Latest / Toxic Girls Zone / What Actually Happens When You Stop Chasing The Almost
Transcript
- 0:03Speaker 1: Okay, so it's a Tuesday, completely ordinary Tuesday. I've got
- 0:06Speaker 1: an iced coffee that has fully given up on being cold.
- 0:09Speaker 1: It's just sad brown water at this point. And my
- 0:11Speaker 1: dog is under the couch doing something with a sock.
- 0:13Speaker 1: Not her sock. She doesn't own socks. And I'm sitting
- 0:16Speaker 1: here thinking about a text I got this morning from
- 0:18Speaker 1: a friend. And she's telling me about this guy. And
- 0:20Speaker 1: I know before she even finishes typing, I can feel it.
- 0:23Speaker 1: He's almost there. He's almost interested. He's almost ready. He's
- 0:26Speaker 1: just never quite, you know? So yeah, that's where we're
- 0:28Speaker 1: starting today. And I'm going to warn you right now,
- 0:30Speaker 1: this one is going to land somewhere you didn't see coming.
- 0:33Speaker 1: Not the place you think. Not the place you've heard before.
- 0:36Speaker 1: Here's what we're talking about. The almost addict. And before
- 0:39Speaker 1: you go, oh, that's not me. I'm not dramatic. Just
- 0:41Speaker 1: stay for a second. Because this isn't a flaw. It's
- 0:44Speaker 1: not a character defect. It's actually a very logical strategy
- 0:47Speaker 1: that worked for a really long time and then quietly
- 0:49Speaker 1: stopped working. And now it's running your love life from
- 0:51Speaker 1: a back room you didn't know existed. Right? The almost
- 0:54Speaker 1: addict isn't the woman who makes bad choices. She's the
- 0:56Speaker 1: woman who keeps choosing the same amount of distance in
- 0:58Speaker 1: a slightly different person every single time. We're going to
- 1:01Speaker 1: talk about why. We're going to talk about where it
- 1:03Speaker 1: comes from. And we're going to talk about what it
- 1:05Speaker 1: actually costs you, which is more than just the guy.
- 1:07Speaker 1: And here's the thing I want you to hold on
- 1:10Speaker 1: to from the jump, because we're coming back to it.
- 1:12Speaker 1: You are not addicted to him. You are addicted to
- 1:14Speaker 1: the almost. The him is interchangeable. The almost is the
- 1:18Speaker 1: whole point. My dog, by the way, currently has 17
- 1:20Speaker 1: socks under that couch and a boyfriend who almost texts back.
- 1:24Speaker 1: She is genuinely thriving. I'm not sure either of us
- 1:27Speaker 1: has it figured out. Okay. Let's talk about you for
- 1:30Speaker 1: a second, and I want to start by saying something
- 1:32Speaker 1: I mean. You are not dramatic. The almost man is genuinely,
- 1:35Speaker 1: legitimately intoxicating. And if someone tells you the pull you
- 1:38Speaker 1: feel isn't real, they haven't felt it. The way his
- 1:41Speaker 1: attention works, it's not constant. It's variable. And that variability
- 1:45Speaker 1: is doing something to your brain that is not imaginary.
- 1:48Speaker 1: You check your phone. You watch his stories. You replay
- 1:51Speaker 1: the last conversation looking for the part where you may
- 1:53Speaker 1: have said something wrong. And then he replies, after two
- 1:55Speaker 1: days of quiet, and it feels like winning something, like
- 1:58Speaker 1: actually winning. That hit is real. Yeah, I'm not here
- 2:02Speaker 1: to tell you it isn't. But here's the flip I
- 2:05Speaker 1: need you to sit with. The feeling you're calling desire
- 2:07Speaker 1: is mostly the feeling of waiting. Those are two different things.
- 2:10Speaker 1: Desire is about wanting someone. Waiting is about managing uncertainty.
- 2:15Speaker 1: And when you've been waiting long enough, when your whole
- 2:17Speaker 1: nervous system is tuned to that frequency, the relief of
- 2:19Speaker 1: contact feels so good that you call it chemistry. You
- 2:22Speaker 1: call it connection. You call it proof that it's real, right?
- 2:26Speaker 1: But what if the thing making your heart move isn't him?
- 2:28Speaker 1: It's the signal finally arriving after the silence. That's a
- 2:31Speaker 1: different thing entirely. Picture this. It's Saturday morning. You made coffee.
- 2:36Speaker 1: You had a plan. Kind of loose, but something. And quietly,
- 2:39Speaker 1: without making a decision out loud, you've rearranged the whole
- 2:41Speaker 1: day around a maybe. He didn't say he's coming. He
- 2:44Speaker 1: said maybe. And you're at your kitchen table, refreshing his
- 2:46Speaker 1: stories every 20 minutes. Not because the stories matter, but
- 2:49Speaker 1: because you're checking if he's alive, if he's out, if
- 2:51Speaker 1: the silence has a reason. He posts something. Something nothing.
- 2:54Speaker 1: A photo of food. Whatever. And you feel it. A
- 2:57Speaker 1: small flood of relief, just from knowing he still exists.
- 3:00Speaker 1: Your inner voice goes, see, he was just busy. And
- 3:03Speaker 1: then he texts, sorry, been slammed. Can we do next week?
- 3:06Speaker 1: And you go, yeah, totally. No worries. And mean it.
- 3:08Speaker 1: Because next week is another almost to look forward to.
- 3:11Speaker 1: Can we see this? Yeah, I know you can. He
- 3:15Speaker 1: doesn't cancel because he's busy. He cancels because he's always
- 3:18Speaker 1: a little out of reach. And that is the feature,
- 3:20Speaker 1: not the bug. You chose someone whose distance is load-bearing.
- 3:23Speaker 1: Take the distance away and the whole thing might not
- 3:25Speaker 1: feel like the same thing anymore. Which is the question
- 3:27Speaker 1: I actually want to ask you. Not what does he want?
- 3:30Speaker 1: Not what does his maybe mean? What do you actually
- 3:32Speaker 1: know about what you want versus what you know about
- 3:34Speaker 1: what he might do next? Because I'll bet you could
- 3:36Speaker 1: write a thesis on his behavior and you'd struggle to
- 3:38Speaker 1: finish a paragraph about your own, right? That's not an accident.
- 3:42Speaker 1: You are not addicted to him. You are addicted to
- 3:45Speaker 1: the almost. And the almost is not chemistry. The almost
- 3:48Speaker 1: is a feeling your nervous system knows how to run
- 3:50Speaker 1: on because it has been running on it for a
- 3:51Speaker 1: very long time. The him, the specific him, the one
- 3:55Speaker 1: your friend texted about this morning, the one you're thinking
- 3:57Speaker 1: about right now, he didn't create the almost. He just
- 4:00Speaker 1: fit the shape of it. Make sense? Good. Because that's
- 4:03Speaker 1: where we're going next. So here's what I want to
- 4:06Speaker 1: dig into. The question underneath the question. Not why does
- 4:10Speaker 1: he do this? Not why can't he just be clear?
- 4:12Speaker 1: But what does the uncertainty actually give you that his
- 4:14Speaker 1: full presence couldn't? Because I think if you sit with that,
- 4:16Speaker 1: really sit with it, you'll find something that surprises you.
- 4:20Speaker 1: The almost state keeps you in a very controlled kind
- 4:21Speaker 1: of longing. You're always wanting. You're never quite having. And wanting,
- 4:25Speaker 1: it turns out, is a place you know how to live.
- 4:28Speaker 1: Having is trickier. Having means you actually have to be
- 4:30Speaker 1: there with the whole person, the real one, not the
- 4:33Speaker 1: one you've been constructing in your head between his texts.
- 4:36Speaker 1: Think about that for a second. The chasing keeps you occupied.
- 4:39Speaker 1: It fills the space with a project. And projects feel purposeful.
- 4:43Speaker 1: You're not just sitting with yourself. You're solving something. You're
- 4:45Speaker 1: reading signals. You're adjusting your behavior. You're figuring out the moves.
- 4:49Speaker 1: You're very busy, right? But what would happen if he
- 4:52Speaker 1: showed up? Fully. Tomorrow. No distance, no ambiguity, just completely
- 4:56Speaker 1: there and completely interested. What do you do with yourself then?
- 5:00Speaker 1: Because the project ends and you're just standing in a
- 5:02Speaker 1: room with a person who can see you. Completely. And that,
- 5:05Speaker 1: I think, is the thing we don't say out loud enough.
- 5:07Speaker 1: The chase is also a hiding place from the risk
- 5:10Speaker 1: of being truly seen by someone who is truly there.
- 5:12Speaker 1: If he's never quite there, you never have to be
- 5:14Speaker 1: fully there either. You get to stay in the almost together.
- 5:17Speaker 1: And almost is so much safer than actually, you know?
- 5:20Speaker 1: So when you're in it, chasing someone who won't quite arrive,
- 5:22Speaker 1: a part of you is also not quite arriving. On purpose.
- 5:25Speaker 1: That's not a flaw. That's protection. But protection from what?
- 5:28Speaker 1: That's the question we'll get to. Stay with me. Let
- 5:32Speaker 1: me paint you a picture. Two months in with someone
- 5:34Speaker 1: who is exactly this. Interested enough to keep you in orbit.
- 5:38Speaker 1: Scarce enough to keep you reaching. And the week looks
- 5:40Speaker 1: like this. Monday, nothing. Tuesday, nothing. Wednesday, nothing. Thursday, a
- 5:44Speaker 1: voice note. Just a voice note. Casual. Probably recorded in
- 5:47Speaker 1: a car. And you play it twice in the bathroom
- 5:49Speaker 1: at work. Twice. Because the first time you were just
- 5:51Speaker 1: recovering from the surprise of it. Your inner voice goes...
- 5:54Speaker 1: He just takes time to warm up. This is normal.
- 5:56Speaker 1: You go back to your desk and you are finally
- 5:58Speaker 1: actually present for the first time all week. He says
- 6:00Speaker 1: in the voice note, hey, sorry, bit in my head.
- 6:03Speaker 1: You free this weekend, maybe? Maybe. He said maybe. And
- 6:07Speaker 1: you circled the whole weekend around that maybe. Friday rolls
- 6:09Speaker 1: around and you're not thinking about your plants on the balcony.
- 6:12Speaker 1: You're not thinking about your sister's thing she mentioned. You're
- 6:15Speaker 1: not thinking about yourself really at all. You're thinking about him.
- 6:18Speaker 1: Your whole interior landscape is just him. And here's the thing.
- 6:21Speaker 1: You don't even notice that you vacated your own life.
- 6:24Speaker 1: Because it feels like passion. It feels like wanting something
- 6:26Speaker 1: so much it crowds everything else out. That's what desire
- 6:29Speaker 1: is supposed to feel like, right? Intense, singular, a little consuming, right?
- 6:35Speaker 1: Here's the internal logic you're running. He's just independent. This
- 6:38Speaker 1: is what real desire feels like. If it were easy,
- 6:41Speaker 1: it would mean less. And none of those things are
- 6:43Speaker 1: obviously wrong, which is what makes this particular pattern so slippery.
- 6:47Speaker 1: Because they're not lies. They're just not the whole truth.
- 6:49Speaker 1: The whole truth is that the moment the validation arrives,
- 6:52Speaker 1: Not even a big moment. Just a quick reply. A maybe.
- 6:54Speaker 1: A voice note. Your shoulders drop. You exhale. A physical
- 6:58Speaker 1: thing happens. And that physical relief, I want you to
- 7:00Speaker 1: pay attention to it. Because relief means you were afraid.
- 7:03Speaker 1: You don't feel relief when you get something you expected.
- 7:05Speaker 1: You feel relief when something you feared didn't happen. So
- 7:07Speaker 1: what were you afraid of? That he was gone. That
- 7:09Speaker 1: the almost was over. That the silence meant the end. Yeah.
- 7:13Speaker 1: There it is. And then the quiet come down. Two
- 7:17Speaker 1: days later and the cycle is just restarting. And here's
- 7:19Speaker 1: what I need you to know, babe. You have done
- 7:21Speaker 1: this before. Different face, same amount of space between you
- 7:24Speaker 1: and him. The almost addict doesn't fall for the same
- 7:26Speaker 1: man over and over. She falls for the same architecture,
- 7:29Speaker 1: the same specific amount of reach required, the same distance
- 7:32Speaker 1: that has to be managed, the same relief that arrives
- 7:34Speaker 1: just in time to keep her in it. That's not
- 7:36Speaker 1: bad luck. That's a pattern. And patterns have origins. They
- 7:40Speaker 1: start somewhere. They start in someone. My 20s are basically
- 7:44Speaker 1: a decade of this. Not one almost man. A rotating cast.
- 7:48Speaker 1: When I moved to the city at 22, I genuinely
- 7:50Speaker 1: told myself I had high standards. I was selective. I
- 7:53Speaker 1: knew what I wanted. What I actually wanted, though, if
- 7:56Speaker 1: I'm being completely honest, was men who made me work
- 7:58Speaker 1: for it. That was the real filter. Not intelligence, not kindness,
- 8:01Speaker 1: not whether they made me laugh, whether there was enough
- 8:03Speaker 1: distance to keep me reaching. I didn't know that yet.
- 8:06Speaker 1: I just thought I had taste. And then the breakup
- 8:09Speaker 1: at 26 happened. The one that actually broke me. And
- 8:12Speaker 1: I want to tell you something specific about the aftermath,
- 8:14Speaker 1: because this is the part that took me a long
- 8:16Speaker 1: time to understand. For months after that ended, I was
- 8:18Speaker 1: going back to his profile. Not because he was texting me.
- 8:21Speaker 1: He wasn't. Not because he wanted me back. He didn't.
- 8:24Speaker 1: I wasn't missing him, not really. I was missing the
- 8:26Speaker 1: feeling of needing to know. The not knowing was the
- 8:28Speaker 1: thing I couldn't put down. The question of what he
- 8:30Speaker 1: was doing, what it meant, whether there was still a chance.
- 8:33Speaker 1: The question was the drug, not him. Therapy named what
- 8:36Speaker 1: I couldn't. I was not in love. I was in waiting.
- 8:39Speaker 1: And when my therapist said that the first time, I
- 8:40Speaker 1: almost laughed because it sounded too simple. But then I
- 8:43Speaker 1: thought about my journal from that year, and I couldn't
- 8:45Speaker 1: argue with her anymore. Every single entry was a mystery novel.
- 8:48Speaker 1: He was the plot. I was the detective. Every page
- 8:51Speaker 1: was about what he might mean, what his silence meant,
- 8:53Speaker 1: what his one-word reply meant, what it meant that he
- 8:56Speaker 1: watched my story but didn't respond. Not one entry about
- 8:58Speaker 1: what I felt. Not one entry about what I wanted.
- 9:01Speaker 1: Just evidence. Just clues. Just the almost. My best friend
- 9:06Speaker 1: came over one afternoon, probably three weeks after the breakup.
- 9:09Speaker 1: I was sitting on the floor of my studio apartment
- 9:11Speaker 1: with the journal open in my lap. She sat down,
- 9:13Speaker 1: picked it up, read two pages, and put it down.
- 9:16Speaker 1: She didn't say anything dramatic. She just looked at me
- 9:18Speaker 1: and said, you have not written a single thing about
- 9:21Speaker 1: what you want. And I got so defensive. I said,
- 9:23Speaker 1: I want him to explain himself. And she said, no,
- 9:26Speaker 1: you want to keep guessing. I told her she didn't understand.
- 9:28Speaker 1: She absolutely understood. That was the problem. Okay, so let's
- 9:32Speaker 1: talk about why. Not the what, we know the what.
- 9:35Speaker 1: The what is the almost the chase, the architecture of reach.
- 9:39Speaker 1: The why is where the work actually lives. And I'm
- 9:41Speaker 1: going to go somewhere personal here because I think it's
- 9:43Speaker 1: the only way this lands. The shadow, and I'm using
- 9:46Speaker 1: that word intentionally, the shadow is the part of you
- 9:48Speaker 1: whose needs didn't get permission. The needs that weren't acceptable
- 9:51Speaker 1: or weren't responded to or just never had a door
- 9:53Speaker 1: open for them. So they went underground. They didn't disappear.
- 9:57Speaker 1: They went sideways. The need to be pursued. to matter
- 10:00Speaker 1: enough that someone came looking, to feel wanted, that's not
- 10:03Speaker 1: a shameful need. That's a human need. But if it
- 10:06Speaker 1: never got to be named out loud, it doesn't go away.
- 10:08Speaker 1: It just starts working behind the scenes. For me, growing
- 10:12Speaker 1: up with a dad who was kind but genuinely hard
- 10:14Speaker 1: to reach, Love was something you waited for. You didn't
- 10:17Speaker 1: ask for it. You watched for signs of it. You
- 10:19Speaker 1: read the room. You got good at knowing when he
- 10:21Speaker 1: was going to be present and you made yourself ready
- 10:23Speaker 1: for those windows. You performed your best self in the
- 10:26Speaker 1: opening because you didn't know how long it would last.
- 10:28Speaker 1: And that was not a terrible childhood. My dad loved me.
- 10:31Speaker 1: That's not the point. The point is what a child
- 10:33Speaker 1: learns from the shape of love, not from the presence
- 10:35Speaker 1: of it. And I learned that love was something that
- 10:37Speaker 1: came to you in intervals. That the arrival of attention
- 10:40Speaker 1: was the thing to live for. That the in-between was
- 10:42Speaker 1: just a waiting room. Okay? Okay? So the almost man,
- 10:46Speaker 1: he's not a villain. He's just the room that feels familiar.
- 10:49Speaker 1: The nervous system learns what love feels like in childhood,
- 10:51Speaker 1: and it codes that feeling as safe, as real, as correct.
- 10:54Speaker 1: So when waiting and relief show up together later in
- 10:56Speaker 1: your 20s and your phone checking and your story refreshing,
- 10:59Speaker 1: your nervous system goes, oh, I know this. This is love.
- 11:02Speaker 1: The chase isn't irrational. It is deeply, unfortunately, logical. The
- 11:05Speaker 1: shadow is doing its job. It's trying to get an
- 11:07Speaker 1: old need met in the only language it learned. And
- 11:10Speaker 1: the almost addict isn't reckless. She isn't naive. She's loyal
- 11:13Speaker 1: to an old blueprint. And loyalty is actually one of
- 11:16Speaker 1: her best qualities being used in exactly the wrong place.
- 11:19Speaker 1: Makes sense, right? I want to tell you a specific
- 11:22Speaker 1: memory because I think it'll land differently than any framework
- 11:24Speaker 1: I could give you. I was probably 12. My dad
- 11:26Speaker 1: came home late. We'd already eaten. My mom had already
- 11:29Speaker 1: put the leftovers away. He sat down at the table
- 11:31Speaker 1: and I made him laugh with this whole story about
- 11:33Speaker 1: something that happened at school. I don't even remember what
- 11:35Speaker 1: it was, but I remember that for about four minutes,
- 11:38Speaker 1: he was completely there, not tired, not somewhere else in
- 11:40Speaker 1: his head, just there with me laughing at my story.
- 11:43Speaker 1: and I can still feel how good that was. Four minutes,
- 11:46Speaker 1: and my inner voice, the one I can hear now
- 11:47Speaker 1: looking back, goes, four minutes of being completely seen was
- 11:50Speaker 1: enough to run on for days. I did the same
- 11:52Speaker 1: math with unavailable men at 23, at 24, at 25.
- 11:56Speaker 1: A voice note on a Thursday, a quick reply after
- 11:58Speaker 1: three days of silence. Four minutes of being seen, enough
- 12:02Speaker 1: to reset the whole clock. His voice note arrived on
- 12:05Speaker 1: a Thursday, just like I said. You play it twice
- 12:07Speaker 1: in the bathroom at work, not because you didn't hear
- 12:09Speaker 1: it the first time. Because you needed to feel it again.
- 12:11Speaker 1: You go back to your desk and for the first
- 12:13Speaker 1: time in four days, you're actually present. You're not half
- 12:15Speaker 1: somewhere else. You're here. He says, hey, sorry. Been in
- 12:19Speaker 1: my head. You free this weekend, maybe. That's it. That's
- 12:21Speaker 1: the whole message. And it lit something up in you
- 12:23Speaker 1: that had been dim for days. And I'm not saying
- 12:25Speaker 1: that to shame you. I'm saying it because I know
- 12:28Speaker 1: exactly what that feels like. And I also know that
- 12:30Speaker 1: what lit up was not love. It was relief. And
- 12:33Speaker 1: relief is not the same thing as wanting someone. Yeah.
- 12:36Speaker 1: Let that sit for a second. Now I want to
- 12:39Speaker 1: go one layer deeper because the origin story is important,
- 12:41Speaker 1: but it's not the whole picture. The shadow underneath the shadow,
- 12:45Speaker 1: the belief that's running this whole operation is this. I
- 12:48Speaker 1: am only worth pursuing if I make it difficult to
- 12:49Speaker 1: have me. If he has me easily, the proof of
- 12:52Speaker 1: my value disappears. That's the core of it. The almost
- 12:55Speaker 1: addict doesn't just like unavailable men. She needs the unavailability
- 12:58Speaker 1: because that's where her sense of being wanted lives. If
- 13:00Speaker 1: the distance collapses, so does the evidence. So does the
- 13:03Speaker 1: feeling of being worth the effort, right? And you know
- 13:07Speaker 1: what this costs in real time. She can't want a man, plainly.
- 13:10Speaker 1: She has to arrange conditions where he wants her. She
- 13:12Speaker 1: can't receive attention without suspicion, because if it's too easy,
- 13:15Speaker 1: something must be wrong with him for wanting her. She
- 13:17Speaker 1: can't fully enjoy a good moment, because a good moment
- 13:19Speaker 1: is just the start of the distance returning. And then
- 13:21Speaker 1: there's this. When he's right there, fully there, no game,
- 13:25Speaker 1: no distance, no ambiguity, does it feel like love? Or
- 13:28Speaker 1: does it feel slightly wrong? Slightly flat? Like the colors
- 13:31Speaker 1: turn down a little? That flatness is not incompatibility. That
- 13:35Speaker 1: flatness is her shadow telling her the chase is over,
- 13:37Speaker 1: and it genuinely does not know what to do next.
- 13:39Speaker 1: It has never been here before. It has no script
- 13:42Speaker 1: for this. And this is where the protector part comes in.
- 13:46Speaker 1: There's a part of all of us that keeps the
- 13:47Speaker 1: painful feeling at bay by keeping us in motion. If
- 13:50Speaker 1: you are busy wanting, if you are busy decoding and
- 13:52Speaker 1: refreshing and waiting for the signal, you are not sitting
- 13:54Speaker 1: with the fear that lives underneath all of that. The
- 13:56Speaker 1: fear that says, what if someone is fully there and
- 13:58Speaker 1: he still leaves? What if someone sees the whole thing
- 14:00Speaker 1: and decides it's not enough? The almost man protects you
- 14:03Speaker 1: from finding that out. Because he never fully arrives. You
- 14:06Speaker 1: never fully have to be seen. The chase is the
- 14:08Speaker 1: protector's work. It's running interference for a fear it's never named.
- 14:11Speaker 1: You know what I mean? So let's talk about what
- 14:14Speaker 1: this actually costs you. Because I don't want to stay
- 14:16Speaker 1: in the abstract when the real stuff is so specific.
- 14:18Speaker 1: The obvious cost, the almost man never fully arrives. You
- 14:21Speaker 1: spend months in suspended longing that goes exactly nowhere. That's
- 14:24Speaker 1: real time, real weeks, real good Saturdays. But the less
- 14:27Speaker 1: obvious cost is this. You never find out who you
- 14:29Speaker 1: are when you're not waiting. Your schedule, your mood, your
- 14:32Speaker 1: sense of whether a week was good, all of it
- 14:34Speaker 1: is organized around signals from someone who is half in.
- 14:37Speaker 1: Your interior life becomes a supporting cast. And your friendships.
- 14:41Speaker 1: My best friend, the one who read the journal, she
- 14:44Speaker 1: went silent on me for a week once. On purpose.
- 14:47Speaker 1: She stopped responding to my texts about him for seven days.
- 14:49Speaker 1: I was genuinely baffled, a little hurt, and I still
- 14:52Speaker 1: did not fully get the message. I thought something was
- 14:54Speaker 1: wrong with her. Something was wrong with me. I was
- 14:57Speaker 1: so deep in the pattern that a week of my
- 14:58Speaker 1: best friend's silence registered as a minor irritation. compared to
- 15:01Speaker 1: two days of his. That's the cost. Your ability to
- 15:04Speaker 1: read what actually matters gets completely rerouted. You become an
- 15:07Speaker 1: expert at reading him, and almost entirely out of practice
- 15:09Speaker 1: reading yourself. So here's a real question. What did you
- 15:12Speaker 1: want last week? Not what did he do. Not what
- 15:15Speaker 1: did he say or not say. What did you want?
- 15:17Speaker 1: Can you answer that without pausing for a long time? Yeah,
- 15:20Speaker 1: that pauses information. Here's the hard truth, and I'm going
- 15:24Speaker 1: to say this with love, because I mean it. The
- 15:27Speaker 1: Almost Man is not a villain. He did not trick you.
- 15:30Speaker 1: He did not run a con. You selected for his
- 15:32Speaker 1: distance the same way you selected for his eyes. The
- 15:34Speaker 1: part of you that needs a chase found someone who
- 15:36Speaker 1: would give it to her. He's not the problem you
- 15:38Speaker 1: need to solve. The pattern is the thing, and the
- 15:40Speaker 1: pattern is yours. I know that's the last thing you
- 15:42Speaker 1: want to hear, but it's also the only news that
- 15:44Speaker 1: gives you any actual power. Because you can't change him.
- 15:47Speaker 1: You couldn't have changed him. But this, this is yours.
- 15:50Speaker 1: And what's yours you can work with? You are not
- 15:53Speaker 1: addicted to him. You are addicted to the almost. And
- 15:56Speaker 1: what would have to change is not him, it's you.
- 15:59Speaker 1: You'd have to learn to stay in a room when
- 16:00Speaker 1: nothing is at stake. When the signal is clear and
- 16:03Speaker 1: constant and not exciting in the way you've been used
- 16:05Speaker 1: to your whole life. And I'm not going to minimize that.
- 16:07Speaker 1: That is not a small thing. That is a genuinely hard, disorienting,
- 16:11Speaker 1: counterintuitive thing to learn. Real desire for a real person
- 16:15Speaker 1: who is actually there might feel quieter than you expected.
- 16:18Speaker 1: It might feel like the volume got turned down. And
- 16:20Speaker 1: quiet is not a red flag. Quiet is just unfamiliar.
- 16:23Speaker 1: Quiet is just new. My partner falls asleep 10 minutes
- 16:27Speaker 1: in every movie. Every single one. Zero chase. Zero mystery.
- 16:31Speaker 1: Leave sticky notes on the coffee maker. Things like, have
- 16:34Speaker 1: a good one, and also I finished the oat milk, sorry.
- 16:37Speaker 1: Devastatingly available. I cannot decode a sticky note that says,
- 16:40Speaker 1: have a good one. There is nothing to decode. I
- 16:42Speaker 1: stayed anyway. I stayed because somewhere in the middle of
- 16:45Speaker 1: therapy and a journal, I started to understand that I
- 16:47Speaker 1: wasn't looking for the next almost. I was learning to
- 16:50Speaker 1: tolerate presence. And that took a while. But I stayed. Okay,
- 16:54Speaker 1: so next up, what it actually looks like on the
- 16:56Speaker 1: other side. And the three moves that start to shift this,
- 17:00Speaker 1: not after you've done five more years of therapy, not
- 17:02Speaker 1: after you feel ready, because you will never feel ready.
- 17:05Speaker 1: We're going to talk about what actually starts to move
- 17:06Speaker 1: this thing, and we're going to get specific about it.
- 17:10Speaker 1: So here's what it actually looks like when it starts
- 17:12Speaker 1: to shift. And I want to be honest with you,
- 17:14Speaker 1: because I think people make this sound like a transformation.
- 17:16Speaker 1: Like one day you wake up and you prefer calm.
- 17:19Speaker 1: That is not what happened for me. What happened was
- 17:21Speaker 1: slower and a lot less cinematic than that, right? It
- 17:25Speaker 1: started with a birthday dinner. A friend of mine, early
- 17:27Speaker 1: days with my partner, and I was accidentally kind of dismissive.
- 17:30Speaker 1: One of those moments where you say something and immediately
- 17:32Speaker 1: hear it land wrong. And I watched my partner's face
- 17:34Speaker 1: and waited for the thing I knew how to handle.
- 17:36Speaker 1: The cold shoulder, the quiet punishment, the day or two
- 17:38Speaker 1: of distance that would let me know I had messed
- 17:40Speaker 1: up and would need to fix it. None of that came.
- 17:42Speaker 1: My partner just looked at me and said that landed
- 17:44Speaker 1: a little harsh and then moved on. Completely moved on.
- 17:47Speaker 1: Like it was a real thing that happened between two
- 17:49Speaker 1: real people and not a crisis. And my first reaction,
- 17:51Speaker 1: I want to be honest, was mild suspicion. If someone
- 17:54Speaker 1: is this easy to be around, there must be a
- 17:56Speaker 1: catch somewhere. You know? The catch never came. And that
- 18:00Speaker 1: is the thing I didn't have a script for. Every
- 18:02Speaker 1: previous relationship had given me a script. Wait, decode, earn, relief, repeat.
- 18:07Speaker 1: My partner just didn't hand me the script. And at
- 18:09Speaker 1: first that felt like something was missing. Like I kept
- 18:11Speaker 1: reaching for a problem to solve and coming up empty.
- 18:14Speaker 1: I want you to hear that because if you've been
- 18:16Speaker 1: in the almost long enough, calm doesn't feel like safety
- 18:18Speaker 1: at first. It feels like a room where you can't
- 18:20Speaker 1: find the furniture in the dark. Makes sense? Here's the
- 18:24Speaker 1: thing about what presence actually feels like once your nervous
- 18:26Speaker 1: system starts to trust it. It's not a flood. It's
- 18:28Speaker 1: not that physical drop of relief after three days of
- 18:30Speaker 1: silence finally breaks. It's smaller than that. It's more like,
- 18:34Speaker 1: I don't know, you're going to make coffee and someone
- 18:35Speaker 1: already made it. That's the scale. Undramatic. Quiet. Actually yours.
- 18:39Speaker 1: And I kept waiting for it to feel like more.
- 18:41Speaker 1: Kept waiting for the ceiling to lift and the big
- 18:43Speaker 1: feeling to arrive. And for a while, I thought that
- 18:45Speaker 1: meant I wasn't that into my partner. I thought maybe
- 18:48Speaker 1: I needed to keep looking. Yeah, that was the blueprint talking,
- 18:51Speaker 1: not my actual gut. This is something I want to
- 18:54Speaker 1: name directly because it's real and it trips people up.
- 18:57Speaker 1: The almost man gives you excitement, and excitement is your
- 18:59Speaker 1: nervous system on alert. Heart rate up, attention narrowed, every
- 19:02Speaker 1: cell pointed at one question. What is he going to
- 19:05Speaker 1: do next? And that alertness gets coded as passion, as chemistry,
- 19:08Speaker 1: as proof that you're alive in a relationship. A present
- 19:11Speaker 1: partner gives you something else entirely, and that something else
- 19:13Speaker 1: is safety. And safety to a nervous system that has
- 19:16Speaker 1: been calibrated to reach and wait reads as flat for
- 19:18Speaker 1: a while. Reads as mild. Reads as maybe, I'm just
- 19:21Speaker 1: not that attracted. I will die on this hill. That
- 19:24Speaker 1: flatness is not incompatibility. It is your system not knowing
- 19:26Speaker 1: what to do when there's no emergency. Right? What slowly happens,
- 19:32Speaker 1: and I mean slowly, is that the baseline comes down.
- 19:34Speaker 1: The constant background hum of where is he and what
- 19:36Speaker 1: does it mean and should I text starts to go quiet.
- 19:39Speaker 1: And when that noise leaves, you start to notice other things.
- 19:42Speaker 1: What you actually want for dinner. what you're actually thinking
- 19:44Speaker 1: about work, whether you even like the show you've been
- 19:47Speaker 1: half-watching for three months, you start to have a life
- 19:49Speaker 1: with room in it again. And that, babe, is not boring.
- 19:52Speaker 1: That is just what space feels like when you're not
- 19:54Speaker 1: filling every inch of it with someone else's, maybe. That's
- 19:56Speaker 1: what I want for you. Okay, so the three moves.
- 20:00Speaker 1: And I mean actual moves, not things to think about,
- 20:02Speaker 1: things to do. First, notice the spike. When you feel it,
- 20:05Speaker 1: that lift in your chest when silence finally breaks and
- 20:07Speaker 1: the notification arrives. Stop before you act on it. Don't
- 20:10Speaker 1: put the phone down. Just pause. Name it out loud
- 20:13Speaker 1: if you can or in your head. Something like, my
- 20:15Speaker 1: nervous system just got its signal. And then ask yourself
- 20:18Speaker 1: one question. Is this desire or is this relief? Because
- 20:21Speaker 1: those two things feel almost identical in your body and
- 20:23Speaker 1: they are not the same thing. Desire is about wanting someone.
- 20:26Speaker 1: Relief is about the anxiety finally stopping. You deserve to
- 20:29Speaker 1: know which one you're actually feeling. Don't text yet. Just
- 20:32Speaker 1: sit with the question for one minute. Second, find out
- 20:36Speaker 1: who you are when no one is almost. One week.
- 20:39Speaker 1: Not forever. One week. No checking his stories. No replaying
- 20:42Speaker 1: the voice note. No reading back through the thread looking
- 20:44Speaker 1: for clues. And in that week, write one thing you want.
- 20:47Speaker 1: Not what you want him to do. Not what you
- 20:48Speaker 1: wish he would say. What you want. For yourself. From
- 20:51Speaker 1: your own life. It can be small. I want to
- 20:53Speaker 1: sleep in on Saturday. I want to call my sister.
- 20:55Speaker 1: I want to finish that thing I started six months
- 20:56Speaker 1: ago and dropped. The point is to locate yourself. Because
- 20:59Speaker 1: the almost addict loses herself in the interpretation. And you
- 21:02Speaker 1: need to practice being findable. Okay? Third, practice receiving a
- 21:06Speaker 1: clear signal without leaving the room. When someone is simply, plainly,
- 21:10Speaker 1: undramatically interested in you, stay. Not forever. One beat longer
- 21:14Speaker 1: than feels comfortable. One beat longer than your instinct to
- 21:17Speaker 1: find a reason it can't work. A reason something's off.
- 21:19Speaker 1: A reason you're not that into them after all. One beat.
- 21:22Speaker 1: That's the whole move. And the question to write down
- 21:24Speaker 1: somewhere you'll actually see it. When was the last time
- 21:26Speaker 1: I wanted something for myself with the same focus I
- 21:28Speaker 1: bring to wanting him to want me? Write that down.
- 21:31Speaker 1: Really sit with it. And here's the do. The actual
- 21:34Speaker 1: thing I want you to do before you close this out.
- 21:36Speaker 1: Next time there's a silence and it finally breaks, pause
- 21:39Speaker 1: before you text back. Just pause. And then open your
- 21:42Speaker 1: notes and write one sentence, one, about what you want
- 21:44Speaker 1: today that has nothing to do with him. It doesn't
- 21:47Speaker 1: have to be big. It doesn't have to be profound.
- 21:49Speaker 1: It just has to be yours. The woman on the
- 21:52Speaker 1: other side of this, and she exists. I promise you
- 21:54Speaker 1: she exists. She is not someone who has talked herself
- 21:56Speaker 1: out of desire. She hasn't gone numb. She hasn't settled.
- 21:59Speaker 1: She has desire that belongs to her. She knows what
- 22:01Speaker 1: she wants and she moves toward it without needing to
- 22:03Speaker 1: manufacture conditions where someone else is chasing her first. She
- 22:06Speaker 1: can sit in a room with someone who is fully,
- 22:08Speaker 1: actually undramatically there and not look for the back door.
- 22:11Speaker 1: She is not fearless. She still gets nervous. She still
- 22:13Speaker 1: has moments where quiet feels a little too quiet. But
- 22:16Speaker 1: she stopped outsourcing her sense of worth to the gap
- 22:18Speaker 1: between herself and a man. And she had to grieve
- 22:20Speaker 1: something to get there. I want you to know that.
- 22:23Speaker 1: She had to grieve the feeling of the chase, which was,
- 22:25Speaker 1: for a long time, the only love she knew how
- 22:27Speaker 1: to feel. That's real. Let it be real. So here's
- 22:30Speaker 1: where I'll leave you. The almost is not love. It's
- 22:33Speaker 1: a rehearsal for love that never opens night. It's been
- 22:35Speaker 1: running in your head and your chest and your body
- 22:37Speaker 1: for maybe years, and it has never once led you
- 22:40Speaker 1: somewhere that felt like home. The almost addict is not broken.
- 22:43Speaker 1: She's not weak. She's not bad at relationships. She's just
- 22:46Speaker 1: loyal to the wrong evidence of her worth. Baby, your
- 22:49Speaker 1: worth was never in the distance. It was never in
- 22:51Speaker 1: the chase. It was never in whether he finally replied.
- 22:55Speaker 1: You are not addicted to him. You are addicted to
- 22:58Speaker 1: the almost. And when you're ready to find out what
- 23:00Speaker 1: you actually want, when you're ready to ask the real question,
- 23:03Speaker 1: if he showed up fully tomorrow, No distance, no ambiguity,
- 23:06Speaker 1: no signal to decode. Would you still want him? That
- 23:09Speaker 1: question is the beginning. Share your answer with someone who
- 23:12Speaker 1: needs to hear it. If this landed somewhere real for you,
- 23:15Speaker 1: send it to the friend who you know is doing
- 23:16Speaker 1: this right now. The one you can see refreshing his stories.
- 23:19Speaker 1: The one you love. The one who deserves to know. Okay?
- 23:22Speaker 1: I'll talk to you soon. This show is made by
- 23:26Speaker 1: Oba Media.