Latest / The Breakfast Club / FULL SHOW: Jermaine Dupri Brings Out Bow Wow, Marley Marl Is Celebrated + More At The BET Hip Hop Awards, Jada Pinkett Reveals She And Will Smith Have Been Separated For Seven Years, Ma$e Speaks On The Night Biggie Was Killed + More
Transcript
- 0:00Speaker 1: This radio, mainstream media outlet of breakfast clubs. Break then
- 0:12Speaker 1: come here when this day DJ Infy and Charlamagne the God.
- 0:16Speaker 2: Being there next to all of you guys.
- 0:18Speaker 3: It's really it's one.
- 0:19Speaker 4: Of my favorite shows to do, just because y'all always
- 0:22Speaker 4: keep it one honey, y'all keep it real.
- 0:24Speaker 5: But what better place than than here?
- 0:26Speaker 6: I think everybody should go on the breakfast club and
- 0:29Speaker 6: start out.
- 0:30Speaker 5: Y'all want to shake it up?
- 0:33Speaker 7: Good morning Usa yo yo yo yo yo yo yo
- 0:36Speaker 7: yo yo yo yo yo yo yo yo yo yo
- 0:37Speaker 7: yo yo yo yo yo yo yo yo yo yo
- 0:39Speaker 7: yo yo yo.
- 0:40Speaker 5: Charlemagne the God, He's to the planet. Guess what day
- 0:43Speaker 5: it is? Guess what day it is? That's right, it's Wednesday.
- 0:50Speaker 5: Is home day is middle of the week.
- 0:52Speaker 7: Now morning, another day to serve man, That is right?
- 0:55Speaker 7: Come on, man, I feel blessed, black and highly favored.
- 0:58Speaker 7: I feel a feel like I'm ready to be of
- 1:00Speaker 7: service today.
- 1:01Speaker 5: What's happening?
- 1:02Speaker 8: Well, Jason Lee was supposed to join us today, but
- 1:04Speaker 8: he had a scheduled conflict.
- 1:06Speaker 5: I didn't know that what happened.
- 1:07Speaker 8: I didn't know that to this morning yesterday. I guess
- 1:09Speaker 8: his team, Uh scheduled something else and he couldn't make it.
- 1:12Speaker 8: But you know, after the show yesterday said I'll be
- 1:14Speaker 8: back tomorrow. But well he's a busy man, Yes he is.
- 1:16Speaker 7: And you know that's why the breakfast Club a third
- 1:20Speaker 7: seat is a rotating position at the moment, right, because
- 1:24Speaker 7: you know, people be busy. I know that there's a
- 1:26Speaker 7: lot of people that y'all like to see. He's sitting
- 1:28Speaker 7: in the see. We always hear people say, you know,
- 1:30Speaker 7: Jess Hilarius, just be busy. You hear people say, Claudia Jordan,
- 1:33Speaker 7: Claudia's Claudiamen shooting something for a minute.
- 1:36Speaker 5: I don't know what island somewhere right something? Yeah, yeah, yeah, yeah,
- 1:40Speaker 5: I know.
- 1:40Speaker 7: She says she's going to announce it soon, whatever it is,
- 1:42Speaker 7: you know what I mean. But the fact that the
- 1:44Speaker 7: matter is, folks be busy. They be busy, that's all,
- 1:46Speaker 7: and tell they're not.
- 1:47Speaker 5: That's right.
- 1:47Speaker 7: This is our commitment from six am to ten am,
- 1:51Speaker 7: that is right. And soon it'll be somebody else's commitment
- 1:53Speaker 7: from six am to ten am. Correct who that person
- 1:56Speaker 7: will be?
- 1:57Speaker 9: We don't know.
- 1:59Speaker 5: You believe me when I'm lying, Yes, when you're lying,
- 2:02Speaker 5: believing or what he's telling.
- 2:03Speaker 7: The truth, but it means already, no, do you know,
- 2:07Speaker 7: are you lying? I just told you believe me when
- 2:09Speaker 7: I'm lying, I'm lying, You're lying. Listen, no ever listen
- 2:11Speaker 7: to me most of the time, because I'll just be lying. Okay, okay,
- 2:14Speaker 7: but you should be listening to me when i'm lying,
- 2:16Speaker 7: because when i'm lying, I'm probably telling the truth.
- 2:18Speaker 5: But when i'm telling the truth, I'm probablying. But you'll
- 2:19Speaker 5: never know because I'm lying facts or maybe not facts,
- 2:23Speaker 5: because you could be lying whatever you wanted to do.
- 2:25Speaker 5: All right, all right, Well did you see it me
- 2:26Speaker 5: and TI Awards last night?
- 2:27Speaker 6: No?
- 2:29Speaker 5: Okay, all right, I didn't.
- 2:31Speaker 7: I watched the Rap I watched I was trying to
- 2:33Speaker 7: watch the Rap City documentary though. That's what I was
- 2:36Speaker 7: really really interested in, but I kept getting pulled in
- 2:39Speaker 7: different directions around that time. But I want to really
- 2:41Speaker 7: really sit down and watch the Rap City documentary because
- 2:43Speaker 7: that is Rap City Documentary looked incredible.
- 2:46Speaker 5: Yeah, I didn't. I didn't get a chance to see
- 2:47Speaker 5: the Rap City Documentary. I kind of lived it.
- 2:50Speaker 8: I think I DJ like five six, seven, eight times
- 2:52Speaker 8: down there in the base kind of was there. I was,
- 2:54Speaker 8: you know, I got this chance to see it, and
- 2:56Speaker 8: that was all I had at that time when I
- 2:58Speaker 8: was a kid growing up was watching Rap City and
- 3:00Speaker 8: I got a chance to DJ several times, So it
- 3:02Speaker 8: was pretty good.
- 3:03Speaker 7: City is a cultural institution, and that's why I love
- 3:06Speaker 7: documentaries because sometimes not sometimes all the times, those documentaries
- 3:10Speaker 7: put cultural institutions in perspective. So even just watching what
- 3:13Speaker 7: I saw some of last night, you know what I mean,
- 3:16Speaker 7: it bought back a lot of different feelings and emotions,
- 3:18Speaker 7: even watching all of the different hosts, because you know,
- 3:20Speaker 7: there might be people that think of a certain host. Yes,
- 3:23Speaker 7: but we grew up in the era we saw them all.
- 3:25Speaker 7: We saw Chris Thomas and Mayor, we saw Joe Claire,
- 3:29Speaker 7: we saw yeah, you know, we saw Madlins. Yeah, I
- 3:32Speaker 7: mean we saw the Madlis was last one, Q four
- 3:34Speaker 7: to five. Madlinks was last one, right, the last two
- 3:37Speaker 7: last year.
- 3:37Speaker 5: I think Jay Nicks did it for a little while.
- 3:39Speaker 5: I remember, I remember that whole run. It's it's interesting.
- 3:43Speaker 7: Yeah, yeah, I can't wait to get home and really
- 3:46Speaker 7: get into that RAHP City documentary.
- 3:48Speaker 8: All right, Well, off Set will be joining us today,
- 3:50Speaker 8: has an album that comes out this Friday, So we're
- 3:52Speaker 8: gonna be kicking it with off set in a little bit.
- 3:54Speaker 8: And also today is Cardy B's birthday, So happy birthday,
- 3:58Speaker 8: body B.
- 3:58Speaker 5: Let's look at that.
- 3:59Speaker 7: Look at this sanchronicity in that. So what synchronicity? I
- 4:02Speaker 7: don't even know if I use that word, right, I
- 4:03Speaker 7: don't know, y'all know what I mean. I know what
- 4:05Speaker 7: you said, it's gonna be here today and this body's
- 4:07Speaker 7: born day.
- 4:07Speaker 5: That's right.
- 4:08Speaker 7: That actually means nothing, you know what I mean, but
- 4:10Speaker 7: it means everything. All right, Well, let's let's start to
- 4:12Speaker 7: show off with some body.
- 4:13Speaker 8: It's a birthday, dammit, and we got front page news
- 4:16Speaker 8: testing figure out be joining us to the breakfast cloak
- 4:17Speaker 8: of Morning Morning. Everybody's DJ n V charlemagnea God. We
- 4:21Speaker 8: are the breakfast Club. Let's get in some front page news.
- 4:25Speaker 8: Good morning, tis.
- 4:26Speaker 10: Good morning, DJ and V Charlemagne the God and the
- 4:29Speaker 10: breakfast club family.
- 4:31Speaker 8: Before we jump right into it, I just want to
- 4:32Speaker 8: tell people that flag football is being considered for the
- 4:35Speaker 8: twenty twenty eight Olympic Games in Los Angeles, So they're
- 4:38Speaker 8: gonna make flag football.
- 4:39Speaker 5: They're thinking about making it an official sport.
- 4:42Speaker 8: So I just want to tell people that, all right now,
- 4:44Speaker 8: let's start right after what's going on with the Republicans.
- 4:47Speaker 11: Yeah.
- 4:47Speaker 10: House Republicans wrapped up their candidate forum Tuesday night, where
- 4:50Speaker 10: lawmakers heard from two current options to become Speaker of
- 4:53Speaker 10: the House. As we know, Kevin McCarthy was OUs as
- 4:56Speaker 10: Speaker of the House. So right now, the two candidates
- 4:58Speaker 10: our Representative Jim Jordan and Steve Calise. The two men
- 5:02Speaker 10: had an opportunity to pitch themselves to their party members
- 5:04Speaker 10: ahead of a secret ballot vote that's scheduled for today,
- 5:07Speaker 10: in an attempt to convince the Congress that they can
- 5:09Speaker 10: gather two hundred and seventeen votes needed to win the gavel.
- 5:13Speaker 10: It looks like neither one of them were able to
- 5:15Speaker 10: convince folks that they had I guess the muscle to
- 5:18Speaker 10: do it. So we'll see how that works out today. Now,
- 5:20Speaker 10: former Speaker McCarthy, who as I mentioned, was moved from
- 5:24Speaker 10: Speaker of the House. He has asked them not to
- 5:26Speaker 10: nominate him as a Speaker, but some folks that they
- 5:28Speaker 10: still will be voting for him, despite him even saying literally,
- 5:31Speaker 10: do not nominate me because I know I won't win.
- 5:34Speaker 10: But I guess a few folks you don't have a
- 5:35Speaker 10: point to prove with that because they're still upset about
- 5:37Speaker 10: McCarthy losing that position. When they asked what are the
- 5:40Speaker 10: chances that the House would select a new speaker by Wednesday,
- 5:44Speaker 10: Representative Thomas Macy said, I.
- 5:46Speaker 3: Would say two percent.
- 5:48Speaker 5: Now.
- 5:48Speaker 10: Meanwhile, House of Democrats did finish up their candidate forum
- 5:51Speaker 10: last night in less than an hour, nominating their leader
- 5:54Speaker 10: Hakeem Jeffries.
- 5:55Speaker 7: Is whoever they put in that position going to have
- 5:57Speaker 7: actual power? They is going to be another puppet life McCarthy.
- 6:00Speaker 3: Was, Yeah, it just we're going to see. That's a
- 6:03Speaker 3: great question.
- 6:03Speaker 10: Charlemagne Matt Gates, who was really against McCarthy and you know,
- 6:07Speaker 10: set that deal up in the beginning to oust him.
- 6:09Speaker 10: He did say that whoever goes in this position, he
- 6:12Speaker 10: will not ousk them. But you know, we'll see, we'll see.
- 6:16Speaker 10: It's still right now, they still don't have any type
- 6:18Speaker 10: of consensus with that, So it just depends on what
- 6:21Speaker 10: deal they make.
- 6:23Speaker 7: I feel like McCarthy was on ninety day probation since
- 6:26Speaker 7: the first time he got that gig. It's like he
- 6:30Speaker 7: was like he was under a probationary period since he
- 6:32Speaker 7: started that job.
- 6:34Speaker 3: Yeah, he was set up to fail right out the gate.
- 6:36Speaker 10: You know, that's why I took them over fifteen rounds,
- 6:38Speaker 10: you know, just to nominate him. So we knew that
- 6:40Speaker 10: was just a matter of time. A lot of folks
- 6:42Speaker 10: say that surprise he lasts even this long. But you
- 6:44Speaker 10: know again, right now no speaker of the House. They
- 6:46Speaker 10: need to vote on things like, you know, sending resources
- 6:51Speaker 10: to Israel. A lot of stuff that still needs having
- 6:53Speaker 10: on table.
- 6:53Speaker 3: Don't forget.
- 6:54Speaker 10: We're still in the middle of a temporary government shut down,
- 6:56Speaker 10: so that needs to have a new vote on.
- 6:59Speaker 3: That needs to happen in November.
- 7:00Speaker 10: So a lot of stuff that Congress needs to do,
- 7:02Speaker 10: and Republics need to get it together since they are
- 7:04Speaker 10: the majority.
- 7:06Speaker 8: All right, well that is front page news. Thanky cheszl
- 7:09Speaker 8: see in a couple of minutes. Everybody else, get it
- 7:12Speaker 8: off your lines. Working this morning, they are don't drink five.
- 7:17Speaker 8: Somebody paid the bill yesterday eight hundred five eight five
- 7:20Speaker 8: one oh five one. Get it off your chest. You
- 7:21Speaker 8: want to vent you got some things you want to
- 7:23Speaker 8: get off your chest. Call us up right now. It's
- 7:24Speaker 8: the breakfast Club.
- 7:25Speaker 5: Good morning.
- 7:27Speaker 1: The breakfast Club is your time to get it off
- 7:33Speaker 1: your chest. Whether you're mad or black.
- 7:37Speaker 5: Time to get up and get something. Call up now
- 7:39Speaker 5: eight hundred and five eight five one five one. We
- 7:42Speaker 5: want to hear from you on the breakfast club. Hello.
- 7:44Speaker 3: Who's this?
- 7:45Speaker 12: This is Kilani.
- 7:47Speaker 5: Hey, Kalana, get it off your chest, Mama.
- 7:49Speaker 13: I'm just so irritated this morning yesterday, I'm going to
- 7:53Speaker 13: work and I get into a car accident. I call
- 7:56Speaker 13: this dude who I've been messing with, you know, for
- 7:58Speaker 13: a little while, to come help me, and he basically
- 8:03Speaker 13: breaks up with him through touch message in that moment
- 8:05Speaker 13: that I needed him.
- 8:07Speaker 7: Dangn wow, he's been wanting to break up with you.
- 8:09Speaker 7: What did you ask him to do? Just come pick
- 8:10Speaker 7: you up.
- 8:11Speaker 13: I just called him and I was like, oh my god,
- 8:14Speaker 13: her dictats to an accident. It's like seven thirty in
- 8:16Speaker 13: the morning right at that point, because I'm going to work,
- 8:19Speaker 13: like my mom, I answered, I need you, I know
- 8:21Speaker 13: you at work, blah blah blah. And he's like, Okay,
- 8:24Speaker 13: get all the information or call me back. I'm like, okay,
- 8:27Speaker 13: off of the pops whatever whatever. And I texted him
- 8:30Speaker 13: let him know I'm home.
- 8:32Speaker 7: Are you gonna come over?
- 8:33Speaker 13: And he's just like, I think I need time to myself.
- 8:36Speaker 7: I think you should respect that because he realized in
- 8:39Speaker 7: that moment that he didn't want to be your emergency contact.
- 8:41Speaker 5: He don't want the responsibility. He thought about it.
- 8:43Speaker 7: He was like, damn, she got into a bad accident,
- 8:46Speaker 7: and the first person she called then when she couldn't
- 8:47Speaker 7: get in touch with her mama was me, I don't
- 8:49Speaker 7: want that responsibility.
- 8:51Speaker 5: Yeah, that's kind of foul, mom. I'm sorry. How bad
- 8:53Speaker 5: was the accident?
- 8:55Speaker 13: My car is like so messed up, So I'll be
- 8:57Speaker 13: taking lift or uber for like another week.
- 9:01Speaker 14: They want like two thousand dollars to.
- 9:03Speaker 6: Fix the front of the car.
- 9:04Speaker 8: Or maybe he feels like he don't want you to
- 9:06Speaker 8: ask him for money, or he don't want to drive
- 9:07Speaker 8: you to work every day too.
- 9:09Speaker 13: But I never that's the thing. I never asked him
- 9:10Speaker 13: for money. I never asked him for anything. Like we
- 9:13Speaker 13: just have like a cool car. Started off as cool worsness,
- 9:16Speaker 13: so we just have like a cool relationship like that.
- 9:19Speaker 5: I think you should be happy they just grew into
- 9:21Speaker 5: something more. You should be happy that you dodged just bullet,
- 9:24Speaker 5: you know what I mean.
- 9:25Speaker 7: He's clearly showing that, you know, he doesn't he's not
- 9:28Speaker 7: ready for what you might be ready for right now,
- 9:30Speaker 7: So go enjoy the holidays.
- 9:31Speaker 13: Sorry, it's still it's still hurts, you know, But thanks
- 9:35Speaker 13: you guys for answering.
- 9:36Speaker 9: I've been listening to y'all forever.
- 9:38Speaker 7: Thank you, and listen, the fall just started. You still
- 9:40Speaker 7: got time to find you a little a little boot
- 9:42Speaker 7: for the fall.
- 9:44Speaker 5: I'm gonna try, Okay, yep, what's up?
- 9:48Speaker 15: Try?
- 9:51Speaker 1: I'm doing a good listening.
- 9:53Speaker 9: I heard one of the girls yesterday, but I heard
- 9:56Speaker 9: she did it.
- 9:57Speaker 5: Oh, Jacon Lee, he asked about you.
- 9:59Speaker 7: Yeah, he did somewhere lad up with somebody husband eating
- 10:02Speaker 7: up all these snacks in the house where you at?
- 10:05Speaker 5: Jason? Oh the way, Jason Lee, I didn't know Jason
- 10:07Speaker 5: wasn't coming this morning.
- 10:08Speaker 9: That's crazy that I y'all. If y'all wanted to be
- 10:10Speaker 9: the celebrity they come a host this league.
- 10:12Speaker 5: Y'all could have called me, jesus, what with you with Jason?
- 10:15Speaker 7: What happened?
- 10:15Speaker 5: What's the smoke for?
- 10:17Speaker 7: I don't like me?
- 10:18Speaker 9: He called him?
- 10:18Speaker 5: Where they do that? Man?
- 10:20Speaker 9: My name is trapp ak a twin. Miss Lee is
- 10:23Speaker 9: letting you.
- 10:23Speaker 5: Know what is the problem? Trapped? Why you just calling it?
- 10:26Speaker 5: I don't get it. Why you call it it just
- 10:28Speaker 5: being sassy with Jason Lee.
- 10:29Speaker 9: Because Jason Lee is being sassy yesterday.
- 10:32Speaker 5: I don't remember I missed it.
- 10:34Speaker 9: Yeah, he was asking about me. He's like, well, where
- 10:36Speaker 9: that gay do that?
- 10:36Speaker 5: First of all, it's not my name in America, I know.
- 10:42Speaker 9: But he said where they gave you trash yep?
- 10:45Speaker 5: Okay? But anyway, Oho, Eli.
- 10:49Speaker 9: I'm calling to stand up for him today because Charlamagne,
- 10:52Speaker 9: I don't like how you shooting him last week by
- 10:54Speaker 9: saying he was on drinky fusy.
- 10:56Speaker 14: You know what, I'm on Cole's Pole.
- 10:58Speaker 3: Eli.
- 10:59Speaker 5: We are connected. It's fine.
- 11:01Speaker 14: I stand with you.
- 11:02Speaker 9: If you're gonna be a stand for your favorite artist,
- 11:05Speaker 9: stand for your favorite artist.
- 11:06Speaker 7: You you should release Cole's Poll and Eli needs to
- 11:09Speaker 7: release Drizzy's Glizzy.
- 11:10Speaker 5: You know it's crazy.
- 11:11Speaker 7: I think that all of these negative reactions that people
- 11:14Speaker 7: are having the Drake's album, even though I think that
- 11:16Speaker 7: it's unfair. I think these negative reactions they've gotten to Eli.
- 11:20Speaker 7: He ain't been here all week.
- 11:22Speaker 9: I think it's actually in New York.
- 11:25Speaker 16: And listen to the album.
- 11:26Speaker 9: The whole ride up there and the whole ride back.
- 11:28Speaker 5: It's not as bad as the internet is making no, no.
- 11:30Speaker 9: Not making this seam.
- 11:33Speaker 5: It's really nice. Nor all right, san.
- 11:36Speaker 8: Get it off your chest, but get it off your chest.
- 11:40Speaker 8: Eight hundred five eight five one five one. If you
- 11:42Speaker 8: need to vin, hit us up now. It's the Breakfast Love,
- 11:44Speaker 8: good morning, the Breakfast Club.
- 11:50Speaker 5: Right right, ray, Yo, Charla man, Nancy?
- 11:53Speaker 17: What up are we lying?
- 11:54Speaker 5: This is your time to get it off your chest.
- 11:56Speaker 5: I got an indoor pool. We want to hear from
- 11:59Speaker 5: you on the break club.
- 12:00Speaker 2: Get on the phone right now.
- 12:01Speaker 11: He'll tell you what it is.
- 12:03Speaker 5: Hello. Who's this yo?
- 12:06Speaker 11: Yo?
- 12:07Speaker 9: This market from Tampa.
- 12:08Speaker 5: Flood markus from Tampa, Florida. What get it off each other? Brother?
- 12:11Speaker 9: Hey, real quick, Charlie Mayne, you gotta take it easy
- 12:15Speaker 9: on Flood of my bad. You always coming to us,
- 12:18Speaker 9: but you never talk about the Bronx. You say the
- 12:20Speaker 9: craziest keep the person in Florida in the Bronx. But
- 12:23Speaker 9: I haven't heard you say anything about the Bronx in
- 12:26Speaker 9: a good little minute. The signats always dedicated to us.
- 12:30Speaker 9: What's going on?
- 12:30Speaker 5: Man?
- 12:31Speaker 7: That's because Florida always outshines everybody when it comes to
- 12:34Speaker 7: having the craziest stories. Like right now, I haven't even
- 12:37Speaker 7: looked at my donkeys yet, But automatically I'm looking at
- 12:39Speaker 7: some headlines. Florida woman skips one hundred and sixty dollars
- 12:42Speaker 7: Walmart bill claimed security guard tried to hoghl at her.
- 12:45Speaker 7: Florida man punched his pitch on custom man wheelchair McDonald's
- 12:48Speaker 7: after heated argument. Florida man fatally stabbed brothers pow after
- 12:52Speaker 7: nobody shared weed with him.
- 12:53Speaker 5: What you want me to do?
- 12:54Speaker 11: Man?
- 12:55Speaker 5: What you want me to do?
- 12:56Speaker 15: You want to know the answer to that.
- 12:58Speaker 9: But everybody moved, all these all these people coming from
- 13:04Speaker 9: different carts for the reason. This is the retirement state.
- 13:08Speaker 9: I mean, we got no taxes. The weather's grade, it's
- 13:11Speaker 9: a twil traction. Everybody started to coming here.
- 13:17Speaker 7: Most of these people ain't never committed a crime till
- 13:19Speaker 7: they get to Florida and they drink some of that
- 13:20Speaker 7: guy damn Florida water, and they turn and then they
- 13:23Speaker 7: turn in the gun play the by Marcus Marcus.
- 13:28Speaker 5: Hello, who's this yo? This is Chris, Chris, Get off
- 13:32Speaker 5: your chest, Chris. Hey, what's up?
- 13:34Speaker 4: Man?
- 13:34Speaker 14: I just want to say, charlamae.
- 13:37Speaker 5: Eighty four three, what's happening?
- 13:38Speaker 14: I'm right here, my brother, Hey, I want to tell
- 13:40Speaker 14: you man, I'm disappointed in you.
- 13:42Speaker 17: Man.
- 13:42Speaker 14: You are really cut. I feel like I hear all
- 13:45Speaker 14: this break talk this week, you know, shout out the
- 13:47Speaker 14: Ovo Eli, no forty tub, all them guys. But what
- 13:52Speaker 14: about rod Wave. Y'all ain't say nothing about rod Wave
- 13:54Speaker 14: when he dropped. Rock Wave went number one. You know
- 13:58Speaker 14: what I'm saying, rock Waves selling out or right by himself,
- 14:01Speaker 14: he headlining. But I don't hear nothing about road Wave.
- 14:05Speaker 14: You absolutely right right say, I ran on Billboard now
- 14:09Speaker 14: he's the second artist behind Taylor Swift to get number
- 14:12Speaker 14: one consecutively twenty twenty one, twenty two, and twenty three.
- 14:16Speaker 5: But they talked about you're absolutely right, Luthor, rod Waves.
- 14:19Speaker 14: We gotta change that now.
- 14:21Speaker 5: We gotta change You're doing it right now?
- 14:22Speaker 7: When you right, you right though, Sluthor, Roadwave and that
- 14:24Speaker 7: nostalgia album, road Wave definitely doing this thing.
- 14:28Speaker 14: Yeah, y'all, y'all gotta start playing. I know that y'all
- 14:30Speaker 14: got the system. Y'all play with what what? Y'all gotta
- 14:33Speaker 14: play this and that, But at least talk about rod
- 14:35Speaker 14: Man rock from Florida on Florida rether than Florida Man
- 14:38Speaker 14: at South.
- 14:39Speaker 1: But Charlotte Mane.
- 14:39Speaker 14: I I just depend the most from you from the South.
- 14:41Speaker 5: You're absolutely right.
- 14:42Speaker 7: That's right, Blaby Charlotte, Rocky road Wave and Nick Grant
- 14:45Speaker 7: dropped a real great project.
- 14:46Speaker 5: We should be playing.
- 14:47Speaker 7: Uh we should give fight to Feeling some spins on
- 14:49Speaker 7: the radio that's off the Nostalgia album.
- 14:51Speaker 5: You're absolutely right. I'm not gonna sit here and tell
- 14:53Speaker 5: you that you're wrong. All right, Well, get it off
- 14:55Speaker 5: your chest. Eight hundred five eighty five one on five one.
- 14:58Speaker 5: If you need to vent, you can hit us up.
- 15:00Speaker 5: We got your rumors.
- 15:00Speaker 8: When we come back, we got to talk to b
- 15:02Speaker 8: E T Awards to BT hip Hop Awards were on
- 15:04Speaker 8: last night. If you missed it, well we'll fill you in.
- 15:06Speaker 8: Who performed, who won, what and all that. So don't
- 15:08Speaker 8: go anywhere. It's the Breakfast Club on be Et, the
- 15:11Speaker 8: breakfast Club.
- 15:15Speaker 5: Morning everybody. It's TJ V. Charlamagne the God. We are
- 15:18Speaker 5: the Breakfast Club. Let's get to the rumors. Let's talk
- 15:21Speaker 5: to be Et hip Hop Awards of names or you've gossip?
- 15:30Speaker 5: Is the rumor report?
- 15:31Speaker 2: I mean, I guess we're on the breakfast Club.
- 15:32Speaker 5: This is where the tea.
- 15:33Speaker 8: Spells right right now, last night, of course, was the
- 15:35Speaker 8: twenty twenty three b E T Hip Hop Awards, hosted
- 15:38Speaker 8: by Fact Joe.
- 15:39Speaker 5: Slew to Joe Crack dropping the Clues Box with Joe Kredak. Now.
- 15:44Speaker 8: The show started off with the Baby. The Baby started
- 15:47Speaker 8: off with a lot of energy. We actually seen that
- 15:49Speaker 8: because we were there, and the baby killed it. We
- 15:51Speaker 8: thought the rehearsals, well, I seen it because I was
- 15:53Speaker 8: Remember I came out and actually seen it. Oh you
- 15:55Speaker 8: stayed stay for a little bit. Yeah, oh okay, yeah,
- 15:57Speaker 8: stay for a little bit. I actually seen the baby
- 15:59Speaker 8: perform and and yeah, he killed it. He also bought
- 16:01Speaker 8: brought out Sexy Red. He brought out Manny Fresh and
- 16:04Speaker 8: Juve Now.
- 16:05Speaker 7: So I can't wait until Sexy Red hits the stage
- 16:08Speaker 7: and does uh does Rich Baby Daddy off that Drake
- 16:11Speaker 7: album Rich Baby's song Hard, I don't care what y'all.
- 16:14Speaker 8: I told you're gonna get that song now also, which
- 16:16Speaker 8: was pretty dope. Jermaine Dupree. They celebrated the thirtieth anniversary
- 16:20Speaker 8: of So So Deaf.
- 16:21Speaker 11: So Uh.
- 16:23Speaker 5: Jermaine dupre brought out a bunch of artists.
- 16:25Speaker 7: Sure.
- 16:25Speaker 8: He started with welcome to Atlanta, right, you know? He
- 16:27Speaker 8: started off with Jump. So he actually produced Jump on
- 16:31Speaker 8: the on the machine. No, no, he actually did it live.
- 16:34Speaker 8: He did it live, and then he started off with Jump.
- 16:36Speaker 8: He did the first verse and then he brought out
- 16:38Speaker 8: Ludacris to Welcome to Atlanta.
- 16:39Speaker 7: Okay, y'all be playing with j D? Did he gonna
- 16:42Speaker 7: catch hell with JD? In he verses, I don't care
- 16:44Speaker 7: what y'all say. Also, I ain't saying that JD will
- 16:48Speaker 7: beat wash Diddy in any way shape before I'm Jermaine
- 16:51Speaker 7: Dupree is some pushover, that's right, Okay.
- 16:53Speaker 8: He also brought out Little John, he brought out Nelly,
- 16:56Speaker 8: he brought out Chingy, and he brought out the Brat.
- 16:58Speaker 5: The Brad has so much energy. She killed you know.
- 17:00Speaker 5: She recently had a baby too. So that was dope.
- 17:02Speaker 7: And that's just JD's hip hop bag, you know what
- 17:05Speaker 7: I'm saying. The R and B bag is where it
- 17:07Speaker 7: really gets spicy.
- 17:08Speaker 8: He also brought out bow Wow, which was good to hear.
- 17:10Speaker 8: It seems like they're not beefing because bow Wow came out.
- 17:13Speaker 5: I rapped the bow Wow.
- 17:13Speaker 7: I'm glad he's coming to his senses on that because
- 17:15Speaker 7: the reality is, you know, bow Wow's legacy is forever
- 17:19Speaker 7: tied to Jermaine because period, of course, what I'm.
- 17:23Speaker 5: Saying is nothing bow Wow can do to shake that,
- 17:26Speaker 5: you know what I mean. Jermaine Dupree is the.
- 17:28Speaker 8: Reason that we know the bow Wow that we knew
- 17:31Speaker 8: that's right, and I mean and like I said, bone
- 17:32Speaker 8: Crusher came out, and also the franchise boys.
- 17:35Speaker 17: Uh.
- 17:36Speaker 8: And then also of course everybody always talks about the ciphers,
- 17:39Speaker 8: So the ciphers.
- 17:40Speaker 5: Uh.
- 17:41Speaker 8: They split it into three different ciphers, one cipher with Timberland,
- 17:44Speaker 8: one cipher with Swiss Beats.
- 17:46Speaker 7: Uh.
- 17:46Speaker 5: So let's just go through some of the ciphers.
- 17:48Speaker 8: Simba was part of Swiss Beats cipher where Swiss Beats
- 17:52Speaker 8: they wrapped over Swiss Beach produced records.
- 17:53Speaker 7: Dropping the clue the bonds for Symbol super lyricists top
- 17:57Speaker 7: tier MC. We don't just use that term m C lightly.
- 18:00Speaker 7: You know, there's a lot of rappers out there, not
- 18:02Speaker 7: too many mcs. Symbol is a super MC and a
- 18:05Speaker 7: great human.
- 18:06Speaker 8: Cassidy also was in the sighther on Swiss BEA's side,
- 18:09Speaker 8: and he killed it as well. I also got to
- 18:11Speaker 8: go to the o G. He was rapping on Timberland
- 18:14Speaker 8: side the og bun b body.
- 18:16Speaker 5: I need every single one of you young and to know,
- 18:18Speaker 5: with the exception of symbol.
- 18:20Speaker 7: Bun be bodied you all, clums with the og body,
- 18:25Speaker 7: he bodied you all.
- 18:27Speaker 8: We got two more clips. And also the Mexican Ot
- 18:30Speaker 8: killed it as well.
- 18:31Speaker 7: Okay, I forgot to add mexican Ot to that list
- 18:33Speaker 7: of people who b didn't body. Okay, Mexicano T hard
- 18:37Speaker 7: dropping the clues bombs for Mexicano T. I don't know
- 18:39Speaker 7: the guy who just knows music, He's dope. And last,
- 18:42Speaker 7: let's got the awards. Man ain't no awards giving out.
- 18:45Speaker 5: He was talk about some of the performances.
- 18:48Speaker 8: Last, and also we got to talk about Marlly more
- 18:50Speaker 8: mally Moore, a legendary producer in DJ from Queens. He
- 18:53Speaker 8: produced for everybody from Big Eie to UH. He did
- 18:57Speaker 8: a Roundaway Girl for LL cool J. He got the
- 18:59Speaker 8: IM Hip Hop Award.
- 19:01Speaker 18: This started out as a dream in forty one seventeen,
- 19:04Speaker 18: Vernon Boulevard, Long Island City, Queensbridge. My window faced Manhattan,
- 19:10Speaker 18: so that's all I could look at and wonder what's
- 19:12Speaker 18: happening in them lights over there? So I want to
- 19:15Speaker 18: be there I had some people inspire me in my life.
- 19:18Speaker 18: I mentioned them in the bridge. It was t Tom,
- 19:20Speaker 18: Jappie Jack, Larry Lad and Gas. But they wasn't the
- 19:24Speaker 18: ones that put me on when I got with mister Magic.
- 19:28Speaker 18: Through mister Doctor, Bob Lee Shahin's father and my building
- 19:33Speaker 18: brought me to mister Magic and we changed the world.
- 19:36Speaker 5: Being the first rap show on the radio.
- 19:41Speaker 18: Back in New York and w BLS, I was the
- 19:44Speaker 18: first hip hop DJ to rock live on the radio.
- 19:48Speaker 18: And then I brought sample into hip hop. That changed
- 19:51Speaker 18: my world.
- 19:52Speaker 5: Luth Molly Ma.
- 19:53Speaker 7: We probably wouldn't be here without them, No, mister Magic,
- 19:57Speaker 7: they laid the foundation for hip hop radio.
- 19:59Speaker 5: That is a fact.
- 20:00Speaker 8: And then for some of the award winners hip Hop
- 20:02Speaker 8: Artists of the Year, congratulations to Kendrick Lamar he won
- 20:06Speaker 8: that debate hip Hop Album of the Year. Drake and
- 20:08Speaker 8: twenty one Savage won that.
- 20:10Speaker 5: I don't really have any debate about that.
- 20:11Speaker 8: Who's in the category, uh, Megan thee Stallion, Little Uzzi Vert,
- 20:15Speaker 8: Jack Harlow, Metro Booming, Calick Coiler Ray.
- 20:18Speaker 5: Oh Yeah, Drinking twenty one Little Uzzi Vert one Song
- 20:21Speaker 5: of the Year.
- 20:23Speaker 8: I want to rock yep. And Best hip Hop Platform
- 20:27Speaker 8: Karrisha Please.
- 20:28Speaker 7: We gotta stop sleuthor Karesha, love Young Miami to death,
- 20:32Speaker 7: but come on now. Two years in a row, yes,
- 20:34Speaker 7: but last year she tied with Drink Champs. I got
- 20:36Speaker 7: mad love for Karesha, But you got platforms that come
- 20:39Speaker 7: out daily, and you got platforms that come out weekly,
- 20:42Speaker 7: you know, like the million dollars work for Games and
- 20:44Speaker 7: the Drink Champs. You know, Joe Budden like, come on now,
- 20:48Speaker 7: come on, I love Karesha please, but was that sponsored
- 20:52Speaker 7: by Daily On?
- 20:53Speaker 5: I don't know what Daily On the sponsor of the
- 20:57Speaker 5: BT hip Hop A watch I don't know. And also
- 20:59Speaker 5: last Salt Spice, salute to you, Crease dropping the clues bombs, Creese,
- 21:05Speaker 5: love her, love what she does, but two years in
- 21:07Speaker 5: a row, come on now and salute to Ice Spice.
- 21:10Speaker 8: This was the only award I've seen, Actually, she won
- 21:12Speaker 8: our Best Breakthrough hip Hop Artist.
- 21:14Speaker 7: That's the only award that I seen last night, and
- 21:16Speaker 7: she wasn't there for it. But congratulations to Ice Spice
- 21:18Speaker 7: and that if Kreesia Please did come out weekly, I
- 21:22Speaker 7: wouldn't have no problem with it, you know what I'm saying,
- 21:24Speaker 7: because it is that good when she drops, right, but
- 21:27Speaker 7: I just don't see enough of it for her to
- 21:30Speaker 7: win hip Hop Platform of the Year two years in
- 21:32Speaker 7: a row. Last year she tied with drink Chin Right,
- 21:34Speaker 7: so I asked again, what daily are the sponsor of
- 21:37Speaker 7: the BT.
- 21:38Speaker 5: Hip Hop Awards. When we come back, we got front page.
- 21:41Speaker 7: Clearly it's not rigged because the Breakfast Club would have
- 21:43Speaker 7: won on BT IS Right now, maybe Teslian figure out
- 21:49Speaker 7: has front page dues when we come back and OFFSET
- 21:51Speaker 7: will be joining us.
- 21:52Speaker 19: It's the Breakfast local boarding the Breakfast Club. Your mornings
- 21:55Speaker 19: will never be the same morning.
- 21:58Speaker 8: Everybody's DJ NV, Charlamagne the guy. We are the Breakfast Club.
- 22:02Speaker 8: Now let's get in some front page news.
- 22:04Speaker 17: What up tis going on?
- 22:06Speaker 3: DJ and Charlemagne the God?
- 22:08Speaker 8: He said, Now let's talk about the brother Hughes van Ellis,
- 22:11Speaker 8: Uncle Red yep.
- 22:13Speaker 10: Uncle Red, one of the last known survivors of the
- 22:15Speaker 10: Tulsa Race massacre, has passed away.
- 22:17Speaker 3: At one hundred and two. I know I live one
- 22:20Speaker 3: hundred and two years.
- 22:20Speaker 10: That's a blessing. His grand nephew, Ike Coward, said that
- 22:24Speaker 10: he died waiting on justice. Now nineteen twenty one, Ellis
- 22:27Speaker 10: was just a few months old when the Tulsa then
- 22:29Speaker 10: thrived in Greenwood District known as Black Wall Street was
- 22:32Speaker 10: destroyed by a white mob during a massacre that left
- 22:35Speaker 10: an estimated three hundred black people dead and businesses.
- 22:38Speaker 3: And homes burned to the ground.
- 22:40Speaker 10: Ellis and his loved ones were forced to leave behind
- 22:42Speaker 10: their home in a lifetime of opportunities. Mister Ellis said
- 22:45Speaker 10: earlier this year that he lost one hundred and two
- 22:47Speaker 10: years and he didn't want anybody else to lose that.
- 22:50Speaker 10: Here's what he said on the Breakfast Club.
- 22:52Speaker 7: Uncle Red, do you have real hope and faith that
- 22:55Speaker 7: the US government will ever compensate you for what happened?
- 22:58Speaker 9: Yeah?
- 22:58Speaker 5: Black was Street? Really, Yeah, you've been. You've been. You've
- 23:02Speaker 5: been a lot way longer than me. So why do
- 23:03Speaker 5: you believe in the white man? But I don't. I
- 23:05Speaker 5: believe it's some good people and bad people.
- 23:10Speaker 15: World War Two, he was in Burma also all Black Battalion,
- 23:15Speaker 15: all shot down enemy aircraft. They were thought to be
- 23:19Speaker 15: all killed, but most of his troops survived because they
- 23:22Speaker 15: were fighting for their life. How many times are you bombed?
- 23:25Speaker 5: Uncle Red?
- 23:26Speaker 4: I bumbed Price Boom when I was five months old.
- 23:29Speaker 4: Bomb when I was twenty something years old. I didn't
- 23:32Speaker 4: think it ever happened in my life, but it did.
- 23:37Speaker 4: I'm glad I survived all of that.
- 23:39Speaker 7: I'm in a survival man salute to Uncle Reds lived
- 23:43Speaker 7: a long, beautiful life. And it's a damn shame America
- 23:46Speaker 7: never gave that brother any of the other social race
- 23:49Speaker 7: massac and survivals justice. And it was a privilege and
- 23:51Speaker 7: honor to have him in Queen by OLDA. Fletcher on
- 23:54Speaker 7: Breakfast Club earlier this year. That was just a few
- 23:56Speaker 7: months ago. Think you hear his brother still sitting here,
- 24:00Speaker 7: still having faith in this government to do the right
- 24:03Speaker 7: things right.
- 24:04Speaker 5: So you know his uh, he said, his nephew, his grandchils,
- 24:08Speaker 5: his nephew, his.
- 24:09Speaker 7: Nephew is absolutely right, like you know, clearly he died,
- 24:12Speaker 7: you know, still holding out for justice, that's right.
- 24:14Speaker 17: You know.
- 24:15Speaker 10: And Miss Fletcher and Miss Randall are still alive. Miss
- 24:18Speaker 10: Fletcher's one hundred and nine, Miss Randall's one o eight.
- 24:20Speaker 10: Those are the last two known survivors of the nineteen
- 24:23Speaker 10: twenty one Toasts of Race mask And again you know
- 24:25Speaker 10: they have been like you mentioned, all three of them
- 24:27Speaker 10: have been fighting for reparations.
- 24:28Speaker 6: For destruction, and this is you know, in case that
- 24:30Speaker 6: people always you know, you can't dispute.
- 24:33Speaker 3: This because they literally were alive at the time.
- 24:35Speaker 10: You know, when you have the conversation about reparations, say, oh,
- 24:38Speaker 10: you know what, those people have passed away, they're no
- 24:39Speaker 10: longer here. No, they literally are still alive at the
- 24:41Speaker 10: time and still fighting for reparations.
- 24:43Speaker 3: So yeah, certainly I have a theory and.
- 24:47Speaker 5: This is just my dirt road country logic kicking in.
- 24:51Speaker 7: When I have a theory that God let those three
- 24:55Speaker 7: toasa race, those tults, a race mask and survivors Queen
- 24:58Speaker 7: by Olda Fletcher and Leslie Rando and Uncle Red be
- 25:01Speaker 7: here all of this time to continue to give America
- 25:04Speaker 7: the chance to do this opportunity to do what's right,
- 25:08Speaker 7: you know what, I mean, to fix some of the karma,
- 25:12Speaker 7: the negative karma that they put out the end of
- 25:14Speaker 7: the world.
- 25:14Speaker 5: And they still haven't figured it out. They still haven't
- 25:17Speaker 5: done it.
- 25:17Speaker 7: These people have been here for almost one hundred and
- 25:20Speaker 7: ten years, that's right, and they still ain't.
- 25:22Speaker 5: Done right by them.
- 25:23Speaker 7: And that's why no good gonna come to this country
- 25:26Speaker 7: until they do right by people like the survivors of
- 25:29Speaker 7: the Tulsa Race Mass.
- 25:30Speaker 5: That's right, well, thank you Tis.
- 25:33Speaker 7: Make sure you subscribe to Testling Figureos podcast this great shot,
- 25:37Speaker 7: No chase of podcasts on the Black Effect. iHeart radio
- 25:39Speaker 7: podcast network and follow at Testlin figure On on all
- 25:42Speaker 7: social media platform.
- 25:43Speaker 8: All right now when we come back, Offset will be
- 25:45Speaker 8: joining us as new album comes out this Friday, So
- 25:47Speaker 8: we're gonna kick it with off sets.
- 25:48Speaker 5: It don't move. It's the Breakfast Club. Good morning, the
- 25:51Speaker 5: Breakfast Club owing everybody. It's DJ NV scholaminea god. We
- 25:58Speaker 5: have a special guest in the building. This album comes
- 26:00Speaker 5: out this Friday. Ladies and gentlemen, off set certain welcome back, bro.
- 26:04Speaker 5: But how are you feeling, man? How's everything? I feel
- 26:06Speaker 5: good man, blessed man. I'm in a good spirit and
- 26:09Speaker 5: the good spirit it's up.
- 26:10Speaker 8: So now the second album is a sophomore album. Set
- 26:12Speaker 8: it off Why it takes so long? The first thing
- 26:14Speaker 8: people would say, it's been it's been a while.
- 26:16Speaker 20: Why too so long? A lot of things you know,
- 26:20Speaker 20: lost with my brother. It's the main reason I was
- 26:23Speaker 20: gonna drop last year. I think around March I got
- 26:26Speaker 20: out of a creative space, like after that four minute
- 26:28Speaker 20: I had to sit down for a minute and like
- 26:29Speaker 20: help my mama and pray and get get get myself together. Also,
- 26:33Speaker 20: I just wanted to prefer the craft. I didn't want to.
- 26:36Speaker 20: I want to make sure that I that I that
- 26:37Speaker 20: I dropped in it and it counted, especially like coming
- 26:40Speaker 20: out of the group and stuff like that. I wanted
- 26:42Speaker 20: to make sure everything was a line. I didn't want
- 26:44Speaker 20: no record sounding the same. I didn't want me sounding
- 26:46Speaker 20: the same, just being hard on myself, scheeking myself on
- 26:49Speaker 20: the music.
- 26:49Speaker 7: Now with your brother Kuavo And we've seen you guys
- 26:52Speaker 7: before with deal Ward Show, right, what was that initial
- 26:55Speaker 7: call like when when they called you guys and asked
- 26:57Speaker 7: you guys to do it.
- 26:58Speaker 5: I was in Paris doing fashion week and they called
- 27:01Speaker 5: and I wasn't like.
- 27:02Speaker 20: I was like, I wasn't sure at the time because
- 27:04Speaker 20: it was like, you know, it's running away from the reality,
- 27:07Speaker 20: you know what I'm saying, you know.
- 27:09Speaker 5: And I had talked to for Real. We were sitting
- 27:11Speaker 5: at the.
- 27:12Speaker 20: Show and I was telling him like, man, I don't
- 27:15Speaker 20: know if I should do it because it just ain't
- 27:17Speaker 20: gonna be right, and I feel like I'm scared it's
- 27:19Speaker 20: gonna put me back in that moment, and he was like, no,
- 27:22Speaker 20: you gotta do that for the world and for him
- 27:24Speaker 20: like in y'all lazy man, y'all in the biggest group
- 27:27Speaker 20: ever in hip hop, and also like he would want there, bro,
- 27:31Speaker 20: He was like, you need you need that energy, you
- 27:33Speaker 20: and your brother rocking their stage again, even if it's
- 27:35Speaker 20: for the last time or whatever, like and this is
- 27:37Speaker 20: that words like even just for the last time whatever.
- 27:39Speaker 21: He don't really know what was going on, but it's
- 27:41Speaker 21: gonna be a cleanser for both of y'all.
- 27:43Speaker 17: What was it was?
- 27:44Speaker 5: I swear it was.
- 27:45Speaker 11: It was?
- 27:46Speaker 17: It was?
- 27:46Speaker 11: It was.
- 27:46Speaker 20: It felt like at first, before I did it, I
- 27:48Speaker 20: was still like because it reminds, you know, it's a reminder,
- 27:52Speaker 20: and but as we did it, I just felt like
- 27:54Speaker 20: I did feel good about it, like closing chapter on
- 27:56Speaker 20: the right way, like a big way unity and like
- 28:00Speaker 20: giving to the people.
- 28:02Speaker 5: Also, what was it like before that?
- 28:03Speaker 7: Because I know that everybody talks about I guess y'all
- 28:05Speaker 7: got into something backstage somewhere. It was a video where
- 28:08Speaker 7: everybody heard Cardi yelling like y'all both wrong? So what
- 28:11Speaker 7: was it like before that moment? H before what before
- 28:15Speaker 7: before y'all got on stage like oh no, we were together.
- 28:18Speaker 20: Man, like payd swallow, Like yeah, bro, missing all of
- 28:22Speaker 20: that out the window. You know what I'm saying. It's
- 28:24Speaker 20: like family of everything. Let's do this right more than anything,
- 28:27Speaker 20: because when you go into something with the wrong energy,
- 28:29Speaker 20: you ain't gonna do it right.
- 28:30Speaker 21: You know what I'm saying. Went into it with the
- 28:32Speaker 21: right energy. And that's my brother.
- 28:34Speaker 5: So what's your relationship now with Quabo? That's my brother.
- 28:36Speaker 5: At the end of the day, we're good, bro.
- 28:38Speaker 20: Just with each other in Paris, we'd be talking because
- 28:40Speaker 20: we'd be going through little emotions and it don't be
- 28:42Speaker 20: for the public. That's the thing, Like, when it's like this,
- 28:45Speaker 20: it don't be. Everything ain't for the public to be
- 28:48Speaker 20: king and it's all love. At the end of the day,
- 28:50Speaker 20: we lost a brother.
- 28:50Speaker 11: You know.
- 28:51Speaker 7: They want to see y'all cry on Instagram, Yes that
- 28:53Speaker 7: they want, you know, not gonna get it for me.
- 28:56Speaker 7: You think y'all ever make music together, not even just
- 28:58Speaker 7: as Migos, but just as set.
- 28:59Speaker 5: In Qubo, I think so.
- 29:01Speaker 8: I think a lot of fans were hoping that there
- 29:03Speaker 8: was maybe lost Takeoff Versus or lost Migos records and
- 29:06Speaker 8: that they would get that one More Migos album, But
- 29:09Speaker 8: that doesn't seem like that's gonna happen.
- 29:10Speaker 16: Nah.
- 29:11Speaker 20: They ain't fair to put that pressure on us either
- 29:13Speaker 20: after losing brother Man. Like maybe you know what I'm saying,
- 29:16Speaker 20: the future right now, I.
- 29:18Speaker 5: Just don't see it.
- 29:19Speaker 21: It's like hard me hearing our songs sometimes in the
- 29:22Speaker 21: club bro and people I might like, got to.
- 29:24Speaker 20: Smile my face. Take verse come on, like text me
- 29:27Speaker 20: every single time. So it's like, I don't see what's
- 29:29Speaker 20: doing it now.
- 29:30Speaker 7: I can imagine because to us it's just a verse.
- 29:32Speaker 7: But to you, it's like you probably think about the moment.
- 29:37Speaker 20: They put me in that bed every time. I was
- 29:38Speaker 20: just in Starts the other night and they're playing Freak
- 29:41Speaker 20: No More. His verse come on, I'm like throwing money
- 29:43Speaker 20: his verse come on.
- 29:44Speaker 5: It's just like slowed me up real quick. So now,
- 29:48Speaker 5: what's the difference between this album? Set it off Your
- 29:50Speaker 5: Father for.
- 29:51Speaker 20: Okay, Father Foe was like I feel like I was
- 29:54Speaker 20: getting more personal about who I was, my story of
- 29:58Speaker 20: going to jail, having kids young, the story of my wife,
- 30:01Speaker 20: my little to my wife. I'm just saying with this album,
- 30:04Speaker 20: it's more like the music wise, it's like more fun.
- 30:07Speaker 5: I didn't. I did all the new producers, so.
- 30:10Speaker 20: I didn't really self a metroside side, I ain't really
- 30:12Speaker 20: work with all the producers I work with on this.
- 30:14Speaker 5: It's like new producers I never worked.
- 30:15Speaker 20: With because I didn't want to create the same sign
- 30:17Speaker 20: because I feel like artists now, like as an artist
- 30:20Speaker 20: sometimes like you just get stuck in your ways. And
- 30:22Speaker 20: I let a lot of I worked with a an
- 30:24Speaker 20: artists time, like I know a lot of people in
- 30:26Speaker 20: our game. But the g my an I was fired,
- 30:29Speaker 20: so she was able to bring me different producers that
- 30:31Speaker 20: I never heard of and different sounds and give me
- 30:34Speaker 20: critiquing me on the music, like nah, number one, SOIGN
- 30:37Speaker 20: may sound like number ten for me.
- 30:40Speaker 5: I was happy because like usually I ain't going for that.
- 30:42Speaker 20: You know, I ain't let nobody to tell me nothing,
- 30:43Speaker 20: but I understand, like change the game, change the sound
- 30:46Speaker 20: be changing, and you just gotta change with it or
- 30:49Speaker 20: you're gonna get left.
- 30:50Speaker 8: Is it difficult with you doing music right because you
- 30:53Speaker 8: are a husband, your father five But yet you're still
- 30:56Speaker 8: in the club, so you know what people want to hear.
- 30:57Speaker 5: You know people in the club ain't married. You know,
- 30:59Speaker 5: the people might not have some kids.
- 31:01Speaker 8: So when you do your music, do you say, well,
- 31:03Speaker 8: I gotta put myself in near situation and take myself
- 31:06Speaker 8: out from the husband and take myself out being the
- 31:08Speaker 8: father fire because you didn't on this out you don
- 31:11Speaker 8: knocked off a lot of a lot of chicks on
- 31:12Speaker 8: this app.
- 31:12Speaker 5: I'm all these women and you're married, man, because I
- 31:18Speaker 5: got a real wife like that.
- 31:19Speaker 20: She understands like we and I gotta be relatable and
- 31:23Speaker 20: especially like our age, like the average person ain't married
- 31:26Speaker 20: and like people sometimes.
- 31:27Speaker 5: People I can see it, like you let your wife
- 31:30Speaker 5: dress like this, and you let her.
- 31:31Speaker 20: I'm very secure by mind, so so we ain't in
- 31:34Speaker 20: no controling, like don't do this or I'm not telling
- 31:37Speaker 20: her don't do a feature with that. Da da da da,
- 31:39Speaker 20: because it's just like this, this, this, they're interrupt to love.
- 31:42Speaker 20: I feel like when you go to doing that, because
- 31:43Speaker 20: then it's like, damn, I want.
- 31:45Speaker 5: To be this person.
- 31:46Speaker 20: I gotta talk to all these people, all these fans,
- 31:48Speaker 20: and they gotta relate to me, but they can't relate
- 31:49Speaker 20: to me if I'm standing in one lane.
- 31:52Speaker 5: So I'm just blessed to have a good wife.
- 31:54Speaker 7: What about the people who those same kids that love
- 31:56Speaker 7: your personal life. They love you and Cardi together as
- 31:59Speaker 7: a couple, and they follow y'all on social media and
- 32:02Speaker 7: see all of that, and they like, damn, they might
- 32:03Speaker 7: want to hear that reflected in the music, because I
- 32:05Speaker 7: know people got really excited when they heard y'all doing
- 32:07Speaker 7: the album together yeah or EP or whatever it was.
- 32:10Speaker 20: They can't get mad at me because I'm not gonna
- 32:13Speaker 20: tell her life. You can't say shaking yeah, or like
- 32:16Speaker 20: you're having a good time. Girls want to feel that
- 32:18Speaker 20: at them, bar she be saying.
- 32:20Speaker 8: But I guess you know too when Cardy talks about that.
- 32:22Speaker 8: I guess we all automatically assume when she says she's
- 32:24Speaker 8: shaking ass, shaking asks for a husband, you know what
- 32:26Speaker 8: I mean, it's like she's doing it for set. But
- 32:29Speaker 8: you know what I mean, for you When I heard
- 32:31Speaker 8: I knock it off them like, oh, he's putting his
- 32:33Speaker 8: mind frame on somebody that's in the club, not himself.
- 32:35Speaker 5: Yeah, I got to bro because it's like it's more
- 32:38Speaker 5: up bros doing that.
- 32:40Speaker 20: Then there's people that's man facts, These are facts, and
- 32:44Speaker 20: these are facts. So I just still gotta be relatable
- 32:46Speaker 20: to him. They gotta still feel like a shit ain't
- 32:48Speaker 20: on the like shit I got man, we don't even
- 32:51Speaker 20: understand him no more, and then it's the worst.
- 32:53Speaker 5: Then it's no coming back from that. We got more
- 32:56Speaker 5: with Offset. When we come back, don't move. It's the
- 32:58Speaker 5: Breakfast Club.
- 32:59Speaker 8: Good morning Wanning everybody, It's DJ n V. Charlamage, the
- 33:03Speaker 8: guy we are the Breakfast Club was too kicking it
- 33:05Speaker 8: with Offset.
- 33:06Speaker 5: His album is out this Friday. Charlamagne.
- 33:07Speaker 7: For the first song on the album, you said you
- 33:09Speaker 7: knew you was the one since you left the group?
- 33:11Speaker 7: I think that was the other line.
- 33:12Speaker 5: What did that line mean?
- 33:13Speaker 4: You?
- 33:14Speaker 7: So?
- 33:15Speaker 5: How you know about that bar? Like you know, I
- 33:16Speaker 5: went through some things I can't really speak on.
- 33:18Speaker 20: I stepped out of the BOS and like I had
- 33:20Speaker 20: to get my together on the business side of things,
- 33:23Speaker 20: and like after that.
- 33:24Speaker 21: The freedom and the being able to be in control
- 33:26Speaker 21: of my creative and being able to.
- 33:28Speaker 20: Do that was like now I can show you who
- 33:30Speaker 20: I am if you notice, Like now people kind of
- 33:32Speaker 20: see like I got a personality.
- 33:34Speaker 5: I feel like it was kind of like.
- 33:35Speaker 20: Bottled in when everything was always one because it wasn't
- 33:38Speaker 20: really about me, it was about us.
- 33:40Speaker 5: This album is about me. How important was hip hop
- 33:43Speaker 5: rolling up to you because I know you got roots
- 33:44Speaker 5: in New York.
- 33:45Speaker 8: I know you got roots in the land. I know
- 33:46Speaker 8: you got roots a little bit of everywhere. I'd be
- 33:48Speaker 8: seeing set with people up be like, how do you
- 33:49Speaker 8: know him?
- 33:49Speaker 17: Man?
- 33:50Speaker 8: Like, so you know, talk about your roots and what
- 33:53Speaker 8: hip hop means to you, because you sample a lot
- 33:55Speaker 8: of that on this album.
- 33:56Speaker 20: Hip hop man mean to me, like man, growing up
- 33:59Speaker 20: is like the super heroes. You know what I'm saying
- 34:01Speaker 20: to me because I felt like it was so out
- 34:03Speaker 20: of reach. And also I felt like they was like
- 34:05Speaker 20: saying the world with the music and like, you know,
- 34:08Speaker 20: seeing like cash Money master P. Because I'm from the
- 34:11Speaker 20: South hundred to thought like like outcasts. You know, we
- 34:15Speaker 20: from Atlanta, so we might not ain't listen to it.
- 34:17Speaker 20: I might ain't get on jay Z Towns in high school.
- 34:19Speaker 20: You fe what I'm saying, I might ain't knowing. I'm
- 34:20Speaker 20: through middle school.
- 34:21Speaker 5: I knew Gua.
- 34:22Speaker 20: I knew Gucca and I knew Jzy, I knew the
- 34:24Speaker 20: undred two thousand, A New Future. It's like our neighborhood heroes.
- 34:27Speaker 20: And like me, I feel like in general, with music,
- 34:30Speaker 20: you gotta know your roots and pay respect to it too,
- 34:32Speaker 20: Like I watched the James Browns. I'd be watching like
- 34:36Speaker 20: how they would dress or how they stay set would be.
- 34:38Speaker 20: Or sometimes I go watch a rock and roll like
- 34:41Speaker 20: Martley coul or something, I go watch them stay stay
- 34:43Speaker 20: set to get it like a like a like an
- 34:45Speaker 20: idea even on stage and like cause I.
- 34:47Speaker 5: Feel like you, it always rotate, but you could just
- 34:49Speaker 5: do it better in a better way.
- 34:50Speaker 7: But one of the things you say throughout the album
- 34:52Speaker 7: is you keep referencing blame it on set. That's a
- 34:55Speaker 7: dope record too, by the way, to blame it on
- 34:57Speaker 7: set record. What are some of the things you think
- 34:59Speaker 7: folks blames you.
- 35:00Speaker 20: No, it's not like the people blame me for It's
- 35:02Speaker 20: like it's like it's like me talking to myself almost,
- 35:05Speaker 20: like everything you went through is because of you. It's
- 35:07Speaker 20: like taking responsibility of everything you went through.
- 35:10Speaker 5: It's because of you.
- 35:10Speaker 21: Like anytime anything happens, it's on you.
- 35:14Speaker 5: That's all it was.
- 35:15Speaker 21: It wasn't like a specific like y'all blaming me.
- 35:18Speaker 5: No, it was just like being a man, being a man.
- 35:21Speaker 21: Yeah, accountability, like accountability for all actions.
- 35:24Speaker 8: People were mad at you a couple of weeks ago
- 35:26Speaker 8: because you did that interview what's the name, Bobby?
- 35:29Speaker 5: I felt like there was.
- 35:35Speaker 8: That you even gave her an opportunity to interview you,
- 35:38Speaker 8: you know what I mean. You know people were saying, well,
- 35:40Speaker 8: why would you give that girl an opportunity and not
- 35:42Speaker 8: somebody from the culture reached out. I did my research
- 35:46Speaker 8: and I was like, I'm over to do it because
- 35:48Speaker 8: you know, I don't like doing interviews at all. I
- 35:49Speaker 8: was like, I'm over to doing it. I'm on the way,
- 35:52Speaker 8: and I feel like it was kind of comical, like
- 35:54Speaker 8: it's kind of funny. It's kind of funny to me.
- 35:56Speaker 8: It wasn't like I wasn't taking that offensive. Just got
- 35:59Speaker 8: to be on your toes when you don't on it.
- 36:00Speaker 8: You know, she needed to be ye, yeah, she was.
- 36:03Speaker 5: She needed that, you know what I'm saying. And also like,
- 36:06Speaker 5: I'm doing this for the brothers.
- 36:07Speaker 20: You ain't gonna catch me slipping on this show and
- 36:09Speaker 20: be down talk to me and you like you're just
- 36:11Speaker 20: coming up off to the top.
- 36:12Speaker 5: It's all love though, but she she cool.
- 36:14Speaker 11: Man.
- 36:15Speaker 5: I feel like a lot of people did take a
- 36:17Speaker 5: lot of comedy out of it. It was it was
- 36:19Speaker 5: supposed to be funny. Man. You told her she needed
- 36:21Speaker 5: some season.
- 36:22Speaker 21: Yeah, you do's a little good season.
- 36:25Speaker 20: But it's cool though. Man, it ain't no issues or nothing.
- 36:28Speaker 20: But I feel like a lot of people's matter her
- 36:30Speaker 20: like but that's how she did the interviews. I think
- 36:32Speaker 20: I brought it to our world more. It's like a
- 36:34Speaker 20: lot of people like, why does she It was kind
- 36:36Speaker 20: of taking it as like she was being disproved, but
- 36:38Speaker 20: she wasn't. She just just I think that's the way
- 36:40Speaker 20: she got on.
- 36:41Speaker 5: You know, I hear I hear you channel a lot
- 36:44Speaker 5: in this out. Might hear a lot of Project Pack? Yeah?
- 36:47Speaker 5: Were you? Were you listening to a lot of Pack
- 36:48Speaker 5: three shid some Project Pack? Yeah? Man, they That's what
- 36:51Speaker 5: I'm saying.
- 36:52Speaker 20: It's like the underground music and to come to and
- 36:54Speaker 20: then they went underground and went big shot of juicy
- 36:56Speaker 20: j Man here a player, good producer.
- 36:58Speaker 5: He ain't text me on the record at oh he
- 37:03Speaker 5: did production on it. You get certain you gotta talk
- 37:05Speaker 5: to you today by the production sir.
- 37:08Speaker 17: Oh.
- 37:09Speaker 5: So when you're just using that, you gotta think the
- 37:10Speaker 5: South on jealousy is juice to Jay? Yes, absolutely, you
- 37:13Speaker 5: know what I'm saying.
- 37:14Speaker 20: Yeah, So, and then it's the South music man It's
- 37:17Speaker 20: just always something about the South music to me, even.
- 37:19Speaker 21: Growing up, just always felt like we was just relatable
- 37:22Speaker 21: to my neighborhood.
- 37:23Speaker 7: Frown absolutely we had we had Cardio up here and
- 37:26Speaker 7: we were talking about, uh, your marriage and everything, and
- 37:29Speaker 7: she was like, sometimes it's difficult not to keep things
- 37:31Speaker 7: off social right, like the one time y'all always argue
- 37:34Speaker 7: on social media.
- 37:34Speaker 5: I never just say, you know what, let's I'm gonna
- 37:36Speaker 5: put the phone down and call her. She's crazy. Man,
- 37:39Speaker 5: you crazy too?
- 37:40Speaker 7: You knew what you married a woman from the Bronx.
- 37:42Speaker 7: The craziest people in America come from the Bronx and
- 37:43Speaker 7: all the Flora said, you got to know that?
- 37:45Speaker 5: Yeah, I've learned it. I learned it.
- 37:50Speaker 20: So it's just like, man, I hate fan based man
- 37:53Speaker 20: sometimes be like trying to like kill it. So then
- 37:55Speaker 20: sometimes you gotta like I feel like I gotta protect her.
- 37:58Speaker 20: You know what I'm saying. I made mistakes, you know
- 38:00Speaker 20: what I'm saying. So those mistakes make me continue to
- 38:02Speaker 20: have to protect her. I said, Man, they don't just
- 38:04Speaker 20: go away, So like I just hate that because it's
- 38:06Speaker 20: like we'll be good, bro, living a life like Scholden.
- 38:09Speaker 21: We got beautiful kids. We don't bother nobody, but you
- 38:12Speaker 21: know how I be whack.
- 38:13Speaker 5: Though, But what about when you when you posted that
- 38:16Speaker 5: your wife cheated, called the turmoil in the house. I
- 38:19Speaker 5: was calming her ass down. I don't play with me.
- 38:23Speaker 5: But then the next day they hold my hands together.
- 38:25Speaker 5: It was everybody know. It was kind of man.
- 38:27Speaker 11: She was like that.
- 38:28Speaker 5: She was like he was playing.
- 38:29Speaker 20: He was lying sometimes go in too much on me,
- 38:32Speaker 20: man like, and it makes so we I didn't want
- 38:34Speaker 20: people to think like people thinking it it's real.
- 38:37Speaker 5: So it was just a little on a reverse on
- 38:39Speaker 5: no car. She said you said if you don't stop
- 38:41Speaker 5: you on line and said you cheated.
- 38:43Speaker 20: Yeah, because that's the thing she gotta make. She got
- 38:45Speaker 20: like she's still somebody too. So like when they be
- 38:47Speaker 20: doing that, like it'd be like making her seem like
- 38:50Speaker 20: she would suck us.
- 38:51Speaker 5: And then she got her.
- 38:52Speaker 20: But then this time she did she kind of a life.
- 38:54Speaker 20: I'm like, oh slowed her down town baby, Oh no,
- 38:57Speaker 20: like to blow up the whole.
- 39:01Speaker 5: We're all going we are going down fire folks, real,
- 39:07Speaker 5: but we.
- 39:08Speaker 7: Turn that in the front though, is strong man crassious?
- 39:12Speaker 7: Why didn't play Boy CARDI clear the song for them?
- 39:14Speaker 7: That's the room online.
- 39:15Speaker 5: Is that true? Yeah, it's true.
- 39:17Speaker 20: Shout out to my boy man, because I don't get
- 39:19Speaker 20: into it with my music and sometimes people be going
- 39:22Speaker 20: through they on you know what I'm saying. Shout out
- 39:24Speaker 20: of the bro though, man, he should have cleared up
- 39:26Speaker 20: smashed though. I ain't okay, but we like that. I
- 39:30Speaker 20: don't get mad at folks for like that because sometimes
- 39:31Speaker 20: people going through their only or they might not.
- 39:35Speaker 5: I don't know. It's all loved us, my little brother.
- 39:37Speaker 5: All right, we got more with Offset when we come back.
- 39:39Speaker 5: Don't move. It's the Breakfast Club. Good morning morning. Everybody
- 39:42Speaker 5: is the j n V.
- 39:43Speaker 8: Charlamage, the guy we are the Breakfast Club was still
- 39:46Speaker 8: kicking it with Offset.
- 39:47Speaker 5: His album is out this Friday, Charlomagne.
- 39:49Speaker 7: Now, did authorities contact you after Nicki Minaj has been
- 39:52Speaker 7: made those stretch against you?
- 39:53Speaker 20: That was another room man, Hell no, okay, ain't never
- 39:56Speaker 20: calling me. Okay, I ain't got knowing for you.
- 40:01Speaker 5: They were saying they reached out to see if you
- 40:03Speaker 5: wanted the pressure. Man, Please, I never do no lame
- 40:06Speaker 5: as like that. Keep it on the screen.
- 40:08Speaker 20: All this joke grown a man. I don't even bring
- 40:11Speaker 20: it up. I don't want people like but I just laughing.
- 40:13Speaker 20: I got real money. I'm having real business. I'm on
- 40:16Speaker 20: the way to the coach, prime man on the on
- 40:18Speaker 20: the on the jet. Like I'm thirty years old, bro,
- 40:21Speaker 20: Like I'm grown to sell and I'm just too old
- 40:24Speaker 20: participated like a little DM you had seen was because
- 40:28Speaker 20: I'm a grown man. Also like I'm saying it's a
- 40:31Speaker 20: respect thing, brother, But you thurning my wife. Bro, I'm
- 40:33Speaker 20: not playing those games. I hate with men say anything
- 40:36Speaker 20: about my wife, cause it's like, but you a man,
- 40:39Speaker 20: don't speak on my wife. Bro, I don't care how
- 40:41Speaker 20: people think, like, oh, why you white white man, this
- 40:43Speaker 20: is my wife, mother of my kids. Man me and
- 40:46Speaker 20: disrespecting wife. I see you ain't playing by yours. Yeah
- 40:52Speaker 20: you want you want to box the mouth, I'm gonna
- 40:54Speaker 20: get on your Yeah.
- 40:55Speaker 5: We're gonna make yeah, box your mouth.
- 40:57Speaker 20: All that planing, the twitter, all the trying to cause
- 41:00Speaker 20: your toes and kick your feet or all that.
- 41:03Speaker 5: Yeah that was.
- 41:04Speaker 11: Now.
- 41:04Speaker 5: We had Cardia up here.
- 41:05Speaker 8: She you know, she talked about how much she supports
- 41:08Speaker 8: you and was you know, riding for you, loving your music,
- 41:10Speaker 8: and now let me ask you a question. No, we're
- 41:12Speaker 8: gonna get a CARDI get second Cardio album many times soon, man,
- 41:14Speaker 8: she said.
- 41:15Speaker 5: I thought that's all I'm announcing reasonly. No, she ain't nothing.
- 41:18Speaker 5: She said, the first quarter had twenty twenty four. Is
- 41:22Speaker 5: it done? We almost there were almost there. But there's
- 41:25Speaker 5: there's rumors that y'all was working on the joint album
- 41:26Speaker 5: together too.
- 41:27Speaker 17: Though.
- 41:27Speaker 7: Yeah, after hers, you think that would be that would
- 41:29Speaker 7: be the album. Like the way you just expressed love
- 41:32Speaker 7: for your wife and you know why you decided to
- 41:34Speaker 7: be with her. You think we'll get that in music
- 41:36Speaker 7: on that project for sure. Okay, then the tour, then
- 41:39Speaker 7: the tour. Oh, y'all definitely having another baby after the tour.
- 41:42Speaker 7: That's definitely happening, she said.
- 41:45Speaker 5: She said she wanted more, right, she said, she was saying,
- 41:47Speaker 5: or say that up here, man, you don't want no more?
- 41:50Speaker 5: Father six? Let me be up college? Expensive?
- 41:58Speaker 10: What I know?
- 42:00Speaker 5: Father six? Next album? I mean you got six?
- 42:04Speaker 7: I'm done, done, done, I got fullble, I'm done. I'm done, done, done.
- 42:08Speaker 7: I got two in college right now?
- 42:10Speaker 5: College expensive college waxing that ass. That's right.
- 42:12Speaker 7: Pause, let's get to I do want to ask one
- 42:18Speaker 7: what else you learned from Tagoff's passing.
- 42:23Speaker 20: I'm still learning. I don't even know what to say.
- 42:27Speaker 20: The lessons just pain like it ain't really really you're
- 42:30Speaker 20: trying to run from there?
- 42:30Speaker 5: Have you done anything to deal with that grief?
- 42:33Speaker 20: Sat down with somebody like I be feeling like sitting
- 42:36Speaker 20: down with people like, maybe I ain't found the right person,
- 42:39Speaker 20: but I don't feel like sometimes people like can't relate.
- 42:43Speaker 7: That's why culturally competent therapists and psychiatrists and grief counsels
- 42:47Speaker 7: are very important.
- 42:47Speaker 5: You got to you gotta have somebody who from it
- 42:50Speaker 5: to understand it.
- 42:51Speaker 21: I feel like sometime in them jobs, basically they're not
- 42:53Speaker 21: giving people who.
- 42:54Speaker 20: Maybe have a record of those two people you need
- 42:56Speaker 20: to have in the office because they gonna they've been
- 42:59Speaker 20: through they can really relate to black people. I like,
- 43:02Speaker 20: I feel like the therapy thing don't really beef black
- 43:05Speaker 20: folks a lot of times because.
- 43:06Speaker 5: Every person I ever seen it like, they ain't they
- 43:09Speaker 5: like took the right way.
- 43:11Speaker 20: Everything was good on paper, everything it's good the college
- 43:14Speaker 20: d it ain't like like a while, Yeah who lived
- 43:19Speaker 20: in the street, who sell them dope right now with
- 43:21Speaker 20: their gun, but listen to him way before they listen
- 43:23Speaker 20: to somebody that looked like them.
- 43:25Speaker 5: But this can't trying to tell them how to do it.
- 43:27Speaker 5: I can't relate.
- 43:28Speaker 20: See, I asked questions back. I said that was somebody.
- 43:30Speaker 20: I'm gonna asking you a questions back, like so have
- 43:32Speaker 20: you ever d? And if it ain't, it's waste time.
- 43:35Speaker 5: But we appreciate you. The album comes out this Friday.
- 43:38Speaker 5: Set it off. You want to you want to play?
- 43:40Speaker 5: What was what was your favorite song? What did you
- 43:42Speaker 5: feel like?
- 43:44Speaker 8: I like saying my grace. I like worth it because
- 43:46Speaker 8: I just I'm from that era. So I like you
- 43:49Speaker 8: kind of catching the bus to flow, which was different,
- 43:51Speaker 8: like blame it on set. I like the one where
- 43:53Speaker 8: you had set the project path flow. The first song
- 43:57Speaker 8: on the album Hard.
- 43:59Speaker 5: Yeah, that's when you said, I'm gon, Yeah that's hard.
- 44:01Speaker 4: I don't know.
- 44:01Speaker 5: I can look to it again.
- 44:03Speaker 20: I wanted to bring rap, like rapping on the song,
- 44:05Speaker 20: but I feel like it's a lot of auto tune,
- 44:07Speaker 20: a lot of like I got melodies on here, of course,
- 44:09Speaker 20: but like.
- 44:10Speaker 7: Your voice don't need it. You got to get to
- 44:11Speaker 7: the rapping, but your voice so distinct you don't need
- 44:14Speaker 7: the auto tune. The joint with Travis said alright, right, Yeah,
- 44:19Speaker 7: that's hard.
- 44:19Speaker 5: It's hard. We got the video we shot that tire
- 44:21Speaker 5: line to y'all. Can't wit to y'all see that art?
- 44:23Speaker 5: What does success look like for all?
- 44:25Speaker 20: Stuh the music connected to the people, Like I'm not
- 44:28Speaker 20: you know how we came in the game. Like I
- 44:30Speaker 20: hate how everything is clocked now, like the number first dad,
- 44:35Speaker 20: because then it gives people of pins already immediately they
- 44:38Speaker 20: ain't even chatting to us. So me, I'm just trying
- 44:40Speaker 20: to connect musically with these people. Like you said identify offset.
- 44:43Speaker 20: It sounds like like I didn't reflair. That was like,
- 44:47Speaker 20: oh bro, got that, Like it's proven like and showing
- 44:51Speaker 20: my creativity like see my album cover falling from the
- 44:54Speaker 20: sky outside down. But I'm still on top. It's like
- 44:57Speaker 20: being able to express the art. It's not numbers for
- 45:00Speaker 20: me because I come from see my My number one
- 45:02Speaker 20: record was number sixty and forty twenty and ten ten
- 45:07Speaker 20: number one, So I know like working the record. I
- 45:10Speaker 20: feel like people don't be working records no more. The
- 45:12Speaker 20: festivals in the big places, they checking your numbers, they
- 45:15Speaker 20: checking you with your song that don't be able.
- 45:17Speaker 5: I learned that at Like I think I learned that.
- 45:19Speaker 21: At twenty sixteen, I forgot who the artist was. They
- 45:22Speaker 21: was going after us, and I'm like, I know we.
- 45:25Speaker 5: Out of than that I noticed. But the streaming numbers,
- 45:30Speaker 5: it was like a radio show too.
- 45:32Speaker 21: I'm saying, boy, they on good boy, they on top fifteen,
- 45:35Speaker 21: y'all like number forty right now.
- 45:37Speaker 20: And then they made me understand the significant point of it.
- 45:39Speaker 20: So it's some people that still watch. And I just
- 45:41Speaker 20: feel like artists ain't roppers, ain't putting on no show. Bro,
- 45:44Speaker 20: You're just get in the bag and like people try
- 45:46Speaker 20: to pay in the bad like that, just like you
- 45:48Speaker 20: gotta put on a show.
- 45:49Speaker 5: You're gonna dance and everything. Yeah, you think it's like
- 45:52Speaker 5: not cool cool. People like to be entertainment than anything, right,
- 45:56Speaker 5: all right, what you want to hear of that? What
- 45:58Speaker 5: you wanna play? But it worth it, man, Let's get
- 46:00Speaker 5: it that bag Man.
- 46:01Speaker 8: Featuring Don Tolliver and we appreciate you joining us. The
- 46:04Speaker 8: albums out this Friday. Set it off, mister Breakfast Morning Morning.
- 46:09Speaker 8: Everybody is DJ NV Charlomagne the God. We are the
- 46:12Speaker 8: Breakfast Club. There's been a lot going on. Charlamagne, like
- 46:16Speaker 8: what I don't say, Like what man, there's been a
- 46:18Speaker 8: million and one accusations that I was involved with scamming people.
- 46:24Speaker 5: Oh my god, No, I'm being serious. So so let
- 46:29Speaker 5: me explain some things.
- 46:30Speaker 8: I'm not My attorneys don't want me to speak, but
- 46:32Speaker 8: I think there's things that I need to clear up
- 46:33Speaker 8: a little bit.
- 46:34Speaker 5: I think you should listen to your attorneys. Why don't like?
- 46:35Speaker 5: Can people like to listen? If your attorneys told you,
- 46:37Speaker 5: don't think nothing, why you're talking? Listen?
- 46:39Speaker 8: So, Caesar and myself did seminars. Now, the reason I
- 46:43Speaker 8: did these seminars is because I wanted to uplift my community.
- 46:46Speaker 8: I wanted to teach my community about real estate things
- 46:49Speaker 8: that I didn't know when I was first buying my
- 46:51Speaker 8: first home. I wanted to teach our community about investing
- 46:54Speaker 8: in generational wealth. So I did these seminars and brought
- 46:57Speaker 8: industry professionals to all these seminars, whether it was real
- 47:01Speaker 8: estate agents from different markets, contractors, conventional lenders, hard money lenders.
- 47:06Speaker 8: I even brought auction dot Com to actually show people
- 47:09Speaker 8: how to purchase houses online.
- 47:12Speaker 5: That's what I wanted to do for my people.
- 47:14Speaker 11: That was it.
- 47:16Speaker 8: Now, Caesar, if he took money, I wasn't privy to it,
- 47:19Speaker 8: nor did I even know. But I do understand how
- 47:23Speaker 8: people feel if they did give him money, because I
- 47:27Speaker 8: gave him a lot of money. Jesus that I didn't
- 47:30Speaker 8: see a dollar of return. I didn't see a quarter,
- 47:33Speaker 8: a nickel, nothing. I didn't see any return, And I
- 47:35Speaker 8: know how that feels. But for anybody to say I
- 47:39Speaker 8: was involved, that's totally not true. I would never. I've
- 47:43Speaker 8: been on this radio close. I've been on radio close
- 47:45Speaker 8: to thirty years, and never in my thirty years time
- 47:48Speaker 8: did I do nothing but try to uplift people and
- 47:50Speaker 8: show people a different way through the business mind. And
- 47:52Speaker 8: I would never take a dollar from somebody.
- 47:54Speaker 7: I could be wrong, but I didn't see nobody accusing
- 47:56Speaker 7: you of taking money. I just saw them say that
- 47:58Speaker 7: they met Caesar because they heard you talking about Caesar.
- 48:02Speaker 5: If they basically said I was privy to it, and
- 48:05Speaker 5: that wasn't true.
- 48:07Speaker 7: From what I read in actual court papers, I didn't
- 48:10Speaker 7: see that they said that. All these people are saying
- 48:12Speaker 7: that they met Caesar because of you, right, and they're
- 48:15Speaker 7: saying that somebody accusing you of taking no money.
- 48:17Speaker 8: To the point where, if you read the court documents,
- 48:19Speaker 8: Caesar wrote affidavit that says DJ mvy Rashaan Casey had
- 48:23Speaker 8: no knowledge of the investing people's money. He wasn't there,
- 48:27Speaker 8: he wasn't part of those conversations. He wasn't even nowhere
- 48:30Speaker 8: in those meetings. And those are documents.
- 48:33Speaker 5: That's out there. So if we're going to talk about truth,
- 48:35Speaker 5: let's talk about the truth. And those are the documents
- 48:38Speaker 5: out there.
- 48:38Speaker 7: And I know I can't talk about the truth yet
- 48:39Speaker 7: because your lawyers don't want you talking at all. So
- 48:41Speaker 7: the smart thing to do is, I understand you want
- 48:43Speaker 7: to say something to the listeners and I and I'm
- 48:45Speaker 7: sure the listeners appreciate it. Well, man, just wait until
- 48:48Speaker 7: all the dust settles, and when all the dust settles,
- 48:50Speaker 7: then we can get on this radio and have a
- 48:51Speaker 7: real conversation. Until then, I just I don't, you know,
- 48:54Speaker 7: I don't think you should be saying any of this,
- 48:57Speaker 7: but you know that's just me.
- 49:02Speaker 5: Look at you. You can't even help yourself. What else
- 49:03Speaker 5: you want to say?
- 49:04Speaker 17: Nothing?
- 49:04Speaker 5: Nothing? Okay, nothing, all right?
- 49:06Speaker 7: But when it doest settles, you can have a real
- 49:09Speaker 7: conversation with It's difficult because the stuff that you're hearing,
- 49:13Speaker 7: it's like that's totally not true like it's not true,
- 49:16Speaker 7: like that's fake news stories.
- 49:18Speaker 5: That should be enough. You know what the truth is.
- 49:21Speaker 5: If you know what the truth is, don't worry about
- 49:22Speaker 5: it because the truth don't need no defense. It just
- 49:24Speaker 5: needs the truth. Don't need no defense, just witnesses. That's it,
- 49:27Speaker 5: all right, all right?
- 49:29Speaker 7: Well, Hope, And by the way, you look very suspicious
- 49:31Speaker 7: because you don't have your just formnting right now, so
- 49:33Speaker 7: it's like the grades are coming in right here in
- 49:35Speaker 7: the back and you need a little headcut. So it
- 49:37Speaker 7: just makes you look like.
- 49:39Speaker 8: I just want to say this on cloth, I've never
- 49:41Speaker 8: stole anything from anybody, and I'll just leave it at that.
- 49:45Speaker 5: What you know what rhymes with what what? But and
- 49:49Speaker 5: from what I was told, you sused to steal a
- 49:50Speaker 5: lot of butt back in, I can't. I'm trying to
- 49:54Speaker 5: be serious here and you're playing.
- 49:55Speaker 8: Around, good old big old queen from Queens. When we
- 49:57Speaker 8: come back, we got you your room and report. That's
- 50:01Speaker 8: so that's why I can't. You know what is the
- 50:02Speaker 8: breakfast slogo?
- 50:03Speaker 17: Morning?
- 50:03Speaker 8: All right, morning everybody. It's dj n V Charlemagne de God.
- 50:07Speaker 8: We are the Breakfast Club. Let's get to the rumors.
- 50:09Speaker 8: Let's talk Mary J. Blige, call out of name or
- 50:14Speaker 8: you gossip. This is the rumor report.
- 50:19Speaker 2: I mean, I guess we're on the breakfast club.
- 50:20Speaker 5: This is where the T spells right right now, we
- 50:23Speaker 5: got a salute to Mary J. Blige. He's doing something
- 50:25Speaker 5: very special.
- 50:26Speaker 8: She's offering a thirty thousand dollars scholarship to one lucky
- 50:30Speaker 8: student at Hampton University. Now, this is part of her
- 50:33Speaker 8: Strength of a Woman's Scholarship. It's an initiative for eligible students.
- 50:37Speaker 8: They must self identify as a female, be a current
- 50:40Speaker 8: college sophomore undergraduate with a minimum of a two point
- 50:43Speaker 8: five gpa, and also be pursuing a degree in business administration, marketing, arts, finance,
- 50:50Speaker 8: or creative design.
- 50:52Speaker 5: So salute to Mary J. Blige. And I think it's
- 50:54Speaker 5: dope that the school that she's picking is Hampton University.
- 50:56Speaker 5: Dropping the clues bobs for Mary J. Blige. Anytime something
- 50:59Speaker 5: is done for age BCUs, I'm all for now.
- 51:02Speaker 8: The deadline if you want to apply is October sixteenth,
- 51:05Speaker 8: y three p m.
- 51:06Speaker 7: All right.
- 51:07Speaker 5: All applicants will be notified in December.
- 51:09Speaker 8: So again, congratulations and good luck to anybody that's trying
- 51:12Speaker 8: to get that scholarship. Now, Cameron and Mace, they have
- 51:16Speaker 8: a great show. I love this show. It's called it
- 51:18Speaker 8: Is What It Is. And during It Is What It Is,
- 51:20Speaker 8: sometimes they ask each other questions, and somebody emailed they
- 51:24Speaker 8: wanted to ask Mask a question about where was he
- 51:27Speaker 8: when Biggie was murdered?
- 51:28Speaker 5: And what was his first thought?
- 51:30Speaker 11: And what did he want to do the night that
- 51:32Speaker 11: Biggie Small died? Where were you and what did you
- 51:36Speaker 11: do in the aftermath? Right after Biggie Small died?
- 51:39Speaker 5: What people here?
- 51:40Speaker 16: That sounded like a ked question. I was actually in
- 51:45Speaker 16: a hotel with a young lady.
- 51:48Speaker 5: And when you heard this information, what was your next actions?
- 51:52Speaker 16: I actually was trapped in the hotel.
- 51:54Speaker 5: Now, I don't want to ask the question, what do
- 51:57Speaker 5: you mean trapped?
- 51:58Speaker 16: It was about seventy or sol bloods in the hallway.
- 52:02Speaker 16: I couldn't even leave my room.
- 52:04Speaker 11: Why would it be so many bloods in your hallway
- 52:06Speaker 11: after Biggie's Small stock.
- 52:07Speaker 16: After Big I killed, They was probably looking for more
- 52:10Speaker 16: bad boy artists. And I couldn't even lay the room
- 52:13Speaker 16: to Jane Deale, the one at the officer had to
- 52:16Speaker 16: come get me. I was lefting in la and that
- 52:21Speaker 16: and from that day. I always said, you know, I'm
- 52:23Speaker 16: out of here.
- 52:25Speaker 7: Damn, that's the story you never heard. You heard so
- 52:28Speaker 7: many stories from that night. I never heard that one.
- 52:32Speaker 5: There, No, never at all. Now.
- 52:33Speaker 8: Also they talk about the song old Boy, which was
- 52:37Speaker 8: a camera record. Now a fun fact, when I was
- 52:39Speaker 8: doing my album back then, we got offered that record.
- 52:43Speaker 8: It's a true story. When I was signed the Desert Storm. Yeah,
- 52:47Speaker 8: and the money that Cameron wanted for me to purchase
- 52:49Speaker 8: the record in the production at the time. Of course
- 52:51Speaker 8: we didn't have huge budgets, so we couldn't take it.
- 52:53Speaker 8: But I always thought the record was a hit, and
- 52:55Speaker 8: it turned out to be a hit. But this is
- 52:57Speaker 8: him talking about the record and why just Blaze and
- 53:00Speaker 8: Jay we're mad about it.
- 53:01Speaker 11: Just give you a great example of Marshawn Lynch and
- 53:04Speaker 11: Russell Wilson and me and just Blade's relationship. I think
- 53:08Speaker 11: it's to say the Old Boy beat is sitting on
- 53:11Speaker 11: in the studio for two months, nobody uses it. Juels
- 53:14Speaker 11: convinced me to steal the song. We do the song.
- 53:17Speaker 5: After we put it out, he comes up to me.
- 53:19Speaker 11: It's like, Cam, We're gonna absolutely get killed on the
- 53:22Speaker 11: publisher and we didn't get there the sample before we
- 53:24Speaker 11: put it out.
- 53:25Speaker 5: And I'm like a whatever man. We have been sitting
- 53:28Speaker 5: there for two months.
- 53:29Speaker 11: By the way, Jay was mad at me behind that
- 53:31Speaker 11: because he didn't understand why I gave you that beat
- 53:34Speaker 11: and I didn't give him the beat.
- 53:35Speaker 5: I say, Yo, just it is a hit. I get that. Cam.
- 53:39Speaker 11: But if we would have did things correctly and then
- 53:41Speaker 11: went back and double back, we could a card troopered
- 53:44Speaker 11: what we really were gonna make.
- 53:45Speaker 5: Now we're not gonna I said, just do you want
- 53:47Speaker 5: to be a hit producer? He said not. Actually, my
- 53:50Speaker 5: dream is Wall Street and have restaurants.
- 53:56Speaker 7: Facebook that that was the story of Old Boy and
- 54:01Speaker 7: just blaze all right, and that is your room or
- 54:05Speaker 7: reports that Charlamageho, you give me your donkey to man
- 54:07Speaker 7: man for after the hour, I need this library in Huntsville,
- 54:11Speaker 7: Alabama to come to the front of the congregation and
- 54:13Speaker 7: it's a good opportunity to just express.
- 54:16Speaker 5: My love for books.
- 54:17Speaker 8: We'll discuss all right, and then after that we have
- 54:19Speaker 8: somebody that's actually just wrote a book. It's called Fashion Killer.
- 54:21Speaker 8: It's out today. Sonya is the lady's name, young lady's name,
- 54:25Speaker 8: and she has a book talking about fashion in the industry,
- 54:27Speaker 8: talking about everything on the West Coast from khakis and
- 54:30Speaker 8: and converts to Cameron's clothes to the pink fur and
- 54:34Speaker 8: all that. And we're gonna talk to her next hour. Right,
- 54:36Speaker 8: it's the Breakfast Club. Good morning, the Breakfast Club. Your
- 54:39Speaker 8: mornings will never be the same.
- 54:45Speaker 3: Damn he Hogg.
- 54:48Speaker 21: It's time for.
- 54:49Speaker 5: Donkey, I mean trying to be donkey today.
- 54:52Speaker 11: No more.
- 54:52Speaker 5: They should be embarrassed by what they already did.
- 54:54Speaker 2: I'm not making the called donkey of the day and
- 54:58Speaker 2: it really caught me off guard. D sela man who
- 55:01Speaker 2: got the donkey out of day today.
- 55:03Speaker 5: Wow.
- 55:04Speaker 7: Jeess Hilarian's Donkey Today for Wednesday, October eleventh goes to
- 55:07Speaker 7: the Huntsville Madison County Public Library in Huntsville, Alabama.
- 55:10Speaker 5: Salute to everybody who listens to us in Alabama.
- 55:13Speaker 7: We're on one O four to one to beat in Birmingham,
- 55:16Speaker 7: hot one O seven five in Montgomery, and one O
- 55:18Speaker 7: seven three to beaten mobile mobile, mobile, mobile, drop on
- 55:22Speaker 7: the clues bombs for Alabama.
- 55:24Speaker 5: Now y'all know I love reading.
- 55:26Speaker 7: Thank you to my mother who is an English teacher
- 55:28Speaker 7: in South Carolina, and for the Bookkeet Program for fueling
- 55:30Speaker 7: my hunger to read. My mother would always tell me
- 55:32Speaker 7: to read things that don't pertain to me, and the
- 55:35Speaker 7: Bookkeet program was a game changer for a teenage mutant
- 55:38Speaker 7: Ninja Turtle like myself. I'm fully aware that I look
- 55:41Speaker 7: like I could be casting a live remaker of the
- 55:42Speaker 7: Ninja Turtles myself Jeezy Jadakiss neo teenage mutant Nigga Turtle.
- 55:46Speaker 5: See when you.
- 55:47Speaker 7: Love pizza, hot pizza, and you love to read, and
- 55:51Speaker 7: your mom tells you to read things that don't pertain
- 55:53Speaker 7: to you, and you have to read four books to
- 55:55Speaker 7: get a free pizza, Reading things that don't pertain to
- 55:57Speaker 7: you makes that easy.
- 55:59Speaker 5: Okay.
- 55:59Speaker 7: That's why I love you Bloom and all her works. Okay,
- 56:02Speaker 7: that's why I love Julie Bloom and all her works
- 56:04Speaker 7: the way that I do. Okay, I'm saying all that
- 56:05Speaker 7: to say I love reading. I love books. I'm a
- 56:07Speaker 7: New York Times bestselling offer. I have two books out,
- 56:10Speaker 7: Black Privilege and Shook one.
- 56:11Speaker 5: Can you see him? Can you see them on the camera?
- 56:12Speaker 5: Nick should grab you?
- 56:14Speaker 11: Got here?
- 56:15Speaker 5: Black Privilege? You come back to the microphone. Yes, Black
- 56:19Speaker 5: Privilege is right here. Shook one is right here.
- 56:22Speaker 7: Okay, okay, I have a book in print, Black Privilege
- 56:25Speaker 7: Publishing with Shaman the Shoes to feel free to purchase
- 56:28Speaker 7: to meet a Mallory state of emergency.
- 56:30Speaker 5: And they need to copax Shallow Waters. Oh we got
- 56:32Speaker 5: throws again. I got a book too. I got a
- 56:35Speaker 5: book to hold on, hold on, hold on, hold on,
- 56:37Speaker 5: hold on, come back to the microphone.
- 56:39Speaker 7: See to meet a Mallory stave emergency, I need a
- 56:42Speaker 7: Kopex Shallow Waters book. Look, those are the first. If
- 56:46Speaker 7: you got a book, real life, real love. Okay, suit
- 56:48Speaker 7: to Doug Melville. In Visible General's out November seven, if
- 56:51Speaker 7: you can pre order that.
- 56:51Speaker 11: Now.
- 56:52Speaker 7: I'm saying all that to let you know how much
- 56:54Speaker 7: I love books. Okay, this is what I'm let me
- 56:56Speaker 7: share what I'm reading right now. Hold on you see
- 57:00Speaker 7: Don Miguel Ruiz's new book.
- 57:02Speaker 5: Okay, just finished this, Rich Paul, Lucky me. I'm never
- 57:07Speaker 5: not reading. I love reading.
- 57:08Speaker 7: My wife loves reading and it's infectious. My kids love reading.
- 57:11Speaker 7: I have three bookshelves in my house. I'm telling you
- 57:13Speaker 7: all this to paint the picture of how much I
- 57:15Speaker 7: love books, because I want you to know how it
- 57:17Speaker 7: pains me to see all these books and authors being
- 57:19Speaker 7: banned all around the country. I'm from South Carolina, Okay,
- 57:22Speaker 7: where the first anti literacy laws were passed. It was
- 57:25Speaker 7: prohibited to teach slaves to read and write. So when
- 57:28Speaker 7: you see me having the love for books that I do,
- 57:30Speaker 7: when you see me so deep in the book business,
- 57:31Speaker 7: understand it's personal. So stories like what's happening at the
- 57:35Speaker 7: Huntsfield Madison County Public Library really grind my gear. See,
- 57:38Speaker 7: they bann in books. They have a list of potentially
- 57:40Speaker 7: inappropriate titles. Now, I've never agreed with this kind of
- 57:44Speaker 7: censorship because everything is subjective. Do you know that Judy
- 57:47Speaker 7: Bloom is one of the most banned authors of the
- 57:49Speaker 7: twentieth century? Judy Bloom?
- 57:50Speaker 5: Are you there? Goddess me? Margaret blubba Iggy's House.
- 57:53Speaker 7: Banned because some culturally clueless fool labeled her potentially dangerous.
- 57:57Speaker 7: I don't get it, don't understand it, just like I
- 57:59Speaker 7: don't understand what the Huntsville Madison County Public Library is doing.
- 58:02Speaker 7: See they added a children's picture book titled Read Me
- 58:05Speaker 7: a Story Stella to a list of potentially inappropriate titles. Now,
- 58:09Speaker 7: what could be in this picture book that's potentially dangerous.
- 58:14Speaker 7: Is it humans writing on a penis shaped horse? De
- 58:16Speaker 7: writing derby?
- 58:17Speaker 5: If you will?
- 58:18Speaker 7: Is it a little sexy red riding hood taking big
- 58:20Speaker 7: bad wolves to pound Town? Did Jack and Jill go
- 58:22Speaker 7: up to hill to fetch Somley and purpose? That's what
- 58:24Speaker 7: could be in this children's book that is potentially dangerous.
- 58:27Speaker 7: Let's go to the news report.
- 58:29Speaker 12: Read Me a Story Stella, a children's book by author
- 58:32Speaker 12: Marie Louise Gay, appeared in a public library keyword search
- 58:36Speaker 12: list of potentially inappropriate material. It's because of the author's
- 58:40Speaker 12: last name Gay. This prompted a backlash against the library,
- 58:44Speaker 12: which insists it was a mistake and an exclusive Arkan
- 58:47Speaker 12: McCoy's book with executive director Cindy Hewitt.
- 58:50Speaker 17: Read Me a Story Stella, which seems to be what
- 58:52Speaker 17: everybody's focused on, was a book that was just on
- 58:55Speaker 17: a keyword search list. It has never been banned, moved
- 58:58Speaker 17: or touch in the library. Is still sitting where it's
- 59:02Speaker 17: supposed to do. So. We were examining our collection to
- 59:04Speaker 17: see if our materials were in age appropriate categories. The
- 59:09Speaker 17: communication was done at the managerial level, was passed down
- 59:13Speaker 17: through staff and in that conversation for managers to staff
- 59:17Speaker 17: is where communication broke down and the intent and the
- 59:21Speaker 17: purpose was misrepresented.
- 59:25Speaker 5: That was Fox fifty four, by the way.
- 59:27Speaker 7: So the answer to watching the book that is potentially
- 59:30Speaker 7: dangerous is nothing. The book is about the past siblings
- 59:33Speaker 7: reading together and building a dog out. The reason the
- 59:35Speaker 7: book was lifted potentially dangerous was because of.
- 59:38Speaker 5: The author's last name, Marie Louise Gay.
- 59:43Speaker 7: Yes, it was added to the list of potentially dangerous
- 59:45Speaker 7: books because the author's last.
- 59:47Speaker 5: Name was Gay. Okay, that's it, nothing more, nothing less.
- 59:51Speaker 7: Can we unpack this if the author's last name being
- 59:54Speaker 7: gay is considered potentially dangerous? And I know this library
- 59:57Speaker 7: on carried the memoir of Dick Buckets. Okay, this former
- 1:00:01Speaker 7: New England patriot Dick felt have a memoir. I know
- 1:00:03Speaker 7: that would be considered potentially dangerous.
- 1:00:05Speaker 5: What about a man the love? A man the love
- 1:00:08Speaker 5: will never have a book in this library? Okay. Banning
- 1:00:10Speaker 5: books is never acceptable.
- 1:00:11Speaker 7: We need more conversations now, We need folks reading about
- 1:00:15Speaker 7: different ideologies that individuals have. Stephen Schuboski says banning books
- 1:00:20Speaker 7: gives us silence when we need speech. It closes our
- 1:00:22Speaker 7: ears when we need to listen. It makes us blind
- 1:00:24Speaker 7: when we need sight, and I agree not to mention.
- 1:00:26Speaker 7: If a public school were to remove every book that
- 1:00:29Speaker 7: contains one word deemed objectional objectionable to some random person,
- 1:00:33Speaker 7: then there would be.
- 1:00:34Speaker 5: No books at all in our public libraries if you
- 1:00:36Speaker 5: ask me.
- 1:00:37Speaker 7: They didn't ban this book because the word gay is
- 1:00:39Speaker 7: considered sexually inappropriate. They banned this book because this woman
- 1:00:42Speaker 7: is an author. Her last name is Gay. And I
- 1:00:45Speaker 7: believe every single public library in a red state probably
- 1:00:48Speaker 7: has all of the great Roxanne Gay's work band dropping
- 1:00:51Speaker 7: the cloth bombs for Roxanne Gay.
- 1:00:53Speaker 5: All right, this isn't.
- 1:00:54Speaker 7: About sexuality as much as it's about banning one of
- 1:00:56Speaker 7: the greatest authors, professors social comment as we got on
- 1:00:59Speaker 7: this third Rock from the Sun. Don't say gay takes
- 1:01:01Speaker 7: on a whole other meaning in public libraries, all right.
- 1:01:04Speaker 7: They don't want you reading bad feminists in Roxanne Gay's
- 1:01:07Speaker 7: other works. Okay, look, man, read all the band books
- 1:01:10Speaker 7: you can. All right, Let your children read all the
- 1:01:12Speaker 7: band books you can. My daddy used to say, if
- 1:01:14Speaker 7: you want to hide something from a black person, put
- 1:01:16Speaker 7: it in a book. We've bend deified that stereotype that
- 1:01:18Speaker 7: black people don't read, and now that they know we
- 1:01:20Speaker 7: actually read, they just want to hide the books. So
- 1:01:23Speaker 7: go read all the band books you can. And remember
- 1:01:26Speaker 7: this quote from Oscar Wilde. The books that the world
- 1:01:29Speaker 7: calls immoral are the books that show the world its
- 1:01:32Speaker 7: own shame. The books that tell the truth of America,
- 1:01:37Speaker 7: that hold Emerata America and shows America.
- 1:01:40Speaker 5: What it needs to be embarrassed about.
- 1:01:43Speaker 7: Please give this Huntsville Madison County Public Library in Huntsville, Alabama.
- 1:01:49Speaker 5: The biggest e huh.
- 1:01:53Speaker 8: M, all right, well, thank you for that donkey today, sir. Yes, Indeed,
- 1:02:00Speaker 8: when we come back on peace B E T B T,
- 1:02:02Speaker 8: we see you later. Everybody else. Uh, Sonya will be
- 1:02:06Speaker 8: joining us. She has a new book called Fashion Killer.
- 1:02:08Speaker 8: Do you know Sonya's last name? I don't want to
- 1:02:10Speaker 8: mess with Christa Murphy. Huh, Sonia Christiana Murphy, Christna Murphy.
- 1:02:13Speaker 5: Yes, joined us and.
- 1:02:15Speaker 7: Sonya used to host the TV show together back in
- 1:02:18Speaker 7: the day on MTV called Hip Hop POV. It was me, Sonya,
- 1:02:23Speaker 7: Boo Acon's brother Boo, Amanda Seals, Debbie Brown. I think
- 1:02:28Speaker 7: that's it. That's it, oh me, Yeah, it was five
- 1:02:32Speaker 7: of us. I know, I think like it was five
- 1:02:34Speaker 7: of us. Who was the fifth person me Doug.
- 1:02:36Speaker 8: Yes, well, she has a new book out today called
- 1:02:38Speaker 8: Fashion Killer, and we're going to talk to her when
- 1:02:39Speaker 8: we come back, so don't move. It's to Breakfast Club.
- 1:02:41Speaker 5: Good morning, the Breakfast Club.
- 1:02:46Speaker 11: Morning.
- 1:02:46Speaker 8: Everybody is DJ n V Charlamagne to God. We are
- 1:02:50Speaker 8: the Breakfast Club. We got a special guest in the.
- 1:02:52Speaker 7: Building, Sonia Christiana Murphy sow me a Christian Murphy didn't
- 1:02:55Speaker 7: want you to attend.
- 1:02:56Speaker 8: I've been practicing that. I've been practicing for the last
- 1:02:58Speaker 8: five minutes. I was gonna get it right.
- 1:02:59Speaker 6: I wasn't sure was going to do it right. But
- 1:03:01Speaker 6: both of you in Unison today, thank you.
- 1:03:04Speaker 5: You have a book out right now called Fashion Killer.
- 1:03:07Speaker 7: And before we get to the book, you know Sonya
- 1:03:09Speaker 7: is a world renowned hip hop journalist.
- 1:03:12Speaker 6: Yes, yes, and Fashion Killa is my first book. Wowrat,
- 1:03:16Speaker 6: so order it everywhere. This is the first anthology about
- 1:03:20Speaker 6: hip hop and high fashion, and obviously it comes out
- 1:03:22Speaker 6: on Hip Hop fifty.
- 1:03:23Speaker 5: Why a book about fashion?
- 1:03:25Speaker 6: It's so interesting. The genesis was it started as an
- 1:03:28Speaker 6: article in Double XL and as I was doing the research,
- 1:03:31Speaker 6: I saw that there are no books about this and
- 1:03:34Speaker 6: one thing about the lit space and you know the
- 1:03:37Speaker 6: shars that a lot of times hip hop stories just
- 1:03:40Speaker 6: aren't elevated in the same way other genres are rock music,
- 1:03:44Speaker 6: pop music. Right, it's still sort of seen as either
- 1:03:47Speaker 6: knee or some kind of underground to be honest with you.
- 1:03:50Speaker 6: So to me, knowing hip hop fifty was coming up,
- 1:03:53Speaker 6: this is such a great opportunity to write really that
- 1:03:56Speaker 6: definitive story, that fifty year retrospective. And I'm one of
- 1:04:00Speaker 6: those people. If I don't see it in the marketplace,
- 1:04:02Speaker 6: well I might as well just do it myself.
- 1:04:04Speaker 5: That was going to ask, you know what do you
- 1:04:05Speaker 5: break down in the book?
- 1:04:06Speaker 8: Because you know when you go sometimes you go to
- 1:04:08Speaker 8: Vegas and you go to Planet Hollywood, right, you see
- 1:04:09Speaker 8: all these rock and roll idols on the wall and
- 1:04:12Speaker 8: you see their guitar and you see their shirt and
- 1:04:14Speaker 8: you see there whatever, or you see some pop stars.
- 1:04:16Speaker 8: I don't really see that that much for hip hop,
- 1:04:19Speaker 8: which is concerned and we do have a lot of
- 1:04:21Speaker 8: things that is pretty big, but you know, whether we're
- 1:04:23Speaker 8: talking about uh, you know, but that's starch of the run.
- 1:04:26Speaker 6: Dmc adidas imagine.
- 1:04:28Speaker 8: Like Cameron's Jacksody in blue or Cameron's pink fur.
- 1:04:32Speaker 5: You know things like that that really step outside.
- 1:04:35Speaker 6: Of the Smithsonian, right, the Cameron pink fur. But I
- 1:04:38Speaker 6: think Envy you make such a good point. It is
- 1:04:40Speaker 6: still this idea. Although hip hop is fifty, it's still
- 1:04:43Speaker 6: not viewed kind of through that prestige lens, right.
- 1:04:46Speaker 9: Yeah.
- 1:04:47Speaker 6: I mean you have the Smithsonian, you have these like
- 1:04:48Speaker 6: little moments here and there, but this idea that it
- 1:04:52Speaker 6: should be elevated and really treated with the gravitas that deserves.
- 1:04:56Speaker 6: I think those are the opportunities. And for me, that's
- 1:04:59Speaker 6: I just didn't see that in the.
- 1:05:00Speaker 7: Lit space because it's not I don't think hip hop
- 1:05:02Speaker 7: has looked at through the lens of art, and it
- 1:05:04Speaker 7: should be like everyone Salm Remy was up here and
- 1:05:06Speaker 7: he had these big paintings of like you know, some
- 1:05:09Speaker 7: of our favorite hip hop artists. When you see it
- 1:05:11Speaker 7: as a painting, you're like, oh, you look at it
- 1:05:13Speaker 7: different on when they do the book of Whole exhibit
- 1:05:16Speaker 7: in Brooklyn, you're like, oh, like, we're not looking at
- 1:05:18Speaker 7: it through the.
- 1:05:18Speaker 5: Lens of art.
- 1:05:19Speaker 9: Yeah.
- 1:05:19Speaker 6: And you know for me, just having a hardcover book out,
- 1:05:23Speaker 6: you open it and yeah, of course there's like forty
- 1:05:25Speaker 6: great photos of like Biggie and Cam and Cardi B
- 1:05:28Speaker 6: and all these people. But there's also history, their sociology,
- 1:05:33Speaker 6: their's psychology. It's so much more layer than just a
- 1:05:36Speaker 6: rapper war dope outfit. And I think a lot of
- 1:05:38Speaker 6: times people see it through that cursory lens, and it's
- 1:05:42Speaker 6: much more nuanced than that.
- 1:05:43Speaker 7: Break down This coverle because I hit you when I
- 1:05:45Speaker 7: told you this cover is fantastic fire, but not with
- 1:05:48Speaker 7: it like break down that coverle.
- 1:05:50Speaker 6: So it's so funny. That cover was a little bit
- 1:05:52Speaker 6: there were some back and forth, a little arguments with
- 1:05:54Speaker 6: some people. So basically fashion Killa is obviously a nod
- 1:05:58Speaker 6: to the Asap Rocky song where he named checks like
- 1:06:00Speaker 6: twenty seven brands, right, he was saying brands that nobody
- 1:06:03Speaker 6: had heard of, and I wanted something that really made
- 1:06:07Speaker 6: it stand out in the marketplace with the cover. If
- 1:06:09Speaker 6: you look at again, a lot of hip hop books,
- 1:06:12Speaker 6: it's like a guy with a big chain, something very
- 1:06:15Speaker 6: sort of stereotypical or kind of looks cheap if I'm
- 1:06:18Speaker 6: going to be honest, and for me, I wanted it
- 1:06:20Speaker 6: to look lux I want to look sexy. Even if
- 1:06:23Speaker 6: you don't read one page, it's gonna look good on
- 1:06:25Speaker 6: your coffee table, it looks great and selfies. So I
- 1:06:28Speaker 6: wanted this to be a book. It's very much a
- 1:06:30Speaker 6: nod to McQueen, obviously with the skull, but again to
- 1:06:33Speaker 6: differentiate it, to show that this is something different, it's special,
- 1:06:38Speaker 6: and almost treat it like a luxury product, right. I
- 1:06:40Speaker 6: manags like walking down the street having a really sexy book.
- 1:06:43Speaker 6: That's kind of an accessory, right. And it's also a
- 1:06:46Speaker 6: great conversation starter too.
- 1:06:48Speaker 5: You break down how, especially in hip hop, how we
- 1:06:51Speaker 5: make some of these fashion brands cool.
- 1:06:53Speaker 6: Absolutely, you know, it's funny. One of the chapters is
- 1:06:55Speaker 6: called nineteen ninety one and a lot of people don't
- 1:06:58Speaker 6: realize car Looger did a whole hip hop themed runway
- 1:07:02Speaker 6: show back in ninety one, and it was, you know,
- 1:07:05Speaker 6: big chains and name plates and baseball cap to the side. Now,
- 1:07:10Speaker 6: of course rappers and hip hop weren't given homage, right,
- 1:07:13Speaker 6: But the idea that someone like Carl lager fell for
- 1:07:16Speaker 6: Chanelle was doing it all the way back then. The
- 1:07:19Speaker 6: influence has always been there. Now, the thing is the relationship.
- 1:07:23Speaker 6: I think very much starred as the outsider, so hip
- 1:07:26Speaker 6: hop not being accepted but also not being able to
- 1:07:28Speaker 6: afford it. You got to think back to someone like
- 1:07:30Speaker 6: Dapper Dan, He's like, the only people who could afford
- 1:07:32Speaker 6: my stuff were drug dealers and athletes. Only then when
- 1:07:36Speaker 6: Ell and Eric b rock him, people like that Caine,
- 1:07:39Speaker 6: when they were able to afford it, then they become
- 1:07:41Speaker 6: the consumer. We go into the nineties, which is my
- 1:07:44Speaker 6: personal favorite era, where we start to see Sean John
- 1:07:47Speaker 6: and Rock Aware and all of these rapper led brands, right,
- 1:07:51Speaker 6: and then now I think we're in an age of collaboration.
- 1:07:53Speaker 6: So you have Pharrell over at Louis Vuitton. You see
- 1:07:56Speaker 6: artists like Asap, Rocky or Travis Scott very much being
- 1:08:01Speaker 6: partners with these brands. But you know, as we saw
- 1:08:03Speaker 6: with Dapper Dan, I mean his sort of full circle
- 1:08:06Speaker 6: moment with Gucci happened after they bit his style, right,
- 1:08:09Speaker 6: and only after Twitter came and really rallied around him
- 1:08:13Speaker 6: was he able to have this incredible comeback. I would
- 1:08:15Speaker 6: hope it doesn't take outrage and those kind of scandals
- 1:08:19Speaker 6: for hip hop to truly have a seat at the table,
- 1:08:21Speaker 6: whether it be decision making, design or just being represented
- 1:08:25Speaker 6: in fashion.
- 1:08:26Speaker 7: Why do you think it's so difficult for black brands
- 1:08:28Speaker 7: to succeed and have longevity.
- 1:08:31Speaker 6: It's hard. I think when we talk about rapper led brands, first,
- 1:08:35Speaker 6: a lot of it is tied to the artists. So
- 1:08:37Speaker 6: when the artist isn't hot, you don't want to wear
- 1:08:39Speaker 6: their clothes no more. Right, and so many of those brands.
- 1:08:42Speaker 6: I mean, are you wearing Marshall Mathers clothing right now?
- 1:08:47Speaker 5: Maybe?
- 1:08:47Speaker 6: I mean I'm from Michigan, so maybe we always wear it.
- 1:08:55Speaker 6: You know, there was woo wear. Remember Busta had a
- 1:08:57Speaker 6: line dmxattle. There was the time everyone had a line
- 1:09:00Speaker 6: and it was get a record deal, have one hit record,
- 1:09:03Speaker 6: to have one right. A few of them, Sean John
- 1:09:06Speaker 6: Rock aware they kind of elevated where they were making
- 1:09:09Speaker 6: hundreds of millions of dollars. But I think a lot
- 1:09:12Speaker 6: of it is you can't tie something to something as
- 1:09:15Speaker 6: seasonal as an artist trend, because when you're not the
- 1:09:18Speaker 6: flavor of the moment, it happens to everyone. No one
- 1:09:21Speaker 6: wants to wear your clothes. I think the other part
- 1:09:23Speaker 6: is just for brands, it's really expensive. A lot of
- 1:09:26Speaker 6: people ask me, why don't think sven grappers want to
- 1:09:29Speaker 6: have their own brands? Now, do you want to spend
- 1:09:31Speaker 6: your own money to have, you know, focus on manufacturing
- 1:09:34Speaker 6: and supply and all of these things distribution. It's a
- 1:09:38Speaker 6: similar to the music business. There's a reason everyone's still
- 1:09:40Speaker 6: signs to the majors. It's better to spend someone else's money.
- 1:09:43Speaker 8: I we got more with Sonya Christia Murthy. When we
- 1:09:45Speaker 8: come back, it's the Breakfast Club. Good morning, Good morning everybody.
- 1:09:48Speaker 8: It's j Envy Charlamagne the guy we ought to Breakfast Club.
- 1:09:51Speaker 8: We're still kicking in with Sonya Christna Murthy. She is
- 1:09:54Speaker 8: the author of Fashion Killer, a book that's pretty much
- 1:09:57Speaker 8: based on the fashion of the hip hop indushy what.
- 1:10:00Speaker 5: Came first for you to love a fashion and love
- 1:10:02Speaker 5: a hip hop?
- 1:10:03Speaker 17: Oh?
- 1:10:03Speaker 6: Love hip hop? But so I grew up in Kalamazoo, Michigan,
- 1:10:08Speaker 6: which outside of Derek Jeter, nobody else knows where that's
- 1:10:11Speaker 6: from because that's where he's from. And you got to remember,
- 1:10:13Speaker 6: we didn't have hip hop radio, we didn't have you know,
- 1:10:17Speaker 6: concerts coming through like that. So so much of my
- 1:10:20Speaker 6: relationship was through things like music videos, magazines like Vibe
- 1:10:24Speaker 6: and The Sores and Blaze. So the music and the
- 1:10:27Speaker 6: visuals really went hand in hand. At a very early age.
- 1:10:30Speaker 7: For me, what about Little Kim because you broke down
- 1:10:32Speaker 7: her fascist Why do you guess such a fashion?
- 1:10:34Speaker 6: I come, I mean little Kim from day one? Who
- 1:10:36Speaker 6: can forget that famous poster of hardcore. I don't know
- 1:10:40Speaker 6: if you guys remember, but I think a lot of
- 1:10:41Speaker 6: boys became men that you and they saw that the wall. Yeah,
- 1:10:46Speaker 6: it's actually currently on his wall.
- 1:10:51Speaker 5: The story. I got a homeboy who was high off
- 1:10:54Speaker 5: hash and.
- 1:10:54Speaker 6: He said, this is in South Carolina, Yes, okay.
- 1:10:56Speaker 5: And he said that Little Kim climbed off out of
- 1:10:59Speaker 5: that post.
- 1:10:59Speaker 6: And this isn't a magic guy. What was he trying
- 1:11:05Speaker 6: to see?
- 1:11:05Speaker 5: Like the But why do you think? She said? A fashion?
- 1:11:08Speaker 6: But yeah, so Little Kim very early on, she was
- 1:11:10Speaker 6: very fearless. And this was a woman who embraced her sexuality,
- 1:11:13Speaker 6: her body at a time that it still wasn't acceptable.
- 1:11:17Speaker 6: I mean, if I was looking a lot of archival footage,
- 1:11:19Speaker 6: she's sitting here on daytime TV, grown men and women
- 1:11:22Speaker 6: wagging their finger and you're the downfall of America. But
- 1:11:26Speaker 6: she stayed true to herself, and early on she worked
- 1:11:29Speaker 6: with people like Dona Tella Versaci and Mark Jacobs. She
- 1:11:32Speaker 6: became amused to them, because in fashion, what's more exciting
- 1:11:36Speaker 6: than a gorgeous woman who sits very proudly in her skin.
- 1:11:40Speaker 6: But Kim, like a lot of artists, specially female artists,
- 1:11:43Speaker 6: they never got their flowers. If you remember, Carti b
- 1:11:46Speaker 6: was the first female rapper on the cover of American Vogue.
- 1:11:50Speaker 6: Wasn't Kim, wasn't Fox, wasn't Missy Elliott, wasn't Eve all
- 1:11:54Speaker 6: great contenders, by the way. So now a lot of
- 1:11:57Speaker 6: people in the fashion world are talking about maybe she
- 1:11:59Speaker 6: should get a Lifetime Achievement award or something, because not
- 1:12:03Speaker 6: only did she birth a generation of female artists, but
- 1:12:06Speaker 6: so many designers have taken just her elements, from the wig,
- 1:12:09Speaker 6: the makeup, the diy creations that she wore. She definitely
- 1:12:14Speaker 6: represents somebody who was fearless.
- 1:12:16Speaker 7: What was it about Virgil that made hip hop artists
- 1:12:19Speaker 7: currently celebrate him the way that they do, because you know,
- 1:12:21Speaker 7: you don't really see that with designers, like why Virgil.
- 1:12:24Speaker 6: Well, Virgil came from hip hop And there's a great
- 1:12:26Speaker 6: picture in my book of Virgil Kanye Fonsworth, Bentley and
- 1:12:30Speaker 6: a few other guys at Paris Fashion with I remember that, Yeah,
- 1:12:35Speaker 6: they used to kill that picture. But looking now, they
- 1:12:38Speaker 6: all came dressed and they were peacocking. They were looking
- 1:12:40Speaker 6: for the camera because and I interviewed Fonsworth for the
- 1:12:44Speaker 6: book and he's like, we want to show we arrived.
- 1:12:46Speaker 6: This was important that we are here as young black
- 1:12:49Speaker 6: stylish men in Paris, and you will take our photo.
- 1:12:52Speaker 6: So Virgil came up with Kanye, was very close to
- 1:12:55Speaker 6: him as a creative director. They were both interns together
- 1:12:58Speaker 6: at Fendi. Look, I interned at Bad Boy, and I'm
- 1:13:01Speaker 6: pretty sure that they got to do more fun intern
- 1:13:04Speaker 6: things at Fendy Kanye and Virgil. But I love the
- 1:13:06Speaker 6: fact that they wanted to earn their stripes, like no, no, no,
- 1:13:09Speaker 6: we need to go to the source, and we don't
- 1:13:11Speaker 6: want to just be the cool guys jumping in. We
- 1:13:13Speaker 6: want to be respected. One thing Virgil I think did
- 1:13:16Speaker 6: very well was he's a great dot connector he will
- 1:13:19Speaker 6: take someone from hip hop, someone from art, someone from this,
- 1:13:22Speaker 6: you know, sports world. He was a DJ, so he
- 1:13:24Speaker 6: had this interesting sensibility that he was able to touch with.
- 1:13:29Speaker 6: And you know, I think for a lot of people,
- 1:13:31Speaker 6: myself included, we were just so shocked when he passed,
- 1:13:34Speaker 6: so Virgil and also Andre Herrel sadly passed during the
- 1:13:38Speaker 6: writing of this book, so I couldn't get to speak
- 1:13:40Speaker 6: to them. But I think for a lot of people,
- 1:13:42Speaker 6: that's like a hole that hasn't been filled, just this
- 1:13:45Speaker 6: idea of this like nice, good guy who had so
- 1:13:48Speaker 6: many interesting, cool friends and vision, and when he had
- 1:13:52Speaker 6: that job at Louis Vuitton, it really felt like someone
- 1:13:54Speaker 6: from hip hop made it like it wasn't just wearing Louis.
- 1:13:57Speaker 6: You have a job there, you know, you're actually sitting
- 1:14:00Speaker 6: at those tables with those decision makers. So he'll absolutely
- 1:14:03Speaker 6: be messed.
- 1:14:04Speaker 8: What male artists do you feel revolutionized hip hop as
- 1:14:08Speaker 8: far as fashion is for the culture, if you.
- 1:14:09Speaker 6: Could think, I mean we're talking about high fashion. We
- 1:14:12Speaker 6: got to go back to the beginning and go to
- 1:14:13Speaker 6: who's wearing Dapper Dan? Who can ever forget Eric B
- 1:14:16Speaker 6: and rock him and those like Dapper Dan Jackets. I
- 1:14:19Speaker 6: think later on, someone like Puffy was so instrumental where
- 1:14:23Speaker 6: he could do anything because he came from that Andre
- 1:14:26Speaker 6: Herral lineage of ghetto fabulous. He was the guy making
- 1:14:29Speaker 6: Mary J. Blige where like the baseball shirt and the
- 1:14:33Speaker 6: cap and the knee pads and that whole thing Jodosy
- 1:14:36Speaker 6: and then of course that goes to Biggie, right. I
- 1:14:39Speaker 6: don't think without Puff, Biggie would look the way that
- 1:14:42Speaker 6: he looked. I think Puff as he said, And I
- 1:14:44Speaker 6: think there's a great quote in the book I want
- 1:14:46Speaker 6: to say from one of the track masters where Puff
- 1:14:48Speaker 6: is like, no, my man is sexy, and they're like really,
- 1:14:51Speaker 6: He's like no, No, That's why we need to one
- 1:14:52Speaker 6: more chance, because he's sexy and women like him and
- 1:14:55Speaker 6: he needs to look sexy. So someone like Puff. Absolutely.
- 1:15:00Speaker 6: Of course Kanye, Kanye ever forget this man continues to
- 1:15:04Speaker 6: revolutionize fashion. When I go out, I see so many
- 1:15:06Speaker 6: little Kanye clones to this day, right, like you just
- 1:15:10Speaker 6: look like you walked out out of Calabasas. Farrell probably
- 1:15:14Speaker 6: the streetwear who popularizing Babe to then launching BBC, and
- 1:15:20Speaker 6: he worked with people like Lagerfell, Mark Jacob's early before
- 1:15:23Speaker 6: Louis Vatan. One fun story because you know there's a
- 1:15:25Speaker 6: big conversation hip hop who made bait popular. Soldier Boy
- 1:15:29Speaker 6: thinks it's him. Then there's you know, little Wayne and
- 1:15:32Speaker 6: said it was him. This launched a whole the clips.
- 1:15:35Speaker 6: Mister me too, right that was a whole thing. I
- 1:15:38Speaker 6: have a great picture of Biggie wearing it in ninety
- 1:15:40Speaker 6: seven before he came wearing Babe. There's an incredible story
- 1:15:45Speaker 6: that's one of my favorite pictures. And there's an awesome
- 1:15:47Speaker 6: picture of Tupac in Milan. So right before he passed,
- 1:15:51Speaker 6: he was invited by Versace to walk in the Runway
- 1:15:54Speaker 6: show in Milan. It was Tupac Kadata Jones, who was
- 1:15:57Speaker 6: his then girlfriend, and his bodyguards and they walked the
- 1:16:01Speaker 6: show and then he performed I Believe California Love Wow. Yeah,
- 1:16:05Speaker 6: and apparently Jiohnny was a big fan of his and
- 1:16:09Speaker 6: Johnny VERSACEI was smart about collecting celebrities and really having
- 1:16:13Speaker 6: whether it be Madonna or Mike Tyson. He just likes
- 1:16:16Speaker 6: celebrities and he was that designer that now we see
- 1:16:19Speaker 6: celebs front row. It wasn't like that before. It was
- 1:16:22Speaker 6: fashion editors, fashion buyers, like people who need to be
- 1:16:25Speaker 6: in the industry. But Johnny just saw the vision and
- 1:16:28Speaker 6: he just fell in love with Pac And yeah, so
- 1:16:31Speaker 6: that right before he passed.
- 1:16:32Speaker 5: What do you hope fashion goes into the next fifty years?
- 1:16:35Speaker 7: We know what the last fifty years of hip hop
- 1:16:37Speaker 7: fashion looked like, what about the next fifties.
- 1:16:40Speaker 6: I think the next fifty I would love to see
- 1:16:41Speaker 6: a rapper brand become an American heritage brand, the way
- 1:16:46Speaker 6: that we wear Polo and Tommy Hill Figure and Calvin
- 1:16:50Speaker 6: Klein and those things. Maybe it's Sean John. Maybe it's easy.
- 1:16:54Speaker 6: Maybe it's easy. I think he falls or is I
- 1:16:58Speaker 6: think he was? He was on his Okay, So here's
- 1:17:00Speaker 6: the question. Can you make a comeback?
- 1:17:03Speaker 7: No, can make a company. I think he can make
- 1:17:05Speaker 7: a comeback. Absolutely not. If you're trying to trademark youth
- 1:17:09Speaker 7: at a time like this, that.
- 1:17:11Speaker 6: Would be interesting. But what I love about this book
- 1:17:14Speaker 6: is it starts in nineteen seventy three ends in twenty
- 1:17:16Speaker 6: twenty three, but the culture is living, so it's constantly
- 1:17:20Speaker 6: shaping and changing. So reading this book you get this
- 1:17:23Speaker 6: great historical perspective, but I think it also makes you
- 1:17:26Speaker 6: excited for the future.
- 1:17:27Speaker 5: Well, the book is out right now.
- 1:17:29Speaker 7: Appreciate you for joining the pot revolution out of high Fashion.
- 1:17:32Speaker 5: It's in stores right now. Go pick it up. Thank
- 1:17:34Speaker 5: you for joining us.
- 1:17:35Speaker 9: Thank you.
- 1:17:36Speaker 6: Let's do it again.
- 1:17:37Speaker 5: O Ye, ladies and gentlemen, to Breakfast Club. Good morning,
- 1:17:39Speaker 5: the breakfast club.
- 1:17:43Speaker 7: That damn Justin bieberfore I the BIBA No, he can
- 1:17:46Speaker 7: make an R and B record when you want to
- 1:17:47Speaker 7: cany while we not playing.
- 1:17:49Speaker 5: Moments from the Love album, the Justin Bieber record from
- 1:17:52Speaker 5: the video. It's a good question. This is a no record.
- 1:17:54Speaker 8: You just throw that on every now and then morning everybody,
- 1:17:57Speaker 8: we are to breakfast club.
- 1:17:58Speaker 5: Let's get to the roomors, let's talk Kerry Washington or
- 1:18:04Speaker 5: you gossip? Is the rumor report?
- 1:18:09Speaker 2: I mean, I guess were on the breakfast club?
- 1:18:10Speaker 5: This is were the tea spells right right now.
- 1:18:13Speaker 8: Kerry Washington was on Bravo on Watch What Happens Live
- 1:18:17Speaker 8: with Andy Cohen and she was asked, who's the most
- 1:18:20Speaker 8: famous person to slide in your d MS?
- 1:18:23Speaker 5: Who is the most famous person to slide into your
- 1:18:27Speaker 5: d MS wanting to connect as a friend or otherwise.
- 1:18:30Speaker 12: Shack Shaquille, he's a big Scandal fan and he's like,
- 1:18:34Speaker 12: I'll do anything for command.
- 1:18:37Speaker 5: That's Shack Man. Everybody's DMS. You noticed that who else?
- 1:18:43Speaker 7: Is always a story about Shack being and somebody DMS
- 1:18:46Speaker 7: sending support in love, propingnaclues mom for that seven foot
- 1:18:51Speaker 7: three regular Nigga's.
- 1:18:55Speaker 5: Good to see It's good to see he's still got
- 1:18:57Speaker 5: that new again him. He's definitely from the brick now.
- 1:19:00Speaker 8: Jada Pinkett Smith reveals that she and Will Smith have
- 1:19:04Speaker 8: been separated since twenty sixteen.
- 1:19:07Speaker 22: There are so many surprising things in the book. But
- 1:19:10Speaker 22: the thing that surprised me the most that I actually
- 1:19:13Speaker 22: had to reread it because I said, is this true?
- 1:19:17Speaker 22: Was that in twenty sixteen you and Will decided that
- 1:19:23Speaker 22: you were going to live completely separate lives. It was
- 1:19:27Speaker 22: not a divorce on paper, but it was a divorce.
- 1:19:33Speaker 22: So from the year twenty sixteen, which is seven years ago.
- 1:19:37Speaker 5: Now, yes, y'all have been a part. Yeah, I mean,
- 1:19:48Speaker 5: think about this. I haven't read the book yet. I
- 1:19:53Speaker 5: am a pinket went free, and I forgot what I am.
- 1:19:57Speaker 5: I'm so flustered. I'm a pink Smith. Winfrey knows Carter.
- 1:20:02Speaker 8: So since twenty sixteen, it's twenty twenty three, so close
- 1:20:07Speaker 8: to twenty years, right, So I really want to know
- 1:20:11Speaker 8: how Will feels when we say close to ten years.
- 1:20:13Speaker 8: I really want to know how Will Smith truly truly feels.
- 1:20:15Speaker 7: Now what he says to the public, now, what he
- 1:20:16Speaker 7: says on social media when he's with his therapist or
- 1:20:19Speaker 7: when he's just a loane in his thoughts, How does
- 1:20:21Speaker 7: he feel about this? Because it feels like it feels
- 1:20:25Speaker 7: like there's only one side, there's only one part of
- 1:20:28Speaker 7: the relationship always being spoken about, and it's always coming
- 1:20:31Speaker 7: from miss Jada, and it never seems like it puts
- 1:20:35Speaker 7: Will in a good light.
- 1:20:36Speaker 17: Ever.
- 1:20:37Speaker 5: Am I bugging with this? Yeah, it's just me. No,
- 1:20:39Speaker 5: it's not just you.
- 1:20:40Speaker 8: But if they were separated since twenty sixteen, right it's
- 1:20:43Speaker 8: twenty twenty three, that.
- 1:20:45Speaker 5: Don't mean I get what you what you're trying to,
- 1:20:47Speaker 5: what you're saying, tell me what you're saying.
- 1:20:49Speaker 8: That means you know, when she was allegedly with oh,
- 1:20:52Speaker 8: I don't want to talk about it, to do it,
- 1:20:53Speaker 8: that means that that was fine because it was separate.
- 1:20:55Speaker 5: I was thinking about something else.
- 1:20:57Speaker 7: I'll think about when he him and Chris Rock got
- 1:20:59Speaker 7: into their little because I know people will probably say, well,
- 1:21:01Speaker 7: they were separated. He probably did that for no reason,
- 1:21:03Speaker 7: But that don't mean that's still the mother of your children.
- 1:21:05Speaker 5: This is it doesn't matter. But that was just to
- 1:21:07Speaker 5: say it.
- 1:21:07Speaker 8: So no matter what she does on the side or
- 1:21:09Speaker 8: what he does on the side, they were separated and
- 1:21:11Speaker 8: you can't tell what their relationship is. Right, whatever makes
- 1:21:14Speaker 8: them happy makes them happy, nobody else's business.
- 1:21:17Speaker 5: Correct.
- 1:21:17Speaker 7: But I'm sure they know that. That's why it's their house.
- 1:21:20Speaker 7: That's probably why they don't trip away the general public
- 1:21:22Speaker 7: be tripping. See, the general public don't know nothing, and
- 1:21:25Speaker 7: they never do. All we do is assume things and
- 1:21:28Speaker 7: we see things, and being that we don't know how
- 1:21:30Speaker 7: things actually are, we jump to conclusions. But you can't
- 1:21:33Speaker 7: jump to conclusions when you don't have no information.
- 1:21:36Speaker 8: No, But the problem is, didn't they do a whole
- 1:21:37Speaker 8: interview about it and everything? And during that interview when
- 1:21:40Speaker 8: they were talking about their their lives and their marriage,
- 1:21:42Speaker 8: they never one time said they were separated.
- 1:21:45Speaker 5: I don't know about nothing, none of that. Man. I
- 1:21:47Speaker 5: don't like talking about people situations like that.
- 1:21:50Speaker 18: I like.
- 1:21:50Speaker 5: I like figuring out my own home. Damnit.
- 1:21:52Speaker 7: Okay, you know what I'm saying. I got my own
- 1:21:54Speaker 7: home going on, keep keeping entanglements out my house. I
- 1:21:56Speaker 7: don't want my house to being the tangled.
- 1:21:58Speaker 5: Yeah. But also if they talk about it and you
- 1:22:00Speaker 5: write it in a book, you want people to know.
- 1:22:01Speaker 7: Right, Well, DC, that's my point, and that's why I
- 1:22:03Speaker 7: said it always seems to only be coming from one side.
- 1:22:06Speaker 5: I read Will's book, he didn't mention it. I mean,
- 1:22:08Speaker 5: I ain't read Jayda's book yet. I want to know
- 1:22:10Speaker 5: why is why.
- 1:22:11Speaker 7: I want to know how Will feels about this situation
- 1:22:14Speaker 7: and Will's being forced to have to speak about it
- 1:22:16Speaker 7: because she is right and we're curious now.
- 1:22:19Speaker 5: Correct, you know, yeah, m m m mmmmmm. All right,
- 1:22:25Speaker 5: that is your room.
- 1:22:26Speaker 7: Remember when Bigge said, problems with my wife, don't discuss them. Yeah,
- 1:22:29Speaker 7: I think everybody needs to get back to that. Problems
- 1:22:32Speaker 7: with my wife, don't discuss them. Problems with my husband,
- 1:22:34Speaker 7: don't discuss.
- 1:22:34Speaker 8: But I will say that when when people do, maybe
- 1:22:37Speaker 8: not that problem, but when they discuss certain problems, it's
- 1:22:40Speaker 8: it's it's a better situation. Because sometimes people feel like
- 1:22:42Speaker 8: when they're dealing with situations in the house that it's
- 1:22:45Speaker 8: just them, you know what I mean.
- 1:22:46Speaker 5: Only I'm going to go to a therapist, go to
- 1:22:49Speaker 5: a counselor go do some people don't like counselors. Whatever
- 1:22:53Speaker 5: it is.
- 1:22:54Speaker 7: You know, I'm seeing everybody's spill. They got to be
- 1:22:56Speaker 7: a social media you know. Sometimes I think it's good
- 1:22:59Speaker 7: because I think people can understand and say hey, this
- 1:23:01Speaker 7: is what I went through, this is what I've been through.
- 1:23:02Speaker 7: People don't understand because they don't care. To have a understanding,
- 1:23:06Speaker 7: you have to care. Let me tell you something. None
- 1:23:08Speaker 7: of these people actually care about these people. Nobody that
- 1:23:11Speaker 7: reading Jada Pinker's book or likes will Swift. They don't
- 1:23:14Speaker 7: actually care about them.
- 1:23:14Speaker 5: How could they?
- 1:23:15Speaker 7: How could they actually care about them as people? We
- 1:23:17Speaker 7: don't know them as people. You know them for what
- 1:23:19Speaker 7: you see on television, you know, for what you're reading books,
- 1:23:21Speaker 7: You know what I mean, you know what you hearing
- 1:23:22Speaker 7: the music. You don't actually know these people, So you
- 1:23:25Speaker 7: don't have that level of empathy and that level of
- 1:23:27Speaker 7: care that you would if you actually knew some person.
- 1:23:30Speaker 7: So it's like yo, when they give us things like this,
- 1:23:33Speaker 7: were not thinking anything except for gossip, rumors, things to
- 1:23:38Speaker 7: chat about on social media, to talk about at work,
- 1:23:40Speaker 7: Like we don't.
- 1:23:40Speaker 5: Know these people? All right? Well at all? Is your room?
- 1:23:44Speaker 5: What's the point of giving it to report? All right?
- 1:23:46Speaker 5: When we come back, we got the people's choice mixed.
- 1:23:47Speaker 5: Let's go.
- 1:23:48Speaker 19: It's the breakfast Club. Goo morning, the breakfast Club. Your
- 1:23:50Speaker 19: mornings will never be the same.
- 1:23:53Speaker 8: Mourning everybody is DJ nv Charlamagne the guy. We are
- 1:23:57Speaker 8: the Breakfast Club. Now we got a salute off Set
- 1:24:00Speaker 8: for joining us this morning.
- 1:24:02Speaker 5: Salute to the good brother Offset Man.
- 1:24:03Speaker 7: Set It Off will be in stores Friday that as
- 1:24:07Speaker 7: offset second album, sophomore album.
- 1:24:09Speaker 8: And also salute to Sonia. Her new book, Fashion Killer
- 1:24:11Speaker 8: is out right now.
- 1:24:12Speaker 7: That's right, Sonya Christina Murphy, that's the homie. Her book
- 1:24:15Speaker 7: fashion Killer is out right now. And the reason I
- 1:24:17Speaker 7: like that book is because you know, when we don't
- 1:24:19Speaker 7: got no fashion, I don't have no fashion. But when
- 1:24:21Speaker 7: we've been talking about fifty years of hip hop, you know,
- 1:24:23Speaker 7: it's all about the music, but you know, hip hop
- 1:24:25Speaker 7: is a culture, so it's not just music.
- 1:24:27Speaker 5: You know, fashion plays a big role in that. So
- 1:24:29Speaker 5: I'm glad that there is a piece of art that.
- 1:24:32Speaker 7: Is documenting the last fifty years of fashion and hip hop,
- 1:24:36Speaker 7: and that is indeed Samia Christiana Murphy's new book, Fashion Killer.
- 1:24:40Speaker 7: So make sure you go pick that up. And Rich
- 1:24:42Speaker 7: Paul Lucky Me is out there. Man, go to the bookstore.
- 1:24:44Speaker 7: Those are two good reasons to go to the bookstore
- 1:24:46Speaker 7: this week. And Michael Harriet black af that's another good
- 1:24:49Speaker 7: reason to go to the bookstore that came out a
- 1:24:51Speaker 7: couple of weeks ago, Great Reads.
- 1:24:53Speaker 5: All right, when we come back. We got the positive
- 1:24:54Speaker 5: notice to Breakfast Club.
- 1:24:55Speaker 8: Good morning Morning. Everybody is dj n V Charlamagne the guy.
- 1:24:59Speaker 8: We are the Breakfast Club. Now I'm Charloman. You got
- 1:25:02Speaker 8: a positive note. I do man in the positive note
- 1:25:04Speaker 8: simply this.
- 1:25:05Speaker 7: When you're transitioning from being a people pleaser into someone
- 1:25:09Speaker 7: with more boundaries, it can feel so weird. It's hard
- 1:25:11Speaker 7: to tell if you're being mean or if you're actually
- 1:25:14Speaker 7: just respecting your own feelings because you're so used to
- 1:25:17Speaker 7: putting other people's feelings first. But I'm telling you right now,
- 1:25:20Speaker 7: you gotta put your feelings first.
- 1:25:22Speaker 5: Okay, Breakfast Club, bitch is you don't feeish or y'all
- 1:25:25Speaker 5: done