Latest / Takin’ A Walk Nashville / Celebrating Nashville Music: Inside Blue Sky Studios with Myles Mancuso on Takin’ A Walk Nashville
Transcript
- 0:01Speaker 1: Taking a Walk Nashville.
- 0:02Speaker 2: Hey listeners, it's Sarah Harrelson, your host of the Taking
- 0:05Speaker 2: a Walk Nashville podcast. Take a walk with me today
- 0:10Speaker 2: over to Hermitage, Tennessee. I am heading to Blue Sky Studios,
- 0:16Speaker 2: a boutique recording and production studio in Hermitage just outside
- 0:21Speaker 2: of Nashville. It's officially announcing its public launch following a
- 0:25Speaker 2: quiet opening in December of 2025. Founded by Eric Patron
- 0:31Speaker 2: and Miles Mancuso, the studio operates inside the former Watershed Studios,
- 0:38Speaker 2: which was a historic Nashville recording space connected to sessions
- 0:44Speaker 2: involving legendary artists such as Dolly Parton and Miranda Lambert.
- 0:50Speaker 2: Blending the timeless spirit of classic Nashville recording with modern,
- 0:55Speaker 2: creative environment, Blue Sky Studios was built for today's artists, songwriters, producers,
- 1:02Speaker 2: and creators. Join me today as I talk about the
- 1:06Speaker 2: transformation of Watershed Studios into now Blue Sky Studios.
- 1:18Speaker 1: Welcome to Takin' a Walk Nashville with your host, singer-songwriter
- 1:22Speaker 1: Sarah Harrelson.
- 1:24Speaker 2: Hi listeners, this is Sarah Harrelson, your host of the Takin'
- 1:27Speaker 2: a Walk Nashville podcast. I am joining you today from Hermitage,
- 1:32Speaker 2: Tennessee at Blue Sky Studios. The studio just opened this year,
- 1:36Speaker 2: taking space of the former Watershed Studios. Eric Patron and
- 1:41Speaker 2: Myles Mancuso are the co-founders of Blue Sky Studios, and
- 1:46Speaker 2: I'm happy to be here in the studio with Myles
- 1:49Speaker 2: today to talk about it. How are you?
- 1:51Speaker 3: Good. Thank you for coming. Thanks for having me on
- 1:53Speaker 3: your show.
- 1:54Speaker 2: Yeah, thank you for having me. So tell me about
- 1:57Speaker 2: how you found this space. Was Watershed Studios for sale,
- 2:02Speaker 2: and you were just looking for a studio at the time? Sure.
- 2:05Speaker 3: Well, um, we found it on a Facebook marketplace or
- 2:10Speaker 3: some sort of Facebook post. We were working with a realtor, um,
- 2:14Speaker 3: and we were, you know, checking out all different spots in,
- 2:17Speaker 3: in town. And, uh, this was kind of a last
- 2:20Speaker 3: minute find. Um, we found it through, um, just a,
- 2:25Speaker 3: just a Facebook post of someone that, you know, has
- 2:28Speaker 3: been in the music scene and they saw that this place,
- 2:31Speaker 3: you know, was, was available. And, um, We came in
- 2:35Speaker 3: here and we were like, this is a perfect fit.
- 2:37Speaker 3: There's no build-out needed. Everything came as is. So it
- 2:42Speaker 3: was a perfect fit for what we were looking for.
- 2:45Speaker 2: Wow. Yeah, I didn't even know you could find studios
- 2:49Speaker 2: for sale or houses for sale on Facebook Marketplace.
- 2:52Speaker 3: I don't know if it was fake. I don't know
- 2:54Speaker 3: if it was Marketplace, but it was definitely on Facebook.
- 2:57Speaker 2: Yeah.
- 2:57Speaker 3: So, yeah, I don't know. I don't know what happened.
- 2:59Speaker 3: It was just, you know, it's just, you know, a perfect,
- 3:02Speaker 3: perfect find.
- 3:03Speaker 2: Yeah. That's great.
- 3:04Speaker 3: Blessing for sure. Yeah.
- 3:06Speaker 2: And this room has such great history connected to it,
- 3:10Speaker 2: tied to Dolly Parton and Miranda Lambert. Tell me more
- 3:13Speaker 2: about the history of the studio and what makes the
- 3:16Speaker 2: studio so special.
- 3:17Speaker 3: Mark, uh, Mark, Mark Birchfield and Wanda Vick. Um, uh,
- 3:22Speaker 3: Wanda's in the Opry house, house band. And, uh, Mark has,
- 3:27Speaker 3: has been in the Opry band. Um, and they've been
- 3:30Speaker 3: a part of the music scene, uh, in the city
- 3:33Speaker 3: of Nashville for decades. Um, so they've had all these
- 3:38Speaker 3: connections to people that, um, you know, started coming up
- 3:42Speaker 3: in the session scene. Um, So they kind of built
- 3:47Speaker 3: this studio out in, I think, the late 80s. But
- 3:52Speaker 3: they were some of the integral members of the initial
- 3:57Speaker 3: early 90s country music session scene. So they had stars
- 4:02Speaker 3: like Dolly Parton and Miranda Lambert and all these people
- 4:06Speaker 3: come in here when it was when the session scene
- 4:08Speaker 3: wasn't as corporate as it is now. So they've, you know,
- 4:12Speaker 3: they came up with, you know, making some of the
- 4:14Speaker 3: most integral nineties pop country stuff, you know? So, um,
- 4:19Speaker 3: it was, it was, it was great to have their
- 4:22Speaker 3: history and their mark left on this, on this, on
- 4:24Speaker 3: this building.
- 4:25Speaker 2: Do you remember any of the records or songs that
- 4:28Speaker 2: were recorded in Watershed?
- 4:32Speaker 3: Miranda Lambert's first album was recorded here.
- 4:36Speaker 2: That's cool. Yeah.
- 4:37Speaker 3: And I forget something. I think the album was Applejack
- 4:43Speaker 3: that it was called, that Dolly Parton was on here.
- 4:46Speaker 2: Very cool.
- 4:48Speaker 3: Yeah.
- 4:49Speaker 2: And it's a pretty decently sized studio.
- 4:52Speaker 3: It is, yeah.
- 4:53Speaker 2: Beyond the um console room that we're in there's a
- 4:57Speaker 2: tracking room uh you can track drums and hear vocals
- 5:00Speaker 2: and then uh even another room i guess if you
- 5:03Speaker 2: had extra band members and needed to record in yeah
- 5:06Speaker 2: the podcast room.
- 5:07Speaker 3: We did a we did a session recently for like
- 5:10Speaker 3: a six or seven piece band and put amps and
- 5:14Speaker 3: you know there's all different types of you know things
- 5:17Speaker 3: where you could there's all different parts of the of
- 5:20Speaker 3: of the studio here where you could expand and have
- 5:22Speaker 3: a Large group if you need it, you know, and then,
- 5:27Speaker 3: you know, have a lounge or do a podcast or whatever.
- 5:30Speaker 3: It's a great use of space.
- 5:32Speaker 2: Yeah. I love that you guys have a podcast room too.
- 5:35Speaker 2: It's very cool.
- 5:36Speaker 3: Yeah.
- 5:37Speaker 2: So tell me more about how you and your partner,
- 5:40Speaker 2: Eric Patron, got connected. I know you both also are
- 5:45Speaker 2: musicians in addition to being producers. So did you connect
- 5:48Speaker 2: through performing?
- 5:50Speaker 3: No, we met, Eric was on vacation down in Key
- 5:54Speaker 3: West and I used to live in Key West, Florida
- 5:56Speaker 3: for many years. And then after I moved, I would
- 5:59Speaker 3: go back periodically and um, to just do some gigs,
- 6:04Speaker 3: you know, some one-off gigs, some road gigs. And, uh,
- 6:06Speaker 3: he was on vacation and saw me playing and, um,
- 6:10Speaker 3: he loved my, my set list and things that I
- 6:12Speaker 3: was playing. And we connected over, you know, just, you know,
- 6:15Speaker 3: he just hung, hung out and we ended up talking
- 6:18Speaker 3: and we became really good friends. And then on the
- 6:21Speaker 3: flight back to the New York area, we were on
- 6:23Speaker 3: the same flight. So we were like, Hey, you know,
- 6:25Speaker 3: I just saw you at the bar the other night. Um,
- 6:28Speaker 3: and then we just stayed in touch and, um, we
- 6:32Speaker 3: just kind of, our relationship grew, our friendship grew just from,
- 6:35Speaker 3: you know, sharing our love of the same music and everything.
- 6:38Speaker 3: And then we were like, you know, the Nashville scene
- 6:42Speaker 3: is so happening now that, you know, we were interested
- 6:46Speaker 3: in starting this business venture, you know? So that's how,
- 6:49Speaker 3: you know, after about a year of being, being friends,
- 6:51Speaker 3: we were like, you know, we should explore this and
- 6:54Speaker 3: see where this goes. Nice.
- 6:56Speaker 2: So when someone books a session here, are you both
- 6:59Speaker 2: co-engineering the session, or how does that work working with
- 7:03Speaker 2: Eric in the studio?
- 7:05Speaker 3: Eric doesn't live in the Nashville area, so I'm basically
- 7:10Speaker 3: running the session for anyone that's here. Sometimes he'll come down,
- 7:16Speaker 3: but a lot of the times it's just me playing
- 7:19Speaker 3: and engineering things. One of our most recent artists that
- 7:25Speaker 3: we've been working with, I've just been kind of building
- 7:28Speaker 3: tracks because I'm a drummer first and then I'm a
- 7:31Speaker 3: guitar player and I play bass and keys. So I'm
- 7:34Speaker 3: able to kind of build out tracks and work with
- 7:37Speaker 3: someone one-on-one if that's what they wanted to do. And
- 7:40Speaker 3: that's something that's fun for me too.
- 7:43Speaker 2: And it's such a great addition for a producer to
- 7:47Speaker 2: be able to play all those instruments, especially if you
- 7:50Speaker 2: here's something, maybe you don't have that person in the
- 7:54Speaker 2: room to play the part so you can go ahead
- 7:56Speaker 2: and track it.
- 7:57Speaker 3: It definitely saves a lot of time. Yeah.
- 8:00Speaker 2: Yeah.
- 8:01Speaker 3: For sure.
- 8:01Speaker 2: Yeah.
- 8:02Speaker 3: Nice.
- 8:03Speaker 2: So since this studio is from the 80s, when you
- 8:08Speaker 2: took it over, did you have to do a lot
- 8:09Speaker 2: of restoring to it, or what had to change when
- 8:14Speaker 2: Blue Sky took over?
- 8:16Speaker 3: We did some, I mean, that was kind of the
- 8:19Speaker 3: reason why we didn't open up immediately, other than getting
- 8:24Speaker 3: all the gear in here and getting everything wired up. But,
- 8:27Speaker 3: you know, it really didn't take a lot of maintenance
- 8:31Speaker 3: to get it up and running. Mark and Wanda, you know,
- 8:33Speaker 3: did a great job of getting the best wires and
- 8:37Speaker 3: everything that really lasted, you know, decades. So, I mean,
- 8:43Speaker 3: everything works just like it always has, I think, you know.
- 8:46Speaker 2: That's so essential. You know, you can always buy houses
- 8:50Speaker 2: and buildings in Nashville that have, you know, unfinished basements
- 8:54Speaker 2: or rooms, but there's always a lot of home studios
- 8:58Speaker 2: that are for sale that have the soundproofing already done,
- 9:01Speaker 2: which is great.
- 9:02Speaker 3: Yeah.
- 9:02Speaker 2: Yeah.
- 9:03Speaker 3: No, everything is in perfect working condition, which is amazing,
- 9:08Speaker 3: you know, for a For how old and how much
- 9:11Speaker 3: history the place has, yeah.
- 9:13Speaker 2: Yeah, that's incredible. So tell me about all the gear
- 9:16Speaker 2: you have in the studio. What's your go-to instruments and
- 9:20Speaker 2: recording equipment in here?
- 9:23Speaker 3: I love SSL and especially Chandler preamps just because of
- 9:30Speaker 3: the color that they have and the amount of saturation
- 9:34Speaker 3: that you can get out of them or not get out. But, uh, yeah,
- 9:39Speaker 3: we have Neve stuff. We have SSL, we have API,
- 9:43Speaker 3: we have, I, I opted to go for that stuff
- 9:46Speaker 3: rather than have a console because I feel like you
- 9:49Speaker 3: could get more of a variety of different sounds and, uh,
- 9:53Speaker 3: a lot of, you know, people mix in, in the
- 9:55Speaker 3: box now anyway. So it's not really like you're, um,
- 10:00Speaker 3: you know, you need a console anymore. I mean, if
- 10:03Speaker 3: I was tracking to tape, then I probably would, but
- 10:06Speaker 3: I'm not really, you know, I don't really know. I'm
- 10:09Speaker 3: a little too young to know how to cut tape. Yeah.
- 10:13Speaker 2: You know? Yeah. Some people kind of like want to
- 10:15Speaker 2: go back to tracking on tape just to, for the
- 10:18Speaker 2: heck of it, but it's so much work.
- 10:20Speaker 3: It's a lot of work.
- 10:21Speaker 2: Yeah. Yeah.
- 10:22Speaker 3: And if you're trying to pump out stuff in a
- 10:24Speaker 3: certain timeframe, it's just, You know, it's just hard to do.
- 10:28Speaker 2: Yeah, it's just, it's also better having more space instead
- 10:32Speaker 2: of having a big console with, you know, 50 channels
- 10:36Speaker 2: on it when that's not really needed anymore.
- 10:38Speaker 3: Right, right, yeah. Yeah, so I love having the different
- 10:42Speaker 3: options of different preamps, and they're all, you know... popular names,
- 10:47Speaker 3: you know, so you can get the SSL sound or
- 10:50Speaker 3: the Neve sound or whatever you're looking for here. You know,
- 10:53Speaker 3: we got it all.
- 10:53Speaker 2: Yeah, it's very cool. What about, are all of the
- 10:56Speaker 2: instruments in here yours? What about the drums and the
- 11:00Speaker 2: guitars in here?
- 11:01Speaker 3: Yeah, we just keep the drum set set up, ready
- 11:04Speaker 3: for tracking at all times. It's a DW Pro kit.
- 11:08Speaker 3: I love DW stuff for recording. You know, they're just,
- 11:12Speaker 3: you know, some of the highest quality drums that you
- 11:14Speaker 3: can get. the guitar selection, all of the guitars that I've,
- 11:18Speaker 3: you know, have, have had throughout my life wound up here. Plus,
- 11:23Speaker 3: plus a few new additions. There's, you know, acoustics, 12 strings,
- 11:27Speaker 3: nylon strings, steel strings, um, a little banjo, uh, It's
- 11:33Speaker 3: not an actual banjo. It's just a six string so
- 11:36Speaker 3: you could get the sound. Like a gitjo?
- 11:38Speaker 2: Yeah, yeah.
- 11:38Speaker 3: Without knowing how to play the banjo because that seems
- 11:40Speaker 3: a little complicated.
- 11:43Speaker 2: Yeah. Very cool. Yeah. Everything is here at Blue Sky Studios.
- 11:48Speaker 2: Tell me about some of the most memorable sessions you
- 11:51Speaker 2: have had so far since Blue Sky opened doors.
- 11:55Speaker 3: Uh, well, one of the most memorable sessions that, um,
- 11:58Speaker 3: that we've had was we brought all of the, uh,
- 12:02Speaker 3: we brought Mark and Wanda in to do this, this
- 12:06Speaker 3: session that we were working on and Brent Mason, who's
- 12:10Speaker 3: been on, you know, Shania Twain stuff and George Strait and,
- 12:14Speaker 3: Billy Thomas, who plays drums for Vince Gill and the
- 12:17Speaker 3: Time Jumpers, and Scotty Sanders on Pedal Steel, who was
- 12:21Speaker 3: on Zach Top's last stuff, and all different types of,
- 12:25Speaker 3: you know. So we kind of brought, and they all
- 12:28Speaker 3: used to work together here when they were just all
- 12:30Speaker 3: starting out. Oh, wow. Like in town. So that was
- 12:33Speaker 3: a really cool experience to get everyone together in the
- 12:37Speaker 3: same building that they used to record stuff with when
- 12:40Speaker 3: they were just starting out, you know, and they're all
- 12:43Speaker 3: You know, and, you know, they're in their prime and they,
- 12:46Speaker 3: and they have, you know, had so many experiences of
- 12:50Speaker 3: the legendary stuff that they've recorded on. Um, it was just,
- 12:54Speaker 3: you know, it was a trip down memory lane for them.
- 12:57Speaker 2: Yeah. That's really special. I love that you have preserved
- 13:02Speaker 2: the history in here while, you know, making it a
- 13:04Speaker 2: little bit more modern. So there's a lot of country
- 13:07Speaker 2: history in here. Have there been a lot of other
- 13:10Speaker 2: sessions that have been other genres recorded besides country? Or
- 13:15Speaker 2: what do you usually record here?
- 13:17Speaker 3: You know, I don't discriminate as to what I work on.
- 13:22Speaker 3: We've had some R & B sessions here. We've had
- 13:25Speaker 3: some rock sessions. We've had some indie sessions. Folk stuff.
- 13:31Speaker 3: But yeah, I mean, I love working on all on
- 13:34Speaker 3: on all styles of music. And we've done a lot here,
- 13:37Speaker 3: you know, in in all genres. So it's not really
- 13:40Speaker 3: like a, you know, this is the country studio or anything. Right.
- 13:43Speaker 3: You know, we're we're open to doing anything.
- 13:45Speaker 2: Yeah. Yeah. Yeah. And, you know, what I love about Nashville,
- 13:49Speaker 2: even though it's sad that a lot of studios on
- 13:52Speaker 2: Music Row have closed, there's so many great home recording studios. And,
- 13:57Speaker 2: you know, just driving down the road in Hermitage, you
- 13:59Speaker 2: wouldn't think that a studio would be, you know, around
- 14:02Speaker 2: the corner over here. So it's yeah, it's nice and homey.
- 14:07Speaker 2: And when you were putting the layout together, did you
- 14:10Speaker 2: want to record your own music in here? Has Eric
- 14:13Speaker 2: recorded any of his music in here?
- 14:15Speaker 3: Well, we've been working on... I've released one album that
- 14:21Speaker 3: I made here so far.
- 14:23Speaker 2: Oh, cool.
- 14:24Speaker 3: But I'm always working on stuff that I'm writing, either
- 14:29Speaker 3: for myself or just stuff that I could present to
- 14:31Speaker 3: other songwriters that come in, too. At this point, we've
- 14:35Speaker 3: only put out one album of my own, of our own,
- 14:39Speaker 3: that we put out here. But, I mean, we hope
- 14:42Speaker 3: to put out some more personal music that's recorded in
- 14:46Speaker 3: this space. That's cool.
- 14:48Speaker 2: And you mixed and engineered all of your songs. Wow.
- 14:51Speaker 3: Yeah.
- 14:52Speaker 2: So is the album under your name, Miles Mancuso?
- 14:56Speaker 3: It is. Yeah, it's called Blue Sky Sessions. Okay, cool. Nice.
- 15:02Speaker 2: Well, listeners can check that out. So I imagine while
- 15:05Speaker 2: you were recording, Eric kind of had to be the
- 15:08Speaker 2: engineer to hit record while you were talking.
- 15:10Speaker 3: How did that work? We actually had a great tracking engineer, Kyle,
- 15:15Speaker 3: that works with Mark and Wanda at their... Current Watershed Studio.
- 15:20Speaker 2: Okay, cool.
- 15:20Speaker 3: That they have down, I think it's in South Nashville,
- 15:23Speaker 3: but yeah. Okay, great. Yeah, but he's a phenomenal tracking
- 15:28Speaker 3: engineer here.
- 15:29Speaker 2: That's great. So if artists are in town or coming
- 15:32Speaker 2: to Nashville, they're trying to figure out where to record
- 15:35Speaker 2: their songs, tell us about all of the recording services
- 15:38Speaker 2: that you offer here if someone's interested in recording.
- 15:42Speaker 3: We do half days, we do full, full days. We do,
- 15:46Speaker 3: you know, we could, um, I have a great little
- 15:49Speaker 3: black book of session players that we could get on
- 15:53Speaker 3: any of your stuff, or we could work one-on-one of
- 15:55Speaker 3: me playing stuff and working stuff out on the spot.
- 16:00Speaker 3: You know, if you wanted to have a more hands-on experience, um, So,
- 16:05Speaker 3: and then we also do podcasting. We do, you could
- 16:09Speaker 3: rent the room and bring your own, you know, mixing
- 16:12Speaker 3: engineer and, you know, not even use my services at all.
- 16:16Speaker 3: We have one-on-one podcasts. We have group podcast areas. We have,
- 16:23Speaker 3: you know, anything, if someone just wants to track drums,
- 16:26Speaker 3: you know, we have that option. Someone just wants to
- 16:29Speaker 3: track vocals. We have the ISO booth. We have anything,
- 16:32Speaker 3: you know, that Any services that someone would need.
- 16:37Speaker 2: That's great. Where can people get in touch with you?
- 16:41Speaker 2: What's your studio website?
- 16:43Speaker 3: It's blueskymusicstudios.com.
- 16:46Speaker 2: Okay.
- 16:47Speaker 3: And then you can find us on Instagram, blueskystudiosnashville.
- 16:53Speaker 2: Okay, great. People can get connected with you there. So
- 16:57Speaker 2: just going back to the start of your career with production,
- 17:02Speaker 2: were you a musician first or did you along the
- 17:06Speaker 2: way want to learn more about audio? How did that
- 17:09Speaker 2: take place?
- 17:10Speaker 3: I've always been a musician first. I started playing drums
- 17:14Speaker 3: because my dad was a touring drummer. So there was
- 17:18Speaker 3: always a kid in the house. So I started playing
- 17:21Speaker 3: drums and I was like four. And then, you know,
- 17:24Speaker 3: he was like, if you're going to do this, you know,
- 17:27Speaker 3: that he wanted to give me piano lessons because he
- 17:30Speaker 3: knows as a drummer, if you have no you know,
- 17:33Speaker 3: chordal knowledge or knowledge of any other kind of music,
- 17:37Speaker 3: you know, it might be a little difficult. So, you know,
- 17:40Speaker 3: him and my mom got, they got me into piano
- 17:43Speaker 3: lessons and doing classical stuff when I was younger. And
- 17:47Speaker 3: then I wanted to play the guitar. So they were like,
- 17:50Speaker 3: maybe start him on bass. So he has some sort
- 17:53Speaker 3: of understanding of something that's simpler than the guitar. They
- 17:56Speaker 3: did a great job of, you know, they understand music.
- 17:59Speaker 3: So they knew, you know, the path that they should
- 18:02Speaker 3: have taken, you know, to, um, help their selves better than,
- 18:06Speaker 3: you know, than they turned out, I guess, you know? So, um, yeah,
- 18:11Speaker 3: so I've, I've always been a multi-instrumentalist and then, um, just,
- 18:16Speaker 3: you know, out of the, you know, need of putting
- 18:20Speaker 3: music out, that's when I started to learn audio stuff.
- 18:22Speaker 3: I didn't go to school for it or anything. I just,
- 18:25Speaker 3: you know, when I started putting albums out when I
- 18:28Speaker 3: was 16 or 17, I was like, I gotta learn
- 18:30Speaker 3: how to, mix and engineer and master and all and
- 18:35Speaker 3: all that stuff so a culmination of you know 15
- 18:40Speaker 3: years of doing uh independent study on it i guess
- 18:44Speaker 3: i kind of learned the skill set needed to Do
- 18:48Speaker 3: something involving engineering, yeah.
- 18:51Speaker 2: That's great. And I think, you know, you said you
- 18:53Speaker 2: didn't go to school for it. Maybe back in the
- 18:55Speaker 2: day when you were recording on analog or recording on tape,
- 18:59Speaker 2: it would be necessary to maybe be in a school
- 19:03Speaker 2: or classroom setting for that. But now with everything, you know,
- 19:07Speaker 2: in the box, it's so easy to just learn it
- 19:10Speaker 2: yourself or learn it from other producers. Right. Yeah.
- 19:13Speaker 3: And I mean, everyone, the community here in, you know,
- 19:18Speaker 3: Nashville is so welcoming and opening, you know, and open,
- 19:22Speaker 3: you know, to sharing their tricks and, you know, being friendly.
- 19:26Speaker 3: And so I've, I've learned a lot from working with,
- 19:30Speaker 3: you know, excellent studio musicians and engineers here too. That's great.
- 19:35Speaker 2: Yeah. It must be so wonderful to have your own
- 19:38Speaker 2: studio and be doing sessions for your own music and
- 19:42Speaker 2: for others.
- 19:43Speaker 3: It is. It's a blessing, yeah. Yeah.
- 19:44Speaker 2: So I have one last question for you today, Miles. Sure.
- 19:48Speaker 2: We are on Taking a Walk Nashville, and I want
- 19:50Speaker 2: to know, if you could spend a day recording any
- 19:53Speaker 2: artist in the studio of your choice, who would you pick?
- 19:58Speaker 3: Any artist of my choice? I would probably say Prince,
- 20:05Speaker 3: just because I'm not on the same level as Prince,
- 20:11Speaker 3: but two multi-instrumentalists in the studio, I feel like could
- 20:15Speaker 3: get a lot of work done. I feel like that
- 20:17Speaker 3: would be fun. Just to see how he works, too.
- 20:20Speaker 2: That would be amazing. I'm sure he was pretty picky
- 20:25Speaker 2: in the studio if I had to guess. So I'm
- 20:28Speaker 2: sure it could be a little bit frustrating with him,
- 20:31Speaker 2: but I'm sure it would be an amazing session.
- 20:34Speaker 3: Yeah, he seems like the king of creating stuff by yourself,
- 20:39Speaker 3: which is... where I would like to be, you know.
- 20:42Speaker 2: That's awesome, yeah.
- 20:43Speaker 3: That's an amazing experience.
- 20:44Speaker 2: That's a great answer, great pick. Thanks. Miles, thank you
- 20:48Speaker 2: so much for being on Taking a Walk Nashville today.
- 20:50Speaker 3: Thanks, Beth.
- 20:50Speaker 2: You can listen to your album, Blue Sky Sessions, Miles Mancuso,
- 20:55Speaker 2: on all listening platforms. And check out the new studio,
- 21:00Speaker 2: Blue Sky Studios in Hermitage, Tennessee. Thank you.
- 21:03Speaker 3: Thank you.
- 21:06Speaker 1: Thanks for listening to Taking a Walk Nashville with Sarah Harrelson.
- 21:09Speaker 1: Please check out our other shows produced by Buzz Night
- 21:12Speaker 1: Media Productions, Comedy Save Me and Music Save Me, hosted
- 21:17Speaker 1: by Lynn Hoffman, and Take It a Walk, hosted by
- 21:21Speaker 1: yours truly, Buzz Night. All shows are available on Apple Podcasts, Spotify,
- 21:27Speaker 1: and are part of the iHeart Podcast Network.