Latest / The Bootleg Kev Podcast / #44 - Big U

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#44 - Big U · The Bootleg Kev Podcast

• 0:01
  Speaker 1: We own a motherfucking bootleg CAVP. We own a motherfucking
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  Speaker 1: Yes we are welcome. Welcome to another edition of the
• 0:14
  Speaker 1: Bootlet Cat Podcast. Appreciate everybody for supporting and listening. Much
• 0:19
  Speaker 1: love to you. Uh we got a dope episode, man,
• 0:22
  Speaker 1: I want to give a shout out to Big You,
• 0:24
  Speaker 1: someone who is uh notorious figure in hip hop, La legend,
• 0:33
  Speaker 1: somebody who found Nipsey Hustle, somebody who is legendary in
• 0:40
  Speaker 1: the streets of LA and someone who is a part
• 0:45
  Speaker 1: of a new show on FX. It's called Hip Hop
• 0:47
  Speaker 1: Uncovered Really dope. Actually, the second week just aired on
• 0:53
  Speaker 1: Friday of last week. The final two episodes aired this
• 0:57
  Speaker 1: coming Friday, and and it is a really dope behind
• 1:03
  Speaker 1: the scenes look at some of the more important, under
• 1:06
  Speaker 1: underrated figures in hip hop that we've met not necessarily
• 1:08
  Speaker 1: know about, and Big U is one of them. So
• 1:12
  Speaker 1: go check that out. If you're on Hulu, you could
• 1:14
  Speaker 1: go watch that on the Hulu app catch up. And
• 1:17
  Speaker 1: then this Friday, the final two episodes will air. Hip
• 1:20
  Speaker 1: hop uncovered on FX, so we had to sit down
• 1:23
  Speaker 1: with Big U talk about a whole lot. Yo, I
• 1:25
  Speaker 1: love you this guy. He's a talker. This guy he
• 1:30
  Speaker 1: just he was just giving us all kinds of just
• 1:32
  Speaker 1: he was just going. And he's got his own podcast
• 1:35
  Speaker 1: coming soon too, which makes sense. So shout out to
• 1:38
  Speaker 1: Big U that's coming up listening. Uh, make sure you
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  Speaker 1: some drops, some lotions, et cetera. Episode number forty something
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  Speaker 1: feature in Big U Let's Get to It Boule Cab
• 3:48
  Speaker 1: Podcast with the Legend Big You is here. Well, se Man,
• 3:52
  Speaker 1: thanks for having me, Thank you for coming. I feel
• 3:55
  Speaker 1: like it's long, long, long overdue man. Yeah, yeah, yeah,
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  Speaker 1: I ain't really did know a lot of interviews into
• 4:00
  Speaker 1: up until right now. Yeah you got you know this.
• 4:05
  Speaker 1: I watched yesterday. I went to uh to uh Mele's
• 4:07
  Speaker 1: Diner and Sherman Oaks and watched the first Was it
• 4:11
  Speaker 1: the first full episode or was that two episodes? That
• 4:13
  Speaker 1: was only one? It goes so fast, right, it was
• 4:16
  Speaker 1: only that's the only episode one. So this FX show,
• 4:21
  Speaker 1: it's it's hip hop uncovered, right, hip hop uncovered, Yes, sir,
• 4:24
  Speaker 1: hip hop uncovered. It follows you and four others as
• 4:29
  Speaker 1: kind of behind the scenes factors in hip hop now
• 4:32
  Speaker 1: for people who aren't familiar with big U, I think
• 4:38
  Speaker 1: that if people were to just google big You, they're like, Okay,
• 4:40
  Speaker 1: big U is a big a gangster from LA. I
• 4:45
  Speaker 1: don't I don't want to. I I don't want to put
• 4:46
  Speaker 1: nothing on you that you know what I'm saying on camera,
• 4:49
  Speaker 1: but you know, explain to to the people who aren't
• 4:53
  Speaker 1: familiar with with who you are what you do, kind
• 4:56
  Speaker 1: of like, why is there an FX show that centered raction? Man?
• 5:02
  Speaker 1: We pitched this show Jimmy Jimmy Chris came to me,
• 5:05
  Speaker 1: uh four years ago with the idea for a show.
• 5:08
  Speaker 1: And that's at the time that everybody was starting doing
• 5:11
  Speaker 1: shows and E. E E. T had hit the It was
• 5:17
  Speaker 1: that love and hip hop and hit real big, So
• 5:19
  Speaker 1: everybody was trying to get shows. And I had already
• 5:22
  Speaker 1: done like several documentaries. What people don't know about me
• 5:25
  Speaker 1: is how much work I have done in film and
• 5:27
  Speaker 1: projects and I had. I wrote and co acted and
• 5:31
  Speaker 1: acted in Forced of Execution with Ving Range, Danny Treio,
• 5:38
  Speaker 1: and Steven Sagau. I co wrote that with the guy
• 5:42
  Speaker 1: I got banged out of that didn't get my credits,
• 5:45
  Speaker 1: but I did jam messag Jay, two Turn Troubles and
• 5:48
  Speaker 1: Microphone Documentary. I produced several different films. I managed Ving
• 5:53
  Speaker 1: Range for like seven seven eight years from baby Boy.
• 5:57
  Speaker 1: So it's just a lot of people never knew the
• 5:59
  Speaker 1: work that I've done, and so when I present projects,
• 6:03
  Speaker 1: it's crazy because uh, filmmakers are excited to see big
• 6:10
  Speaker 1: U rap music. It's scared to see their our owner.
• 6:14
  Speaker 1: Is he gonna rob us? He is he out to
• 6:17
  Speaker 1: get something? And and it's crazy because I'm more comfortable
• 6:21
  Speaker 1: in the in the in the area of making TV
• 6:26
  Speaker 1: shows and projects because I can go in the room
• 6:29
  Speaker 1: with filmmakers and people who produce in that area and
• 6:32
  Speaker 1: they see me as a story, they see me as
• 6:35
  Speaker 1: they like, Yo, you can have a mini series. Yeah,
• 6:38
  Speaker 1: and that's and their thing is that. But if I
• 6:40
  Speaker 1: go in with people who do music, it's the oh,
• 6:43
  Speaker 1: he's the blue Shita thug, or he come to rob us,
• 6:46
  Speaker 1: and they don't understand that I make most of my
• 6:49
  Speaker 1: money producing shows and that's even doing concerts. And so
• 6:54
  Speaker 1: that's what helped me get this done because people seeing
• 6:58
  Speaker 1: the vision. Yeah, I think it was like overdue. I remember,
• 7:02
  Speaker 1: I think I want to say me and Head were
• 7:04
  Speaker 1: talking about it, maybe like a year or two ago,
• 7:05
  Speaker 1: just like when is the big you like Netflix show coming,
• 7:09
  Speaker 1: not even like a documentary like someone plays you. You
• 7:12
  Speaker 1: know what I'm saying, and like just follows you through
• 7:14
  Speaker 1: your life and shit like but you mentioned people like
• 7:17
  Speaker 1: on the wrap side of things, like you definitely have
• 7:21
  Speaker 1: a stigma. Like you said, when it comes to the
• 7:24
  Speaker 1: hip hop world, people they might be intimidated or they
• 7:28
  Speaker 1: might be like, oh shit, a big us around like
• 7:31
  Speaker 1: what's going on? Type shit? Yeah, talk about your I
• 7:36
  Speaker 1: mean obviously for people who don't know, man, I mean,
• 7:37
  Speaker 1: we'll get it. We'll get into all of that. But
• 7:39
  Speaker 1: you know, you you found Nipsey. What was that O four,
• 7:42
  Speaker 1: O three? Oh oh no, I came home. You came
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  Speaker 1: home four, So it was like five oh six, O seven.
• 7:48
  Speaker 1: Was Nipsey already working with Steve no Oka brough Steve
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  Speaker 1: on Okay, Okay, I'm brought Steve on. So I come
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  Speaker 1: home on O four and in O four I miss
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  Speaker 1: Steve because Steve the time was dating my wife's niece. Okay,
• 8:03
  Speaker 1: So that's how I know Steve. I don't know Steve
• 8:06
  Speaker 1: from music. I know Steve. I bet I met him
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  Speaker 1: in a music sitting at a concert and I didn't
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  Speaker 1: have no artists at the time, so I met Steve.
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  Speaker 1: He was kind of having some kind of conflict with
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  Speaker 1: Sugar overseeing the N word, and I came home in
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  Speaker 1: two thousand and four, so when I met Steve, he
• 8:22
  Speaker 1: was kind of standing on was like whoa what something like,
• 8:24
  Speaker 1: what's something in a big U? He was like all right,
• 8:28
  Speaker 1: he was like ready to go, and I'm like, what
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  Speaker 1: was that. I had no clue about, you know, the
• 8:34
  Speaker 1: N word to see because I wasn't bresst to growing
• 8:38
  Speaker 1: on social media and all that shit yet. And so
• 8:42
  Speaker 1: that's how me and Steve met, And then he called
• 8:45
  Speaker 1: me or reached back out to me after he realized
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  Speaker 1: that I was saying that my wife he knows he's
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  Speaker 1: dating my wife's niece and they had been together for
• 8:55
  Speaker 1: like three four years. And then he was like, oh
• 8:57
  Speaker 1: wait a minute, man. He was like, man, he fuck music, man,
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  Speaker 1: you don't want to give a shit to do something else.
• 9:01
  Speaker 1: And I'm like, yeah, right. But then I was messed
• 9:05
  Speaker 1: with SUG. So I had my run with SUG for
• 9:08
  Speaker 1: a while and managing Corrupt, and then when Corrupt left SUG.
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  Speaker 1: That was early early on that was. That was early.
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  Speaker 1: That was like in the early nineties. Well, you got
• 9:16
  Speaker 1: locked up in ninety one, right now, I got locked
• 9:18
  Speaker 1: in ninety one, and then come back to two thousand
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  Speaker 1: and four. So when did you start working with Corrupt?
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  Speaker 1: That was I started with Corrupt in ninety, like eighty nine,
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  Speaker 1: nineteen eighty nine. By eighty nine ninety I met Corrupt.
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  Speaker 1: So that was technically was that technically before death Row? Right,
• 9:32
  Speaker 1: it was definitely for death Road. That's why I said
• 9:34
  Speaker 1: the death Row thing wouldn't have happened and that and
• 9:36
  Speaker 1: amongst other things. And then I had la Quan, So
• 9:39
  Speaker 1: actually my first artist wasn't Corrupt, nor did my first
• 9:43
  Speaker 1: artist I ever dealt with singularly was Laqwan popeo q
• 9:46
  Speaker 1: we had. He had a gold selling album at the time,
• 9:49
  Speaker 1: the b Time, Okay Okay, and he came to me
• 9:52
  Speaker 1: in the Foxhill Mall and asked me to manage him.
• 9:56
  Speaker 1: And he was about fifteen to sixteen at a flat
• 9:58
  Speaker 1: top and he walked to me, no, no, no, no no,
• 10:02
  Speaker 1: Well Lakwan Poppy q Kenny Keepen. He was the first
• 10:05
  Speaker 1: one I ever dealt with. So he came up to
• 10:07
  Speaker 1: you at the moment he came up to me and
• 10:08
  Speaker 1: the mall was like, man, don't want you to manage me?
• 10:10
  Speaker 1: And I'm like no. The first thing he said to
• 10:12
  Speaker 1: me was crazy. He said he you were for my father,
• 10:14
  Speaker 1: right you big here. I'm like, I don't work for
• 10:17
  Speaker 1: your father. I never worked for your father. Who's your father?
• 10:19
  Speaker 1: Then he said, mister Green, and I'm like, oh, reverse that.
• 10:23
  Speaker 1: I have done work for your father. I have a
• 10:25
  Speaker 1: great deal of respect for your father. But his father
• 10:27
  Speaker 1: was in the FEDS on his way to the fair.
• 10:29
  Speaker 1: We knew he had got pop. I was his I
• 10:31
  Speaker 1: was his father's young boy. I was one of his fathers,
• 10:34
  Speaker 1: you know. Like he called me like, you're handle some shit.
• 10:38
  Speaker 1: And then now I'm seeing his son and he got
• 10:41
  Speaker 1: this flat tip he face cleaned, and I'm like, you
• 10:44
  Speaker 1: got a song. I ain't never heard the song. And
• 10:47
  Speaker 1: then when he right, when you know what somebody tell
• 10:49
  Speaker 1: you about something, now you start hearing it everywhere. And
• 10:52
  Speaker 1: so then he called me back, came to my house.
• 10:55
  Speaker 1: He like, man, I'm gonna show you how to do it.
• 10:57
  Speaker 1: And I'm like, well, you got to show me what
• 10:58
  Speaker 1: the fuck to do, because I have no clue on
• 11:00
  Speaker 1: how to manage nothing. None of that. So then he
• 11:03
  Speaker 1: started going to He started taking me to his little shows,
• 11:06
  Speaker 1: going to his video shoes. I was going in and
• 11:08
  Speaker 1: then after a couple of months, now I'm still going
• 11:10
  Speaker 1: in and out of town hustling, and his shit got
• 11:13
  Speaker 1: even bigger. So I was seeing when he came back
• 11:15
  Speaker 1: to town. But then now I'm going I'm going to
• 11:18
  Speaker 1: the to the soda, getting my bread, coming back, and
• 11:22
  Speaker 1: so I was still messing with him. Then after about
• 11:26
  Speaker 1: you know, something happened and my crew got hit. So
• 11:29
  Speaker 1: I was kind of sitting at home and my broomfield
• 11:31
  Speaker 1: came to me and was like, I got a kid
• 11:33
  Speaker 1: named Corrupt. I want you to meet him. And so
• 11:36
  Speaker 1: I had the bread at the time, and his brother
• 11:38
  Speaker 1: had bread too, but he was like, man, come on, boy, help.
• 11:40
  Speaker 1: That's when I met Corrupt, and I started moving with Corrupt,
• 11:43
  Speaker 1: and it was kind of fast man. So it was
• 11:46
  Speaker 1: like it was like a labor of love. But and
• 11:50
  Speaker 1: how me and Corrupt relationship built because to me, it
• 11:52
  Speaker 1: was like I didn't know we even had a relationship
• 11:55
  Speaker 1: because I really hadn't done nothing for him. I wasn't
• 11:57
  Speaker 1: playing on signing him till my label to delict to
• 12:00
  Speaker 1: the table. We actually never got to the paperwork to
• 12:02
  Speaker 1: even get it done, but it was like he was signing.
• 12:05
  Speaker 1: And so I seen Corrupt one night going to go
• 12:08
  Speaker 1: do a lick with the homies, you know, going to go.
• 12:11
  Speaker 1: I pulled him out the car. I called him. He
• 12:13
  Speaker 1: tells the story all the time, and that established us right.
• 12:16
  Speaker 1: And then we would be in the garage, clown every vs.
• 12:18
  Speaker 1: Clown and wrapping. We all playing. And it was crazy
• 12:23
  Speaker 1: because I got a letter. I was on I was
• 12:26
  Speaker 1: on my sixth year in prison, and I got a
• 12:29
  Speaker 1: letter and it had three thousand dollars on it. So
• 12:33
  Speaker 1: when we get your mail, they'll send you like sometimes
• 12:36
  Speaker 1: they even send you a pictures first, or they'll send
• 12:38
  Speaker 1: you a card that you got money. And they sent
• 12:40
  Speaker 1: me the letter. Let me know, have money so I
• 12:42
  Speaker 1: can go fill out my draw. So I got three
• 12:44
  Speaker 1: thousand dollars and nobody never sent me three thousand dollars.
• 12:47
  Speaker 1: And then it was on lockdown. So I think, uh,
• 12:52
  Speaker 1: four or five days letter pictures came and it was
• 12:56
  Speaker 1: no letter, was just one thing in there and it
• 12:59
  Speaker 1: was like I love you and Corrupt, no letter, no
• 13:03
  Speaker 1: nothing that was it. And it was just a gang
• 13:04
  Speaker 1: of pictures and I'm like, damn, So he sent you
• 13:07
  Speaker 1: the three bands, sent me three bands some pictures. So
• 13:11
  Speaker 1: this was like ninety four ninety five, No, this would
• 13:13
  Speaker 1: have been ninety six ninety seven. It was so this
• 13:17
  Speaker 1: was like I was already in like because I wasn't
• 13:19
  Speaker 1: at Calipat no more. I was at what was I
• 13:24
  Speaker 1: It was like ninety six ninety seven Crups already you
• 13:27
  Speaker 1: know established, Yeah, because it was before a week of
• 13:30
  Speaker 1: Freaky came out. Yeah, that was after he left and
• 13:33
  Speaker 1: did the answer thing and the corrupt right, Okay, yeah,
• 13:35
  Speaker 1: you're right, you're right. So it was then he was
• 13:37
  Speaker 1: still with dev By that time, dog food was already
• 13:40
  Speaker 1: out dog pounds. It was before dog food because he
• 13:43
  Speaker 1: had got some when it was before. So when was that?
• 13:44
  Speaker 1: I think that was ninety five ninety five. That's when
• 13:47
  Speaker 1: he shit. That's when he hit me crazy and then
• 13:50
  Speaker 1: he then we came off lockdown and I called my wife.
• 13:53
  Speaker 1: My wife like, did you get the letter from Ricky?
• 13:55
  Speaker 1: And I'm like yeah, you got the win And I'm
• 13:57
  Speaker 1: like yeah, I want this store and everything, and I'm
• 13:59
  Speaker 1: like wall yeah, And I called him and then shortly
• 14:01
  Speaker 1: after that he brought me a cell phone like he
• 14:04
  Speaker 1: I had like the first cell phone in prison. Technically
• 14:06
  Speaker 1: that was contraband, right, Hello, that's a record label, by
• 14:12
  Speaker 1: the way, we contryband. No. So, uh so you when
• 14:16
  Speaker 1: you got out of jail, you said you were rocking
• 14:17
  Speaker 1: with Sugar. Yeah, and so explain to me that because
• 14:20
  Speaker 1: because you know Sugar is a very uh blooded he's
• 14:24
  Speaker 1: a well no, no, he's just a you know people.
• 14:27
  Speaker 1: People either have amazing things to say about him or
• 14:30
  Speaker 1: they got very polarizing, you know what I'm saying. So
• 14:33
  Speaker 1: when you got out, well, well my little brother got
• 14:37
  Speaker 1: killed first, my little brother got killed at the studio.
• 14:39
  Speaker 1: Were Corrupt now corrupt key rocking all them? So that
• 14:42
  Speaker 1: kind of like Sugar was in jail. I was in
• 14:46
  Speaker 1: jail yet not that he was. That kind of like
• 14:50
  Speaker 1: pondered us together, like when my little brother got killed, Sugar,
• 14:52
  Speaker 1: because Corrupt wanted to go back to death row. He
• 14:54
  Speaker 1: asked me, can to go back? And should he go back?
• 14:57
  Speaker 1: And I'm like, yeah, get your money, like you can't
• 15:00
  Speaker 1: else bro back. So that that's when he went back
• 15:04
  Speaker 1: to death row after he left Entree, And that kind
• 15:06
  Speaker 1: of pissed Snoop and Dads. I remember there was that
• 15:09
  Speaker 1: there was that double XL cover with Corrupt and left
• 15:12
  Speaker 1: eye was on it and shut. Yeah, it was like
• 15:15
  Speaker 1: it was like when Corrupt like went back. Here was
• 15:18
  Speaker 1: that ship. It was probably probably around the time we're talking,
• 15:20
  Speaker 1: because it was it was like it was like the
• 15:23
  Speaker 1: new I think it was when Crooked Eye was rolling
• 15:25
  Speaker 1: with death Row and ship. Yeah, because I wasn't I
• 15:28
  Speaker 1: had kind of was in transition at that time. Then
• 15:30
  Speaker 1: I went to the whole. I did three years and
• 15:32
  Speaker 1: nine months almost four years in the shoes, so I
• 15:34
  Speaker 1: didn't have nothing. I didn't see no from I think
• 15:37
  Speaker 1: I got on. I got to January two thousand and four,
• 15:39
  Speaker 1: So we go back four years from there is when
• 15:42
  Speaker 1: my life stopped. What did you if you don't mind sharing,
• 15:46
  Speaker 1: what what? What? What did you end up in the
• 15:48
  Speaker 1: whole for? I knocked somebody eye out. It was a
• 15:51
  Speaker 1: conflict and and we had altercation in his and his
• 15:55
  Speaker 1: eye came out. All my cousins are in prison, and
• 15:58
  Speaker 1: I've I've been thoroughly educated on how mentally exhausting being
• 16:03
  Speaker 1: in the hole can be. Can you kind of like
• 16:04
  Speaker 1: give us some of that, because, like I know, because
• 16:06
  Speaker 1: for people who don't know, it's twenty three hours a
• 16:08
  Speaker 1: day lockdown. No, it's twenty four hours a day. Because
• 16:10
  Speaker 1: the way Corkoran's Shoe did it was you couldn't it
• 16:13
  Speaker 1: was so many people in the shoe that you couldn't
• 16:16
  Speaker 1: get your You couldn't get your one day out to shoot.
• 16:18
  Speaker 1: It was too many bodies. So they would make you
• 16:20
  Speaker 1: wait and like you start the seals, and then you
• 16:23
  Speaker 1: would get eight hours out the seal one day a week,
• 16:28
  Speaker 1: and that would count for your so called one hour
• 16:30
  Speaker 1: out the sale a day. Wow. So and then we
• 16:33
  Speaker 1: would be we would be we would be in these
• 16:36
  Speaker 1: we we would be in these dog kettles. So they
• 16:39
  Speaker 1: had lined up a bunch of dog kettles up and
• 16:43
  Speaker 1: down in a row, and they put the little toilets
• 16:47
  Speaker 1: in it. So you go in there. They put all
• 16:48
  Speaker 1: the inmates in there, just your draws, your shoes. You
• 16:51
  Speaker 1: can't take nothing else out, and you sit out there
• 16:53
  Speaker 1: for eight hours and they could get you take you back.
• 16:56
  Speaker 1: Ring got another group of eight hours. So it's I
• 16:58
  Speaker 1: guess they started this shit like four in the morning whatever.
• 17:01
  Speaker 1: You go be out there from four in the morning
• 17:02
  Speaker 1: till whatever time for eight thousand. So that's how it was.
• 17:06
  Speaker 1: Was that it's crazy because we always hear about like,
• 17:09
  Speaker 1: you know, you're supposed to rehabilitate in prison. That's what
• 17:12
  Speaker 1: they say now in California. California drop that philosophy. When
• 17:17
  Speaker 1: I was in Cossewors still like they remove rehabilitation off
• 17:21
  Speaker 1: all California state prisons. It's just straight punishment. It's just no,
• 17:24
  Speaker 1: it's just casce racing. They used to when I came
• 17:28
  Speaker 1: in two when I came in two thousand, I came
• 17:30
  Speaker 1: in nineteen ninety ninety one. They said some of the
• 17:33
  Speaker 1: prisons said rehabilitation centers, but they removed that when they
• 17:37
  Speaker 1: remove education, Like they don't offer education no more. Like
• 17:40
  Speaker 1: you can't get your GD in jail anymore. No, you
• 17:42
  Speaker 1: can get the GED. That's the only thing you can get.
• 17:44
  Speaker 1: They used to offer higher education, you can go to
• 17:47
  Speaker 1: college and get your college course. You can't do none
• 17:49
  Speaker 1: that now. The only thing they offer is things that's
• 17:50
  Speaker 1: conducive to making money for the prison. So the most
• 17:53
  Speaker 1: the thing that makes the most money for California prisons
• 17:56
  Speaker 1: optical and you can only get that at San Diego
• 17:58
  Speaker 1: and one other place. So if you get there, you
• 18:02
  Speaker 1: can make enough money to sent home. That's crazy. Well,
• 18:04
  Speaker 1: let's get back to it. So Sugar night, you got out,
• 18:06
  Speaker 1: you know four? How did you and Sugar that? Because
• 18:09
  Speaker 1: Corrupt was that death road? Okay, So but naturally you're
• 18:14
  Speaker 1: out Corrupt looking out for you, because you know you
• 18:16
  Speaker 1: looked out for him however many years ago. And then
• 18:19
  Speaker 1: Corrupt is there. I come home. Of course I got
• 18:22
  Speaker 1: go home. I'm gonna mess with Corrupt. And then me
• 18:25
  Speaker 1: and Sugar already been talking since my little brother had
• 18:28
  Speaker 1: passed before that, and so natural when I come home,
• 18:31
  Speaker 1: I messed with him. And I didn't want to be
• 18:34
  Speaker 1: because it was such a it was such a talk
• 18:36
  Speaker 1: with you know, big Us coming on, the big crypt
• 18:38
  Speaker 1: is coming home and all this. So I wasn't on that.
• 18:42
  Speaker 1: That's not where I've been, you know, Like I didn't
• 18:45
  Speaker 1: want to come home and say I'm gonna enhance the
• 18:48
  Speaker 1: Crypt card. And now I didn't want to come home
• 18:50
  Speaker 1: and do that. I want to come home and be
• 18:52
  Speaker 1: a Muslim and be a man and be somebody who
• 18:55
  Speaker 1: could be conducive to us as a people to move forward.
• 18:58
  Speaker 1: And the mood is jonder, and so I felt me
• 19:01
  Speaker 1: dealing with Sug would be stronger and making making us
• 19:06
  Speaker 1: unify then going against because I already had a relationship.
• 19:09
  Speaker 1: My homeboys was with. My homeboys were with My homeboys
• 19:15
  Speaker 1: were already with Snooping Me, Big d was Big Dnning
• 19:18
  Speaker 1: was already with Snoop. So I just needed to go
• 19:22
  Speaker 1: and establish a relationship for all of us to be together.
• 19:27
  Speaker 1: And so when I did that, Yeah that's Dwan. He
• 19:32
  Speaker 1: was called them all for me. And so when I
• 19:35
  Speaker 1: did that, I wanted my sons to see that you
• 19:38
  Speaker 1: don't have no enemies as bloods, you know what I mean.
• 19:42
  Speaker 1: And it was important for me to bring bloods and
• 19:45
  Speaker 1: everybody around my sons and around my community so they
• 19:48
  Speaker 1: can see we could be unified. And that was the
• 19:51
  Speaker 1: key to what I've always been doing. I've always pushed
• 19:54
  Speaker 1: that before you know, moving, you know what I mean.
• 19:58
  Speaker 1: So Sugar was important to me being able to move
• 20:01
  Speaker 1: as a man and being able to show the people
• 20:03
  Speaker 1: that I'm not on no cripping blood shit, right And
• 20:07
  Speaker 1: what you said, like when you got out, you were
• 20:08
  Speaker 1: trying to be on some like community shit, and I
• 20:11
  Speaker 1: think you've done a good job of that. Man. It's
• 20:13
  Speaker 1: crazy because I feel like you were probably in jail
• 20:17
  Speaker 1: for probably at least the beginning or peak of when
• 20:21
  Speaker 1: the gang bang culture became like commercial as far as
• 20:26
  Speaker 1: like I was in a shoot, Like do you remember
• 20:29
  Speaker 1: there was like a Bloods and Crypts album. I don't
• 20:31
  Speaker 1: even remember that I was. It was like a real
• 20:34
  Speaker 1: thing where it was like it was really like used
• 20:38
  Speaker 1: to like propel record sales and it became second nature.
• 20:43
  Speaker 1: So like you're in jail and you're like, are you
• 20:46
  Speaker 1: like paying attention to how the shit is blowing up?
• 20:50
  Speaker 1: I did. I was watching because I was watching the
• 20:53
  Speaker 1: culture growth. Yeah. And it's funny because before the East
• 20:59
  Speaker 1: Coast West Coach Beef, you know it was it was
• 21:03
  Speaker 1: it was the Cripson Blood trying to the Christon Blood
• 21:06
  Speaker 1: album battle Cat and on them. And then at the
• 21:10
  Speaker 1: time there uh my little brother because used to have
• 21:14
  Speaker 1: to get your music sent in from the streets back then,
• 21:18
  Speaker 1: and my little brother sent me Biggie Smalls and Woo
• 21:22
  Speaker 1: Tang Clan oh Wow, and then he sent me all
• 21:25
  Speaker 1: the other stuff that I wanted. So I was like,
• 21:27
  Speaker 1: what the hell is biggie? You know what I'm saying.
• 21:29
  Speaker 1: And I always was tripping off the album cover because
• 21:31
  Speaker 1: my little brother got a picture like that baby dark
• 21:35
  Speaker 1: skinned it all. I'm like, da ain't got the same,
• 21:37
  Speaker 1: but so I had to. I had the CD. I
• 21:39
  Speaker 1: never listened to the CD. I never listened to Biggie
• 21:42
  Speaker 1: and I never listened to Erin. And then we went
• 21:46
  Speaker 1: on lockdown. So my homeboy, who knew about them, who
• 21:50
  Speaker 1: had just came to jail, he had the CDs. He
• 21:52
  Speaker 1: was finna get rolled up, he was transferring, so he
• 21:54
  Speaker 1: gave me the CNS back. We on lockdown, and I
• 21:57
  Speaker 1: slapped in Woo Tang Clan and that shit went crazy,
• 22:02
  Speaker 1: and so it was like oooh, thank cleaning. Ain't nothing
• 22:04
  Speaker 1: the fuck, And I was like damn, I slipped up
• 22:07
  Speaker 1: these dudes and the cream, but we was on lockdown,
• 22:09
  Speaker 1: so it's no movement. Then I'm like, man, I slapped
• 22:11
  Speaker 1: in Biggie and I'm like this shit hard at fuck.
• 22:15
  Speaker 1: And that was like my introduction to Biggie. I was Cali.
• 22:20
  Speaker 1: I was at Calipat State Prison, and I was like, damn,
• 22:24
  Speaker 1: the East Coast is back home because the West had
• 22:27
  Speaker 1: had it, had it for so long. It's like the
• 22:29
  Speaker 1: chronic yeah yeah, And let me tell you, man, it's
• 22:32
  Speaker 1: crazy because people always asking me how long I've been
• 22:34
  Speaker 1: in music. I was fucking music. I remember I pushed
• 22:37
  Speaker 1: the ghetto boys in La, Okay, for anybody else read
• 22:41
  Speaker 1: these Nikes. I was in Minnesota selling dope and one
• 22:46
  Speaker 1: of my homeboys, one of my homeboys from Minnesota, it
• 22:51
  Speaker 1: gave me the tape. No. I was listening to his
• 22:53
  Speaker 1: tape and then I was We was in the car
• 22:56
  Speaker 1: and I was tripping off. They was talking about read
• 22:57
  Speaker 1: these Nikes, because that's all I used to wear was
• 22:59
  Speaker 1: Nikes back you remember, wasn't number like Nike, Adidas and Converse,
• 23:04
  Speaker 1: and they were something. I read these Nikes. No got
• 23:06
  Speaker 1: hooked on ghetto boys. I went home and I dubbed.
• 23:08
  Speaker 1: I went there back and dubbed the tapes. That's what
• 23:10
  Speaker 1: I used to I came back to LA and I
• 23:13
  Speaker 1: told all the homies, man, the ghetto boys, these niggas
• 23:16
  Speaker 1: is hard. They blew up from there, you know what
• 23:19
  Speaker 1: I mean? Because our music, if you remember, if you
• 23:23
  Speaker 1: remember back then, we was like game banging to R
• 23:26
  Speaker 1: and B music. Yeah, it was like pop music to Prince. Yeah.
• 23:30
  Speaker 1: And don't even think like even like LA rap back then,
• 23:32
  Speaker 1: like even like if you think before n w A,
• 23:35
  Speaker 1: it was like iced tea. Yeah, it was in the morning. Yeah,
• 23:40
  Speaker 1: it was you know, like Colors, Yeah, Colors was crazy. Yeah. No,
• 23:46
  Speaker 1: So I want to just ask you, Okay, So the
• 23:50
  Speaker 1: perception I think from the outside looking in is like
• 23:54
  Speaker 1: it would be a good idea if you come to
• 23:58
  Speaker 1: LA to maybe tap been with Big U or to
• 24:01
  Speaker 1: maybe check in with Big U. Is that something that
• 24:04
  Speaker 1: is maybe a bit amplified, because I feel I know
• 24:09
  Speaker 1: that that's not the case, but I feel like that
• 24:11
  Speaker 1: there is like you know, or at least some sort
• 24:13
  Speaker 1: of it's hella amplified. But I feel like certain people
• 24:19
  Speaker 1: would be good too, you know what I mean, Like,
• 24:22
  Speaker 1: especially if you're from certain genres. I think I think
• 24:25
  Speaker 1: when you from certain genres, you want to check in
• 24:27
  Speaker 1: with that genre because well I get the question all
• 24:31
  Speaker 1: the time, and like, well, the influence well, unfortunately LA
• 24:35
  Speaker 1: is influenced by games, you know what I mean. So
• 24:39
  Speaker 1: if it's certain people you need to check in with
• 24:42
  Speaker 1: YG whack one hundred whacko. If it's certain people need
• 24:45
  Speaker 1: to check in with Big U. You need to check
• 24:47
  Speaker 1: in with Tone, you need to check it with Magic,
• 24:49
  Speaker 1: you need to check in with the Twins to make
• 24:51
  Speaker 1: your gangster. You need to check in with certain people
• 24:54
  Speaker 1: who're gonna help, you know, how to move in different ways.
• 24:58
  Speaker 1: Who gonna let you know, like you know, like these dudes,
• 25:01
  Speaker 1: what you're claiming and what you affiliated with. They not
• 25:06
  Speaker 1: our enemies at this time, but they could be our
• 25:08
  Speaker 1: enemies in a day's noticing. We don't even know it,
• 25:11
  Speaker 1: but we know how to move around, you know what
• 25:13
  Speaker 1: I mean. So it's important for me to have a
• 25:15
  Speaker 1: relationship with dudes from every set, from a Tray's, bloods, gangsters,
• 25:19
  Speaker 1: all of that, because we want to show respect. And
• 25:23
  Speaker 1: I feel like people from all the sets give me
• 25:28
  Speaker 1: respect because they see my history, they see my work ethic,
• 25:32
  Speaker 1: they see that I've never if my home was is wrong,
• 25:34
  Speaker 1: I'm gonna say my homeway wrong. I'm not gonna side
• 25:37
  Speaker 1: with my homeway right or wrong, pied point blank. I
• 25:39
  Speaker 1: didn't do them. I don't do it my kids. I
• 25:41
  Speaker 1: teach my kids do right wrong, you know. But I'm
• 25:43
  Speaker 1: going to support truth and in prison and in thirteen years,
• 25:49
  Speaker 1: the dudes I did time with can come home and
• 25:52
  Speaker 1: vouch for that. You know what I'm like, No, whatever
• 25:54
  Speaker 1: he said was, he kept his word. So that's what
• 25:57
  Speaker 1: I think gets me strength in LA And the whole
• 26:00
  Speaker 1: time I was with should, we never had one conflict
• 26:04
  Speaker 1: because I just didn't allow it, you know what I mean,
• 26:06
  Speaker 1: not that I could controlling, but you know, sometimes you
• 26:09
  Speaker 1: gotta know how to appeal to a beast, you know
• 26:10
  Speaker 1: what I mean, Like, bro, this, we don't need this.
• 26:13
  Speaker 1: I would always say, like, you know, me and Heady
• 26:15
  Speaker 1: talks about this, like if if if you're somebody who's
• 26:19
  Speaker 1: coming to LA and you come from that background, from
• 26:23
  Speaker 1: wherever you're from, it's probably a good idea. Now maybe
• 26:25
  Speaker 1: if you're like maybe if you're like you know, post
• 26:28
  Speaker 1: Malone or R and B singer or somebody, you know
• 26:30
  Speaker 1: you're gonna get checked too. Post Malone will get checked. Two.
• 26:32
  Speaker 1: I've been in there with post I've been in I've
• 26:34
  Speaker 1: been in rooms with post. That was just an example.
• 26:36
  Speaker 1: By the way, I didn't know that he got checked
• 26:37
  Speaker 1: by tell the story. I mean, it wasn't about me.
• 26:40
  Speaker 1: I was just in the room when some dudes wanted
• 26:43
  Speaker 1: to get on post Malone and it was recording, and
• 26:49
  Speaker 1: I happened to New Noice know the people, and we
• 26:54
  Speaker 1: was coming in me and Steve was doing something and
• 26:56
  Speaker 1: we was leaving out. It was my first time ever
• 26:58
  Speaker 1: meeting him. And sometimes people don't know you could get
• 27:01
  Speaker 1: I could squash shit and don't even know and don't
• 27:04
  Speaker 1: even say nothing because it just was the timing, Like oh,
• 27:07
  Speaker 1: you know what I mean, because that's just the mentality
• 27:10
  Speaker 1: of people. Man Like it's never gonna change because it's
• 27:14
  Speaker 1: gonna always be the halves. There's always to have nots.
• 27:17
  Speaker 1: And it ain't even game related, you understand what I'm saying,
• 27:21
  Speaker 1: because you got game members doing something to their own
• 27:23
  Speaker 1: gangs in the name of money. So it's not all
• 27:26
  Speaker 1: and it's all. And they asked me the question about
• 27:31
  Speaker 1: hip hop and the gangs in hip hop, where there's
• 27:34
  Speaker 1: always been gangs in music, we just don't we just
• 27:38
  Speaker 1: see it now because our music is the number one
• 27:40
  Speaker 1: giohnt you think back in the day like Frank Sinatra
• 27:42
  Speaker 1: had like, yeah, we just have mafia tis yeah, mafia orders. Right,
• 27:48
  Speaker 1: this is what it is because anybody who's trying to
• 27:52
  Speaker 1: make money, the easiest way to get in it is
• 27:54
  Speaker 1: in this music. Like, if you got money, you want
• 27:56
  Speaker 1: to put it somewhere, like we don't have no other outlets.
• 27:58
  Speaker 1: That's what this documentary talks about. Hip Hop on Cover
• 28:01
  Speaker 1: talks about when we were hustling and then we eventually
• 28:07
  Speaker 1: took that money to get into something, to try to
• 28:09
  Speaker 1: do something positive. You know, you might have a cousin
• 28:11
  Speaker 1: or auntie. I'm a cousin or uncle, a friend who
• 28:13
  Speaker 1: wants to do music. Okay, what in these studio time
• 28:16
  Speaker 1: I got you? You know, and then it starts going
• 28:20
  Speaker 1: past that. You start seeing the little jade, You start
• 28:22
  Speaker 1: seeing the hereos, start seeing the dudes making it, making it.
• 28:25
  Speaker 1: And that's what hip hop n told is it talks
• 28:28
  Speaker 1: about us and our struggles in music. You don't hear
• 28:33
  Speaker 1: about us. It's not geared towards the artists. It's geared
• 28:39
  Speaker 1: towards the people behind the artists. Like when I met you,
• 28:42
  Speaker 1: Like for instance, if I had a new artist right now,
• 28:45
  Speaker 1: like with OSBS, my group OSBS Criticality, I introduced them
• 28:49
  Speaker 1: and told them I called you to do an interview
• 28:51
  Speaker 1: with them. I heard you was coming here. That's hip
• 28:54
  Speaker 1: hop on cover. That's that's why they called us the
• 28:56
  Speaker 1: power brokers because we already had a relationships when you
• 28:59
  Speaker 1: first met Nipsey. Nipsey met you through Steve and me.
• 29:05
  Speaker 1: He didn't have that relationship with you. He couldn't have
• 29:07
  Speaker 1: called you. And what people don't understand is you need
• 29:10
  Speaker 1: those power brokers to help introduce you two people, and
• 29:14
  Speaker 1: then those power brokers have to have a trust in
• 29:17
  Speaker 1: a relationship that comes from somebody else. When I met
• 29:20
  Speaker 1: Phairy Phil, I don't talk about them, it's all now.
• 29:24
  Speaker 1: And I met Pheiry Fail. I met Phiry Phil and
• 29:26
  Speaker 1: him and Sure was having an altercation at at Male's Diner,
• 29:33
  Speaker 1: and I seen everybody going crazy and Sugar was coming
• 29:37
  Speaker 1: and Pelly Fail was sitting in the restaurant and so me,
• 29:40
  Speaker 1: just not wanting to know bullshit, I go in. I'm like,
• 29:42
  Speaker 1: I'm asking Pail like I don't know. I don't even
• 29:45
  Speaker 1: know who he is at all. I have no clue
• 29:48
  Speaker 1: he was, And I'm like, bro, what's up with you? Man?
• 29:50
  Speaker 1: Like nothing? Like like he was Sugar. I'm like I
• 29:53
  Speaker 1: am And then he's like, man, what's happening. I'm like,
• 29:56
  Speaker 1: I ain't nothing to help. I'm trying to ask you
• 29:57
  Speaker 1: what's having Like Denny, I said, so, who are you?
• 30:00
  Speaker 1: He tell me on fairly Phil, And I'm like, SOI
• 30:02
  Speaker 1: what's your problem with Sugar? Are he mad at me
• 30:04
  Speaker 1: because DJ Quick dissed him on my show? I said,
• 30:07
  Speaker 1: you got a radio show? Like yeah, So I'm like,
• 30:09
  Speaker 1: I don't make no sense. So I go outside. I
• 30:11
  Speaker 1: talked to Sugar. I said, bro, why you donna do that?
• 30:13
  Speaker 1: And then he tell me, hold, I'm saying right like
• 30:17
  Speaker 1: it's it ain't fairly for I tell Phil, man gonna
• 30:21
  Speaker 1: just leave, feel like I'm not leaving. I gotta talk
• 30:24
  Speaker 1: to this dude. Man. Yeah, like I don't like, I
• 30:26
  Speaker 1: don't want to walk out. See what happens. No, no,
• 30:29
  Speaker 1: he wasn't saying and that he was saying he didn't
• 30:31
  Speaker 1: want to leave without talking to Shug because he was like, man,
• 30:34
  Speaker 1: I ain't did nothing to him. Now, I was like,
• 30:36
  Speaker 1: I was honorable to me, like I got to resolve it. Yes,
• 30:40
  Speaker 1: I ain't leaving. I'm gonna talk to the dude. And
• 30:42
  Speaker 1: I said, he's sure, baddy, but he kept it one hundred.
• 30:45
  Speaker 1: So now moving right along, we signed Nipsey I get
• 30:49
  Speaker 1: it fairly fail and I'm like, bro, I got a
• 30:51
  Speaker 1: new artist. Can you play the song? And that's how
• 30:55
  Speaker 1: you that those are relationships. You see what I'm saying.
• 30:58
  Speaker 1: He played bullets, Ain't got no name. He played another
• 31:00
  Speaker 1: couple of songs for me, then he played with how
• 31:02
  Speaker 1: We Roll? He played this and then so it's me
• 31:06
  Speaker 1: taking my relationships and connections with with my years in
• 31:11
  Speaker 1: this industry and putting it on another artist to become
• 31:15
  Speaker 1: what he becomes. And you've got artists that come up sixteen, seventeen,
• 31:18
  Speaker 1: eighteen years old. They don't know who to talk to,
• 31:21
  Speaker 1: they don't know who to be friends with, they don't
• 31:23
  Speaker 1: know none of this stuff, you know what I mean.
• 31:25
  Speaker 1: And I had little homies who didn't even want to
• 31:27
  Speaker 1: do songs with bloods and I'm like, nah, bro, you
• 31:30
  Speaker 1: gotta do the song. That's crazy. Yeah, now you I
• 31:33
  Speaker 1: mean you think back, just like certain artists that like
• 31:35
  Speaker 1: You're like, man, they didn't like, they didn't work together.
• 31:38
  Speaker 1: It was just because of some politics shits. Not even
• 31:41
  Speaker 1: necessarily they had any personal issues. It was just there
• 31:44
  Speaker 1: were some politics involved. But and so this documentary, even
• 31:48
  Speaker 1: when you go on to Dead you see your debt
• 31:50
  Speaker 1: deal with Frinch Montana, Nicki Mina's guccu chin. But what
• 31:55
  Speaker 1: does she have to do to get them to these
• 31:59
  Speaker 1: levels to get what did she have to go through
• 32:00
  Speaker 1: to be able to you know what I'm saying? Like
• 32:04
  Speaker 1: she had a history that that affirmed who she was
• 32:08
  Speaker 1: to other people. I have a history from the streets
• 32:11
  Speaker 1: that affirmed who I was, and people want to say
• 32:14
  Speaker 1: it's about bullying when it really isn't. It didn't have
• 32:17
  Speaker 1: shit to do with bully, and they had shit to
• 32:18
  Speaker 1: be people meeting me and then them saying, oh, he
• 32:21
  Speaker 1: ain't the bully people think he is. He ain't the
• 32:23
  Speaker 1: bully people making out. I've come to different people with
• 32:27
  Speaker 1: songs and they told me that that ain't gonna work.
• 32:31
  Speaker 1: I'm out the door. Let me go find another one.
• 32:33
  Speaker 1: I've asked you all to do stuff, and if it
• 32:36
  Speaker 1: don't work, it don't work. I'm never beating the door down.
• 32:39
  Speaker 1: I've never beat you all door down. I'll do this,
• 32:41
  Speaker 1: but but if you hear it, that's my reputation, Like
• 32:45
  Speaker 1: he's the bully, He's this, he's that, and I'm like,
• 32:48
  Speaker 1: fuck it, I can't beat it, so I'm gonna join it.
• 32:50
  Speaker 1: Like I guess I am the bully. He talked about
• 32:53
  Speaker 1: signing Nipsey. I mean, obviously, aside from being from the
• 32:56
  Speaker 1: same area, how did you guys, like, how did that
• 32:58
  Speaker 1: end up? You know happening? And you told the story
• 33:02
  Speaker 1: a lot before, so just kind of give us a
• 33:04
  Speaker 1: quick you know, yeah, my nephew TD, I was looking
• 33:08
  Speaker 1: for artists. TD told me to go get nipped. I
• 33:11
  Speaker 1: wasn't seek Nipped out out of all the people he
• 33:13
  Speaker 1: had already I already been interviewing and talking to. And
• 33:16
  Speaker 1: he was the signing light. He was the diamond in
• 33:21
  Speaker 1: the pilor whatever. It was a diamond. Let me respect
• 33:24
  Speaker 1: to my other homies. He was a diamond in a
• 33:26
  Speaker 1: pile of other diamonds. But he just he just it
• 33:29
  Speaker 1: was a bigger diamond. He was, Yeah, he was. And
• 33:33
  Speaker 1: then he was the VVS VS. Yeah, you know what
• 33:36
  Speaker 1: I'm saying. And we had made a couple of moves
• 33:40
  Speaker 1: and was trying to move through a couple of doors,
• 33:42
  Speaker 1: and I vastly found out that I couldn't go through
• 33:45
  Speaker 1: these doors. So I when I went and got Steve Lobel,
• 33:49
  Speaker 1: and I went and got Steve that Steve hit the music.
• 33:53
  Speaker 1: Steve felt the same way I felt about the music,
• 33:55
  Speaker 1: and I was like boom. So I signed Nitzy to
• 33:58
  Speaker 1: Unique Music, to my to Aria Miss Astrodome, to my
• 34:02
  Speaker 1: to my label, to Munique Music. And then Steve was
• 34:06
  Speaker 1: tempercent management and I was tempersent. Masic didn't make no
• 34:08
  Speaker 1: senseence to go get another manager, and so we started
• 34:11
  Speaker 1: pushing on that. So I signed him to. It was
• 34:14
  Speaker 1: signed to a ten year production contract which started in
• 34:17
  Speaker 1: two thousand and nine, which was Ian twenty nineteen. Crazy hello,
• 34:23
  Speaker 1: But I ain't tripping off of that because you know
• 34:26
  Speaker 1: it is what it is. But I do have that,
• 34:28
  Speaker 1: you know what I mean? Wait, so you're your deal
• 34:30
  Speaker 1: with Nipsey was ten years, ten years, a ten ten year,
• 34:34
  Speaker 1: twenty five percent of publisher to air miss Astronout. Oh
• 34:37
  Speaker 1: wow so O nine twenty nineteen nineteen. So technically Victory
• 34:44
  Speaker 1: lap hello, okay, wow wow yeah, help me okay, Because
• 34:51
  Speaker 1: when I first met nip was I met him in
• 34:52
  Speaker 1: O nine. Actually this was when he was on the
• 34:54
  Speaker 1: Lax Tour. We were on the Lax Tour with the
• 34:57
  Speaker 1: game and I think James, I sent you a song
• 35:00
  Speaker 1: before well I became You know who put me on
• 35:02
  Speaker 1: the nip is Charlemagne Man Charlemagne when he was doing
• 35:06
  Speaker 1: radio on Philly and he was tweeting about bullet Ain't
• 35:09
  Speaker 1: got no name Volume one. I believe I remember DM
• 35:13
  Speaker 1: and Charlemagne at the time, and that's who originally kind
• 35:16
  Speaker 1: of like I saw his show and I was seeing
• 35:17
  Speaker 1: his ship on the blogs like the now Rights and
• 35:20
  Speaker 1: two Dope Boys of the world. That was late. You
• 35:22
  Speaker 1: already met him before that. I met him in O nine. Yeah,
• 35:25
  Speaker 1: you had already met him before that because he we
• 35:27
  Speaker 1: didn't officially finished the deal assigning him to it, but
• 35:31
  Speaker 1: he had some ship out there, like on the online
• 35:33
  Speaker 1: he didn't. He didn't have nothing. Nothing. He didn't even
• 35:36
  Speaker 1: know how to he didn't even know how to upload
• 35:38
  Speaker 1: the music yet. You gotta remember, because what if I
• 35:40
  Speaker 1: met him, If I met him in O nine, so
• 35:41
  Speaker 1: that was the la nothing he had. He was on
• 35:45
  Speaker 1: tour with nothing out. No. He just trying to tell
• 35:47
  Speaker 1: you before we did the game tour. Yeah, we had
• 35:51
  Speaker 1: already been messing with nip O seven, right, but I
• 35:55
  Speaker 1: didn't meet him until they got tour. Yeah, because even
• 35:57
  Speaker 1: before the game tour, he had the song with with
• 36:01
  Speaker 1: the Tupac song. Okay, yeah, on what was the Pox Life?
• 36:07
  Speaker 1: He had Pox Life. I got Fairy to put that
• 36:09
  Speaker 1: on the radio. That song started picking up all around
• 36:12
  Speaker 1: the country and and Pox's mother had it pulled because
• 36:17
  Speaker 1: that wasn't the single they wanted to go. They had Nipsey.
• 36:22
  Speaker 1: They had Nipsey Pack and Light Skinny with the braids
• 36:26
  Speaker 1: from the East Side, Nocturnal No No, No, no, I
• 36:31
  Speaker 1: don't know Chill Beer man. I gotta call him Chill
• 36:35
  Speaker 1: Beer but anyway, he gonna do all the talk about.
• 36:38
  Speaker 1: But yeah, that song went viral, but even before that,
• 36:41
  Speaker 1: we could just look it up actually, because yeah it
• 36:43
  Speaker 1: was it was Nipsey Tupac and I can't think his name.
• 36:49
  Speaker 1: He's central. He always got central, like Crenshaw on his
• 36:53
  Speaker 1: on his chest. I can't think his name. But anyway,
• 36:57
  Speaker 1: that song was out. And then even before that, before
• 37:00
  Speaker 1: we even did the tooth called seven International was the
• 37:03
  Speaker 1: name of the song. It was Young Dred the Truth,
• 37:06
  Speaker 1: Young dreda Truth. Now look at when that came out,
• 37:10
  Speaker 1: this was, well, this is on YouTube, so hold on,
• 37:15
  Speaker 1: let me look it up. Yeah, but you gotta remember
• 37:18
  Speaker 1: before that we did I did him with the song
• 37:20
  Speaker 1: with with Snoop oh six oh six. Yeah, and that
• 37:25
  Speaker 1: wasn't even the first song we did Snoops. I did
• 37:29
  Speaker 1: him with Snoop and Nip the Snoop Gangster Life. Yeah. See,
• 37:35
  Speaker 1: I didn't really start. I think the first project that
• 37:37
  Speaker 1: I really tapped in was Bulletain Got No Name, the
• 37:40
  Speaker 1: first one, and then like I really became a fan
• 37:43
  Speaker 1: of the second one. I think he had the roller
• 37:45
  Speaker 1: windows up. Shit was so hard. But that was later.
• 37:47
  Speaker 1: That was like twenty ten, I think, yeah, oh that
• 37:49
  Speaker 1: was late. Yeah, yeah, that was late. But I met
• 37:51
  Speaker 1: him in the old nine. He came on my show.
• 37:52
  Speaker 1: We did an interview, he freestyled and Steve was there,
• 37:55
  Speaker 1: and uh no, you met him before that. I don't remember.
• 37:58
  Speaker 1: Then we said you music on him before that when
• 38:00
  Speaker 1: he was in Arizona guy, because I was like, we
• 38:03
  Speaker 1: was like, you was popping I there. Yeah, I ain't
• 38:08
  Speaker 1: getting no, that's facts, but no, but I was. I
• 38:11
  Speaker 1: was gonna yo. So a ten year contract, that's crazy,
• 38:14
  Speaker 1: right when you think of it, right, I was back then,
• 38:17
  Speaker 1: but you yeah, but let me tell you like this,
• 38:21
  Speaker 1: it should never change. And this is the reason why.
• 38:24
  Speaker 1: Because it's one thing to be management, it is one
• 38:27
  Speaker 1: thing to be production. If I'm your production company, you
• 38:30
  Speaker 1: come to me as a kid and you have nothing,
• 38:32
  Speaker 1: and I create your name, and I create you and
• 38:35
  Speaker 1: help to create you, give you what you want. How
• 38:38
  Speaker 1: is there a number on how long I can make
• 38:40
  Speaker 1: money off of this? Right? Because if I don't do that,
• 38:46
  Speaker 1: what are you gonna do? Then? How what are you
• 38:47
  Speaker 1: gonna do? Because you gotta remember before a nip came
• 38:51
  Speaker 1: to me. He had already him and his brother had
• 38:53
  Speaker 1: already had a deal where they had paid I can't
• 38:55
  Speaker 1: remember the do to distribute their music. He never did
• 38:58
  Speaker 1: it that came back. I do think that there's a
• 39:03
  Speaker 1: middle ground there because I always you'll notice artists will
• 39:07
  Speaker 1: pop and the people who who made it happen for
• 39:10
  Speaker 1: them sometimes get left behind. You know, Like that's what
• 39:13
  Speaker 1: I'm saying. That happened with Cardi B. You know, there
• 39:15
  Speaker 1: was a guy named Shaft who really blue her make
• 39:18
  Speaker 1: the stallion exactly right. It's like, Yo, you signed the paperwork,
• 39:22
  Speaker 1: and what would have happened if these people didn't believe
• 39:24
  Speaker 1: in you? When they believed in you, you know what
• 39:26
  Speaker 1: I'm saying. So I only eat for so long and
• 39:28
  Speaker 1: then you go on to be forever. I put in
• 39:30
  Speaker 1: the grant work and now now that it's hot, I mean,
• 39:33
  Speaker 1: I mean it's both ways. It's I mean, you know,
• 39:35
  Speaker 1: like and you'll say ten years, well, god damn it,
• 39:37
  Speaker 1: Like I'm only puposed to eat for ten years. But
• 39:39
  Speaker 1: guess when you make it? You really most people don't
• 39:42
  Speaker 1: make it to after five six years. Yeah, the first
• 39:45
  Speaker 1: the first four or five years is no money coming in.
• 39:47
  Speaker 1: It's all spending, it's all money going out exactly. Yeah,
• 39:50
  Speaker 1: you know what I'm saying. Remember how many people was
• 39:51
  Speaker 1: grinding before that, you know? And then so so example,
• 39:56
  Speaker 1: like just say, nephew, fncy fence it. When I first
• 40:00
  Speaker 1: god with Ni it was in the hood. He had
• 40:02
  Speaker 1: already been uh to drain them. You've already been to
• 40:06
  Speaker 1: different people here trying to go on he was. They
• 40:08
  Speaker 1: was knocking him down because his music was too violent.
• 40:11
  Speaker 1: He was a crip and uh uh he looked like Snoop.
• 40:15
  Speaker 1: So that was like, oh, it ain't gonna work. You
• 40:16
  Speaker 1: just wanna Snoop. And so when I come, I'm like, okay,
• 40:20
  Speaker 1: I'm gonna take me and we re gonna recook this.
• 40:22
  Speaker 1: You understand what I'm saying. So now it's the same
• 40:27
  Speaker 1: way with everybody in this documentary. Everybody in the documentary
• 40:31
  Speaker 1: had the same exact thing cooking. Somebody being there, putting
• 40:36
  Speaker 1: their money behind them, putting their name behind them, saying
• 40:39
  Speaker 1: this is the one, and then boom. You know what
• 40:42
  Speaker 1: I'm saying, be cause you don't just get to walk
• 40:45
  Speaker 1: through the door and say I'm here. Now I'm hearing that, right,
• 40:50
  Speaker 1: you know what I mean? How many people really did
• 40:52
  Speaker 1: that Neil naz X Soldier boy, a couple of people.
• 40:56
  Speaker 1: The Internet is kind of changed. I think the Internet's
• 40:59
  Speaker 1: is the variable that's made made it possible for just
• 41:02
  Speaker 1: some ship to go viral. And now you can't even
• 41:04
  Speaker 1: do that now because now there's so many people paying
• 41:07
  Speaker 1: to get fired me you on YouTube and paying to
• 41:10
  Speaker 1: get this Spotify. Now you can't you can't pay. You
• 41:13
  Speaker 1: can't even tell it something is really organic. That's some
• 41:16
  Speaker 1: real shit, you know what I'm saying. So it's a
• 41:20
  Speaker 1: lot of it as optics. It's like, yo, for somebody,
• 41:22
  Speaker 1: get me serious. Let's you know, we got to make
• 41:24
  Speaker 1: sure the numbers on Spotify. I gotta have someone googles
• 41:27
  Speaker 1: my shit on Spotify. It's gotta be a certain number
• 41:29
  Speaker 1: of monthly listeners. And now they give you a kit. Okay,
• 41:32
  Speaker 1: if you pay fifteen hundred, you'll get one thousand view
• 41:36
  Speaker 1: for sure. You get this, you get that, you get this.
• 41:38
  Speaker 1: But what about me being able to say look, kid,
• 41:42
  Speaker 1: you do interviewing me, being able to say black? You
• 41:44
  Speaker 1: do interviewing me being able to say so sudden such
• 41:47
  Speaker 1: getting you know what I mean? But what's the value
• 41:49
  Speaker 1: on that? Oh? The value is don't only get to
• 41:51
  Speaker 1: ride for so long, No bro, I don't think that's
• 41:55
  Speaker 1: business me myself. So I kind of moved out of
• 41:58
  Speaker 1: that and when to doing I saw, like I said,
• 42:02
  Speaker 1: when I stopped doing NI, I started managing ving Rains,
• 42:05
  Speaker 1: I managed being Rains, and I started doing shows. So
• 42:08
  Speaker 1: it made me open up to dealing with more artists.
• 42:12
  Speaker 1: And I wasn't dealing with one artist no more. I
• 42:14
  Speaker 1: was doing shows. I was making more money doing shows
• 42:16
  Speaker 1: because I hadn't made not one down with it. Wow,
• 42:18
  Speaker 1: you know what I'm saying. I was. I was booking shows,
• 42:21
  Speaker 1: booking talent coming in, and I'm making fifteen twenty thousand
• 42:26
  Speaker 1: dollars when an artist range No Van, I was making
• 42:29
  Speaker 1: way more. Only you're talking about you were talking about
• 42:32
  Speaker 1: just booking concerts. Booking concerts like putting the bread behind
• 42:34
  Speaker 1: brings some people out, doing the promotion my own concerts,
• 42:36
  Speaker 1: getting numbers I might have. I might hireh at whiz like, whiz,
• 42:40
  Speaker 1: what's your number for booking? And then look, I'm gonna
• 42:42
  Speaker 1: put ten thousand on it, or what's your number for this?
• 42:44
  Speaker 1: I'm gonna put five thousand on it, And he like, okay,
• 42:47
  Speaker 1: if you get my number up that high. And so
• 42:49
  Speaker 1: what people did never understand is I never cut an
• 42:51
  Speaker 1: artist number ever. I never cut an artist number for nothing.
• 42:56
  Speaker 1: Only for radio shows, because radios you do different. What's different.
• 43:01
  Speaker 1: Every artist I ever met and they ever did business
• 43:03
  Speaker 1: with me, they give me a number, and I'm tending
• 43:06
  Speaker 1: what their number is. I'm gonna get the deal higher
• 43:08
  Speaker 1: than that because I know the promoters who are gonna
• 43:10
  Speaker 1: really pay. And that's the relationship you want with Big U,
• 43:13
  Speaker 1: because I'm gonna make sure you get paid your money.
• 43:16
  Speaker 1: When when when the Migos came, I had the Amigos
• 43:19
  Speaker 1: book for three shows at fifteen thousand apiece. Danny Glover
• 43:26
  Speaker 1: goes on the Grammys and they asked him what is
• 43:29
  Speaker 1: he listening to He says, I'm listening to them me
• 43:33
  Speaker 1: bad and Booze. Yep, it was over after that, and yep,
• 43:37
  Speaker 1: the number one from fifteen thousand to one hundred. Yeah,
• 43:40
  Speaker 1: I remember I was trying to book them at that time. Yeah,
• 43:43
  Speaker 1: I'm aware, but I was the only one who who
• 43:45
  Speaker 1: they was let booking them because I had a relationship
• 43:47
  Speaker 1: with him through Atlanta. From Atlanta, you know what I mean. So,
• 43:51
  Speaker 1: and that's what that's what that's what you know. We
• 43:54
  Speaker 1: do as power brokers in this in this industry. It
• 43:56
  Speaker 1: ain't it ain't violence, It ain't you know, it ain't
• 43:59
  Speaker 1: the bullshit. But I might know the promoter you don't
• 44:01
  Speaker 1: want to deal with. I might know the promoter who
• 44:04
  Speaker 1: ain't gonna pay you. I might know. Look, you don't
• 44:07
  Speaker 1: want to charge radio. You want to do this? No,
• 44:11
  Speaker 1: you don't want to take thirty of your homeboys to
• 44:13
  Speaker 1: this concert and backstage and y'all risk it and getting
• 44:16
  Speaker 1: into with somebody. A AG, you get into it. AG.
• 44:19
  Speaker 1: You can't play no concerts around here. You're fucked. That's
• 44:22
  Speaker 1: what we do. You know, your initial deal with Nipsey
• 44:25
  Speaker 1: was ten years and how sometimes artists You know, that
• 44:31
  Speaker 1: sounds crazy, but if you really think about the position
• 44:34
  Speaker 1: that some the early people who get in on artists
• 44:37
  Speaker 1: it'll put them in, it seems fair because, like you
• 44:40
  Speaker 1: were saying, the first four or five years, it really
• 44:44
  Speaker 1: ain't no money coming in, right, no money, it's all
• 44:46
  Speaker 1: your money going out. That's what the production company is. Facts.
• 44:50
  Speaker 1: So let me tell you the think about Nipsey. What
• 44:53
  Speaker 1: I like about Nipsey. It's not what we did to
• 44:56
  Speaker 1: help Nipsey to start Nipcy. It's what Nipsey continue to
• 45:01
  Speaker 1: do after we was gone. That's what separates Nipsey, you
• 45:06
  Speaker 1: know what I mean, Because we was all negative for
• 45:09
  Speaker 1: a run, you know what I'm saying. But bro, he
• 45:12
  Speaker 1: kept going. You know what I mean. I left. I
• 45:15
  Speaker 1: went to go do it was nip and Steve. If
• 45:18
  Speaker 1: you see I had left. I didn't get fired. I
• 45:20
  Speaker 1: never got fired. I left after my house got hit
• 45:24
  Speaker 1: while they was on tour on the Las tour, and
• 45:26
  Speaker 1: I left music, and I talk about in the documentary.
• 45:29
  Speaker 1: So nobody fired me. I left my own self and
• 45:33
  Speaker 1: I started just doing football and managing ving Rains, So
• 45:36
  Speaker 1: I was making I was making. It was no money
• 45:39
  Speaker 1: on the music, but I started making down at two
• 45:42
  Speaker 1: hundred some thousand dollars year just managing ving Rains right
• 45:46
  Speaker 1: and just doing movies. And I was doing that, and
• 45:50
  Speaker 1: I started doing shows. I was dealing with every artist,
• 45:53
  Speaker 1: not just not just one artist, and so I was
• 45:58
  Speaker 1: successful doing that. And I continue up until the COVID
• 46:02
  Speaker 1: to make money booking shows and putting on concerts doing
• 46:05
  Speaker 1: so I do one concert a year for developing option
• 46:08
  Speaker 1: for the kids, and then all throughout the year I
• 46:10
  Speaker 1: do other concerts for myself. So I've always made money
• 46:15
  Speaker 1: and I made way more money than I ever did
• 46:19
  Speaker 1: dealing with one artist with respect to my kid. And
• 46:23
  Speaker 1: so that's what I've never had, not had a shortcoming.
• 46:29
  Speaker 1: All my cards are paid for, my house everything, you
• 46:31
  Speaker 1: know what I mean. So I done real well and
• 46:34
  Speaker 1: I've been doing well. I'm not dealing with one artist
• 46:38
  Speaker 1: until Nip called me after he signed with Atlantic and
• 46:42
  Speaker 1: he was like, uncle, signed with Atlantic, because that's right,
• 46:46
  Speaker 1: like we finna go. And his thing was like, we
• 46:48
  Speaker 1: got to do with Kendrick and Top did we gotta redo?
• 46:51
  Speaker 1: We gotta do it right, and he was asking me
• 46:54
  Speaker 1: to come back and manage it. I'm like, shid man,
• 46:56
  Speaker 1: I don't want to get back into rogoging Moore, you
• 46:57
  Speaker 1: know what I'm saying. He's like, nah, man, And I said,
• 47:00
  Speaker 1: so what's the situation. He's like, you still got the contract.
• 47:04
  Speaker 1: It ain't you gonna do what you want to do.
• 47:07
  Speaker 1: So I'm like, in your hands yeah yeah. So but
• 47:10
  Speaker 1: you know, we always had that love. Always supported him
• 47:12
  Speaker 1: in the hood, He always supported me in the hood.
• 47:14
  Speaker 1: And uh, even after we had the conflict. And so
• 47:18
  Speaker 1: when when he got ready to go to New York.
• 47:21
  Speaker 1: He bought me a ticket, well, he paid for me
• 47:22
  Speaker 1: a ticket to go to New York, and the ticket
• 47:25
  Speaker 1: was was me and Robin. The ticket was a problem
• 47:27
  Speaker 1: with that, so we ended up paying for ourselves. We
• 47:30
  Speaker 1: did the video in New York. We came back to
• 47:32
  Speaker 1: do some stuff out here and you can see him
• 47:34
  Speaker 1: all over the Victory Laugh were promoting it and but
• 47:39
  Speaker 1: we uh we uh. I was in the studio with
• 47:43
  Speaker 1: him for four days recording, just recording vocals talking about
• 47:49
  Speaker 1: him and I. He came about first time. He wanted
• 47:51
  Speaker 1: me to just tell them all the different stories and
• 47:53
  Speaker 1: stories in prison. So we did that and I got
• 47:55
  Speaker 1: when I posted up with me and he was in
• 47:57
  Speaker 1: the studio. We'd been there all night. And I did
• 48:00
  Speaker 1: all that right before Victory Lap because we was gonna
• 48:03
  Speaker 1: drop He's gonna drop Victy Lap. Then we was gonna
• 48:05
  Speaker 1: come right back with a mixtape on that, and so
• 48:08
  Speaker 1: you kind of narrated, Yeah, narrated the whole tape, like
• 48:12
  Speaker 1: just telling the hood stories and all that coming on.
• 48:15
  Speaker 1: And I really don't know where that is now. We
• 48:16
  Speaker 1: did at Paramount Studio. I ran into a kid who
• 48:19
  Speaker 1: did the recording for us, engineer. Yeah, engineer and what
• 48:22
  Speaker 1: happened to all that? Yeah, yeah, nicely they gaffed it
• 48:25
  Speaker 1: that the family and all I got it. So I
• 48:27
  Speaker 1: don't know what you know, they ever do it because
• 48:28
  Speaker 1: our relationships ain't what it is you're you mentioned the conflict.
• 48:32
  Speaker 1: There was obviously a widely known incident that had happened.
• 48:40
  Speaker 1: What was the when you guys did have your your
• 48:42
  Speaker 1: your outs before everything got reconciled. What was the root
• 48:46
  Speaker 1: of that? Well, when we first started, it goes back
• 48:49
  Speaker 1: to our recording equipment. I had a deal with Tiny Lister,
• 48:53
  Speaker 1: me Tiny Lister and a tiny list of friend he
• 48:55
  Speaker 1: was I can't out. I don't want to always so
• 48:58
  Speaker 1: bad with names members name he We did a deal
• 49:02
  Speaker 1: that we were gonna sign nip and he purchased the
• 49:05
  Speaker 1: equipment for us, and we was at sun Set we
• 49:11
  Speaker 1: presise equipment, and that's where Nipsey was staying with me.
• 49:14
  Speaker 1: Sammy went to jail and Nimsey was staying in my
• 49:18
  Speaker 1: condo in Harthoron and we had the equipment set up
• 49:23
  Speaker 1: there we was recording. So this is their equipment that
• 49:25
  Speaker 1: Nipsey had recorded on and was recording on the whole time.
• 49:29
  Speaker 1: And so once we had went our different ways. I
• 49:32
  Speaker 1: wanted to use the equipment when I decided to come
• 49:35
  Speaker 1: back because his other kid. But where Nipsey had the
• 49:38
  Speaker 1: equipment was in the downtown studio and you could only
• 49:42
  Speaker 1: get there at night, or you couldn't go in after
• 49:45
  Speaker 1: ten o'clock or they were penalized. I'm like, bro, let's
• 49:48
  Speaker 1: just move it on forty third because I had a
• 49:50
  Speaker 1: place in forty third, and he was cool with that.
• 49:53
  Speaker 1: But then it was conflict in the hood between him
• 49:57
  Speaker 1: and Summer, the other little and I can't go into that.
• 50:02
  Speaker 1: I won't ever go into that. Of course I don't
• 50:04
  Speaker 1: know it, so you know what I mean, if you
• 50:07
  Speaker 1: and so then it kind of like went bad and
• 50:11
  Speaker 1: he made a disc song. I asked him about it,
• 50:13
  Speaker 1: came and checked him about it. We went to go
• 50:16
  Speaker 1: pick him up. He was one hundred hood with it.
• 50:18
  Speaker 1: Nip always did him one hundred hood for sure, for sure.
• 50:21
  Speaker 1: And then the conflict happened. It was some some rougher rooms,
• 50:27
  Speaker 1: rugging rules, you know what I'm saying, And we all
• 50:30
  Speaker 1: went to jail. And that night nip didn't go to jail,
• 50:33
  Speaker 1: just me and his brother and a couple of homes
• 50:34
  Speaker 1: went to jail. We got out that night, Nip called me.
• 50:37
  Speaker 1: I met Nip the next night. I met Nip and
• 50:40
  Speaker 1: Sam the next night at the African Restaurant on Fairfax
• 50:45
  Speaker 1: the very next night, like like after after what happened
• 50:52
  Speaker 1: he got out, Sam after bellout two days later or
• 50:56
  Speaker 1: something like that. We all met before that. We met.
• 50:59
  Speaker 1: We met that night at at on Fairfax, the African
• 51:03
  Speaker 1: Restaurant because it was used to go and it was
• 51:06
  Speaker 1: basically like that. It was it. So it was just yeah,
• 51:09
  Speaker 1: because I mean, that hit hike all hip hop, all
• 51:12
  Speaker 1: the different, which it was supposed to do, you know
• 51:13
  Speaker 1: what I mean, and he ran with him. You're like,
• 51:16
  Speaker 1: I'm finna put some songs out. I'm man, go ahead, dude,
• 51:20
  Speaker 1: you're gonna do wow. Because if it was a conflict,
• 51:23
  Speaker 1: it would have never stopped there, right, you know what
• 51:26
  Speaker 1: I Like? The next day you guys win the eight. Yeah,
• 51:29
  Speaker 1: it couldn't have never been a continued conflict, right, How
• 51:32
  Speaker 1: could that we still here? It couldn't have never been
• 51:34
  Speaker 1: a continued conflict, or it would have been a continued conflict,
• 51:38
  Speaker 1: you know what I'm saying. Like he's he's he's my baby.
• 51:42
  Speaker 1: He not even five generations under me. I'm I'm like
• 51:48
  Speaker 1: the beginning, and Nip is a baby in our industry
• 51:51
  Speaker 1: in where we're from, you know what I mean, Like
• 51:53
  Speaker 1: he ain't even you know what I'm saying. Like he
• 51:56
  Speaker 1: got to get in there as he got more popular
• 51:59
  Speaker 1: in the world, but at that time, he still was
• 52:01
  Speaker 1: a baby. Yo. I wanted to ask you because someone
• 52:04
  Speaker 1: like Nip, like I feel like, is you mentioned earlier
• 52:08
  Speaker 1: kind of the diamond in the rough, right? Not everybody
• 52:11
  Speaker 1: has the state of mind that he had that, you know,
• 52:15
  Speaker 1: the way that he did everything with purpose and intention?
• 52:19
  Speaker 1: You know, like was he always liked that? Did you
• 52:21
  Speaker 1: kind of know that about him from like the whole time?
• 52:23
  Speaker 1: I really kind of think he got that from his family,
• 52:26
  Speaker 1: Like his brother they they are real driven, Like they
• 52:33
  Speaker 1: are real driven people, you know what I'm saying. Like
• 52:37
  Speaker 1: they move with a purpose, right, I move with a purpose.
• 52:41
  Speaker 1: It's very few people who move with a purpose. And
• 52:45
  Speaker 1: he moved with a purpose, you know, And you can
• 52:48
  Speaker 1: see it. You know how you go around somebody and
• 52:50
  Speaker 1: you can see that this dude when it's time to
• 52:52
  Speaker 1: feel he always here, you always got he always you
• 52:55
  Speaker 1: can see that this is what he want to do.
• 52:56
  Speaker 1: Nip didn't have no back door, he didn't have no no,
• 53:00
  Speaker 1: no second plan. This was it, this music, this is
• 53:03
  Speaker 1: what it was, and it was it. It wasn't I'm
• 53:06
  Speaker 1: gonna be a lawyer or doctor if this don't work.
• 53:08
  Speaker 1: This is it. Yo. He passed away, and then you
• 53:13
  Speaker 1: had organized or help organized, like it was like a
• 53:16
  Speaker 1: day of unity in your neighborhood that you know, I
• 53:21
  Speaker 1: really wasn't aware of, like the historical context of it.
• 53:24
  Speaker 1: Head had to break it down to me because because
• 53:26
  Speaker 1: you know, I'm not fully tapped in with all the
• 53:28
  Speaker 1: politics and who's this and you know what I'm saying,
• 53:30
  Speaker 1: and so he was kind of explaining to me, like
• 53:33
  Speaker 1: the I the fact that these people and these people
• 53:35
  Speaker 1: are together was so big, Like talk about that day
• 53:41
  Speaker 1: and and and why that was such a big deal.
• 53:43
  Speaker 1: Shouts out, shouts out the little home girl from the Jungles.
• 53:50
  Speaker 1: You're bad with names, say that, so don't get bade anyway,
• 53:54
  Speaker 1: ad skip the little home girl from the Jungles. She's
• 53:59
  Speaker 1: a beautiful person. I can't say why, but anyway, they
• 54:03
  Speaker 1: were the ones who orchestrated it. And even before we
• 54:06
  Speaker 1: did the walk, we were already talking about, you know,
• 54:09
  Speaker 1: ways to because I do gang divention to stop the
• 54:12
  Speaker 1: violence amongst our people. So they wanted to do the
• 54:16
  Speaker 1: walk and I was like, yeah, it's good idea to
• 54:18
  Speaker 1: do it. But when they were calling people to come
• 54:22
  Speaker 1: and saying it was cool, most of the people are saying, hell, no,
• 54:26
  Speaker 1: we're not coming. Let's big. You say it's cool to come.
• 54:29
  Speaker 1: And that's when I went on there and said everybody's
• 54:33
  Speaker 1: welcome to come. I was hurting at that time, you
• 54:35
  Speaker 1: know what I mean. Later it was days later and
• 54:42
  Speaker 1: I I was I was hurting, And it was crazy
• 54:46
  Speaker 1: because my whole family was hurting. My kids was hurting
• 54:49
  Speaker 1: because they know Nancy. They know Nipsey from coming to
• 54:53
  Speaker 1: sleep at our house. He lived in our house one
• 54:55
  Speaker 1: hundred and third and then when he got his check,
• 54:58
  Speaker 1: that's when you know he He graduated from there, and
• 55:03
  Speaker 1: he was like a brother. He was like a big
• 55:05
  Speaker 1: brother to my daughter in my fourteen year old, and
• 55:08
  Speaker 1: he was a big brother to my son my twenty
• 55:11
  Speaker 1: one years in college. He posted him all the time.
• 55:13
  Speaker 1: So it was crazy that it happened. But the Unity
• 55:19
  Speaker 1: Walk was so necessary because he had reached such a
• 55:26
  Speaker 1: different pinnacle in LA with all gangs that dudes from
• 55:33
  Speaker 1: every set wanted to come pay respect, you know what
• 55:37
  Speaker 1: I mean, And we wanted to he wanted to facilitate that,
• 55:42
  Speaker 1: you know what I mean. And it was so beautiful, man,
• 55:44
  Speaker 1: And I'm so glad that I was just a part
• 55:46
  Speaker 1: of it and I was able to make that happen
• 55:49
  Speaker 1: because that was great for la man. I was great
• 55:52
  Speaker 1: for our souls, you know what I mean, to see
• 55:55
  Speaker 1: some dudes we had been fighting with for years. Yeah,
• 55:58
  Speaker 1: because like you know, like is it almost take an
• 56:03
  Speaker 1: event like that to happen. I'm not specifically talking about
• 56:06
  Speaker 1: Nip's death, but something of that magnitude to happen to
• 56:10
  Speaker 1: kind of because you know, it's hard to tell someone
• 56:12
  Speaker 1: to stop going to war with somebody if their uncle
• 56:16
  Speaker 1: died or their brother died. It is because it was
• 56:19
  Speaker 1: a lot of backlash on our side. It was backlash
• 56:23
  Speaker 1: on our side of the gang side, you know, because
• 56:26
  Speaker 1: dudes were still, like you said, will feel a certain way.
• 56:28
  Speaker 1: So it was a call that was made and people
• 56:32
  Speaker 1: came and they still had to go back and like, man,
• 56:34
  Speaker 1: with these dudes, our enemies still, so you know, and
• 56:37
  Speaker 1: with understanding that that people lost fathers, uncles, cousins, you know,
• 56:42
  Speaker 1: you got to respect that. But that day showed that
• 56:45
  Speaker 1: we could find a way out and that was our
• 56:49
  Speaker 1: mission when we first started with Nipsey. How to take
• 56:51
  Speaker 1: you back to that and the reason why a lot
• 56:53
  Speaker 1: of gangs respected him is because we made sure. I
• 56:56
  Speaker 1: made sure we didn't diss nobody. In the beginning of
• 56:59
  Speaker 1: his music, I went through all the videos. What's all
• 57:01
  Speaker 1: the videos, what's all the signs of the world? No
• 57:03
  Speaker 1: blot that out, no signs dising them. I made sure
• 57:06
  Speaker 1: my homies didn't put up noneing disrespect to nobody if
• 57:09
  Speaker 1: you look at them videos. That was all me, you
• 57:11
  Speaker 1: know what I'm saying. And then of course nip grew
• 57:14
  Speaker 1: into that because his first music was rolling sixties. What
• 57:17
  Speaker 1: isn't name? We'll do Woo woo woo, and you know,
• 57:20
  Speaker 1: and we clinked all that up, you know what I mean?
• 57:23
  Speaker 1: And history, you know, it's all history now, man, Yo,
• 57:31
  Speaker 1: Is it true that Debo from Friday was inspired by you?
• 57:34
  Speaker 1: Was that character inspired by you? No? No, okay, let
• 57:38
  Speaker 1: me tell you how that went. Okay, this is the honesty,
• 57:40
  Speaker 1: god truth. You're gonna get this here. I managed Devo
• 57:44
  Speaker 1: Okay rp R my big brother it managed Devo and
• 57:48
  Speaker 1: I managed. It was one of the people I was
• 57:50
  Speaker 1: managing and I managed for years. Right, So to keep
• 57:53
  Speaker 1: me one hundred DEVO knew of big Uka and he
• 57:57
  Speaker 1: knew of my reputation like everybody else did and knew
• 58:00
  Speaker 1: of my reputation. But the character is written on when
• 58:04
  Speaker 1: of Home, it's for twenty eleven. That has nothing to
• 58:07
  Speaker 1: do with me. You know what I'm saying. Whatsoever, I
• 58:10
  Speaker 1: ain't never been in the hunters iron, you know what
• 58:11
  Speaker 1: I mean. I wrote a beach cruiser, but I ain't
• 58:14
  Speaker 1: do that. I want to take it on he was
• 58:16
  Speaker 1: riding around on the beach cruiser like yeah, we all,
• 58:20
  Speaker 1: I don't know, like I don't know you snatched the chains,
• 58:22
  Speaker 1: like I wasn't snatching Well we did snatch here, but
• 58:26
  Speaker 1: I mean I wasn't riding the neighborhoodsnts no chains. That
• 58:28
  Speaker 1: was kind of like some other shit, but like Folkalore
• 58:32
  Speaker 1: that Dad was like based on maybe deepo, like like
• 58:34
  Speaker 1: knew of you and like maybe no, he knew of me,
• 58:37
  Speaker 1: like like he knew of me. And but you gotta understand,
• 58:41
  Speaker 1: my reputation goes back to like eighty to like eighty
• 58:48
  Speaker 1: eighty one eighty two, right, because you're in jail when
• 58:51
  Speaker 1: Friday comes out. Yeah, Friday came out ninety five. Yeah
• 58:55
  Speaker 1: I was gone. Yeah I was gone. But my my,
• 58:57
  Speaker 1: my name and reputation was still. He sees that, of course,
• 59:01
  Speaker 1: of course, you know what I mean, it presees that.
• 59:03
  Speaker 1: But there were a lot of big big me DeVos
• 59:06
  Speaker 1: and whatever. Right now, Tiny, being the actor that he was,
• 59:11
  Speaker 1: could draw off a big U and that's what he meant.
• 59:16
  Speaker 1: He meant that he drew from a big U to
• 59:19
  Speaker 1: act that care that that character wasn't written after you,
• 59:23
  Speaker 1: not at all, because no, I wasn't on no bike
• 59:27
  Speaker 1: pushing up on no nigga. Yo. So you were one
• 59:32
  Speaker 1: of the original Rolling sixties. What year? I'm not original
• 59:37
  Speaker 1: Rolling sixties, you're not, okay, So give me, give me,
• 59:39
  Speaker 1: give me kind of like a g which is Arlington Gang, right, Okay,
• 59:44
  Speaker 1: So because I saw it, well, I saw it in
• 59:45
  Speaker 1: the documentary, because I watched the first episode. You were
• 59:48
  Speaker 1: like one of like the like like original ags. I'm original,
• 59:51
  Speaker 1: I'm off the second group of original ags. And then
• 59:54
  Speaker 1: so how like, like how did you get us just
• 59:57
  Speaker 1: the street in the sixties? Okay? So so it was
• 59:59
  Speaker 1: just a kind of like an offshoot because you in
• 1:00:03
  Speaker 1: the documentary you talk about how big the sixties is.
• 1:00:07
  Speaker 1: It's the biggest section. And in all respect to my homies,
• 1:00:10
  Speaker 1: the map was not drawn by me. That map is short.
• 1:00:14
  Speaker 1: We go from Western to the Bread. It only showed
• 1:00:17
  Speaker 1: from Arlington to the Bread. So the map on the
• 1:00:20
  Speaker 1: show was a little part. Yes, totally inacurate. My hood
• 1:00:24
  Speaker 1: go from Western to the waters. Damn there. So what
• 1:00:29
  Speaker 1: year would would would you say you became quote unquote
• 1:00:33
  Speaker 1: rolling the sixties? Like what year was that? I don't
• 1:00:35
  Speaker 1: have no tattoos. Oh that's fair. Yeah, what are we
• 1:00:38
  Speaker 1: talking about? I mean, just to be honest, like I
• 1:00:43
  Speaker 1: always say it like this, I never became rolling sixties.
• 1:00:47
  Speaker 1: I think rolling seats became us. Well you said it, Uh,
• 1:00:51
  Speaker 1: it's in you. It ain't on you. You, it ain't
• 1:00:53
  Speaker 1: on you. And I've been saying that since the beginning
• 1:00:55
  Speaker 1: of time. That's why I don't have no tattoos. So
• 1:00:58
  Speaker 1: I used to say that years ago, like we ain't
• 1:00:59
  Speaker 1: gonna tattoos? Why I need them know who I am?
• 1:01:02
  Speaker 1: That's real shit. It ain't it ain't it ain't. It
• 1:01:04
  Speaker 1: ain't on you, it's in you. So when dudes used
• 1:01:07
  Speaker 1: to get tattoos. I was like, shit it or you
• 1:01:09
  Speaker 1: had to put it on you to know it was real.
• 1:01:11
  Speaker 1: That's crazy. I didn't need it. And that what's crazy
• 1:01:14
  Speaker 1: too is you got you came out of jail with
• 1:01:15
  Speaker 1: no tattoos. Tattoos. I'm gonna say it again. Yep. You
• 1:01:19
  Speaker 1: know what I'm saying. It ain't on you, Yep? Is
• 1:01:21
  Speaker 1: it in you? You did? Was it true that you
• 1:01:24
  Speaker 1: got like bad, like like when you had to go
• 1:01:26
  Speaker 1: like move out of town and like you were in Chicago, Yeah,
• 1:01:29
  Speaker 1: we got kicked out. You got kicked out of LA
• 1:01:31
  Speaker 1: you got kicked out of Yeah, So what happened? Like
• 1:01:33
  Speaker 1: how do you get kicked out of a city? Well?
• 1:01:35
  Speaker 1: I said something in the documentary because I couldn't say
• 1:01:39
  Speaker 1: what it really was, but I just said one part
• 1:01:42
  Speaker 1: of what it was there was the robberies, but it
• 1:01:44
  Speaker 1: was a lot more, you know what I mean. And
• 1:01:47
  Speaker 1: so at that time, there was like either you can
• 1:01:50
  Speaker 1: go to the army or you can go to whoop.
• 1:01:52
  Speaker 1: And then it was like, nah, bro, I ain't doing
• 1:01:54
  Speaker 1: an army. But I didn't have a choice in there.
• 1:01:56
  Speaker 1: But they couldn't find me guilty of a lot of stuff.
• 1:01:58
  Speaker 1: I was being accused of So they sent me to
• 1:02:04
  Speaker 1: a little my father in Chicago. Okay, so I stayed
• 1:02:08
  Speaker 1: up there until I turn eighteen and then I came back.
• 1:02:12
  Speaker 1: So you're because at the time, you're a minor. Begin
• 1:02:15
  Speaker 1: So you're a minor, so they can kind of tell
• 1:02:19
  Speaker 1: you like, yo, these are your options. You gotta go here,
• 1:02:21
  Speaker 1: you gotta do this, you gotta do this. And that's
• 1:02:24
  Speaker 1: what people don't understand that when you were born in
• 1:02:26
  Speaker 1: the state and you get that birth certificate, you're actually
• 1:02:28
  Speaker 1: the ward of the state. You don't actually belong to
• 1:02:30
  Speaker 1: your parents until they actually go to court and file
• 1:02:33
  Speaker 1: to get you on to become your guardian. That's so crazy. Yeah,
• 1:02:37
  Speaker 1: you actually belonged to the state. So they got to
• 1:02:40
  Speaker 1: tell you like, hey, these are your options. You can't
• 1:02:42
  Speaker 1: be here no more. What's you go in front of
• 1:02:43
  Speaker 1: You don't tell you we can sentence you here. That's
• 1:02:46
  Speaker 1: how they able to sentence you in court. Damn. Yeah,
• 1:02:50
  Speaker 1: how did you start to get involved in coaching, like
• 1:02:52
  Speaker 1: in the football stuff? Because I feel like, for the
• 1:02:55
  Speaker 1: people who have been paying attention to you the last decade,
• 1:02:57
  Speaker 1: I feel like you're up, you know, since you been home.
• 1:03:00
  Speaker 1: I feel like you've been a pair of the community,
• 1:03:02
  Speaker 1: but specifically when it comes to coaching and being involved
• 1:03:07
  Speaker 1: in the youth football. Alan Loan Man Alan Loan aka
• 1:03:12
  Speaker 1: big As I was the first one I coached when
• 1:03:14
  Speaker 1: I came home. His father and mother always had a
• 1:03:18
  Speaker 1: football program. Okay, so they always did that. And then
• 1:03:21
  Speaker 1: along with my homeboys, Big DF going on, who was
• 1:03:24
  Speaker 1: coaching their sons while I was in prison, and then
• 1:03:26
  Speaker 1: when I came home, they was doing it. So and
• 1:03:29
  Speaker 1: my son, My sons were good athletes, really good athletes.
• 1:03:33
  Speaker 1: Alls to hear about how good they were. So when
• 1:03:36
  Speaker 1: I came home, I just wanted to get in there
• 1:03:38
  Speaker 1: and sit back and kind of sitting them in the
• 1:03:40
  Speaker 1: cutting and work with them. And I started developing well.
• 1:03:44
  Speaker 1: I started Extra Finished Fellowship Network, which is the parent
• 1:03:47
  Speaker 1: company of Developing Option before I actually came home. And
• 1:03:51
  Speaker 1: that goes to my stepfather, who's Donal ray Evan, and
• 1:03:54
  Speaker 1: he's always been conscious. He's always had me read books
• 1:03:57
  Speaker 1: and all that stuff. He's been really conscious. So when
• 1:04:00
  Speaker 1: I made the change and I was making a change,
• 1:04:03
  Speaker 1: he just kept reinforcing me with books and helping me,
• 1:04:07
  Speaker 1: and he helped me start Extra Finish FELLASIP network while
• 1:04:10
  Speaker 1: I was in prison. So then I changed the name
• 1:04:13
  Speaker 1: to develop a Option because it was something people like it.
• 1:04:16
  Speaker 1: So developing Option is not actually the nonprofit Extra FELLASIP
• 1:04:20
  Speaker 1: Network is the nonprofit. We just do business as developing
• 1:04:23
  Speaker 1: Option for stealing and security purposes. People I can steal
• 1:04:26
  Speaker 1: and do things. So but then it took me into
• 1:04:31
  Speaker 1: to want to do something for our community. Man. I
• 1:04:34
  Speaker 1: wanted to get back. I wanted to to really be
• 1:04:37
  Speaker 1: able to see these kids make it and not have
• 1:04:40
  Speaker 1: to go through what I went through. Because I didn't
• 1:04:42
  Speaker 1: have no father. I ain't really had nobody who was
• 1:04:44
  Speaker 1: telling us like, don't do this, do that. You know,
• 1:04:47
  Speaker 1: you can make it. I didn't have that, you know.
• 1:04:49
  Speaker 1: It was like go hustle, get the grind. On the
• 1:04:52
  Speaker 1: outside of the family was I ain't have nobody saying
• 1:04:55
  Speaker 1: you can make it in school, I never had that. Yeah,
• 1:04:58
  Speaker 1: and you've had like players that you've coached, like get
• 1:05:01
  Speaker 1: drafted and all that, man, which is eight had eight
• 1:05:05
  Speaker 1: nine that's made it to the league that I've coached.
• 1:05:08
  Speaker 1: I have maybe about fifteen hundred through college, which is
• 1:05:15
  Speaker 1: even that's even that might even be a bigger deal.
• 1:05:18
  Speaker 1: Oh that is a big you know, fifteen hundred kids
• 1:05:21
  Speaker 1: going to college. Yeah, yeah, yeah, and I got my son.
• 1:05:26
  Speaker 1: My son's my last coach. My last class of kids
• 1:05:29
  Speaker 1: is in this documentary and it's eight of them and
• 1:05:33
  Speaker 1: uh four graduate this year from college and then six
• 1:05:39
  Speaker 1: graduate next year from college. Wow. Talk about that. That's crazy. Yeah,
• 1:05:45
  Speaker 1: that's mine. That's the work I got. That's the Crenshaw
• 1:05:49
  Speaker 1: Way and it all went to Crenshall High School lead
• 1:05:51
  Speaker 1: at Wow. Yeah. So my usually my program tastes kids
• 1:05:55
  Speaker 1: from my program, the Crenshaw Rams, Crenshaw coach and into
• 1:06:00
  Speaker 1: Crential High School and then from their college. And like
• 1:06:04
  Speaker 1: I said, that last group, I got U C l A,
• 1:06:07
  Speaker 1: Dixie State, US Navy, Reno, Nevada, Georgia, Miami and cut up. Yo,
• 1:06:24
  Speaker 1: how did you become you're a Vikings fan? Right? Oh yeah,
• 1:06:27
  Speaker 1: I got how but how the hell did you become
• 1:06:29
  Speaker 1: a Vikings fan? I got more money out of Minnesota
• 1:06:32
  Speaker 1: than I ever got any other state. Okay, okay, I
• 1:06:36
  Speaker 1: was like I would seeing that, I'm like, yo, how
• 1:06:38
  Speaker 1: did how did you become a Vikings fan? That's so
• 1:06:40
  Speaker 1: they didn't have no football team? Okay, who do you
• 1:06:43
  Speaker 1: go to? I went to the Soda all right, we
• 1:06:47
  Speaker 1: had no football, rams left, raiders coming going, and it
• 1:06:49
  Speaker 1: was like shit, I went purple and and to this day,
• 1:06:54
  Speaker 1: first property I ever bought in my name, not my name,
• 1:06:57
  Speaker 1: and I bought it a nothing, but first brought out there,
• 1:07:01
  Speaker 1: first thing I ever in. Like the Minnesota is important
• 1:07:04
  Speaker 1: to your story, it was important. I ain't never been
• 1:07:06
  Speaker 1: back either since they ran me out of there. That's crazy.
• 1:07:08
  Speaker 1: Wait wait why did you get ran out of Minnesota?
• 1:07:10
  Speaker 1: What happened? I ain't never been back since then? What
• 1:07:14
  Speaker 1: if that? What if like hypothetically speaking, the super bowls
• 1:07:19
  Speaker 1: in Minnesota and the Vikings happened to make it to
• 1:07:21
  Speaker 1: the super Bowl that same year like the Bucks just
• 1:07:23
  Speaker 1: did in Tampa. I might just drive at another stag.
• 1:07:30
  Speaker 1: You don't make you sure I need them? No, I
• 1:07:33
  Speaker 1: never been back. You mentioned you know reading some books.
• 1:07:36
  Speaker 1: What are what are like three or four books that
• 1:07:39
  Speaker 1: I've changed your life? And Malcolm's autobiography Rich Dad, Poor Dad,
• 1:07:45
  Speaker 1: Visits for Black Men and the Brown and Friles by
• 1:07:49
  Speaker 1: Joey Browner. Okay, easy, how about this as like a
• 1:07:53
  Speaker 1: thirteen year old white kid, I read the autobiography of
• 1:07:56
  Speaker 1: Malcolm X. Crazy made me. I didn't even realize Malcolm
• 1:08:00
  Speaker 1: as a kid, like I didn't, you know, I learned
• 1:08:02
  Speaker 1: about Malcolm X from hip hop and shit, I didn't
• 1:08:05
  Speaker 1: realize he was on some gangster ship like Detroit rad
• 1:08:07
  Speaker 1: was like that that motherfucker. You know, I didn't like
• 1:08:09
  Speaker 1: that movie. I didn't like the I like the concept
• 1:08:12
  Speaker 1: of the movie. I didn't see the movie. You didn't
• 1:08:14
  Speaker 1: see the movie just came you're you talking about the
• 1:08:17
  Speaker 1: one that came in on Amazon Prime, that The Night
• 1:08:19
  Speaker 1: of Miami one. I kind of feel like they made
• 1:08:22
  Speaker 1: my man two weak to undecisive in his life. How's
• 1:08:26
  Speaker 1: your relationship with Farakhun? What that's pops? I love kind
• 1:08:31
  Speaker 1: of death? What do you think is? I feel like
• 1:08:35
  Speaker 1: there's so many misconceptions about ain't no misconception. It ain't
• 1:08:38
  Speaker 1: no misconception. He has done. He has done nothing but
• 1:08:42
  Speaker 1: good for our people. It's no misconception. The only way
• 1:08:46
  Speaker 1: you can find something wrong with him is you looking
• 1:08:49
  Speaker 1: to find something wrong with him. And I won't even
• 1:08:52
  Speaker 1: let nobody say it's a misconception for somebody who was
• 1:08:54
  Speaker 1: all his life fought for our life, right Like, if
• 1:08:57
  Speaker 1: you can find something wrong with him, then you can
• 1:09:01
  Speaker 1: find something wrong with us as a people as black people.
• 1:09:04
  Speaker 1: You got a problem with black people because he's never
• 1:09:07
  Speaker 1: done nothing before for us, period. And when you were
• 1:09:10
  Speaker 1: you said, when you were locked up with like what
• 1:09:12
  Speaker 1: he was like you you would almost stay like frowned
• 1:09:15
  Speaker 1: upon the fact that you had a relationship with him. Yeah. No,
• 1:09:19
  Speaker 1: they was trying to they sentenced me. That was one
• 1:09:22
  Speaker 1: of the sentences, one of my my aggravating, aggravating circumstances,
• 1:09:27
  Speaker 1: that I had a relationship, that I had a relationship
• 1:09:30
  Speaker 1: with him. That's fucking crazy. Yeah, it was in my
• 1:09:32
  Speaker 1: transfers too. That's why you know, I think though, even
• 1:09:37
  Speaker 1: like my situation right now, because as this documentary go,
• 1:09:41
  Speaker 1: I still hear where the fairs is going to ask
• 1:09:42
  Speaker 1: people like what can you give us on Big U?
• 1:09:45
  Speaker 1: Like what do you know about big U? What is this?
• 1:09:47
  Speaker 1: And in light of the the in light of what's
• 1:09:50
  Speaker 1: going on in the capitol and then rushing the capitol.
• 1:09:53
  Speaker 1: It's crazy that I still get calls from people just's
• 1:09:55
  Speaker 1: in prison and saying that they come in and asked
• 1:09:58
  Speaker 1: him what can you what can you give us on
• 1:10:00
  Speaker 1: Big You? Like I've been home seventeen sixteen years. I
• 1:10:03
  Speaker 1: do gang intervention and I have to have a relationship
• 1:10:06
  Speaker 1: with gang members to do gang intervention to help your community.
• 1:10:10
  Speaker 1: If I don't have a relationship with gang members, how
• 1:10:12
  Speaker 1: can I call a thousand gang members to be able
• 1:10:16
  Speaker 1: to come to this nipsey thing? You know what I'm saying.
• 1:10:18
  Speaker 1: But I am still being pursued to this day right now.
• 1:10:21
  Speaker 1: I got a call not too long ago tell some
• 1:10:24
  Speaker 1: of my partners saying that they was asking what can
• 1:10:26
  Speaker 1: they give them? What we can help you? Like, how
• 1:10:28
  Speaker 1: are you looking for something? Like I thought the fact
• 1:10:31
  Speaker 1: that crime was let's catch him doing what he's doing
• 1:10:34
  Speaker 1: and not going back looking for some thirty forty years
• 1:10:36
  Speaker 1: ago because they trying to do a reco from my
• 1:10:37
  Speaker 1: understanding on the hood. So I gotta be scared to
• 1:10:40
  Speaker 1: say if I'm even affiliated with the hood. Wow, you
• 1:10:42
  Speaker 1: understand what I'm saying, Like, we gotta be careful on
• 1:10:44
  Speaker 1: what you say now, but this is what you're looking for,
• 1:10:47
  Speaker 1: like and you see them doing this stuff. But it
• 1:10:51
  Speaker 1: goes back to what Malcolm and Martin was talking about.
• 1:10:54
  Speaker 1: They killed all of our black leaders? Are they sinuses
• 1:10:57
  Speaker 1: in some kind of way? Why if they feel like
• 1:11:01
  Speaker 1: you got a big voice. So I guess there's a
• 1:11:03
  Speaker 1: time period on how long big U last, there's something
• 1:11:05
  Speaker 1: to come up? Would you ever become a part of
• 1:11:07
  Speaker 1: the political process. I'm a part of the political process.
• 1:11:10
  Speaker 1: I mean as far as like being, you know, running
• 1:11:12
  Speaker 1: for any sort of official I wouldn't run for no office,
• 1:11:15
  Speaker 1: but I'm running for office right now, like just being
• 1:11:19
  Speaker 1: a voice for our people, just a level of voice.
• 1:11:21
  Speaker 1: And like they said, like Jiego Hoover said, the the
• 1:11:25
  Speaker 1: fear of the white man is the intelligence of a
• 1:11:28
  Speaker 1: black man. That shit real, like it's real. And I'm
• 1:11:32
  Speaker 1: not capping at you, no, no, no no, listen broadly what
• 1:11:35
  Speaker 1: was really going on right now today? There's one hundred
• 1:11:37
  Speaker 1: per Like you said, Yo, what happened the Capital Ship
• 1:11:41
  Speaker 1: was to me the biggest like example of like all
• 1:11:43
  Speaker 1: of their energy shit to be on these on these
• 1:11:45
  Speaker 1: white boys. How you find where they at? How you
• 1:11:48
  Speaker 1: still pursuing black men who ain't got no power in
• 1:11:50
  Speaker 1: this country literally infiltrated and can't do nothing, Like even
• 1:11:54
  Speaker 1: if we wanted to, if you organize every black man
• 1:11:56
  Speaker 1: in this country, we couldn't do shit. I mean, just
• 1:11:58
  Speaker 1: to be honest, we can't take a shit. We ain't
• 1:12:01
  Speaker 1: gonna move on nothing. We ain't the problem in America.
• 1:12:04
  Speaker 1: When do they figure that shit out? We not the problem.
• 1:12:07
  Speaker 1: I don't disagree, man, I do not disagree. It's been
• 1:12:11
  Speaker 1: it's been a crazy Uh, I've been a crazy last
• 1:12:13
  Speaker 1: four years. A lot of motherfuckers have been embolded, you
• 1:12:17
  Speaker 1: know what I'm saying. If anything, at least it made
• 1:12:20
  Speaker 1: people like I think Trump being president, people actually like
• 1:12:25
  Speaker 1: were at least brave enough to show you who they were, right,
• 1:12:27
  Speaker 1: you know what I'm saying. But just to be on
• 1:12:30
  Speaker 1: another note on the Trump note, Uh, it's some dumb
• 1:12:34
  Speaker 1: white people, oh for sure, like for real though, bro like,
• 1:12:39
  Speaker 1: and I don't want to disrespect nobody, but don't I
• 1:12:41
  Speaker 1: used to think, you know, coming up, it's a white world,
• 1:12:45
  Speaker 1: white police, white school officers, I mean, white teachers, white police,
• 1:12:49
  Speaker 1: white judges, white Superman, white wonder woman, white every this
• 1:12:52
  Speaker 1: this the word I grew up here or nothing black
• 1:12:54
  Speaker 1: on TV but Sammy Davis Junior, and he claimed to
• 1:12:56
  Speaker 1: be a jew, So we ain't have ship but black
• 1:12:59
  Speaker 1: and films that came out and they was all taking cocaine,
• 1:13:02
  Speaker 1: shooting to some kind of jewels and gangster shit, you
• 1:13:05
  Speaker 1: know what I'm saying. So you get to think that,
• 1:13:08
  Speaker 1: But when Trump came. Trump unveiled a whole different people.
• 1:13:14
  Speaker 1: Now they've always been there called white trash. I mean,
• 1:13:18
  Speaker 1: god damn, I ain't gonna call him trash. I will,
• 1:13:20
  Speaker 1: but I'm gonna just say, I'm gonna just say there's
• 1:13:23
  Speaker 1: white trash. The intelligence level is far different than I thought. Like, listen, man,
• 1:13:29
  Speaker 1: there's a whole middle part of the America where these
• 1:13:33
  Speaker 1: motherfuckers are real just they're just they're they're like truly
• 1:13:38
  Speaker 1: brainwashed people. Right. I was like, it's crazy, it's crazy.
• 1:13:42
  Speaker 1: And then I like Trump for a different reason. What
• 1:13:45
  Speaker 1: was your reason for? He was a hustler and and
• 1:13:47
  Speaker 1: and watch this when I was gone, Trump was the
• 1:13:52
  Speaker 1: hip hop being for sure. Oh no, he was doing
• 1:13:55
  Speaker 1: like skits on mathematic albums and all kinds of shit. Yeah,
• 1:13:58
  Speaker 1: everything it was about. I read Trump, But bro, he
• 1:14:00
  Speaker 1: was here and he's also a life, lifelong democrat, his whole,
• 1:14:04
  Speaker 1: his whole entire life. And then he flipped the script.
• 1:14:07
  Speaker 1: You know, why get the bag because he knew how
• 1:14:09
  Speaker 1: stupid people were, these white people were. He's like, I
• 1:14:12
  Speaker 1: know exactly how to get these fools. I'm gonna just
• 1:14:15
  Speaker 1: shoot up this fear right into their arm. Talk about
• 1:14:19
  Speaker 1: every other race. And and I mean it worked for
• 1:14:22
  Speaker 1: I mean, the jig is up obviously, but he got
• 1:14:25
  Speaker 1: him elected, dude to the highest office. Dude flipped the
• 1:14:28
  Speaker 1: whole script. How you go from on yachts and snoop
• 1:14:31
  Speaker 1: and and my man was a cold business man and
• 1:14:36
  Speaker 1: he just dived in on the other ship. Oh man, definitely.
• 1:14:39
  Speaker 1: You know, I'm not even sure as a businessman he's
• 1:14:41
  Speaker 1: as cold as we I think that might be a
• 1:14:45
  Speaker 1: little bit inflated as well. Now, well, see the thing
• 1:14:47
  Speaker 1: about it is Trump didn't do business to do business.
• 1:14:50
  Speaker 1: Trump did. Trump did business to get some money. When
• 1:14:53
  Speaker 1: you when you're building a business, you like me, and
• 1:14:55
  Speaker 1: you you ground as your baby. You you hustling at
• 1:14:58
  Speaker 1: it every single day. Trump did corporation. I try to
• 1:15:00
  Speaker 1: write his book. Trump established corporations to make two three,
• 1:15:05
  Speaker 1: one hundred and fifty million, and then debunk the corporations
• 1:15:08
  Speaker 1: once you get everybody in the investment. Oh yeah, I
• 1:15:10
  Speaker 1: hear what you're saying. So he went in it for
• 1:15:11
  Speaker 1: good business. He was in it for money. He was
• 1:15:13
  Speaker 1: in to get the brig that's fair, you know what
• 1:15:14
  Speaker 1: I mean. He wasn't in it to make r His
• 1:15:17
  Speaker 1: studios become like the biggest studio in the world. How
• 1:15:22
  Speaker 1: the building built out of it? Good? We'll move on
• 1:15:25
  Speaker 1: right now. I'm getting this back. Can you tell obviously
• 1:15:30
  Speaker 1: you know we always bs who's here in the building,
• 1:15:32
  Speaker 1: but talk about just before we wrap up, man, like
• 1:15:34
  Speaker 1: what you have going on? Obviously, I gotta I got
• 1:15:37
  Speaker 1: a talk show coming out like this from a podcast
• 1:15:40
  Speaker 1: called Checking. Oh yes, sir, I like that perfect name.
• 1:15:46
  Speaker 1: God check it in with big Y you did. So
• 1:15:48
  Speaker 1: there's gonna be a podcast on the way podcast. It's
• 1:15:50
  Speaker 1: Kevin right now. We're doing it right now, and I
• 1:15:53
  Speaker 1: got as So now I'm doing distribution so unique as
• 1:15:57
  Speaker 1: determinment is. And now we're a distribution company like Empire
• 1:16:03
  Speaker 1: Distro Kids, So kids can go upload their music and
• 1:16:06
  Speaker 1: they're not signing to us, they're just going through us
• 1:16:08
  Speaker 1: as a platform to get the music. They're helping them
• 1:16:11
  Speaker 1: get their music from music out. Yeah, and then if
• 1:16:13
  Speaker 1: somebody blows we gonna definitely want to reach out to you,
• 1:16:15
  Speaker 1: you know together, but it's it's you'll be able to
• 1:16:19
  Speaker 1: sign up online. We're gonna start promoting and pushing that.
• 1:16:22
  Speaker 1: And William just looking at it like that, just doing
• 1:16:24
  Speaker 1: distribution and that's no contract. That's just you can go
• 1:16:28
  Speaker 1: in you only you only have to do a contract.
• 1:16:30
  Speaker 1: As far as the music you're uploading. Make sure you
• 1:16:33
  Speaker 1: ain't stole. Nobody's beating right right, Yeah, nobody's signing to
• 1:16:38
  Speaker 1: us unless they choose to or we listen to your music.
• 1:16:41
  Speaker 1: But they'll be able to upload their music and put
• 1:16:44
  Speaker 1: their videos up and the music as goes from there
• 1:16:46
  Speaker 1: and they'll be able to download it get paid. I
• 1:16:48
  Speaker 1: think I pay us like in three days off whatever
• 1:16:51
  Speaker 1: they make wow fast. Yeah, we're not doing We're not
• 1:16:54
  Speaker 1: doing no fifty fifty. It's majority of money goes to them.
• 1:16:59
  Speaker 1: And again, nobody signing us. It's gonna be able to
• 1:17:02
  Speaker 1: load their music, get it out and working what how
• 1:17:08
  Speaker 1: how like I think with I mean, obviously I'm sure
• 1:17:11
  Speaker 1: there's already been some interest, but with this show coming out,
• 1:17:13
  Speaker 1: I'm sure there's gonna be a lot of interest for
• 1:17:15
  Speaker 1: like the rights to your story, doing a movie like
• 1:17:19
  Speaker 1: I said, where an actor plays you. Has there been
• 1:17:21
  Speaker 1: any sort of discussion for some ship like that. Yeah,
• 1:17:24
  Speaker 1: I had a deal actually on the table man with
• 1:17:26
  Speaker 1: Van Rain's about five years ago. Was he gonna be
• 1:17:30
  Speaker 1: was he gonna be the one to play it. Yeah,
• 1:17:32
  Speaker 1: well he was supposed to play me then and uh
• 1:17:34
  Speaker 1: him and Tiny was lobby. You know who's gonna do it?
• 1:17:37
  Speaker 1: So it's crazy you but uh we just never pulled
• 1:17:40
  Speaker 1: the trigger. Uh my boss. My wife was just satisfied
• 1:17:44
  Speaker 1: with I like how you called your wife your boss too,
• 1:17:46
  Speaker 1: because I feel you my boss. She my boss too. Man.
• 1:17:49
  Speaker 1: She was like, uh no, she's Likena like it. She
• 1:17:54
  Speaker 1: didn't like the script because in the script and the script,
• 1:17:58
  Speaker 1: I had to be like the protagonist. They wanted me
• 1:18:01
  Speaker 1: to be mean towards her and they wanted to be
• 1:18:03
  Speaker 1: She was like, you ain't never hit me. And I'm like, babe,
• 1:18:06
  Speaker 1: but it's just it's just for like the movie. And
• 1:18:08
  Speaker 1: she like, I ain't scared of you. Why I gotta
• 1:18:11
  Speaker 1: be scared. I'm like, don't worry about it. It's like
• 1:18:15
  Speaker 1: because then how they fuck you up? She like like
• 1:18:20
  Speaker 1: she like and and so you know the lady who
• 1:18:22
  Speaker 1: wrote it. She was like, no, we gotta want to
• 1:18:24
  Speaker 1: make him be like you know, and then he had
• 1:18:26
  Speaker 1: because it shows the evolution. She like, what make him
• 1:18:28
  Speaker 1: be mean to somebody else? And I'm like, look, b
• 1:18:31
  Speaker 1: is they telling the story? Yeah? You know what I mean?
• 1:18:33
  Speaker 1: She was. She was like, hell, no, did you are you?
• 1:18:36
  Speaker 1: Are you a fan of Have you? Have you checked
• 1:18:37
  Speaker 1: out the show Snowfall on FX? Yeah? I watched it. Yeah,
• 1:18:42
  Speaker 1: I say't watch all of it. I mean, I'm dimmed
• 1:18:45
  Speaker 1: in it because people always tell me about what you're
• 1:18:46
  Speaker 1: about to say. Yeah, I just didn't like. I was
• 1:18:49
  Speaker 1: just curious to see if, like, how how accurate you
• 1:18:51
  Speaker 1: thought they kind of depicted that era. I don't know.
• 1:18:55
  Speaker 1: I didn't even look at it to see if it
• 1:18:57
  Speaker 1: was accurate because it's a good ass show and everyone
• 1:19:01
  Speaker 1: says that it's loosely based on Freeway Ricky Ross, but
• 1:19:06
  Speaker 1: I'm not that. I felt like it was based off
• 1:19:08
  Speaker 1: of Boat Benning. Okay, I don't know from what I seen,
• 1:19:14
  Speaker 1: because from when I heard about the story, he got
• 1:19:16
  Speaker 1: on in the valley, that's how Bo got on in
• 1:19:18
  Speaker 1: the valley. Yeah, he got on in the valley. Yeah,
• 1:19:20
  Speaker 1: and it came me up Freeway got on. I don't know.
• 1:19:26
  Speaker 1: I think he was always in the hood because you know,
• 1:19:28
  Speaker 1: we all, we all know each other, we are good friends.
• 1:19:31
  Speaker 1: So when I heard it was a valley story and
• 1:19:34
  Speaker 1: I've seen some of it, I'm like, that's Bo. Bo
• 1:19:37
  Speaker 1: went to school in the boat. Bow lived in on
• 1:19:40
  Speaker 1: Florence and he went to school in the valley and
• 1:19:44
  Speaker 1: kind of got on And I don't never know Freeway
• 1:19:47
  Speaker 1: because I thought Freeway kind of moved out here when
• 1:19:49
  Speaker 1: he was kind of like sixteen to seventeen and he
• 1:19:52
  Speaker 1: didn't do no more, he didn't do no schooling. This
• 1:19:54
  Speaker 1: kid was kind of the in the Snowfall is supposed
• 1:19:57
  Speaker 1: to be kind of smart, right, Yeah, a smart kid
• 1:19:59
  Speaker 1: for sure. Yeah. Yeah, it's a great show. I just
• 1:20:03
  Speaker 1: didn't know because I know that was kind of your era,
• 1:20:05
  Speaker 1: so I didn't know that was my That's definitely my air, definitely. Yeah,
• 1:20:08
  Speaker 1: it's definitely my air. Yes, it's check that ship out.
• 1:20:12
  Speaker 1: But you gotta like really watch, like you can't just
• 1:20:14
  Speaker 1: get in and out of it. You gotta like bang
• 1:20:16
  Speaker 1: out all the seasons. I'm now I'm gonna watch the
• 1:20:18
  Speaker 1: whole season because we're all on FX. Yeah, Hip Hop
• 1:20:21
  Speaker 1: Uncovered on FX And it's a two episodes dropping every Friday,
• 1:20:26
  Speaker 1: right every Friday, every Friday, total of six so the
• 1:20:29
  Speaker 1: next three Fridays and then if you got the FX app,
• 1:20:33
  Speaker 1: go get that. Yeah, go get the FX. No, go
• 1:20:35
  Speaker 1: get the Hulu appeah, because it's streaming. It's on Hulu. Yeah,
• 1:20:39
  Speaker 1: it's streaming on Hulu, but it's it's airing ONX Listen.
• 1:20:42
  Speaker 1: I know you got the calls running man listen. I
• 1:20:44
  Speaker 1: appreciate you coming through and thank you for the discussion.
• 1:20:46
  Speaker 1: Man and and RS Studios. You already know looking you know,
• 1:20:52
  Speaker 1: for whatever reason, you know, he happens to be fond
• 1:20:54
  Speaker 1: of those initials. Big you, Thank you, Bro,