Latest / Philosopheasy Podcast / Your Work Smile Has a Body Count
Transcript
- 0:00SPEAKER_00: Your jaw is doing something you didn't tell it to do.
- 0:03SPEAKER_00: Someone in the meeting just talked over you for the second time, said the thing.
- 0:08SPEAKER_00: You said four minutes ago like it was his own discovery, and everyone nodded.
- 0:13SPEAKER_00: And your face,
- 0:14SPEAKER_00: without asking your permission,
- 0:16SPEAKER_00: arranged itself into something warm, pleasant, grateful, almost.
- 0:21SPEAKER_00: You smiled.
- 0:23SPEAKER_00: Not because you felt anything close to a smile.
- 0:26SPEAKER_00: Because some older,
- 0:28SPEAKER_00: faster part of you calculated the room before your conscious mind even got a vote.
- 0:33SPEAKER_00: Here's what nobody tells you about that calculation.
- 0:36SPEAKER_00: It isn't weakness.
- 0:37SPEAKER_00: It isn't even really about that one man in that one meeting.
- 0:41SPEAKER_00: Frantz Fanon spent his life studying exactly this moment,
- 0:45SPEAKER_00: the half-second where a person under a certain kind of gaze has to build
- 0:49SPEAKER_00: a second self fast just to survive being looked at.
- 0:53SPEAKER_00: He wasn't writing about meetings.
- 0:55SPEAKER_00: He was a psychiatrist in the 1950s,
- 0:58SPEAKER_00: in colonial contexts,
- 1:01SPEAKER_00: watching what happens to a person when the world around them insists on seeing them
- 1:05SPEAKER_00: as a category before it sees them as a person.
- 1:08SPEAKER_00: And what he found was strange.
- 1:10SPEAKER_00: He found that the mask doesn't sit on top of you like a costume you can take off at
- 1:14SPEAKER_00: the end of the day.
- 1:16SPEAKER_00: It gets in.
- 1:17SPEAKER_00: It becomes a second nervous system running underneath the first one,
- 1:21SPEAKER_00: You are not simply hiding your anger at the man in the meeting.
- 1:23SPEAKER_00: You are performing in real time a version of yourself calibrated to a gaze
- 1:26SPEAKER_00: that was never built to register the real one.
- 1:28SPEAKER_00: Anand called this a kind of double consciousness.
- 1:30SPEAKER_00: Though he was building on an idea that already existed before him,
- 1:51SPEAKER_00: The sense of always viewing yourself through someone else's eyes, never quite your own.
- 1:57SPEAKER_00: Except Fanon pushes it further than anyone before him.
- 2:01SPEAKER_00: He says this isn't just a psychological discomfort.
- 2:04SPEAKER_00: He says the mask has weight.
- 2:07SPEAKER_00: It has cost.
- 2:08SPEAKER_00: He uses a word that should stop you cold if you actually sit with it.
- 2:12SPEAKER_00: He calls this internal splitting a kind of violence, not metaphorical violence.
- 2:19SPEAKER_00: Structural violence done to the self by the self on behalf of a world that demanded it.
- 2:25SPEAKER_00: So let's follow that thread into your actual week, because this is where it stops being theory.
- 2:30SPEAKER_00: The smile you gave your colleague.
- 2:33SPEAKER_00: Fine.
- 2:34SPEAKER_00: Small.
- 2:35SPEAKER_00: Forgivable.
- 2:36SPEAKER_00: Everyone does it.
- 2:37SPEAKER_00: But now think about the tone you keep flat,
- 2:40SPEAKER_00: and even while your doctor explains your own symptoms back to you slower
- 2:43SPEAKER_00: than you need, like you might not have understood your own body the first time.
- 2:49SPEAKER_00: Think about the patience you perform for a partner who has a blind spot,
- 2:53SPEAKER_00: the size of a house,
- 2:54SPEAKER_00: a blind spot you have pointed out eleven times,
- 2:57SPEAKER_00: gently, so gently, because the twelfth time has to still sound like the first.
- 3:03SPEAKER_00: Each one of these is small.
- 3:05SPEAKER_00: Each one asks almost nothing of you, in the moment.
- 3:08SPEAKER_00: And that's exactly what makes it dangerous.
- 3:12SPEAKER_00: Because Fanon's real discovery wasn't the mask itself.
- 3:15SPEAKER_00: It was what the mask does to the thing underneath it,
- 3:18SPEAKER_00: over years when it's never allowed to come off.
- 3:22SPEAKER_00: He watched patients whose bodies started keeping the score their mouths weren't allowed to keep.
- 3:27SPEAKER_00: Migraines, numbness.
- 3:29SPEAKER_00: A kind of exhaustion that sleep doesn't touch because the thing that's tired isn't
- 3:34SPEAKER_00: the muscles,
- 3:35SPEAKER_00: it's the constant unpaid labor of managing someone else's comfort
- 3:39SPEAKER_00: with your existence.
- 3:40SPEAKER_00: We think of anger suppressed as anger avoided.
- 3:44SPEAKER_00: Vadan's clinical work suggests something colder.
- 3:47SPEAKER_00: Anger suppressed is anger redirected,
- 3:51SPEAKER_00: inward-downward, into the one place it can't be denied entry.
- 3:55SPEAKER_00: So here's where the ground gets uncomfortable,
- 3:58SPEAKER_00: and I want you to actually feel this instead of just nodding along.
- 4:02SPEAKER_00: If the mask isn't a lie you tell other people,
- 4:05SPEAKER_00: if it's a structure built into how the self survives,
- 4:09SPEAKER_00: being watched by a gaze that refuses to see it clearly— Then the question isn't,
- 4:14SPEAKER_00: how do you stop wearing it?
- 4:16SPEAKER_00: The question Fanon leaves sitting right in the middle of the room, unanswered, is this.
- 4:22SPEAKER_00: If the mask is load-bearing,
- 4:24SPEAKER_00: if the whole structure of your daily survival is propped up by it,
- 4:29SPEAKER_00: what actually happens to the self underneath the moment you try to take it off?
- 4:34SPEAKER_00: So, what happens to the self underneath the moment the mask actually comes off?
- 4:40SPEAKER_00: Here's the answer.
- 4:41SPEAKER_00: And it isn't the relief you're expecting.
- 4:44SPEAKER_00: Fanon doesn't find a clean, waiting self under there.
- 4:48SPEAKER_00: No calm,
- 4:49SPEAKER_00: undamaged version of you sitting patiently behind the performance,
- 4:53SPEAKER_00: ready to step forward the second it's safe.
- 4:56SPEAKER_00: That's the fantasy.
- 4:58SPEAKER_00: The mask comes off, and the real you walks out, intact, untouched, finally free to speak.
- 5:05SPEAKER_00: Fanon says that's not what's under there.
- 5:08SPEAKER_00: He describes a moment in his own life that became the hinge of the whole book,
- 5:13SPEAKER_00: a child on a train,
- 5:14SPEAKER_00: pointing, saying the words that name him before he gets to name himself.
- 5:19SPEAKER_00: And in that instant, Fanon writes, his body stops being simply his.
- 5:25SPEAKER_00: It becomes something assembled from outside,
- 5:28SPEAKER_00: a structure built by other people's eyes faster than he can build one of his own.
- 5:33SPEAKER_00: He calls it a shattering of the body's own sense of itself.
- 5:38SPEAKER_00: A collapse into what he names a racial epidermal schema,
- 5:41SPEAKER_00: where the skin itself becomes the site where the gaze lands first,
- 5:46SPEAKER_00: before a single word is exchanged.
- 5:49SPEAKER_00: That shattering doesn't happen once it happens every single time the mask goes up,
- 5:53SPEAKER_00: because the mask is the patch job.
- 5:56SPEAKER_00: It's the scar tissue laid down over that original wound,
- 6:00SPEAKER_00: the wound of being seen as a category before being seen as a person.
- 6:04SPEAKER_00: So follow this into your Tuesday mornings.
- 6:07SPEAKER_00: The doctor's office,
- 6:08SPEAKER_00: the flat,
- 6:09SPEAKER_00: patient tone you've been holding for six minutes,
- 6:12SPEAKER_00: while he explains your own pain back to you slower than you need.
- 6:16SPEAKER_00: That tone is a mask.
- 6:18SPEAKER_00: Yes, but underneath the mask isn't a calm,
- 6:21SPEAKER_00: unbothered version of you waiting to emerge once he leaves the room.
- 6:26SPEAKER_00: Underneath is the wound.
- 6:28SPEAKER_00: The mask was built to cover in the first place.
- 6:30SPEAKER_00: The fact of not being heard— Not being seen clearly over and over in enough rooms
- 6:37SPEAKER_00: by enough people that your nervous system built a permanent structure to manage it.
- 6:42SPEAKER_00: Take the mask off carelessly without preparing for what's under it.
- 6:46SPEAKER_00: And you don't find peace.
- 6:49SPEAKER_00: You find the nerve, exposed, raw, still connected to everything that ever touched it.
- 6:56SPEAKER_00: This is why Fanon takes suppressed anger seriously enough to write about it
- 7:00SPEAKER_00: in clinical terms,
- 7:02SPEAKER_00: in the language of nerves and reflexes and lesions,
- 7:06SPEAKER_00: because he's not describing an emotion you're mismanaging.
- 7:10SPEAKER_00: Here's the move.
- 7:12SPEAKER_00: Fanon makes that most people skip past too quickly,
- 7:15SPEAKER_00: because it's the one that turns this from personal experience into diagnosis.
- 7:20SPEAKER_00: He wasn't just theorizing about the wound, he was treating it daily as a psychiatrist.
- 7:26SPEAKER_00: And what he documented in his clinical notes wasn't vague unease.
- 7:30SPEAKER_00: It was concrete, physical breakdown.
- 7:33SPEAKER_00: Patients with paralysis that had no organic cause.
- 7:37SPEAKER_00: Patients whose bodies shut down functions that medicine couldn't explain through injury alone.
- 7:44SPEAKER_00: The mind had run out of room to hold what it was holding,
- 7:47SPEAKER_00: so it handed the job to the body instead.
- 7:50SPEAKER_00: Picture a patient's arm that simply stops working with no nerve damage anywhere near it.
- 7:56SPEAKER_00: Fanon isn't saying suppressed anger makes you tense or tired in some soft self-help sense.
- 8:02SPEAKER_00: He's saying the nervous system treats an unexpressed threat the same way it treats
- 8:07SPEAKER_00: an active one.
- 8:08SPEAKER_00: It stays on.
- 8:10SPEAKER_00: Permanently, if the gaze causing it never lets up.
- 8:13SPEAKER_00: Now bring that home, literally.
- 8:16SPEAKER_00: Think about the partner with the blind spot you've named eleven times.
- 8:21SPEAKER_00: The patience you perform there isn't neutral either.
- 8:24SPEAKER_00: Every time you soften the twelfth explanation so it doesn't sound like
- 8:28SPEAKER_00: an accusation,
- 8:30SPEAKER_00: some part of your body registers that softening is effort, real,
- 8:34SPEAKER_00: measurable effort,
- 8:36SPEAKER_00: the kind your heart rate can tell a monitor about even when your voice stays even.
- 8:41SPEAKER_00: And here's where Fanon becomes harder to sit with than most thinkers who talk
- 8:45SPEAKER_00: about anger, because he refuses you the easy exit.
- 8:50SPEAKER_00: He doesn't say the answer is to simply stop performing,
- 8:53SPEAKER_00: to just let the real feeling out and call it liberation.
- 8:57SPEAKER_00: He knew that in most rooms, at most tables, in most exam offices, the mask isn't optional.
- 9:04SPEAKER_00: Refuse it,
- 9:06SPEAKER_00: and the consequences land immediately,
- 9:08SPEAKER_00: sometimes literally, in a way that theories about authenticity rarely account for.
- 9:14SPEAKER_00: So the prescription can't be as simple as take it off.
- 9:18SPEAKER_00: That's Beauvoir's opening move, maybe.
- 9:21SPEAKER_00: Name the structure.
- 9:22SPEAKER_00: Refuse the role.
- 9:24SPEAKER_00: Fanon goes further because he's asking what happens to a body
- 9:27SPEAKER_00: that has been performing under threat for so long that the performance and
- 9:31SPEAKER_00: the wound have started sharing the same nerve.
- 9:34SPEAKER_00: Which means the real question isn't whether to wear the mask.
- 9:38SPEAKER_00: It's what you do with everything the mask has been absorbing on your behalf.
- 9:43SPEAKER_00: Every single day while nobody was watching closely enough to notice the cost.
- 9:49SPEAKER_00: Fanon has a term for this that most people never encounter,
- 9:53SPEAKER_00: because it lives in a footnote most translations bury, sociogeny.
- 9:59SPEAKER_00: He insisted that whatever is happening inside you isn't purely psychological,
- 10:03SPEAKER_00: and it isn't purely biological either,
- 10:06SPEAKER_00: it's produced,
- 10:08SPEAKER_00: manufactured by a structure outside you then mistaken later,
- 10:12SPEAKER_00: For something wrong inside you.
- 10:14SPEAKER_00: That distinction changes everything about where you aim the fix.
- 10:18SPEAKER_00: Though the wound were simply psychological,
- 10:21SPEAKER_00: the answer would be therapy,
- 10:23SPEAKER_00: breathing, some private internal adjustment you make alone in a room.
- 10:28SPEAKER_00: Fanon says that's incomplete.
- 10:31SPEAKER_00: He says you can regulate your nervous system every morning for a year and
- 10:35SPEAKER_00: the wound will still refill.
- 10:37SPEAKER_00: Because the thing producing it is still out there,
- 10:40SPEAKER_00: still operating, still watching you every day at that same desk.
- 10:44SPEAKER_00: So where does the energy go if it can't be resolved by insight alone?
- 10:49SPEAKER_00: Fanon noticed something almost nobody talks about from his clinical work.
- 10:53SPEAKER_00: He wrote about the dreams of people living under constant low-grade threat and
- 10:58SPEAKER_00: the dreams were full of muscle.
- 11:01SPEAKER_00: Running,
- 11:02SPEAKER_00: leaping,
- 11:03SPEAKER_00: climbing,
- 11:05SPEAKER_00: swimming through open water at full strength, not passive dreams, athletic ones.
- 11:12SPEAKER_00: Because the body,
- 11:12SPEAKER_00: he argued,
- 11:13SPEAKER_00: was rehearsing at night the exact physical action it wasn't permitted to take during
- 11:18SPEAKER_00: the day.
- 11:19SPEAKER_00: Think about that the next time you wake up at three in the morning
- 11:22SPEAKER_00: with your jaw locked,
- 11:23SPEAKER_00: or you find yourself gripping a steering wheel harder than the traffic requires,
- 11:28SPEAKER_00: or your leg won't stop bouncing under a conference table
- 11:30SPEAKER_00: while your face stays perfectly still.
- 11:33SPEAKER_00: That's not anxiety in the vague sense people throw around.
- 11:38SPEAKER_00: That's a body storing an unfinished action, the confrontation it never got to have.
- 11:44SPEAKER_00: The sentence it never got to say out loud to the doctor,
- 11:47SPEAKER_00: the colleague,
- 11:48SPEAKER_00: the partner, and running it at night in the only theater it's got left.
- 11:54SPEAKER_00: It's about discharge.
- 11:56SPEAKER_00: That's the word Fanon actually uses.
- 11:59SPEAKER_00: And it's a strange, almost electrical word for a psychiatrist to reach for.
- 12:04SPEAKER_00: He wasn't interested in you feeling calmer about the wound.
- 12:08SPEAKER_00: He was interested in the stored charge,
- 12:10SPEAKER_00: actually leaving the body through movement,
- 12:13SPEAKER_00: through real physical exertion,
- 12:15SPEAKER_00: deliberately and regularly,
- 12:17SPEAKER_00: not as a wellness routine, but as something closer to a medical necessity.
- 12:22SPEAKER_00: This is the exercise, and I want you to actually do it this week, not just nod at it.
- 12:28SPEAKER_00: Pick one specific incident,
- 12:30SPEAKER_00: the doctor,
- 12:31SPEAKER_00: the colleague,
- 12:32SPEAKER_00: the partner's blind spot,
- 12:33SPEAKER_00: whatever's freshest,
- 12:35SPEAKER_00: not the vague feeling of The specific scene,
- 12:38SPEAKER_00: the specific sentence that got swallowed.
- 12:42SPEAKER_00: Then, alone, with nobody watching?
- 12:45SPEAKER_00: Because the whole point is that nobody is watching.
- 12:48SPEAKER_00: You physically finished the action your body wanted to take and wasn't allowed to.
- 12:53SPEAKER_00: Not violence toward a person.
- 12:55SPEAKER_00: Movement toward the air.
- 12:58SPEAKER_00: Fanon would recognize this instantly, even if the vocabulary is ours and not his.
- 13:04SPEAKER_00: Throw the punch you didn't throw, At nothing, full arm extension four or five times hard.
- 13:11SPEAKER_00: Or run, actually run,
- 13:12SPEAKER_00: for 90 seconds,
- 13:14SPEAKER_00: like you're getting somewhere,
- 13:15SPEAKER_00: like the sentence you swallowed is now fuel instead of residue.
- 13:20SPEAKER_00: Your nervous system doesn't know the difference between a symbolic discharge and
- 13:24SPEAKER_00: a literal one, not at the level where the charge actually lives.
- 13:28SPEAKER_00: It just knows whether the loop closed or stayed open.
- 13:33SPEAKER_00: Here's the thing that makes this different from venting.
- 13:36SPEAKER_00: Which is a word people throw around carelessly.
- 13:39SPEAKER_00: As if anger were steam you just release into a room.
- 13:43SPEAKER_00: Fanon isn't asking you to perform the feeling for an audience.
- 13:47SPEAKER_00: Even an audience of one.
- 13:49SPEAKER_00: He's asking you to complete a physiological sequence.
- 13:52SPEAKER_00: Your body already started and was never permitted to finish.
- 13:57SPEAKER_00: Do it once and you'll notice something small.
- 14:00SPEAKER_00: The jaw unclenching a little faster that night.
- 14:03SPEAKER_00: The leg under the desk finally still.
- 14:07SPEAKER_00: Do it as a practice,
- 14:08SPEAKER_00: every time the mask goes back up for something real,
- 14:11SPEAKER_00: and you start training the body to know the charge has somewhere to go besides
- 14:15SPEAKER_00: the migraine,
- 14:16SPEAKER_00: besides the stomach,
- 14:18SPEAKER_00: besides the dream where you're always running from something you never quite see.
- 14:23SPEAKER_00: The mask was the symptom.
- 14:24SPEAKER_00: The gaze producing it was the disease.
- 14:27SPEAKER_00: And Fanon was explicit that discharge alone,
- 14:31SPEAKER_00: done in private,
- 14:32SPEAKER_00: every single time, indefinitely, was Is not actually a cure, it's maintenance.
- 14:38SPEAKER_00: It keeps the body from collapsing under a structure that's still running.
- 14:43SPEAKER_00: Which raises the harder question he refused to let his readers off the hook for.
- 14:48SPEAKER_00: What do you do about the gaze itself?
- 14:51SPEAKER_00: This is where Fanon parts ways with anyone who wants therapy to be the whole answer.
- 14:56SPEAKER_00: He wrote that a black man,
- 14:58SPEAKER_00: in a world built by a white gaze,
- 15:00SPEAKER_00: cannot achieve psychological health through individual adjustment alone.
- 15:05SPEAKER_00: That trying to heal purely inward while the outward structure keeps insisting
- 15:09SPEAKER_00: on its version of you is like bailing water out of a boat with
- 15:13SPEAKER_00: a hole still open beneath the waterline.
- 15:16SPEAKER_00: The private exercise matters.
- 15:19SPEAKER_00: It is not sufficient.
- 15:21SPEAKER_00: He said so directly and it's the part most self-help readings of his work quietly drop.
- 15:26SPEAKER_00: So the second layer of the prescription isn't private at all.
- 15:31SPEAKER_00: It's what Fannin called in his later writing, A kind of collective reclamation.
- 15:36SPEAKER_00: The refusal to let the gaze remain the only authority on what you are.
- 15:41SPEAKER_00: Practice not alone in a room,
- 15:44SPEAKER_00: but in the presence of people who already see you, the way the gaze refuses to.
- 15:49SPEAKER_00: Think of the doctor's office again, and what happens after you leave it.
- 15:54SPEAKER_00: The doctor who explains your body back to you slower than you need,
- 15:58SPEAKER_00: you don't just discharge that alone that night.
- 16:02SPEAKER_00: You also at some point tell somebody out loud,
- 16:05SPEAKER_00: someone who already sees you clearly,
- 16:08SPEAKER_00: who doesn't require the translation, the mask, the careful diplomatic tone.
- 16:13SPEAKER_00: You say the sentence you swallowed in that office in full,
- 16:17SPEAKER_00: to someone whose face doesn't require you to manage it.
- 16:21SPEAKER_00: Fanon called that kind of witness truth-telling a return to what he named,
- 16:25SPEAKER_00: in his own vocabulary,
- 16:27SPEAKER_00: a livable reality,
- 16:28SPEAKER_00: not a fantasy of being finally understood by everyone,
- 16:32SPEAKER_00: But a real,
- 16:32SPEAKER_00: specific,
- 16:33SPEAKER_00: located relationship where the mask can actually come all the way off without cost.
- 16:39SPEAKER_00: That's not a small ask.
- 16:42SPEAKER_00: It's the whole second half of the work,
- 16:44SPEAKER_00: and it's harder than the exercise,
- 16:46SPEAKER_00: because it requires you to have built,
- 16:49SPEAKER_00: somewhere in your life,
- 16:50SPEAKER_00: at least one relationship sturdy enough to hold the unmasked version.
- 16:55SPEAKER_00: Here's what makes that relationship different from just having a friend you vent to,
- 16:59SPEAKER_00: Because Fanon was oddly specific about this.
- 17:03SPEAKER_00: He didn't say the goal was sympathy.
- 17:06SPEAKER_00: He said the goal was recognition,
- 17:08SPEAKER_00: a word he was careful with because he'd inherited it from
- 17:11SPEAKER_00: an older philosophical argument
- 17:13SPEAKER_00: about how one consciousness confirms another is real.
- 17:17SPEAKER_00: And then he bent that argument until it fit a body that had never been granted
- 17:22SPEAKER_00: the confirmation in the first place.
- 17:24SPEAKER_00: Sympathy says, I feel bad that happened to you.
- 17:29SPEAKER_00: Recognition says something closer to,
- 17:32SPEAKER_00: I see the same thing you see,
- 17:34SPEAKER_00: and I am not going to make you translate it for me first.
- 17:38SPEAKER_00: That gap between the two is enormous and most people never notice it
- 17:41SPEAKER_00: because sympathy is so much easier to offer.
- 17:44SPEAKER_00: So the relationship you're building toward isn't just a safe person.
- 17:49SPEAKER_00: It's a witness person,
- 17:50SPEAKER_00: someone in front of whom the translation work simply stops because they already read
- 17:55SPEAKER_00: the room the same way you do without you performing the read for them first.
- 18:01SPEAKER_00: That's rarer than people think.
- 18:03SPEAKER_00: Most of us have plenty of sympathetic people and almost nobody witnessed.
- 18:08SPEAKER_00: And this is where Fanon's frame turns,
- 18:11SPEAKER_00: one more time,
- 18:12SPEAKER_00: into something almost nobody expects from him because he wasn't only diagnosing
- 18:17SPEAKER_00: a wound,
- 18:18SPEAKER_00: He was quietly describing what health actually looks like for a person
- 18:22SPEAKER_00: who carries this.
- 18:24SPEAKER_00: Not the absence of the mask.
- 18:26SPEAKER_00: He never promised that.
- 18:27SPEAKER_00: Not once.
- 18:29SPEAKER_00: Not for anyone living inside a structure still operating exactly as designed.
- 18:34SPEAKER_00: Health in his frame looks like a body that has somewhere to put the charge and
- 18:38SPEAKER_00: at least one room where the charge doesn't have to be managed at all.
- 18:43SPEAKER_00: Most people spend years working on the first part alone, in private, in silence.
- 18:49SPEAKER_00: Assuming that's the whole job.
- 18:51SPEAKER_00: Call it the two-minute discharge and the one-name list.
- 18:55SPEAKER_00: Tonight, pick the incident still sitting in your body, the one from today still fresh.
- 19:02SPEAKER_00: Give it 90 seconds of real physical movement,
- 19:05SPEAKER_00: alone, full effort, the way we already walked through.
- 19:09SPEAKER_00: Then immediately after,
- 19:11SPEAKER_00: before the charge has time to settle back into your jaw or your stomach,
- 19:15SPEAKER_00: write down one single name, just one.
- 19:19SPEAKER_00: The name of a person who could actually hold the unmasked version
- 19:23SPEAKER_00: of what just happened to you if you told them.
- 19:26SPEAKER_00: You don't have to call them tonight.
- 19:28SPEAKER_00: You don't even have to tell them this week.
- 19:31SPEAKER_00: You just have to let that name exist on paper specific and real instead of staying
- 19:36SPEAKER_00: a vague someday feeling.
- 19:39SPEAKER_00: Do the movement every time the mask goes back up for something that actually costs you.
- 19:44SPEAKER_00: Keep the list growing, one name at a time until it isn't empty anymore.
- 19:49SPEAKER_00: And here's the question to carry with you until next time,
- 19:53SPEAKER_00: of everyone in your life who offers you sympathy when the mask slips.
- 19:57SPEAKER_00: How many of them have you actually let see you with it off?