Latest / Scam Goddess / Fraud Friday: The Manipulating Manager w/ Priscilla Davies

Transcript

Fraud Friday: The Manipulating Manager w/ Priscilla Davies · Scam Goddess

• 0:00
  Speaker 1: What's poppin Congregation? Is your girl, Lacey Mosley aka Scam Goddess.
• 0:05
  Speaker 2: Welcome to an episode of Fraud Fridays, where we release
• 0:09
  Speaker 2: older episodes from the Scam Goddess Baalt. That's right, Fraud
• 0:13
  Speaker 2: Fridays is where we bring back your favorite episodes from
• 0:16
  Speaker 2: behind the paywall. Enjoy this episode from behind the paywall,
• 0:20
  Speaker 2: and as always, stay scheming.
• 0:32
  Speaker 1: Donald Trump Trump, Donald Trump Tump, what pappin Congregation? It's
• 0:46
  Speaker 1: sha girl, scam Goddess, and uh, I'm thrilled to be
• 0:51
  Speaker 1: joined today by an old, dear friend, that old, not
• 0:56
  Speaker 1: that old, honey, but very funny, very very funny, very
• 1:00
  Speaker 1: talented comedian writer, Miss Priscilla Davies. Hello, congregation, it is
• 1:06
  Speaker 1: a pleasure to be here. Guys. I've gotten some letters
• 1:10
  Speaker 1: and some writing from some Trump supporters who love the show. So, guys,
• 1:15
  Speaker 1: if you're a Trump supporter who loves the show, you
• 1:17
  Speaker 1: should probably turn this shit off. You have Trump supporter
• 1:20
  Speaker 1: I do, and I don't court them. I was like, bitch,
• 1:22
  Speaker 1: I'm not trying to give you joy. Please don't listen,
• 1:24
  Speaker 1: just not for you listening right now, enjoying every second
• 1:27
  Speaker 1: of this. They're the true scammers listening to me, knowing
• 1:31
  Speaker 1: damn well that I don't want them to. So shout
• 1:34
  Speaker 1: out to y'all during these strong times. What are you
• 1:38
  Speaker 1: gonna do about your racism? Guys? God damn just kidding.
• 1:41
  Speaker 1: You still have it? Oh ouches Zinger. It'll keep you
• 1:46
  Speaker 1: warm at night. Racism like a weighted blanket on your soul.
• 1:53
  Speaker 1: Oh lord, we needed some joy on today. Truly, twenty
• 1:57
  Speaker 1: twenty has been a raggedy bitch whoam but today we
• 2:01
  Speaker 1: celebrate and guys, let's get into it. I won't I
• 2:05
  Speaker 1: won't give you too much politics. I'm lying and this
• 2:06
  Speaker 1: is gonna be sprinkled throughout the episode like a doubt
• 2:09
  Speaker 1: o honey, Oh wait, song there anyway that should tastes good?
• 2:18
  Speaker 1: Oh God, fuck your delicious ass and Dobo raggedy bitch,
• 2:22
  Speaker 1: that's our song and go yeah, that's we're specifical talking about.
• 2:26
  Speaker 1: Goya is a Dobo. Everybody else at Dobo. We're fine
• 2:29
  Speaker 1: by us, sweetie. Guys, let's get into it. What's hot
• 2:33
  Speaker 1: and frod Besides the number one scammer being booted from
• 2:37
  Speaker 1: the highest office in the land, the number one scammer
• 2:39
  Speaker 1: got busted, y'all. What a blessing. I'm sorry. I know
• 2:43
  Speaker 1: I said we was gonna get into it. We is
• 2:44
  Speaker 1: gonna get into it. Can we all just relish? Can
• 2:46
  Speaker 1: can we have a moment? Please, congregation, don't be mad
• 2:49
  Speaker 1: at us. I'm so glad I'll showed up to church
• 2:51
  Speaker 1: today because this is a hot holiday. Oh is gonna
• 2:54
  Speaker 1: be preaching? Amen? Amen. We got miss Gurdy on the organs.
• 3:02
  Speaker 1: Chelsea's gonna add organ later for that. She does have authoritis,
• 3:06
  Speaker 1: so the organ music will be a little shoddy, but
• 3:09
  Speaker 1: we're gonna live this. Gordon cook, she gonna cook today. Yeah,
• 3:12
  Speaker 1: I just I truly can't believe it. Who we are free?
• 3:17
  Speaker 1: I mean, we're so black? Can we have my own guess?
• 3:22
  Speaker 1: But we're going for to today like we completely free today.
• 3:27
  Speaker 1: I am a white woman. I am fair of faucet
• 3:29
  Speaker 1: in the seventies when cascading through my flaxen locks. Oh farahs,
• 3:34
  Speaker 1: we were bacca. So good to see you guys, So
• 3:37
  Speaker 1: good to see you. Rebecca. Do you know how good
• 3:39
  Speaker 1: it feels to be free in America? So good? Would
• 3:41
  Speaker 1: you like a watercress sandwich? Of course? I would you
• 3:43
  Speaker 1: have any sparkling water? Oh? Absolutely, Actually we only have
• 3:47
  Speaker 1: flat sparklings too spicy for me. All Right, we're back,
• 3:53
  Speaker 1: So this meant to be foolish. I'm so sorry to
• 3:57
  Speaker 1: all of y'all. Guys. Let's get into What's Hot and Friud.
• 4:01
  Speaker 1: We've got a special listener letter from What's Hot and Friud.
• 4:04
  Speaker 1: I need a name for this gentleman. He is from
• 4:07
  Speaker 1: the Bronx. Oh from the Bronx. Baby, my name is?
• 4:12
  Speaker 1: His name is oh God, not the prayer Hands. Why
• 4:15
  Speaker 1: didn't he go into prayer hands? This is the Bronx.
• 4:18
  Speaker 1: Let's call this guy, uh bell Biv bel biv. You
• 4:23
  Speaker 1: know what we are gonna call him belvit because shout
• 4:25
  Speaker 1: out to Philly Mota back and wait that is be No,
• 4:30
  Speaker 1: that's it is because I say it's something boys. Okay, baby, okay, okay, Well,
• 4:39
  Speaker 1: didn't get no fight. No, that was with U with
• 4:43
  Speaker 1: Bobby Bobby Noby Brown, Bobby bron gonna fight with you
• 4:49
  Speaker 1: ain't see that movie all beats. I saw he's in
• 4:51
  Speaker 1: a different group. He's not. He's okay. Well, now that
• 4:57
  Speaker 1: makes sense. All this adds up to say, bellfif is
• 5:02
  Speaker 1: the name of the listener letter today. Right, So he says, hey,
• 5:07
  Speaker 1: scam gottess and guess. Okay, hello, I'm preciate you for acknowledging.
• 5:13
  Speaker 1: I appreciate you for knowing the structure of the show.
• 5:17
  Speaker 1: So I'm gonna skip past the mushy stuff, but I
• 5:19
  Speaker 1: will say there's a LEG twenty twenty shout out in here,
• 5:22
  Speaker 1: and guys, we fucking did it Leg twenty twenty. You
• 5:25
  Speaker 1: guys went viral with the shits you got lit. You
• 5:29
  Speaker 1: bought shirts. Yeah, and those shirts, the proceeds went to
• 5:32
  Speaker 1: Black Lives Matter. That's at the time where all the
• 5:34
  Speaker 1: proceeds were going through from Earwolf, so you know y'all
• 5:36
  Speaker 1: was also doing y'all's part. Oh wow, amen a skim
• 5:39
  Speaker 1: off the top at all? I didn't and I regret that.
• 5:42
  Speaker 1: I sorely regret it. But I did not skim off
• 5:46
  Speaker 1: of the top. So guys, we did it. We got
• 5:48
  Speaker 1: them legs to the polls and we love it. If
• 5:51
  Speaker 1: you're in Georgie, I don't know when that runoffs happening,
• 5:53
  Speaker 1: it's probably this week. Hun, No, girl, I don't think
• 5:57
  Speaker 1: so at all. I'm pretty sure runoff is like a process. Yeah, okay,
• 6:01
  Speaker 1: so just sitting and run offs in January. Let me
• 6:03
  Speaker 1: stop spreading misinformation because I told you how to wrote
• 6:05
  Speaker 1: a vote on the wrong day and y'all knew what
• 6:06
  Speaker 1: I meant. But yes, guys, So shout out to Georgia followers.
• 6:10
  Speaker 1: If y'all out there Georgia the whole day through, make
• 6:15
  Speaker 1: sure y'all get out. I'm getting sued by Ray Charles Ghost.
• 6:19
  Speaker 1: He's litigitous the Ghost. I believe that. So y'all, you know,
• 6:25
  Speaker 1: stay woke because there's probably gonna be a runout runoff
• 6:27
  Speaker 1: and we're gonna need those seats. So y'all gonna have
• 6:29
  Speaker 1: to get out there and get that leg back to
• 6:30
  Speaker 1: the polemon Georgia, keep that momentum going for us. Take
• 6:33
  Speaker 1: those Georgia peaches and those legs. Yeah, to the poles.
• 6:37
  Speaker 1: So back to belle Viv. We don't get there, that's
• 6:41
  Speaker 1: to what the hell we came here to do. We're
• 6:44
  Speaker 1: gonna get there, y'all. It's actually we're getting into it
• 6:47
  Speaker 1: pretty quickly. I said seven minutes at bad Okay. So,
• 6:51
  Speaker 1: so Belleviv says my name is belle Viv Devo. Okay,
• 6:57
  Speaker 1: we said that. So I'm a Latino who lives in
• 7:01
  Speaker 1: the Bronx these a Latino BK forever he says he
• 7:08
  Speaker 1: and he lives in a very Italian neighborhood. The first
• 7:12
  Speaker 1: time someone tried to run this possible scam, it started
• 7:15
  Speaker 1: the same way, so he said. Someone pulls up and
• 7:18
  Speaker 1: is like, do bless, that's my young and he's like, see,
• 7:22
  Speaker 1: I'm sure because he doesn't like to talk to strangers.
• 7:25
  Speaker 1: And if you don't know what, yeah, bless, that's my
• 7:27
  Speaker 1: YO means it just means to you speak Spanish, but
• 7:29
  Speaker 1: also like there's no official language of the US. You
• 7:32
  Speaker 1: guys should know that, right, that's a fact. So so
• 7:36
  Speaker 1: the guy continues and he says, I'll give you this
• 7:38
  Speaker 1: jewelry for money so that we can me, which is Belbidevaux.
• 7:43
  Speaker 1: He says, I don't have money. I'm so sorry and
• 7:45
  Speaker 1: walks away, which, you know what, Bell smart, you did
• 7:48
  Speaker 1: the right thing. The guy tries to talk to him
• 7:51
  Speaker 1: more and he says sorry and he walks away. So
• 7:53
  Speaker 1: the first time he didn't write in because he was like,
• 7:55
  Speaker 1: I don't know, scamer real. It could have just been random,
• 7:58
  Speaker 1: and I didn't fall for it. We ask forward to
• 8:00
  Speaker 1: the pandemic in New York City in twenty twenty, the
• 8:03
  Speaker 1: day before the election. I believe ooh recent, we love
• 8:05
  Speaker 1: a fresh con very fresh. He says, he rarely goes outside, okay,
• 8:10
  Speaker 1: a distancing king, respect a duke of distance. And when
• 8:15
  Speaker 1: we do go outside, I wear a mask. Okay, cool,
• 8:18
  Speaker 1: that's what you should do. So he says, a different
• 8:20
  Speaker 1: guy in a different car, same story, same type of ring,
• 8:24
  Speaker 1: same family guilt trip. He said, this time it was
• 8:26
  Speaker 1: a guy who asks if he speaks Spanish again, and
• 8:31
  Speaker 1: he had a car seat in the back of the
• 8:32
  Speaker 1: car and a woman in the back seat, assumably with
• 8:35
  Speaker 1: a baby, but he couldn't see the baby. So again,
• 8:39
  Speaker 1: Belviv says, I don't have any cash, and the guy's like,
• 8:43
  Speaker 1: but I'll give you this ring for gas money and
• 8:45
  Speaker 1: he's like, sorry, no cash, and he crosses the street.
• 8:48
  Speaker 1: So he said, I guess this is a popular scam
• 8:50
  Speaker 1: because it's the same neighborhood in the Bronx, same pickup line,
• 8:54
  Speaker 1: The whole give you jewelry to get gas thing is
• 8:56
  Speaker 1: the same thing, and family in the back seat a
• 8:59
  Speaker 1: sob story, basically the whole same grift. So then he
• 9:02
  Speaker 1: did some googles. Nice, we love Google, mm hmm, and
• 9:07
  Speaker 1: the San Francisco gay said drivers beware of roadside scammers
• 9:11
  Speaker 1: offering gold for cash. It's fake now, I know. You know.
• 9:18
  Speaker 1: Guess is hot? Is it gold ring? High? No? In
• 9:25
  Speaker 1: parts of California, I'm keeping it around. I went to
• 9:29
  Speaker 1: San Francisco. You actually may need to give up your
• 9:31
  Speaker 1: back ends, okay, if you're in a high school ring
• 9:34
  Speaker 1: a graduation one, right, listen. I used to sell those
• 9:38
  Speaker 1: what I worked for a redacted rings company stop and
• 9:45
  Speaker 1: my mom used to work there, so she got me
• 9:47
  Speaker 1: a job on campus as a scam. And my job
• 9:50
  Speaker 1: was social media coordinators. I would post on Facebook and
• 9:53
  Speaker 1: I'd post on Instagram about class rings. I was making
• 9:57
  Speaker 1: money for doing nothing, and I I have to sit
• 10:00
  Speaker 1: at the graduation table and be like, do you want
• 10:02
  Speaker 1: to ring? And I got a ring for free. It
• 10:04
  Speaker 1: was nobody has a class ring anymore. No one where's
• 10:06
  Speaker 1: that ugly piece of jowers? So ugly And I'm so grateful.
• 10:09
  Speaker 1: I never spent any money on any And they would
• 10:11
  Speaker 1: try to do like for ladies, for the girls, there's
• 10:13
  Speaker 1: a tiny one little yeah, and it's just they're just
• 10:16
  Speaker 1: not I lost mine. I never had one. I never
• 10:19
  Speaker 1: ever because I even as a kid, I was like,
• 10:21
  Speaker 1: this just seems like a bad investment. You did the
• 10:24
  Speaker 1: right thing. I mean back in the day when it
• 10:26
  Speaker 1: like degrees really fucking mattered. It was like a networking tool,
• 10:29
  Speaker 1: like you had your punch stapering on and be like, oh,
• 10:32
  Speaker 1: ship up, I see you. So that's what it's all about.
• 10:35
  Speaker 1: Those panthers, panthers, the Penstate panthers. It's some kind of cat.
• 10:39
  Speaker 1: I don't know. I went to pitt I know, Penn State.
• 10:42
  Speaker 1: So this is basically another one of those tug on
• 10:45
  Speaker 1: your heartstring scams. It's like, oh, my family, I do this.
• 10:49
  Speaker 1: The thing that I don't understand about it In New
• 10:51
  Speaker 1: York is like there's like a pawn shop on every corner,
• 10:55
  Speaker 1: Like how you like, why we don't think you're gonna
• 10:57
  Speaker 1: give us a real ring when you could literally go
• 10:59
  Speaker 1: to the corner and it's gonna be a liquor store
• 11:03
  Speaker 1: and then a pawn shop. And that's and that's why
• 11:07
  Speaker 1: this scam gets an f for me, because first of all,
• 11:11
  Speaker 1: first of all, you're doing this in the Boogie Down Bronx.
• 11:14
  Speaker 1: Come on now, like niggas got sent out there, okay,
• 11:18
  Speaker 1: And then like it's just it's just such a I
• 11:21
  Speaker 1: just feel like, where can who has God got by this.
• 11:24
  Speaker 1: Apparently some people have also like what is the whole
• 11:27
  Speaker 1: port of being liked blave? Like, what is that supposed
• 11:29
  Speaker 1: to like it's it's the bronx who doesn't speak. I
• 11:35
  Speaker 1: feel like gotta be like, like you gotta hit them
• 11:38
  Speaker 1: with some some I guess it's supposed to be like, hey,
• 11:43
  Speaker 1: like you know we are the same, help me if
• 11:48
  Speaker 1: you will help us and our people, right and our people.
• 11:52
  Speaker 1: It's like, look, give me gas money for I don't
• 11:58
  Speaker 1: know if the ass up bro items complex seems complicated.
• 12:02
  Speaker 1: I just need to know who's gotten got by this?
• 12:05
  Speaker 1: And did you keep the ring? You keep the ring?
• 12:09
  Speaker 1: I love doing that references from hey Arnold, you keep
• 12:12
  Speaker 1: the money? Okay, thank you.
• 12:14
  Speaker 2: No.
• 12:15
  Speaker 1: It was this episode where you know how they live
• 12:17
  Speaker 1: in that building, that borderhouse, you know, and I don't
• 12:21
  Speaker 1: know listen, I don't know about hey Arnold. I didn't
• 12:23
  Speaker 1: have cable growing up. So Hayna was this ship. It
• 12:27
  Speaker 1: was like this old old fuck boy and he lived
• 12:30
  Speaker 1: with his woman, and his woman was always paying the bills,
• 12:33
  Speaker 1: always paying the child woman. It was a nickelode and
• 12:42
  Speaker 1: so it was a boy. It was Chelsea, I'm right right.
• 12:46
  Speaker 1: It was a fun boy in his bottom bitch and
• 12:48
  Speaker 1: she was always paying for everything, always hold him down.
• 12:51
  Speaker 1: And then one day he like got came across some
• 12:54
  Speaker 1: money or something like that, and like his bottom bitch
• 12:56
  Speaker 1: was like, you're really about to take this or whatever,
• 12:58
  Speaker 1: and he was sented. And then at the end he
• 13:01
  Speaker 1: came back and redeemed himself and he was like, you
• 13:03
  Speaker 1: keep the money. She was like, damn the plot of belly.
• 13:07
  Speaker 1: I don't want anything to do with this anymore. Get
• 13:09
  Speaker 1: out of here. I love you boo for He was like,
• 13:12
  Speaker 1: you keep the money, and like literally he did that.
• 13:15
  Speaker 1: That's all he did, and then he was back in
• 13:16
  Speaker 1: good graces and back to his fuckery. Oh my god,
• 13:19
  Speaker 1: I love it. Shout out to Nickelodeon. She's just so problematic.
• 13:26
  Speaker 1: He's the cold ass ship. She should have definitely left
• 13:30
  Speaker 1: that again. She was he said, you keep the money,
• 13:33
  Speaker 1: was like, oh, come back here, booth. Yeah, here, I
• 13:36
  Speaker 1: have really really good content. Guys. Ah, I'm just so
• 13:46
  Speaker 1: hyped today, guys, Like, can y'all hear me smiling? Because
• 13:50
  Speaker 1: I'm smiling so hard. It's a beautiful day in the neighborhood,
• 13:56
  Speaker 1: A lovely day for a neighbor, won't you be mine,
• 14:00
  Speaker 1: Be mine. Fuck you Donald drum. Yes, all right, guys,
• 14:07
  Speaker 1: we're back in. It's time for historic Hoodwig's my favorite
• 14:09
  Speaker 1: part of the show. This is where I will regale
• 14:12
  Speaker 1: Priscilla with a famous hoodwink and we'll get her opinions
• 14:15
  Speaker 1: all throughout. And we're talking about a very special one today. Guys. Oh,
• 14:21
  Speaker 1: we're talking about Milly Vanilli. What's their song? Come on,
• 14:28
  Speaker 1: I don't know what their song is. It's a girl,
• 14:31
  Speaker 1: you know, it's true. Oh okay, I don't know it.
• 14:39
  Speaker 1: Girl wasn't born when they were faced. Well I was,
• 14:42
  Speaker 1: and I'm proud of that. Oh god. So Millie Vanilli
• 14:47
  Speaker 1: was a German French R and B duo from Munich.
• 14:51
  Speaker 1: The group was founded by Frank Farian and consisted of
• 14:54
  Speaker 1: fab More Vron and Raw Polattis. They became one of
• 14:57
  Speaker 1: the most popular acts in the late eighteen hundreds, It's
• 15:03
  Speaker 1: the late eighties in the turn of the century nineties,
• 15:08
  Speaker 1: with millions of records sold and one they wanted Grammy
• 15:11
  Speaker 1: for Best New Artists in nineteen ninety. However, their success
• 15:14
  Speaker 1: turned to infamy when it was discovered that they did
• 15:17
  Speaker 1: not sing any of the vocals to their music. Releases
• 15:21
  Speaker 1: their music releases. Why did my voice go full? Like
• 15:26
  Speaker 1: resis I am an anchor now? Lokyay, y'all see you
• 15:29
  Speaker 1: on the ConA ABC scam on that was the biggest
• 15:35
  Speaker 1: scam of all. Truly, I'm twenty twenty. That's my biggest
• 15:37
  Speaker 1: scam that I've done so far, as me sitting in
• 15:39
  Speaker 1: this chair and being a your head expert, you should
• 15:42
  Speaker 1: be fucking proud of. It's a crime. So the making
• 15:46
  Speaker 1: of Milli Vanilli I what I have to say. I
• 15:51
  Speaker 1: don't know if this would have been such a huge
• 15:53
  Speaker 1: scandal if it happened now, because it's like with auto
• 15:56
  Speaker 1: tune and how much we do to fix people's voices
• 15:58
  Speaker 1: and change them, and how few artists actually sing live
• 16:02
  Speaker 1: at concerts and performances, Like is it really that wild
• 16:05
  Speaker 1: to not sing your own music? I'm gonna go out
• 16:08
  Speaker 1: on a lemon say yes, like yes, are you kidding me?
• 16:13
  Speaker 1: Think about all the singers we got singing in italics
• 16:16
  Speaker 1: and web dings these days, you know what I mean?
• 16:18
  Speaker 1: I got ahead and jail by, I go ahead to
• 16:23
  Speaker 1: jelck delete. Are I don't like this song? Oh damn?
• 16:36
  Speaker 1: I got the anti skip button on the shout out
• 16:40
  Speaker 1: to CD to walk back. What's sers go on now?
• 16:43
  Speaker 1: I e go, oh, now here's my thing. I do
• 16:47
  Speaker 1: think it would be a problem today because in the end,
• 16:50
  Speaker 1: we still expect the artists to be able to sing
• 16:53
  Speaker 1: their actual songs. What do I expect actually today on stuts? Okay,
• 16:58
  Speaker 1: that's not even equal at all. Well, like what like,
• 17:03
  Speaker 1: how can I you? I wish you would go to
• 17:06
  Speaker 1: every actor and be like, wait, you can't do a
• 17:08
  Speaker 1: kickflip into a backflip off of a building. And if
• 17:11
  Speaker 1: you can't, I'm supposed to believe you. I supposed to
• 17:14
  Speaker 1: believe you. Divin Diesel flip them cars. And I'm sure
• 17:18
  Speaker 1: he didn't. I'm sure he is. He really even Ball,
• 17:22
  Speaker 1: I can't trust anything. I can't trust the only person
• 17:26
  Speaker 1: who does their own stump since Tom Cruise. And that's
• 17:28
  Speaker 1: because he's crazy. That's because he hasn't felt anything on
• 17:33
  Speaker 1: the inside since the eighties. It's like, no, I'll jump
• 17:36
  Speaker 1: under the car, like Tom, it's not even gonna be
• 17:38
  Speaker 1: in the movie, like that, we don't know that car.
• 17:40
  Speaker 1: Let's just get it in case. He's like, that's just
• 17:44
  Speaker 1: the pedestrian driving a car. Like we we shouldn't do
• 17:46
  Speaker 1: this dude, I definitely think that's like, no, you can no,
• 17:52
  Speaker 1: you would still get dragged by the media if you. Okay,
• 17:57
  Speaker 1: remember when Jessica Simpson's little sister, she got caught, she
• 18:02
  Speaker 1: got caught lip singing, She got dragged. However, it was
• 18:05
  Speaker 1: still dragged for that jig though. Yeah, it was a
• 18:11
  Speaker 1: twist again, how do ip I love that song and
• 18:19
  Speaker 1: the fun rings and the hay the dank man. There's
• 18:23
  Speaker 1: a clabia so come to rasca mas. I hate it.
• 18:28
  Speaker 1: I know everyone's so angry right now. I'm gonna stop it.
• 18:30
  Speaker 1: It's hard. It's hard. I just I it would be
• 18:35
  Speaker 1: in my opinion, it would be a scandal even to okay,
• 18:37
  Speaker 1: maybe maybe you're right, I mean, okay, do you think
• 18:41
  Speaker 1: a sing underneath that? That? Oh? Yes, he showed. He
• 18:45
  Speaker 1: was like, I wish you would talk about my voice
• 18:48
  Speaker 1: and go on the mass singer. But I don't know
• 18:51
  Speaker 1: what he says in Wisconsin. You're here, Wisconsin, Wisconsin. What
• 18:59
  Speaker 1: was it? He right, take it to a mansion wearing
• 19:02
  Speaker 1: whiskey cans. It was truly truly a moment of artistry.
• 19:08
  Speaker 1: Is so. Frank Farian, a German record producer, was in
• 19:11
  Speaker 1: a disco in his native country when he heard the
• 19:15
  Speaker 1: song girl you Know It's True by the Baltimore band Numero,
• 19:20
  Speaker 1: and immediately knew it could be a bigger hit. I say, girl,
• 19:23
  Speaker 1: you know it's true. You said that? So he started
• 19:26
  Speaker 1: recruiting singers in nineteen eighty eight, singers Linda and Jodi
• 19:29
  Speaker 1: Rocco saying back up and Charles Sharp rapped on the track. Okay,
• 19:36
  Speaker 1: So this is because he decided that he was going
• 19:38
  Speaker 1: to simple a team to recreate the version of that song,
• 19:42
  Speaker 1: taking the original hip hop track and mixing it with
• 19:45
  Speaker 1: a little bit of euro dance. I mean, what a
• 19:48
  Speaker 1: dumb move, like, I mean, the song was a hit.
• 19:51
  Speaker 1: The one that you heard was a remix, that's true.
• 19:54
  Speaker 1: Is Frank Ferrian the original ditty? I mean, here's my thing.
• 19:58
  Speaker 1: And this is I think why this was probably doomed
• 20:01
  Speaker 1: from the start. The goals and I see, I didn't
• 20:04
  Speaker 1: know that they were put together for a song. I
• 20:06
  Speaker 1: thought they were put together as an actual group. Well,
• 20:09
  Speaker 1: so this is just the song. So this is where
• 20:12
  Speaker 1: it started. So this is Farian being like, oh, I
• 20:15
  Speaker 1: like this song a lot, I'm gonna steal it. I'm
• 20:17
  Speaker 1: gonna hit it with the remix. I'm gonna give it
• 20:18
  Speaker 1: some flavor. But then he found people to sing the song, right,
• 20:21
  Speaker 1: or he just well, he found real singers to sing
• 20:24
  Speaker 1: the song. He started recruiting singers in nineteen eighty eight.
• 20:27
  Speaker 1: Singers Linda and Jodi Rocco sang backup, and Charles Sharp
• 20:31
  Speaker 1: rapped on the track. When he played the record for me,
• 20:33
  Speaker 1: I already knew the song, said Shaw. He told Billboard
• 20:37
  Speaker 1: magazine this. He said, I had been dancing to the
• 20:39
  Speaker 1: Numeru version on the weekends in an American club in Hamburg.
• 20:44
  Speaker 1: Farian played it, and I said, this song ain't new.
• 20:47
  Speaker 1: And that's exactly how he said it in nineteen ninety.
• 20:50
  Speaker 1: Let's continue, this song ain't new, homes Hey, this song
• 20:54
  Speaker 1: ain't new. And then I said to Belle boom boom.
• 20:57
  Speaker 1: But that's how people talk about nineties, right. Absolutely so,
• 21:01
  Speaker 1: Farrin admitted that the song wasn't new, but he still
• 21:03
  Speaker 1: went with it and started mixing the voices. You can't
• 21:06
  Speaker 1: really hear the vocals or exactly who's singing because there
• 21:09
  Speaker 1: are so many voices on the course, he said. Eventually,
• 21:12
  Speaker 1: Brad Harrell and John Davis were brought in for vocals.
• 21:15
  Speaker 1: His version of the song quickly became popular in Europe.
• 21:17
  Speaker 1: Now he just needed faces to go along with the
• 21:21
  Speaker 1: music group. That's what I mean. It's like it's empty,
• 21:25
  Speaker 1: it's not real art. I don't know. A lot of
• 21:29
  Speaker 1: music is made for mass consumption, and some of it's good.
• 21:33
  Speaker 1: It's not all bad if it happened the other way around,
• 21:37
  Speaker 1: if it was like I put together this amazing band
• 21:39
  Speaker 1: and they came. But it's like I heard a song
• 21:42
  Speaker 1: and then I built this monster around it. But think
• 21:48
  Speaker 1: about producers and writers, like they're writing music and song
• 21:50
  Speaker 1: for like whatever model is hot right now? True, Like
• 21:54
  Speaker 1: there's some people who can really sing down, Like I
• 21:56
  Speaker 1: think Ariana Grande can sing. I don't think she's like
• 21:58
  Speaker 1: drying very hard, but she can sing. But people made
• 22:02
  Speaker 1: music for all the you know what I mean. Like
• 22:04
  Speaker 1: it's like there's very few area Ona goddas. It's mostly
• 22:06
  Speaker 1: just like models now who can carry a tune? Oh yeah,
• 22:11
  Speaker 1: look at the R and B scene, there's a lot
• 22:12
  Speaker 1: of very beautiful models smoking a week. Oh my man,
• 22:18
  Speaker 1: stole my MONI from a persalitis again? How do I skip?
• 22:24
  Speaker 1: I hate this song? Yeah, I yes, yes, you're right,
• 22:28
  Speaker 1: Well yeah, you're right. So he was like, okay, I
• 22:32
  Speaker 1: gotta find some faces to go with these voices. So
• 22:35
  Speaker 1: this is discovering Polattison Morvaon. At the time, Polattice and
• 22:38
  Speaker 1: Morvon were dancers living in a housing project in Munich.
• 22:42
  Speaker 1: They were pretty poor and we're often stealing food to survive.
• 22:46
  Speaker 1: Oh wow, Farian came along and offered each of them
• 22:50
  Speaker 1: four thousand dollars to become the faces of the duo.
• 22:53
  Speaker 1: That's a lot in the final right, four thousand, we
• 22:56
  Speaker 1: can definitely move out the projects show. So he named
• 23:01
  Speaker 1: the duo after the nickname of his girlfriend. So his
• 23:05
  Speaker 1: girlfriend was named like nickname was Milli Vanilly, and he
• 23:08
  Speaker 1: was like, that's what I'm gonna call, y'all. I thought
• 23:10
  Speaker 1: I had somebo to do a Vanilla. But that's fine.
• 23:14
  Speaker 1: Maybe the girlfriend's name was Milly, Oh, Mildred they called it.
• 23:17
  Speaker 1: I mean, look, I fuck with it. It's still a
• 23:19
  Speaker 1: great name. So Faryan wasn't new to the game. He
• 23:22
  Speaker 1: had done the same thing with his nineteen seventies disco
• 23:24
  Speaker 1: funk group Bonie m Well, that's not a great name
• 23:28
  Speaker 1: with a singer who was actually just a dancer. By
• 23:30
  Speaker 1: the way, Emma is sure for Milly Bony Milly. He oh,
• 23:37
  Speaker 1: he's got his Milly and he's just been making it work.
• 23:40
  Speaker 1: He's like Milli Vanilli Bony Milly. So he did again.
• 23:45
  Speaker 1: This was with someone who was also just a dancer,
• 23:49
  Speaker 1: who was lip syncing to Farrian's own vocals. He was
• 23:52
  Speaker 1: able to hang on to that secret for twenty five
• 23:54
  Speaker 1: years waiting. Faryn was a singer too. This is really
• 23:59
  Speaker 1: what this was all about. He was trying to get
• 24:00
  Speaker 1: his vocals on the track. I need a picture of
• 24:03
  Speaker 1: this guy. Oh so yeah, can we google a photo
• 24:06
  Speaker 1: of him? Because I wonder if he's he can't be hot.
• 24:09
  Speaker 1: Maybe that's exactly because back in the nineties, like it was,
• 24:13
  Speaker 1: you had to be like I forget who wrote this tweet.
• 24:16
  Speaker 1: They're like, remember in the nineties when we had all
• 24:18
  Speaker 1: the posters of like the hot singers and actors on
• 24:21
  Speaker 1: our walls, like we were trying to solve horny murder.
• 24:24
  Speaker 1: And I was like, yes, like you had to be
• 24:26
  Speaker 1: someone we could cut out of a magazine and stick
• 24:28
  Speaker 1: on a wall and be so horny for right. So
• 24:32
  Speaker 1: Farian came back after the song hit the charts in
• 24:35
  Speaker 1: England and said he had to have two faces for
• 24:37
  Speaker 1: the project. I was already paid twelve thousand dollars for
• 24:40
  Speaker 1: singing girl, and he said this nigga's face. Wait okay,
• 24:45
  Speaker 1: and he said, keep your mouth shut and you can
• 24:47
  Speaker 1: do the whole album. I'm thinking that studio work for me.
• 24:50
  Speaker 1: This is Shaw talking. So he's already out Yo congregation,
• 24:56
  Speaker 1: do yourself a favorite and google Frank Farrian and you
• 24:58
  Speaker 1: will understand while he went through so much work to
• 25:01
  Speaker 1: five people to sing his damn songs. Come on, Oh god,
• 25:07
  Speaker 1: I feel see no, no, I feel bad because like
• 25:12
  Speaker 1: we should be able to have more people like what's
• 25:15
  Speaker 1: kind of who likes SpongeBob, Daniel Caesar. We're like, you
• 25:19
  Speaker 1: sing really well, but you're like hideous. But he's this
• 25:23
  Speaker 1: guy's not hideous. He's just an interesting looking character. That's
• 25:28
  Speaker 1: not a positive either, But but I mean he's it's
• 25:32
  Speaker 1: not that he's ugly. It's just like we need to
• 25:34
  Speaker 1: normalize ugly people in music. Well, we are, We've don't
• 25:38
  Speaker 1: We're doing better than we do in the nineties. Yeah,
• 25:40
  Speaker 1: the nineties was like you had to be like a
• 25:42
  Speaker 1: horny superstar. Oh gosh. So Sean is basically saying like, well,
• 25:48
  Speaker 1: I kept working for him because it was a check
• 25:51
  Speaker 1: and I needed some coins. So had Farrin realized how
• 25:54
  Speaker 1: popular the group Millie Vanilli was gonna become, he would
• 25:57
  Speaker 1: have realized the dancer's accents would have been an shoe.
• 26:01
  Speaker 1: Plattice had a German accent and mor Von had a
• 26:04
  Speaker 1: French accent. We'll see. I don't know, because like I
• 26:08
  Speaker 1: think about people like Craig David who like when he sings.
• 26:11
  Speaker 1: He was like, wow, will you creeping around? And then
• 26:13
  Speaker 1: like I am like, all see you kind of pick
• 26:20
  Speaker 1: a bay like that. Yeah, So I don't think that's
• 26:24
  Speaker 1: a big deal. But Linda and Jody, the two original
• 26:27
  Speaker 1: singers from earlier, were also brought back in for more vocals.
• 26:30
  Speaker 1: So uh, he was like, all right, I'm not gonna
• 26:33
  Speaker 1: worry about the fact that they don't have accents or
• 26:34
  Speaker 1: they do have accents. I'm gonna just bring in Linda
• 26:37
  Speaker 1: and Jody for more vocals, and Shaw's gonna come in
• 26:39
  Speaker 1: the studio and he go and record stuff. They said,
• 26:43
  Speaker 1: there was really no plan. We were just recording stuff
• 26:45
  Speaker 1: real fast to get enough together for a four song
• 26:47
  Speaker 1: EP for the American market. Polattice and mor Von would
• 26:51
  Speaker 1: come in and go down to the basement where the
• 26:53
  Speaker 1: pool was and hang out for a couple of hours.
• 26:56
  Speaker 1: They'd make appearances then then go down to the basement,
• 27:00
  Speaker 1: but they never sang a note or went into the studio. Wow.
• 27:04
  Speaker 1: I love that they showed up for appearances to record that.
• 27:07
  Speaker 1: They were like, there's plenty of footage of us going
• 27:09
  Speaker 1: inside of the studio, your honor, I like you to
• 27:13
  Speaker 1: turn your attention to exhibited. My clients went in the
• 27:17
  Speaker 1: studio and they came out hours later. Okay, whether any
• 27:23
  Speaker 1: tracks were laid down, that's none of our business, none
• 27:26
  Speaker 1: of our business. I love the dedication, though, to having
• 27:30
  Speaker 1: them come and then just like hang out somewhere. I mean,
• 27:33
  Speaker 1: they're like, oh, we got go Like I can't do
• 27:35
  Speaker 1: a German accent. We have to go to and you know, well,
• 27:43
  Speaker 1: you want to go to this, love to go to
• 27:48
  Speaker 1: I love to go to this. Just swim so much
• 27:49
  Speaker 1: into you know your congregation knows we speak French. Yeah,
• 27:57
  Speaker 1: I want to go. I am Grumman again, because German
• 28:02
  Speaker 1: accents and French accents from the American perspective are very similar. Right,
• 28:05
  Speaker 1: It's very easy to make. We don't do any one justice.
• 28:08
  Speaker 1: We're so disrespectful in this country, and I love it.
• 28:12
  Speaker 1: So they're basically pretending costplaying to be artists. I stand.
• 28:17
  Speaker 1: So Linda said that they were kept a distance from
• 28:19
  Speaker 1: the guys so that they wouldn't get too close. The
• 28:21
  Speaker 1: real singer was secretly brought in at night, and he
• 28:23
  Speaker 1: would be taken to the studio late at night, even
• 28:25
  Speaker 1: after the other staff was gone, so that no one
• 28:27
  Speaker 1: would know he was the true voice. So hold up.
• 28:30
  Speaker 1: So this guy's coming in masks singer style, like the
• 28:34
  Speaker 1: visor over his face. They roll him in a filing cabinet.
• 28:39
  Speaker 1: He's like, guys, what do I Yeah, yeah, no, you
• 28:41
  Speaker 1: got a record deal? You did. We're so excited to
• 28:43
  Speaker 1: work with you here. I could just stand behind this
• 28:45
  Speaker 1: bush real quick and not make any noises. We're so
• 28:48
  Speaker 1: excited to have your German Sony records. Yeah, okay, we're
• 28:51
  Speaker 1: gonna to put this blanket over your head. No, it's
• 28:53
  Speaker 1: all the rich. Michael Jackson's doing it to his kids.
• 28:55
  Speaker 1: It's like a thing. Just put it on your head,
• 28:58
  Speaker 1: come inside the studio. So yeah, poor guy whoever was
• 29:02
  Speaker 1: really singing these songs. So they were doing all this
• 29:06
  Speaker 1: shady shit, which is very fun to me. So looking
• 29:10
  Speaker 1: suspect as soon as the music video for Girl you
• 29:13
  Speaker 1: Know It's True was a global hit. Millie Vanilli also
• 29:16
  Speaker 1: had four other hit songs, Blame It on the Blame
• 29:21
  Speaker 1: It on the Rain, ooh ooh, ooh, Okay, I'm listening
• 29:27
  Speaker 1: to songs, but I know the congresasionals. It's like, blame
• 29:31
  Speaker 1: it on the rain. You don't remember that? No, why
• 29:34
  Speaker 1: would I remember this? Well? Your parents, well, they won't
• 29:37
  Speaker 1: be jamming to those, like what the hell give my
• 29:40
  Speaker 1: bail Bill? Back then, they had girl I'm Gonna Miss
• 29:44
  Speaker 1: You and Baby Don't Forget My Number, which all hit
• 29:49
  Speaker 1: number one, and All or Nothing peaked at number four.
• 29:53
  Speaker 1: They were everywhere, so Milli Vanilli was a huge sensation.
• 29:57
  Speaker 1: I want to wait. I don't know if we'll get
• 29:59
  Speaker 1: soon Ude by Frank or whoever the fuck actually owes
• 30:02
  Speaker 1: Frank song? But I need to know, I truly need
• 30:07
  Speaker 1: to know, because I've never heard of Milli Vanilly song.
• 30:13
  Speaker 1: Which one is this Girl you Know It's True? Oh? Yeah,
• 30:18
  Speaker 1: what are talking that much? Because it was the nineties,
• 30:21
  Speaker 1: they're gonna they intro song there it comes you. Hey, hey, hey, hey,
• 30:31
  Speaker 1: let that ship rap for a second. Hey, okay, where's
• 30:35
  Speaker 1: the song though, this is all intro. You know how
• 30:37
  Speaker 1: the nineties was all intro, no song. So where is
• 30:45
  Speaker 1: the song? It's coming, grow up, it's taking way too
• 30:49
  Speaker 1: long to get here. Not Chelsea dancing is the booth,
• 30:56
  Speaker 1: that's the rapper turning the song. Wow, that's show. Oh goodness,
• 31:03
  Speaker 1: that's terrible. So basically, they blew the fuck up, right yep?
• 31:07
  Speaker 1: And every time hold on, I just want to tell you,
• 31:09
  Speaker 1: like I was alive, they blew the fuck up. They
• 31:13
  Speaker 1: were on everything everywhere, like they were the shit. What
• 31:18
  Speaker 1: do you think contributed to their success? Are they hot?
• 31:21
  Speaker 1: They're fucking hot. They're models. They were both. That's that's
• 31:24
  Speaker 1: also how what we learned about them is that they
• 31:26
  Speaker 1: were models. They're hot. Really, let me see both of them.
• 31:30
  Speaker 1: I'm looking right now to see if they're hot. If
• 31:33
  Speaker 1: I think that they're hot, Okay, they have this wild hair.
• 31:36
  Speaker 1: One of them has like very strong bone structure. Yep, yep.
• 31:41
  Speaker 1: I mean they are giving the girls fashion and they
• 31:44
  Speaker 1: were like a whole scene. They were a whole vibe too. Yeah. Oh,
• 31:48
  Speaker 1: and they were in the eyeliner and Milly or Vanilli,
• 31:51
  Speaker 1: I don't know which one, but he was rocking a
• 31:53
  Speaker 1: lot of concealer. It was like a hole. They were yeah,
• 31:56
  Speaker 1: and then it's so funny because they look so much alike,
• 31:59
  Speaker 1: but apparently they're not related. It all okay, Wow, he
• 32:03
  Speaker 1: got crochet braids and this Lord Jesus. Okay. So this
• 32:11
  Speaker 1: is a quote from mor Von from Millie Vanilla. He says,
• 32:15
  Speaker 1: every time we gave an interview, the reporters would hear
• 32:17
  Speaker 1: my French accent or Rob's German accent, and they say,
• 32:20
  Speaker 1: no way, how could these guys have sung these songs? Well,
• 32:24
  Speaker 1: obviously they never heard of Craig Diving or Dale or
• 32:29
  Speaker 1: they're like hello, and then you get off the record
• 32:31
  Speaker 1: and we're like, oh oi, why someone go get me?
• 32:37
  Speaker 1: Get me fish and jeeps like that me accent. So
• 32:41
  Speaker 1: they even had dialect specialists brought in paid by the
• 32:45
  Speaker 1: record company to try to help the situation, but fast
• 32:47
  Speaker 1: fame didn't make it easy. So they blew up so
• 32:49
  Speaker 1: fast that they didn't have time to like fix their accents,
• 32:53
  Speaker 1: which nowadays, I feel like you could have a strong
• 32:55
  Speaker 1: French accent or German accent and still singing an American
• 32:58
  Speaker 1: one and nobody would be the wise. I have to say,
• 33:00
  Speaker 1: I'm actually surprised that that was even an issue. Kay,
• 33:03
  Speaker 1: Like I said, like Ace of Bass was around this
• 33:06
  Speaker 1: time too, and they had you know, you know, they
• 33:09
  Speaker 1: had their like Northern European accent and whatever. Oh my god.
• 33:13
  Speaker 1: So we didn't. So basically they said, we didn't want
• 33:16
  Speaker 1: to do any more interviews. Polatus added, the more we talked,
• 33:19
  Speaker 1: the worst things got. Their former manager recalled the situation
• 33:23
  Speaker 1: to Billboard, saying, I remember there were some world some
• 33:26
  Speaker 1: words that Fab couldn't pronounce. He had a pretty thick
• 33:28
  Speaker 1: French guadaloup and accent, oh French guadaloup. But okay, so
• 33:32
  Speaker 1: he had accents, accents. So on the girl I'm Gonna
• 33:36
  Speaker 1: Miss You, he couldn't say miss and he would say miss.
• 33:40
  Speaker 1: He would say, girl, I'm gonna miss you, miss you,
• 33:43
  Speaker 1: miss you? Either those you say me, oh right, I
• 33:48
  Speaker 1: miss you, Hey, I miss you. That's hot. That's okay,
• 33:52
  Speaker 1: okay with that. But I guess the issue is just
• 33:54
  Speaker 1: like if you can't say mess as you say it
• 33:57
  Speaker 1: on the song, because I'm not going to say one's
• 33:58
  Speaker 1: right or wrong, but if you can't pronounce it the
• 34:00
  Speaker 1: same with that you pronounced it on this song that
• 34:01
  Speaker 1: people were like, hmm, interesting, interesting because you sang it
• 34:06
  Speaker 1: like miss you saying this right. My true question is
• 34:14
  Speaker 1: why do we care? I love chaos. I'm like, why
• 34:17
  Speaker 1: do we care? Like, let Millie Vanilla keep like they
• 34:20
  Speaker 1: could dance, right, they could dance their asses off, and
• 34:22
  Speaker 1: they was when I tell you enough and there it is.
• 34:26
  Speaker 1: They were gorgeous. They could dance their asses off and
• 34:29
  Speaker 1: they didn't start no trouble. They were willing to let
• 34:35
  Speaker 1: somebody take over their lives, force them into them into
• 34:43
  Speaker 1: labor they didn't agree with, and they kept you know,
• 34:48
  Speaker 1: they showed up every day them so much shut up
• 34:53
  Speaker 1: to the recording studio. What's interesting here is like Millie
• 34:56
  Speaker 1: Vanilli took so much shit, like the only reason I
• 34:59
  Speaker 1: know of mil even Nelly, it's because of the joke
• 35:02
  Speaker 1: of like, oh, these guys who were imposters. However, they
• 35:06
  Speaker 1: were not the ones who orchestrate these skimps. They were
• 35:08
  Speaker 1: at in the projects, like and someone came in with us.
• 35:16
  Speaker 1: They were in the projects chilling on the stupid I'm
• 35:19
  Speaker 1: moving well up, moving on east side with funding a
• 35:25
  Speaker 1: good zip piece of zipah? Is that the German or
• 35:29
  Speaker 1: the French child? Okay? Because I was gonna do the
• 35:31
  Speaker 1: other one. I don't know, I'm trying to do French
• 35:33
  Speaker 1: and it's terrible. But like they literally were just chilling
• 35:35
  Speaker 1: and somebody was like, hey, four thousand dollars and you
• 35:38
  Speaker 1: get to go to a pool every Tuesday to pretend
• 35:41
  Speaker 1: that you're singing. Think about, like, what the exactly this
• 35:44
  Speaker 1: is a great gig. They have to literally just show
• 35:46
  Speaker 1: up and they're just getting paid paid, right, and it's
• 35:50
  Speaker 1: a shitty record deal. Of course it's probably three sixty
• 35:52
  Speaker 1: where they own your whole booty hall, but they had
• 35:57
  Speaker 1: also they weren't planning to be singers. Also, like the
• 36:01
  Speaker 1: company owns everything, but it never was yours to begin with.
• 36:05
  Speaker 1: So truly you should only sign a through sixty deal
• 36:08
  Speaker 1: if you are Millie Vanilla because like if you can't
• 36:10
  Speaker 1: sing or contribute anything but like beautiful looks. I don't know, though,
• 36:14
  Speaker 1: you should still get some word coins for that because
• 36:16
  Speaker 1: it was the face they can dance too, because think
• 36:18
  Speaker 1: about it, Frank's face wasn't bringing in them coins, Yo,
• 36:24
  Speaker 1: shut up to what's the same lane? Looking up again?
• 36:26
  Speaker 1: Frank Farrian shout out to Frank, but he wasn't gonna
• 36:29
  Speaker 1: bring it up coins in So, but I do feel
• 36:32
  Speaker 1: bad for Millie Vanilli because they took the hit. They
• 36:34
  Speaker 1: weren't the people who made the name. They weren't people
• 36:36
  Speaker 1: who made the music. They were just trying to get
• 36:38
  Speaker 1: out of a bad situation, and now they're the laughing stock,
• 36:41
  Speaker 1: even though they weren't the bad guys. Yeah. I don't
• 36:44
  Speaker 1: know about Frank Faran. What the fuck is that nigga's name?
• 36:47
  Speaker 1: I don't know na Farian, I don't know him. I
• 36:50
  Speaker 1: don't know that. I don't even know Millie Vanilli's name.
• 36:52
  Speaker 1: I just know Million Vanilli, right, So I feel bad
• 36:55
  Speaker 1: because I never knew Frank was pulling these strings. I
• 36:58
  Speaker 1: was just laughing at Millie Vanilla by a run So
• 37:05
  Speaker 1: on July twenty first, nineteen eighty nine, while on the
• 37:07
  Speaker 1: Club MTV tour in Bristol, Connecticut. Wow, how your life
• 37:12
  Speaker 1: fall apart in Bristol, Connecticut. That's tragic, Like, I can't
• 37:17
  Speaker 1: imagine a more sad place to have your life fall apart.
• 37:21
  Speaker 1: So I must spin on my shit everywhere, not Bristol,
• 37:24
  Speaker 1: So polais you know Bristol? You know, girls keep it
• 37:28
  Speaker 1: real in Bristol, Connecticut. Betawn baby, betown baby, we'll be
• 37:31
  Speaker 1: having that shit you in the hood now baby Connecticut,
• 37:36
  Speaker 1: although there were some really hood parts connected so politicsan
• 37:40
  Speaker 1: fab more varon mor von Sorry, I'm fucking y'all named.
• 37:46
  Speaker 1: They were singing their mega hit girl you Know It's True,
• 37:48
  Speaker 1: which we just heard, which is mostly intro, which makes sense.
• 37:53
  Speaker 1: It makes sense to me because I'm like, okay, y'all
• 37:55
  Speaker 1: can't say so, We're just gonna have a lot of intro.
• 37:59
  Speaker 1: I'm not mad at it's a lot of good math
• 38:00
  Speaker 1: right there. So they're singing this when they're live backtracking
• 38:06
  Speaker 1: began to skip. It was and I just again first
• 38:10
  Speaker 1: person point of view. It was like a national international story.
• 38:15
  Speaker 1: It was like when this happened, everybody's like, did y'all
• 38:18
  Speaker 1: hear that Millie Vanilli's track started skipping? And they're not.
• 38:21
  Speaker 1: Actually it was a fucking scandal. The fucking BBC is
• 38:25
  Speaker 1: like tonight, may Vanilli a fraud? Now I know you
• 38:30
  Speaker 1: don't recognize me because my singing voice is very different,
• 38:33
  Speaker 1: very different, ouy, And now that when I sing a
• 38:36
  Speaker 1: sound like twenty one Savage and I am the same
• 38:39
  Speaker 1: person because twenty one Savage is British. Okay, I love
• 38:42
  Speaker 1: the twenty one Savage British I love it so much.
• 38:45
  Speaker 1: He's like, twenty one is a knife, but they not
• 38:48
  Speaker 1: gonna have some stops like like that. I imagine twenty
• 38:52
  Speaker 1: one savage at home. He's like, bring me the bliky.
• 38:56
  Speaker 1: That's what I think is that's a gun. No, yeah,
• 39:00
  Speaker 1: that's how what the kids call firearm, the British gun,
• 39:03
  Speaker 1: the British kids. No, the black one. Yes, Oh well
• 39:10
  Speaker 1: that makes sense now. So I I just think this
• 39:14
  Speaker 1: is so fascinating because they ran off stage. Do we
• 39:18
  Speaker 1: have a clip of them like running off stage? Yeah?
• 39:20
  Speaker 1: It was like a thing. It was I want to.
• 39:23
  Speaker 1: I want to. I just need you guys hear the hook.
• 39:25
  Speaker 1: Oh my god, because I never heard the hook I'm
• 39:27
  Speaker 1: about So while you're doing that, I'm gonna pull up
• 39:29
  Speaker 1: this damn video of them running off of the stage
• 39:32
  Speaker 1: when they're back and began to skip, because I need
• 39:34
  Speaker 1: to fucking know. I think that personally, they shouldn't have
• 39:38
  Speaker 1: run away. Like this is someone where you gotta stand
• 39:41
  Speaker 1: up like Patti LaBelle and be like stand you can't
• 39:46
  Speaker 1: wait too much for two negroes from the fucking projects
• 39:50
  Speaker 1: who don't actually sing. She said, you need to. They're
• 39:54
  Speaker 1: not performers. But by this time they were ready. I
• 40:00
  Speaker 1: wanted to die. Stop. Good, you know it's good. You
• 40:04
  Speaker 1: know it's good. Eighty thousand people good, you know it's good. Yeah.
• 40:08
  Speaker 1: I couldn't repeat it fifteen times. He got so, I stopped,
• 40:13
  Speaker 1: a paint A ran of stage. Wow, I ran after me.
• 40:21
  Speaker 1: I didn't want to go back to stage. I ended
• 40:23
  Speaker 1: up eight thousand people winning. He said, I did not
• 40:26
  Speaker 1: want to go back to stage, and I get it.
• 40:29
  Speaker 1: I feel you. I don't know if this is Milly
• 40:31
  Speaker 1: or Vanilli who's talking. I'm gonna guess Vanilli because he's blonde.
• 40:36
  Speaker 1: I guess I was Vanilli talking. But he said I
• 40:39
  Speaker 1: did not want to go back to stage. I said,
• 40:41
  Speaker 1: no more stage, bliss plas, no more. I'm bad at
• 40:47
  Speaker 1: that sent it's my scam, so place, no more stage.
• 40:50
  Speaker 1: I think if he stayed on stage and just been like,
• 40:52
  Speaker 1: the track is skipping, okay. Just imagine you are a
• 40:59
  Speaker 1: black person Germany living in the projects. Some random white
• 41:04
  Speaker 1: dude shows up offersing four thousand dollars. Flash forward, you
• 41:08
  Speaker 1: don't even know what happened. It's three years later. You're
• 41:10
  Speaker 1: on stage. You're asking way too much, honey, that's too much.
• 41:13
  Speaker 1: They're not real performers. You gotta remember your performer, like
• 41:17
  Speaker 1: we would know what to do forming for long enough
• 41:19
  Speaker 1: that you don't think they can developed some skills. And
• 41:21
  Speaker 1: they were already dancers. Were they real dancers or were
• 41:24
  Speaker 1: they just black people who can dance? What is the difference.
• 41:29
  Speaker 1: I don't know. I don't know. I don't know if
• 41:34
  Speaker 1: there were real dancers or black people who can dance.
• 41:36
  Speaker 1: I consider myself to be a black person who can dance.
• 41:39
  Speaker 1: I'm a black person who danced, but I am not
• 41:41
  Speaker 1: a dancer. Choreography is a rat, no, but I am
• 41:45
  Speaker 1: a black person who can dance. Out of some listen,
• 41:48
  Speaker 1: I'm so sorey right now. So I truly don't know.
• 41:54
  Speaker 1: But I just feel like as a scal Okay, yes
• 41:56
  Speaker 1: they're adjacent to the scam. Yes they weren't the people
• 41:59
  Speaker 1: who created it, but they are willing participants. They I
• 42:02
  Speaker 1: don't think they're adjacent. When you're willing participant, that's not adjacency, okay,
• 42:09
  Speaker 1: But they didn't make the scam up. So it's like
• 42:11
  Speaker 1: if you throw a rock in the scam, Yeah, you
• 42:13
  Speaker 1: hit them. You would hit them if you throw a rock,
• 42:15
  Speaker 1: But they're not like the can Okay, that makes sense. No,
• 42:19
  Speaker 1: thank you. No, it's like if you if like it's
• 42:21
  Speaker 1: like a run, it's like the getaway car, and then
• 42:24
  Speaker 1: they ask you to get in, and then you get in, Like,
• 42:26
  Speaker 1: but you didn't actually rob the bank. Yeah, you didn't
• 42:29
  Speaker 1: rob the bank. Why are you hanging out with these motherfuckers? Okay?
• 42:33
  Speaker 1: And they did keep the secret because obviously while they're
• 42:37
  Speaker 1: blowing up, they're not like women not singing the songs,
• 42:40
  Speaker 1: like they're not at all sing home it's all sing.
• 42:46
  Speaker 1: They don't say that they don't sing, they don't say that,
• 42:47
  Speaker 1: you're right. But so that's what I'm saying is like,
• 42:50
  Speaker 1: at this point, this has become your career. You got
• 42:54
  Speaker 1: women fawning over you, men fawning over you, everybody because
• 42:57
  Speaker 1: you're hot. How much sucks they had during those years, right,
• 43:00
  Speaker 1: million evenuely just sticking excellent, So like they're getting everything.
• 43:04
  Speaker 1: They're getting, the fame they're getting, Like the thing is like, yeah,
• 43:06
  Speaker 1: it's probably a shitty three sixty deal, but they're probably
• 43:08
  Speaker 1: getting so many free perks, hotels, cars, joy Like it's
• 43:11
  Speaker 1: not a shitty three sixty. You don't do nothing. Look,
• 43:16
  Speaker 1: they brought the looks and the dance moves and in
• 43:19
  Speaker 1: Hollywood that's a lot. That's a lot. Looks are a lot.
• 43:22
  Speaker 1: Bro a. The CW is is hired models. Okay, everyone
• 43:27
  Speaker 1: on the CW is just fucking hot, and they're like,
• 43:29
  Speaker 1: get up there and say these words that we told
• 43:31
  Speaker 1: you to say with your perky boobs. So there's you
• 43:34
  Speaker 1: know what I mean fact. So I just feel like
• 43:37
  Speaker 1: they should have tried to preserve the scammore. They should
• 43:39
  Speaker 1: have stood there and been like, oh, our track is
• 43:42
  Speaker 1: not working. EMPTV fixed track, like you know, and everyone
• 43:47
  Speaker 1: that would have been fine. I think really what we're
• 43:49
  Speaker 1: seeing is they couldn't do it. They just couldn't, and
• 43:57
  Speaker 1: they were just like we're done, like you know what
• 44:00
  Speaker 1: I mean. I think it was the end of the rabine.
• 44:03
  Speaker 1: They were constantly afraid that they were gonna get found out.
• 44:05
  Speaker 1: And this is the moment scammers. And that's what it is,
• 44:08
  Speaker 1: is that Millie Vanilly weren't and I want to Vanilly
• 44:12
  Speaker 1: so it is their fault. They weren't true scammers. I
• 44:16
  Speaker 1: want to go skim on the show. I love you
• 44:18
  Speaker 1: so much. I just want to say, Millie Vanilly, I
• 44:21
  Speaker 1: sympathize with you guys because you weren't pure of heart scammers.
• 44:24
  Speaker 1: You were literally chilling at your project and this man,
• 44:28
  Speaker 1: this really strange looking man, came up and offered you
• 44:32
  Speaker 1: four thousand dollars. It's not your fault, scammers, because if
• 44:39
  Speaker 1: you were scammers, you would have rolled this bitch to
• 44:40
  Speaker 1: the wheelchair. Off the fact that y'all were so nervous
• 44:43
  Speaker 1: because they were like, that's accents, that's accents. You're already
• 44:46
  Speaker 1: nervous about the accent. Then finally the music skips and
• 44:49
  Speaker 1: you run off stage like these niggas ran off stage
• 44:51
  Speaker 1: like they were Usain Bolt. They were like, and we're out.
• 44:54
  Speaker 1: They were too good for the world. And that that
• 44:57
  Speaker 1: is the sad part of this story is that one
• 44:59
  Speaker 1: of them killed themselves. Yeah, they committed suicide because of
• 45:03
  Speaker 1: this scandal. Yeah, you don't know. No, well, maybe it
• 45:10
  Speaker 1: was an overdose. Well the story, the story I heard
• 45:13
  Speaker 1: was that he killed himself. Yeah. The Lattice was found
• 45:16
  Speaker 1: dead at thirty three and Frank were on April second,
• 45:20
  Speaker 1: nineteen ninety eight of a suspected overdose. And they got
• 45:24
  Speaker 1: famous in the nineties. So yeah, and it was because
• 45:28
  Speaker 1: it was like right after all this show. Yeah, it
• 45:31
  Speaker 1: was really fucking sad. And when you now like talking
• 45:33
  Speaker 1: about this and understanding the breakdown of shit, it's like, oh,
• 45:36
  Speaker 1: they Because I had always understood it to be that
• 45:38
  Speaker 1: this was their idea that they had whatever. I didn't
• 45:42
  Speaker 1: know that they were basically pump part I was kicked
• 45:44
  Speaker 1: out by this frank guy, which makes it extra sense.
• 45:47
  Speaker 1: And I never knew that either. So guys, share this
• 45:49
  Speaker 1: with your friends, because I truly didn't know that Millie
• 45:51
  Speaker 1: Vanilla wasn't the orchestrators of you know, because there's so
• 45:54
  Speaker 1: many Millivanilla jokes. Every fucking early two thousands, late nineties
• 45:57
  Speaker 1: sitcom was like Milli Vanilla tongue and wake. Also, there
• 46:01
  Speaker 1: was a lot of weird Denzel references in the early
• 46:03
  Speaker 1: two thousands because I guess Denzel was like the Michael B.
• 46:06
  Speaker 1: Jordan of that time. Oh my god. And there were
• 46:09
  Speaker 1: so many television shows that I can't well, don't come
• 46:11
  Speaker 1: over Unlessia didn't say at Washington because I want him
• 46:14
  Speaker 1: to fuck me. I say that on network. But you
• 46:17
  Speaker 1: get the idea that Morgan Freeman Half and Half has
• 46:21
  Speaker 1: a ton of references about I'm rewatching Half and Half
• 46:23
  Speaker 1: on Netflix. There are a ton of references that are like, oh, Livin,
• 46:26
  Speaker 1: if it's Morgan Freeman living, no, I'll come over him.
• 46:29
  Speaker 1: I was like, he's the voice of God, Like what
• 46:32
  Speaker 1: are we doing? Okay, that's weird. It's weird. But so
• 46:35
  Speaker 1: back to this really sad thing. Uh, Chelsea just informed
• 46:39
  Speaker 1: us that he had had like addiction issues and that
• 46:42
  Speaker 1: his death was formally ruled an accident. But obviously we
• 46:46
  Speaker 1: don't know. We weren't there and Billa, but I do
• 46:53
  Speaker 1: want to say, like, you know, addiction is nothing to
• 46:55
  Speaker 1: joke about. Suicide is nothing to joke about. I uh,
• 46:58
  Speaker 1: there's something I can hope that make this more positive. However,
• 47:01
  Speaker 1: I'm just like, damn, Like I wish that we had
• 47:03
  Speaker 1: all known that this Frank guy was like the sick
• 47:05
  Speaker 1: fuck who was like really controlling this because this is
• 47:08
  Speaker 1: his second attempt and like, guys, Millie Vanilly was just
• 47:11
  Speaker 1: the one that hit. He's good at going to projects
• 47:15
  Speaker 1: and being like here's four thousand dollars and I will
• 47:19
  Speaker 1: fucking make your face the start and you can just
• 47:21
  Speaker 1: hang out in the pool while it was for the album,
• 47:24
  Speaker 1: so like he's done this before, but this is the
• 47:26
  Speaker 1: one that hit. So and I know that we were
• 47:27
  Speaker 1: all so mean And here's the thing too, is like
• 47:30
  Speaker 1: pre Trump, pre that Raggedy Bitch forty five and honestly,
• 47:35
  Speaker 1: like pre like a social media age, news was news
• 47:39
  Speaker 1: for a long time. So right now, if Millie Vanilli
• 47:42
  Speaker 1: came out and they couldn't sing, we'd probably talk about
• 47:45
  Speaker 1: that for like sixteen hours on Twitter if that, if
• 47:49
  Speaker 1: the memes are slapping, So yeah, Algur's Internet wasn't popping
• 47:53
  Speaker 1: like that at the time, and so everything, word of
• 47:57
  Speaker 1: mouth and everything in the news lasted so much longer.
• 48:00
  Speaker 1: It was like dinner party conversation and conversation on the
• 48:03
  Speaker 1: news and jokes and television shows like things lasted longer
• 48:07
  Speaker 1: because it wasn't like the raggedy orange bitch in office
• 48:10
  Speaker 1: literally had crack rocks flying on his nose and that
• 48:12
  Speaker 1: was news for two hours. Oh my god, this whole
• 48:15
  Speaker 1: Milania turned it to the Grinch and was like, fuck
• 48:18
  Speaker 1: the chlaistmas folks needs. That was news for literally thirty minutes. Meanwhile,
• 48:23
  Speaker 1: when Obama wore a tantuit, we was talking about that
• 48:25
  Speaker 1: nigga for two weeks. My lord, he looked good, right,
• 48:29
  Speaker 1: Or when I just saw this on Twitter and I
• 48:31
  Speaker 1: missed this the first time around, but black Owama apparently
• 48:34
  Speaker 1: called Kamala Harris fine. We said she was the best
• 48:38
  Speaker 1: looking woman in the Senate or like the best best
• 48:43
  Speaker 1: looking attorney general. Where when was this? This is a
• 48:47
  Speaker 1: few years bag and they would have been a ce couple.
• 48:50
  Speaker 1: He didn't, right, that was too much, too much like
• 48:53
  Speaker 1: skin imagery, right, but they would have mad a c couple.
• 48:56
  Speaker 1: But he said this, and and Everybodey was like that
• 48:58
  Speaker 1: Nigga must have been lit because it was completely unprompted,
• 49:03
  Speaker 1: very very Gosha for it. But he talked about it
• 49:06
  Speaker 1: the correspondence that he joked about it, so it was like,
• 49:08
  Speaker 1: you know, Michelle was chilling, it was everybody was laughing.
• 49:10
  Speaker 1: But it's funny though because like I truly didn't even know,
• 49:13
  Speaker 1: but like those things used to last longer the news cycle.
• 49:16
  Speaker 1: And so if you're thinking about that as someone who's
• 49:18
  Speaker 1: under dress, who's understressed, who wasn't the mastermind behind this
• 49:21
  Speaker 1: fucked up shit and they got dragged on television, film, radio, everywhere.
• 49:27
  Speaker 1: Dragging like that would weigh on you, of course it would,
• 49:31
  Speaker 1: I mean, and again, just to reiterate, it was a
• 49:34
  Speaker 1: huge when I tell you, it was a huge fucking story.
• 49:37
  Speaker 1: When this should happened. Really, yeah, it was everywhere. I
• 49:41
  Speaker 1: mean like I remember it, I remember being you know,
• 49:45
  Speaker 1: you know, seeing this, and it was and again, like
• 49:47
  Speaker 1: you said, it's in all the shows, right, every show
• 49:50
  Speaker 1: talks about Even to this day, you can still make
• 49:53
  Speaker 1: that Millievnilli reference and only gen Z won't know what's
• 49:56
  Speaker 1: going on. But I'm bummed for them because if they
• 50:00
  Speaker 1: had just stayed on stage, it wouldn't have been this
• 50:03
  Speaker 1: contsy to stop trying to say, can we just get
• 50:06
  Speaker 1: that out there? I need you to stop. You're such
• 50:09
  Speaker 1: a like, such a sleezy manager, Like why didn't you
• 50:12
  Speaker 1: just stay on stage? I am a sleazy scam manager?
• 50:18
  Speaker 1: I am? Because they ran off and that's what made
• 50:21
  Speaker 1: them look guilty. They look like they were clearly lip singing.
• 50:24
  Speaker 1: They rust off stage, and the course continue to repeat
• 50:26
  Speaker 1: over and over again, which makes me think because like, look, okay,
• 50:30
  Speaker 1: it's back in the day, right technology, they really ate shit. Okay,
• 50:36
  Speaker 1: this was only like thirty years ago, Relax, okay, but
• 50:39
  Speaker 1: if some shit is skipping like y'all, couldn't uplug the
• 50:41
  Speaker 1: bitch y'a couldn't turn the song off like this, someone's
• 50:43
  Speaker 1: sabotage Millie was it Frank did Frank was Frank like, Oh,
• 50:47
  Speaker 1: they got more fame than I ever could. And then
• 50:49
  Speaker 1: he did he get on to Saldibar them He's what
• 50:53
  Speaker 1: now is that what her name is? That Selena? Don't
• 50:56
  Speaker 1: know the woman Selena who was the president of her
• 51:00
  Speaker 1: Oh you say Yolanda la Oh? I know the fuck up?
• 51:04
  Speaker 1: Ye fuck you? On the Selvi bar. She's still in
• 51:06
  Speaker 1: jo I think, so is she in jail for this?
• 51:10
  Speaker 1: She been jailed out and fuck her? You know what.
• 51:12
  Speaker 1: I honestly like feel bad for the actress who played
• 51:15
  Speaker 1: Yolanda Celdivar in the Selena movie with j Lo because
• 51:18
  Speaker 1: whenever I think of Yolanda Saldivar, I think of that
• 51:20
  Speaker 1: woman's face, poor lady. I don't think of the real Yolanta.
• 51:24
  Speaker 1: She had heavy makeup on, so she looks totally different. No,
• 51:28
  Speaker 1: she's very recognizable, and I feel super bad for her
• 51:31
  Speaker 1: because I'm like, anytime I think of Landa Celdivar, I
• 51:34
  Speaker 1: think of that bitch, and I'm calling her a bitch.
• 51:36
  Speaker 1: She's just an actress. She's a bitch and an actress. Oh,
• 51:40
  Speaker 1: she's still alive. She's sixty years old. Yolanda, m M.
• 51:44
  Speaker 1: Fuck that, fuck that ho fuck Yolanda and Donald Trump,
• 51:48
  Speaker 1: both of them, both of them, So man, I really
• 51:51
  Speaker 1: feel for them. So eventually it was exposed that they
• 51:54
  Speaker 1: had never even sung on their six time platinum album
• 51:57
  Speaker 1: to begin with, never not a note, not a June.
• 52:01
  Speaker 1: And that was the other thing is that they had
• 52:02
  Speaker 1: they won Grammys, Like it was like you were fucked
• 52:06
  Speaker 1: from there, Like can you imagine ced Eaty talk about
• 52:12
  Speaker 1: a fucking whirlwind note? And you can you imagine that whirlwind?
• 52:17
  Speaker 1: And you're sitting a repoet Grammy was John Legend Trump
• 52:20
  Speaker 1: to your house and he's like, oh, of you all.
• 52:24
  Speaker 1: Grammy is gone with me. There's been so much singing
• 52:27
  Speaker 1: on stuff. So I'm so sorry, guys. It's all for
• 52:30
  Speaker 1: me too. I'm apologizinging a little bit, but I won't stop.
• 52:34
  Speaker 1: And I'm like I definitely sang as well in addition
• 52:36
  Speaker 1: to you did, but like I feel like more necessary
• 52:40
  Speaker 1: than my singing, which was like I just feel like
• 52:42
  Speaker 1: singing today. Damn, I feel so bad. So they were
• 52:47
  Speaker 1: exposed guys in November of nineteen ninety as complete frauds.
• 52:51
  Speaker 1: They're Grammy was repod they devoted their Grammy and snatched
• 52:56
  Speaker 1: it right off their necks, and unfortunately, their careers were
• 52:59
  Speaker 1: never able to bounce back, which makes sense because they
• 53:01
  Speaker 1: never really had careers. It's like it's harting to bounce
• 53:04
  Speaker 1: back from like something you never had. They went, they
• 53:07
  Speaker 1: went back into the studio where they swam in the pool.
• 53:09
  Speaker 1: But you know, they just couldn't make it any more.
• 53:11
  Speaker 1: Of me. No, they weren't allowed on that pull anymore.
• 53:13
  Speaker 1: Frank was like, the fuck out of here. I think
• 53:15
  Speaker 1: Frank is behind this. I'm going to put a conspiracy
• 53:17
  Speaker 1: theory out that Frank was the person who sabotaged Millie Vanilly.
• 53:21
  Speaker 1: I support it. I think he was hating on them.
• 53:24
  Speaker 1: They got too big. He wasn't ready for that, and
• 53:27
  Speaker 1: he sabotaged them. I believe it. I feel like Frank
• 53:30
  Speaker 1: came in and was like Millie Vanilli, let's hang out,
• 53:33
  Speaker 1: and they're like, Flank was not want to hang with you.
• 53:36
  Speaker 1: We have the glupus hill. We want to be with
• 53:38
  Speaker 1: a gupis And he was like, these bitches. I found
• 53:41
  Speaker 1: them at the projects and I gat them for thousand
• 53:43
  Speaker 1: dollars back to the projects for you all. You know,
• 53:47
  Speaker 1: they're horrible people, so scammer of the week. This is
• 53:52
  Speaker 1: this is perfect. Students for Trump co founder pleas guilty
• 53:57
  Speaker 1: to scamming business out of forty six dollars. Fuck Donald Trump. Ay,
• 54:03
  Speaker 1: fucked Donald Trump? Hey, what the show? Fuck Donald Trump?
• 54:07
  Speaker 1: He hit the dance Donald Trump? Ol uh so. John Lambert,
• 54:11
  Speaker 1: the co founder of Students for Trump, pleaded guilty to
• 54:15
  Speaker 1: scamming consumers and businesses out of forty six thousand dollars
• 54:18
  Speaker 1: by posting as a lawyer online and dispensing legal advice.
• 54:22
  Speaker 1: We love a litigious lying sicking. Yeah, you can scam
• 54:31
  Speaker 1: Trump supporters all you want. Like, I'm I'm not again, step,
• 54:34
  Speaker 1: I'm for it. I'm like, should I make some recount
• 54:36
  Speaker 1: merch for Trump supporters? Right? Like? How can you turn
• 54:40
  Speaker 1: leg into a Trump supporting leg? Has gone full Trump
• 54:45
  Speaker 1: supply Trump twenty twenty Trump leg. I don't know, kick
• 54:51
  Speaker 1: Joe Biden out with a leg? I don't know. I
• 54:53
  Speaker 1: just want to make money, So toy three year old
• 54:57
  Speaker 1: Lambert went by Eric Pope, which already I'm not. I
• 55:01
  Speaker 1: don't trust a nigga name Pope. You know who else
• 55:03
  Speaker 1: the name Pope? Olivia? We don't fuck she ain't she
• 55:06
  Speaker 1: a shady bitch too. Listen, we love we stayed. This
• 55:09
  Speaker 1: is Olivia Pope's stand account. Okay, okay, but she got
• 55:13
  Speaker 1: some dirt on her hands. I know she did. She
• 55:15
  Speaker 1: was fucking the Republican President. Wasn't supposed to be based
• 55:17
  Speaker 1: off condolicta rise. Let me stop talking about get suit.
• 55:20
  Speaker 1: But Eric Pope I love that. He was like watching scandal.
• 55:23
  Speaker 1: He's like, what do I call myself? Olivia Pope? I
• 55:26
  Speaker 1: live Pope, I live a Pope. I'm so close I
• 55:29
  Speaker 1: can feel it. Let's go Eric poop. So he pretended
• 55:34
  Speaker 1: to be a New York based attorney at a law
• 55:36
  Speaker 1: firm called Pope and Done. That done got you though,
• 55:40
  Speaker 1: and Done sounds like some work at the law Done
• 55:43
  Speaker 1: and Done, Done and Done. So the Justice Department basically
• 55:47
  Speaker 1: said this. He pleaded guilty in a New York federal
• 55:50
  Speaker 1: court to one count of conspiracy to commit wire fraud.
• 55:53
  Speaker 1: Are you an attorney, Judge Valerie Caproni asked the Tennessee
• 55:56
  Speaker 1: native in court. The New York Post reported, no, you're
• 56:00
  Speaker 1: Lambert said, that's crazy. He said, Look, he said, I'm
• 56:03
  Speaker 1: not an attorney. I just said that I worked at
• 56:05
  Speaker 1: Pope and Done. Yes, my last name is Pope. Look
• 56:11
  Speaker 1: at Davies and Mosely like, look, we work for Davies
• 56:15
  Speaker 1: and Mosely. We never said we were lawyers. Did I
• 56:18
  Speaker 1: have esquire on my emails of the shirt? Yeah, but
• 56:21
  Speaker 1: it all means just law. Just as my card, my
• 56:24
  Speaker 1: business card, says I'm a lawyer, doesn't mean I really am.
• 56:26
  Speaker 1: Please come on, come on now, back up, Oh your honor.
• 56:33
  Speaker 1: So Lambert founded Students for Trump during the twenty sixteen
• 56:37
  Speaker 1: presidential election. He ran this scheme from August twenty sixteen
• 56:40
  Speaker 1: to April twenty eighteen and made several appearances on news shows.
• 56:44
  Speaker 1: Prosecutors said he created a fake website and claimed to
• 56:47
  Speaker 1: have fifteen years of experience in corporate patent law. I'm
• 56:51
  Speaker 1: just gonna go ahead and say you don't have to
• 56:54
  Speaker 1: be an expert to be on a new show. And
• 56:57
  Speaker 1: I think Lacey scam is Moldly is proof positive. Yeah, guys,
• 57:04
  Speaker 1: don't trust experts new shots because I'm one of them.
• 57:11
  Speaker 1: I just yeah, you should not like rethinking your whole life.
• 57:18
  Speaker 1: All right, I'm gonna just tell y'all a point blank
• 57:20
  Speaker 1: as an expert act on ABC like retweets videos of
• 57:26
  Speaker 1: me like talking about scamps, and I'm like, bro, yeah,
• 57:30
  Speaker 1: don't trust none of that. Nope. So and I'm also
• 57:33
  Speaker 1: very fascinated by that because I'm like, y'all gonna come
• 57:35
  Speaker 1: over here and listen. Think you're about to get some
• 57:37
  Speaker 1: expert information. Look, I told you, I will tell y'all
• 57:39
  Speaker 1: when I'm making stuff up. We do, Sherilyn Vera does
• 57:43
  Speaker 1: research our facts. They are factual and actual. However, I
• 57:46
  Speaker 1: do add non gooya adobo to them. I just want
• 57:51
  Speaker 1: to say, anytime someone rhymes their defense factual and actual,
• 57:58
  Speaker 1: because if the glove don't fit, you must quit. Yeah,
• 58:04
  Speaker 1: you should know what a lion if you gotta rhyme,
• 58:06
  Speaker 1: if you gotta hit niggas with rassele dazzle for the truth,
• 58:12
  Speaker 1: well they are lying. We through Surbrimes for some dazle
• 58:17
  Speaker 1: Have you got throw rassele dazzling nigg you lion, don't
• 58:20
  Speaker 1: make it rhyme. That's all that matters. So they also
• 58:25
  Speaker 1: alleged that Lambert pretended to be a graduate of NYU's
• 58:28
  Speaker 1: law school, which you know, another scam. But yeah, no, seriously,
• 58:34
  Speaker 1: like I don't know, have fu about the scam be kids,
• 58:36
  Speaker 1: I'm just like, yeah, scam Trump supporters seems fair. Right,
• 58:39
  Speaker 1: here's what okay, So here's my thing about the scam again,
• 58:43
  Speaker 1: I'm with you. I don't know how to feel. And
• 58:45
  Speaker 1: the only reason why I don't know how to feel
• 58:46
  Speaker 1: is because I'm like, was this guy scamming Trump supporters?
• 58:50
  Speaker 1: But he also was a Trump supporter? You understand I'm saying, like,
• 58:54
  Speaker 1: was he just scamming his fellow people because that is
• 58:57
  Speaker 1: very Trumpian, you know what I'm saying, right? Or was
• 59:00
  Speaker 1: he really on our side? And you know, scamming trumpers
• 59:06
  Speaker 1: as a as a lefty, as a radical, as a progressive,
• 59:10
  Speaker 1: whatever you want to call us in twenty twenty, that's
• 59:13
  Speaker 1: the question. If he was a Trump supporter, then fuck him.
• 59:17
  Speaker 1: But if he wasn't, then I'm gonna put some money
• 59:20
  Speaker 1: on his books because he's in jail. Right We don't
• 59:27
  Speaker 1: know if he's in jail. Let's figure out if he's
• 59:29
  Speaker 1: in jail right now, I'm gonna have to find out
• 59:30
  Speaker 1: that we did get some information on this Lambert character,
• 59:34
  Speaker 1: and unfortunately he is a Trump supporter. He actually did
• 59:39
  Speaker 1: have involvement in a student organization that was supporting Trump.
• 59:42
  Speaker 1: He just decided to lie and say that he was
• 59:44
  Speaker 1: a lawyer and scam forty six thousand dollars from people.
• 59:47
  Speaker 1: So I'm disappointed in you. Yeah, John, Now I'm mad
• 59:51
  Speaker 1: at you. Now. Honestly, I think if you hadn't been
• 59:54
  Speaker 1: a Trump supporter, you probably would have made more money,
• 59:57
  Speaker 1: just saying like, if you had been scamming this from
• 1:00:00
  Speaker 1: a better place in your heart, because when you scam,
• 1:00:04
  Speaker 1: it has to come from the altruistic part of your heart. Okay,
• 1:00:08
  Speaker 1: at least if you're scamming degenerates, it has to like yeah,
• 1:00:13
  Speaker 1: and then look, I get it, Like nobody wants to
• 1:00:15
  Speaker 1: be called a degenerate for voting for Donald Hey, go
• 1:00:20
  Speaker 1: get Honestly, I'd say if you voted for Trump the
• 1:00:22
  Speaker 1: first time around, and you were like, oh, we're a Republican. Okay,
• 1:00:25
  Speaker 1: he's kind of fucked up, but you know a lot
• 1:00:27
  Speaker 1: of Republicans are and Democrats, let's be honest. I'll let
• 1:00:31
  Speaker 1: you rock with that. But after four years it is
• 1:00:33
  Speaker 1: raggedy bitch, a whole pandemic and all the raggedy ass
• 1:00:35
  Speaker 1: shit he's done, and you still voted for him. Not
• 1:00:37
  Speaker 1: only you still vote for him, but you were like,
• 1:00:39
  Speaker 1: let's let's vote in higher percentages. Yeah, Okay. White women
• 1:00:44
  Speaker 1: before I go, I went from fifty three to fifty five.
• 1:00:48
  Speaker 1: How dare you what happened? We went on Amazon filth
• 1:00:54
  Speaker 1: and you did this and the Karen wigs were sold out.
• 1:00:56
  Speaker 1: I think the Karens assembled. They said, you're gonna call
• 1:00:58
  Speaker 1: us Karenzel, then we're gonna show you what a Karen really.
• 1:01:02
  Speaker 1: They assembled like a fucking power Rangers, like they were
• 1:01:05
  Speaker 1: like it's morphin time, and they all put on those
• 1:01:08
  Speaker 1: spiky wigs with the banks swooped to the right, and
• 1:01:11
  Speaker 1: they voted against all of their self interests. Guys, uh,
• 1:01:15
  Speaker 1: please talk to your family members. You can't if you're
• 1:01:17
  Speaker 1: a liberal and you enjoy this show, especially because you
• 1:01:20
  Speaker 1: know I'm a black, andy black woman, you have to
• 1:01:24
  Speaker 1: talk to your family. Please. Don't spend any more time
• 1:01:26
  Speaker 1: pasturing on Twitter or talking to your black friends about
• 1:01:28
  Speaker 1: how bad the world is. We know, but if you're
• 1:01:31
  Speaker 1: really an allied, guys, get out there and spread the
• 1:01:33
  Speaker 1: good gospel to your cousins, your aunties, your problematic uncle
• 1:01:36
  Speaker 1: fucking work. Don't let Uncle Chris tell that weird racist
• 1:01:40
  Speaker 1: joke he tells every Thanksgiving that you all politely laugh at, Like, guys,
• 1:01:43
  Speaker 1: we have to we have to do the work. The
• 1:01:45
  Speaker 1: work is just beginning. Yes, we have won this battle,
• 1:01:49
  Speaker 1: but this is a fucking war and the war is
• 1:01:51
  Speaker 1: for the conscience of this nation and we have never
• 1:01:54
  Speaker 1: gotten in right. And don't think that black people are
• 1:01:57
  Speaker 1: doing this work too. You think I don't have cousins
• 1:01:58
  Speaker 1: who believe T. I would. He said that if you
• 1:02:01
  Speaker 1: drink boiling hot water, the virus will get burnt out
• 1:02:04
  Speaker 1: of your throat and you won't get coronavirus. I absolutely
• 1:02:07
  Speaker 1: do have to talk to those people. I have hotep
• 1:02:09
  Speaker 1: uncles and aunties who think that milk will stop you
• 1:02:12
  Speaker 1: from getting your period. And guess what I get on
• 1:02:14
  Speaker 1: Facebook and I'm like, hey, uncle, so and so that's
• 1:02:17
  Speaker 1: not true. I know T I told you to invest
• 1:02:19
  Speaker 1: in bitcoin and also that you could sanitize your throat
• 1:02:22
  Speaker 1: for coronavirus, but he lied, I have to do that,
• 1:02:25
  Speaker 1: So so do you. We are all doing the work.
• 1:02:31
  Speaker 1: That's hard, right, And you gotta come from a non
• 1:02:33
  Speaker 1: pretentious place. You gotta come from a like yeah, yeah, yeah.
• 1:02:36
  Speaker 1: I also love Lewis fair Kahn anyway. Honestly, he's woke
• 1:02:41
  Speaker 1: as fuck, minus all his other bullshit. It's all the
• 1:02:44
  Speaker 1: wild shit that he says you gotta be like, oh yeah,
• 1:02:47
  Speaker 1: doctor lumers less sermon lit. Anyways, let's talk about let's
• 1:02:53
  Speaker 1: talk about how you're severely misguided. But all right, guys,
• 1:02:56
  Speaker 1: we're gonna get out of here, congregate. Wait, do you
• 1:03:02
  Speaker 1: have anything you want to pluges? I do, thank you
• 1:03:05
  Speaker 1: for giving me this opportunity. I'm so sorry. No, I
• 1:03:09
  Speaker 1: actually I guess at this point do I have anything
• 1:03:12
  Speaker 1: to plug? Not right now? It's the coronavirus. Oh that's right, Okay.
• 1:03:17
  Speaker 1: Come find me on Instagram at Priscilla Davies actor p
• 1:03:24
  Speaker 1: R I S c I L l A d A
• 1:03:25
  Speaker 1: v I E s actor. Just rewind this four times.
• 1:03:29
  Speaker 1: And on Twitter you can find me at QOT Desert
• 1:03:35
  Speaker 1: as in Queen of the Desert. I don't know why
• 1:03:37
  Speaker 1: you made such a drastically different Twitter name. I'll say
• 1:03:41
  Speaker 1: it one. We're talking toot Desert. Yeah, because guys, you're
• 1:03:44
  Speaker 1: gonna need to hear it twice three times. QOT Desert. Guys,
• 1:03:49
  Speaker 1: as always email scam got his pod at gmail dot com.
• 1:03:52
  Speaker 1: Snitch on your friends and family. Just make sure your
• 1:03:54
  Speaker 1: scam is retired, because we do not want to fuck
• 1:03:56
  Speaker 1: up your bag. Scam got his pot on all platforms,
• 1:03:59
  Speaker 1: Twitter and Instagram if you want to find me and
• 1:04:01
  Speaker 1: my shenaniganst d I v A l A c I
• 1:04:03
  Speaker 1: d v A Lacy on all platforms. Guys, please, if
• 1:04:07
  Speaker 1: you have a thought or a criticism about the show,
• 1:04:10
  Speaker 1: consider texting your group chat. Okay, I like, I'm a
• 1:04:14
  Speaker 1: black woman in American I'm already tired of a stress.
• 1:04:17
  Speaker 1: Y'all see you already graan sleep alone and like, look,
• 1:04:19
  Speaker 1: if it's something that you think is actually serious, think
• 1:04:22
  Speaker 1: about that in your own head. Because I'm pretty woke
• 1:04:24
  Speaker 1: and I listen to all these and I headed them.
• 1:04:26
  Speaker 1: But if you really think it's serious, go ahead and
• 1:04:28
  Speaker 1: jam me sometimes you know, I'll listen. I'm like, okay,
• 1:04:29
  Speaker 1: I understand, well for most of y'all, leave me alease stop. Also,
• 1:04:36
  Speaker 1: fuck Donald Trump? Oh wait, I'm sorry, I didn't. I
• 1:04:40
  Speaker 1: didn't hear you. What I said was h Trump? Listen
• 1:04:51
  Speaker 1: to that right out to that, guys, congregation Stace scheming God.
• 1:04:59
  Speaker 1: This is has been an Earwolf production in association with
• 1:05:02
  Speaker 1: Team Coco. Scam Goddess is starring Me the Scam Goddess
• 1:05:06
  Speaker 1: aka Lazy Moseley. Scam Goddess is produced by Chelsea Jacobson
• 1:05:10
  Speaker 1: and engineered by Marina Bayez with research by Sherrilyn Vera
• 1:05:13
  Speaker 1: Say scam In