Latest / The Breakfast Club / Classic Rewind Featuring Interview With Donell Rawlings

Transcript

Classic Rewind Featuring Interview With Donell Rawlings · The Breakfast Club

• 0:00
  Speaker 1: W w p R m h D one New york
• 0:03
  Speaker 1: I heart radio stations. This is your wake up, Hall
• 0:08
  Speaker 1: Up the Breakfast Club. They show you love to Hate
• 0:11
  Speaker 1: from the East to the West Coast J and Charlomagne
• 0:15
  Speaker 1: the Guy, the Ruler show on the planet. This is
• 0:17
  Speaker 1: why I respect this show because this is a voice
• 0:20
  Speaker 1: of society. Saints in the game. Guys are the coveted
• 0:23
  Speaker 1: morning show. But y'all earn impacting the coulture in the morning,
• 0:27
  Speaker 1: and they want to hear that bats the world's most
• 0:30
  Speaker 1: dangerous morning show. This is your time to get it
• 0:35
  Speaker 1: off your chest. Whether you're man, flash here from you
• 0:39
  Speaker 1: on the Breakfast Club. You got something on your mind? Hello?
• 0:43
  Speaker 1: Who's this Chris? What's up? Broken it off your chest? No?
• 0:47
  Speaker 1: I was just trying to talk about the corvid. I'm
• 0:50
  Speaker 1: trying to forgot what they pushing your cod but they're
• 0:53
  Speaker 1: not talking about it, like the flu, like you know,
• 0:55
  Speaker 1: the flu ever killed and the people do I literally
• 0:58
  Speaker 1: said that yesterday. I was like, Dan, anybody get the
• 1:00
  Speaker 1: flu last year? Just win a weak I don't even
• 1:04
  Speaker 1: talk about this. And COVID COVID nineteen and and police killer.
• 1:09
  Speaker 1: Let's all they talking about you, right, king. All right, well,
• 1:13
  Speaker 1: thank you for your car. Allright? Hello, who's this? Oh?
• 1:16
  Speaker 1: This is Jews. What's up? Broken it off? Her? Chess? Oh? Man,
• 1:20
  Speaker 1: I just want to I'm happy that I got man
• 1:22
  Speaker 1: new job, I'm moving finally getting out of my hometown,
• 1:26
  Speaker 1: and I'm just happy man. Okay, congrat relations bro, bro,
• 1:30
  Speaker 1: I'm happy for I wanted to see getting flu. Which
• 1:33
  Speaker 1: one you want? I got um? I got Tamika Mallory
• 1:35
  Speaker 1: state of emergency, how to win in the country we built?
• 1:38
  Speaker 1: And I got unapologetic guy in the black men to
• 1:40
  Speaker 1: hever you want both, I just sent both Yahne holding
• 1:44
  Speaker 1: the line? All right, all right, Hello, who's this? This
• 1:47
  Speaker 1: is k p A right, peace? Peace King? What's up?
• 1:50
  Speaker 1: Broke it off? Her? Chess? Man? All right? Chick man, man,
• 1:53
  Speaker 1: you know two guys just want to one man. It's
• 1:55
  Speaker 1: not going on, but one of these things they're going on. Man,
• 1:58
  Speaker 1: that shows man, I'm on four to the last seed.
• 2:02
  Speaker 1: Didn't what you mean? Okay? I got four daughters. All
• 2:06
  Speaker 1: all of them are like eleven twelve per team, and
• 2:10
  Speaker 1: the younger pointies he's like ten, which you know, we
• 2:14
  Speaker 1: have a wheel, get Tami. So they stayed together all
• 2:15
  Speaker 1: the time. Kid to give them and all of them
• 2:18
  Speaker 1: like females. You know. So it's like yesterday they want
• 2:21
  Speaker 1: to go to the pool because it's hot to Columbia's
• 2:23
  Speaker 1: I mean, was it was raining, but you know it's
• 2:25
  Speaker 1: still hot in thet you in the mat. They gotta
• 2:28
  Speaker 1: know that, man, But I mean, you're throwing down My
• 2:31
  Speaker 1: daughter has teams to one of these little girls over
• 2:35
  Speaker 1: here and be laying in the last you know what
• 2:36
  Speaker 1: I mean. And and it just disturbs me how we
• 2:40
  Speaker 1: don't have a like I get like a natural jet,
• 2:43
  Speaker 1: like like when we were little, used to go outside
• 2:45
  Speaker 1: playing the wood and fun me Steve and I played
• 2:48
  Speaker 1: and we has to be on the phone. And it
• 2:50
  Speaker 1: seemed like the internet is making our females even like
• 2:53
  Speaker 1: females on the internet. Females is just poize like females
• 2:57
  Speaker 1: all day. Like you know what I mean, Bro that
• 3:00
  Speaker 1: ten eleven, twelve, thirteen, and fourteen, they have friends. You
• 3:04
  Speaker 1: can't tell with somebody's sexuality. At ten eleven and twelve,
• 3:07
  Speaker 1: they just didn't exploring their friends. That's what you're talking about. Yeah,
• 3:11
  Speaker 1: that's what he was saying. He'saying, this girl is all
• 3:12
  Speaker 1: in this. Other girls laps and then I go on
• 3:14
  Speaker 1: TV and they're watching TV and they're not doing that.
• 3:17
  Speaker 1: But you don't know what you're talking about? Playing outside? No, No,
• 3:21
  Speaker 1: he's talking about this sexual When we were young, you
• 3:23
  Speaker 1: could have to go outside. Nowadays they on the phone. True.
• 3:28
  Speaker 1: And nowadays on the internet you you see waiting more
• 3:32
  Speaker 1: Instagram models and things like that. You see a lot
• 3:34
  Speaker 1: of that on the internet. Yeah, Instagram models, dude, you
• 3:39
  Speaker 1: know what I mean. So sounds like you're upset because
• 3:41
  Speaker 1: your daughters might be gay. Where are we getting this part?
• 3:43
  Speaker 1: I don't get this part of the story. What did
• 3:45
  Speaker 1: I miss to where your your daughters might be gay?
• 3:48
  Speaker 1: I ain't hit that part. That's where I feel like
• 3:51
  Speaker 1: the generation gap is going. It like the females are
• 3:54
  Speaker 1: more keen to females also are listening. But listen, don't
• 3:58
  Speaker 1: you listen. Let's be That's be honest. I'm just asking,
• 4:01
  Speaker 1: don't you like girls that like girls? Stop? It is? No.
• 4:04
  Speaker 1: I know that's his daughters, But that's the hypocrits, the
• 4:06
  Speaker 1: hypocrisy of us. It's people, all right, then, So I
• 4:09
  Speaker 1: don't understand why you would be upset if your girl
• 4:11
  Speaker 1: likes another girl, If you like girls that like girls
• 4:14
  Speaker 1: and they're still young, bro let them, let them, let
• 4:16
  Speaker 1: them enjoy life, experience things. Huh, Hey, I don't even
• 4:23
  Speaker 1: know what you're talking about. No more. I haven't followed
• 4:25
  Speaker 1: the conversation I was listening to. He start talking about
• 4:28
  Speaker 1: being in the woods and being outside. Is that I
• 4:29
  Speaker 1: don't know. He was saying that his daughters are online
• 4:32
  Speaker 1: and he feels like the fact that they online and
• 4:34
  Speaker 1: not outside playing in the woods. He said the online
• 4:37
  Speaker 1: is forcing them to be like girls and he doesn't
• 4:40
  Speaker 1: like it. That's what he was saying. How do the
• 4:42
  Speaker 1: instagram thoughts get a shot in this start? I don't
• 4:44
  Speaker 1: know how to instagram. I don't even know how to
• 4:46
  Speaker 1: how the saying is he saying that these young women
• 4:49
  Speaker 1: aren't influenced by what they see on Instagram, so I
• 4:52
  Speaker 1: believe So that's what he was trying to say. Oh, okay,
• 4:54
  Speaker 1: all right, it's probably right. But people like what they like.
• 4:58
  Speaker 1: I just I just think the hypocrisy that you know,
• 5:00
  Speaker 1: guys love girls that like girls until like girls their daughter. Yeah,
• 5:03
  Speaker 1: but I think people are too sensitive at ten, eleven
• 5:05
  Speaker 1: and twelve, I mean, Charlomagne, then you run out the
• 5:07
  Speaker 1: house dressed up as a what what girl group a
• 5:10
  Speaker 1: boy group and your father smatching the back of head
• 5:12
  Speaker 1: and said that never happened. I don't even know why
• 5:14
  Speaker 1: you lied like that, Like I mean, you just told
• 5:17
  Speaker 1: I've never said nothing like that. No, you just made
• 5:20
  Speaker 1: a whole YouTube conspiracy theory lie up saying that I
• 5:23
  Speaker 1: was dressed like a girl somebody from a girl group
• 5:26
  Speaker 1: and ran out of That wasn't the story. And if
• 5:29
  Speaker 1: you want to read the story, go get my first book,
• 5:31
  Speaker 1: Black Privilege, Opportunity Comes to those who created. But that
• 5:33
  Speaker 1: definitely was not the story. That interview told fantasy. I
• 5:36
  Speaker 1: thought you were dressing up as in vogue in the books.
• 5:38
  Speaker 1: That's what I do. He came outside his dask smacking
• 5:41
  Speaker 1: the back of head and saying basketball in Vogue had
• 5:43
  Speaker 1: nothing to do with this, that that that had nothing
• 5:45
  Speaker 1: to know. That's that's not true. By my first book,
• 5:49
  Speaker 1: Black Privilege, Opportunity Comes to those who created New York
• 5:51
  Speaker 1: Times bestseller. Okay, get it off your chest eight hundred
• 5:54
  Speaker 1: five eight five one O five one. If you need
• 5:56
  Speaker 1: to hit us up now, it's the Breakfast Club. Come
• 5:58
  Speaker 1: on it, Breakfast Club, wake up, wake up, wake y'all.
• 6:05
  Speaker 1: As your time to get it off your chest, man
• 6:10
  Speaker 1: or blacks, we want to hear from you on a
• 6:12
  Speaker 1: breakfast class. Hello, who's this going on? Charlotte Mayne? And
• 6:20
  Speaker 1: it's going on? Brother, get it off your chest. I'm
• 6:22
  Speaker 1: having a black woman. I can't. I can't complain. I
• 6:25
  Speaker 1: did have words for vy. I've been listening to you
• 6:29
  Speaker 1: saying since I was a kid, man like my dad
• 6:32
  Speaker 1: would go to New York and get mixtape, and that's
• 6:34
  Speaker 1: this store mixtape. So I've listened to a broad up
• 6:37
  Speaker 1: my whole life. For my man, there's a bad that
• 6:40
  Speaker 1: you put out and you say the word ideas. I
• 6:43
  Speaker 1: know you know how to say the word idea. Well
• 6:46
  Speaker 1: that's an idea. I know. I hit you with no arm. Man,
• 6:50
  Speaker 1: you can't say it right. You know somewhere you just
• 6:53
  Speaker 1: can't pronounce. You said you'd be saying idea. I know
• 6:55
  Speaker 1: I said idea, bro. Listen he said it again. Hey, look,
• 7:00
  Speaker 1: nobody's perfect, bro, like almost every day I listen, I
• 7:04
  Speaker 1: understand I'm not perfect, right, But what I am saying
• 7:08
  Speaker 1: is that is a reported as. You had time to
• 7:10
  Speaker 1: look at that. No, no, no, no. The real problem
• 7:15
  Speaker 1: whoever whoever edited that as should have caught it. Yeah,
• 7:19
  Speaker 1: thank you, whoever, Yeah, whoever put that out on, they
• 7:23
  Speaker 1: don't like you very much. My load happens to bees
• 7:26
  Speaker 1: like that. You know, as you can see, it's levels
• 7:28
  Speaker 1: of stupidity here at the breakfast club. Okay, it doesn't
• 7:30
  Speaker 1: just start, it doesn't just stop with the hosts. That's
• 7:32
  Speaker 1: right right at us. We all have a where we
• 7:35
  Speaker 1: can't we all have a where we can't pronounce that.
• 7:37
  Speaker 1: I'll be trying. I say straight street strong, because I'm
• 7:42
  Speaker 1: from South Carolina. That's how I talk. Hello, Who's this?
• 7:46
  Speaker 1: This is Jay? Hey, j get off your chest. I'm
• 7:51
  Speaker 1: getting off my kids. Black people bringing black people down
• 7:54
  Speaker 1: talking about when do weig? But first of all, Starlomagne girl,
• 7:59
  Speaker 1: that's right, that's a lie. But continue what other way around? Mama?
• 8:07
  Speaker 1: Did I hit what Wendy William and I ain't talking
• 8:10
  Speaker 1: about in the stace? How we get to this conversation anyway?
• 8:18
  Speaker 1: You'll be a good interviewer. What you want to? Love you?
• 8:24
  Speaker 1: But I'm not on your side. I love her too.
• 8:27
  Speaker 1: She got better taste than her. Mama. Well me and you,
• 8:30
  Speaker 1: cowboy answer, we got there, you go, there you go. Mama?
• 8:35
  Speaker 1: What made you answer that ask that question? Was it depiction?
• 8:37
  Speaker 1: When Charlomagne is sitting on Wendy Williams lap. Yeah, I
• 8:40
  Speaker 1: know he hid it. What is wrong with you, lady?
• 8:45
  Speaker 1: You know you hid? How old are you? I'm all
• 8:51
  Speaker 1: enough to say what I'm saying. Tell your daughter that hello, okay,
• 9:01
  Speaker 1: can you see our happy birthday to day? Yes? What's
• 9:04
  Speaker 1: his name? Happy born day? Jesse Roderiguez. How did he
• 9:09
  Speaker 1: feel about a rod and j Low breaking up? Day? Rodriguez?
• 9:15
  Speaker 1: I thought the right day with the last name Rodriguez
• 9:17
  Speaker 1: came about. Thank you, y you have a great day.
• 9:20
  Speaker 1: Jesus love her. Get it off your chest eight hundred
• 9:25
  Speaker 1: five eight five one on five one if you need
• 9:27
  Speaker 1: to hit us up now, it's the Breakfast Club. Good morning,
• 9:30
  Speaker 1: the Breakfast Club Morning everybody a cej envy angela yee.
• 9:37
  Speaker 1: Charlemagne the guy we are the Breakfast Club, good morning.
• 9:39
  Speaker 1: If you just joined us, we're just asking. I'm asking
• 9:41
  Speaker 1: a serious question, right, No, I'm asking a serious question. Charlemagne.
• 9:44
  Speaker 1: If you listen to the Breakfast Club for the last
• 9:46
  Speaker 1: ten years, that is the lie you noticed that. I
• 9:49
  Speaker 1: really think he's a little funny and funny, is how
• 9:52
  Speaker 1: what you mean? Like? Ha ha funny? I don't know
• 9:55
  Speaker 1: if it's what you mean kind, because I don't know
• 9:57
  Speaker 1: if it's how how funny are you serious? When he
• 9:59
  Speaker 1: frtued me all all the time? I'm not flirting with you.
• 10:01
  Speaker 1: The problem is all week and being in Angela, eve
• 10:05
  Speaker 1: been off all week. You've been really, really, really flirting
• 10:08
  Speaker 1: in the finalscroft muse when you played trade songs about
• 10:10
  Speaker 1: ten fifteen minutes ago and kept looking at me as
• 10:12
  Speaker 1: you were playing in trade. So I think that's disrespectful
• 10:15
  Speaker 1: to my wife. Let's let's go to the phone lines.
• 10:17
  Speaker 1: A lot of people are what is the question? What
• 10:19
  Speaker 1: is the question we're asking? The way you flirt with
• 10:21
  Speaker 1: me is a disrespect No, if the way you flirt
• 10:22
  Speaker 1: with me disrespect the question to me? Hello, who's this? Hello? Hey?
• 10:26
  Speaker 1: This is Brandy. Hey Brandy, is the way that he
• 10:30
  Speaker 1: if the way that be flirts with me disrespectful? Yes,
• 10:33
  Speaker 1: it's disrespectful to your wives and to y'allself, because if
• 10:36
  Speaker 1: y'all not bi sexual, y'all should be flirting with each other. WHOA, Wow,
• 10:41
  Speaker 1: So we're disrespected both our wives? Is what you say? Yes? Yes,
• 10:45
  Speaker 1: that's that's that's not right. You know I was in
• 10:48
  Speaker 1: a relationship. What the dude was day and was hides
• 10:51
  Speaker 1: so they don't feel good on the woman's behaf So
• 10:55
  Speaker 1: you think, hold on, so you think that we actually
• 10:56
  Speaker 1: flirt with each other. Yeah, y'all be flirting with each
• 10:59
  Speaker 1: other every morning. I don't really so this is like
• 11:03
  Speaker 1: a thing like this is really like they all really
• 11:05
  Speaker 1: think we'd be flirting. Hello? Who's this? This is Tom?
• 11:12
  Speaker 1: It's all one wrong from man? Tom is in the
• 11:15
  Speaker 1: same face, Tom, So I need you to answer a
• 11:17
  Speaker 1: question for me. Is it disrespectful to my wife the
• 11:19
  Speaker 1: way Envy flirts with me? The way he flirts with
• 11:21
  Speaker 1: me is disrespect? Is so disrespectful and vy that you
• 11:25
  Speaker 1: don't accept the love that this man is given to you? Bro?
• 11:28
  Speaker 1: Wow arain is doing you to love? N Take that love?
• 11:32
  Speaker 1: Brope that love? Man? I think maybe you understands you
• 11:40
  Speaker 1: know what I mean? Let her know, Jack, So let's
• 11:45
  Speaker 1: friends say, Yo, they'll get over it. The boys they
• 11:49
  Speaker 1: know they poopy boys. Is just not on the radio,
• 11:52
  Speaker 1: my goodness? Goodbye? Hello? Who's this? Hey? Ray from Brooklyn?
• 11:59
  Speaker 1: Right now? Not Brooklyn, not Brooklyn by royal Roy Young?
• 12:05
  Speaker 1: Can I need to ask you a question? Is it
• 12:07
  Speaker 1: disrespect for the way Envy flirts with me. The disrespect
• 12:10
  Speaker 1: for to my wife? Is it disrespect for the way
• 12:11
  Speaker 1: he flirts with me to my wife? Okay, first of all,
• 12:15
  Speaker 1: Uncle Charla, you know you talk about amy but all
• 12:19
  Speaker 1: the time. See, you are the ones who bring up
• 12:22
  Speaker 1: the butt joke, the gay jokes, that everything when it
• 12:25
  Speaker 1: comes to cause djot me. You know what you, Uncle Charler,
• 12:32
  Speaker 1: Every time Envy even say anything that may refers to
• 12:35
  Speaker 1: something that's not even on topic, you make it that way.
• 12:40
  Speaker 1: That is impossible. I did not invent a remix. Thank
• 12:45
  Speaker 1: you so much. See it's the truth. He's disrespectful. So
• 12:48
  Speaker 1: you're trying to say Nby never flirts with me. No,
• 12:50
  Speaker 1: I don't you always flirt with me? Hello? Who's this?
• 12:53
  Speaker 1: This is Kim Kim Kim my wife. The way this
• 12:56
  Speaker 1: guy Kim is a disrespected to my wife. The wavy
• 12:59
  Speaker 1: flirts with me. Charlomagne, come one, now, I have to
• 13:02
  Speaker 1: tell the truth him the hill on the line. You
• 13:05
  Speaker 1: are always messing with d J m V. I'm poopy fingers.
• 13:12
  Speaker 1: You know, Charlomagne has always messing with you. So it's
• 13:15
  Speaker 1: Charlomagne who's starting to sit right, doesn't it? Yes, he does,
• 13:19
  Speaker 1: Thank you, so much, Keim, This is unfair. Who is
• 13:22
  Speaker 1: taking these calls? I'm just I'm just going through a
• 13:25
  Speaker 1: random Wow. Hello, who's this? How are you doing? It's
• 13:29
  Speaker 1: hard St. Louis, Missouri. You see you're talking a little
• 13:32
  Speaker 1: too fast. Slow down? What's your name? Now? Grilling hardened
• 13:35
  Speaker 1: straight out of Saint Louis, Missouri. You see these fining? Okay,
• 13:38
  Speaker 1: all right? Do you think it's disrespectful the way Envy's wife?
• 13:41
  Speaker 1: I mean, in the way the way do you think
• 13:43
  Speaker 1: it's disrespectful to my wife the way Vy flirts with me?
• 13:45
  Speaker 1: But my wife the way first with me? Hold on,
• 13:48
  Speaker 1: even one of yours should be flirting with each other.
• 13:50
  Speaker 1: That's always against the rule? What rules? No flagging with me?
• 13:57
  Speaker 1: You know what? That was a rule in the fifties
• 13:59
  Speaker 1: and sixties, I remember, especially down south, all right, right,
• 14:09
  Speaker 1: and a lot of different neighborhoods. Now that's still that rule.
• 14:13
  Speaker 1: All right. I understand you. I get what you're saying.
• 14:16
  Speaker 1: I understand where you're coming from. Eight hund five and
• 14:18
  Speaker 1: five one on five When we're asking, is it disrespectful
• 14:21
  Speaker 1: to my wife the way this man flat now a
• 14:23
  Speaker 1: disrespectful to my wife? The way Envy flirts with me.
• 14:25
  Speaker 1: I'm tired of this. Call us up. Now is the
• 14:26
  Speaker 1: Breakfast Club? Good morning? Taking you back back with the
• 14:29
  Speaker 1: classic wok It's the Breakfast Club was a podcast, The
• 14:33
  Speaker 1: Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 14:41
  Speaker 1: the guy. We are the Breakfast Club. If you just
• 14:43
  Speaker 1: join us, we're having a serious conversation. Man, we're asking, right,
• 14:46
  Speaker 1: is it disrespectful to my wife the way Charlomagne flirts
• 14:49
  Speaker 1: with me? My son don't like it already we're asking
• 14:51
  Speaker 1: asking no, no, no no no, we're asking it a disrespectful
• 14:54
  Speaker 1: to my wife the way Envy flirts with me. Now,
• 14:57
  Speaker 1: for all of you people out here saying, Envy don't
• 14:58
  Speaker 1: flirt with me, that's a damn. What did your son say?
• 15:01
  Speaker 1: What did Logan say? Envy? What did Logan tech finger?
• 15:04
  Speaker 1: Because of the ass you gaming, they call him poopy
• 15:06
  Speaker 1: finger and finger? But you know what I mean? That
• 15:09
  Speaker 1: makes you poopy finger? Senior? Hello? Who's this? What's going on?
• 15:13
  Speaker 1: Man's chop? Yeah? What's up? Bro? With top? Is it
• 15:16
  Speaker 1: disrespect I already know how you feel about this? Is it?
• 15:22
  Speaker 1: See he was flirting with you? Is it disrespectful? The
• 15:24
  Speaker 1: way he flirts with me to my wife. I'm gonna
• 15:26
  Speaker 1: keep man. Both of y'all fir with other. But Charlie, man,
• 15:30
  Speaker 1: you're a lot heavier. What do you mean heavier? Heavier?
• 15:34
  Speaker 1: Like like every morning you noticed something about envy? All
• 15:40
  Speaker 1: I would talk about is his beard. How do you
• 15:42
  Speaker 1: not paint a time? Call him Dominican and all that?
• 15:47
  Speaker 1: I ain't say, Poppy, That's what he said. I ain't
• 15:52
  Speaker 1: envy you you want like you want like you look
• 15:53
  Speaker 1: at Charlotte more than finally somebody notices it. I don't
• 15:58
  Speaker 1: look at that man. It's not my type. Hello, who's
• 16:01
  Speaker 1: this sy? Hey? What's up by Ray? Is it disrespectful
• 16:05
  Speaker 1: to my wife the way this man flirts to me. No,
• 16:07
  Speaker 1: the disrepectful of my wife the way and be flirts
• 16:08
  Speaker 1: with me. It is both both of you guys are
• 16:12
  Speaker 1: being disrespectful to your wives. Man, you guys need to stop.
• 16:15
  Speaker 1: That's what I've been here and listening to you guys.
• 16:17
  Speaker 1: You guys have been a little too suspect with each other.
• 16:20
  Speaker 1: You guys, why do you want all that? Who wants
• 16:25
  Speaker 1: it all that? Well? I don't want that, but you
• 16:28
  Speaker 1: guys want that? What's up with you? Man? Y'all use
• 16:33
  Speaker 1: the brothers not showing love to each other that you
• 16:35
  Speaker 1: want us to date? Goodness, gracious? Hello, who's this hey?
• 16:38
  Speaker 1: Good morning? Hey, T good morning? That is he disrespectful
• 16:42
  Speaker 1: to my wife? Play the disrect with my wife way
• 16:45
  Speaker 1: floors from me. I'm just glad I have to side
• 16:47
  Speaker 1: with slab Why and I have to for two reasons.
• 16:52
  Speaker 1: Number one, j be clouding you anyway, So what they
• 16:58
  Speaker 1: gotta do? This man brought me your ass. He brought
• 17:01
  Speaker 1: me and the ass kids. If shar may don't say
• 17:05
  Speaker 1: nothing to you, like look at this morning? What's in
• 17:07
  Speaker 1: your mouth? Charlotte? Man, that's right because we're doing the program,
• 17:11
  Speaker 1: we're doing the radio show. He's chomping on ill telling
• 17:16
  Speaker 1: me to swallow in all types of stuff like what's
• 17:18
  Speaker 1: up with that? That's the way, that's what he thinks.
• 17:22
  Speaker 1: Thank you, T. Love you guys, love you more. Hello.
• 17:25
  Speaker 1: Who's this? This is? Hey, Josha. I'm just asking a question.
• 17:29
  Speaker 1: Is it disrespectful to my wife the way this guy flirts?
• 17:32
  Speaker 1: The disrespectful to my wife the way and flirt with me. Honestly,
• 17:35
  Speaker 1: if I would either one of your guy's wife, I
• 17:38
  Speaker 1: would find it totally disrespectful the way that you got
• 17:41
  Speaker 1: flirt with each other. What do you do? Both of
• 17:47
  Speaker 1: you flirt? And I'm curious to know who started it?
• 17:50
  Speaker 1: He did. I mean, it's one thing to be cool
• 17:57
  Speaker 1: with your your man's your friend, have a broke romance
• 18:00
  Speaker 1: and all that. But some of the stuff y'all say
• 18:03
  Speaker 1: is crazy. I would be like if I was married,
• 18:06
  Speaker 1: like what, first of all the little booty jokes and stuff,
• 18:09
  Speaker 1: all that is like over overboard to me. And I
• 18:15
  Speaker 1: heard another man comment about my man's But I ain't
• 18:19
  Speaker 1: never commented on him. I ain't never comment on his body. Yes,
• 18:23
  Speaker 1: both of you have, both of you have, and if
• 18:27
  Speaker 1: I was the wife, I know that you guys are
• 18:29
  Speaker 1: just playing, but it's like, man, it's so common, y'all
• 18:32
  Speaker 1: always do it. I'm all right, there's no moral of
• 18:34
  Speaker 1: the story. Stop flirting with me. The moral of the
• 18:36
  Speaker 1: story is, let's get a room, guys crazy. It's the
• 18:44
  Speaker 1: breakfast Club. Good morning, Do you remember this time? Get bad?
• 18:48
  Speaker 1: Check out the classic topic discussion morning. Everybody is DJ
• 18:52
  Speaker 1: Envy Angela Yee Charloman the guy. We are the breakfast Club.
• 18:56
  Speaker 1: Now if you just joined us? Where asking this comes from?
• 18:58
  Speaker 1: Little dude? Fall, Little Duvall wanted to know what celebrity
• 19:02
  Speaker 1: you think your mama messed with. It is very interesting
• 19:05
  Speaker 1: watching these comments under the Little Duvall's post, because I
• 19:07
  Speaker 1: did not realize that so many people's mothers messed with
• 19:10
  Speaker 1: so many celebrities. But it makes all the sense in
• 19:12
  Speaker 1: the world, right, Like when you go back and you
• 19:14
  Speaker 1: watch all of these old videos, you see these women
• 19:17
  Speaker 1: that they used to call groupies. Those are people's mamas
• 19:21
  Speaker 1: and grandma's. Now, can I read some of them right fast? Sure?
• 19:25
  Speaker 1: All right? One person said, Lorenz tap, my grandma said
• 19:28
  Speaker 1: he used to be at the crib, but my mom's
• 19:29
  Speaker 1: after school. I saw that one. Somebody said, usher they
• 19:32
  Speaker 1: went to school together. Plus I have the pictures. I
• 19:34
  Speaker 1: got pictures. Somebody said, little John because she told me.
• 19:38
  Speaker 1: Somebody said Bob Molly. Somebody did say because my mama
• 19:42
  Speaker 1: told me. Somebody said, I seen big ticket at my
• 19:45
  Speaker 1: house of Virginia one night. So y'all be thinking them
• 19:48
  Speaker 1: kids be sleep y'all, ain't know them kids were paying
• 19:50
  Speaker 1: attention to twenty years later, they remember your face. Yeah now,
• 19:54
  Speaker 1: somebody said, all Kelly, now that was crazy. Somebody said
• 19:57
  Speaker 1: that their mama was in the dressing room and R
• 19:59
  Speaker 1: Kelly and Kelly. He had always his boxes, and he
• 20:01
  Speaker 1: was sitting a little too comfortable, yep, and didn't somebody
• 20:04
  Speaker 1: under somebody under that comment said I bet you got
• 20:06
  Speaker 1: you know, yo, see, I played too much. Somebody said
• 20:08
  Speaker 1: that for really, I played too much? All right. Somebody said,
• 20:11
  Speaker 1: my mama got caught texting shot shot from Scarface. Oh
• 20:14
  Speaker 1: chechee from Scarface. I don't gonna watch this sho shot
• 20:16
  Speaker 1: che chief from Scarface. It was chee chee, oh Lord
• 20:22
  Speaker 1: from Mercy Jesus Christ. Okay. Somebody says, Michael Jackson. That
• 20:30
  Speaker 1: crazy when you look up and you see your mom
• 20:32
  Speaker 1: and her uncle Luke video. Bro, your mama was in
• 20:34
  Speaker 1: the Yan Yang Twins video. You know she got added up.
• 20:37
  Speaker 1: Somebody said, my aunt used to mess with Smokey Robinson. God.
• 20:43
  Speaker 1: Somebody said my aunt f Nelly. Listen, y'all act like that.
• 20:46
  Speaker 1: Nellie was forty four, forty five years old. Yeah, so
• 20:50
  Speaker 1: this was twenty years ago. This was this, you know,
• 20:53
  Speaker 1: we old school now. I don't know whether y'all realize
• 20:55
  Speaker 1: that or not. All right, well, let's go to the
• 20:57
  Speaker 1: phone line. And another one said Patrick Ewan, and he'd sweat. God, damn,
• 21:01
  Speaker 1: your mama, stop it, stop it, all right, let's go
• 21:06
  Speaker 1: to the full lies. Eight hundred five eight five one
• 21:08
  Speaker 1: on five one. Hello? Who's this? Hello? This? Oh? I
• 21:11
  Speaker 1: don't want to say my name. That's right. Don't say
• 21:14
  Speaker 1: your name because you're about to hear your mom out.
• 21:16
  Speaker 1: All right? So, so who your mama used to mess with?
• 21:19
  Speaker 1: The legendary who pace? Oh? Prince Prince? Okay, I'm not
• 21:26
  Speaker 1: in Hey, I'm gonna tell you something. Prince was blocking
• 21:28
  Speaker 1: that from the grave because that did not come out
• 21:30
  Speaker 1: the first time you said that. How do you know
• 21:33
  Speaker 1: she met with Prince? My mama is very open. Princes
• 21:41
  Speaker 1: not want this phone called me. So let's move on. Yes,
• 21:45
  Speaker 1: let's go Hello. Who's this? Man? Hey? Man, man? What
• 21:49
  Speaker 1: celebrity you think your mama messed with? I know that
• 21:51
  Speaker 1: she slept with Brad? Really, how do you know this
• 21:57
  Speaker 1: for sure? So we all went to a l I
• 22:00
  Speaker 1: was like three years old, and we saw Breton hit
• 22:04
  Speaker 1: Man Hard at Denny's after the show, and I was
• 22:08
  Speaker 1: with my mom and uncle. Bret Hart asked my mom
• 22:11
  Speaker 1: if she wanted to go back to the hotel and
• 22:13
  Speaker 1: play checkers with them, So my uncle took me home
• 22:17
  Speaker 1: and my mom. Did you ever ask your mama if
• 22:21
  Speaker 1: she had sex with Brett to hit Man Huns and
• 22:25
  Speaker 1: what she said? She said? Hell, yes, she got on
• 22:27
  Speaker 1: man Man dropping the clues, bar Bret Hart putting your
• 22:31
  Speaker 1: mom in the shop shooter Man, goodness, that is amazing. Man,
• 22:35
  Speaker 1: you just leave your kids. That is an amazing story.
• 22:40
  Speaker 1: Let's go to Double Cola. Hello, who's this? Can you
• 22:42
  Speaker 1: hear me? Yes, ma'am. So my mom always tells the
• 22:45
  Speaker 1: story about how they went to Vegas for the Two
• 22:47
  Speaker 1: Short concert and my mom's best friend ended up sleeping
• 22:51
  Speaker 1: with Two Short and she thought she was going to
• 22:53
  Speaker 1: come up also, and he left her in the hotel room. Man,
• 22:57
  Speaker 1: what's my favorite words? I liked it? He so, who Mama?
• 23:03
  Speaker 1: Who mama? Is your mama's friend. I'm not sending put
• 23:06
  Speaker 1: her business out here. I'm not gonna do that. Did
• 23:10
  Speaker 1: you learn that story? Though? I did? But you know
• 23:13
  Speaker 1: what's actually funny. A couple of years ago we had
• 23:15
  Speaker 1: went to uh the ACA concert and Austen and my
• 23:19
  Speaker 1: friend actually ended up sleeping with Asa Rocky. I say, well,
• 23:23
  Speaker 1: you ain't learned nothing from the story. Learn nothing from
• 23:27
  Speaker 1: the story. Well, maybe her mindset might have been different.
• 23:30
  Speaker 1: She might not have been trying to come up like
• 23:31
  Speaker 1: her mama was. She might have just been, um, you know,
• 23:34
  Speaker 1: having a good time. Well, thank you mama, Thank y'all,
• 23:37
  Speaker 1: y'all have a good one. You two. Hello? Who's this he? Now?
• 23:43
  Speaker 1: Who your mama used to mess with? That? So my
• 23:48
  Speaker 1: mom used to deal with Nichol from Loving Hip Hop?
• 23:51
  Speaker 1: And how she even found out he was on the
• 23:54
  Speaker 1: show was that she was watching it with her men
• 23:56
  Speaker 1: and she was like, oh mom, God, that's lap and
• 24:00
  Speaker 1: he he like dands up from watching Loving hipp Who
• 24:04
  Speaker 1: is Nico? It was Nico? You'll know who Viso is,
• 24:07
  Speaker 1: the one who was playing from the shower ride with Mimi. Yeah,
• 24:11
  Speaker 1: that was Memi's boyfriend. Oh I thought she was with
• 24:14
  Speaker 1: a woman. Why don't I think she was with a
• 24:15
  Speaker 1: woman in that show? After all? And listen, your mama
• 24:21
  Speaker 1: had sex with Nico, Yes she did. And then so
• 24:23
  Speaker 1: everybody's been saying that he was a gay or whatever,
• 24:26
  Speaker 1: and my mom was like, he wasn't gay when I
• 24:28
  Speaker 1: was the letter. Why is she telling people this? Why
• 24:31
  Speaker 1: is she telling why is she telling people that it's
• 24:33
  Speaker 1: a good story? It was, It was a good story.
• 24:37
  Speaker 1: Hip hop. He's kind of cute. Were you were you
• 24:41
  Speaker 1: calling from? I'm falling from Brooklyn and I'm actually in
• 24:45
  Speaker 1: front of my kids school. My little girl thinks this
• 24:47
  Speaker 1: was so funny that I'm on the breakfast clue morning.
• 24:50
  Speaker 1: I want better for you and your mama. I just
• 24:54
  Speaker 1: want to throw that out there. Okay, I'm I'm hanging
• 24:56
  Speaker 1: up this froone, praying for better days for you and
• 24:59
  Speaker 1: your mama. Okay, anyway, I love you, guys, and I
• 25:03
  Speaker 1: what's you guys? Continue to thank you for answering. Yes,
• 25:06
  Speaker 1: ma'am Nicole with that old though Vico like forty something already,
• 25:12
  Speaker 1: her mama might be like forty something? We old? You
• 25:15
  Speaker 1: know when? An't you gonna realize this? You could be
• 25:17
  Speaker 1: forty six years old and have a twenty one year
• 25:20
  Speaker 1: old daughter. I guess you're right, Yes, Why you change
• 25:23
  Speaker 1: your out for the grandfather? Why do you change your
• 25:26
  Speaker 1: out for the game? I think you want drugs? All right?
• 25:28
  Speaker 1: What's the moral of this story? The moral of the
• 25:30
  Speaker 1: story is, uh, you know, every woman that you love
• 25:33
  Speaker 1: in your life, at some point in time, has has
• 25:36
  Speaker 1: wrote me. You know what I mean? Your mom or
• 25:38
  Speaker 1: your grandma. I'm serious, your aunts. They all had life,
• 25:41
  Speaker 1: bro unless your mom. Let's bet your dad, and that's
• 25:44
  Speaker 1: the only person she's been with. That's probably her story
• 25:47
  Speaker 1: and she's sticking to it. You know, somebody the breakfast club.
• 25:54
  Speaker 1: Dear God, give me the strength to get through this interview,
• 25:58
  Speaker 1: maintain you my mental stability, support everybody in this room
• 26:02
  Speaker 1: and all the things that they do. Dear God, I
• 26:05
  Speaker 1: know I come to you sometime and desperate situations, but
• 26:07
  Speaker 1: that's what disiplines do sometime. In the name of God,
• 26:11
  Speaker 1: we pray. Amen. Amen, what's up? That sounded aggressive? I
• 26:18
  Speaker 1: don't know what you thinking about an interview. First of all,
• 26:27
  Speaker 1: y'all start an interview. When y'all testing my nose downstairs,
• 26:30
  Speaker 1: I know y'all was praying for a positive I know, y'all,
• 26:34
  Speaker 1: I know you know they did. They my nose like
• 26:37
  Speaker 1: I've been getting my nose beak for the last year
• 26:39
  Speaker 1: and a half. How deep they go? How deep did
• 26:41
  Speaker 1: they go? Your God, give me strength to make it
• 26:45
  Speaker 1: through this interview without any You know, I got one
• 26:50
  Speaker 1: one time and I said how deep you going? And
• 26:51
  Speaker 1: the guy saying, until I feel resistance? But you had COVID,
• 26:55
  Speaker 1: so you shouldn't know you first off, that was a
• 26:57
  Speaker 1: horrible transition. Then you're not gonna think you're gonna test
• 27:01
  Speaker 1: positive if you already just had it. No, not necessarily,
• 27:04
  Speaker 1: because with the crew that we've been rolling with, we
• 27:06
  Speaker 1: thought like, once you get COVID, you not a free pass,
• 27:09
  Speaker 1: but you got the antibodies and since of me, you
• 27:10
  Speaker 1: wouldn't get it again. But that was pretty wrong because
• 27:12
  Speaker 1: a couple of people in our team they got it
• 27:14
  Speaker 1: for the second time. Did you give it to you? No,
• 27:17
  Speaker 1: I didn't give it to you. I think her squad
• 27:19
  Speaker 1: gave it to me. Those I was saying. Somebody said, Donna,
• 27:24
  Speaker 1: how you got COVID? I said, it probably was a
• 27:26
  Speaker 1: karaoke night when we did kara yoki and I was
• 27:28
  Speaker 1: singing a DMX for like an hour and a half,
• 27:31
  Speaker 1: and it was like, who gave it it was? It
• 27:33
  Speaker 1: was Natina Ye Shanda Koya, about three kims. They all
• 27:39
  Speaker 1: had it. Now, I'm not saying they all had it,
• 27:41
  Speaker 1: but listen, God, it's certain things you can crack jokes about.
• 27:45
  Speaker 1: That's not one of them. COVID. Yeah you didn't get
• 27:48
  Speaker 1: that donell you met the too soon? Get out here.
• 27:51
  Speaker 1: I do cry. I cracked, But it was a different
• 27:54
  Speaker 1: situation because it was all you got it. No, it
• 27:56
  Speaker 1: was all funny games or two like this. This is
• 27:58
  Speaker 1: the whole thing with COVID, not that it's all funny games,
• 28:00
  Speaker 1: but it don't really hit home until it actually hits home.
• 28:04
  Speaker 1: And then the case with us being in Yellow Springs
• 28:06
  Speaker 1: or something where we was testing every day and nobody
• 28:09
  Speaker 1: came up positive. So when it kind of hit out bubble,
• 28:12
  Speaker 1: it was like, oh, this is real, and the first
• 28:14
  Speaker 1: thing you do, you're concerned about your friends and your
• 28:16
  Speaker 1: loved ones and hopefully everything was okay. Now in the
• 28:18
  Speaker 1: case that when the bubble was busted in Austin, we
• 28:21
  Speaker 1: was lucky enough for everybody to be okay. So I
• 28:24
  Speaker 1: don't take it lightly. I don't crack jokes about stop.
• 28:28
  Speaker 1: I'm not gonna like, be honest, because we had a
• 28:30
  Speaker 1: group text going right as people were getting COVID right,
• 28:33
  Speaker 1: and it was very like a lot of prayer hands
• 28:35
  Speaker 1: in the group text. Yeah, but then once everybody was okay,
• 28:39
  Speaker 1: you started making jokes. You started the jokes first. Now,
• 28:43
  Speaker 1: last night you said you couldn't sleep, you said you
• 28:45
  Speaker 1: were dreaming about this this interview. Yeah, why couldn't you sleep?
• 28:48
  Speaker 1: Why the reason why because we all know I've been
• 28:51
  Speaker 1: very aggressive on my jokes or too soon on my
• 28:53
  Speaker 1: Instagram page. You've been making jokes. Here's an example of it.
• 28:57
  Speaker 1: He don't acknowledge the fires. So what are you talking
• 28:59
  Speaker 1: about your You know I've been smoking for a year
• 29:01
  Speaker 1: and a half. So when all right, this is a
• 29:04
  Speaker 1: good place for me to cut this. Well, when I
• 29:06
  Speaker 1: do my visionist interview, I'm gonna cut to it. I'm
• 29:08
  Speaker 1: gonna do a montage. Okay, I don't know what you're
• 29:11
  Speaker 1: talking about now, because you've been doing least jokes. Yeah,
• 29:16
  Speaker 1: I was doing all these jokes and then this. I
• 29:18
  Speaker 1: won't say this is a very anticipated interview, but people
• 29:21
  Speaker 1: want to know, like, what's the deal with you in
• 29:23
  Speaker 1: a breast breakfast club? And wherever I go, whatever platform
• 29:26
  Speaker 1: I speak on, always say I got love for the
• 29:28
  Speaker 1: breakfast club. You're a liar. Anybody tell you that. I say,
• 29:32
  Speaker 1: I got a history where everybody and we'll get weaday
• 29:35
  Speaker 1: say you have love for ANGELI and DJ Vy. That's
• 29:38
  Speaker 1: right now, Okay. I was like, d it's a past
• 29:40
  Speaker 1: interview and I still got I got still I still
• 29:42
  Speaker 1: got love for Charlottagne, Jimmy. Still why would you not
• 29:45
  Speaker 1: have love for me? Don now ever, because you're disrespectful,
• 29:50
  Speaker 1: you put an answer my face for thirty two minutes
• 29:52
  Speaker 1: of a twenty thirty nine minute interview that never happened.
• 29:54
  Speaker 1: Yesterday's never happened. Let's cut to the video that never happened,
• 30:00
  Speaker 1: you know. And then I was like, and everybody's like, okay,
• 30:03
  Speaker 1: what is the situation. You can work it out? Can
• 30:05
  Speaker 1: I answer? Okay? Whose question am I going to? That
• 30:07
  Speaker 1: was a question because and I was like this, I
• 30:10
  Speaker 1: don't want this interview because I was I haven't been
• 30:12
  Speaker 1: here in the year. I said, I don't want to
• 30:14
  Speaker 1: interview to go array on any stupid right, doesn't want
• 30:18
  Speaker 1: to explain, like my feelings on the relationship did I
• 30:21
  Speaker 1: have with the Breakfast Club with Angela Y, DJ Envy
• 30:25
  Speaker 1: and Plice Right, I see that. I just I just
• 30:29
  Speaker 1: was these these nicknames. I don't get these nicknames. I
• 30:33
  Speaker 1: don't create these nicknames. The Booty bandit that was one
• 30:36
  Speaker 1: of another all stars, the Booty Work. Don't disrespect legendary
• 30:43
  Speaker 1: same please as well as your legendary, you know. And
• 30:47
  Speaker 1: I said to myself, how did this all start? How
• 30:50
  Speaker 1: did this start? It started with you motherfucks me. Don't
• 30:55
  Speaker 1: try to give me this serious journalistic look. You plotted
• 30:58
  Speaker 1: jokes on me every time I came in here, envy
• 31:01
  Speaker 1: every time I came in here, like y'all gap behind it.
• 31:03
  Speaker 1: If y'all y'all get together, like how we're gonna get them?
• 31:06
  Speaker 1: How are we gonna get it? This went on one interview, two, interview, three,
• 31:08
  Speaker 1: interview fought. We have never plotted on you, Danielle. You're
• 31:11
  Speaker 1: making all that stuff a lot, and I didn't fall.
• 31:15
  Speaker 1: I didn't fall for none of it. When I fall
• 31:16
  Speaker 1: for the time and no one was laughing at your jokes,
• 31:19
  Speaker 1: you fell for that. I didn't. Then when you thought
• 31:20
  Speaker 1: everybody left except for that one time, No, I didn't
• 31:23
  Speaker 1: fall for that one. My situation. The reason why I'm
• 31:25
  Speaker 1: here right now, because I'm being Caroline this week and
• 31:27
  Speaker 1: the show's almost gone. I came up here because I
• 31:29
  Speaker 1: wanted to show. I want to show I'll come and
• 31:31
  Speaker 1: support you all the time. That's my point me too.
• 31:35
  Speaker 1: When look where Danielle stopping. I've been to your shows
• 31:39
  Speaker 1: at Caroline. I came in Radio City, came you, and
• 31:43
  Speaker 1: I said you was the funniest person on that stage.
• 31:46
  Speaker 1: And Dave Chappelle. Dare that night Marlon him. Yes. And
• 31:51
  Speaker 1: with that said, you would think that we have a
• 31:52
  Speaker 1: different level of respect for each other, understanding that this
• 31:55
  Speaker 1: is what it's doing. He's good for it. No, after
• 31:58
  Speaker 1: we did that, here comes to booties. So the funniest
• 32:03
  Speaker 1: was on stage. Chris Rocket was the funniest one that night.
• 32:06
  Speaker 1: Now take this ass Is that how you reward your friends? Now,
• 32:09
  Speaker 1: Chris Rock wasn't there, that might be out, Okay, it
• 32:10
  Speaker 1: was David Marlin. So listen. So a comedian is mad
• 32:15
  Speaker 1: that people are joking with him. Okay, first off, and
• 32:17
  Speaker 1: you've created this nerrative that I'm a sense of comedian.
• 32:20
  Speaker 1: I created that me. No you didn't. We have to
• 32:23
  Speaker 1: talk about that, brilliant idiot friends right now. I don't
• 32:28
  Speaker 1: you created that now? No, no, no, you created the
• 32:30
  Speaker 1: nertive that I'm sensedive. And guess what most comedians are
• 32:33
  Speaker 1: sense of animal sagittarist. So that's double sensiens. So you
• 32:36
  Speaker 1: are sensitive. I'm like Ralph Trespan on ten. By the way,
• 32:40
  Speaker 1: before brilliant idiots, me and Donille had a text conversation.
• 32:43
  Speaker 1: I remember because I was in the airport and this
• 32:45
  Speaker 1: is the first time I realized you really was upset.
• 32:48
  Speaker 1: I wasn't and I started text I was like, why
• 32:50
  Speaker 1: are you so goddamn sensitive? I wasn't sensitive about what.
• 32:53
  Speaker 1: I don't remember what he was talking about. It one
• 32:55
  Speaker 1: time you left here and you text me and you
• 32:56
  Speaker 1: was like, Yo, y'all gotta stop disrespecting me, son, I
• 32:59
  Speaker 1: need serious you And that's what I want and the
• 33:02
  Speaker 1: reason why I'm saying after Korea thirty years, I think
• 33:04
  Speaker 1: I could find more things to talk about than a
• 33:06
  Speaker 1: booty in my face. That was one nobody did you
• 33:10
  Speaker 1: walk out on me? Now? I will say now I
• 33:13
  Speaker 1: need you guys to admit this though. That day when
• 33:17
  Speaker 1: Donnelle came here for a real interview, y'all did leave
• 33:19
  Speaker 1: and he had his shows to promote, and y'all really
• 33:21
  Speaker 1: did not do We've never walked out on that. Now
• 33:23
  Speaker 1: you're just the video interview, all right. We got more
• 33:28
  Speaker 1: with Donnelle Rawlings when we come back, don't move. It's
• 33:30
  Speaker 1: the Breakfast Club, Good morning morning. Everybody is DJ Envy
• 33:33
  Speaker 1: Angela Yee, Charlemagne, the guy we are the Breakfast Club
• 33:37
  Speaker 1: was still kicking it with Donnelle Rawlings. Yeah, that's your question, right,
• 33:40
  Speaker 1: But you walked out on an interview, right? Why why
• 33:44
  Speaker 1: did you walk out on it? Explain this interview is
• 33:46
  Speaker 1: I'm never serious, I'm not talking. I'm just are you
• 33:48
  Speaker 1: gonna let me answer the question? Why are you getting
• 33:51
  Speaker 1: so sensitive? I just might continue? That's right. I remember
• 34:03
  Speaker 1: what we talked about, because Dave we when you just
• 34:06
  Speaker 1: perform here in New York with Dave, he was like,
• 34:08
  Speaker 1: I'm concerned about Danielle coming up to the breakfast class.
• 34:11
  Speaker 1: Why listen, I'm gonna question a question. The question was
• 34:14
  Speaker 1: did I walk on? Avie? Why? Why did you walk on?
• 34:16
  Speaker 1: In that podcast called that podcast? It was Killed Tony podcast?
• 34:20
  Speaker 1: And boy, you was so happy when you got that video.
• 34:22
  Speaker 1: I know you was like, I didn't see it. You okay,
• 34:26
  Speaker 1: We're not gonna be honest. We're gonna be honest with
• 34:27
  Speaker 1: each other. You get a different face, I'm asking a
• 34:32
  Speaker 1: different pace. You got the mother Oprah going on. I'm
• 34:37
  Speaker 1: not you do seriously, No, no, no, I'm okay concerned.
• 34:44
  Speaker 1: You walked through that one in the wild. Okay, I'll
• 34:45
  Speaker 1: explain to you why Cliff is a good friend of mine. Tony. Okay,
• 34:49
  Speaker 1: he has this podcast called Killed Tony? Right, and and
• 34:51
  Speaker 1: then the podcast. What they do is like a group
• 34:54
  Speaker 1: of amateur or new comedians. They put their name in
• 34:56
  Speaker 1: a in a in a jar. Right, you're picking and
• 34:58
  Speaker 1: you get to perform for two minutes. When you performed
• 35:01
  Speaker 1: for that two minutes, me as a person as a
• 35:03
  Speaker 1: critiquing them or giving him advice, I can't say anything
• 35:06
  Speaker 1: until they finished. Right about a year ago, I did
• 35:08
  Speaker 1: that interview. It did one of the guys, young guy,
• 35:10
  Speaker 1: David Lucas. It was very funny. Dude, I knew he
• 35:12
  Speaker 1: was gonna try to roast me, so I started roasting.
• 35:14
  Speaker 1: I kill him. I gotta stand and know. So I
• 35:16
  Speaker 1: was in San Antonio because killed TONI moved his operation
• 35:19
  Speaker 1: to San Antonio. He's been begging me to be on
• 35:22
  Speaker 1: the be on the podcast. So I was excited about
• 35:25
  Speaker 1: doing it because he's my friend. And the thing that
• 35:27
  Speaker 1: really made me excited was that his band, he used
• 35:28
  Speaker 1: to be a white band. It was an all black band.
• 35:30
  Speaker 1: It's all white performers the whole night. Right, a black
• 35:33
  Speaker 1: comedian finally gets on stage and I'm showing him love.
• 35:36
  Speaker 1: I didn't. I didn't tear down any of those young
• 35:38
  Speaker 1: people the whole show. I gave him good sound advice
• 35:41
  Speaker 1: somewhat of what I did for Master of Comedy. Shout
• 35:44
  Speaker 1: out for that. I gave him good advice, right, And
• 35:46
  Speaker 1: I don't know if the black dude, I'm not even
• 35:49
  Speaker 1: gonna say his name because I don't even want because
• 35:52
  Speaker 1: like what people say, who was it? It's like who
• 35:54
  Speaker 1: that answers the question. And I had a couple of
• 35:58
  Speaker 1: drinks at night. He turned around and he started roasting me.
• 36:02
  Speaker 1: He was hilaried. Okay, he needed his own TV show
• 36:04
  Speaker 1: here we go, so he started roasting me, and it
• 36:07
  Speaker 1: threw me all off. It felt like black on black crime.
• 36:09
  Speaker 1: You know. I was excited that he was a brother
• 36:11
  Speaker 1: doing it. Yo. Let me, let me, let me. I'm
• 36:14
  Speaker 1: telling I'm telling you, this is what happened in that process.
• 36:18
  Speaker 1: I'm saying. And I don't already told Tony I had
• 36:20
  Speaker 1: something else to do. I was gonna be able to
• 36:21
  Speaker 1: beat it that long. So I was like, why am
• 36:23
  Speaker 1: I here to get roasted by amateur comedian that I
• 36:30
  Speaker 1: think this using his platform for the wrong thing. Just
• 36:32
  Speaker 1: ass up though, because it threw me off guard. I
• 36:35
  Speaker 1: don't want it. First off, I'm not a roasting comedian.
• 36:37
  Speaker 1: I tell people I get invited to all these roasts
• 36:40
  Speaker 1: or every year. I was like, I tell him, I'm
• 36:42
  Speaker 1: too sense of and if straight up, I'm like, man,
• 36:48
  Speaker 1: I'm trying to explain it. What question. So I was
• 36:53
  Speaker 1: a little rattled and I had a couple of drinks,
• 36:56
  Speaker 1: right completely, Yeah, it's trying to So what you saw?
• 37:03
  Speaker 1: The edited clip that what we called it, the priest,
• 37:06
  Speaker 1: the doctor's clip that he created and generated. It wasn't
• 37:10
  Speaker 1: are you you're a liar? Okay? The doctor clip, the
• 37:13
  Speaker 1: doctor clip that he put together. Me, it didn't represent
• 37:17
  Speaker 1: what happened at night. It made it look like the
• 37:19
  Speaker 1: dude did a joke, right and I left the stage.
• 37:22
  Speaker 1: That's what it did to dude. I know it looked
• 37:24
  Speaker 1: like that. That's called a doctor video. The same way
• 37:26
  Speaker 1: I put you on Cardi Bi's face, the same way
• 37:28
  Speaker 1: I have you looking at you made those I made those.
• 37:32
  Speaker 1: It's part of my team. All Right, We're not gonna
• 37:33
  Speaker 1: be I just want to honest interview. We're gonna be honest.
• 37:38
  Speaker 1: The streets are out here for this interview, all right.
• 37:41
  Speaker 1: So you walked out. So what happened we walked out today?
• 37:42
  Speaker 1: Boo you what they said? It didn't boom me. That's
• 37:44
  Speaker 1: another thing, and then the sequence of events. It didn't
• 37:46
  Speaker 1: happen that way. We had already had our exchange. I
• 37:49
  Speaker 1: stayed maybe fifteen to twenty minutes later and then uh,
• 37:52
  Speaker 1: my sister that was dead, Heather. I said, Yo, let's
• 37:54
  Speaker 1: get out of here. I gotta go to dinner. I
• 37:56
  Speaker 1: got up, but they got the video clip and made
• 37:58
  Speaker 1: it look like he cried the joke. He cracked a
• 38:01
  Speaker 1: joke and I got up. That's not what happened. The people,
• 38:04
  Speaker 1: the Shaara Mites had nothing listened to everything. This mother,
• 38:11
  Speaker 1: I had nothing to do with that, and it made
• 38:13
  Speaker 1: it say like that and another thing that was very insulted.
• 38:15
  Speaker 1: They even they were so desperate in me, they found
• 38:19
  Speaker 1: a way to make me feel bad about this little
• 38:22
  Speaker 1: change that I were around my knees. If liar, your
• 38:27
  Speaker 1: man said, Andrew Schultz said a man should never wear
• 38:31
  Speaker 1: a man's check necklace around this and I said, I said,
• 38:36
  Speaker 1: that's not what I heard it said. And while he's
• 38:39
  Speaker 1: while he's alive, which let me understand that Andrew shows
• 38:43
  Speaker 1: don't believe in giving people the roses while they're still living.
• 38:45
  Speaker 1: I wear this change. It's not represent represent just represented brand.
• 38:51
  Speaker 1: And I was a part of this brand. Yes you will.
• 38:54
  Speaker 1: I'm not gonna I'm not gonna tuck it, and I'm
• 38:55
  Speaker 1: aware of probably can we get to the roudio sensitivity?
• 38:58
  Speaker 1: I know I want to talk. I'll tell you rout
• 39:00
  Speaker 1: of my sensitivity and you're probably the saying route of
• 39:03
  Speaker 1: your sensitivity. Go at my family or go at my career,
• 39:06
  Speaker 1: and then I'm gonna be up nobody. Family, Well, we
• 39:10
  Speaker 1: have two different sensitivity. You nobody's going to like family.
• 39:14
  Speaker 1: You ortomatically another level of sistantive other than me. Light
• 39:18
  Speaker 1: skin is like a draw form right off the top
• 39:23
  Speaker 1: skin type, very hard to do what he does, Dave said.
• 39:30
  Speaker 1: Dinell is the funniest comedians, And so I can understand
• 39:35
  Speaker 1: that you work really hard at something. You don't want
• 39:36
  Speaker 1: nobody trying to tear you down or no it's not
• 39:39
  Speaker 1: terrib Okay, I say when you but you're not the
• 39:43
  Speaker 1: comedian that's like you, that's like me up here trying
• 39:46
  Speaker 1: to get you to believe in mental health. Ain't nobody
• 39:49
  Speaker 1: they're gonna blay mental health coming from me. Sun imagine
• 39:52
  Speaker 1: that I get serious like this and I post one
• 39:55
  Speaker 1: of those what level of mental health you are? This
• 39:57
  Speaker 1: is so mental health got me crazy trying not to
• 40:00
  Speaker 1: be crazy. You know what I'm saying. It's like, it's
• 40:02
  Speaker 1: like it's like I'm not gonna come up here and
• 40:05
  Speaker 1: talk and say that. I know all about mental health.
• 40:07
  Speaker 1: I know the struggles, I know anxiety. I know I'm
• 40:09
  Speaker 1: not gonna I'm not making jokes try to make you.
• 40:11
  Speaker 1: Would you say that, you start over, say what you
• 40:15
  Speaker 1: want to say to charlote may get it off your chest.
• 40:16
  Speaker 1: I don't want to start over. I want to keep
• 40:21
  Speaker 1: I'm about to drop a video soon as I get
• 40:23
  Speaker 1: out of here. The only reason I didn't do it,
• 40:25
  Speaker 1: I told you to cancel my I had eight joys
• 40:28
  Speaker 1: just stacked up. But I was like, I want to
• 40:32
  Speaker 1: say I love Dannell. I've said Darnell funniest all the time.
• 40:37
  Speaker 1: I just don't like nowhere on record where you said
• 40:40
  Speaker 1: that all the time. In fact, when I come up
• 40:42
  Speaker 1: here and I try to tell when I was coming
• 40:44
  Speaker 1: here trying to promote Soul, which when a when Academy
• 40:46
  Speaker 1: award and swept on all awards, I try to tell
• 40:49
  Speaker 1: you about that, and I was talking about my father.
• 40:52
  Speaker 1: You laugh in my face. You took me you have
• 40:56
  Speaker 1: just had another baby, shout out to your annual baby
• 40:59
  Speaker 1: shower where you're about to have. You laughed my favorite
• 41:01
  Speaker 1: I talked when I brought my book out here, you
• 41:03
  Speaker 1: laughed at me. Was a star as a new person.
• 41:11
  Speaker 1: I will say this a yes, and should not laugh
• 41:14
  Speaker 1: at his father. I watched Netflix, but be your attention.
• 41:20
  Speaker 1: I never heard that yes. I never heard let's go
• 41:23
  Speaker 1: to the video. Well, I can't wait to put all
• 41:24
  Speaker 1: this that book, that book was not ready for you
• 41:27
  Speaker 1: to show us that it wasn't. It was an idea.
• 41:30
  Speaker 1: It was a start, all right. You killed my dreams
• 41:32
  Speaker 1: and I love soul. The only part I didn't like
• 41:34
  Speaker 1: the soul was the barber. Whoever the barber was like
• 41:36
  Speaker 1: the boys didn't fit like the body of You made
• 41:39
  Speaker 1: the one that had the most pivotal, iconic scene of
• 41:42
  Speaker 1: the entire movie. Role You remember, you remember the role,
• 41:45
  Speaker 1: the role that wasn't even on paper that a camp
• 41:49
  Speaker 1: power told Pete Doctor, we need to get this connected
• 41:52
  Speaker 1: to the hood. And Pete Doctor said, I need you
• 41:55
  Speaker 1: to write. You write the scene. You wrote the scene,
• 41:57
  Speaker 1: You made the role that I didn't. They put me
• 42:00
  Speaker 1: on that dad's the barber. Google it. I did not
• 42:02
  Speaker 1: know that you mean the role that they're possibly thinking
• 42:05
  Speaker 1: about doing a spinoff that role. Well, if you didn't, Yes,
• 42:09
  Speaker 1: that's what it was to be able to see you
• 42:13
  Speaker 1: in that role because he loves that movie. Like I think,
• 42:16
  Speaker 1: I've done things in my career and nothing can match
• 42:19
  Speaker 1: up to anything I've done other than my son seeing
• 42:22
  Speaker 1: me on the Pixar Disney face. Seriously thought, think about
• 42:25
  Speaker 1: the first time in your life ever when you remember
• 42:29
  Speaker 1: the feeling of feeling like somebody was trying. Do you
• 42:32
  Speaker 1: remember that? Um? I don't. People don't usually try me.
• 42:35
  Speaker 1: So what causes you to be sensitive? It had to
• 42:37
  Speaker 1: be something when the first time you walked out of
• 42:39
  Speaker 1: someplace because you was upset. I don't walk out. I
• 42:41
  Speaker 1: never walk out. When you when the first time you
• 42:43
  Speaker 1: felt disrespected, that's a tough question. I don't know how
• 42:46
  Speaker 1: to I really don't know how to end the answer.
• 42:48
  Speaker 1: What's the most disrespected you ever felt in your life?
• 42:50
  Speaker 1: When the boody was in my face for thirty minutes,
• 42:53
  Speaker 1: that probably was. That probably was. Anyway, why don't you
• 42:56
  Speaker 1: move it? You don't like booty in your face? I
• 42:59
  Speaker 1: don't like Okay, booty in my phrase is one thing booty.
• 43:02
  Speaker 1: There's a whole different level se. That's the I don't
• 43:05
  Speaker 1: know how y'all play and what y'all y'all get yourself.
• 43:07
  Speaker 1: Your bedroom is your bedroom. You know what I'm saying,
• 43:09
  Speaker 1: but I don't. I just don't like that. All right,
• 43:11
  Speaker 1: We got more with don Elle Rawlings when we come back,
• 43:13
  Speaker 1: don't move. It's the Breakfast Club. Good morning morning. Everybody
• 43:16
  Speaker 1: is DJ Envy Angela Yee, Charlemagne the guy. We are
• 43:20
  Speaker 1: the Breakfast Club. We're still kicking it with Donnell Rawlings, Charlemagne, serious,
• 43:24
  Speaker 1: serious question. Yeah, have I ever hurt you? Seriously? I
• 43:27
  Speaker 1: want you to answer seriously. I've heard you before. Yeah,
• 43:31
  Speaker 1: I apologize for hurting you, done that, but you didn't
• 43:33
  Speaker 1: ask what the hurt was. I want to know, but
• 43:37
  Speaker 1: just got it. Don't matter what the hurt was. This
• 43:44
  Speaker 1: is a telling me how I hurt you? Done that?
• 43:46
  Speaker 1: Out of everything I thought I've done in my like
• 43:49
  Speaker 1: to paint the narrative that this is not funny, to
• 43:55
  Speaker 1: paint the narrative like the times I've come up here.
• 43:57
  Speaker 1: It's like when I talked about the as I've done
• 44:00
  Speaker 1: you talk about other people don't understand that, But I'm
• 44:02
  Speaker 1: like this, where is the respect to what I do.
• 44:07
  Speaker 1: Where's the respect of what if? What if? I've established
• 44:10
  Speaker 1: in the comedy world, and I say that not just comedy,
• 44:13
  Speaker 1: like all of it. Everybody in this room. I did,
• 44:15
  Speaker 1: I've done this. I was a hot ninety seven when
• 44:17
  Speaker 1: you was at nighttime, when you was like this. I
• 44:20
  Speaker 1: know the money is in the morning. The question you
• 44:24
  Speaker 1: gotta getting at. You did more this together? Don't Yeah?
• 44:27
  Speaker 1: We did. Yeah. I know. You used to try to
• 44:28
  Speaker 1: calm me because you think didn't think I could read
• 44:30
  Speaker 1: out loud. You got a hundred dollars if you could
• 44:32
  Speaker 1: read this right here. I don't want to do that.
• 44:33
  Speaker 1: You read out loud. I don't need a hundred dollars.
• 44:35
  Speaker 1: Give me a house. Don't make fun of somebody I
• 44:40
  Speaker 1: know used to do everything. Let me don't do that.
• 44:45
  Speaker 1: Let me say, don't do that? Which one the first
• 44:48
  Speaker 1: the top go Donna has Wait a minute, you can't
• 44:53
  Speaker 1: say nothing same. Let me see give a second hold on.
• 44:56
  Speaker 1: I'm Donna. Has appeared on the on the New Negue
• 44:59
  Speaker 1: Ros Comedies Central on Netflix, Historical Roles Frost, and Record
• 45:05
  Speaker 1: on Frost It's Bruno. He was on the Joe Rogan
• 45:09
  Speaker 1: Experience podcast and was featured on TBS the Last Ogs
• 45:13
  Speaker 1: and Tracy Morgan and also you didn't mention this. He'll
• 45:16
  Speaker 1: also be he I'm making let me Free Style. He
• 45:21
  Speaker 1: also be featured on the hits Smash to be determined
• 45:25
  Speaker 1: in the Fall Black Mafia Family. He also would be
• 45:29
  Speaker 1: on an untitled HBO project, The Laker Project for HBO
• 45:35
  Speaker 1: You and the Laker You In the Laker Projects project,
• 45:39
  Speaker 1: I played Let's not talk about but he messed up. Yeah,
• 45:43
  Speaker 1: I thought I was playing. I was so happy. They
• 45:45
  Speaker 1: was like, yeah, we gotta roll. I was like, yeah,
• 45:46
  Speaker 1: I'll be playing Magic Johnson's father right come to I
• 45:49
  Speaker 1: was playing Magic Johnson's Father's friend. And I was so happy.
• 45:53
  Speaker 1: I in the act the game. I'm like, I'm out.
• 45:55
  Speaker 1: But what was your other question? No, but I said,
• 45:59
  Speaker 1: I apologize when her imna say, and he apologizes for
• 46:01
  Speaker 1: radio So hurting. Not great. It's a misunderstanding called don
• 46:10
  Speaker 1: I say Daniel is one of the funniest stand up comics.
• 46:13
  Speaker 1: I actually said Donnelle was the funniest stand up comic
• 46:15
  Speaker 1: at one point. I think Andrew got that. Now that's
• 46:18
  Speaker 1: just my personal opinion. One stage stand up. Okay, first,
• 46:21
  Speaker 1: let me let me play this. See what you are doing.
• 46:24
  Speaker 1: You're comparing the success of somebody the popularity of No, No,
• 46:30
  Speaker 1: not you said one of the funniest Andrew Schultz. No,
• 46:34
  Speaker 1: this is. But he's done a great job for himself.
• 46:37
  Speaker 1: You know what I'm saying. He's figured to pivot. He
• 46:39
  Speaker 1: entered the world with you with brilliant idiots. He's a
• 46:41
  Speaker 1: podcast dude, and he felt this lame. And I respect anybody,
• 46:43
  Speaker 1: and this was without the help of networks or anything.
• 46:46
  Speaker 1: I respect that. But when you say the funniest, that's
• 46:49
  Speaker 1: a tough one to calls. It's just for the moment.
• 46:51
  Speaker 1: It changes the seasons, right right, all jokers, I really
• 46:55
  Speaker 1: do love you and I appreciate you, and I apologize
• 46:57
  Speaker 1: if I hurt you. I would like to offer you
• 46:59
  Speaker 1: a gift. I don't want to know. It's nothing crazy.
• 47:01
  Speaker 1: It's nothing crazy. It's like a booty box. It is
• 47:04
  Speaker 1: not a booty box. Ain't no booties in there. Bro,
• 47:08
  Speaker 1: Come on. It's something good for your mental health and
• 47:09
  Speaker 1: can help you relieve stress, all types of I don't
• 47:13
  Speaker 1: know what it is. What it just my something. You
• 47:19
  Speaker 1: know what it is. It's the same gift. You got
• 47:22
  Speaker 1: it and you're used dingling. No, you had a box.
• 47:29
  Speaker 1: You there on it because it's been used. I'm so
• 47:39
  Speaker 1: happy we can find a bubble recollapse. No, no, How
• 47:42
  Speaker 1: do you feel about comedy returning in New York? I'm
• 47:46
  Speaker 1: very excited about it. I'm also excited that part of
• 47:48
  Speaker 1: the return I'll be at Carolines on Broadway. Carolines back,
• 47:53
  Speaker 1: we reopening. I think it's time, you know, so I
• 47:56
  Speaker 1: went Thursday on Friday, Thursday, Thursday, Thursday, Thursday, Friday, Saturday
• 48:00
  Speaker 1: and Sundays on Always success is that the joint? You
• 48:06
  Speaker 1: got new? You got a whole new set. I'm show
• 48:08
  Speaker 1: after the after being. I always got a new set.
• 48:10
  Speaker 1: I always have a new set. And um, in a
• 48:13
  Speaker 1: couple of months, I'm gonna be doing uh my special.
• 48:18
  Speaker 1: I thought Dave was gonna ep it. That's a polo
• 48:21
  Speaker 1: boy that your friends say about your relationship with Charlotte Magne.
• 48:25
  Speaker 1: This is a question I always good. What's up with
• 48:27
  Speaker 1: you and Charlotte? Man? Like? Is it real or is
• 48:30
  Speaker 1: it fake? I say, let's just say it's like wwf
• 48:33
  Speaker 1: w W. It's entertainment. It is your choice to decide
• 48:36
  Speaker 1: on what it is I do have that's not true?
• 48:39
  Speaker 1: Will really be mad behind he'd be texting me he
• 48:42
  Speaker 1: really be mad? And then which, which, which brings me
• 48:44
  Speaker 1: back to high school where I'm like, I'm gonna pick
• 48:47
  Speaker 1: on the person who I know I'm bothering. That's right,
• 48:49
  Speaker 1: you're gonna pick on I'm gonna go ahead. It's been
• 48:51
  Speaker 1: a year like you pick on me, been longer than that.
• 48:54
  Speaker 1: I can't I get involved you like every watch out,
• 49:08
  Speaker 1: don't stand beside it. You know what it's about to
• 49:11
  Speaker 1: get high life. Don't know what it's about the problem right, Like,
• 49:15
  Speaker 1: oh am, I gonna get shot standing beside yaller man, Yes,
• 49:18
  Speaker 1: y'all give a gab. You just put penises on my timelines. No,
• 49:22
  Speaker 1: he don't. Y'all put a place for like three days.
• 49:26
  Speaker 1: All y'all did y'all was like, y'all be like, we
• 49:28
  Speaker 1: finally got him, y'all do that. So whoever's close to it,
• 49:31
  Speaker 1: I think, listen, I think there's nothing wrong with you
• 49:34
  Speaker 1: in the day's relationship. And I think that anybody who
• 49:36
  Speaker 1: got a problem with you in the day's relationship don't
• 49:37
  Speaker 1: understand friendship all loyalty. They don't understand what friendship busin.
• 49:40
  Speaker 1: They don't understand loyal to us. And I'm I'm loyal
• 49:42
  Speaker 1: to him, He's loyal to me. And it's not your
• 49:44
  Speaker 1: fault that your friend is one of the greatest comics. Elevel.
• 49:47
  Speaker 1: My friend would say, it's not the fault that Donnell
• 49:49
  Speaker 1: is one of the greatest communians. That absolutely, which I
• 49:52
  Speaker 1: told you, and Dave will say Danelle is the funniest
• 49:55
  Speaker 1: person I know. So it means more when Dave says
• 49:57
  Speaker 1: it compared to you. Yes, we appreciate I'm not leaving
• 50:07
  Speaker 1: but you, But you always say I don't say that,
• 50:09
  Speaker 1: and I say that all the time, but then you're
• 50:12
  Speaker 1: being like, oh, this person is funnier than you. This
• 50:14
  Speaker 1: person's funnier. I do have to with him. He knows that.
• 50:16
  Speaker 1: But that's what dud what I do with you, And
• 50:21
  Speaker 1: it's not then I leave this. I'm post appreciate. No, no,
• 50:26
  Speaker 1: I don't want you to tell me to get that
• 50:28
  Speaker 1: I'm walking off. We love you and we value you,
• 50:32
  Speaker 1: and we appreciate you, and Donnell Rowling should get all
• 50:35
  Speaker 1: his flowers. And I appreciate this interview because you could
• 50:37
  Speaker 1: have easily said that I don't want him up up there,
• 50:39
  Speaker 1: but we did say that. I told we told you,
• 50:43
  Speaker 1: we told him to tell you we canceled just to
• 50:45
  Speaker 1: with you. You don't understand my thought was ready said that.
• 50:51
  Speaker 1: I was like, I was like this boy, you got
• 50:54
  Speaker 1: the license to kill right there. I'm not gonna lie.
• 50:56
  Speaker 1: What happened was they did try to cancel it. I
• 50:59
  Speaker 1: had done that like, yeah, don't think it's gonna happen.
• 51:01
  Speaker 1: And then we did that on perfect and we don't breath.
• 51:05
  Speaker 1: He did, and then he was like, all right, I'm
• 51:06
  Speaker 1: gonna just chill out. I'm not gonna say nothing. And
• 51:09
  Speaker 1: then they and then Eddie hit me back and said, okay,
• 51:12
  Speaker 1: we can do it at nine, but it was like
• 51:14
  Speaker 1: an hour later, and I was like, we did to
• 51:16
  Speaker 1: go check his timeline to make sure he didn't post nothing,
• 51:19
  Speaker 1: and then we were gonna cancel you again to day
• 51:20
  Speaker 1: when you was downstairs, We're gonna take the camera down.
• 51:22
  Speaker 1: We've been real mad about that. I got yellows for
• 51:26
  Speaker 1: this right now. It was the thing about being desperate
• 51:28
  Speaker 1: to do this interview, because this interview for me was
• 51:29
  Speaker 1: to promote my short Caroline. But I don't like how
• 51:32
  Speaker 1: you said that just now. It's the truth. I think
• 51:35
  Speaker 1: the fact that we bear gifts is a great thing.
• 51:37
  Speaker 1: I don't want your gifts. You can't give anybody gifted
• 51:40
  Speaker 1: food that for save that for little nods. He's gonna
• 51:42
  Speaker 1: be up here soon, right, Oh my God, you know what. Listen,
• 51:45
  Speaker 1: you don't want so you don't want God. You don't okay,
• 51:51
  Speaker 1: you don't want God. If you just said you don't
• 51:53
  Speaker 1: want God, don't you said you don't want God? I
• 51:56
  Speaker 1: do want. You said you don't want gifted? What's the
• 51:58
  Speaker 1: acronym for gifted? I'm not doing that. Say I'm not
• 52:01
  Speaker 1: doing that. I'm not doing the only one the Lord. God,
• 52:11
  Speaker 1: please give me the strength I believe us. Pray, come on,
• 52:15
  Speaker 1: a real prayer. Dear God, thank you for getting me
• 52:19
  Speaker 1: through this interview and maintaining the friendships that I've built
• 52:23
  Speaker 1: for over twenty five years. God, please give Seana minspel
• 52:27
  Speaker 1: to post mental health. Every other post in that every post,
• 52:30
  Speaker 1: give God dj Envy. I want to pray for you
• 52:33
  Speaker 1: that you have a healthy another baby, and please get
• 52:37
  Speaker 1: your mother and get tied up. It's enough. It's enough here, God,
• 52:42
  Speaker 1: damn how you keep letting this steep all the time? Dick.
• 52:47
  Speaker 1: God gives Envy the strength to pull up game, pull
• 52:50
  Speaker 1: our game, to be stronger. Give a prayer for season.
• 52:53
  Speaker 1: Dear God, I pray that season comes out of the
• 52:56
  Speaker 1: new album The Life from Times A big pun, He's
• 52:59
  Speaker 1: got no little punt. I appreciate your season because you've
• 53:02
  Speaker 1: reached out to me doing a pandemic. I appreciate the
• 53:05
  Speaker 1: weight loss you have. I appreciate you. I appreciate what
• 53:08
  Speaker 1: you've done for the community, creating generational wealth. That's it.
• 53:13
  Speaker 1: Pray for my family, play for all my friends, and
• 53:16
  Speaker 1: on some real I want this relationship to continue. Everybody
• 53:20
  Speaker 1: in this room has come from somewhere, from nothing, that
• 53:23
  Speaker 1: made yourself something. The Breakfast Club is one of the
• 53:25
  Speaker 1: biggest platforms in the world, and that's the only reason
• 53:28
  Speaker 1: I'm up here. All right. I want to be able
• 53:35
  Speaker 1: to laugh for smile my friends. Life is too short. Amen, Amen, alright,
• 53:42
  Speaker 1: it's the Breakfast Club. Good morning. Hey listen, if you
• 53:45
  Speaker 1: hear me talking to you right now, that means I'm
• 53:47
  Speaker 1: not really here. Okay, we're on vacation. It's the best
• 53:50
  Speaker 1: of show. But you know, donkey to day. I remember
• 53:52
  Speaker 1: ten years ago when I started this Segmentum, I said
• 53:55
  Speaker 1: that I hope that one day, you know, it'll grow
• 53:57
  Speaker 1: to be a legendary, you know, radio segment it's still
• 54:00
  Speaker 1: not up for me to say that. But we've had
• 54:02
  Speaker 1: some pretty good ones. Okay, they say this one is
• 54:05
  Speaker 1: a classic. Here you go get donkey at the date.
• 54:10
  Speaker 1: You get Dunky of the day. You are a drunken Huh.
• 54:20
  Speaker 1: I'm gonna fatten all that shit around your eye. Want
• 54:22
  Speaker 1: this man to dog and blowers? Man, they're waiting with
• 54:24
  Speaker 1: Charlomaye to blows. I have to make a judgment. Who
• 54:28
  Speaker 1: was going to be on the Donkey of the day.
• 54:30
  Speaker 1: They chose you, bitch, use Donkey of the Day today.
• 54:34
  Speaker 1: I'll tell you spoons, I'll swallow my fish oil pill
• 54:36
  Speaker 1: ad hole. Mmmmm mmmm all right, okay, dog here today
• 54:45
  Speaker 1: goes to a Michigan man named Nathaniel Saxton. Now, someplace
• 54:49
  Speaker 1: somewhere today there is someone getting ready for court. That
• 54:52
  Speaker 1: court may be virtual. I'm sure it's some places who
• 54:55
  Speaker 1: have resumed in person court hearings. But if you have ever,
• 54:59
  Speaker 1: you know I had to be in a courtroom like
• 55:01
  Speaker 1: I have. One of the first things a lawyer is
• 55:03
  Speaker 1: going to tell you to do is look presentable. Hell,
• 55:05
  Speaker 1: people who love you, who have been through the court
• 55:08
  Speaker 1: system before would tell you wear a suit, get a haircut.
• 55:12
  Speaker 1: I remember I was in court one time for pointing
• 55:15
  Speaker 1: in presenting a firearm, and my attorney told the judge
• 55:18
  Speaker 1: look at his shoes. Look at the shoes he's wearing,
• 55:21
  Speaker 1: because they were nice. There were actually some rust colored
• 55:23
  Speaker 1: leather timberland, so I don't know what was special about them,
• 55:26
  Speaker 1: but I ended up getting probation, so it must have worked.
• 55:28
  Speaker 1: Salute to Stephen Davis from most corner of South Carolina
• 55:30
  Speaker 1: dropping a Clowes Bob, Stephen Davis, okay and sons an
• 55:33
  Speaker 1: attorney now too. They always tell you to dress conservative
• 55:36
  Speaker 1: in court. Something you know you would wear the church
• 55:39
  Speaker 1: work or a nice social function. Anybody who tells you
• 55:43
  Speaker 1: otherwise it's trying to get your tricked off the street.
• 55:45
  Speaker 1: Google look presentable in court and see what comes up.
• 55:48
  Speaker 1: Y'all don't believe humans anymore. You're not gonna believe your
• 55:50
  Speaker 1: uncle Charlotte, so believe your laptops or your phones. Just
• 55:53
  Speaker 1: google look presentable in court and it'll say be well
• 55:56
  Speaker 1: groomedn't presentable. You want to style your hair or at
• 55:58
  Speaker 1: least keep it tamed and play shave, or if you
• 56:01
  Speaker 1: have facial head, make sure your beard or mustache is
• 56:04
  Speaker 1: neatly pruned. What does that mean? What has pruned me? Like? Oh, okay, okay.
• 56:10
  Speaker 1: It also says brush your teeth, trim your fingernails, were deodorant.
• 56:13
  Speaker 1: Treat this like a job interview at first date. The
• 56:15
  Speaker 1: moral of the story is be presentable in court. Okay.
• 56:18
  Speaker 1: I don't know how any of this works via zoom,
• 56:21
  Speaker 1: but you know, we've all seen enough zoom interviews over
• 56:23
  Speaker 1: the past year to know that people still show up
• 56:26
  Speaker 1: looking spiffy, at least from the waist up. Okay. We
• 56:28
  Speaker 1: may have basketball shorts on the bottom, women might wear
• 56:31
  Speaker 1: sweat at the bottom, but at least from the waist up,
• 56:33
  Speaker 1: you know we're presentable. Okay. Now, in this virtual world,
• 56:39
  Speaker 1: a lot of us when we get on these zooms,
• 56:40
  Speaker 1: we have nicknames. Is our names, Like you know, when
• 56:43
  Speaker 1: I'm on a zoom, my name is Radio Face. So
• 56:46
  Speaker 1: when I'm on Zoom, it's Radio Face. When I'm doing
• 56:49
  Speaker 1: something like I was doing yesterday because we had a
• 56:51
  Speaker 1: virtual book event for Queen Timika Mallory because her new
• 56:54
  Speaker 1: book State of Emergency, How to Win in the Country
• 56:56
  Speaker 1: We Build Us Out. We had that for the scram Bookstore.
• 56:58
  Speaker 1: My name was presented as Lenard see to God mckelvy,
• 57:01
  Speaker 1: or I might have just been Charlemagne and God. Either way,
• 57:03
  Speaker 1: that's presentable. But if I was in court, best believe
• 57:06
  Speaker 1: my name would just be Lenard mkelfy. Right, that's just
• 57:09
  Speaker 1: a presentable way to do things. Well, Nathaniel Saxton didn't
• 57:13
  Speaker 1: get that memo. See on yesterday, Nathaniel was in court
• 57:17
  Speaker 1: and Judge Jeffrey Middleton presided over the zoom coverage that
• 57:21
  Speaker 1: included eight people with matters before the court. I'm just
• 57:25
  Speaker 1: gonna sit back and let this whole exchange play out,
• 57:28
  Speaker 1: because this is what you call comedy gold, matter of fact,
• 57:31
  Speaker 1: for the sense of the humor that I have, the
• 57:33
  Speaker 1: type of things that I like to laugh at. This
• 57:36
  Speaker 1: is comedy platinum, matter of fact, this is diamond. Listen
• 57:40
  Speaker 1: to how Nathaniel Saxton presented himself in court. Listen, good morning, sir.
• 57:44
  Speaker 1: What's your name? Nathaniel Saxton, Sir? Your name is not
• 57:47
  Speaker 1: but for three thousand yoel screen name. What kind of
• 57:56
  Speaker 1: an idiot laves into court that what's your name? Nathaniel Saxton? Sir?
• 58:02
  Speaker 1: But I don't believe that I typed anything like that.
• 58:05
  Speaker 1: And well that's what it says you should I'll put
• 58:11
  Speaker 1: you in the waiting room. You can sit in limbo
• 58:14
  Speaker 1: for a while. Think about what you call yourself online.
• 58:19
  Speaker 1: I think Judge put him in the waiting room because
• 58:21
  Speaker 1: he wants to talk to him. After the Courts of Judge,
• 58:23
  Speaker 1: Jeffrey Middleton asked a very valid question, what kind of
• 58:27
  Speaker 1: idiot logs into court with a name like that? I'll
• 58:29
  Speaker 1: tell you what kind of idiot, the kind of idiot
• 58:32
  Speaker 1: who thinks he's out smart and to Judge, see, why
• 58:34
  Speaker 1: would you ever send someone named butt f for three
• 58:37
  Speaker 1: thousand in the jail? Sounds to me like jail would
• 58:40
  Speaker 1: be a fun house for butt f for three thousand. Okay,
• 58:43
  Speaker 1: I hate that he uses three thousand. Andre Benjamin didn't
• 58:45
  Speaker 1: spit one of the greatest rap verses ever on y'all
• 58:47
  Speaker 1: scared off the EQUIMENTI album for y'all to take his
• 58:50
  Speaker 1: name and put a butt f in front of it.
• 58:52
  Speaker 1: But you think he but Nathaniels Saxton thinks he's slicked.
• 58:56
  Speaker 1: This is the equivalent of the guy in Training Day.
• 58:58
  Speaker 1: Remember the movie Training Day when the three wisemen are
• 59:00
  Speaker 1: talking to Alonzo and they're talking to him about how
• 59:02
  Speaker 1: one of the guys got off because the dude put
• 59:04
  Speaker 1: peanut butter in the back of his pants and stuck
• 59:06
  Speaker 1: his hands in his pants and pulled his hand out
• 59:08
  Speaker 1: covered in peanut butter and licked his finger clean. And
• 59:10
  Speaker 1: then the judge just sent him to a psych ward
• 59:12
  Speaker 1: for like six months or something. That's what Nathaniel Saxton
• 59:15
  Speaker 1: was hoping happened in this situation. The judge would never
• 59:17
  Speaker 1: send someone who loves the f butts the jail. What
• 59:23
  Speaker 1: do he now? And now, in Nathaniel's defense, he didn't
• 59:29
  Speaker 1: say what kind of butt? How many different flavor of
• 59:33
  Speaker 1: butts are there? Envy? I mean, I know there's male,
• 59:35
  Speaker 1: there's female, cheddar and sour cream, sour cream and onion, chili, cheese, cheeks.
• 59:45
  Speaker 1: What's your favorite flavor? Envy? I don't have a favorite flavor.
• 59:49
  Speaker 1: You're a liar, Envy. Okay, you're using name used to
• 59:51
  Speaker 1: be butt fffor for the nine nines and two thousands?
• 59:54
  Speaker 1: All right, true. I don't have anything else to say
• 59:57
  Speaker 1: about this other than play it again your names, but
• 1:00:00
  Speaker 1: for three thousand? Yoho? What is a Yoho? What is
• 1:00:06
  Speaker 1: a Yoho? What is a is that somebody's using name?
• 1:00:08
  Speaker 1: I think that they were like seeing eye to eye
• 1:00:11
  Speaker 1: to judge was like, oh, you're a butt effort. I'm
• 1:00:13
  Speaker 1: a yoho. I'm a what is a yoho? Some donkey
• 1:00:19
  Speaker 1: to days just sell themselves. Please give Nathaniel Saxton the
• 1:00:22
  Speaker 1: biggest here. No, no, not okay, okay, yes, let's do it.
• 1:00:34
  Speaker 1: I guess we'll play a game of yes what Racing's
• 1:00:40
  Speaker 1: all right? Hey, Nathaniel Saxton of Michigan showed up in
• 1:00:45
  Speaker 1: virtual court with the name the screen name but Effort
• 1:00:49
  Speaker 1: three thousand angela, Ye, guess what racing is? Um? The
• 1:00:55
  Speaker 1: only reason I'm gonna say African American is because of
• 1:00:58
  Speaker 1: you guys. Excuse me, Oh but you guys are black
• 1:01:05
  Speaker 1: and I could see that being your name too. Why
• 1:01:08
  Speaker 1: whoa racist? Okay, I don't know if it is Nathaniel Saxton.
• 1:01:16
  Speaker 1: Oh okay, Nathaniel Saxton from Michigan in virtual court with
• 1:01:20
  Speaker 1: the screen name but for three thousand DJ dramos guess
• 1:01:24
  Speaker 1: what r Yes? This is. This is white privilege that
• 1:01:29
  Speaker 1: it's finest man. Yeah, I can see why you say that. Yeah,
• 1:01:36
  Speaker 1: only somebody that has the level of privilege and uh
• 1:01:39
  Speaker 1: entitlement would show up with that name uh DJ n
• 1:01:42
  Speaker 1: V Yes, Sir, Nathaniel Saxton from Michigan stole your screen
• 1:01:46
  Speaker 1: name but updated it by a thousand years. His streen
• 1:01:49
  Speaker 1: name is butt U for three thousand. Guess what racy? Yes,
• 1:01:54
  Speaker 1: I'm going white? Is that what flame? But but you
• 1:02:00
  Speaker 1: on envy is that your final answer? I'm going to white.
• 1:02:05
  Speaker 1: Only white people play these type of games with judges
• 1:02:07
  Speaker 1: like this. Well, DJ Dramas and DJ V you are
• 1:02:10
  Speaker 1: absolutely cord what I knew it not knowing your saxon,
• 1:02:17
  Speaker 1: You're absolutely right. Only a white man will play with
• 1:02:19
  Speaker 1: the judge in this way. Only a white man. Are
• 1:02:22
  Speaker 1: you out of your damn mind? I need to know
• 1:02:23
  Speaker 1: what charge you was facing. That. The other reason I
• 1:02:25
  Speaker 1: know he was whitecause they didn't tell you what charge
• 1:02:26
  Speaker 1: was facing in the goddamn um, the New York Posts
• 1:02:30
  Speaker 1: or whatever. I get that from Daily News, one of them.
• 1:02:32
  Speaker 1: I'm just going to bed. I'm offended what you said,
• 1:02:35
  Speaker 1: because you guys do this all the time. So I
• 1:02:37
  Speaker 1: thought he was black. I just when he said, but
• 1:02:40
  Speaker 1: after I was like, Charlomagne envy black. But we don't
• 1:02:42
  Speaker 1: know what flavor but it was. We don't know if
• 1:02:45
  Speaker 1: it was male, female, chili, cheese cheeks, We don't know.
• 1:02:47
  Speaker 1: I guess I just ad it with y'all. Wow, thanks,
• 1:02:50
  Speaker 1: all right, Well I'm glad you think of a think
• 1:02:52
  Speaker 1: of us in that way. All right, what you called
• 1:02:57
  Speaker 1: but if we called bonding, that's what we're calling them. Goodness, gracious,
• 1:03:02
  Speaker 1: all right, it's the breakfast Club. Good morning, the breakfast club.
• 1:03:08
  Speaker 1: More than everybody. You want to do it, man, I
• 1:03:12
  Speaker 1: heard you do it when you didn't get today good morning.
• 1:03:14
  Speaker 1: Everybody should boy DJ and I made a guy angela
• 1:03:17
  Speaker 1: club good morning. Now you have to say, we have
• 1:03:21
  Speaker 1: a very special guest in the building. All talking to myself, Okay,
• 1:03:23
  Speaker 1: we got a very special guest in the building. It's me.
• 1:03:27
  Speaker 1: Welcome to suck what's called a feelings black and Holly
• 1:03:30
  Speaker 1: favor you. I love that and I'm the same thing.
• 1:03:33
  Speaker 1: Absolutely No. People that don't know who more Ray is.
• 1:03:36
  Speaker 1: He has a bunch of singles out right now. One
• 1:03:38
  Speaker 1: of his biggest is quick Saying that has over fifty
• 1:03:41
  Speaker 1: five million views on YouTube. And uh, we we got
• 1:03:45
  Speaker 1: your pitre to hear your story. And you know one
• 1:03:47
  Speaker 1: thing I would say about you, just just doing my research,
• 1:03:50
  Speaker 1: you're always smiling and always happy man. Always. We don't
• 1:03:52
  Speaker 1: see that that much. Goodness gracious, nothing to upset, you brother,
• 1:03:55
  Speaker 1: You're just happy all the time upseting. But like Bro,
• 1:03:58
  Speaker 1: I I've been listening to this show for ever, So
• 1:04:00
  Speaker 1: how the hell I come here and be upset? Like Bro,
• 1:04:02
  Speaker 1: I'm gonna smile because what the Charlotte made right here,
• 1:04:05
  Speaker 1: right there we live now. You started off in the church, serious,
• 1:04:12
  Speaker 1: the church prayed played a good role in my life.
• 1:04:14
  Speaker 1: I ain't gona lot. God is always first. I don't
• 1:04:16
  Speaker 1: care what I do. I don't care what I said.
• 1:04:17
  Speaker 1: I don't care how my life is. He number one
• 1:04:19
  Speaker 1: and your mom made you sing I Believe I can Fly,
• 1:04:22
  Speaker 1: which got you in the quie because you do a
• 1:04:24
  Speaker 1: lot of singing in your music. Yeah, she embarrassed me,
• 1:04:26
  Speaker 1: but it's cool. That's what mother is doing. Like she
• 1:04:30
  Speaker 1: put me in the most purpless suit she can find.
• 1:04:32
  Speaker 1: I don't know if she went to like embarrass your
• 1:04:34
  Speaker 1: kid dot com and like order that, but like her,
• 1:04:37
  Speaker 1: my grandma put me in from the church and maybe
• 1:04:38
  Speaker 1: singer I Believe I can fly. R Kelly in front
• 1:04:40
  Speaker 1: of the whole church, and I was nervous until like
• 1:04:42
  Speaker 1: people started saying, you know you babby, to go ahead. Boy,
• 1:04:44
  Speaker 1: when you hear that did how many times your Mom,
• 1:04:48
  Speaker 1: did you sing that song in front of company man?
• 1:04:50
  Speaker 1: Not that song a lot? Because songs when I sing
• 1:04:52
  Speaker 1: a lot was filled my cup. I got, I feel
• 1:04:55
  Speaker 1: my cup, let it all the flow, so old song.
• 1:04:59
  Speaker 1: I grew up over witness. I wouldn't know he was happy.
• 1:05:03
  Speaker 1: I can't late, brother, it turned turned to the head
• 1:05:08
  Speaker 1: of the choir. Yeah, no, cap My mother when I
• 1:05:10
  Speaker 1: was a little she ran the children's quiet, So you
• 1:05:13
  Speaker 1: know I had to be numb along. That's my mother.
• 1:05:14
  Speaker 1: Was she gonna say it was nevertive? It wasn't because
• 1:05:16
  Speaker 1: you was like, it wasn't because you was the best singer.
• 1:05:23
  Speaker 1: So waited turn left because you're a gospel singer. You're
• 1:05:25
  Speaker 1: in the choir. You you know, you went through the
• 1:05:28
  Speaker 1: church and then it went left somewhere, and then you
• 1:05:30
  Speaker 1: went to the street, and then you started, you know,
• 1:05:32
  Speaker 1: running in people's house, and so when did it turn left?
• 1:05:35
  Speaker 1: I ain't gonna lie. When I moved from North Carolina
• 1:05:37
  Speaker 1: moved to pa like twelve, that's when I like it
• 1:05:40
  Speaker 1: was hard to get acclimitted to the city life. And
• 1:05:42
  Speaker 1: I'm gonna lie, like I saw to following everybody because
• 1:05:44
  Speaker 1: I felt like that I had to fit in somewhere
• 1:05:46
  Speaker 1: or why did you move from North Carolina up to Pennsylvania.
• 1:05:48
  Speaker 1: I love my mother, so I'm gonna say this first,
• 1:05:50
  Speaker 1: she did her best, um, but you know it's hard
• 1:05:53
  Speaker 1: when you raised the kid by yourself. I got kicked
• 1:05:54
  Speaker 1: out a lot of school, so we had to keep
• 1:05:56
  Speaker 1: chaining the districts. So when we had to move with
• 1:05:57
  Speaker 1: her sister in pen Petsylvania because we had no where
• 1:05:59
  Speaker 1: to go, so we ended up staying there for like
• 1:06:01
  Speaker 1: six years. And and that was the six years were
• 1:06:03
  Speaker 1: like I realized what I didn't want to do in
• 1:06:05
  Speaker 1: my life. I wonder, right, at what point did you
• 1:06:08
  Speaker 1: realize your mom was just doing her best? Because you know,
• 1:06:11
  Speaker 1: sometimes we were hard on our parents till we get older.
• 1:06:13
  Speaker 1: So when did you realize that she was just doing
• 1:06:15
  Speaker 1: her best. When I had my own kids, I saw
• 1:06:17
  Speaker 1: the putting myself with her shoes, understanding like she she
• 1:06:20
  Speaker 1: really did help them best, like she hit you could
• 1:06:23
  Speaker 1: better be So thank you, mama. You didn't kick out
• 1:06:25
  Speaker 1: of school for fighting. Would you played football? That's football team?
• 1:06:29
  Speaker 1: But no, cap I played football, and then I was
• 1:06:31
  Speaker 1: in the alternative school, so I had to walk from
• 1:06:33
  Speaker 1: my school to the other school. To play football. I
• 1:06:35
  Speaker 1: ended up getting to it with a teacher and had
• 1:06:37
  Speaker 1: button or whatnot. And if the teacher, I was a
• 1:06:39
  Speaker 1: very trying the story. We need details matter. If I
• 1:06:43
  Speaker 1: take your coat off, if you want to yea, let
• 1:06:45
  Speaker 1: me get a little comfortable. It's gonna it's gonna be
• 1:06:47
  Speaker 1: a little it's rain. I love you back. He's gonna
• 1:06:49
  Speaker 1: say it right now. You feed me And I got
• 1:06:51
  Speaker 1: little for your homie, no cap. But I was dating
• 1:06:55
  Speaker 1: a girl. She was she was in high school and
• 1:06:56
  Speaker 1: I was at the alternay school. So I was like,
• 1:06:58
  Speaker 1: I feel sensive. Had a little love letter, Hello, I
• 1:07:01
  Speaker 1: love you can wait the beat them cheeks up? You
• 1:07:02
  Speaker 1: know how he vibes those cheeks up? No, yes or no? Maybe?
• 1:07:10
  Speaker 1: I was that's all I care about it. So I
• 1:07:13
  Speaker 1: was like, yeah, wrote a little letter, and my mind
• 1:07:14
  Speaker 1: was super sensitive, super sweet. I folded up a little
• 1:07:16
  Speaker 1: I love writing on it. So he like, yo, what
• 1:07:18
  Speaker 1: you're doing? I said, you te teachers, I canna ahead
• 1:07:20
  Speaker 1: and write letter school chill up. I dumb dumb my
• 1:07:22
  Speaker 1: work because I was like done first. He like, nah,
• 1:07:24
  Speaker 1: Grandma ripped it through in the trash. I'm like, oh, bro,
• 1:07:27
  Speaker 1: you know how to give it up. Please stop because
• 1:07:28
  Speaker 1: I don't even want to. I don't because I'm like,
• 1:07:30
  Speaker 1: I don't even want to take it with you, bro,
• 1:07:31
  Speaker 1: like I gotta chill. You feel me, I wrote it again,
• 1:07:35
  Speaker 1: or try to grab the other one. I'm saying, oh, bro,
• 1:07:37
  Speaker 1: I'm about to peer you because this is weird now,
• 1:07:39
  Speaker 1: like lit teacher, No cat, it was alternate school gym teacher. No,
• 1:07:43
  Speaker 1: it's they're like to grab you, slam you like they like, yeah,
• 1:07:47
  Speaker 1: it's not like a teacher. They called intervention specialists. When
• 1:07:51
  Speaker 1: the teacher can handle you. They called it, come grab
• 1:07:52
  Speaker 1: you for me. So that's what he was. I'm like,
• 1:07:54
  Speaker 1: your bro, you gotta chill because like we're not about
• 1:07:57
  Speaker 1: not about to be easy for you, Like it's not
• 1:07:58
  Speaker 1: about just throw me around, so chill out. Bought to understand.
• 1:08:01
  Speaker 1: I wrote it again. He grabbed it and nails like,
• 1:08:06
  Speaker 1: So you was one of them kids because they had
• 1:08:08
  Speaker 1: me in these classes for a minute. Your discipline was
• 1:08:10
  Speaker 1: so bad that they put you in with lectory medial classes. No,
• 1:08:14
  Speaker 1: it wasn't. It was all right, boom. I went to
• 1:08:16
  Speaker 1: the middle school and then like I was too bad
• 1:08:18
  Speaker 1: for the record school, so to put me in the
• 1:08:19
  Speaker 1: trails in the back and then the trails in the back.
• 1:08:21
  Speaker 1: I was too much. So they kind of build a
• 1:08:23
  Speaker 1: school for kids like me. And I was in that
• 1:08:25
  Speaker 1: school and I kind of couldn't graduate to go to
• 1:08:27
  Speaker 1: Like you go there for a while and then they
• 1:08:28
  Speaker 1: let you out go to the other school. But I
• 1:08:30
  Speaker 1: have made it that far. Did they make you eat
• 1:08:32
  Speaker 1: lunch earlier than everybody else too? We understand it, But
• 1:08:38
  Speaker 1: I do understand those have a couple of those feel
• 1:08:42
  Speaker 1: like going to cold to eat like a dam something
• 1:08:45
  Speaker 1: they have me in those for like god, they're white cheese, ham,
• 1:08:48
  Speaker 1: bread and white middle one. But what do you think
• 1:08:52
  Speaker 1: about that education? Like if you have to say something
• 1:08:55
  Speaker 1: for parents now whose kids are being put in special classes?
• 1:09:00
  Speaker 1: What do you what do you think about that? Like
• 1:09:01
  Speaker 1: do you think it's helpful? Do you think it hurts?
• 1:09:03
  Speaker 1: What do you think needs to be dying? For real?
• 1:09:05
  Speaker 1: I ain't gonna a lot of times about I acted up.
• 1:09:07
  Speaker 1: It was because of stuff that I was lacking in
• 1:09:09
  Speaker 1: my household or lacking in my life. So even like
• 1:09:12
  Speaker 1: now I realized I was really just acting out because
• 1:09:14
  Speaker 1: I really missed my my pop or like I really
• 1:09:16
  Speaker 1: missed my my family and I I was just looking
• 1:09:18
  Speaker 1: for the wrong attention when I could have went about
• 1:09:19
  Speaker 1: it the wrong way. Didn't know that until now. So
• 1:09:21
  Speaker 1: I think parents got to understand, like if your kid
• 1:09:23
  Speaker 1: is acting up, your kids acting out, try to figure
• 1:09:25
  Speaker 1: out what's going on, because it may be something that
• 1:09:27
  Speaker 1: to not telling you or don't know how to express
• 1:09:29
  Speaker 1: before you just beat their ass like be also like, YO,
• 1:09:32
  Speaker 1: talk to me like it's okay, it's okay. You feel scared,
• 1:09:35
  Speaker 1: it's okay, you feel upsets, okay, but tell me why
• 1:09:37
  Speaker 1: you're feeling this with let's let's let's go through the
• 1:09:40
  Speaker 1: motions because at the end of the day, a conversation
• 1:09:41
  Speaker 1: could save everything. That's true. Now listen, after you hed,
• 1:09:44
  Speaker 1: but it, dude, what happened? Um? They put me eye
• 1:09:46
  Speaker 1: assess I got did of course, like they all jump
• 1:09:50
  Speaker 1: I mean um, after that they called the cops. I
• 1:09:53
  Speaker 1: went to I got I got rested, went to the
• 1:09:56
  Speaker 1: little jail thinking would have can it be? Then let
• 1:09:58
  Speaker 1: me on proprobation. I went to court again and I
• 1:10:00
  Speaker 1: got locked off for like eighteen months. Damn that was
• 1:10:02
  Speaker 1: I was. I seen somewhere that you you got your
• 1:10:05
  Speaker 1: g ed when you was Yeah, I got my g D.
• 1:10:07
  Speaker 1: But I wanted to play football when I came out.
• 1:10:09
  Speaker 1: But you know, I got kicked out out of the
• 1:10:11
  Speaker 1: alternative school, which was my last resort. So I knew
• 1:10:13
  Speaker 1: that's what happened. But I hope so I can get
• 1:10:15
  Speaker 1: my g D, come out to go to high school.
• 1:10:17
  Speaker 1: But so you got to g D and told you
• 1:10:19
  Speaker 1: go go back to high school, I didn't know. I thought,
• 1:10:21
  Speaker 1: like I can get that and then get that too
• 1:10:22
  Speaker 1: like a bonus, Like this ain't the real diploma. I say,
• 1:10:26
  Speaker 1: let me get pigs not in big decisions to some
• 1:10:31
  Speaker 1: big decisions. You say you had had to start taking
• 1:10:33
  Speaker 1: care of yourself since you were nine. Yeah, why why?
• 1:10:36
  Speaker 1: But like I said, my mom worked a lot, So
• 1:10:37
  Speaker 1: there's a lot of time, like I had to watch
• 1:10:39
  Speaker 1: myself at nine. When you when you're a black kid,
• 1:10:42
  Speaker 1: you understand that like the open the door such and
• 1:10:45
  Speaker 1: watched TV. The lunch was in there relaxed, so like
• 1:10:47
  Speaker 1: a lot of a lot of times when like like
• 1:10:49
  Speaker 1: but the seller candy for school, like my mom wasn't
• 1:10:52
  Speaker 1: there to monitor that. So when I when they would
• 1:10:54
  Speaker 1: give me the cash, I kept that giving them chocolate
• 1:10:57
  Speaker 1: bars like they was they was pre ordering like I
• 1:11:00
  Speaker 1: was getting the cash for the pre orders, so I
• 1:11:02
  Speaker 1: have to give you just giving me money and I'm not.
• 1:11:04
  Speaker 1: I'm like, yo, how much is this? It's like a
• 1:11:08
  Speaker 1: thousand dollars, like four hundred dollars. It's like a million
• 1:11:11
  Speaker 1: dollars right now, I'm buying vicing candies for the hood.
• 1:11:15
  Speaker 1: I'm flaxing like ice cream truck. He was loving me,
• 1:11:18
  Speaker 1: So you can't do burn balling up buying everybody, Bob
• 1:11:23
  Speaker 1: for everybody, gumball earballs and everything was lit. All we
• 1:11:27
  Speaker 1: have more with moray when we come back. It's the
• 1:11:29
  Speaker 1: Breakfast Club. Good morning Morning. Everybody is DJ Envy, Angela Yee,
• 1:11:34
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We still
• 1:11:36
  Speaker 1: have brand new artist from the Carolina's more in the
• 1:11:38
  Speaker 1: building Yee. Before quicksand though, you had a series of
• 1:11:42
  Speaker 1: odd jobs that you did right and so can we
• 1:11:45
  Speaker 1: talk about that, like just you having to work because
• 1:11:47
  Speaker 1: you had a family to support time. Yeah, like like
• 1:11:50
  Speaker 1: everybody like you here before they wrapped, they were the
• 1:11:53
  Speaker 1: big dope dope head, big dope guys or none. I
• 1:11:56
  Speaker 1: worked because I want to do that the kids. You
• 1:11:59
  Speaker 1: have three, so I didn't want to get locked up
• 1:12:01
  Speaker 1: again because I already got caught up on a charge
• 1:12:03
  Speaker 1: moth calls. I'm not trying to go back to the
• 1:12:04
  Speaker 1: jail for this boat. It's weird, Like I want to
• 1:12:06
  Speaker 1: just live my life for my family. So I worked,
• 1:12:08
  Speaker 1: but you worked at hog plants and chicken plants. Hog plants,
• 1:12:11
  Speaker 1: chicken plants, a hog planting, the chicken plant, the hog plant.
• 1:12:14
  Speaker 1: I cut the guts of the pig, like the small
• 1:12:17
  Speaker 1: tests of the Yeah, like you gotta put it on
• 1:12:19
  Speaker 1: a little rack. And when you cut it like be
• 1:12:21
  Speaker 1: spurting up like did that make you stop? Did that
• 1:12:24
  Speaker 1: make you stop eating pork? I don't hot dogs, sauces,
• 1:12:27
  Speaker 1: nothing in casings. And what about the chicken plant? It
• 1:12:29
  Speaker 1: was like a line. They plucked the chicken, cut, cut
• 1:12:32
  Speaker 1: the head off and send it to me and I
• 1:12:33
  Speaker 1: just put it on the rack and we just cut
• 1:12:34
  Speaker 1: the wings like that. So I was on the last
• 1:12:36
  Speaker 1: prob I didn't have to do with the blood. I
• 1:12:38
  Speaker 1: do with the last probles that it was always frozen.
• 1:12:39
  Speaker 1: And you know what I mean. The Dominos Dominod's was
• 1:12:42
  Speaker 1: the fire job. I ain't a lot to you. I'm
• 1:12:44
  Speaker 1: a hell of bread like you see how I am?
• 1:12:46
  Speaker 1: Like I go to your crib, your domnods. What's happ
• 1:12:48
  Speaker 1: my boy? Hey good as hey, my boy? Oh lit tip? Yeah,
• 1:12:51
  Speaker 1: I love you. I'm out. I just get like twenty
• 1:12:54
  Speaker 1: you probably have some weed, little bit the weed. Come
• 1:12:56
  Speaker 1: on now it's about for my customers. Now a call sender.
• 1:12:59
  Speaker 1: What did you do with the call center? I work
• 1:13:01
  Speaker 1: for P ANDC Bank. I basically help people like with
• 1:13:03
  Speaker 1: their accounts. Tell you how much of your account of
• 1:13:05
  Speaker 1: what you spend. So so, after getting locked up and
• 1:13:08
  Speaker 1: all that, all that, you work for PC in the
• 1:13:10
  Speaker 1: bank and they call you up like, hey, bro, how
• 1:13:12
  Speaker 1: much I got my account? I look, I'm gonna put you.
• 1:13:14
  Speaker 1: I'm gonna put your my mind shut. Imagine being brokeish
• 1:13:17
  Speaker 1: the day before, you got no weed, You hungry when
• 1:13:19
  Speaker 1: your lunch breaker I could call you. He got one
• 1:13:21
  Speaker 1: hundred thousand miles on his account. You got his social
• 1:13:24
  Speaker 1: his name, his first last name, address, everything. You need
• 1:13:27
  Speaker 1: to take this man money? Oh my goodness, but you
• 1:13:29
  Speaker 1: know you can't. Jesus Christ, the seat was hot. You
• 1:13:34
  Speaker 1: never did it. You never put your hand in the
• 1:13:36
  Speaker 1: cookie jar A little bit. I can't for a couple
• 1:13:38
  Speaker 1: of reasons. I don't want to be done to me
• 1:13:40
  Speaker 1: because I know I got her a comma coming to me.
• 1:13:42
  Speaker 1: I don't want that kind of camma. But it's like, damn, yeah, brother, damn,
• 1:13:47
  Speaker 1: I'm hungry. This account looked juicy due right now, what's
• 1:13:54
  Speaker 1: the most you ever seen? I've seen. It was a
• 1:13:57
  Speaker 1: retired football player. I forgot his name. He had one
• 1:13:59
  Speaker 1: point seven million dollars on his account and he was
• 1:14:01
  Speaker 1: complaining about a three dollars fee he received. Well, goddamn, right, yeah,
• 1:14:06
  Speaker 1: you see people like dj NB, I don't like them.
• 1:14:09
  Speaker 1: I don't like them. I was like money, yeah, true,
• 1:14:12
  Speaker 1: but it's money that you knew it was coming out.
• 1:14:14
  Speaker 1: Check images cost three dollars, sir. You wanted to check image,
• 1:14:18
  Speaker 1: you wanted your face for your old team on your check.
• 1:14:20
  Speaker 1: You got it. Yeah yeah yeah. So during that time
• 1:14:25
  Speaker 1: with these add jobs, you were writing music and you
• 1:14:27
  Speaker 1: were performing also, right, yeah, I was. I was writing
• 1:14:29
  Speaker 1: my music, I was going to studio, I was performing
• 1:14:30
  Speaker 1: at little clubs. I was trying my best to still
• 1:14:33
  Speaker 1: do it. But when you got a nine to five
• 1:14:35
  Speaker 1: and that your money count for all your bills, it's
• 1:14:38
  Speaker 1: hard to pay for four dollars studio time was like god, damn.
• 1:14:40
  Speaker 1: Every time guys four dollars. I can't get the free
• 1:14:42
  Speaker 1: day and not come back. Yeah, you did Uber and
• 1:14:46
  Speaker 1: you also did constructions. Yeah, so how was Uber? I
• 1:14:48
  Speaker 1: wouldn't want you as an Uber driver. It might be
• 1:14:51
  Speaker 1: a little and you might be a little chatty. Makes
• 1:14:53
  Speaker 1: for a great interview. Yeah yeah yeah, but the Uber driver,
• 1:14:55
  Speaker 1: I don't know. No. As an Uber driver, I definitely
• 1:14:58
  Speaker 1: was Chatti and people because I found the all a business.
• 1:15:02
  Speaker 1: I was showing making the Uber no bulls. I want
• 1:15:05
  Speaker 1: to know all the team. Who's gonna be the donkey
• 1:15:07
  Speaker 1: other day? I know no cats are the wife? All
• 1:15:10
  Speaker 1: the stories I'm gonna it's crazy, these white drugs thought
• 1:15:18
  Speaker 1: kissing in my back seat? Hey hey, hey hey leave
• 1:15:21
  Speaker 1: your clothes on. White boy, put your shirt going. It's weird,
• 1:15:25
  Speaker 1: weird with the wildest thing ever happened in the Uber.
• 1:15:27
  Speaker 1: Uh some girl trying to suck a dude and my
• 1:15:30
  Speaker 1: back seat. And I was like, of course, why why
• 1:15:33
  Speaker 1: I'm not about to see nobody jauhnsing him up back
• 1:15:35
  Speaker 1: seat like one star rating as you should not go
• 1:15:39
  Speaker 1: ahead and scuttle. Now, you give your you mentioned your wife,
• 1:15:44
  Speaker 1: you give her credit for help taking your rap career
• 1:15:46
  Speaker 1: to the next level. Of course, No, my wife is
• 1:15:49
  Speaker 1: that's my rock. I ain't gonna lie to I ain't
• 1:15:50
  Speaker 1: always been the perfect man. I ain't gonna lie to
• 1:15:52
  Speaker 1: pretend like I am. But that's my that's my dog,
• 1:15:55
  Speaker 1: that's my homie, that's my friend, that's my that's my best,
• 1:15:58
  Speaker 1: that's my everything. And I gotta give her that credit
• 1:16:01
  Speaker 1: because at the end of the day without I probably
• 1:16:02
  Speaker 1: still writing the same song I've been writing because everybody
• 1:16:04
  Speaker 1: told me I had to help bunch of yes man
• 1:16:05
  Speaker 1: or that's hot, that's hot, and she was like, it's not.
• 1:16:09
  Speaker 1: She was the one fact, but you could do better.
• 1:16:12
  Speaker 1: And I always and she still do to this day,
• 1:16:14
  Speaker 1: like I got buzz now and she's still be like, nah,
• 1:16:17
  Speaker 1: I don't even record that, but but go ahead and
• 1:16:19
  Speaker 1: try again because that bet is hot. Like, so, what
• 1:16:21
  Speaker 1: were the records you made after that criticism? Uh, Quicksand
• 1:16:25
  Speaker 1: and biggest session was the first two after that, and
• 1:16:27
  Speaker 1: then after that I was like, dare I think I
• 1:16:28
  Speaker 1: think I found my flow and then kind of like
• 1:16:30
  Speaker 1: progress from there, how to quicksand take off? Um motion
• 1:16:34
  Speaker 1: Leasy called me. He was like, um, well, my director,
• 1:16:36
  Speaker 1: the Diretor shot Quicksand was, Yo, bro, this is dude,
• 1:16:38
  Speaker 1: try to hit you up about signing you. I'm like,
• 1:16:40
  Speaker 1: a bro, it's probably not even real, Like I don't
• 1:16:42
  Speaker 1: even I don't worry about it. He's like, nah, this
• 1:16:44
  Speaker 1: is a little like he le jet you know. I'm like,
• 1:16:47
  Speaker 1: what get my wife number because her phone was on?
• 1:16:49
  Speaker 1: My phone was off. I hand a job, no remember.
• 1:16:53
  Speaker 1: But when I say my wife, she saved my life. Bro,
• 1:16:57
  Speaker 1: no cap I was a bum asker. I don't care who.
• 1:16:59
  Speaker 1: I don't care, but nobody to say about this. You
• 1:17:01
  Speaker 1: were you were a brother under modification, Yes, not a bum.
• 1:17:05
  Speaker 1: I own my I have no problem saying she took
• 1:17:07
  Speaker 1: care of me and that she was the man and
• 1:17:09
  Speaker 1: a woman at times. I have no problem with it
• 1:17:11
  Speaker 1: ain't the case now, so I appreciate, so like, um,
• 1:17:14
  Speaker 1: I ain't how it was the question how said, trying
• 1:17:19
  Speaker 1: to call you called your wife? Got my hands over all, right?
• 1:17:22
  Speaker 1: So yeah, he called my wife phone and some some
• 1:17:25
  Speaker 1: some Afghan dude with like a quaff and blonde hair
• 1:17:28
  Speaker 1: was like, yo, bro, believing your songs amazing. I'm like,
• 1:17:31
  Speaker 1: who the fuck is this? I said, bro, would you
• 1:17:36
  Speaker 1: would represent well? I'm trying to start my label up like,
• 1:17:38
  Speaker 1: what was the name of it? I don't got a
• 1:17:39
  Speaker 1: name yet? What damn what? I'm all right cool? But like,
• 1:17:46
  Speaker 1: what's I see the contract? Now? You want to send
• 1:17:48
  Speaker 1: a contract? I don't. I don't know what the happened
• 1:17:50
  Speaker 1: right now, like I was. And it sucks because at
• 1:17:52
  Speaker 1: the end of the day, like I was, I was
• 1:17:54
  Speaker 1: at a point in my life where I felt like
• 1:17:55
  Speaker 1: I was gonna go nowhere. I felt like my wife's
• 1:17:59
  Speaker 1: probably gonna lea me eventual because I had no job
• 1:18:00
  Speaker 1: for a while. I felt like I felt like it
• 1:18:02
  Speaker 1: was like really over and this to call me and
• 1:18:05
  Speaker 1: I looked up, like, yo, this is supposed to be.
• 1:18:08
  Speaker 1: It's gonna be. I sent the contract to my cousin.
• 1:18:10
  Speaker 1: She a lawyer. She didn't graduate it yet, but don't
• 1:18:13
  Speaker 1: worry about that. She read it almost a lawyer. You
• 1:18:17
  Speaker 1: show you not in a bad contract right now? No, no, cat,
• 1:18:20
  Speaker 1: he should have made you the cod CEO. I ain't
• 1:18:22
  Speaker 1: gonna talk about the contract, but let's put the money.
• 1:18:24
  Speaker 1: Look like, I ain't gonna lie to you. I'm not
• 1:18:26
  Speaker 1: gonna talk about it. Almost say of this. I know
• 1:18:28
  Speaker 1: I'm in the best situation I could I could ever be.
• 1:18:29
  Speaker 1: Int you, I put this man to the point I
• 1:18:32
  Speaker 1: trust him. And then he called me and he told
• 1:18:34
  Speaker 1: me the truth. Yo, you're not about to be rich fast.
• 1:18:36
  Speaker 1: I'm not about to give you a bunch of money.
• 1:18:37
  Speaker 1: We gonna work together, you see me, Like you put
• 1:18:40
  Speaker 1: them fifty percent work, I put the fifty percent the bread. Like,
• 1:18:42
  Speaker 1: what's up? I'm like, well, then you want to put
• 1:18:45
  Speaker 1: me that way? Cool? And then all of a sudden
• 1:18:47
  Speaker 1: we put out quitching and then he put his hands
• 1:18:49
  Speaker 1: on it and look at it. Now, if he don't
• 1:18:51
  Speaker 1: do right by you, just hit me. We got a
• 1:18:52
  Speaker 1: donkey of to day slot ready for him. Don't even
• 1:18:54
  Speaker 1: worry about it. But I want to Hey, I want
• 1:18:56
  Speaker 1: to go back to something. Man, salute to your wife
• 1:18:58
  Speaker 1: because we have these conversations. She was all the time
• 1:19:00
  Speaker 1: about brothers that are just trying to make it, brothers
• 1:19:04
  Speaker 1: that have ambition, brothers trying to, you know, just put
• 1:19:06
  Speaker 1: themselves in position, and how long should women stay with them?
• 1:19:10
  Speaker 1: In fact that y'all stayed down to y'all came up, man,
• 1:19:12
  Speaker 1: that's big man. No, that almost never happens. And she
• 1:19:16
  Speaker 1: didn't have to. She had plenty of reasons to leave me,
• 1:19:19
  Speaker 1: and she always told me like like, as long as
• 1:19:21
  Speaker 1: you want to hurt me to the point where like
• 1:19:23
  Speaker 1: I can't come back, I understand, and now I understand.
• 1:19:25
  Speaker 1: I would never try to hurt you again, even though
• 1:19:27
  Speaker 1: I'm in a spot and like, no cap to all
• 1:19:29
  Speaker 1: the females that's been in my damn, please stop. I
• 1:19:31
  Speaker 1: love y'all, but my wife for y'all, so listen, So
• 1:19:35
  Speaker 1: was you cheating when you was broke the one time,
• 1:19:37
  Speaker 1: No cap. I did, and she forgave me. She didn't
• 1:19:41
  Speaker 1: have to, and I didn't even expect. And my mom
• 1:19:44
  Speaker 1: was already divorced. Who was married time I was already divorced.
• 1:19:46
  Speaker 1: She about to leave me as well. She stugg with me.
• 1:19:48
  Speaker 1: Granted I had the work hardest, but I was wible
• 1:19:50
  Speaker 1: to take that. I wouldn't bro no cap. She she
• 1:19:52
  Speaker 1: could have been a kid, she could have cheated back,
• 1:19:54
  Speaker 1: she could have did whatever she wanted to do, but
• 1:19:56
  Speaker 1: she didn't. Failing to hurt somebody, that's no cat. When
• 1:20:02
  Speaker 1: I look at my wife, I get very sensitive because
• 1:20:04
  Speaker 1: I understand, like that's my blessing. Like my wife. It's
• 1:20:08
  Speaker 1: like like I can't I can't even explain who she is.
• 1:20:13
  Speaker 1: I could explain that like she's my everything. Well move
• 1:20:15
  Speaker 1: we have both with Murray when we come back, it's
• 1:20:17
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club Morning. Everybody
• 1:20:23
  Speaker 1: in DJ Envy Angela yee. Charlomagne, the guy we are
• 1:20:27
  Speaker 1: the Breakfast Club was still kicking it with Moray. Charlomagne.
• 1:20:29
  Speaker 1: You know my one of my favorite I think it
• 1:20:31
  Speaker 1: is my favorite record of year. So fALS Switched Up? Okay, yeah, yeah,
• 1:20:34
  Speaker 1: that is that based on the true story. Yeah, like
• 1:20:35
  Speaker 1: no cat switch stuff is based on a lot of
• 1:20:37
  Speaker 1: events that happened in my life with people who show
• 1:20:40
  Speaker 1: of their true colors and people who show your true colors.
• 1:20:43
  Speaker 1: You got you gotta believe them one or they tell
• 1:20:44
  Speaker 1: you who they are at the beginning. They always show you.
• 1:20:46
  Speaker 1: It's always you always have a first instinct like lit
• 1:20:49
  Speaker 1: but like you, you let it pass because at the
• 1:20:51
  Speaker 1: end of day, you try to give us a chance
• 1:20:52
  Speaker 1: and beat it who they're gonna be. But then they
• 1:20:54
  Speaker 1: show you who they really are. Now you're surprised. Does
• 1:20:57
  Speaker 1: that happen when the money started coming in or before
• 1:21:00
  Speaker 1: the money? Like I think it was the worst for
• 1:21:02
  Speaker 1: me as far as like people switching up because when
• 1:21:04
  Speaker 1: you broke because don't gotta shig co how to feel
• 1:21:06
  Speaker 1: about you because like you bummed you this you that
• 1:21:11
  Speaker 1: you that I'm gonna put you like people will walk
• 1:21:12
  Speaker 1: out your life easy when you can't give him nothing.
• 1:21:14
  Speaker 1: But I feel like it's harder now with money because
• 1:21:17
  Speaker 1: they're gonna say yes and say hell yeah because you
• 1:21:19
  Speaker 1: got money now. So it's hard to tell who switched
• 1:21:21
  Speaker 1: up when you're rich because the end of the day,
• 1:21:22
  Speaker 1: they're gonna play that role while you're around. Regardless, you
• 1:21:25
  Speaker 1: had to pull up. You have to pull the gun
• 1:21:26
  Speaker 1: out for your guy. You're a funny guy. I mean, yeah,
• 1:21:32
  Speaker 1: you feel you but yeah, you know what I mean.
• 1:21:34
  Speaker 1: We we're gonna say I always have my back and
• 1:21:36
  Speaker 1: he know who he is. And you think there's ever
• 1:21:39
  Speaker 1: any chance for reconciliation. Yeah, yeah, of course. He rom
• 1:21:42
  Speaker 1: me the other day like, yo, um, what's up? How
• 1:21:46
  Speaker 1: you've been? I see you turned up and I ain't
• 1:21:47
  Speaker 1: tot you like because you're popping, but I just want
• 1:21:49
  Speaker 1: to say good luck on good luck on you, Susi.
• 1:21:52
  Speaker 1: And see that's the worst, right because now you don't
• 1:21:53
  Speaker 1: know who you if you you can trust because you
• 1:21:55
  Speaker 1: popping exactly. You never wrote me before, but I know
• 1:21:59
  Speaker 1: you heard the song every homie that I ever had
• 1:22:01
  Speaker 1: beef with, or I ever like not people number when
• 1:22:03
  Speaker 1: the heart up, they all wrote me. That's how I
• 1:22:05
  Speaker 1: know it was you. Like the song was in general
• 1:22:08
  Speaker 1: for every that ever wrong. But then that wrote me.
• 1:22:12
  Speaker 1: Now I know you don't because I didn't tell you
• 1:22:13
  Speaker 1: the song was about you. You just wrote me. Then
• 1:22:15
  Speaker 1: hit dogs, Holly, what's up right? You feeling? Hell? You
• 1:22:17
  Speaker 1: your switch? Who's who's whole? That's talk about? What about you?
• 1:22:21
  Speaker 1: It's about you? Because you you ask him it's about you.
• 1:22:24
  Speaker 1: Nobody else asked who the song about? Song either dope
• 1:22:26
  Speaker 1: was not. You want to know who the song is
• 1:22:28
  Speaker 1: about because it's about you? Do you do? You? Do you? Rep?
• 1:22:31
  Speaker 1: The Carolina is a Pennsylvania? What what? What? What's in you?
• 1:22:35
  Speaker 1: Two six snow cat Fairville. I put the Ville because
• 1:22:37
  Speaker 1: it told me how to be a man. But I
• 1:22:39
  Speaker 1: also because it taught me what not to do. I
• 1:22:42
  Speaker 1: had my kids in Favorde, I got married in Fairville.
• 1:22:44
  Speaker 1: I became a man. I went to high school in
• 1:22:46
  Speaker 1: PA and got locked up in PA the stupids PA.
• 1:22:49
  Speaker 1: I would not that. I don't want to claim the city.
• 1:22:51
  Speaker 1: I don't want to claim not that I don't want
• 1:22:54
  Speaker 1: to claim the city. I don't want to claim that guy.
• 1:22:57
  Speaker 1: I want to leave him where he had because I
• 1:22:59
  Speaker 1: feel like he did a lot of people that I
• 1:23:01
  Speaker 1: can't say sorry for. People are gonna hear me talking
• 1:23:03
  Speaker 1: like yo, and if I hurt you, I want to
• 1:23:06
  Speaker 1: say I apologize because at the end of the day,
• 1:23:07
  Speaker 1: I was in a different mindset that I am now,
• 1:23:09
  Speaker 1: I apologize. If people know anything about North Carolina, North
• 1:23:13
  Speaker 1: Carolina produces some great lyricists. Man, you're talking Fonteam Poo
• 1:23:17
  Speaker 1: from Little Brother, You're talking Jay Cole, you're talking Rapsody,
• 1:23:20
  Speaker 1: You're talking the Baby, you're talking about Josie Moe, who
• 1:23:22
  Speaker 1: I love. None of them ever reached out like like
• 1:23:25
  Speaker 1: cold or or the baby heard a dream her room
• 1:23:28
  Speaker 1: was put to sign a dream Vill at one point,
• 1:23:30
  Speaker 1: no people heard send a co sign thing? Was he
• 1:23:33
  Speaker 1: signed a Dreamville? How did he co signed? For people
• 1:23:36
  Speaker 1: that don't know? Basically just wrote like, you know, super
• 1:23:38
  Speaker 1: amazing and that that's the coach I ember talking about.
• 1:23:40
  Speaker 1: Or he wrote on your Instagram yeah no cap and
• 1:23:42
  Speaker 1: not not to mention like I've talked to him after
• 1:23:44
  Speaker 1: that and like or he's a solid ass dude, like
• 1:23:46
  Speaker 1: he didn't give me no like oh I'm the king
• 1:23:48
  Speaker 1: of Fairville or I'm thisthing he gave me Like, yo, bro,
• 1:23:51
  Speaker 1: that's how you can survive in this game. This is
• 1:23:52
  Speaker 1: what you want to watch out for. The dude you
• 1:23:54
  Speaker 1: want to read everything, Like gave me real big brother
• 1:23:57
  Speaker 1: advice for somebody he don't even know that. He didn't
• 1:23:59
  Speaker 1: have to do. You didn't have to coach on me,
• 1:24:01
  Speaker 1: but you you want to arch your way and did
• 1:24:03
  Speaker 1: that so like solid and I always appreciate him for that. No, cap,
• 1:24:05
  Speaker 1: I saw you tweet out recently too. I used to
• 1:24:07
  Speaker 1: try to protect my name and situations, but now I
• 1:24:09
  Speaker 1: just want to protect my peace. Yeah. I feel like
• 1:24:13
  Speaker 1: a lot of you understand like dare get tried or
• 1:24:17
  Speaker 1: like oh or they got to play a tough guy
• 1:24:19
  Speaker 1: in certain situations. Well like honestly, you know, boy, you're
• 1:24:21
  Speaker 1: talking to us a bitch for anyways, Like, bro, I
• 1:24:23
  Speaker 1: probably punching your if you want all your homies right here,
• 1:24:25
  Speaker 1: I'll probably what we want in this club, Like stop
• 1:24:27
  Speaker 1: playing me, be yourself. I'd rather protect my peace and
• 1:24:31
  Speaker 1: leave than I had to beat your ass. Now I'm
• 1:24:33
  Speaker 1: in court for you acting like who you weren't in
• 1:24:35
  Speaker 1: the first place. I don't pretend to be the biggest gang.
• 1:24:37
  Speaker 1: That's not who I am. But why I let you
• 1:24:39
  Speaker 1: hold me? You gotta be fucked up, like, bro, We're
• 1:24:40
  Speaker 1: gonna do it. But I really want to just be
• 1:24:42
  Speaker 1: a nice guy like and I think people are they're
• 1:24:45
  Speaker 1: upset and don't want me to be. But I don't care,
• 1:24:47
  Speaker 1: because why I have no reason to be sad? Bro, Like,
• 1:24:50
  Speaker 1: I still live in the same crib. But when Moe
• 1:24:52
  Speaker 1: called me like, I still live in the same holes
• 1:24:54
  Speaker 1: in my living the same crib. Bro about say, the
• 1:24:56
  Speaker 1: same holes in your way and my windows? I got
• 1:25:00
  Speaker 1: hold one of those. Can I have an ap on
• 1:25:04
  Speaker 1: with if that was a case? But I don't. But
• 1:25:11
  Speaker 1: not like I still live in no cat to to
• 1:25:13
  Speaker 1: this day. It's humbling for me because I'm like, yo,
• 1:25:15
  Speaker 1: like I really along. Once I leave it, I'm gonna
• 1:25:17
  Speaker 1: take pictures and be like, yo, you can always go
• 1:25:18
  Speaker 1: back to the Do you want to leave or you
• 1:25:20
  Speaker 1: do you're not ready yet. I want to leave the
• 1:25:22
  Speaker 1: house because it's small, but I'm I want to stand
• 1:25:24
  Speaker 1: in the ville because it hard to live in that
• 1:25:26
  Speaker 1: same house and people, you know, because when people see
• 1:25:29
  Speaker 1: a record. They see fifty five million, they think you've
• 1:25:30
  Speaker 1: got fifty five million dollars? Yeah, so is it hard
• 1:25:33
  Speaker 1: to still live there and you got family and friends?
• 1:25:35
  Speaker 1: Well it's no Carolina, so it's it's legal carriager. So
• 1:25:38
  Speaker 1: if anybody come in my career, that's on you hen me.
• 1:25:40
  Speaker 1: But I don't have that Fairville, don't give me that. Like, No,
• 1:25:43
  Speaker 1: they got love, bro, Like they show me when I
• 1:25:45
  Speaker 1: go to the store to get back with, I get
• 1:25:46
  Speaker 1: the hugs, last pictures, and I love that. Bro. I
• 1:25:49
  Speaker 1: love what I'm bringing to whatever I'm bringing because it's
• 1:25:52
  Speaker 1: bringing me nothing but happiness. How does the way that
• 1:25:54
  Speaker 1: you write and record now? How has that changed? Because
• 1:25:56
  Speaker 1: I saw after you signed your del you deleted your
• 1:25:58
  Speaker 1: old music. You're saying it wasn't and mastered properly. And
• 1:26:01
  Speaker 1: then obviously your wife told you, okay, you gotta be
• 1:26:04
  Speaker 1: more personally in your music. So now how do you
• 1:26:07
  Speaker 1: write now? It's like I write off emotions. I let
• 1:26:10
  Speaker 1: the beat tell a song and I just write with
• 1:26:12
  Speaker 1: the beat. Like if the beat come on and I
• 1:26:15
  Speaker 1: hear like sensitive or sad, I'm probably gonna think of
• 1:26:17
  Speaker 1: something I went through that sensitive and sad and write
• 1:26:19
  Speaker 1: and right to that because that's what I feel. Is
• 1:26:21
  Speaker 1: it hard to be vulnerable about about your feelings not
• 1:26:24
  Speaker 1: in the music, not at all. Look, no, cap, I
• 1:26:27
  Speaker 1: think I'm learning like I could be sensitive and still
• 1:26:29
  Speaker 1: be myself. A lot of people think that is part
• 1:26:32
  Speaker 1: of being yourself. Yeah, like you crowd you, you get upset,
• 1:26:34
  Speaker 1: are you sad? You're a bitch. Now you're a bitch
• 1:26:37
  Speaker 1: for holding it in. You're afraid to tell who you
• 1:26:38
  Speaker 1: really are. A lot of us got fragile egos as men.
• 1:26:41
  Speaker 1: You know what I'm saying. If your wife tell you
• 1:26:44
  Speaker 1: something or somebody tells you that know you for real,
• 1:26:46
  Speaker 1: it will hurt your mother everything. Then argue with his
• 1:26:50
  Speaker 1: girl and she knows such. He was like, I never
• 1:26:51
  Speaker 1: wish I did that. You're gonna tell everybody my business?
• 1:26:57
  Speaker 1: Like no, it's just it's crazy. But like we all sensitive, bro,
• 1:27:01
  Speaker 1: and just need to stop playing games and understand you
• 1:27:03
  Speaker 1: can be sensitive and still be a tough like you
• 1:27:04
  Speaker 1: can still be both when you're putting out a whole project.
• 1:27:07
  Speaker 1: April twenty eight, I got my mixtape coming out, Street
• 1:27:11
  Speaker 1: Sermons Volume one is coming out. I'm trying to all
• 1:27:13
  Speaker 1: original music, yes, all me No, no, hopefully no, no
• 1:27:17
  Speaker 1: samples don't like that? He yes, No, I just mean
• 1:27:20
  Speaker 1: I really, I really want to just see what I
• 1:27:21
  Speaker 1: can do. I wanted to put the pressure on myself
• 1:27:23
  Speaker 1: to be like Yo. I want people to get more Ray.
• 1:27:25
  Speaker 1: Understand who more Ray is before I start giving all
• 1:27:27
  Speaker 1: these features. So it's not like, oh, Morrey pop because
• 1:27:29
  Speaker 1: of more pop, because of Yo. He helped. Just just
• 1:27:32
  Speaker 1: no more way first, and then we'll see the features
• 1:27:34
  Speaker 1: like album coming out when again and tell him get
• 1:27:36
  Speaker 1: more information Instagram, Facebook, Black Planet, MySpace, whatever you got,
• 1:27:40
  Speaker 1: TikTok all that no cat. You can find me everywhere
• 1:27:42
  Speaker 1: on the one handle more rate to one, m O
• 1:27:44
  Speaker 1: R R A y d A and the number one.
• 1:27:46
  Speaker 1: I got my mixtape coming out Street Sermons, Volume one
• 1:27:49
  Speaker 1: April twenty eighth. UM. Trying to get these videos out
• 1:27:52
  Speaker 1: as well. And please check out my song Quick Sentence
• 1:27:55
  Speaker 1: coming out right now. He's about to drop it for y'all.
• 1:27:57
  Speaker 1: It is how off the presses keep it better than
• 1:28:00
  Speaker 1: Arrest is keeping number one and don't in second guessing, Wow, wow,
• 1:28:05
  Speaker 1: more is gonna be interesting watching you grow man. Thank you.
• 1:28:09
  Speaker 1: I see some bright things in your future. King. Okay,
• 1:28:12
  Speaker 1: yeah you could do anything you like. He could have
• 1:28:16
  Speaker 1: took all he could have took all of our jobs
• 1:28:18
  Speaker 1: in here today, that when he came in here and
• 1:28:19
  Speaker 1: did the inch, well, it's Morey is the breakfast club.
• 1:28:25
  Speaker 1: Let's get into quicksand