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I Don’t Wanna Talk About It (S5 E15 "Jews and Chinese Food”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all In.
• 0:16
  Speaker 2: I Am all In with Scott Patterson and iHeartRadio podcast.
• 0:21
  Speaker 1: Everybody Scott Patterson, I Heart Radios and one eleven's I
• 0:25
  Speaker 1: Am All In Podcast with me and my Intrepid team.
• 0:29
  Speaker 1: Amy Sugarman, Danielle Romo, you're like.
• 0:31
  Speaker 2: An announcer today, an announcer I'm getting.
• 0:38
  Speaker 1: I know him, I know he's getting very bad. And
• 0:42
  Speaker 1: Tara sued Welcome. This is the ball club. We have
• 0:46
  Speaker 1: not been together in over a week and it feels
• 0:49
  Speaker 1: like a year. I was desperate to get back to podcasting.
• 0:55
  Speaker 1: I was losing my mind on the golf course, in
• 0:58
  Speaker 1: the swimming pool and the US so I wanted to
• 1:04
  Speaker 1: get back and to chop it up with the gang.
• 1:08
  Speaker 1: A couple of announcements before we get going. Sullivan's Crossing,
• 1:13
  Speaker 1: my new TV series just announced a day premiere date
• 1:17
  Speaker 1: on the CW Network October fourth, eight pm. And they're
• 1:20
  Speaker 1: going to perish with Leah Thompson's new series, The Spencer Sisters.
• 1:24
  Speaker 1: So that's gonna be one heck of a two hour experience.
• 1:27
  Speaker 2: You give me that one more time, you want to.
• 1:30
  Speaker 1: Get it again, Yeah, one more time.
• 1:32
  Speaker 2: But yeah, just for the people that were looking.
• 1:34
  Speaker 1: Out Sullivan's Crossing premiere date is October fourth, that's a
• 1:40
  Speaker 1: Wednesday evening, eight pm on the CW network. Sullivan's Crossing
• 1:46
  Speaker 1: episode one pilot episode. And then after that you've got
• 1:50
  Speaker 1: the Spencer Sisters starring Leah Thompson.
• 1:53
  Speaker 2: And did you see your co star is having a baby.
• 1:58
  Speaker 1: His wife? Yeah, but yes, no, this is fantastic. Dude,
• 2:07
  Speaker 1: Chad is going to become a father for the third time.
• 2:10
  Speaker 2: So cool.
• 2:11
  Speaker 1: That's great. Best Sarah for a healthy, happy, bouncing baby.
• 2:18
  Speaker 1: I don't know whether it's a boy or girl.
• 2:20
  Speaker 2: It's like, you know, love and prayers, happy and healthy
• 2:23
  Speaker 2: and I'm like, great pr for your show.
• 2:28
  Speaker 1: You got to use it, all right, but no, I
• 2:32
  Speaker 1: wish them the best. And what an episode Juice and
• 2:35
  Speaker 1: Chad food you want to oh?
• 2:36
  Speaker 3: You know.
• 2:37
  Speaker 1: Plus, I'm gonna be listen, listen. I'm gonna be in
• 2:39
  Speaker 1: Corpus Christi, Texas at the American Bank Center July. What
• 2:44
  Speaker 1: is it, twenty eight through thirty.
• 2:45
  Speaker 2: That's a good one. It's not gonna be hot.
• 2:46
  Speaker 1: It's gonna it's not gonna be hot at all. It's
• 2:48
  Speaker 1: gonna be triple digits. It's gonna be all the more
• 2:55
  Speaker 1: reason to come into the American Bank Center, which has
• 2:58
  Speaker 1: some of the best air conditioning units I've ever seen.
• 3:01
  Speaker 1: They're very impressive. And then I'm going to be at
• 3:05
  Speaker 1: Indie Comic Con August twenty fifth through twenty seventh in Indianapolis.
• 3:10
  Speaker 2: Oh that's pretty cool.
• 3:11
  Speaker 1: So Indie Popcorn. I'm sorry, Indie Popcorn. I'm also going
• 3:15
  Speaker 1: to be a Galaxy Con Columbus December second.
• 3:20
  Speaker 2: My gosh.
• 3:21
  Speaker 1: So it's also there's a Charleston event with Chad and
• 3:26
  Speaker 1: Matt in September, mid September I think September sixteenth, Charles
• 3:30
  Speaker 1: in South Carolina FAB five events.
• 3:32
  Speaker 2: So we need to go.
• 3:33
  Speaker 1: We're all over, Yeah, we need to podcast from Yeah,
• 3:36
  Speaker 1: But anyway, Danielle take us away on the synopsization of
• 3:41
  Speaker 1: Jews and Chinese food.
• 3:42
  Speaker 2: All right, got just made up a new word, synopsization, synopsisization.
• 3:49
  Speaker 1: That's ten times back.
• 3:50
  Speaker 3: I don't think I can repeat it.
• 3:51
  Speaker 1: Synopsisization. All right.
• 3:55
  Speaker 3: This is season five, episode fifteen, Jews and Chinese Food.
• 3:59
  Speaker 3: Air date fibrus are twenty second, two thousand and five.
• 4:02
  Speaker 3: Lorelai has hurt again when she realizes Luke has moved
• 4:06
  Speaker 3: his boat from her garage without even telling her Luke
• 4:09
  Speaker 3: helps the school kids build the sets for their Fiddler
• 4:12
  Speaker 3: on the Roof play in hopes of working with Lorelai,
• 4:14
  Speaker 3: who he is realizing he's he misses. Rory tries to
• 4:19
  Speaker 3: make up with Marty by hosting a movie night, but
• 4:22
  Speaker 3: Logan interferes.
• 4:26
  Speaker 1: Boy, did I tell you I'm liking that Marty. I'm
• 4:29
  Speaker 1: liking Marty.
• 4:32
  Speaker 2: I'm loving that Logan.
• 4:34
  Speaker 1: You gotta like that.
• 4:35
  Speaker 2: That kiss. I won't go to the end first.
• 4:38
  Speaker 1: But yeah, anyway, so this is this is this the
• 4:44
  Speaker 1: first time Lorelai meets Doyle, the first time I've talk
• 4:50
  Speaker 1: about a home run.
• 4:54
  Speaker 2: One of my favorite lines of the whole thing. She s,
• 4:56
  Speaker 2: do you have the wrong room? He goes, I wouldn't know.
• 5:00
  Speaker 4: It was like, oh my god, yeah, so good.
• 5:05
  Speaker 1: Yeah, that's when Lauren gets to do her funny comedic stuff.
• 5:10
  Speaker 2: I can wait outside. I gotta get away from this time.
• 5:16
  Speaker 1: Yeah really Yeah. And then a lot of a little
• 5:20
  Speaker 1: too much information that parents are sharing about the frequency
• 5:25
  Speaker 1: of their their boinking. See, these are things I made
• 5:29
  Speaker 1: a list of things we didn't know before Logan went
• 5:32
  Speaker 1: to andover Stars Hollow has a Marina Rory's woman, Marty
• 5:37
  Speaker 1: has eighteen dollars in his bank account. One of them
• 5:41
  Speaker 1: is a Paris and Doyle boink three four times a week.
• 5:44
  Speaker 1: Oh god, And that's just an image you can't get
• 5:46
  Speaker 1: out of your head.
• 5:47
  Speaker 2: Right, And the paragraph has been informed of the breakup
• 5:51
  Speaker 2: between Luke and Lorelai.
• 5:53
  Speaker 5: She has no filter, like I would not be like
• 5:56
  Speaker 5: by the way I heard about the breakup. You know,
• 5:58
  Speaker 5: it's my friend adult, you're.
• 6:00
  Speaker 2: Like an adult.
• 6:01
  Speaker 3: Yeah, And then and then she goes, I shouldn't be
• 6:04
  Speaker 3: talking about sex because well, you're never having any. Oh
• 6:09
  Speaker 3: my god, carrot.
• 6:12
  Speaker 2: So good, and we kind of learned that Friday night
• 6:16
  Speaker 2: dinner is obviously not happening. Yeah, and they're having cafeteria food,
• 6:20
  Speaker 2: which when they said this looks good, I was like,
• 6:23
  Speaker 2: does it ice cream?
• 6:25
  Speaker 5: Did? I?
• 6:26
  Speaker 1: Thought?
• 6:27
  Speaker 6: And he threw it away. I know they took like
• 6:29
  Speaker 6: two bites got a brain freeze.
• 6:31
  Speaker 2: And that banter was amazing of the like, oh, where's
• 6:34
  Speaker 2: the clicks? Like where do the cool kids sit? And
• 6:36
  Speaker 2: then like she kind of keeps coming around to that.
• 6:39
  Speaker 2: The whole thing is like so good. There's a great
• 6:42
  Speaker 2: fruit shortage. The bet is having a boat Talks party
• 6:47
  Speaker 2: with Miss Patty, Like it's just like you're getting so
• 6:50
  Speaker 2: much information in like three minutes.
• 6:54
  Speaker 6: Yeah, in the whole episode too.
• 6:58
  Speaker 2: Yeah, she switched to Weston's.
• 7:01
  Speaker 1: Yeah, got it, and she ordered uh coffee, coffee, coffee,
• 7:04
  Speaker 1: She's got three coffee. And then there was a standoff
• 7:08
  Speaker 1: with the uh.
• 7:09
  Speaker 2: Yeah, that Western's woman did not want to play.
• 7:12
  Speaker 1: She wasn't. She wasn't. She wasn't. She wasn't she was
• 7:15
  Speaker 1: immune to luralized charms, wasn't she?
• 7:20
  Speaker 2: Yeah, And you know, I thought this was an interesting
• 7:22
  Speaker 2: sort of thing we learned in this open, you know,
• 7:26
  Speaker 2: we're past the credit having the dinner, is that Rory
• 7:31
  Speaker 2: was quite concerned that Richard was in on it, and
• 7:34
  Speaker 2: she sort of lorealizes, you know, I I don't. I
• 7:36
  Speaker 2: don't think he was. Maybe he wouldn't have been Broun necessarily,
• 7:44
  Speaker 2: but he's.
• 7:44
  Speaker 1: Emily Hitler, right, Yeah, she compared her. She compared Emily
• 7:49
  Speaker 1: to Hitler. So that makes Richard a brown rough.
• 7:53
  Speaker 7: Question.
• 7:54
  Speaker 1: How much did Ava Braun know?
• 7:57
  Speaker 2: I think that's sort of important. It's like Richard, he's
• 8:00
  Speaker 2: not perfect, but he's not sort of as calculating I think,
• 8:04
  Speaker 2: I mean, I.
• 8:04
  Speaker 6: Think he's neutral between them.
• 8:07
  Speaker 3: Yeah, I did find that concern of Rory's to be
• 8:10
  Speaker 3: interesting because I think for her, she's so close to Richard,
• 8:14
  Speaker 3: you know, like she has a bond with him that
• 8:18
  Speaker 3: I think is stronger than Emily's in a weird way.
• 8:20
  Speaker 3: Like they have this like you know, banter and playful relationship.
• 8:25
  Speaker 3: And I think like he.
• 8:28
  Speaker 1: Was really her father too, because he's sort of her
• 8:31
  Speaker 1: father slash grandfather, because she doesn't have much of a.
• 8:36
  Speaker 3: And I think it would really bum her out if
• 8:38
  Speaker 3: she knew that he knew, like more so than Emily
• 8:42
  Speaker 3: doing it, you know what I mean, Like I think
• 8:44
  Speaker 3: it would really really bum her out.
• 8:46
  Speaker 2: Yeah, that's such an important thing to bring up, just
• 8:49
  Speaker 2: for us to discuss. Like she is closer with Richard,
• 8:52
  Speaker 2: like it might be you know, small, but she is
• 8:56
  Speaker 2: more bonded with him, and I think she relates to
• 8:58
  Speaker 2: him more sees herself in him when he comes.
• 9:03
  Speaker 3: To Yale and like hangs out with her and helps
• 9:06
  Speaker 3: her with pranks, and you know, like they're just like
• 9:10
  Speaker 3: I don't know, you just see that they're connected.
• 9:13
  Speaker 1: Yeah, it is. It is interesting because Laurel I really
• 9:16
  Speaker 1: never mentions Richard as you know, a nemesis.
• 9:20
  Speaker 2: No, right, she she really it's really her mother.
• 9:23
  Speaker 1: I mean, it's like he's married to the antagonist of
• 9:28
  Speaker 1: this piece.
• 9:29
  Speaker 2: Guilty by association, Guilty by association for.
• 9:33
  Speaker 1: You to say, come on, man, synopsisisation, guilty by association,
• 9:43
  Speaker 1: what's wrong happy hour? Early today?
• 9:47
  Speaker 2: Well say by association? I don't even think I can
• 9:50
  Speaker 2: get it now.
• 9:50
  Speaker 6: But he is.
• 9:52
  Speaker 2: And then we kind of learned that there's some angst
• 9:55
  Speaker 2: which we obviously could see coming between Marty and Rory
• 9:58
  Speaker 2: when he just vanished is more or less? Says you
• 10:02
  Speaker 2: guys rumbling, Oh Marty, Yeah.
• 10:10
  Speaker 1: We've all been Marty. Come on at one time or another,
• 10:13
  Speaker 1: have we all been Marty?
• 10:14
  Speaker 2: And like, actually or even says I've been dumped before.
• 10:18
  Speaker 2: Like she really calls it a dumping, which I wouldn't
• 10:20
  Speaker 2: call it a dumping, but she says, I've been dumped before.
• 10:23
  Speaker 2: I'm fine, I'm gonna be fine.
• 10:25
  Speaker 1: What would you call it as as?
• 10:27
  Speaker 3: But then but then, but then Rory says, but not
• 10:30
  Speaker 3: by Luke. That was my favorite, my favorite line of
• 10:33
  Speaker 3: the episode.
• 10:34
  Speaker 2: Actually, and I think they're too connected for it to
• 10:39
  Speaker 2: be a dumping. Like a dumping is when a guy's
• 10:41
  Speaker 2: a jerk, or like a girl's like you know.
• 10:47
  Speaker 1: Ship, No, she was a jerk. And she got dumped.
• 10:53
  Speaker 2: She did things wrong and he's heartbroken about it.
• 10:56
  Speaker 1: And the guy's always jerks. Women can't be Is it
• 11:00
  Speaker 1: possible for a woman to be a jerk?
• 11:02
  Speaker 2: Of course?
• 11:03
  Speaker 1: Yeah, associated term with women, do you jerk?
• 11:14
  Speaker 2: Because Scott Scott, they don't use the word jerk. They
• 11:17
  Speaker 2: use the word b When a woman's a jerk, they
• 11:20
  Speaker 2: say she's a bee. Yeah, so they're probably worse than
• 11:24
  Speaker 2: a jerk. But I don't think you were a jerk
• 11:27
  Speaker 2: or Loria was a jerk. And I don't think they
• 11:29
  Speaker 2: dumped each other or anyone dumped. It was like a
• 11:32
  Speaker 2: painful like they don't want to be broken up.
• 11:35
  Speaker 6: It was it was just like a separation.
• 11:41
  Speaker 1: His mind is blown. So the boat, let's he's a
• 11:45
  Speaker 1: wounded seal around on the beach.
• 11:49
  Speaker 2: The boat is in front of the diner. And that
• 11:52
  Speaker 2: was a little.
• 11:53
  Speaker 3: Bit that was passive aggressive, that was.
• 11:58
  Speaker 5: But that was like where else you gonna put it?
• 12:02
  Speaker 2: A diner?
• 12:02
  Speaker 3: You literally took a snipe out of a mean girl's
• 12:05
  Speaker 3: book and was like, I'm going to put my boat
• 12:07
  Speaker 3: without everyone in front of the diner.
• 12:14
  Speaker 1: I don't know about that, but to mad.
• 12:16
  Speaker 3: About it, but it was definitely I just don't think
• 12:19
  Speaker 3: that Luke thought of it, like obviously to the viewer,
• 12:22
  Speaker 3: to Laurel, I to the city, everyone thought that.
• 12:24
  Speaker 6: But I don't think Luke thought. He's just like, I'm
• 12:26
  Speaker 6: moving it, you know, he's.
• 12:28
  Speaker 1: Just kind of horror.
• 12:30
  Speaker 2: She could have left it there while this.
• 12:32
  Speaker 1: Is where Dean steps in. Somehow Dean has a has
• 12:34
  Speaker 1: a garage space. Could have slipped it into Dean's garage space.
• 12:39
  Speaker 1: So where's the boat. I don't see the boat. Well,
• 12:42
  Speaker 1: you know, I put it in Dean's.
• 12:43
  Speaker 2: I take it to Gypsy.
• 12:44
  Speaker 1: She's got take the gypsy like Gypsy want to charge
• 12:48
  Speaker 1: me five bucks a week. So I took it to Dean.
• 12:52
  Speaker 2: Right, So here's something that I did enjoy. So we
• 12:57
  Speaker 2: go from the boat and then we go into the
• 13:00
  Speaker 2: news room and Doyle's given his thing and Rory goes
• 13:03
  Speaker 2: out to see Marty. Did you guys notice Marty's got.
• 13:07
  Speaker 6: The scarf I did?
• 13:09
  Speaker 5: I did it thrown over his shoulder and that specific Hey, hey.
• 13:13
  Speaker 2: Hey, they're outside. It's waiting to throw this scarf on it.
• 13:16
  Speaker 5: But I just wish you could like have it hang down,
• 13:18
  Speaker 5: not like one over the shoulder, or if it.
• 13:21
  Speaker 2: Was cold, you'd be kind of bundled in it like
• 13:23
  Speaker 2: it's just it's just it's an afterthought.
• 13:27
  Speaker 1: Okay, So here's the reality. Guys. You know, I know
• 13:29
  Speaker 1: you want all these things. You know it's a but
• 13:34
  Speaker 1: it's really hot on those sets. You do not want
• 13:38
  Speaker 1: to bundle in a scarf in burbango and it's only ten.
• 13:43
  Speaker 3: Degrees yeah, saying it's cold, but it's also one hundred degrees.
• 13:50
  Speaker 1: You suggested thrown over the shoulder and hope it doesn't
• 13:53
  Speaker 1: get near your neck, and.
• 13:55
  Speaker 2: I get look all that. This Gilmore Girls is a
• 13:57
  Speaker 2: ten out of ten for me. But I do have
• 13:59
  Speaker 2: some port for the other person that did mention on
• 14:02
  Speaker 2: Instagram that Alexis is fake eating could use some work.
• 14:07
  Speaker 1: I thought I saw she ate she actually ate something.
• 14:10
  Speaker 2: I think she did. Okay, and this one their episodes
• 14:13
  Speaker 2: are fake eating is like kind of wrap.
• 14:14
  Speaker 1: Look, they're not going to scarf food like they're animals, you.
• 14:18
  Speaker 2: Know, they're not going to do I saw somebody bite
• 14:20
  Speaker 2: into a hot dog on some show the other day
• 14:22
  Speaker 2: and I was like, yeah, you.
• 14:24
  Speaker 1: Go, but that's a situation.
• 14:27
  Speaker 3: The cafeteria food was good acting, but the ice cream
• 14:31
  Speaker 3: was like actually so bad, Like it was like, oh,
• 14:35
  Speaker 3: it's so cold and like barely even touched their lips.
• 14:39
  Speaker 2: Like my most criticism, and this is not even in
• 14:41
  Speaker 2: this episode, is when people do fake coffee drinking because
• 14:45
  Speaker 2: like you don't you know, it's so.
• 14:47
  Speaker 1: You can tell the compass the cup is empty. Yeah,
• 14:50
  Speaker 1: and they should always I don't understand that either, why
• 14:53
  Speaker 1: people don't have the weight. And it was with luggage
• 14:55
  Speaker 1: too and film. With luggage, it's always like it looks like,
• 14:59
  Speaker 1: you know, they're carrying twenty things a luggage.
• 15:01
  Speaker 2: It's not that hard and it's an envelope.
• 15:03
  Speaker 1: They're all right, right exactly.
• 15:04
  Speaker 2: It's like, so we have sort of this nice scene
• 15:14
  Speaker 2: between Marty and Rory and they're making these plans and
• 15:17
  Speaker 2: he's a little bit feminine hawing, and you know, we know,
• 15:21
  Speaker 2: we know why. I don't know why she doesn't know what.
• 15:24
  Speaker 6: I wish she said no.
• 15:27
  Speaker 3: I do too, but then we wouldn't be where we are.
• 15:30
  Speaker 5: Well, I was gonna say I wish she said no,
• 15:33
  Speaker 5: or if he said yes, he canceled on her before Yeah.
• 15:36
  Speaker 1: But she she was full on Rory charmed, full on
• 15:41
  Speaker 1: Rory charm offensive on Marty.
• 15:45
  Speaker 3: He couldn't say no.
• 15:47
  Speaker 2: He he wants to go he wants to hang out
• 15:49
  Speaker 2: with her, and that is just so excruciating. I know
• 15:52
  Speaker 2: we'll get to it, but like I was anxious in
• 15:56
  Speaker 2: the beginning of the episode because I knew he didn't
• 15:58
  Speaker 2: have the seventy five dollars.
• 16:00
  Speaker 1: I was just like, oh, we found out he had
• 16:02
  Speaker 1: eighteen dollars in his boy, eighteen dollars.
• 16:07
  Speaker 2: We'll get to that, but anyway, so you know, it's
• 16:14
  Speaker 2: the build up with them was necessary to we sort
• 16:17
  Speaker 2: of had to resolve their situation. But anyway, so then
• 16:21
  Speaker 2: we get to this the cutest thing ever, which is
• 16:24
  Speaker 2: the little kid in the diner of Lulu, and it's
• 16:27
  Speaker 2: really hello, Lulu, She's got just like this is our
• 16:29
  Speaker 2: biggest episode.
• 16:30
  Speaker 6: Every a second to realize, like, oh it's Lulu.
• 16:35
  Speaker 2: Oh it's teacher Lulu with the kid, and Bradley with
• 16:39
  Speaker 2: his poor and hailer and Luke scaring the crap out
• 16:43
  Speaker 2: of him.
• 16:44
  Speaker 1: You know, I want that seemde me uncomfortable. I was
• 16:48
  Speaker 1: wondering if I was a father at that point in
• 16:51
  Speaker 1: my life, would I have been so harsh with that kid? Interesting, Yeah,
• 16:55
  Speaker 1: I thought it was a bit much.
• 16:57
  Speaker 6: Was it not the direction you were given or was
• 17:00
  Speaker 6: that your choice?
• 17:00
  Speaker 1: Well, it's like he makes a choice and if they
• 17:03
  Speaker 1: want to pull you back, they say, hey, you know,
• 17:05
  Speaker 1: come on, you know, pull it back. But that's Luke.
• 17:08
  Speaker 1: You know, that's sort of but I don't find that Luke.
• 17:12
  Speaker 1: I did not find that part of his demeanor at
• 17:16
  Speaker 1: all appealing to a child. I mean, it's just like.
• 17:21
  Speaker 2: I'll give you that he probably wouldn't have done that. Now,
• 17:24
  Speaker 2: when we see him later interacting with the kids and
• 17:27
  Speaker 2: being teaching him about the screwdriver, but also kind of
• 17:29
  Speaker 2: mocking them a little bit, that felt more like, it's
• 17:34
  Speaker 2: just that we sort of had to have this because
• 17:37
  Speaker 2: the way you light up and suddenly everything changes when
• 17:41
  Speaker 2: you realize Loralai has signed you up and she's going
• 17:44
  Speaker 2: to be there, and you're like okay, and then we
• 17:46
  Speaker 2: go I had this, But.
• 17:50
  Speaker 1: There's a way to do that without being mean to
• 17:52
  Speaker 1: a kid. You know, probably I'm sorry, I'm throwing a
• 17:58
  Speaker 1: flag on myself. Yeah that's okay, that's okay, an acting
• 18:03
  Speaker 1: police ticket.
• 18:04
  Speaker 2: I usually fight you on those, but it's kind of valid.
• 18:07
  Speaker 2: You were a little bit mean to this kid. And
• 18:08
  Speaker 2: then he's gotten inhaler and he's like.
• 18:11
  Speaker 5: You're doubling down as the question Lulu did it.
• 18:16
  Speaker 2: Lulu is quite good in these scenes too. She was
• 18:18
  Speaker 2: really good. Yeah, so all right, so we'll give you
• 18:22
  Speaker 2: that one. So that might you could give a small
• 18:24
  Speaker 2: deduction for Luke being aggressive a jerk.
• 18:32
  Speaker 1: Was he being a jerk? So?
• 18:36
  Speaker 2: Okay. So then we go to Loralai and she's with
• 18:43
  Speaker 2: Suki I think, in the kitchen the Santa beards, and
• 18:46
  Speaker 2: we're sort of realizing, okay, like the boat situation, and
• 18:52
  Speaker 2: you know, she's it's just a little bit. Let me
• 18:57
  Speaker 2: say she's she's not thrilled with her situ situation, right, No.
• 19:04
  Speaker 2: I liked her gray shirt with the sparkles. But yeah, oh,
• 19:08
  Speaker 2: I know what I was going to mention to you
• 19:10
  Speaker 2: guys here, I sort of really love that Suki is
• 19:15
  Speaker 2: so loyal to Laura Lai and she's like, he says,
• 19:18
  Speaker 2: you know, she says, don't be mad at him, and
• 19:20
  Speaker 2: she says, I don't mind hating him. You guys, give
• 19:25
  Speaker 2: your thoughts because I sort of have a thought here.
• 19:30
  Speaker 1: I think the Luke Suki tension was supposed to be
• 19:34
  Speaker 1: more drawn and drawn out through the series, and it
• 19:38
  Speaker 1: never really got drawn out. There was never really any
• 19:44
  Speaker 1: Suki Luke episodes that sort of shed light on, you know,
• 19:50
  Speaker 1: historically why there was this tension other than you know,
• 19:53
  Speaker 1: their rival cooks and it's like, you know whatever.
• 19:56
  Speaker 2: Yeah, he's she's not really a.
• 19:58
  Speaker 1: Cook, you know she.
• 20:00
  Speaker 2: I think you're right, Scott. It's sort of like the
• 20:02
  Speaker 2: thing that wasn't It was sort of this like glimmer
• 20:05
  Speaker 2: of a potential storyline that never came to fruition, but
• 20:09
  Speaker 2: we always have sort of this weird inkling of it.
• 20:11
  Speaker 2: And then I thought, oh, maybe if I'm digging real
• 20:15
  Speaker 2: into the psyche here, she never wanted to be so
• 20:19
  Speaker 2: close to him because it would she maybe had a
• 20:23
  Speaker 2: premonition of how close they were and she never wanted
• 20:26
  Speaker 2: to infringe on that. Or if we got to this point,
• 20:30
  Speaker 2: she couldn't be so close to him because she always
• 20:32
  Speaker 2: has to be pink, be the pink ribbon. Yeah, so
• 20:38
  Speaker 2: I feel like, oh, I sort of had aha moment.
• 20:41
  Speaker 2: I don't mind hating him that what she's really saying
• 20:45
  Speaker 2: is I'm always gonna have your backpack. So it was
• 20:49
  Speaker 2: very subtle, but I thought.
• 20:53
  Speaker 1: Yeah, I think maybe it was conceived to be something
• 20:55
  Speaker 1: more than it ever got a chance to express. Yes,
• 20:59
  Speaker 1: I feel that way.
• 21:01
  Speaker 2: Yeah, Okay, So then the g pulls out at the
• 21:04
  Speaker 2: house up at the house, and I will give one
• 21:05
  Speaker 2: hundred dollars to anybody right now that knows the license
• 21:08
  Speaker 2: plate number of the jeep. Hundred dollars.
• 21:10
  Speaker 1: No idea one hundred dollars.
• 21:14
  Speaker 2: Dollars in bitcoin.
• 21:17
  Speaker 1: That's like that's like twenty bucks after taxes, right, No,
• 21:21
  Speaker 1: I don't know.
• 21:21
  Speaker 3: What is it? Is it like something like nine three.
• 21:25
  Speaker 2: Seven G five R.
• 21:28
  Speaker 1: Well you only know it because you wrote it down.
• 21:31
  Speaker 2: Of course I did. Yeah, So okay, so we see that.
• 21:35
  Speaker 6: I thought there was like it was gonna oh.
• 21:37
  Speaker 2: It doesn't say like just nine seventy. So there's also
• 21:45
  Speaker 2: like a lot of symbolism in that garage and we're
• 21:48
  Speaker 2: you know, like it's empty. It sort of was a heartache.
• 21:53
  Speaker 2: And then she's going to try and transform the garage.
• 21:57
  Speaker 1: You know, what was she doing in that garage? What
• 21:59
  Speaker 1: was Michelle? What were they trying to do.
• 22:01
  Speaker 2: To that make it very girly? It was going to
• 22:03
  Speaker 2: be come up, what's the name for a man cave
• 22:05
  Speaker 2: for a girl? She shed? She said, yeah, you're right, Lane,
• 22:13
  Speaker 2: I guess I guess the alien doesn't need it anymore.
• 22:16
  Speaker 2: She should ben the boat got its time there, and
• 22:19
  Speaker 2: now it's becoming quite the she shed.
• 22:21
  Speaker 3: She's just making it her zen spot. But like I
• 22:25
  Speaker 3: did think it was funny when Luke was like, you
• 22:27
  Speaker 3: have a whole house to.
• 22:28
  Speaker 2: Do, like to yourself, why do you need the shed?
• 22:33
  Speaker 3: But I think it's more like the moral of it, right,
• 22:36
  Speaker 3: like this was Luke's shed at my house. Now that's gone,
• 22:42
  Speaker 3: so let me take myself out of my misery of
• 22:47
  Speaker 3: looking at it every day and knowing that it's empty,
• 22:50
  Speaker 3: it's not there.
• 22:51
  Speaker 2: And trying to own her situation. Although she should just
• 22:54
  Speaker 2: go running back to him, which we'll get to because
• 22:56
  Speaker 2: there's some of those scenes where I'm like, can you
• 22:58
  Speaker 2: just like hold hands or something. But so Luke gets
• 23:01
  Speaker 2: to the theater and he's got Bradley and Damon and
• 23:06
  Speaker 2: the tools, and one of them definitely has two mommies
• 23:09
  Speaker 2: because they made that which was very clear, totally fine,
• 23:15
  Speaker 2: and they now know what a Phillips head screwdriver is.
• 23:19
  Speaker 5: I think it's so funny, out of all musicals for
• 23:22
  Speaker 5: these kids to do.
• 23:23
  Speaker 6: It's Fiddler on the Roof.
• 23:26
  Speaker 2: That's through all and the fact that Carrie is directing
• 23:30
  Speaker 2: it and is so like she pinched your butt at one.
• 23:33
  Speaker 1: Point yes, And she did reveal something about Luke that
• 23:40
  Speaker 1: was a little risque.
• 23:42
  Speaker 2: Wait, did I miss something I think you might have?
• 23:47
  Speaker 2: Can you tell me now? Would you like me to
• 23:50
  Speaker 2: or should we wait till the end?
• 23:52
  Speaker 1: I'll tell you right now. I'll tell you for a
• 23:54
  Speaker 1: hundred bucks. Fifteen bucks after Texas, she said, because he's
• 24:02
  Speaker 1: she was being she was being a little uh forward. Yeah,
• 24:08
  Speaker 1: he was like and he was holding a hammer. He says,
• 24:11
  Speaker 1: I've got a hammer, and she goes, you're darn right. Yes.
• 24:16
  Speaker 8: I was like, wow, yeah, I remember that.
• 24:28
  Speaker 2: That they throw once in a blue moon hummons like that,
• 24:32
  Speaker 2: and it's super rare. But you're like, wow, okay, okay.
• 24:38
  Speaker 1: You know, you know the takeaway from me on this
• 24:41
  Speaker 1: whole Fiddler on the Roof thing with Kirk is that,
• 24:44
  Speaker 1: you know, it really demonstrated to me that he Kirk
• 24:49
  Speaker 1: is so unique in that he really hasn't developed emotionally
• 24:52
  Speaker 1: beyond like nine years old, right, you know, because he's
• 24:58
  Speaker 1: he was so in his element. Have you ever seen
• 25:02
  Speaker 1: him fit in anywhere more perfectly?
• 25:05
  Speaker 2: Who needs to go potty?
• 25:06
  Speaker 1: He gotta go party? And then he comes back and flushed.
• 25:12
  Speaker 2: Which is which is serious because you know, I know
• 25:15
  Speaker 2: why kids don't like to flush the toilet. Tell the noise.
• 25:20
  Speaker 2: They don't like that noise.
• 25:22
  Speaker 1: Sometimes public public restrooms there it's like you get sucked
• 25:26
  Speaker 1: down in there and you'd never be heard from again.
• 25:30
  Speaker 2: I don't even want to say.
• 25:32
  Speaker 1: It's like airplane bathroom toilet section.
• 25:34
  Speaker 2: Don't tell that. I'm telling this story. But one of
• 25:37
  Speaker 2: my nieces, who will remain nameless to protect the guilty
• 25:41
  Speaker 2: and the innocent, does not like to flush the toilet.
• 25:45
  Speaker 2: And you trust me, you find things you don't want
• 25:49
  Speaker 2: to find, right, So they're trying so hard to get
• 25:53
  Speaker 2: her to flush the toilet. So they put this cute
• 25:54
  Speaker 2: sign like remember to flush Smiley days. And then they
• 26:00
  Speaker 2: finally what got her to flush the toilet is they bunce.
• 26:06
  Speaker 2: They put a pull up on the toilet and said,
• 26:09
  Speaker 2: if you don't flush the toilet, you're gonna have to
• 26:12
  Speaker 2: start wearing these again. Flush is a toilet every time.
• 26:16
  Speaker 7: Wow.
• 26:20
  Speaker 2: Anyway, I digress. I also love Lulu's green blazer. Lulu,
• 26:23
  Speaker 2: I'm telling you, this is Lulu's shining time. So, okay,
• 26:32
  Speaker 2: we go to the garage and Michelle is okay. So
• 26:38
  Speaker 2: we're in the garage and first Michelle is literally on
• 26:41
  Speaker 2: the phone being like there was a bam or a
• 26:44
  Speaker 2: clang or a thwap or something like. It was so
• 26:46
  Speaker 2: batmany that blowey because he's so mad that they're not
• 26:51
  Speaker 2: there and he wants to be there. So that was funny.
• 26:54
  Speaker 2: Did you gonna see him rolling the computer?
• 26:56
  Speaker 4: Yes, in this activity while on the phone, he's he's
• 27:08
  Speaker 4: an accomplished theater actor, and they accomplished theater actors find
• 27:12
  Speaker 4: those little details to make a scene.
• 27:16
  Speaker 1: So it's called living in your space. You really need
• 27:18
  Speaker 1: to like do the things that you normal would normally
• 27:21
  Speaker 1: do if you had that job and you were living
• 27:22
  Speaker 1: in that space. And that was just a small example,
• 27:27
  Speaker 1: that's good.
• 27:27
  Speaker 2: I'm going to steal that. Living in your space. That's
• 27:30
  Speaker 2: pretty good. Yeah. So he and and would you say
• 27:32
  Speaker 2: he made up the lint roller ring or does someone
• 27:35
  Speaker 2: make his choice?
• 27:36
  Speaker 1: I'm sure that was his choice. Am I not just
• 27:40
  Speaker 1: going to be here standing on it, sitting on a
• 27:42
  Speaker 1: phone call, and you know, I do something, be in
• 27:46
  Speaker 1: your space, live in your space, you know, make it active,
• 27:51
  Speaker 1: make make it you know, have a little busy thing
• 27:53
  Speaker 1: to do that you do all the time to make
• 27:56
  Speaker 1: it feel real.
• 27:58
  Speaker 2: So then we go to Rory, who's setting up the
• 28:00
  Speaker 2: room for her movie night. And I think this was
• 28:06
  Speaker 2: the big drama she wanted. Doyle, Yeah, Doyle saying she
• 28:10
  Speaker 2: doesn't have boundaries because she walked out of them.
• 28:13
  Speaker 1: Can I just ask the panel here, what on earth
• 28:18
  Speaker 1: was all that? She had posters out, she had pretzels
• 28:22
  Speaker 1: from twenty countries? What? What the heck was that?
• 28:26
  Speaker 3: That was weird, especially for a boy you don't like.
• 28:29
  Speaker 1: Especially for a boy. And she had her legs up
• 28:32
  Speaker 1: over him.
• 28:33
  Speaker 2: Ye that, yeah, that was It made me so mad.
• 28:41
  Speaker 1: What was that? I mean, talk about poor poor Marty.
• 28:44
  Speaker 1: He's just probably the service. Look at all this effort
• 28:47
  Speaker 1: she goes to with the posters and this and the
• 28:49
  Speaker 1: legs thrown over, and you.
• 28:51
  Speaker 2: Know, because she wants a best friend and he wants
• 28:55
  Speaker 2: a girlfriend.
• 28:55
  Speaker 1: You can't do that. Don't do that. You don't do
• 28:58
  Speaker 1: that to a guy. I mean, all of those If
• 29:02
  Speaker 1: I'm Marty, all of those signals are saying to me,
• 29:05
  Speaker 1: make make a move.
• 29:07
  Speaker 3: And also vice versa, like let's just say it's a
• 29:10
  Speaker 3: guy on a day with Rory and like, has you know,
• 29:13
  Speaker 3: his arm around her or whatever, like if he didn't
• 29:17
  Speaker 3: have the intent to, like if you know, pursue something
• 29:22
  Speaker 3: that's weird.
• 29:23
  Speaker 2: I was chill with the pretzels and the posters and
• 29:27
  Speaker 2: her dumb wig because she's like, she's trying to make
• 29:30
  Speaker 2: up for being so distant from him, and she's trying
• 29:32
  Speaker 2: to make this a ten out of ten movie night.
• 29:35
  Speaker 2: But the leg thing was weird because I.
• 29:38
  Speaker 1: Was just too too familiar.
• 29:40
  Speaker 2: It's weird. I almost thought I didn't see it right now.
• 29:43
  Speaker 1: It's like brother. That's either brother sister or it's you know,
• 29:47
  Speaker 1: they're they're dating.
• 29:49
  Speaker 2: His leftovers looked way better than her press. Yeah, like
• 29:53
  Speaker 2: cater Yeah, I was like, those pretzels are disgusting. Wait
• 29:57
  Speaker 2: before we get to Logan coming to the door, we
• 30:01
  Speaker 2: do have the scene here where Michelle is doing the
• 30:03
  Speaker 2: stenciling and it's all very pink, and I don't know
• 30:05
  Speaker 2: if there's anything more to say there, but I just
• 30:07
  Speaker 2: want to acknowledge that scene. So Logan comes to the door.
• 30:13
  Speaker 2: If you were Murty, what would you have done?
• 30:15
  Speaker 4: I would have left, totally left.
• 30:19
  Speaker 1: You stand your.
• 30:21
  Speaker 2: Ground because he knows that, he knows in his heart
• 30:26
  Speaker 2: they've got a thing. Right.
• 30:27
  Speaker 1: Oh, you don't storm out in a huff.
• 30:29
  Speaker 2: You want to have stormed out.
• 30:33
  Speaker 1: Tails between your legs, and I guess that's wimpy. No,
• 30:36
  Speaker 1: you stand your ground, stay there.
• 30:37
  Speaker 5: Just it just wasn't fair that Rory is like, oh,
• 30:41
  Speaker 5: Logan's here, so we're going to cancel all the plans
• 30:43
  Speaker 5: I made for tonight.
• 30:45
  Speaker 1: Now he Marty says, hey, you mind, we're trying to
• 30:48
  Speaker 1: watch a movie here. She'll call you later, Bye bye.
• 30:51
  Speaker 2: No way. Situation in college. So I'm picturing I'm sitting
• 30:57
  Speaker 2: there watching a movie with Mike Gridley, who's like my
• 31:01
  Speaker 2: platonic friend, and then Dreamboat comes to the door. Gridley
• 31:07
  Speaker 2: would be like, no, you go. You know you like him,
• 31:11
  Speaker 2: you go. If they really were platonic, the dude would
• 31:15
  Speaker 2: have been like, you go, I'm not going, but there's
• 31:17
  Speaker 2: no way my friend guy friend would have gone to
• 31:21
  Speaker 2: the Chinese food with all you know, no way.
• 31:24
  Speaker 3: It was just weird because for me, it's like like
• 31:28
  Speaker 3: Logan knew what was happening, and like, I think it
• 31:31
  Speaker 3: was his way of being like, I'm going to control
• 31:34
  Speaker 3: the situation.
• 31:35
  Speaker 1: And show you or did he know what was happening?
• 31:38
  Speaker 2: I think you. I think I just think he knows
• 31:40
  Speaker 2: he is such a stud and that she likes him,
• 31:43
  Speaker 2: and they're kinda. He doesn't. He is not threatened by anything. No,
• 31:46
  Speaker 2: and she's his finger and that's why he's like, you come, Marty,
• 31:50
  Speaker 2: Because Marty comes, I think.
• 31:53
  Speaker 1: Has him a little off balance. And even though he
• 31:56
  Speaker 1: doesn't show that, he's not a content hundred percent confidence
• 32:01
  Speaker 1: there and the legs are thrown over and the posters
• 32:04
  Speaker 1: and there's pretzels and there's like like they're staying in
• 32:07
  Speaker 1: for the night.
• 32:08
  Speaker 2: Well that's why he came through the window. But we
• 32:10
  Speaker 2: can get to that. But my yeah, after after, But
• 32:14
  Speaker 2: that's what I'm saying. You're right, he does. She does
• 32:17
  Speaker 2: have him a little off filter, right, So what's he doing.
• 32:19
  Speaker 1: At the window because wants to see what's going on?
• 32:21
  Speaker 2: Yeah, that's right, that's right. But Marty didn't need to
• 32:28
  Speaker 2: go to the dinner.
• 32:29
  Speaker 1: Well, the thing that the move was for Rory to
• 32:32
  Speaker 1: bat away logan. No, I'm I committed to this and
• 32:37
  Speaker 1: now we're watching a movie and he and he is
• 32:40
  Speaker 1: not owed an explanation. Yeah, it's just like you just
• 32:44
  Speaker 1: sort of show up and knock on my door and
• 32:46
  Speaker 1: expect me to us everybody to come running as smary
• 32:49
  Speaker 1: as you are the man.
• 32:50
  Speaker 3: That's we're in the middle of a movie. But next
• 32:53
  Speaker 3: time things, you know what, I'll call you.
• 32:55
  Speaker 1: Yeah, okay, thanks for stopping buying.
• 32:58
  Speaker 2: And that would have been kinder to Marty.
• 33:00
  Speaker 1: Absolutely, it was disrespectful to Marty. I agree for her
• 33:04
  Speaker 1: to you know, well, what do you think I mean
• 33:07
  Speaker 1: to go?
• 33:07
  Speaker 2: You know, it's like but if you were in college, sorry, Ty,
• 33:13
  Speaker 2: you go no minute.
• 33:15
  Speaker 1: She was so, she was so, I mean posters, this
• 33:19
  Speaker 1: the princess whole thing. She was really wants him as
• 33:22
  Speaker 1: a friend. That's not how you keep a friend if
• 33:26
  Speaker 1: you just sort of use that friend.
• 33:29
  Speaker 2: Yeah, but if you want a friend.
• 33:31
  Speaker 1: To be a friend, she's not being a friend of
• 33:33
  Speaker 1: that guy. You know. She and she knows how Marty feels.
• 33:38
  Speaker 1: I mean, she's dumb, come on.
• 33:40
  Speaker 2: But what I will say is the way it played
• 33:42
  Speaker 2: out is the way it would have gone down. Because
• 33:44
  Speaker 2: if I was in the sorority in the TV room
• 33:47
  Speaker 2: and you're with a friend and the guy comes to
• 33:49
  Speaker 2: the door, you both are going like it played out
• 33:52
  Speaker 2: kind of how it would have played out, even though
• 33:55
  Speaker 2: our you know, thirty something, Yes, you see it different.
• 34:02
  Speaker 1: Each of my eyes is thirty something. When are you
• 34:04
  Speaker 1: talking about combine him? Total?
• 34:09
  Speaker 2: Yeah? I mean right, this is the Great Debate. They
• 34:13
  Speaker 2: all did it wrong. Logan showing up is kind of cool,
• 34:18
  Speaker 2: but like she had planned, she should have stuck with
• 34:20
  Speaker 2: her plans. If she did decide to go, Marty shouldn't
• 34:23
  Speaker 2: have gone. It's almost like a mess.
• 34:24
  Speaker 1: I think, I think Mary at that point when when
• 34:28
  Speaker 1: Marty sees that Rory wants to go with Logan, that's
• 34:32
  Speaker 1: when he sort of he doesn't you know where? I
• 34:35
  Speaker 1: think we're back to Tarras. Uh, yeah, you guys go ahead.
• 34:39
  Speaker 1: You know a cool move. Boy said, well, you guys
• 34:41
  Speaker 1: go ahead. I'm gonna stay here and watch a movie.
• 34:44
  Speaker 1: You're not important to me anymore, Rory, but I'm gonna
• 34:46
  Speaker 1: watch a movie and eat the food.
• 34:48
  Speaker 2: Yeah, we skipped over something or you know, we didn't
• 34:59
  Speaker 2: discuss it yet, which is how much Marty. When Doyle
• 35:04
  Speaker 2: and Paris are having their you know, Paris runs in
• 35:08
  Speaker 2: and she's like, I can't stay here, I have to
• 35:10
  Speaker 2: get my bag and blah blah, and then Marty says,
• 35:12
  Speaker 2: I missed this place like he loves being a part
• 35:15
  Speaker 2: of their situation, And I think that's why he's so
• 35:20
  Speaker 2: drawn and doesn't and decided to go to the dinner
• 35:23
  Speaker 2: because he's like he likes being in their circle, meaning
• 35:26
  Speaker 2: Rory in Paris, not Logan.
• 35:28
  Speaker 1: I can't imagine that he has a lot of friends.
• 35:30
  Speaker 1: I think he's bored. He studies a lot. He seems
• 35:33
  Speaker 1: to be a studious guy, right, he doesn't.
• 35:35
  Speaker 2: Have a ton of discretionary like income.
• 35:37
  Speaker 1: No, he's got right, so it's like, hey, it's a
• 35:39
  Speaker 1: night on the town. What the heck? Yeah?
• 35:42
  Speaker 3: And I think part of him kind of like wants
• 35:46
  Speaker 3: to be cool, mm hmm.
• 35:48
  Speaker 2: You know.
• 35:49
  Speaker 3: And this was in his dinner that you know, the
• 35:52
  Speaker 3: Logan invited Rory to, which then invited Marty to, was
• 35:56
  Speaker 3: kind of his way of being like, all right, like
• 35:58
  Speaker 3: I'll hang out with the Kocites.
• 36:00
  Speaker 7: You know.
• 36:00
  Speaker 3: Like I think there was part of him that was
• 36:03
  Speaker 3: like into that idea. But then maybe like all the
• 36:09
  Speaker 3: signs leading up to it, the legs on the lap,
• 36:11
  Speaker 3: the dinner or the movie, all the different types of pretzels,
• 36:14
  Speaker 3: like all that kind of stuff like made him maybe
• 36:17
  Speaker 3: think like maybe there is something here, so let's hang
• 36:19
  Speaker 3: out with the cool kids. But then when he was
• 36:21
  Speaker 3: hanging out with the cool kids, he realized, oh, no,
• 36:24
  Speaker 3: Rory like likes that I'm still losing.
• 36:27
  Speaker 2: You know, so I can't.
• 36:28
  Speaker 1: I can't. I can't compete with this. Yeah, the international
• 36:32
  Speaker 1: boarding school and over this for money. It's like, Wow,
• 36:35
  Speaker 1: I'm way out.
• 36:35
  Speaker 7: Of my league.
• 36:36
  Speaker 2: If there was no Logan, Rory and Marty would be
• 36:40
  Speaker 2: a thing. Do we all agree on that there was
• 36:44
  Speaker 2: no Logan? Do you think she would be.
• 36:46
  Speaker 1: I think too. I think given her experiences with Dean Jess,
• 36:52
  Speaker 1: I think she naturally goes. She wants to try a
• 36:55
  Speaker 1: Marty who seems stable, and I.
• 36:58
  Speaker 5: Actually don't think so, because any other guy who's come
• 37:00
  Speaker 5: into the picture, she's picked them over Marty.
• 37:04
  Speaker 2: It's been like I come minute.
• 37:05
  Speaker 3: I go back and forth too, Tara, Like it doesn't
• 37:08
  Speaker 3: scream yes, they'd be together, but like I think they
• 37:11
  Speaker 3: would definitely explore it, like they would be hooking, they
• 37:14
  Speaker 3: would kiss.
• 37:14
  Speaker 5: Yeah, you know, Like for me, it seems like Marty's
• 37:16
  Speaker 5: her last resort. Like if she can't find anyone else,
• 37:19
  Speaker 5: then she'll go to Marty. But like if someone better
• 37:21
  Speaker 5: comes along, she's running to that person.
• 37:23
  Speaker 2: Yeah, and that's why, that's why Marty needed to not
• 37:25
  Speaker 2: go to the dinner.
• 37:26
  Speaker 1: But yeah, and you know she has seen Marty naked.
• 37:30
  Speaker 3: Yeah, well it's.
• 37:32
  Speaker 2: True and they're very comfortable with each other. If you
• 37:34
  Speaker 2: think back to the episode when they were studying, they
• 37:36
  Speaker 2: studied in his bed, remember, and then I think she
• 37:40
  Speaker 2: fell asleep if I remember, Yeah, and she's so comfortable
• 37:43
  Speaker 2: to fall asleep there and all the things. Okay, so
• 37:47
  Speaker 2: we go back to Fiddler on the Roof for a minute,
• 37:50
  Speaker 2: And did you guys see that it's Brad from Blee
• 37:52
  Speaker 2: playing the piano.
• 37:54
  Speaker 3: No, you guys, his name's.
• 37:57
  Speaker 2: Brad right, Like, I'm ninety nine percent the piano player
• 37:59
  Speaker 2: on Glee. It's his name, Brad. It's definitely the same guy.
• 38:04
  Speaker 1: I never saw Glee.
• 38:06
  Speaker 2: First of all, you should give it a try. But
• 38:08
  Speaker 2: the guy playing piano for a Fiddler on the Roof
• 38:10
  Speaker 2: is definitely the same guy as the piano player in Glee.
• 38:14
  Speaker 2: And I'm pretty sure his name is Brat Yep yep, yep, yep. So,
• 38:20
  Speaker 2: and how funny when Kirk's like my cart is too perfect,
• 38:25
  Speaker 2: It's just.
• 38:25
  Speaker 1: Like, no, no, that was a good inside leg kick
• 38:31
  Speaker 1: from Luke. If that was somebody's kne it would have
• 38:34
  Speaker 1: been destroyed. Actually, I borrowed that note from my grip gripped.
• 38:37
  Speaker 2: Her costume does not fit. This is ridiculous.
• 38:42
  Speaker 5: Actually, one of my favorite lines was when they were
• 38:45
  Speaker 5: talking about the wagon.
• 38:46
  Speaker 6: He's like, I'm not that kind of actor. Like he's
• 38:48
  Speaker 6: like pretend. He's like, I'm not that kind of actor.
• 38:53
  Speaker 2: So then we get the scene we thought we wanted,
• 38:57
  Speaker 2: which is Luke and Lorelei together, but it was kind
• 39:00
  Speaker 2: of rough. It's like, yeah, you know, yen To tripped
• 39:04
  Speaker 2: and like I'm not doing a bit and the whole thing.
• 39:07
  Speaker 2: But then it really escalated and went sideways, and I
• 39:10
  Speaker 2: wish he would have just said I want you there,
• 39:13
  Speaker 2: I miss you, Like they're not telling the truth to
• 39:15
  Speaker 2: each other. So then it turned into this big fight
• 39:17
  Speaker 2: and I didn't I didn't love that.
• 39:20
  Speaker 3: But how messeduff that Lorelai signed to Luke up for
• 39:22
  Speaker 3: this and just doesn't even show up, Like she's like, yeah,
• 39:27
  Speaker 3: i'll do this stuff from I'll work from home and
• 39:29
  Speaker 3: send it in.
• 39:30
  Speaker 6: Well no one, no one showed up.
• 39:34
  Speaker 2: Creepy Carrie, creepy Carry and Luke. But yeah, that really
• 39:38
  Speaker 2: escalated fast, and it just turned into this very upsetting
• 39:40
  Speaker 2: fight and like she's in her hole of depression and
• 39:43
  Speaker 2: he snuck in and took the boat and just did
• 39:45
  Speaker 2: not go how I would have liked for that to go. Yeah,
• 39:49
  Speaker 2: I really had higher hopes for that scene.
• 39:55
  Speaker 3: You can definitely feel his angst and that.
• 40:00
  Speaker 2: Scott, how did you feel? And I thought your performance
• 40:03
  Speaker 2: was spot on.
• 40:04
  Speaker 1: Yeah. I thought it was one of the better scenes
• 40:05
  Speaker 1: we've done. I like that scene. I think it was
• 40:10
  Speaker 1: a It's one of those scenes where after it's done,
• 40:13
  Speaker 1: it's like, oh, the purpose of the scene maybe it's
• 40:17
  Speaker 1: this could go either way. So it's to increase the
• 40:19
  Speaker 1: tension by expressing frustration with each other and a lack
• 40:24
  Speaker 1: of communication, a lack of flow. But as the scene
• 40:27
  Speaker 1: was over, it's like, you know, you're we're still in
• 40:30
  Speaker 1: limbo here with this relationship. Go either way. Yeah, So
• 40:34
  Speaker 1: I thought it was very well written scene.
• 40:36
  Speaker 2: Very Yeah it was.
• 40:37
  Speaker 1: It was. I like that scene a lot.
• 40:40
  Speaker 2: Yeah, I love to hate it, do you know.
• 40:43
  Speaker 4: What I mean?
• 40:43
  Speaker 2: Like it's a very good scene. It's just so upsetting because.
• 40:46
  Speaker 1: I'm like, oh no, but it had all of the
• 40:49
  Speaker 1: very realistic beats in it. It was very this show,
• 40:53
  Speaker 1: you know, it goes back and forth from you know,
• 40:55
  Speaker 1: real gritty, dramatic writing it's so true to life, and
• 40:59
  Speaker 1: then sticky humor and then comedy. You know, it does
• 41:02
  Speaker 1: it kind of covers all the bases, which just makes
• 41:06
  Speaker 1: it compelling to watch. You know, you never know what
• 41:08
  Speaker 1: you're getting.
• 41:10
  Speaker 5: I definitely like, I I agree with why Luke's upset.
• 41:15
  Speaker 5: But the one thing is I will say I kind
• 41:17
  Speaker 5: of felt why Loralia was upset, where she's like, you
• 41:22
  Speaker 5: don't even tell me you're taking the boat and like
• 41:24
  Speaker 5: you just showed up to my house and took it,
• 41:27
  Speaker 5: which I know it's like his boat, but I kind
• 41:30
  Speaker 5: of did, like, do you guys agree, like maybe like
• 41:33
  Speaker 5: he should have told her like he's taking Of.
• 41:35
  Speaker 2: Course, yeah, I do think he Like in today's world,
• 41:38
  Speaker 2: you would pop a text.
• 41:40
  Speaker 1: Does here she went to Christopher's and got drunk. He
• 41:43
  Speaker 1: doesn't care anymore.
• 41:44
  Speaker 2: But he does because he's still does.
• 41:46
  Speaker 1: Care, but he's got he's but he can't care right now.
• 41:48
  Speaker 2: Right, But he did come running over when he got
• 41:50
  Speaker 2: her message.
• 41:51
  Speaker 1: Well that's different. That's like my friend's in trouble.
• 41:54
  Speaker 2: And I still would have sent a text. If there
• 41:58
  Speaker 2: was text that just said hey, I'm going to come
• 42:00
  Speaker 2: get the boat if you want to be there, I understand.
• 42:04
  Speaker 1: He didn't want to be he didn't want to then
• 42:07
  Speaker 1: he could have.
• 42:07
  Speaker 2: Said, hey, I'm going to come get the boat and
• 42:08
  Speaker 2: I prefer not to see you.
• 42:10
  Speaker 1: No, that's too much of a declaration that were split up.
• 42:15
  Speaker 2: Okay, fair, fair, I'll give you that. I'll give you that.
• 42:19
  Speaker 2: I don't know. I just feel like he almost stole
• 42:21
  Speaker 2: his own boat, you know what I mean, Like he
• 42:23
  Speaker 2: still would tell somebody I'm gonna because he wouldn't have
• 42:26
  Speaker 2: broken into the house to get his stuff that's in
• 42:28
  Speaker 2: the house, right, he would have said to her, hey,
• 42:30
  Speaker 2: can I come get my stuff? Leave the boat in
• 42:32
  Speaker 2: the driveway.
• 42:33
  Speaker 1: I think maybe it was unintentionally hostile.
• 42:38
  Speaker 6: Mm hmm, yeah, m.
• 42:40
  Speaker 1: He just wanted it out of there. He didn't want
• 42:42
  Speaker 1: to go through the rigamarole of having to explain it
• 42:44
  Speaker 1: to her or.
• 42:47
  Speaker 6: Yeah, that's a very good way of putting it.
• 42:49
  Speaker 2: Unintentionally hostile. I think that's exactly very because.
• 42:52
  Speaker 6: She felt like it was hostile. But for him, like truly,
• 42:54
  Speaker 6: he didn't.
• 42:55
  Speaker 2: He just wanted the boat on the boat. But it
• 42:58
  Speaker 2: was a little dramatic because he's my thing. I don't
• 43:00
  Speaker 2: think he actually wants the boat. I think he wants
• 43:03
  Speaker 2: the act. It was taking prove to be like I'm
• 43:08
  Speaker 2: going to take my boat.
• 43:11
  Speaker 1: I think it's a decision he made he made a decision.
• 43:13
  Speaker 2: This relationship is over, no way, no why because he
• 43:18
  Speaker 2: is all about finding her at Fiddler on the Roof.
• 43:23
  Speaker 2: It's all about like the boat, Like what's that? What
• 43:25
  Speaker 2: is the act of taking the boat?
• 43:28
  Speaker 1: He just he just wants to be clean of it.
• 43:31
  Speaker 1: He just he needs to be clean of it so
• 43:33
  Speaker 1: that he can really assess how he really feels. You
• 43:38
  Speaker 1: can't make that determination if that boat is still there.
• 43:42
  Speaker 1: That's a part of him and their history that she
• 43:46
  Speaker 1: is still housing and it's still together, there's still a
• 43:49
  Speaker 1: togetherness there. So he wants to make a clean break
• 43:52
  Speaker 1: and assess, like he said, over time, maybe months, Let's
• 43:56
  Speaker 1: see how this feels without the boat.
• 43:58
  Speaker 2: It's a little dramatic for me, like if I was
• 44:00
  Speaker 2: like putting myself into it.
• 44:02
  Speaker 1: Sure, look at the intensity of the feelings they had
• 44:04
  Speaker 1: for each other with terror and this is the big
• 44:11
  Speaker 1: love and this could be the one for each of them.
• 44:14
  Speaker 1: I mean, it's like and then she pulls that crap.
• 44:17
  Speaker 1: He's pissed. He doesn't want to be in this situation.
• 44:20
  Speaker 1: Yes he still loves her, Yes he still wants her,
• 44:22
  Speaker 1: but he's pissed and he hasn't He's not over it.
• 44:24
  Speaker 2: Yet there's more to the boat than it.
• 44:26
  Speaker 1: Just give me. I'm taking my boat back and I
• 44:28
  Speaker 1: don't care what you think about it, because I'm pissed.
• 44:30
  Speaker 2: Yeah yeah, yeah, hurt.
• 44:32
  Speaker 1: He's hurt.
• 44:32
  Speaker 3: Yeah yeah, yeah, it isn't The boat symbolizes so much,
• 44:36
  Speaker 3: right because it was Luke's dads. Then Luke was like,
• 44:40
  Speaker 3: get away with it. Lorlai bought it and kept it
• 44:43
  Speaker 3: so for Luke, and then Luke started to fix it up.
• 44:48
  Speaker 3: And now he's still taking it back, you.
• 44:51
  Speaker 1: Know, like he's prepping it to sail away. He hasn't
• 44:56
  Speaker 1: sailed away.
• 44:57
  Speaker 2: Right right to me if they were both in better
• 45:02
  Speaker 2: places the boat, because what I would have done is
• 45:05
  Speaker 2: kept the boat there and been like I'm going to
• 45:08
  Speaker 2: leave the boat there for right now in hopes that
• 45:11
  Speaker 2: this works out and the boat's going to be my connection.
• 45:15
  Speaker 2: But that's not a Luke way. Luke's kind of very
• 45:19
  Speaker 2: boat shut, my door, find on my own. I don't
• 45:22
  Speaker 2: need this. I don't need to feel connected to her
• 45:25
  Speaker 2: like that.
• 45:25
  Speaker 1: Like I said previously, he's he's good on his own. Yeah,
• 45:30
  Speaker 1: he's that's that's his that's who he is. He's a loner.
• 45:35
  Speaker 6: He's he's comfortable that way, Yes, he is.
• 45:38
  Speaker 2: All right, So let's let's play through China Palace here.
• 45:41
  Speaker 2: So first of all, when he says the car is
• 45:43
  Speaker 2: waiting outside and then Marty repeats that line like I
• 45:47
  Speaker 2: was waiting outside, Like it's so we all know he's fancy.
• 45:52
  Speaker 2: I knew we were in trouble the moment they go
• 45:56
  Speaker 2: to dinner with Logan. But yeah, I think the China Palace.
• 46:02
  Speaker 2: You know, Juliette doesn't eat, which seems very problematic, and
• 46:05
  Speaker 2: they're problematic, very problem and they're talking about, you know,
• 46:09
  Speaker 2: they're fancy right like andover and like they don't miss
• 46:12
  Speaker 2: their families, which I actually thought was sort of like
• 46:17
  Speaker 2: the fact that Marty misses his family makes Marty kind
• 46:19
  Speaker 2: of a better dude. Yeah, now Logan has family.
• 46:23
  Speaker 3: I also know it's funny, right because like, like Juliette,
• 46:27
  Speaker 3: she's talking about not eating, she's talking about her prenup.
• 46:30
  Speaker 3: Colin's talking about like his boarding school and how he
• 46:33
  Speaker 3: doesn't miss his family. It's like all these like super
• 46:36
  Speaker 3: snobby things. Obviously they're like throwing it at us at
• 46:40
  Speaker 3: one time because they want to show the duck juxtaposition
• 46:43
  Speaker 3: with Marty. But like I kind of like that Marty
• 46:46
  Speaker 3: was like, you don't miss your family?
• 46:48
  Speaker 2: Like if I were Rory, I'd be like, oh, that
• 46:52
  Speaker 2: guy's like me. Marty's like, huh yeah, the bird sweater
• 46:57
  Speaker 2: did you know the one dude has the birds? And
• 47:00
  Speaker 2: also they were basically at NOBU, which was what I
• 47:02
  Speaker 2: was sort of like, they're not they're not out of college.
• 47:07
  Speaker 6: Like restaurant there at the campus.
• 47:13
  Speaker 2: Did you guys notice the one thing that Logan.
• 47:15
  Speaker 3: Was doing putting his arm around her and playing with
• 47:19
  Speaker 3: her hair. Yeah, I didn't like it.
• 47:22
  Speaker 2: Oh I loved it because she she obviously was with
• 47:26
  Speaker 2: his boys.
• 47:29
  Speaker 3: Again, back to what I was saying earlier, Logan knows
• 47:33
  Speaker 3: Marty likes Rory.
• 47:35
  Speaker 2: He knows it, and that's why he's peeing on his territory.
• 47:39
  Speaker 3: He's peeing on his territory, but he's doing it in
• 47:41
  Speaker 3: such like a it's not condescending because he's not mean
• 47:46
  Speaker 3: about it, but he's also like, I got this, you know,
• 47:50
  Speaker 3: and that's kind of annoying.
• 47:52
  Speaker 6: It's like I'm going to get my way at the
• 47:53
  Speaker 6: end of the day or.
• 47:55
  Speaker 3: Awesome, depends which way you look at it.
• 47:58
  Speaker 2: Right to break this time because I'm all about Logan,
• 48:01
  Speaker 2: even though I get it.
• 48:02
  Speaker 1: He's sort of like, well, here's here's when I think.
• 48:05
  Speaker 1: I think Marty was displaying a level of maturity that
• 48:10
  Speaker 1: those guys may never achieve in that he was content
• 48:17
  Speaker 1: to be the friend. He realized he was in the
• 48:19
  Speaker 1: friend zone. Somethings. This is probably going to pull him
• 48:24
  Speaker 1: out of the friend zone. He needed to have this
• 48:26
  Speaker 1: experience to realize that he was out of his league.
• 48:30
  Speaker 1: I think he loses respect for Rory because she so
• 48:35
  Speaker 1: wants to be in that world. Apparently so in his eyes,
• 48:38
  Speaker 1: she's getting smaller and less appealing. But he's so mature
• 48:45
  Speaker 1: that he's his behavior at this dinner is the same
• 48:48
  Speaker 1: behavior he will display as a father and a husband
• 48:51
  Speaker 1: twenty thirty years from now. I mean, he's already fully
• 48:55
  Speaker 1: developed as a man, except that he just has hasn't
• 49:00
  Speaker 1: met the right girl yet. And I think I think
• 49:04
  Speaker 1: Logan has a tremendous amount to prove to his daddy,
• 49:10
  Speaker 1: and he's a bit of a screw up that we
• 49:12
  Speaker 1: did get this information that he was in Andover for
• 49:15
  Speaker 1: a year. And when you're at Andover, you don't leave.
• 49:18
  Speaker 1: You don't want to leave. Some reason he left. He
• 49:20
  Speaker 1: was there a year. He maybe got kicked out, so
• 49:22
  Speaker 1: there's questions there. So he's a bit of a problem child,
• 49:25
  Speaker 1: isn't he. You know, he's like a spoiled rich kid.
• 49:28
  Speaker 1: He's extremely charming, he's extremely smart, he's very witty, he's
• 49:34
  Speaker 1: an exciting guy. But man, Danielle, you said it right.
• 49:38
  Speaker 1: I mean talk about compare and contrastities too. And I
• 49:42
  Speaker 1: think that was all insecurity with the hair and the
• 49:44
  Speaker 1: whole thing. And it's just like it's kind of disrespectful
• 49:48
  Speaker 1: to Rory and to Marty all at the same time.
• 49:52
  Speaker 1: But he doesn't care because he's taking you know, he's
• 49:55
  Speaker 1: he's acting like he owns her in some way because
• 49:59
  Speaker 1: it's not really the appropriate forum in order to display
• 50:02
  Speaker 1: that kind of behavior. And maybe I'm being.
• 50:04
  Speaker 2: Too No, you're I mean, you're being totally. I feel
• 50:12
  Speaker 2: like I hear what you're saying and my reaction is correct.
• 50:16
  Speaker 2: But I like him anyway, Yes, it says something about me, like, yeah,
• 50:20
  Speaker 2: I get it, Like I think if we were at
• 50:24
  Speaker 2: a bird's eye view going who is the better choice?
• 50:29
  Speaker 2: It maybe is Marty, but I like Rory am kind
• 50:33
  Speaker 2: of into logan and even like when the check comes,
• 50:37
  Speaker 2: so let's talk about the check comes and immediately Logan's
• 50:40
  Speaker 2: of course going to pay for Rory, which is very
• 50:43
  Speaker 2: chivalrous and cute, but it's so what's the word, it's.
• 50:48
  Speaker 1: Just so like, well, he asked them both out so.
• 50:52
  Speaker 2: Well, and but Logan says he'll cover MARTI.
• 50:55
  Speaker 1: Should he interrupted their evening.
• 50:57
  Speaker 2: Any was totally on board to pay for Marty doesn't
• 51:00
  Speaker 2: want that, which I also understand.
• 51:03
  Speaker 3: Yeah, I think he's look at Logan at one or
• 51:05
  Speaker 3: two ways. Either he is, you know, an honorable man
• 51:09
  Speaker 3: who like is going to pay for Marty and you know,
• 51:12
  Speaker 3: cover the tab and invite him to the dinner. Or
• 51:16
  Speaker 3: you can see it as Logan is interrupting their date
• 51:20
  Speaker 3: and he is peeing on his territory, like we said,
• 51:24
  Speaker 3: and is even peeing on it even more and stabbing
• 51:27
  Speaker 3: Marty in the heart by saying, I'll pay for you, dude,
• 51:30
  Speaker 3: don't worry about it, like he just.
• 51:35
  Speaker 1: Maybe there's a small part of him that is a
• 51:37
  Speaker 1: little nervous about Marty. But I don't think he's.
• 51:39
  Speaker 6: Really I don't think he's nervous.
• 51:43
  Speaker 3: I think it's his way of showing Marty like I
• 51:48
  Speaker 3: I'm sorry.
• 51:51
  Speaker 6: Like I can pay for both our dinners.
• 51:58
  Speaker 2: Now the ball or move, which I get why they
• 52:02
  Speaker 2: didn't do this because we wouldn't have this awkward scene
• 52:04
  Speaker 2: would have been Logan pays the whole check, no check comes,
• 52:07
  Speaker 2: so we never have to have this predicament where he
• 52:10
  Speaker 2: knows Marty Like, so, if we think about it, this
• 52:12
  Speaker 2: is twenty years ago, seventy five dollars a person, or
• 52:15
  Speaker 2: seventy five dollars a lot, lot, kind of a lot
• 52:18
  Speaker 2: for college kids. Yeah, probably, so it's more like one
• 52:21
  Speaker 2: twenty five now maybe one fifty fifty for college.
• 52:26
  Speaker 1: Kids back then three hundred now.
• 52:30
  Speaker 2: You think three hundred. Okay, so it's a lot, right.
• 52:32
  Speaker 2: The baller move is if he just picked up the
• 52:34
  Speaker 2: check for the whole group. I don't know. So then
• 52:37
  Speaker 2: Marty goes out to get to the ATM, Like what
• 52:40
  Speaker 2: was Marty gonna do?
• 52:41
  Speaker 5: But I also felt bad of that comment when he
• 52:43
  Speaker 5: said I'm gonna go find an ATM, and I can't
• 52:45
  Speaker 5: remember the other guy's name, who was just like, oh,
• 52:48
  Speaker 5: he needs to go like to an eighty kind of
• 52:50
  Speaker 5: like mock on him, yeah, kind of mocked him for eating.
• 52:54
  Speaker 1: So this is the thing I think, who is mitcham
• 52:58
  Speaker 1: Hunsberger compared to in real worlds? Rupert Murdoch. No, no, no, no,
• 53:05
  Speaker 1: he's like thirteen newspaper Like, yeah, how how influential is
• 53:15
  Speaker 1: mitcham Huntsberger Very okay, So he's you know, he's Ted Turner,
• 53:19
  Speaker 1: He's yeah, he's Ruber Murdoch, He's.
• 53:22
  Speaker 2: Obrah, he's Oprah's on that level.
• 53:25
  Speaker 1: So that's his son. So that's that's Lachlan Murdoch or
• 53:28
  Speaker 1: that's you know, these people are so wealthy and so
• 53:33
  Speaker 1: privileged and so insulated that they look at somebody like
• 53:37
  Speaker 1: Marty like.
• 53:39
  Speaker 2: Yeah, you know, do they do? They? Because think about it,
• 53:43
  Speaker 2: it's just a completely different level they do.
• 53:46
  Speaker 6: Because he was bar attending their parties.
• 53:48
  Speaker 2: I don't think they look at him as I think
• 53:51
  Speaker 2: they well.
• 53:52
  Speaker 1: Not as any kind of real challenger.
• 53:54
  Speaker 2: No, but I think they would have just paid for him.
• 53:57
  Speaker 2: There's plenty of people of privilege, right, So in a
• 54:00
  Speaker 2: situation like this, you're at Yale. Right, they're all at Yale,
• 54:03
  Speaker 2: so they're all on equal footing. Right, But these guys
• 54:06
  Speaker 2: have money, but say so use Rory's money.
• 54:10
  Speaker 1: Mitcham Huntsburger is a multi billionaire, correct, so multi billionaire.
• 54:16
  Speaker 2: Imagine they want Rory around, right, Logan does and Logan's
• 54:20
  Speaker 2: friends dig her. She can't afford to do what they do,
• 54:24
  Speaker 2: so they will always pay for her and it will
• 54:27
  Speaker 2: never be a thing. And because she's a girl, it's fine.
• 54:30
  Speaker 2: The problem is that Marty can't afford it. So I
• 54:34
  Speaker 2: don't know what they would do if one of their friends,
• 54:37
  Speaker 2: which very possibly could happen, didn't have the money they have.
• 54:41
  Speaker 2: But but he's like a bro with them.
• 54:43
  Speaker 3: It's interesting you said that because it's a girl. It's like, oh,
• 54:46
  Speaker 3: we're covering for Rory like that.
• 54:48
  Speaker 2: Ury will never have to worry like Marty did with
• 54:51
  Speaker 2: keeping up with these guys because they will always treat her.
• 54:54
  Speaker 3: But Rory also had the money.
• 54:56
  Speaker 2: Where did she have the you know, she.
• 54:57
  Speaker 5: Has seventy five dollars, but she has her grand The
• 55:01
  Speaker 5: thing with her is she's still associated with wealth because
• 55:04
  Speaker 5: of her grandparents. I think if Rory was let's say,
• 55:07
  Speaker 5: the female version of Marty, I actually don't think it
• 55:10
  Speaker 5: would be exactly the same.
• 55:11
  Speaker 2: I think if we don't.
• 55:12
  Speaker 1: Know that Juliet money, well, we don't know Marty's background
• 55:15
  Speaker 1: enough to make that assessment. I mean, he's also have
• 55:19
  Speaker 1: to figure you.
• 55:19
  Speaker 5: Know, no, But but I mean, like Logan's family knows
• 55:23
  Speaker 5: Richard and Emily like, you know, like they run in
• 55:25
  Speaker 5: the side circle.
• 55:26
  Speaker 2: I still think it's girl. It doesn't matter. They're going
• 55:29
  Speaker 2: to like the girls. They're gonna like whether those girls
• 55:31
  Speaker 2: have money or not, and they're going to just always
• 55:32
  Speaker 2: treat them like. We don't know what Juliette's background is,
• 55:35
  Speaker 2: and of course she didn't even eat like anything.
• 55:38
  Speaker 3: But no, she has money because she says that she
• 55:40
  Speaker 3: wants to marry a poor man and have that person
• 55:42
  Speaker 3: sign her rock star prenup. So she's got money. We
• 55:47
  Speaker 3: know she has money.
• 55:48
  Speaker 1: So here's the question. Uh, what does Logan want out
• 55:54
  Speaker 1: of Rory? What is he seeing her? I mean, I
• 55:56
  Speaker 1: know what he says, don't We don't know what does
• 55:59
  Speaker 1: he want? He doesn't want to he confess to her,
• 56:02
  Speaker 1: I'm not going to be faithful to you. This is
• 56:05
  Speaker 1: just you know, I'm not going to commit to you.
• 56:07
  Speaker 1: You're not going to be my girlfriend. I'm too young,
• 56:09
  Speaker 1: you know, I've got to sew my wild oat. So
• 56:12
  Speaker 1: is he ever going to you know what does he doing?
• 56:16
  Speaker 1: Is this just pure physical attraction or is it something deep?
• 56:21
  Speaker 2: No, it's not just physical. He's very intrigued by her.
• 56:24
  Speaker 1: Well, he can keep up. She can keep up with him.
• 56:27
  Speaker 1: She's witty, she's got banter, she's educated, Yeah, she's she's
• 56:32
  Speaker 1: got a moral center, yeah somewhat. She's a good person.
• 56:38
  Speaker 2: Yeah, and he's and she gives him a run for
• 56:39
  Speaker 2: his money. There's something about her. She's intrigued by him.
• 56:45
  Speaker 1: Yeah, she's not impressed by the money.
• 56:47
  Speaker 2: But by him, and he's intrigued.
• 56:49
  Speaker 1: By her, right right, Yeah, they're they're still sniffing each
• 56:53
  Speaker 1: other out.
• 56:53
  Speaker 2: Yeah, that's a good way to say it. But so
• 56:56
  Speaker 2: what should Marty have done?
• 56:58
  Speaker 1: Just disappear, disappear into a.
• 57:00
  Speaker 3: Part I thought, but that's what he was gonna do.
• 57:03
  Speaker 3: Like when Rory comes outside and he's just staring at
• 57:06
  Speaker 3: the street, all like I don't I'm just going to
• 57:09
  Speaker 3: stay here, and then she's like, well when they walk out,
• 57:11
  Speaker 3: they'll see you, Like, oh my gosh, I'm like this
• 57:16
  Speaker 3: poor guy is so defeated.
• 57:19
  Speaker 1: Really, what's a what can Marty do at this point?
• 57:22
  Speaker 1: What's a move? What's what's a master class move he
• 57:26
  Speaker 1: could do to flip this situation in his.
• 57:28
  Speaker 7: Favorite could he do?
• 57:30
  Speaker 2: Maybe he could have been.
• 57:31
  Speaker 1: Like, hey, let's go to a karaoke bar and then
• 57:34
  Speaker 1: he does he does like they could have been.
• 57:36
  Speaker 3: Like, no, the ATM machine's not working. Hey, Logan, you
• 57:39
  Speaker 3: want to pick this one up? I got the next one, yeah, right.
• 57:42
  Speaker 2: He could have just been like, exactly, that's good, Daniel's.
• 57:45
  Speaker 6: I was going to bring this up earlier.
• 57:47
  Speaker 5: He I mean with eighteen dollars, Like, where did he think, like,
• 57:51
  Speaker 5: knowing these eighteen dollars, where did he think they were
• 57:54
  Speaker 5: going to go to dinner? When Logan showed up to
• 57:55
  Speaker 5: the door, like, I don't know, Like I was saying,
• 57:58
  Speaker 5: like if you were in that position, like I've definitely
• 58:01
  Speaker 5: like my friends have wanted to go to expensive restaurants.
• 58:03
  Speaker 6: I'm like, I don't want to pay for that dinner,
• 58:05
  Speaker 6: you know what I mean? And I'm like I don't
• 58:06
  Speaker 6: want to go. So should he have just said no?
• 58:11
  Speaker 2: Because he should have said no to the dinner for
• 58:13
  Speaker 2: a thousands being one for.
• 58:14
  Speaker 5: A thousand reasons, but specifically that knowing that it was
• 58:17
  Speaker 5: going to come down to paying for the bill.
• 58:19
  Speaker 3: M I think he was trying to man up and
• 58:22
  Speaker 3: like trying to just hang with the cool kids.
• 58:30
  Speaker 2: The minute I saw them at the table, I was
• 58:31
  Speaker 2: having a stomach ache for that check. How is he
• 58:33
  Speaker 2: sitting there eating all the dinner, not thinking how am
• 58:35
  Speaker 2: I paying for this?
• 58:37
  Speaker 1: Yeah?
• 58:38
  Speaker 2: Brutal. Now I will give Rory points that she didn't
• 58:42
  Speaker 2: bail Marty and like go to the Zydecoe music. She
• 58:47
  Speaker 2: goes home with Marty and they're walking to her room
• 58:50
  Speaker 2: and he says, I need to tell you something. And
• 58:52
  Speaker 2: I thought the way she handled that was actually very
• 58:56
  Speaker 2: mature and very good. Like he tells her he likes her,
• 58:59
  Speaker 2: and she tells him. I like, logan, I'm sorry, and
• 59:03
  Speaker 2: like I thought that that was very elevated.
• 59:08
  Speaker 1: Lower the boom.
• 59:10
  Speaker 2: Yeah, she did the right thing there.
• 59:13
  Speaker 3: Yeah, they both.
• 59:15
  Speaker 1: Did the right Logan is dangerous, Marty is not, and
• 59:19
  Speaker 1: that's dangerous. Marty is not correct, He's not dangerous.
• 59:23
  Speaker 2: So before we get to the kiss, let's backtrack to
• 59:27
  Speaker 2: Fiddler on the Roof. Finally, now we have Loria, Lion
• 59:30
  Speaker 2: Luke and the scene together. No words are exchanged, just
• 59:35
  Speaker 2: a lot of face acting. And I just wanted them
• 59:38
  Speaker 2: to like she's almost crying, Like I just wanted even
• 59:41
  Speaker 2: just a pinky touch anything.
• 59:45
  Speaker 6: With the song.
• 59:46
  Speaker 3: Oh yeah, the song.
• 59:52
  Speaker 5: She says do you love me? And he's like, he says,
• 59:54
  Speaker 5: do you love me? And she says, do I love you.
• 59:55
  Speaker 5: That's the words of the song.
• 59:57
  Speaker 1: It was just too hammy for words. I'm sorry.
• 1:00:00
  Speaker 2: Oh really, I just.
• 1:00:01
  Speaker 1: Thought I hammed it up too much, and I thought
• 1:00:04
  Speaker 1: I was too much face acting too hand. No, No,
• 1:00:08
  Speaker 1: I didn't like, No.
• 1:00:12
  Speaker 2: I did.
• 1:00:12
  Speaker 1: I did. I need everybody to sit down, just to
• 1:00:14
  Speaker 1: control themselves. I thought it was hammy. I just I was.
• 1:00:18
  Speaker 1: I was cringing watching it. No on my part, not hers.
• 1:00:23
  Speaker 2: To get that. Did you guys get that? No? I
• 1:00:26
  Speaker 2: didn't have a cringey.
• 1:00:28
  Speaker 1: I was like, oh, no, go do it again. I
• 1:00:31
  Speaker 1: want to do it again, and I don't want to
• 1:00:33
  Speaker 1: be so obvious about everything.
• 1:00:35
  Speaker 7: You know.
• 1:00:36
  Speaker 2: What I can tell you is she looks amazing with
• 1:00:38
  Speaker 2: red on her. But also, no, you weren't cringey at all.
• 1:00:42
  Speaker 1: I thought I was. No.
• 1:00:45
  Speaker 2: I just wanted just please even just a little bit
• 1:00:48
  Speaker 2: more of a look and like a hand hold. All
• 1:00:52
  Speaker 2: I needed was like literally, all I needed was a
• 1:00:54
  Speaker 2: hand brush, you know it was.
• 1:00:55
  Speaker 1: It was hallmarky not to put the on homework. They
• 1:01:01
  Speaker 1: do what they do it, they do it very well,
• 1:01:03
  Speaker 1: and they but they do it with intention and that's fine.
• 1:01:05
  Speaker 2: Do you think it's schmaltzy or something? Yes, it wasn't.
• 1:01:09
  Speaker 1: No, I thought what I did in that scene was
• 1:01:13
  Speaker 1: was schmaltzy. That's a good.
• 1:01:17
  Speaker 2: No, I disagree, respectfully. Okay. Then Logan's at the window.
• 1:01:22
  Speaker 2: First of all, why did he come in the window.
• 1:01:25
  Speaker 1: So we can say that line? It looks? It looks,
• 1:01:29
  Speaker 1: It goes a lot better on the movies.
• 1:01:30
  Speaker 3: Why does every go through a window?
• 1:01:33
  Speaker 2: For why?
• 1:01:37
  Speaker 3: Like, just did it? Dean did it's doing it? What's
• 1:01:41
  Speaker 3: going on?
• 1:01:42
  Speaker 1: He acknowledges the cool thing just he didn't do it well,
• 1:01:48
  Speaker 1: he's such a cool character.
• 1:01:50
  Speaker 2: He's so cool. And then he says, I wanted to
• 1:01:53
  Speaker 2: make sure you got home. Okay, I was just like, swoon,
• 1:01:59
  Speaker 2: I wanted to give you a proper good night, like
• 1:02:01
  Speaker 2: I just and then he makes a joke about she's
• 1:02:03
  Speaker 2: not in her foot see pajama, and I was just like,
• 1:02:05
  Speaker 2: I love this guy so much.
• 1:02:06
  Speaker 5: It's I think I would have liked that scene more
• 1:02:10
  Speaker 5: if he didn't like ruin their night, ruined the night
• 1:02:14
  Speaker 5: with Marty, Like.
• 1:02:14
  Speaker 2: If that was ruined the night, you can't blame him.
• 1:02:17
  Speaker 1: They didn't have a night. They were eating pretzels watching
• 1:02:19
  Speaker 1: Groucho Man.
• 1:02:20
  Speaker 6: He didn't know, he didn't, you know, but as a viewer.
• 1:02:26
  Speaker 1: You know, listen, this is the moment Rory is. This
• 1:02:30
  Speaker 1: is when we're losing that little girl, Rory, the innocent
• 1:02:33
  Speaker 1: Right now, she's becoming a woman with needs and she
• 1:02:37
  Speaker 1: wants to be in love and it's real growth. It
• 1:02:41
  Speaker 1: was a great shot when those two when he was
• 1:02:43
  Speaker 1: pulling her close to her. It was a very romantic,
• 1:02:46
  Speaker 1: you know, very sexy shot, right, and you don't see
• 1:02:49
  Speaker 1: a lot of that.
• 1:02:51
  Speaker 5: Is it wrong that the whole time I was like,
• 1:02:53
  Speaker 5: I'm just glad he's not married, like the guy's like,
• 1:02:56
  Speaker 5: she's not sleeping with a married man.
• 1:02:58
  Speaker 7: Like.
• 1:02:58
  Speaker 6: The whole time, I was just like, okay, you.
• 1:03:01
  Speaker 2: Know that triggers me for the movies.
• 1:03:02
  Speaker 6: But oh no, because I.
• 1:03:06
  Speaker 1: Was thinking of finally found somebody that was unattached. That's
• 1:03:11
  Speaker 1: what you're thinking.
• 1:03:16
  Speaker 2: I love the kiss. I think obviously we're supposed to
• 1:03:21
  Speaker 2: assume they bomb took a bomb ball, which seemed a
• 1:03:26
  Speaker 2: little soon for me, you know, obviously again.
• 1:03:28
  Speaker 3: But they took off their clothes a freaking anniversary.
• 1:03:37
  Speaker 2: They were already.
• 1:03:40
  Speaker 1: The renewing the vowels man in the basement.
• 1:03:45
  Speaker 8: Yeah, they are in college, so two days.
• 1:03:52
  Speaker 1: We gotta go.
• 1:03:55
  Speaker 2: We got this was a better kiss for me than
• 1:03:58
  Speaker 2: the one of the wedding. Yeah, I was like, this
• 1:04:01
  Speaker 2: is real good, Oh my god, good ending.
• 1:04:13
  Speaker 1: I mean, I definitely this scene made me miss being young.
• 1:04:24
  Speaker 2: I mean all right, that was He's.
• 1:04:26
  Speaker 1: A cool dude. That was a nice scene. That was
• 1:04:28
  Speaker 1: a really Yeah, it's very it was very filmic, it
• 1:04:31
  Speaker 1: was very Golden age Hollywood.
• 1:04:35
  Speaker 2: It was really, he's a real study.
• 1:04:38
  Speaker 1: It was beautifully filmed and written.
• 1:04:40
  Speaker 6: He's a real It was a good episode.
• 1:04:43
  Speaker 2: Do you have a favorite line?
• 1:04:47
  Speaker 1: Is the when he came in the window and he
• 1:04:49
  Speaker 1: said that that usually goes better in the movies.
• 1:04:55
  Speaker 2: Wait before everyone says, there lies that bag of chips though,
• 1:05:00
  Speaker 2: it was the biggest bag of chips that What the
• 1:05:04
  Speaker 2: was that Doyle got from? And they were called like
• 1:05:07
  Speaker 2: snap on or something?
• 1:05:09
  Speaker 7: What?
• 1:05:09
  Speaker 1: What?
• 1:05:09
  Speaker 7: What?
• 1:05:10
  Speaker 3: What?
• 1:05:10
  Speaker 1: What on earth was going on with the posters? Yeah, inanity.
• 1:05:20
  Speaker 3: You did do that in college though, where you wrote
• 1:05:22
  Speaker 3: your name.
• 1:05:23
  Speaker 2: On all this to do that. Now my bottle of water,
• 1:05:28
  Speaker 2: someone's gonna drink it. Okay, Sorry I interrupted, what's everybody
• 1:05:32
  Speaker 2: else's favorite line?
• 1:05:34
  Speaker 3: I already said mine, but not by Luke. When Lorla
• 1:05:39
  Speaker 3: I was like, I've been done before, and Rory says
• 1:05:42
  Speaker 3: not by Luke.
• 1:05:44
  Speaker 6: I love the bands were with uh Kirk and Luke
• 1:05:47
  Speaker 6: with the wagon.
• 1:05:48
  Speaker 2: I love the factor who has to go potty? What
• 1:05:54
  Speaker 2: do you all rate it?
• 1:05:56
  Speaker 1: What's the measuring stick and what of the what's the
• 1:05:58
  Speaker 1: rating here?
• 1:06:02
  Speaker 5: I'm going to give it nine.
• 1:06:08
  Speaker 6: Bags of chips, large becks, large becks chips.
• 1:06:13
  Speaker 2: I'll give it nine pink stencils on my she shed ball.
• 1:06:22
  Speaker 3: I'll give it nine out of ten pretzels while pretze
• 1:06:26
  Speaker 3: with sabby pretzels.
• 1:06:28
  Speaker 1: God, yeah, I hate I hate the break from the
• 1:06:35
  Speaker 1: pack here, but I'm going to give it a nine
• 1:06:39
  Speaker 1: three five.
• 1:06:42
  Speaker 9: Good Luke hammers, oh good, double on Taundra with them
• 1:06:50
  Speaker 9: all right, so that's going to do her right.
• 1:06:58
  Speaker 1: We're good.
• 1:06:58
  Speaker 2: I just can't believe we're on episode sixteen. Come on
• 1:07:02
  Speaker 2: in five so fast. I actually had a moment the
• 1:07:06
  Speaker 2: other morning where I was like, oh my.
• 1:07:07
  Speaker 1: God, we have to slow it down. Let's take another
• 1:07:09
  Speaker 1: week off.
• 1:07:10
  Speaker 2: I need to slow it, slow it down, slow it down.
• 1:07:14
  Speaker 1: Flying by anyway, all right, ladies, thank you. I missed
• 1:07:19
  Speaker 1: you all.
• 1:07:20
  Speaker 7: It was a rough week.
• 1:07:21
  Speaker 2: Rough it was rough about you. We're back. I hope
• 1:07:25
  Speaker 2: that I hope that they like what we did today.
• 1:07:27
  Speaker 6: Because I thought we did great.
• 1:07:30
  Speaker 1: Thank Chris, that was a good one, all right, everybody,
• 1:07:33
  Speaker 1: thanks for downloading. Best fans on the planet and uh
• 1:07:37
  Speaker 1: we will see you next time.
• 1:07:38
  Speaker 7: Stay safe, hey.
• 1:08:08
  Speaker 1: Everybody to forget. Follow us on Instagram at I Am
• 1:08:11
  Speaker 1: all In Podcast and email us at Gilmore at iHeartRadio
• 1:08:17
  Speaker 1: dot com.