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The Amateur Lives Up To It's Name!?! (Review & Reactions) · For All Nerds Show

• 0:00
  Speaker 1: Anyway, and this is a movie you could be on
• 0:03
  Speaker 1: your phone for.
• 0:05
  Speaker 2: After all that.
• 0:08
  Speaker 3: Screaming at the van, come to find out you don't
• 0:12
  Speaker 3: even matter.
• 0:15
  Speaker 4: Good job I mean, and what's up y'all? Welcome to
• 0:31
  Speaker 4: another episode of the four on Her show.
• 0:33
  Speaker 1: What Your boy e j Ben I mean ak A
• 0:38
  Speaker 1: definitely today day La Troll, Bernie Slanders Ready, hater one,
• 0:45
  Speaker 1: barn ben Ziemo light working got me buzz Aucia back
• 0:51
  Speaker 1: into spaceship. It's gonna be a special in the night
• 0:55
  Speaker 1: and as always, I'm joined.
• 0:57
  Speaker 3: By Tatiana King, the Grand Edu the Tech also no ass,
• 1:00
  Speaker 3: trash Ketchum, Dark Chocolate Phoenix, Lord of Lightsabers, the King
• 1:04
  Speaker 3: of the North, Tatiana the King Slayer, Tatiana Kang the Conqueror,
• 1:12
  Speaker 3: and the coldest winter Soldier ever was that trash catchment
• 1:15
  Speaker 3: trash ketchen that's been the Caneslayer.
• 1:17
  Speaker 1: Those are definitely gonna be appropriate tonight because we are
• 1:20
  Speaker 1: here and like I said, Bernie Slanders ready Hater one
• 1:25
  Speaker 1: is in the house to talk about the amateur which
• 1:31
  Speaker 1: drops us a new film directed by James Hawes, Spring
• 1:36
  Speaker 1: Player by Ken Nolan and Gary Spinelli, based on a
• 1:41
  Speaker 1: book nineteen eighty one novel The Amateur by Robert Lttel,
• 1:46
  Speaker 1: and it will be dropping in theaters this Friday, April.
• 1:51
  Speaker 1: What's that thirteenth? Fourteen?
• 1:53
  Speaker 2: Is it? Friday the thirteenth, eleven? Friday Friday the eleventh.
• 1:57
  Speaker 1: Okay, Friday eleventh, Friday eleventh, This film will be in theaters.
• 2:02
  Speaker 1: I was about to say something made sure y'all peep it,
• 2:04
  Speaker 1: but I'm not gonna say that just yet. You know,
• 2:06
  Speaker 1: we're gonna get into this review. This will be a
• 2:08
  Speaker 1: pretty non spoiler review. If you've seen any of the trailers,
• 2:12
  Speaker 1: you already know the basic plot of this film.
• 2:16
  Speaker 2: And I haven't seen it. By the way, this is
• 2:18
  Speaker 2: just been telling you.
• 2:19
  Speaker 1: This is just me. I just came from the screening. Literally,
• 2:22
  Speaker 1: I just saw this movie earlier tonight. Shout out to
• 2:26
  Speaker 1: everyone who got me into that, you know, thank you
• 2:28
  Speaker 1: for that. Ah. The Amateur. It stars our friend Ronnie Mallock,
• 2:35
  Speaker 1: who we've actually met, you know, talked to before. That's me,
• 2:40
  Speaker 1: you know, love mister Robot always, the God, Lawrence Fishburn,
• 2:44
  Speaker 1: I mean, just you know, living legend himself. John Barenthal
• 2:49
  Speaker 1: shows up.
• 2:51
  Speaker 2: He looked like he just showed up based on the trailer.
• 2:53
  Speaker 3: He's just so randomly placed, like oh, okay, the punishers there,
• 2:56
  Speaker 3: all right, yeah.
• 2:58
  Speaker 1: We'll get into it. But yeah it was random. I
• 3:01
  Speaker 1: don't know Shorty's name, but the.
• 3:04
  Speaker 2: Rachel Brosnan Brosna excuse me, she plays Sarah.
• 3:08
  Speaker 1: No, she shows up. I mean the plot of the
• 3:12
  Speaker 1: movie is that, you know, Rodney's wife is murdered and
• 3:14
  Speaker 1: he goes on a revenge free you know, you know
• 3:18
  Speaker 1: he works for the CIA, but he is not a
• 3:21
  Speaker 1: c I A in the field agent. He is someone
• 3:23
  Speaker 1: who figures out code. He's a code breaker, so he
• 3:26
  Speaker 1: sits around the desk all day and you know, braks code.
• 3:29
  Speaker 1: But then his wife gets killed in the terrorists. He's
• 3:35
  Speaker 1: taking okay, yeah, I mean he is. This movie is
• 3:41
  Speaker 1: purple and propaganda in all through it. Yeah, heavy, heavy
• 3:46
  Speaker 1: c i A propaganda in this one, heavy commaganda, heavy everything.
• 3:51
  Speaker 1: Ganda every America is just doing right in the world,
• 3:55
  Speaker 1: even when we're operating in dark spaces. We don't operate
• 3:59
  Speaker 1: in the dark. It's literally a line set in this film. No,
• 4:03
  Speaker 1: but Shorty, who plays uh, oh my god, John Barenthal's
• 4:10
  Speaker 1: aka A in the film is the bear.
• 4:13
  Speaker 2: That had to be on purpose.
• 4:15
  Speaker 1: Yeah, Shorty, who plays the President in Paradise. Right, she's
• 4:20
  Speaker 1: playing the president? Right?
• 4:21
  Speaker 3: Oh? Yes, yes, oh, Julianne Nicholson.
• 4:27
  Speaker 1: Julianne Nicholson. Y, she's in this. A bunch of people
• 4:32
  Speaker 1: showed up for checks. Basically, it is what this movie is.
• 4:35
  Speaker 1: I really have to say this off bat before we
• 4:37
  Speaker 1: go any further, not to waste any time. This movie
• 4:39
  Speaker 1: is the most and this would be my pull quote.
• 4:42
  Speaker 1: This is the most algorithmically written movie I've ever seen.
• 4:47
  Speaker 1: Shout out to the two screenwriters. I know this was
• 4:49
  Speaker 1: not done by AI, but I do fully believe like
• 4:53
  Speaker 1: as is known, like Netflix will make movies nowadays where
• 4:57
  Speaker 1: they'll be like, Okay, we need this actor because people
• 5:01
  Speaker 1: like them. In this the computer says that this actor
• 5:03
  Speaker 1: draws these people because of this role after formulation, you know,
• 5:08
  Speaker 1: and it's done by a computer. And not only Netflix,
• 5:11
  Speaker 1: every studio now is, you know, imitating this formula. And
• 5:14
  Speaker 1: there's also the thing about movies being made and film
• 5:18
  Speaker 1: and television being made where people know that you're gonna
• 5:21
  Speaker 1: be looking at your phone, so it can't be too
• 5:24
  Speaker 1: intelligent or too distracting or anything.
• 5:26
  Speaker 2: Were you in the theater looking at your phone?
• 5:28
  Speaker 1: No, but the dude next to me, and this is
• 5:30
  Speaker 1: a media screening, right, the dude two seats next to me.
• 5:34
  Speaker 1: It wasn't that many people because there's been a bunch
• 5:36
  Speaker 1: of media screenings, like I know there was one earlier
• 5:37
  Speaker 1: at twelve. Yeah, I think that's one last week, there's
• 5:40
  Speaker 1: one coming up, so a lot of people have already
• 5:42
  Speaker 1: seen the movie. So I'm I'm I'm not sure if
• 5:44
  Speaker 1: dude was media or not. He was an old white man,
• 5:47
  Speaker 1: you know. But my man pulls on his phone at
• 5:49
  Speaker 1: the start the movie, and I thought'm like, okay, cool,
• 5:51
  Speaker 1: you know, you're just checking his phone, you know something, Yeah,
• 5:53
  Speaker 1: maybe taking notes before you know, like you know, right,
• 5:56
  Speaker 1: it's the movie starting. That's fine, you know, but then
• 5:58
  Speaker 1: like you know, we ten minutes in, my man is
• 6:00
  Speaker 1: texting and ship, you know, because I can look over
• 6:02
  Speaker 1: and see your screen. So I turned him like, yoh,
• 6:04
  Speaker 1: brou can you put that away? It's not even making
• 6:06
  Speaker 1: any noise. I said, it's bright and put his phone away.
• 6:11
  Speaker 1: He also left, like thirty minutes into it. He you know,
• 6:14
  Speaker 1: I don't know why, but he made the right choice.
• 6:20
  Speaker 2: I love it. Just barking on the.
• 6:23
  Speaker 3: That's rude, as that's like one of the main things
• 6:27
  Speaker 3: about when you go to a theater it's dark for reason,
• 6:29
  Speaker 3: start for a reason, star for It's one thing. You
• 6:31
  Speaker 3: just need it real quick to like check somebody bringing
• 6:34
  Speaker 3: you whatever.
• 6:35
  Speaker 1: But you're not a surgeon fan. Nobody's hitting you up
• 6:37
  Speaker 1: like that.
• 6:38
  Speaker 2: Just to be on a sustained you know, time sustain.
• 6:42
  Speaker 1: My man lose every two minutes checking his phone.
• 6:45
  Speaker 2: Maybe he got something to do, maybe he's Batman.
• 6:47
  Speaker 1: I don't know, Hey, but then Batman needs to be
• 6:50
  Speaker 1: out there fighting criminals and that's what he left to do.
• 6:52
  Speaker 1: Good job, Batman, get to work. Yeah, and fuck that.
• 6:57
  Speaker 1: You need to be giving your money away, you racist billionaires. Anyway, random, No,
• 7:03
  Speaker 1: I'm talking about Sorry to get home to my family.
• 7:11
  Speaker 1: I'm over calling him out look anyway, And this is
• 7:15
  Speaker 1: a movie you could be on your phone for after
• 7:19
  Speaker 1: all that.
• 7:22
  Speaker 3: Screaming at the vands, come to find out you don't
• 7:25
  Speaker 3: even matter.
• 7:28
  Speaker 2: Good job, and I mean.
• 7:33
  Speaker 1: I can't lie like I say. Okay, God, back to
• 7:36
  Speaker 1: the point of this movie. Be the most algorithmically movie
• 7:39
  Speaker 1: we've ever written. You have Laurence Fishburne's starring as a
• 7:42
  Speaker 1: mentor a ka. Morpheus of an untrained person who has
• 7:47
  Speaker 1: not entered this world of killing and fighting, then now
• 7:50
  Speaker 1: they want to enter it. You have Romney Mallard playing
• 7:53
  Speaker 1: himself for mister Robot, a cold, semi unfeeling person, but somehow,
• 7:59
  Speaker 1: you know, like they try and set up that he
• 8:01
  Speaker 1: loves his wife. In the first five minutes, I did
• 8:03
  Speaker 1: not feel it. I felt nothing. So when she gets
• 8:06
  Speaker 1: you know, hot pocketed five minutes later, I didn't really care.
• 8:09
  Speaker 1: It was like, sure, you know, I guess he's supposed
• 8:12
  Speaker 1: to love her, but you know, it's robby and I'm sorry.
• 8:14
  Speaker 1: I've not seen Robny in a role yet where he
• 8:16
  Speaker 1: really expresses like more than robotic type emotions. Mercury, I
• 8:22
  Speaker 1: didn't see that will joint, you know.
• 8:23
  Speaker 4: I don't know.
• 8:23
  Speaker 1: Yeah, I don't know. Maybe okay, you.
• 8:26
  Speaker 2: Said maybe he cried. He's anyway, continue he cries in this.
• 8:30
  Speaker 1: But like I said, it's what it is that they
• 8:33
  Speaker 1: don't spend enough time with them. She is in maybe
• 8:37
  Speaker 1: two minutes before she is dead. You know, it's just
• 8:40
  Speaker 1: she's just a plot device. Yeah, she is pure plot device.
• 8:43
  Speaker 1: And then there's a lot of flashbats to try and
• 8:45
  Speaker 1: make you feel it, you know, but it's all the corny,
• 8:47
  Speaker 1: you know, Hollywood type flash. It's like you never feel it.
• 8:50
  Speaker 1: There's no more lines from her. You know, she's never talking.
• 8:53
  Speaker 1: She just sully in the room with him, you know,
• 8:55
  Speaker 1: walking by or he thinks he sees her, that type
• 8:57
  Speaker 1: of stuff.
• 8:58
  Speaker 2: Oh okay, they definitely yeah.
• 9:01
  Speaker 1: Plot device. You know, I don't know what roles she's
• 9:04
  Speaker 1: played before, but it's probably plot device role. The way
• 9:06
  Speaker 1: this movie is written, because it feels like, you know, oh,
• 9:09
  Speaker 1: we need a woman who's known as a plot device. Okay,
• 9:11
  Speaker 1: here she is, so Ronnie Mallett plays that. John Bearenthal
• 9:16
  Speaker 1: plays a combination of Punisher and like, I swear, I'm
• 9:20
  Speaker 1: sitting there looking at the Wikipedia and I cannot believe
• 9:22
  Speaker 1: that it's on there, that it's AKA is the Bear
• 9:25
  Speaker 1: Because this man shows up for a scene where he's
• 9:27
  Speaker 1: in a diner and comments on the food, and if
• 9:30
  Speaker 1: you've seen The Bear season two, it feels like the
• 9:32
  Speaker 1: same where he's talking to Shorty in the back room.
• 9:34
  Speaker 1: You know, it's like that exact same scene, you know,
• 9:37
  Speaker 1: just recreating in a Russian diner for some god there reason,
• 9:40
  Speaker 1: something like it's a Russian rundown bar. It's so weird.
• 9:43
  Speaker 1: But again, this movie feels like, you know, everyone is
• 9:46
  Speaker 1: there because the computer knows that you've seen them in
• 9:49
  Speaker 1: the mother roles, and you like the mother roles. So
• 9:51
  Speaker 1: if we put them all together, we'll have something that
• 9:53
  Speaker 1: resembles a movie. And that's how this movie heals. If
• 9:57
  Speaker 1: you've seen any type revenge movie John Wick down from
• 10:02
  Speaker 1: you know, the beginning of Hollywood, I've seen this before.
• 10:05
  Speaker 1: You know. Other than that Robmy is not it's more
• 10:09
  Speaker 1: akin to the ones where it's like, I don't know
• 10:11
  Speaker 1: what this is because it's not like the you know,
• 10:14
  Speaker 1: the like the Salt sort of long castra night where
• 10:17
  Speaker 1: it's some woman and she just doesn't remember that she's
• 10:20
  Speaker 1: a murderer. You know. He's just not a murderer. And
• 10:22
  Speaker 1: that's and like Lawrence, he goes to train with Lawrence,
• 10:26
  Speaker 1: and Lawrence is like, you're weak. You can't shoot anybody
• 10:28
  Speaker 1: up close. You can't do it. But what Ronny is
• 10:30
  Speaker 1: good at is making bombs and things of that nature
• 10:32
  Speaker 1: because you know, he's a code breaker, so that type
• 10:34
  Speaker 1: of stuff work. So what he does is blow people up.
• 10:39
  Speaker 2: That's what That's what they're show like. He blows them.
• 10:42
  Speaker 2: He's just running away like he like Goblin.
• 10:45
  Speaker 1: Yeah, and inadvertently getting people killed and things of that nature.
• 10:48
  Speaker 1: But he does kill a few people directly in this film,
• 10:51
  Speaker 1: and it's one of those things where you're supposed to
• 10:53
  Speaker 1: root for a psychopath. Like I've talked about this with
• 10:55
  Speaker 1: John Whitt before, but this is even more like people
• 10:58
  Speaker 1: constantly telling him you're on this single revenge. You know,
• 11:01
  Speaker 1: one of the people he's trying to kill system down.
• 11:03
  Speaker 1: It was like did you feel better after you killed?
• 11:06
  Speaker 5: You know?
• 11:06
  Speaker 1: There's like one like I mean he literally and it's goofy.
• 11:09
  Speaker 1: You know. He has a conversation with the one of
• 11:11
  Speaker 1: the terrorists, who I swear must have played a therapist
• 11:14
  Speaker 1: in another role, because again it's like they get to
• 11:16
  Speaker 1: sit down and have this conversation. You know, Ronny has
• 11:19
  Speaker 1: killed three people, this man knows, and it's coming to
• 11:21
  Speaker 1: kill him, and yet this man wants to sit down
• 11:23
  Speaker 1: and have a philosophical conversation with him about murder instead
• 11:27
  Speaker 1: of just putting a bullet in Robney's face and corn
• 11:29
  Speaker 1: of the movie. You know, so no, that doesn't happen. Yeah,
• 11:35
  Speaker 1: It's that's the thing. If you've seen one of these
• 11:38
  Speaker 1: movies before, you've seen this one, and I'm just it predictable. Yes,
• 11:43
  Speaker 1: in every way, shape or form other than there was one.
• 11:47
  Speaker 1: It was very heavy handed in certain things, and I
• 11:50
  Speaker 1: thought that it was going this way with the heavy
• 11:52
  Speaker 1: end of this. But it's also that I feel like
• 11:56
  Speaker 1: John Bereenthal's role must have been reduced or left on
• 11:59
  Speaker 1: the cutting room floor.
• 12:01
  Speaker 2: Oh okay, else would be there.
• 12:03
  Speaker 1: Yeah, because it feels like he's a minace and then
• 12:05
  Speaker 1: he's just barely in the movie where it's like okay,
• 12:10
  Speaker 1: you know, and I had to sit I really had
• 12:14
  Speaker 1: to think about it afterwards, like why was he in
• 12:16
  Speaker 1: the second scene? What got him there? And then it
• 12:19
  Speaker 1: still didn't really make sense. But there's a lot of that.
• 12:23
  Speaker 1: You know, at one point the Russians committed international incident
• 12:27
  Speaker 1: because why not? You know, it's just one of those
• 12:30
  Speaker 1: things like okay, like sure that would happen in real life.
• 12:33
  Speaker 1: You know, sure a Russian hits squad would shoot up
• 12:36
  Speaker 1: a Turkish neighborhood, you know, trying to kill Robney, you know,
• 12:41
  Speaker 1: I mean from a boat at that Like Robby is
• 12:44
  Speaker 1: driving in a car through a neighborhood and they're on
• 12:47
  Speaker 1: a boat just busting off shots.
• 12:49
  Speaker 3: You know, Like I don't remember in the trailer, but
• 12:52
  Speaker 3: does anyone have any like wild accents.
• 12:57
  Speaker 1: There's a white there's as an actress. I'm not sure
• 13:01
  Speaker 1: of her name and who she is, but she's playing
• 13:04
  Speaker 1: a Russian who lives in Turkey and she's white. And
• 13:09
  Speaker 1: it was it's that's another thing. It's like, wherever Romney goes,
• 13:12
  Speaker 1: he finds white people to help him, you know, or
• 13:14
  Speaker 1: hurt him, even though he's full in you know, places
• 13:18
  Speaker 1: full of colored people. It's like, I can't find any
• 13:21
  Speaker 1: people of color. You know. It's like no Morpheus. Well again,
• 13:27
  Speaker 1: a lot of people are there for checks and not there.
• 13:29
  Speaker 1: They're there for a good time, not for a long time.
• 13:32
  Speaker 2: So you know what.
• 13:33
  Speaker 1: That was another thing as big as like I'm looking
• 13:35
  Speaker 1: at the poster right now, as big Morpheus is all
• 13:37
  Speaker 1: the supposed to.
• 13:40
  Speaker 5: My man's like that, Oh it's it's I love the theater,
• 13:47
  Speaker 5: like stunned, honestly, Like you know how little Morpheus is
• 13:50
  Speaker 5: in this film?
• 13:51
  Speaker 3: Well, you know this is interesting, this says This film
• 13:53
  Speaker 3: was supposed to be scheduled to be released November eighth,
• 13:56
  Speaker 3: twenty twenty four.
• 13:57
  Speaker 1: Oh, definitely feels like it.
• 13:59
  Speaker 2: So and it now came out. So was that rerise.
• 14:02
  Speaker 1: There's a scene with Morpheus in it that felt like
• 14:04
  Speaker 1: the most what like I said, algorithmic and test screening
• 14:09
  Speaker 1: written movie, because there's a scene with Morpheus that felt like,
• 14:13
  Speaker 1: you know, we got its played something here dies. You know,
• 14:15
  Speaker 1: every test preene we've shown this to, they just want
• 14:18
  Speaker 1: to know what happened to Morphius. So you know, call
• 14:21
  Speaker 1: the guys up and you know, go filming them a
• 14:22
  Speaker 1: parking lot somewhere and because that's literally what happens.
• 14:26
  Speaker 3: Okay, was there anything redeeming about this film?
• 14:30
  Speaker 2: Like I mean, was there anything fun about the film?
• 14:32
  Speaker 1: Yes, it is definitely, you know as long term or
• 14:35
  Speaker 1: short term listen to the show. I have a category
• 14:38
  Speaker 1: of films I'll have to call TNT movies that you
• 14:41
  Speaker 1: watch before the best TBS, TBSS, TN, T West. Whatever
• 14:48
  Speaker 1: the game is on, you know, especially during the playoffs,
• 14:52
  Speaker 1: you know when T and T got them like right now,
• 14:53
  Speaker 1: specially we're heading into the playoff season. You know, all
• 14:55
  Speaker 1: the games are good. Sunday afternoon, you're waiting for the
• 14:59
  Speaker 1: game him to come on. Oh ship the amateur there
• 15:03
  Speaker 1: you go. Fam you're cleaning the house, you're doing other things,
• 15:10
  Speaker 1: and in between your watching, you know, some of your
• 15:12
  Speaker 1: favorite actors show up that's the thing.
• 15:14
  Speaker 2: It's like, it's.
• 15:16
  Speaker 1: A great cleaning movie. All there's so many great actors
• 15:20
  Speaker 1: in it, and they're all playing in roles that you've
• 15:23
  Speaker 1: seen them do before. So if you like them in
• 15:25
  Speaker 1: those roles, you're gonna enjoy them. And then it's unintentionally
• 15:29
  Speaker 1: hilarious to me.
• 15:30
  Speaker 3: Was any of the action, like, I mean, I know
• 15:31
  Speaker 3: you talk about a lot of people killing each other
• 15:33
  Speaker 3: or trying to Was there any of the action any good?
• 15:35
  Speaker 2: Like any hand to hand and.
• 15:37
  Speaker 1: Laurence JITs into a hand to hand? I ain't got
• 15:44
  Speaker 1: thrown across the table, and I felt bad, you know,
• 15:49
  Speaker 1: felt bad for I know it's the stuntman, you know,
• 15:52
  Speaker 1: I get it, but I just felt bad, you know,
• 15:55
  Speaker 1: like Lawrn's Fishberg's in a movie getting thrown across tables
• 15:58
  Speaker 1: at his you know, stately age, you know what I mean,
• 16:02
  Speaker 1: Like I don't want to be in a movie in
• 16:03
  Speaker 1: my age being thrown across tables. I do it, you know,
• 16:06
  Speaker 1: don't get me wrong. You can put me in a
• 16:07
  Speaker 1: movie and throw me across the table. I'm there for it.
• 16:09
  Speaker 2: But that's actually that's fucked up. It's actually a really
• 16:11
  Speaker 2: good way to put it.
• 16:12
  Speaker 1: Stately, Yes, stately, you know what I mean, Like he
• 16:15
  Speaker 1: does need to not need to be getting thrown across tables,
• 16:17
  Speaker 1: and he definitely did not know. Like my one of
• 16:21
  Speaker 1: my other poll quotes is, you know, I'm not sure
• 16:23
  Speaker 1: about Ronny Meller, Ronny Malleck, but Laurence Fishburne deserves better
• 16:26
  Speaker 1: than this was. Robmy deserves checks. You know, Lawrence deserves
• 16:35
  Speaker 1: checks too, but he deserves a better film with his
• 16:37
  Speaker 1: checks than this.
• 16:39
  Speaker 3: Now I understand this is a mortgage movie for a
• 16:40
  Speaker 3: lot of people, but what was the acting good.
• 16:44
  Speaker 1: In other roles? Since you like, they're doing those roles again.
• 16:48
  Speaker 2: So it's like like nothing's next.
• 16:50
  Speaker 1: I mean, are they really even acting at this point?
• 16:53
  Speaker 1: You know, if John Berenthal acting when he shows up
• 16:55
  Speaker 1: and talks medicine for a few scenes like this, what
• 17:00
  Speaker 1: the man does on a daily basis, I believe, you know,
• 17:03
  Speaker 1: I don't. I think Robny ballas you know, general demeanor
• 17:06
  Speaker 1: is somewhere near robotic. You know, Like I.
• 17:12
  Speaker 2: Don't remember him being like that when I met him.
• 17:14
  Speaker 1: He was very chilled. When you met him, he was chill,
• 17:16
  Speaker 1: very chill, very chill, not robotic. That's what I'm saying
• 17:19
  Speaker 1: in this he's a bit robotic, you know, he's more
• 17:21
  Speaker 1: like mister Robot, but he's chill. I guess he. I mean,
• 17:25
  Speaker 1: the man turns into a pure armed cycle path. That
• 17:28
  Speaker 1: is one of the more entertaining parts of the film
• 17:30
  Speaker 1: to me, is like like he's worse than John with
• 17:33
  Speaker 1: like he tortures motherfuckers. Like again, people point that out
• 17:36
  Speaker 1: to him too, like you didn't just shoot these people,
• 17:39
  Speaker 1: you know what I mean, you straight up tortured them,
• 17:42
  Speaker 1: And he like yeah, I mean he keeps doing it.
• 17:45
  Speaker 1: He has no real physical reaction to it. Like we
• 17:48
  Speaker 1: see him vomit early when here, when he confronts somebody
• 17:51
  Speaker 1: the first time, he bucks up, you know, and he
• 17:52
  Speaker 1: like talks bid to his bosses and then he goes vomits.
• 17:55
  Speaker 1: But after that, my man is murdering people with no problems.
• 17:59
  Speaker 1: So he's more like, well he went and had some
• 18:02
  Speaker 1: drinks after the first body.
• 18:04
  Speaker 3: Well that's kind of psychotic, just drinks.
• 18:09
  Speaker 1: No, no, no, he was drinking, my man, you know, you're
• 18:12
  Speaker 1: trying to drink that pain away, you know. But then
• 18:15
  Speaker 1: I guess, like they say, you know, you catch the
• 18:16
  Speaker 1: first body, becomes easy because after that he win in
• 18:19
  Speaker 1: a full on torture mode. Well, no, the first one
• 18:21
  Speaker 1: was a torture mode that led to a body, and
• 18:24
  Speaker 1: in the second body he was just like enjoying his torture.
• 18:27
  Speaker 1: The third one, he definitely enjoyed that, and he would
• 18:30
  Speaker 1: have enjoyed the fourth one, but he you know, worked
• 18:32
  Speaker 1: on another way to you know, get rid of that cat.
• 18:35
  Speaker 2: How was the ending?
• 18:37
  Speaker 1: Hilariously goofy my man, I'm a I'm a give it away.
• 18:39
  Speaker 1: This is a spoiler just for the exact last moment
• 18:43
  Speaker 1: of the movie. My man flies off into the sunset
• 18:46
  Speaker 1: like you know you've heard you know, you've heard of
• 18:48
  Speaker 1: like like I mean, and not even like on a
• 18:51
  Speaker 1: plane or my man literally gets into a small plane
• 18:55
  Speaker 1: and flies himself off into the sun literal wow wow,
• 19:00
  Speaker 1: Like literally he flies off into the sunset.
• 19:04
  Speaker 2: So with all that that you just said, would you
• 19:07
  Speaker 2: recommend this.
• 19:07
  Speaker 1: Movie when it comes on streaming?
• 19:11
  Speaker 3: So streaming cool, But don't get up out your seat
• 19:14
  Speaker 3: to go to the theater.
• 19:15
  Speaker 1: I can't do that, you know what I mean. It's
• 19:17
  Speaker 1: all good conscience other than like, let's say you like
• 19:21
  Speaker 1: to support theaters, you know what I mean, which a
• 19:22
  Speaker 1: good noble cause. Then this is this, It is entertaining
• 19:26
  Speaker 1: I'm like, I'm not like, that's the thing. Okay, Yes,
• 19:30
  Speaker 1: if you like these actors and you like this type
• 19:33
  Speaker 1: of film, then I would say it's worth a trip
• 19:35
  Speaker 1: to the theater.
• 19:37
  Speaker 2: It's give me Netflix. It's give me Netflix. Yah.
• 19:39
  Speaker 1: The one thing about it, it just doesn't have a
• 19:42
  Speaker 1: lot of It's not like a John wh where he
• 19:44
  Speaker 1: is out shooting people left right, you know, fist fights
• 19:47
  Speaker 1: all the time. There's not that much of that, you know.
• 19:50
  Speaker 1: It's more like methodical murders, you know. And there ain't
• 19:55
  Speaker 1: that many bodies called in this one, you know, so
• 19:58
  Speaker 1: it ain't like if you're not looking for that. If
• 19:59
  Speaker 1: you're looking for that, then this and it. But there
• 20:02
  Speaker 1: are some inventive bodies proud in this.
• 20:04
  Speaker 2: Okay.
• 20:05
  Speaker 1: You know that's no it is. I'm not gonna get
• 20:12
  Speaker 1: away any more than that. But you know, my man is,
• 20:15
  Speaker 1: like I said, my man is a here on psychopath,
• 20:17
  Speaker 1: you know, like y'all know I've called John with the
• 20:20
  Speaker 1: psychopath for years. This man has taking the cake. I mean,
• 20:24
  Speaker 1: but this man at least has his direct wife being murdered.
• 20:26
  Speaker 1: Body for you. But he's like, no, I'm gonna get yeah,
• 20:29
  Speaker 1: you know, it's not like John Wick and.
• 20:31
  Speaker 2: His dog, you know it's his hey man white. People
• 20:33
  Speaker 2: love dogs.
• 20:34
  Speaker 1: Man, I love him too. I love I've had many
• 20:38
  Speaker 1: a dog, you know, And if someone came along and
• 20:40
  Speaker 1: shot one of my dogs, I'm gonna probably get I'm
• 20:44
  Speaker 1: probably gonna go get another dog.
• 20:51
  Speaker 2: What what letter grade are you giving the amateur?
• 21:00
  Speaker 1: Oh that's just one of my favorite lines from a
• 21:03
  Speaker 1: great film. Do the right thing. I just want to say, Oh.
• 21:07
  Speaker 2: Jason Staton scored higher, So what.
• 21:10
  Speaker 1: Did the what did the working man get?
• 21:12
  Speaker 2: I gave it like a C plus.
• 21:15
  Speaker 1: I'm much harsher than you. I would give this, I would,
• 21:19
  Speaker 1: I would give this a C. Yeah, yeah, yeah, I
• 21:23
  Speaker 1: would do this to ce C plus if the yeah,
• 21:29
  Speaker 1: the C plus Finisen was for the hilarity, you know,
• 21:32
  Speaker 1: like the unintentional hilarity, and for like's nottentional. Well, the
• 21:40
  Speaker 1: fact that they go to Russia and then put John
• 21:42
  Speaker 1: Barnhal onto a small bar where he orders food and
• 21:45
  Speaker 1: talks about it. That was intentional, you know what I mean,
• 21:51
  Speaker 1: Like they knew what they were doing when they did
• 21:53
  Speaker 1: that scene, you know, like it was that it's that
• 21:56
  Speaker 1: type of thing, you know, they knew what they were
• 21:58
  Speaker 1: doing when it cast Morpheus, you know, as a teacher
• 22:01
  Speaker 1: mentor damn. You know it's that type of hilarious. Yeah. No,
• 22:05
  Speaker 1: I'm not sorry for Roy. I'm sorry for Lauren.
• 22:10
  Speaker 2: I didn't see it.
• 22:11
  Speaker 1: I'm kind of sorry for John Barenthal because he deserves
• 22:14
  Speaker 1: better than this.
• 22:18
  Speaker 3: Sign up for this what it was when they signed up? Anew,
• 22:22
  Speaker 3: what it was when you signed up?
• 22:23
  Speaker 1: No, Roy, I'm saying, you know, he young, prime of
• 22:26
  Speaker 1: his career, he fined, Lawrence deserves better than this, you
• 22:29
  Speaker 1: know what. True, indeed, but he's worked too hard. He
• 22:32
  Speaker 1: should be signing up for better than this.
• 22:37
  Speaker 2: Is he being offered better than this?
• 22:39
  Speaker 1: That's what That's what I mean. He deserves better than this.
• 22:41
  Speaker 1: That's what I mean that. There's my point right there.
• 22:44
  Speaker 1: You know, like when you're doing like the check mortgage movies.
• 22:47
  Speaker 1: But I get it, you know, maybe that check. But
• 22:49
  Speaker 1: if the check was massive, then I ain't mad at all,
• 22:51
  Speaker 1: you know, if that, if his agent came through was like, yo,
• 22:54
  Speaker 1: we got this there, Hey you Lawrence, you know, salute
• 22:58
  Speaker 1: because they, like I said, he's he's massive on the
• 23:01
  Speaker 1: boaster like so they must have. You know, I felt
• 23:03
  Speaker 1: like they paid for.
• 23:04
  Speaker 2: His time the past time.
• 23:05
  Speaker 3: Okay, I'm about paying for for a man's time in
• 23:09
  Speaker 3: legends time.
• 23:10
  Speaker 1: Respect but respect to the aperture. In that case, I'll
• 23:14
  Speaker 1: bump you up to C plus for paying for Laurence.
• 23:20
  Speaker 2: All right, anything else about you've done.
• 23:22
  Speaker 1: That, I think I'm done. Like I say, T and
• 23:25
  Speaker 1: T joint, you know, before the game quality, you know,
• 23:29
  Speaker 1: beyond that. I you know, if you like these people,
• 23:31
  Speaker 1: check it. But you've seen this film before and better,
• 23:35
  Speaker 1: you know. I have to say, yeah, I have to
• 23:38
  Speaker 1: couple inventive, you know, body catching for that. You know,
• 23:42
  Speaker 1: for those in the crowd, it's funny to see Rodney
• 23:45
  Speaker 1: Mallet crash out. I can't lie. That was hilarious. There's
• 23:49
  Speaker 1: a lot of unintentional things. It's okay. It is a
• 23:53
  Speaker 1: complete and not in a fast and furious way, but
• 23:56
  Speaker 1: just saying you've got to suspend your belief in this one.
• 24:00
  Speaker 1: You know, it's just it's a ridiculous film on a
• 24:02
  Speaker 1: lot of levels. So yeah, go into it, don't think
• 24:05
  Speaker 1: about it too much, enjoy eats the popcorn. Watch These
• 24:08
  Speaker 1: acts play their roles to you know that you love
• 24:10
  Speaker 1: and you might have a good time see C plus.
• 24:14
  Speaker 2: Okay, that's fair. Yeah, but we appreciate everybody listening.
• 24:20
  Speaker 3: Sorry, well you didn't suffer, Okay, it wasn't good time.
• 24:25
  Speaker 1: It was not one of those things where I was like,
• 24:28
  Speaker 1: it was not thor Love and Thunder, which we go
• 24:30
  Speaker 1: back to suffering, Yes, which was suffering, you know, which
• 24:34
  Speaker 1: is pure suffering where I wanted to walk out, where
• 24:36
  Speaker 1: I felt like mine I did feel like my intelligence
• 24:40
  Speaker 1: being insulted, but more so on the fact that that's
• 24:43
  Speaker 1: how I feel it with a lot of modern Hollywood
• 24:46
  Speaker 1: where it's like this computer is telling me, you know,
• 24:48
  Speaker 1: this is like this. Yeah, you're supposed to like.
• 24:51
  Speaker 2: This, right, you know, you like Katie Perry, so you
• 24:54
  Speaker 2: must like this.
• 24:55
  Speaker 1: Yeah. It wasn't like thor Love and Thunder, where it's
• 24:57
  Speaker 1: like some coke head you know this is funny, you know,
• 25:01
  Speaker 1: and I'm like, no, it ain't coked. You know.
• 25:05
  Speaker 2: Well, that's one cocad that will ever be on this show.
• 25:08
  Speaker 2: Thank you.
• 25:11
  Speaker 1: Them. There was probably a lot of coke on the
• 25:14
  Speaker 1: set of Going Love and Thunder, and I'm not opposed
• 25:18
  Speaker 1: to coke.
• 25:18
  Speaker 2: I plead the fifth Listen, We're out of here, We're
• 25:21
  Speaker 2: out here. This just took a massive letter. Thank you everybody,
• 25:28
  Speaker 2: Thank you so much. For listening.
• 25:31
  Speaker 3: Thank you for listening to our podcast as well as
• 25:33
  Speaker 3: if you benjam means review of The Amateur Again. It
• 25:36
  Speaker 3: releases on April eleven, that is a Friday. Enjoy yourself
• 25:40
  Speaker 3: or not. He gave it a C plus. Please make
• 25:43
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• 25:46
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• 25:50
  Speaker 2: As for all Nerds. You can follow myself Tatiana King.
• 25:53
  Speaker 3: You can follow him DJ Benjamin all over the interwebs,
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• 26:07
  Speaker 3: might be a super secret special one. We're trying to
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  Speaker 3: see how we gonna get this going for y'all because
• 26:13
  Speaker 3: the internet, the dcm MA takedowns is real, so uh,
• 26:17
  Speaker 3: they try not to let us.
• 26:19
  Speaker 2: Let us win, let us cook on that. But we're
• 26:20
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• 26:21
  Speaker 3: But that being said, we appreciate, love you, and we
• 26:24
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• 26:26
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