Latest / Crime and Horror / The-real-life-KILL-ROOM
Transcript
- 0:00Speaker 1: I would imagine after you hear the ending to today's
- 0:02Speaker 1: story that you will most likely go back and watch
- 0:05Speaker 1: this all over again because the ending completely changes the story.
- 0:09Speaker 1: But before we get into today's story, if you're a
- 0:12Speaker 1: fan of these strange, dark and mysterious delivered in story format,
- 0:15Speaker 1: then you've come to the right place, because that's all
- 0:17Speaker 1: we do, and we upload once or twice every week.
- 0:19Speaker 1: So if that's of interest to you, please sneak into
- 0:21Speaker 1: the like Button's house and replace all of the lids
- 0:23Speaker 1: of their tupperware with off market brands so none of
- 0:26Speaker 1: them fit. Also, please subscribe to our channel and turn
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- 0:31Speaker 1: weekly uploads. All right, let's get into today's story. Ever
- 0:46Speaker 1: since he was a child, Mark Twitchell had always dreamed
- 0:49Speaker 1: of becoming a big time Hollywood filmmaker, but he knew
- 0:52Speaker 1: the odds were stacked against him because he lived in Edmonton, Canada,
- 0:55Speaker 1: which was not exactly known for being a movie making hub. Nonetheless,
- 0:59Speaker 1: after high scho he enrolled in an Edmonton Art college
- 1:02Speaker 1: and in two thousand he graduated, earning his degree in
- 1:05Speaker 1: Radio and Television Art. But after college, despite utilizing his
- 1:09Speaker 1: training to make several films, none of them generated any
- 1:13Speaker 1: buzz beyond his friends and family, and so it seemed
- 1:16Speaker 1: like his filmmaking career was turning into a bit of
- 1:18Speaker 1: a dud. However, in two thousand and seven, Mark had
- 1:21Speaker 1: a bit of an unintentional breakthrough. He had been a
- 1:24Speaker 1: longtime Star Wars fanatic, and that year he decided, purely
- 1:28Speaker 1: as a passion project, he was going to write a
- 1:30Speaker 1: script for a prequel to the Star Wars franchise. When
- 1:34Speaker 1: he finished it and shared the script with some of
- 1:36Speaker 1: his colleagues, they were so impressed with his writing they said, Mark,
- 1:41Speaker 1: you need to produce this into a movie. This is incredible.
- 1:43Speaker 1: And so Mark, who was totally amazed at this unbelievable
- 1:46Speaker 1: feedback he was getting, decided, you know what, what the heck,
- 1:49Speaker 1: I will produce this movie. And so he began sending
- 1:52Speaker 1: his script out to different actors and actresses to see
- 1:54Speaker 1: if they might be interested in playing a role, and amazingly,
- 1:58Speaker 1: one of the original Star Wars Wars actors, Jeremy Bullock,
- 2:01Speaker 1: who played Boba Fett, he read the script and he
- 2:04Speaker 1: was so impressed by it that he agreed to play
- 2:07Speaker 1: a role in Mark's film, and so this passion project
- 2:10Speaker 1: had quickly turned into Mark's biggest success yet. When the
- 2:13Speaker 1: movie was finished, it did well, but it didn't propel
- 2:16Speaker 1: Mark into Hollywood's stardom. However, it did put him on
- 2:20Speaker 1: the map as a bona fide filmmaker, and it showed
- 2:23Speaker 1: him that if he just focused on making films about
- 2:26Speaker 1: subjects he was already very passionate about, those films would
- 2:30Speaker 1: be much more likely to succeed. And so in two
- 2:32Speaker 1: thousand and eight, so roughly a year after creating the
- 2:35Speaker 1: Star Wars fan fiction film, Mark decided to embark on
- 2:39Speaker 1: another film project around another passion of his Dexter. Dexter
- 2:43Speaker 1: was a very popular TV show about a fictional serial
- 2:46Speaker 1: killer whose name was Dexter, and the way Dexter would
- 2:49Speaker 1: kill his victims is he would lure them into these
- 2:52Speaker 1: small rooms which he called kill rooms, and inside of them,
- 2:55Speaker 1: basically every surface, that ceiling, the walls, the floor were
- 2:58Speaker 1: all covered in plastic sheet to catch any of the blood.
- 3:01Speaker 1: And then he would kill his victims, usually with a knife,
- 3:04Speaker 1: and then afterwards he would dismember them and bag up
- 3:07Speaker 1: their body and he would roll up all this plastic
- 3:09Speaker 1: kind of collecting all the evidence and then he would
- 3:12Speaker 1: dump the plastic and the body into the ocean. Mark
- 3:15Speaker 1: was obsessed with the show, and so it inspired him
- 3:18Speaker 1: to make his next movie be about a killer too,
- 3:22Speaker 1: except instead of it being fiction like Dexter, he wanted
- 3:25Speaker 1: his movie to be at least based on real events,
- 3:28Speaker 1: and it just so happened at the time he was
- 3:30Speaker 1: thinking about doing this movie, there was this uncaught murderer
- 3:34Speaker 1: terrorizing Edmonton, and so Mark decided the Edmonton Killer would
- 3:38Speaker 1: be his star. Mark would spend the next several weeks
- 3:41Speaker 1: obsessively researching the Edmonton Killer and his victims and establishing
- 3:45Speaker 1: a clear timeline of what had happened with this case.
- 3:48Speaker 1: And then, after he felt like he had compiled every
- 3:50Speaker 1: piece of information he possibly could, he used that research
- 3:54Speaker 1: to concoct a forty two page first drapped up his script,
- 3:58Speaker 1: and as soon as he was done with that first draft,
- 4:01Speaker 1: it somehow got leaked. And when it got leaked, the
- 4:05Speaker 1: contents of this script were so shocking and so controversial
- 4:10Speaker 1: that the script wound up in the hands of the
- 4:12Speaker 1: Edmonton Police and when they read the script, they immediately
- 4:16Speaker 1: recognized they had a big problem. They reached out to
- 4:20Speaker 1: Mark and they told him, under no circumstances can you
- 4:22Speaker 1: turn this script into a movie. And then the police
- 4:25Speaker 1: basically wiped the script off the face of the earth. Today,
- 4:29Speaker 1: if you go looking for mark script online, you'll basically
- 4:32Speaker 1: only find heavily censored versions of it. But recently I
- 4:36Speaker 1: got my hands on an uncensored version of this forty
- 4:39Speaker 1: two page script. Now, I'm not going to literally read
- 4:42Speaker 1: you this script, However, what I'm going to do is
- 4:45Speaker 1: use the script's information to tell you Mark's highly controversial
- 4:50Speaker 1: Edmonton Killers story. As you listen, remember this story is
- 4:54Speaker 1: based on actual events, and so the victim's names and
- 4:58Speaker 1: the information about them is real. Okay, here we go.
- 5:05Speaker 1: In early October two thousand and eight, a soft spoken
- 5:08Speaker 1: twenty six year old casino security guard named Giles Tetro
- 5:12Speaker 1: was living alone in Edmonton. Giles his life had recently
- 5:15Speaker 1: been turned upside down because a few months earlier, his
- 5:19Speaker 1: wife had told him that she just didn't love him
- 5:21Speaker 1: anymore and that she was going to leave him. Giles
- 5:24Speaker 1: was still very much in love with his wife, and
- 5:26Speaker 1: so this was a totally heartbreaking experience for him. After
- 5:28Speaker 1: she left, Giles tried to stay busy and keep his
- 5:31Speaker 1: mind occupied, but it rarely worked. Oftentimes he felt crushingly,
- 5:35Speaker 1: lonely and sad. But on Friday, October third, when Giles
- 5:39Speaker 1: came home from work that afternoon, he suddenly felt like,
- 5:42Speaker 1: you know what, I got to get my life together,
- 5:43Speaker 1: and I'm going to start by finding myself a new
- 5:46Speaker 1: romantic partner. And so he went on a dating site
- 5:48Speaker 1: and he made himself a profile, and he began scrolling
- 5:51Speaker 1: through all of the women's profiles that lived roughly in
- 5:54Speaker 1: his area, and at first no one really appealed to him,
- 5:57Speaker 1: But then he stopped on this one woman's profile. Le
- 6:00Speaker 1: she was this young, blonde, beautiful woman named Shena, and
- 6:03Speaker 1: she lived right in Edmonton, and so Giles thought, what
- 6:06Speaker 1: the heck, I'll send her a message, and so he did,
- 6:08Speaker 1: just introducing himself and asking to talk further, and she
- 6:11Speaker 1: responded just a couple of minutes later, and then over
- 6:14Speaker 1: the next couple of hours, the two exchanged dozens of messages,
- 6:17Speaker 1: getting to know each other, and then finally Shena just
- 6:19Speaker 1: says to Giles, Hey, you know, we live so close together,
- 6:22Speaker 1: why don't we get together tonight and go grab dinner
- 6:24Speaker 1: and watch a movie together. And Giles is thrilled, and
- 6:27Speaker 1: he says, yeah, come pick you up. What's your address?
- 6:29Speaker 1: And Shehena would tell him, you know what, I don't
- 6:31Speaker 1: feel comfortable sharing my address over this dating website, and
- 6:34Speaker 1: so instead she sent Giles this strange, customized set of
- 6:38Speaker 1: directions that didn't give the actual address of her house. Instead,
- 6:43Speaker 1: it basically gave Giles a set of known landmarks in
- 6:47Speaker 1: Edmonton that he could follow until he finally arrived at
- 6:51Speaker 1: her residence. And she also told him that when he arrived,
- 6:54Speaker 1: instead of just coming up to her house, there would
- 6:57Speaker 1: be a detached garage and the door would be open,
- 7:00Speaker 1: and he would go through the garage out the door
- 7:02Speaker 1: into her backyard and then he would go up the
- 7:04Speaker 1: back steps to the back door of her house and
- 7:07Speaker 1: she would meet him there. Now Giles did think this
- 7:10Speaker 1: was a little bit strange, but at the same time,
- 7:12Speaker 1: he's thinking, you know, I am basically a complete stranger
- 7:15Speaker 1: to her. We just met today on the internet, and
- 7:18Speaker 1: so I really can't blame her for taking some extra
- 7:20Speaker 1: safety precautions with me. And so we told Sheena he
- 7:22Speaker 1: had no issues using her special directions, and then he
- 7:25Speaker 1: said he'd be over soon, and so Giles hopped in
- 7:28Speaker 1: the shower, he freshened up, he got dressed, he hopped
- 7:30Speaker 1: in his truck, and then he began driving to Sheena's house.
- 7:33Speaker 1: After about fifteen minutes of following these directions, he reached
- 7:37Speaker 1: the end of them, and they placed him in this
- 7:39Speaker 1: alleyway in a suburban neighborhood. And where he stopped, he
- 7:43Speaker 1: looked off to his right and he saw there was
- 7:45Speaker 1: this two car garage, and he knew it was Sheena's
- 7:48Speaker 1: garage because one of the doors was open like she
- 7:50Speaker 1: said it would be. Although the door was not open
- 7:53Speaker 1: all the way, it was open enough to where he
- 7:55Speaker 1: would have to duck to get into the garage. But
- 7:57Speaker 1: either way, he knew it was her garage. And he
- 8:00Speaker 1: turns off his truck and he gets out, and he
- 8:02Speaker 1: tries to look up at Sheena's house behind the garage
- 8:05Speaker 1: to see if maybe he can see her looking out
- 8:07Speaker 1: the back door, but the detached garage that was right
- 8:10Speaker 1: up against the street was kind of blocking his view,
- 8:13Speaker 1: and so he thought, okay, whatever, I'll just go in
- 8:15Speaker 1: and make my way up to the back steps. And
- 8:17Speaker 1: so he walks over to this two car garage and
- 8:19Speaker 1: he goes to the open side, he ducks down and
- 8:22Speaker 1: he goes underneath and he stands up inside of the garage.
- 8:25Speaker 1: Now it was dark inside of the garage. There was
- 8:27Speaker 1: no light on, but there was enough light spilling in
- 8:30Speaker 1: from the opening of the garage door that he could see.
- 8:33Speaker 1: There was really nothing in the garage, however, virtually every surface,
- 8:37Speaker 1: the walls, the ceiling, the floor was covered in plastic sheeting.
- 8:41Speaker 1: Now he had no idea what this plastic sheeting was for,
- 8:44Speaker 1: and he really didn't care. He just kept walking across
- 8:47Speaker 1: the garage towards the door that would lead into Sheena's backyard.
- 8:50Speaker 1: And when he reached that door, he reached down to
- 8:53Speaker 1: the door handle and he was about to turn it
- 8:55Speaker 1: when he felt a blinding pain in the back of
- 8:58Speaker 1: his neck. He whipped around, and even though it was
- 9:00Speaker 1: dark inside of this garage, he could clearly see this
- 9:04Speaker 1: huge man in a black and gold hockey mask standing
- 9:07Speaker 1: right in front of him holding a stun baton. Giles
- 9:10Speaker 1: tries to run past him to try to get out
- 9:12Speaker 1: of the garage, but the man grabs him and then
- 9:15Speaker 1: takes his stun baton and drives it into Giles's stomach,
- 9:18Speaker 1: and he pulls the trigger. Immediately, Giles feels this coursing
- 9:21Speaker 1: pain in his torso and he falls to the ground.
- 9:24Speaker 1: And then this man in the mask releases the trigger
- 9:27Speaker 1: and Giles tries to scramble up to his feet to
- 9:29Speaker 1: try to run out of the garage. But as soon
- 9:31Speaker 1: as Giles turns around, he stops where he is because
- 9:34Speaker 1: he sees this huge guy in the mask is standing
- 9:37Speaker 1: between him and this open garage door, and he's now
- 9:40Speaker 1: holding a gun in his hand and he's aiming it
- 9:43Speaker 1: right at Giles, and so Giles freezes. He has no
- 9:46Speaker 1: idea what's going on. And this man who's got this
- 9:48Speaker 1: mask on barks at Giles to get on the ground
- 9:51Speaker 1: and put your face on the ground. And so Giles
- 9:53Speaker 1: at this point is thinking, I'm gonna get killed in here.
- 9:55Speaker 1: I have nothing I can do. I'm completely defenseless here,
- 9:58Speaker 1: and so he just does what he's told. Then he
- 10:00Speaker 1: lies down on the plastic sheeting and he's totally terrified.
- 10:03Speaker 1: And this man walks over and he puts a piece
- 10:05Speaker 1: of duct tape over Giles's eyes, and so as he's
- 10:08Speaker 1: laying there, blind and terrified, Giles becomes very emotional. He
- 10:12Speaker 1: suddenly longs for his ex wife, and for his family
- 10:15Speaker 1: and his friends. He wishes he could see them just
- 10:18Speaker 1: one more time, and he knows he's not going to. Then,
- 10:21Speaker 1: as he's laying there, he's coming to the stark realization
- 10:24Speaker 1: that he didn't tell anyone where he was going. And
- 10:27Speaker 1: so if this masked maniac does kill him, who's gonna
- 10:31Speaker 1: find his body? Will his family and friends ever know
- 10:33Speaker 1: what happened to him. So, as he's laying there thinking
- 10:36Speaker 1: of these horrible thoughts, he hears his attacker, who's several
- 10:40Speaker 1: feet behind him, start fiddling with what sounds like chains
- 10:43Speaker 1: or handcuffs, and Giles thinks to himself, if I get
- 10:46Speaker 1: chained up in here, I really am done. And so
- 10:48Speaker 1: he has this sudden surge of adrenaline where he thinks
- 10:51Speaker 1: to himself, I'm going to get killed in here. I
- 10:53Speaker 1: know it. I'm going to get killed. But if I'm
- 10:55Speaker 1: gonna die, I'm going to die on my terms. And
- 10:58Speaker 1: so Giles takes a deep breath and then jumps to
- 11:00Speaker 1: his feet, rips the tape off of his eyes. He
- 11:03Speaker 1: turns around and he faces his attacker and he says,
- 11:06Speaker 1: I'm not gonna do this. I'm not gonna go out
- 11:08Speaker 1: this way, and the attacker is totally surprised, but he
- 11:10Speaker 1: just begins to raise his gun at Giles to shoot him,
- 11:14Speaker 1: and Giles lunges forward and he grabs the barrel of
- 11:17Speaker 1: the gun and he pushes it away from him, and
- 11:20Speaker 1: as soon as he does that, Giles realizes something. The
- 11:23Speaker 1: gun is made of plastic. It's fake, and so Giles
- 11:26Speaker 1: is suddenly so confident. He grabs the arms of his
- 11:29Speaker 1: attacker and he tries to kick the guy in the legs,
- 11:32Speaker 1: but the attacker is so much bigger and stronger than
- 11:34Speaker 1: Giles that he just headbuts Giles. Giles goes flying to
- 11:38Speaker 1: the ground, and his attacker jumps on top of him
- 11:40Speaker 1: and begins punching him and slamming his skull into the ground.
- 11:43Speaker 1: But Giles is so high on adrenaline he can't feel
- 11:46Speaker 1: any of the blows. All he's trying to do this
- 11:48Speaker 1: whole time as he's getting pummeled is just find a
- 11:51Speaker 1: way to stand up and run out up this garage,
- 11:54Speaker 1: just get out, escape, and amazingly, against all odds, he
- 11:58Speaker 1: does manage in between blows to wriggle his way out
- 12:01Speaker 1: of the attacker's grasp. But as he begins to run
- 12:05Speaker 1: towards that opening in the garage door. The attacker grabs
- 12:08Speaker 1: him by the jacket, and so Giles twists himself and
- 12:11Speaker 1: he actually comes out of the jacket, and then he
- 12:13Speaker 1: throws himself onto the ground and he rolls out of
- 12:16Speaker 1: the garage, and as soon as he is free, he
- 12:19Speaker 1: suddenly can't stand up. The Stunn baton he didn't feel
- 12:22Speaker 1: it before, but it had sapped all of his strength,
- 12:25Speaker 1: but the adrenaline had kind of overridden that feeling. But
- 12:28Speaker 1: here he is outside and he suddenly can't stand up,
- 12:31Speaker 1: and so he's trying to stand up, and then the attacker,
- 12:34Speaker 1: who's still inside, dives down, reaches out from underneath the
- 12:38Speaker 1: garage and grabs Giles by the ankle and begins trying
- 12:41Speaker 1: to pull him back into the garage. And so Giles
- 12:44Speaker 1: is kicking and screaming and punching, and he finally breaks free,
- 12:47Speaker 1: and then he has another surge of adrenaline and he
- 12:49Speaker 1: stands up and just begins running down the alleyway doesn't
- 12:52Speaker 1: even go to his car. He just starts running towards
- 12:54Speaker 1: Hopefully's civilization, and he makes it a couple of houses
- 12:57Speaker 1: before he collapses to the ground and this very busy
- 13:00Speaker 1: walking trail, and so he's landed right in this intersection
- 13:03Speaker 1: where he's hoping someone's going to be He turns back
- 13:05Speaker 1: and looks down the alleyway and he sees his attacker
- 13:08Speaker 1: who's now on the road. He's got the mask still
- 13:11Speaker 1: on his face and he's charging up the road. Giles
- 13:14Speaker 1: can't even get up, he's so tired. But Giles looks
- 13:17Speaker 1: to his side and he sees there's this random couple
- 13:19Speaker 1: walking down the walking path. They see Giles on the
- 13:22Speaker 1: ground who's calling out for help, and they run over
- 13:24Speaker 1: to him, and they get right in front of Giles,
- 13:26Speaker 1: and Giles immediately points at the attacker coming down the
- 13:29Speaker 1: alleyway and says he's trying to kill me, and the attacker,
- 13:32Speaker 1: amazingly just jogs right up to Giles, right up to
- 13:35Speaker 1: the couple. He does not take his mask off, and
- 13:38Speaker 1: he acts like he's friends with Giles and says, Oh,
- 13:40Speaker 1: come on, Frank, you're making a big deal out of it.
- 13:42Speaker 1: It's a game. Come back to the garage. I'll meet
- 13:44Speaker 1: you there. And then the attacker just turns around and
- 13:47Speaker 1: walks back down the alleyway back towards his garage and
- 13:50Speaker 1: so Giles turns and looks up at the couple, who
- 13:52Speaker 1: are totally freaked up by this whole situation. They don't
- 13:55Speaker 1: know if this is some weird setup that they're gonna
- 13:57Speaker 1: get robbed or something. They don't know if this is
- 13:59Speaker 1: a hoax, and so they say, hey, you're on your own, pal,
- 14:01Speaker 1: and they turn and they leave, and so Giles is
- 14:04Speaker 1: left in the middle of this intersection. The only people
- 14:06Speaker 1: that could have helped him are now gone, and so
- 14:09Speaker 1: he rolls over and just looks down the alleyway in
- 14:11Speaker 1: the direction of the garage, and he can actually see
- 14:14Speaker 1: his attacker pacing back and forth inside of the garage
- 14:18Speaker 1: because that door is partially open, and so Giles doesn't
- 14:20Speaker 1: know what to do. He has to get to his
- 14:22Speaker 1: truck to get out of here, and so he just
- 14:23Speaker 1: sits there for a couple of seconds, just watching the attacker,
- 14:26Speaker 1: making sure he's staying inside of the garage. And then
- 14:29Speaker 1: finally he just took a deep breath, he pulled himself up,
- 14:31Speaker 1: and he stumbled down the alleyway. He'd got in his truck,
- 14:34Speaker 1: fired it up, and he peeled out of there. When
- 14:35Speaker 1: Giles got home, he was obviously traumatized from this horrible
- 14:39Speaker 1: thing that had just happened to him. But he also
- 14:41Speaker 1: felt embarrassed and kind of ashamed that he had clearly
- 14:44Speaker 1: just gotten catfished by the psycho in the garage. Obviously, Sheena,
- 14:49Speaker 1: the woman he supposedly was talking to, was not real.
- 14:52Speaker 1: It was that guy in the garage that had attacked him.
- 14:54Speaker 1: But he didn't really understand why it had happened. He
- 14:58Speaker 1: had no idea why anyone would tark at him, and
- 15:01Speaker 1: so the whole situation was just such a mess. He decided,
- 15:03Speaker 1: you know what, I'm not going to tell anyone. He
- 15:05Speaker 1: didn't report it to the police, he didn't tell his friends,
- 15:07Speaker 1: he didn't tell his family. He just decided he was
- 15:09Speaker 1: going to move on and forget about it. A week later,
- 15:12Speaker 1: on October eighth, another Edmonton man, thirty eight year old
- 15:15Speaker 1: Johnny Altinger, was perusing the dating website that Giles had
- 15:19Speaker 1: been using. Johnny made a living doing quality control for
- 15:22Speaker 1: an oil and gas company, but he hated that job.
- 15:25Speaker 1: He much preferred to spend his time tinkering with his
- 15:27Speaker 1: computers or his prize motorcycle. Johnny had lots of very
- 15:31Speaker 1: close friends, but romance was always something that had eluded him.
- 15:34Speaker 1: So that afternoon, Johnny, like Giles, was on this dating
- 15:38Speaker 1: website to potentially find a romantic partner. And so as
- 15:42Speaker 1: he was scrolling through all of these different women's profiles
- 15:44Speaker 1: that lived roughly in his area, he wasn't interested in
- 15:47Speaker 1: any of them until he stopped on this one profile
- 15:50Speaker 1: of this beautiful, young blonde woman named Jen who lived
- 15:54Speaker 1: right in Edmonton, and so Johnny was interested. He sent
- 15:56Speaker 1: her a message, and very quickly she wrote back, and
- 15:59Speaker 1: before long the tour chumming it up, and then eventually
- 16:02Speaker 1: they actually agreed to get together that night for dinner
- 16:05Speaker 1: and a movie. But when Johnny asked Jen for her address,
- 16:09Speaker 1: she would tell him that she's a paranoid person and
- 16:11Speaker 1: she doesn't want to give him her actual address over
- 16:14Speaker 1: this website, and so instead she gave him a set
- 16:18Speaker 1: of very strange directions that relied on local landmarks in
- 16:21Speaker 1: Edmonton to guide him in to her residence. And she
- 16:25Speaker 1: would tell Johnny, when you get here, go through the garage.
- 16:28Speaker 1: The door will be open, Go out the back door,
- 16:30Speaker 1: go into the backyard, make your way up to the
- 16:32Speaker 1: back of the house, and I will meet you at
- 16:34Speaker 1: the back door. And so Johnny definitely thought these directions
- 16:37Speaker 1: were very strange, but he was really eager to meet
- 16:40Speaker 1: up with Jen, and so he really didn't care. And
- 16:41Speaker 1: so we told Jen it was no big deal. He'd
- 16:43Speaker 1: happily follow her directions. And then he hopped in the
- 16:46Speaker 1: shower and he got himself together, and then before he
- 16:49Speaker 1: left to go to Jen's house, he forwarded Jen's email
- 16:53Speaker 1: that included her very strange directions. He sent those directions
- 16:57Speaker 1: to one of his very close friends, and he kind
- 16:59Speaker 1: of joking included a message that was like, Hey, if
- 17:02Speaker 1: I go missing tonight, this is where I'm going. And
- 17:04Speaker 1: then Johnny hopped in his car and he left. The
- 17:06Speaker 1: directions brought Johnny to the same garage in the same
- 17:10Speaker 1: alleyway that Giles had been to a week earlier. And
- 17:13Speaker 1: when Johnny came to a stop in front of Jen's
- 17:15Speaker 1: two car garage with one of the doors partially open,
- 17:19Speaker 1: he saw there were lights still on inside of the garage,
- 17:21Speaker 1: and he saw someone walking around inside. And so Johnny
- 17:24Speaker 1: looked at his watch and he realized he was maybe
- 17:26Speaker 1: fifteen or twenty minutes too early, and so he parks
- 17:28Speaker 1: his car and he's thinking, okay, you know, Jen might
- 17:31Speaker 1: be inside of this garage and I'm early, but maybe
- 17:33Speaker 1: I'll just walk over and say hi to her. I'm
- 17:35Speaker 1: sure she wouldn't mind. And so Johnny turns off his car,
- 17:37Speaker 1: he gets out, and he starts walking over to this
- 17:40Speaker 1: half open garage door, and as he gets closer and closer,
- 17:43Speaker 1: the lights in the garage go off, and so Johnny
- 17:46Speaker 1: stops and he's thinking, why the lights opped it? Did
- 17:48Speaker 1: she hear me? Does she not want me to come in?
- 17:50Speaker 1: You know what's going on? But he's thinking, okay, well,
- 17:52Speaker 1: I should definitely go over and say something, and so
- 17:55Speaker 1: he walks over to this open garage door and he
- 17:58Speaker 1: bends down and he looks inside and it's totally dark,
- 18:00Speaker 1: and he just says hello, and there's a pause, and
- 18:03Speaker 1: then the lights come on, and Johnny suddenly sees this
- 18:06Speaker 1: garage that's basically devoid of anything minus a table off
- 18:10Speaker 1: to the side, and every surface is covered in plastic sheeting,
- 18:14Speaker 1: the floors, the walls, the ceiling, everything, And in the
- 18:16Speaker 1: back of the garage is not Jen instead, it's this
- 18:20Speaker 1: man he doesn't recognize, and so Johnny's looking at this
- 18:23Speaker 1: man and this man is looking over at Johnny, and
- 18:26Speaker 1: finally the man speaks and says, Hi, I'm Harry. I'm
- 18:30Speaker 1: a designer. I rent this garage out from Jen, and
- 18:34Speaker 1: I actually I just talked to Jen and you're meeting
- 18:36Speaker 1: up with her tonight, right, you're meet up with Gen. Yeah,
- 18:39Speaker 1: she's running late, so I think she'll be back in
- 18:41Speaker 1: about maybe twenty minutes. So can you come back in
- 18:44Speaker 1: twenty minutes, come right back here, come to the garage
- 18:47Speaker 1: and I'll bring you up to the house because I
- 18:48Speaker 1: know you're meeting her up of the house. So twenty minutes.
- 18:51Speaker 1: And so Johnny doesn't really know what to make of this.
- 18:53Speaker 1: He figures, Okay, I don't really know what Jen's arrangement
- 18:56Speaker 1: is with this designer in this plastic covered garage, but
- 19:00Speaker 1: you know whatever, And so Johnny says, Okay, no problem,
- 19:02Speaker 1: I'll come back in twenty minutes. And so Johnny turns
- 19:04Speaker 1: around and he walks back to his car, and he
- 19:06Speaker 1: leaves and drives around for about twenty minutes, and then
- 19:09Speaker 1: he comes back to the garage and as soon as
- 19:11Speaker 1: he parks, he notices right away the light in the
- 19:14Speaker 1: garage is now off, so presumably Harry has actually left,
- 19:18Speaker 1: and so he will not be available to walk Johnny
- 19:20Speaker 1: up to the house to meet Jen. But Johnny was thinking,
- 19:23Speaker 1: I don't really want to interact with Harry. He seems
- 19:25Speaker 1: like a strange guy anyways, and so he counts this
- 19:28Speaker 1: as a win, and so Johnny parks his car, he
- 19:30Speaker 1: hops out, he walks over to the garage, He bends
- 19:33Speaker 1: down and goes inside of the garage. He stands up,
- 19:35Speaker 1: and he walks across the plastic line floor to the
- 19:38Speaker 1: door that's going to lead out into Jen's backyard. But
- 19:41Speaker 1: before he reaches that door, something smashes into the back
- 19:45Speaker 1: of his head, and immediately Johnny is horribly dazed, and
- 19:48Speaker 1: he instinctively throws his hands up to protect his head,
- 19:51Speaker 1: and he begins spinning around trying to figure out who
- 19:54Speaker 1: or what had just hit him. And as soon as
- 19:56Speaker 1: he turns around, he sees in the shadows is the
- 19:59Speaker 1: figure of none other than the man he saw before, Harry,
- 20:03Speaker 1: and Harry is holding a big metal pipe, and immediately
- 20:06Speaker 1: when Johnny sees him, he begins screaming, please, please, police,
- 20:10Speaker 1: and Harry just winds up and wails on Johnny with
- 20:13Speaker 1: this metal pipe, and Johnny's trying to turn around and
- 20:16Speaker 1: get away from Harry, but Harry just keeps moving around
- 20:19Speaker 1: him and beating him with this pipe until finally Johnny
- 20:22Speaker 1: collapses on the ground, but he's not unconscious, and so
- 20:25Speaker 1: Johnny is kind of shielding his head and he's looking
- 20:27Speaker 1: up at Harry, who's now just standing over him. He
- 20:30Speaker 1: ceased his initial barrage, and Johnny begins pleading with Harry,
- 20:34Speaker 1: I'll give you money, I'll give you anything, just please
- 20:36Speaker 1: let me go. And so Harry smiles and he says,
- 20:39Speaker 1: you promise you won't tell anyone if I let you go.
- 20:42Speaker 1: But before Johnny could answer this, Harry winds up with
- 20:45Speaker 1: his pipe and he brings it crashing down on Johnny's face,
- 20:48Speaker 1: But amazingly, this does not knock Johnny unconscious. Instead, Johnny
- 20:54Speaker 1: grabs the pipe after it hits him in the head
- 20:56Speaker 1: and he holds onto it to prevent Harry from hitting
- 20:58Speaker 1: him again. So at this point, Harry is frustrated that
- 21:01Speaker 1: Johnny is still putting up this huge fight, and so
- 21:04Speaker 1: with one hand holding onto this pipe that Johnny has
- 21:07Speaker 1: the other end of, Harry reaches down with his other
- 21:09Speaker 1: hand and he unsheathes a hunting knife and he holds
- 21:13Speaker 1: the blade right in front of Johnny's face, and as
- 21:15Speaker 1: soon as Johnny sees this knife, his eyes go wide
- 21:17Speaker 1: and he lets go of the pipe and he begins
- 21:19Speaker 1: to plead for his life, but Harry just smiles and
- 21:22Speaker 1: continues to show him the blade, and then at some
- 21:24Speaker 1: point he grabs Johnny's shoulder, he pulls the knife back,
- 21:27Speaker 1: and he plunges it into Johnny's stomach. Johnny howls out
- 21:31Speaker 1: in pain, and he curls over and he begins screaming
- 21:33Speaker 1: for the police, screaming for someone to help him. And
- 21:35Speaker 1: then finally Harry pulls the knife out of his stomach
- 21:38Speaker 1: and then plunges it into the side of Johnny's neck.
- 21:41Speaker 1: And then Harry lets go of the knife and he
- 21:43Speaker 1: stands up and he just watches Johnny as he bleeds
- 21:45Speaker 1: out onto the plastic lining. As Harry watched Johnny die,
- 21:49Speaker 1: he had this pang of regret. He thought to himself,
- 21:52Speaker 1: why didn't I play more mind games with him before
- 21:55Speaker 1: I killed him back? I'll do that with the next one.
- 21:57Speaker 1: After Johnny died, Harry would dismember and bag up Johnny's body,
- 22:01Speaker 1: and then he would roll up all of the plastic
- 22:04Speaker 1: from the walls and the ceiling he'd gathered that all up,
- 22:06Speaker 1: and then a couple of days later he would dump
- 22:08Speaker 1: both Johnny's body parts and all of the plastic containing
- 22:12Speaker 1: all of the evidence down a nearby sewer drain. At
- 22:15Speaker 1: this point in the story, Mark's script just kind of
- 22:17Speaker 1: comes to an abrupt end. We don't know what Harry
- 22:20Speaker 1: did after getting rid of Johnny's body and the evidence,
- 22:22Speaker 1: because Mark just didn't write it. It was like he
- 22:24Speaker 1: didn't finish the script. And there's a reason for that,
- 22:27Speaker 1: and it's the same reason the police stepped in and
- 22:30Speaker 1: stopped Mark from making this script into a movie. At
- 22:33Speaker 1: the time they read his script, the police had already
- 22:35Speaker 1: figured out who owned the garage where Giles and Johnny
- 22:39Speaker 1: were attacked. Johnny's friend, the one who Johnny had forwarded
- 22:43Speaker 1: Jen's email that had those strange directions, well, that friend
- 22:47Speaker 1: gave those directions to the police once Johnny had been
- 22:50Speaker 1: reported missing. And so the police followed these strange directions
- 22:54Speaker 1: to this garage, and they discovered it was not owned
- 22:58Speaker 1: by some young, beautiful blonde named Jen or Sheena. It
- 23:02Speaker 1: was not owned by some designer named Harry. It was
- 23:05Speaker 1: owned by a young, up and coming filmmaker named Mark Twitchell.
- 23:10Speaker 1: But to this point Mark had been extremely cooperative with
- 23:14Speaker 1: police and allowed them to search it, and they found nothing,
- 23:17Speaker 1: and he explained to them he was not remotely the
- 23:20Speaker 1: only person with access to this garage, not by a
- 23:22Speaker 1: long shot. But when police searched Mark's laptop, they found
- 23:27Speaker 1: a hidden document, and this document was his forty two
- 23:30Speaker 1: page script, and when they read it, they saw there
- 23:33Speaker 1: was a huge issue. Giles, the first victim of the
- 23:37Speaker 1: Edmonton Killer, had eventually gotten over his embarrassment and shame
- 23:42Speaker 1: and he went to the Edmonton Police and he told
- 23:44Speaker 1: them in detail what happened to him inside of that garage.
- 23:49Speaker 1: But Giles was so scared he had not told anybody
- 23:52Speaker 1: else what had happened. The only people who knew were
- 23:55Speaker 1: himself and the Edmonton Police. Yet somehow, in Mark's script
- 24:00Speaker 1: the account of what happened to Giles was exactly correct.
- 24:05Speaker 1: Every little detail of what happened to Giles was encompassed
- 24:09Speaker 1: inside of the script. And the reason Mark had this
- 24:12Speaker 1: information is because Mark was in the garage when Giles
- 24:16Speaker 1: got attacked. Because Mark was the Edmonton Killer. Mark had
- 24:21Speaker 1: been so desperate to make his killer in his new
- 24:24Speaker 1: movie as good as Dexter in the TV show that
- 24:28Speaker 1: Mark decided he needed to literally become Dexter in real life.
- 24:33Speaker 1: He needed to know exactly what it felt like to
- 24:36Speaker 1: lure an unsuspecting victim into a kill room and murder
- 24:40Speaker 1: them so that he'd be able to more accurately write
- 24:44Speaker 1: about it in his script. He believed this would put
- 24:47Speaker 1: his movie over the top. It would be the most
- 24:49Speaker 1: authentic killer movie ever, and it would be his ticket
- 24:52Speaker 1: to Hollywood. And so after Mark used a fake dating
- 24:56Speaker 1: profile to trap and then attack Giles, after that experience,
- 25:00Speaker 1: he wrote about it and that became his script. And
- 25:04Speaker 1: then when he did the same thing to Johnny and
- 25:06Speaker 1: then actually successfully killed and disposed of him, he sat
- 25:10Speaker 1: down and wrote about that experience too, and tacked it
- 25:12Speaker 1: onto the end of the Giles attack. He was literally
- 25:15Speaker 1: living his movie and writing the script in real time.
- 25:19Speaker 1: The title that Mark gave his script was SK Confessions,
- 25:24Speaker 1: which stood for Serial Killer Confessions, and that's exactly what
- 25:27Speaker 1: the script was. It was a real confession. And based
- 25:31Speaker 1: on the way his script just kind of abruptly ends
- 25:34Speaker 1: without any sort of conclusion, it seems fairly obvious that
- 25:38Speaker 1: Mark was planning to kill more people and then incorporate
- 25:42Speaker 1: those experiences into this script. Ultimately, though, the script that
- 25:46Speaker 1: was found by police was used to convict Mark of
- 25:49Speaker 1: murder and he is currently serving life in prison, So
- 25:52Speaker 1: that's going to do it. Guys. If you got something
- 25:54Speaker 1: out of today's episode and you haven't done this already,
- 25:56Speaker 1: please sneak into the like Bututon's house and replace all
- 25:59Speaker 1: of the lids of their tupperware with off market brands
- 26:02Speaker 1: so none of them fit. Also, please subscribe to our
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- 26:11Speaker 1: and all sorts of stuff. If you're interested, go to
- 26:14Speaker 1: Shopmisterballin dot com. If you want to get in touch
- 26:16Speaker 1: with me, you can direct message me on Instagram or
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- 26:22Speaker 1: It's just mister Ballin. I also have a ton of
- 26:24Speaker 1: content over on TikTok, where my username is also mister Ballin.
- 26:28Speaker 1: We also have a second YouTube channel just called mister
- 26:30Speaker 1: Ballin Shorts where we post random short videos and lost episodes.
- 26:34Speaker 1: We also have a Facebook page just called mister Ballin,
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- 26:45Speaker 1: linked in the description below. So whether I see you
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- 26:52Speaker 1: just know that I really appreciate your support and until
- 26:54Speaker 1: next time, that's going to do it. See you