I said I would
• 9:13
  do it for, like, barely any money. I was like,
• 9:15
  I'd do it for, like, $1 ,000. Can we unpack that
• 9:17
  for you? Yeah, let's talk about it. Let's talk
• 9:19
  about it. Do you mean you're going to willingly
• 9:22
  grab a live rat? A live rat. I just thought,
• 9:26
  here's. I don't know. Actually though, a little
• 9:30
  bit of a segue of my ADHD brain. One of my favorite
• 9:34
  TV shows growing up was Survivor. And in classic
• 9:38
  seasons of Survivor, the early seasons, which
• 9:41
  it's been on for 25 years, they used to do, they
• 9:43
  don't do it as much anymore, challenges where
• 9:44
  they'd have to eat food that was like delicacies
• 9:47
  of the place that they were at, but it was always
• 9:49
  really gross. It's kind of like Fear Factory,
• 9:52
  or the challenge. Yeah, they'd eat like giant
• 9:56
  sea slugs, and they'd eat like brute, which is
• 9:58
  like the fertilized duck, unfertilized duck,
• 10:00
  or whatever. Yeah, it's like they, or like giant,
• 10:03
  like... I don't know, grub worms or whatever.
• 10:07
  You can eat this cockroach, you stupid idiot.
• 10:09
  Yeah, yeah, yeah. And I was always like, I could
• 10:11
  do that. No, I absolutely could not. Listeners,
• 10:15
  you missed us talking about tomatoes for 10 minutes
• 10:17
  before we hit the record button. But we were
• 10:19
  talking about tomatoes before we started recording,
• 10:21
  and I can't even eat a plain tomato, so I can't.
• 10:24
  I'm out here talking my shit, trying to act like
• 10:27
  I'm all hot stuff, but I couldn't eat a fucking
• 10:29
  raw tomato. I'm not eating a rat. However, I
• 10:32
  like to think if it was in front of me and I
• 10:34
  could guarantee that I wouldn't die or get some
• 10:36
  weird disease from it, I would do it for probably
• 10:37
  not that much money. Okay. I feel like it's just
• 10:40
  like easy money, you know? Yeah, I think it's
• 10:43
  actually... Times are tough. It's the pouncing,
• 10:46
  the grabbing, it's like the biting into a live
• 10:48
  animal. Yeah, like an apple. Yeah. I don't know
• 10:52
  if I could do that. If it was like, you know,
• 10:55
  like a rat rotisserie. Yeah. Yeah. Cook it over
• 10:58
  a little. I would eat, I would almost eat a little
• 11:00
  slow cook. I'll take one of those rotisserie
• 11:02
  horses that Trump's got coming down. I'll take
• 11:05
  one. Talk about delicacy. Listen, I'm so sorry
• 11:09
  to everybody for what is going to happen on this
• 11:12
  episode. Cause we are truly two of the most unhinged
• 11:16
  people you'll probably ever meet. Same. That's
• 11:18
  us too. That's us too. I am also. going on like
• 11:22
  three hours of sleep because I drank an espresso
• 11:25
  old fashioned last night and it made me wired.
• 11:27
  Oh, yum. It was delicious. But then I like tried
• 11:30
  to go to sleep at like midnight. I was like,
• 11:32
  uh -oh. That's not happening. When did you drink
• 11:36
  it? When did I drink it? Yeah. Like 7 PM. Oh,
• 11:40
  that'll. OK, but usually coffee doesn't do that
• 11:42
  to me. And you're like a late. I used to say
• 11:46
  that like, I was like, cause I drink a lot of
• 11:48
  diet Pepsi and I'm like, Oh, I don't even feel
• 11:50
  the caffeine. And then I went to the sleep study
• 11:52
  thing and she's like, you should not drink caffeine
• 11:54
  after 12 PM, which I thought was crazy. Cause
• 11:58
  I was like, I thought I was good at like stopping
• 12:00
  at five and I started like drinking less caffeinated
• 12:04
  stuff after noon and it actually helped. And
• 12:07
  I was like, dang it. This medical professional
• 12:09
  is correct. Do you, did you guys hear about the
• 12:11
  new Blair Witch that's coming out? I did. I don't
• 12:14
  know how I feel about it. I know. I'm honestly
• 12:17
  just did it like 2017. I know. But that wasn't
• 12:21
  that was technically a sequel. That was technically
• 12:23
  a sequel. That was technically a sequel. You're
• 12:25
  right. You're right. Yeah. It they made one in
• 12:27
  2017 where it is the brother Heather, the main
• 12:31
  woman. Her brother is like she's been missing
• 12:34
  for 10 years and I'm going to find out what happened
• 12:37
  to her. So he brings his squad out and shenanigans
• 12:40
  ensue. nature it wasn't bad no i honestly kind
• 12:45
  of enjoyed it like the i kind of enjoyed it the
• 12:48
  the scene where she's like that's the one where
• 12:50
  she's like kind of crawling through the tunnel
• 12:52
  yeah she's crawling like in the dirt tunnel oh
• 12:55
  literally i would went to as a girlfriend and
• 12:57
  i can still remember it that movie came out what
• 12:59
  seven years ago no nine years ago now i'm thinking
• 13:02
  2024 and i have like a vivid memory of like looking
• 13:05
  over to my girlfriend and being like i would
• 13:06
  kill myself If I were climbing through, if I
• 13:09
  was crawling through a dirt tunnel, I would literally
• 13:11
  would like take one of the branches that was
• 13:13
  like sticking out of the dirt and like try to
• 13:14
  stab it through. Like I'm 86ing myself from this
• 13:16
  situation. Like I'm out, I'm out. I'm not, I'm
• 13:20
  not crawling through a tunnel from the Blair
• 13:22
  Witch. Life is not worth this. No, no, it's,
• 13:26
  it's a hard pass. Yeah, I am curious to see what
• 13:29
  it is going to be. If it's just like a complete
• 13:32
  reboot. I don't know. I do like that they're
• 13:35
  trying to do a found footage thing again, because
• 13:37
  I do think found footage has kind of fallen off
• 13:40
  a little bit when it comes to horror movies in
• 13:42
  general, which I feel like it's such an easy,
• 13:45
  maybe it's because it is easy. I feel like it's
• 13:47
  just an easy genre to make a horror movie in.
• 13:49
  It's also very cheap. I feel like there's a lot
• 13:51
  of indie people that are coming up and making
• 13:53
  that found footage horror movie and making it
• 13:56
  really, really scary. And I think we should continue
• 13:58
  to do that. But it just seems like it's kind
• 13:59
  of fallen off. I don't think they've also actually
• 14:02
  confirmed the genre style, and they probably
• 14:06
  have, and people are screaming at me through
• 14:07
  their headphones right now, but Curry Barker's
• 14:10
  new project, Anything But Ghosts, I think is
• 14:14
  gonna have an element of found footage, because
• 14:15
  it's people, con men who do the essentially ghost
• 14:19
  adventures thing, where they go to haunted places,
• 14:21
  so I'm wondering if there's gonna be a little
• 14:23
  bit of found footage bits in there. Interesting.
• 14:27
  Yeah, I agree with you. Almost like a Shelby
• 14:29
  Oaks. Yeah, yeah, yeah, which which love you
• 14:33
  girl. Yeah to a point they Had the um his like
• 14:40
  milk and cereal or whatever which was like one
• 14:42
  of the first movies he made but it's just like
• 14:44
  on his YouTube and that's like Yeah, that was
• 14:46
  found footage. That was a found footage. You're
• 14:47
  right. I forgot about that one Yeah, we haven't
• 14:49
  we haven't had like a really really good found
• 14:52
  footage. No host like 2005. No, it's been actually
• 14:56
  Actually one that I rewatched recently that I
• 15:00
  forgot about, Shame on Me, Creep. Love Creep.
• 15:04
  Mark Duplass. Yeah, he really, he really, he
• 15:06
  really banged that one out. I was going to say
• 15:08
  also, I don't know if you guys have seen this
• 15:10
  one, but Host. Did you watch the Zoom call? Yeah,
• 15:13
  yeah, yeah, yeah, yeah. I feel like that was
• 15:14
  actually a pretty good found footage horror movie.
• 15:17
  But you know, like hopefully it makes a comeback.
• 15:19
  Yeah, because I would like to see that. That's
• 15:20
  like definitely one of my favorite genres, I
• 15:22
  would say. Yeah, yeah. There's definitely a lot
• 15:24
  you can do with it. Well, that can lead us into
• 15:28
  talking about the movie that we're talking about
• 15:30
  this week. Not found footage, but a Shudder original.
• 15:34
  What are your ladies, what's your experience
• 15:36
  with Shudder? You guys, do you have a Shudder
• 15:38
  subscription? I do. Do I still have it? That's
• 15:43
  the question. Oh, she's rich. Oh, she's got subscriptions.
• 15:48
  You might have canceled it. I might have canceled
• 15:50
  it because I think I maybe switched to YouTube
• 15:52
  premium because I use YouTube for so much of
• 15:55
  my research for the pod, for Gimli. And I'm like,
• 15:58
  I cannot watch this fucking ad one more goddamn
• 16:01
  time. And so I was like, I need to pay for this
• 16:05
  subscription. From a sanity standpoint. I do
• 16:11
  love Shutter. I do think they're maybe trying
• 16:15
  to, I don't know. rob people with the subscription
• 16:20
  pricing, because I do think it's gone up a little
• 16:21
  too much. Oh, it's insane. Isn't it like $99
• 16:23
  a year now? It's in, yeah. Oh, yeah. I mooch
• 16:26
  off, I mooch off Cassie. So thanks for your service
• 16:29
  to this country, Cassie. You're truly a hero.
• 16:31
  Well, the problem though is that like all these
• 16:32
  subscription places are like, uh... really starting
• 16:36
  to crack down on, like, IP sharing. Yes, the
• 16:40
  sharing. And it makes me so mad. I mean, from
• 16:42
  my sense, I'm just, like, selfish and don't want
• 16:45
  people to share. But think about, like, all those,
• 16:46
  like, nontraditional households where, like,
• 16:49
  maybe, like, the kids are at two different houses
• 16:51
  or, like, your kid's away at college. Like, they
• 16:53
  shouldn't have to get a separate subscription.
• 16:54
  It's just kind of dumb. That's really awesome.
• 16:56
  We knew they would do this one. Yeah. I know.
• 16:59
  It started going this way. Well, it's like we
• 17:01
  got rid of cable because everyone was like, well,
• 17:02
  screw cable. Like you guys are charging us way
• 17:04
  too much. And then we all went to like a subscription
• 17:06
  service and then, yeah, now we're all getting
• 17:08
  robbed hand and foot again. Yeah. And slowly
• 17:10
  it felt like they were all being owned by the
• 17:12
  same company. So it was like, God damn. Yeah.
• 17:15
  Late stage capitalism is really a bummer. Our
• 17:19
  streaming overlords are just, you know, have
• 17:22
  us controlled. But guess what? Here at Skipper
• 17:25
  Stream, we're not talking about relevant subjects
• 17:26
  because we're talking about Shudder original
• 17:28
  movies that probably no one's ever heard of.
• 17:30
  I don't know. I did not hear of this one, no.
• 17:34
  It just came out like literally like a week or
• 17:37
  two ago. I was going to say it's been very like
• 17:39
  advertised on like their home page because it's
• 17:41
  like a new one. So yeah, yeah, yeah. But I saw
• 17:45
  some stuff in my algorithm that was talking about
• 17:47
  that it was good. So OK, I love it. Yeah, it
• 17:49
  was hard to try to think of a movie that neither
• 17:51
  of us had seen. Yeah, yeah, yeah. When I reached
• 17:54
  out to these ladies, we were having troubles
• 17:56
  finding a movie. And then I sent you the most
• 18:00
  unhinged movies I could find. The first one was
• 18:03
  Killer Thong. I was like, what's true? I don't
• 18:06
  know. That's OK. Cassie covered a movie called
• 18:08
  Slacks, which was about killer jeans. And it
• 18:11
  was like one of my favorite movies that Cassie's
• 18:13
  done. It was really fun. It was really fun. Although
• 18:16
  we did get some some hate comments, not real
• 18:18
  hate comments. But one of my friends texted me
• 18:20
  and she's like, I watched the movie because you
• 18:22
  guys said it was good and I hated it. And I was
• 18:24
  like, yeah, sorry. You got free will, babe. You
• 18:28
  did that. It's called slacks. Come on. It's literally
• 18:31
  called slacks. Well, this movie is an interesting
• 18:35
  vibe. I'm not going to reveal my thoughts to
• 18:38
  the end. Ladies, we try to be professional and
• 18:40
  not just be like, we hated this movie right from
• 18:42
  the beginning, or we loved it. So we're trying
• 18:44
  to be more even keeled. But it is definitely
• 18:47
  hard sometimes. So I'll try to keep my thoughts.
• 18:49
  To be neutral. Yeah, to be neutral. I'll try
• 18:50
  to keep my thoughts to myself. But let's warm
• 18:52
  up. Let's wet our palettes here by talking about
• 18:55
  the question of the week. So this week's movie
• 18:57
  follows a woman named Lena who wakes up locked
• 19:00
  inside a speeding camper trailer while a mysterious
• 19:03
  driver named Clive communicates with her through
• 19:06
  a taxidermied animal intercom system, which when
• 19:09
  I... Yep. There's this guy that I follow on...
• 19:16
  TikTok, and it's called Toddadees. And he just
• 19:19
  has, like, taxidermied lizards that he, like,
• 19:21
  dresses up in outfits and uses, like, trending
• 19:23
  sounds. So he is, like, uh, he has, like, one
• 19:26
  of his is, like, it's like a, it's like a taxidermied
• 19:30
  chameleon that's dressed up like Madame Zaroni,
• 19:32
  and he uses the Madame Zaroni, like, you must
• 19:35
  carry Madame Zaroni up the mountain. Yes, it's
• 19:38
  so good. So when you first sent that question,
• 19:40
  because I hadn't watched the movie yet, I was
• 19:41
  like, please tell me that the taxidermy is like
• 19:43
  a derpy taxidermy. But it wasn't. It was normal.
• 19:46
  It's like a googly -eye. What is she gonna tell
• 19:48
  us? I can't wait to hear about it. I know, I
• 19:50
  really can't. So the question is, then, where
• 19:54
  do you think would be the worst place to wake
• 19:56
  up after being taken, a la our protagonist in
• 19:59
  this film? Do you want to go first? I can go
• 20:02
  a few different ways with this, but I'm gonna
• 20:04
  go ahead and say... There's a lot of bad places
• 20:06
  to wake up, let's be real. I know, Costco. For
• 20:09
  me. I was surprised when she said... Because
• 20:11
  we were talking about this, I was like... Costco?
• 20:14
  I hate Costco. Honestly, I agree. My personal
• 20:16
  hell. My personal hell. That's the nice way to
• 20:20
  put it. Too many fucking cars. Too crowded. The
• 20:24
  parking lot sucks. Nobody knows what they're
• 20:25
  doing. The inside sucks. Back to the parking
• 20:28
  lot. Then it's a nightmare. They don't have grocery
• 20:31
  bags. You have sometimes boxes. Yeah. Sometimes
• 20:33
  you're just throwing things. I can't. I simply
• 20:35
  cannot. And people are always like, it's such
• 20:37
  a good deal. And I'm like, no, it's not. They're
• 20:39
  just tricking you because they're making you
• 20:41
  buy 80 servings of something that you're never
• 20:43
  going to use. You're never going to use it. Costco
• 20:46
  is not meant for single single girls. Yeah, even
• 20:49
  like just like a small family. I mean, you have
• 20:52
  to have children. Yeah, I'm a family of like
• 20:54
  I have a child. I'm a family of three. We never
• 20:56
  fucking use the shit that we get there. The only
• 20:58
  reason we go there is for a dollar fifty glizzies.
• 21:01
  Yeah, we get that. We get the hot dog. At least
• 21:03
  we have that. Listen, we have deep glizzy lore
• 21:05
  over here. OK, glizzy hot dog. My God, my. I'm
• 21:11
  gonna have to kick you off of this place. Cassie,
• 21:14
  you know this very much frustrates me because
• 21:16
  this is not the first time Glizzy has been talked
• 21:18
  about on this podcast, and you have the same
• 21:20
  reaction. You need to fucking get it together.
• 21:22
  It's a hot dog. It's a hot dog. It's a hot dog.
• 21:24
  It's like a sexy hot dog. Why is it called a
• 21:26
  Glizzy? Because it's a sexy dog. It is sexy.
• 21:29
  It's glistening. Oh, it's glistening. And you're
• 21:32
  ready to eat that, baby. You slurp down a Glizzy.
• 21:35
  Yeah, you're hot for that, Glizzy. I am hot.
• 21:41
  I'm hot for a Costco glizzy. I'm hot for a Costco
• 21:43
  glizzy and a Costco 9 .99 pizza. But is it because
• 21:45
  it's only $1 .50? Is that what you want it? Yes.
• 21:48
  Okay. Yeah. Okay. It's the least they can do
• 21:49
  to have that. That's all I'm saying. Truly, truly.
• 21:51
  We don't have to talk about Costco forever, but
• 21:53
  sorry. But we can. The way that Brandon has texted
• 21:57
  me a few times, I've been like, you guys need
• 21:58
  to stop talking about hot dogs. Girl, listen,
• 22:05
  that's not gonna happen. I don't know what to
• 22:07
  tell you. Like, what context were we talking
• 22:08
  about hot dogs? Was it innuendo? It was like
• 22:10
  a real hot dog conversation. I don't know. I
• 22:13
  don't remember at this moment. Probably it was
• 22:15
  about the food, unfortunately. We are doing another
• 22:17
  collab with him with Terrific and he called it
• 22:19
  Grimly Glizzies. Oh, Grimly Glizzies. You guys
• 22:22
  should make merch. Yeah, we do have a sticker
• 22:25
  that says corn dog slut. Which is different.
• 22:28
  We like sausage at all times. We do also have
• 22:32
  one that says blessed by a hot dog angel. Oh,
• 22:34
  as well. Maggie is a pronto pup slut, which is
• 22:37
  like a hot dog that's at specifically at our
• 22:40
  Minnesota State Fair. That sounds fantastic.
• 22:43
  Maggie, tell them the difference. Yeah, please.
• 22:47
  So pronto pups are. The batter is not made out
• 22:51
  of corn, like a traditional corn dog that's made
• 22:53
  out of ground cornmeal to batter it. It's made
• 22:57
  out of a different grain. I don't even remember.
• 23:00
  I think it's wheat or something. Yeah. It's just
• 23:03
  very... Oh, it is literally diabolical how many
• 23:08
  calories are probably in this thing. It's like
• 23:10
  straight butter and just like golden bread. And
• 23:14
  then the hot dog is just massive inside. It's
• 23:16
  like... Celiac into a coma? Yeah, yeah, yeah.
• 23:20
  It's like, it's girthy. I do like the ratio of
• 23:25
  a fatter sausage. The ratio to a sausage to breading
• 23:30
  is important. Somebody's going to clip that.
• 23:32
  I do like the ratio of a fatter sausage. It's
• 23:36
  fine. Worst thing, we got it. What is food, if
• 23:39
  not proper ratio items in cereal? Honestly, we've
• 23:43
  said worse, so just go for it. Clip us. Well,
• 23:47
  what are some other places bad to wake up? Did
• 23:50
  you want to do your more serious? No. OK. No,
• 23:53
  no, no. My so I was thinking what truly like
• 23:56
  in like a more like a truly scary context would
• 24:00
  be waking up in a room that has nothing in it,
• 24:03
  like no door, no window. Just everything is like
• 24:05
  a big flat box. Yeah. How the fuck do I get out
• 24:08
  of here? You know, because I would I would wake
• 24:11
  up with a plan. I'm a Virgo. What do you do if
• 24:15
  there's nothing in there? What are you doing?
• 24:17
  Now there's no plan, you're just losing it. I
• 24:19
  might just run into a wall until I die. I don't
• 24:21
  know. Yeah. I want to take a nap first and then
• 24:24
  I might. Yeah. And what else can you do? But
• 24:26
  my less serious one is waking up in like a flat
• 24:29
  earthers convention with no exit. Because that
• 24:34
  would also, that would take us all with me, but
• 24:36
  I would definitely take everybody out, including
• 24:38
  myself. Yeah. I feel that. Really the flat earthers?
• 24:41
  Yeah. They're finding their own business, thinking
• 24:45
  the Earth is flat. Are they finding their own
• 24:47
  business? No, they're the worst. It's a pipeline.
• 24:50
  It's a problematic science, and I am not doing
• 24:52
  it. I hear you. OK, I just think that, OK, fine.
• 24:55
  I don't condone the murder of the Flat Earthers.
• 24:58
  No, Flat Earth con. I don't subscribe to the
• 25:03
  terrorist. Flat Earthers, you're OK. You're OK.
• 25:06
  Listen. Just don't find me. They're just confused.
• 25:09
  OK. They're not confused. Yeah, OK, sure, sure.
• 25:12
  That's nice. That's a very nice way to put it.
• 25:15
  But that would be the second scenario I would
• 25:17
  hate waking up in. Mine is pretty similar to
• 25:20
  your first. I was like, if I woke up in a coffin
• 25:22
  or buried alive in some way, one of my deep childhood
• 25:29
  lore of true crime or crime shit or whatever
• 25:33
  is we grew up, at least me, I'm significantly
• 25:36
  younger than Cassie, so I was in the house by
• 25:38
  myself for a long time, right? Okay. And my mom
• 25:41
  would always watch CSI, OG. CSI Crime Scene Investigation
• 25:45
  when they were in Vegas, y 'all. None of this
• 25:48
  New York Miami shit, y 'all. I don't do that.
• 25:53
  But there's an episode where Nick, super, super
• 25:57
  hottie alert, one of the main characters, gets
• 25:59
  locked in a coffin. I forgot about that episode.
• 26:02
  And he's running out of air. And there's part
• 26:04
  of the episode where he chews gum and... he has
• 26:08
  a piece of gum in his pocket and he chews gum
• 26:10
  and shoves it in his nose and his ears. So that
• 26:13
  bugs, because bugs ants started crawling in and
• 26:16
  crawling into his nose and his ears. And the
• 26:19
  coffin was so small that he couldn't like move
• 26:22
  barely. So he just like was like put it up in
• 26:25
  his nose. Anyways, that like really traumatized
• 26:27
  me as a child. So I wouldn't want to wake up
• 26:30
  in a coffin. No, no, no. Because you're like,
• 26:32
  I'm screwed. Like, I hate that. Yeah. No, thanks.
• 26:38
  Spoiler alert, euphoria people? Any euphoria
• 26:41
  people out there? I was literally thinking euphoria
• 26:43
  as we... A snake comes in and bites you. At least
• 26:46
  then you just die. That was the most visceral
• 26:48
  recent image I've seen of somebody in a coffin
• 26:51
  being buried alive. Isn't there also like a Ryan
• 26:53
  Reynolds movie where that happens? Yes, yes.
• 26:56
  I think it's literally... Yeah, it's called Buried.
• 26:59
  He's like an ex... operative or something, and
• 27:02
  like someone in the Middle East like kidnaps
• 27:03
  him, puts him in the desert and yeah. He's SOL,
• 27:06
  yeah. Yeah, he's very SOL. Because you're really
• 27:08
  like, what do you do? Like nothing. You hope
• 27:11
  to God someone finds you. Yeah, there's a similar,
• 27:13
  I don't know if you guys ever watched Bones,
• 27:15
  the TV show. Only some episodes. Yes, there's
• 27:19
  a two of the people are buried in a car. Oh,
• 27:22
  okay. Interesting. They're trying to figure out
• 27:24
  how the hell to get out of there. They make like
• 27:27
  a CO2 scrub because they're like super smart
• 27:29
  people and trying to figure out how to get the
• 27:31
  hell out of there. It's really interesting. They
• 27:34
  get out. So, spoiler alert. Oh, spoiler. Thank
• 27:37
  God. I wasn't going to sleep tonight unless I
• 27:39
  knew. If you haven't seen it by now, it's too
• 27:41
  late. Exactly. What's the point of a recap podcast
• 27:43
  if not to literally just spoil things? I mean,
• 27:46
  yeah, I was going to say. Yeah, you're good.
• 27:47
  You're good. Cass, what about you? Where would
• 27:49
  you not want to wake up? Well, I was going to
• 27:52
  say Buried Alive, but the other thing is we were
• 27:54
  talking about TV shows that freaked us out and
• 27:56
  scared us. I get really stressed out when I watch
• 27:59
  any TV show where they go into water in some
• 28:03
  sort of enclosed space, like a car, where a car
• 28:06
  goes into water. So if I woke up and I came to
• 28:10
  as a car was filling with water, I would just
• 28:12
  be like, yeah, I'm done for. Right. It's so scary.
• 28:17
  You need to shh that Mythbusters cast where they
• 28:19
  say can you open a door underwater if you're
• 28:21
  in a car. It's weird because I don't feel like
• 28:24
  I'm like... actually claustrophobic, but at times,
• 28:29
  I do feel a little claustrophobic. I think anyone
• 28:31
  would be scared or claustrophobic if they were
• 28:34
  in a car underwater. Well, and here's the reason
• 28:35
  I say this, because I got a sleep study done
• 28:37
  recently, and I had to fill out this thing to
• 28:39
  get my CPAP, and one of the questions was, like,
• 28:41
  are you claustrophobic? And I'm like, well, I
• 28:43
  guess it depends. Like, I don't know. And I'm
• 28:45
  guessing it's because when you put, like, a mask
• 28:47
  thing on your face, it probably feels like...
• 28:49
  And I don't know, because I'm kind of weird about
• 28:51
  things like that. So I'm like, maybe it would
• 28:53
  make me feel claustrophobic. I don't know. I
• 28:55
  would think I'd probably freak out. I do a lot
• 28:57
  of backpacking, and I cannot use a mummy bag,
• 29:01
  which is the really intense bags that go around
• 29:03
  your head. Yes, because you're too, like, yeah.
• 29:05
  No, I have to. No, there's no way. And people
• 29:07
  talk, but you're so cozy. I'm like, yeah, but
• 29:09
  you're also going to die in there. Yeah, it's
• 29:11
  too restrictive. Way too restrictive. There's
• 29:13
  no escape. Yeah, absolutely. So I definitely
• 29:17
  feel that for sure. Like a CPAP machine would
• 29:18
  probably really freak me out. Yeah. Well, all
• 29:22
  very good answers. I would say the Costco one's
• 29:26
  a little crazy. The Costco one, I think, is the
• 29:28
  scariest. I'm sure people would say, like, Ikea,
• 29:31
  too. Like, in the nightmare. Sorry, I didn't
• 29:34
  mean to interrupt you. Also, Costco, why do you
• 29:36
  make a scanner membership card to come in when
• 29:38
  we have to scan it to check out? Get it together.
• 29:41
  I don't want to fucking scan my card twice. Good
• 29:43
  Lord. Well, and we did a thing once where we
• 29:45
  tried to, when we checked out, we, like, scanned
• 29:47
  my boyfriend's card, and then I paid for it,
• 29:50
  and they were like... The person whose name is
• 29:52
  on the card is supposed to be the one who pays
• 29:54
  for it. And they all got mad at us. And I was
• 29:56
  like, what? You're like, damn, dude, OK. Yeah.
• 29:58
  Chill, Costco, chill. Costco's a cult. It is.
• 30:02
  But here's the thing. I do still love Costco.
• 30:03
  I know. I'm sorry, $4 .99 rotisserie chickens.
• 30:06
  Yeah, they treat their employees very well, too.
• 30:08
  They do. I know. We appreciate that. And their
• 30:11
  gas is the only place you can get gas without
• 30:13
  cutting out your liver and paying for it that
• 30:15
  way. They meant it as sister. Good times we're
• 30:18
  living in, you guys. Anyway though, let's talk
• 30:20
  about the scary movie to brighten our, let's
• 30:23
  talk about horror and despair and murder to brighten
• 30:25
  our spirits. Let's distract ourselves from reality
• 30:29
  and the real life horrors. Absolutely. So this
• 30:32
  week we're covering the movie Hellcat. It is
• 30:34
  a fresh, hot off the presses, new release, literally
• 30:38
  less than a week ago. She's a new diva entered
• 30:39
  the chat. Yeah, a hot new bombshell has entered
• 30:42
  the villa and let me tell you, she is something.
• 30:47
  So this movie is a Shudder original, like we
• 30:50
  said. It was written and directed by Brock Bodell,
• 30:53
  starring Dakota Gorman and Todd Terry. Runtime,
• 30:57
  a crisp hour and 31 minutes. Hell, yeah. Rotten
• 31:01
  Tomatoes critic review, 87%. Oh, okay. Rotten
• 31:05
  Tomatoes audience review, not yet rated. Oh.
• 31:09
  So we don't yet know. Did you log in, Maggie,
• 31:12
  and go rate it now? I had to help with the numbers.
• 31:15
  I need to, yeah, I need to... boost those numbers.
• 31:18
  Help her out. Yeah. Fun facts slash info about
• 31:23
  the movie. There's like literally none. I really
• 31:25
  tried hard to scour the internet. It's new so
• 31:28
  it's hard. It's new and it's indie. So the only
• 31:31
  thing I have is that the film first debut at
• 31:34
  the Fantasia International Film Festival before
• 31:37
  it was really directly to shutter. So I never
• 31:39
  went to theaters, nothing like that. Where is
• 31:41
  that? Do you know where that festival is? I don't.
• 31:44
  God, quit asking us the hard -hitting questions.
• 31:46
  Sorry, that sounds like a cool place to go. That's
• 31:47
  why I asked you, right? Because I'm like, where
• 31:49
  is that? I know. Maybe it's like Disney, because
• 31:51
  it's Fantasia. It does sound like Disney. Like
• 31:54
  Disney. I mean, I guess they're spooky Disney
• 31:56
  stuff. Montreal, Quebec. Montreal. OK, well,
• 31:59
  that's closer to you guys. Love you, Canadians.
• 32:01
  Love you. How far is Montreal from us? Montreal's
• 32:04
  kind of closer to us. Right, we need to go a
• 32:07
  little. You guys need a little further east.
• 32:08
  We need to go like the other side of the continent.
• 32:10
  Yeah, you guys need to. Scoot and boogie over.
• 32:13
  Yeah, right. Which I could. Well, we're gonna
• 32:16
  watch the trailer just so we can get like a vibe
• 32:19
  of what this movie is. And I also think this
• 32:21
  is a very good trailer because it doesn't give
• 32:24
  too much away, but it gives you a really good
• 32:25
  glimpse into the sound design because this entire
• 32:28
  movie takes place in the back of a moving trailer.
• 32:31
  Love it. So it... is interesting in the way that
• 32:35
  they worked with the sound because it's like
• 32:37
  constant swaying of like loose items and like
• 32:40
  things clamoring. And anyways, you'll know what
• 32:42
  I'm talking about when we watch this dang thing.
• 32:45
  Let's watch this. I love it. I like it. I do
• 32:53
  too. It's almost giving Cloverfield lane. Yeah.
• 32:58
  Yeah. That's what I wrote in my notes. I was
• 33:00
  like, this is very Cloverfield lane. He's giving
• 33:02
  Cloverfield like the John Goodman. Yeah, she's
• 33:04
  like wakes up. She's like, I don't know if I
• 33:05
  should trust you. Yeah. And the whole time, you
• 33:09
  don't know if he is bad or not, and if he's telling
• 33:12
  the truth about everything that's happening.
• 33:13
  It's the undertone of actually what is happening
• 33:16
  here. That song was super spooky, too. I also
• 33:19
  didn't expect the truck that he had outfitted
• 33:22
  to be such a structure. It doesn't look like
• 33:25
  a truck at all. No. Yeah. I did want that wolf
• 33:29
  to have, like, one googly eye. I know. I kind
• 33:31
  of wanted it to look like the, like, the derpy
• 33:33
  fox who, like, is sitting cross -legged, just,
• 33:36
  like, chilling. It kind of reminds me, though.
• 33:37
  It kind of reminds me, though, on, like, a stripper
• 33:39
  pole. Like, did you guys see Cabin in the Woods
• 33:41
  when the girl, like, they spray in the pheromones
• 33:44
  and she gets horny and, like, makes out with
• 33:45
  the taxidermy wolf? Oh, yes. I forgot about that
• 33:47
  movie. I was like, oh, no, don't kiss it. That
• 33:50
  thing is dusty, girl. Like, ugh. Well, should
• 33:56
  we get into it? Let's get into it. Let's do this
• 33:58
  thing. Okay. So the movie opens up with the sounds
• 34:01
  of like insects and crickets chirping as we see
• 34:05
  outside of a truck in a trailer. So a truck pulling
• 34:07
  an RV trailer. The trailer, you guys saw it in
• 34:10
  the trailer, but listeners, it essentially is
• 34:12
  a janky airstream. So it's an airstream, but
• 34:14
  like old and janky, not... $100 ,000 like they
• 34:17
  are now. No, not six figures. Yeah, unfortunately.
• 34:20
  We hear a man yelling, turn that light off. He
• 34:23
  has a Southern accent, so I'll try to do it as
• 34:25
  much as I can, but I'm not great at accents.
• 34:27
  I mean, we can do it unhinged if you want. I
• 34:30
  will not. Turn that light off. Literally, yeah.
• 34:34
  It's giving like, yeah, like an Appalachian mountain
• 34:37
  type accent. He said, turn that light off. Yeah,
• 34:40
  Appalachian. What is it? I see Appalachia. There's
• 34:43
  no wrong way to do it. If you say Appalachia,
• 34:45
  I'll throw an Appalachia or something. I don't
• 34:47
  know. Sorry, I didn't interrupt you. No, you're
• 34:49
  good. You're good. There's a young woman screaming,
• 34:51
  and she's like screaming bloody murder. It's
• 34:53
  like kind of frightening how much she's screaming.
• 34:55
  He's telling her to get back in there, and she's
• 34:57
  like, I'm not going back in. I'm not going in
• 34:59
  there. And then she just starts screaming and
• 35:01
  eggly, like she's being like, tortured, is what
• 35:03
  it sounds like. We then cut to an above shot
• 35:06
  of the trailer now, driving in the night. The
• 35:09
  credits keep rolling as we see shots inside the
• 35:13
  trailer now. There's hanging cups that are rocking
• 35:16
  coffee cups as it drives, a bead wall that's
• 35:19
  like ricocheting against each of the other beads
• 35:21
  swaying back to front. There's dirty dishes in
• 35:24
  the sink of the trailer. Suddenly. The sound
• 35:26
  of this, though, is like my nightmare. Like,
• 35:28
  it's all the entire time. Yeah, it's like you
• 35:31
  guys heard in the trailer. It's like, yeah, I
• 35:34
  wonder. It's kind of what I'm kind of wonder
• 35:36
  if like undertone is going to have an influence
• 35:39
  in other horror movies because it was such a
• 35:41
  big deal when it came out. Well, like because
• 35:44
  of the audio medium, I feel like there's going
• 35:46
  to be a little bit of a shift where it's going
• 35:47
  to like change some stuff for people. Yeah. And
• 35:49
  like the horror genre. Well, even obsession was
• 35:51
  like really sound heavy. Like I kept trying to
• 35:54
  I kept trying to tell Brandon, he's not a movie
• 35:56
  theater goer, but I was like, you need to go
• 35:58
  see this one in the theater. Like I just think
• 36:00
  it will vastly change your experience. Totally.
• 36:03
  He loved it regardless, so. Yeah, it's good.
• 36:06
  We meet our main protagonist. Her name is Lena.
• 36:09
  She wakes up in the trailer. She's like jolted
• 36:12
  awake and is gasping. She notices that her arm
• 36:14
  is wrapped up in a bandage as she winces. She's
• 36:18
  clearly disoriented. She looks around trying
• 36:20
  to get her bearings or her surroundings being
• 36:22
  like, where the fuck am I? She tries to open
• 36:24
  the door of the RV, but it only opens a little
• 36:26
  bit because it's locked from the outside. Never
• 36:30
  a good sign. Never a good sign. That's very bad.
• 36:32
  No, I mean, I'd be kicking that shit on the swing.
• 36:35
  Yeah. Yeah. She stumbles through the beads towards
• 36:38
  the back of the RV to try another door that she
• 36:40
  sees back there, but it's also locked. She can't
• 36:42
  get it open. And it has a mysterious small eye
• 36:46
  hole to look into. But she opens it, and what
• 36:49
  does she see back there? Nothing. Just like pitch
• 36:51
  black darkness. She says hello, doesn't get a
• 36:53
  response. She continues wandering around the
• 36:56
  RV trying to find any way out or to find anything
• 36:58
  that may help her and she finds a Ponytail on
• 37:01
  the ground and like immediately does some final
• 37:04
  girl badass shit She takes the ponytail out of
• 37:07
  her hair making sure that she pulls some of her
• 37:09
  hair off with it and Replaces the one that she
• 37:11
  found on the ground and puts that one in her
• 37:14
  hair Essentially like if no if someone if I'm
• 37:17
  gonna die like someone's gonna find my DNA. I'm
• 37:19
  leaving some trace here. Yes Right after that,
• 37:22
  she's like super, super wicked. Interesting.
• 37:24
  Okay, yeah. So this is a girl like you're initially
• 37:27
  like, I am rooting for you. Yeah, yeah, you're
• 37:30
  kind of like, she's not a damsel in distress,
• 37:32
  for sure, for sure. I love a queen who's gonna
• 37:35
  take care of some business. That actually is
• 37:39
  one of the fun facts that I saw the director
• 37:42
  talking about how she got the role is because
• 37:44
  they put her in the trailer as her audition and
• 37:49
  then they had her... see how she'd react. And
• 37:52
  that's like the stuff she started doing was like
• 37:54
  more like, okay, survival mode, right? Fight,
• 37:56
  flight. She was like super fight. And they said
• 37:58
  that they really liked her approach to it. Interesting.
• 38:01
  I love that. Yeah. So she's banging against the
• 38:04
  door to get outside and she's like yelling like,
• 38:06
  what the fuck is going on? And she hears a Southern
• 38:09
  voice, seemingly from Sky Daddy up above, because
• 38:12
  there's no one in the trailer with her. And it's
• 38:14
  saying, come on now. And she freezes and she
• 38:17
  says, who are you? to which she says, I am the
• 38:20
  owner and proprietor of this mobile home you
• 38:22
  currently find yourself in speeding down the
• 38:24
  highway, which we saw in the trailer. And she's
• 38:27
  like, why am I inside of this trailer? And he
• 38:30
  says, you've been infected. And she says, infected?
• 38:34
  What did you infect me with? He says, look, I
• 38:36
  didn't infect you with anything. I found you
• 38:38
  at your campsite and I hauled you back here and
• 38:40
  bandaged up your wounds. You're welcome, by the
• 38:42
  way. And she says, where are you? And he says,
• 38:46
  up here. And we see that the voice is at the
• 38:48
  very front of the RV, up onto the wall, close
• 38:51
  to the ceiling. A taxidermied coyote is on the
• 38:54
  wall. Not looking janky, unfortunately. It looks
• 38:57
  pretty normal. And he says, we have less than
• 39:02
  an hour to get you to a doctor, if that. I'm
• 39:04
  taking you to Sacred Heart Hospital, and we're
• 39:06
  going to get you to a specialist called Dr. Janowski.
• 39:08
  It's important you stay calm. You should know
• 39:11
  I'm a good man, an honest man, a hunter. And
• 39:15
  Lena says, okay, this hasn't gone too far yet,
• 39:17
  essentially being like, you haven't, like, assaulted
• 39:19
  me or anything. Right, yeah, yeah. You just put
• 39:21
  me in this trailer. You just locked me in this
• 39:23
  trailer without my consent and are speeding down
• 39:25
  the highway. But, like, we're good. Yeah. And
• 39:28
  so she says, just pull over, let me out. She
• 39:31
  then falls to the ground screaming in pain, and
• 39:33
  she's yelling, what's happening to me? What's
• 39:35
  happening to me? And he's like screaming through
• 39:37
  the coyote being like, it's imperative we keep
• 39:39
  your heart rate down, breathe slowly, try not
• 39:41
  to panic. And meanwhile, she's like hyperventilating
• 39:44
  on the ground and complete agony. She's like,
• 39:46
  and she's like thrashing. And he says, the infection
• 39:49
  must be taking hold faster than I thought. And
• 39:51
  she just screams, it's not an infection, I'm
• 39:53
  pregnant. So then she stands up slowly and she
• 39:59
  says again, I'm pregnant. I'm just like having
• 40:01
  something's happening because of the stress with
• 40:03
  my baby. And she says, you did something to me.
• 40:06
  You drugged me. You poisoned me. And he says,
• 40:09
  no, I did not do any of that. And I'm not going
• 40:11
  to be telling you all night that I didn't do
• 40:12
  any of that, which I appreciate. He's like, because
• 40:15
  like nothing is worse in a horror movie than
• 40:16
  like when someone has to keep telling someone
• 40:19
  like the same thing over and over again. He's
• 40:22
  like, no, I'm not fucking telling you again.
• 40:24
  I didn't do anything. Yeah. So she asked, where's
• 40:27
  my phone? And he says, it's up here with me.
• 40:29
  I tried to grab all of your belongings that I
• 40:31
  could at the campsite, but I only grabbed what
• 40:33
  I could fit in my pockets. So she turns on her
• 40:37
  radio and we hear a newscaster on one of the
• 40:41
  radio stations talking about how if anyone has
• 40:42
  any information on any of the other missing women,
• 40:45
  they should report it immediately. And she, so
• 40:48
  we hear just enough of the person saying that,
• 40:50
  and then she turns another dial to WTZX Knoxville.
• 40:54
  So we know that they're in, around Tennessee.
• 40:58
  She asked the coyote, how are we getting a signal
• 41:01
  from Knoxville? And he says, it reaches halfway
• 41:04
  to Memphis on a clear day. So she's from Memphis,
• 41:07
  and she's like, why the fuck are we going to
• 41:08
  Knoxville? She asks, well, why'd you take my
• 41:11
  phone? And he says, look, believe it or not,
• 41:14
  They say the number one rule of this thing is
• 41:16
  to not get more people involved and to cause
• 41:18
  panic. I don't want to start some daggum outbreak,
• 41:21
  which is quoted word for word, what he says.
• 41:23
  He says, you saw what happened with that whole
• 41:25
  China virus thing? COVID. Jesus Christ. Yeah.
• 41:31
  Uh -oh. He's from the South. Not that all people
• 41:36
  from the South are like that, but we get his
• 41:38
  vibe. We get his vibe. The vibe is clear. Yeah.
• 41:42
  The vibe is clear and it is not immaculate. Let's
• 41:44
  just say that. She starts screaming in frustration
• 41:48
  and like destroying and ripping apart shit on
• 41:50
  the inside of the RV. And he's like yelling stuff
• 41:52
  like, stop ruining my stuff. Stop that. And he
• 41:55
  goes, I'll call someone for you, but you have
• 41:57
  to calm down. You have to keep your heart rate
• 41:58
  down. That is the most important. Okay. He tells
• 42:03
  her yes. No, please. You said that there was
• 42:05
  a bandage on her. Is it on in the trailer? Is
• 42:08
  it on her arm? It's on her arm, like, wrapped
• 42:10
  around, like, the meaty part of her forearm.
• 42:12
  Okay. So, yeah. Okay. I'll probably come back
• 42:16
  to that. Forearm? Bicep? Upper arm? Bicep. Forearm?
• 42:19
  Is this forearm? Okay, bicep. Bicep. Sorry. This
• 42:21
  is body anatomy with Skipper's frame. Yep. Yep.
• 42:25
  Yep. Yep. Yep. Okay, so it's on her arm. Yes.
• 42:28
  Yep. Yep. Yes. Upper arm. Sorry. He tells her,
• 42:32
  whoa, that was actually really good, goodly,
• 42:35
  really well -timed, because he tells her to look
• 42:37
  at her bandage. And we see that, like, from coming
• 42:41
  up from her bandage, her veins are turning black.
• 42:45
  So we can see, like, the veins coming up her,
• 42:47
  like, up into her shoulder are turning black.
• 42:50
  Okay. Take it off, babes. Take it off. Yeah,
• 42:53
  he's like... Yeah, get a better look. He tells
• 42:56
  her, like, it's going to keep spreading eventually.
• 42:59
  It'll make you lightheaded, woozy. You might
• 43:01
  start convulsing. You might even get really hungry.
• 43:04
  And he does say online, he's like, you may end
• 43:06
  up on the toilet more than you want and get a
• 43:08
  little farty. which I was like, what an interesting
• 43:10
  way to write that. It's a weird way to say that.
• 43:13
  It's a warning. Thanks for the warning. You're
• 43:15
  just a guessing, sir. I want to know why he knows
• 43:17
  so much about this. Yeah, interesting. We hear
• 43:21
  the lines start ringing because he's calling
• 43:23
  over the speakerphone, as she requested, and
• 43:27
  he's calling Lena's dad. So he asks her name.
• 43:33
  and she says her name is Lena, and he tells her
• 43:35
  his name is Clive. The coyote man is Clive. So
• 43:38
  we have Clive and Lena. Okay. When Clive gets
• 43:41
  Lena's dad's voicemail, he says, uh, yeah, hello
• 43:44
  there. My name is Clive, and I'm an acquaintance
• 43:46
  of your daughter Lena. She got in a little scuttle
• 43:49
  with a dog, and we're on our way to Sacred Heart
• 43:51
  Hospital right now. And she interrupts him, and
• 43:54
  she yells, Dad, help! Some hillbilly kidnapped
• 43:56
  me, and I'm in the back of his trailer! Help!
• 43:59
  Yeah. And so he hangs up. Obviously. And he just
• 44:02
  says, that was a very nasty. And he says, which
• 44:07
  like also like these situations are funny to
• 44:09
  me as someone who's seen a billion horror movies
• 44:11
  approximately, realistic number there. When people
• 44:14
  are mean to the people in a position of power,
• 44:18
  why are you calling this man a hillbilly? Like,
• 44:20
  what is that going to do for you girl? Nothing,
• 44:22
  nothing. I know, but men do like it when you
• 44:26
  sack them. You're right. Men do like getting
• 44:28
  nagged. Yep. That's true. That's true. Uh, something's
• 44:32
  never changed. Work to roast ratio, perhaps.
• 44:34
  Yep, yep. Something's never changed, horror movie
• 44:35
  or not. Yeah. So he's like, okay, your dad didn't
• 44:39
  answer, why don't we call your mom instead? And
• 44:41
  Linus is like, no, she's not gonna answer, because
• 44:44
  she's dead. And we get a flash now of like the
• 44:49
  scenery changing in the RV. of a funeral and
• 44:53
  Lena's dad is like sitting in the little table
• 44:56
  that's built into the RV wearing like a black
• 44:59
  suit and like crying over the program for his
• 45:02
  wife's memorial. So it was like a really interesting
• 45:04
  little like flash. We're not leaving the RV.
• 45:07
  Staying in the RV. So it's just like, it's maybe
• 45:08
  like her image of like, yeah, it's like her.
• 45:12
  Yes, yes, exactly. You guys get it. So Clive
• 45:17
  says his wife Rebecca has also been gone for
• 45:21
  five years as of yesterday and it was because
• 45:23
  of cancer, which Lena says that's how her mom
• 45:25
  died too. So they're bonding. They're bonding,
• 45:28
  okay. I mean, she's trying to bond with them.
• 45:30
  She's like, hey. Yeah, yep, yep. He asks how
• 45:32
  far along she is, because remember she's preggers,
• 45:35
  don't forget. And she says she's two months.
• 45:37
  So she's like freshly baked. Yeah. And she looks
• 45:41
  up to the side of one of the cupboards. She pulls
• 45:43
  a picture down of a woman with a young girl sitting
• 45:45
  on her lap, and Clive narrates over as she's
• 45:48
  looking at this picture. He says, Waikiki, she
• 45:51
  drank so many of her own made -up drink at the
• 45:53
  Tiki bar, they decided to name it after her,
• 45:56
  the Hellcat. Oh, we said the thing. We said the
• 46:00
  thing with the movie. Wait, did he describe the
• 46:02
  drink though? It's a Mai Tai with grenadine.
• 46:11
  My tie has a float of like dark rum. Okay. So
• 46:15
  it's like orange juice, pineapple juice, rum.
• 46:16
  It does have the cherry and then the float of
• 46:19
  dark rum. She wants a little sweeter. It's already
• 46:21
  a very sweet drink. It's already a very sweet
• 46:23
  drink. That's why it's very gross. You're asking
• 46:26
  the right questions. Let's just say that right
• 46:28
  after that. I'm glad we don't sound incorrect.
• 46:32
  Yeah, yeah, yeah. He says, the little one on
• 46:35
  her lap there, that's my daughter, Allie. She
• 46:38
  don't see eye to eye with her old man much these
• 46:40
  days. Something changed when she went off to
• 46:42
  college because she was attacked. And, like,
• 46:45
  Lena's like, oh, fuck, because she's presuming,
• 46:47
  like, she got murdered, she got, like, assaulted,
• 46:51
  something. He says, now put that picture back
• 46:54
  where you found it. And she says quietly, wait,
• 46:56
  can you see me? Which is like, girl. Duh. Yeah,
• 47:01
  girl, he can see you. He ain't gonna put you
• 47:03
  in the back of the trailer and not have eyes
• 47:04
  on you, girl. So he said... You're rigging this
• 47:07
  thing to make it so you can have a prister. Yeah.
• 47:11
  He says, now don't get Ben out of shape. A few
• 47:15
  weeks back, a couple of kids spray -painted some
• 47:17
  shit on the side of my trailer, so I put up a
• 47:19
  camera in case those punks ever came back and
• 47:20
  break in. So he's got an answer for everything,
• 47:24
  folks. It has nothing to do with women going
• 47:26
  missing. Yep, so she grabs the camera, finds
• 47:29
  it, because he points it in the right direction.
• 47:31
  She looks at it, and she tears it off, breaking
• 47:34
  it, tears it off of its electrical line. And
• 47:37
  we get some really interesting flashbacks of
• 47:39
  her looking at the camera, and it's her growing
• 47:43
  up with her mom through the lens of old school
• 47:46
  home videos. So we now have left the trailer
• 47:48
  momentarily to see old... home videos, which
• 47:52
  I really wanted to find if I could see if these
• 47:54
  were actually these actresses' home videos, because
• 47:56
  they were really, really cute. It was like her
• 47:59
  when she was two getting out of the bath, and
• 48:01
  her mom is like, say hi to daddy. And they looked
• 48:04
  like real home videos, not like they re -staged
• 48:07
  it in 2026. They looked really, really real.
• 48:08
  Yeah. I mean, it was like a film camera. That's
• 48:12
  true. Yeah. I mean, that's a detention of detail
• 48:15
  that I would really appreciate, though, if they
• 48:17
  actually did the step of taking a film camera
• 48:19
  and making a home video like that. Yeah. Would
• 48:21
  be really cool. It was very cute. Yeah. Yeah,
• 48:25
  yeah, yeah. Cool. She says, OK, so we're going
• 48:29
  to Sacred Heart, right? And he says, yep, to
• 48:31
  see a specialist, Dr. Janowski. She's like, I
• 48:34
  want to know exactly how I got here. And he just
• 48:38
  says, I wish I could tell you, but I can't. And
• 48:40
  you're just going to have to be all right with
• 48:42
  that for now. What? So what do we feel like the
• 48:45
  vibes are of this so far, of this situation?
• 48:47
  Because we really, as the audience, don't have
• 48:48
  much of an idea of what is going on here at all.
• 48:51
  Other than that, this woman has been taken without
• 48:53
  her consent. Yeah. I think she's trying to probably
• 48:57
  play it smart, where she's trying to talk to
• 49:00
  this man and relate to him in a way, being like,
• 49:03
  hey, I'm like... just a regular girl. Like I
• 49:07
  understand where you're coming from. Maybe you're
• 49:08
  trying to save me and maybe your motivation is
• 49:11
  necessarily not so sinister, but like also you
• 49:16
  seem a little unhinged, a little crazy and I
• 49:19
  need to try to like talk you down from a ledge.
• 49:22
  This is not a good situation for her at all.
• 49:24
  I don't love it. The fact that he's not like
• 49:26
  telling her how he found her is alarming because
• 49:30
  if Yeah, I feel like she wakes up. You instantly
• 49:33
  have to be like, hey, you got infected, blah,
• 49:35
  blah, blah. This is how I found you. This is
• 49:36
  what's going on. He's playing games. He's playing
• 49:38
  games. Absolutely. Well, again, right on the
• 49:41
  money here, ladies, because the next scene we
• 49:43
  get, we get a flashback in the trailer, similar
• 49:46
  to how we had the funeral scene in the trailer.
• 49:49
  We get a flashback of like... and branches in
• 49:52
  the trailer and Clive covered in shadow. We can't
• 49:56
  see his face. We can only see like the silhouette
• 49:57
  of a man coming up behind Lena in the woods,
• 50:00
  like she's sitting at a campsite. And he's pointing
• 50:03
  his rifle like past her and he just whispers,
• 50:06
  get down. Because remember he told her she got
• 50:08
  like attacked by a dog. So we're like seeing
• 50:11
  like something did potentially happen potentially.
• 50:15
  All right, they want us to think at this point
• 50:17
  that he might not be a bad guy. Yes. A bit of
• 50:21
  a savior. A little bit. A little bit. Not too
• 50:23
  much, but maybe. But what's about to happen may
• 50:26
  change your mind a little bit about that. So
• 50:29
  she snaps out of that little flashback she had,
• 50:32
  because remember, she is presuming she was drugged,
• 50:36
  which is why she's forgetting all this stuff.
• 50:39
  And he goes into this monologue where he had
• 50:42
  an encounter with... creatures when he was younger
• 50:45
  that looked a lot like humans, but they were
• 50:47
  different. They weren't humans, but they put
• 50:51
  on essentially the guise of being humans. And
• 50:53
  he said, it made him realize we're not alone
• 50:56
  out here. And he says, once that veil gets lifted,
• 50:59
  there's no going back. And Lena's looking around
• 51:02
  at all the mess she made from when she was tearing
• 51:04
  up the RV earlier. And she sees all sorts of
• 51:07
  books and tabloid magazines on cryptids, like
• 51:11
  Bigfoot. aliens, like all sorts of unexplainable
• 51:15
  and strange phenomena. So like, she's like, oh,
• 51:18
  fuck this like hillbilly conspiracy theorist
• 51:21
  whack job. Right. Kidnap me. But he's essentially
• 51:23
  being like, I interacted with aliens and now
• 51:26
  like, I know shit. Listen, I'm not gonna say
• 51:30
  that he might be a flat earther. But he might
• 51:36
  be. He might be. It's a good chance. It's a good
• 51:39
  chance. It's a good chance he thinks it's flat.
• 51:41
  And we're on the back of a turtle or something.
• 51:42
  Yeah. Yeah. We're on the back of a turtle. Yeah.
• 51:46
  She is like, again, having this realization,
• 51:49
  like, OK, I already thought that I was in a rough
• 51:51
  spot trying to negotiate with this crazy man,
• 51:53
  but now I know he's like super crazy because
• 51:56
  he's been using all this shit, which is like
• 51:58
  perfect for the Grimley ladies here. Right. I
• 52:00
  was like, well, let's not judge him so harshly.
• 52:02
  Yeah. Can we? Bitch, please. Can you, yeah, quit
• 52:06
  being so judgmental. You know what, I'll just
• 52:08
  lean into it. You're like, sure. No, but he does
• 52:11
  have a woman locked in the back of his beard.
• 52:13
  That's true. That's true. That's judge -worthy.
• 52:14
  You crossed the line, Sarah. Even by gorilla
• 52:16
  standards. We don't fight with that. No, no,
• 52:18
  no. Yeah. She looks down at her arm, and she
• 52:22
  sees the black veins are spreading even further
• 52:25
  up her arm. Okay. So... He says he started listening
• 52:29
  to some radio shows, which we heard a little
• 52:31
  bit in the trailer where it's like, you're listening
• 52:33
  to the Midnight Talk, blah, blah, blah, where
• 52:35
  we talk about the strange and unexplained and
• 52:37
  love it. He's like a Art Bell Coast to Coast
• 52:41
  radio. Yeah. Yeah. And he's yeah, he's like,
• 52:47
  he's like, I started listening to it so I could
• 52:48
  like find other people who were like me. But
• 52:50
  some of those guys are pretty out there. Like
• 52:52
  even to me, they're a little crazy. OK. And she
• 52:56
  sees a little switch under one of the cabinets
• 52:58
  and she goes to flip it being like, oh my gosh,
• 53:01
  maybe this is like a hatch that will open or
• 53:03
  something that I can escape out of. That's like
• 53:04
  turning this idiot off. Yeah. Turn off this annoying
• 53:08
  coyote. Yeah. She goes to flip the switch and
• 53:11
  under or up from above a like one of those light
• 53:16
  balls that are like black with like the colored
• 53:17
  dots on it that like... Oh, yeah. Comes down
• 53:20
  from the ceiling. Yup, comes down from the ceiling
• 53:23
  and loud music starts playing. And Clive yells,
• 53:27
  turn that thing off before the smoke machine
• 53:28
  turns on. We'll never clear out the smoke. And
• 53:31
  Selena does flip it off because it was annoying
• 53:33
  as fuck. Clive is like, me and my wife were super
• 53:36
  into karaoke when we bought this RV. So we have
• 53:38
  that installed to like sing karaoke. Okay. Was
• 53:42
  the song something that... It was in Japanese.
• 53:44
  No, it was in Japanese. Like legit karaoke. Like
• 53:49
  real karaoke. Like you rent the room. Yes, like
• 53:53
  Asian -style karaoke. And apparently, so was
• 53:59
  Clive. It's a flunters that likes karaoke, I
• 54:03
  guess. That's what I'm saying, they're humans.
• 54:07
  They have to karaoke just like the rest of us.
• 54:09
  Right. They plug their karaoke machine in one
• 54:12
  chord at a time, just like the rest of them.
• 54:14
  Wow. But it's only flat attachments. Yep, yep,
• 54:19
  yep. No circles, no circles. Circles trigger
• 54:21
  them. Yep, no European switches for them. Yeah,
• 54:24
  yeah, yeah, no. Lena is still investigating around
• 54:28
  trying to hunt a way to get out. She goes into
• 54:31
  the fridge that is in this RV, and she sees a
• 54:34
  bunch of syringes. And she recognizes that the
• 54:38
  syringes are filled with lorazepam. Okay. And
• 54:42
  there's one with like some other just random
• 54:44
  looks like purple substances in it. Okay. She's
• 54:47
  sniffing around the fridge more and she sees
• 54:49
  that there is a raw steak on a plate wrapped
• 54:53
  up in paper up above the syringes. She unwraps
• 54:56
  the paper, sticks a finger kind of seductively
• 55:00
  into the steak, covers her finger in blood and
• 55:03
  then licks her finger. Oh, no. She was compelled
• 55:08
  to taste the blood from the steak. Uh -oh. Oh,
• 55:11
  no. She's feeling something. The Holy Spirit.
• 55:15
  The something. I don't know what she's feeling,
• 55:17
  but she's feeling. OK, because I would have been
• 55:18
  like, I'll take the lorazepam now. I can use
• 55:20
  it. Yeah, I was just like, go to sleep. Any time
• 55:22
  in my life now is the time. Yeah. Yeah. And then
• 55:25
  I'm going to cook that steak in a cast iron.
• 55:26
  Actually, give me all the lorazepam. I'm just
• 55:29
  going to OG right there in the back of it. Yeah.
• 55:31
  Yeah. Yeah. She then kind of like snaps back
• 55:35
  into her body, realizing, okay, that was really
• 55:37
  gross, what I just did there. And she starts
• 55:40
  hearing moaning. Did you forget about the room
• 55:44
  in the back of the RV with the little eye hole?
• 55:45
  Because guess what? It's coming into play. So
• 55:48
  as the moaning continues, she follows it back
• 55:51
  to the RV, where that room was that she couldn't
• 55:53
  get into, that was all black, but the little
• 55:55
  peephole. And she finds a flashlight, sticks
• 55:58
  it through the eye hole, and what do we see?
• 56:00
  A shackled young woman. Oh, no. Yes. Oh, no.
• 56:06
  Oh, no. Oh, no. OK. So the woman is in the fetal
• 56:10
  position. She's laying on, of course, a dingy
• 56:12
  mattress, because what else would be in there?
• 56:13
  Of course it was, yes. She, Lena, like, gasps
• 56:17
  in shock, because she, like, wasn't expecting
• 56:19
  to see a whole ass other woman chained up in
• 56:21
  there. And she's like, I'm going to look for
• 56:24
  a key. I'm going to help you. I'm going to help
• 56:25
  you. So she begins looking even more furiously
• 56:27
  through all the cupboards. She finds a box as
• 56:31
  she's searching, filled with a bunch of bullets.
• 56:33
  And she's like, oh God, he said he was a hunter,
• 56:36
  he's gonna kill me. But that freaks her out a
• 56:38
  little bit, but she keeps looking. She ends up
• 56:40
  finding the key to the door, just as the woman
• 56:43
  slams against the people, and she is freaking
• 56:46
  out, similar to the, at the beginning. She's
• 56:49
  like, help me, help me. Like she is like unhinged,
• 56:53
  completely lost it, fair, given the situation
• 56:55
  she's in. Does that make sense? Yeah. We see
• 56:57
  that Lena is fumbling with the keys, because
• 56:59
  that's what women do in horror movies. And we
• 57:02
  see the shadow of a man approaching her over
• 57:06
  her shoulder as she's fumbling with the keys.
• 57:09
  And the woman locked behind the door just whispers,
• 57:11
  he's here. He then puts his gun to the back of
• 57:15
  Lena's head, tells her to cover her eyes with
• 57:17
  the shirt she's wearing, and he pushes her under
• 57:20
  a table of the RV and says, cover your eyes,
• 57:24
  don't look. And he says, if you move, I'll shoot
• 57:26
  you in the head. And the whole time we can't
• 57:29
  see him. So it's like, they shot it in a cool
• 57:32
  way where it's just like, we just know it's like
• 57:34
  the essence of man. So it's like terrifying.
• 57:36
  Like a hand or something. Yeah. His hand and
• 57:39
  his voice. Ky yells, if you try anything, I'll
• 57:42
  kill you both. You can kill us both right now.
• 57:45
  Right? Yeah. Just put me under their tires and
• 57:47
  run me over. Like, come on. Bye. Sorry, I have
• 57:50
  a question. Did he stop driving at some point
• 57:53
  during this altercation? Yeah, we obviously her
• 57:59
  Lena obviously couldn't tell and we as the viewers
• 58:01
  couldn't tell because it was shot so shakily
• 58:04
  after she got so startled from finding the woman
• 58:06
  that she's like So focused on that yeah, so the
• 58:11
  camera's like really shaky like following her
• 58:13
  like dropping stuff It's not until we see him
• 58:20
  approaching her that we realize like oh the sound
• 58:22
  the sound of the cups had stopped the cups hanging
• 58:25
  and shaking and like the beats of the dog. Yeah.
• 58:28
  Yeah. Yeah. All right. Yeah. So, uh, he takes
• 58:33
  that other girl out of the truck, out of the
• 58:35
  trailer. He comes back in and he tells Lena,
• 58:37
  it's your turn. Get back there now. And she's
• 58:40
  like, no, I'm not going back there. Excuse me,
• 58:42
  bitch. No. Yeah. And he's like, you get in there
• 58:45
  now. She's like, no, I'm not going. It was like,
• 58:48
  actually kind of funny because it felt like a
• 58:49
  dad yelling at his daughter. She's like, I'm
• 58:51
  not doing it. And he just yells, fine, have it
• 58:54
  your way. And he says, stop touching my things.
• 58:57
  And then he slams the door and shuts the trailer
• 59:00
  and he begins driving again. How fucking dare
• 59:01
  you? Stop touching my things? Okay, so he doesn't
• 59:04
  lock her in there, but this girl's no longer
• 59:05
  there. Nope, she's no longer there and the door
• 59:08
  to the scary room is now open. So Lena, of course,
• 59:12
  goes to investigate said room where the woman
• 59:15
  was being held captive and she sees there's a
• 59:17
  window in there, but it was spray painted black.
• 59:19
  You can see like the black spray paint. There's
• 59:21
  also bars over it. There are four shackles, one
• 59:24
  for the hands, one for the feet. A bloody bra
• 59:28
  and underwear. Oh, no. You never want to see
• 59:31
  it. Yeah. And the creme de la creme piece de
• 59:35
  resistance, a blood soaked mattress. Yeah. Oh,
• 59:38
  OK. Yep. So he comes over the intercom and he
• 59:42
  says, nothing has changed. We're still taking
• 59:44
  you to the doctor to get some help. OK. OK. So
• 59:51
  as she's discovering all of this creepy shit,
• 59:53
  she sees lights coming through the black spray
• 59:56
  -painted window like a car is approaching from
• 59:58
  behind. So she goes to a different window that's
• 1:00:02
  spray -painted further down in the trailer, kind
• 1:00:05
  of by the sink, and she scratches, help me, backwards
• 1:00:09
  into the spray paint and pounds on the window
• 1:00:11
  and is like, help me, help me. And we hear the
• 1:00:14
  car horn, the other car start honking, acknowledging
• 1:00:17
  that it saw her message. So we hear Clive yelling
• 1:00:22
  through the coyote, what have you done? We're
• 1:00:23
  10 minutes away from the doctor. You're so stupid.
• 1:00:26
  What have you done? You're fucking lying, bitch.
• 1:00:27
  And she's like, I know you're fucking - Sorry,
• 1:00:29
  not you. You're not the lying bitch. I'm so sorry.
• 1:00:31
  Well, no, I'm just kidding. She says, I know
• 1:00:34
  we're not anywhere near Sacred Heart. I know
• 1:00:37
  we're not. And he just goes, if we make it out
• 1:00:39
  of this alive, you'll have to live with this.
• 1:00:41
  Oh, OK, fine. So we know that the truck and trailer
• 1:00:45
  have stopped moving. We hear a woman and a man.
• 1:00:48
  I'm assuming husband and wife who are approaching
• 1:00:50
  the trail. And they're like, sweetie, are you
• 1:00:52
  in there? Because they're from the south. So
• 1:00:53
  they're like, sweetie, are you in there? I need
• 1:00:55
  some help. And they're like, are you in there?
• 1:00:57
  And she's like, yes. Help me. I've been kidnapped.
• 1:01:00
  There was another woman in here, but he killed
• 1:01:02
  her. He killed the other woman. And we hear Clive
• 1:01:04
  yelling at them to get on the ground. because
• 1:01:07
  he has now pointed a gun at these people. We
• 1:01:08
  are only hearing this. We are not seeing any
• 1:01:10
  of it. They should have assumed he would have
• 1:01:13
  a gun if he has a woman. You drive to the nearest
• 1:01:15
  phone and you call 911. Yeah, and they take your
• 1:01:18
  license plate. Mm -hmm. And we hear Clyde yelling
• 1:01:24
  at them to get on the ground, and then we hear
• 1:01:26
  two gunshots ring out. And Lena opens the door
• 1:01:30
  a crack. This was also in the trailer. And we
• 1:01:32
  see a pair of women's, like, sneakers. connected
• 1:01:35
  obviously to feet and body. So we like see just
• 1:01:38
  through the little crack that she can get open,
• 1:01:39
  because remember it's locked. She can see that
• 1:01:41
  there's like a body on the ground unmoving. Just
• 1:01:44
  then the camper begins moving again and Lena
• 1:01:47
  is like crying. So she's just like kind of at
• 1:01:52
  her wits end. And Clive comes back, he's talking
• 1:01:55
  through the coyote again, he's like, you get
• 1:01:58
  it now Lena, I'm a good man, an honest man. a
• 1:02:01
  hunter. And Lena just begins screaming. I don't
• 1:02:03
  like the use of hunter again. Oh my god. Lena
• 1:02:08
  begins screaming and convulsing and thrashing
• 1:02:11
  like crazy. Like straight up looks like she's
• 1:02:13
  possessed. Like she's like arching her back laying
• 1:02:15
  on the ground and like screaming and her like
• 1:02:18
  hands are like going all craggly and like she's
• 1:02:20
  like straight up having like a very very intense
• 1:02:23
  seizure is what it looks like. Okay. And Clive
• 1:02:25
  this whole time is just yelling, Lena, Lena,
• 1:02:27
  are you OK? Are you OK, Lena? I'm coming back
• 1:02:30
  there. I'm going to help. Bitch, I'm not OK.
• 1:02:31
  And she convulses a little bit longer. She composes
• 1:02:34
  herself just long enough, though, to flick on
• 1:02:36
  the karaoke switch. OK. So the disco ball thing
• 1:02:39
  comes down. Smart. The music starts blaring,
• 1:02:41
  and it fills with smoke. Hell, yeah. Get it,
• 1:02:44
  girl. I like that. So she then, as he comes in,
• 1:02:48
  because he says he's going to come help her,
• 1:02:49
  she jumps on Clive. as he's coming through the
• 1:02:52
  door, and she bites the shit out of his hand.
• 1:02:54
  She, like, jumps on him like a frickin' mongoose,
• 1:02:56
  and is like, ah, and bites his hand to defend
• 1:02:59
  herself. Okay. He slams her back inside, closes
• 1:03:03
  the door, and he goes to his truck, and we see
• 1:03:05
  his face for the first time. It's not really
• 1:03:09
  a reveal, because he just looks like a regular
• 1:03:11
  dude. It's not Clive Owen? I was like, could
• 1:03:13
  he get it? No, it's not like some fun cameo.
• 1:03:16
  It's just like a regular looking dude. How old
• 1:03:19
  is he? If he could get it. I would say he could
• 1:03:22
  get it. He's a zaddy, for sure. I don't know.
• 1:03:25
  I mean, he's fine. Not in like a band, but fine.
• 1:03:30
  Cassie doesn't like men enough to have an opinion,
• 1:03:32
  I think. What? How old? I would say in between
• 1:03:37
  65 and 70. Oh, that's okay. That's probably a
• 1:03:41
  little too old. All right. It's a maybe. He's
• 1:03:48
  on a Hear Me Out cake for sure. My Hear Me Out
• 1:03:51
  cake to be specific. Maggie's got a lot of weird
• 1:03:53
  stuff on her Hear Me Out cake. There's a lot
• 1:03:56
  of people slash animals on my Hear Me Out cake.
• 1:03:57
  Oh, right. Do you like the monkey from the monkey?
• 1:04:00
  Yeah, he's a little sexy. OK, he's got good teeth.
• 1:04:03
  I like a man who can take care of his teeth.
• 1:04:07
  Hey, hey, I'm open. I just finished my annual
• 1:04:11
  rewatch of Parks and Rec, and there's a part
• 1:04:13
  where Jean Ralphiel is like, he's like, me, you,
• 1:04:17
  her. And he's like, oh, do I think men are attractive?
• 1:04:20
  Maybe it's because I'm open minded as hell. So
• 1:04:23
  sorry, I'm open minded as hell, everyone. Congratulations.
• 1:04:27
  You don't need to apologize. I love that for
• 1:04:29
  you. Thank you. Yep. Yep. Okay. So Clive has
• 1:04:32
  just been bitten because Lena is like literally
• 1:04:34
  like she doesn't know what else to do. And she's
• 1:04:36
  just, she's balls in the walls here. Why didn't
• 1:04:39
  she just take a handful of the labrasa pants
• 1:04:41
  to wrenches and just inject it to his neck? Good
• 1:04:43
  point. She was just like having some major issues
• 1:04:49
  going on. I was going to ask that. I was like,
• 1:04:50
  was she still in the midst of this fit? She was
• 1:04:53
  kind of in a fit, but she was slowly coming back
• 1:04:55
  to when she attacked him and bit him. So we see
• 1:04:59
  his face. He's back in his truck. And he says,
• 1:05:02
  you don't screw the pooch this time, old boy,
• 1:05:04
  as he starts wrapping his hand up in gauze. And
• 1:05:08
  back inside, Lena is like... a fucking woman
• 1:05:11
  possessed. There's like blood dripping from her
• 1:05:13
  mouth. And she's like, she's like, I saw the
• 1:05:16
  little razzapam in the fridge. She's like, my
• 1:05:18
  mom took that when she got cancer. It's a sedative.
• 1:05:21
  What are you doing? Torturing people back there?
• 1:05:23
  Like you did that girl. I saw the chains. I saw
• 1:05:25
  the blood. And Clive is panicked. He starts driving
• 1:05:29
  away. As we see next to him in the passenger
• 1:05:33
  seat, the other woman still alive, but asleep
• 1:05:37
  in the passenger seat. All right. Yeah. Does
• 1:05:42
  she? Go ahead. Sorry. Is there a visible, like,
• 1:05:47
  same veiny darkness anywhere? Yes. Okay. Oh,
• 1:05:50
  sorry. No, the other girl is in head -to -toe
• 1:05:53
  gray sweatsuit. So she's in like a... So you
• 1:05:55
  can't tell there's anything wrong with her? You
• 1:05:56
  can't tell anything. Oh, she just passed out.
• 1:05:57
  She just passed out. She's got... She's got,
• 1:05:59
  like, nasty, scraggly, dirty hair that's, like,
• 1:06:01
  covering, like, kind of, like, part of her face
• 1:06:03
  and her, like... Yeah. She just kind of looks
• 1:06:05
  like she's been held captive a few days, but
• 1:06:07
  she doesn't have any weird veins or anything.
• 1:06:09
  Right, right. No, no, no. Okay. Okay. I'm gonna
• 1:06:11
  hand you over to Cassie now. She's gonna finish
• 1:06:13
  this thing off. One thing I want to say is when
• 1:06:15
  I saw Larazapam, I was like, oh, anxiety, because
• 1:06:17
  I've never seen injectable Larazapam, but I have
• 1:06:20
  Larazapam for my panic attacks. So I was like...
• 1:06:23
  That's what I was gonna say. I have also taken
• 1:06:24
  Larazapam. Maybe she just needs to, like... Straight
• 1:06:27
  to the thigh, you know, like just all my lorazopam
• 1:06:30
  girlies go in the comments, hip a violate yourself.
• 1:06:33
  No, lorazopams unite. Yeah, lorazopans. Yeah,
• 1:06:38
  yeah. Never mind. Sorry. I was going to keep
• 1:06:42
  going. I was like, shut the fuck up. So she continues
• 1:06:48
  screaming and she's like she comments on how
• 1:06:51
  she realizes that the. call that he made to her
• 1:06:54
  dad wasn't actually a call to her dad. She's
• 1:06:56
  like, that wasn't his voicemail. I knew that
• 1:06:57
  wasn't his voicemail. And Clive actually starts
• 1:07:00
  looking genuinely sad. He's starting to get tears
• 1:07:04
  in his eyes and stuff. And you can see the vein
• 1:07:07
  continuing to bulge out of Lena's arm. And she's
• 1:07:11
  like, what's in my veins? What's going to happen?
• 1:07:15
  And Clive is like, I took such a risk for you.
• 1:07:19
  And Lena's like, well, now we're in the same
• 1:07:22
  boat. because he got bitted. And Clive tells
• 1:07:26
  her that they are taking her to Golly World.
• 1:07:30
  Oh, love the reference. Which it's like knockoff
• 1:07:33
  Dolly World. Yeah. Oh. Golly World? Golly World.
• 1:07:38
  Yeah, G -O -L -L -Y, exclamation point. I need
• 1:07:41
  to know what this is. Yeah. Is this a Midwest
• 1:07:43
  thing? No, I don't think it's a real thing. It's
• 1:07:46
  a made -up thing. Because they're in Tennessee
• 1:07:47
  in Dolly World. They're in Tennessee. Yeah, and
• 1:07:49
  Dolly World is in Tennessee. They couldn't shut
• 1:07:51
  her original baby. They ain't got no money to
• 1:07:53
  pay for Dolly World, baby. You're charging $99
• 1:07:54
  a year. Yeah, so he's explaining... Money's gotta
• 1:07:58
  go somewhere. Yeah, he's explaining that the
• 1:08:00
  top physician at Stanford is there, and that's
• 1:08:04
  who she's taking him to. He lost his license
• 1:08:07
  due to experimentation on animals, so now he's
• 1:08:09
  a vet at, like, the amusement park, like... the
• 1:08:12
  stampede rodeo part of the amusement park. So
• 1:08:14
  he changed the destination. Well, he lied to
• 1:08:17
  her. He lied. He's still taking her to that same
• 1:08:20
  doctor, but he says that the doctor is at this
• 1:08:22
  place. OK. No longer at Sacred Heart. Yeah. So
• 1:08:27
  Clive's cell phone buzzes. And after that, it
• 1:08:31
  prompts him to turn on his radio. And right as
• 1:08:34
  he does that, it's like. Hello, this is the midnight
• 1:08:37
  showing of some spooky radio show where we talk
• 1:08:41
  about spooky things. Yeah, coast to coast, whatever.
• 1:08:45
  Yeah. And so Clive calls in. He's just a frequent
• 1:08:48
  caller. And at first, he gets a bunch of feedback.
• 1:08:51
  I don't know if you guys have ever tried to call
• 1:08:53
  into a radio or listen to a radio when they have
• 1:08:55
  a caller who's listening to themselves on the
• 1:08:57
  radio. But you get a bunch of feedback when you
• 1:08:59
  do that. That happens sometimes with our headphones.
• 1:09:01
  Yeah. He fixes that, but then he asks for help.
• 1:09:05
  And he says, he's like, I have a wear. And we're
• 1:09:09
  like, wear? And he explains that she hasn't turned
• 1:09:13
  yet. And the radio host mentions that this should
• 1:09:17
  be in Clive's realm of expertise. So we're under
• 1:09:20
  the assumption that Clive is a frequent caller
• 1:09:23
  and knows about wear. Wolves is what we're assuming.
• 1:09:29
  When he says wear, it's like the hip slang. Cool
• 1:09:32
  girls. Little nugget. I actually watched this
• 1:09:36
  movie twice. Once for business, once for pleasure,
• 1:09:38
  as we like to say. And I noticed one of the books
• 1:09:43
  that when she found all the unexplained phenomenon
• 1:09:45
  books was written by him. And it was about werewolves.
• 1:09:49
  So that's why they're like, aren't you supposed
• 1:09:50
  to be an expert in this, dude? Because he wrote
• 1:09:53
  a book about werewolves. OK, OK. So then Clive
• 1:09:56
  asked the radio host if there's something to
• 1:09:58
  slow the quote unquote creep. And Lena tries
• 1:10:01
  to use the key on the outside of the door lock
• 1:10:04
  as he's doing this. So we see flashes of Lena
• 1:10:07
  doing that while he's talking on the radio. She
• 1:10:09
  can fit her arm through the door enough to try
• 1:10:12
  to try the lock with the key she has. Oh, smart.
• 1:10:15
  And as she's doing that, the radio host is like,
• 1:10:17
  I'm going to take a break for a second. And so
• 1:10:18
  they go to ads. And the radio host calls Clive
• 1:10:21
  individually. OK. And as he's doing that, the
• 1:10:25
  woman in the passenger seat starts to awaken
• 1:10:28
  and like starts moaning a little bit. And the
• 1:10:31
  radio host tells Clive, like, dude, you need
• 1:10:34
  to call like the authorities, like call the cops.
• 1:10:37
  And he's like, you kidnap someone and like, there
• 1:10:39
  is no Dr. Janikowski. And Clive's like, what?
• 1:10:43
  And he seems like genuinely confused and upset.
• 1:10:46
  And basically the radio host is like, yeah, dude,
• 1:10:48
  like this stuff is like made up. Like he doesn't
• 1:10:50
  straight out say that, but he's like. I thought
• 1:10:52
  you realized that this isn't like a real thing.
• 1:10:54
  It's just radio. Yeah, we're fucking around here.
• 1:10:57
  Yeah. Oh, no. He's breaking the fourth wall.
• 1:11:01
  And there's also something actually happening
• 1:11:03
  with the black veins. Yes. In the back. Yeah,
• 1:11:06
  they are. Ferocious biting and the blood thirst.
• 1:11:09
  Yeah. So basically this is a guy that likes crypto,
• 1:11:12
  not crypto, Jesus, not crypto. He loves crypto.
• 1:11:16
  He wants Bitcoin. Wow, that was a slip. It's
• 1:11:19
  like a real horror movie. That is the horror
• 1:11:22
  movie. Like a cryptos, cryptid zoologist. Yeah.
• 1:11:27
  Yes. Then he calls in and the guy's like, why
• 1:11:29
  are you kidnapping somebody? He's like, why are
• 1:11:32
  we fighting around? Yeah. So then... We see Lena
• 1:11:37
  trying to unlock the door again, but she drops
• 1:11:40
  the keys and then she just, like, starts sobbing.
• 1:11:43
  Just, like, wailing. We lived, like, 20 times
• 1:11:46
  at this point, but yeah, totally. Yeah. The radio
• 1:11:49
  host tells Clive, like, just be chill. We're
• 1:11:51
  going to take some more calls. So he goes back
• 1:11:53
  on the radio because he's like, this is gold.
• 1:11:55
  This is great. He's like, stay chill and then
• 1:11:58
  we'll call the cops after we get the rest of
• 1:12:00
  the radio show because priorities for him, I
• 1:12:02
  guess. Right. Totally. I got to make that money,
• 1:12:03
  girl. Get the content. Clive has like tears in
• 1:12:07
  his eyes as he listens to one of the callers,
• 1:12:10
  Warren Alina, to hide any of the silver she sees.
• 1:12:15
  He's like, I don't know if you can hear me, but
• 1:12:17
  you better hide that silver that's in there.
• 1:12:19
  Like the radio. He's going to shoot you, girl.
• 1:12:21
  Yeah. So if you remember earlier, she found a
• 1:12:24
  thing with like some bullets in it. So she had
• 1:12:26
  one bullet that she put in her pocket and then
• 1:12:28
  she flushes the other silver bullets in the toilet
• 1:12:30
  because she does hear that radio person. Um,
• 1:12:34
  so the girl in the cab like fully wakes up and
• 1:12:37
  as she's doing it, Clive slowly pulls a knife
• 1:12:40
  like out of his boot or like his pocket. It's
• 1:12:43
  hard to tell. Yeah. And she sees the sign for
• 1:12:45
  golly world. And I just want to note that like
• 1:12:48
  golly has an exclamation point at the end. So
• 1:12:49
  it's like golly. Golly. Yeah. Yeah. Like a little
• 1:12:53
  bit of, um, goofy. Yeah. And Clive kind of like
• 1:12:58
  starts questioning what to do as he draws the
• 1:13:01
  knife up and he's like holding it right next
• 1:13:02
  to him, like up next to the steering wheel. He's
• 1:13:04
  like, what do I do now? And he goes towards the
• 1:13:07
  girl with the knife and then he just cuts the
• 1:13:10
  rope on her hands. And then the girl says, daddy,
• 1:13:14
  where's the girl? Oh, I knew it. You did? What?
• 1:13:20
  That was crazy. You knew it? You knew that? I
• 1:13:24
  don't know. You just had a hunch? You're so crazy
• 1:13:26
  that she wins there. Like, it's weird that you
• 1:13:28
  win there. I will say not to not give credit
• 1:13:31
  where credit is due, because you did a good job.
• 1:13:33
  But the casting was an interesting choice here,
• 1:13:35
  because the girl in the picture that Lena finds
• 1:13:38
  earlier, the little girl, doesn't look like she's
• 1:13:41
  the same race. as the girl that grew up. Do you
• 1:13:45
  feel that way, Cassie? Yeah, the girl who...
• 1:13:48
  The little girl in the picture looks like a little
• 1:13:50
  white girl. And the girl who was taken looked
• 1:13:53
  like Latina. So I was like, this is weird. I
• 1:13:59
  think it literally was not a thought. Whatever.
• 1:14:05
  So inside the camper, Lena hears the whirring.
• 1:14:11
  that's going on in the, like, metal, the sketchy
• 1:14:15
  room with the bloody mattress. Oh, okay. And
• 1:14:17
  she notices that there's, like, a plastic sheet.
• 1:14:19
  So, like, sometimes in the campers, you know
• 1:14:20
  how there's, like, a, like, a little, like, escape
• 1:14:23
  latch, like, kind of thing. Oh, there might be
• 1:14:25
  an escape. Yes, like a fire escape. Yeah, yeah.
• 1:14:27
  So she sees a little... Like on, like, school
• 1:14:29
  buses. Yes. Yep. There's, like, a little, like,
• 1:14:31
  plastic sheet, like... And as she looks at it,
• 1:14:35
  conveniently, the plastic sheet flies off. And
• 1:14:38
  Lena sees through that opening a full moon. So
• 1:14:44
  she's kind of mesmerized and staring at it. Yeah,
• 1:14:48
  and she lays down on the bloody mattress and
• 1:14:53
  is just kind of looking up mesmerized by the
• 1:14:56
  light. And while she's looking at this, we kind
• 1:14:58
  of hear like. sound -wise over -the -top, like
• 1:15:01
  two voicemails, and one's from her friend being
• 1:15:03
  like, we missed you at swim practice for two
• 1:15:06
  months. Like, I hope you have fun in the woods,
• 1:15:07
  but you need to, like, get back here, girl. And
• 1:15:09
  then the other one is from her mom, and it's
• 1:15:12
  very beautiful and, like, made me emotional,
• 1:15:14
  but she basically... Made me emotional, too.
• 1:15:15
  Yeah, her mom is basically like, I'm so proud
• 1:15:17
  of you, and, like, I'm sorry that I'm not gonna
• 1:15:21
  be able to see you go through, like, all the
• 1:15:23
  toughest moments in life, but just know that,
• 1:15:24
  like, you can get through it. And if you just,
• 1:15:27
  like, remember that I'm always watching you,
• 1:15:31
  and, like, I'll be here for you always, like,
• 1:15:34
  in my heart. So, clearly, we know, like, she...
• 1:15:38
  Yeah, she got... It was very well done and not
• 1:15:39
  cheesy. Yeah. Okay. Yeah. It, like, sounded,
• 1:15:41
  like, legit, and, like, as this is going, we
• 1:15:43
  see a montage of more of, like, the old movies,
• 1:15:46
  like... Right. They're really tugging at you.
• 1:15:48
  Yeah. Yeah. But it was, like, good. It was really
• 1:15:50
  well done. Okay. Yeah. So Clive opens his glove
• 1:15:54
  box, and we see a bunch of silver bullets in
• 1:15:56
  there. So those ones she flushed down the toilet,
• 1:15:58
  not gonna help. His daughter is like, you need
• 1:16:03
  to go to a hospital to get that bite looked at.
• 1:16:07
  Just take your damn hand off. And she's like,
• 1:16:09
  I know you want to help, but this is not good.
• 1:16:12
  Just what is it? The new evil dead? Just take
• 1:16:14
  the arm off. Don't let it spread further. Just
• 1:16:17
  shoot. Well, I still have a problem with him
• 1:16:22
  chaining his daughter up in a weird room. I'm
• 1:16:24
  sorry. I need to learn why that's happening.
• 1:16:27
  And we still don't know if this is real or if
• 1:16:30
  he's just a cuckoo or a cuckoo head. OK, that's
• 1:16:32
  fair. Yeah. He has psychosis, and he's projecting
• 1:16:35
  all of this onto everybody. Yeah, sorry. Clive
• 1:16:38
  pulls over, and he steps into the camper with
• 1:16:41
  his rifle drawn. And Lena calmly tells Clive,
• 1:16:45
  she's like, I am not And he grabs the picture
• 1:16:49
  of his wife and daughter, and he tells Lena how,
• 1:16:52
  like, they used to play the newlyweds game, like
• 1:16:55
  him and his wife together, like a version of
• 1:16:57
  the newlyweds game. Okay. And she would always
• 1:17:00
  tell him that... He was a good, honest man who
• 1:17:04
  was a hunter, which I'm like, why do you always
• 1:17:05
  have to talk about the hunting? I know. Get over
• 1:17:07
  yourself. Get a fucking other hobby, bro. But
• 1:17:10
  Clive said, like, I didn't know how to describe
• 1:17:12
  myself in that time. Like, I didn't even know
• 1:17:14
  what to write on the thing. But like, what she
• 1:17:17
  said gave me purpose. And then he says, I had
• 1:17:20
  five opportunities and three shots over the years,
• 1:17:23
  and I've missed every one of them. It's like,
• 1:17:25
  OK, what does that mean? Right. And so Clive
• 1:17:28
  continues saying he isn't sure what's real anymore.
• 1:17:31
  And Lena asked if he killed those people. So
• 1:17:34
  I think we're assuming that, like, he had five
• 1:17:36
  other girls that he, like, held hostage or something,
• 1:17:38
  and he, like, tried to shoot three of them, but
• 1:17:40
  he missed every time. Because the radio show
• 1:17:42
  was saying, or, like, the radio was saying at
• 1:17:44
  some point that there was girls missing. Yeah.
• 1:17:46
  Yeah. And he is, like, he... And she also asked,
• 1:17:52
  like, about the girl that he had in the back,
• 1:17:53
  because she's unaware that the person is in the
• 1:17:55
  front now. Yeah. So he just puts a phone on the
• 1:18:00
  counter and he's like, I'm sorry. And then the
• 1:18:02
  next thing we see is him pulling away, leaving
• 1:18:05
  Lena on the side of the road with her stuff.
• 1:18:07
  Woo. OK. OK. So she's got her phone. She's got
• 1:18:10
  her stuff. And she's just on. He just is like,
• 1:18:12
  I'm going to let you go. He's just like, give
• 1:18:14
  up? What are we doing? It's very cool. Like,
• 1:18:16
  I was like, oh, I was not expecting that. All
• 1:18:18
  right, so then not a monster. OK. His daughter
• 1:18:20
  was like, dad, this is going too far. Yeah. Like,
• 1:18:23
  you need to stop. OK. OK. Um, so she pulls her
• 1:18:26
  phone out and she calls her dad and just like
• 1:18:28
  tells her dad that she loves him. Like, I'm sorry.
• 1:18:31
  Cause like in the voicemail that the mom left
• 1:18:33
  too, she's like, I know that it's going to be
• 1:18:35
  like really easy to get mad at your dad. Um,
• 1:18:37
  but like he's going through rough stuff too.
• 1:18:39
  So like, just give him a little bit of a break.
• 1:18:41
  So she calls her dad and he's like, I'm really
• 1:18:42
  sorry. Like, I love you. And he's like, what's
• 1:18:45
  going on? And she's, um, like they start talking,
• 1:18:48
  but it's cut off as a police vehicle pulls up
• 1:18:51
  behind her, shining like the spotlight on her,
• 1:18:53
  which I'm like. I don't, that's a really, yeah,
• 1:18:56
  don't shine the spotlight on her. That's aggressive,
• 1:18:59
  yeah. But I think we've all learned that I just
• 1:19:01
  generally feel like police are scary. They're
• 1:19:04
  not, you know, just saying. Yep, yep, yep, yep,
• 1:19:08
  yep. So he asks if she is okay, the police officer,
• 1:19:12
  it's a man, and she tells him, like, I need to
• 1:19:14
  go to, I think I need to go to the hospital.
• 1:19:16
  Like, I don't know, like, what's happening to
• 1:19:19
  me. Something's up. Yeah. And he said he ran
• 1:19:22
  into a couple a few miles back and that they're
• 1:19:24
  still alive. And they told him how Clive kidnapped
• 1:19:28
  a girl. And so she's happy to know they're still
• 1:19:32
  alive. we thought and he was like no the girl
• 1:19:36
  just shit her pants or something like what that's
• 1:19:38
  like so random but okay why would you disclose
• 1:19:41
  that to somebody else it's like not necessary
• 1:19:43
  but of shitting pants on this episode yeah they
• 1:19:46
  just love it So Lena gets into the back of the
• 1:19:58
  police car with no hesitation. She pulls up her
• 1:20:02
  shirt, and we can see the enlarged veins are
• 1:20:04
  spreading down her stomach. Yeah, OK. And she
• 1:20:08
  asks him to bring her to the hospital, because
• 1:20:10
  she thinks she might have been poisoned by Clive
• 1:20:13
  or something. And that's why she has these crazy
• 1:20:15
  veins. And the cop just kind of stays quiet.
• 1:20:18
  He doesn't really say a word. And he turns up
• 1:20:22
  the radio, and we see he's listening to that
• 1:20:25
  same spooky road show. God damn it. Yeah. So
• 1:20:32
  now she's like, oh, shoot, this is the same one
• 1:20:34
  as before. Like, coincidence? I think not. So
• 1:20:36
  she asks the cop to pull over, and she notices
• 1:20:39
  that the door is locked, as most of the back
• 1:20:42
  of police cars are. And he calls into the radio
• 1:20:47
  show. Back in Clive's car, he tunes in and he
• 1:20:52
  hears the cop over the radio who he's like, I
• 1:20:55
  have a werewolf in here. And the cop laughs ominously
• 1:21:01
  over the radio. It's like, oh, geez. Jesus. As
• 1:21:05
  that is happening, Lena in the back seat starts
• 1:21:08
  to spit out blood and teeth into her hand. Her
• 1:21:13
  own teeth? Yes, like molars and stuff, like big
• 1:21:16
  teeth. Like her teeth are like falling out. Because
• 1:21:17
  she's growing new teeth. It's the nightmare in
• 1:21:19
  real life. Yes, I have nightmares about my teeth
• 1:21:22
  getting like disintegrating in my mouth all the
• 1:21:25
  time. Yeah, it's a classique nightmare. Classique.
• 1:21:28
  Classique. Like what show is it where the person's
• 1:21:31
  like, I have dental pleasure or something where
• 1:21:33
  my teeth melt into the back of my throat. Is
• 1:21:35
  that the office? I think it might be the office
• 1:21:37
  or something. He's trying to prank. I've seen
• 1:21:40
  11 episodes. I've never heard of that. This is
• 1:21:40
  when they're making up illnesses. They're making
• 1:21:43
  up illnesses to try to pick a new health insurance,
• 1:21:45
  I think. And they're like, this is what I have.
• 1:21:48
  It's not real. Anyway, so the cop kind of just
• 1:21:53
  keeps going on this monologue about how she might
• 1:21:58
  feel right now. And he pulls some spooky book
• 1:22:00
  out of his glove box. like a cryptid type book,
• 1:22:05
  and she warns him. It's written by Clive. It's
• 1:22:08
  Clive's book. Oh, it's Clive's book. And she
• 1:22:11
  warns him, like, don't do anything. I'm pregnant.
• 1:22:14
  But the cop's like, I don't believe you. And
• 1:22:16
  she barfs right on the separator, and the cop
• 1:22:18
  just laughs at her. Oh, so he's maniacal. Yes.
• 1:22:23
  This is a weird place where they're just like,
• 1:22:26
  yeah. And he pulls over. But as he pulls over
• 1:22:29
  the cop, we see Clive speeding up behind the
• 1:22:32
  police cruiser. He's going to come save the day?
• 1:22:35
  So, well, I thought he was going to ram into
• 1:22:38
  the back of the police cruiser, but he just stops.
• 1:22:41
  And so the cop gets out of his car with his gun
• 1:22:44
  and goes to Clive's window and is like, you guys
• 1:22:46
  need to get out of the car. So I'm like, I feel
• 1:22:49
  like you're just turning yourself over. This
• 1:22:50
  is weird. Right, OK. Why did you let her out
• 1:22:53
  in the first place? I'm so confused. Sorry. Keep
• 1:22:56
  going. Clive's like, she would have turned already
• 1:22:58
  if she was going to. I'm like, as they're talking,
• 1:23:01
  Lena pulls out those big ass scissors that she's
• 1:23:04
  had like the whole time that are like industrial
• 1:23:06
  size scissors. And she tries to pry the door
• 1:23:09
  open, but like to no avail. So as she's doing
• 1:23:13
  that, the cop tells Clive and his daughter to
• 1:23:16
  both get on their knees. And once they do that,
• 1:23:21
  Uh, Lena finds that silver bullet that she had
• 1:23:23
  in her pocket and she decides like, oh, I can
• 1:23:25
  jam this in there and then like use the scissors
• 1:23:27
  to like tap it to like break the window. Which
• 1:23:30
  I'm like, wow, you're really like MacGyvering.
• 1:23:32
  Intuitive. Yeah. So as she's doing it, like you
• 1:23:35
  hear the window smash. And so that distracts
• 1:23:38
  the cop for a second. So like Clive like goes
• 1:23:40
  at the cop. and attacks him, and the cop shoots
• 1:23:45
  in the scuffle, and it shoots Clive in the gut,
• 1:23:48
  and the daughter runs off behind the trailer
• 1:23:50
  so that she doesn't get attacked. Totally. And
• 1:23:54
  so Clive runs around the side of the trailer,
• 1:23:57
  and the daughter and Clive sit together, and
• 1:24:00
  the cop is running after Lena, because Lena gets
• 1:24:05
  out of the car and runs away. So yeah, Lena jumps
• 1:24:07
  out. OK. Yeah. We see that Clive is shot in the
• 1:24:12
  gut. And she tells her, like, I love you, as
• 1:24:18
  he's continuing to bleed out. And the daughter,
• 1:24:20
  Wince, is in pain. And so he tells her to go
• 1:24:22
  get a shot from the camper. So it's like something
• 1:24:25
  she's taking by choice. And we're like, oh, interesting.
• 1:24:29
  OK. So the daughter's also a werewolf. There's
• 1:24:31
  that purple stuff, right, that you mentioned?
• 1:24:34
  Yeah. So Lena makes it down to, like, it looks,
• 1:24:37
  because it's nighttime, it looks like this, like,
• 1:24:39
  nasty -ass pond, but I guess it's a lake. And
• 1:24:41
  she gets onto, like, this, like... barge looking
• 1:24:44
  kind of thing. That sounds like Meg describing
• 1:24:46
  a fucking hike I take to run. She's like, what
• 1:24:49
  is this nasty ass pond? It's like one of the
• 1:24:51
  most beautiful majestic alpine lakes. Sorry.
• 1:24:56
  So the cop tells her this, he tells this weird
• 1:24:59
  story. He likes like monologuing a lot. He tells
• 1:25:01
  her this weird story about like how on his first
• 1:25:04
  week of work, they pulled a body out of the lake
• 1:25:06
  that she's like standing by. And he goes on and
• 1:25:10
  on about how like, oh, this is too perfect. like
• 1:25:12
  a full circle moment and he starts like backing
• 1:25:15
  her up onto the barge and he's like do you fancy
• 1:25:18
  yourself a swimmer and she's like starting to
• 1:25:21
  pull the scissors out of her waistband and She
• 1:25:27
  says something like, I wasn't, but I am now,
• 1:25:30
  or I don't remember what the line is. Maggie,
• 1:25:32
  do you remember what it was? No, I don't remember.
• 1:25:34
  Or she's like, hasn't been in a while, but it
• 1:25:36
  is now. And so you think she's going to attack
• 1:25:37
  him with the scissors. But right then, the cop's
• 1:25:40
  fingies get shot off, as well as his head, or
• 1:25:44
  a big part of his head gets shot. Oh, damn. OK.
• 1:25:46
  And we see out on this little peninsula on the
• 1:25:49
  lake, Clive has shot the cop. He's a good man,
• 1:25:55
  an honest man, a hunter. He can shoot guns. He's
• 1:25:59
  a good man, honest man. He actually, he took
• 1:26:01
  a shot and he actually hit this time. He made
• 1:26:04
  the target. Yes. Okay. So Lena like makes her
• 1:26:07
  way over to Clive, which I'd still be like apprehensive
• 1:26:10
  about Clive. Like he saved me. Am I gonna wait
• 1:26:11
  for all of you? Yeah. Can I just fucking go?
• 1:26:14
  Right? Yeah. And she asks about the girl and
• 1:26:17
  he's like, that's my daughter, Ollie. She's like,
• 1:26:21
  well, why didn't you just say something? Clive
• 1:26:23
  is like, well, I didn't want to take the risk.
• 1:26:26
  And he explains that every time there is a full
• 1:26:30
  moon, he takes his daughter and chains her up
• 1:26:34
  in that room so she doesn't hurt herself because
• 1:26:38
  she was attacked a while back by something. And
• 1:26:41
  he doesn't want her to hurt herself or anybody
• 1:26:45
  else. She's a werewolf. And he's like, she never
• 1:26:48
  would have done that intentionally. And he's
• 1:26:51
  like, I don't think she bit you hard enough to
• 1:26:54
  have fully turned you. She's the one. So the
• 1:26:58
  daughter is a werewolf. She's a highlander. Sorry.
• 1:27:04
  I love the highlander. Lena starts screaming,
• 1:27:08
  and it's almost like the way she's screaming
• 1:27:10
  sounds like she's giving birth. She was screaming
• 1:27:12
  and convulsing before, but now it's like screaming
• 1:27:14
  like, Like that kind of like giving birth screaming
• 1:27:19
  and she's like digging her heels into the ground
• 1:27:22
  and we see more shots of like the like blood
• 1:27:25
  vessels pumping and then we see clips of like
• 1:27:28
  the moon so it's like this like montage of like
• 1:27:31
  the blood the moon and her screaming. Or she's
• 1:27:33
  having a vampire or a werewolf baby. Well okay
• 1:27:36
  so we see Lena's face like calm as well so we
• 1:27:40
  see these weird like shots of her, like, what
• 1:27:42
  she looked like when she was, like, hypnotized
• 1:27:44
  by the moon, the moon, the blood flow, the taxidermied
• 1:27:48
  coyote. And Lena, like, takes her pants off and
• 1:27:52
  starts screaming bloody murder. She's, like,
• 1:27:53
  sitting on the ground. We fade to black, and
• 1:27:56
  as we fade up, we see Lena is exhausted on the
• 1:27:59
  ground, and we hear an infant crying. Okay. Which
• 1:28:02
  is crazy, because she said she was only, like,
• 1:28:04
  two months pregnant. Two months pregnant, yeah.
• 1:28:06
  That's what she said when... That's what she
• 1:28:08
  said to when she was screaming. She's like, it's
• 1:28:09
  impossible. I'm only two months along. Yeah.
• 1:28:12
  And so Clive, like, lifts the baby up to Lena
• 1:28:16
  and we hear the cries of the baby. We still haven't
• 1:28:18
  seen the baby yet, but the cries of the baby
• 1:28:20
  turn into little, like, snarls. Can we see a
• 1:28:27
  werewolf baby? It is, you guys, it's crazy. It's
• 1:28:32
  crazy. I'm gonna have to show you this picture.
• 1:28:33
  It looks straight out of Jim Henson's creature
• 1:28:35
  shop, or like the movie Leprechaun or something.
• 1:28:38
  It's not like a CGI, maybe. It's like a... No,
• 1:28:40
  no. The credits, the credits, there's a puppeteer.
• 1:28:44
  There's a puppeteer in the credits. It's like
• 1:28:47
  an 80s style creature. Listen, I love a practical
• 1:28:50
  effect. I think that's fun as hell. It was the
• 1:28:54
  craziest thing I'd seen in a movie because it
• 1:28:56
  was such a cult, like a whiplash. Whoa. I was
• 1:29:00
  not expecting that because then Lena goes, it's
• 1:29:02
  a girl. She's like, what? How can you tell when
• 1:29:06
  it's a werewolf baby? And she cradles the baby
• 1:29:11
  in her arms and we like fade to an aerial shot
• 1:29:14
  of like the tree covered hills and the lake and
• 1:29:16
  the road. Okay. And Lena's walking down the road
• 1:29:21
  with her baby and we see Ollie pull up in the
• 1:29:25
  truck offering a ride to Lena and she's like,
• 1:29:27
  well, your baby must be hungry. And so Lena gets
• 1:29:31
  in the truck, and they pull away, revealing the
• 1:29:34
  license plate on the back of the camper that
• 1:29:36
  says Hellcat. So they set the name of the movie
• 1:29:39
  twice. And we pan over to Clive, laying with
• 1:29:44
  his eyes closed on the little peninsula. And
• 1:29:47
  he's kind of like dying. Yes. And he hears the
• 1:29:50
  laughter of his wife. His eyes are like closed,
• 1:29:51
  so we think he's dead. And he hears the laughter
• 1:29:54
  of his wife. And just then, it cuts to black.
• 1:29:56
  But he'd been bitten in the hand. Well, because
• 1:29:58
  it cuts to black and then we hear like he's gasping
• 1:30:02
  away. He lives. You predicted every turn. And
• 1:30:09
  that's the end of the movie. And the movie ends.
• 1:30:12
  And then just like a little were family. And
• 1:30:15
  now they're like a wolf pack. They're literally
• 1:30:17
  a fucking wolf pack. Did it end with the awoo?
• 1:30:26
  That would be pretty, that would be pretty sick.
• 1:30:29
  That was the opposite. That was the opposite.
• 1:30:33
  I don't know if we mentioned it before, but in
• 1:30:35
  the trailer, the song that they used was spooky.
• 1:30:38
  And I like that. Yeah. It was a good spooky movie.
• 1:30:40
  I don't remember if they use that song anywhere
• 1:30:43
  else in the actual movie. Maggie, do you remember?
• 1:30:45
  I don't think they did. I don't know. There wasn't,
• 1:30:47
  there was hardly any music in the movie. Yeah.
• 1:30:49
  It seems like they're really focusing on like.
• 1:30:51
  the stuff moving in the camper. That was so much
• 1:30:55
  more interesting than it could have been, to
• 1:30:57
  be honest. Yeah. Yeah, I feel like there was
• 1:31:00
  a lot of repetitiveness in the beginning, but
• 1:31:05
  then once it started going with the radio show
• 1:31:07
  stuff, then it started getting somewhere. But
• 1:31:10
  I was not expecting that turn at the end with
• 1:31:13
  the little 80s baby werewolf. I was like, what
• 1:31:17
  is this? It's just like a stuffed dog. It's ridiculous.
• 1:31:22
  I feel like, Meggie, can you find a screenshot
• 1:31:24
  of it or something? It's so dark, it's hard to
• 1:31:27
  tell. This is like the, you can't even really
• 1:31:30
  see it. That's okay though, because I'm gonna
• 1:31:33
  have to watch it. I know, we're gonna have to
• 1:31:35
  watch it. I'll send you a screen. Like that's
• 1:31:38
  what it looks like. Listen, I love a practical
• 1:31:41
  effect. I think it's fun that they used, I think
• 1:31:43
  that's making more of a comeback. I think. Didn't
• 1:31:46
  they do that in the Odyssey? They didn't do any
• 1:31:48
  CGI. They also did that in Project Hail Mary.
• 1:31:49
  They brought back... Rocky was a puppet. He wasn't
• 1:31:53
  a CGI. He was an actual, like, physical thing
• 1:31:56
  that he was, like, talking to. Humans. Art. Yeah.
• 1:31:59
  Art. Art. What is a baby werewolf puppet if not
• 1:32:04
  art? Exactly. She knows. Someone's art. She gets
• 1:32:07
  it. Yeah. Well, now we do, I don't know, the
• 1:32:12
  titular name of our podcast. a skipper scream
• 1:32:15
  where we say whether or not we thought this movie
• 1:32:17
  was a skipper scream. Okay. I'll go first. Okay.
• 1:32:21
  And then we'll let you guys go and then Cassie
• 1:32:23
  can finish it off. Okay. So this movie, honestly,
• 1:32:28
  I liked it even more upon my retelling because
• 1:32:32
  it just was very unexpected in terms of I love
• 1:32:37
  a movie where... You don't know if something's
• 1:32:39
  real. Like a begonia, like if you guys have seen
• 1:32:42
  begonia, we're like, are they aliens or are they
• 1:32:44
  not? Like, are people just crazy? Like, I love
• 1:32:46
  that kind of vibe. I like that there wasn't that
• 1:32:50
  much sound. I thought that was cool. Or music,
• 1:32:52
  I thought that the sound of just like the ricocheting
• 1:32:54
  objects was cool. I thought the girl who played
• 1:32:57
  Lena was like really, really fun. I like horror
• 1:33:00
  movies where I don't know a single person in
• 1:33:02
  it. That always makes me happy. And I like red
• 1:33:05
  herrings. Like, I like that it was like... trapped
• 1:33:07
  girls, like, creepy cop who isn't a cop and,
• 1:33:11
  like, is being weird. I don't know. There was
• 1:33:13
  just a lot of interesting choices made in this
• 1:33:16
  movie. Hated the name. Hated the name. That was
• 1:33:20
  the only thing I didn't like about it. Mainly
• 1:33:25
  the only thing I didn't like about it. I felt
• 1:33:26
  like it was a missed opportunity. Like, once...
• 1:33:29
  I, once you sent the question of the week before
• 1:33:31
  I'd watch it that said that it was about a taxidermied
• 1:33:33
  animal, I thought it was going to be like a cougar
• 1:33:35
  or something. So it was like the voice that's
• 1:33:37
  coming through it is like a hell cat. Like it's
• 1:33:40
  a cat from hell. She's associating it with a
• 1:33:42
  dog. It could have been a werecat. Why couldn't
• 1:33:44
  it just been a werecat? Yeah, a werecat. I don't
• 1:33:47
  know. Yeah, yeah, yeah. But all that is to say,
• 1:33:50
  it was really like, honestly, the most interesting
• 1:33:53
  watch I've had in a while. There's been a lot
• 1:33:55
  of really good horror movies coming out that
• 1:33:57
  for the most part, you went into them knowing
• 1:33:59
  they were gonna be good. Like back rooms, obsession,
• 1:34:03
  hokum. I just saw House at End of Oak Street,
• 1:34:05
  which is like more sci -fi thriller than horror,
• 1:34:08
  but I just saw that. Yeah, and like you go into
• 1:34:10
  a meeting like, okay, like horror movies are
• 1:34:12
  good now, for the most part. Totally, yeah. So
• 1:34:15
  I went into this, like not really knowing what
• 1:34:17
  to expect. And I was like pleasantly surprised
• 1:34:20
  at how unique I thought it was. So for that reason,
• 1:34:23
  it's a scream from me. I love it. I love it.
• 1:34:26
  And it's definitely a lot of the reviews that
• 1:34:28
  I saw online were like, this is going to be very
• 1:34:31
  divisive. People are either going to love this
• 1:34:33
  movie or fucking hate it. OK, interesting. I
• 1:34:35
  was on the love spectrum. I could easily see
• 1:34:37
  that based on my recommendation, someone goes
• 1:34:39
  and watches it. And it's like, that was trash.
• 1:34:41
  Yeah. So I would also say it's a scream. What
• 1:34:43
  about you guys? OK, I think it sounds like a
• 1:34:45
  really fun movie you watch with friends. Because
• 1:34:48
  you're like - We say that a lot. Yeah, you're
• 1:34:49
  like, oh shit, what's happening? You know, like
• 1:34:51
  kind of like reactive and like in the moment
• 1:34:53
  and like be able to like react with people and
• 1:34:55
  have a good time. That's like something I really
• 1:34:57
  do love about horror movies is like when you
• 1:34:58
  get to watch it with people and you get to like
• 1:35:00
  all kind of have the same reaction or like kind
• 1:35:02
  of freak out and like be like, holy shit, that
• 1:35:05
  was cool. That sounds like a movie that is like
• 1:35:07
  kind of prime for that. I do think - Yeah, and
• 1:35:09
  bouncing ideas off of each other like you guys
• 1:35:11
  were doing. Yeah, yeah. Sorry if I spoiled anything.
• 1:35:14
  But I do think it does sound like a good streaming
• 1:35:18
  movie. Yeah. From what it sounds like. It sounds
• 1:35:21
  like a really good shutter original, maybe in
• 1:35:24
  that sense. I do think it sounds really fun.
• 1:35:26
  I think it sounds like a fun movie I would like
• 1:35:27
  to watch. I think the trailer was really good.
• 1:35:30
  So I would also say it's a scream. Yeah. Yeah,
• 1:35:33
  I think I haven't seen it before. I didn't know
• 1:35:37
  anything about this. We literally just talked
• 1:35:39
  through every scene in the movie. And I'm still
• 1:35:40
  like, yeah, I'd watch it. I'm into it. Yeah,
• 1:35:43
  absolutely. Yeah. Scream. Love. Cassie, what
• 1:35:47
  about you? I was very unsure after I finished
• 1:35:50
  watching it. I'm like, I don't know if Cassie's
• 1:35:51
  gonna like this one. Honestly, I'm unsure because
• 1:35:54
  I watched it. Here's the thing, like the very,
• 1:35:57
  the first part of it, I felt like it was very
• 1:35:59
  repetitive. It kind of like right away, all I
• 1:36:03
  could think was like, oh, this is like Cloverfield
• 1:36:05
  Lane. Like. That's, that was the beginning. Yeah,
• 1:36:10
  where you're like, women are being kept by men
• 1:36:12
  who have some type of plot. There was also this
• 1:36:14
  Shudder original that I watched a few months
• 1:36:16
  ago, where like this girl gets trapped in a camper,
• 1:36:19
  but it's not like moving. So it kind of like
• 1:36:21
  made me think of that movie too, because it was
• 1:36:23
  a similar thing of like, why is she in there?
• 1:36:25
  What is she doing? What movie is that? I can't
• 1:36:27
  remember what it's called, but it's like old
• 1:36:29
  guy and girl trapped in a camper. Oh, interesting.
• 1:36:31
  Cassie, I know what movie that is, and they're
• 1:36:33
  not trapped in there. Well, they're not trapped.
• 1:36:35
  Is it Australian? Is it Australian? Yeah. They're
• 1:36:37
  not trapped, but she's in there, and she doesn't
• 1:36:41
  think she should be. She doesn't want to be?
• 1:36:42
  Yeah. OK. There aren't that many camper -based
• 1:36:46
  movies. I think it is an interesting premise
• 1:36:49
  where everything can kind of be shot in like
• 1:36:52
  one space. I do like a movie that where everything
• 1:36:54
  is kind of shot in one space horror wise. Yeah.
• 1:36:56
  Because I do think it really, it kind of creates
• 1:36:59
  a story that like you really have to rely on
• 1:37:02
  the actors to like make it happen. I think it's
• 1:37:04
  really fun and cool to do that. Yeah. So like
• 1:37:07
  during that stuff, I was just like, okay, we
• 1:37:08
  get it. She doesn't know she's infected. She
• 1:37:10
  doesn't like this guy. This guy seems spooky.
• 1:37:12
  We get it. Like, and then once like the radio
• 1:37:15
  stuff started happening, then I was like, okay,
• 1:37:17
  we're going on something. Cause then once it's
• 1:37:18
  revealed, like the doctor isn't real and like
• 1:37:21
  all that stuff, then you're like, okay, like
• 1:37:23
  things are going somewhere. Yeah, so then it
• 1:37:26
  really picked up. So like, I feel like if they
• 1:37:28
  would have made it the beginning shorter, then
• 1:37:30
  it wouldn't have been a long enough movie. So
• 1:37:31
  I think they needed to like do something more
• 1:37:33
  unique at the beginning. Like maybe we see her
• 1:37:36
  camping and we see like something attack her,
• 1:37:39
  but she doesn't know what it is. But then you
• 1:37:41
  wouldn't get like, you would. know the werewolf
• 1:37:43
  part of it a little bit more if you saw an animal
• 1:37:45
  or something. So I don't know if that would work.
• 1:37:47
  But the beginning was kind of slow for me. But
• 1:37:49
  once it started picking up, I was like, this
• 1:37:51
  is good. It's a very, like you guys said, and
• 1:37:53
  we say this too much, so I feel like I should
• 1:37:55
  stop saying it. But it's very light on the actual
• 1:37:59
  horror and the scariness. It's more just a little
• 1:38:01
  suspenseful, but not in a way where I was like.
• 1:38:03
  There aren't a bunch of jump scares. There isn't
• 1:38:05
  a lot of like, oh my gosh, I'm shaking. All my
• 1:38:07
  muscles are clenched. So it's like a really good
• 1:38:09
  one for somebody who just wants like creepy vibes.
• 1:38:11
  Like this is a good like fall movie. We watch
• 1:38:14
  with some friends. Halloween movie. Yeah. That's
• 1:38:17
  just like, okay, we're doing 30 days of Halloween,
• 1:38:19
  but we don't want to watch all the ones we've
• 1:38:21
  already watched. Let's watch one of these. Totally.
• 1:38:23
  Or we're going to have this on in the background
• 1:38:24
  while we're handing out candy. Yeah. Yeah. Yeah.
• 1:38:27
  And me and Cassie too are like... pretty biased
• 1:38:29
  because we're not into creature features, but
• 1:38:32
  I actually really thought this was a really cool
• 1:38:34
  take on a creature feature, like a modernized
• 1:38:36
  take on a creature feature, because it's just
• 1:38:38
  like, it is kind of hard to make a creature feature
• 1:38:40
  in 2026 if you have it not come across as like
• 1:38:42
  funny. I mean, the Wolfman kind of bombed, let's
• 1:38:45
  be real. And I also feel like creature features
• 1:38:47
  tend to be like so CGI -y these days, right?
• 1:38:51
  Absolutely. It's all about like exploding buildings.
• 1:38:53
  It was scary. Wolfman was like a little scary.
• 1:38:55
  Wolfman was Julia Garner, right? Yes. No, it's
• 1:39:00
  not Kit Harington. No, it's the guy from Girls.
• 1:39:02
  Kit Harington from Game of Thrones? Adam Driver?
• 1:39:07
  No, it's the other boyfriend. Oh, Marnie's boyfriend?
• 1:39:10
  Yes. Marnie? Oh, he kind of looks like Kit Harington.
• 1:39:13
  Are you sure it wasn't Kit Harington? Positive.
• 1:39:15
  From Wolfman? Positive. Bitch, I would bet money.
• 1:39:18
  Listen, I don't want to see a Virgo be wrong
• 1:39:21
  very often, but I'm positive, I promise. Listen,
• 1:39:23
  I love to see a Virgo be right. It is Christopher
• 1:39:27
  Abbott. He looks a lot like Kit Harington, though.
• 1:39:30
  No, he's from Girls, honey. Yeah, he looks like
• 1:39:34
  he could be Kit Harington's brother. Actually,
• 1:39:37
  he happens to be my type, so... Baby girl, you
• 1:39:40
  were live clocked on the bod. Well, I'm gonna
• 1:39:44
  go jump off a bridge now. Autumn! I'm just kidding.
• 1:39:48
  He does kind of like it very much. Okay, okay.
• 1:39:50
  He does, he does, he does. Well, Cassie, you
• 1:39:52
  didn't say is it a skip or a scream. Well, you
• 1:39:54
  know. I'm on the edge of my seat. People were
• 1:39:56
  getting distracted and I just wanted to give
• 1:39:58
  everybody their moment. I would actually say
• 1:40:00
  it's a scream. I don't, but it's not like in
• 1:40:03
  like a super emphatic like you need to watch
• 1:40:06
  this now scream. It's like, if you get the chance
• 1:40:08
  and you want to watch it, it's a good movie.
• 1:40:10
  It's an SK ream, scream with a K. Yeah. We were
• 1:40:15
  calling those scripts. Somebody, I think, was
• 1:40:18
  it Final Girls who called it a script? Yeah.
• 1:40:21
  Yeah. But like, I don't think it's a full script.
• 1:40:23
  I don't think it's like, because like, a skip
• 1:40:25
  is like when you're like, well, it could totally
• 1:40:26
  be a skip. I don't think it's like a skip. It's
• 1:40:28
  just like, don't go out of your way like, OK,
• 1:40:30
  I need to shove everything over and watch this
• 1:40:32
  right now. Totally. But like, it's like, don't
• 1:40:34
  be signing up for Shudder just to watch this
• 1:40:36
  movie. You already have a Shudder subscription.
• 1:40:39
  And you want, Cassie will link her credentials
• 1:40:41
  on the episode description and you guys can all
• 1:40:43
  just log into her. So nice of you, very kind.
• 1:40:46
  I'll have to check and see if I still have it.
• 1:40:48
  Yeah, there's some fun ones coming out. Yeah,
• 1:40:51
  totally. Yeah, I mean, we're getting the spooky
• 1:40:52
  season, so it seems like if you're going to do
• 1:40:55
  it, you're going to do it now. We are. Totally.
• 1:40:59
  Yeah. Well. Ladies, thank you so much for hanging
• 1:41:02
  out with us for almost two hours. It was a blast.
• 1:41:05
  I loved all the tangents and stuff. The conversation
• 1:41:07
  was very natural. You guys were absolutely wonderful.
• 1:41:10
  In a good way. The tangents were good. Because
• 1:41:12
  Maggie and I get distracted a lot too, and then
• 1:41:14
  we're like, oh my gosh, we just talked about
• 1:41:15
  cereal for 45 minutes. That's what podcasts are
• 1:41:21
  for. That's what we're here for. Yeah, I'm glad
• 1:41:23
  you guys enjoyed that, because I was really worried
• 1:41:26
  that we were going to be too much. No, no, I
• 1:41:28
  loved it. Because a lot of the stuff you said
• 1:41:30
  was like stuff I was thinking. I was like, yeah,
• 1:41:32
  exactly. Yeah. OK, good. I had fun, and I might
• 1:41:36
  like to see the movie, so. Yes, yes. I'll send
• 1:41:38
  you a screen grab of Werewolf Baby Girl. I was
• 1:41:40
  going to say, you at least have to see the baby.
• 1:41:42
  We have to see the baby. It's a girl. I want
• 1:41:46
  to see what they knew to know that it was a girl.
• 1:41:49
  Like, how do you know it's a weird girl? It came
• 1:41:50
  out like this. She's like, hey, queens! Hey,
• 1:41:54
  queens! Maggie's doing the thing where people
• 1:41:56
  with long nails clasp their hands together and
• 1:41:58
  they're waving. That's her emoji in my phone.
• 1:42:01
  Yeah. The little girl came out and she's like,
• 1:42:04
  you did it, girl. You slayed that. She's already
• 1:42:06
  got the nails done. Yeah, yeah. Hey, girl. Yeah,
• 1:42:10
  yeah. I love it. So lovely. Well, yes, it was
• 1:42:13
  lovely chatting. Tell all the listeners where
• 1:42:16
  they can find Grimly. When do your guys' episodes
• 1:42:19
  drop? Tell us all the facts. All right. So we
• 1:42:22
  have a new episode every Monday. It's usually
• 1:42:26
  something kind of cryptid. We do some, like,
• 1:42:29
  unsolved mysteries. We do a lot of paranormal
• 1:42:31
  stuff. Every week is a little bit of a different
• 1:42:34
  tale, I will say. There isn't any casual true
• 1:42:37
  crime thrown in there, so if that's not your
• 1:42:38
  thing, that's totally fine. Just wait till next
• 1:42:40
  week. We have over 100 episodes. So, there's
• 1:42:44
  a backlog that you can go find. Doing the Lord's
• 1:42:45
  work. There's a lot of episodes. Yeah, we're
• 1:42:47
  doing Skydye's work over here. We're on Instagram.
• 1:42:50
  We are on TikTok. We are on Wondery. We also
• 1:42:54
  are on... What? At what? At Grimley Podcasts?
• 1:42:56
  At Grimley Podcasts. There you go. Thank you.
• 1:42:58
  There it is. Yeah, Grimley Podcasts. And then
• 1:43:00
  we are on Wondery. We're on Spotify. We're on
• 1:43:02
  Apple Podcasts. We are on YouTube as an audio
• 1:43:04
  platform. We don't do video because I don't have
• 1:43:06
  the time for it. Good Lord. We're ready to put
• 1:43:09
  makeup on for this month. Yeah, look up Grimly
• 1:43:12
  on any of your platforms when you're there, I
• 1:43:15
  promise you. We do welcome reviews, good and
• 1:43:18
  bad. Yeah, we only want one star or five stars.
• 1:43:20
  One stars or five stars, please. Oh, that's wonderful.
• 1:43:24
  You've got to commit to the bit. Honestly, let's
• 1:43:27
  be decisive here, people. As I was sitting there
• 1:43:30
  being like, I don't know if this is the first
• 1:43:32
  stream. Yeah, yeah. Well. This was so fun. I
• 1:43:38
  am excited we got to watch a weird movie. I'm
• 1:43:40
  also excited, like, since you guys are into cryptids,
• 1:43:42
  that it ended up being a cryptid movie, because
• 1:43:44
  that just worked out perfectly. So into it. I
• 1:43:46
  love it. Thank you so much for having us. Everybody,
• 1:43:48
  yeah, thank you for hanging out. Everybody, go
• 1:43:51
  grab your lorazepam. Take a hit. Wine down. Go
• 1:43:56
  rate us and Grimley five stars. I won't even
• 1:43:59
  say rate one star, only five stars. Maybe it
• 1:44:01
  doesn't give our listeners an option. No, they
• 1:44:04
  don't have an option. Yep, yep. But otherwise,
• 1:44:08
  we'll see you in two weeks with a brand new episode.
• 1:44:12
  And I'm finally doing the patron -voted movie.
• 1:44:15
  God damn, sorry I fucked it up so bad last time,
• 1:44:17
  you guys. The patrons voted on a movie and I
• 1:44:20
  didn't cover it because I suck. Oh no, you don't
• 1:44:23
  suck. Sometimes you just don't want to be told
• 1:44:25
  what to do. Yeah. I know, right? My god. This
• 1:44:28
  is your goddamn podcast. Just kidding, patrons.
• 1:44:31
  We love you so much. This is America, damn it.
• 1:44:31
  We still have choices. This is America. Thank
• 1:44:33
  you. She means thank you. Yeah, of course. Thank
• 1:44:35
  you. We love you guys so much. Bye -bye. Bye
• 1:44:39
  -bye. Bye. Thank you for listening to another
• 1:44:44
  episode of Skip or Screen. If you enjoyed today's
• 1:44:47
  episode, make sure to follow the show so you
• 1:44:49
  don't miss what's coming next. And if you've
• 1:44:51
  got a second, drop us a rating or review on Spotify
• 1:44:54
  and Apple Podcasts. You can also find us on the
• 1:44:57
  socials so come say hi on tiktok at skip or scream
• 1:45:02
  pod and on instagram at skip or scream podcast
• 1:45:05
  you guys we also have a patreon subscribe and
• 1:45:09
  you can vote for movies we cover explore bonus
• 1:45:12
  content and much much more we love and appreciate
• 1:45:15
  all of your support bye