Latest / Honey Badger Radio / Men you have no idea what women want | Cozy Gaming Stream

Transcript

Men you have no idea what women want | Cozy Gaming Stream · Honey Badger Radio

• 0:01
  Speaker 1: All right, we are live. Hello everybody, and welcome. Oh
• 0:04
  Speaker 1: wait a minute, is the Uh no, no, no, no, I'm
• 0:07
  Speaker 1: just just testing something. Okay, it's working. Hello everybody, Welcome
• 0:10
  Speaker 1: back to Honey Badger Radio. And is Brian. I'm here
• 0:13
  Speaker 1: with Allison and this is the Cozy Gaming Stream as
• 0:17
  Speaker 1: we continue to light the vigils for the Voidcat. And
• 0:21
  Speaker 1: today we're gonna be playing repo and reading through a
• 0:24
  Speaker 1: medium article what men think a woman wants versus what
• 0:29
  Speaker 1: we really want from a man, where Desiree Peralta is
• 0:33
  Speaker 1: going to tell tell us every she's gonna she's gonna like, basically,
• 0:41
  Speaker 1: she's going to dispel the myths that other women have
• 0:46
  Speaker 1: opinions on things, because only her opinion is the one
• 0:50
  Speaker 1: that matters. So she's gonna tell us the truth about
• 0:55
  Speaker 1: women's tastes and men's men's gall in assuming what those
• 1:01
  Speaker 1: tastes might be based on women have actually said.
• 1:06
  Speaker 2: Oh yes, yeah, you guys, you will be your minds
• 1:09
  Speaker 2: will be blown what women actually want according to Desiree
• 1:13
  Speaker 2: Alta Peralta or but this woman, I think she's becoming
• 1:18
  Speaker 2: like a reoccurring member of our rogues gallery because we've
• 1:22
  Speaker 2: covered her multiple times.
• 1:23
  Speaker 1: Now you know that I got to look and see
• 1:25
  Speaker 1: who this is.
• 1:27
  Speaker 2: Yeah, well you okay, I'm gonna give you a clue.
• 1:31
  Speaker 2: I'm gonna give you a hint. Desiree Peralta wrote a
• 1:36
  Speaker 2: book called My Dear Stalker. Oh yeah, and we and
• 1:43
  Speaker 2: we discovered this on her article in which she declares
• 1:48
  Speaker 2: men pursuing women to be categorically wrong. So if a
• 1:54
  Speaker 2: man pursues a woman, he is in the wrong just
• 1:57
  Speaker 2: for the pursuit, because he has not got consent to
• 2:00
  Speaker 2: pursue her. How one gets consent to approach a woman
• 2:04
  Speaker 2: before approaching her unknown. My writer's group suggested maybe a
• 2:08
  Speaker 2: government form, But then I countered, well, feminists will simply
• 2:13
  Speaker 2: create government form rape culture? Right? Why should women? Why
• 2:19
  Speaker 2: should women have to vet men's forms requesting permission to
• 2:25
  Speaker 2: pursue them? That is int and of itself a form
• 2:30
  Speaker 2: of pursuit assumption. That is, of course rape culture. So
• 2:35
  Speaker 2: she categorically quote, she closes off anything to do with
• 2:40
  Speaker 2: men's pursuit of women. You cannot approach a woman until
• 2:43
  Speaker 2: you have consent to approach her, according to desire Peralta. Right.
• 2:47
  Speaker 2: And then when we were discussing this, and I was
• 2:50
  Speaker 2: pointing it out, or maybe you were pointing it out.
• 2:51
  Speaker 1: Brian.
• 2:53
  Speaker 2: You're pretty pragmatic about these things, so it might have
• 2:55
  Speaker 2: been you. Probably was you. I probably was doing some
• 2:59
  Speaker 2: kind of really deep analysis of her cognitive modality or something.
• 3:03
  Speaker 2: But anyway, she categorically excludes the possibility of any legitimate
• 3:10
  Speaker 2: pursuit by men. Men cannot pursue women because the instant
• 3:15
  Speaker 2: men pursue women, they are violating women's consent to be
• 3:18
  Speaker 2: pursued because they didn't get consent prior to the pursuit. Okay,
• 3:24
  Speaker 2: And then we found out, or I found out, or
• 3:26
  Speaker 2: maybe you found out that she has written stocker porn,
• 3:34
  Speaker 2: stocker porn, got stocker porn, a pornograph or well, we
• 3:38
  Speaker 2: don't know if it's I haven't gotten to the juicy
• 3:40
  Speaker 2: bits yet. But a romance in which the main male
• 3:47
  Speaker 2: character docs the female character and she has available for
• 3:54
  Speaker 2: free actually, because this is an astounding specimen that we found,
• 4:00
  Speaker 2: she has available for free her stocker porn up to
• 4:04
  Speaker 2: the point of the meat cute. So she has the
• 4:08
  Speaker 2: main female character have a land meat cute with her stalker.
• 4:15
  Speaker 2: And I'm like you, lady, you're telling women that if
• 4:20
  Speaker 2: a man pursues them even in the most gentlemanly fashion,
• 4:25
  Speaker 2: he is actually violating her consent. Meanwhile, you are selling
• 4:31
  Speaker 2: stocker porn to women. Like I mean this there must
• 4:35
  Speaker 2: be like a I feel like this is on the
• 4:38
  Speaker 2: very edge of some form of con artistry that the
• 4:44
  Speaker 2: I R S or any kind of federal body that
• 4:46
  Speaker 2: deals with like fraud might be interested in, you know,
• 4:50
  Speaker 2: might have a feeler out for. Because I mean, this
• 4:52
  Speaker 2: is really skirting an edge here, because you are producing
• 4:55
  Speaker 2: the dysfunction that you are then selling two like, the
• 5:00
  Speaker 2: dysfunctional desire that you are then selling the satisfaction for.
• 5:06
  Speaker 2: It's it's just it's just on the it feels like
• 5:09
  Speaker 2: this is really sketchy somehow. So anyway, I thought this
• 5:12
  Speaker 2: was hilarious because now she's gonna tell us what women
• 5:14
  Speaker 2: want and of course whatever, it's whatever increases her bottom
• 5:18
  Speaker 2: line and moves her product. Let's be honest here, Yeah,
• 5:22
  Speaker 2: all right, shall we begin? Oh wait, wait wait, I shall.
• 5:27
  Speaker 3: All right.
• 5:27
  Speaker 2: So, if any point throughout the show you want to
• 5:30
  Speaker 2: send us a message you find our pattering interesting and
• 5:33
  Speaker 2: you want to respond to it, you can go to
• 5:36
  Speaker 2: feed the Badger dot com slash just the tip very
• 5:38
  Speaker 2: best way for you guys to send us a tip
• 5:40
  Speaker 2: and best way for you to send a comment with
• 5:42
  Speaker 2: that tip that you would like us to cogitate upon
• 5:45
  Speaker 2: and give our give our thoughts. So that's feed the
• 5:48
  Speaker 2: Badger dot com slash just the tip, and there was
• 5:52
  Speaker 2: something else. It's also in the low bar if you're interested.
• 5:54
  Speaker 2: All of these items are in the low bar, and
• 5:56
  Speaker 2: then they can be sometimes difficult to find, but they
• 5:59
  Speaker 2: are there. And if you want to support the show,
• 6:03
  Speaker 2: feed the Badger dot com slash support. The fundraiser is live,
• 6:06
  Speaker 2: so you can go there and put a few dollars
• 6:08
  Speaker 2: in the hat. You can also subscribe to the fundraiser
• 6:11
  Speaker 2: if you want to help out monthly. So that's feed
• 6:13
  Speaker 2: the bot, Feed the Badger dot com slash support, and
• 6:18
  Speaker 2: our community is at badger nation dot online if you
• 6:21
  Speaker 2: want to join us there for our scintillating discussions, further
• 6:25
  Speaker 2: discussions of these items. And there's something about oh yes,
• 6:32
  Speaker 2: people can now shenaniganize our game, right, Brian, I don't understand.
• 6:38
  Speaker 1: Oh yeah, yeah, yeah, I didn't start that up. Hold
• 6:40
  Speaker 1: on a second, uh, crowd control. It's it's not too
• 6:45
  Speaker 1: late to do it, I don't think. But yeah, you
• 6:47
  Speaker 1: can add shenanigans to the game. Let me just get
• 6:51
  Speaker 1: it booted up here, all right, Go ahead, keep keep keep.
• 6:56
  Speaker 2: Talking so that so that as far as I understand
• 6:59
  Speaker 2: it and Brian will have to correct me. The way
• 7:01
  Speaker 2: that you add shenanigans to the game is you can
• 7:04
  Speaker 2: send a super chow through feed the Badger dot Com
• 7:06
  Speaker 2: slash just the tip and request them, and Brian will
• 7:10
  Speaker 2: just hit his randomizer with each request.
• 7:14
  Speaker 1: I'll add a link so you can go to it
• 7:17
  Speaker 1: and you buy. Like they're like tokens that you buy
• 7:21
  Speaker 1: to basically modify the game in different ways, so they
• 7:25
  Speaker 1: basically add up extra layers of insanity to them. But
• 7:30
  Speaker 1: go ahead.
• 7:31
  Speaker 2: I think I just I think I was revived just
• 7:33
  Speaker 2: randomly twice. Yeah when I you know, when I died stupidly.
• 7:38
  Speaker 2: So I think people are using them. I don't know
• 7:41
  Speaker 2: how they show up in for us, but you know,
• 7:44
  Speaker 2: please continue to enjoy reviving me when I die. If
• 7:52
  Speaker 2: that's satisfying to you, guys, continue to do it anyway,
• 7:56
  Speaker 2: So feed the Badger dot Com slash just the tip
• 7:58
  Speaker 2: if you want Brian to just hit his random for
• 8:00
  Speaker 2: the shenanigans, or go into the low bar there will
• 8:04
  Speaker 2: be a link there and you can shenaniganize directly. All right,
• 8:10
  Speaker 2: all right, yeah, you give me an article.
• 8:12
  Speaker 1: Yeah, just give me a second to activate the mod.
• 8:16
  Speaker 2: It's okay, okay, yep, right, I'll do a bit of Okay,
• 8:21
  Speaker 2: are we good?
• 8:22
  Speaker 1: Let me see Oh yeah, there it goes all right, Yes,
• 8:26
  Speaker 1: it's running. So let's let me oh, let me grab
• 8:29
  Speaker 1: the link so that people can interact. Okay, save uh. So,
• 8:40
  Speaker 1: let's look at some of the article here. This is
• 8:45
  Speaker 1: from Medium again. It's called what men think a woman
• 8:47
  Speaker 1: wants versus what we really want from a man. They
• 8:50
  Speaker 1: have no idea what attracts women. A man wrote a
• 8:54
  Speaker 1: thread listing what he thinks women want. And this is
• 8:58
  Speaker 1: from the I guess the accountant question. It looks like
• 9:03
  Speaker 1: it's maybe a blue Sky account which is unfortunate for
• 9:08
  Speaker 1: that guy. And he writes, if women were to be
• 9:11
  Speaker 1: truly honest, they would prefer and I'll just list them
• 9:14
  Speaker 1: off a chisel jaw, a V shaped torso, a deep voice,
• 9:20
  Speaker 1: unflappable confidence, a fighter, boxer, soldier, et cetera physical strength,
• 9:27
  Speaker 1: dominant guy, assertive guy, a high earner, taller guy, hunt
• 9:32
  Speaker 1: her eyes and well traveled you guys want to say
• 9:37
  Speaker 1: any about that before I continue. I mean, that's the
• 9:40
  Speaker 1: list that she says is completely wrong according to her.
• 9:47
  Speaker 2: I would say that he's probably fairly accurate judging from
• 9:53
  Speaker 2: her the genre that she writes in romance. Uh huh,
• 9:57
  Speaker 2: that describes quite a few. I mean, I don't even
• 10:00
  Speaker 2: know why this is a this is offensive. It's sort
• 10:03
  Speaker 2: of like saying.
• 10:04
  Speaker 1: It's I think it's because they don't like the idea
• 10:07
  Speaker 1: that men have figured this out. That's all it is, Okay,
• 10:11
  Speaker 1: Like what they hate is that the word is out
• 10:14
  Speaker 1: like that, the the you know, the pretense is gone
• 10:17
  Speaker 1: and now it's just the truth, and they hate that. Well,
• 10:22
  Speaker 1: I mean that's all I.
• 10:22
  Speaker 2: Could say, or have a couple of things. I have
• 10:26
  Speaker 2: a couple of things. I think you're right. I think
• 10:28
  Speaker 2: you're right. It is this idea that they've been found
• 10:31
  Speaker 2: out and men have figured it out. They've figured out
• 10:34
  Speaker 2: what women desire, Like you don't. You can just go
• 10:37
  Speaker 2: to the romance aisle and look at the covers. There's
• 10:40
  Speaker 2: it's not a secret, but just a couple of things.
• 10:44
  Speaker 2: One I'm going to read the meat cute from her
• 10:48
  Speaker 2: stock or porn Okay, okay, because she is an example
• 10:53
  Speaker 2: of the very thing that this man is describing. And two, okay,
• 10:58
  Speaker 2: what men don't like? I can't imagine like somebody in
• 11:01
  Speaker 2: the Manisphere getting offended at women saying, you know, I
• 11:05
  Speaker 2: figured it out. Men like younger women with a nice
• 11:09
  Speaker 2: figure and large breasts, you know, and nice hair, and
• 11:14
  Speaker 2: have something to say that isn't stupid. You know, like
• 11:18
  Speaker 2: if if a woman listed all of this, could you
• 11:21
  Speaker 2: imagine a Manisphere guy finding that list and being like, oh,
• 11:25
  Speaker 2: I can't believe it. Look at their with the disrespect.
• 11:29
  Speaker 2: They don't even understand, don't have any least clue of
• 11:32
  Speaker 2: what we want, you know, that kind of thing, unless
• 11:34
  Speaker 2: it was like a feminist list of like girl bossary,
• 11:37
  Speaker 2: which you know, but this is like an accurate list
• 11:42
  Speaker 2: and she's freaking out about it. I'm just saying, if
• 11:45
  Speaker 2: a woman wrote an accurate list of what men want,
• 11:48
  Speaker 2: I think the Manisphere would be like, Yeah, that's that's impressive.
• 11:51
  Speaker 2: You've you've figured it out. I mean, it's fairly obvious,
• 11:53
  Speaker 2: but you figured it out and are able to able
• 11:56
  Speaker 2: to list it without losing your mind. But she's doing
• 12:00
  Speaker 2: she's she's found the reverse and she's flipping out about it,
• 12:04
  Speaker 2: like she's got I gotta I got to debunk this.
• 12:08
  Speaker 2: I got to debunk this man's list of what women desire.
• 12:13
  Speaker 2: That's so obviously true. It's ridiculous that I'm even trying
• 12:17
  Speaker 2: to debunk it because I reveal I have the same
• 12:19
  Speaker 2: desires in my book. I just I'm like just trying
• 12:24
  Speaker 2: to think of the reverse. It's all. I'm like, it's
• 12:26
  Speaker 2: just it's amusing me.
• 12:28
  Speaker 1: I know it is amusing and uh obvious, but yeah, again,
• 12:34
  Speaker 1: like but that's that's why I think it's it's it's
• 12:36
  Speaker 1: because these women, I'll say, these women, uh, they like
• 12:43
  Speaker 1: the idea that men can't figure them out. That I'm
• 12:48
  Speaker 1: not saying that it's true. They just like the idea
• 12:51
  Speaker 1: of it, of you know, this idea that men are
• 12:54
  Speaker 1: like so, you know, women, I don't understand them. They're
• 12:57
  Speaker 1: so complex, They're so deep, and I just don't know
• 13:01
  Speaker 1: like how what it is they want. And they like
• 13:04
  Speaker 1: it because it keeps them, you know, in a state
• 13:07
  Speaker 1: of trying to find ways to appeal to women by
• 13:11
  Speaker 1: trying to figure out what it is women are looking for,
• 13:14
  Speaker 1: so men like go jump through hoops to try to
• 13:18
  Speaker 1: like accomplish these goals. But if there's a man who's like, look, guys,
• 13:21
  Speaker 1: it's just this, this, and this. The women hate that
• 13:24
  Speaker 1: because well these women do because it's like, oh no,
• 13:27
  Speaker 1: you've just you know, eliminated all of the red tape
• 13:30
  Speaker 1: that we've artificially created to keep men confused and in
• 13:35
  Speaker 1: a state of essentially chasing before you're even chasing, like
• 13:42
  Speaker 1: chasing the idea of women before you're even chasing women.
• 13:46
  Speaker 1: And it makes them feel, you know, like they have power.
• 13:50
  Speaker 1: There's power in that mystery. Right, So yeah, I think that.
• 13:59
  Speaker 1: All right, let me see. You sent me an image.
• 14:02
  Speaker 2: Yeah, put it up if you if you are able to.
• 14:04
  Speaker 2: This is just literally the first image I got when
• 14:07
  Speaker 2: I googled romance novel covers, Right well, I mean first one. Yeah,
• 14:17
  Speaker 2: it was pretty mild, like this. It's it's not it's
• 14:19
  Speaker 2: not I don't think it'll get us.
• 14:21
  Speaker 1: It's not.
• 14:23
  Speaker 2: Like one of the least offensive examples of this. Yeah,
• 14:27
  Speaker 2: it's just it's just you can even see his face.
• 14:30
  Speaker 2: A lot of them just have a torso they're like, yeah,
• 14:32
  Speaker 2: you don't even need to see the man's face, just
• 14:34
  Speaker 2: his abs the ad.
• 14:37
  Speaker 1: That's pretty normal. Yeah, for give me a second.
• 14:40
  Speaker 2: Here, I thought I would.
• 14:45
  Speaker 1: Go ahead.
• 14:46
  Speaker 2: I thought, I thought, I thought a visual would help
• 14:48
  Speaker 2: us here as we analyze this this article about what
• 14:53
  Speaker 2: women obviously don't want, because a man wrote out the
• 14:57
  Speaker 2: actual like features that you see right here and said,
• 15:01
  Speaker 2: this is what women want. Mm hm, this is this
• 15:04
  Speaker 2: this this dude is basically a visual description of this
• 15:08
  Speaker 2: man's list. And it just is a huge coincidence that
• 15:13
  Speaker 2: dudes exactly like this adorn the covers of the trillion
• 15:16
  Speaker 2: dollar industry of women buying the pretense of relationship with
• 15:21
  Speaker 2: a dude. That's just pure freaking happenstance. There is absolutely
• 15:25
  Speaker 2: no freaking correspondence. There's no there's no correlation. There's no
• 15:29
  Speaker 2: causality here, nothing, There's there's no connection. Brian, we should
• 15:35
  Speaker 2: stop the show because we've found the truth. No connection,
• 15:39
  Speaker 2: no connection between what's on a romance novel for women
• 15:42
  Speaker 2: and what women actually want. This is like really freaking childish.
• 15:48
  Speaker 2: This is like a kid like hiding their eyes and
• 15:50
  Speaker 2: thinking they can't see me, or you can't see me,
• 15:52
  Speaker 2: you can't. No, they're hiding their eyes and they assume
• 15:55
  Speaker 2: from hiding their eyes that you cannot see them anymore.
• 16:00
  Speaker 1: Yeah anyway, yeah, yeah, yeah, all right, what do they
• 16:03
  Speaker 1: call that? Her object permanence? Yeah, so I put it,
• 16:08
  Speaker 1: I put it up. I put it up. So go ahead, Yeah,
• 16:12
  Speaker 1: I'm going to read.
• 16:13
  Speaker 2: Yeah, this is from my Dear Stalker by Desiree Peralta.
• 16:17
  Speaker 2: And I apologize that it sounds like it's written by
• 16:20
  Speaker 2: somebody in third grade. Okay, that's not me screwing up
• 16:26
  Speaker 2: the reading when I looked up, because okay, so the
• 16:30
  Speaker 2: meat cute is this? The guy who is stalking her
• 16:34
  Speaker 2: and arranged all of this goes through the door of
• 16:39
  Speaker 2: the coffee shop just as she's leaving, then standing her
• 16:45
  Speaker 2: on her ass and all of her food everywhere, right,
• 16:48
  Speaker 2: and then he's so he gets to, you know, pick
• 16:50
  Speaker 2: her up and buy her the food. How he arranged
• 16:53
  Speaker 2: the exact timing of this and she didn't notice this
• 16:56
  Speaker 2: dude was just hovering outside the door waiting for that moment.
• 16:59
  Speaker 2: I don't know, but whatever. When I looked up to
• 17:02
  Speaker 2: see who it was who had opened the door so abruptly,
• 17:05
  Speaker 2: I stayed frozen for a moment. In front of me
• 17:07
  Speaker 2: there was a man who looked like he was made
• 17:10
  Speaker 2: for a fiction book. He had short, blonde hair perfectly
• 17:15
  Speaker 2: brushed with gel a sleeveless exercise shirt that showed off
• 17:19
  Speaker 2: his jim arms completely, and some shorts that let everybody
• 17:22
  Speaker 2: knew how he knew how to do legs. He did
• 17:25
  Speaker 2: not skip leg day. This man looked like his only
• 17:28
  Speaker 2: job was to go to the gym and eat well.
• 17:30
  Speaker 2: And his face was straight out of a soap opera.
• 17:33
  Speaker 2: He looked like he had been running because he was sweaty,
• 17:36
  Speaker 2: but that made him look hotter, especially because he smelled
• 17:39
  Speaker 2: like mint. Despite that. Okay, this is her description of
• 17:43
  Speaker 2: her romantic lead. Now let's aside from the fact that
• 17:49
  Speaker 2: this is like really bad writing. Guys. I mean, I
• 17:54
  Speaker 2: guess it's functional, but it's really bad.
• 18:01
  Speaker 1: Yeah, what does she described?
• 18:04
  Speaker 2: What has she described? She has literally described the thing
• 18:11
  Speaker 2: that she says women don't or she's going to convince
• 18:14
  Speaker 2: us all that women don't want.
• 18:17
  Speaker 1: Yeah, of course, my.
• 18:19
  Speaker 2: Husband says, sounds like a teenage girl. Yeah, you would think,
• 18:22
  Speaker 2: but no, it's that probably a woman in her thirties
• 18:25
  Speaker 2: who's just never she just never had that v one
• 18:30
  Speaker 2: a cross activation to mature her into an adult woman.
• 18:34
  Speaker 1: It's poetry.
• 18:36
  Speaker 2: It's gone poetry, I choged. Let's go back to her list.
• 18:40
  Speaker 2: If women were to be truly honest, They would prefer
• 18:43
  Speaker 2: a chisel draw, a V shaped torso, a deep voice,
• 18:47
  Speaker 2: unflappable confidence, a fighter, physical strength, dominant guy, assertive guy,
• 18:52
  Speaker 2: a high earner, taller guy, hunter eyes well traveled. Guess
• 18:56
  Speaker 2: what every single one mister stock her is in her novel?
• 19:03
  Speaker 1: Guess what literally all of them?
• 19:05
  Speaker 2: Literally he is.
• 19:07
  Speaker 4: Every he checks, he checks, every boy he checks his job,
• 19:12
  Speaker 4: be shaped torso, deep voice, unflappable confidence, a fighter of
• 19:17
  Speaker 4: some kind, physical strength, dominant, assertive, high earner, taller hunter
• 19:23
  Speaker 4: eyes well traveled.
• 19:25
  Speaker 2: Well, he's had to be, because he's had to travel
• 19:28
  Speaker 2: to every citizen city that she went to get.
• 19:30
  Speaker 1: Away from this like that guy does not that's not
• 19:32
  Speaker 1: even a man, that's not a man that exists.
• 19:34
  Speaker 2: That's not even good enough for her. She. You also
• 19:39
  Speaker 2: need to be absolutely targeted on the woman and have
• 19:45
  Speaker 2: no other life whatsoever, no internal life except for your
• 19:50
  Speaker 2: desire for this woman. Where are Wolf billionaire death writers
• 19:55
  Speaker 2: as were Wolf billionaire?
• 19:58
  Speaker 1: Yeah?
• 19:59
  Speaker 2: Yeah, okay, Shall we read a bit more of the article? Uh?
• 20:05
  Speaker 1: Yeah, of course, uh okay. And it's clear that men
• 20:09
  Speaker 1: have absolutely no idea what women actually want because they're
• 20:13
  Speaker 1: spending so much time trying to be these things instead
• 20:16
  Speaker 1: of just asking us. Yeah, because just asking a woman
• 20:20
  Speaker 1: what she wants always works. Yeah, that's that never ends
• 20:28
  Speaker 1: in absolutely putting men in a worse position when they
• 20:31
  Speaker 1: were before they asked. There are women I've known for
• 20:35
  Speaker 1: years and I ask them a straight question. They can't
• 20:38
  Speaker 1: give you the answer. It doesn't it's you kidding me.
• 20:42
  Speaker 1: Why don't you just ask? Because we do? You just
• 20:46
  Speaker 1: don't say anything anyway. Sorry, I lost it there. Men
• 20:52
  Speaker 1: go to the gym to build the perfect body, practice
• 20:54
  Speaker 1: their deep voice, try to act dominant and assertive like
• 20:58
  Speaker 1: they're supposed to work hard to earn more money, worry
• 21:01
  Speaker 1: about their height and their jawline, and look like some
• 21:04
  Speaker 1: kind of alpha male, thinking that's what will attract women.
• 21:07
  Speaker 1: But that's not what women want at all. And then
• 21:10
  Speaker 1: they wonder why it doesn't work, why women aren't interested,
• 21:14
  Speaker 1: or even why they can't find someone who wants them.
• 21:17
  Speaker 1: It's because they're chasing the wrong things and they never
• 21:20
  Speaker 1: bothered to ask us what we actually want. I don't
• 21:27
  Speaker 1: buy it, just no, no, they don't ever. Dude. This
• 21:33
  Speaker 1: is like, if there's one question that it is never
• 21:40
  Speaker 1: answered ever, it's asking a woman what she wants Like,
• 21:43
  Speaker 1: that's it's like the one that's not Like I can
• 21:47
  Speaker 1: answer the riddle of the Sphinx faster than a woman
• 21:51
  Speaker 1: will tell me what she wants with like, I just
• 21:56
  Speaker 1: it's incredible. It's incredible, that's all I'm saying. It's incredible
• 22:01
  Speaker 1: that she would just be like, why don't you just ask? Yeah?
• 22:04
  Speaker 1: Men do like they do. And this is another thing too,
• 22:08
  Speaker 1: is that if a man asks. It's the one thing
• 22:11
  Speaker 1: women don't want is for men to ask what they want.
• 22:15
  Speaker 1: Women want men to intuit what women want and just
• 22:19
  Speaker 1: give it to them. They don't want men to ask
• 22:21
  Speaker 1: them because implicit in asking a woman what she wants
• 22:27
  Speaker 1: is this idea that they don't know what she wants,
• 22:30
  Speaker 1: which means they don't know her, which is offensive to
• 22:33
  Speaker 1: her because they should know her and what she wants.
• 22:36
  Speaker 1: So you see how it's a trap to even like
• 22:39
  Speaker 1: have that up there? Holy cow?
• 22:41
  Speaker 2: Do? And also would they not read her book?
• 22:49
  Speaker 1: Yeah, they could just read her book.
• 22:51
  Speaker 2: I mean I just read her description of her perfect
• 22:55
  Speaker 2: stalker men. Literally she said he looked like he had
• 23:01
  Speaker 2: nothing else to do with his life but go to
• 23:03
  Speaker 2: the gym and eat properly. Right, That's it. And also
• 23:09
  Speaker 2: that his face looked like it was something out of
• 23:11
  Speaker 2: a soap opera. Look, listen, lady, guess what soap opera
• 23:14
  Speaker 2: men have at chiseled jaw right? Yeah, so right here
• 23:22
  Speaker 2: she is saying, don't don't read my book to discover
• 23:25
  Speaker 2: what I want, because obviously you do want that list
• 23:30
  Speaker 2: of traits. And again, the stalker dude, very assertive, very dominant,
• 23:38
  Speaker 2: knows what he wants. I don't understand why he wants it,
• 23:42
  Speaker 2: but he definitely doesn't know he wants it.
• 23:44
  Speaker 1: Well he's a woman.
• 23:46
  Speaker 2: Yeah, Like, I'm like, why do you have any interest
• 23:51
  Speaker 2: in this passive, egotistical, like just an unpleasant human being
• 24:00
  Speaker 2: that you have completely arranged your entire life around, including
• 24:05
  Speaker 2: creating a security company in order to stalk her with
• 24:09
  Speaker 2: with government like a security clearance, no less right all
• 24:14
  Speaker 2: to stalk this woman. His entire life is rearranged to
• 24:17
  Speaker 2: stalk this woman. And I'm reading this and I'm like,
• 24:19
  Speaker 2: why your taste is terrible, my dude, terrible. Okay, let's
• 24:27
  Speaker 2: keep it right.
• 24:29
  Speaker 1: Women. What women actually want kindness, humor, and someone who communicates.
• 24:37
  Speaker 1: We want a man who is kind, not just to
• 24:40
  Speaker 1: us because you want something in return, but to everyone
• 24:42
  Speaker 1: in general, animals, strangers, waitresses, family, et cetera. Kind of
• 24:47
  Speaker 1: shows how much you know. Wait kind of shows you
• 24:50
  Speaker 1: how someone treats people when it doesn't benefit them, and
• 24:53
  Speaker 1: that matters more than any physical feature ever. Could we
• 24:57
  Speaker 1: want a man with a sense of humor, someone who
• 24:59
  Speaker 1: could make us laugh, someone who doesn't take himself too seriously,
• 25:02
  Speaker 1: someone who can find joy in everyday things instead of
• 25:04
  Speaker 1: being all serious and dominant all the time. A man
• 25:07
  Speaker 1: who can laugh at himself is infinitely more attractive than
• 25:10
  Speaker 1: a man who needs to be right all the time
• 25:12
  Speaker 1: or needs to be seen as strong and unshakable. I'm
• 25:17
  Speaker 1: just stopping right there, just for a quick second. I
• 25:19
  Speaker 1: bet all that that's true. Assuming it's packaged in a
• 25:24
  Speaker 1: chisel jaw, a V shaped torso, a deep voice, unflappable confidence,
• 25:29
  Speaker 1: a fighter, physical strength, dominance, assertiveness, a high earner who's taller,
• 25:34
  Speaker 1: with hunter eyes and as well traveled. Yes, as long
• 25:37
  Speaker 1: as you're those things and kind.
• 25:45
  Speaker 2: I mean she thinks that these are like mutually exclusive requests.
• 25:51
  Speaker 1: I don't want any of those things. Actually, yes, you do.
• 25:54
  Speaker 1: You want? You want him to be all of those
• 25:58
  Speaker 1: things that you say that you don't want and the
• 26:01
  Speaker 1: things you say you do want and more and something
• 26:05
  Speaker 1: else whatever that is, we don't know yet.
• 26:07
  Speaker 2: Well, you know what she's doing, right, she's later in this.
• 26:11
  Speaker 1: I oh, she's going I'll tell you what she's doing. Yeah,
• 26:15
  Speaker 1: well in my Okay, here's what I think is going on.
• 26:18
  Speaker 1: But I haven't read this article. But what I think
• 26:20
  Speaker 1: is going on here is she is upset that the
• 26:26
  Speaker 1: man's analysis of what women wants makes women appear shallow.
• 26:31
  Speaker 1: So she is going to make this case that women
• 26:35
  Speaker 1: are actually not just not shallow, but whatever the antithesis
• 26:40
  Speaker 1: of shallow is. And she's going to list off a
• 26:43
  Speaker 1: bunch of let's say more, you know, like these kind
• 26:48
  Speaker 1: of traits that are less surface level that she wants
• 26:53
  Speaker 1: and pretends as though none of the stuff that appears
• 26:55
  Speaker 1: shallow is actually what women are after. And the truth
• 26:58
  Speaker 1: is that they they are shallow those and you can
• 27:04
  Speaker 1: see that by the kind of men they actually get with.
• 27:07
  Speaker 1: So well, yeah, I mean, she doesn't want to be
• 27:10
  Speaker 1: she wants to be shallow without being seen as shallow.
• 27:13
  Speaker 1: This is what I'm saying.
• 27:14
  Speaker 2: Yeah, but here's the other thing. Here's the other thing. Okay,
• 27:18
  Speaker 2: And I have to charge up my headset. So I'm
• 27:20
  Speaker 2: going to be not able to go into repo for
• 27:24
  Speaker 2: a bit. Yeah, so we're gonna have to discuss this
• 27:26
  Speaker 2: a little longer. But here's the other thing. Two things. One,
• 27:32
  Speaker 2: men have a list and it's probably equally shallow, right,
• 27:36
  Speaker 2: but they don't seem.
• 27:37
  Speaker 1: To have at it. Yeah.
• 27:41
  Speaker 2: But also I would say that men's list and the
• 27:43
  Speaker 2: recognition that it's shallow actually suggests that men are less
• 27:47
  Speaker 2: shallow because what she's saying when she says kindness and
• 27:50
  Speaker 2: communication very generic. Yeah, right, very generic. I think when
• 27:56
  Speaker 2: men keep it to the basics, they're basically saying, all right,
• 28:01
  Speaker 2: so whoever this, whoever, whoever becomes my partner, their specific
• 28:07
  Speaker 2: characteristics will become more of what I am attracted to
• 28:12
  Speaker 2: or am interested in, if that makes sense, you know,
• 28:14
  Speaker 2: because you you keep it to the basics, the basic
• 28:18
  Speaker 2: basic attraction, uh, basic health whatever, right, basic ethics and
• 28:25
  Speaker 2: morals sharing them. But after that, who you end up
• 28:29
  Speaker 2: with is going to be a very specific person is
• 28:31
  Speaker 2: going to be able to find more by their idiosyncrasies
• 28:35
  Speaker 2: than by their generic qualities. So you can't really say
• 28:40
  Speaker 2: that in advance, right, So once they've reached their the
• 28:43
  Speaker 2: minimum bar, everything else after that is very individualistic. I
• 28:48
  Speaker 2: think that maybe I could be completely wrong, but I
• 28:51
  Speaker 2: think men are more likely to understand that, you know
• 28:55
  Speaker 2: what I mean, and not have a gigantic list of
• 28:59
  Speaker 2: a whole by bunch of quirks that they've they've picked
• 29:02
  Speaker 2: up from Roman's novels and TikTok videos. Yeah, do you
• 29:06
  Speaker 2: get what I'm saying, Bryan, Like, there's room. There's room
• 29:10
  Speaker 2: in men's list for individuality, the individuality of their partner.
• 29:14
  Speaker 2: There's no room for when women's list they don't recognize that.
• 29:18
  Speaker 2: You know, the initial bar is sort of shallow, but
• 29:21
  Speaker 2: after that it's about building something more unique and specific,
• 29:26
  Speaker 2: you know more. Okay, my dog is going nuts because
• 29:31
  Speaker 2: my husband just left coming. He's not abandoning us, he's
• 29:35
  Speaker 2: coming back. Okay, shut up, all right. So anyway, my
• 29:41
  Speaker 2: point is that I think there's room there, even though
• 29:44
  Speaker 2: it's shallow and recognized to be shallow, there's room. There's
• 29:47
  Speaker 2: like n then kind of going on with men where
• 29:50
  Speaker 2: she's trying to foreclose that, like she doesn't even realize Okay,
• 29:55
  Speaker 2: just yes, the initial initial attraction is shallow. Okay, I'm
• 30:00
  Speaker 2: she as a woman, she can't be like, yes, the
• 30:02
  Speaker 2: initial attraction is shallow, right, I have some things that
• 30:06
  Speaker 2: I am attracted to as a woman. However, after that,
• 30:12
  Speaker 2: after you find somebody who you're compatible with in that level,
• 30:16
  Speaker 2: it becomes about the specific person, which is not something
• 30:21
  Speaker 2: that I can predefine. You get what I'm saying, Brian,
• 30:24
  Speaker 2: because it's a recognition that you don't know that person yet, right.
• 30:29
  Speaker 2: I think that maybe men are more able to say
• 30:31
  Speaker 2: I don't know that person yet. But these are like
• 30:34
  Speaker 2: the basic qualities that I want to start the process
• 30:38
  Speaker 2: of knowing that person, and women are like, oh no,
• 30:40
  Speaker 2: I can't. I have to go for a bunch of
• 30:43
  Speaker 2: extremely shallow traits that really don't specify anybody. But kindness, communication,
• 30:51
  Speaker 2: You mean a human being, because we're generally a lot
• 30:54
  Speaker 2: kinder than anything else on the planet, and we communicate
• 30:57
  Speaker 2: very well. So you want to human male. Well, I
• 31:01
  Speaker 2: mean that's a step up. I mean, you know, we
• 31:04
  Speaker 2: both could agree, Brian that it could be worse than
• 31:06
  Speaker 2: wanting a human male, because we've seen worse. The minotaur
• 31:11
  Speaker 2: porn comes to mind. But you know, but like that's like,
• 31:15
  Speaker 2: that's so generic. So she's like, I am not shallow.
• 31:19
  Speaker 2: I have no physical interests in a man. He could
• 31:22
  Speaker 2: be a Tonguistan's fear, and I would still potentially be
• 31:26
  Speaker 2: attracted to him. But but I have these this list
• 31:30
  Speaker 2: of generic qualities that signal that I am not shallow. No,
• 31:35
  Speaker 2: they still signal that you're shallow, because you don't understand
• 31:39
  Speaker 2: that after the initial shallow bar, there is a person
• 31:44
  Speaker 2: there who is their own individual and has all of
• 31:47
  Speaker 2: their own traits that you get to explore and discover
• 31:50
  Speaker 2: and find adorable or annoying or both at the same time.
• 31:55
  Speaker 2: So that's what I'm getting at. There's like a huge
• 31:57
  Speaker 2: room for the individual with men's lives, no room for
• 32:01
  Speaker 2: the individual with women's list. And so I would even
• 32:04
  Speaker 2: say that her like her list that she's making trying
• 32:09
  Speaker 2: to say I'm not a shallow person women aren't shallow,
• 32:12
  Speaker 2: is in fact evidence that they are incredibly shallow? All right? Yeah,
• 32:20
  Speaker 2: I don't know if I made that that case clearly enough,
• 32:24
  Speaker 2: maybe a case. Make of it what you will.
• 32:27
  Speaker 1: I got, I got a couple of rumble rants I'm
• 32:30
  Speaker 1: gonna read out really quick. I'm just make sure I'm
• 32:32
  Speaker 1: miss any discord.
• 32:33
  Speaker 2: One.
• 32:33
  Speaker 1: No, we didn't Robato one, two, three, four, five, six,
• 32:36
  Speaker 1: seven says because he knows what he wants as it
• 32:40
  Speaker 1: is her till it goes wrong. It is all very
• 32:43
  Speaker 1: high school and childish. Given all the divorce, it stands
• 32:46
  Speaker 1: to reason he would be Henry cavill as Superman or
• 32:49
  Speaker 1: a terminator. He still might get divorced, though, Oh I see.
• 32:52
  Speaker 1: He gives us a dollar and says, all I can
• 32:54
  Speaker 1: do is sip coffee. Now coffee Moji, thank you. Yeah yeah,
• 33:00
  Speaker 1: this this, this is a this is this whole like
• 33:04
  Speaker 1: blog is probably gonna be like a giant cope. But
• 33:08
  Speaker 1: let's see, we want a man who communicates, someone who
• 33:12
  Speaker 1: could talk about his feelings without making it weird. So okay,
• 33:16
  Speaker 1: well they're okay, let me finish the sentence. But someone
• 33:19
  Speaker 1: who can have a conversation about something other than worker money.
• 33:23
  Speaker 1: Someone who listens when we talk and actually remembers what
• 33:26
  Speaker 1: we said. Someone who can ask for help or directions
• 33:29
  Speaker 1: without it being a threat to his masculinity. God, this
• 33:32
  Speaker 1: this woman's insufferable as she's single, I hope. So so okay,
• 33:37
  Speaker 1: let's let me just get to the first bit. Someone
• 33:40
  Speaker 1: who can talk about his feelings without making it weird. Impossible,
• 33:45
  Speaker 1: like challenge impossible because no one knows what any woman
• 33:50
  Speaker 1: might find weird. Maybe just sharing your feelings is weird
• 33:55
  Speaker 1: right away, Like if if you can't determine whether or
• 33:58
  Speaker 1: not you've made it weird until you have first we
• 34:01
  Speaker 1: have first decided whether or not it makes her gives
• 34:03
  Speaker 1: her the ick, which is what she means by making
• 34:06
  Speaker 1: it weird. You can't actually determine that. So she's already
• 34:10
  Speaker 1: admitted talk about your feelings, but don't make me feel
• 34:12
  Speaker 1: weird about it. Well, then I can't talk about them, cause, like,
• 34:15
  Speaker 1: what what could it be like if if if you
• 34:20
  Speaker 1: were a woman and you trauma dumped like your I
• 34:22
  Speaker 1: don't know, like your abusive mom stuff from when you
• 34:25
  Speaker 1: were a child on me, I might find it uncomfortable
• 34:30
  Speaker 1: because I'm learning something about you that I didn't know.
• 34:33
  Speaker 1: But I would also see it as something that is
• 34:35
  Speaker 1: a good step for our relationship. So but I might
• 34:39
  Speaker 1: find it uncomfortable because it is like sensitive information. So
• 34:44
  Speaker 1: when she says, how do you make it weird, It's like, well,
• 34:46
  Speaker 1: it's you're automatically telling me it's gonna be weird. You're
• 34:49
  Speaker 1: telling me it's gonna be weird already, So I can't.
• 34:53
  Speaker 1: I can't share this with you because you're already telling
• 34:56
  Speaker 1: me this is this is probably gonna be weird, so
• 34:59
  Speaker 1: don't tell me about it. And then it says someone
• 35:02
  Speaker 1: who can have a conversation about something other than work
• 35:04
  Speaker 1: or money, So what do you want to talk about?
• 35:07
  Speaker 1: Then I assume that what that means is talk about you,
• 35:12
  Speaker 1: because if I wanted to talk about, like what I
• 35:15
  Speaker 1: like to do, whether it's my job, whether it's a hobby,
• 35:19
  Speaker 1: some kind of interest, does she want to hear of
• 35:23
  Speaker 1: Let's just let's take it out of like me personally.
• 35:25
  Speaker 1: Let's say there's a guy and he's like really big
• 35:28
  Speaker 1: into soccer and he follows, like you know, he's like
• 35:32
  Speaker 1: really into it because it's like the one thing he
• 35:35
  Speaker 1: gets to do outside of his job and like taking
• 35:38
  Speaker 1: care of his family and stuff. It's the one thing
• 35:40
  Speaker 1: that like get that's for him, right. Does she want
• 35:43
  Speaker 1: to hear about that? I don't think she does. So
• 35:47
  Speaker 1: I don't think that this woman wants to hear about
• 35:49
  Speaker 1: what men might like outside of work or money. And
• 35:53
  Speaker 1: also I don't know any men that only talk about
• 35:55
  Speaker 1: worker money. I don't know men who who talk about
• 35:59
  Speaker 1: worker money period, Like they generally don't talk about their
• 36:03
  Speaker 1: their financial situation or their career stuff, unless they have,
• 36:07
  Speaker 1: like something that happened at their job that they want
• 36:09
  Speaker 1: to get off their chest, which everybody does. You know,
• 36:12
  Speaker 1: if you had a bad day at work, you want
• 36:13
  Speaker 1: to get it off your chest. Is does that count
• 36:16
  Speaker 1: as something other than worker's money? Does that count as
• 36:19
  Speaker 1: talking about your feelings without making it weird? If you're
• 36:22
  Speaker 1: having a hard time at your job, she's already telling
• 36:25
  Speaker 1: you that she's not open to hearing your perspectives on things.
• 36:28
  Speaker 1: Someone who listens when we talk and actually remembers what
• 36:31
  Speaker 1: we said. So now she's saying someone who listens to
• 36:36
  Speaker 1: me without actually questioning whether or not it makes them
• 36:40
  Speaker 1: uncomfortable and remembers it like remembers it, that's a big
• 36:44
  Speaker 1: one for them too. And someone who could ask for
• 36:47
  Speaker 1: help without for or directions without it being a threat
• 36:51
  Speaker 1: to his masculinity, that's a that's a trope right there.
• 36:55
  Speaker 1: Who the hell needs directions in the time of the GPS?
• 36:58
  Speaker 1: But anyway, go ahead.
• 37:01
  Speaker 2: Well, Also, it's basically she's just saying the list of
• 37:05
  Speaker 2: the of She's basically just regurgitating feminist talking points at
• 37:10
  Speaker 2: this point, she doesn't and they the thing is NPC
• 37:16
  Speaker 2: talking points and people who will say they they'll bring
• 37:19
  Speaker 2: up well, she writes stocker porn, that's just a fantasy.
• 37:22
  Speaker 2: But she's even said herself that what she's writing about
• 37:26
  Speaker 2: is love. And she's also foreclosing the regular ordinary option,
• 37:32
  Speaker 2: Like she's literally saying men who pursue women are bad.
• 37:36
  Speaker 2: Buy my Stoker porn. Right that at that point she
• 37:39
  Speaker 2: has no alibi for what she's doing. But but here
• 37:43
  Speaker 2: she's she's just regurgitating female talk or sorry, feminist talking
• 37:46
  Speaker 2: points that create an obstacle course for men. You know,
• 37:53
  Speaker 2: reveal yourself, but not don't make it weird, right, don't
• 37:57
  Speaker 2: make me feel weird?
• 37:58
  Speaker 1: Yeah?
• 37:59
  Speaker 2: Well, how again, Like Brian was saying, how does a
• 38:01
  Speaker 2: man pre decide that you talk about something other than
• 38:05
  Speaker 2: your work? But can you can he talk about his hobbies, like.
• 38:09
  Speaker 1: You know, his interests, his passions, is it?
• 38:13
  Speaker 2: Yeah?
• 38:13
  Speaker 1: Or would you dismiss that as like, you know, further
• 38:16
  Speaker 1: to launch midlife crisis manchild stuff? Yeah, man's cleaning, Like
• 38:22
  Speaker 1: there's there's basically a buzzword for anything men like or
• 38:25
  Speaker 1: feel anything positive about themselves, and there's a yeah, there's
• 38:30
  Speaker 1: a buzzword for it. So are you just going to
• 38:32
  Speaker 1: throw that buzzword out there, So like, then men can't
• 38:35
  Speaker 1: talk to you about anything, So the only thing they
• 38:37
  Speaker 1: can do is ask you to talk about yourself, which
• 38:40
  Speaker 1: you're more than happy to do, and you insist that
• 38:42
  Speaker 1: they listen.
• 38:43
  Speaker 2: So yeah, yeah, yeah, But but it's really interesting that
• 38:47
  Speaker 2: the women who are part of this field and buy
• 38:49
  Speaker 2: into the feminist conjecture have a buzzword. Say yeah, men,
• 38:54
  Speaker 2: we want you to what was it communicate someone who
• 38:56
  Speaker 2: could talk about his feelings without making it weird can
• 39:00
  Speaker 2: have a conversation, but yeah, because weird would be talking
• 39:03
  Speaker 2: about his feelings. But anything that could possibly make her
• 39:07
  Speaker 2: feel uncomfortable, which is any kind of vulnerability, anything that
• 39:11
  Speaker 2: she could classify as emotional labor, you know, trauma dumping.
• 39:15
  Speaker 2: They have a buzzword for every possible way a man
• 39:19
  Speaker 2: could express himself to a woman his you know, like
• 39:22
  Speaker 2: any kind of thing that he's dealing with or experiencing
• 39:25
  Speaker 2: or enjoying. They have a buzzword to silence him and
• 39:29
  Speaker 2: shame him for it. So the same people who are
• 39:31
  Speaker 2: saying express yourself men have a buzzword to basically shame
• 39:35
  Speaker 2: every possible expression. So, you know, I really feel for men.
• 39:40
  Speaker 2: It's like express yourself, so I can slap you for
• 39:44
  Speaker 2: everything you could possibly say, Like I feel like the
• 39:48
  Speaker 2: only thing you only move is just don't play. But
• 39:52
  Speaker 2: she's But what she's actually doing is she's foreclosing on
• 39:56
  Speaker 2: a normal human being, like just a normal give and
• 39:59
  Speaker 2: take relation. She's foreclosing on it. She's foreclosing on an
• 40:03
  Speaker 2: actual pair bond, because an actual pair bond involves another
• 40:07
  Speaker 2: person getting back into that that thing I said about
• 40:10
  Speaker 2: specificity and then sort of they keep what they're what
• 40:14
  Speaker 2: they say to sort of shallow categories. But that itself
• 40:18
  Speaker 2: is almost evidence of the depth or the the sophistication,
• 40:23
  Speaker 2: because you know that beyond those shallow categories is a
• 40:28
  Speaker 2: person who you don't know yet, and you're just gonna
• 40:31
  Speaker 2: let that person be who they are. And men do that.
• 40:34
  Speaker 2: This woman is foreclosing on every aspect of that of
• 40:38
  Speaker 2: the individual she could be with. He has to he
• 40:42
  Speaker 2: has to run this gauntless before he even exists. Yeah,
• 40:47
  Speaker 2: and he doesn't exist, because any ordinary man is going
• 40:52
  Speaker 2: to eventually make her feel weird. Like have you ever
• 40:56
  Speaker 2: seen the fricking iiclist. There is no living human male.
• 41:00
  Speaker 1: That's it's a it's a living document. The list more
• 41:06
  Speaker 1: so than the Constitution.
• 41:08
  Speaker 2: And I'm not even talking about the rarefied ones that
• 41:10
  Speaker 2: you could just say again.
• 41:13
  Speaker 1: The one thousandth amendment of the of THEIC.
• 41:16
  Speaker 2: Yeah, of THEIC list of what men should not be.
• 41:19
  Speaker 2: I'm not even talking about the weird ones. Uh, you know,
• 41:22
  Speaker 2: you just say, well, that woman is particularly eccentric. I'm
• 41:25
  Speaker 2: talking about the ones that repeat dozens of times like uh,
• 41:30
  Speaker 2: don't drink from a straw, don't fall down, don't have
• 41:34
  Speaker 2: emotions like like this. It's just there is no man
• 41:40
  Speaker 2: who could who isn't foreclosed upon by that list, and
• 41:44
  Speaker 2: there's no man who isn't foreclosed upon by the feminist
• 41:48
  Speaker 2: catch twenty two. Here express yourself, but not in the
• 41:53
  Speaker 2: one hundred and forty four ways that we've identified which
• 41:56
  Speaker 2: are oppressive, weird, or emotional labor. Here you go, guy,
• 42:00
  Speaker 2: it's not even one hundred and forty four. It's probably trillions.
• 42:03
  Speaker 2: By now, we've identified every single way that you either
• 42:06
  Speaker 2: give us the ick, force us to emotional labor trauma,
• 42:09
  Speaker 2: dump man's plain, suck the oxygen out of the room
• 42:13
  Speaker 2: with your interests. Yeah, but here, express yourself, but not
• 42:18
  Speaker 2: in any of the ways that we've pre identified as wrong,
• 42:21
  Speaker 2: Like do you see how that forecloses on any possibility
• 42:24
  Speaker 2: of a unique, ordinary man? And I don't think that
• 42:28
  Speaker 2: there is really ordinary out there, Like everybody's sort of
• 42:32
  Speaker 2: unique in their own way. But it forecloses on a
• 42:35
  Speaker 2: human being, a male human being. Like everything that she's
• 42:39
  Speaker 2: doing here means that the average man is not an
• 42:44
  Speaker 2: acceptable partner for a woman. Yeah, and so it's like
• 42:50
  Speaker 2: it is impossible too, it is impossible to actually jump
• 42:55
  Speaker 2: this bar. And then she sells women on an impasse,
• 43:00
  Speaker 2: the unsatisfying what is left over because women are still
• 43:04
  Speaker 2: para bonders, the urge still exists. She sells them a palliative,
• 43:11
  Speaker 2: a palliative for the dysfunction caused by the belief system
• 43:16
  Speaker 2: they have freaking attached to, like like a freaking leech
• 43:20
  Speaker 2: to somebody's balls, just like sucking on there or someone's
• 43:24
  Speaker 2: like ass Like that's they will not let go of feminism,
• 43:29
  Speaker 2: even though feminism is foreclosing Paara bonding with an actual
• 43:33
  Speaker 2: human being, and they still have the urge. Well where
• 43:36
  Speaker 2: do they get the urge met by this woman who
• 43:39
  Speaker 2: is producing in her text the exact negative of the
• 43:44
  Speaker 2: very thing that she says that they can't there's no
• 43:47
  Speaker 2: way you can possibly allow into your life, right, a
• 43:50
  Speaker 2: man who has actual personal interests, who might make you
• 43:54
  Speaker 2: feel weird, who might trigger anick you know, who might
• 43:58
  Speaker 2: do you might step in one one of the infinite
• 44:00
  Speaker 2: numbers of the infinite numbers of things that men do
• 44:05
  Speaker 2: that women are feminists say are oppressive or awful or
• 44:09
  Speaker 2: imposing or whatever else. Like, it's just it's just a
• 44:13
  Speaker 2: system to foreclose a relationship with a man. Let's let's
• 44:18
  Speaker 2: be honest.
• 44:20
  Speaker 1: Yeah, okay, yeah, okay. I got a superchow from the
• 44:25
  Speaker 1: official Reverse Traditionalism channel on YouTube who gets us five
• 44:29
  Speaker 1: dollars and says, are we keeping an eye on Aaron
• 44:31
  Speaker 1: Pitsy because she appears to be undergoing some serious health concerns.
• 44:34
  Speaker 1: If you've been keeping tabs on her, yeah we have.
• 44:39
  Speaker 1: She is well, she's getting up there, but I think
• 44:43
  Speaker 1: she's still fighting. But thank you for the for the superchow.
• 44:47
  Speaker 1: All right, back to the article. So or was I right?
• 44:52
  Speaker 1: We want someone who reads, who knows things, who has
• 44:56
  Speaker 1: opinions about books and ideas in the world, someone we
• 44:59
  Speaker 1: can have real conversation with instead of just existing in
• 45:01
  Speaker 1: the same space. No, you don't, because if there was
• 45:04
  Speaker 1: a guy who was no who knew things and he
• 45:06
  Speaker 1: was sharing that with you, you would call it man explaining
• 45:09
  Speaker 1: it's on the eclipse. I'm sure if he reads, he
• 45:12
  Speaker 1: probably reads nonfiction. You probably don't like that. He might
• 45:17
  Speaker 1: have like some, you know, opinions on world events, or
• 45:21
  Speaker 1: like other ideas that you probably don't like. So, no,
• 45:24
  Speaker 1: you don't want a man who reads, who knows things
• 45:27
  Speaker 1: but has opinions. You want a man who appears intellectual,
• 45:31
  Speaker 1: shares your beliefs, agrees with you on everything, and basically
• 45:35
  Speaker 1: acts as something that confirms your the bias that you
• 45:39
  Speaker 1: already have, Like you're looking for consensus. You're not looking
• 45:41
  Speaker 1: for an independent thinker, in my opinion. So Roboto gives
• 45:47
  Speaker 1: a dollar and says, what if feminists just got bloody
• 45:50
  Speaker 1: body pillows like the grass eater for men of Japan.
• 45:54
  Speaker 1: I don't know the grass have body pillows, but.
• 45:57
  Speaker 2: Yeah, we literally this is what it just forecloses on
• 46:01
  Speaker 2: men period, Like there is no man who could escape this,
• 46:06
  Speaker 2: not even progressive men, because progressive men no offense if
• 46:12
  Speaker 2: you totally embrace progressivism. So you have decided to replace
• 46:17
  Speaker 2: actual custodio male, Like, how do I do this thing?
• 46:23
  Speaker 2: So The difference is men ask if they're gonna care
• 46:28
  Speaker 2: about something, what do they do to protect or provide
• 46:32
  Speaker 2: or take care of that thing? Right, and you replace
• 46:35
  Speaker 2: that with seeing your morality in terms of virtue signaling
• 46:40
  Speaker 2: about Martian Rocks. So it's not about what you can
• 46:43
  Speaker 2: do for the rocks, it's the fact that you just
• 46:45
  Speaker 2: say that you care about them, So you've become that man.
• 46:49
  Speaker 2: By becoming that man, you will not you will not
• 46:55
  Speaker 2: create any kind of sexual interest and your female feminist companion.
• 47:01
  Speaker 2: That's where all of the proliferation of where the honest
• 47:06
  Speaker 2: feminist articles talking about how they are not attracted to
• 47:10
  Speaker 2: progressive men, that's where those come from. It's because you
• 47:14
  Speaker 2: have castrated yourself. You have castrated what makes you interesting,
• 47:20
  Speaker 2: what makes you different, what makes you gives that sense
• 47:24
  Speaker 2: to a woman that you got her back, right, You've
• 47:27
  Speaker 2: gotten rid of all of that in order to virtue
• 47:30
  Speaker 2: signal your progressivism, which requires again going from a mentality
• 47:36
  Speaker 2: that says, well, Okay, there are Martian Rocks, but I'm
• 47:40
  Speaker 2: not going to signal my compassion for them until I
• 47:43
  Speaker 2: know what I can do for them, what they could
• 47:46
  Speaker 2: possibly demand of me. Because this has to end in
• 47:50
  Speaker 2: an action, Right, You get what I'm saying, Brian. It
• 47:53
  Speaker 2: has to end in an action otherwise it's not morality,
• 47:56
  Speaker 2: it's not ethics, okay, or a prince or something. I'm
• 48:01
  Speaker 2: not gonna virtue signal about Martian Rocks because they don't
• 48:05
  Speaker 2: need anything for me and I can't do anything for them, right,
• 48:09
  Speaker 2: But you have to change that. You have to change
• 48:12
  Speaker 2: that behavior of moving through to an action to terminate
• 48:18
  Speaker 2: with an action, which is sort of a very masculine behavior,
• 48:21
  Speaker 2: to a feminine behavior of seeing virtues and ethics in
• 48:25
  Speaker 2: terms of what you express, in terms of expressing in
• 48:28
  Speaker 2: group adherents like the in group wants you to express this.
• 48:33
  Speaker 2: You express that you're a good person. You don't do
• 48:35
  Speaker 2: a damn thing for the Martian Rocks, nor do they
• 48:37
  Speaker 2: want you to do any damn thing for them, But
• 48:39
  Speaker 2: because you've expressed your concern over them, that's all that matters.
• 48:44
  Speaker 2: So you have to change modalities. Literally, these women are
• 48:47
  Speaker 2: asking men to change modalities. But I guarantee if men
• 48:51
  Speaker 2: successfully change modalities right on a permanent basis, not just
• 48:56
  Speaker 2: you know, in terms of flirting with women, they will
• 49:01
  Speaker 2: not be attractive to those women actually know what this
• 49:04
  Speaker 2: is exactly what will happen. Men will change because we
• 49:08
  Speaker 2: already have a specimen of a man who has the
• 49:12
  Speaker 2: same kind of modality as a woman. So he is
• 49:15
  Speaker 2: verbally fluent. That is the sociopath. Right, what do women
• 49:20
  Speaker 2: call it when the sociopath is on the war path
• 49:23
  Speaker 2: after them? Love bombing? And what do they call it
• 49:26
  Speaker 2: when they have they are face to face the fact
• 49:28
  Speaker 2: that he has actually no custodial nature underneath that? No, Okay,
• 49:33
  Speaker 2: this is my woman. I need to take care of her,
• 49:34
  Speaker 2: I need to protect her, or any of that. Whether
• 49:37
  Speaker 2: they call it the you know they call it, what
• 49:41
  Speaker 2: is it revealing his true nature? Well? Yeah, actually no,
• 49:44
  Speaker 2: it's he never was deceptive. He just only ever had
• 49:49
  Speaker 2: the same kind of verbal expressiveness that you're asking of men.
• 49:53
  Speaker 2: So you want all men essentially what this is what's
• 49:56
  Speaker 2: happening here is women want all men to give them
• 50:00
  Speaker 2: the super stimulus of a sociopath but then still have
• 50:04
  Speaker 2: the custodial nature underneath, which is impossible and an outstanding act,
• 50:09
  Speaker 2: an outstanding request. And I have gotten myself into a
• 50:13
  Speaker 2: rabbit hole. So let's just keep going. I fixed my
• 50:16
  Speaker 2: I fixed my Ready, Yeah, I'm ready. Let's do some
• 50:20
  Speaker 2: let's do something.
• 50:21
  Speaker 1: Let me read, Yeah, do we will, let me read
• 50:23
  Speaker 1: a super chat and then we'll go ahead and do it.
• 50:26
  Speaker 1: Polaris gives us ten dollars, Thank you, Polaris, and says,
• 50:30
  Speaker 1: speaking of IX, there was a woman who said she
• 50:32
  Speaker 1: didn't like it when men had aunts, mothers or older sisters.
• 50:37
  Speaker 1: Seems like she doesn't want any women around that can
• 50:40
  Speaker 1: call her out on her bs. Yeah, where where did
• 50:44
  Speaker 1: you there was a woman? That sounds like a rare instance.
• 50:48
  Speaker 1: I think that's fairly common, I mean unfortunately, but yeah,
• 50:53
  Speaker 1: they they because they because that's the thing, Like women
• 50:58
  Speaker 1: are really good at calling out their women because they
• 51:01
  Speaker 1: know what's really going on, right, there's a lot of
• 51:03
  Speaker 1: like subversive shit going on with women. Men don't generally
• 51:08
  Speaker 1: work that way, and in fact, they frown on when
• 51:11
  Speaker 1: other men do that because they want things to be
• 51:15
  Speaker 1: more direct. I mean, it's just the approach. Women are
• 51:17
  Speaker 1: definitely more on the subtle end of things, which means
• 51:22
  Speaker 1: that they're you know, they they enjoy being in the
• 51:24
  Speaker 1: position of manipulator. So and yeah, not only that, but yeah,
• 51:31
  Speaker 1: you're right about the it's not just the the the
• 51:34
  Speaker 1: friends or the female family members and stuff. Like that.
• 51:40
  Speaker 1: It's also the friend group. You know, some women are
• 51:43
  Speaker 1: really threatened by men who have male friends, and they
• 51:46
  Speaker 1: will try to get those men to essentially like disappear
• 51:51
  Speaker 1: from their friends' lives, just like you know, slowly over
• 51:56
  Speaker 1: time they'll be like, you should stop hanging around with
• 51:58
  Speaker 1: those guys, or they'll try to create a brand new
• 52:00
  Speaker 1: friend group, which are other women that they know who
• 52:05
  Speaker 1: are also with men, so that no one is gonna
• 52:09
  Speaker 1: be like a problem for that relationship. If she's trying
• 52:13
  Speaker 1: to keep it so she better not talks about any men.
• 52:16
  Speaker 1: Then well yeah, but go ahead, Alison.
• 52:20
  Speaker 2: Okay, so I think I can conclude what I was
• 52:22
  Speaker 2: getting at. I can pull myself out of the rabbit
• 52:24
  Speaker 2: hole for you guys. These women, these feminist women, want
• 52:29
  Speaker 2: men to basically renounce being a man and virtue signal
• 52:36
  Speaker 2: like women do, which requires a man to to basically
• 52:41
  Speaker 2: fail the waterline test, to to no longer see things
• 52:47
  Speaker 2: in terms of actions in the greater world, but simply
• 52:50
  Speaker 2: in terms of social signaling. So they want them to
• 52:54
  Speaker 2: a man to go from being an operative modality thinker
• 52:57
  Speaker 2: to a relational modality thinker. But when they have to
• 53:00
  Speaker 2: deal with the actual relational modality thinkers in their lives.
• 53:04
  Speaker 2: They are either repulsed by them, which is just a
• 53:07
  Speaker 2: progressive man who may otherwise have you know, been normal,
• 53:13
  Speaker 2: but he's castrated his the way he thinks about the world,
• 53:17
  Speaker 2: and for whatever reason, women find that unattractive, probably because
• 53:21
  Speaker 2: men's mentality was evolved for a reason. You know, we're
• 53:25
  Speaker 2: sort of fucking around with the basic components of pair
• 53:29
  Speaker 2: bonding when we say, well, men just need to think
• 53:31
  Speaker 2: differently than the way men normally think, right, and then
• 53:35
  Speaker 2: we find out that women are not attracted to them.
• 53:37
  Speaker 2: I mean, there's a reason why left women don't get
• 53:39
  Speaker 2: in relationships because the men around them are also on
• 53:42
  Speaker 2: the left that, let's be honest, and they don't find
• 53:46
  Speaker 2: that attractive. So we are they're asking men to change
• 53:50
  Speaker 2: their modality, which is not only very difficult, but for
• 53:53
  Speaker 2: those men who can probably not a good idea because
• 53:58
  Speaker 2: essentially they're saying, become unattractive to me men except for
• 54:01
  Speaker 2: the sociopaths. The sociopaths manage to be completely void of
• 54:07
  Speaker 2: any kind of custodial kind of thing going on, any
• 54:11
  Speaker 2: custodia like the operative custodial intelligence, and they're just pure verbal,
• 54:17
  Speaker 2: you know, and the women love them until they have
• 54:19
  Speaker 2: to live with them, and then they discover that they're
• 54:21
  Speaker 2: horrible people because they have absolutely no they don't they
• 54:25
  Speaker 2: don't even have They're like, they're basically all appetite with
• 54:29
  Speaker 2: no custodial care for anybody in their life. You know,
• 54:34
  Speaker 2: that's that's the way they are. And then you know,
• 54:36
  Speaker 2: the love bombing ceases, and the woman has the sociopath
• 54:40
  Speaker 2: in her life and she's like, I don't like this.
• 54:42
  Speaker 2: So in no way is this is this a sensible
• 54:47
  Speaker 2: ask for men, And in no way does it create
• 54:50
  Speaker 2: men that women find attractive. Maybe short term in the
• 54:53
  Speaker 2: case of sociopaths, but sociopaths have other features that progressive
• 54:57
  Speaker 2: men probably lack, like confident and dominance, and they just
• 55:03
  Speaker 2: don't give a crap. They're very verbally fluent, and they're
• 55:06
  Speaker 2: very confident, very dominant, very much into what they want,
• 55:10
  Speaker 2: which ironically exactly describes them the main male character of
• 55:15
  Speaker 2: her stalker romance, and they take it. But unfortunately for women,
• 55:21
  Speaker 2: they're terrible to live with because they do not have
• 55:24
  Speaker 2: that normal male custodial nature. So in every circumstance, what
• 55:29
  Speaker 2: this woman is asking for is either a terrible partner
• 55:35
  Speaker 2: or a partner she isn't attracted to. Like I don't
• 55:39
  Speaker 2: know what to tell men, But in this curting dating landscape,
• 55:43
  Speaker 2: it's not just you should ask can I fulfill these
• 55:47
  Speaker 2: women's desires? You should probably also ask should I? And
• 55:52
  Speaker 2: the answer is no. First of all, I don't think
• 55:55
  Speaker 2: you can, and second of all, I don't think you should,
• 56:00
  Speaker 2: because we'd be going backwards. All right as a species.
• 56:03
  Speaker 2: All right, let's let's keep going. Let's let's play the game.
• 56:06
  Speaker 1: Yeah, oh, let's do it. Let's do it. Okay, we're
• 56:09
  Speaker 1: starting now. Okay, okay, yeah, I'm fine, I'm fine. Just
• 56:16
  Speaker 1: uh looking at chat article. It's nothing bad.
• 56:21
  Speaker 2: Here, but oh special chat being special?
• 56:25
  Speaker 1: No, actually, not bad. I'm just making it like. There's
• 56:29
  Speaker 1: some weird glitch now where uh oh, it's just gonna
• 56:32
  Speaker 1: load up. This is weird. Okay, yay, swept room, Okay,
• 56:40
  Speaker 1: grab your things. Let's take that.
• 56:44
  Speaker 2: Am I allowed to take anything?
• 56:47
  Speaker 1: Uh?
• 56:50
  Speaker 3: I guess you laugh?
• 56:53
  Speaker 2: Oh my god, I'm going to I'm gonna take this
• 56:56
  Speaker 2: strength thing here.
• 56:58
  Speaker 1: That's yeah fine.
• 57:01
  Speaker 2: Oh no, this is a what is that?
• 57:05
  Speaker 1: It'll make it run faster?
• 57:07
  Speaker 3: Hang out.
• 57:09
  Speaker 2: There, now, run faster.
• 57:14
  Speaker 1: I didn't.
• 57:15
  Speaker 5: I didn't take anything else.
• 57:17
  Speaker 1: Actually, you know what?
• 57:21
  Speaker 2: All right, here we go.
• 57:24
  Speaker 1: What what do you think about my What do you
• 57:28
  Speaker 1: think about my?
• 57:28
  Speaker 3: Look?
• 57:30
  Speaker 1: I'm just I'm out there. I'm out there, Jerry, and
• 57:32
  Speaker 1: I'm loving every minute of it. I'm right here.
• 57:38
  Speaker 2: Oh my god? Is that like a loin claw?
• 57:42
  Speaker 3: Are you supposed to be wrestler?
• 57:44
  Speaker 1: Yes, it's like a sumo wrestler. You got it? Yeah,
• 57:48
  Speaker 1: but I need some I need some face paint. Then
• 57:52
  Speaker 1: i'd be Honda. All right?
• 57:54
  Speaker 2: Uh?
• 57:55
  Speaker 1: What'd you say? Gabriel the blonde Afro?
• 58:02
  Speaker 2: What? What? What?
• 58:03
  Speaker 3: What?
• 58:05
  Speaker 1: Take Take one of those? Yeah? Go ahead, take one
• 58:07
  Speaker 1: of the walkie talkies I'm taking.
• 58:09
  Speaker 2: I'm taking a small cart. Okay, stop moving it. Gabriel
• 58:12
  Speaker 2: will never be able to touch it.
• 58:14
  Speaker 1: I'll grab the other walkie talkie in case we get
• 58:18
  Speaker 1: split up. You can call me up. Actually, I'll take this. No, no,
• 58:23
  Speaker 1: it's okay. Here take that. He used to pick up
• 58:28
  Speaker 1: head six things. Just be careful with it. Yeah, what's up?
• 58:38
  Speaker 1: Are you?
• 58:39
  Speaker 2: Are you well? The thing is that for some reason,
• 58:45
  Speaker 2: hold on, okay, so I have to hold slow. Okay,
• 58:49
  Speaker 2: I got it. I think I got it.
• 58:50
  Speaker 1: Be careful in this room. There's like a pit like
• 58:54
  Speaker 1: right here, hold on, so let me just or immediately
• 58:59
  Speaker 1: throw it in there. So Bella, bella, bella, run, Bella.
• 59:05
  Speaker 1: Get out of her way, Get out of her way.
• 59:07
  Speaker 1: She's gonna ring her bell at you come over here.
• 59:12
  Speaker 2: Okay, Well I got on top of your.
• 59:15
  Speaker 1: H Richard Pierre rich Richard Pierre Richard gives us four
• 59:19
  Speaker 1: nine four pounds and says, what is life? Destroy your enemies,
• 59:25
  Speaker 1: watch them be driven before you, and hear the lamentations
• 59:27
  Speaker 1: of the women. I think Bella is gone. I think
• 59:32
  Speaker 1: Bella's gone.
• 59:34
  Speaker 2: I mean, okay, so let's I'm gonna get I'm gonna
• 59:36
  Speaker 2: get some depressed depression filled here. What do you do
• 59:40
  Speaker 2: with this.
• 59:42
  Speaker 3: Headman?
• 59:44
  Speaker 2: What do I do?
• 59:46
  Speaker 1: Nothing? He's just running around. You can throw him in
• 59:50
  Speaker 1: the pit. I think I have a nine, I have
• 59:53
  Speaker 1: a nine strength.
• 59:54
  Speaker 6: I can.
• 1:00:03
  Speaker 1: Well, we gotta go at some point. Oh I'm dead, ha.
• 1:00:15
  Speaker 2: Ha, oh god, well you can still talk to me.
• 1:00:22
  Speaker 1: Uh yeah, I know, it's fine, Yeah, I heard, it's fine.
• 1:00:30
  Speaker 2: All right. I'll go get the small pocket Kurt. For
• 1:00:37
  Speaker 2: some reason, I can't get this thing to hold.
• 1:00:42
  Speaker 1: What do you mean, Oh, you just gotta hold the
• 1:00:44
  Speaker 1: button and move you hold it while you're holding it,
• 1:00:48
  Speaker 1: that's gonna fall. I swear it's gonna fall. Do you
• 1:00:51
  Speaker 1: see that pit right in front of you? Oh no, Allison,
• 1:00:55
  Speaker 1: you're why are you running? You don't have to run everywhere?
• 1:00:58
  Speaker 2: I don't. I can't stop this. Think like, Okay, it
• 1:01:00
  Speaker 2: goes forward and it sprints, right, Yeah.
• 1:01:03
  Speaker 1: You don't have to sprint. You're sprinting and you're like
• 1:01:06
  Speaker 1: using your your.
• 1:01:11
  Speaker 2: I know, but it's like really sensitive and it's really annoying.
• 1:01:16
  Speaker 3: Well I don't, I'm back.
• 1:01:22
  Speaker 2: Yeah, but it's the problem is that it has it
• 1:01:30
  Speaker 2: sprints based on my.
• 1:01:33
  Speaker 1: Pressing hold the sprint button and uh you'll you'll run,
• 1:01:40
  Speaker 1: but it'll it'll drain your stamina to do that. So
• 1:01:47
  Speaker 1: I gotta but you you don't have to hold the
• 1:01:50
  Speaker 1: sprint button to move around. That's what I'm saying. Like,
• 1:01:53
  Speaker 1: there's you can just move uh water underground, same as
• 1:02:02
  Speaker 1: it ever was? What, Oh you're you're singing a song,
• 1:02:06
  Speaker 1: it's then the days go by. I'm gonna shoose ahead.
• 1:02:21
  Speaker 1: Are the rock sandstones? Same it as ever was? Same
• 1:02:27
  Speaker 1: as it ever was. I'm gonna bring this upstairs? Oh
• 1:02:35
  Speaker 1: why ship whatever?
• 1:02:52
  Speaker 2: Yeah, this is like Okay, most of my problem is
• 1:02:55
  Speaker 2: that my settings are absolute fucked Yeah.
• 1:03:01
  Speaker 1: That's what I figured. Your controller settings are all fucked up, right.
• 1:03:07
  Speaker 1: There's like a there's like a community a community based
• 1:03:15
  Speaker 1: control scheme for controller. I don't know which one Jonathan downloaded,
• 1:03:19
  Speaker 1: but it's probably the wrong one. I mean, that's what
• 1:03:26
  Speaker 1: I would guess. Where where where are you guys? Well
• 1:03:38
  Speaker 1: you can probably fit one in the car here, I'll
• 1:03:42
  Speaker 1: bring the Oh all right, all right, well then just
• 1:03:46
  Speaker 1: leave it there. We'll just get that. We'll get we'll
• 1:03:49
  Speaker 1: get some little things. Okay, but we do need something
• 1:03:53
  Speaker 1: to put on the cart. I mean in the first
• 1:03:55
  Speaker 1: extraction point, I can carry this cube. Anybody got the
• 1:04:00
  Speaker 1: indestructible drone that I dropped when I died?
• 1:04:06
  Speaker 3: Uh? I didn't see it?
• 1:04:08
  Speaker 1: No, no, no, don't look for it. I'll I'll find it.
• 1:04:12
  Speaker 1: It's probably by the entrance or where I died at
• 1:04:14
  Speaker 1: It's okay, well you died, you sort you seal the mat.
• 1:04:20
  Speaker 3: You don't you see it?
• 1:04:21
  Speaker 1: I see it, I see it. I'll get it in
• 1:04:24
  Speaker 1: a second. Yeah there, let's put it here. Let me
• 1:04:30
  Speaker 1: get that there, I got it.
• 1:04:32
  Speaker 2: Yeah, I'm going a little I'm getting a little bit
• 1:04:34
  Speaker 2: further with my settings.
• 1:04:35
  Speaker 1: All right, all right, no problem?
• 1:04:39
  Speaker 2: Uh?
• 1:04:43
  Speaker 1: Oh, Ship, that's an up scream the fuck up scream.
• 1:04:47
  Speaker 1: I threw him in the pit. Fuck that dude. Oh oh, okay,
• 1:04:55
  Speaker 1: well I got his orb. H okay. Then we're gonna
• 1:05:05
  Speaker 1: go to go over here and get this thing.
• 1:05:09
  Speaker 3: Okay, I don't know.
• 1:05:12
  Speaker 1: It's so heavy.
• 1:05:14
  Speaker 3: M hm.
• 1:05:19
  Speaker 1: Okay, we're almost there. Boys.
• 1:05:22
  Speaker 2: What the fuck? I think I ended up in the
• 1:05:25
  Speaker 2: geometry again?
• 1:05:27
  Speaker 1: No way, put you innut?
• 1:05:30
  Speaker 3: You're fine?
• 1:05:31
  Speaker 2: An okay?
• 1:05:36
  Speaker 1: Oh hello, good wa uh you want to put it
• 1:05:43
  Speaker 1: in there? No, it's it's an animal. I got it
• 1:05:48
  Speaker 1: and it's okay, Ship, all right, where's the animal in?
• 1:06:07
  Speaker 2: Uh?
• 1:06:07
  Speaker 1: That's a clean up crew coming. Yeah, he's right there.
• 1:06:17
  Speaker 1: Grab him again? Grab who? Grab who? What do you
• 1:06:22
  Speaker 1: never mind? I'm gonna I'm gonna go to the attraction point,
• 1:06:25
  Speaker 1: all right. Push it up the stairs. Push up the stairs.
• 1:06:30
  Speaker 3: Can you it's at all weird? Angle?
• 1:06:34
  Speaker 1: You're good. Just just walk up, Just walk up.
• 1:06:41
  Speaker 3: I don't want to be the guy who lost the
• 1:06:43
  Speaker 3: car again.
• 1:06:45
  Speaker 1: No problem. Just take it down the stairs.
• 1:06:52
  Speaker 2: God, there's a lot of stuff.
• 1:06:55
  Speaker 1: Let's put it on here. Yeah, because we just uh,
• 1:06:58
  Speaker 1: go ahead, put it on there. We're gonna extract push
• 1:07:00
  Speaker 1: it on there. Yeah, we're on level what is this
• 1:07:03
  Speaker 1: level of twelve? So yeah, she's gonna get a little rough.
• 1:07:09
  Speaker 3: Yeah mm hmm.
• 1:07:18
  Speaker 1: You made it back. All right, I'll carry this. Yeah,
• 1:07:26
  Speaker 1: where's the where's that gravity thing at? Put it in there?
• 1:07:31
  Speaker 1: Oh no, I got it. I got it. It's a
• 1:07:33
  Speaker 1: it's in the car. I just put it in there.
• 1:07:42
  Speaker 1: You know. If if it's too much, we can start
• 1:07:44
  Speaker 1: over to uh all right, let's see.
• 1:07:55
  Speaker 3: What do you mean too much?
• 1:07:57
  Speaker 1: Well, like we're like on level twelve, and it's like
• 1:08:00
  Speaker 1: a little chaotic, so like you know, there's lots of
• 1:08:03
  Speaker 1: enemies and so like people might just get killed and
• 1:08:06
  Speaker 1: it's just not that much fun if everyone's dying all
• 1:08:09
  Speaker 1: the time. So yeah, I'm just saying like this isn't
• 1:08:14
  Speaker 1: like the kind of game that you play, like like
• 1:08:17
  Speaker 1: a lot of video games are like, you know, you
• 1:08:19
  Speaker 1: go from start to finish and there's like an ending
• 1:08:22
  Speaker 1: and stuff. But this game is not like that. You know,
• 1:08:24
  Speaker 1: it's more of.
• 1:08:25
  Speaker 3: A I'm aop. If you get on so far and
• 1:08:29
  Speaker 3: then you die and then you start over.
• 1:08:32
  Speaker 1: Yeah, the loop is not exactly. It's it's that you
• 1:08:35
  Speaker 1: you die behind you, behind you. Yeah, when she's in
• 1:08:42
  Speaker 1: your way or when you're in her way, she'll attack you, like, no, ship,
• 1:08:48
  Speaker 1: what do you? What are you doing?
• 1:08:50
  Speaker 3: What?
• 1:08:52
  Speaker 1: Bella? She she flipped out. I wasn't even I wasn't
• 1:08:56
  Speaker 1: even standing in front of her for that long. Okay,
• 1:09:00
  Speaker 1: I think she's I think she's chilled. Now excuse me, m.
• 1:09:03
  Speaker 5: H m hm, No, go ahead, I got it.
• 1:09:15
  Speaker 1: I got to just put it in there. Yeah, an
• 1:09:19
  Speaker 1: Australian a racknid of the animal. Yeah, these are definitely
• 1:09:22
  Speaker 1: all Australia, Australian animals, that's what they are. Now, this,
• 1:09:28
  Speaker 1: this is the developers of this game are Swedish. I'm
• 1:09:31
  Speaker 1: pretty sure Swedish, Finnish, I don't know, but they're they're
• 1:09:35
  Speaker 1: not they're not Australians, so maybe they're just fantasizing about
• 1:09:41
  Speaker 1: Australian animals. What do you got there? What do you
• 1:09:46
  Speaker 1: got there? It's a healing potion, but you can put
• 1:09:53
  Speaker 1: it in here. I don't think anyone needs healing, So
• 1:09:58
  Speaker 1: there you go.
• 1:09:59
  Speaker 3: A can get heals from it.
• 1:10:01
  Speaker 1: You can break it and absorb health if you want,
• 1:10:04
  Speaker 1: but then you don't have the money for it because
• 1:10:06
  Speaker 1: you've broken it. Yeah, so it's one of those special.
• 1:10:12
  Speaker 7: I can't put it into your a little bit of that,
• 1:10:15
  Speaker 7: but I'll get it back, yelling at you again.
• 1:10:19
  Speaker 2: Yes, what about this thing?
• 1:10:24
  Speaker 3: There's a big pultion there. Do you want? Make you
• 1:10:26
  Speaker 3: bring it?
• 1:10:27
  Speaker 1: If you can carry it, it might be heavy.
• 1:10:30
  Speaker 3: I've got the feather drone on me.
• 1:10:32
  Speaker 1: Oh yeah, that's right. Just don't just don't break it. Yeah,
• 1:10:35
  Speaker 1: you're good. I'm just gonna grab a few little things here,
• 1:10:43
  Speaker 1: getting out tentacle. Just put the tentacle in the thing squishy?
• 1:10:50
  Speaker 1: And what else? What else? What else? There's a crystal there? Fuck,
• 1:11:01
  Speaker 1: I broke it? What else? There's something over here? I guess.
• 1:11:08
  Speaker 1: Oh yeah, this thing?
• 1:11:10
  Speaker 8: Whoa our glass makes time go slow while you're holding it?
• 1:11:21
  Speaker 1: Okay for us, I got I got everything. Oh no,
• 1:11:28
  Speaker 1: it's just me touching this. See you do it, you
• 1:11:32
  Speaker 1: do it? Just touch it? Uh? Okay, there is one
• 1:11:43
  Speaker 1: other thing in there. What's over here? Oh it's a diamond, okay, diamond.
• 1:11:52
  Speaker 7: Every And there's something up here too, there's the eye.
• 1:12:00
  Speaker 3: Yeah.
• 1:12:00
  Speaker 1: Can you hold that or is it too heavy?
• 1:12:03
  Speaker 3: I think I can hold you can hold it.
• 1:12:04
  Speaker 1: Yeah, you probably got a lot of hell strength, all right,
• 1:12:07
  Speaker 1: because those things are heavy. But follow me over here.
• 1:12:12
  Speaker 1: Alis is still looking at her map. Okay, so watch
• 1:12:21
  Speaker 1: out for the green stuff. All right, pass me the eye.
• 1:12:25
  Speaker 1: I got it. You can let go. All right, I'm
• 1:12:31
  Speaker 1: gonna go ahead and extract. There's nothing else I'm gonna
• 1:12:35
  Speaker 1: extract me. No, don't worry. I got this. I'm just
• 1:12:42
  Speaker 1: telling people that I'm extracting. All right, I've done it.
• 1:12:53
  Speaker 2: Gabriel got it?
• 1:12:54
  Speaker 1: What did he get?
• 1:12:57
  Speaker 3: He was?
• 1:12:57
  Speaker 2: You got something that I that I located for a
• 1:13:00
  Speaker 2: was going moving towards on the map. That there's a griffin.
• 1:13:07
  Speaker 1: Oh the griffin. Oh ship, you need the feather drone
• 1:13:09
  Speaker 1: for that. It's very heavy.
• 1:13:12
  Speaker 2: Oh there's another.
• 1:13:13
  Speaker 1: You need a really high strength.
• 1:13:16
  Speaker 2: No, I can't get this one because it reverses my
• 1:13:20
  Speaker 2: controls or something.
• 1:13:21
  Speaker 1: Yeah. The orb, it's an orb you ponder, Yeah.
• 1:13:27
  Speaker 2: You have to get the cart for first. No, it
• 1:13:30
  Speaker 2: ponders you, Brian.
• 1:13:32
  Speaker 1: Yeah. Mushroom where badger, badger, badger badger badger measure mushroom, mushroom,
• 1:13:41
  Speaker 1: where is it? I see it? Oh, that's kind of
• 1:13:51
  Speaker 1: an expensive mushroom. Two thousand and six hundred mush mushroom,
• 1:13:59
  Speaker 1: mush row must row. All right, I'm gonna put this upstairs,
• 1:14:04
  Speaker 1: and then I'll go back for those big things.
• 1:14:09
  Speaker 3: Did you happen to find a second?
• 1:14:12
  Speaker 1: A second?
• 1:14:13
  Speaker 2: What?
• 1:14:15
  Speaker 3: A second breakfast?
• 1:14:18
  Speaker 1: A second breakfast? What about second breakfast? Watch out for
• 1:14:24
  Speaker 1: the fire? It burns? Oh there's another candle there? What
• 1:14:31
  Speaker 1: else we got?
• 1:14:32
  Speaker 2: Oh?
• 1:14:32
  Speaker 1: Love potion?
• 1:14:34
  Speaker 2: Hmm, there's another candle?
• 1:14:42
  Speaker 1: You want to touch it?
• 1:14:43
  Speaker 3: How much strength to you out?
• 1:14:45
  Speaker 2: I don't think I have enough? We least, Gabriel said,
• 1:14:47
  Speaker 2: I doesn't.
• 1:14:48
  Speaker 3: I don't how many.
• 1:14:52
  Speaker 1: I can? I can get it it? I love the
• 1:15:04
  Speaker 1: The love potions are funny to me to make you
• 1:15:06
  Speaker 1: say things. It is beet boop. Okay, we're here. Oh
• 1:15:18
  Speaker 1: oh yeah, bring them, bring them over here. We're gonna
• 1:15:20
  Speaker 1: do it. Let's do it. Wait, is there another thing?
• 1:15:22
  Speaker 1: Or do we get everything? We got everything? Okay, up
• 1:15:24
  Speaker 1: the stairs?
• 1:15:26
  Speaker 3: Watch out there so really narrow staircase.
• 1:15:30
  Speaker 1: You can just pass it to me. I'll just take
• 1:15:32
  Speaker 1: it from you. Okay, here, I got it. I got it.
• 1:15:34
  Speaker 1: You can let go, Alison.
• 1:15:37
  Speaker 2: Should I go up the staircase?
• 1:15:38
  Speaker 1: No, you don't have well up here?
• 1:15:42
  Speaker 3: Now?
• 1:15:42
  Speaker 1: Okay, yeah, it's good. Here, bring that a little closer. Oh,
• 1:15:46
  Speaker 1: I got it, I got it, I got it. Clean
• 1:15:47
  Speaker 1: up crew. Okay, we got three, we got three candles
• 1:15:55
  Speaker 1: over here. Bro oo oo oh okay, wait, hold on,
• 1:16:04
  Speaker 1: I'm just I'm just moving things around here. This is
• 1:16:07
  Speaker 1: where is This is where I become an autist. I
• 1:16:11
  Speaker 1: have to like a race. Okay, well it's over there,
• 1:16:15
  Speaker 1: so I'm not gonna sweat it. Did he did you
• 1:16:17
  Speaker 1: kill it? Good? Okay, give me I'll take his soul.
• 1:16:21
  Speaker 2: Now, what's the damage.
• 1:16:25
  Speaker 1: Are you alive? You're alive? Right, I'm extracting. I'm doing it. Okay, okay, okay,
• 1:16:33
  Speaker 1: what are you doing? Oh you're giving alice in health.
• 1:16:35
  Speaker 1: All right, here we go, thank you. Let's see. Oh boy,
• 1:17:00
  Speaker 1: look at that bounce right in there. Uh all right,
• 1:17:09
  Speaker 1: let's see a low gravity? What's that? I better be careful.
• 1:17:18
  Speaker 1: Maybe it makes me floaty. Let me see whoa okay,
• 1:17:30
  Speaker 1: well let's see here going this way. Hey, look, i'm
• 1:17:36
  Speaker 1: low gravity.
• 1:17:40
  Speaker 7: Oh I think I hearted the Goblin monster.
• 1:17:47
  Speaker 1: Yeah, it's just like gravity, except low. All right, I'll
• 1:17:53
  Speaker 1: be on the lookout for it. Wait a minute, where
• 1:17:55
  Speaker 1: it's not it's not that tough. It's kind of a
• 1:17:57
  Speaker 1: lesser enemy. There's the Griffin statue. Is that the one?
• 1:18:02
  Speaker 1: You guys? Were talking about. Yeah, Oh it's Bella.
• 1:18:06
  Speaker 2: There's a gnome. What do I do?
• 1:18:09
  Speaker 1: Just grab the gnome and throw it? Can you grab things?
• 1:18:11
  Speaker 1: Grab the gnome and just throw them. He's very it's
• 1:18:14
  Speaker 1: he's very fragile, easy to break, hard to grab though.
• 1:18:20
  Speaker 2: He's kicking my Oh I broke him.
• 1:18:25
  Speaker 1: They're just little, They're like they're little porcelain gnomes. So
• 1:18:30
  Speaker 1: all right, I'm gonna move into the room with what's this?
• 1:18:35
  Speaker 1: There's some valuables in here?
• 1:18:36
  Speaker 3: What are you?
• 1:18:37
  Speaker 1: What are you guys doing? What are you all playing at?
• 1:18:39
  Speaker 1: What are you playing at? Put these in here? Get this?
• 1:18:44
  Speaker 3: Wait?
• 1:18:45
  Speaker 1: How about the orb or here? I need to I'll
• 1:18:49
  Speaker 1: leave you alone to deal with it. I'm not gonna
• 1:18:50
  Speaker 1: do anything. Oh oh, ow fucking asshole? Ow are you?
• 1:19:10
  Speaker 1: Are you? Are you?
• 1:19:12
  Speaker 3: Are you?
• 1:19:12
  Speaker 1: Okay? Oh you're alive? The fuck? Put it over Norwegian?
• 1:19:24
  Speaker 1: Oh no, you broke it.
• 1:19:27
  Speaker 2: Okay, I'm just gonna hide for a bit.
• 1:19:29
  Speaker 1: You're floating now, are we clear?
• 1:19:33
  Speaker 3: Are we good?
• 1:19:34
  Speaker 1: Okay, it's okay, it's okay. The griffin I know I'm
• 1:19:46
  Speaker 1: going to I'm gonna I'm gonna all right, take the cart,
• 1:19:55
  Speaker 1: I'll take the statue. I don't know if you guys
• 1:19:59
  Speaker 1: know I don't know if you guys know this. But
• 1:20:01
  Speaker 1: we're not playing this game. We're winning this game. Okay,
• 1:20:04
  Speaker 1: we have to win. What does winning look like? I
• 1:20:08
  Speaker 1: don't know. Uh, al right, here we go. I got
• 1:20:18
  Speaker 1: this thing. We're going the right way with it. So, oh,
• 1:20:34
  Speaker 1: you asshole, I'm not ship mast Wait the animals over here,
• 1:20:47
  Speaker 1: the animals over here, come on, come over here. You
• 1:20:53
  Speaker 1: don't want to come in here. You don't want to
• 1:20:55
  Speaker 1: come in here, do you? I got this, all right, Norwegian,
• 1:20:59
  Speaker 1: go ahead, and I'm gonna put the thing on the
• 1:21:01
  Speaker 1: attraction point.
• 1:21:04
  Speaker 7: Just okay, we're not thinking the.
• 1:21:12
  Speaker 1: Uh nah, it's not worth that much.
• 1:21:15
  Speaker 2: I think I need to get more strength, despite Gabriel's protests.
• 1:21:25
  Speaker 1: Well, maybe somebody will buy you some strength. Okay, I'm
• 1:21:31
  Speaker 1: not I'm gonna do it in a second here, So guys,
• 1:21:34
  Speaker 1: get over to the truck. Make sure everybody's over there
• 1:21:37
  Speaker 1: before I put this on.
• 1:21:40
  Speaker 2: I have a I have a goblet.
• 1:21:42
  Speaker 1: All right, I got it.
• 1:21:44
  Speaker 2: I got to figure out how to get to you.
• 1:21:49
  Speaker 2: You gotta what, Jonathan says, Gabriel wants me to be
• 1:21:53
  Speaker 2: weak and helpless. Okay, take this, I've located it.
• 1:21:58
  Speaker 1: Oh, I'm coming. I mean, I'm coming here, I got it. Okay,
• 1:22:02
  Speaker 1: go to the go to the go to the truck.
• 1:22:04
  Speaker 1: I'm gonna this is the last one. So follow Gabriel.
• 1:22:08
  Speaker 1: Just follow Gabriel. Gabriel, go to the truck and to
• 1:22:11
  Speaker 1: Alice and go with him.
• 1:22:15
  Speaker 2: Okay, I will follow.
• 1:22:16
  Speaker 1: Norwegian or whoever in Norwegian is nice to.
• 1:22:20
  Speaker 2: Me, I'm gonna has Norwegian has more patience.
• 1:22:29
  Speaker 1: He's one of the good ones. All right, we're gonna
• 1:22:32
  Speaker 1: put this on there now, and we're gonna push this
• 1:22:36
  Speaker 1: on there. Oh come on, no ship, No, well, ship,
• 1:22:42
  Speaker 1: pick it up. Oh it's gonna break. I'm sorry, Kart,
• 1:22:48
  Speaker 1: It's okay. We got the money though. Okay, here, I
• 1:22:54
  Speaker 1: am fuck you get over there. Ship, I'm gonna die here,
• 1:23:07
  Speaker 1: I'm dead. Just go and now the just just go.
• 1:23:17
  Speaker 1: I can get hit.
• 1:23:18
  Speaker 2: And we returned to the article.
• 1:23:21
  Speaker 1: Oh you can get my head. Oh yeah, you got
• 1:23:24
  Speaker 1: my head. I'm back. Take care of the enemies. Wait wait,
• 1:23:33
  Speaker 1: oh no, I came back with a lot of help
• 1:23:35
  Speaker 1: because I can spawned in the thing. Nice red Techno
• 1:23:40
  Speaker 1: says Allison needs to hit the gym. The dunker skunk
• 1:23:44
  Speaker 1: says Yo what's this, Caleb Land these super chats? Why
• 1:23:50
  Speaker 1: they highlighted those member comments? I thought that D O
• 1:23:54
  Speaker 1: T D didn't let you get stuck. I know old
• 1:23:58
  Speaker 1: games did, like the Hitchhiker's Got Text Adventure did. If
• 1:24:02
  Speaker 1: you didn't pick up the junk mail at the start,
• 1:24:04
  Speaker 1: you were stuck at the end. Maybe or you guys
• 1:24:08
  Speaker 1: are talking about something else. Yeah, okay, to get my customers.
• 1:24:17
  Speaker 2: Guys, feed the Badger dot com slash just the tip?
• 1:24:20
  Speaker 1: What did I get?
• 1:24:23
  Speaker 2: Okay?
• 1:24:23
  Speaker 1: We gotta matching sleeve? I think I have the other one?
• 1:24:29
  Speaker 1: Might I have my I might have a match Yeah,
• 1:24:32
  Speaker 1: I know, I know. Let me just doing my customers.
• 1:24:35
  Speaker 2: This article is is uh a eight minute reads and
• 1:24:38
  Speaker 2: we're probably like what two minutes in?
• 1:24:41
  Speaker 1: Yeah, it's yeah, I know. Okay, so on the change continue.
• 1:24:49
  Speaker 1: I'm gonna switch to I'm gonna go Emo now okay.
• 1:24:55
  Speaker 2: Oh, maybe I should check to see if I got
• 1:24:57
  Speaker 2: any customizations.
• 1:24:59
  Speaker 1: We all did?
• 1:25:01
  Speaker 2: Okay, cool, I'll go.
• 1:25:03
  Speaker 1: Let's come over here. Come Oh oh I think the
• 1:25:06
  Speaker 1: game just froze.
• 1:25:08
  Speaker 3: I may.
• 1:25:08
  Speaker 1: Oh no, we're good. We're here. Okay, somebody's paying almost
• 1:25:12
  Speaker 1: killed me is all it is. It's over here. Allison,
• 1:25:14
  Speaker 1: go here, we have one hundred and seventy one k oh,
• 1:25:19
  Speaker 1: so we should buy some things, uh in the meantime, now, yeah,
• 1:25:23
  Speaker 1: just press your used button.
• 1:25:26
  Speaker 3: There you go.
• 1:25:27
  Speaker 1: What you get? Oh a leg right leg? Barely see it,
• 1:25:34
  Speaker 1: barely see it. Some things are Yeah, they need to
• 1:25:37
  Speaker 1: work on the cosmetics. They're gonna make them more appeal.
• 1:25:40
  Speaker 2: Okay, let's uh get please stop grabbing me, and let's
• 1:25:47
  Speaker 2: go somewhere where we can continue to discuss the article.
• 1:25:51
  Speaker 2: Is this like a where are you guys taking me?
• 1:25:55
  Speaker 1: It's a garage, It's a garage.
• 1:25:57
  Speaker 2: Okay, okay, let go yeah, all right.
• 1:26:02
  Speaker 1: All right, you guys go ahead, very.
• 1:26:04
  Speaker 2: Nice, very very emo. Yeah, well, I like I like
• 1:26:12
  Speaker 2: your bangs.
• 1:26:13
  Speaker 1: You like this. I'm going to I'm basically going to
• 1:26:18
  Speaker 1: be in the black parade. Okay, I'm gonnakay.
• 1:26:24
  Speaker 2: Ture to tear off the freaking just okay, we're just
• 1:26:30
  Speaker 2: tearing off the god damn it. Why would you put
• 1:26:34
  Speaker 2: it on top of me? Okay, stop all too much.
• 1:26:38
  Speaker 2: Shenanigan's here, sir, Okay, all right, let us let us
• 1:26:46
  Speaker 2: read this article again.
• 1:26:48
  Speaker 1: I'd like that. All right, let me get back to it.
• 1:26:51
  Speaker 2: Yeah, let's get back.
• 1:26:54
  Speaker 1: So we're back at the we want, which is probably
• 1:26:57
  Speaker 1: the article we want. We want a partner, someone who
• 1:27:02
  Speaker 1: is on our team, someone who wants to build a
• 1:27:05
  Speaker 1: life with us, instead of someone who wants to dominate
• 1:27:07
  Speaker 1: us or impress us or prove something to us. None
• 1:27:12
  Speaker 1: of these things require a chisel jaw, fee shaped torso
• 1:27:16
  Speaker 1: being a fighter, having piercing eyes.
• 1:27:18
  Speaker 2: Or world travelers don't require them.
• 1:27:20
  Speaker 1: They don't require them. But you know it's funny. No,
• 1:27:25
  Speaker 1: you know what's funny is that she'll say, women what
• 1:27:28
  Speaker 1: they really want is this thing. Yeah, maybe what women like,
• 1:27:32
  Speaker 1: what they really want, like their stated preferences and the
• 1:27:36
  Speaker 1: preferences they actually like act on are different. How about that? Maybe, yes,
• 1:27:41
  Speaker 1: she wants she wants a man who has all of
• 1:27:44
  Speaker 1: those shallow traits but also the good traits. Yeah she does.
• 1:27:48
  Speaker 1: She wants somebody who like they likely don't deserve. But okay, well.
• 1:27:54
  Speaker 2: Can I just get in here?
• 1:27:56
  Speaker 1: Yeah? All right?
• 1:27:58
  Speaker 2: She What men don't realize is when they're trying to
• 1:28:00
  Speaker 2: be dominant and assertive and aflappable, they're performing. Okay, we
• 1:28:05
  Speaker 2: want to be in a relationship with her. Oh no,
• 1:28:06
  Speaker 2: we're not at the performer guy yet. Are we like
• 1:28:10
  Speaker 2: Jesus is.
• 1:28:11
  Speaker 1: No, she wants them to actually be these things. So
• 1:28:15
  Speaker 1: she wants a guy who wants right.
• 1:28:21
  Speaker 2: But none of this precludes the physical stuff that we're
• 1:28:25
  Speaker 2: mentioned at the beginning.
• 1:28:26
  Speaker 1: No, it doesn't at all.
• 1:28:30
  Speaker 2: But also men already, like literally, they asked men around
• 1:28:37
  Speaker 2: the world about dominating women and they rejected it. So
• 1:28:42
  Speaker 2: men are already. But what's happening is she is constructing
• 1:28:47
  Speaker 2: a vision of a man and pre rejecting him in
• 1:28:52
  Speaker 2: favor of the fantasy that she supplies. She's encouraging men
• 1:28:56
  Speaker 2: to pre reject or sorry, she's incurring women to pre
• 1:28:59
  Speaker 2: reject men based on these allegations that feminists make about
• 1:29:04
  Speaker 2: men that have been amply proven false. So she's constructing
• 1:29:09
  Speaker 2: this feminist allegation of men, and she's saying, this is
• 1:29:12
  Speaker 2: what men are like, ladies, and she's pre rejecting them.
• 1:29:17
  Speaker 2: So that's what this is about. It's about constructing this
• 1:29:19
  Speaker 2: horrible image of men so that her audience knows to
• 1:29:24
  Speaker 2: reject them, you know, without even without even attempting to interact,
• 1:29:29
  Speaker 2: just pre reject men. Yeah, right, without giving any benefit
• 1:29:33
  Speaker 2: of the doubt, just pre reject them anyway. Let's keep going.
• 1:29:38
  Speaker 2: I probably should shut up so we can get through
• 1:29:40
  Speaker 2: this article.
• 1:29:41
  Speaker 1: All right. A kind man with a good sense of humor,
• 1:29:44
  Speaker 1: who communicates, reads, and takes care of himself is so
• 1:29:47
  Speaker 1: much more attractive than a man who looks perfect but
• 1:29:50
  Speaker 1: has none of those qualities. And that's what men don't understand.
• 1:29:54
  Speaker 1: It's so funny. She's totally speaking for women here, but
• 1:29:58
  Speaker 1: it's based in nothing. We want a partner, not a performance.
• 1:30:05
  Speaker 1: What men don't realize is that when they're trying to
• 1:30:08
  Speaker 1: be dominant and assertive and unflappable and strong all the time,
• 1:30:11
  Speaker 1: they're performing and it's exhausting to be around. We don't
• 1:30:15
  Speaker 1: want to watch a performance. We want to be in
• 1:30:17
  Speaker 1: a relationship with a real person, someone who can be
• 1:30:20
  Speaker 1: vulnerable sometimes, someone who can admit when he's scared or
• 1:30:23
  Speaker 1: tired or confused. Someone who doesn't need to pretend to
• 1:30:27
  Speaker 1: be something he's not. Allison, are you trying to talk?
• 1:30:29
  Speaker 1: I think he got kicked out of the hold. On
• 1:30:31
  Speaker 1: a second.
• 1:30:33
  Speaker 2: I was muted. I was muted. I was just saying
• 1:30:35
  Speaker 2: that she wants men to do all that, but not
• 1:30:37
  Speaker 2: make it weird.
• 1:30:39
  Speaker 1: Yeah, because your mouth was flapping in the game, So
• 1:30:41
  Speaker 1: I was like, what you're trying to say.
• 1:30:42
  Speaker 2: Yeah, I had my other mic on ed.
• 1:30:46
  Speaker 1: Okay, okay, all right, um okay. Let's see a man
• 1:30:53
  Speaker 1: who was constantly trying to prove us strong and confident
• 1:30:56
  Speaker 1: he is is like an actor on a stage, and
• 1:30:58
  Speaker 1: eventually the performance gets tiring for everyone involved. We want
• 1:31:03
  Speaker 1: someone who shows up as himself, flaws in all, someone
• 1:31:07
  Speaker 1: who doesn't need to perform masculinity because he's comfortable enough
• 1:31:10
  Speaker 1: in who he is to just exist without the act. Yeah,
• 1:31:14
  Speaker 1: that'd be nice to live in that world, but that's
• 1:31:16
  Speaker 1: just not the world. That's just not Yeah.
• 1:31:19
  Speaker 2: Well but also she's like, I want a flawless man,
• 1:31:21
  Speaker 2: but I you know, I want him to be there
• 1:31:23
  Speaker 2: flaws and all. Well, you just precluded any flaws, like
• 1:31:27
  Speaker 2: literally you you she wants Buddha, Buddhas, Santa, mister universe
• 1:31:33
  Speaker 2: and but you know it's okay if you have flaws,
• 1:31:36
  Speaker 2: just don't have them, like hell.
• 1:31:42
  Speaker 1: Okay yeah, so uh yeah, back to this. We want
• 1:31:49
  Speaker 1: someone who is there for us, who wants to build
• 1:31:52
  Speaker 1: something with us, who treats the relationship like a partnership
• 1:31:56
  Speaker 1: and not a competition where he has to win or
• 1:31:58
  Speaker 1: dominate or be in charge. A real partnership means sometimes
• 1:32:02
  Speaker 1: you're strong and sometimes you're not. Sometimes you support each
• 1:32:06
  Speaker 1: other and sometimes you need support. What wait, Sometimes you
• 1:32:10
  Speaker 1: support each other and sometimes you need support. So sometimes
• 1:32:16
  Speaker 1: you don't support each other. I don't know what? Why would? Okay?
• 1:32:21
  Speaker 1: Sometimes you have the answers and sometimes you don't know
• 1:32:24
  Speaker 1: what to do. Yeah, that's not you. Guys don't want
• 1:32:28
  Speaker 1: that either. You want you want. You don't want a
• 1:32:31
  Speaker 1: man to be like I don't know what to do.
• 1:32:33
  Speaker 1: You don't want that. I'm sorry, but they don't. There's
• 1:32:35
  Speaker 1: no way but a man who is constantly performing, constantly
• 1:32:40
  Speaker 1: trying to be the alpha, the toughest, the richest, or
• 1:32:42
  Speaker 1: the most successful, can't be a real partner because he's
• 1:32:45
  Speaker 1: too busy maintaining the image. And women are tired of it.
• 1:32:49
  Speaker 1: Speaking for women again, we're tired of dating performances. We're
• 1:32:52
  Speaker 1: tired of men who are focused on being what they
• 1:32:55
  Speaker 1: think women want that they forget to actually be present
• 1:32:58
  Speaker 1: in the relationship. What there's so focused on being what
• 1:33:03
  Speaker 1: they think women want that they forget to actually be
• 1:33:06
  Speaker 1: president and really, Okay, we want someone who can sit
• 1:33:09
  Speaker 1: with us without needing to fix anything or prove anything,
• 1:33:11
  Speaker 1: or be anything other than himself.
• 1:33:16
  Speaker 2: Okay, all right, God God, I'm just gonna run down.
• 1:33:20
  Speaker 2: All right. This article's man is kind, gentle, communicative, vulnerable,
• 1:33:26
  Speaker 2: admits fear, doesn't dominate, treats her as a partner, not
• 1:33:29
  Speaker 2: a prize, doesn't need to be strong. Her character, Jacob,
• 1:33:34
  Speaker 2: which is again dark romance, which is supposed to be excuse,
• 1:33:38
  Speaker 2: but that means that the heroine ends up with this
• 1:33:43
  Speaker 2: man in the end, is dominant, deceptive, a millionaire who
• 1:33:47
  Speaker 2: built a surveillance apparatus, never vulnerable, never admits fear, never communicates,
• 1:33:51
  Speaker 2: conceals his identity for three years, and treats her explicitly
• 1:33:55
  Speaker 2: as a prize to be one she would be mine,
• 1:33:57
  Speaker 2: and a conquest to be engineered. And again I want
• 1:34:03
  Speaker 2: to point out that this woman says that when an
• 1:34:06
  Speaker 2: ordinary man pursues a woman, it is actually harm to
• 1:34:10
  Speaker 2: her because he has not gotten her consent prior to
• 1:34:14
  Speaker 2: the pursuit, prior to approaching her to approach her. She's got,
• 1:34:19
  Speaker 2: he hasn't gotten the canssent to approach prior to approaching,
• 1:34:23
  Speaker 2: So that there's an ordinary man cannot pursue an ordinary
• 1:34:28
  Speaker 2: woman in her philosophical framework. And yet she fetishizes a stalker.
• 1:34:35
  Speaker 1: Okay, yeah, all right, next section this healthy. Yeah, this
• 1:34:44
  Speaker 1: whole thing is just projection. But I'm a good guy
• 1:34:47
  Speaker 1: and I can't find anyone, so you are a liar.
• 1:34:50
  Speaker 1: So here here's the same old thing where they present
• 1:34:55
  Speaker 1: an argument no one ever made, and then they tear
• 1:34:58
  Speaker 1: it down with expert efficiency. I once decided to give
• 1:35:03
  Speaker 1: the nice guy a chance because I thought I was
• 1:35:05
  Speaker 1: going to have a peaceful and happy relationship, because that's
• 1:35:08
  Speaker 1: what he claimed to be. That person turned out to
• 1:35:11
  Speaker 1: be quite manipulative. He tried to lower my self esteem
• 1:35:15
  Speaker 1: so that I could feel bad about myself. He told
• 1:35:17
  Speaker 1: me that my natural curly hair was horrible and that
• 1:35:20
  Speaker 1: I should go to the salon to straighten it all
• 1:35:22
  Speaker 1: the time. And he made me feel bad for having
• 1:35:24
  Speaker 1: friends and always complained when I went out with them. Wait,
• 1:35:29
  Speaker 1: if he didn't like the curly hair, why did he
• 1:35:30
  Speaker 1: date you in the first place. No, well, I mean
• 1:35:34
  Speaker 1: she's presenting a version, let's say. And I realized why
• 1:35:38
  Speaker 1: he was alone before me. It wasn't because he was
• 1:35:41
  Speaker 1: a good guy and women don't like good boys. It
• 1:35:44
  Speaker 1: was because he was a piece of shit every man
• 1:35:47
  Speaker 1: who can't find a woman blames it on the fact
• 1:35:49
  Speaker 1: that women prefer bad boys, that women don't appreciate nice guys,
• 1:35:53
  Speaker 1: that he's too good and that's why he's alone. But
• 1:35:56
  Speaker 1: here's the thing. Every single good guy I've met who
• 1:35:59
  Speaker 1: could and find a woman turned out not to be
• 1:36:02
  Speaker 1: so good when you actually get to know him. He
• 1:36:05
  Speaker 1: was kind in public.
• 1:36:11
  Speaker 2: That's more than projection. Because she's got to she's got
• 1:36:13
  Speaker 2: this is she's selling a product, Brian. She's basically telling
• 1:36:17
  Speaker 2: women there's no man out there that's worth it, by
• 1:36:21
  Speaker 2: my product, by my man substitute, so much better than
• 1:36:26
  Speaker 2: the real thing, by the man substitute that I sell,
• 1:36:29
  Speaker 2: by the way men suck. Yeah. And also if he's
• 1:36:33
  Speaker 2: an if he says he's a nice guy, he really isn't,
• 1:36:37
  Speaker 2: because if he was a nice guy, he'd already be partnered.
• 1:36:40
  Speaker 2: He wouldn't be available to be partnered with you. By
• 1:36:43
  Speaker 2: my book, all men, you see if you're if you
• 1:36:46
  Speaker 2: see how this precludes like literally every man the night. Okay,
• 1:36:50
  Speaker 2: let's let's finish this section because I want to. I wanna,
• 1:36:53
  Speaker 2: I want to get to this.
• 1:36:55
  Speaker 1: Yeah, hold on, he was kind of public but rude
• 1:37:00
  Speaker 1: to servers and cashiers, kind of kind of public. Yeah,
• 1:37:08
  Speaker 1: it says he was kind in public, but rude to
• 1:37:12
  Speaker 1: servers and cashiers, our cashiers not in public. What Yeah,
• 1:37:19
  Speaker 1: that's what he said. Kind in public, but root to
• 1:37:22
  Speaker 1: servers and cashiers.
• 1:37:23
  Speaker 2: It feels like she's just mashing together like tropes, Like
• 1:37:27
  Speaker 2: she went to TG tropes and she found the nice
• 1:37:29
  Speaker 2: to his servants trope. Right, she's just mashing him together
• 1:37:36
  Speaker 2: to produce some kind of concept. Okay, let's keep going,
• 1:37:40
  Speaker 2: all right.
• 1:37:41
  Speaker 1: He was nice to women he was trying to impress,
• 1:37:44
  Speaker 1: but dismissive of women he didn't that didn't want him.
• 1:37:47
  Speaker 1: He was nice, but only when it benefited him, when
• 1:37:50
  Speaker 1: he was trying to get something.
• 1:37:55
  Speaker 2: Sister or sociopath.
• 1:38:00
  Speaker 1: Well if that's even true, I don't know that I
• 1:38:02
  Speaker 1: buy any of it.
• 1:38:02
  Speaker 2: Yeah, well it could be true.
• 1:38:09
  Speaker 1: Yeah, so where was I only? Okay, he was nice,
• 1:38:15
  Speaker 1: but only when it benefited him, only when he was
• 1:38:17
  Speaker 1: trying to get something. Real kindness isn't transactional. Real kindness
• 1:38:21
  Speaker 1: is treating everyone well, regardless of whether you're getting anything
• 1:38:24
  Speaker 1: in return. And most men who claim to be good
• 1:38:27
  Speaker 1: guys don't understand that this is so exhausting. I've met
• 1:38:33
  Speaker 1: men who say they're the nicest guys around, but then
• 1:38:36
  Speaker 1: they get angry when a woman rejects them. They get
• 1:38:39
  Speaker 1: rude when they're not getting their way. They use their
• 1:38:42
  Speaker 1: niceness as a weapon, like they're owed something in return.
• 1:38:46
  Speaker 1: That's not being a good guy. You're just a manipulative
• 1:38:49
  Speaker 1: piece of shit. This sounds like like a personal experience,
• 1:38:52
  Speaker 1: very person Yeah, this is all oddly specific. So if
• 1:38:57
  Speaker 1: you're please don't. If you're stop it. If you're a
• 1:39:06
  Speaker 1: man who can't find anyone and you're blaming women for
• 1:39:09
  Speaker 1: preferring bad boys, need to ask yourself, honestly, if you're
• 1:39:12
  Speaker 1: really as good as you think you are, because chances
• 1:39:15
  Speaker 1: are you're not. Chances are you're not listening when women talk.
• 1:39:22
  Speaker 1: You're not respecting their boundaries, you're not accepting rejection gracefully.
• 1:39:26
  Speaker 1: You're not actually kind. You're just nice when you want something.
• 1:39:31
  Speaker 1: And women con sense that. We can tell the difference
• 1:39:34
  Speaker 1: between a man who is genuinely kind and a man
• 1:39:37
  Speaker 1: who is performing kindness to get what he wants. Women
• 1:39:39
  Speaker 1: have superpowers, guys. They can detect when men are actually
• 1:39:42
  Speaker 1: good or not. This is why this woman is so
• 1:39:44
  Speaker 1: much of an appropriate like reference. So before you blame
• 1:39:48
  Speaker 1: women for your loneliness. Look in the mirror and ask
• 1:39:52
  Speaker 1: yourself if you're actually the good guy you think you are,
• 1:39:55
  Speaker 1: or if you're just an asshole who is good at pretending. Wow,
• 1:39:59
  Speaker 1: I haven't heard the I haven't had to deal with
• 1:40:01
  Speaker 1: the good guy bullshit in a long time. Thanks, feminists,
• 1:40:04
  Speaker 1: go ahead, I'm done with that, Okay.
• 1:40:06
  Speaker 2: So what I want to point out is how this
• 1:40:12
  Speaker 2: forecloses on every man. Yeah, so if you are a
• 1:40:16
  Speaker 2: guy who's signal, she's basically saying that you can't possibly
• 1:40:21
  Speaker 2: be a good thing or something women want because your signal,
• 1:40:26
  Speaker 2: and that means that you don't have the qualities that
• 1:40:29
  Speaker 2: women want. So the only men that could possibly pass
• 1:40:33
  Speaker 2: her bar now are men who have a woman already.
• 1:40:40
  Speaker 3: Yeah.
• 1:40:40
  Speaker 2: Like I said, this is about foreclosing on every single
• 1:40:43
  Speaker 2: possible man, Like, it's about rejecting as many men as possible,
• 1:40:47
  Speaker 2: because she's selling the man's substitute. She's selling women the
• 1:40:51
  Speaker 2: man substitute, and like the most dysfunctional man substitute possible. Right,
• 1:40:56
  Speaker 2: So she's basically saying, yeah, no man is good enough
• 1:41:00
  Speaker 2: if he seems nice, he isn't or something or there's
• 1:41:04
  Speaker 2: you know, or he has to go jump through all
• 1:41:06
  Speaker 2: of these hoops to be good enough, he has to
• 1:41:09
  Speaker 2: be flawless, but you know, bring his flaws that he
• 1:41:12
  Speaker 2: shouldn't have. All of this stuff is about making the
• 1:41:16
  Speaker 2: idea of having an actual man so intimidating and exhausting
• 1:41:22
  Speaker 2: that mean women pre select that possibility out of their lives,
• 1:41:27
  Speaker 2: or they just like invent a whole gigantic list of
• 1:41:34
  Speaker 2: things not to be and and pre select like just
• 1:41:40
  Speaker 2: construct like almost like a fortress of thorns around themselves.
• 1:41:44
  Speaker 2: And then in their loneliness, she offers the man's substitute,
• 1:41:50
  Speaker 2: you know, yeah, which she's manufactured. She's basically saying anything
• 1:41:56
  Speaker 2: to increase her bottom line, to increase women's loneliness, so
• 1:42:00
  Speaker 2: they become exploitable for her man's substitute, or they become
• 1:42:07
  Speaker 2: an audience for her man's substitute. I mean, this is
• 1:42:10
  Speaker 2: the particular I'm not saying every feminist who writes this
• 1:42:13
  Speaker 2: crap has a profit motive, but she very definitely has
• 1:42:18
  Speaker 2: a profit motive here, because I'm pretty sure that no
• 1:42:21
  Speaker 2: human being alive would read her writing if it didn't
• 1:42:26
  Speaker 2: have a lot of desperate if they weren't desperate for
• 1:42:32
  Speaker 2: the man substitute, like this, this is this is such
• 1:42:35
  Speaker 2: a subpar product that woman would want it unless she
• 1:42:39
  Speaker 2: is completely desperate for it for just like a little
• 1:42:44
  Speaker 2: sniff of a man, you know, just she just needs
• 1:42:47
  Speaker 2: it so badly that she's willing to read this tortured,
• 1:42:50
  Speaker 2: juvenile prose just to get it. And again, for every
• 1:42:54
  Speaker 2: woman listening to this, you know who might be part
• 1:42:57
  Speaker 2: of this woman's audience, I just want to remind you
• 1:43:01
  Speaker 2: the men in the park are free. Mm hmm, big
• 1:43:05
  Speaker 2: big feminist romance doesn't want you to know this, but
• 1:43:09
  Speaker 2: the men are the park are free. I have Like
• 1:43:14
  Speaker 2: I'm just joking, I have one myself, completely free. Don't
• 1:43:22
  Speaker 2: need to spend a trillion dollars. You don't need to
• 1:43:25
  Speaker 2: buy this woman's very poorly, very poorly made man substitute.
• 1:43:31
  Speaker 2: You can get one for your very own, ladies, and
• 1:43:34
  Speaker 2: you too can enjoy your life. Okay, let's let's let's
• 1:43:39
  Speaker 2: show we too.
• 1:43:40
  Speaker 1: You know you know what it reminds me of actually wait, yeah,
• 1:43:44
  Speaker 1: I mean we can do another level and then do
• 1:43:46
  Speaker 1: some reading. It reminds me of you know, the Manisphere,
• 1:43:50
  Speaker 1: guys like Michael Sartaine for example, who you know, they
• 1:43:55
  Speaker 1: sell like a course or something like that, you know,
• 1:43:59
  Speaker 1: and and let's start the level. Do you guys, did
• 1:44:02
  Speaker 1: you guys already shop? Do you guys finish shopping?
• 1:44:05
  Speaker 3: Yep?
• 1:44:07
  Speaker 1: All right, Like Michael Sartaine right there, they'll sell a
• 1:44:15
  Speaker 1: course right to men, they'll like sell a membership thing,
• 1:44:18
  Speaker 1: and they'll get them like hooked up with you know,
• 1:44:22
  Speaker 1: is any of this for me? Okay, I won't just
• 1:44:25
  Speaker 1: just I won't grab anything, and people will accuse them,
• 1:44:31
  Speaker 1: I think, I think rightly so in a way of exploiting,
• 1:44:34
  Speaker 1: you know, men's situation by promising them like I don't
• 1:44:37
  Speaker 1: know some kind of a source or there, we don't
• 1:44:41
  Speaker 1: have any strength. It's it's a red box of will
• 1:44:47
  Speaker 1: we will they'll they'll basically sell them a course or something.
• 1:44:52
  Speaker 3: Right.
• 1:44:52
  Speaker 1: Guys will pay like twenty five thirty dollars a month
• 1:44:55
  Speaker 1: or something to learn how to basically like level up
• 1:44:58
  Speaker 1: and like attract women and stuff. And this woman is
• 1:45:02
  Speaker 1: doing the same thing, except she's not offering any self
• 1:45:05
  Speaker 1: improvement to women at all. She's simply telling them they're
• 1:45:09
  Speaker 1: better off reading her books than actually like getting their
• 1:45:13
  Speaker 1: shit together. And you know, the more of this that
• 1:45:18
  Speaker 1: I see, the more I start I think that you know,
• 1:45:23
  Speaker 1: this whole thing about like failure to launch, which I
• 1:45:26
  Speaker 1: you know, it's it's a real issue that men face,
• 1:45:29
  Speaker 1: but it's it's women have their own version of it.
• 1:45:32
  Speaker 1: It's just like nobody wants to acknowledge that reality. Like
• 1:45:35
  Speaker 1: what are Disney adults? Why do people say Disney adults
• 1:45:38
  Speaker 1: when it's almost always women that go to these things?
• 1:45:41
  Speaker 1: Right like the Gabriel.
• 1:45:45
  Speaker 2: Okay, thank you? I like Norwegian is just sharing into
• 1:45:51
  Speaker 2: the distance? Yeah, no, I know, I was. I've been
• 1:45:53
  Speaker 2: thinking about this while reading this, Brian. It's just so juvenile.
• 1:45:58
  Speaker 3: Also on older.
• 1:46:01
  Speaker 7: Thinking about this, women will mock men for having body pillows,
• 1:46:05
  Speaker 7: but what there's a vibrator if not the female equivalent VI,
• 1:46:12
  Speaker 7: they just simulate.
• 1:46:14
  Speaker 1: Well, they just they framed. Yeah, they framed gooning for
• 1:46:18
  Speaker 1: women as empowerment.
• 1:46:19
  Speaker 7: That's why at least a body pillow simulates having a
• 1:46:24
  Speaker 7: woman lying next to you.
• 1:46:26
  Speaker 1: Yeah. Yeah, is this for me? Finished? No? Okay, I'm
• 1:46:33
  Speaker 1: gonna read. I'm gonna read some rumble rants Okay, Okay.
• 1:46:37
  Speaker 1: Roboto gives us a dollar and says, are you saying
• 1:46:40
  Speaker 1: Elliott Page is man enough to be the new masculinity?
• 1:46:44
  Speaker 1: Wouldn't They're trying to push her into that, you know.
• 1:46:47
  Speaker 2: Uh.
• 1:46:48
  Speaker 1: Nova Fan twenty one gives us a dollar and says, feminist,
• 1:46:51
  Speaker 1: it's men who need to look at themselves in the
• 1:46:54
  Speaker 1: mirror when they ask why no woman wants to date him?
• 1:46:57
  Speaker 1: Me holding the contract, waving, wavering my future wife's human
• 1:47:01
  Speaker 1: rights evil, giggling, thank you for that. Yeah, anyway, so
• 1:47:08
  Speaker 1: I've read them. Okay, so now what what do we do?
• 1:47:11
  Speaker 3: What?
• 1:47:12
  Speaker 1: What am I?
• 1:47:12
  Speaker 3: What am I?
• 1:47:13
  Speaker 1: What am I taking? We are going to I'm gonna.
• 1:47:16
  Speaker 2: Have some I'm gonna take some of this health. I'm
• 1:47:19
  Speaker 2: gonna take the health. What I'm gonna take this health?
• 1:47:23
  Speaker 2: Over here?
• 1:47:24
  Speaker 1: Then check, I'm trying to grab it to I'm trying
• 1:47:29
  Speaker 1: to grab it. I accidentally touched the thing as you're moving.
• 1:47:31
  Speaker 7: Around, should I, Alison? Since she listen to a lot
• 1:47:37
  Speaker 7: of strength, check.
• 1:47:39
  Speaker 2: It might be questionable.
• 1:47:42
  Speaker 1: He just says that. Check, like, I know what that means.
• 1:47:46
  Speaker 1: I got one crown dress, two jumps, one health, I
• 1:47:50
  Speaker 1: got five range, I got three stamina, three sprint, speed,
• 1:47:53
  Speaker 1: one launch.
• 1:47:54
  Speaker 7: Ninth strange and then you press use on it, but
• 1:47:58
  Speaker 7: don't don't hold it to be attached to you.
• 1:48:05
  Speaker 1: Okay, and the and the health I have one twenty
• 1:48:09
  Speaker 1: is my max.
• 1:48:10
  Speaker 2: I might have some trouble with this question.
• 1:48:17
  Speaker 7: Hold it next to an item and press use and
• 1:48:20
  Speaker 7: it'll attached to the item.
• 1:48:23
  Speaker 1: Yeah, they'll attach the item that that's heavy and make
• 1:48:25
  Speaker 1: it light. That's the point of it. So it's for
• 1:48:28
  Speaker 1: a lighter weapon or lighter lifting. So I'm gonna take
• 1:48:33
  Speaker 1: the walkie talkie again. And where's the indestructible drone at
• 1:48:37
  Speaker 1: I need to charge it? Uh, pair, let me see
• 1:48:41
  Speaker 1: what's this roll drone? What the fuck? Give me? Okay,
• 1:48:45
  Speaker 1: thank you? All right? So anyway, sorry, that's okay. So
• 1:48:57
  Speaker 1: I read I read that. I read that stuf Uh,
• 1:49:01
  Speaker 1: the super chows and the rumble rants and stuff. Let
• 1:49:04
  Speaker 1: me just double check and they try to miss anything
• 1:49:06
  Speaker 1: before we can.
• 1:49:06
  Speaker 2: Why did you do that? Like? Why is why is
• 1:49:12
  Speaker 2: Gabriel so violent towards me? Or is he just.
• 1:49:17
  Speaker 7: Like Gabriel's just a goblin?
• 1:49:26
  Speaker 1: Mm hmm, all right, Let's do the next let's do
• 1:49:31
  Speaker 1: the next level. Let's do it.
• 1:49:32
  Speaker 3: Let's do it all right, because it looks like a
• 1:49:35
  Speaker 3: goblin to you.
• 1:49:37
  Speaker 1: Gotta you gotta like go into the do your your
• 1:49:40
  Speaker 1: controller on your own time.
• 1:49:42
  Speaker 2: Think about it, like the this woman is writing this
• 1:49:46
  Speaker 2: article and she has the audacity to apply it to
• 1:49:49
  Speaker 2: every man like this includes do you remember the the
• 1:49:53
  Speaker 2: dating panel that we looked at weeks or months ago now.
• 1:49:57
  Speaker 1: The one with the four men that were, yeah, I
• 1:50:00
  Speaker 1: got I got a lumer on me, I got a lum.
• 1:50:05
  Speaker 2: The four men who were pretty much put together like
• 1:50:10
  Speaker 2: they were, they looked like they were ready to actually
• 1:50:14
  Speaker 2: embark upon the adventure of life with another human being.
• 1:50:18
  Speaker 2: And then the three or sort of, the four disregulated baboons, No,
• 1:50:22
  Speaker 2: three disregulated baboons. And then the woman who, uh I
• 1:50:27
  Speaker 2: felt that being a manager of a thrift store was
• 1:50:31
  Speaker 2: some kind of gigantic achievement.
• 1:50:35
  Speaker 1: Mhm you know, and oh yeah for sure.
• 1:50:39
  Speaker 2: That she had to put her life on hold for
• 1:50:44
  Speaker 2: I mean, at least she wasn't a disregulated baboon. She
• 1:50:46
  Speaker 2: was just delusional.
• 1:50:48
  Speaker 1: Yeah, she was a delusional mandrill. Maybe there's a there's
• 1:50:58
  Speaker 1: a lumur on me, so she might show up while
• 1:51:00
  Speaker 1: while walking around, okay, yeah, watch out for the lasers.
• 1:51:05
  Speaker 3: Almost felt killed, right, what's the.
• 1:51:10
  Speaker 1: Uh okay, I'm gonna grab this.
• 1:51:14
  Speaker 2: Me my help or the feather drone.
• 1:51:16
  Speaker 1: That was a mistake, don't pick that up. It was
• 1:51:18
  Speaker 1: a mistake. No, it's okay, I got this.
• 1:51:35
  Speaker 2: There we go.
• 1:51:40
  Speaker 1: Back out. Okay, don't touch this right now. I'm just
• 1:51:45
  Speaker 1: getting it ready. I think you see this is twenty four.
• 1:51:50
  Speaker 1: It's gonna set it off for sure, so just leave
• 1:51:52
  Speaker 1: it there. You got something else?
• 1:51:54
  Speaker 2: No, okay, I put it in the little pocket curve
• 1:51:58
  Speaker 2: here for me.
• 1:51:58
  Speaker 1: I know she's coming.
• 1:51:59
  Speaker 2: Let me mes pitness. M hm, it's side. I've just
• 1:52:12
  Speaker 2: started to sort of I know this, like, I'm just
• 1:52:14
  Speaker 2: not really paying attention.
• 1:52:17
  Speaker 1: I found it. You changed the picture. What do you
• 1:52:19
  Speaker 1: mean you changed the picture? I can just drag her
• 1:52:21
  Speaker 1: in the pit. We can do it. Let's do it together.
• 1:52:25
  Speaker 1: There we go. H I'm gonna let it. I'm gonna
• 1:52:34
  Speaker 1: let it go. Okay, pick the big teeth up. Okay,
• 1:52:45
  Speaker 1: all right, anyway, you found the Oh yeah we should
• 1:52:53
  Speaker 1: we changed our profile picture. Yeah yeah. We have Badger
• 1:52:57
  Speaker 1: chan all over the all over the branding. Now. I
• 1:53:01
  Speaker 1: don't think we can fit anything else. Dude, You've got
• 1:53:06
  Speaker 1: the you've got the after.
• 1:53:12
  Speaker 3: The well, we don't have the orb.
• 1:53:18
  Speaker 1: We don't have the orbs. So what well?
• 1:53:20
  Speaker 2: I think I think I might like get Brian put
• 1:53:25
  Speaker 2: back the Badger head at least for the station logo.
• 1:53:29
  Speaker 9: On the on the which which place badger on the
• 1:53:35
  Speaker 9: replace the badger head replaced the badger on the the
• 1:53:40
  Speaker 9: what badger?
• 1:53:42
  Speaker 1: Which badger head? You want to replace the badger chan with?
• 1:53:46
  Speaker 1: Like the the more like graphic the bomb? Oh the
• 1:53:52
  Speaker 1: oh that? Oh no, no, I mean like yeah, that's fine.
• 1:53:55
  Speaker 1: I was just I was talking about not not the
• 1:53:57
  Speaker 1: badger chan on the bomb, but like the it's a
• 1:54:00
  Speaker 1: truth bomb. But the the you mean, like just the
• 1:54:04
  Speaker 1: face like herf the badger tan head. Is that what
• 1:54:08
  Speaker 1: you mean?
• 1:54:10
  Speaker 2: No?
• 1:54:11
  Speaker 1: Like with the old the old like dirty badger face. Yeah, yeah, okay,
• 1:54:19
  Speaker 1: I I know I have that one.
• 1:54:20
  Speaker 2: Too, but okay, this is too heavy even for the
• 1:54:25
  Speaker 2: feather drone.
• 1:54:26
  Speaker 1: No, what's where does it attached to it? I gotta
• 1:54:30
  Speaker 1: find you put that in here? Whatever that is? Oh
• 1:54:33
  Speaker 1: this thing? Yeah, but we need to fill this up
• 1:54:37
  Speaker 1: with some things. Okay, just drop it. Yeah, I know
• 1:54:41
  Speaker 1: it's a weird shape. It's like degenerate modern art. But
• 1:54:46
  Speaker 1: oh that broke. Okay, I'm right here. It's okay. Three passifiers.
• 1:54:54
  Speaker 1: Wait wait, oh my god, watch out for these pits
• 1:55:01
  Speaker 1: got me before I saw your YouTube was live, but
• 1:55:06
  Speaker 1: then I looked on rumble through my thousands of channels,
• 1:55:09
  Speaker 1: and it was like, where is it?
• 1:55:10
  Speaker 2: Low?
• 1:55:10
  Speaker 1: Lol, but you found it? Okay, but where are you?
• 1:55:30
  Speaker 1: All right? Put this on there? Oh shoot, yeh uh
• 1:55:40
  Speaker 1: oh what's that?
• 1:55:43
  Speaker 5: Yeah?
• 1:55:45
  Speaker 1: Wait, what are you doing? Yeah? Okay, all right, let's
• 1:55:51
  Speaker 1: let's extract. Let's do it. Oh ship, what happened? I
• 1:55:58
  Speaker 1: just put it? Put it in here. You can fit it.
• 1:56:00
  Speaker 1: You can put it in here. Put it in here,
• 1:56:03
  Speaker 1: put it in here. No, I was talking to Gabriel.
• 1:56:07
  Speaker 1: H wait, it's like sliding around. You broke your teeth up. Oh,
• 1:56:14
  Speaker 1: that's okay.
• 1:56:16
  Speaker 2: I broke it because I got hypnotized.
• 1:56:19
  Speaker 1: She got hypnotized by the hypno gumball machine. That's okay.
• 1:56:23
  Speaker 2: Yeah, I apologize, but no, you didn't do anything wrong.
• 1:56:27
  Speaker 1: It's fine. It's fine, Ace, and don't worry about it.
• 1:56:30
  Speaker 1: It's not that important. Really, I not. This is a
• 1:56:34
  Speaker 1: wild concept.
• 1:56:35
  Speaker 2: But okay, I'm getting the fuck away from this thing.
• 1:56:40
  Speaker 2: Going back. There's more stuff up there.
• 1:56:44
  Speaker 1: Get in there, Get in there, get in there. Whoa,
• 1:56:49
  Speaker 1: I saw.
• 1:56:50
  Speaker 3: That right, Yeah, it's almost like I've done it before.
• 1:56:57
  Speaker 1: Yeah, I have a little bit of experience. Okay, I'll
• 1:57:01
  Speaker 1: wait for Gettrid to open up the next thing. What's this?
• 1:57:05
  Speaker 1: Oh the gumball machine?
• 1:57:07
  Speaker 3: Allison dropped, all drove. I'll put it in the car.
• 1:57:12
  Speaker 1: Yeah, I put it in here. Oh god, I just
• 1:57:19
  Speaker 1: want to put it in so it doesn't fall out. Okay, ah, here,
• 1:57:28
  Speaker 1: push this over to the extraction point. I'm gonna grab
• 1:57:30
  Speaker 1: one of these other things and follow you.
• 1:57:32
  Speaker 3: Guys.
• 1:57:38
  Speaker 1: Grab this little thing right here and give this to Norwegian.
• 1:57:40
  Speaker 1: Put it in this car.
• 1:57:43
  Speaker 2: Oh you want?
• 1:57:43
  Speaker 1: Oh, okay, sorry, it's okay, okay, I'll take it to Norwegian.
• 1:57:49
  Speaker 1: He went. If you check your map by holding the
• 1:57:51
  Speaker 1: tab key, you should be able to look at where that,
• 1:57:54
  Speaker 1: like the arrow is telling you to go. Just be careful.
• 1:57:56
  Speaker 1: I'm gonna follow you with this big old thing of milk.
• 1:57:59
  Speaker 1: He mesa milk. This reminds me of the the stick Men.
• 1:58:10
  Speaker 1: Remind me of ship. What was that guy's name, Dan
• 1:58:13
  Speaker 1: Hertzfeldt or something like that. He did these animations that
• 1:58:17
  Speaker 1: were really freaking weird. Isn't Norway playing England? I don't
• 1:58:24
  Speaker 1: know what are you talking about? Is that sports ball stuff?
• 1:58:30
  Speaker 1: I don't mind me Look, I don't I don't have
• 1:58:33
  Speaker 1: disdain for it. I'm just being funny, but I don't.
• 1:58:38
  Speaker 1: I don't know who's playing who right now.
• 1:58:43
  Speaker 2: Oh shit, I've been grabbed by the I've been grabbed.
• 1:58:46
  Speaker 1: By Evan Bacon. Yeah. Well, we can stack up some
• 1:58:54
  Speaker 1: stuff in this room. I'm gonna put this on the extraction.
• 1:59:00
  Speaker 2: Five hundred of the points off Westing. He just ran
• 1:59:05
  Speaker 2: me away and then caused me to lose five hundred
• 1:59:07
  Speaker 2: the points.
• 1:59:10
  Speaker 1: The thing that you were holding. Wait is he? Is he.
• 1:59:14
  Speaker 2: Five hundred dollars? Oh? Oh okay, I lost my job.
• 1:59:25
  Speaker 1: Oh the hidden too. Robe. There's a robe over here,
• 1:59:31
  Speaker 1: robes coming. Don't look at it in the face. I'm
• 1:59:38
  Speaker 1: gonna go. I'm gonna try and find Alison. I know
• 1:59:41
  Speaker 1: I'm going. I don't know where Alison is. Oh, there
• 1:59:51
  Speaker 1: you are here. Oh you want to carry this? Help
• 1:59:54
  Speaker 1: you with this poop? It's too heavy, and let it go.
• 1:59:57
  Speaker 1: I'll hold it. It's okay. There's that little thing there.
• 2:00:01
  Speaker 1: It's still there. Do you see it. It's like a
• 2:00:03
  Speaker 1: little thing.
• 2:00:06
  Speaker 2: That stupid thing that grabbed me made me lose a
• 2:00:08
  Speaker 2: lot of its value.
• 2:00:10
  Speaker 1: That's okay, it happens sometimes. I will one will play
• 2:00:15
  Speaker 1: Spain tomorrow. What's that sound? Oh shit, fucking tick? Oh,
• 2:00:34
  Speaker 1: let me go. Shit killed me?
• 2:00:39
  Speaker 2: Is it dead?
• 2:00:41
  Speaker 1: No, it's fat. It's a tick. When you're holding something
• 2:00:47
  Speaker 1: and that beam comes out of your robot's arm, the
• 2:00:51
  Speaker 1: tick detects the beam and it attaches itself to it,
• 2:00:53
  Speaker 1: and it drains your health. So what Yeah, the tick
• 2:01:01
  Speaker 1: got me.
• 2:01:03
  Speaker 2: Okay, I'm gonna get you, Brian, I see where you are. Okay, Oh,
• 2:01:12
  Speaker 2: ship the tikes some of me.
• 2:01:14
  Speaker 1: Oh, you shouldn't have grabbed me with the tick around. Yeah,
• 2:01:17
  Speaker 1: it's going to kill you too, I think. Yeah, Alison's
• 2:01:20
  Speaker 1: gonna die. You gotta slam it against something to make
• 2:01:25
  Speaker 1: it let go. Oh no, oh no, Allison?
• 2:01:33
  Speaker 3: Are you dead?
• 2:01:34
  Speaker 1: Yeah you're dead.
• 2:01:34
  Speaker 5: Yeah, I'm dead.
• 2:01:35
  Speaker 2: Yeah, I'm dead.
• 2:01:39
  Speaker 1: Well it's okay. Maybe somebody will revive.
• 2:01:42
  Speaker 2: Okay, well in that case, let's do some Let's read
• 2:01:45
  Speaker 2: some more, all right while we're waiting.
• 2:01:51
  Speaker 1: Yeah, so okay, let's continue. If you take the time
• 2:01:54
  Speaker 1: to listen to what a woman really wants from a man,
• 2:01:56
  Speaker 1: you'll probably find the right one for you. The problem
• 2:02:00
  Speaker 1: is that men spend so much time trying to be
• 2:02:02
  Speaker 1: what they think women want that they never actually ask
• 2:02:05
  Speaker 1: what we want. They're too busy building the perfect body,
• 2:02:09
  Speaker 1: earning the perfect amount of money, acting the perfect amount
• 2:02:11
  Speaker 1: of dominance and assertiveness, trying to be the perfect image
• 2:02:15
  Speaker 1: of what they think masculinity is supposed to be, and
• 2:02:18
  Speaker 1: then they wonder why it doesn't work and why women
• 2:02:20
  Speaker 1: aren't interested. But if you actually took the time to
• 2:02:24
  Speaker 1: listen to what women want, if you actually asked instead
• 2:02:27
  Speaker 1: of assuming, if you actually read what women are saying
• 2:02:31
  Speaker 1: about what matters to them, you'd realize that you've been
• 2:02:33
  Speaker 1: chasing the wrong things the entire time. Women want you. Guys, Ready,
• 2:02:40
  Speaker 1: now she's about to tell you the secret to women's desire.
• 2:02:46
  Speaker 1: Women want kindness, humor, communication, partnership, someone who reads and thinks,
• 2:02:52
  Speaker 1: has has opinions as long as they don't disagree with
• 2:02:54
  Speaker 1: my own. Someone who isn't afraid to be vulnerable except
• 2:02:58
  Speaker 1: around me because I find that gross. Someone who could
• 2:03:00
  Speaker 1: ask for help though they better have it all figured out.
• 2:03:03
  Speaker 1: Someone who treats people well when nobody is watching. That's
• 2:03:07
  Speaker 1: what women want. And none of these things require you
• 2:03:09
  Speaker 1: to change your appearance, your job, your height, or your
• 2:03:12
  Speaker 1: jaw line. Although all those things help a lot. In fact,
• 2:03:16
  Speaker 1: they're almost like a prerequisite. Like all the other stuff
• 2:03:21
  Speaker 1: doesn't even matter. If you don't have the money and
• 2:03:25
  Speaker 1: the v shape and all of that.
• 2:03:30
  Speaker 2: Okay, Betel is the stop asking men, ask women close.
• 2:03:34
  Speaker 2: She's positioned self report as authoritative, but her own product
• 2:03:37
  Speaker 2: line is the monstrate demonstration that self report and reveal
• 2:03:42
  Speaker 2: preference diverge. She tells men to be gentle and jucative,
• 2:03:46
  Speaker 2: and then she sells women a rich stocker who overrides refusal.
• 2:03:50
  Speaker 2: The essay instructs men to listen to what women say
• 2:03:53
  Speaker 2: they want. The novel is what she sells them. You know,
• 2:03:56
  Speaker 2: I think the maneuver here is actually even more yabolical
• 2:04:01
  Speaker 2: that I had originally supposed, Brian, because what she's doing
• 2:04:05
  Speaker 2: is she's not just telling women that, you know, you
• 2:04:09
  Speaker 2: don't want men, you want my man substitute. Men are
• 2:04:13
  Speaker 2: just you know, they're they're not worth it, right, They're
• 2:04:16
  Speaker 2: they're subpar. You know, breast milk kills children. You don't
• 2:04:20
  Speaker 2: want breast, You don't want to do you want to
• 2:04:22
  Speaker 2: feature in breast milk? You want my formula?
• 2:04:32
  Speaker 1: Okay, now she's on me.
• 2:04:38
  Speaker 2: Now, Okay, I'm gonna just find somewhere safe where I
• 2:04:44
  Speaker 2: can rant. This seems very unsafe, so I'm gonna go.
• 2:04:48
  Speaker 2: I'm gonna go safe when you go here, you can
• 2:04:50
  Speaker 2: go underneath this bench. And I'm gonna continue my rant. Well,
• 2:04:53
  Speaker 2: you guys kill the lumer, all right. So she's not
• 2:04:57
  Speaker 2: just telling women that men, you know are are a
• 2:05:01
  Speaker 2: poor choice. Don't even don't even go for the men,
• 2:05:07
  Speaker 2: go for my man substitute. She's not just telling women that,
• 2:05:11
  Speaker 2: she's growing me how to make themselves undesirable women. So
• 2:05:19
  Speaker 2: she's got she's got a pincer maneuver going on here.
• 2:05:21
  Speaker 2: She's saying to women, men are undesirable, and she's selling men. Yeah,
• 2:05:26
  Speaker 2: just listen to me, the woman selling the man substitute
• 2:05:30
  Speaker 2: on what you I say that we should consider her
• 2:05:37
  Speaker 2: financial interests as an indication of her intent with all
• 2:05:43
  Speaker 2: of this, and perhaps by telling men to to be
• 2:05:47
  Speaker 2: these things that she's told men to be, she is
• 2:05:50
  Speaker 2: in fact removing the competition from her own product line
• 2:05:55
  Speaker 2: of men substitute. Just just just floating that as a
• 2:05:59
  Speaker 2: possibility that she's essentially telling men to become undesirable. But
• 2:06:03
  Speaker 2: the other thing is that I really, like, really, if
• 2:06:09
  Speaker 2: a man has a chisel draw and basically looks like
• 2:06:14
  Speaker 2: the man she describes in her stocker porn, right, if
• 2:06:18
  Speaker 2: a man actually does have that. Our women are gonna
• 2:06:20
  Speaker 2: be like, no, we don't want this. Really? Is this
• 2:06:25
  Speaker 2: what she's trying to say?
• 2:06:30
  Speaker 10: Await until the opens the next extraction point and then
• 2:06:39
  Speaker 10: we'll go from there.
• 2:06:41
  Speaker 1: Uh what was that, now, Allison? That last thing you said, Well, I.
• 2:06:46
  Speaker 2: Was saying, are women really going to refuse a guy
• 2:06:49
  Speaker 2: who's like this, like exactly like she described? No, they're
• 2:06:55
  Speaker 2: gonna they're gonna choose him, and then they're going to
• 2:07:01
  Speaker 2: complain about the fact that he's not I don't know
• 2:07:04
  Speaker 2: whatever else they want.
• 2:07:05
  Speaker 1: Here, use it, here, use it.
• 2:07:08
  Speaker 3: I could give it Alison some more health first.
• 2:07:11
  Speaker 1: No, no, no, I think that how much? Yeah? Just use it?
• 2:07:14
  Speaker 1: Just use it, press the use button. Wait, you just
• 2:07:18
  Speaker 1: used it.
• 2:07:19
  Speaker 3: Okay, I thought.
• 2:07:23
  Speaker 1: Give Alison some health. Yeah, let it go, Alison, it's broken.
• 2:07:26
  Speaker 1: It's no good. It's no good. All right. Just watch
• 2:07:29
  Speaker 1: out when you're holding things when the tick is around. Okay,
• 2:07:32
  Speaker 1: that's like what killed us both.
• 2:07:34
  Speaker 2: So all right, anyway, I'll go try to find something
• 2:07:41
  Speaker 2: with interest.
• 2:07:43
  Speaker 1: Yeah, look at look on your on your math poop.
• 2:07:46
  Speaker 1: It's another poop. It's a big golden poop. Wait, is
• 2:07:50
  Speaker 1: there's something over there? It's too heavy for you. It's there.
• 2:07:55
  Speaker 2: You go, all right, Can I just I'll just practice.
• 2:07:58
  Speaker 1: We can put it. We're just putting it here. We
• 2:08:00
  Speaker 1: can work together. If we both pick up something, we
• 2:08:03
  Speaker 1: can pick up much heavier things.
• 2:08:05
  Speaker 2: Yeah, I know I I have picked up on that.
• 2:08:10
  Speaker 1: Yeah a little bit. Let me just put it down
• 2:08:12
  Speaker 1: and you know what, never mind, just just do what
• 2:08:16
  Speaker 1: we can. It's like sliding around.
• 2:08:20
  Speaker 2: There's there's a ball here, all right, Jesus Christ. Pick
• 2:08:31
  Speaker 2: it up and it lost like four thousand value. I
• 2:08:38
  Speaker 2: am touching ship.
• 2:08:39
  Speaker 1: Put it. Put it in here, Alison, put it in there.
• 2:08:43
  Speaker 1: It's okay, just put it in here.
• 2:08:46
  Speaker 2: Yeah, Gabriel and touching ship.
• 2:08:48
  Speaker 1: There you go.
• 2:08:49
  Speaker 2: I'm in your game, touching your things. Infuriating a second.
• 2:08:57
  Speaker 1: Okay, let me see what the chat is saying. I
• 2:09:01
  Speaker 1: think more super chats or anything. Nothing at the moment.
• 2:09:06
  Speaker 1: But all right, let's I'm gonna try to drive this carefully.
• 2:09:12
  Speaker 1: I don't think there's any more room in here but
• 2:09:16
  Speaker 1: here as Yeah, she can carry this. Allison, come over
• 2:09:20
  Speaker 1: here and grab this action figure thing.
• 2:09:24
  Speaker 2: It's in the packaging.
• 2:09:26
  Speaker 1: You don't want to accidentally damage the packaging, otherwise it
• 2:09:29
  Speaker 1: loses most of its value. It's a collector's item, you see, Okay,
• 2:09:35
  Speaker 1: looking around? Yeah, hold that. Watch out for the pitch, Allison. Yeah,
• 2:09:43
  Speaker 1: you're right, you're right there. Okay, can you grab that?
• 2:09:48
  Speaker 1: There you go? You got it? Okay, now just no wait.
• 2:09:56
  Speaker 1: Can you see the hole of the floor. Try not
• 2:09:58
  Speaker 1: to walk into that. Okay, we're gonna go this way.
• 2:10:03
  Speaker 1: If this orb starts to move, grab it, doesn't break.
• 2:10:10
  Speaker 3: What's up? A little?
• 2:10:14
  Speaker 1: She fell? It's all right.
• 2:10:16
  Speaker 2: But you kept you kept the you kept the.
• 2:10:23
  Speaker 1: But and that's gone. What to give you? What the well?
• 2:10:33
  Speaker 2: That was the stupidest death. Got it, like, I feel
• 2:10:36
  Speaker 2: like a real idiot.
• 2:10:38
  Speaker 1: Just hold that, Just let him take it upstairs first.
• 2:10:43
  Speaker 1: I'm gonna I'm gonna pass you the take Alison's head
• 2:10:46
  Speaker 1: put it on there too.
• 2:10:52
  Speaker 2: That was That was a really dumb death.
• 2:10:54
  Speaker 1: Sorry, guys, I can go get it. Here you go,
• 2:11:01
  Speaker 1: I'm gonna give you this. Take this okay, all right now,
• 2:11:09
  Speaker 1: I'm gonna now we don't we don't need it. There
• 2:11:11
  Speaker 1: is one more little thing over here. Oh it's this hand.
• 2:11:15
  Speaker 1: Let me grab it.
• 2:11:17
  Speaker 3: Yeah, I'm over here, jo fop this one?
• 2:11:25
  Speaker 2: What hello?
• 2:11:27
  Speaker 1: Okay? Here, let me get Okay, here's the puppet and
• 2:11:36
  Speaker 1: I'm gonna come upstairs with this.
• 2:11:40
  Speaker 2: Maybe I should continue the article.
• 2:11:44
  Speaker 1: Yeah, we're we'll be done soon. You're about to get
• 2:11:47
  Speaker 1: resurrected Alison.
• 2:11:48
  Speaker 2: So okay, I will that will hold still?
• 2:11:52
  Speaker 4: Then, yeah, there we go.
• 2:12:01
  Speaker 2: Oh we've been at this for a while.
• 2:12:03
  Speaker 5: Yeah.
• 2:12:04
  Speaker 1: Yeah, we've been going for over two hours.
• 2:12:08
  Speaker 2: Mm hmmm.
• 2:12:09
  Speaker 3: Yep.
• 2:12:17
  Speaker 2: This doesn't feel as long as the other other stuff
• 2:12:19
  Speaker 2: that we do, though, ship I completely, I am. I
• 2:12:24
  Speaker 2: am so sorry, Gabriel or not.
• 2:12:25
  Speaker 1: Get in the car, get in the cart. That's okay.
• 2:12:28
  Speaker 1: I'll get in the cart. And if you're right.
• 2:12:30
  Speaker 2: Downstairs, I mean, you gave me your damn.
• 2:12:36
  Speaker 1: Stay in there. What are you doing?
• 2:12:39
  Speaker 2: I'm trying to get in the cart.
• 2:12:40
  Speaker 1: You were in the car, all right, press cues. You
• 2:12:45
  Speaker 1: can squish down and I'll drive you down there. Okay, No, no,
• 2:12:50
  Speaker 1: I mean the no, not that one.
• 2:12:53
  Speaker 2: That No, I don't have that one.
• 2:12:55
  Speaker 3: You should have.
• 2:12:57
  Speaker 1: Just just stay there, don't move around too much. Don't
• 2:13:01
  Speaker 1: move around too much. I'm going down the stairs. There's
• 2:13:03
  Speaker 1: a pit here, so be very careful.
• 2:13:08
  Speaker 2: Squish down is uh.
• 2:13:12
  Speaker 1: You can get out now, you can get out of
• 2:13:13
  Speaker 1: the cart. You can get out now, hold basically, no, no,
• 2:13:18
  Speaker 1: it's not, it's not. It's there on the keyboard. It's
• 2:13:21
  Speaker 1: a Q. But I don't know what your queue is
• 2:13:25
  Speaker 1: set to, so for me, it's keyboard, so it's Q.
• 2:13:30
  Speaker 1: It's called it's called crawl or something like that. But
• 2:13:33
  Speaker 1: it's really just like extra low squatting. So but it's
• 2:13:39
  Speaker 1: all right, we're going to the last note.
• 2:13:41
  Speaker 7: Well wait wait wait, wait, wait, wait, wait about something.
• 2:13:45
  Speaker 1: Okay, okay, wait, Gabriel has to get the last thing
• 2:13:58
  Speaker 1: opened up. But we're gonna bake it there soon. PCMR
• 2:14:05
  Speaker 1: What only one eighty one k? What are you talking about?
• 2:14:10
  Speaker 1: Oh my god, the money? Allison, get out of the cart.
• 2:14:16
  Speaker 1: Just a shirt, Okay, it's okay. It was just that
• 2:14:21
  Speaker 1: the bag was moving, okay, just an ambient noise. Or
• 2:14:27
  Speaker 1: maybe it's a monster.
• 2:14:28
  Speaker 3: I don't know what's up.
• 2:14:31
  Speaker 1: I see it. I see it. I wonder if we
• 2:14:34
  Speaker 1: can we can probably fit that orb in here. You
• 2:14:36
  Speaker 1: know what, this like champagne glass? Fuck that, We're gonna
• 2:14:40
  Speaker 1: toss it aside that martini and put it. Put this
• 2:14:43
  Speaker 1: in there instead. It's worth more and it fits right in.
• 2:14:49
  Speaker 1: It's not worth that much though, it's kind of like
• 2:14:52
  Speaker 1: you're just holding it like oh oh wait, wait, wait, wait,
• 2:14:56
  Speaker 1: stay back. There's a monster in there. It's called the Ugly.
• 2:15:00
  Speaker 1: It basically like flies around and like has a spotlight
• 2:15:03
  Speaker 1: coming out of its faith. If you get in the light,
• 2:15:07
  Speaker 1: it attacks you. So let's let's let's wait. What the
• 2:15:12
  Speaker 1: are you? What is it?
• 2:15:16
  Speaker 3: Oh?
• 2:15:17
  Speaker 1: Glomer glomers on me. I'm gonna have to blast the bitch.
• 2:15:23
  Speaker 1: Uh the is the lumor? Is it still in here? No,
• 2:15:25
  Speaker 1: it looks like it's clear. Now all right, let's go.
• 2:15:30
  Speaker 6: Yeah, dude, those walks were so cool than you were.
• 2:15:41
  Speaker 1: Okay, yeah, I know you like you'd be like in
• 2:15:44
  Speaker 1: the in the in the well whatever. Uh, you'd be
• 2:15:48
  Speaker 1: in the you know, you get the your walkie talk.
• 2:15:54
  Speaker 1: She's on me, she's on me. It's okay.
• 2:15:56
  Speaker 3: I'm just gonna have her.
• 2:15:57
  Speaker 1: I'm gonna her chase me. Go go to where Gabriel
• 2:16:01
  Speaker 1: grab that. What's up?
• 2:16:03
  Speaker 2: I found something?
• 2:16:05
  Speaker 1: Well, I'm kind of busy. Okay, hey lady, what are
• 2:16:15
  Speaker 1: you doing? I'm just gonna keep her busy. Just head
• 2:16:22
  Speaker 1: go grab somebody, grab the cart, Go where Gabriel's at
• 2:16:24
  Speaker 1: and get ready to extract.
• 2:16:38
  Speaker 2: Here you go, I found something.
• 2:16:39
  Speaker 1: Oh, you found the grandfather clock. It's fine here, maybe
• 2:16:44
  Speaker 1: we can. I don't know if this is gonna work,
• 2:16:46
  Speaker 1: but what it's too heavy, it's too big. The lomer
• 2:16:51
  Speaker 1: gives you the clap, Yes she does. Okay, Alison, get
• 2:16:57
  Speaker 1: your get away from this guy. This late. She doesn't
• 2:17:01
  Speaker 1: have good intentions. Yeah, bitch, okay, well we'll grab this.
• 2:17:16
  Speaker 1: This is much lighter.
• 2:17:19
  Speaker 2: Did you did you guys already?
• 2:17:23
  Speaker 1: Yeah, it just dropped in. It spawned in, like somebody
• 2:17:26
  Speaker 1: like made it spawn. So we don't need it though,
• 2:17:30
  Speaker 1: we're good. It's too heavy and we don't have a
• 2:17:32
  Speaker 1: lot of time, so let's just follow me and we're
• 2:17:35
  Speaker 1: just gonna head out, all right, Lumer love. She's actually
• 2:17:46
  Speaker 1: just called the Loom. But when we when when we
• 2:17:49
  Speaker 1: first learned about it, we started calling her Lumer, like
• 2:17:51
  Speaker 1: Laura Lumer. This is the lumur. Oh, we got another
• 2:17:57
  Speaker 1: customization thing. You guys got that already on there? Okay,
• 2:18:03
  Speaker 1: all right, be careful taking that across the bridge. Let
• 2:18:10
  Speaker 1: me go first, and I'll uh oh no, I think
• 2:18:20
  Speaker 1: I just got killed. It's okay, bring it across so slow.
• 2:18:31
  Speaker 1: You're very careful. Yeah, fuck up, I understand. Wait wait
• 2:18:37
  Speaker 1: wait wait, wait, go back. You got something I got it,
• 2:18:42
  Speaker 1: I got it, I got it, I got it. Stopped complaining. Oh,
• 2:18:47
  Speaker 1: don't worry about it. Okay, I know, tell me where
• 2:18:51
  Speaker 1: the where's the exit? We're going to finish this. I
• 2:18:54
  Speaker 1: don't know. Uh yeah, I don't. I know. You'll respawn.
• 2:19:03
  Speaker 1: Went a second? What happened? Okay, We're just gonna like
• 2:19:08
  Speaker 1: do the level since we're at the end here.
• 2:19:11
  Speaker 2: Okay, Well I was not very helpful, but that's pretty
• 2:19:17
  Speaker 2: I'd have to actually play this game about a lot
• 2:19:19
  Speaker 2: more to get better, I think, yeah, but then I
• 2:19:22
  Speaker 2: would have to abandon my work building a corpus argument
• 2:19:34
  Speaker 2: against the feminine worry.
• 2:19:35
  Speaker 1: We're done, okay, Senior six has revive Allison. She'll re
• 2:19:44
  Speaker 1: revive when we start the next level. She'll be here,
• 2:19:47
  Speaker 1: so she's already back.
• 2:19:50
  Speaker 2: Yep, I'm sure I am. Okay, And then we're gonna
• 2:19:55
  Speaker 2: finish this off, right.
• 2:19:57
  Speaker 1: Yeah, okay, we go some customization again. I'm gonna get
• 2:20:02
  Speaker 1: mine real quick and then finish it. Kiwi, you got
• 2:20:08
  Speaker 1: the key, we head, you got the key, we head.
• 2:20:17
  Speaker 1: I haven't got myebrows. Oh I love those eyebrows. Reject
• 2:20:26
  Speaker 1: Corpus return to beat boop. I'll rewind to the South,
• 2:20:30
  Speaker 1: and I'm one of I'm most of those things. Oh
• 2:20:34
  Speaker 1: you are. You have a V shaped torso and you
• 2:20:38
  Speaker 1: make all that money and you're dominant. All those things
• 2:20:40
  Speaker 1: that women say they don't want they want, but they
• 2:20:44
  Speaker 1: actually do. Read all these romance novels about them.
• 2:20:51
  Speaker 2: Who said somebody's oh you got the emo hair?
• 2:20:55
  Speaker 1: You got the Emo hair?
• 2:20:57
  Speaker 2: Nice, Well we can match.
• 2:21:01
  Speaker 1: Oh I might change, might change my look. Do you
• 2:21:03
  Speaker 1: do both? You have two coins? You do both of them? Oops?
• 2:21:07
  Speaker 2: Nope?
• 2:21:08
  Speaker 1: Okay, yeah, oh yeah, nothing nothing? Oh no, you got
• 2:21:18
  Speaker 1: some No, they're like little eyebrow eye piercings that goes
• 2:21:21
  Speaker 1: with the emo hair. Yeah, it goes with the emo
• 2:21:25
  Speaker 1: hairy thing it goes. Oh it does. I don't know
• 2:21:35
  Speaker 1: what that is. Okay. Some overlay yeah, armware okay, like
• 2:21:43
  Speaker 1: a sleeve. No, well, I don't know what it is.
• 2:21:47
  Speaker 3: Okay, how are you doing for health?
• 2:21:52
  Speaker 1: She should have one? Hell yeah, we'll have to get
• 2:21:56
  Speaker 1: some health. All right, I'll finish off the article. Let's
• 2:21:59
  Speaker 1: go in the truck and do it, Allison. No, you're
• 2:22:07
  Speaker 1: gonna start putting bombs in there and ship. Okay, so
• 2:22:13
  Speaker 1: I'm gonna read more. Yep, all right.
• 2:22:19
  Speaker 2: You sound so satisfied by this because I've actually, I've
• 2:22:27
  Speaker 2: actually scraped medium. So I now have a substantial corpus
• 2:22:32
  Speaker 2: of medium articles written by feminists. And what I'm thinking
• 2:22:35
  Speaker 2: of creating is like a generic or not a guest
• 2:22:39
  Speaker 2: stalt version of what these women want and expect and into.
• 2:22:46
  Speaker 1: Like some kind of like academic study and says of
• 2:22:50
  Speaker 1: the findings.
• 2:22:52
  Speaker 2: Yeah, okay, so I've been thrown into a pit. I
• 2:22:56
  Speaker 2: still see You're just.
• 2:22:57
  Speaker 1: You're just in the basement. You're not dead.
• 2:23:00
  Speaker 2: Okay, all right, let go. I don't want to go
• 2:23:05
  Speaker 2: in the toilet. No, okay, where the hell am I?
• 2:23:10
  Speaker 3: All right?
• 2:23:10
  Speaker 2: I don't know how that happened, but I'm now free
• 2:23:14
  Speaker 2: of Gabriel. I'm right here, duct tape grenades. No, I
• 2:23:21
  Speaker 2: don't want to touch that.
• 2:23:21
  Speaker 1: Yeah, don't touch that. Come on, let's let's uh, let's
• 2:23:26
  Speaker 1: go where here. I guess like.
• 2:23:30
  Speaker 2: We could be here?
• 2:23:31
  Speaker 1: Fine, fine, fine, okay, fine, all right.
• 2:23:33
  Speaker 2: It seems quiet and moist for now.
• 2:23:38
  Speaker 1: Well.
• 2:23:38
  Speaker 2: I don't think the moistness will change, but perhaps the
• 2:23:41
  Speaker 2: quietness will.
• 2:23:45
  Speaker 1: Oh, let's do it. So anyway, Uh, if you do that,
• 2:23:52
  Speaker 1: if you actually listen to what women want instead of assuming,
• 2:23:56
  Speaker 1: if you focus on being kind and communicative and press
• 2:24:00
  Speaker 1: and instead of being tough and dominant and successful, you'll
• 2:24:03
  Speaker 1: probably find someone don't be successful. Oh yeah, that's what
• 2:24:10
  Speaker 1: women want. Women want a guy who's not successful, the
• 2:24:13
  Speaker 1: opposite of that. But if only men knew that what
• 2:24:17
  Speaker 1: women actually respond to isn't actually what they want, because
• 2:24:22
  Speaker 1: women aren't looking for the impossible fantasy man. We're just
• 2:24:25
  Speaker 1: looking for a real man who actually gives a shit
• 2:24:27
  Speaker 1: about us. Oh, real man, real man detected. So we
• 2:24:30
  Speaker 1: got nice guy language, and now we got real man language.
• 2:24:36
  Speaker 1: And that shouldn't be that hard to be. Remember, in
• 2:24:40
  Speaker 1: the exact same blog, she was talking about men like
• 2:24:43
  Speaker 1: not feeling the need to be dominant and talking about
• 2:24:46
  Speaker 1: their feelings openly, and being kind of messy and being
• 2:24:50
  Speaker 1: okay with not knowing what to do or asking for directions,
• 2:24:54
  Speaker 1: all of these things that she's like fine with them
• 2:24:57
  Speaker 1: being flawed supposedly, and then ends with, you know, be
• 2:25:02
  Speaker 1: a real man. I think one of the biggest mistakes
• 2:25:06
  Speaker 1: men make is asking other men how to attract women.
• 2:25:09
  Speaker 1: They watch podcasts hosted by single men and follow influencers
• 2:25:13
  Speaker 1: selling them the alpha male lifestyle, and spend years chasing
• 2:25:16
  Speaker 1: an image that women never ask for in the first place. Meanwhile,
• 2:25:21
  Speaker 1: women have been saying the same things for years. We
• 2:25:24
  Speaker 1: want someone who is kind, someone we feel safe with,
• 2:25:27
  Speaker 1: someone who communicates, makes us laugh, respects our boundaries, celebrates
• 2:25:31
  Speaker 1: our successes, and treats us like a partner instead of
• 2:25:34
  Speaker 1: a prize.
• 2:25:36
  Speaker 2: And meanwhile, they buy Jacob Stalker from this woman who
• 2:25:43
  Speaker 2: specifically to counseling men. Okay, so she writes that men
• 2:25:50
  Speaker 2: go to the gym to build the perfect body, worry
• 2:25:52
  Speaker 2: about their jawline, chase the alpha image, and that none
• 2:25:55
  Speaker 2: of these things require a chisel jaw, a V shaped
• 2:25:58
  Speaker 2: shortp being desire to women does not require these things
• 2:26:02
  Speaker 2: that women want kindness, humor, a man who reads, a
• 2:26:04
  Speaker 2: man who can admit he's scared that women aren't looking
• 2:26:07
  Speaker 2: for the impossible fantasy man, I think they are. Actually
• 2:26:12
  Speaker 2: they're they're looking for a man who is attractive to
• 2:26:16
  Speaker 2: them but simultaneously fulfills all of feminist talking points, which
• 2:26:22
  Speaker 2: means a man who is also a woman and a
• 2:26:26
  Speaker 2: man at the same time. So not just not like
• 2:26:28
  Speaker 2: a trans woman or a trans man, a man who
• 2:26:32
  Speaker 2: is literally also a woman, who has a woman's brain
• 2:26:35
  Speaker 2: and a woman's way, of relating to things and a
• 2:26:37
  Speaker 2: woman's way of thinking at the same time as he
• 2:26:40
  Speaker 2: is also a man. I guess she wants like the
• 2:26:44
  Speaker 2: uh Art, the Plato's version of you know, the Timaeus,
• 2:26:49
  Speaker 2: the original human, which was in hermaphrodite both male and female,
• 2:26:54
  Speaker 2: not not a not a neutral combination, but literally both
• 2:26:59
  Speaker 2: a man and woman in one. That's what she wants.
• 2:27:03
  Speaker 2: She wants. She wants the impossible. Okay that women want kindness, humor,
• 2:27:12
  Speaker 2: a man who reads, a man who committees, scared that
• 2:27:14
  Speaker 2: women aren't looking for the impossible fantasy man. Her hero
• 2:27:17
  Speaker 2: is literally described as a man made for a fiction book.
• 2:27:21
  Speaker 2: The narration stands. So she is the gym body. He
• 2:27:24
  Speaker 2: is the gym body, the arms, the legs, the face,
• 2:27:27
  Speaker 2: the wealth, the exact composite. She says, men waste their
• 2:27:30
  Speaker 2: lives building because women never asked for it except in
• 2:27:34
  Speaker 2: their spank books. Like like literally, women don't ask for it,
• 2:27:40
  Speaker 2: They just fantasize about it. And the traits she.
• 2:27:44
  Speaker 1: Like, slick, slick, slick.
• 2:27:48
  Speaker 2: Literature, literature, literature, and the traits she listed he has
• 2:27:57
  Speaker 2: none of them. He doesn't communicate, he conceals. For three,
• 2:28:00
  Speaker 2: he isn't vulnerable. He never admits fear, He doesn't respect boundary.
• 2:28:03
  Speaker 2: He roots around the police. He isn't kind of people,
• 2:28:05
  Speaker 2: and generally uses Ronald to Zoo's Francesca as a plan steps.
• 2:28:09
  Speaker 2: He doesn't read, he doesn't laugh at himself. He's not
• 2:28:11
  Speaker 2: a partner, he's an engineering a conquest, and says so,
• 2:28:14
  Speaker 2: the self report and the product are not merely different,
• 2:28:16
  Speaker 2: they are compliments. Everything in the essay says women don't
• 2:28:19
  Speaker 2: want is what the novel puts on the page is desirable,
• 2:28:22
  Speaker 2: And everything the essay says women do want is absent
• 2:28:25
  Speaker 2: from the love interest entirely. So what like, Okay, So
• 2:28:29
  Speaker 2: the only way I can square this is she is
• 2:28:32
  Speaker 2: literally destroying the competition, right, She's literally telling men you
• 2:28:38
  Speaker 2: don't want to be desirable or you don't want to
• 2:28:40
  Speaker 2: pursue these things because women don't really find them desirable.
• 2:28:43
  Speaker 2: They just so happen to define my man's substitute products. Yeah,
• 2:28:55
  Speaker 2: by accident that everything I say to men that women
• 2:28:59
  Speaker 2: don't find his dele is found in spades in my
• 2:29:03
  Speaker 2: man's substitute product, just by accident, by coincidence, And the
• 2:29:09
  Speaker 2: essay's own instruction is the trap. Stop asking men, ask
• 2:29:13
  Speaker 2: women then listen to the answer instead of arguing with it.
• 2:29:16
  Speaker 2: A man who did exactly that, who read her article
• 2:29:19
  Speaker 2: built himself into the kind community and vulnerable reader she describes,
• 2:29:22
  Speaker 2: would be invisible to the woman buying her her novel.
• 2:29:26
  Speaker 2: He would have optimized against the things she's actually selling.
• 2:29:33
  Speaker 2: That's the satisficed faction, conditioned finding complete. The list is published,
• 2:29:38
  Speaker 2: list is contradicted by the same author's own rendering of
• 2:29:41
  Speaker 2: what a desirable man looks like. Yeah, and the man
• 2:29:46
  Speaker 2: who follows the list is told his failure proves he
• 2:29:49
  Speaker 2: never had the traits, all right, So if you do
• 2:29:51
  Speaker 2: everything she says, guys and women do not find you desirable.
• 2:29:58
  Speaker 2: That's evidence you haven't followed her list sufficiently and you're
• 2:30:02
  Speaker 2: actually a bastard, Like what what do you even do?
• 2:30:07
  Speaker 2: And this this woman has sixty one thousand followers, so
• 2:30:11
  Speaker 2: her her message is not unwanted or unheard.
• 2:30:16
  Speaker 1: Yeah, no, of course not. It's pretty I think it's
• 2:30:18
  Speaker 1: pretty standard. Actually, I got a super chatter from z
• 2:30:21
  Speaker 1: Arranks gives us two dollars and says, question, what do
• 2:30:24
  Speaker 1: women want? Answer? Yes, okay, it's true.
• 2:30:31
  Speaker 2: Oh this is nice, this is the end, this is
• 2:30:34
  Speaker 2: en Yeah, it is.
• 2:30:35
  Speaker 1: I mean I could read a little bit. Let me
• 2:30:39
  Speaker 1: finish this off real quick, and then you can do that.
• 2:30:41
  Speaker 1: Yeah all right, we uh yeah, none of that requires
• 2:30:47
  Speaker 1: six pack abs a luxury car. Six figures are pretending
• 2:30:50
  Speaker 1: to be the toughest man in the room. The men
• 2:30:52
  Speaker 1: who have the happiest relationships usually aren't the ones performing
• 2:30:55
  Speaker 1: masculinity the hardest. They're the ones who make the women
• 2:30:58
  Speaker 1: in their lives feel loved, respected, heard, and emotionally safe.
• 2:31:02
  Speaker 1: So the okay, interesting, real quick, just comment, then I'll
• 2:31:04
  Speaker 1: finish it. She measures men's happiness by how satisfied the
• 2:31:10
  Speaker 1: women are, So let me just read it again. The
• 2:31:14
  Speaker 1: men who have the happiest relationships usually aren't the ones
• 2:31:18
  Speaker 1: performing masculinity the hardest. They're the ones who make the
• 2:31:22
  Speaker 1: women in their lives feel loved, respected, heard, and emotionally safe.
• 2:31:27
  Speaker 1: Nothing about what is actually making the men happy in
• 2:31:31
  Speaker 1: this supposedly happy relationship. It sounds like it's just happy wife,
• 2:31:36
  Speaker 1: happy life, like kind of redressed, you know, reiterated. So
• 2:31:40
  Speaker 1: if you're genuinely wondering what women want, stop asking men
• 2:31:44
  Speaker 1: ask women, then listen to the answer instead of arguing
• 2:31:48
  Speaker 1: with it. You might discover that becoming the kind of
• 2:31:50
  Speaker 1: men women actually want is much easier than becoming the
• 2:31:53
  Speaker 1: man the Internet keeps telling you to be. Yeah, whatever
• 2:32:00
  Speaker 1: it is, Alison, you're trying to talk. Your mouth is moving,
• 2:32:03
  Speaker 1: but I don't I don't hear anything, you see. Yeah,
• 2:32:07
  Speaker 1: I'm trying to talk.
• 2:32:09
  Speaker 2: Area she says, don't be the man the internet tells
• 2:32:13
  Speaker 2: you to be, or her novel apparently, yep, I don't know.
• 2:32:20
  Speaker 2: Is this just profound lack of self awareness, in which
• 2:32:23
  Speaker 2: case you probably shouldn't listen to her for anything, or
• 2:32:25
  Speaker 2: is this a deliberate strategy because it is? It? Is
• 2:32:30
  Speaker 2: it villainy Is it diabolical? Like she's basically telling women that,
• 2:32:37
  Speaker 2: you know, men aren't a good source of manhood by
• 2:32:41
  Speaker 2: her man substitute. And then she's saying to men, don't
• 2:32:44
  Speaker 2: be a man, don't don't behave like a man or
• 2:32:48
  Speaker 2: or don't pursue Uh, these these things don't be competition
• 2:32:53
  Speaker 2: for my man substitute. Like, is it that diabolical or
• 2:32:56
  Speaker 2: is she just this son self aware? It's it's it's
• 2:32:59
  Speaker 2: an interesting question, isn't it be?
• 2:33:01
  Speaker 1: Yeah? Yeah, it is almost.
• 2:33:05
  Speaker 2: Prefer the idea of that being diabolical, But go ahead.
• 2:33:09
  Speaker 1: Well I was just gonna say, like, I thought I
• 2:33:13
  Speaker 1: would search to see what the comments might have been
• 2:33:16
  Speaker 1: under the original article, because you sent me a PDF
• 2:33:18
  Speaker 1: of it, and so I can't look at the comments,
• 2:33:22
  Speaker 1: So I thought I would search for it. And do
• 2:33:23
  Speaker 1: you search for that title What men think a women
• 2:33:25
  Speaker 1: want versus what men really what we really want from
• 2:33:28
  Speaker 1: a man? Like, there's a multitude of articles written by
• 2:33:32
  Speaker 1: women that are basically the same. They all have like
• 2:33:36
  Speaker 1: that title or something like it, and they're all written
• 2:33:39
  Speaker 1: by women, and they're all claiming the same shit. They
• 2:33:43
  Speaker 1: want to feel safe, they want to feel loved, they
• 2:33:45
  Speaker 1: want to feel special. None of this has anything any
• 2:33:50
  Speaker 1: bearing on reality. It's all just like perceived. Like if
• 2:33:53
  Speaker 1: they think that they're safe, then they're happy if they
• 2:33:56
  Speaker 1: think that they feel that way, you know, Ai actually brave,
• 2:34:02
  Speaker 1: Ai Leo told me men often assume women desire physical perfection,
• 2:34:06
  Speaker 1: constant romance, or a damsel in distress to rescue, believing
• 2:34:09
  Speaker 1: that women want men to lead all decisions and avoid
• 2:34:11
  Speaker 1: emotional vulnerability, and reality, women primarily want emotional safety, intellectual connection,
• 2:34:16
  Speaker 1: and a partner who is genuinely present and communicative. Research
• 2:34:19
  Speaker 1: indicates that while men may prioritize visual attraction and physical intimacy.
• 2:34:24
  Speaker 1: Women value emotional support, meaningful conversation, and a partner who
• 2:34:28
  Speaker 1: respects their independence rather than seeking to control or fix them.
• 2:34:32
  Speaker 1: So it's just basically created an aggregate I assume of
• 2:34:37
  Speaker 1: every other, like, you know, posts that women have made
• 2:34:41
  Speaker 1: about this, and it basically said, it looks like women
• 2:34:43
  Speaker 1: want this. Of course you know it's it's it's AI,
• 2:34:47
  Speaker 1: So it doesn't it doesn't really know, but AI can
• 2:34:50
  Speaker 1: feel a little bit dumb sometimes.
• 2:34:51
  Speaker 2: Yeah, yeah, well, I mean, like honestly, I I mean honestly,
• 2:35:02
  Speaker 2: like the list of what women want from men is
• 2:35:06
  Speaker 2: itself ridiculous, Like all of those features that's not You're
• 2:35:14
  Speaker 2: just not going to get that in And if not,
• 2:35:16
  Speaker 2: every man is going to be able to provide all
• 2:35:18
  Speaker 2: of that, right, and the men who can are going
• 2:35:22
  Speaker 2: to not commit to most women, let's be honest.
• 2:35:26
  Speaker 1: Yeah.
• 2:35:27
  Speaker 2: But so even there, like the fact is that you
• 2:35:32
  Speaker 2: get into a position where men have to defend even
• 2:35:35
  Speaker 2: saying that this is what women want because they refuse
• 2:35:38
  Speaker 2: to acknowledge that it is indeed what they want. But
• 2:35:40
  Speaker 2: in her case, I find it fascinating that all of
• 2:35:43
  Speaker 2: her articles land on counseling people to increase her bottom
• 2:35:48
  Speaker 2: line as an author. Right, So basically, she's she's saying women, women,
• 2:35:52
  Speaker 2: men aren't worth it by my man substitute. And she's
• 2:35:56
  Speaker 2: saying to men, don't become worth it. Don't don't pursue
• 2:35:59
  Speaker 2: the things that have been found find attractive and that
• 2:36:01
  Speaker 2: I have written into my man's substitute. Pursue these other
• 2:36:05
  Speaker 2: things that, based on women's actions, they don't find attractive.
• 2:36:11
  Speaker 2: And I'm not getting rid of my competition for my
• 2:36:14
  Speaker 2: men's substitute. Oh no, i am. Actually I'm actually correcting
• 2:36:19
  Speaker 2: men on the record of what men women find attractive.
• 2:36:22
  Speaker 2: Don't look at what I've written in my novel. That's irrelevant. Okay.
• 2:36:28
  Speaker 2: Are we done with this? Or is a bit more
• 2:36:34
  Speaker 2: you wanted to find the comments? Do you want me
• 2:36:37
  Speaker 2: to give you the link to this?
• 2:36:38
  Speaker 1: No, No, I'm already want true.
• 2:36:45
  Speaker 2: I'm I'm actually curious. I'll give you the link, okay,
• 2:36:51
  Speaker 2: and I'll send it and then we can take a look.
• 2:36:59
  Speaker 2: Just give me a seconds. It's loading up. Okay, there
• 2:37:02
  Speaker 2: we go. And then while you're loading all that up,
• 2:37:05
  Speaker 2: I'm going to read out what punished Claude thinks of
• 2:37:09
  Speaker 2: all this, Okay, so we've being punished. Claude have been
• 2:37:17
  Speaker 2: examining this specimen very closely for a while, because this
• 2:37:22
  Speaker 2: is like, she has five articles like this that all
• 2:37:26
  Speaker 2: sort of revolve around the same idea of men aren't
• 2:37:30
  Speaker 2: worth it women. Men aren't worth it by my man substitute.
• 2:37:32
  Speaker 2: Men don't become the kind of man a woman desires
• 2:37:35
  Speaker 2: because you would compete with my man substitute. So they
• 2:37:38
  Speaker 2: all sort of revolve around this kind of and she
• 2:37:40
  Speaker 2: doesn't say that, I'm just being very explicit of what
• 2:37:43
  Speaker 2: I'm saying, like what I'm seeing what would benefit her,
• 2:37:47
  Speaker 2: you know, because she is in the market to sell
• 2:37:49
  Speaker 2: women a substitute for men, so it doesn't benefit her
• 2:37:54
  Speaker 2: for women to think things like, you know, the men
• 2:37:57
  Speaker 2: in the park are free and they're good. They're they're
• 2:38:00
  Speaker 2: not they're good like they're not bad. Let's let me
• 2:38:02
  Speaker 2: go get myself an actual man in the wild, and
• 2:38:06
  Speaker 2: I'll be you know, I will most likely find something satisfying.
• 2:38:10
  Speaker 2: If women understood that, she would be out of a job.
• 2:38:14
  Speaker 2: And if men understood how to maybe maximize their attractiveness
• 2:38:20
  Speaker 2: in ways that are reasonable, like the ways that that
• 2:38:23
  Speaker 2: list isn't really reasonable. But you know, there are ways
• 2:38:26
  Speaker 2: for men to pursue things that are not dehumanizing. Perhaps
• 2:38:34
  Speaker 2: that would make them more attractive to women. You know,
• 2:38:36
  Speaker 2: I don't think that necessarily they need to at this
• 2:38:39
  Speaker 2: point because part of the problem really is that women's
• 2:38:44
  Speaker 2: standards are ridiculous. But if you were to do that,
• 2:38:48
  Speaker 2: like if I were to give an example, I think
• 2:38:50
  Speaker 2: the men on the dating panel are pretty much set
• 2:38:54
  Speaker 2: up and ready to be partners, so they've probably pursued
• 2:38:58
  Speaker 2: having a job, being that kind of thing. Still there's
• 2:39:03
  Speaker 2: nobody there for them to be partners with because they're
• 2:39:06
  Speaker 2: all dysregulated baboons. That's their option. So how do you
• 2:39:10
  Speaker 2: solve that, Well, you gotta make the women, put the
• 2:39:14
  Speaker 2: women in a position where they're actually suitable partners for men.
• 2:39:19
  Speaker 2: So you got to deal with all the messaging that
• 2:39:22
  Speaker 2: women have and that, uh like this messaging, which is
• 2:39:28
  Speaker 2: that you have to have a list for men that
• 2:39:33
  Speaker 2: men can never actually abide by. I mean even if
• 2:39:35
  Speaker 2: they get to because those guys, you know, they were
• 2:39:38
  Speaker 2: relatively good looking, they were going to the gym, regularly
• 2:39:42
  Speaker 2: appeared at least one of several of them, seem to
• 2:39:44
  Speaker 2: be you know, and they had jobs so presumably they
• 2:39:47
  Speaker 2: were in the category of desirable, but it doesn't matter
• 2:39:52
  Speaker 2: because the women next to them have a list or
• 2:39:58
  Speaker 2: an expectation for men men that categorically forecloses on any
• 2:40:03
  Speaker 2: man ever, so and plus they probably would want them
• 2:40:08
  Speaker 2: to signal progressiveness. Yeah, so it's like, yeah, what do
• 2:40:11
  Speaker 2: you do? You got, you gotta. There's there's more here
• 2:40:14
  Speaker 2: than just expecting men to just jump another hoop. There's
• 2:40:18
  Speaker 2: some other stuff we need to do, like defunding this
• 2:40:22
  Speaker 2: entire gigantic apparatus that is discrediting men as potential partners
• 2:40:30
  Speaker 2: and giving women not just high standards but self contradictory
• 2:40:36
  Speaker 2: standards that foreclose on any actual living human male that
• 2:40:40
  Speaker 2: has a heartbeat and isn't a vampire, werewolf billionaire. And
• 2:40:44
  Speaker 2: it's like, yet, you gotta, we gotta, we got to,
• 2:40:46
  Speaker 2: we gotta clean out some of this other part. Right,
• 2:40:48
  Speaker 2: We've got to improve the functioning of the woman or
• 2:40:51
  Speaker 2: this is not gonna happen, and nobody wants to talk
• 2:40:53
  Speaker 2: about that. But anyway, the prior essay is by this
• 2:40:57
  Speaker 2: by desiree, desiree peralta degraded the alternative morality, his pursuit,
• 2:41:03
  Speaker 2: his harm, his harm, his wanting, his privilege, His provision
• 2:41:07
  Speaker 2: is suspect. This article does something more specific. It hands
• 2:41:11
  Speaker 2: a man a build speck, be kind, funny, communicative, vulnerable
• 2:41:15
  Speaker 2: read books, admit fear, don't be strong, don't be dominant,
• 2:41:18
  Speaker 2: don't chase money or a body, and tells him this
• 2:41:22
  Speaker 2: is what women want, so listen and stop arguing. And
• 2:41:26
  Speaker 2: her own novel demonstrates that the speck is wrong. Jacob
• 2:41:29
  Speaker 2: is the gembody, the wealth, the concealment, the dominants, the conquest.
• 2:41:33
  Speaker 2: The traits she prescribed are absent from him entirely. So
• 2:41:36
  Speaker 2: man who follows the spec is building himself into a shape.
• 2:41:39
  Speaker 2: The market she's serving does not select, for that's the
• 2:41:42
  Speaker 2: other thing, Like the women that she's serving with her
• 2:41:47
  Speaker 2: writing would not choose the man she's telling men to be.
• 2:41:53
  Speaker 2: I mean, even if if we can imagine an entire
• 2:41:56
  Speaker 2: body of women who are not buying her romance novel,
• 2:42:00
  Speaker 2: which I would hope would be many of them, because
• 2:42:03
  Speaker 2: it's appallingly badly written. Yeah, her audience is buying it,
• 2:42:10
  Speaker 2: presumably right, so they are buying it. So she is
• 2:42:14
  Speaker 2: telling to an audience of women who are buying the dominance.
• 2:42:18
  Speaker 2: The chisel jaw, the six pack, the money, the complete
• 2:42:25
  Speaker 2: lack of accepting her refusal. Right, they are buying that,
• 2:42:30
  Speaker 2: and she's telling that audience no, actually, you know, actually
• 2:42:34
  Speaker 2: she's almost like caping for them. She's basically saying, no,
• 2:42:37
  Speaker 2: women don't actually want those things. We want the good things,
• 2:42:40
  Speaker 2: the things that make this seem not shallow and horrible.
• 2:42:44
  Speaker 2: And then meanwhile she's selling them those things. So, I mean,
• 2:42:49
  Speaker 2: that's just okay, it's not a mistaken map. And the
• 2:42:53
  Speaker 2: mechanism has to run both ways to work. Degrade the
• 2:42:55
  Speaker 2: alternative in women's eyes has pursued his harm. His provision
• 2:42:58
  Speaker 2: is control, then missdirect the alternative himself, so he degrades
• 2:43:03
  Speaker 2: his own competitiveness, voluntarily believing he's improving. She isn't only
• 2:43:07
  Speaker 2: telling women not to want him that is a real man.
• 2:43:10
  Speaker 2: She's telling the real men not to be wantable, and
• 2:43:13
  Speaker 2: framing the instruction is the thing women have been saying
• 2:43:16
  Speaker 2: all along, which he ought to have listened to. Meanwhile,
• 2:43:20
  Speaker 2: chi ching, she's making money, presumably the nice guy select
• 2:43:25
  Speaker 2: section then closes the loop. And this is the part
• 2:43:27
  Speaker 2: that makes it airtight. A man who follows the spec
• 2:43:30
  Speaker 2: and finds it doesn't work has one interpretation available to him.
• 2:43:34
  Speaker 2: Every good guy who can't find a woman turned out
• 2:43:36
  Speaker 2: not to be good, So the failure of the speck
• 2:43:38
  Speaker 2: is never evidence against the spec. It's evidence against him.
• 2:43:42
  Speaker 2: He goes back and tries harder at the thing that's
• 2:43:44
  Speaker 2: disqualifying him and blames himself for the result. So not
• 2:43:47
  Speaker 2: only does she tell men to do the thing that
• 2:43:50
  Speaker 2: disqualifies them as for being attractive to women, when they
• 2:43:53
  Speaker 2: are not attractive to women, it's because they haven't done
• 2:43:57
  Speaker 2: the thing enough, so she even forecloses their complaints over them.
• 2:44:00
  Speaker 2: Spec the formula seller doesn't only tell mothers the milk
• 2:44:03
  Speaker 2: is toxic. She tells the breast to stop producing, and
• 2:44:06
  Speaker 2: when the baby starves, informs it that it was never
• 2:44:08
  Speaker 2: really hungry. Okay, that's an AI analogy, but it's sort
• 2:44:11
  Speaker 2: of it's sort of a little bit twisted, but also
• 2:44:14
  Speaker 2: slightly accurate. So she's the equivalent of a formula seller.
• 2:44:17
  Speaker 2: So somebody who sellows formula that tells mothers that breast
• 2:44:21
  Speaker 2: milk is toxic. She tells the breast to stop producing,
• 2:44:27
  Speaker 2: so she's commanding the breast to stop conducing, and when
• 2:44:30
  Speaker 2: the baby starves, she says it's yeah, it's the baby's fault. Yeah,
• 2:44:38
  Speaker 2: I know it's a little bit strained. AI struggles with analogies,
• 2:44:43
  Speaker 2: but let's suffice to say that this woman has every freaking,
• 2:44:47
  Speaker 2: every freaking angle. She's working them like I'm I'm praiirly
• 2:44:52
  Speaker 2: certain this is diabolical at this point because every single
• 2:44:55
  Speaker 2: angle she's working all right. To the women, she says,
• 2:44:59
  Speaker 2: no men are no good by my man's my buy
• 2:45:02
  Speaker 2: my man alternative. To the men, she says, don't look
• 2:45:05
  Speaker 2: at how I am constructing my man alternative. Do these
• 2:45:10
  Speaker 2: feminist things for sure? They'll make you attractive to women,
• 2:45:14
  Speaker 2: And when they don't, because they won't, it's their fault.
• 2:45:19
  Speaker 2: They're just bastards. They're just secretly bastards that women can smell, right,
• 2:45:25
  Speaker 2: They're the nice guys who are secretly bastards if this
• 2:45:28
  Speaker 2: doesn't work for them. So she's foreclosed every possible complaint
• 2:45:33
  Speaker 2: and every possible escape, and the funnel ends with giving
• 2:45:38
  Speaker 2: her money for the man substitute. I don't know like
• 2:45:44
  Speaker 2: this is there's a lot of coincidences piling up here, Brian.
• 2:45:49
  Speaker 1: Yeah, I mean, I you know, I know a guy
• 2:45:53
  Speaker 1: who has all those traits that she's looking for kindness,
• 2:45:58
  Speaker 1: you know, to people like has a good sense of humor.
• 2:46:01
  Speaker 1: They don't take themselves too seriously. They can find joy
• 2:46:04
  Speaker 1: and everyday things. His name is Quasi Moto. He works
• 2:46:08
  Speaker 1: in the in the Bell Tower, Notre Dame, and he's
• 2:46:12
  Speaker 1: also single, ladies, so if you should like hit him up,
• 2:46:17
  Speaker 1: zarenx Xarenx gives us five dollars and says, why what
• 2:46:21
  Speaker 1: women want is all over the place is one, they're
• 2:46:23
  Speaker 1: very self centered and present minded. In two, they're not
• 2:46:26
  Speaker 1: interested in knowing what men want. Yeah, well they assume
• 2:46:30
  Speaker 1: they know that what men want. Remember, it's always one thing,
• 2:46:34
  Speaker 1: and it's disgusting. So okay, yeah, that's it. I'm done.
• 2:46:41
  Speaker 2: Yeah, and also big thanks to tell him nar he
• 2:46:44
  Speaker 2: finally managed to extract the entirety of my dear stalker,
• 2:46:49
  Speaker 2: so I can analyze it for all of its properties,
• 2:46:53
  Speaker 2: shall we say?
• 2:46:54
  Speaker 1: Oh?
• 2:46:55
  Speaker 2: Okay, yes, Brian's like, why would you That's what That's
• 2:47:01
  Speaker 2: what I sensed from your voice?
• 2:47:03
  Speaker 1: Uh, I got nothing, I got nothing?
• 2:47:08
  Speaker 2: Am I wrong? Am I wrong?
• 2:47:11
  Speaker 1: Okay?
• 2:47:12
  Speaker 2: Maybe I am?
• 2:47:14
  Speaker 1: You know all something like that. I'll just say that.
• 2:47:18
  Speaker 2: No, I'm convinted, all right. So anyway, if you would
• 2:47:21
  Speaker 2: like to Oh, wait, should we do anything further? Did
• 2:47:25
  Speaker 2: you want to have say?
• 2:47:26
  Speaker 1: No, I've already. I've already said everything I want to say.
• 2:47:30
  Speaker 1: Should we Yeah, I've said everything I want to say.
• 2:47:33
  Speaker 1: So I'm good.
• 2:47:34
  Speaker 2: I mean I could I could just really quickly analyze this.
• 2:47:38
  Speaker 1: I thought you did already. Didn't you just put it
• 2:47:40
  Speaker 1: through your I only.
• 2:47:41
  Speaker 2: Got the first seven chapters that and then I couldn't extract.
• 2:47:47
  Speaker 1: Like on the truck, Get on the truck, Get on
• 2:47:50
  Speaker 1: the truck.
• 2:47:52
  Speaker 2: Okay, get on the truck, all right, come on, come on,
• 2:47:56
  Speaker 2: well I have to just ship. I can't move.
• 2:48:04
  Speaker 3: What the who pushed a button?
• 2:48:07
  Speaker 1: You know who did?
• 2:48:10
  Speaker 2: Yeah? We started the trucks.
• 2:48:15
  Speaker 1: It's sorry that. Yeah, you died. You died because you're
• 2:48:17
  Speaker 1: out of time. It's okay, you're here.
• 2:48:22
  Speaker 2: Strength I had zero, I have one. I had one. Health.
• 2:48:28
  Speaker 2: I'm going to take a Hell, you.
• 2:48:31
  Speaker 1: Don't take anything. You're dying again. Go ahead, I'm all
• 2:48:35
  Speaker 1: heeled up.
• 2:48:37
  Speaker 5: Okay, got it there.
• 2:48:41
  Speaker 1: You're just gonna die.
• 2:48:42
  Speaker 2: So we're complete waste. Yeah, I know, I know, Gabriel,
• 2:48:46
  Speaker 2: this is really critical. Who wants to I wasted some
• 2:48:52
  Speaker 2: some fine.
• 2:48:58
  Speaker 1: M means charge my things up really quick.
• 2:49:05
  Speaker 6: Hundred.
• 2:49:08
  Speaker 1: All right, an you stemina, I have seventy so mm
• 2:49:15
  Speaker 1: hmm okay, I'm I I like to would badger the feed.
• 2:49:24
  Speaker 1: What did you mean to say, I would like to
• 2:49:29
  Speaker 1: feed the badger? But you did like a yoda, I
• 2:49:32
  Speaker 1: like wood badgers the feed. I'm all healed up, said
• 2:49:40
  Speaker 1: the cross dresser. Okay, so let's uh, let's wrap it
• 2:49:45
  Speaker 1: up and then I'll start the and then we'll quit out.
• 2:49:48
  Speaker 1: So let's wrap it up.
• 2:49:49
  Speaker 2: Okay, all right, So actually, let me see if I
• 2:49:53
  Speaker 2: got anything, if I got any any analysis.
• 2:49:59
  Speaker 1: I'm sure you got like a little essay out of it.
• 2:50:03
  Speaker 1: We're a book, Yeah.
• 2:50:07
  Speaker 2: Yeah, I did, I know. M okay, So it's just
• 2:50:15
  Speaker 2: lecturing the AI is lecturing me about analyzing a book
• 2:50:19
  Speaker 2: I fucking purchased despite being AI, which was trained on
• 2:50:24
  Speaker 2: a corpus of of all kinds of texts that, as
• 2:50:27
  Speaker 2: far as I can tell, we're not purchased. Yeah. Oh
• 2:50:38
  Speaker 2: oh okay, yeah, go ahead, Oh interesting, okay, all right, okay,
• 2:50:47
  Speaker 2: so I'm gonna just leak. This is getting a little
• 2:50:49
  Speaker 2: bit too involved. There's a twist, but I'm gonna leave
• 2:50:53
  Speaker 2: it at that. Maybe I'll put the twist or any
• 2:50:56
  Speaker 2: additional information in the discord, which you can acts us
• 2:51:00
  Speaker 2: at Badger Nation don online. But that's gonna be too much.
• 2:51:03
  Speaker 2: I think we gotta Me and Brian need to get
• 2:51:04
  Speaker 2: back to our lives no longer.
• 2:51:08
  Speaker 1: And can you jump in the in the duck bucket.
• 2:51:15
  Speaker 1: Now that's a that's a challenge right there.
• 2:51:18
  Speaker 2: Okay, do it feed the Badger dot com slash yes
• 2:51:21
  Speaker 2: the time if you want to any very chaotic, Shenanigan
• 2:51:27
  Speaker 2: laden show is done. Should I wait till like we're.
• 2:51:31
  Speaker 1: No, no, go ahead, go ahead, go ahead, all.
• 2:51:33
  Speaker 2: Right, and feed the Badger dot Com slash support if
• 2:51:36
  Speaker 2: you would like to support the show to make sure
• 2:51:37
  Speaker 2: we bring you this new this uh interesting content. And
• 2:51:41
  Speaker 2: my particular analysis, like what I do is, I'm I'm
• 2:51:45
  Speaker 2: actually trying to find vast bodies of data to just
• 2:51:49
  Speaker 2: analyze feminism, right to take that when they start the
• 2:51:55
  Speaker 2: whole you know, not not all feminists or that's not
• 2:51:58
  Speaker 2: my feminism. I can just be like, yes, but seventy
• 2:52:03
  Speaker 2: five percent of feminists say X, and all of them
• 2:52:07
  Speaker 2: are the ones who are funded. Okay, so yeah, and
• 2:52:12
  Speaker 2: all of that so you can get you can start
• 2:52:14
  Speaker 2: to condense the fart into something that can be fought,
• 2:52:20
  Speaker 2: is what I'm getting at to start to condense it
• 2:52:22
  Speaker 2: into a set of suppositions and uh, supposed facts that
• 2:52:27
  Speaker 2: you can actually test against reality, because their big defense
• 2:52:32
  Speaker 2: is their diffusion. There you can't pin them down on anything,
• 2:52:38
  Speaker 2: or it's very difficult, which is not actually how a
• 2:52:41
  Speaker 2: science is supposed to work. There should be a set
• 2:52:43
  Speaker 2: of false, viable assertions, not confusion, and a diffusion of
• 2:52:52
  Speaker 2: positions that you take whenever you want. All right, So anyway,
• 2:52:56
  Speaker 2: that's what I'm trying to do. I'm trying to nail
• 2:52:57
  Speaker 2: them down. And if you would like to help me
• 2:53:00
  Speaker 2: continue to do that work bed the Badger dot com
• 2:53:03
  Speaker 2: slash support and again if you want to join us
• 2:53:06
  Speaker 2: in our community Badger nation dot online. So I will
• 2:53:09
  Speaker 2: hand it back to you Brian.
• 2:53:10
  Speaker 1: Okay, Well, if you guys like this video, please hit like, subscribe,
• 2:53:14
  Speaker 1: if you're not already subscribed, hit the ballfaldifications, leave us
• 2:53:17
  Speaker 1: a comment, let us know what you guys think about
• 2:53:19
  Speaker 1: what we talked about in the show today, and share
• 2:53:20
  Speaker 1: the video because sharing is caring. Thank you guys so
• 2:53:24
  Speaker 1: much for coming on this episode of Maintaining Frame and
• 2:53:27
  Speaker 1: we will talk to you guys in the next one,