Latest / Vanity Farah with Chris Farah / 90 Day Fiancé The Other Way Season 8 Episode 3 “No Shoes, No Trust, Big Problems” Part 1

Transcript

90 Day Fiancé The Other Way Season 8 Episode 3 “No Shoes, No Trust, Big Problems” Part 1 · Vanity Farah with Chris Farah

0:07
Speaker 1: Hi there, everyone. Welcome back to Vanity Fair. My name
0:10
Speaker 1: is Chris Farah, where I give it to you straight,
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Speaker 1: Thank you. If not, maybe you're watching it for free
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Speaker 1: with ads on YouTube. Hi, please subscribe, like, come back
0:30
Speaker 1: and hang out for lives. I really appreciate it. My
0:32
Speaker 1: name is Chris and I talk about pop culture and
0:34
Speaker 1: recap television shows. And today I'm doing my bread and butter.
0:38
Speaker 1: It's 90 Day Fiance. It's the other way. It's season eight,
0:41
Speaker 1: episode three. It's called No Shoes, No Trust, Big Problems. Wow. We, listen, honey,
0:49
Speaker 1: have a jam-packed episode. We have a lot to talk
0:53
Speaker 1: about and we have a lot of what and oh no,
0:56
Speaker 1: and that can't be good and not me. Yuck. If
1:01
Speaker 1: that's that person's yum, absolutely yuck is what, I mean,
1:05
Speaker 1: the moral of the story is. I don't know. Listen,
1:09
Speaker 1: I hope you're well wherever you are and you're enjoying
1:12
Speaker 1: your Halloween and your holiday time and, you know, taking
1:14
Speaker 1: some time for yourself, honey, and treating yourself right with
1:17
Speaker 1: compassion is what you need and we deserve it. Okay.
1:20
Speaker 1: Let's get in. It's Andy and Nigel, honey, I'm going
1:24
Speaker 1: to put their picture up. So we kind of remember
1:26
Speaker 1: who they are, but you know, you know who they
1:27
Speaker 1: are now, but it's these people. It's handlebar mustache with
1:31
Speaker 1: a mullet. And you know, it's a red short hair
1:37
Speaker 1: country singer from Nashville who treats him like Andy's like
1:43
Speaker 1: vibe with Nigel is like aunt, proud aunt. Sometimes like
1:53
Speaker 1: she looks at him like with such like, oh, what
1:56
Speaker 1: a nice chap you're growing up to be. And he
1:59
Speaker 1: just like beams back with like pride. Like, I know, ma'am.
2:03
Speaker 1: I don't know. Their vibe is so interesting, but let's talk.
2:05
Speaker 1: So they're in the car in Australia. We find out
2:08
Speaker 1: their security cams everywhere, honey. It's Singapore and it's Australia.
2:12
Speaker 1: You know what I'm saying? Like they're both nanny states.
2:19
Speaker 1: Not like a good nanny state, like the nanny named Fran,
2:23
Speaker 1: which would be like the state of New York, New Jersey,
2:28
Speaker 1: Long Island, wherever that's from. New York. Here's the thing.
2:34
Speaker 1: It's the ultimate question of what you give up for
2:40
Speaker 1: those freedoms. What is crime like? in comparison, because I
2:52
Speaker 1: tend to think that I want to live where people
2:56
Speaker 1: can be free to breathe and do the things they
2:59
Speaker 1: want to do, but I also don't want to be
3:01
Speaker 1: terrorized by nightmare. You know what I'm saying? So here's
3:04
Speaker 1: the thing. We talk about it in flock cameras, but
3:09
Speaker 1: in Australia, the way it's manifesting, and in Singapore, we
3:12
Speaker 1: talk about it too, obviously, with Ali, it manifests in
3:15
Speaker 1: fines or big things like vaping and stuff. Now, Nigel
3:18
Speaker 1: says that there are AI cameras and they've already caught
3:22
Speaker 1: Andy doing such things like driving with her seatbelt on incorrectly.
3:27
Speaker 1: Then Andy says, okay, well, that's one thing, but also
3:32
Speaker 1: during the music festivals, outside of the music festivals, they
3:35
Speaker 1: have random like stops where people get drug tested. And
3:41
Speaker 1: I wanted to know like what kind of drug tests, like,
3:45
Speaker 1: is it just like walk this line or is it like,
3:48
Speaker 1: take out your hair and this new fancy robot's going
3:51
Speaker 1: to tell you what shrooms you took yesterday. You know,
3:53
Speaker 1: like I found that interesting because Nigel's, all of Nigel's
4:02
Speaker 1: friends and the lifestyle that he, I don't know, I
4:06
Speaker 1: assume that he does, seems so druggy, right? Like not
4:10
Speaker 1: druggy like heroin-y, but like druggy in the like nature way. Like,
4:15
Speaker 1: you know, just like in shrooms or ayahuasca or whatever,
4:18
Speaker 1: you know, just natural ketamine. What do they do? Shrooms.
4:25
Speaker 1: So he's kind of like weird with her. He's like, yeah,
4:30
Speaker 1: you know, what kind of grown ass woman doesn't wear
4:32
Speaker 1: her seatbelt right? And she's like, I don't know. And
4:36
Speaker 1: it's like, well, I mean, you know, you, I don't know.
4:37
Speaker 1: Do you do everything by the letter of the law, sir?
4:42
Speaker 1: Are you just being like weird and mean to her
4:44
Speaker 1: because you're like trying to be like, you should take
4:46
Speaker 1: better care of yourself. It was dangerous of you to
4:49
Speaker 1: not wear your seatbelt right. She's a tall lady. And
4:54
Speaker 1: I wonder if the seatbelt just like, yeah, it rubs
4:56
Speaker 1: her armpit way. Like, you know, obviously I have big boobs, obviously.
4:59
Speaker 1: Especially if you just listen to this voice. One thing
5:02
Speaker 1: that is completely obvious is that this voice radiates from
5:06
Speaker 1: a pair of huge ass tits. And it's true. They're
5:10
Speaker 1: size F. F. That's my cup size. F for Farrah.
5:19
Speaker 1: That's true. Anyway, I like to think like, you know
5:23
Speaker 1: how opera singers used to be like, you know, the
5:27
Speaker 1: opera singer that's like big would like have like the
5:29
Speaker 1: most booming voice. I like to think that I'm a
5:31
Speaker 1: version of that. My voice isn't booming, but whatever liveliness
5:34
Speaker 1: or activity you hear is just the bouncing joy from
5:40
Speaker 1: in between my titties. Okay. Okay. So she gets to
5:45
Speaker 1: his house, honey. Oh, no, before they get to the house,
5:46
Speaker 1: I'm sorry. He starts being like, you know, I'm so
5:49
Speaker 1: happy you're here. And yeah, you know, blah, blah, blah.
5:53
Speaker 1: We were talking about how I want to sleep with everyone.
5:55
Speaker 1: Here's another little ditty. I don't even want to live
5:57
Speaker 1: in a house that I tell you that I can
5:59
Speaker 1: just retire in that I own. I would rather live
6:02
Speaker 1: a van life. And she was like, oh, that's not
6:04
Speaker 1: what I really want to do. And he's like, I
6:06
Speaker 1: don't care. She's like, well, I want to make music.
6:08
Speaker 1: I just got here. And like, I didn't think about
6:11
Speaker 1: moving from America to live here. And then also in
6:15
Speaker 1: a van, he was like, well, think about it. You
6:17
Speaker 1: can make music in a van. That's what I want.
6:20
Speaker 1: And for some reason, Nigel only cares about what he wants.
6:26
Speaker 1: And the only time that he'll do anything of value
6:29
Speaker 1: that he thinks is what she wants is only because
6:33
Speaker 1: it would also benefit him, like clean his house. Okay,
6:38
Speaker 1: so they get to the house. And obviously we're seeing
6:41
Speaker 1: a quote-unquote clean house, and it's clean. It's also a
6:45
Speaker 1: mishmash of what the fuck. Horrible, horrible decor. I mean,
6:51
Speaker 1: I thought about taking pictures every moment of it, but
6:53
Speaker 1: then I thought... every time I take a screenshot of something,
6:57
Speaker 1: I need you to know that it does like take
7:01
Speaker 1: a screenshot in my head. Like if you ever take
7:05
Speaker 1: a screenshot and this is, you know, cause I'm watching screeners,
7:07
Speaker 1: I can on my computer. It does that, like it's
7:10
Speaker 1: the sound. Like the minute I hear that sound, it's
7:13
Speaker 1: like a Pavlov's dog and whatever I'm looking at, that
7:16
Speaker 1: does get frozen in time in my mind. And so
7:18
Speaker 1: I don't want to see his ugly ass decor and
7:20
Speaker 1: over again, his weird ass like shit everywhere. I told
7:22
Speaker 1: you that there was that like, Weird bong and those,
7:26
Speaker 1: you know, circle stools. You can't imagine how uncomfortable it
7:30
Speaker 1: is to try and put all of your weight on
7:32
Speaker 1: a stool like that. One cheek, no back. Just having to, like,
7:37
Speaker 1: hold yourself in the air on that stool. I need
7:43
Speaker 1: to say something. You need to come at me and
7:46
Speaker 1: tell me in a comment if I'm right or if
7:49
Speaker 1: I'm crazy. And this is what it is. I fucking
7:52
Speaker 1: love hate barstools. Rarely are they comfortable. Often, the way
8:01
Speaker 1: that there's nowhere to put your feet, you're just sliding
8:04
Speaker 1: off of it in real time. It's like you have
8:06
Speaker 1: to hold yourself up. Being on a barstool is like
8:10
Speaker 1: having to wade in the middle of the ocean. yes,
8:16
Speaker 1: there might be the bar there for you to put
8:18
Speaker 1: a drink, but your arms are still like going, you know,
8:21
Speaker 1: like it's not comfortable. I feel like I have to
8:23
Speaker 1: burn 400 calories a minute just trying to hold myself up.
8:27
Speaker 1: And I don't know if it's some hypermobile thing or
8:29
Speaker 1: I have bad posture or I have no center of
8:31
Speaker 1: gravity or I, whatever it is, but I'm telling you,
8:34
Speaker 1: I can't, I cannot fucking stand bars. That's why I'm single. Yeesh. Okay.
8:43
Speaker 1: Also in his house, he's a whiteboard. Like he's about
8:45
Speaker 1: to teach ESL. I don't know. It was a whiteboard.
8:50
Speaker 1: Like he's about to coach a little league game, honey.
8:52
Speaker 1: Like the kids come in, he's like, okay, what we
8:55
Speaker 1: did here, you saw, you ran away from them when
8:58
Speaker 1: you were supposed to run with the ball towards their goal.
9:02
Speaker 1: You know, just like, what is he doing with that whiteboard?
9:04
Speaker 1: It feels like what he's doing with the whiteboard is
9:07
Speaker 1: being like, let's see, who can I try and court
9:13
Speaker 1: So I can fuck this person. It can be this person.
9:16
Speaker 1: I'll take them to this music festival and then I'll
9:19
Speaker 1: take off my shoes and then we'll play clowns. And
9:23
Speaker 1: then I'll get that person in a bed and then
9:26
Speaker 1: I'll mention it. Like, what are you planning on that whiteboard? Also,
9:30
Speaker 1: like if Australia has such stringent drug laws, like what
9:34
Speaker 1: are they doing to get high? Because everyone gets high.
9:39
Speaker 1: Human nature does the following things. Wants love. wants affection,
9:44
Speaker 1: wants a place to lay their head at night. They
9:48
Speaker 1: want to have fun. They want food and they want
9:52
Speaker 1: to get high a little bit or get to get looser.
9:55
Speaker 1: People will find a way. Just like Jurassic Park's life
10:02
Speaker 1: will find a way. I don't know. Okay. So he
10:08
Speaker 1: is impressed with himself. You can tell as he shows
10:13
Speaker 1: off his okay bachelor pad that she's like wow you
10:16
Speaker 1: cleaned did dad did did little baby boy take out
10:20
Speaker 1: a swiffer did he swiffer wet yet yeah yeah it
10:24
Speaker 1: took me all night wow good job buddy thanks then
10:31
Speaker 1: he's like you know i sleep naked okay and then
10:33
Speaker 1: he's like so uh i don't want to get like
10:35
Speaker 1: curtains or blinds and so i inserted this like frosty
10:39
Speaker 1: mcfrost frost bottom tip to like you know censor him
10:41
Speaker 1: in real time so that he can just walk around
10:43
Speaker 1: naked And you know what? That's not the worst part.
10:48
Speaker 1: I also like to walk around naked because I also
10:51
Speaker 1: live by myself and there are windows everywhere. And I
10:54
Speaker 1: also like light. And so it's, you know, and I
10:56
Speaker 1: live in the city, so you can see the problem.
10:58
Speaker 1: And so I get, I kind of like, oh, if
11:00
Speaker 1: I could have Frosty McFrosts and you can only see
11:04
Speaker 1: either like Albie can't see it in, that'd be great.
11:07
Speaker 1: At one point he says, When he brings her into
11:11
Speaker 1: the bedroom and she sees how clean it is and
11:14
Speaker 1: she's like, you did such a good job. He says,
11:16
Speaker 1: mama ain't raised no fool. We were all like, what? Okay. Oh, fine.
11:24
Speaker 1: She says he has done good. He's so pleased. They
11:29
Speaker 1: take a bath. She feels special and wanted. she wears
11:33
Speaker 1: a geisha robe, one of those like red geisha, silky
11:36
Speaker 1: kind of like satiny robes. You know, you're like, you
11:38
Speaker 1: have no business wearing that, but okay, God bless. You
11:39
Speaker 1: want to be like, you know, eclectic. That's fine. You
11:42
Speaker 1: think you like her as a madam or, you know,
11:44
Speaker 1: living in like the West village, honey, like the 1970s,
11:46
Speaker 1: what's happening. And they take a bath, like I said,
11:48
Speaker 1: and they have one of those like wooden bath trays,
11:57
Speaker 1: you know, like Them wooden bath trays were like the
12:00
Speaker 1: kinds you got from HomeGoods like seven years ago. Because
12:03
Speaker 1: you were like, I'm going to take a bath. And
12:06
Speaker 1: I'm going to put this wooden tray in front of
12:08
Speaker 1: me where I put my book. And I read my
12:11
Speaker 1: book with my warm tea. And I light one candle.
12:20
Speaker 1: And that's where I keep my washcloth so it's dry
12:23
Speaker 1: so I can use it if I get my fingers wet.
12:25
Speaker 1: I need to touch my book. I read to myself
12:30
Speaker 1: every night in my bath. Like that's like what that is.
12:33
Speaker 1: And it's interesting because they are in the bath together
12:35
Speaker 1: and they still use that dumb ass wooden ass caddy.
12:37
Speaker 1: Isn't that in your way? How big is this bathtub?
12:41
Speaker 1: I have an oversized bathtub and like, you know, to
12:43
Speaker 1: put two people in it is still, it's a challenge.
12:47
Speaker 1: I'll do it. Nothing's never stopped me, especially at the
12:52
Speaker 1: size of my body or anyone else's, you know what
12:54
Speaker 1: I'm saying? But having said that, I mean, you don't
12:56
Speaker 1: have to add some wooden, bridge, faulty bridge to the equation.
13:03
Speaker 1: It's just begging to come down, honey, in some tragedy.
13:06
Speaker 1: Get all wet. Get your book wet. Get your drink wet.
13:12
Speaker 1: Everything just falls in. Candle wax just now floating. It
13:16
Speaker 1: gets immediately hard floats to the top of the water.
13:19
Speaker 1: You know what I'm talking about. You know what I'm
13:22
Speaker 1: talking about. So Nigel says the morning after he kept
13:27
Speaker 1: noticing how tall she was and he was so like,
13:29
Speaker 1: he remembered what a great thing that his primary lover
13:33
Speaker 1: is his height. Because all of her stupid ass part-time lovers,
13:39
Speaker 1: that's what he called it. Yeah, honey, all of the
13:43
Speaker 1: other ones, they're all so dumbly short, petite. So when
13:48
Speaker 1: he like wants to spoon them, he has to crotch down.
13:51
Speaker 1: He has to like, you know, like No neck himself.
13:56
Speaker 1: He has to big head himself down, you know, so
13:58
Speaker 1: he's barely a pea size. So he can like, you know,
14:00
Speaker 1: hold them, but not her, honey. He can outstretch. He
14:03
Speaker 1: can just like stretch his toesies toes and put his
14:06
Speaker 1: hands up like he's a little ballerina and still she's
14:09
Speaker 1: up there. In a lot of ways, he stretches and
14:15
Speaker 1: feels like a big man, an older man, a better man,
14:19
Speaker 1: a more broader man, a more kind of broad. I guess,
14:28
Speaker 1: admirable man, it feels like, in her eyes and in
14:32
Speaker 1: her presence. That is the vibe. Okay, I'll stop saying it.
14:36
Speaker 1: That's what it is. So the next morning he talks.
14:41
Speaker 1: She's like, you know, she talks. And she says, you know,
14:43
Speaker 1: last night it wasn't sexual. We just reconnected talking. Just
14:50
Speaker 1: remembering each other, our special spots, verbally. So now the
14:56
Speaker 1: next morning, He sleeps naked, so. Knocky knock. Morning wood.
15:01
Speaker 1: We fucked. A lot. And I remember what it was like.
15:06
Speaker 1: So we really connected in both ways. You know. I'm
15:13
Speaker 1: happy for her. It's funny. Like, they really give each other, like,
15:19
Speaker 1: little dopamine hits. Like, they have a kind of connection
15:23
Speaker 1: where they are... are so attracted to each other and
15:31
Speaker 1: the way that each of them makes the other feel
15:35
Speaker 1: that seemingly their inconsistencies and compatibility are glossed over. Like,
15:47
Speaker 1: for instance, he does not want to be in a
15:51
Speaker 1: monogamous relationship and she gets highly jealous. And she, for
15:56
Speaker 1: some reason, has allowed herself to think that she can
15:58
Speaker 1: just keep saying yes. Because in her mind, when he
16:01
Speaker 1: said that he wanted to have an E & M,
16:07
Speaker 1: ethically non-monogamous, will I ever be able to say it
16:11
Speaker 1: without saying ethnically? Ethically. Ethically. Ethically non-monogamous. It's because, of course,
16:16
Speaker 1: the N is right there, right? Ethically non. And so
16:20
Speaker 1: my mind will not let me forget the N's about
16:24
Speaker 1: to come. And I get so excited, I say too fast. Okay, fine. Anyway,
16:30
Speaker 1: she's like, well, yeah, I sort of thought his thing was, like,
16:36
Speaker 1: if he's on a business trip and some person... And
16:41
Speaker 1: him get too drunk and that person throws themselves at
16:44
Speaker 1: him and he's never going to see that person again
16:46
Speaker 1: because she lives in China or something. Yeah, like maybe
16:49
Speaker 1: he can maybe like hook up with her and they
16:51
Speaker 1: don't exchange emails or Instagrams and he promises never to
16:55
Speaker 1: see her again nor get a tattoo of her or whatever.
16:58
Speaker 1: Like maybe then. And he has to tell me about
17:01
Speaker 1: it before it happens. And I have to like say
17:03
Speaker 1: yes in writing. That was like her version. And his
17:07
Speaker 1: version was, can I fuck other people? And she's like, meh. Great. Good. Bye.
17:15
Speaker 1: And that is what I want to do. And so
17:19
Speaker 1: it's on the agenda. Stop by Whole Foods. Find someone
17:24
Speaker 1: to fuck tonight. Play a little ditty on my doodery-doo.
17:30
Speaker 1: You know, like didgery-doo. You know, sorry. Okay, so... He
17:37
Speaker 1: makes her a flat white, which is his favorite thing
17:39
Speaker 1: to drink. And I don't quite, I should look up
17:42
Speaker 1: and tell you what it is. I don't quite know,
17:44
Speaker 1: but I will tell you this. It's not this at all,
17:47
Speaker 1: but there is a Lebanese drink called white coffee. And
17:50
Speaker 1: what it is, is not coffee at all. It's hot water,
17:55
Speaker 1: which is basically what I think what Allie drinks later on,
17:58
Speaker 1: but with orange blossom water essence drops, a little bit
18:04
Speaker 1: of orange blossom water. It's, Very good. It's, yes, somewhat perfume-like,
18:12
Speaker 1: but very good after a meal. Okay. So, you know,
18:19
Speaker 1: she starts playing with his hair and he's like, yes,
18:21
Speaker 1: I love what she plays with my hair. But then
18:23
Speaker 1: she's like, you know, this is getting a little rat tail.
18:25
Speaker 1: He's like, what? No. She's like, well, can I trim
18:27
Speaker 1: it up? He's like, no. She's like, just a little
18:28
Speaker 1: bit off the bottom. He's like, okay. And then she's like,
18:30
Speaker 1: when's the last time you bought? He's like, well, I
18:32
Speaker 1: brush it most mornings. And I do. So when Amy
18:39
Speaker 1: did do this, it did make me realize that she
18:42
Speaker 1: sees that the hair is a problem because we didn't
18:45
Speaker 1: know that she knew that the hair was a problem.
18:47
Speaker 1: We thought maybe that she thought the hair was a triumph.
18:54
Speaker 1: You know, because we don't know what someone's yum is
18:57
Speaker 1: all the time. But she did seem to have like,
19:01
Speaker 1: you know, some sort of discernment that his hair needed help,
19:08
Speaker 1: that it was ratty, and that it hadn't been brushed,
19:11
Speaker 1: and it looked unhealthy or unkept, and she tried to
19:14
Speaker 1: take care of her man. Now, I wish she'd be like, yeah,
19:18
Speaker 1: just a little bit, just a little bit. I'm just
19:20
Speaker 1: going to comb it down, yeah, just a tiny little bit.
19:23
Speaker 1: So tell me about the woman you're fucking, you know,
19:26
Speaker 1: just like cut the whole thing off, which is basically
19:28
Speaker 1: what she does. She has the scissors slash knives in
19:30
Speaker 1: her hand, and she's like, so I Look at these plants,
19:34
Speaker 1: what great plants these are. He's like, yeah. He's like,
19:37
Speaker 1: I don't remember you being someone that propagates plants. Where
19:40
Speaker 1: the fuck all these plants come from? And he's like, well,
19:44
Speaker 1: you know, I said that I had that roommate. Remember
19:46
Speaker 1: when he told us how he had retired early and
19:49
Speaker 1: had a house? and had you know a mobile home
19:54
Speaker 1: or whatever it is I'm just saying like what he
19:57
Speaker 1: seemed to be so proud of his financial security even
20:00
Speaker 1: though we know that he never like paid her back
20:02
Speaker 1: for that timeshare and we haven't talked about the timeshare
20:04
Speaker 1: yet and this is when we talk about the timeshare
20:06
Speaker 1: when he is not paying for a timeshare and obviously
20:09
Speaker 1: having roommates. And I don't know what they're paying. So
20:14
Speaker 1: basically we're supposed to believe that he fucked his roommate
20:17
Speaker 1: because he wanted to fuck the roommate or maybe he
20:20
Speaker 1: had fucked the roommate in the past and asked for
20:22
Speaker 1: a hall pass. And she said, maybe, or I'll think
20:24
Speaker 1: about it or don't ask, don't tell. But now she's asking.
20:26
Speaker 1: And so she wants him to tell. And so he
20:27
Speaker 1: tries to dance around it. But then it's like, you
20:29
Speaker 1: know what? Let me just tell you the absolute truth.
20:36
Speaker 1: I didn't. She's like, wow. Thank you. He's like, and
20:41
Speaker 1: she just moved out about two days ago because I
20:45
Speaker 1: knew it'd be awkward. She's like, because she likes you?
20:49
Speaker 1: She's like, no, because you are awkward. You're an awkward
20:52
Speaker 1: person who hates my life. I never slept with her
20:57
Speaker 1: because I just love you too much, Andy. There. Now,
21:01
Speaker 1: cut this hair. Make me look good. Andy likes a
21:05
Speaker 1: very specific necklace. Yeah, I'm just going to say it's
21:10
Speaker 1: kind of like a necklace that looks like it would
21:12
Speaker 1: have a cowboy hat attached to the back and be
21:15
Speaker 1: like the back of her neck. But there is no
21:18
Speaker 1: cowboy hat, so it's just the necklace. And he likes
21:21
Speaker 1: a necklace too. His just looks like a chunky necklace,
21:24
Speaker 1: like he's a rapper from the late 2000s. He looks
21:31
Speaker 1: like he's trying to wear something Like Luda would wear,
21:34
Speaker 1: you know, besides his whole top half of his head
21:37
Speaker 1: with the Hannibal mustache and the mullet, obviously. Luda would never.
21:43
Speaker 1: So next scene is that he's going to throw her
21:47
Speaker 1: a party and he's going to invite all of his friends,
21:51
Speaker 1: all the ones he fucks. And so they go to
21:55
Speaker 1: an organic like co-op market. That part's great. Now, here's
21:59
Speaker 1: the other thing. They're really trying to be like, I'll
22:01
Speaker 1: tell you about Aussie people. We like to fuck. Not
22:04
Speaker 1: on drugs. We like people watching. Literally the state. We
22:08
Speaker 1: like dingery dues. And we don't like shoes. That rhymes.
22:15
Speaker 1: We're poets. We don't know it. I'm sorry. I'm sorry.
22:21
Speaker 1: I'm sorry. I think this is like a special episode
22:24
Speaker 1: where like, I think I feel and sound absolutely insane.
22:28
Speaker 1: I hope you're appreciating it. So basically she's like, I
22:31
Speaker 1: don't want to go without my shoes on, which is
22:34
Speaker 1: the correct answer. And she's like, there's gonna be foot fungus.
22:37
Speaker 1: He's like, there's not gonna be foot fungus. It's not
22:38
Speaker 1: a bathroom. First of all, fungus is everywhere. It is
22:47
Speaker 1: the public floor where people have All the everything. You
22:51
Speaker 1: have no idea what's on the ground. It's all of it.
22:55
Speaker 1: The ground is all the things. There's every organism that's
23:04
Speaker 1: small on that ground. You know what I'm saying? I can't.
23:11
Speaker 1: So they get in, she does it, you know, because
23:13
Speaker 1: she like likes to try new things. And there's something
23:16
Speaker 1: about him that just for some reason scratches some whimsical
23:20
Speaker 1: part of her. She loves it. She's like, oh my God,
23:24
Speaker 1: there's mayo on the floor, which means there's probably glass
23:26
Speaker 1: on the floor. Like, you know, a mayo jar broke.
23:28
Speaker 1: He's like, mind the mayo. He's like, I don't wear
23:34
Speaker 1: shoes because it's not good for you. And you have
23:36
Speaker 1: to have the feeling of the electricity of the ground,
23:39
Speaker 1: you know, connecting you. Here's the thing. That's all a
23:42
Speaker 1: certain foreway and a thought, and it's not particularly wrong.
23:47
Speaker 1: It's just that I believe he has the propensity to
23:52
Speaker 1: have that like foot connection to the earth when there's
23:56
Speaker 1: like earth underneath him. But if there is not earth
24:00
Speaker 1: underneath you, like if there is linoleum, you know, or cement, asphalt,
24:13
Speaker 1: It just feels like it's not it. I mean, I
24:16
Speaker 1: guess asphalt could even be rocks, but linoleum, like the
24:19
Speaker 1: bottom of like, you know, whatever kind of floor that is. Honey,
24:22
Speaker 1: I don't know. Plastic. So basically she's like, everyone here
24:29
Speaker 1: has shoes. Everyone here has shoes. And he literally finds someone.
24:32
Speaker 1: He's like, that person doesn't. And it's true that he
24:34
Speaker 1: finds another shoeless Joe. She's like, okay. Okay. She's like, okay,
24:40
Speaker 1: you're having a party. Is there any part-time lovers coming? Playmates?
24:44
Speaker 1: What not? You know, like asking if there's playmates makes
24:48
Speaker 1: him sound like a fucking Hugh Hefner. Any of your
24:55
Speaker 1: other lovers? You love me the most? It's just, I
24:58
Speaker 1: hate it. He says things like, I don't know why
25:01
Speaker 1: Andy keeps asking me about my lovers. I never care
25:04
Speaker 1: to ask her about hers. which I, there's the rub. God,
25:07
Speaker 1: I'm like, well, can you just get your fucking friend back, Chris,
25:10
Speaker 1: my Chris, and see if like Andy can get you
25:13
Speaker 1: gels gels by seeing if Chris wants to like bone
25:15
Speaker 1: her and also turn her, I almost said straight, I
25:18
Speaker 1: meant monogamous, turn her monogs, Kylie monogs, you know? Like,
25:29
Speaker 1: would he be jealous if, She was to find someone
25:34
Speaker 1: who was going to treat her great and she liked
25:36
Speaker 1: just as much as him, but was willing to offer
25:39
Speaker 1: her a monogues relationship. Then would he be like, oh, okay,
25:45
Speaker 1: I'll do it. Or would he be like, oh, got
25:47
Speaker 1: her off my hands. And now Chris has a great
25:50
Speaker 1: red haired lady friend. Maybe she'll let me fuck her
25:52
Speaker 1: sometime when Chris, you know, I don't know. I don't know. Okay.
25:57
Speaker 1: He asks if she will be weird if his part-time
26:00
Speaker 1: lovers do do do. Or playmates come and she's like,
26:04
Speaker 1: I don't know. I don't know. Well, let's just say
26:13
Speaker 1: the person that's coming is that the girl you were
26:17
Speaker 1: going to go to camp with. And then like in
26:21
Speaker 1: the confession, she's like, he was going to take this
26:23
Speaker 1: girl to camp. with him and pay for her. And
26:26
Speaker 1: I was so like, we already fucking heard this story.
26:28
Speaker 1: And it's like, you're a grown ass woman. So if
26:30
Speaker 1: you feel a certain way about this, then just come
26:32
Speaker 1: out and say it. I don't want to hear you like, uh,
26:35
Speaker 1: I don't know how to say this, but is this thing?
26:40
Speaker 1: Like you feel some type of way you are being
26:45
Speaker 1: passive aggressive about someone who doesn't want to deal with it.
26:48
Speaker 1: I wish he'd call it out. Like I'm assuming he's
26:50
Speaker 1: going to be like, Andy, do you not Feel comfortable
26:56
Speaker 1: in an E & M? Because you had previously told
27:00
Speaker 1: me yes, but every time it comes up at all,
27:05
Speaker 1: you are awkward or weird or trying to make me
27:08
Speaker 1: feel guilty. So what is happening? Like, you know, okay.
27:15
Speaker 1: She feels so... There's something desperate about her that she...
27:24
Speaker 1: is allowing something that she seemingly doesn't want to do.
27:28
Speaker 1: What I'm saying is, unfortunately, it's a desperate move to
27:32
Speaker 1: not have boundaries or to have gray boundaries or to
27:35
Speaker 1: be like, it's okay, or maybe I'll try, or I
27:38
Speaker 1: don't know. That is not a great thing if you
27:43
Speaker 1: truly in your heart know that it's not. She does
27:46
Speaker 1: not want him to be with anyone else because it
27:49
Speaker 1: makes her feel bad or jealous. So instead of being like, Yeah,
27:53
Speaker 1: that makes me feel bad or jealous. So if you
27:56
Speaker 1: want to be with me, you can't do that. And
27:57
Speaker 1: if that's hard for you, I get it. I'm willing
28:00
Speaker 1: to let you go. However, I'm going to sue you
28:04
Speaker 1: for the timeshare. And we're in it together for 10 years.
28:09
Speaker 1: The good news is we didn't have a baby. The
28:11
Speaker 1: bad news is we have a timeshare. I'm going to
28:16
Speaker 1: sue you for timeshare support. We'll have timeshare visitation rights.
28:25
Speaker 1: I get the timeshare for the summer. I don't know
28:28
Speaker 1: how long this stupid bit's going to go. So then,
28:32
Speaker 1: you know, I went to that store where they are
28:34
Speaker 1: all barefoot hunting, their organic store, which I'm part, that
28:37
Speaker 1: part looked really, really great. And I feel like this
28:39
Speaker 1: whole season is like beautiful produce and I'm happy about it.
28:42
Speaker 1: And they get the egg, we're going to drop off
28:43
Speaker 1: the eggs, honey, to his friend's house. We've been knowing
28:46
Speaker 1: that he's going to bring them to that girl's house.
28:48
Speaker 1: And the next scene is just Andy to the camera
28:51
Speaker 1: being like, you won't believe it, guys. this asshole is
28:56
Speaker 1: at that part-time lover playmate's camper's house. He didn't tell
29:01
Speaker 1: me he was gonna drop off eggs. And then he
29:03
Speaker 1: suddenly said, I'm gonna drop off eggs. And I was like, where?
29:05
Speaker 1: And he said, you know, to Tina, to Martha, to Tammy,
29:08
Speaker 1: to Slutface. And I was like, Slutface? You're taking me
29:12
Speaker 1: to Slutface's house? Slutface who gets eggs? And he was like, yeah,
29:15
Speaker 1: I told you I was gonna go to Slutface's house.
29:17
Speaker 1: And I said, no, you never told me you were
29:22
Speaker 1: going to Slutface's house. Slutface gets eggs? You give her
29:27
Speaker 1: the dick and the eggs? Jesus, what a slutty face. Again,
29:34
Speaker 1: I love women, I'm just making jokes. But you know,
29:37
Speaker 1: like she's so upset in this FaceTime video and we
29:40
Speaker 1: want to be like, girl, you said you were going
29:42
Speaker 1: to be an idiot. You know, he's not fucking her
29:44
Speaker 1: right now. So yeah, he's not fucking her right now.
29:47
Speaker 1: And he didn't fuck her when he wanted to. He
29:49
Speaker 1: fucked her back then. And now he's bringing her and
29:51
Speaker 1: some other people eggs. You're going to have a goddamn meltdown.
29:53
Speaker 1: This life isn't for you, Andy. which is fine. You
29:58
Speaker 1: don't have a songwriting life in Nashville or whatever it is,
30:01
Speaker 1: but it's not this life. It's not barefoot in the
30:06
Speaker 1: Aussie life. Great. You know, sometimes life is weird. I'll
30:12
Speaker 1: tell you that it's 30 minutes into this episode, 30 minutes.
30:17
Speaker 1: And I did not have a long intro. I've talked
30:22
Speaker 1: for so long and only about one couple And I
30:27
Speaker 1: have no other co-host. Okay, great. So next couple. It's
30:35
Speaker 1: Jesse and Vittoro, which I'm going to be real honest.
30:40
Speaker 1: As much as I love talking about Andy and Nigel,
30:42
Speaker 1: and I did, obviously, this is annoying to me, this storyline,
30:48
Speaker 1: because it is 100% obvioso that Vittoro is living in
30:54
Speaker 1: an Airbnb. And for some reason... production thinks we're dumb.
30:59
Speaker 1: We're supposed to believe that this asshole living in this
31:03
Speaker 1: obvious Airbnb with furniture that he would never procure, which
31:11
Speaker 1: we're supposed to believe that he's getting up by himself,
31:14
Speaker 1: no staff, and feeding the chickens that are going to
31:17
Speaker 1: go to slutty face's house later. You know, like, no,
31:20
Speaker 1: but you know, who's, I know that's crossover, but who,
31:25
Speaker 1: who's tending the garden? Who's, feeding the chickens. Who's picking
31:29
Speaker 1: up the poop? Who's getting... Every day, he... The other
31:32
Speaker 1: thing about him, the streets are going wild. Honey, and
31:37
Speaker 1: by the streets, I mean Reddit, they have said so
31:39
Speaker 1: many things. They have said that he's an American citizen,
31:42
Speaker 1: that he's like, mom was born here, that he works
31:45
Speaker 1: for Air May, like all of these things. He of
31:48
Speaker 1: course lives there, but he has more American ties than not,
31:51
Speaker 1: even though he has a very thick accent. Also, You know,
31:57
Speaker 1: he is, I'm going to say this, a lovely person,
32:06
Speaker 1: what a very light-filled person. He doesn't have any sex
32:12
Speaker 1: appeal at all. Like, none at all. No, none. Okay,
32:22
Speaker 1: so they're still in the car and she's still going
32:24
Speaker 1: through it. I hate the fact that we have to
32:27
Speaker 1: talk about this boring ass contrived storyline, but obviously she's
32:30
Speaker 1: upset because now he lives by himself in a villa.
32:33
Speaker 1: That's all his, his villa with all his stuff that
32:37
Speaker 1: he lives in. Very much his, not an Airbnb. Outside
32:40
Speaker 1: of the town, you know, she thought she would live
32:42
Speaker 1: in the town and she's from New York. So she
32:44
Speaker 1: thought that she was going to move to Italy and
32:45
Speaker 1: be in Florence. And now she has to live outside
32:47
Speaker 1: of town and like, you know, Padung Padung country town,
32:51
Speaker 1: you know, which is gorgeous Tuscany, but not for her.
32:53
Speaker 1: She hates it. And so she's just like pouty pouts.
32:56
Speaker 1: I will say this about her. One thing about Jessie
32:59
Speaker 1: is she has like the kind of makeup on that
33:03
Speaker 1: is like Bratz doll makeup. Yes. It also leans towards
33:07
Speaker 1: pageanty like fashion. She does have big eyes and then
33:11
Speaker 1: her makeup styling just makes her look like literally a doll.
33:16
Speaker 1: I don't mind it. It's a look. I think that
33:19
Speaker 1: she's really pretty. Anyway, I'm just saying aesthetically, what a doll, literally.
33:26
Speaker 1: I have pictures. In fact, she puts on her makeup
33:29
Speaker 1: with various products. And if you think I didn't take
33:37
Speaker 1: a picture, you're wrong. I took him. You're welcome. So
33:43
Speaker 1: he helps her get her bag situated once they get
33:45
Speaker 1: out of the car. There are no help. It's just that.
33:54
Speaker 1: You can't live in a villa like this without one
33:57
Speaker 1: other groundskeeper, someone there. It makes no sense, right? You
34:01
Speaker 1: would have someone living on the property in the back
34:03
Speaker 1: area or something like that. You just wouldn't. That person,
34:05
Speaker 1: you would pay that person as a groundskeeper to live
34:08
Speaker 1: and maintain the unit. Is there that person? Okay. Okay.
34:13
Speaker 1: I'm like, because the funny thing is I would love
34:15
Speaker 1: to see them have been like, this is the groundskeeper, Mario. Sorry,
34:21
Speaker 1: I couldn't think of an Italian name at the moment.
34:23
Speaker 1: And then Mario would have to like drag her pageant suitcase,
34:26
Speaker 1: you know, up the cobblestones. That would have been a
34:30
Speaker 1: great scene. That's what I'm saying, producers. Listen, you are
34:36
Speaker 1: going to have to give me follow through. If you
34:39
Speaker 1: want me to believe that Vittorio lives in this villa
34:43
Speaker 1: and that he is wildly wealthy, then this villa is
34:48
Speaker 1: going to have what? A staff. There's going to be
34:51
Speaker 1: someone to feed the chickens. There's going to be someone
34:53
Speaker 1: to garden. And there's going to be someone to cook
34:56
Speaker 1: and clean. And there's going to be like, you know,
34:57
Speaker 1: like some, there is going to be people like that.
35:00
Speaker 1: At least I would assume two to three full time.
35:05
Speaker 1: So might as well hire them. Cast them, employ them
35:10
Speaker 1: for the season, give them names, Italian names, make them characters,
35:14
Speaker 1: do it. Because at least I would assume that I
35:17
Speaker 1: believe that for some reason his family is so rich
35:19
Speaker 1: this is happening. And he would be like, yeah, this
35:20
Speaker 1: is my family's home for centuries. I'd be like, oh, fine, okay.
35:24
Speaker 1: And then I could be like, well, Jesse wants to
35:26
Speaker 1: be with this rich guy, rich Italian guy, and she's
35:28
Speaker 1: just hanging on for dear life, even though his, I'm assuming,
35:33
Speaker 1: his game downstairs is... I don't know how to say things.
35:42
Speaker 1: I'm going to say bad. Sad, bad. And then I
35:49
Speaker 1: tried for the past 20 seconds to think if I
35:51
Speaker 1: knew any Italian word for that. And I don't. I
35:55
Speaker 1: was like, prego, no. Grazie, no. Well, the problem is
36:03
Speaker 1: I know basic Spanish and then like a tiny bit
36:07
Speaker 1: of French and then Italian is just like the third
36:10
Speaker 1: step down from those things. And I just don't know
36:12
Speaker 1: any of it. Okay. She looks around the furniture and
36:17
Speaker 1: she's like, wow, it's interesting. And then she goes full
36:23
Speaker 1: Teresa Giudice, where she just starts making up words. She
36:28
Speaker 1: starts saying words that mean nothing what I think she
36:31
Speaker 1: thinks they mean. And they just sound like they would
36:35
Speaker 1: fit in a sentence that is around the sounds of
36:39
Speaker 1: the sentence she's saying. She says stuff like, wow, this
36:43
Speaker 1: house looks very characteristic. Oh, okay. So it's like, this
36:51
Speaker 1: is like boutique. It looks very boutique. His apartment, his
36:59
Speaker 1: furniture is, everything looks more artisanal. She uses those three words.
37:10
Speaker 1: This house looks very characteristic. Charming. Has character. It's just
37:22
Speaker 1: like the house even doesn't even look boutique. It's a
37:26
Speaker 1: huge ass villa. It's just traditional, like Italian-y kind of
37:31
Speaker 1: older furniture. It made no sense. And of course, artisital
37:37
Speaker 1: is not a word. He's like, okay, okay. But you know,
37:41
Speaker 1: and she's like so upset. She's like, I can't believe
37:43
Speaker 1: that I have here. It's out in the country. It's
37:45
Speaker 1: not what I expected. She's like so upset. He's like, well,
37:48
Speaker 1: come on, come on, baby. Look at that. Look at that.
37:50
Speaker 1: Come on. You can't be mad. You can't be mad
37:53
Speaker 1: when I have rose petals. And she's like, oh my God.
37:55
Speaker 1: So she follows the rose petals to like the bed.
37:58
Speaker 1: We've never seen this trick before. And then he had
38:01
Speaker 1: just gotten to like the local fucking smart little like,
38:06
Speaker 1: you know, market and got like Kinder brand snacks, just
38:10
Speaker 1: like what looks like those digestive biscuits, you know? Listen,
38:17
Speaker 1: my Europeans know like a good digestive... dry-ass after-dinner biscuit.
38:24
Speaker 1: Looks like those kinder ones. That's what he just got,
38:28
Speaker 1: a bunch of those, some flowers. And he's like, now
38:32
Speaker 1: we're going to, what, you're going to eat those biscuits
38:35
Speaker 1: and then eat my biscuit? But she doesn't. He's like, listen,
38:41
Speaker 1: if we don't have sex, that's fine. I don't think
38:44
Speaker 1: it's going to happen tonight, but I'm hoping because she
38:46
Speaker 1: is bellissima. Then literally the next morning, we get God's
38:52
Speaker 1: morning music. When the earth was made, this was the
38:58
Speaker 1: first sound as the earth was being made. Like whatever.
39:10
Speaker 1: It's just like, there must be obviously a royalty free,
39:14
Speaker 1: like that song must be the royalty free song of songs.
39:18
Speaker 1: It must be that happy birthday song. green sleeves. Like, great.
39:32
Speaker 1: So it is morning, and that's how we know, because
39:34
Speaker 1: the music happened. Like, now I feel like I want
39:37
Speaker 1: to do a sketch where that music plays and it's, like,
39:40
Speaker 1: not morning. Anyway. Okay. Okay, that's my own inner thought.
39:46
Speaker 1: So she is, you know, tired, but she's up and
39:50
Speaker 1: she puts salt in the oatmeal instead of sugar. And
39:52
Speaker 1: she didn't know the sugar has a Z in it
39:55
Speaker 1: because sugar is pronounced zuger in Italian. I'm just kidding.
40:01
Speaker 1: Zugere or whatever. So then he's like, don't worry. I'll
40:05
Speaker 1: go in the other room. I'll puree your juice, your juice,
40:08
Speaker 1: your greens. I'll serve you a croissant, which is high-low sugar.
40:13
Speaker 1: which is good high-low breakfast, honey. Get the greens in
40:17
Speaker 1: and have a yummy-ass, white flower, buttery-ass, yum-yum, you know? Great.
40:24
Speaker 1: So then we get into her makeup situation. At first,
40:26
Speaker 1: she's putting on eyeliner, honey. I'm looking at the eyeliner.
40:28
Speaker 1: It's like a felt-tip eyeliner, like Stilo or like, you know,
40:32
Speaker 1: like not, it's not the Kat Von D eyeliner. It's
40:34
Speaker 1: like that kind of situation, honey. She's putting it on
40:36
Speaker 1: her nicks or whatever. She's already painted her eye. It's
40:40
Speaker 1: fully contoured. She has her eyeshadow on. She does like
40:43
Speaker 1: a creamy kind of like, yeah, what looks like beige
40:49
Speaker 1: all over her eye. And then she goes in with
40:51
Speaker 1: taupes and then she carves it out. She's fully doing it.
40:55
Speaker 1: I appreciate it. She has that travel three-pane color. glam
41:03
Speaker 1: mirror that you can get that charges with an old-fashioned
41:09
Speaker 1: USB mini kind of thing. At one point later, she's
41:13
Speaker 1: putting on what looks like a very used bronzer blush palette,
41:18
Speaker 1: maybe Anastasia, honey. But yeah, her eyebrows look great. She
41:23
Speaker 1: has a heart-shaped face. She kind of has a face
41:26
Speaker 1: that looks a little bit like Gigi from Shaw's A
41:28
Speaker 1: Sunset or like Julianna Rancic. Remember, I'm putting a picture
41:34
Speaker 1: up right now, if you're paying attention to visuals. However,
41:39
Speaker 1: I'll put this picture up, maybe with a picture of
41:42
Speaker 1: those other people side-by-sides on my social medias. Make sure
41:45
Speaker 1: you're following. And here they are, at chriselfera. It's on TikTok.
41:48
Speaker 1: It's on Instagram. Of course, I have patreon.com slash chrisfera.
41:52
Speaker 1: I have chrisfera on Facebook. I have Vanity Fair, my
41:54
Speaker 1: private Facebook group, honey. So many options. Get all of them. Okay. Yeah,
42:01
Speaker 1: that's what she's giving me, all her products in the background.
42:03
Speaker 1: She has her TRESemmé hairspray. In the back of this picture,
42:10
Speaker 1: you also see the furniture. And there's not one guy
42:15
Speaker 1: that would have gone out in his life and procured
42:18
Speaker 1: all of those knickknack paddywhacks, all of those cantalabras in
42:22
Speaker 1: the back with all of those framed who knows what
42:26
Speaker 1: drawings or sketches and then in the back of the bed,
42:33
Speaker 1: there was just stupid posters that like, I love you,
42:38
Speaker 1: or all artists are political, or be too brave to lie.
42:43
Speaker 1: We know, which is like, I don't want the, you know,
42:45
Speaker 1: those things are right, but you wouldn't just frame a
42:47
Speaker 1: bunch of them if you worked at Arme and put
42:49
Speaker 1: it above your bed. You wouldn't. You wouldn't. It's just
42:59
Speaker 1: that there are a lot of chic, stylish people in
43:02
Speaker 1: this world. And in order to, I think, work in
43:06
Speaker 1: certain avenues, high-end fashion, you would have an eye, you
43:12
Speaker 1: would have a discerning spirit, you would have boundaries of
43:16
Speaker 1: the aesthetics that you allow around yourself. It's just because
43:20
Speaker 1: it is your world. You know it to be true. Like,
43:27
Speaker 1: whatever your thing is, you'd be around the best of it. Like,
43:34
Speaker 1: especially if it's your, you know, I, right. If you're,
43:37
Speaker 1: I don't know this, if you are a brilliant writer,
43:44
Speaker 1: you're not going to surround yourself with like barely led
43:51
Speaker 1: like intellectual or barely like, you know, able to converse
43:58
Speaker 1: dum-dums or people that just play video games all day. Like,
44:05
Speaker 1: you know, in the sense of you're going to have
44:07
Speaker 1: time to like shut off your mind, but at the
44:09
Speaker 1: same time, you are going to like also need that discourse.
44:12
Speaker 1: You're going to have your like ideas process. I think
44:15
Speaker 1: writing was a bad example for this, but I'm trying
44:17
Speaker 1: to say is, I don't know, like everyone I know
44:19
Speaker 1: who's been so super stylish, like people who've worked at
44:22
Speaker 1: boutiques or, you know, as, Jesse will call this Italian villa.
44:29
Speaker 1: Looking around, there's not a way in hell that he
44:33
Speaker 1: lives here. And I guess I'm just mad that we're
44:35
Speaker 1: supposed to be thought of as so dumb to be
44:39
Speaker 1: not given any sort of backstory to think that we're
44:41
Speaker 1: going to like allow this. Oh, great. Just let it go, Chris.
44:45
Speaker 1: So also he, you know, he's like, she's so pretty,
44:49
Speaker 1: but also she didn't put out last night, but that's
44:51
Speaker 1: okay because I was patient. but I expect action. So
44:56
Speaker 1: then they walk like, you know, around, you know, and
45:00
Speaker 1: she's like, oh, it's nice. He's like, see the, see
45:02
Speaker 1: the chickens. I love the chickens. I eat the chicken.
45:04
Speaker 1: She's like, great. And he's like, yep, yep, yep. And
45:06
Speaker 1: see this horse. I love this horse. She's like, great.
45:08
Speaker 1: I love, I like, I ride this horse. She's like, great.
45:11
Speaker 1: And he's like, like, you will ride me. And she's like, oh, oh, oh,
45:15
Speaker 1: you have to move first. Yeah. Oh yeah. That's what
45:22
Speaker 1: I'm going to say. I'm going to say that we
45:24
Speaker 1: can't have sex until we move. So sorry. I only
45:27
Speaker 1: fuck in Florence. I don't fuck outside of Florence. Sorry.
45:34
Speaker 1: I don't know. I think that's so funny. Okay. My
45:42
Speaker 1: peps and my bays. Let us say goodbye to Jesse
45:46
Speaker 1: and Vittoro. And I'm putting up the pictures in case
45:48
Speaker 1: you forgot who I was talking about. And let's Move
45:51
Speaker 1: on to, oh my God, 45 minutes actually, my loves.
45:56
Speaker 1: Oh God. Maybe we should go ahead and call part two.
46:01
Speaker 1: All right, my bubs. Okay. Can you believe I've talked
46:04
Speaker 1: so long? Let's go ahead and call it now for
46:06
Speaker 1: this part one. Move on to part two and I
46:09
Speaker 1: have all the rest of the couples. Thank you so
46:11
Speaker 1: much for spending time with me. If you haven't yet,
46:13
Speaker 1: follow your girl. I love you and I appreciate you
46:16
Speaker 1: listening to me. At the same time, you know what?
46:20
Speaker 1: Make sure that you, if we're not going to breathe
46:24
Speaker 1: at the end of this, touch yourself right now and
46:26
Speaker 1: be like, at the end of part two, we're going
46:28
Speaker 1: to breathe and it's going to be such a special
46:30
Speaker 1: moment together because we're going to do some present mindful
46:33
Speaker 1: work and I can't wait for it. So that's going
46:36
Speaker 1: to happen then. And I'll see you in part two, babes. Bye.