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Night Of The Living Dead Returns With Jared Cohn Behind The Writing And Camera Lens · Arroe Collins Like It's Live

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  Speaker 1: The coolest thing about modern day technology or storytelling is
• 0:03
  Speaker 1: the fact that you can get it anywhere. But when
• 0:06
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• 0:35
  Speaker 1: Enjoy your exploration. Jared, how are you doing today?
• 0:40
  Speaker 2: I'm all right. I'm good.
• 0:41
  Speaker 3: It's a little early here on the West Coast, but
• 0:46
  Speaker 3: chilly a little bit here as well. Well, that's all right.
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  Speaker 1: That's what I love about this time of year, because
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  Speaker 1: it's too early for it to get hot. But then again,
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  Speaker 1: at the same time, I would love to see this
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  Speaker 1: movie at an outdoor drive in here in Charlotte. We've
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  Speaker 1: got three outdoor drive within just driving distance, and I
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  Speaker 1: have to experience it at one of those theaters.
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  Speaker 2: You know.
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  Speaker 3: That's that that would be like the way they did it,
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  Speaker 3: you know, when it when.
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  Speaker 2: It first came out driving. Yeah, they should do that.
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  Speaker 2: I hope that's a great idea. Someone, somebody please send
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  Speaker 2: the producer that idea.
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  Speaker 1: Absolutely know, because we sit back and I remember when
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  Speaker 1: George was in our studio and for him to sit
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  Speaker 1: down and talk about the old drive in the way
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  Speaker 1: that he did, I mean, it's an experience that you
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  Speaker 1: just never forget. And then for you to honor not
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  Speaker 1: only the movie and the legacy, but the man himself.
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  Speaker 1: I mean, this is such a major chapter in Hollywood history.
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  Speaker 2: I love that. I love the way you put that. Yes,
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  Speaker 2: I think this movie deserves that.
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  Speaker 3: And drive in theaters are great, and I know there's
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  Speaker 3: a there's kind of a mini resurgence of.
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  Speaker 2: Drivings, but I don't think they quite got back to
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  Speaker 2: where they were.
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  Speaker 3: But hopefully, hopefully this will be the one that makes
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  Speaker 3: that happen.
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  Speaker 1: Well, look at who you've got in this movie. I mean,
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  Speaker 1: come on, Vivica Fox, You've got Dee Wallace. I mean
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  Speaker 1: you're talking top notch people here that we expect to
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  Speaker 1: see a movie such as Night of the Living Dad,
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  Speaker 1: you know, and uh yeah.
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  Speaker 2: Well you know, I just want to also say, you know, huge.
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  Speaker 3: Shout out rest in peace to to to Robert Chard,
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  Speaker 3: and I had had the the great fortune of working
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  Speaker 3: with him way back many many many years ago in
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  Speaker 3: addition to this movie, and just such.
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  Speaker 2: A good guy and and.
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  Speaker 3: Uh, you know, I wish he was would be here
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  Speaker 3: to uh to see this great movie. But he's a
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  Speaker 3: great he was a great guy and uh, great family
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  Speaker 3: and and it's kind of you know, maybe, uh.
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  Speaker 2: It's a shame. It's a shame what happened. But but
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  Speaker 2: but about the movie. Yeah, I mean, he did fantastic.
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  Speaker 3: He was he wast and a friend of mine.
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  Speaker 1: So see, and that's what I love about it. That's
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  Speaker 1: the that's the part of Hollywood that a lot of
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  Speaker 1: us don't understand, is that the friendships that everybody has
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  Speaker 1: behind the scenes. We get to see you up on
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  Speaker 1: the screen, we get to hear the interviews and things
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  Speaker 1: like that, but we never get to see the real
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  Speaker 1: people that you are. And to hear that that warms
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  Speaker 1: my heart because that's exactly the Hollywood that I want
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  Speaker 1: to love and know that you guys are honest to
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  Speaker 1: God friends.
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  Speaker 3: Yeah you know, I mean, uh, you you work on
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  Speaker 3: a movie, you you become so tight such a you know,
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  Speaker 3: short period of time and and then the movie ends.
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  Speaker 3: And and oftentimes you know you won't you won't talk
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  Speaker 3: to somebody for years or but you always have that
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  Speaker 3: you have that shared experience and that and that is
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  Speaker 3: you know, immortalized on the on the.
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  Speaker 2: In the movie.
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  Speaker 3: So it's uh, it's an interesting, uh you know sort
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  Speaker 3: of thing that.
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  Speaker 2: Happens and you when when you make a movie.
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  Speaker 4: But uh, yeah, difficat I mean great cast, uh.
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  Speaker 3: Vifica absolutely, you know, fantastic and and and uh super
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  Speaker 3: super solid and Richard goodbye and yes.
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  Speaker 1: Yeah, because i mean everybody that's featured in this movie
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  Speaker 1: is when you see him on the screen, you know
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  Speaker 1: you're in the right place. And that that means that
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  Speaker 1: everybody on your staff put together the right ingredients to
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  Speaker 1: make this happen, because i mean eye Candy is eye candy,
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  Speaker 1: and when we can relate, we can really get more
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  Speaker 1: involved in the action and the storyline itself.
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  Speaker 2: Yes exactly.
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  Speaker 3: It's the you know, people that you know that you're
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  Speaker 3: your fans, that you can get behind, you can root for,
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  Speaker 3: uh and this movie.
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  Speaker 5: Yeah, this and just the sort of the you know
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  Speaker 5: to make it, to make it to be a part
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  Speaker 5: of an official you know, and there's been a lot
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  Speaker 5: of sort of unofficial, but this one got the permission
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  Speaker 5: of the Romero State and have the families blessings. So
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  Speaker 5: I really hope that this one sort of stands apart
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  Speaker 5: a little bit in that regard, you know, and being
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  Speaker 5: able to bear the original title without you know, sort
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  Speaker 5: of adding a colon and a few other words to.
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  Speaker 2: Legally allow it to be you know, a part of
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  Speaker 2: the franchise.
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  Speaker 1: Well see what I love about this Jared, though, is
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  Speaker 1: the fact that you know, I always say that, you know,
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  Speaker 1: the reason why music is the way music is today
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  Speaker 1: is because if it's brand new to the younger generation,
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  Speaker 1: then it's brand new period. And as for generating people
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  Speaker 1: my age, I'll sit there and say, well, I'll just
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  Speaker 1: create modern day memories today. That's how I feel about
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  Speaker 1: Night of the Living Dead, and what you're doing is here,
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  Speaker 1: Yeah I have those old memories, but you bring it
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  Speaker 1: back makes me go, god, dang, this is what summertime
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  Speaker 1: movies are all about, and you tapped into that energy.
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  Speaker 2: Yes, yeah, exactly. It's It's just classic.
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  Speaker 3: I mean, it's just a classic part of you know, cinema.
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  Speaker 3: The original I was such a fan of uh and
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  Speaker 3: that was breaking, breaking you know, barriers and and the
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  Speaker 3: subject that was dealt with, and you know, just sort
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  Speaker 3: of the the o G is an MB movie.
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  Speaker 2: Uh that that that changed a lot of things. It
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  Speaker 2: opened a lot of doors. So to be coming through
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  Speaker 2: the one of the doors.
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  Speaker 3: That it opened, Uh, you know, I don't think that'll
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  Speaker 3: be able to be repeated for.
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  Speaker 2: Who I mean, who knows waving.
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  Speaker 3: You know, movies getting made constantly, remake constantly, but at
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  Speaker 3: least at least for the time being. At least for
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  Speaker 3: the time being, this movie is is that I of
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  Speaker 3: a Living Dead remake?
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  Speaker 1: Well, you did such a fine job in the way
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  Speaker 1: of I mean, this is the things that really haunt
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  Speaker 1: me the most, and empty street, the radio station staying
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  Speaker 1: on the air. There's such a mental experience here because
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  Speaker 1: I mean, you've got vigilante groups. Everything here is exactly
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  Speaker 1: the way that my mind would envision if there was
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  Speaker 1: a zombie takeover. And that means that you're tapped into
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  Speaker 1: your viewers and you know what we're starving for out
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  Speaker 1: here when it comes to a zombie entertainment experience.
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  Speaker 3: Yeah, I mean that that was the plan, you know,
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  Speaker 3: to sort of honor the honor of the original, to
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  Speaker 3: keep to keep keep the core elements, but.
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  Speaker 2: Also you know, put a put put a fresh take
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  Speaker 2: on it, because you know, while that movie was you know.
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  Speaker 3: So original class and it was you know, quite a
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  Speaker 3: few years ago.
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  Speaker 2: So we wanted to bring bring them, bring the.
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  Speaker 6: Movie, the story of the history to to a new
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  Speaker 6: generation and you know, hopefully, hopefully it'll get you know,
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  Speaker 6: that's at least some degree if it gets one percent.
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  Speaker 3: Of of what the original movie received, and then you know,
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  Speaker 3: I'll believe it to be a success because that movie
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  Speaker 3: did so much, add a hundred you know percent, a
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  Speaker 3: change of thought in movies, in zombie movies and creating
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  Speaker 3: zombie movies and you know, breaking barriers.
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  Speaker 1: Well, I can't wait to find out how all these
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  Speaker 1: other podcasts that puts so much attention on zombie movies
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  Speaker 1: as well as just great classic horror movies they're going
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  Speaker 1: to adopt this. And my god, those of us that
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  Speaker 1: are addicted to those podcasts, that's how you know you're
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  Speaker 1: gonna get the word out there as well, because it's
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  Speaker 1: just amazing how just people are attracted to zombies. I'm
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  Speaker 1: just blown away by that.
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  Speaker 7: You know, when you're looking I mean zombies, Yeah, I
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  Speaker 7: mean if you look at like why, you know, the
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  Speaker 7: big question, why why are people you know love zombies.
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  Speaker 2: It's just I think it has to do with the
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  Speaker 2: you know, we.
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  Speaker 8: Don't want to die, you know, we want to live on,
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  Speaker 8: even even if living on is is coming, you know,
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  Speaker 8: coming back as some you know, alternate version of.
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  Speaker 2: Life.
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  Speaker 9: I think there's an appeal there, appeal there, and uh,
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  Speaker 9: you know, nobody wants you know, I mean, yeah, some
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  Speaker 9: people want to die, of course, but nobody really wants
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  Speaker 9: to die when they really think about it.
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  Speaker 2: Uh well, I mean obviously there's exception to the rule.
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  Speaker 3: But being you know, just a zombie, like it's such
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  Speaker 3: a crazy idea. It's like, you know, you're a ghost,
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  Speaker 3: but not a ghost, You're still alive, and then recruiting
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  Speaker 3: others and it's almost like.
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  Speaker 6: The dead want other people to join them in their
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  Speaker 6: in their army.
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  Speaker 8: So you know, like the invention of the zombie, I mean,
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  Speaker 8: and being part of that and being a zombie.
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  Speaker 2: Being a zombie is uh, you know, special thing.
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  Speaker 3: It's a special thing and you can only be you know,
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  Speaker 3: really captured on cinema.
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  Speaker 10: So I think people there's so many there that people
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  Speaker 10: can you know, latch onto that they love.
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  Speaker 1: So now I was sitting here chuckling in the way
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  Speaker 1: because I know how hard you work every single day
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  Speaker 1: and we don't get to see that, but I just
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  Speaker 1: know how hard you work and loyal and dedicated you are.
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  Speaker 1: And I have to sit there and go, he's got
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  Speaker 1: to be a zombie. He's got to be able to
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  Speaker 1: have that connection to a real zombie to make this
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  Speaker 1: thing work the way that it is. Something was always
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  Speaker 1: in the corner of your eye because you feel it.
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  Speaker 1: It feels too real, is what it does. And that's
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  Speaker 1: what I love about it.
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  Speaker 2: Oh yeah, thank you, thank you. Yeah. I mean, I'm
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  Speaker 2: just really as a heart.
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  Speaker 8: You know, I'm a I'm a I'm a big fan.
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  Speaker 6: You know, I'm a big fan of of of these movies,
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  Speaker 6: a big fan of independent.
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  Speaker 3: Cinema, and and I just you know, absolutely love.
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  Speaker 2: I love work, and I love making movies. I love
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  Speaker 2: making hard and it's just yes, it's in my DNA,
• 11:02
  Speaker 2: so it's it's it was really just an honor.
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  Speaker 3: And when you know, when Chris the director producer reached
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  Speaker 3: out and I was just like, you want to do
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  Speaker 3: a lot of I was like, of course, I'm in
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  Speaker 3: Like who would not want to be a part of
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  Speaker 3: you know, such a you know, to do a remake
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  Speaker 3: of Night of the Living Dead.
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  Speaker 1: Hey, please don't move. We're just getting started with Jared
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  Speaker 1: Cone Night of the Living Dead, the remake. We are
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  Speaker 1: back with Jared Cohne. One of the things that I
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  Speaker 1: also find fascinating this is going to be the business
• 11:38
  Speaker 1: side of me talking to the business side of you,
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  Speaker 1: and that is is that when you're given a thirty
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  Speaker 1: day period to put a movie together. I love situations
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  Speaker 1: like that because I swear to God that I work
• 11:47
  Speaker 1: better when I have limited time. What about you, I
• 11:50
  Speaker 1: realized it's a pain in the butt, But that limited
• 11:52
  Speaker 1: time doesn't that make you a sharper, more skill filled
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  Speaker 1: actor and and and somebody who brings things forward for
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  Speaker 1: other actors as well.
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  Speaker 11: Yeah, I mean, you know, when you when you have
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  Speaker 11: a time, I think, when you have all the time
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  Speaker 11: in the world to prepare and put things together, it's
• 12:10
  Speaker 11: you know, that's a that's a different process.
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  Speaker 2: You know, you take you go through the normal preparation.
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  Speaker 3: And I also wrote the script on this one, so
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  Speaker 3: that gave me a little bit a little bit more
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  Speaker 3: time to uh to sort of get get into it.
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  Speaker 8: But having a timeline and having limited you know, a
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  Speaker 8: limited schedule.
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  Speaker 10: It's it sort of brings something out you either you
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  Speaker 10: ether sink or sink or swim and and hopefully, you know,
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  Speaker 10: hopefully audiences.
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  Speaker 2: Will will will say that.
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  Speaker 10: You know, we swim, and you know we made something
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  Speaker 10: cool and and you know, obviously you know it's not
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  Speaker 10: you know, fifty million dollars movie.
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  Speaker 2: I wish it, you know, that would be amazing. Gives
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  Speaker 2: you all the time in the world to as many
• 12:51
  Speaker 2: tapes as you want. But uh on a time crunch.
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  Speaker 8: Yeah, you know you gotta you gotta either deliver or
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  Speaker 8: or you just are on time.
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  Speaker 2: I mean then you're seeing gets cut and moved on
• 13:04
  Speaker 2: to the next thing. But you know it's with with.
• 13:09
  Speaker 3: A time crunch comes a forced choice of you gotta
• 13:13
  Speaker 3: be best and you can uh make it happen.
• 13:17
  Speaker 2: And it's that's that's independent filmmaking, that's shooting on uh
• 13:23
  Speaker 2: on a time crunch.
• 13:24
  Speaker 1: Well, if you sit down and you talk with Steven Spielberg,
• 13:26
  Speaker 1: he'll say, you're in the right place at the right
• 13:28
  Speaker 1: time right now. Because a lot of the next level
• 13:30
  Speaker 1: of where Hollywood is growing are the people that have
• 13:33
  Speaker 1: done these short films and have done things for YouTube
• 13:35
  Speaker 1: and TikTok and and I mean, I mean every everything
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  Speaker 1: that you've done is spelling out that you're in. You're
• 13:41
  Speaker 1: the next guy that we're all going to be watching
• 13:43
  Speaker 1: because you totally understand that small screen versus the big one,
• 13:48
  Speaker 1: and you know the different levels that we have to travel,
• 13:52
  Speaker 1: you know.
• 13:53
  Speaker 3: I mean it's an interesting time right now in Hollywood,
• 13:56
  Speaker 3: you know, with obsession and backrooms and and creator.
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  Speaker 2: But but it is going.
• 14:03
  Speaker 3: You know, what's great is that people people are showing up.
• 14:06
  Speaker 3: They they they're getting out behind uh you know, the
• 14:11
  Speaker 3: shorts to what you know, these many films that they're
• 14:15
  Speaker 3: watching on YouTube and Independent Center and they're actually.
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  Speaker 2: Going out spending money on a movie ticket.
• 14:22
  Speaker 3: So I think it's I think in that regard, it's
• 14:24
  Speaker 3: a really good time, uh.
• 14:27
  Speaker 2: To be a filmmaker.
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  Speaker 3: At the same time, you know, it's also anybody now,
• 14:31
  Speaker 3: you know, with the phone, we can can can make accounts.
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  Speaker 3: So the opportunity to entry to you know, the barrier
• 14:38
  Speaker 3: to entry is is anybody now anybody.
• 14:41
  Speaker 2: With the phone. So it's it's you know.
• 14:43
  Speaker 3: It increases, uh, the amount of content. But at the
• 14:48
  Speaker 3: same time, I think good, you know, good good content
• 14:52
  Speaker 3: will we'll get seen. And and that's almost exactly how
• 14:56
  Speaker 3: the exactly how the sort of you know, YouTube algorith
• 15:00
  Speaker 3: them or the algorithm on these you know, to be
• 15:03
  Speaker 3: it works the same way it's it's so if it's
• 15:07
  Speaker 3: if it's good in quality, it will be seen that
• 15:11
  Speaker 3: which is uh, I think I think it's good for
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  Speaker 3: It's sort of the natural progression of cinema.
• 15:19
  Speaker 1: So when you have the main actors and things that
• 15:22
  Speaker 1: are going up against the zombies, do you ever see
• 15:24
  Speaker 1: anything in their eyes and say, Damn, I wish I
• 15:26
  Speaker 1: could have played the zombie. I realize they've got the
• 15:28
  Speaker 1: major role as the normal person, but damn, I wish
• 15:31
  Speaker 1: I could have played the zombie, because it seems to
• 15:33
  Speaker 1: be that that area that people are like, oh my god,
• 15:36
  Speaker 1: to be in a zombie movie.
• 15:39
  Speaker 3: You know, I've had a good portion of of of
• 15:43
  Speaker 3: playing uh, you know, of being a zombie a few times.
• 15:49
  Speaker 1: It is fun.
• 15:50
  Speaker 3: I gotta you know, you put up the makeup, and
• 15:52
  Speaker 3: then honestly it's like you're like, oh, how am.
• 15:54
  Speaker 2: I gonna walk? How am I gonna make the sounds?
• 15:57
  Speaker 2: And then all of a sudden you're in the.
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  Speaker 3: Makeup and you got the prosthetics and the blood leaking,
• 16:03
  Speaker 3: and now you just look at yourself and something just
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  Speaker 3: comes out and you're like, Okay, I know how I'm
• 16:09
  Speaker 3: gonna be, but but it'd be.
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  Speaker 2: It's ah when you when you see yourself as a zombie,
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  Speaker 2: you're sort of you're you're you're, it's a lot easier
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  Speaker 2: to be like okay, now now I understand it, Now
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  Speaker 2: I understand.
• 16:25
  Speaker 1: Wow, I'll tell you what I I gotta. This is
• 16:28
  Speaker 1: one of those moments for for fans of zombie movies
• 16:30
  Speaker 1: or even B rated movies, that that you're you're you're
• 16:33
  Speaker 1: touching the real people by sharing the conversations with with
• 16:37
  Speaker 1: those beyond the pages of Hollywood, because that's the way
• 16:40
  Speaker 1: George A. Romero was. That man would take the time
• 16:43
  Speaker 1: to talk to an ant on the ground if it
• 16:45
  Speaker 1: meant that it could help promote the movie. And to
• 16:47
  Speaker 1: see you doing it, I think the baton is being
• 16:49
  Speaker 1: tossed to you, Jared. I think you're that next guy.
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  Speaker 2: Oh man, Well, I I thank you, thank you.
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  Speaker 4: I mean that's a that's a huge, you know, compliment,
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  Speaker 4: and I would have to. I mean, you know, George
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  Speaker 4: Romero is just legendary in my eyes, and you know
• 17:11
  Speaker 4: a lot of these pioneers, you know, I mean even
• 17:16
  Speaker 4: you know, like Roger Corman, you know, the guy guys
• 17:20
  Speaker 4: who really just existed back even you know, you could
• 17:24
  Speaker 4: say Dennis Hopper and this, you know when when he
• 17:27
  Speaker 4: started making yeah, legends and people who who in their
• 17:34
  Speaker 4: time changed the way filmmaking was, uh, you know by
• 17:39
  Speaker 4: putting their own sort of putting their own spin on it.
• 17:42
  Speaker 2: And yeah, it would just be if I.
• 17:44
  Speaker 9: Could, if I if I die and become a zombie, well.
• 17:49
  Speaker 12: In some zombie you're not if I could have any
• 17:52
  Speaker 12: sort of lasting impact and uh or just a footnote really,
• 17:58
  Speaker 12: then then you've I think you've done something right.
• 18:02
  Speaker 2: You've definitely done something right. But yeah, I mean it's
• 18:04
  Speaker 2: it's unquestionable whether.
• 18:07
  Speaker 10: You know, George Romero or Corman or Hopper or the
• 18:12
  Speaker 10: guys that you know did something that sort of changed.
• 18:16
  Speaker 2: The plot of the future of filmmaking.
• 18:20
  Speaker 8: And I think that's sort of also what's going on
• 18:23
  Speaker 8: now with you know, back rooms and obsession like these
• 18:26
  Speaker 8: are you know, content creators making movies.
• 18:30
  Speaker 2: So I think things.
• 18:31
  Speaker 10: Keep changing and you know AI and things are constantly
• 18:37
  Speaker 10: evolving and changing.
• 18:38
  Speaker 2: But to be but to be a part of a
• 18:41
  Speaker 2: sort of a throwback. It's a little bit different. Yeah,
• 18:45
  Speaker 2: it's cool, it's exciting.
• 18:47
  Speaker 1: Well, I'm definitely waiting and wanting a movie from you
• 18:51
  Speaker 1: that stars Sidney Sweeney and William Shatner as zombies. I
• 18:54
  Speaker 1: swear to God, if anybody can put that together, it's
• 18:56
  Speaker 1: going to be you.
• 18:58
  Speaker 2: Oh well, you know, honestly, it was.
• 19:01
  Speaker 7: It was interesting because you know when I worked with Sydney,
• 19:06
  Speaker 7: you know, this was before this was before Sydney.
• 19:08
  Speaker 13: Was was was was was Sydney, and you know she
• 19:12
  Speaker 13: was It was just amazing to see you know how
• 19:17
  Speaker 13: you know when I worked from with her and.
• 19:20
  Speaker 3: You know to where she is now, you know, ten years,
• 19:24
  Speaker 3: ten years and ten years span.
• 19:25
  Speaker 2: So that was that was that was really incredible.
• 19:31
  Speaker 3: I'm so proud of her, and that was you know,
• 19:34
  Speaker 3: I've been in the business for a twenty plus years
• 19:37
  Speaker 3: and you know, you see people, you see people, the.
• 19:40
  Speaker 14: Actors you work with, Oh that person is going to
• 19:42
  Speaker 14: be huge, and then you know, years later, you know,
• 19:46
  Speaker 14: you don't see anything, but you know, Sydney, Sydney just
• 19:50
  Speaker 14: absolutely just blew up and and so proud of her
• 19:54
  Speaker 14: and she you know, so talented.
• 19:56
  Speaker 3: And then then you got guys like Shattering when I
• 19:58
  Speaker 3: worked as Shatter.
• 20:00
  Speaker 2: You know, he's just been around.
• 20:03
  Speaker 3: Forever and he's still still you know, delivering.
• 20:08
  Speaker 2: So it's there's a lot to be learned from both
• 20:12
  Speaker 2: of both Sydney Sweeney and William Shatner.
• 20:15
  Speaker 3: And yeah, I went an honor to to have directed
• 20:20
  Speaker 3: directed both Sidney Sweeney and William Shatner.
• 20:23
  Speaker 14: I don't know if there's anyone else on this planet.
• 20:26
  Speaker 2: That can say, yeah, I worked with Sydney and William Shatner.
• 20:29
  Speaker 1: Maybe, dude, you got to come back to this show
• 20:33
  Speaker 1: anytime in the future. Twenty minutes with you, man, we
• 20:35
  Speaker 1: barely even got into your creative process, and I would
• 20:37
  Speaker 1: love to do that sometime, to get into that thought
• 20:40
  Speaker 1: process of just bringing a movie together inside this content,
• 20:45
  Speaker 1: content driven world that we spoke of.
• 20:48
  Speaker 3: You know, at anytime, I'd love to.
• 20:51
  Speaker 2: Yeah, I definitely went.
• 20:52
  Speaker 11: By too quick and happy to happy to get on anytime.
• 20:56
  Speaker 2: Thank you so much for having me.
• 20:59
  Speaker 1: You bet you be brilliant today In case, sir.
• 21:02
  Speaker 2: You thank you. I love that you too, You too,
• 21:05
  Speaker 2: you are you are buried