Latest / Luke's English Podcast / MC LIVINHO - Podpah _1026(M4A_128K)

Transcript

MC LIVINHO - Podpah _1026(M4A_128K) · Luke's English Podcast

• 1:11
  Speaker 1: The Amazon 5 of 5 is here, huh?
• 1:12
  Speaker 2: For you to get ready to support Brazil.
• 1:14
  Speaker 1: With millions of coupons and free shipping.
• 1:17
  Speaker 3: Amazon, the official sponsor of the Brazilian football team.
• 1:21
  Speaker 4: This is the Weston game.
• 1:22
  Speaker 2: Who's going to get the last cup of shrimp? Cafu
• 1:24
  Speaker 2: or Nicole?
• 1:41
  Speaker 5: And who won was Nicole.
• 1:47
  Speaker 4: The fun is here. Superbet. You don't feel when it's super.
• 2:13
  Speaker 2: We're live for all of Brazil, Mítico Jovem, I want applause!
• 2:15
  Speaker 4: Good!
• 2:15
  Speaker 2: That's it, that's it, let's get started, Mítico, how are you?
• 2:19
  Speaker 6: I'm good, and you, man?
• 2:20
  Speaker 4: I'm great.
• 2:21
  Speaker 3: Today you're like a bit of a trapper, right?
• 2:24
  Speaker 2: Today I'm Jordan, Jordan boy.
• 2:28
  Speaker 6: That's a cool face, where did you get it from?
• 2:29
  Speaker 2: Man, I got it from my partners there, I went
• 2:31
  Speaker 2: to Philadelphia, then I brought my brother there to cut
• 2:33
  Speaker 2: my hair. You're trying to disappear here for us, right?
• 2:35
  Speaker 4: You asked.
• 2:36
  Speaker 6: No, so talk, talk.
• 2:36
  Speaker 2: You asked, then I went to cut my hair there,
• 2:38
  Speaker 2: the boy came with two breasts for me.
• 2:41
  Speaker 3: Did you eat that thing from Philadelphia that we eat?
• 2:43
  Speaker 3: Cheese steak?
• 2:45
  Speaker 6: Yes, yes.
• 2:46
  Speaker 4: Did you eat?
• 2:47
  Speaker 6: One of the best things from Philadelphia is this cheese steak.
• 2:50
  Speaker 3: Are you okay, my godfather?
• 2:52
  Speaker 2: I'm okay, my cupincha.
• 2:53
  Speaker 4: Prince of Osasco.
• 2:55
  Speaker 2: You are the king of Pará.
• 2:56
  Speaker 4: We're together. Get ready, guys. How are you?
• 2:58
  Speaker 3: Get something to eat, to drink, because today there will
• 3:01
  Speaker 3: be a lot of funk, dance.
• 3:03
  Speaker 4: And joy.
• 3:04
  Speaker 2: Exactly. Before introducing our wonderful guest, who is already here
• 3:08
  Speaker 2: with us, I need to talk about our brand, the
• 3:10
  Speaker 2: legendary young sponsor, Amazon.
• 3:12
  Speaker 4: What?
• 3:12
  Speaker 6: One of our biggest partners here at Podpata. Exactly. We're together, Amazon.
• 3:16
  Speaker 2: It's coming, the 5 of 5 of Amazon is already there.
• 3:20
  Speaker 2: And there are discounts of up to 60% off. Millions
• 3:24
  Speaker 2: in coupons, free shipping to all of Brazil. You just
• 3:27
  Speaker 2: scan the QR code and enjoy. Isn't there that thing
• 3:30
  Speaker 2: you were already aiming to buy? I can say that.
• 4:02
  Speaker 2: I really want to understand if this is really a farewell.
• 4:04
  Speaker 3: No, and before that, I also want to say that
• 4:07
  Speaker 3: down here in the description of the video, there's a
• 4:11
  Speaker 3: group of Podpá for you to know all the information.
• 4:15
  Speaker 3: Podpá doesn't stop releasing programs, family. There's a Podpá Records,
• 4:18
  Speaker 3: the program of Puro Roxo has recently debuted.
• 4:21
  Speaker 4: It's about to debut.
• 4:22
  Speaker 2: Brabo da Cozinha too, reality show.
• 4:23
  Speaker 3: Brabo da Cozinha, our reality show that's going on there.
• 4:25
  Speaker 3: There's also a link in the description of Podpá Quera
• 4:28
  Speaker 3: for you Aliva Rafaela's show, for you to apply, to
• 4:30
  Speaker 3: find a love.
• 4:31
  Speaker 4: And who, Mítico?
• 4:32
  Speaker 2: And who liked the base? Tomorrow there's another base, huh?
• 4:37
  Speaker 4: Explain what the base is for everyone.
• 4:39
  Speaker 2: The base... There's a banner on the screen now appearing,
• 4:42
  Speaker 2: but the base is where DJ Muzão, our host of
• 4:45
  Speaker 2: this show, the presenter of this show, he usually comes
• 4:49
  Speaker 2: with a trio of MCs, and release the base for
• 4:54
  Speaker 2: them to rhyme on top of those beats that they
• 4:56
  Speaker 2: don't know what they are.
• 4:57
  Speaker 4: It's very cool, this program is great.
• 4:59
  Speaker 2: Ah, now it's improvised. It may be that yes, it
• 5:01
  Speaker 2: may be that the person sings something that she already has. Anyway,
• 5:03
  Speaker 2: the first episode came out, Fernanda, Tsunami, Yuri, Red Cop, GW,
• 5:06
  Speaker 2: it was a blast, an absurd. Do you know who
• 5:10
  Speaker 2: will be on this second? Alex, can you tell me?
• 5:13
  Speaker 2: In addition to DJ Mozão. KG, MC Leozinho ZS and.
• 5:19
  Speaker 2: Isis Orbelia, very cool.
• 5:21
  Speaker 3: And there's also a link for you to participate in
• 5:24
  Speaker 3: the Brino's audience. Before it was just for old people,
• 5:27
  Speaker 3: now it's... The old people are giving work.
• 5:30
  Speaker 6: Now it's for.
• 5:31
  Speaker 4: Everyone, okay?
• 5:32
  Speaker 2: Receive the young legend, with a lot of affection, make
• 5:33
  Speaker 2: a lot of noise, knock down this studio, clap your
• 5:36
  Speaker 2: hands for him, our guest today, MC Livinho!
• 5:38
  Speaker 4: Let's go!
• 5:39
  Speaker 2: Clap your hands, guys! That's it, man. That's it. How
• 5:43
  Speaker 2: are you, my brother?
• 5:48
  Speaker 4: I'm fine, thank God. Thank God, not like you. Not
• 5:50
  Speaker 4: like you either.
• 5:52
  Speaker 2: But I would like to be like Mítico.
• 5:54
  Speaker 4: I'm fine, thank God. Everything is fine.
• 5:58
  Speaker 6: Thank God, bro. I think it's the third or fourth time.
• 6:01
  Speaker 2: I don't know, but he's already home.
• 6:03
  Speaker 4: I think it's in that room.
• 6:05
  Speaker 3: You've seen it in all our scenarios and studios, right?
• 6:09
  Speaker 4: Ambients. Yes, yes, yes. It's vital, right, dad? Thank God, bro.
• 6:13
  Speaker 4: We're always here with you here. Because new things always
• 6:18
  Speaker 4: happen in our lives, in our careers, right? So it's
• 6:19
  Speaker 4: cool that we're always coming back to some subjects, or
• 6:22
  Speaker 4: maybe talking about new subjects, right?
• 6:24
  Speaker 2: Exactly, man.
• 6:25
  Speaker 4: New news.
• 6:25
  Speaker 2: Including these last two years of Livinho, it was... Some
• 6:27
  Speaker 2: things happened, right?
• 6:28
  Speaker 6: It was intense, man.
• 6:29
  Speaker 4: It was intense, right, my brother? Very, very, very.
• 6:31
  Speaker 2: Crazy stuff.
• 6:31
  Speaker 4: It was learning, right? I see that adversities are learning.
• 6:34
  Speaker 4: For sure, we're going to talk about that. Brother, I
• 6:37
  Speaker 4: think it's time for us to start. Obviously, we can
• 6:39
  Speaker 4: talk about the beginning. Anyway, it's going to go through
• 6:41
  Speaker 4: your whole career here. But I wanted to start with
• 6:47
  Speaker 4: something that was very recent, that was recorded in my memory,
• 6:51
  Speaker 4: which was your Lollapalooza concert, man.
• 6:53
  Speaker 6: We were there.
• 6:54
  Speaker 2: We were there, man. We were able to watch it.
• 6:57
  Speaker 2: It was one of the few concerts we were able
• 6:58
  Speaker 2: to see in full. And, damn, it was awesome, man.
• 7:01
  Speaker 4: Congratulations. Which one? Which one? Michael's. Ah, 2024. Exactly.
• 7:05
  Speaker 2: Because you came, talked to us, did this concert, and
• 7:08
  Speaker 2: then we didn't talk later.
• 7:09
  Speaker 4: Yes, man. It was insane, man. Why did you....
• 7:12
  Speaker 2: You took the responsibility of honoring someone as iconic as
• 7:16
  Speaker 2: Michael Jackson. Because you knew that from the moment you
• 7:19
  Speaker 2: said you would play Michael Jackson, there would be a
• 7:21
  Speaker 2: lot of people who would look at you just to
• 7:22
  Speaker 2: criticize you.
• 7:23
  Speaker 4: Yes, yes. What happens is that I've been an admirer
• 7:27
  Speaker 4: of Michael, a fan of Michael for a long time.
• 7:31
  Speaker 4: But I came to know him even more after my
• 7:34
  Speaker 4: adult phase. Because when I was a child, I saw
• 7:36
  Speaker 4: my mom listening. My mom even went to his show
• 7:39
  Speaker 4: when he was here in Brazil. So there's already this
• 7:41
  Speaker 4: essence in the family. So this connection I already have affectionate.
• 7:48
  Speaker 4: And as time went by in funk, I always showed
• 7:50
  Speaker 4: my versatility, my talent, that I always seek to bring
• 7:54
  Speaker 4: something different to the public, so it doesn't become a
• 7:56
  Speaker 4: monotonous thing. So there was a moment when I needed
• 8:00
  Speaker 4: to do an iconic performance and a performance with the opportunity.
• 8:05
  Speaker 4: I was going to be the first Lollapalooza. It was
• 8:07
  Speaker 4: my first Lollapalooza. So it was a great opportunity for
• 8:10
  Speaker 4: me to be there representing MC Livinho, the funk culture,
• 8:16
  Speaker 4: in a unique way. So that's when this idea came
• 8:19
  Speaker 4: to us. How long did it take to prepare for this?
• 8:21
  Speaker 4: Less than three months, bro. What's that?
• 8:23
  Speaker 2: A lot of running, bro.
• 8:24
  Speaker 4: Less than three months there, but it was intense, it
• 8:26
  Speaker 4: was dedication. If there was more time, it would be
• 8:28
  Speaker 4: even cooler. Because it's like this, you represent Michael, you
• 8:33
  Speaker 4: put yourself as a fan, admirer, and you go up
• 8:37
  Speaker 4: there to show on the screen is one thing, now
• 8:40
  Speaker 4: you go up there to dance, to interpret, you bring
• 8:45
  Speaker 4: the essence of Michael with your essence and not be anything... Man,
• 8:49
  Speaker 4: it's bullshit, so it's something that separates boys from men.
• 8:53
  Speaker 2: And how important was Rodrigo Teaser in this process, bro?
• 8:58
  Speaker 2: Because until the moment he goes up, it's like you
• 9:02
  Speaker 2: were in another perspective, but whoever is watching from the audience,
• 9:05
  Speaker 2: it gives a strange shiver, like, man, it looks a
• 9:08
  Speaker 2: lot like Michael who is there, you know?
• 9:10
  Speaker 4: Fuck, bro. So, what happens? When I started, together with
• 9:15
  Speaker 4: my ballet, with the choreographers, We created the choreography and
• 9:20
  Speaker 4: I needed to first learn the choreography so that later
• 9:25
  Speaker 4: I could bring the identity of the triplets and such.
• 9:30
  Speaker 4: So I learned the choreography in the first week. Cool.
• 9:34
  Speaker 4: But for you to bring it to you is something
• 9:38
  Speaker 4: that I realized, man, I'm going to have to make
• 9:41
  Speaker 4: a giant immersion here in Michael's life. But it's not
• 9:43
  Speaker 4: just superficially, like we already know. Knowing that he was
• 9:47
  Speaker 4: one of the coolest guys on Earth. Until today, I
• 9:49
  Speaker 4: don't think it's very difficult to see someone like him.
• 9:52
  Speaker 4: Or if he's on the same level. Yes, I think
• 9:56
  Speaker 4: so too. So, in relation to that, I.
• 10:00
  Speaker 4: I started to watch Michael in the morning, in the afternoon,
• 10:03
  Speaker 4: in the evening. Then I watched documentaries, I saw the presentations,
• 10:09
  Speaker 4: and it was like that, bro. It's because it's my
• 10:11
  Speaker 4: hyper focus, right? The same thing when I went to
• 10:13
  Speaker 4: fight too, it was like that. I kept watching fights, fights, fights, fights.
• 10:17
  Speaker 4: Michael was the same thing.
• 10:18
  Speaker 2: Only Michael Jackson.
• 10:18
  Speaker 4: Only Michael Jackson. Then I realized that I'm a partner
• 10:22
  Speaker 4: of Rodrigo Teaser. I said, man, it's not fair that
• 10:24
  Speaker 4: I call him, he's crazy. He's our world reference. Yeah,
• 10:27
  Speaker 4: he's Michael Jackson's world reference. So I said, it's not fair.
• 10:30
  Speaker 4: I told the guys to say hi to him there.
• 10:31
  Speaker 2: Then they said hi to him, bro.
• 10:33
  Speaker 4: He came free of spontaneous will to help us, man.
• 10:34
  Speaker 4: And when he arrived, he saw us doing the choreography.
• 10:37
  Speaker 4: He said, man.
• 10:47
  Speaker 4: There's not much like that, man, you're bringing the reference
• 10:49
  Speaker 4: of the brand, you're putting your style, there's nothing... It's
• 10:53
  Speaker 4: not forced. It's not forced. Then, bro, all right, but
• 10:56
  Speaker 4: I want to be like you. Then he says, ah, no,
• 10:59
  Speaker 4: but this is something that... Details, right? Details. Everything you're
• 11:04
  Speaker 4: doing is already delivering. So I said, I want this pose.
• 11:07
  Speaker 4: What's the movement like?
• 11:08
  Speaker 2: Do it so I can see.
• 11:09
  Speaker 4: And he taught you the details of the finger. The finger,
• 11:13
  Speaker 4: the tic, the locks, the looks.
• 11:15
  Speaker 6: What was the hardest thing to do with Michael Jackson?
• 11:17
  Speaker 4: The hardest thing was to get the triplets and the
• 11:21
  Speaker 4: kind of movement he does. The kind of movement Michael
• 11:25
  Speaker 4: did was unique and clean, the way Michael did it.
• 11:27
  Speaker 4: His body is... His body was... He didn't just point,
• 11:32
  Speaker 4: he pointed with something different. His body expressed the art
• 11:38
  Speaker 4: of dance, you know? You look at Michael and you
• 11:41
  Speaker 4: see a very surreal thing. So when he started to
• 11:44
  Speaker 4: pass to me, I started to catch, I started to
• 11:46
  Speaker 4: watch and I started to see a little differently. So
• 11:48
  Speaker 4: much so that I watched several videos of Michael that
• 11:51
  Speaker 4: I put on 0.5 and it was... The song very
• 11:54
  Speaker 4: slowly and Michael... To pay attention to what he was doing. Man,
• 12:02
  Speaker 4: I said, dude, I have to do this. And, bro,
• 12:04
  Speaker 4: it was like, as if it were an impossible mission.
• 12:08
  Speaker 4: Time was running out and I, man, damn, I have
• 12:11
  Speaker 4: to learn, I have to learn, I have to learn.
• 12:12
  Speaker 4: And there was a time when I said, you know,
• 12:14
  Speaker 4: I'm not going to keep charging myself so much, I'm
• 12:16
  Speaker 4: not going to dedicate myself more to focusing on learning.
• 12:19
  Speaker 4: That's when things started to flow more. It was an absurd.
• 12:21
  Speaker 4: It was an absurd. Brother, on the day, I rehearsed
• 12:23
  Speaker 4: a lot.
• 12:23
  Speaker 6: A lot.
• 12:24
  Speaker 4: On the day before, I rehearsed some... four hours in
• 12:31
  Speaker 4: the day I went out about two hours.
• 12:32
  Speaker 2: Alone man so you've already gone up on stage I'm
• 12:35
  Speaker 2: kind of tired and.
• 12:36
  Speaker 4: Before going up nothing my hyper focus bro I don't
• 12:39
  Speaker 4: get tired until I deliver it so in the day
• 12:43
  Speaker 4: I went out two hours alone in the morning like
• 12:46
  Speaker 4: this and I said okay when I get to the
• 12:48
  Speaker 4: dressing room there I'll go out again and I stayed
• 12:51
  Speaker 4: in the dressing room no because what happens I already
• 12:54
  Speaker 4: see myself in the situation I look for Live the
• 12:59
  Speaker 4: experience before living the experience.
• 13:01
  Speaker 8: I see.
• 13:01
  Speaker 4: And how do you do it? It's kind of paradoxical.
• 13:04
  Speaker 1: I imagine.
• 13:04
  Speaker 4: You went one day before rehearsing there on stage. No, no.
• 13:09
  Speaker 4: I put the music, just me alone. And I imagine
• 13:12
  Speaker 4: that I can't make a mistake. That moment I'm going
• 13:15
  Speaker 4: up on stage, everyone is looking at me, everyone is recording.
• 13:17
  Speaker 4: I won't stop. I just start.
• 13:20
  Speaker 2: And it's not because you're inside your room that you're relaxed.
• 13:22
  Speaker 2: You're thinking you're on stage.
• 13:24
  Speaker 4: I'm thinking I'm on stage, everyone is looking at me,
• 13:25
  Speaker 4: everyone is recording, the media, that... That anxiety, the suffocating air.
• 13:31
  Speaker 4: Then I go bringing, bringing, bringing. Then I start doing
• 13:36
  Speaker 4: the choreography. Then I imagine, when it's over, I'm tired.
• 13:41
  Speaker 4: When the choreographies end, when I do it alone, I'm tired.
• 13:43
  Speaker 4: Then I go back. Okay, let's do another one.
• 13:47
  Speaker 2: And something that was beautiful to see, bro, because I
• 13:52
  Speaker 2: think that on top of the funk movement there is
• 13:54
  Speaker 2: a lot of questioning of, ah, if you put a
• 13:57
  Speaker 2: funk MC to sing on Lollapalooza, will it sustain an
• 13:59
  Speaker 2: hour of show? Will it sustain? And there I think
• 14:02
  Speaker 2: you showed that yes, bro. Not only you, but many
• 14:07
  Speaker 2: others have a lot of repertoire to go up there
• 14:09
  Speaker 2: and sustain a successful show, you know? I don't know
• 14:11
  Speaker 2: if you managed to see the audience on stage giving
• 14:14
  Speaker 2: you back all that energy and singing all the songs.
• 14:17
  Speaker 2: I was like, man, I've seen everything that happened at Lollapalooza,
• 14:20
  Speaker 2: but seeing a show like ours, funk, was different.
• 14:23
  Speaker 4: Brother, I'm going to tell you. For me, I was
• 14:25
  Speaker 4: thinking a lot about delivering the show that I rehearsed.
• 14:29
  Speaker 4: So I picked... When I was about to go up,
• 14:33
  Speaker 4: I delivered in the hands of God, I made my prayer,
• 14:35
  Speaker 4: I talked to the ballet, and when he announced, then
• 14:40
  Speaker 4: I entered, I danced and such, until the time I finished,
• 14:45
  Speaker 4: I delivered. The show is going to start now. For me,
• 14:49
  Speaker 4: that stop was the most important. I said, now I delivered.
• 14:53
  Speaker 4: Live fulfilled, now the show will come. The rest is already...
• 14:57
  Speaker 4: Then the show starts, then I start singing, but today I'm...
• 15:01
  Speaker 4: Because this festival was my opportunity to show up and
• 15:04
  Speaker 4: go to other festivals. Or show up and not go
• 15:07
  Speaker 4: to any of them and become a chacota. So it
• 15:09
  Speaker 4: was a very important shot.
• 15:11
  Speaker 2: It was a lot of response, man. But who threw
• 15:13
  Speaker 2: this response in your chest, Michael Jackson? Or was it
• 15:15
  Speaker 2: you who brought this solo for yourself? I already had
• 15:16
  Speaker 2: this desire to dance.
• 15:17
  Speaker 4: You're crazy. But this idea was born with our team,
• 15:20
  Speaker 4: you know? So, like, we need to deliver something different.
• 15:23
  Speaker 4: It's good to draw attention. Yeah. What are we going
• 15:27
  Speaker 4: to deliver, man? That's how this idea was born.
• 15:30
  Speaker 6: And it happened the way you planned it?
• 15:32
  Speaker 8: Yes, bro.
• 15:33
  Speaker 4: Yes, yes, yes. Then I did Rock in Rio, I
• 15:37
  Speaker 4: also did Detal these years ago. It was awesome, bro.
• 15:41
  Speaker 4: And this is very good for our movement, because it's
• 15:45
  Speaker 4: a way for you to show that, bro, there are
• 15:48
  Speaker 4: guys who are good in our movement. For sure, bro.
• 15:50
  Speaker 4: Do you want performance? Play this, bro. Do you want this?
• 15:53
  Speaker 4: Play this, bro. There's a complete show, bro. Do you understand, bro?
• 15:56
  Speaker 2: But Livio, what was the moment when you were just,
• 15:59
  Speaker 2: I don't know, doing your shows right at the beginning, DJ,
• 16:02
  Speaker 2: just you and the DJ in the van, that you
• 16:05
  Speaker 2: looked and said, I can do something more, I can dance,
• 16:09
  Speaker 2: I can bring a ballet.
• 16:11
  Speaker 4: What was that moment? Because I see very.
• 16:14
  Speaker 2: Few people doing this in our funk movement, and sometimes
• 16:16
  Speaker 2: I see that many don't do it out of fear
• 16:20
  Speaker 2: of pointing out, and they go and dance. And I
• 16:24
  Speaker 2: see that you always did it, bro. I think this
• 16:28
  Speaker 2: is very cool and you always did it very well. Brother,
• 16:30
  Speaker 2: I'll tell you something.
• 16:31
  Speaker 4: The barrier already starts inside your own mind and inside
• 16:35
  Speaker 4: your own home. So, for those who can overcome this
• 16:38
  Speaker 4: barrier at the beginning, nothing is impossible, you know? So,
• 16:42
  Speaker 4: where did I come from? I was born in São Paulo,
• 16:44
  Speaker 4: but I also came from a city, when I moved
• 16:46
  Speaker 4: to the interior of São Paulo, called Vargem. And from
• 16:48
  Speaker 4: there I came to São Paulo. There it is underdeveloped.
• 16:51
  Speaker 8: Why?
• 16:53
  Speaker 4: It's a very small city, bro. There's no structure for
• 17:00
  Speaker 4: you to be a singer. There's a lot of SLT,
• 17:04
  Speaker 4: you know? There's a lot of braçal service, you know?
• 17:06
  Speaker 4: So there are things that I already looked at that
• 17:10
  Speaker 4: were very far away from the vision of other people.
• 17:13
  Speaker 4: But in my view, for me, it was just a
• 17:15
  Speaker 4: matter of me continuing, just a matter of opinion. So
• 17:19
  Speaker 4: when I came to São Paulo, which I started looking for, people,
• 17:22
  Speaker 4: even my family, are against it because of the religion.
• 17:25
  Speaker 4: I was already facing something that was much heavier. It
• 17:28
  Speaker 4: wasn't just going out on the street and also being
• 17:30
  Speaker 4: taken out sometimes. MC Davarze there. Ah, go sing pagode,
• 17:33
  Speaker 4: nothing to do with your voice, shut up. The guy said.
• 17:36
  Speaker 2: That your voice wasn't good for singing funk.
• 17:38
  Speaker 4: No, brother, no. So I was like this, very judged
• 17:41
  Speaker 4: at first. I went over all the judgments because, let's say,
• 17:44
  Speaker 4: I was, for some people, a madman. This guy is famous.
• 17:50
  Speaker 4: He came from the countryside. What madness, man. But the
• 17:54
  Speaker 4: thing happened. So when I got into the movement, I
• 17:57
  Speaker 4: already wanted to bring something different. But at the time, brother,
• 18:03
  Speaker 4: I couldn't. I didn't have this baggage that I have today, obviously.
• 18:06
  Speaker 4: But I already had a lot of baggage ahead of time.
• 18:07
  Speaker 4: Because I was already a musician. I was already... I
• 18:10
  Speaker 4: loved music, I sang very well at the time of
• 18:12
  Speaker 4: our movement. It seems that you knew what you wanted
• 18:15
  Speaker 4: to do from.
• 18:15
  Speaker 2: The first moment. Yes, I always knew. What happens is
• 18:17
  Speaker 2: that when we are more pivete.
• 18:18
  Speaker 4: Because our can sometimes is a little judged, you know?
• 18:21
  Speaker 4: Because you're a new kid, coming, smiling, review, joker. But
• 18:24
  Speaker 4: my mind has always been appetizing, you know? Always a
• 18:27
  Speaker 4: wise kid. I was never an accommodating kid, I was
• 18:29
  Speaker 4: always a kid that I wanted more. I didn't accept
• 18:38
  Speaker 4: the condition I was in. I didn't accept the condition
• 18:40
  Speaker 4: my family was in. My grandmother used to say, if
• 18:45
  Speaker 4: you go to the CLT, you'll get good things in life.
• 18:47
  Speaker 4: Because she was afraid of me getting into funk and
• 18:49
  Speaker 4: dying like the MCs of the time. She was afraid
• 18:52
  Speaker 4: of me getting frustrated.
• 18:53
  Speaker 2: Or of being an asshole.
• 18:54
  Speaker 4: Yeah. Just like other members of the family tried other areas,
• 18:58
  Speaker 4: which weren't necessarily singing, but they couldn't do it. So,
• 19:00
  Speaker 4: the frustrations in the family, sometimes it prevents people from
• 19:09
  Speaker 4: believing in your dream.
• 19:10
  Speaker 3: When you started, did you start with your own style,
• 19:12
  Speaker 3: with the melodies, saying some funny stuff?
• 19:15
  Speaker 4: Yes.
• 19:15
  Speaker 6: Or did you start with funk trying other things?
• 19:18
  Speaker 4: No, I started with funk, overcoming unconsciousness, bro. I started
• 19:20
  Speaker 4: with funk, I'm a partner of Chiquinho, so much that
• 19:23
  Speaker 4: now Chiquinho, who was from Duplo Chiquinho Amaral, is going
• 19:25
  Speaker 4: through some delicate moments of health, I want to send
• 19:28
  Speaker 4: strength to him, may God bless him, he's my brother,
• 19:29
  Speaker 4: my friend, along with Lelo da Moca, at the time,
• 19:32
  Speaker 4: Finado Lelo, so, like, I have a very humble root,
• 19:36
  Speaker 4: Because I got the reference with the monsters. But I
• 19:38
  Speaker 4: needed to turn off a little bit of what the
• 19:40
  Speaker 4: Funk moment was doing to do something different in me.
• 19:43
  Speaker 4: That could draw attention. And that's when I showed up.
• 19:45
  Speaker 4: You know? Once, bro. That was crucial. Yeah, once I
• 19:49
  Speaker 4: went to a... a flow, I was on a street,
• 19:52
  Speaker 4: in a house like that, close to Quebrada, there. Then
• 19:56
  Speaker 4: I had released at the time, Pepeca do Mal. Wow.
• 19:58
  Speaker 4: This song had pocado. Was it the first one? It
• 20:01
  Speaker 4: was the first one that pocou. But then, bro, I
• 20:03
  Speaker 4: went to a party like that, a bro went and
• 20:05
  Speaker 4: told me like this, oh, bro, Pepeka do mal? What
• 20:09
  Speaker 4: does it have to do with Pepeka do mal, bro?
• 20:12
  Speaker 4: Pepeka do mal is nothing to do with it. I said, easy, bro.
• 20:17
  Speaker 4: Nothing to do with it. Save some time. Then it exploded.
• 20:21
  Speaker 4: And why Pepeka do mal, bro? Pepeka do mal is because...
• 20:25
  Speaker 4: I'll have to say the explicit thing, bro.
• 20:27
  Speaker 6: For sure.
• 20:28
  Speaker 4: I tried to say it in a affectionate way. Pepeka
• 20:31
  Speaker 4: is selfish. She just wants it. She doesn't want.
• 20:36
  Speaker 4: Don't let it go. Very good. So I brought a metaphor.
• 20:42
  Speaker 4: And this metaphor with the melody caught the listener. The
• 20:45
  Speaker 4: same thing that you must have heard at the time.
• 20:47
  Speaker 4: So it caught the listener. Damn, man. Funny, cool.
• 20:50
  Speaker 2: But where did you get this from?
• 20:51
  Speaker 4: We played videos with this song. We uploaded it. Where
• 20:57
  Speaker 4: did you upload it from? From Branca de... It's mine, man.
• 21:00
  Speaker 4: I did it. It was a composer's breeze. I thought
• 21:03
  Speaker 4: it was a Disney melody. No, it was kind of...
• 21:05
  Speaker 4: It was kind of... It's a melody that comes to mind.
• 21:13
  Speaker 4: Then I did it, bro.
• 21:14
  Speaker 2: Then Pereira, bro.
• 21:15
  Speaker 4: He was crazy. Pereira with his beats, with the productions,
• 21:18
  Speaker 4: it was not possible.
• 21:20
  Speaker 3: But when you came to him saying, bro, there's this
• 21:21
  Speaker 3: thing here, Pepeca do Mal, what did he say?
• 21:23
  Speaker 4: He said, fuck it, let's do it, bro. Because Pereira
• 21:25
  Speaker 4: is very open, bro. The creation, ideas... For us who
• 21:30
  Speaker 4: are in the area of music and composer, the composer
• 21:35
  Speaker 4: can't be restricted, he has to have an open mind
• 21:38
  Speaker 4: to compose. There are things that you can say, there
• 21:42
  Speaker 4: are things that you can't. From the moment you say
• 21:44
  Speaker 4: explicit things, it's smooth. If you say it in a
• 21:46
  Speaker 4: comical way, in a funny way, it's even smoother. The
• 21:50
  Speaker 4: composer is free. So if you have the opportunity to compose,
• 21:53
  Speaker 4: you can't reject your creation. Because if you reject it,
• 21:56
  Speaker 4: sometimes it's a success that would take you out of
• 21:58
  Speaker 4: the mud, you know? So then Mano said that, right?
• 22:01
  Speaker 4: Passed a quota, I beat him again. Then I looked
• 22:04
  Speaker 4: at him, he tried to look at me, I said,
• 22:05
  Speaker 4: come here, what's up? Remember that it had nothing to
• 22:08
  Speaker 4: do with it, that I was playing? What's up? What
• 22:10
  Speaker 4: do you have to tell me now? He said, man,
• 22:13
  Speaker 4: it was bad, man. I said, no, but you were
• 22:14
  Speaker 4: like several others, man. Normal, life is like that. Now
• 22:18
  Speaker 4: follow our trajectory. So this Mano must be until today. But.
• 22:22
  Speaker 2: Man, what gave you that strength, Livinho? Because it's hard
• 22:24
  Speaker 2: to have that head, that young conscience.
• 22:27
  Speaker 4: Because we're young, man.
• 22:28
  Speaker 2: We care a lot, unfortunately, with the other opinion.
• 22:31
  Speaker 4: I cared, man, but I had nothing to do with it.
• 22:33
  Speaker 4: I'm a bastard. I was kicked out of school. When
• 22:37
  Speaker 4: I was a kid, I was like a bastard. I came,
• 22:39
  Speaker 4: I had ideas, I gave ideas to the teacher. I
• 22:41
  Speaker 4: wasn't even there, man. Man, I was always a fool. Man,
• 22:44
  Speaker 4: giving ideas to the teacher is foda. You have to
• 22:46
  Speaker 4: have a lot of confidence, man. No, because I was
• 22:49
  Speaker 4: very problematic, man. Thank God, God changed my path to funk, man. Because,
• 22:54
  Speaker 4: thank God, like that.
• 22:55
  Speaker 2: But where do you feel that this concern came from?
• 22:59
  Speaker 4: From my TDAH, man.
• 23:00
  Speaker 2: Oh, and you didn't know?
• 23:01
  Speaker 4: You didn't have... Oh, I didn't have, I was diagnosed.
• 23:04
  Speaker 2: When I was little. Oh, you were diagnosed when you
• 23:06
  Speaker 2: were little, I thought you had been diagnosed now.
• 23:08
  Speaker 4: No, no, no, when I was little. So much so
• 23:09
  Speaker 4: that I went three times to the forum, man. And
• 23:12
  Speaker 4: almost my mom and my dad lost my guard. I
• 23:13
  Speaker 4: had some problems there in school, on the street. What
• 23:16
  Speaker 4: kind of problems? I go out with the kids. I
• 23:19
  Speaker 4: even got hit by a teacher. The teacher already threw
• 23:21
  Speaker 4: the wallet at me. It was crazy. I was tempted, man.
• 23:23
  Speaker 4: Catherine Ludiviatta. So the song freed me, saved me, so
• 23:26
  Speaker 4: I could concentrate and put my art. But at school,
• 23:29
  Speaker 4: in the breaks, in the back of the class, you
• 23:31
  Speaker 4: were always singing. I started singing when I moved to
• 23:33
  Speaker 4: the night. To the seventh series at night.
• 23:35
  Speaker 10: What?
• 23:35
  Speaker 3: The seventh series at night, so there were only... Yeah,
• 23:38
  Speaker 3: at the time it was.
• 23:49
  Speaker 4: Tanto que fizeram a sétima só por causa de mim,
• 23:51
  Speaker 4: porque não tinha na época. Porque não aguentava mais de manhã,
• 23:54
  Speaker 4: com os moleques de manhã, de tarde, muito trabalho. Aí,
• 23:57
  Speaker 4: graças a Deus, de noite eu fui, cabulei um dia,
• 23:59
  Speaker 4: um certo dia cabulei a aula, fui pra praça da cidade,
• 24:03
  Speaker 4: fui lá na arquibancada, abri meu caderno, comecei a escrever.
• 24:09
  Speaker 4: Aí escrevi a origem. Menino que era pequeno, cresceu, sua
• 24:12
  Speaker 4: mente desenvolveu E agilidades, virtudes na vida ele concedeu Uma
• 24:17
  Speaker 4: joia muito rara
• 24:46
  Speaker 4: That's when
• 24:49
  Speaker 4: this song came out. In 2014, 2015... 2013 too, but
• 24:51
  Speaker 4: it seems.
• 24:54
  Speaker 2: That you and Pereira were hacked.
• 24:57
  Speaker 4: We were. What was this.
• 24:59
  Speaker 2: Synergy that you found each other? I'll tell you, bro.
• 25:01
  Speaker 4: What happens is that... It seems like you can record.
• 25:04
  Speaker 2: Others with Pereira, but it's not the same thing.
• 25:06
  Speaker 4: When I met Pereira, our connection was so strong because
• 25:10
  Speaker 4: the melody and the music unite. He's very musical too.
• 25:13
  Speaker 4: When I met him, bro, The same breeze hit. At
• 25:19
  Speaker 4: the time, I liked to hit both at the time.
• 25:21
  Speaker 4: I would go out, go to a square near his house,
• 25:24
  Speaker 4: hit one of the two and come back. Then I
• 25:26
  Speaker 4: would hit, it would breeze. And when I saw that
• 25:29
  Speaker 4: it started to hurt me, the repair, I started to
• 25:33
  Speaker 4: hold it at the time. But the connection we had
• 25:35
  Speaker 4: was that the breeze was the same. So it started
• 25:39
  Speaker 4: to get stronger every day. Man, do you like this? Man,
• 25:42
  Speaker 4: I like it. Man, have you ever heard this? Man,
• 25:45
  Speaker 4: sing a lot. I've heard it. Then it started to
• 25:47
  Speaker 4: hit the ideas. So this unified a lot. And what
• 25:49
  Speaker 4: happened was that I was always a kid who was
• 25:50
  Speaker 4: like this, I have to appear. Where do I appear?
• 25:54
  Speaker 4: On the internet? So much so that I even changed
• 25:56
  Speaker 4: my t-shirt for a kid to promote me on Facebook
• 25:58
  Speaker 4: at the time. I changed my t-shirt for a kid,
• 26:00
  Speaker 4: it was a kid who promoted me, I started to
• 26:02
  Speaker 4: get some fans, then I started posting some photos, I
• 26:05
  Speaker 4: started posting some songs, I started like.
• 26:08
  Speaker 2: Move, make your image.
• 26:09
  Speaker 4: I started to go on the internet for the fans
• 26:12
  Speaker 4: to start coming after me and enjoy my music, I
• 26:14
  Speaker 4: posted some walks, so I started to get a little
• 26:16
  Speaker 4: famous at the time. What kind of tennis was it?
• 26:21
  Speaker 4: It's competition.
• 26:23
  Speaker 2: Oh, I got it. Superstar.
• 26:26
  Speaker 4: I got it. So, at the time I switched, but
• 26:29
  Speaker 4: then the responses started to appear in my life. Music,
• 26:32
  Speaker 4: then I started to bet, I started to appear more
• 26:35
  Speaker 4: in the market because of the fans who started to
• 26:38
  Speaker 4: follow me more. Because it came to imagine, oh, the
• 26:41
  Speaker 4: boy is very cute, let's go on. Then I saw
• 26:43
  Speaker 4: him singing, I saw him talking. So I started to
• 26:45
  Speaker 4: captivate the fans since Pivete. So I saw that, bro,
• 26:48
  Speaker 4: Caminho was a fan, was a woman. And also a
• 26:50
  Speaker 4: lot of reference from Daleste, right, bro?
• 26:52
  Speaker 2: He was on the internet, right, bro?
• 26:53
  Speaker 4: I started singing because of Felipe Boladão. Really? Yes. That's awesome.
• 26:57
  Speaker 4: He was the first boy that I looked at like, man,
• 27:00
  Speaker 4: this boy is very good, bro. He does everything, like,
• 27:02
  Speaker 4: and he's so cute, smiling. Happy, right? Happy, you know?
• 27:05
  Speaker 4: And Daleste later, man. So I followed him. I had
• 27:09
  Speaker 4: the opportunity to meet Daleste at Jambalaya. I think Daleste
• 27:12
  Speaker 4: was one of the first to work with the internet.
• 27:14
  Speaker 2: He was crazy.
• 27:15
  Speaker 4: He was funny.
• 27:15
  Speaker 2: At the end of the song, he would say, follow
• 27:17
  Speaker 2: me on Twitter, I don't know what. He left the number.
• 27:20
  Speaker 6: He was very forward.
• 27:21
  Speaker 4: He exemplified that we had to be like an artist there. So, suddenly,
• 27:24
  Speaker 4: I also got some things from him, like this positioning.
• 27:27
  Speaker 4: But when you met him, did you already sing? Already, man.
• 27:29
  Speaker 2: How was this meeting?
• 27:30
  Speaker 4: I had the opportunity to sing for him. It was
• 27:31
  Speaker 4: at a show, I think it was Leo da Baixada,
• 27:33
  Speaker 4: one day, there at Jambalaya. He was in the dressing
• 27:37
  Speaker 4: room and I asked him if he could sing a
• 27:38
  Speaker 4: song for me. I was the MC and he said yes.
• 27:41
  Speaker 4: I sang a song for him and he kept listening
• 27:43
  Speaker 4: to it.
• 27:44
  Speaker 6: He said, you're good.
• 27:47
  Speaker 4: He just said that. I said, can I do a
• 27:49
  Speaker 4: medley with you later? We can do it later. He
• 27:50
  Speaker 4: left the corner like this. Damn, he talked about me.
• 27:54
  Speaker 4: After a while, he talked about me on a Twitch cam,
• 27:57
  Speaker 4: at the time he was doing it.
• 27:58
  Speaker 2: Oh, I saw that.
• 27:59
  Speaker 4: I've seen that. He talked about me, then after a while.
• 28:02
  Speaker 2: What is this?
• 28:02
  Speaker 6: The guy was doing a Twitch cam, damn it.
• 28:05
  Speaker 9: Relíquia, bro.
• 28:05
  Speaker 6: Twitch cam, he was doing a Twitch cam.
• 28:07
  Speaker 4: So when I started showing up doing shit, reviewing with
• 28:09
  Speaker 4: Perenna in the studio, it was already something that I
• 28:12
  Speaker 4: automatically saw that it was.
• 28:14
  Speaker 6: What was right. But when Pepeca do Mal exploded, you
• 28:16
  Speaker 6: said like this, wait a minute, bro.
• 28:18
  Speaker 4: I found a space here in the thing. Let's launch.
• 28:22
  Speaker 3: What was the next song from Pepeca do Mau?
• 28:25
  Speaker 4: The first one was Don Don Don with Pedrinho. The
• 28:29
  Speaker 4: first version was me and Pedrinho. When I met Pedrinho,
• 28:31
  Speaker 4: I met him through his songs on the internet. I
• 28:33
  Speaker 4: had the opportunity to meet him and hug him in Pereira.
• 28:42
  Speaker 4: I started to take him to my shows. The first
• 28:45
  Speaker 4: shows the kid started to do.
• 28:47
  Speaker 6: He was a kid, right?
• 28:48
  Speaker 4: No, a child. A kid from Chavano.
• 28:50
  Speaker 2: I think he was 9 years old.
• 28:50
  Speaker 4: A kid from Chavano, way ahead of the times. Pedro
• 28:52
  Speaker 4: was always way ahead of the times. It looked like
• 28:54
  Speaker 4: he was 32 when he was 8. It looked like
• 28:56
  Speaker 4: he was older than me. I was like, damn, bro.
• 28:59
  Speaker 4: Then he started to do it and it exploded. Then
• 29:02
  Speaker 4: he had to do his own version. Then he did
• 29:04
  Speaker 4: that one with Magrinho, too. It was at the time.
• 29:08
  Speaker 4: And then he dropped.
• 29:09
  Speaker 8: Out, bro.
• 29:10
  Speaker 4: I was like, what's up, God? What's up, dad? The
• 29:13
  Speaker 4: Lord is just using me to bless the others and
• 29:15
  Speaker 4: blessed too. But what happened is that people started to
• 29:18
  Speaker 4: listen to the first song and started to know me
• 29:20
  Speaker 4: because of him. Then the fans that I already had,
• 29:24
  Speaker 4: along with the fans that were starting to appear from
• 29:27
  Speaker 4: other media because of his sound, they started to associate.
• 29:29
  Speaker 4: Then I had the opportunity to blow Pepega do Mal,
• 29:32
  Speaker 4: then the spectacular Kamasutra, my wife Kamasutra, then one after
• 29:37
  Speaker 4: the other. Then it was just Hit at a Ritmo. it?
• 29:40
  Speaker 4: Did you start doing the show for fuck's sake?
• 29:42
  Speaker 2: It was... It was, bro. Fatal Picada is good.
• 29:45
  Speaker 6: What is your favorite from that time? From that time, bro?
• 29:47
  Speaker 4: Man, there were several, bro.
• 29:53
  Speaker 6: There are so many, man.
• 29:55
  Speaker 4: For me, I think it's Fatal Picada, man. That's like,
• 29:58
  Speaker 4: I pee in a sexual way. Ah, bro, I think that...
• 30:02
  Speaker 4: I laughed too.
• 30:02
  Speaker 6: Much with that, bro. Like, I pee in a sexual way.
• 30:07
  Speaker 6: Fuck you, bro.
• 30:08
  Speaker 4: Bro, what a song. It bugged, man.
• 30:12
  Speaker 2: It's because I'm.
• 30:13
  Speaker 4: Trying to say a name that's not Navara. So, girl,
• 30:17
  Speaker 4: how are you going to change Navara? You're crazy, man.
• 30:22
  Speaker 4: This is one of my favorites from that time. You're crazy, man.
• 30:27
  Speaker 4: I would press.
• 30:29
  Speaker 2: A button now to go back to a dance only
• 30:33
  Speaker 2: with these. Only with these.
• 30:35
  Speaker 4: Only with these.
• 30:36
  Speaker 2: Now, now, at this moment.
• 30:38
  Speaker 4: But in your shows today, do people ask for these?
• 30:41
  Speaker 4: I sing the new version, which is from El Espetacular,
• 30:43
  Speaker 4: which has a part that is the mixture, right? Who
• 30:45
  Speaker 4: would have thought? It's a pleasure to meet you, it's
• 30:48
  Speaker 4: a beautiful day, it's spectacular. It's going to roll, it's
• 30:53
  Speaker 4: going to lock, and it does it in a way
• 30:56
  Speaker 4: that no other does. Another one does, another one does.
• 31:00
  Speaker 4: I only sing until this, which is the new song.
• 31:02
  Speaker 4: But in my tour that I'm doing now, I'm... Ah, so, this.
• 31:06
  Speaker 2: Is important to talk about.
• 31:07
  Speaker 4: We want to know about this. Let's get into this subject. Olivinho.
• 31:10
  Speaker 6: Will there be a last tour? No, I want to know,
• 31:13
  Speaker 6: is it true that.
• 31:13
  Speaker 2: You will give.
• 31:17
  Speaker 2: For a while in your career? Are you going to
• 31:19
  Speaker 2: do a real hiatus? Because when we see this coming
• 31:22
  Speaker 2: out in the media, we say, no, it's not possible. Normally,
• 31:24
  Speaker 2: people are doing a hype, right? But it seems to
• 31:26
  Speaker 2: me that it's true.
• 31:27
  Speaker 4: What's up? So, man, last year, again, I'm going to
• 31:30
  Speaker 4: tell you the same thing. Last year, some very crazy
• 31:33
  Speaker 4: things happened in my life, right? Some emotional, mental, spiritual stuff.
• 31:37
  Speaker 4: And it was a moment in my life where the
• 31:40
  Speaker 4: accident happened. And after the accident, I was recovering, due
• 31:44
  Speaker 4: to some internal events, I thought about stopping there, without
• 31:49
  Speaker 4: saying anything to anyone, just saying, look, don't ask me
• 31:51
  Speaker 4: to take a picture with me anymore. It was going
• 31:53
  Speaker 4: to be crazy, you know? And that's not it, and
• 31:55
  Speaker 4: I'm not that, you know? I was going to stop
• 31:57
  Speaker 4: and say, don't ask me to take a picture with
• 31:59
  Speaker 4: me anymore, I'm no longer famous, I'm anonymous, from today on,
• 32:01
  Speaker 4: it's over, I don't have a career anymore. And I, like,
• 32:03
  Speaker 4: thought about it several times, picking up the cell phone,
• 32:04
  Speaker 4: opening the stories, Instagram, etc., to talk. Because I was very,
• 32:09
  Speaker 4: you know, only thanks to God I was able to reconnect,
• 32:13
  Speaker 4: my spiritual side, my mind, and I continued doing the work.
• 32:17
  Speaker 4: continue delivering shows, doing the walks. And it came this
• 32:20
  Speaker 4: year that I went and told my staff at the company,
• 32:22
  Speaker 4: I need some time for myself, I need to see
• 32:25
  Speaker 4: what really fits for my life. And I want my time.
• 32:29
  Speaker 4: Then they said, man, you have to talk to your audience,
• 32:34
  Speaker 4: you have to talk, you have to expose this to
• 32:36
  Speaker 4: them in a natural way, so no one thinks that
• 32:39
  Speaker 4: you are not grateful. Then, in addition to showing this,
• 32:42
  Speaker 4: that I will My gratitude is also in the way
• 32:48
  Speaker 4: of doing my tours around the country, spread out there,
• 32:51
  Speaker 4: thank God, so I can have this farewell with my fans,
• 32:53
  Speaker 4: but it's a time for me, you know?
• 32:55
  Speaker 2: It doesn't mean that you're going to stop singing forever.
• 32:59
  Speaker 4: Only God knows, if something happens that I don't need
• 33:02
  Speaker 4: to sing anymore, you know? It's because I want to
• 33:04
  Speaker 4: just look at myself and say, man, I don't have
• 33:08
  Speaker 4: this concern anymore of... Show, music, van, person in the ear.
• 33:15
  Speaker 4: You have to be trending, you have to be pumping.
• 33:18
  Speaker 4: So I want this time to reconnect with myself even more.
• 33:23
  Speaker 4: More than I already am.
• 33:24
  Speaker 3: It's being and it was a difficult decision. If you say,
• 33:27
  Speaker 3: I'll give it some time or I'll stop, I think
• 33:30
  Speaker 3: for an artist of music it must be a little difficult.
• 33:36
  Speaker 4: It's difficult. But it's not harder than my well-being. I
• 33:38
  Speaker 4: think so. I see it for my well-being, what matters
• 33:41
  Speaker 4: to me the most is your emotional, mental and spiritual side.
• 33:45
  Speaker 4: So much so that people say, oh, he's going to
• 33:47
  Speaker 4: stop and go to another style, then he's going to
• 33:50
  Speaker 4: sing gospel, he's going to sing there, he's going to
• 33:52
  Speaker 4: sing that. I said, calm down, guys, I'm focused on
• 33:54
  Speaker 4: myself now and on my personal purposes to be able
• 33:58
  Speaker 4: to look around the 360. First I'm looking inside, then
• 34:00
  Speaker 4: I look outside.
• 34:01
  Speaker 2: Brother, see if it makes sense what I'm going to say,
• 34:03
  Speaker 2: because I don't know, I've been in therapy for a
• 34:07
  Speaker 2: long time now, a lot has happened in our lives,
• 34:09
  Speaker 2: I think, in these ten years and.
• 34:12
  Speaker 4: One day.
• 34:12
  Speaker 2: You stop and you say like this, man, I'm Igor, right?
• 34:17
  Speaker 2: But what about Igor? How is he? How is he?
• 34:21
  Speaker 2: I don't even remember this guy anymore, or am I
• 34:22
  Speaker 2: this here now? We always get into some confusions, right?
• 34:26
  Speaker 2: When a lot of things happen, the holofote arrives, many people...
• 34:30
  Speaker 2: There were only yes, many good things, anyway. Is it
• 34:35
  Speaker 2: more in this place, brother, to go back home and say, man,
• 34:39
  Speaker 2: I think I need to be Oliver again for a
• 34:41
  Speaker 2: long time, to reconnect and do what I want to do,
• 34:45
  Speaker 2: in fact.
• 34:46
  Speaker 4: Yes, for sure, because when you get too exposed, you
• 34:52
  Speaker 4: become a reference in everything, right? So, when you're behind
• 34:56
  Speaker 4: the scenes, it's a little better, you know? Because you
• 35:00
  Speaker 4: can live a little more, you don't have to worry
• 35:01
  Speaker 4: so much. So much so that I know that, obviously,
• 35:04
  Speaker 4: even if I stop singing, they will always say that
• 35:06
  Speaker 4: I'm Olivinho, obviously. Look at Olivinho there. And as much
• 35:09
  Speaker 4: as I... Go fuck yourself, my name is Oliver. It's
• 35:12
  Speaker 4: not Malivinho. There's no way, you know? So, but I'll
• 35:15
  Speaker 4: have my space, I'll have my moment there, you know?
• 35:19
  Speaker 2: And, man.
• 35:19
  Speaker 4: Did your fans understand? They understood, but they were very sad.
• 35:23
  Speaker 4: And I was also very moved by some situations. that
• 35:26
  Speaker 4: some older fans, older fans, older people come to hug
• 35:31
  Speaker 4: me and cry. Man, I'm a big fan of yours, boy.
• 35:33
  Speaker 4: May God bless you and make the last show now,
• 35:36
  Speaker 4: this weekend, so as not to be so distant. But
• 35:39
  Speaker 4: it happened before, when I announced. Ladies, man. Ladies. More
• 35:44
  Speaker 4: than 60 years. Ladies are good, huh? More than 60
• 35:54
  Speaker 4: years in a tour party, 50 and a few years,
• 35:56
  Speaker 4: came to me and said, man, I'm a big fan
• 35:59
  Speaker 4: of yours, I admire you, I have a photo with you,
• 36:01
  Speaker 4: back in 2000 and so, I've always followed you, I
• 36:02
  Speaker 4: hope for you, may God bless you, you know better
• 36:06
  Speaker 4: than you, give me a hug, you felt that energy,
• 36:09
  Speaker 4: you know, brother? And as a child, brother, I was
• 36:11
  Speaker 4: doing a tour now in Europe, and at the airport,
• 36:14
  Speaker 4: a girl.
• 36:20
  Speaker 4: White, white like snow, blue eyes, little kid, man, speaking
• 36:23
  Speaker 4: English and like, with a shining eye, my fan, bro. So, like,
• 36:28
  Speaker 4: I've reached so many audiences, so many countries that I
• 36:33
  Speaker 4: see the importance I have. Cool, but I also have
• 36:36
  Speaker 4: to look at myself. Because if I don't show that
• 36:39
  Speaker 4: I also need to look at myself, I need some
• 36:41
  Speaker 4: time for myself, people, suddenly, they can only look at
• 36:45
  Speaker 4: me and suddenly... and look, this guy is tireless, he's
• 36:49
  Speaker 4: a man of faith. No, I'm not. I'm also a
• 36:52
  Speaker 4: human being like everyone else. I also have my good days,
• 36:54
  Speaker 4: I also have my bad days. And I also recognize
• 36:57
  Speaker 4: when I need a time for myself. Like all people
• 36:59
  Speaker 4: need to recognize that. If you don't give... I forgot
• 37:02
  Speaker 4: the name. Fernaldi. It overloads the emotional and mental.
• 37:07
  Speaker 2: It's better to stop like this than in an emergency.
• 37:12
  Speaker 4: I have to stop. In an emergency, man.
• 37:13
  Speaker 6: No, it's better like this, brother.
• 37:15
  Speaker 4: Conscious. But what do you do, too?
• 37:17
  Speaker 6: Are you doing a little therapy?
• 37:18
  Speaker 4: Yes, last year I did a lot of therapy. This year, too,
• 37:20
  Speaker 4: in some sessions.
• 37:21
  Speaker 6: What did you think of the importance of doing a therapy, brother?
• 37:23
  Speaker 4: Man, it helps you reconnect. It helps you see. It
• 37:28
  Speaker 4: won't give you the solution. You will find the solution.
• 37:30
  Speaker 4: Therapy is for that. It's not for her to give
• 37:32
  Speaker 4: you the solution, it's for you to understand what is
• 37:35
  Speaker 4: the best way out for you, what is the best
• 37:37
  Speaker 4: solution for you, and for you to reconnect. So good
• 37:40
  Speaker 4: professionals will help you get out of the dark and
• 37:42
  Speaker 4: stay in the light, but it will come out for you.
• 37:44
  Speaker 4: It's like he says, but it's a biblical passage. It
• 37:47
  Speaker 4: gives you the rod, the bait, the hook, but it
• 37:49
  Speaker 4: won't fish for you, you know? So that's it. I
• 37:56
  Speaker 4: see that therapy is very important. There are many good professionals.
• 38:01
  Speaker 4: And therapy nowadays is for normal people, you know? Because
• 38:04
  Speaker 4: normal people are going crazy because of people who don't
• 38:07
  Speaker 4: want to do therapy.
• 38:08
  Speaker 3: So it was these therapies that made you come to
• 38:11
  Speaker 3: this reflection of downtime too? Because sessions and sessions you
• 38:16
  Speaker 3: get to know each other and you say, man.
• 38:18
  Speaker 4: I think that's it. Yes. Before I wanted to stop...
• 38:20
  Speaker 4: Pay attention there, Nibiru. Bring a cloth here. Before I
• 38:24
  Speaker 4: wanted to stop... Does it bother you?
• 38:27
  Speaker 2: No.
• 38:27
  Speaker 4: If you don't do therapy, does it bother you? I do, bro.
• 38:33
  Speaker 4: It's a joke. Before, I wanted to stop for myself, man.
• 38:38
  Speaker 4: I didn't... I didn't want to continue. I wasn't... Then,
• 38:42
  Speaker 4: when I was doing therapy, I was looking for more
• 38:44
  Speaker 4: for myself. Then, when this idea came again this year,
• 38:47
  Speaker 4: it came for myself. I got in touch with my team, explained,
• 38:51
  Speaker 4: and then they chose the best way for me to announce.
• 38:55
  Speaker 8: There, look.
• 38:56
  Speaker 4: Sorry.
• 38:57
  Speaker 6: It's okay, bro.
• 38:58
  Speaker 3: It doesn't happen again.
• 39:02
  Speaker 2: Bro, how is this farewell tour going to be? I
• 39:06
  Speaker 2: was reading that you said that you were going to
• 39:12
  Speaker 2: wear some of the costumes you've used and some of
• 39:14
  Speaker 2: the clips. Are you going to wear the sign again?
• 39:18
  Speaker 4: I don't know. So, man, it's two and a half
• 39:20
  Speaker 4: hours of show.
• 39:21
  Speaker 6: Jesus Christ.
• 39:22
  Speaker 4: Two and a half hours of show, two and a
• 39:24
  Speaker 4: half hours of nostalgia. And the first hour so many
• 39:27
  Speaker 4: songs from the old ones thanks with kits from the
• 39:32
  Speaker 4: old ones that I have until today from the videoclip
• 39:35
  Speaker 4: era etc.
• 39:36
  Speaker 2: I saved it bro like you have clothes from which clip.
• 39:39
  Speaker 4: Full of marra make falta boné da zupicina Cheia de marra.
• 39:45
  Speaker 2: Is the one you wear at school, right? Yeah, that one.
• 39:48
  Speaker 2: You jump the wall. At that time, bro, I looked
• 39:54
  Speaker 2: at him and said, man, the haircut is sick, the
• 39:56
  Speaker 2: mustache was like.
• 39:58
  Speaker 4: Aligned, aligned.
• 39:59
  Speaker 2: At the limit, at the limit of the lap, because
• 40:01
  Speaker 2: also with a lot of laps you have a prejudice.
• 40:04
  Speaker 3: So this show will be your whole career.
• 40:09
  Speaker 4: Yes, it's like you're watching a book since you were
• 40:13
  Speaker 4: a kid growing up, evolving, but only with the character
• 40:16
  Speaker 4: I have today. But you'll see the clothes, you'll see
• 40:20
  Speaker 4: the way I sang, because at that time I didn't
• 40:24
  Speaker 4: dance the way I dance today. So there will be moments,
• 40:30
  Speaker 4: it will grow, you will watch a story, and it's
• 40:32
  Speaker 4: not just a show, it's a show, it's a theater.
• 40:36
  Speaker 4: There are also moments of staging. It's a lot of things, man.
• 40:38
  Speaker 4: It's really cool.
• 40:39
  Speaker 2: Do you think about doing an audiovisual with this? Like, recording?
• 40:43
  Speaker 11: Yes, yes.
• 40:44
  Speaker 4: Next show, for sure, our team will be recording correctly.
• 40:47
  Speaker 4: Because we were a little short on this last one.
• 40:49
  Speaker 4: Because it was the first, right? And it was very fast,
• 40:52
  Speaker 4: so we didn't have much time to interact. So the
• 40:53
  Speaker 4: tour is already going on? Yeah, the first one was
• 40:55
  Speaker 4: in Maringá. Sold out, thank God, packed.
• 40:57
  Speaker 2: So this year, are you going to do this tour
• 41:01
  Speaker 2: until the end of the year or does it stop before?
• 41:02
  Speaker 4: Until December. Until December. When is the show in São Paulo?
• 41:08
  Speaker 4: Now it's in Piracicaba, on the 30th, but the end
• 41:11
  Speaker 4: of the year will be in December. And now on
• 41:17
  Speaker 4: the 30th, Piracicaba is sold out.
• 41:19
  Speaker 2: Congratulations, brother.
• 41:20
  Speaker 3: And how do you get to your production, to your team, saying, guys,
• 41:22
  Speaker 3: next year you already know, right?
• 41:28
  Speaker 6: Next year.
• 41:29
  Speaker 4: Look at the guys! What's up?
• 41:31
  Speaker 6: How will it be?
• 41:32
  Speaker 4: In 2027, are you going to a farm, bro? How
• 41:34
  Speaker 4: will it be?
• 41:34
  Speaker 6: I'm going to.
• 41:36
  Speaker 4: Travel a little, bro. I'm going to see life, man.
• 41:39
  Speaker 4: Man of iron, right? For the good professionals that I
• 41:43
  Speaker 4: have with me, there won't be a lack of jobs, right?
• 41:46
  Speaker 4: Where were you? I was in Livinho. So, good professionals.
• 41:50
  Speaker 4: You're going to have a trap.
• 41:53
  Speaker 3: Yeah, because it's awesome, bro. So, 2027... No, it's a
• 41:55
  Speaker 3: difficult decision. What are your first plans for 2027?
• 41:58
  Speaker 4: I just want to live the 2027, I don't want
• 42:00
  Speaker 4: to have plans. Because I already have plans for my career,
• 42:03
  Speaker 4: for my life, all year round, all these years, 15 years, right, bro?
• 42:07
  Speaker 4: So I want to walk in Paulista. I want to
• 42:11
  Speaker 4: go to a Adidas store there in Paulista. And eat
• 42:16
  Speaker 4: a hot dog there. I want to eat a hot
• 42:18
  Speaker 4: dog there in the subway. In Osasco. There in Santana,
• 42:22
  Speaker 4: in the Santana subway. Let's go. Let's go.
• 42:24
  Speaker 2: Your kid must be in a phase that must be
• 42:26
  Speaker 2: demanding attention, right?
• 42:27
  Speaker 4: I want to take my son and take him to school.
• 42:30
  Speaker 4: Then come back, stay at home watching Netflix. And then
• 42:33
  Speaker 4: pick him up at school again. Have a normal life, man. Yeah, yeah.
• 42:38
  Speaker 2: You know?
• 42:38
  Speaker 4: Brother, from the little you show him, you can see
• 42:40
  Speaker 4: that he is very similar to you, man. Man, my
• 42:42
  Speaker 4: son is amazing. He's a walking meme. Really?
• 42:46
  Speaker 2: Is he in the children's hyperfocus? Yes.
• 42:48
  Speaker 4: What is it?
• 42:49
  Speaker 2: His hyperfocus now is Roblox.
• 42:53
  Speaker 4: He likes Roblox. Then he has a dragon that keeps
• 42:58
  Speaker 4: walking in the city, a dinosaur, Godzilla, that makes strange noises.
• 43:04
  Speaker 4: I just say, take it easy. Take it easy with
• 43:07
  Speaker 4: these videos. I don't really like horror movies. Me neither.
• 43:10
  Speaker 4: How old is he?
• 43:10
  Speaker 2: He's seven.
• 43:11
  Speaker 4: He's a very unruly guy.
• 43:11
  Speaker 6: He changes ideas with you.
• 43:13
  Speaker 4: If you let him... Does he practice sports too? Yes,
• 43:16
  Speaker 4: he does. He doesn't really like soccer, but he plays.
• 43:19
  Speaker 2: It's his father's obligation.
• 43:20
  Speaker 4: I had to show him a video when he was
• 43:22
  Speaker 4: a kid. Son, you don't like soccer, right? But watch
• 43:26
  Speaker 4: this video. You playing soccer when you were little. When
• 43:27
  Speaker 4: you learned to walk.
• 43:28
  Speaker 2: Look at him.
• 43:37
  Speaker 4: Ah, so now I like soccer. Fight. And does he sing?
• 43:41
  Speaker 3: He already sings or doesn't like it?
• 43:44
  Speaker 4: Karate, he does karate. Nothing to sing? He sings. He's
• 43:50
  Speaker 4: singing my new one now, if he prepares three with Pedrinho.
• 43:52
  Speaker 2: Brother, what connection is this with Pedrinho? It seems that
• 43:55
  Speaker 2: when you get together, a phenomenon happens.
• 43:58
  Speaker 3: Who called who was the moment of this song? This
• 44:00
  Speaker 3: song is doing well, right?
• 44:02
  Speaker 4: Yes, bro. We're already in the top 50 Spotify, bro.
• 44:04
  Speaker 4: There's not even two weeks right. Who called who?
• 44:06
  Speaker 2: How was this moment to create this sound?
• 44:08
  Speaker 4: So, I was in the studio with JB Mix and
• 44:09
  Speaker 4: I was writing some songs, right? I started to create this,
• 44:14
  Speaker 4: but this already had a little piece at home that
• 44:18
  Speaker 4: I had made. I started to create, the idea goes,
• 44:20
  Speaker 4: the idea comes. Soon I said, bro, I like this melody.
• 44:29
  Speaker 4: Then Jota said, bro, finish recording this. I said, I'll
• 44:31
  Speaker 4: do it another day. No, finish it, finish it. Then
• 44:34
  Speaker 4: I stopped, I did the chorus. Then I started the chorus.
• 44:37
  Speaker 4: Then I said, Jacket, once you come to get your things,
• 44:41
  Speaker 4: I'll put you. Then I... I'll put you. Dude, if
• 44:47
  Speaker 4: you miss me, there's no more sadness. By the end,
• 44:50
  Speaker 4: you're just friends, pretending to worry. My best friend of you,
• 44:54
  Speaker 4: now it's not even... Man, this one is going to
• 44:58
  Speaker 4: prepare three, bro. Then I say, where's Pereira, bro? I've
• 45:01
  Speaker 4: been running, where's Pereira? Where's Pereira? Pereira, bro, look at
• 45:03
  Speaker 4: this song, bro. Come here, come here. Man, you have, bro,
• 45:06
  Speaker 4: you prepare three. I'm going to put Pedrinho. I already
• 45:08
  Speaker 4: imagined everything happening, bro. Man, talking to Pedrinho, summary. I
• 45:12
  Speaker 4: went to the studio the other day, I already took
• 45:14
  Speaker 4: the violin, I made the little point. I said, bro,
• 45:16
  Speaker 4: now I'm just going to post. I posted the thing
• 45:19
  Speaker 4: for a little bit. Then I said, now I'm going
• 45:21
  Speaker 4: to do a little dance. I did a little dance,
• 45:22
  Speaker 4: I was filling my ballet bag, because my ballet was
• 45:24
  Speaker 4: focused on a new show, right? On the new tour.
• 45:26
  Speaker 4: I said, bro, we have to make a dance, we
• 45:27
  Speaker 4: have to make a dance of this song. Then we
• 45:29
  Speaker 4: created the choreography on time there. And it got there,
• 45:32
  Speaker 4: it wasn't that hard. I remember the Miami steps, which
• 45:35
  Speaker 4: is a step from the old ones. Our mother and
• 45:36
  Speaker 4: our father can do it, because at the time they
• 45:38
  Speaker 4: danced the disfunction. Then we went to the little hill
• 45:41
  Speaker 4: over there, we recorded, the stuff, bro, it hit a lot,
• 45:46
  Speaker 4: a lot. Then we went to travel abroad, we went
• 45:48
  Speaker 4: to Andorra. We got there in Andorra, bro, we went
• 45:50
  Speaker 4: down the street like this, we said, make a video here.
• 45:53
  Speaker 4: Pupupu made a video and it blew up. What about
• 45:57
  Speaker 4: the video of Neve? I saw a video of Neve.
• 45:59
  Speaker 4: It blew up. I was like, man, the song is
• 46:01
  Speaker 4: going to blow up, I'm feeling it. Then I said, man,
• 46:04
  Speaker 4: I'm going to keep doing it, keep doing it, dancing, dancing, dancing,
• 46:07
  Speaker 4: promoting the song. When I get there, Pedrinho has to record.
• 46:09
  Speaker 4: Then I recorded with Pedrinho, I did the preview and
• 46:11
  Speaker 4: that's it. Then we released the stuff, it's already in
• 46:14
  Speaker 4: the top 50, it's already making music. It's entering the
• 46:17
  Speaker 4: trend of who runs, you know? So much so that now, Saturday,
• 46:20
  Speaker 4: 11 a.m., I'm going to have a fan meeting there
• 46:22
  Speaker 4: in Ibirapuera.
• 46:23
  Speaker 2: What is that? Livinho Runner?
• 46:26
  Speaker 4: Livinho Runner, a fan meeting, running there with the fans
• 46:29
  Speaker 4: and also giving attention to the fans who don't run,
• 46:31
  Speaker 4: a little sedentary.
• 46:33
  Speaker 2: But did this song fall in the taste of the
• 46:35
  Speaker 2: people who do an exercise?
• 46:36
  Speaker 4: Also out of nowhere, man, out of nowhere, out of nowhere,
• 46:39
  Speaker 4: because the people who run started to bet, liking it
• 46:41
  Speaker 4: a lot, it's my song that I listen to to train.
• 46:44
  Speaker 2: Was there another one of yours that didn't turn into
• 46:46
  Speaker 2: a training challenge, a flexion challenge? Passa Passa.
• 46:49
  Speaker 4: Se eu te aciono, vem da onde tá, passa, passa
• 46:52
  Speaker 4: pra eu sair. This one, but this one now, prepare three,
• 47:00
  Speaker 4: which is missing feeling, prepare three. Man, it's insane, many
• 47:05
  Speaker 4: people doing a little step. I'm very happy to see
• 47:07
  Speaker 4: a choreography that we created, that I created, that the
• 47:10
  Speaker 4: fans are doing, man. Wow, this is going to grow
• 47:13
  Speaker 4: more and more.
• 47:13
  Speaker 2: And organic, brother, without forcing anything, without having to, I
• 47:17
  Speaker 2: don't know, put a media truck on top of the thing.
• 47:19
  Speaker 4: Yes, yes. Nowadays we have to work with the media, obviously,
• 47:21
  Speaker 4: we have to pay for a good playlist, suddenly, put
• 47:24
  Speaker 4: a positioning there, but brother, it has to fall into
• 47:27
  Speaker 4: the taste of the crowd. Otherwise it's no use. Otherwise
• 47:29
  Speaker 4: it's no use, otherwise you're just going to spend money
• 47:32
  Speaker 4: for nothing. And there's no way this thing, you can
• 47:33
  Speaker 4: even pay a lot to enter the top 20, I
• 47:37
  Speaker 4: don't know when, like, pay there, pay here, then get
• 47:40
  Speaker 4: the bill, then play there, play there. But there's no
• 47:42
  Speaker 4: response from the public. But there's no response from the public, brother.
• 47:45
  Speaker 4: I went to Mogi Guaçu this weekend, I sang there,
• 47:47
  Speaker 4: everyone was singing already, man. So this is the answer
• 47:50
  Speaker 4: to the song. It must be a satisfaction to have
• 47:52
  Speaker 4: just released it. So Saturday now, Saturday now, fan meeting
• 47:55
  Speaker 4: in Ibirapuera, at 11 o'clock in the morning, follow me
• 47:58
  Speaker 4: on social media, on stories, on face, on face, on
• 48:01
  Speaker 4: face too, on feed, that we're going to release the photo,
• 48:04
  Speaker 4: do you already have the photo there? Have you sent
• 48:07
  Speaker 4: it to me? Here's the picture, I'll even show you
• 48:10
  Speaker 4: the picture of where it's going to be. Do you
• 48:12
  Speaker 4: already have the location?
• 48:15
  Speaker 2: Portão 4.
• 48:16
  Speaker 4: Portão 4 do Ibirapuera, my family. Ah, Saturday. We don't
• 48:19
  Speaker 4: have time to schedule that.
• 48:21
  Speaker 2: What's the pace of Livinho?
• 48:22
  Speaker 4: What's your pace? What? Your pace?
• 48:25
  Speaker 2: What is pace? Brother, it's the rhythm that you run, right?
• 48:28
  Speaker 2: The guys from the race will teach you on Saturday.
• 48:30
  Speaker 2: I just run, brother. I'm used to.
• 48:31
  Speaker 4: Running since I was little, brother.
• 48:35
  Speaker 3: But speaking of music that falls in the taste of
• 48:37
  Speaker 3: the people, there was a song of yours that fell
• 48:39
  Speaker 3: in the taste of Turkey, right, bro?
• 48:41
  Speaker 6: You went to the stadium.
• 48:42
  Speaker 2: Talk about this experience. This song has been here for
• 48:45
  Speaker 2: almost 10 years.
• 48:47
  Speaker 4: Yeah, bro. I think it was 2018. Eight years of music.
• 48:50
  Speaker 4: J Guga. Almost 10 years, bro.
• 48:53
  Speaker 3: I want to know your vision, since you saw that
• 48:55
  Speaker 3: it was viralized there, and then you went to do
• 48:57
  Speaker 3: the show there.
• 48:58
  Speaker 6: What was all this, man? It was very big.
• 48:59
  Speaker 4: Brother, I'm going to tell you, when I got there,
• 49:03
  Speaker 4: when I received the invitation... I didn't expect to have
• 49:07
  Speaker 4: such a big return, because I saw it going viral
• 49:12
  Speaker 4: first in Asia, right? There were a lot of Koreans,
• 49:19
  Speaker 4: there were a lot of Asians using it at one time. Then, suddenly,
• 49:24
  Speaker 4: it passed in time, right? Because soon, man, your song
• 49:27
  Speaker 4: is in Turkey, your song is cool, cool. Then it
• 49:29
  Speaker 4: started to appear for me on TikTok, just her video.
• 49:32
  Speaker 4: The people in Arabic.
• 49:35
  Speaker 2: Turkish, a lot of people, a lot of people.
• 49:37
  Speaker 4: On the streets of the city, bro. Then I said, wow,
• 49:40
  Speaker 4: the thing is broken, now we just need to do
• 49:41
  Speaker 4: a little show there, right? Brother, when I got there,
• 49:43
  Speaker 4: the first day I went and sang only for the
• 49:46
  Speaker 4: technical commission there of the Galatasaray team. We did a show,
• 49:51
  Speaker 4: they liked it. What noise is that?
• 49:56
  Speaker 2: They're opening a tapioca, I think.
• 49:58
  Speaker 3: I think the guys opened a tapioquinha there, man.
• 50:02
  Speaker 4: Man, my TDAH, man. What noise is that, man?
• 50:04
  Speaker 1: Please.
• 50:05
  Speaker 4: Then, then, look. Yeah, bro, because I'm focused, I'm hyper-focused,
• 50:11
  Speaker 4: but if there's something else, it pulls my attention. Then, bro,
• 50:13
  Speaker 4: when I got there, we did a show, the people
• 50:16
  Speaker 4: liked it a lot. They said, we want another show.
• 50:19
  Speaker 4: I said, wow. They said that. Ah, but I miss Brazil.
• 50:21
  Speaker 4: Whenever you want. Then I said, wow, now let's stay there, right?
• 50:26
  Speaker 2: Then let's go, we'll stay there. I saw that you
• 50:28
  Speaker 2: sang at Galatasaray's title party.
• 50:30
  Speaker 4: Then they took us to sing at the title party, bro.
• 50:33
  Speaker 4: There were 60,000 people in the stadium. Those guys there
• 50:35
  Speaker 4: are crazy, you know? My brother, when I entered the stadium,
• 50:40
  Speaker 4: everyone was like, you can go, you can go, you
• 50:43
  Speaker 4: can sit.
• 50:44
  Speaker 3: You saw them singing, sometimes trying to sing in Portuguese,
• 50:47
  Speaker 3: singing in their own way.
• 50:48
  Speaker 4: And I gave an interview, and there was a translator
• 50:51
  Speaker 4: with me, and I gave an interview saying, when I
• 50:54
  Speaker 4: left the city I couldn't walk anymore, on the first
• 50:57
  Speaker 4: day I could even walk in the city, on the
• 50:58
  Speaker 4: other days I couldn't even walk in the city, everyone
• 51:00
  Speaker 4: stopped me to take a picture.
• 51:03
  Speaker 2: But did they tell you why this song was so popular?
• 51:05
  Speaker 4: Does this song remind you of something? The point is
• 51:07
  Speaker 4: that it's very universal, but the flow too, bro. You can,
• 51:10
  Speaker 4: you can, you can sit, you can, you can... So, like,
• 51:15
  Speaker 4: they got it, bro. When it's a hit, it's a hit, bro.
• 51:20
  Speaker 4: There's no way, bro.
• 51:23
  Speaker 6: So you got a lot of audience there, too. Yeah.
• 51:26
  Speaker 4: A lot of people. I'll tell you a story. You
• 51:28
  Speaker 4: paid some money for this song. Yeah, right?
• 51:29
  Speaker 2: Because when you hear it there, it comes.
• 51:32
  Speaker 4: From the money from there, right? But it got more
• 51:35
  Speaker 4: than 70 countries, bro. Top 50. More than 40 countries, bro.
• 51:40
  Speaker 4: Top 50, bro. And that, the guys were... I got
• 51:43
  Speaker 4: top 1 in Arabia. Wow, that's crazy. Damn. It exploded
• 51:47
  Speaker 4: a lot, bro. Unimaginable. It exploded a lot. There I
• 51:49
  Speaker 4: got top 1 in Arabia. I think I got top 1.
• 51:51
  Speaker 4: There were a lot of countries, bro. Top 8, Top 10,
• 51:54
  Speaker 4: Top 15, Top 5, Top 50, Top 200, some countries
• 51:59
  Speaker 4: that I didn't even imagine, bro.
• 52:01
  Speaker 6: That opens up space for them to hunt other songs.
• 52:03
  Speaker 4: Bro, Ozuna was dancing my song, Maluma was dancing. I
• 52:08
  Speaker 4: went to Andorra now, I was playing there in a
• 52:11
  Speaker 4: place in Spain, in a city, in a country that
• 52:14
  Speaker 4: is within Spain. Bro, surreal, bro. It's where the music
• 52:17
  Speaker 4: can take us, right? And now the purpose is to
• 52:24
  Speaker 4: take the image of MC Livinho, right? And start with Spanish, English,
• 52:28
  Speaker 4: and I'm studying.
• 52:30
  Speaker 6: You know?
• 52:31
  Speaker 2: Yeah.
• 52:31
  Speaker 6: And another thing.
• 52:33
  Speaker 4: He wants to stop. And another thing... No, but I'm studying.
• 52:34
  Speaker 4: This year there are a lot of things, man.
• 52:36
  Speaker 6: This year it's full of things.
• 52:37
  Speaker 4: This year there's a tour abroad in Europe too.
• 52:39
  Speaker 7: When?
• 52:40
  Speaker 4: You have to see. When will it be?
• 52:42
  Speaker 2: July, August and... July, August and December.
• 52:46
  Speaker 3: There's a lot of coal to pick up this year.
• 52:50
  Speaker 3: You're talking about international stuff, and when we, who follow
• 52:55
  Speaker 3: the old funk, there was always that moment that the
• 52:58
  Speaker 3: MC took it off. They've already asked you that million times.
• 53:01
  Speaker 3: Why didn't you ever take the MC off? There wasn't
• 53:03
  Speaker 3: a moment that the guy who works with you said, man,
• 53:07
  Speaker 3: it's time to take the MC off, you dance, you
• 53:09
  Speaker 3: do other things, it's not just the MC anymore.
• 53:12
  Speaker 4: How was that moment? I want this stereotype to be
• 53:15
  Speaker 4: from the MC. I want it to be like this, bro.
• 53:18
  Speaker 4: It's not a cup of drink in your hand, going
• 53:20
  Speaker 4: up and smoking a lot. It has to be like...
• 53:23
  Speaker 4: We are the R & B gangsters, bro. You know?
• 53:28
  Speaker 4: Romantic vagabonds. Romantic vagabonds, you know? But it has to
• 53:32
  Speaker 4: be like this. If not, our position as artists has
• 53:35
  Speaker 4: to be something that is for many others too. You
• 53:37
  Speaker 4: don't have to go up on stage and sing and
• 53:41
  Speaker 4: dance like Chris Brown, Usher, Michael Jackson, Livinho. No, you
• 53:45
  Speaker 4: need to deliver a show, a performance as an artist.
• 53:49
  Speaker 4: You need to have your movements, you need to know
• 53:53
  Speaker 4: how to fill the corners of the stage, you need
• 53:55
  Speaker 4: to have a beginning and an end, you need to
• 53:56
  Speaker 4: understand what you're bringing to the audience. Because.
• 53:58
  Speaker 2: The audience wants to hear the song as if it
• 53:59
  Speaker 2: was recorded.
• 54:00
  Speaker 4: Yeah, bro. And another thing, the show is not about
• 54:02
  Speaker 4: you coming there and putting one song after the other,
• 54:05
  Speaker 4: because otherwise they put it on Spotify at home, you know?
• 54:07
  Speaker 4: It's an experience, right? It's an experience, bro. Sometimes you
• 54:10
  Speaker 4: stop and talk to the audience, sometimes you sing, sometimes
• 54:12
  Speaker 4: you call someone, sometimes you talk, sometimes you go to
• 54:14
  Speaker 4: the right, you go to the left, you go to
• 54:15
  Speaker 4: the middle, sometimes you talk to the audience in the front,
• 54:17
  Speaker 4: you talk to the audience in the middle, you talk
• 54:19
  Speaker 4: to the audience in the back, sometimes you turn, you
• 54:21
  Speaker 4: go out, you come back, there are those moments when
• 54:24
  Speaker 4: you make everyone applaud, there are moments when you applaud,
• 54:26
  Speaker 4: there are moments when you applaud, bro, there are many moments, bro,
• 54:30
  Speaker 4: you know? So there are many things that I, today,
• 54:33
  Speaker 4: I'm also a performance director, show director, etc., you know?
• 54:36
  Speaker 4: Because these are things that I've been developing over time,
• 54:38
  Speaker 4: from the beginning, As you said, I was already prospecting
• 54:42
  Speaker 4: all this. But things were already in my mind. So
• 54:45
  Speaker 4: they were increasing more, growing more. And more baggage, more knowledge.
• 54:49
  Speaker 4: More baggage, more knowledge. More study.
• 54:51
  Speaker 2: Didn't they try to break you at the beginning? Because
• 54:53
  Speaker 2: I imagine that there, when it was... Vale, there was
• 54:56
  Speaker 2: a van, show, for every place, a million. And at
• 54:59
  Speaker 2: the time you said, no, now I want to dance.
• 55:01
  Speaker 2: The guys, pô, it's going to be better. Keep going,
• 55:04
  Speaker 2: it's working.
• 55:05
  Speaker 4: It's because I was always a boy who fought for
• 55:07
  Speaker 4: delivery and delivered it. I fought for the box and
• 55:11
  Speaker 4: broke the music. I fought for structure and delivered knowledge. So,
• 55:20
  Speaker 4: I wasn't just asking, I was delivering.
• 55:23
  Speaker 3: But there was this moment of you talking to you, suggesting,
• 55:26
  Speaker 3: or even wanting to impose to remove the MC from
• 55:28
  Speaker 3: your name? No, already say what you think, at.
• 55:30
  Speaker 4: Any time, but.
• 55:37
  Speaker 4: Man, back there, I said, I'm not going to take
• 55:38
  Speaker 4: it because that's my aesthetic, man. I'm MC Livinho, man. MC,
• 55:42
  Speaker 4: master of ceremony, man. You know? And I'm a boy
• 55:46
  Speaker 4: that I'm not limited to just, as I told you,
• 55:48
  Speaker 4: if you know my songs, Pique, of... of... of whorehouse,
• 55:53
  Speaker 4: of prohibition, no. You know, Lucas, you have music with
• 55:55
  Speaker 4: Tom Carf. I have music with Tom Carf, I have
• 55:57
  Speaker 4: music also of Consciente, I have music of Superação, I
• 56:00
  Speaker 4: have pop music, you know? So, I'm an MC, man.
• 56:04
  Speaker 4: You know? Because if not, what happens is that other guys...
• 56:07
  Speaker 4: I think that when I take the MC out of
• 56:08
  Speaker 4: the man, it gets too far from the favela, I think, man.
• 56:12
  Speaker 4: I see.
• 56:12
  Speaker 6: Or it seems to say that, like, I'm not that
• 56:14
  Speaker 6: person anymore.
• 56:15
  Speaker 4: Yeah, and I always was. But if, suddenly, any day
• 56:20
  Speaker 4: I take it out, man, there's a reason, you know?
• 56:23
  Speaker 4: I think you won't take it out. Because, like, assuming,
• 56:25
  Speaker 4: I stop, I stop. Then I... Because people still call
• 56:30
  Speaker 4: me Livinho, right? They don't call me MC Livinho. But
• 56:33
  Speaker 4: if I'm going to record something, if I'm going to
• 56:35
  Speaker 4: record something, a brand, I'm going to release a brand
• 56:38
  Speaker 4: of something, then I can think if I'm going to
• 56:41
  Speaker 4: put only Livinho or if I'm going to put MC Livinho,
• 56:43
  Speaker 4: you know? Because it's open, bro. Now, at the moment,
• 56:46
  Speaker 4: I don't think about taking it off, bro.
• 56:49
  Speaker 2: Brother, one thing that is nice to talk to you, bro,
• 56:51
  Speaker 2: because you always, I think, since you started, you've always
• 56:55
  Speaker 2: been on top, always with songs pumping, playing a lot.
• 56:59
  Speaker 2: And I see that you have a very.
• 57:01
  Speaker 2: I've always had this prejudiced look towards funk, but now
• 57:04
  Speaker 2: I see that you have a dignified look, and I
• 57:07
  Speaker 2: think this concern is very valid, with what is said
• 57:10
  Speaker 2: in the lyrics, what is brought to the public, and you...
• 57:14
  Speaker 2: I've never seen this problematic in your songs, you know?
• 57:17
  Speaker 2: Always you talking in a cool way about women, or
• 57:20
  Speaker 2: even when you used.
• 57:22
  Speaker 2: Something more explicit, it was with a double meaning, it
• 57:24
  Speaker 2: was funny, it's entertainment together there. This has always been
• 57:28
  Speaker 2: a concern of yours, brother, because you, many times, in
• 57:30
  Speaker 2: these waves, you could say like this, no, let's just
• 57:32
  Speaker 2: make a coal here, because you, in quotes, know the
• 57:35
  Speaker 2: way of.
• 57:35
  Speaker 4: The stones, right? Yes, I'm going to tell you, it's
• 57:38
  Speaker 4: a lot what my mind comes from composition. And my
• 57:42
  Speaker 4: mind always brought other means that didn't hold me to that,
• 57:47
  Speaker 4: you know? I like to create stories, brother, You can
• 57:53
  Speaker 4: see that my songs always have a story. I like
• 57:56
  Speaker 4: to say what everyone says, but I also like to
• 57:59
  Speaker 4: do it the way I see it to be cool,
• 58:01
  Speaker 4: you know? Create a script like this one. I took
• 58:05
  Speaker 4: some of my experiences and prepared three. I took a
• 58:09
  Speaker 4: few walks, because it's cool to put a little bit
• 58:12
  Speaker 4: of you too, like... Pingo is a letter, understand if
• 58:17
  Speaker 4: you're going like this, your indecision will lead us to
• 58:21
  Speaker 4: the end. Like a breeze like this, I got a
• 58:24
  Speaker 4: little of me, sometimes the person acts in a different way,
• 58:27
  Speaker 4: this is not cool, then you already get a experience
• 58:32
  Speaker 4: of yours. Then you take, man, take what is happening,
• 58:36
  Speaker 4: people will take some guys who have character, let's say,
• 58:39
  Speaker 4: a guy who has character in a relationship, take a
• 58:42
  Speaker 4: experience of mine too. Then put it too, so many
• 58:44
  Speaker 4: I stopped eating just to love you, it was not effort,
• 58:48
  Speaker 4: it was respect that I chose to have. You created
• 58:54
  Speaker 4: a story, you valued it, because you were always saying,
• 58:56
  Speaker 4: I'm going to fuck up and fuck a woman and
• 58:59
  Speaker 4: I don't know what. I said, let me go in
• 59:02
  Speaker 4: this line, because I'm going to go different from what
• 59:05
  Speaker 4: it is already. Then I create a context there, right?
• 59:11
  Speaker 4: To get to the chorus. Then when the chorus arrives,
• 59:13
  Speaker 4: I crash, I make it a little heavier, but nothing
• 59:16
  Speaker 4: goes beyond, you know? I like it, because there was
• 59:29
  Speaker 4: already a song of mine that I wrote and Piki
• 59:32
  Speaker 4: interpreted in a different way, which was a song that
• 59:34
  Speaker 4: I released at the time, that said that the guy
• 59:36
  Speaker 4: had not been able to walk once and had the
• 59:38
  Speaker 4: opportunity to go again, and this time he was going
• 59:40
  Speaker 4: to abuse this thing, but Piki, they thought it was
• 59:43
  Speaker 4: going to abuse. Yes. At the time, oh, Livinho makes
• 59:46
  Speaker 4: music of abuse, then when he hears the lyrics, he
• 59:48
  Speaker 4: understands that the guy had the first opportunity to walk,
• 59:50
  Speaker 4: he didn't represent, then in the second he was going
• 59:51
  Speaker 4: to abuse the opportunity, Piki was going to represent. Yes. Wow,
• 59:54
  Speaker 4: I said, then there are things that we have to...
• 59:57
  Speaker 4: That's why I gave it a break. But people understood
• 1:00:01
  Speaker 4: when they listened to the lyrics.
• 1:00:03
  Speaker 2: What I like about your compositions, your songs, is that
• 1:00:06
  Speaker 2: they don't have these words that are addicted, that everyone
• 1:00:10
  Speaker 2: is putting in quotes. You always choose other melodies, other things,
• 1:00:16
  Speaker 2: other words.
• 1:00:18
  Speaker 4: You know? Exactly.
• 1:00:18
  Speaker 2: And there's a lot of melody, sometimes everyone is rhyming.
• 1:00:22
  Speaker 2: Let me go back, because we turn and move comments,
• 1:00:24
  Speaker 2: and I see that on the internet there is a lot.
• 1:00:25
  Speaker 2: Remember how it was the 2015 Funkies? A little bit
• 1:00:27
  Speaker 2: of melody. And you still bring it.
• 1:00:29
  Speaker 4: You know?
• 1:00:30
  Speaker 2: Yes, I bring it.
• 1:00:30
  Speaker 4: I try to bring a little nostalgia with the present.
• 1:00:33
  Speaker 4: So much of production, sometimes with street language, a little bit,
• 1:00:37
  Speaker 4: you know? So I always try to bring these two
• 1:00:39
  Speaker 4: and come in my breeze. I like to have a
• 1:00:49
  Speaker 4: lot of references, bro. A lot of references. I listen
• 1:00:52
  Speaker 4: to a lot of funk, I listen to a lot
• 1:00:54
  Speaker 4: of other styles of music, but I like to have
• 1:00:56
  Speaker 4: my own references. Because if not, you get stuck in that,
• 1:00:59
  Speaker 4: in that, in that. So it's cool to take a
• 1:01:01
  Speaker 4: reference from everyone and create your own.
• 1:01:03
  Speaker 9: Yes.
• 1:01:03
  Speaker 3: You just released one, but this year you're going to
• 1:01:06
  Speaker 3: release other songs too?
• 1:01:07
  Speaker 6: I will, bro.
• 1:01:08
  Speaker 4: What are you going to release? I don't know if
• 1:01:11
  Speaker 4: you know, but this is one that I did these
• 1:01:14
  Speaker 4: days as well. Is that it? Yes, that's it. Nice.
• 1:01:29
  Speaker 4: It's more nostalgic.
• 1:01:30
  Speaker 9: Fuck.
• 1:01:31
  Speaker 4: It's over.
• 1:01:31
  Speaker 1: It's over.
• 1:01:56
  Speaker 4: We'll be right back. Wow.
• 1:02:24
  Speaker 2: Do you know that drawer that you said, I'm going
• 1:02:26
  Speaker 2: to move this here only when I need it?
• 1:02:28
  Speaker 4: Yeah, you need it. There's also one here with the
• 1:02:30
  Speaker 4: top that I'm going to launch too, which is because
• 1:02:33
  Speaker 4: it's several styles, you know? This one. Look at the
• 1:02:36
  Speaker 4: idea of the lyrics. If the world were to end.
• 1:02:49
  Speaker 12: If the world ended, you would be my last memory.
• 1:02:52
  Speaker 4: I wouldn't forget, I wouldn't forget. So this is the
• 1:03:01
  Speaker 4: next one we have to release, bro.
• 1:03:03
  Speaker 1: There's a lot of music, bro. Man, this one is
• 1:03:08
  Speaker 1: really good.
• 1:03:28
  Speaker 4: Then you also get this one. What's up, Lelê? Lelê
• 1:03:33
  Speaker 4: has to be here, bro. We've already sent the voice
• 1:03:35
  Speaker 4: to him. We have to release an album, bro. This
• 1:03:39
  Speaker 4: one is already more street.
• 1:03:41
  Speaker 2: You see, I showed you three styles.
• 1:03:52
  Speaker 1: I don't know what this girl has.
• 1:03:55
  Speaker 9: After taking a dose, will.
• 1:03:56
  Speaker 1: It keep the posture? Will it go down to the podium?
• 1:04:01
  Speaker 1: I believe the game is hers.
• 1:04:03
  Speaker 4: Maluqueiro, help me.
• 1:04:16
  Speaker 8: I don't know.
• 1:04:38
  Speaker 1: Very good. There's also Dom V.
• 1:05:08
  Speaker 4: This one is the key.
• 1:05:10
  Speaker 6: This one is a bandit.
• 1:05:11
  Speaker 2: Lele is going to lay down this one. You have
• 1:05:13
  Speaker 2: a lot of songs. Don't you think about releasing a
• 1:05:17
  Speaker 2: nostalgic album?
• 1:05:18
  Speaker 4: For sure, bro.
• 1:05:21
  Speaker 2: Making part 2 of some songs. And another thing that
• 1:05:25
  Speaker 2: few people know.
• 1:05:26
  Speaker 4: This one is Tchau e Bensa 2? Yes, Tchau e
• 1:05:28
  Speaker 4: Bensa 2. Pedrinho is going to play the sixth voice now.
• 1:05:34
  Speaker 4: What happens is that I grew up as an artist,
• 1:05:39
  Speaker 4: I focused a lot on my area as an artist,
• 1:05:41
  Speaker 4: but I also ramified the investments and the creation in
• 1:05:46
  Speaker 4: relation to... I'm just going to sing, I'm just going
• 1:05:49
  Speaker 4: to make music, I can't explore my part as an entrepreneur.
• 1:05:54
  Speaker 4: That's when I was also an entrepreneur of some artists,
• 1:05:58
  Speaker 4: I'm an entrepreneur of K.E.L.L. He's my artist too. You
• 1:06:01
  Speaker 4: didn't know how cool he is. He dances a lot.
• 1:06:03
  Speaker 4: He's still very good. He fights, he dances.
• 1:06:05
  Speaker 5: He's awesome.
• 1:06:06
  Speaker 4: I give him compliments because he's very talented. He has
• 1:06:09
  Speaker 4: an incredible reach. TikTok loves this guy. He always dances
• 1:06:12
  Speaker 4: to his songs. He's pure. He has a beautiful life story.
• 1:06:27
  Speaker 4: He's a focused guy. I really like to bring the art,
• 1:06:30
  Speaker 4: this art of dance, the art of singing, of people
• 1:06:34
  Speaker 4: who sing well. So he represents that. I was also
• 1:06:38
  Speaker 4: Gabi's businessman, I.
• 1:06:39
  Speaker 2: Don't know if you know.
• 1:06:41
  Speaker 4: Damn, really? I didn't know. I was also Gabi's businessman
• 1:06:43
  Speaker 4: in the past, I was also his businessman in the beginning.
• 1:06:46
  Speaker 4: He sings like a monster.
• 1:06:47
  Speaker 3: Yes, yes.
• 1:06:47
  Speaker 4: Today he's flying there, thank God, he blessed me a lot.
• 1:06:50
  Speaker 6: He's skinny.
• 1:06:50
  Speaker 4: He's skinny, handsome.
• 1:06:51
  Speaker 6: He's handsome.
• 1:06:52
  Speaker 8: You know?
• 1:06:52
  Speaker 4: So that area. And today I also have my company
• 1:06:54
  Speaker 4: called MBB Diamond, which is distribution, editing, and also a
• 1:06:59
  Speaker 4: recording company that has several artists. Today we already have
• 1:07:02
  Speaker 4: a headquarters here in Pacaembu, very large, you know, with
• 1:07:07
  Speaker 4: ten studios, the studio with the aquarium. So you were
• 1:07:09
  Speaker 4: the boy who was.
• 1:07:10
  Speaker 2: Structuring himself while you were making your money, right?
• 1:07:13
  Speaker 4: Yes, correct, because that's what I see as a way
• 1:07:16
  Speaker 4: for you to achieve longevity, right? Because you're just stuck
• 1:07:21
  Speaker 4: with art, art also passes, but If you know how
• 1:07:24
  Speaker 4: to manage your art, you can turn it into a
• 1:07:25
  Speaker 4: income for you. You don't become a hostage of what
• 1:07:28
  Speaker 4: you're going to do. What you're not doing. A passive asset. Car, this, that...
• 1:07:34
  Speaker 4: Why not this guy? Because I think... I already went
• 1:07:35
  Speaker 4: at the beginning, when I broke out. When I broke
• 1:07:37
  Speaker 4: out in funk. I always broke out in the gringo rappers.
• 1:07:53
  Speaker 4: Throwing money and notes. And I always said... There was
• 1:07:56
  Speaker 4: a time when I even chapped a little of it.
• 1:07:58
  Speaker 4: To make a video with notes. But I... I archived
• 1:08:01
  Speaker 4: these from Instagram. Right? Because I saw that... I was
• 1:08:05
  Speaker 4: selling an illusion.
• 1:08:08
  Speaker 8: There.
• 1:08:08
  Speaker 4: Suddenly selling a prepotence. You know? So I saw that there...
• 1:08:12
  Speaker 4: It could not be a nice moment for my fans.
• 1:08:15
  Speaker 4: That were watching and... So the time was passing. And
• 1:08:18
  Speaker 4: I was seeing... And it's not cool either. I have
• 1:08:20
  Speaker 4: this attractiveness. Be... this way, you know, of people looking
• 1:08:24
  Speaker 4: at me and seeing me only as a man, I
• 1:08:25
  Speaker 4: have talent, man, I'm going to keep selling, I sing,
• 1:08:29
  Speaker 4: I dance, I compose, I'm a guy with a lot
• 1:08:32
  Speaker 4: of qualities to show me as an artist, why am
• 1:08:35
  Speaker 4: I going to keep selling money, illusion, because at the
• 1:08:38
  Speaker 4: end of the day, man, there are many people who
• 1:08:40
  Speaker 4: have money, but they don't have the most important thing, happiness,
• 1:08:43
  Speaker 4: or sometimes health, you know? So, first, for you to
• 1:08:45
  Speaker 4: be a millionaire, you have to be a millionaire of health,
• 1:08:49
  Speaker 4: of peace, you know? of family, so the value itself
• 1:08:54
  Speaker 4: is not the first thing that comes, the money. For
• 1:08:57
  Speaker 4: you to be rich, you have to be rich of
• 1:08:58
  Speaker 4: other things first, man. Rich financially, first you have to
• 1:09:00
  Speaker 4: be rich of other things, you know? So that's when
• 1:09:03
  Speaker 4: I started to observe and preach more of this, you know?
• 1:09:07
  Speaker 4: My presence with my family, my presence with my fans,
• 1:09:10
  Speaker 4: my testimony on the street, you know? My testimony in
• 1:09:13
  Speaker 4: life itself. And stop with my son after his birth, man.
• 1:09:17
  Speaker 2: Very key, my brother. And I want to talk to
• 1:09:19
  Speaker 2: you about the fight, man, the box. When did this
• 1:09:22
  Speaker 2: come into your life? When did you get to know
• 1:09:24
  Speaker 2: the box and get into this hyper focus? And when
• 1:09:27
  Speaker 2: are we going to see you again on FMS?
• 1:09:31
  Speaker 4: Who knows, on FMS or in another event outside the country, right?
• 1:09:33
  Speaker 4: Because soon, who knows, the convicts are there. This is
• 1:09:36
  Speaker 4: going to be very cool. I'm going to tell you something,
• 1:09:39
  Speaker 4: the fight, it gave me discipline, it set me up,
• 1:09:46
  Speaker 4: She helped me mentally, she channeled all that energy that
• 1:09:50
  Speaker 4: I have. So, the fight gave me direction. The fight
• 1:09:54
  Speaker 4: saves you, bro. It's very important in a person's life.
• 1:09:58
  Speaker 4: The sport, let's say, the sport, you know? Because in
• 1:10:01
  Speaker 4: great movements of my life that were good things that
• 1:10:05
  Speaker 4: were for Lola, even for a fight, In several moments
• 1:10:11
  Speaker 4: that I had great presentations and great achievements, I went
• 1:10:16
  Speaker 4: through spiritual, emotional, personal tests, man, that it was God
• 1:10:21
  Speaker 4: forging me there, you know? To deliver me 100% of
• 1:10:26
  Speaker 4: what He had designated for me, you know? Of the blessings, bro. So,
• 1:10:30
  Speaker 4: many moments of my life, I said, man, what's going
• 1:10:33
  Speaker 4: on with me? I have everything today and it seems
• 1:10:35
  Speaker 4: like I have nothing, man. Man, I'm feeling empty, I'm
• 1:10:39
  Speaker 4: feeling sad.
• 1:10:40
  Speaker 2: Everything was going well.
• 1:10:42
  Speaker 4: Everything was going well, but our ego was going wrong,
• 1:10:45
  Speaker 4: you know? It seemed like I was anxious to have it,
• 1:10:47
  Speaker 4: I was anxious to possess it, but no, man. It's
• 1:10:49
  Speaker 4: a very personal thing. So that's when the fight also
• 1:10:52
  Speaker 4: came to help me. The fight also saved me in
• 1:10:56
  Speaker 4: this regard. So all the preparations... There was a day
• 1:10:59
  Speaker 4: that I didn't want to train, a rainy day. A
• 1:11:02
  Speaker 4: day that I wasn't well fed, that I hadn't woken
• 1:11:05
  Speaker 4: up to have coffee. I said, you know, I'm not
• 1:11:06
  Speaker 4: going to be without strength today.
• 1:11:08
  Speaker 2: Are you training every day?
• 1:11:09
  Speaker 4: Every day, man. I don't fail, it's the hyper focus
• 1:11:12
  Speaker 4: that I tell you.
• 1:11:12
  Speaker 2: Until today, do you box every day?
• 1:11:14
  Speaker 4: No, not every day, but there are a few days
• 1:11:16
  Speaker 4: a week. But when it's a month of preparation, bro,
• 1:11:18
  Speaker 4: like months of preparation, then it's total hyper focus, then
• 1:11:21
  Speaker 4: I divide. Because the more time you have to fight,
• 1:11:28
  Speaker 4: you'll have the first fight, you have three months for preparation.
• 1:11:32
  Speaker 4: It's a type of camp. The second fight is no
• 1:11:35
  Speaker 4: longer news. Things you did wrong in the first camp,
• 1:11:39
  Speaker 4: you don't do in the second. The overtraining that you
• 1:11:42
  Speaker 4: had in the first training, you won't do in the second.
• 1:11:46
  Speaker 4: So now for the fourth fight, I'll be much more prepared,
• 1:11:50
  Speaker 4: much more conscious, you know?
• 1:11:52
  Speaker 2: What are your biggest difficulties in fighting, bro? Is it
• 1:11:54
  Speaker 2: the preparation? Is it the head?
• 1:11:58
  Speaker 4: Head, bro. Because, you know, I've always been wise. Who
• 1:12:02
  Speaker 4: knows my story from Varginha, who knows Oliver, You know,
• 1:12:05
  Speaker 4: I always liked to go out in the hand because
• 1:12:08
  Speaker 4: it was my way of defending myself. Because I wouldn't
• 1:12:10
  Speaker 4: lower my hand for someone to punch me or to
• 1:12:13
  Speaker 4: hit me. I always go out in the hand. So,
• 1:12:15
  Speaker 4: when I went to boxing, I was never afraid to
• 1:12:18
  Speaker 4: go out in the hand. But we need to learn
• 1:12:20
  Speaker 4: the techniques to put it into practice. But my appetite
• 1:12:25
  Speaker 4: has always been. I'm not one to take a beating
• 1:12:28
  Speaker 4: and accept it. Even if I'm in pain, I want
• 1:12:31
  Speaker 4: to destroy the person who wants to destroy me, bro.
• 1:12:34
  Speaker 4: I'm kind of crazy about these things. So when I'm
• 1:12:37
  Speaker 4: in the ring, fighting, training, in the first moments, my
• 1:12:41
  Speaker 4: first sparring, I was very crazy, bro. I wanted to
• 1:12:44
  Speaker 4: finish the person, I thought she was trying to kill me.
• 1:12:48
  Speaker 4: And the gas would run out. And the gas would
• 1:12:51
  Speaker 4: run out. Then I learned, bro, you don't need so
• 1:12:53
  Speaker 4: much hate, it's more technical. Man, calm down, you don't
• 1:12:56
  Speaker 4: need to think that... You have to finish the first round, bro.
• 1:12:59
  Speaker 4: You have two rounds, you have to wait for the person... Bro,
• 1:13:02
  Speaker 4: it's a poker game. It's not a bleif, the fight
• 1:13:05
  Speaker 4: is also a bleif, bro. I have to make you
• 1:13:07
  Speaker 4: believe that I'm going to play a jab all the time.
• 1:13:09
  Speaker 4: For me, when I play a jab, I'm going to
• 1:13:10
  Speaker 4: play a jab, I'm going to play a direct to
• 1:13:12
  Speaker 4: knock you down, bro. You know? So, like, the fight
• 1:13:15
  Speaker 4: is more of a study. So, when you learn the technique,
• 1:13:18
  Speaker 4: you put it into practice, then you start studying, then
• 1:13:21
  Speaker 4: you start absorbing more. When you start absorbing more, bro,
• 1:13:24
  Speaker 4: then you start raising the levels. Because otherwise you get stagnant.
• 1:13:27
  Speaker 4: So this time that I have of boxing, this time
• 1:13:29
  Speaker 4: that has been passing, I'm just learning.
• 1:13:31
  Speaker 2: How long did you start to prepare?
• 1:13:34
  Speaker 4: To fight? To fight? Three years. Oh, that's recent.
• 1:13:39
  Speaker 2: But for the level that you have, it's not much.
• 1:13:44
  Speaker 4: Three years, three fights. But I'm a very humble guy
• 1:13:46
  Speaker 4: in learning, bro. And nowadays I always put myself as
• 1:13:51
  Speaker 4: an eternal apprentice, bro.
• 1:13:52
  Speaker 2: But what did you feel that you managed to absorb
• 1:13:56
  Speaker 2: quickly there? Because... It's okay, you have your predisposition, but
• 1:14:01
  Speaker 2: it's a difficult game, right? Boxing, people think it's just punch,
• 1:14:05
  Speaker 2: but there's a very difficult leg game, and it brings out, anyway.
• 1:14:08
  Speaker 2: When did you see that, like, man, I have a
• 1:14:10
  Speaker 2: predisposition to do this here, I.
• 1:14:11
  Speaker 4: Think I'm doing well? Uh-huh. Ah, man. I think in
• 1:14:17
  Speaker 4: my first sparring that I did.
• 1:14:20
  Speaker 2: In the first sparring you already had.
• 1:14:21
  Speaker 4: In my first sparring, Mano challenged me in the gym.
• 1:14:24
  Speaker 4: He said he wanted to do sparring with Livinho. But
• 1:14:28
  Speaker 4: I was new in the gym, in the Fight Nerds.
• 1:14:31
  Speaker 4: So I fought my partners. The first day I went there...
• 1:14:33
  Speaker 4: The one who put me in this fight was Eric Tererê.
• 1:14:36
  Speaker 4: He's my father, my partner. And today I train with Leo,
• 1:14:40
  Speaker 4: who is my personal trainer. He helped me in some fights.
• 1:14:50
  Speaker 4: He helped me in the preparation as well. So, in
• 1:14:53
  Speaker 4: this place, in Fartinés, where I train as well, I
• 1:14:58
  Speaker 4: was training there and a guy said, I want to
• 1:15:01
  Speaker 4: do a Spikeway. But this guy had three amateur fights
• 1:15:03
  Speaker 4: and three knockouts. Then the guys said, go, go, go,
• 1:15:06
  Speaker 4: it's going to be good, you unroll. I said, unroll? Then,
• 1:15:10
  Speaker 4: in the first round, I knocked him out. I gave
• 1:15:14
  Speaker 4: him a down. Then I gave him a cross. Then
• 1:15:18
  Speaker 4: the guys said, bro, he crossed the line there, I said, bro,
• 1:15:21
  Speaker 4: the thing came out. Because it was more instinct than technique, bro.
• 1:15:24
  Speaker 4: I got it. Then I said, what is this, bro,
• 1:15:27
  Speaker 4: I'm going to keep training, I'm going to keep training. Then, bro,
• 1:15:29
  Speaker 4: I started to pass the fire test, then they started
• 1:15:31
  Speaker 4: to put more and more, the guys are difficult for me, bro.
• 1:15:34
  Speaker 4: And he was already difficult, bro. Because on the day,
• 1:15:37
  Speaker 4: he was trying to close me, trying to close me,
• 1:15:39
  Speaker 4: trying to close me. Did you ever do the sparring
• 1:15:41
  Speaker 4: with the guys who are in the UFC? I didn't
• 1:15:45
  Speaker 4: do it with Sparrow. You can't even consider it Sparrow,
• 1:15:48
  Speaker 4: because it was on Friday. Caio Borralho, but no, he
• 1:15:52
  Speaker 4: played with me. He just gave me a jab that
• 1:15:55
  Speaker 4: scratched my pot.
• 1:15:56
  Speaker 2: I was shaking.
• 1:15:56
  Speaker 4: When I stood up, I went to jab his belly,
• 1:15:59
  Speaker 4: and he just did that. Then he started to scratch
• 1:16:03
  Speaker 4: my coconut. Then I went down and got up. When
• 1:16:14
  Speaker 4: I got up, my legs didn't stop, bro. I said, bro,
• 1:16:18
  Speaker 4: this was a down. Then he said, are you okay?
• 1:16:20
  Speaker 4: I said, I'm fine, let's go. Then I... What the
• 1:16:24
  Speaker 4: fuck is this? Let's go, man.
• 1:16:26
  Speaker 2: Man, like that.
• 1:16:27
  Speaker 4: It's another level, right? It's also much heavier, right? Much
• 1:16:30
  Speaker 4: more technical, much better than me.
• 1:16:31
  Speaker 2: What's crazy is that Pablo there, the master of the
• 1:16:34
  Speaker 2: guys there at Fightin' Nerds, talks very well about you, bro.
• 1:16:36
  Speaker 2: He has this sharp look for those who fight. And
• 1:16:41
  Speaker 2: then he said, man, Livinho is a level above.
• 1:16:44
  Speaker 4: No, Pablo is awesome, he likes Mudimira. He was just
• 1:16:46
  Speaker 4: getting married, fighting with the boxing champion. He keeps putting
• 1:16:52
  Speaker 4: me in his hands. He keeps putting me in his hands.
• 1:16:56
  Speaker 4: But Pique, I don't have a father.
• 1:16:58
  Speaker 2: Are you going to have this fight?
• 1:17:00
  Speaker 4: No, man, Pique, we already called at the time to
• 1:17:02
  Speaker 4: do Spar, at one time there in the gym. But
• 1:17:04
  Speaker 4: that started with Pablo, you know, at the time. He said, man,
• 1:17:06
  Speaker 4: I guarantee, Pablo. He said, it's ok, let's go. I'm
• 1:17:10
  Speaker 4: not afraid, bro. I have appetite. But my purpose is different.
• 1:17:15
  Speaker 4: I'm going to beat the influencers now. It's softer. But
• 1:17:18
  Speaker 4: are you going to fight this year? No, not this year.
• 1:17:22
  Speaker 4: But it would be nice to do a sparring with
• 1:17:25
  Speaker 4: Trap Laudo. Let's do a sparring.
• 1:17:27
  Speaker 6: A filmed sparring?
• 1:17:29
  Speaker 2: Yeah, it can be filmed or not filmed.
• 1:17:31
  Speaker 4: I just want to do a sparring with him. I
• 1:17:33
  Speaker 4: think he's a very good guy, right, bro? If we
• 1:17:36
  Speaker 4: get punched, it'll be cool. And sparring is to learn, right?
• 1:17:39
  Speaker 2: So this year you won't fight? No, this year probably...
• 1:17:42
  Speaker 2: I don't know.
• 1:17:43
  Speaker 6: What about Whindersson?
• 1:17:44
  Speaker 4: Whindersson would be a fight.
• 1:17:45
  Speaker 6: That's what I was going to say. Whindersson accepts.
• 1:17:59
  Speaker 4: Let's do a fight.
• 1:18:00
  Speaker 2: Let's do a Carvão.
• 1:18:01
  Speaker 4: It would be a Carvão, man. Surreal.
• 1:18:03
  Speaker 2: So, it's because you two pulled this bond.
• 1:18:05
  Speaker 4: It wouldn't count any wind, it would be a hurricane, man.
• 1:18:08
  Speaker 4: Who wouldn't want to see it? But have you talked
• 1:18:11
  Speaker 4: to him about it? Have you talked about it?
• 1:18:12
  Speaker 6: Yeah, but now he's going to do a fight with Popó,
• 1:18:14
  Speaker 6: you know? That's crazy.
• 1:18:15
  Speaker 4: It's going to be crazy too, man. It's going to
• 1:18:17
  Speaker 4: be really cool, this fight. Coragem, right? Again. Coragem. It's
• 1:18:22
  Speaker 4: going to be again.
• 1:18:23
  Speaker 2: It's going to be like bread dough.
• 1:18:29
  Speaker 6: Do you want to fight Popó?
• 1:18:30
  Speaker 4: I like Popó a lot, I respect him a lot,
• 1:18:33
  Speaker 4: but I don't think so. It's because I'm a big
• 1:18:35
  Speaker 4: fan of him, I respect him a lot and he
• 1:18:37
  Speaker 4: has a very heavy hand too. It's because I'm a
• 1:18:41
  Speaker 4: big fan of his. I have a lot of respect
• 1:18:44
  Speaker 4: for him and he has a very heavy hand too.
• 1:18:47
  Speaker 4: He had a clip that we did in 2017. It
• 1:18:50
  Speaker 4: was a black belt in Bahia. He passed me a
• 1:18:52
  Speaker 4: stack at that time, in 2017. I went there to
• 1:18:56
  Speaker 4: make a clip and there's a boxing fight. He helped
• 1:19:05
  Speaker 4: me a lot at that time. Boxing was born in
• 1:19:08
  Speaker 4: my heart in 2017. I was so excited to hear that.
• 1:19:10
  Speaker 4: If he had a sparring, he would be the best.
• 1:19:12
  Speaker 2: The best of the fight, right? He's from Muay Thai, right?
• 1:19:15
  Speaker 2: And you, bro? What about me? You're already boxing. If
• 1:19:18
  Speaker 2: someone calls you, give them another message.
• 1:19:20
  Speaker 6: What's up, Bambam? Bambam got three months in the bag.
• 1:19:32
  Speaker 2: I want Higão' s head, I'll send a bonfire there, bro.
• 1:19:34
  Speaker 2: I want 23k for Playboy, bro, damn it. You and Whindersson.
• 1:19:36
  Speaker 4: No, leave him there, man.
• 1:19:37
  Speaker 2: I'm a boy, I never fought. You're just a boy
• 1:19:40
  Speaker 2: in boxing. I'm a boy close to.
• 1:19:42
  Speaker 4: The Apocalypse Knights. It's coming, man.
• 1:19:44
  Speaker 2: I'm learning, I'm learning. Oh, but these things you say,
• 1:19:47
  Speaker 2: not only the music, but.
• 1:19:50
  Speaker 4: The fight too. It brings a lot of friendship, right?
• 1:19:58
  Speaker 4: A lot, bro. Are you crazy? I see that the
• 1:20:00
  Speaker 4: friendships that I had in the fight, that I have
• 1:20:03
  Speaker 4: in the fight, that I have in the music, are
• 1:20:05
  Speaker 4: very sincere friendships. Because the friendships that we acquired over time...
• 1:20:10
  Speaker 4: Because time doesn't mean anything to who is your real friend.
• 1:20:14
  Speaker 4: What it means are the attitudes. Because there are people
• 1:20:17
  Speaker 4: who have been with you all their lives and they
• 1:20:18
  Speaker 4: are enjoying your success all their lives. And there are
• 1:20:20
  Speaker 4: people who know you now and like you for who
• 1:20:22
  Speaker 4: you are, not for what you have. And treat you well.
• 1:20:26
  Speaker 4: Simply because I like your presence, you know? Not because
• 1:20:29
  Speaker 4: of what you have to exchange. Because in the beginning
• 1:20:32
  Speaker 4: of my life, I was often exchanged because I had
• 1:20:35
  Speaker 4: nothing to offer, I didn't have a videogame, I didn't
• 1:20:38
  Speaker 4: have a condition to provide something, you know? So the
• 1:20:41
  Speaker 4: people I have by my side are also people that
• 1:20:45
  Speaker 4: I like a lot, you know? Because I see it
• 1:20:48
  Speaker 4: this way, man. It doesn't matter what you give me,
• 1:20:52
  Speaker 4: it doesn't matter what I am, what I give you, man.
• 1:20:54
  Speaker 4: Because people come and go, you know? But what matters
• 1:20:58
  Speaker 4: is that we are for them.
• 1:20:59
  Speaker 2: You know? That's something that makes you more... Because I'm
• 1:21:05
  Speaker 2: like that, for a person to get close to me,
• 1:21:07
  Speaker 2: it's very difficult, bro. There have to be several meetings for.
• 1:21:10
  Speaker 4: Oh, no, firmness. I'm going to tell you something, bro.
• 1:21:14
  Speaker 4: When I understood that you smile, compliment... Interacting doesn't mean
• 1:21:24
  Speaker 4: that you have to bring that person to your circle
• 1:21:27
  Speaker 4: or to your house. You take the world a lot lighter.
• 1:21:29
  Speaker 4: You know? Because if you arrive anywhere, bro, I'm going
• 1:21:33
  Speaker 4: to complete everyone here, bro. But, like, this is me, bro.
• 1:21:37
  Speaker 4: This is my essence. Now, bro, what's up? Come to
• 1:21:40
  Speaker 4: the churrasco here at home. Hey, come to my son's birthday. Hey,
• 1:21:43
  Speaker 4: let's go out for a walk?
• 1:21:45
  Speaker 1: No.
• 1:21:45
  Speaker 4: So, like, a smile on the face, a handshake, the
• 1:21:48
  Speaker 4: communication is valid. because that's what makes you remembered too, right?
• 1:21:53
  Speaker 4: I saw that in many moments of my life, I
• 1:21:55
  Speaker 4: went through some transitions. Transition, when it appeared, I was
• 1:21:58
  Speaker 4: always this guy that I'm being today, which is a
• 1:22:01
  Speaker 4: more extroverted guy, a more communicative guy, a more accessible guy. Accessible. Accessible. Yes.
• 1:22:09
  Speaker 2: Accessible.
• 1:22:09
  Speaker 8: Yes.
• 1:22:10
  Speaker 4: In the past, I was all this tape, but I
• 1:22:12
  Speaker 4: didn't have the vision that not everyone who approached me
• 1:22:14
  Speaker 4: wanted to see my success, my progress, and wanted to
• 1:22:17
  Speaker 4: be with me for what I could be, not for
• 1:22:19
  Speaker 4: what I I have, you know? For what I am.
• 1:22:22
  Speaker 4: Or could provide. Or could provide. So, at the beginning,
• 1:22:26
  Speaker 4: I was very frustrated, because sometimes, even in the artistic world,
• 1:22:28
  Speaker 4: a lot of people look at me, there are people
• 1:22:32
  Speaker 4: that nowadays I don't exchange ideas, but it's precisely because
• 1:22:35
  Speaker 4: there is the barrier, but here there is no more.
• 1:22:38
  Speaker 4: There are people who, let's say, I have friendships with
• 1:22:40
  Speaker 4: everyone from funk, I don't have a ring, you know?
• 1:22:48
  Speaker 4: I have respect, you know? Because the professional friendship is
• 1:22:51
  Speaker 4: you chatting, exchanging ideas, and then it's cool, it's like family.
• 1:22:54
  Speaker 4: But that proximity thing is some, you know? So, back
• 1:22:57
  Speaker 4: in the past, it was general, but when I took
• 1:23:00
  Speaker 4: a hit of hearing... This is controversial, but I'm going
• 1:23:04
  Speaker 4: to say, bro. What happens, bro, is that nowadays, what
• 1:23:08
  Speaker 4: I see, I say because I see, I have a
• 1:23:09
  Speaker 4: chaff for that, bro. Because, like, sometimes there's a pan
• 1:23:13
  Speaker 4: that the guys touch, but the guys... You can't say
• 1:23:17
  Speaker 4: bad things about each other. It's crazy, bro. Then, there
• 1:23:19
  Speaker 4: was a slip. Then, the other one in front of me,
• 1:23:23
  Speaker 4: who hugged me and wanted to take a picture with me,
• 1:23:27
  Speaker 4: was talking about my brother. Or putting his foot on
• 1:23:29
  Speaker 4: the ground. So, that's why I'm a big star in mine,
• 1:23:31
  Speaker 4: you know? You've always been like that. I've always been
• 1:23:36
  Speaker 4: like that, bro. Because when I realized that back there,
• 1:23:40
  Speaker 4: I said, that's dirty, that doesn't fit me. So, I'm
• 1:23:44
  Speaker 4: going to stand out. When I stood out, I started
• 1:23:47
  Speaker 4: doing it just for myself. I started looking at my run,
• 1:23:49
  Speaker 4: my walks. And I didn't get so angry at Pique, bro.
• 1:23:51
  Speaker 4: Being in a bowl and being seen with someone cycling. Trope. Trope,
• 1:23:55
  Speaker 4: because what happens is that in the end, bro. There
• 1:23:57
  Speaker 4: are few there that you count on your finger. There
• 1:24:00
  Speaker 4: are few that you give a hand and you look
• 1:24:02
  Speaker 4: in the eye like this. And you say, bro. Do
• 1:24:04
  Speaker 4: you need some tape, Oliver? Do you need some tape? Bro,
• 1:24:06
  Speaker 4: you're disappearing, dog. It's bad that I don't see you.
• 1:24:08
  Speaker 5: You know?
• 1:24:09
  Speaker 4: These words, instead of people who like you. People who ask, bro.
• 1:24:14
  Speaker 4: How are you, man? How is your family, dad? Are
• 1:24:18
  Speaker 4: you okay? How is the race, bro? Or if it
• 1:24:21
  Speaker 4: doesn't happen, any walk, what happens? People getting involved in
• 1:24:24
  Speaker 4: a controversy there. I'm not going to get involved, I'm
• 1:24:28
  Speaker 4: not going to say hi, you're crazy, a crazy controversy,
• 1:24:30
  Speaker 4: I'm not going to stay close. But there. And the partner,
• 1:24:34
  Speaker 4: how is the mind of the guy you said you
• 1:24:36
  Speaker 4: were friends with? Are you going to say hi to
• 1:24:37
  Speaker 4: him and say, how are the walks there, bro? What happened?
• 1:24:40
  Speaker 4: I'm just passing it here, bro. Sometimes you don't need
• 1:24:43
  Speaker 4: to be seen in the media, but you can go
• 1:24:44
  Speaker 4: behind it and exchange some ideas. Say, how are you?
• 1:24:46
  Speaker 4: Do you need a tape? Do you want to take
• 1:24:48
  Speaker 4: a nap, bro? You know? Because, bro, you... You want
• 1:24:51
  Speaker 4: to unwind. You position yourself with a person who is
• 1:24:55
  Speaker 4: there to be a friend's shoulder, it's a tape. You know?
• 1:24:59
  Speaker 4: You position yourself with a person who is not even there,
• 1:25:02
  Speaker 4: it's another, bro. So it gets very clear. And what
• 1:25:05
  Speaker 4: I see, this artificial world, in our own movement, sometimes, bro,
• 1:25:09
  Speaker 4: That's it, bro. A lot of people are talking bad
• 1:25:12
  Speaker 4: about each other. They say it's a crazy thing about money, condition,
• 1:25:17
  Speaker 4: what you have, what I have, ego, arrogance. So I
• 1:25:20
  Speaker 4: stay in my corner, in my corner, I do my
• 1:25:22
  Speaker 4: thing and I sell my reality, the reality of what
• 1:25:25
  Speaker 4: it is, bro. I don't stay in these things. Oh,
• 1:25:28
  Speaker 4: Livinho doesn't touch, Livinho doesn't touch either, but if we
• 1:25:31
  Speaker 4: mess up, we'll change the ideas. Do you know who
• 1:25:33
  Speaker 4: is Pique in this corner? Who? Paulinho da Capital. CBzinho,
• 1:25:37
  Speaker 4: Kai Black, Vugo, Brinquedo, Pedrinho. I like them for free.
• 1:25:45
  Speaker 4: There are many others. Some are in the middle of
• 1:25:48
  Speaker 4: the cake, but they are pure too. It seems that
• 1:25:51
  Speaker 4: this is also a phase. When an artist dies, he
• 1:25:53
  Speaker 4: is surrounded by people.
• 1:25:54
  Speaker 6: Then a season passes and he has this perception.
• 1:26:02
  Speaker 3: He calms down, he sees that he's carrying a lot
• 1:26:05
  Speaker 3: of people and sometimes.
• 1:26:06
  Speaker 4: These guys have no idea about this stuff. If I've
• 1:26:08
  Speaker 4: already made a decision with someone, I've already made a
• 1:26:13
  Speaker 4: decision with someone, who then passed a quota and it
• 1:26:16
  Speaker 4: seemed that I hadn't made a decision. Then I ask,
• 1:26:18
  Speaker 4: what's the tape you have with me, my partner? If
• 1:26:22
  Speaker 4: we sat down, changed the idea, me, you, looked at
• 1:26:25
  Speaker 4: each other's eyes, unrolled, resolved. Then you kept talking about
• 1:26:29
  Speaker 4: my name and always positioning yourself as a rival, what's
• 1:26:33
  Speaker 4: the deal? A guy that I respect a lot, that
• 1:26:36
  Speaker 4: I have the greatest pleasure to talk about his name. Man,
• 1:26:38
  Speaker 4: there is no vanity with us and people on the
• 1:26:41
  Speaker 4: internet can think that I see talent, I see that
• 1:26:43
  Speaker 4: he is a thousand degrees. We had several experiences there
• 1:26:46
  Speaker 4: in the past, we already took a bus going to
• 1:26:48
  Speaker 4: the ball together. Is it Hariel, bro? Everyone thinks, bro,
• 1:26:52
  Speaker 4: he came from... I think he's a monster. He's very
• 1:26:56
  Speaker 4: important for our movement. He's very important for us. He's
• 1:26:59
  Speaker 4: a talented guy. We had some experiences back there. But
• 1:27:03
  Speaker 4: it's okay. We respect each other today. We know the
• 1:27:05
  Speaker 4: importance that both have for the movement. That's maturity. Now
• 1:27:09
  Speaker 4: there are other situations that happen in the middle. That
• 1:27:11
  Speaker 4: I keep thinking. When will it mature, my partners? Damn.
• 1:27:21
  Speaker 6: But it's good to keep this thing, this picuinha, to
• 1:27:24
  Speaker 6: give media, sometimes.
• 1:27:25
  Speaker 2: It's boring, isn't it, Viado? This stuff doesn't work, man.
• 1:27:29
  Speaker 4: It doesn't work.
• 1:27:29
  Speaker 2: You like it.
• 1:27:30
  Speaker 4: No, so, I'm saying that it's good for the person.
• 1:27:32
  Speaker 2: People think like that, right?
• 1:27:34
  Speaker 3: The person keeps the picuinha, you know?
• 1:27:36
  Speaker 2: To have an issue, right?
• 1:27:37
  Speaker 6: Yeah, to have an issue. When they ask, hey, Livinha.
• 1:27:41
  Speaker 2: Ah, Livinha.
• 1:27:42
  Speaker 3: Livinha, I don't know what. Then you keep this choruminho. So,
• 1:27:46
  Speaker 3: sometimes it's good for the person, right? To keep the media.
• 1:27:50
  Speaker 6: Hey, you brought a DJ.
• 1:27:52
  Speaker 4: You brought a sound technician.
• 1:27:53
  Speaker 3: You brought some stuff. You should let us hear your
• 1:27:57
  Speaker 3: voice a little bit, MC Livinho.
• 1:27:59
  Speaker 6: Oliver.
• 1:27:59
  Speaker 4: Let's go.
• 1:28:00
  Speaker 2: We hate to be Faustão, but since... Since you're here.
• 1:28:03
  Speaker 4: I'll get you. I'll get you.
• 1:28:04
  Speaker 2: Where are you guys?
• 1:28:05
  Speaker 4: I'll get the men over there. Hey, man, while you're
• 1:28:09
  Speaker 4: getting the camera ready... I'm going to tell you something
• 1:28:14
  Speaker 4: funny that happened. I went to Orlando these days, right?
• 1:28:17
  Speaker 4: Tell me. Look, bro, what a crazy thing, right? Like, Brazilians,
• 1:28:20
  Speaker 4: they have the costumes, right? Then I went there, I'm
• 1:28:23
  Speaker 4: at the Universal Park. Then I went to pass by
• 1:28:26
  Speaker 4: the bridge, then I saw the bridge, there were some fish.
• 1:28:27
  Speaker 4: With the mouth like this, look. Then I looked up
• 1:28:31
  Speaker 4: and down and I said, look at the fish, bro. Man,
• 1:28:37
  Speaker 4: that's cool. I spat, bro.
• 1:28:41
  Speaker 6: It was instinct, bro.
• 1:28:43
  Speaker 4: They were like this, look. I said, what's the breeze, bro?
• 1:28:46
  Speaker 4: That's cool. I spat, bro. When I spat, I looked
• 1:28:49
  Speaker 4: at the gringas and the gringas.
• 1:28:51
  Speaker 6: Wow, he told you a cake.
• 1:28:52
  Speaker 2: Take care of your life, bro.
• 1:28:56
  Speaker 4: I spit again and walked away. I said, bro, it
• 1:28:57
  Speaker 4: has nothing to do, our culture is different. Every place
• 1:29:00
  Speaker 4: I go, a high place, I go to a high building,
• 1:29:02
  Speaker 4: I look down and spit. It's a habit, right? What
• 1:29:06
  Speaker 4: a crazy thing. Do you want to see how I spit?
• 1:29:10
  Speaker 2: Or if he's going to undo it, if he's going.
• 1:29:13
  Speaker 4: To fall straight to the end. For me, I was
• 1:29:15
  Speaker 4: feeding the fish. I thought I was feeding the fish, bro.
• 1:29:19
  Speaker 6: Nice curiosity from MC Livinho and Orlando.
• 1:29:25
  Speaker 2: But did you go with your family to Orlando?
• 1:29:28
  Speaker 4: I did, I went for a ride.
• 1:29:30
  Speaker 2: Do you like roller coasters?
• 1:29:31
  Speaker 4: A lot.
• 1:29:32
  Speaker 2: I made a lot of videos. I made a lot
• 1:29:34
  Speaker 2: of videos on roller coasters.
• 1:29:35
  Speaker 4: Did you go on the Veloster? The Hulk? The Hulk
• 1:29:38
  Speaker 4: is also a key.
• 1:29:39
  Speaker 3: The Hulk I had to go on a X-Ray and
• 1:29:40
  Speaker 3: I couldn't go on camera.
• 1:29:42
  Speaker 4: But it's awesome. I also had to leave my cellphone.
• 1:29:50
  Speaker 4: What's the other one? Velociraptor? Velocicoaster.
• 1:29:53
  Speaker 2: But this one is from Universal too.
• 1:29:55
  Speaker 6: This one is the best. I miss it.
• 1:29:59
  Speaker 4: I went to four parks. I went to Universal, SeaWorld
• 1:30:03
  Speaker 4: and Epic. Which one was the best? SeaWorld, because I
• 1:30:07
  Speaker 4: saw the seals, the penguins, the killer orca. Did you
• 1:30:12
  Speaker 4: go to Mario's area? What else? Wow.
• 1:30:19
  Speaker 6: I went, bro.
• 1:30:21
  Speaker 4: It's very crazy, bro. It looks like another world. I
• 1:30:24
  Speaker 4: felt like going to the toys, going to the real animation,
• 1:30:28
  Speaker 4: like that. I went to the Harry Potter thing, bro.
• 1:30:32
  Speaker 3: Yes.
• 1:30:33
  Speaker 4: That's crazy. Bro, it looked like I was living the
• 1:30:35
  Speaker 4: life of Harry Potter. Like, bro, it's real. I thought
• 1:30:38
  Speaker 4: it was real. The dragon setting fire. Man, it's really cool.
• 1:30:42
  Speaker 4: Did you ride the Harry Potter motorcycle too? Man, it's
• 1:30:44
  Speaker 4: really cool. And when it falls? Wow, that's really cool.
• 1:30:47
  Speaker 4: I thought it was going to fall. That thing fell. Wow.
• 1:30:50
  Speaker 4: That's crazy, right?
• 1:30:52
  Speaker 2: It's good to be a kid.
• 1:30:53
  Speaker 4: Man, it's really cool when it falls on Harry Potter.
• 1:30:56
  Speaker 2: We won this from an indigenous tribe. The Pataxós from... Where?
• 1:31:03
  Speaker 6: Aruera. Aruera.
• 1:31:04
  Speaker 2: It's a safe port.
• 1:31:05
  Speaker 4: It's a spear.
• 1:31:07
  Speaker 6: It's their weapon to hunt.
• 1:31:09
  Speaker 4: Yeah, to hunt fish.
• 1:31:11
  Speaker 6: To hunt big animals.
• 1:31:12
  Speaker 2: Those guys are zikas, man. Let's go? Is everything ready?
• 1:31:18
  Speaker 2: Look at the fight nerds here. The guys left, man.
• 1:31:23
  Speaker 4: He's a nerd too, right? Here, the camera is here, man.
• 1:31:27
  Speaker 8: I'm going to train one day with.
• 1:31:28
  Speaker 4: You, bro. God bless you. No, but... No, training like
• 1:31:34
  Speaker 4: this is cool.
• 1:31:36
  Speaker 2: I'm going to train with Carlão. God bless you. Carlão can't, bro.
• 1:31:40
  Speaker 2: Let's go, man. Carlão is smooth.
• 1:31:43
  Speaker 8: Salve, Carlão.
• 1:31:43
  Speaker 4: I miss you, man. Livinho, feel free. What do you
• 1:31:45
  Speaker 4: want to send? Really? You have it? So.
• 1:32:02
  Speaker 2: Ah, I'm going to have to sing Pepeca do Mal.
• 1:32:04
  Speaker 2: The first one.
• 1:32:10
  Speaker 1: It was fun.
• 1:32:12
  Speaker 4: It was fun.
• 1:32:33
  Speaker 5: Lá vem ela Corrigir o namorar.
• 1:33:03
  Speaker 14: Pepeka Pepeka do mal, não deixa Pepeka do mal Pepeka
• 1:33:14
  Speaker 14: do mal, não deixa.
• 1:33:16
  Speaker 7: Pode por Desliza no.
• 1:33:22
  Speaker 8: Desliza na moral Não deixa Rebeca, don't let it go. Rebeca,
• 1:33:35
  Speaker 8: don't let it go.
• 1:33:37
  Speaker 9: I put it with affection, I promise you.
• 1:33:40
  Speaker 4: I won't be a vrouw.
• 1:33:41
  Speaker 1: Look, man.
• 1:33:41
  Speaker 4: Today I can't sing anymore. I have to cut the
• 1:33:43
  Speaker 4: songs all the time. I have a lot of children. Rebeca,
• 1:33:46
  Speaker 4: don't let it go.
• 1:33:47
  Speaker 1: It's for the old people. And the children.
• 1:33:53
  Speaker 4: Sing.
• 1:33:56
  Speaker 1: E tão deslizando.
• 1:34:00
  Speaker 5: O pilar.
• 1:34:04
  Speaker 2: É coisa linda. Nossa Senhora.
• 1:34:06
  Speaker 6: Eu queria pedir Azul Piscina ou Cheio de Marra.
• 1:34:10
  Speaker 4: Uma das duas se tiver aí. Cheio de Marra é bom.
• 1:34:14
  Speaker 6: Cheio de Marra é bom também, mano. Azul Piscina.
• 1:34:17
  Speaker 4: Na parte lá. Eu pensei, o que eu falo? Passou, passou.
• 1:34:25
  Speaker 11: Mano.
• 1:34:26
  Speaker 6: I think my favorite is Azul Piscina.
• 1:34:28
  Speaker 14: Really?
• 1:34:28
  Speaker 4: Really, I like it a lot.
• 1:34:30
  Speaker 2: Really? You did Azul Piscina 2? I think it's my favorite.
• 1:34:33
  Speaker 6: You know why?
• 1:34:34
  Speaker 4: Because of the time, the experiences. Do you know which
• 1:34:37
  Speaker 4: one is mine? So if I make the Azul Piscina
• 1:34:39
  Speaker 4: 2 clip.
• 1:34:39
  Speaker 2: You'll have to choose.
• 1:34:41
  Speaker 4: Only him?
• 1:34:41
  Speaker 2: If I make another one, you'll have to choose.
• 1:34:45
  Speaker 4: I want to go to.
• 1:34:45
  Speaker 2: Baked Air 2.
• 1:34:51
  Speaker 6: Man, Azul Piscina.
• 1:34:52
  Speaker 4: He laughed a lot at me. It's because this one
• 1:34:54
  Speaker 4: wasn't on the plans.
• 1:34:55
  Speaker 2: You'll have to do it.
• 1:34:56
  Speaker 4: I'll have to compose it. No, but let's go to
• 1:34:57
  Speaker 4: Tchau e Bessa 2.
• 1:34:58
  Speaker 8: I'll go too.
• 1:34:58
  Speaker 2: Pedrinho is going to pass the voice on Friday. Please, bro,
• 1:35:02
  Speaker 2: call us.
• 1:35:02
  Speaker 4: You can go, I'll call you, bro.
• 1:35:04
  Speaker 8: Okay?
• 1:35:04
  Speaker 4: You can go, I'll call you. You can go, you
• 1:35:06
  Speaker 4: can go.
• 1:35:07
  Speaker 6: You can go, you can go. Call us, we'll do
• 1:35:09
  Speaker 6: Azul Piscina.
• 1:35:10
  Speaker 4: This song reminds me of my beginning on the internet.
• 1:35:12
  Speaker 2: I was very Vivencias.
• 1:35:13
  Speaker 4: Do you want me to sing this now? Please.
• 1:35:15
  Speaker 2: Or after Azul Piscina, to the doctor.
• 1:35:17
  Speaker 4: It's cool. She's already been to the gyms.
• 1:35:20
  Speaker 6: This song can't be, guys.
• 1:35:22
  Speaker 13: Take this bass.
• 1:35:33
  Speaker 4: It's the bass. J.B. Mix, my partner.
• 1:35:45
  Speaker 1: De Pereira.
• 1:35:45
  Speaker 11: And tomorrow the sun will rise I'll have to be
• 1:35:49
  Speaker 11: there I'll have to be there Send the boss and
• 1:35:55
  Speaker 11: fuck off Straight to the PH To the PH Just cachaça,
• 1:36:02
  Speaker 11: tequila and this sound.
• 1:36:07
  Speaker 1: There are several.
• 1:36:09
  Speaker 12: Requests that we always find We ask together.
• 1:36:14
  Speaker 4: Only cachaça, tequila and.
• 1:36:15
  Speaker 1: This sound.
• 1:36:43
  Speaker 4: Jeová, Cristo. Palmas! Palmas, palmas, palmas, palmas. What's up, DJ Pereira?
• 1:37:17
  Speaker 4: This song is a classic. JVMX is here. Look at that.
• 1:37:21
  Speaker 4: Look at that man.
• 1:37:21
  Speaker 2: He filmed the monster.
• 1:37:23
  Speaker 4: It's the end of the year. Of course.
• 1:37:27
  Speaker 2: Isn't he looking like that friend of Michael Kyle who
• 1:37:29
  Speaker 2: plays the triple bye-bye bird?
• 1:37:32
  Speaker 4: Are you on?
• 1:37:34
  Speaker 2: Are you on with this guy?
• 1:37:36
  Speaker 4: I'm on. He looks like that fat guy from Project X.
• 1:37:38
  Speaker 4: Stop it.
• 1:37:39
  Speaker 1: Stop it.
• 1:37:43
  Speaker 2: Oh, you guys are together a lot, right?
• 1:37:45
  Speaker 4: We're already married, already on paper. It's crazy. It's been years. What, dad?
• 1:37:53
  Speaker 4: With 14 years, right? I remember in the first bars
• 1:37:55
  Speaker 4: he was already... Are you going to ask another one?
• 1:37:59
  Speaker 2: Ah, I like Meu Bem-Querer.
• 1:38:00
  Speaker 6: Meu Bem-Querer.
• 1:38:03
  Speaker 4: Meu.
• 1:38:05
  Speaker 2: Mítico Jovem.
• 1:38:05
  Speaker 4: Contra do Perão.
• 1:38:11
  Speaker 2: Jesus Christ. When you go to see, it's over.
• 1:38:25
  Speaker 1: It's over.
• 1:38:37
  Speaker 10: And it's too bad, the fault you make. Today you're
• 1:38:46
  Speaker 10: back to show that you're capable. Today you're back to
• 1:38:50
  Speaker 10: show that you're capable. Today you're back to show that
• 1:38:54
  Speaker 10: you're capable.
• 1:38:58
  Speaker 4: That you're capable. That you're capable. Kaka bunda na pica, e.
• 1:39:05
  Speaker 7: Bola e vai Kaka bunda.
• 1:39:08
  Speaker 12: Por cima, e bola e vai Kaka bunda por cima,
• 1:39:12
  Speaker 12: e bola e vai Kaka bunda por cima.
• 1:39:15
  Speaker 4: E bola e vai Ta demais.
• 1:39:28
  Speaker 14: Oh vai, oh vai, oh vai, oh vai Vai, oh vai,
• 1:39:33
  Speaker 14: oh vai, oh vai Vai, oh vai, oh vai.
• 1:39:38
  Speaker 5: Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh.
• 1:40:01
  Speaker 15: Meu bem querer.
• 1:40:04
  Speaker 2: Meu bem querer.
• 1:40:31
  Speaker 6: He's here all.
• 1:40:32
  Speaker 4: Navara. Put Navara there.
• 1:40:32
  Speaker 5: Wow.
• 1:40:44
  Speaker 2: Look, two catuabas here.
• 1:41:13
  Speaker 9: Então menina bate com a bunda.
• 1:41:16
  Speaker 14: Vai, rebola, trava E faz de um jeito que nenhuma outra.
• 1:41:23
  Speaker 9: Faz Ela senta e contrai Ela que contrai Ela senta
• 1:41:28
  Speaker 9: e contrai Então vai, vai, vai, rebola, trava E faz
• 1:41:34
  Speaker 9: de um.
• 1:41:34
  Speaker 15: Jeito que nenhuma outra faz Ela sente contrai, ela que
• 1:41:41
  Speaker 15: contrai Ela sente contrai, então vai, vai Tchurururu, tchurururururu Tchurururu,
• 1:41:49
  Speaker 15: tchururururururu Tchurururu, tchururururururu Tchurururu, tchururururururu Tchurururu.
• 1:42:01
  Speaker 1: Monstro do funk.
• 1:42:05
  Speaker 2: Sensacional, Mítico Jovem.
• 1:42:18
  Speaker 4: Did you feel the taste of Catuaba here?
• 1:42:19
  Speaker 2: I felt it, bro.
• 1:42:21
  Speaker 4: From Red Label. From Mac. Red Label with vibe.
• 1:42:24
  Speaker 2: What the.
• 1:42:25
  Speaker 4: Man, I miss it. Nostalgia is a crazy thing. Only
• 1:42:28
  Speaker 4: today I got it.
• 1:42:29
  Speaker 2: Smoked in powder clay.
• 1:42:31
  Speaker 4: Wow, that's it.
• 1:42:33
  Speaker 2: You know, bro?
• 1:42:34
  Speaker 4: I just understand that this thing... It's just that we understand,
• 1:42:37
  Speaker 4: but now I understand even more what my mother and
• 1:42:39
  Speaker 4: my father sometimes say that they miss their childhood.
• 1:42:42
  Speaker 6: Yeah, in my time.
• 1:42:43
  Speaker 4: In my time, bro. Do you have any idea that
• 1:42:45
  Speaker 4: he's going to.
• 1:42:46
  Speaker 2: Say that to his children, bro?
• 1:42:48
  Speaker 4: We're already talking. You're already a father. You're already a father.
• 1:42:51
  Speaker 2: Your son is already like that.
• 1:42:53
  Speaker 8: Why, man?
• 1:42:53
  Speaker 3: You're already saying, my son, in my time, my father
• 1:42:56
  Speaker 3: used to.
• 1:42:58
  Speaker 2: Put this here.
• 1:43:00
  Speaker 6: Which one is it?
• 1:43:00
  Speaker 4: Chedimarro Tenebrosa.
• 1:43:03
  Speaker 3: Wow, it's full of tenebrosa. Full of tenebrosa, full of marra.
• 1:43:09
  Speaker 3: Go for it, go for it. I want to see
• 1:43:11
  Speaker 3: him sending something like that, you know?
• 1:43:14
  Speaker 2: I'm in shock here. Look, who didn't go to the
• 1:43:16
  Speaker 2: show there, look.
• 1:43:17
  Speaker 4: That's it, right?
• 1:43:18
  Speaker 2: Then it's just for him to decide to come back.
• 1:43:19
  Speaker 3: But the beats are kind of with the new clothing too, right?
• 1:43:23
  Speaker 4: And the choir? Speak on the microphone for us. So, yes, dad,
• 1:43:27
  Speaker 4: because what happens, the... The fan has to listen to
• 1:43:34
  Speaker 4: the production. It didn't have the quality it has today.
• 1:43:36
  Speaker 2: Cool.
• 1:43:37
  Speaker 4: But also, what happens when it's a show, you need
• 1:43:41
  Speaker 4: to have that... Increased in a way that is... With
• 1:43:46
  Speaker 4: the structure of the show itself. Like a band, more full.
• 1:43:50
  Speaker 4: You need to make it fuller to put more weight
• 1:43:53
  Speaker 4: on the stage. Because just hitting the beat and suddenly
• 1:43:55
  Speaker 4: on the stage, sometimes it's a bit annoying.
• 1:43:58
  Speaker 2: And people see that you've prepared something.
• 1:44:00
  Speaker 4: And they see that you've prepared. You're having a performance
• 1:44:04
  Speaker 4: on top of a song that you're not just pressing play.
• 1:44:08
  Speaker 4: You've created a new arrangement.
• 1:44:12
  Speaker 2: With an old one. And you also, bro... I'm very nostalgic,
• 1:44:16
  Speaker 2: I'm a big fan. When you hear the points and
• 1:44:18
  Speaker 2: you see that he stopped, took care of this, and
• 1:44:20
  Speaker 2: incremented it, you say, fuck, what a guy. It was
• 1:44:24
  Speaker 2: affectionate with my feelings.
• 1:44:25
  Speaker 4: Delicate, careful. Some songs there, like Pepeca do Mau, it
• 1:44:31
  Speaker 4: started with an atmosphere that grows a lot. And when
• 1:44:33
  Speaker 4: it comes, the person hears and gives nostalgia with the
• 1:44:39
  Speaker 4: current weight, you know? So this is the opening.
• 1:44:41
  Speaker 3: The full song, the most full, right? Yeah.
• 1:44:45
  Speaker 4: That.
• 1:44:46
  Speaker 6: Did you find it?
• 1:44:47
  Speaker 5: That.
• 1:44:47
  Speaker 14: Wow. Radio, radio.
• 1:44:48
  Speaker 4: Look at the catwalk coming here. Oh, radio, how good. Damn. Damn.
• 1:44:54
  Speaker 2: Yeah, full of shit, girl.
• 1:44:58
  Speaker 5: I'm just a little girl.
• 1:45:05
  Speaker 4: Close your eyes and travel.
• 1:45:13
  Speaker 1: Thank you.
• 1:45:15
  Speaker 4: Thank you.
• 1:45:31
  Speaker 1: And just relax When it lights up And makes smoke I'm.
• 1:45:35
  Speaker 12: Thirsty She's thirsty It took so long Let's see who
• 1:45:39
  Speaker 12: can handle it Let's see who can handle it I'm trying,
• 1:45:44
  Speaker 12: I'm trying, I'm trying, I'm trying to.
• 1:45:49
  Speaker 1: Fool myself I don't want to.
• 1:45:51
  Speaker 4: Stop anymore.
• 1:45:59
  Speaker 14: Pagou pra ver Que dó de você.
• 1:46:07
  Speaker 12: But I don't want to stop anymore I paid to
• 1:46:12
  Speaker 12: come and take care of you This girl is.
• 1:46:17
  Speaker 14: Too much It's just because she didn't prove it to
• 1:46:22
  Speaker 14: me She's a graduate of the teaching class.
• 1:46:26
  Speaker 4: But today I'm your teacher.
• 1:46:36
  Speaker 1: She says she's.
• 1:46:36
  Speaker 7: Stuck, and just relaxes When she lights up, she makes.
• 1:46:42
  Speaker 14: A mass And the crowd, she accelerates It didn't take.
• 1:46:46
  Speaker 12: Long Let's see who can handle it, let's see who
• 1:46:51
  Speaker 12: can handle it. Don't fool me, I don't want.
• 1:46:57
  Speaker 1: To stop anymore.
• 1:46:58
  Speaker 12: I'm paying to see what's wrong with you.
• 1:47:12
  Speaker 4: Oh, no, no, no Oh, no.
• 1:47:16
  Speaker 1: No, no That's disgusting. What's that? Holy shit!
• 1:47:48
  Speaker 5: You're fucking crazy.
• 1:47:51
  Speaker 4: Your fans will always say, man, Cheio de Marra 2.
• 1:48:10
  Speaker 4: I don't know what 2. 3. Now it's 3, now
• 1:48:12
  Speaker 4: it's 4. Is there another one?
• 1:48:14
  Speaker 3: Man, let him sing, I don't want to ask for anything.
• 1:48:16
  Speaker 4: Anymore.
• 1:48:17
  Speaker 2: Because if I ask, I'll make a mistake.
• 1:48:19
  Speaker 4: Get ready for 3.
• 1:48:20
  Speaker 2: To finish?
• 1:48:21
  Speaker 4: To finish?
• 1:48:21
  Speaker 2: Get ready for 3. My brother, I want to thank you.
• 1:48:26
  Speaker 2: I want to ask if you.
• 1:48:28
  Speaker 4: Liked today.
• 1:48:29
  Speaker 2: For you to finish this on a high level. With
• 1:48:31
  Speaker 2: the song of the moment. Teach us the choreography. Since
• 1:48:40
  Speaker 2: it's the last.
• 1:48:41
  Speaker 14: Time I come to get your clothes, I'll put you on.
• 1:48:46
  Speaker 2: It's that thing, right?
• 1:48:47
  Speaker 4: It's ending, right?
• 1:48:48
  Speaker 2: But you're going.
• 1:48:50
  Speaker 9: To come there, right?
• 1:48:51
  Speaker 4: Look, you're in my video clip, huh?
• 1:48:53
  Speaker 6: Man, just call me.
• 1:48:55
  Speaker 4: Anything, you, I think, I'll talk to Carlão and you,
• 1:48:57
  Speaker 4: I'll talk to the cousin of the partner here. I'll
• 1:49:00
  Speaker 4: find you.
• 1:49:00
  Speaker 2: No, man, you can... But it's easy.
• 1:49:01
  Speaker 4: I'll be there.
• 1:49:06
  Speaker 2: Guys, if you liked it, leave your like, subscribe to
• 1:49:08
  Speaker 2: the channel, follow MC Livinho on all social media, especially
• 1:49:11
  Speaker 2: go to the shows, go to the farewell tour, because
• 1:49:14
  Speaker 2: then it's just God knows.
• 1:49:17
  Speaker 4: And remembering that Saturday now, fan meeting, there in Ibirapuera,
• 1:49:22
  Speaker 4: on portal 4, 11 o'clock in the morning, don't forget,
• 1:49:25
  Speaker 4: fan meeting, take advantage that this is the first and
• 1:49:28
  Speaker 4: last fan meeting, I'm not going to die, ok? Because
• 1:49:30
  Speaker 4: there will be São Paulo, so take advantage.
• 1:49:33
  Speaker 6: Listen to this on Spotify, because it's good.
• 1:49:34
  Speaker 4: This fan meeting in Ibirapuera is going to be crazy.
• 1:49:36
  Speaker 3: It's going to be shit. It's going to be what
• 1:49:38
  Speaker 3: he wants, right? People sticking and it's a good mess.
• 1:49:42
  Speaker 6: We're together, guys.
• 1:49:43
  Speaker 4: See you tomorrow.
• 1:49:43
  Speaker 6: Dignity already.
• 1:49:44
  Speaker 2: Stay with the music of the moment. Hey, guys, if
• 1:49:46
  Speaker 2: you want to enter, make a zone, come on, let's go.
• 1:49:49
  Speaker 2: I'm going to stay standing.
• 1:49:50
  Speaker 4: Come, JTB Mix. Back, my partner.
• 1:49:53
  Speaker 6: This one is in the mouth of the people, right, Lili?
• 1:49:56
  Speaker 4: Yeah, he's going to have to sing with us. We're
• 1:49:58
  Speaker 4: already in the top 50. Let's go.
• 1:50:00
  Speaker 6: Look at JB there.
• 1:50:01
  Speaker 4: What's up, brother? Satisfy, man. God is with us always.
• 1:50:04
  Speaker 4: This guy is like this, man. He's going to.
• 1:50:07
  Speaker 9: Sing with me, man.
• 1:50:09
  Speaker 6: I don't know.
• 1:50:10
  Speaker 2: I just know that he's going to turn around.
• 1:50:11
  Speaker 4: Hum.
• 1:50:22
  Speaker 7: Um pingo é letra, entende, cê tá agindo assim A
• 1:50:34
  Speaker 7: sua indecisão vai nos direcionar pro fim Tantas eu deixei
• 1:50:38
  Speaker 7: de comer só por amar você Não foi esforço, foi
• 1:50:42
  Speaker 7: respeito que eu escolhi ter.
• 1:50:48
  Speaker 4: Então se atenta.
• 1:50:49
  Speaker 7: Aos detalhes, que eu sou minucioso Se caiu na rotina,
• 1:50:54
  Speaker 7: eu reinicio o jogo Cordial despedida, mandação necessária Toma só
• 1:51:00
  Speaker 7: cota e macho, que na caça tem vara Já que
• 1:51:05
  Speaker 7: é a última vez que vem buscar suas coisas, eu
• 1:51:07
  Speaker 7: vou te botar Se saudade sentir, não tem mais nada
• 1:51:12
  Speaker 7: Triste pelo fim, tá suas amiga fingindo se preocupar Melhor
• 1:51:16
  Speaker 7: amiga de você, agora é nifeta minha I'm.
• 1:51:20
  Speaker 2: Going to vote for you.
• 1:51:21
  Speaker 1: If you miss feeling, there's no more vote.
• 1:51:22
  Speaker 7: Sad by the end, you're just friends pretending to worry.
• 1:51:27
  Speaker 1: Best friend of you, now it's n-fetamine. It's going to
• 1:51:29
  Speaker 1: start with Toria. I'm going to vote for you. I'm
• 1:51:31
  Speaker 1: going to vote for you. I'm going to vote for you.
• 1:51:51
  Speaker 4: It's from Miami, let's go.
• 1:51:55
  Speaker 1: Let's go.
• 1:52:07
  Speaker 2: Oh, oh, oh, oh Oh, oh, oh, oh Oh, oh, oh, oh.
• 1:52:25
  Speaker 1: I love you.
• 1:52:41
  Speaker 4: Give a like, subscribe. Big hug.
• 1:52:43
  Speaker 1: MC Livinho, young legend. Thank you, part 2. The Amazon
• 1:53:33
  Speaker 1: 5 do 5 is here, huh?
• 1:53:34
  Speaker 11: For you to get ready to support Brazil.
• 1:53:36
  Speaker 2: With millions of coupons and free shipping.
• 1:53:38
  Speaker 9: Amazon, the official sponsor of the Brazilian football team.
• 1:53:43
  Speaker 4: This is the Weston game.
• 1:53:44
  Speaker 2: Who will get the last shrimp cup? Cafu or Nicole?
• 1:54:10
  Speaker 2: E quem venceu foi Nicole.
• 1:54:13
  Speaker 4: A diversão tá aí.
• 1:54:15
  Speaker 2: Superbet.
• 1:54:15
  Speaker 4: Você sente quando é super.