Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: A Real Gone Guy (EP1425)

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The Saint: A Real Gone Guy (EP1425) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectives of Old Time Radio from Louise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to me Box thirteen at Great Detectives dot net, follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com
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slash Radio Detectives. Well, before we do get started, I did want
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to encourage you to check out my at store dot Great Detectives dot new,
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where you can purchase audiobooks, ebooks and paperbacks that I've written. With Christmas
1:08
coming up, I've got a limited supply of the novels I've written that I
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can sign and send to you for gift giving purposes. Full details are available
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at store dot Great Detectives dot net. Well, now it's time for today's
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episode of The Saint. We do have a lost episode between last week's showing
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this week's. The original air date is July the second of nineteen fifty and
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the title is A Real Gone Guy. Will you delay the start of this
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program to bring you a special news bulletin from the NBC News Roman New York.
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Two fresh columns of North Korean troops have crossed the Han River. And
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am moving southward below Soul. Two other Invader columns about Plank, the town
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and airstrip of Suwan on the east, and a spokesman at a US advanced
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headquarters in Korea. The defense situation has definitely worsened in the past twenty four
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hours. Keep tuned to your NBC station for the later news. The Adventures
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of the Saint starring Vincent Price, the same based on characters created by Leslie
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Trotters and Nons millions from books, magazines, and motion pictures. The Robinhood
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of Modern Crime now comes to radio, starring Hollywood brilliant and talented actor Vincent
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Price as the Saint. Oh Hello, Templar is Martuary. Mister Simon Templar,
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unfortunately is calling. What time is it? At the sound of it,
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I'm sorry, I'm not allowed to give that information. A littleton is
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calling, all right, put them on one moment player. Hello, Hello,
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is this Simon Templer? Yes it is. My name is Shirley Gray.
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Please, I mean yeah, go on, Hello Sammy. Oh well,
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I was just calling you with the theater, you know, I was
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with the Hang it up all right, Hello, I'm sorry I bothered you.
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Sammy just got back. Hello, Hello, your party has hung up
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there, so they have Thank you, Shirley Gray. Shirley Gray. Oh,
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of course i'miss I Lieutenant Schwartz, get too. Oh no, Templar,
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No, no, no, no, no, you hate me,
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don't you, Templar. This is a homicide bureau. I am up to
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the cleft of my rugged chin and work. I got maniacs confessing to murders
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that never happened. I got murderers caught in the act. Who say who
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me? And no? No? I got Templar. Yes, Lieutenant,
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Templar, you got something to say? Say it anyone for Badminton Templar.
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Okay, Lieutenant, I just want some information. He's the newspapers, Templar.
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They whip up the crimewaves. I don't. Well, then, what
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do journalism's juvenile delinquentab today about events in the city of Littleton today? You
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don't know. I couldn't even get well. Stay happy, go back to
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bed, Lieutenant. I'll write a letter to the time. Okay, Templar,
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have it your way. You ever hear of a band leader named Terry
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Richard? Of course, you mean the one they call the real gone guy.
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I hope to hold your half. No, Templar, he's real gone
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all right, so gone, he's dead. He was strangled. Oh well,
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thank you, lieutenant for your first exclusion. Look if you're figuring about
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him, Templar, I wouldn't now you know me. You're Lieutenant Ruggles,
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old old meat head. Well he is now chief of police at Littleton.
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You better stay out of his way. I wouldn't dream of getting in his
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way, or would I. I'm not getting Templar. Terry Richards was a
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real big name. Ruggles wants this one for himself. You get in his
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way? Have you so deep in the pokey they'll be feeding you with a
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pea shooter rip? Hey on second thought? Is that lieutenant? Yeah,
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Tampler, did someone fight your bubblegum this morning? Yaodbye? How don't sneeze
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into the breeze. I'd like to go backstage, please, misterr door man.
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It's possible to get there if your cultural development is at a certain level.
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Well, I'm fond of Montreal, I collect manna. I am fond
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of portraits of those men who will become our presidents. I am especially cheered
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by portraits of Lincoln, done of course on fine paper in black bordered and
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shaded in hues and shades of green, which one finds so cool and comfortable.
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Your taste is admirable. It happened that I here. You are a
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perfect specimen of past grain. Thank you so much. Oh, mister Templar,
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you know me. You expected me. Miss Gray hoped for you,
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as she described you, till it cost me five dollars. Nothing ventured,
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nothing gained. And miss Gray is in her dressing room, first corridor to
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you're wreck and first daughter the left door. Thank you. They tell me
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something. Is this the same Shirley Gray who sings pallid so wonderfully? The
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same? But she sings them no more? Merlo roleyelbouki. You swallowed something
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bomp. That's what the great Terry Richards played. Oh, I gather you
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were not a fan of the late mister Richards. The man who knocked him
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off was a hero. I see. Miss Gray is the only nice person
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in the band. Take care of her, will you you think she needs
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taking care of. There's a killer running around, mister Templar. Of course
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he's just after another musician. That's all right. The chilla is gonna hate
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you in the morning. He wasn't there a first corridor to You're right,
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first daughter left. Mister Templer's great, Oh you frightened me. You're Simon
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Templar, Secretary Shirley Gray fanclub Cell three, Group two currently underground. A
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pot chorte, Oh, mister Templar, I'm so glad. Who is Sammy?
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He's what do you mean? Well, all the way down here,
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I've been asking myself why would Shirley Gray call me? And after calling,
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why would she hang up just because a man named Sammy entered the room?
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You see, I'm just the old curious one. I want you to do
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one thing for me. Find out who kills Terry Richards. That's the job
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for the police, isn't he Well, they might the wrong person, Sammy,
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for instance. They might not find out in time. Somebody else might
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get killed. The door man seems to have had the same thought. What
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brings it on? No one knows why Terry was killed. Nobody liked him,
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but nobody hated him enough to kill him. This is almost the work
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of a maniac. There was no reason for it. You mean, no
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one was ambitious, jealous, frustrated. We don't talk like that. You're
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hiding something from Simon. Please don't choke. I found Terry's body. I
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called the police and they said he must have been strangled with a south thin
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cord. But well, well they're wrong about it and about everything else.
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He was strangled with the family. This is Simon Templar, the Saint Simon
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alone, Shirley, get out. I'm happy to know you, too,
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friendly one. Look, Templar, We're being held in this off beat berg
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and we can't get out. I'm spending all my time at the jail answering
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the silly questions of these cornwall coups, and now you. I've got rehearsals.
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I don't know when to get out. Oh no, Sammy, No,
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not rehearsals already truly hasn't even been Yes, Sammy, why are you
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so anxious to get in rehearsal. We've got a contract for a concert tour.
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That's what we were doing in this corn palace, warming up for the
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tour. The band's got to be in shape in a week of the contract
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is canceled. No contract, no tour, no tour, no band,
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no band. We're on a panet, you see. No, Just where
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do you fit in? I like money, I eat it cheaper than food
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these days. Besides, if we make out the agency is giving me the
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band, I got it coming. It's like Terry had what happened coming to
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him? Oh, Sammy, Well, Terry was a slave, and you
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know what you are, a man of grace and charm, Sammy. Send
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him away, surely, get him out of here, gentle psychotic? Isn't
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he? As we jazz lovers say, this routine is murder? I'll talk
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to him. Will you wait for me? Simon? Need you as I
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come in? Mister templand of course, Hey, how did you know me?
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I talked Shirley into calling you. My name is Dick Carver. You're
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with the band. All I do is beat these loudy drums. You ever
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hear that joke? To the point of nase here? Who killed Terry Richards?
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I don't know. The cops thought Shirley might have because she found him,
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but it wasn't Shirley. I had to call you so you could prove
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it with someone else. What was she doing in his dressing room? Was
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it her habit to go there? The carvi this, dear boy, if
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you want me to have it? Okay, okay? Layout for four bars
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and I'll give you a score. I understood Terry Richards. I didn't like
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him any more than anybody else, but I did understand him. I've been
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with him since the year one. Sammy has two only he played a three
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year job with the army. Sammy called Terry a blob. Yeah. Before
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the war, Sammy and Terry started this band. Terry founded at Samuel arranged
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and conducted rehearsals. A man sent him greetings, and he went into the
10:45
paratroops and came back top them hard. I thought he'd killed Terry when he
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found out Terry had cut in for one hundred percent of the band. I
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remember his hands were just sady. Did he come back with Terry? Terry
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was up here mac number one. He was willing to pay for Sammy's talent
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and pay good. That's the only way could keep any buddy, including Shirley
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cool Kid. It wasn't enough. She had to work for him. She
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had to go along with him a little way if she wanted her job,
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and she did. Why why she used to be the biggest name on radio
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with our Terry Richards? How did she ever become a band singer? Canarry
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is a hard to figure Maybe that's the question you've got to answer. Terry
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Richards seems to have been a dismal kind of snail. Oh. I admired
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him, mister Temple, for one reason. He knew how to compete,
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fight, cheat, steel, hit below the belt, but stay on top.
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He had one philosophy and had fit this world. Great hooray from me
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and nuts to you. If I could have had that, I'd have done
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all right. I'd have been bigger than Terry Richards. But I haven't got
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it. I admired the man who had. This has been an enchanting recital
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of the foibles of humanity. But who killed Terry Richards? I wish you'd
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find out? Why are you so anxiously? Because with our Kerry, this
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band can still go places. Oh we needed him like a Metanese common Lombardo.
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Now Samuel'll be in charge, don't you see, And he'll give everybody
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a chance, even me. What do you mean? But Kerry wouldn't give
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any of us a chance to shine? We always had the feat to his
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guitar, but we got a real gone arrangement of temptation, just me on
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temps and Shirley on voice, Real gone, real gone but terry. Because
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I've heard of progressive music as a sample, I'd say it hasn't gone quite
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far enough. It's still in the range of hearing and a mister template.
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But Sureley, come on, let's go the green room. When Shirley out
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of the way called the coppery. Oh it's a templar. Oh are you
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all right, Simon? Oh yes, Angel, I'll be all right.
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Hey, I thought you were should just faint a template? Did you call
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the police? Dick? Between giving her smelling salts and bathing your head?
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I haven't had much of a chance. What is they say? And there?
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Who done it? Happened? If somebody slugged you from behind and pushed
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me through the door and slammed it to my neck, there must have been
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a rabbit punch. Do you want a doctor, Simon? Dear hut,
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I want an answer, By the way, what did happen to you?
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I argued with Sammy for a while, and then I came over here and
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I picked up Sammy's that tone this was wrapped around him. Wait did I
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stand up? Oh? That floor was so comfortable. What is this thing?
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It's an e string for a guitar. Huh, it's what was used
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to kill Terry? Probably from his own guitar. Probably someone had a sense
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of poetic justice. A guitarist string for a guitarist. Let me see that
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thing? Wow, wasn't I pulled it tight? It cut into my hands.
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He Wait a minute, did you know Terry was killed with an e
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stream Shirley, Well, it was beside him when I found him. Between
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the time I called the police and the time they got here, someone had
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taken it. Sairly nice read Emily Post. Has it that when one is
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in possession of evidence or information about evidence, one tells the cops, or
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one suffers one does. I was afraid? Did you see? You are
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more afraid? Now? This thing is a warning for Sammy, for you,
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for everybody. By the way, where is Sammy? Why didn't he
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come running when he heard his scream? The same reason? I know she
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was in the green room and not his dressing room. His room is soundful.
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I moved that we adjourned to Sammy's little fell and thing. No,
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surely you're not going to be stubborn. All right, let's go. Something
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tells me we've got to break it down, Oh Sammy, all right,
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Dick, Now the pops the cop. We take care of Sammy. I
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hope, mister tan. I have answered the questions of the police. I
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have answered the questions of my wife. Now you want me to answer your
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question. My friend is doorman of this house of culture. You are in
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a most enviable position. You see who goes and who comes? Now let
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me review the bidding the famous Terry Litley, infamistery Richard. Nonetheless, he
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was killed a bumbling murderer's toad came within a minute of killing family. To
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day the same whart brain didiot delivered a rabbit punch to my neck. I
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only want to be sure it was no outside for it. Do you follow
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me as the animal anc one, as the acrovans, mister Templar. But
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I must repeat, no insidious force has come through these bottles unless that force
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be you. And you should hear Chief ruggles on the subject of you police.
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You don't like the police, mister Templar. The police were put on
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his earth for one reason, so that so called musicians could arise in the
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morning with the assurance that somewhere on Earth there was some one lower on the
15:37
scale of human beings. You could be centered for that. Tell me.
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Are you here all the time, mister Templar, There are matters one does
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not discuss with just any stranger. Oh oh, oh, to say,
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I'm sure. I I simply want to learn who could be a murderer,
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That's all. It's a simple want. Some people want food. I want
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a murderer. Some people want a new apartment. I want a sneaky,
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th soft pedal. Zagao could walk though softly. It would be unheard,
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and it would slug me from behind. Even I could do that, mister
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Templar. I wear sneakers. They're relaxing. I could come upon you so
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quietly, or you could. I'll give a thought. Thank you so very
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much. It was nothing, mister Temple, I know nothing. You're getting
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better, Sammy Templar, You're still wrong. You're not happy with me,
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Sammy, Sammy, please, if it weren't for mister Temple, you might
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be dead. All he hadn't shown up, it would not have happened.
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He got a hold of something and scared somebody. That's whom did I frighten?
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Sammy? You? What do you mean? It occurs to me that
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if I were a person so well and so frightened, I could hold a
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wire about my neck and induce unconsciousness. You've got rocks in your head template,
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Why don't you leave it alone? Let's a copish as somebody slug me
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Sammy, and I'm very sensitive about such things. Why don't you two stop
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fighting? Missus sirius, somebody else is trying to get hurt? Yes,
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and I hear by nominate Simon Temple. I must decline because of the pressive
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business. Look instead of us arguing like this, why don't you go hurt?
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Oh great, now he's going to run the band too. No,
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but at least you be out of my hair for a while. Sammy has
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an abrupt personality. Well, Shirley, we're alone, Simon. Are you
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getting anywhere? The answer to that would have to come from your own lovely
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lists. You're very sweet, Sherry. To see you as you are now,
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as well as they say in the soap operas, it does something to
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me. Suppose whoever it is gets away with it. Suppose he succeeds next
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time, kill Sammy or me. Tell me, Shirley, did you kill
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Terry? What did you say? So? Did you kill Terry and try
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to kill Sammy? I'm very rude, My, analyst tells me, no,
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never mind my analyst. I hate him. You didn't answer my question.
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No, I didn't kill Terry, he satisfied eminently. Tell me something
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shedding. A couple of years ago, you were going great guns as a
18:15
soloist. I remember reading something about a big recording contract. I had your
18:18
recording of April in Paris. It was one of the best things I ever
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heard. I'm still getting royalties on it. How is it that you came
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to work with a band? What happened that you gave up your contracts in
18:27
your big career? Why do you stay with this band? Is my career
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pertinent? I don't know, but I do know that we're going to have
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this clear it up very soon? Do you really think so? M I've
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got something right on the tip of my mind. Can't quite get hold of
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it, but I will. And if we can clear it up in time
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and Sammy has the band in shape, you'll be hitting the road. So
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you had better be in shape. But why don't you go to your dressing
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now on this? Huh? Go on here? Do you well? All
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right? If you say so, I'll walk with you. Is that a
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idea of Dick's about temptation going to work out. I don't know, Simon,
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I'm not too crazy about it, but maybe it will, I hope.
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So for Dick's sake, Dick, Yes, you know, every time
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Sammy wrote an arrangement so Dick would have some breaks, Terry would insist that
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it'd be rewritten for his guitar before Dick would just sit up and keep a
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rhythm, as he said, all he does is play those losty drums.
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Yes, it might be a break for Dick. Is that he's a nice
19:26
seller. He's got something coming. I should start, Well, this is
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where I drop off. What are you going to do? Oh? I
19:33
don't know, catch a murderer? Maybe hello Dick? Oh hello, Mi's
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the template? Oh no, no, don't stop playing. Go right ahead
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there, I'll just pass the time of day. I have any luck,
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yell, I'm about to step out of the store window and call for Philip
20:03
Marlowe. Well, if there's anything I can do, or any of the
20:06
fellas for that matter, I know they'll help. I thought they were all
20:07
happy to see you, or laid my stroke go that was the impression I
20:11
had. Now Sammy might give you that impression, or that'd wacked up doorkeeper
20:15
out there. I don't think anybody likes to see somebody murdered, especially when
20:18
they know the killer is still in the loose. Hmm. But you fellas
20:21
seem to be taking it in stride. Some people, Yeah, some people
20:23
know me. I'm worried it would take it easy now. Hey, you
20:29
certainly need a lot of paraffin in your trade. Yeah, symbols, TIMPs,
20:33
bongo, tambourine. What are these things? Oh? These these are
20:37
plays? What are they for? Set a rhythms with Latin American stuff?
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Hey, let me show you see. Very simple, Yes, indeed,
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very simple. Yeah, this is quite an array of stuff for one who
20:49
just beats the drum. That's all I do, beat these lousy drums.
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And I have to do some more snooping, dick, I'll see you're out.
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Okay, it's a stamping, lousy drum. Hey, what's joddya busting
21:10
in here? Anny, I've got two questions for you if you're interested in
21:12
finding Terry Richards killing. Number One, you were in the paratroops, Yes,
21:18
I was in the parrot Number two, did you make patrols behind the
21:21
lines where you had to kill a man with your own hands? You scu
21:26
I asked your question. Did you my answer? I'll get out of here,
21:30
and if I set eyes on you again, I'll kill me. Sammy,
21:33
get out. You know, I think i'd feel much better if you'd
21:48
take my head in your lap and baize my face. I hadn't feel much.
21:52
Oh Shimon, stop it. You know you shouldn't have just barged in
21:56
on Sammy like that. He has a temperance he doesn't like to be reminded
22:00
of. Well, it just should have been more diplomatic. I was diplomacy,
22:06
my dear girl, is not always a matter of kid gloves. Oh
22:08
Simon, why don't you give it up? I'm awfully sorry I got you
22:11
into this. I'm not at all. It's well worth everything just to sit
22:15
here and have your sympathy and Sully Simon, what's the matter that's dressful around
22:22
the neck of it in east? Oh Simon? I think I know what
22:26
it means now, all of it? Why me? Do I know something?
22:30
What is it? No, you don't know anything, but you've done
22:33
something. Yes, yes, figure, Oh Simon, Oh cry tell me?
22:40
Did Sammy get someone to take Terry's place with the guitar? No good,
22:45
just to take care of that for him. But I beckon, you're
22:47
going to make sure the public address system is warmed up in the wings so
22:51
I can use it in third you're going to tell Sammy and Dick you want
22:55
to run through temptation. Oh no, Simon, I couldn't make like that,
22:57
tired old gad. You know the show must go on. It's one
23:02
of the most important things in your life, and I want you to do
23:04
just as I say. I'm afraid you're not going to have a life to
23:07
have important things happening. O kin, I take it once and then forget
23:21
it. No com stot feel Dick? Take you ready? Yeah? Okay,
23:26
now remember what? Yes? Its uk, I was alone. I
23:45
should have known you were temptation. You smat luring my ho was gone you
24:08
okay? Nice? True as yours? What you gotta wait for me?
24:30
Killing days are overstone all over the whole fin the music you plays and loust
24:37
up your band? How could I possibly do it? Diamond, I'll clip
24:40
you could. I don't understand. We understand what you're talking about. Sammy.
24:45
If you will call the cops, I'll tell Dick a little story about
24:48
a man who was very ambitious who wanted to be big and important, like
24:52
Terry Richards, who didn't want anybody to get in the way of his ambitions,
24:56
who admired selfishness and ruthlessness. It's about the Torry well tell, isn't
25:00
it. Dick? Oh, I was pretty loudly drums. Oh, gods,
25:06
loudly drumb. But why did he try to kill me? Simon,
25:19
dear? Just remain as you are, is Simon? You should know?
25:25
Oh? I do know he killed Terry because, as you said, Terry
25:27
took all the licks to say that Dick thought belonged to him. Then he
25:33
got real ambitious. He wanted to be like Crooper, had his own band,
25:36
and he tried to kill Fanny then he could fight for the leadership of
25:38
a band that was already great. Oh, it's so awful, wonderful Simon.
25:45
You Oh, but when did you first suspect that you were wonderful?
25:49
No, that Vick was the killer. I was puzzled that someone had used
25:53
a guitar string for the purpose of strangling Terry Richards. It cuts into the
25:57
hands and there's no unless it's wound around the hands, and that is no
26:03
wire for strangulation. Then I came across the Klavie's and Dick's drums, and
26:08
everything fell into place. I see, you know, I remember when Sammy
26:12
got back from the army and we had a party, and he got drunk
26:15
and told us how they used to kill the enemy with wire, the ends
26:18
of which were tied to batons to give them. What did you say,
26:21
purchase? Sure, you're making Simon sound anticlimactic, and that's not in the
26:26
contract. Oh I'm sorry, Simon. You really did a good job.
26:30
But I know here's you are idea? Oh Simon, Well, in any
26:34
event, Dick remembered Sammy's tales of the parachops. He tied the ends of
26:38
the guitar strings to the clavie's he used for Latin American rhythms, and then
26:42
he approached his victims from the rear, looped the wire over their heads and
26:47
curtains. Oh, how terrible. It was very clever. When you screamed
26:51
and fainted and we came to you, he stepped behind me and slugged me.
26:53
Then he ran to make his pass it killing Sammy. He wasn't clever
26:56
enough to take his time and make it thorough. I think it's so Grucius.
27:00
I think it's wonderful, Oh, Simon, you cal I do.
27:03
The more I explain, the more you shive and the more you ship it,
27:06
the closer you're coming on. And it's what the full? Will you
27:10
please listen to me for a moment. No, dear, you're upset.
27:12
You'll be going back to the city now, you know. I think that
27:15
months the chief ruggles will release all of you. Why don't you have dinner
27:19
at my place, just you and me? You like my place. I
27:22
have a fron collection of modern arts, especially Picasso. You're inviting me to
27:27
come up and see your Picasso, my dear, when one is charming as
27:32
you, who comes to my place? It's not to see the Picasso's but
27:34
the handwriting on the wall. What are you doing with my wife's templar?
27:40
My wife? Oh how depressing, Simon. That's what I've been trying to
27:45
tell you. You asked why I stayed with his band and gave up my
27:48
other career. Well, it's because Sammy and I have been secretly married for
27:51
six months. Oh no, that's why I called you. I was afraid
27:53
when the police found out, they'd think that Sammy killed Terry because of jealous
27:57
I would still like to know, Templar, what were doing with your armor
28:00
on my wife? I oh, I was consoling her. I've got some
28:07
consolations for you, as emmy. I wouldn't advise violence. I'm ready to
28:11
turn violence. You've got me all wrong. Gee, keep huggles, Sammy.
28:15
How are you want? You're still looking for template? What else here?
28:18
He is? Oh? No, I want to talk to you.
28:23
Take goodbye to the nice man. Surely, goodbye Simon and nice week.
28:29
We'll meet again, although my dead body, I'll try to arrange it.
28:42
You have been listening to another adventure of the Saints, the robin Hood of
28:45
Modern Crime, and I'll here's our starve and some pride ladies and gentlemen.
28:49
In tonight's cast you heard Vivid Janice, Larry Dobkin, Loo Merrow, Jack
28:53
Edwards and Bill Johnstone. This is Vincent Price inviting you to join us again
28:57
next week at the same time for another fighting adventure of the Saint. Good
29:02
Night, Let's Rip with the Saint was written by Charles Lynn. Music is
29:18
composed and conducted by Von Dexter. The Saints, based on characters created by
29:22
Leslie charteris is a James L. Safier production. And is directed by Helen
29:26
mac Vincent. Price is soon to be seen in the Universal International picture Kristin
29:29
Call at Cactus Creek, and all you Saint fans will be glad to know
29:33
that the Saints comic books Aron Sailor to all You Sam. You're announcer is
29:36
Don Sam. Next, it's Sam Spath and Summer Symphony on NB SAVE Welcome
29:52
back. Well, we're actually at the point in the series where I have
29:57
not heard most of the rest of the the episodes. I'll be hearing them
30:00
for the first time with the rest of you. Uh. The uh call
30:06
for Philip Marlowe reference that the Saint made in the course of the mystery was
30:11
actually a reference to a commercials. Famous radio and early television commercials featured a
30:18
bellboy named Johnny calling out call for Philip Morris as an advertisement for the cigarette
30:26
company. And you'll hear that on a variety of programs that Philip Morris sponsored,
30:32
and so called for Philip Marlowe is just kind of a play with that.
30:37
Well, that will actually do it for today. We will be back
30:40
tomorrow with Crime and Peter Chambers join us back here next Monday for the Saint
30:45
in the meantime, send your comments to Box thirteen at Great Detectors dot net
30:51
or peelbox one five nine to one three Boys Idaho eight three seven one five
30:57
from Boise, Idaho. This is your host, Adam Grahamson and off